1 00:00:01,800 --> 00:00:04,479 Speaker 1: And that's what you really missed with Jenna. 2 00:00:04,519 --> 00:00:09,520 Speaker 2: And Kevin an iHeartRadio podcast, Welcome to. 3 00:00:09,480 --> 00:00:13,000 Speaker 1: You, and that's what you really missed the Rocky High Likely. 4 00:00:14,400 --> 00:00:18,720 Speaker 1: I'm Jenna, I'm Kevin. Did you like that, Kevin? 5 00:00:18,960 --> 00:00:19,880 Speaker 2: That was really beautiful? 6 00:00:20,000 --> 00:00:22,319 Speaker 1: On theme, I decided I'm going to start using my 7 00:00:22,440 --> 00:00:23,600 Speaker 1: singing muscles again. 8 00:00:25,000 --> 00:00:26,640 Speaker 2: You know you don't have to on the podcast. 9 00:00:32,240 --> 00:00:34,680 Speaker 1: Very good, very very good. 10 00:00:35,720 --> 00:00:42,640 Speaker 2: Yeah, whatever, Okay, So this is our first tribute to 11 00:00:42,680 --> 00:00:44,400 Speaker 2: a musical episode. 12 00:00:45,640 --> 00:00:46,400 Speaker 1: Is it a musical? 13 00:00:48,400 --> 00:00:49,080 Speaker 2: Rocky horror? 14 00:00:49,200 --> 00:00:49,880 Speaker 1: It's a movie? 15 00:00:50,400 --> 00:00:54,880 Speaker 2: Yeah? Is it not? Is that a debate? Is that 16 00:00:54,920 --> 00:00:56,200 Speaker 2: like as a hot dog a sandwich? 17 00:00:56,360 --> 00:00:58,279 Speaker 1: Is that No? No, not as deep as that. But 18 00:00:58,320 --> 00:01:03,960 Speaker 1: I do think I don't know they're singing in it. 19 00:01:03,960 --> 00:01:06,840 Speaker 1: It's a musical, is it? Yes? 20 00:01:07,720 --> 00:01:10,200 Speaker 2: If there was singing, there are performances. It is amazing. 21 00:01:10,200 --> 00:01:13,840 Speaker 1: Czy Jones and six in the six a musical TV show? 22 00:01:13,959 --> 00:01:16,640 Speaker 1: Or is it a TV show with music? I haven't 23 00:01:16,680 --> 00:01:24,080 Speaker 1: seen it. I can't coll Okay, whatever, don't fight, We're 24 00:01:24,160 --> 00:01:27,920 Speaker 1: so spicy. Okay. Anyway, Yes, this is the first tribute 25 00:01:27,920 --> 00:01:30,000 Speaker 1: to a musical. As Kevin McHale said. 26 00:01:30,240 --> 00:01:33,039 Speaker 2: It was also our Halloween episode that originally aired on 27 00:01:33,080 --> 00:01:35,319 Speaker 2: October twenty sixth, twenty ten. 28 00:01:36,440 --> 00:01:38,399 Speaker 1: The number one song was like a G six, so 29 00:01:38,480 --> 00:01:42,880 Speaker 1: we have moved on from Bruno Mars classic song. The 30 00:01:42,959 --> 00:01:46,880 Speaker 1: number one movie was Paranormal Activity. I don't watch scary movies. 31 00:01:48,080 --> 00:01:51,000 Speaker 1: Neither did Kevin. No, absolutely not. But did you see 32 00:01:51,000 --> 00:01:52,800 Speaker 1: this one? No? 33 00:01:52,880 --> 00:01:55,160 Speaker 2: This was the sequel. I saw the first one because 34 00:01:55,200 --> 00:01:58,040 Speaker 2: Leah forced me to watch it, and that was enough. 35 00:01:58,200 --> 00:01:59,880 Speaker 2: That's all I needed. 36 00:01:59,600 --> 00:02:03,640 Speaker 1: To see, right, thousand percent. Don't need to see it, 37 00:02:03,720 --> 00:02:08,680 Speaker 1: don't need to see it, So Glee News This the Week. 38 00:02:09,080 --> 00:02:13,600 Speaker 1: On October twenty eighth, Leah and Matt Morrison performed the 39 00:02:13,720 --> 00:02:17,200 Speaker 1: Rocky Horror thirty fifth anniversary tribute show at the Wiltern 40 00:02:17,320 --> 00:02:20,840 Speaker 1: in La Lee's Janet and Matt was Brad, which is 41 00:02:20,880 --> 00:02:24,680 Speaker 1: kind of weird because mister she is our teacher, but 42 00:02:24,800 --> 00:02:29,480 Speaker 1: not really weird. And Barry Boswick and Tim Curry were 43 00:02:29,600 --> 00:02:33,320 Speaker 1: there amazing raising money for the Paint Eternal Summer Camp 44 00:02:34,120 --> 00:02:36,560 Speaker 1: for children who are terminally ill or chronically ill. So 45 00:02:36,680 --> 00:02:39,200 Speaker 1: that's awesome that they did that. I didn't. I don't 46 00:02:39,200 --> 00:02:41,760 Speaker 1: think I remember that. I don't remember that at all. Cool, 47 00:02:42,200 --> 00:02:45,840 Speaker 1: cool memory. Maybe they didn't tell us about it, yeah. 48 00:02:45,960 --> 00:02:51,400 Speaker 2: So this episode we had a new director and this 49 00:02:51,600 --> 00:02:52,880 Speaker 2: was his first episode with this. 50 00:02:53,480 --> 00:02:55,360 Speaker 1: Now a friend, a wonderful friend. 51 00:02:56,560 --> 00:02:56,840 Speaker 2: Adam. 52 00:02:58,080 --> 00:03:02,240 Speaker 1: Yeah, Adam Shankman, who directed a million other movies that 53 00:03:02,720 --> 00:03:07,960 Speaker 1: you love, made a wedding planner. Sorry, yeah, the wedding 54 00:03:08,000 --> 00:03:11,600 Speaker 1: planner A Walk to Remember. I mean, that was the 55 00:03:11,639 --> 00:03:13,720 Speaker 1: one that locked me in. I was like, and he 56 00:03:13,760 --> 00:03:16,800 Speaker 1: always makes a cameo in all of his stuff. Does 57 00:03:17,000 --> 00:03:17,760 Speaker 1: you notice him? 58 00:03:17,840 --> 00:03:18,040 Speaker 2: Oh? 59 00:03:18,120 --> 00:03:21,960 Speaker 1: Yeah, he's in a Walk to Remember. I can't remember 60 00:03:22,160 --> 00:03:26,520 Speaker 1: where he was, definitely in wedding planner, I just don't 61 00:03:26,520 --> 00:03:30,920 Speaker 1: remember where. And then I think he tried to get 62 00:03:31,000 --> 00:03:33,920 Speaker 1: himself engly and I don't remember if he actually got 63 00:03:33,960 --> 00:03:35,760 Speaker 1: himself in, but he always tries. 64 00:03:36,080 --> 00:03:38,520 Speaker 2: And he most recently directed Disenchanted. 65 00:03:38,600 --> 00:03:41,280 Speaker 1: I mean a million things. He produced the new hocus 66 00:03:41,280 --> 00:03:46,320 Speaker 1: Pocus revival reboot, whatever you want to call it, Kevin. 67 00:03:46,360 --> 00:03:52,320 Speaker 1: We also went to a couple of folloween parties. We 68 00:03:52,360 --> 00:03:58,600 Speaker 1: sure did. There was Aaron Krueger mkesh's our key makeup 69 00:03:59,600 --> 00:04:04,520 Speaker 1: friend who throws like the most epic holloween parties. We 70 00:04:04,560 --> 00:04:07,560 Speaker 1: went to her party. What do we dress up that as? That? 71 00:04:07,560 --> 00:04:07,960 Speaker 1: That year? 72 00:04:09,080 --> 00:04:11,040 Speaker 2: Was that? The year that we did it? 73 00:04:11,120 --> 00:04:15,920 Speaker 1: Wasts No, I wasn't in rugrats. Oh what you resist? 74 00:04:16,000 --> 00:04:17,880 Speaker 1: Then this was the gingerbread man. 75 00:04:17,960 --> 00:04:19,080 Speaker 2: This was the cheap one. 76 00:04:19,520 --> 00:04:24,640 Speaker 1: Yes, so I I actually pulled this together thanks to 77 00:04:24,680 --> 00:04:27,839 Speaker 1: the props department at Glee. I got a stethoscope and 78 00:04:28,520 --> 00:04:32,080 Speaker 1: a name tag. And I was Christina Yang from Grey's Anatomy. 79 00:04:33,640 --> 00:04:40,039 Speaker 1: Thank you props. And Kevin was the Walmart gingerbread Man, 80 00:04:40,720 --> 00:04:44,839 Speaker 1: not the buttons. Naya was the girl in the box. 81 00:04:45,760 --> 00:04:50,760 Speaker 1: In the box, she looked fabulous. Yea. At some point 82 00:04:50,920 --> 00:04:53,640 Speaker 1: it ended up that you were in the box and 83 00:04:53,760 --> 00:04:56,839 Speaker 1: she was wearing the gingerbread. Yeah. 84 00:04:57,200 --> 00:05:00,440 Speaker 2: And I and I switching outfits. 85 00:05:00,040 --> 00:05:04,839 Speaker 1: Always always, always, always. And then Telly was Ursula and 86 00:05:04,880 --> 00:05:06,280 Speaker 1: he spent a lot of time on his. 87 00:05:06,279 --> 00:05:09,040 Speaker 2: Costume in your bathroom, didn't because I remember to our 88 00:05:09,080 --> 00:05:11,320 Speaker 2: house to get ready, right? Did this help him get ready? 89 00:05:11,360 --> 00:05:13,920 Speaker 1: Yeah? We did his makeup. Nia and I each took 90 00:05:13,960 --> 00:05:17,240 Speaker 1: one eye and we just puffed like all this crazy face. 91 00:05:17,760 --> 00:05:19,680 Speaker 1: But he took a lot of time in creating his 92 00:05:19,760 --> 00:05:24,960 Speaker 1: costume in weeks before. So Aaron helped him airbrush the 93 00:05:25,000 --> 00:05:28,120 Speaker 1: tentacles and put the little suctions on the tentacles. He 94 00:05:28,279 --> 00:05:32,080 Speaker 1: stuffed the tentacles anyway, we could go on about this party, 95 00:05:32,120 --> 00:05:35,640 Speaker 1: but it was. It was one for the books. Nia 96 00:05:35,640 --> 00:05:39,440 Speaker 1: and I also went to Diana's Halloween party like two 97 00:05:39,520 --> 00:05:45,880 Speaker 1: nights before that. Oh, we're tootored and booted. Did I 98 00:05:45,960 --> 00:05:48,719 Speaker 1: go to that one? I don't think so. 99 00:05:50,040 --> 00:05:51,680 Speaker 2: What was the one that she had at like her 100 00:05:51,680 --> 00:05:54,800 Speaker 2: Alice in Wonderland house and Grant and I a dress 101 00:05:54,839 --> 00:05:58,159 Speaker 2: as the same like sad clown. That was my birthday. 102 00:05:57,720 --> 00:06:01,440 Speaker 1: Party, wasn't it? Oh no, no, no, that was the 103 00:06:01,480 --> 00:06:03,960 Speaker 1: one me and Diana threw together. So Diane and I 104 00:06:04,000 --> 00:06:06,520 Speaker 1: threw a Halloween party. Everybody always remembers it Diana's because 105 00:06:06,520 --> 00:06:08,160 Speaker 1: it was her house. But we threw that together. 106 00:06:08,600 --> 00:06:12,600 Speaker 2: Oh really, mm hmmm, because you're already gone, Grant came over, 107 00:06:12,720 --> 00:06:15,120 Speaker 2: We got ready together, made up a costume right before. 108 00:06:15,520 --> 00:06:19,480 Speaker 1: That's right with your little tear jobs. Yes, yes, Diana 109 00:06:19,600 --> 00:06:23,120 Speaker 1: loved the party. But she threw a Halloween party and 110 00:06:23,240 --> 00:06:25,080 Speaker 1: I and I last minute, we're like, we're gonna go, 111 00:06:25,120 --> 00:06:26,839 Speaker 1: and she didn't have any furniture in the house yet, 112 00:06:26,880 --> 00:06:29,719 Speaker 1: so that's right. We were just dancing away. It was 113 00:06:29,760 --> 00:06:33,040 Speaker 1: really fun. Lots of Halloween stuff. 114 00:06:32,839 --> 00:06:39,360 Speaker 2: So much fun Halloween stuff. This episode also has some 115 00:06:39,440 --> 00:06:44,479 Speaker 2: great cameos from actual Rocky Horror people. Barry Bosswic and 116 00:06:44,520 --> 00:06:49,200 Speaker 2: meat Loaf are both in this episode. Recording Nick Sylvester 117 00:06:50,120 --> 00:06:53,040 Speaker 2: John Stamos is back and just crushing it and singing 118 00:06:53,080 --> 00:06:54,000 Speaker 2: his face off. 119 00:06:54,400 --> 00:06:59,840 Speaker 1: Obviously, and all the songs are I'm thinking, like the 120 00:07:00,120 --> 00:07:02,560 Speaker 1: God that's not like all Rocky hartr. And then there's 121 00:07:02,680 --> 00:07:08,560 Speaker 1: one song like like Brittany, Like Brittany with at the 122 00:07:08,640 --> 00:07:13,920 Speaker 1: end of Rocky Heart. There's only exception. Again, we had 123 00:07:14,040 --> 00:07:19,320 Speaker 1: science fiction double feature. There's a light damn it, Janet, 124 00:07:19,480 --> 00:07:22,800 Speaker 1: what happened to Saturday Night? Sweet Transpatite to touch Me 125 00:07:23,560 --> 00:07:26,200 Speaker 1: time Warp? What a lineup? 126 00:07:27,240 --> 00:07:30,760 Speaker 2: I mean, I have such distinct memories of some of these. Yes, 127 00:07:31,240 --> 00:07:32,120 Speaker 2: it's pretty crazy. 128 00:07:32,840 --> 00:07:36,720 Speaker 1: What a fun episode. It was also so hard this episode. 129 00:07:37,080 --> 00:07:39,360 Speaker 2: Yeah, I feel like that's that's what this is gonna be. 130 00:07:40,520 --> 00:07:45,520 Speaker 2: So there's not a lot of story, right, not a 131 00:07:45,520 --> 00:07:48,520 Speaker 2: lot of huge changes, but here we go. So okay, 132 00:07:49,400 --> 00:07:53,040 Speaker 2: Will learns that Emma loves Rocky Horror Picture Show and 133 00:07:53,120 --> 00:07:57,200 Speaker 2: has been going to it with Carl, and he gets 134 00:07:57,600 --> 00:08:01,680 Speaker 2: seethingly jealous. So he decides to make this week's Glee assignment. 135 00:08:02,080 --> 00:08:04,240 Speaker 2: I'm doing the Rocky Horror Picture show as they're musical, 136 00:08:05,600 --> 00:08:10,400 Speaker 2: and he goes to cast it, and then Finn gets 137 00:08:10,400 --> 00:08:13,440 Speaker 2: a little worried about his image. Will gets in trouble 138 00:08:13,440 --> 00:08:16,560 Speaker 2: with Carl and Sue is obviously trying to bring down 139 00:08:16,600 --> 00:08:17,920 Speaker 2: the Glee Club again. 140 00:08:18,160 --> 00:08:29,320 Speaker 1: Always okay, Rocky horror casting that. Yeah, So Frankenforter was 141 00:08:30,120 --> 00:08:33,760 Speaker 1: Mike Chang. He was no longer allowed to play it 142 00:08:33,800 --> 00:08:36,600 Speaker 1: because his parents didn't know, and so Mercedes takes that 143 00:08:36,720 --> 00:08:42,240 Speaker 1: one on. We've got Janet who Rachel plays Brad is 144 00:08:42,280 --> 00:08:45,560 Speaker 1: Finn or Finn is Brad, Kurt is riff Raff, which 145 00:08:45,640 --> 00:08:50,520 Speaker 1: is so good. I remember Chris really loving Rocky Heart right, Yes, 146 00:08:50,760 --> 00:08:53,640 Speaker 1: he's very excited to play Rifraf. Quentin Santana, we're double 147 00:08:53,679 --> 00:08:57,199 Speaker 1: casteris Magenta. Tina and Brittany were double casters Columbia, Sam 148 00:08:57,240 --> 00:09:01,080 Speaker 1: and Will were both Rocky and Carl and Mike rore Eddie. 149 00:09:02,360 --> 00:09:06,679 Speaker 1: And then we've got the usher at Trixie with Santana 150 00:09:06,800 --> 00:09:10,560 Speaker 1: and the Transylvanians were Mercedes, Tina, Quinn and Artie. So 151 00:09:10,600 --> 00:09:13,640 Speaker 1: we were playing a lot of characters because there's only 152 00:09:13,800 --> 00:09:17,640 Speaker 1: so many test members. So I know that Staymos had 153 00:09:17,679 --> 00:09:20,720 Speaker 1: mentioned that he was supposed to play Frankfurter at one point, 154 00:09:20,800 --> 00:09:24,880 Speaker 1: and it kind of got cabashed early on, and so 155 00:09:25,520 --> 00:09:30,920 Speaker 1: I asked Ian what he remembered from that time, and 156 00:09:31,080 --> 00:09:33,160 Speaker 1: he wrote me a voice note, but it didn't work, 157 00:09:33,280 --> 00:09:36,240 Speaker 1: so he texted it to me. So I'm just gonna 158 00:09:36,280 --> 00:09:38,199 Speaker 1: read what he said, or part of what he said. 159 00:09:39,679 --> 00:09:41,520 Speaker 1: He said, Oh my god, I think this is the 160 00:09:41,559 --> 00:09:44,480 Speaker 1: first time I've ever done a voice text because I'm 161 00:09:44,520 --> 00:09:50,840 Speaker 1: one million years old. I don't remember what happened, but 162 00:09:51,520 --> 00:09:57,360 Speaker 1: my voice is really foggy. I sound like a sexy lady. 163 00:09:57,920 --> 00:10:02,400 Speaker 1: I might be conflating with plot of the show. My 164 00:10:02,559 --> 00:10:05,760 Speaker 1: gut when you first asked that question was like, I 165 00:10:05,800 --> 00:10:08,240 Speaker 1: think it was a note from the studio or the network, 166 00:10:08,280 --> 00:10:10,320 Speaker 1: like we can't have a grown up man cavorting in, 167 00:10:10,440 --> 00:10:16,960 Speaker 1: like I don't know with television teenagers, So which is 168 00:10:16,960 --> 00:10:22,520 Speaker 1: what we thought, right, And then he said that it 169 00:10:22,559 --> 00:10:27,920 Speaker 1: was other than that, It was a really fun episode 170 00:10:28,240 --> 00:10:31,160 Speaker 1: but hard to write because there were changes like that, 171 00:10:31,840 --> 00:10:34,520 Speaker 1: and he was like, oh, wait, we're not doing that now, 172 00:10:34,920 --> 00:10:36,959 Speaker 1: and then so trying to figure out who was cast 173 00:10:37,000 --> 00:10:43,560 Speaker 1: as what was really weird. So that's basically what he said. 174 00:10:43,600 --> 00:10:45,760 Speaker 1: That was like being in Ian's brain for one second. 175 00:10:46,880 --> 00:10:49,600 Speaker 1: So what I took from that was it sounded like 176 00:10:49,600 --> 00:10:52,600 Speaker 1: a studio network note that like it couldn't be a 177 00:10:52,640 --> 00:10:55,840 Speaker 1: grown man playing a part, which is why Eddie. He 178 00:10:55,920 --> 00:10:59,439 Speaker 1: became Eddie. Then Harry became Eddie and it didn't work 179 00:10:59,440 --> 00:11:02,439 Speaker 1: out at all. So before we did this, I had 180 00:11:02,480 --> 00:11:05,680 Speaker 1: never seen Rocky Horror. And you sat me down at 181 00:11:05,720 --> 00:11:10,360 Speaker 1: our house and we watched it together. We did yeah, 182 00:11:10,360 --> 00:11:12,880 Speaker 1: and I was like what. And I was like, you 183 00:11:12,880 --> 00:11:15,920 Speaker 1: don't get this unless there's a performances. That's right. I 184 00:11:16,640 --> 00:11:21,200 Speaker 1: have to see it until two thousand and five four, 185 00:11:22,840 --> 00:11:24,720 Speaker 1: so I was only a little bit behind you or 186 00:11:24,800 --> 00:11:32,280 Speaker 1: ahead of you. My college had the orientation week. One 187 00:11:32,360 --> 00:11:34,679 Speaker 1: of the nights or the first night was you go 188 00:11:34,760 --> 00:11:38,720 Speaker 1: to see Rocky Horror performed such a musical theater school, 189 00:11:39,840 --> 00:11:41,280 Speaker 1: so we want it like midnight we watched. 190 00:11:43,520 --> 00:11:50,240 Speaker 2: Okay, I gotta say, Adam Shankman crushed this episode. I mean, 191 00:11:50,720 --> 00:11:53,079 Speaker 2: and I noticed something this time that I've I haven't 192 00:11:53,120 --> 00:11:56,880 Speaker 2: noticed before that Maybe I just didn't I wasn't paying attention. 193 00:11:57,240 --> 00:12:02,320 Speaker 2: But everything Adam Shankman directs makes you feel good. I 194 00:12:02,360 --> 00:12:04,560 Speaker 2: don't know if I don't know how you know we 195 00:12:04,640 --> 00:12:08,360 Speaker 2: have the same writers doing everything the same directors coming 196 00:12:08,360 --> 00:12:11,240 Speaker 2: in and out, and maybe it's just this episode is that, 197 00:12:12,120 --> 00:12:14,079 Speaker 2: and we'll see when we get to other Shankman episodes, 198 00:12:14,160 --> 00:12:17,920 Speaker 2: but okay, let's clock it. I feel I felt like 199 00:12:17,960 --> 00:12:20,880 Speaker 2: I was wrapped in a warm blanket, like it was 200 00:12:20,920 --> 00:12:23,840 Speaker 2: just like a really pleasant episode, as crazy as rocky 201 00:12:23,880 --> 00:12:30,880 Speaker 2: horror is, right, it just felt nice and warm, and. 202 00:12:29,559 --> 00:12:33,840 Speaker 1: That is interesting. Well, he also felt made us feel 203 00:12:33,960 --> 00:12:35,720 Speaker 1: that way. Yes, behind me. 204 00:12:35,800 --> 00:12:38,640 Speaker 2: He changed things up. So we had Eric Stultz the 205 00:12:38,640 --> 00:12:42,040 Speaker 2: week before, who obviously had his you know, rules and 206 00:12:42,120 --> 00:12:46,079 Speaker 2: things that he liked. Shankman, who comes from his choreographer 207 00:12:46,080 --> 00:12:48,920 Speaker 2: originally comes from the music world. He was in the 208 00:12:48,960 --> 00:12:52,960 Speaker 2: recording studio with us, which never happened, that's right. That 209 00:12:53,040 --> 00:12:54,600 Speaker 2: was the first time a director had been the recording 210 00:12:54,600 --> 00:12:58,000 Speaker 2: studio with us since Ryan during the pilot So Funny 211 00:12:58,360 --> 00:13:04,600 Speaker 2: or the first Showman. So he really knew exactly who 212 00:13:04,679 --> 00:13:07,040 Speaker 2: was going to be singing what at what time and 213 00:13:07,160 --> 00:13:10,440 Speaker 2: every single shot to plan all these things out. And 214 00:13:10,559 --> 00:13:13,080 Speaker 2: it was very nerve wracking because you know, he's a 215 00:13:13,080 --> 00:13:15,360 Speaker 2: big deal and I met him in this recording studio, 216 00:13:15,360 --> 00:13:17,400 Speaker 2: I was like, oh God, and I really had anything 217 00:13:17,480 --> 00:13:21,120 Speaker 2: like to the left so that's all I had to say. 218 00:13:21,240 --> 00:13:23,640 Speaker 1: Well, and him and Zach also worked together a lot 219 00:13:23,800 --> 00:13:27,840 Speaker 1: back in the movie and yeah, so that was nice. 220 00:13:28,080 --> 00:13:31,680 Speaker 1: Like Zach was like, oh yeah right, he was like, 221 00:13:31,880 --> 00:13:35,640 Speaker 1: you know, oh yeah, Shankan's coming. Like at that point, 222 00:13:35,760 --> 00:13:38,440 Speaker 1: anybody's actually yeah, great and this is my friend. I've 223 00:13:38,440 --> 00:13:40,120 Speaker 1: worked with this person. You're like, great, come on in, 224 00:13:40,280 --> 00:13:45,480 Speaker 1: join join the party. So Shankman became one of our 225 00:13:45,600 --> 00:13:49,160 Speaker 1: favorites and just like a really good friends human and yeah, 226 00:13:49,160 --> 00:13:52,800 Speaker 1: a really good friend. And he worked with Naya on 227 00:13:53,960 --> 00:14:10,840 Speaker 1: uh step up. Also postally, I think most of this 228 00:14:11,160 --> 00:14:16,560 Speaker 1: episode plot wise, I mean I think I know it 229 00:14:16,720 --> 00:14:21,880 Speaker 1: revolves mainly around the production of the musical because we've 230 00:14:21,920 --> 00:14:24,600 Speaker 1: never done a tribute to a musical. We've never done 231 00:14:24,760 --> 00:14:30,400 Speaker 1: a musical in school at all. So it was I 232 00:14:30,440 --> 00:14:33,040 Speaker 1: was like, oh, well, the school does musicals now, so 233 00:14:35,080 --> 00:14:36,640 Speaker 1: do we do that again? Do we ever do it again? 234 00:14:37,160 --> 00:14:39,560 Speaker 1: I don't think so. I don't think we'll have to 235 00:14:39,560 --> 00:14:44,480 Speaker 1: discover the mule. Well, no, that's wrong, because Sandy Ryerson did. 236 00:14:44,840 --> 00:14:45,840 Speaker 2: Wed a story. 237 00:14:46,160 --> 00:14:47,880 Speaker 1: We did West I started and then we did care 238 00:14:47,880 --> 00:14:52,480 Speaker 1: About last year. We did Greece too. Yeah we suck 239 00:14:52,560 --> 00:14:55,400 Speaker 1: Okay anyway, so. 240 00:14:54,680 --> 00:14:57,280 Speaker 2: The musical is making everybody feel some type of way, 241 00:14:58,560 --> 00:15:02,640 Speaker 2: that one of them being Will, you know, getting jealous 242 00:15:02,840 --> 00:15:07,360 Speaker 2: because he sees Carl is making Jama Emma feel better 243 00:15:07,400 --> 00:15:09,680 Speaker 2: because they're going to these rocky horror screenings, which is 244 00:15:09,680 --> 00:15:11,600 Speaker 2: a real thing. You go at midnight and people scream 245 00:15:11,640 --> 00:15:15,000 Speaker 2: and participate in dress up. She left the crust on 246 00:15:15,040 --> 00:15:19,040 Speaker 2: her sandwich at lunch and again is using the glee 247 00:15:19,080 --> 00:15:26,040 Speaker 2: club for personal gain, which has happened, and somehow ropes 248 00:15:26,120 --> 00:15:30,480 Speaker 2: Carl and Emma into being a part of the actual 249 00:15:30,680 --> 00:15:34,280 Speaker 2: show and helping cast it and do the costumes. It's 250 00:15:34,280 --> 00:15:41,400 Speaker 2: a weird, weird thing, weird dynamic, and Carl ends up 251 00:15:41,440 --> 00:15:48,880 Speaker 2: getting pissed at Will. We'll get to that. But this 252 00:15:49,000 --> 00:15:53,720 Speaker 2: episode starts with Naya's lips singing and it is so good. 253 00:15:56,120 --> 00:15:58,800 Speaker 1: She's so good at stuff like this. Yeah, it's like 254 00:15:58,840 --> 00:16:02,800 Speaker 1: also to her teeth look great, I mean, her lips 255 00:16:02,800 --> 00:16:04,840 Speaker 1: look great, and her tea looked great. It was a 256 00:16:04,880 --> 00:16:09,200 Speaker 1: great shot. I remember them doing this and she stayed 257 00:16:09,240 --> 00:16:12,080 Speaker 1: after at the end of the day and she had 258 00:16:12,160 --> 00:16:16,920 Speaker 1: like a black around her lips and it was just 259 00:16:17,520 --> 00:16:19,960 Speaker 1: it's i mean, always so good. 260 00:16:21,360 --> 00:16:22,920 Speaker 2: It was so much fun to get to see everybody 261 00:16:22,920 --> 00:16:25,880 Speaker 2: play this too was as amazing. 262 00:16:26,600 --> 00:16:28,520 Speaker 1: We we just got to like take it to the 263 00:16:28,680 --> 00:16:32,880 Speaker 1: endth degree, right, Everything was like heightened even more than 264 00:16:32,920 --> 00:16:35,680 Speaker 1: it's already normally heightened on our show, and so that 265 00:16:35,800 --> 00:16:40,920 Speaker 1: was fun. And so this episode plays the first half 266 00:16:40,920 --> 00:16:44,760 Speaker 1: plays in a flashback of what happens. So we open 267 00:16:44,880 --> 00:16:48,560 Speaker 1: with Carl kind of coming in interrupting the dress rehearsal 268 00:16:48,680 --> 00:16:54,040 Speaker 1: because Will broke their pact of trying to say, staying 269 00:16:54,080 --> 00:16:56,640 Speaker 1: away from Emma and not messing with their relationship. 270 00:16:56,920 --> 00:16:57,960 Speaker 2: Do you remember filming this. 271 00:17:01,040 --> 00:17:04,400 Speaker 1: Briefly? This is vaguely. 272 00:17:04,920 --> 00:17:07,439 Speaker 2: I don't know why. My strongest memory of anything with 273 00:17:07,480 --> 00:17:11,520 Speaker 2: this episode is this scene, really because we were back 274 00:17:11,640 --> 00:17:17,560 Speaker 2: behind those like wooden cutouts of bushes and trees and 275 00:17:17,600 --> 00:17:23,600 Speaker 2: things what felt like for eternity that's right, for so long, 276 00:17:24,480 --> 00:17:28,760 Speaker 2: and I remember it was early days of working with Adams, 277 00:17:28,760 --> 00:17:31,080 Speaker 2: so we didn't really know how he worked yet. And 278 00:17:31,280 --> 00:17:35,159 Speaker 2: when they're shooting wide onto the stage, you know, the 279 00:17:35,200 --> 00:17:37,639 Speaker 2: cameras are far away from us, and so we didn't 280 00:17:37,640 --> 00:17:41,520 Speaker 2: know what was going on, and we just kept doing 281 00:17:41,520 --> 00:17:44,199 Speaker 2: the same things over and over and over, like peeking 282 00:17:44,200 --> 00:17:46,159 Speaker 2: out of the bushes, and then we were like all 283 00:17:46,200 --> 00:17:48,800 Speaker 2: taking pictures of each other. And I remember the picture taking. 284 00:17:48,880 --> 00:17:50,960 Speaker 2: I definitely remember that I have some of those photos too, 285 00:17:51,080 --> 00:17:54,000 Speaker 2: And like the stage was filled with all that fog 286 00:17:54,080 --> 00:17:57,960 Speaker 2: and people were like, it's making me sick, and I 287 00:17:58,040 --> 00:17:59,960 Speaker 2: just felt like we were back there for an entire day. 288 00:18:00,119 --> 00:18:04,160 Speaker 2: And it seems like such a quick scene, an easy scene, right, 289 00:18:04,240 --> 00:18:05,280 Speaker 2: and we were miserable. 290 00:18:05,400 --> 00:18:07,600 Speaker 1: Well, there are also like a couple of parts to it, right. 291 00:18:07,600 --> 00:18:09,240 Speaker 1: You have like them in the back of the you 292 00:18:09,320 --> 00:18:12,679 Speaker 1: had chords entrance in sam in the gold, you know, 293 00:18:13,800 --> 00:18:16,680 Speaker 1: bikini shorts or whatever you call them, And he still 294 00:18:16,720 --> 00:18:18,520 Speaker 1: has those, you know. He always tells me that when 295 00:18:18,520 --> 00:18:20,720 Speaker 1: I see him, and he. 296 00:18:20,720 --> 00:18:22,320 Speaker 2: Keeps threatening us to put them back on. 297 00:18:22,480 --> 00:18:27,679 Speaker 1: That's right, put them back on, Cordy, put them back on. Okay. 298 00:18:27,720 --> 00:18:31,359 Speaker 1: So yes, I do remembe that now. And I remember 299 00:18:31,359 --> 00:18:33,200 Speaker 1: Shank fin like hanging out with us a lot during 300 00:18:33,240 --> 00:18:35,600 Speaker 1: the day. Oh, he's really on stage with us. He's 301 00:18:35,680 --> 00:18:41,879 Speaker 1: very involved in it. Okay. So so then we rewind 302 00:18:42,320 --> 00:18:46,520 Speaker 1: to a week ago. We flashed back where we learned 303 00:18:46,520 --> 00:18:49,159 Speaker 1: that Will is talking to Emma, and he learns that 304 00:18:49,200 --> 00:18:51,639 Speaker 1: Emma has been doing all these crazy things, like you said, 305 00:18:51,680 --> 00:18:54,119 Speaker 1: and you know, really taking herself out of her comfort 306 00:18:54,200 --> 00:18:58,280 Speaker 1: zone and going to the rocker horror shows. And that's 307 00:18:58,320 --> 00:19:00,840 Speaker 1: where Will gets his idea to do it as a 308 00:19:00,840 --> 00:19:06,359 Speaker 1: school musical with his own agenda, and obviously the glee club. 309 00:19:06,800 --> 00:19:09,400 Speaker 1: We are very surprised to hear that we are doing 310 00:19:09,440 --> 00:19:13,480 Speaker 1: rocky horror, but like, sure, you know, it's like watching 311 00:19:13,600 --> 00:19:16,080 Speaker 1: Going Home and watching MTP. You're like, yeah, I get 312 00:19:16,160 --> 00:19:18,439 Speaker 1: to do something fun and racy and out of my 313 00:19:19,920 --> 00:19:24,400 Speaker 1: age range or acceptable age range. So we get into 314 00:19:24,440 --> 00:19:32,720 Speaker 1: the casting obviously, Rin Rin, Oh that's new is Rachel 315 00:19:32,720 --> 00:19:34,520 Speaker 1: and Finn are Brad and Janet. 316 00:19:35,640 --> 00:19:38,880 Speaker 2: I loved getting to watch them do damn it Jennet. 317 00:19:38,560 --> 00:19:40,440 Speaker 1: Oh my god, it's so good. 318 00:19:40,920 --> 00:19:43,720 Speaker 2: It's very much. You know two episodes ago where they 319 00:19:43,840 --> 00:19:47,359 Speaker 2: were sabotaging themselves doing that terrible number and it felt 320 00:19:47,400 --> 00:19:49,000 Speaker 2: like that sort of camp and it was. 321 00:19:49,640 --> 00:19:54,280 Speaker 1: And then and then Quinn, Mercedes and Kurt also playing 322 00:19:56,359 --> 00:19:59,520 Speaker 1: in the background of playing such weird things, and I 323 00:19:59,520 --> 00:20:02,359 Speaker 1: remember laughing at this, like watching them shoot this and 324 00:20:02,400 --> 00:20:03,840 Speaker 1: being like this is ridiculous. 325 00:20:03,920 --> 00:20:06,480 Speaker 2: They were doing so much, so much fun. Yes, I 326 00:20:06,520 --> 00:20:10,760 Speaker 2: remember Diana and Chris particularly really thriving this episode. 327 00:20:10,920 --> 00:20:16,280 Speaker 1: That's right, that's what this is very much in their wheel. Yes, definitely. 328 00:20:16,359 --> 00:20:19,720 Speaker 2: There are a couple of little talented, talented weirdos and 329 00:20:19,760 --> 00:20:23,040 Speaker 2: this is perfect for them. 330 00:20:23,119 --> 00:20:26,040 Speaker 1: So we get to see that that number, which is 331 00:20:26,040 --> 00:20:31,480 Speaker 1: really fun. And then where are we now? We we 332 00:20:31,520 --> 00:20:35,200 Speaker 1: finished the casting, right, Mike volunteers. He's feeling very confident, 333 00:20:35,359 --> 00:20:37,400 Speaker 1: so he's going to play Frank and Furter for now, 334 00:20:37,720 --> 00:20:43,000 Speaker 1: and then we double cast all the girls, which happens, 335 00:20:43,040 --> 00:20:48,119 Speaker 1: and then we watched Damna, Jennet Mercedes. Wait, is this 336 00:20:48,160 --> 00:20:50,160 Speaker 1: where Mercedes steps up? Also? Yes? 337 00:20:50,520 --> 00:20:52,840 Speaker 2: Oh yeah, let's just talk about that because I mean 338 00:20:53,280 --> 00:20:55,119 Speaker 2: it goes a couple of ways. Carl is going to 339 00:20:55,119 --> 00:20:59,840 Speaker 2: play Frankenfurter. Well, let's talk about KRL coming in for 340 00:21:00,280 --> 00:21:07,120 Speaker 2: because that's what happens first. So Carl threatens, you know, 341 00:21:07,280 --> 00:21:11,199 Speaker 2: everyone with a good time, and Emma puts him up 342 00:21:11,200 --> 00:21:16,680 Speaker 2: to singing opportunity in the classroom with everyone, which you 343 00:21:16,720 --> 00:21:19,720 Speaker 2: know Stamos talked about being nervous doing, and you watch 344 00:21:19,720 --> 00:21:22,119 Speaker 2: it and he's just so effortlessly. 345 00:21:21,600 --> 00:21:22,920 Speaker 1: Cool and good. 346 00:21:23,280 --> 00:21:27,600 Speaker 2: Yeah, does this incredible number? And then we was like, well, 347 00:21:27,640 --> 00:21:29,760 Speaker 2: I cut that character from the script, so. 348 00:21:31,200 --> 00:21:34,480 Speaker 1: Will really has it owl for Carl? 349 00:21:34,560 --> 00:21:36,600 Speaker 2: Now I mean, who wouldn't be jealous of Stamos. 350 00:21:36,680 --> 00:21:38,760 Speaker 1: Yeah, but it didn't seem that way. Like two episodes ago, 351 00:21:38,800 --> 00:21:40,600 Speaker 1: he's like cool, but now he's. 352 00:21:40,400 --> 00:21:45,639 Speaker 2: Like he's coming for it exactly. And Sue happens to 353 00:21:45,680 --> 00:21:48,000 Speaker 2: be there and it's like, no, this is great because 354 00:21:49,080 --> 00:21:52,200 Speaker 2: we can still have this character. And Mercedes steps up 355 00:21:52,440 --> 00:21:54,520 Speaker 2: and it's like I would like to play lead and 356 00:21:54,600 --> 00:22:01,800 Speaker 2: I think I could kill doing sweet transvestite, which she does. 357 00:22:03,440 --> 00:22:09,359 Speaker 2: I mean, she loved doing this. It was so so good. 358 00:22:09,840 --> 00:22:12,879 Speaker 2: One of the best versions. Like when we've taken a 359 00:22:12,920 --> 00:22:14,800 Speaker 2: song and done our own version. I think this is 360 00:22:14,840 --> 00:22:16,080 Speaker 2: one of the best adaptations. 361 00:22:16,400 --> 00:22:20,720 Speaker 1: Also, watching Heather and Nya behind her the remember we're 362 00:22:20,720 --> 00:22:22,800 Speaker 1: doing so hard and we were watching it and we 363 00:22:22,840 --> 00:22:24,879 Speaker 1: got to like kind of hang out there and like 364 00:22:25,440 --> 00:22:27,480 Speaker 1: you're in your chair, I'm in the I'm in the 365 00:22:27,520 --> 00:22:33,520 Speaker 1: back chair. We're just we're just audience members at this point. Also, 366 00:22:33,560 --> 00:22:39,000 Speaker 1: I'd like to point out Mercedes getting an elevator in 367 00:22:39,040 --> 00:22:42,120 Speaker 1: this production. Where did this set come from? And who 368 00:22:42,200 --> 00:22:48,119 Speaker 1: funded it? Because this pretty budget. No, like clubs budgets 369 00:22:48,160 --> 00:22:51,240 Speaker 1: are getting cut because there's a new football coach, and 370 00:22:51,359 --> 00:22:54,760 Speaker 1: yet we had a gigantic set with an elevator that 371 00:22:54,880 --> 00:22:58,040 Speaker 1: never gets seen by an audience because the show gets canned. 372 00:22:59,240 --> 00:23:00,960 Speaker 1: And like, when did to get built? When did he 373 00:23:01,000 --> 00:23:03,560 Speaker 1: get built? I want to know, we're all stagecraft. When 374 00:23:03,600 --> 00:23:04,320 Speaker 1: did they build this? 375 00:23:04,480 --> 00:23:07,879 Speaker 2: The timeline was very fuzzy in this episode. 376 00:23:08,359 --> 00:23:10,600 Speaker 1: It's like I dream of Genie NEETs Glee. 377 00:23:10,920 --> 00:23:15,480 Speaker 2: Yeah, but that set was incredible, amazing, and it was 378 00:23:15,520 --> 00:23:15,960 Speaker 2: just killed. 379 00:23:16,480 --> 00:23:16,800 Speaker 1: Yeah. 380 00:23:16,920 --> 00:23:20,480 Speaker 2: I mean there was the other scene that happens on 381 00:23:21,119 --> 00:23:26,360 Speaker 2: that set where we're doing the bread, you know, that 382 00:23:26,400 --> 00:23:29,360 Speaker 2: sort of thing. That's when I looked over at you 383 00:23:30,119 --> 00:23:31,560 Speaker 2: and it was you and somebody else. 384 00:23:31,440 --> 00:23:35,440 Speaker 1: Like, we're over this. We got to get out of here. 385 00:23:38,520 --> 00:23:42,280 Speaker 2: Because you guys were in the most uncomfortable costumes and wigs. 386 00:23:42,640 --> 00:23:45,800 Speaker 1: It was Heather. It was me and Heather. I to 387 00:23:45,880 --> 00:23:48,520 Speaker 1: that outfit that I had, the sequin outfit that Heather 388 00:23:48,600 --> 00:23:52,760 Speaker 1: and I were double cast as Columbia the tap dancer. Yeah. 389 00:23:52,840 --> 00:23:57,080 Speaker 1: I felt like a clown, like a like a like 390 00:23:57,119 --> 00:24:03,359 Speaker 1: a Korean grandma clap. You were not down, not happy. 391 00:24:03,480 --> 00:24:05,200 Speaker 1: I don't like wigs. Number one, I don't like to 392 00:24:05,240 --> 00:24:07,199 Speaker 1: wear wigs, nake the head of g I don't I 393 00:24:07,200 --> 00:24:09,400 Speaker 1: don't like things on me. I don't like a lot 394 00:24:09,400 --> 00:24:15,560 Speaker 1: of costumes. The makeup was very out not my favorite, 395 00:24:15,800 --> 00:24:20,360 Speaker 1: and I remember Heather and I both being very uncomfortable. 396 00:24:20,600 --> 00:24:23,520 Speaker 1: And during the time warp when we were doing the 397 00:24:23,520 --> 00:24:25,359 Speaker 1: time warp, we were there untill like one am, and 398 00:24:25,400 --> 00:24:29,680 Speaker 1: I remember it took a really long time. It looked unreal. 399 00:24:30,000 --> 00:24:32,959 Speaker 1: I watched it and I was like, Wow, this is awesome, 400 00:24:33,000 --> 00:24:35,400 Speaker 1: and everybody was giving one hundred and ten percent even 401 00:24:35,440 --> 00:24:36,160 Speaker 1: though we were talking. 402 00:24:36,200 --> 00:24:38,840 Speaker 2: It's you. Also, I think there's there is a difference, 403 00:24:38,880 --> 00:24:41,239 Speaker 2: like when Paris directs people that come from music that 404 00:24:41,320 --> 00:24:45,199 Speaker 2: do musical numbers fair, Yes, there's a difference. Yes, like 405 00:24:45,520 --> 00:24:48,359 Speaker 2: it was flawless. It was so some of the intricacies 406 00:24:48,359 --> 00:24:50,639 Speaker 2: of some of these musical numbers were That was also 407 00:24:50,640 --> 00:24:55,200 Speaker 2: where I inappropriately read the room and it was like, guys, 408 00:24:55,560 --> 00:24:57,919 Speaker 2: but you know, when I look at us, it's like, 409 00:24:58,000 --> 00:25:00,880 Speaker 2: growing up, we would use our imagine and play dress 410 00:25:00,960 --> 00:25:02,840 Speaker 2: up and now we're doing that, we're getting paid. 411 00:25:02,600 --> 00:25:04,920 Speaker 1: For it, and everybody like shut up, Kevin. 412 00:25:05,080 --> 00:25:09,080 Speaker 2: Like shut up, nobody cares wrong time. 413 00:25:09,920 --> 00:25:10,520 Speaker 1: Oh god. 414 00:25:10,880 --> 00:25:13,760 Speaker 2: I literally was like I just want everyone to eat rainbows, 415 00:25:13,800 --> 00:25:15,600 Speaker 2: and you know did not. 416 00:25:16,920 --> 00:25:21,359 Speaker 1: Sorry, that's so funny. No, it's great though easy for 417 00:25:21,400 --> 00:25:23,239 Speaker 1: me to say. I had very little to do in 418 00:25:23,280 --> 00:25:27,560 Speaker 1: this episode. Well so did I, but the outfits were 419 00:25:27,880 --> 00:25:32,240 Speaker 1: just the next level uncomfortable. It's just the sequence were 420 00:25:32,280 --> 00:25:34,400 Speaker 1: like scratching. I do just never forget it. I'll never 421 00:25:34,440 --> 00:25:40,080 Speaker 1: do it again. That was funny though, because time Warp 422 00:25:40,240 --> 00:25:41,680 Speaker 1: was really really hard. 423 00:25:41,920 --> 00:25:44,240 Speaker 2: But it was so much fun to actually shoot though, 424 00:25:44,320 --> 00:25:46,679 Speaker 2: Like the couple of minutes we were actually filming it 425 00:25:46,760 --> 00:25:47,640 Speaker 2: at a time. 426 00:25:47,800 --> 00:25:53,440 Speaker 1: But we're having a blast. We all looked insane, our 427 00:25:53,440 --> 00:26:00,720 Speaker 1: best truly. Will called Emma into the room to talk 428 00:26:00,760 --> 00:26:06,560 Speaker 1: about the show and they he decides that he's going 429 00:26:06,640 --> 00:26:10,000 Speaker 1: to play Rocky because he thinks it's inappropriate for Sam. 430 00:26:10,119 --> 00:26:14,400 Speaker 1: Sam was feeling self conscious and obviously he has his own, 431 00:26:14,880 --> 00:26:19,160 Speaker 1: you know, motivations behind playing something in the show while cross. 432 00:26:18,840 --> 00:26:22,280 Speaker 2: A side note that poor Chord trying to get in 433 00:26:22,320 --> 00:26:25,800 Speaker 2: those shorts and was actually eating what he said he 434 00:26:25,840 --> 00:26:26,360 Speaker 2: was eating in the. 435 00:26:26,280 --> 00:26:30,000 Speaker 1: Episode, which was so stressed, so stressed, probably eating less 436 00:26:30,000 --> 00:26:33,040 Speaker 1: than that to be honest. Yeah, I'm sorry, keep going. 437 00:26:33,080 --> 00:26:37,000 Speaker 1: He looked great though, but they do touch a touch, 438 00:26:37,080 --> 00:26:41,800 Speaker 1: touch me, which again another Brittany Santana moment of just 439 00:26:42,000 --> 00:26:46,560 Speaker 1: pure joy. I was I was reeling. 440 00:26:47,640 --> 00:26:49,520 Speaker 2: I love this. We found out that this is Jamie's 441 00:26:49,560 --> 00:26:54,680 Speaker 2: audition song when she came on, and she sounds so good. Also, 442 00:26:54,960 --> 00:26:56,679 Speaker 2: Matt was ripped. 443 00:26:56,920 --> 00:27:00,359 Speaker 1: I think, okay, this is my memory of the eyes 444 00:27:00,359 --> 00:27:02,800 Speaker 1: in this episode, and we can talk about the storyline 445 00:27:02,840 --> 00:27:06,200 Speaker 1: along with it. These guys were all in the same 446 00:27:06,280 --> 00:27:11,280 Speaker 1: diet for Rocky Horror. Yeah, they were all working real hard, 447 00:27:11,400 --> 00:27:15,640 Speaker 1: and I think I might be wrong. Bradshawchuk was training 448 00:27:15,680 --> 00:27:18,160 Speaker 1: that at the time. We're giving him like a regiment 449 00:27:18,240 --> 00:27:21,280 Speaker 1: to follow to get ready for this. I remember Corey 450 00:27:21,320 --> 00:27:24,639 Speaker 1: being stressed about this, Yeah, because Corey didn't naturally have 451 00:27:24,720 --> 00:27:27,920 Speaker 1: to get undressed like Matt did or even Mark at 452 00:27:27,920 --> 00:27:30,960 Speaker 1: that time record you know, this was Quart's big debut, 453 00:27:31,880 --> 00:27:35,400 Speaker 1: and I remember all of them like stressing hard this episode, 454 00:27:35,440 --> 00:27:38,479 Speaker 1: And honestly, I was like, you know what, get it 455 00:27:38,560 --> 00:27:42,119 Speaker 1: because the girls have to worry about this all the 456 00:27:42,200 --> 00:27:46,520 Speaker 1: time the story much Mimi, I realized it. I really 457 00:27:46,560 --> 00:27:48,560 Speaker 1: liked that scene, to be honest, I was like, you 458 00:27:48,600 --> 00:27:51,840 Speaker 1: know what, let's let's reverse let's turn the tables on 459 00:27:52,240 --> 00:27:55,920 Speaker 1: you guys for one second, which was great, But because. 460 00:27:55,680 --> 00:27:58,160 Speaker 2: I remember everyone was obsessed with I think Ryan told 461 00:27:58,240 --> 00:28:00,840 Speaker 2: us about like when Mario Lopez was on Niptock and 462 00:28:00,880 --> 00:28:03,720 Speaker 2: he had this like sweet potato yes, diet that he 463 00:28:03,760 --> 00:28:06,360 Speaker 2: would do to like dehydrate himself or something. And so 464 00:28:06,440 --> 00:28:10,120 Speaker 2: then that got passed along to Cord and Matt. 465 00:28:10,200 --> 00:28:12,240 Speaker 1: And you eat a lot of sweet potatoes for like 466 00:28:12,280 --> 00:28:14,280 Speaker 1: a couple of days and you don't have any water. 467 00:28:14,480 --> 00:28:18,879 Speaker 1: It's insane. And then I think the night before you 468 00:28:19,080 --> 00:28:24,879 Speaker 1: drink water and your skin sticks to the bone is 469 00:28:25,000 --> 00:28:28,520 Speaker 1: kind of like what might understand to the muscle. Oh yeah, 470 00:28:28,560 --> 00:28:32,880 Speaker 1: sorry to the muscle to the bone, and it makes 471 00:28:32,880 --> 00:28:36,880 Speaker 1: you look real spelt. So I think these guys did 472 00:28:36,880 --> 00:28:39,080 Speaker 1: the sweet potato and Di had a couple of times 473 00:28:39,240 --> 00:28:40,880 Speaker 1: in the series throughout the series. 474 00:28:41,200 --> 00:28:45,240 Speaker 2: Oh absolutely, And it's just it's not a healthy, healthy 475 00:28:45,240 --> 00:28:45,560 Speaker 2: thing too. 476 00:28:45,680 --> 00:28:47,920 Speaker 1: We don't support that behavior. 477 00:28:48,840 --> 00:28:53,640 Speaker 2: I don't. Also in this episode, we're talking about that scene, 478 00:28:53,680 --> 00:28:56,160 Speaker 2: particularly when the girls call out the guys for this 479 00:28:56,200 --> 00:28:59,800 Speaker 2: double standard, and Santana says earlier today already asked if 480 00:28:59,800 --> 00:29:01,800 Speaker 2: he can make a gigantic almond when I'm done with 481 00:29:01,920 --> 00:29:03,320 Speaker 2: ostrich eggs, I'm smuggling in. 482 00:29:03,360 --> 00:29:06,600 Speaker 1: My bra and you have your little mustache and disguise 483 00:29:06,640 --> 00:29:15,440 Speaker 1: on them already continuously is wrong, is misogynistic, and sexist 484 00:29:15,600 --> 00:29:18,360 Speaker 1: and terrible to women. But they also just throw that 485 00:29:18,400 --> 00:29:22,000 Speaker 1: at you. Yeah, they just like somebody to blame, and 486 00:29:22,000 --> 00:29:25,480 Speaker 1: then already blames it on internet porn. He altered the 487 00:29:25,480 --> 00:29:27,920 Speaker 1: female brain chemistry and made them more like men. There's 488 00:29:27,960 --> 00:29:37,760 Speaker 1: more concerned with men's bodies. Stupid, He is stupid, stupid person. 489 00:29:47,400 --> 00:29:49,400 Speaker 1: Should we talk about Sue because that's the only thing 490 00:29:49,400 --> 00:29:49,920 Speaker 1: that's happening. 491 00:29:50,240 --> 00:29:53,560 Speaker 2: Yes, So Sue's of course doing one of her incredible 492 00:29:54,600 --> 00:29:58,120 Speaker 2: Sue's corners, and we have meat Loaf and Barry Bosswick 493 00:29:58,200 --> 00:30:03,280 Speaker 2: who are representing like the network and come in there 494 00:30:03,400 --> 00:30:06,680 Speaker 2: and Fox News her and they're like, we want you 495 00:30:06,760 --> 00:30:10,080 Speaker 2: to do this undercover story. Let we've heard they're doing 496 00:30:11,240 --> 00:30:14,680 Speaker 2: rocky horror. Let them do it, and you're gonna win 497 00:30:14,680 --> 00:30:21,000 Speaker 2: a local Emmy. And so Sue then agrees and places 498 00:30:21,000 --> 00:30:24,080 Speaker 2: herself in the center of this to the point where 499 00:30:24,080 --> 00:30:26,960 Speaker 2: she's in that scene with us that do you remember 500 00:30:27,000 --> 00:30:31,720 Speaker 2: filming that scene of all of us doing the janet. 501 00:30:32,200 --> 00:30:32,760 Speaker 1: Whatever it is? 502 00:30:33,880 --> 00:30:38,480 Speaker 2: It's funny and the scene is edited crazily because I 503 00:30:38,520 --> 00:30:40,760 Speaker 2: mean that's how we actually shot it, though, and it 504 00:30:40,840 --> 00:30:43,600 Speaker 2: was really hard to get the rhythm of that. Yes, 505 00:30:43,880 --> 00:30:46,920 Speaker 2: And we had these scripts and I think, if I 506 00:30:46,960 --> 00:30:50,960 Speaker 2: remember correctly, they weren't exactly how we were doing it 507 00:30:51,040 --> 00:30:54,560 Speaker 2: in the scene, but they were the scripts from the 508 00:30:54,600 --> 00:30:55,840 Speaker 2: scene within the show. 509 00:30:57,240 --> 00:30:57,600 Speaker 1: Horror. 510 00:30:58,360 --> 00:31:00,560 Speaker 2: But because all of us are saying the same thing, 511 00:31:00,640 --> 00:31:03,480 Speaker 2: but the order changed and Sue had a different line 512 00:31:03,480 --> 00:31:06,920 Speaker 2: every time, it took us a hot minute to get it. 513 00:31:06,960 --> 00:31:11,120 Speaker 2: And I remember people getting frustrated because we were not totally 514 00:31:11,200 --> 00:31:13,560 Speaker 2: nailing it. Ever, I think editing. 515 00:31:13,360 --> 00:31:13,800 Speaker 1: Helped us. 516 00:31:15,320 --> 00:31:18,920 Speaker 2: Everywhere. I think we're all just getting a little frustrated. 517 00:31:19,520 --> 00:31:24,240 Speaker 1: Yes, I checked out of that because I wasn't in it. Yeah, fair, 518 00:31:25,880 --> 00:31:28,640 Speaker 1: you just check out. Honestly. It was funny to watch, though. 519 00:31:31,600 --> 00:31:35,680 Speaker 2: This whole thing comes like tumbling down because Becky goes 520 00:31:35,720 --> 00:31:40,880 Speaker 2: into Shoe's office for candy for Halloween and he's having 521 00:31:40,880 --> 00:31:43,480 Speaker 2: me and she's like, oh. 522 00:31:43,120 --> 00:31:43,720 Speaker 1: Come with me. 523 00:31:45,960 --> 00:31:50,360 Speaker 2: Because Rocky Horror an abomination. That's what Coach Shoe says, 524 00:31:50,760 --> 00:31:55,480 Speaker 2: and then shows him the pre recorded outing of you know, 525 00:31:55,520 --> 00:31:58,080 Speaker 2: the investigation that Sue was doing on the Glee Club 526 00:31:58,080 --> 00:32:03,240 Speaker 2: and their show, and so will and I have to say, 527 00:32:04,240 --> 00:32:07,560 Speaker 2: she made some points I don't necessarily agree with, but 528 00:32:07,600 --> 00:32:10,560 Speaker 2: like it was the most reasonable Sue's corner type thing 529 00:32:10,640 --> 00:32:11,560 Speaker 2: she had ever done. 530 00:32:11,920 --> 00:32:14,120 Speaker 1: Yeah, it was. I guess it was the most focused. 531 00:32:14,640 --> 00:32:17,200 Speaker 2: Yes, focused is the word. And she sits Will down 532 00:32:17,200 --> 00:32:18,960 Speaker 2: and she's like, I say anything wrong, And I feel 533 00:32:18,960 --> 00:32:22,200 Speaker 2: like that was one of the self rent, self referential 534 00:32:22,240 --> 00:32:26,440 Speaker 2: things that Ian talks about, because and I was like, well, no, 535 00:32:26,560 --> 00:32:28,560 Speaker 2: I didn't really disagree with it, and you're right, I'm 536 00:32:28,560 --> 00:32:30,120 Speaker 2: gonna pull it. And then she gets mad because she 537 00:32:30,120 --> 00:32:32,760 Speaker 2: can't want to local Emmy if they don't do the show. 538 00:32:32,880 --> 00:32:37,440 Speaker 1: I need Miami, Yeah, which she felt like everyone was. 539 00:32:37,680 --> 00:32:41,000 Speaker 2: Everyone was, Yeah, she got a couple. Everyone was getting 540 00:32:41,000 --> 00:32:44,160 Speaker 2: to like have a great time and like do really 541 00:32:44,200 --> 00:32:46,240 Speaker 2: fun things this episode. 542 00:32:46,560 --> 00:32:51,080 Speaker 1: Yes, definitely. Yeah, it was different and fun and it 543 00:32:51,080 --> 00:32:55,560 Speaker 1: shook things up a little bit, I think. And obviously 544 00:32:55,600 --> 00:32:57,680 Speaker 1: having those cameos was really funny. They did a great, 545 00:32:57,960 --> 00:33:00,200 Speaker 1: really great job. Uh. 546 00:33:00,920 --> 00:33:03,680 Speaker 2: It felt really special that we got to have Barry Bostwick. 547 00:33:03,320 --> 00:33:05,040 Speaker 1: And I know I didn't get to meet them, though, 548 00:33:05,040 --> 00:33:05,320 Speaker 1: did you? 549 00:33:07,240 --> 00:33:10,240 Speaker 2: I I don't know, to be. 550 00:33:10,200 --> 00:33:13,640 Speaker 1: Honest, I don't know. My dad met Meat Loaf once. 551 00:33:15,240 --> 00:33:18,239 Speaker 1: Love Meat. I was at Silver Cup Studios in New 552 00:33:18,320 --> 00:33:20,360 Speaker 1: York and we were I was doing a commercial and 553 00:33:20,520 --> 00:33:23,720 Speaker 1: he was doing message and doing something outside at Silver 554 00:33:23,760 --> 00:33:27,000 Speaker 1: Cup as well, and my dad was outside and meatlof 555 00:33:27,080 --> 00:33:35,040 Speaker 1: came out. He's like, hey, getting a cool also. 556 00:33:34,920 --> 00:33:37,400 Speaker 2: Like I just incorporating them in that way too was 557 00:33:37,440 --> 00:33:37,880 Speaker 2: so sweet? 558 00:33:38,840 --> 00:33:41,560 Speaker 1: Oh you have when those things happened. Yeah, I think 559 00:33:41,640 --> 00:33:44,640 Speaker 1: Ryan did that a lot. Honestly, is giving the option 560 00:33:45,040 --> 00:33:48,400 Speaker 1: for if it felt right for the show to bring 561 00:33:48,400 --> 00:33:51,719 Speaker 1: in people to obviously like have let's have some more 562 00:33:51,800 --> 00:33:53,280 Speaker 1: meta meta meta meta? 563 00:33:54,200 --> 00:33:56,400 Speaker 2: Were you hoping that we would do any other type 564 00:33:56,400 --> 00:34:02,080 Speaker 2: of like any musicals that we did not do, or 565 00:34:02,120 --> 00:34:04,320 Speaker 2: like what would you have wanted us to have done? 566 00:34:05,080 --> 00:34:07,920 Speaker 1: You know? I think there was talk, which was weird, 567 00:34:08,080 --> 00:34:12,200 Speaker 1: of doing Spring Awakening the musical. Do you remember that? 568 00:34:12,800 --> 00:34:16,759 Speaker 1: Oh that would have been extra meta? And I don't 569 00:34:16,800 --> 00:34:21,120 Speaker 1: know if it was real, but I know that it 570 00:34:21,120 --> 00:34:23,600 Speaker 1: would have been super meta for you know, for me 571 00:34:23,640 --> 00:34:25,759 Speaker 1: and Leah. And I was like almost too because she 572 00:34:25,760 --> 00:34:27,680 Speaker 1: would have played herself, which is like kind of weird. 573 00:34:27,680 --> 00:34:31,480 Speaker 1: I don't think you were, Yeah, but I thought that 574 00:34:31,480 --> 00:34:34,279 Speaker 1: would have been fun. And then another show did do it, 575 00:34:35,920 --> 00:34:37,160 Speaker 1: another TV show. 576 00:34:37,360 --> 00:34:39,400 Speaker 2: There was a show that came out, was it Rise? 577 00:34:39,760 --> 00:34:40,600 Speaker 1: Is that what it was called? 578 00:34:41,200 --> 00:34:41,680 Speaker 2: Years later? 579 00:34:41,840 --> 00:34:45,160 Speaker 1: Yeah? Rise did that's right, which makes sense. Its young 580 00:34:45,280 --> 00:34:50,160 Speaker 1: young show. Yeah, no. I you know, the focus wasn't 581 00:34:50,200 --> 00:34:53,000 Speaker 1: really on the school musicals, so I don't really feel 582 00:34:53,000 --> 00:34:55,879 Speaker 1: like I I thought about it all that all that much. 583 00:34:55,960 --> 00:34:58,839 Speaker 1: To be honest. West Side Story that was really fun 584 00:34:58,880 --> 00:35:00,440 Speaker 1: and I'm glad I had like a bigger part in it. 585 00:35:00,520 --> 00:35:02,360 Speaker 1: I also had a bigger part in Greece, which was weird. 586 00:35:03,080 --> 00:35:04,400 Speaker 2: I don't think I was really in either of those. 587 00:35:04,440 --> 00:35:05,480 Speaker 2: I don't really remember them. 588 00:35:05,680 --> 00:35:06,880 Speaker 1: You directed Greece, didn't you. 589 00:35:07,360 --> 00:35:09,560 Speaker 2: I think, yeah, like I was not in all those scenes. 590 00:35:09,600 --> 00:35:13,200 Speaker 2: So yeah, I mean that's sort of it. That is 591 00:35:13,239 --> 00:35:16,000 Speaker 2: sort of the episode. It's it's very much built. 592 00:35:15,800 --> 00:35:20,239 Speaker 1: Around the tribute to Rocky Horror, so I mean, in theory, 593 00:35:20,239 --> 00:35:21,600 Speaker 1: it's another tribute episode. 594 00:35:21,280 --> 00:35:24,440 Speaker 2: And it really got to show off everyone. It showed 595 00:35:24,480 --> 00:35:29,040 Speaker 2: off Yeah Stamos is singing abilities, it showed off Chord's body, 596 00:35:30,480 --> 00:35:33,719 Speaker 2: It showed off all of your guys's bodies. Like those 597 00:35:33,719 --> 00:35:37,440 Speaker 2: outfits were insane. They work pretty crazy. 598 00:35:38,239 --> 00:35:42,040 Speaker 1: M hm. I remember being like, oh wow, these are yeah, 599 00:35:42,440 --> 00:35:45,960 Speaker 1: but Columbia outphit was not my favorite, but the other 600 00:35:46,120 --> 00:35:47,480 Speaker 1: ones I was like I could be this in this 601 00:35:47,520 --> 00:35:49,600 Speaker 1: for a long time. The Black outfit, I was like, yeah, 602 00:35:49,640 --> 00:35:51,760 Speaker 1: put me in this of it forever. It was actually 603 00:35:51,760 --> 00:35:59,160 Speaker 1: easier than some of Tina's actual clothes. So should we 604 00:35:59,320 --> 00:36:05,520 Speaker 1: do some tarty tape, Let's do it? Okay, cringe moment Artie, 605 00:36:07,160 --> 00:36:10,439 Speaker 1: Artie for sure saying those terrible things. And I would 606 00:36:10,440 --> 00:36:15,520 Speaker 1: also say when Mike says why he can't do it, 607 00:36:15,640 --> 00:36:18,759 Speaker 1: he says his parents want him playing a tranny. Right, 608 00:36:19,280 --> 00:36:22,440 Speaker 1: that doesn't work. No, that's going to be a no 609 00:36:22,560 --> 00:36:26,120 Speaker 1: for me. Dog. 610 00:36:27,840 --> 00:36:32,279 Speaker 2: And also you know Artie's casual misogyny. So there's all 611 00:36:32,320 --> 00:36:34,399 Speaker 2: that worst dance move. 612 00:36:37,040 --> 00:36:38,839 Speaker 1: I mean, there's so many good dance moves. To be honest, 613 00:36:38,880 --> 00:36:40,960 Speaker 1: there's a lot of good dances. That's not a lot 614 00:36:41,000 --> 00:36:43,160 Speaker 1: of good ones. Yeah, I think the time word was 615 00:36:43,160 --> 00:36:44,040 Speaker 1: one of my favorites. 616 00:36:44,200 --> 00:36:46,680 Speaker 2: I think we should change this permanently to best dance 617 00:36:46,680 --> 00:36:48,040 Speaker 2: move because that's what we end up doing a lot 618 00:36:48,040 --> 00:36:50,120 Speaker 2: of the time. Let's do it, so this is going 619 00:36:50,160 --> 00:36:56,200 Speaker 2: to be best dance move from hearing out best dance move? Wow, 620 00:36:56,719 --> 00:37:01,840 Speaker 2: I mean, I mean Sweet Transvestite was pretty great. 621 00:37:04,760 --> 00:37:06,719 Speaker 1: That's true. I just don't know that it was like, Yes, 622 00:37:06,840 --> 00:37:09,399 Speaker 1: I guess the dancing was really cute in that as well, 623 00:37:09,440 --> 00:37:11,880 Speaker 1: but I think I liked all the background, like sor 624 00:37:12,320 --> 00:37:18,480 Speaker 1: thing moments and all the rocky numbers fair enough. Best song, well, 625 00:37:18,520 --> 00:37:22,520 Speaker 1: I think sweet transvestite, yea sweet transvestite my performance by 626 00:37:22,560 --> 00:37:23,160 Speaker 1: a prop. 627 00:37:23,920 --> 00:37:27,560 Speaker 2: That stage, Are you kidding me? 628 00:37:27,640 --> 00:37:31,600 Speaker 1: I gotta say Kurt's Duster riff Raft's Duster is one. 629 00:37:31,440 --> 00:37:34,840 Speaker 2: Of my fairt Yeah, that's a great. 630 00:37:34,640 --> 00:37:39,440 Speaker 1: Call and best line. 631 00:37:40,280 --> 00:37:43,040 Speaker 2: Oh, I mean, as much as I hate it, I 632 00:37:43,040 --> 00:37:46,479 Speaker 2: think Santana's Oh there's also a wlanky, like a really 633 00:37:46,520 --> 00:37:47,400 Speaker 2: properly place. 634 00:37:48,880 --> 00:37:53,840 Speaker 1: With them. Well, I think overall, Santana going after Carl 635 00:37:54,280 --> 00:37:58,040 Speaker 1: is one of my favorite things. And Mercedes being like stop, yeah, 636 00:37:58,480 --> 00:38:04,360 Speaker 1: very good, so funny. All right, what's happened on on 637 00:38:04,440 --> 00:38:04,799 Speaker 1: the talk? 638 00:38:06,200 --> 00:38:10,640 Speaker 2: So on TikTok, we're going to highlight one of the 639 00:38:10,680 --> 00:38:15,040 Speaker 2: best Glee fans around. I have met her, we're Internet friends. 640 00:38:15,440 --> 00:38:18,920 Speaker 2: So Rose Danielle on TikTok. Apologies if I'm butchering your 641 00:38:18,960 --> 00:38:27,319 Speaker 2: last name. But Rose is an very incredibly talented musician, is. 642 00:38:27,400 --> 00:38:28,240 Speaker 1: Just the best. 643 00:38:28,320 --> 00:38:32,600 Speaker 2: And she posted on a TikTok of us meeting we 644 00:38:32,640 --> 00:38:36,759 Speaker 2: met in Liverpool last year and she sang to me 645 00:38:38,680 --> 00:38:44,600 Speaker 2: and she made this and collected this incredible book. She's 646 00:38:45,040 --> 00:38:48,160 Speaker 2: you know, the number one Kevin McHale stands, so I gotta, 647 00:38:49,000 --> 00:38:49,839 Speaker 2: you know, shut her out. 648 00:38:51,040 --> 00:38:53,960 Speaker 1: She said in this in the description the caption of 649 00:38:53,960 --> 00:38:55,960 Speaker 1: this TikTok. One month ago, I was living the best 650 00:38:56,000 --> 00:38:59,120 Speaker 1: weekend of my life. Thank you, mister Kevin McHale for 651 00:38:59,160 --> 00:39:01,600 Speaker 1: making the sixth year. It's even better than what I 652 00:39:01,600 --> 00:39:04,600 Speaker 1: imagined all these years. That's meeting your hero, Kevin and 653 00:39:04,680 --> 00:39:09,600 Speaker 1: not to support. That's very special. I'm just saying, helt 654 00:39:09,680 --> 00:39:10,359 Speaker 1: me on a good day. 655 00:39:11,000 --> 00:39:14,719 Speaker 2: Now, Rose is awesome. Go follow her. 656 00:39:15,280 --> 00:39:17,080 Speaker 1: She's incredible. It's so sweet. 657 00:39:17,560 --> 00:39:22,279 Speaker 2: Yeah, you know, best fans, best fans keep tagging us 658 00:39:22,640 --> 00:39:26,120 Speaker 2: and these incredible videos. Jenna, what are we doing next week? 659 00:39:26,920 --> 00:39:28,160 Speaker 1: Never been cared. 660 00:39:29,520 --> 00:39:31,719 Speaker 2: I'm excited to watch this because I don't really think 661 00:39:31,719 --> 00:39:32,160 Speaker 2: I remember. 662 00:39:32,520 --> 00:39:34,880 Speaker 1: It's a lot of girl stuff, A lot of girl stuff, 663 00:39:35,120 --> 00:39:38,120 Speaker 1: that's why. Okay, but it's also Brad Beeker's first episode. 664 00:39:38,880 --> 00:39:42,040 Speaker 2: Exciting. We're on my business director kick. 665 00:39:42,840 --> 00:39:45,160 Speaker 1: I know all of our faves are coming in now, 666 00:39:45,880 --> 00:39:50,160 Speaker 1: coming in hot. Okay. Well, thanks for listening and join 667 00:39:50,280 --> 00:39:50,879 Speaker 1: us next week. 668 00:39:51,080 --> 00:39:54,840 Speaker 2: That's what you really missed. Thanks for listening and follow 669 00:39:54,920 --> 00:39:57,759 Speaker 2: us on Instagram at and that's what you really miss pod. 670 00:39:58,040 --> 00:39:59,839 Speaker 2: Make sure to write us a review and leave us 671 00:39:59,840 --> 00:40:01,399 Speaker 2: by of Stars. See you next time.