1 00:00:01,080 --> 00:00:02,960 Speaker 1: Fred's show is on. 2 00:00:04,680 --> 00:00:07,920 Speaker 2: Good Morning Everybody, Tuesday, August twenty second. It's the Fred Show. 3 00:00:08,000 --> 00:00:10,680 Speaker 2: Good Morning, Glad you're here. Hi, Caitlin, Hi, Jason Brown, 4 00:00:14,040 --> 00:00:16,600 Speaker 2: Shelby Shelley in a bit intern Venamine Benjamin is here 5 00:00:16,600 --> 00:00:19,360 Speaker 2: and we're glad you're here as well. Trending stories in 6 00:00:19,480 --> 00:00:22,800 Speaker 2: just a second, what's it gonna take for the average 7 00:00:22,840 --> 00:00:26,239 Speaker 2: person to leave their job and get a new job. 8 00:00:26,320 --> 00:00:28,560 Speaker 2: I got the number and I'll tell you just a second. 9 00:00:29,720 --> 00:00:33,320 Speaker 2: If you fly a lot, you may not love this story. 10 00:00:33,720 --> 00:00:36,320 Speaker 2: If you have an iPhone, you might love this story. 11 00:00:37,040 --> 00:00:39,800 Speaker 2: If you're traveling in the near future to one of 12 00:00:39,880 --> 00:00:43,360 Speaker 2: Jason's favorite places, Santrope, I got to ask for you. 13 00:00:43,360 --> 00:00:45,640 Speaker 1: You're always in Santrope. Yeah, San Trope. 14 00:00:45,880 --> 00:00:48,519 Speaker 2: I can'tnot get you in santra It's like, can you 15 00:00:48,520 --> 00:00:50,280 Speaker 2: not go to Santrope one weekend? 16 00:00:51,080 --> 00:00:54,920 Speaker 1: Jason, San Trope? Yeah, Well you're always there. Yeah yeah, 17 00:00:55,040 --> 00:01:01,000 Speaker 1: so s A N d R. Pay what comforted? 18 00:01:03,280 --> 00:01:04,280 Speaker 2: Yeah, that's exactly right. 19 00:01:04,280 --> 00:01:06,960 Speaker 1: Now you have a shirt, you have a two shirt Tropica. 20 00:01:07,840 --> 00:01:09,000 Speaker 1: I remember what. 21 00:01:09,480 --> 00:01:11,640 Speaker 2: San Trope is, the capital of Tropica. 22 00:01:11,959 --> 00:01:16,640 Speaker 1: Oh, the same word. 23 00:01:20,360 --> 00:01:25,000 Speaker 2: I've got my annual don't kiss this animal update. Oh 24 00:01:25,120 --> 00:01:27,480 Speaker 2: and and along the same lines, the guy's gone viral 25 00:01:27,760 --> 00:01:29,560 Speaker 2: because he was on my strange addiction. I'll tell you 26 00:01:29,600 --> 00:01:31,800 Speaker 2: about him. This is all in trending stories this morning, 27 00:01:31,959 --> 00:01:33,640 Speaker 2: the entertainment of put after that, what are you working on? 28 00:01:33,760 --> 00:01:35,119 Speaker 1: Kaitlin the Royal Baby? 29 00:01:35,319 --> 00:01:37,640 Speaker 3: And also Scooter Braun is not having a good week 30 00:01:37,680 --> 00:01:38,960 Speaker 3: and I feel awful about it. 31 00:01:39,280 --> 00:01:42,039 Speaker 2: Yeah, poor guy. And I know you as a as 32 00:01:42,040 --> 00:01:46,120 Speaker 2: a swiftye, as a as an elite swifty, are especially 33 00:01:46,200 --> 00:01:48,280 Speaker 2: concerned about Scooter Braun and his well being. 34 00:01:48,520 --> 00:01:51,160 Speaker 1: Yeah, I I I hope he has a better week. 35 00:01:51,120 --> 00:01:57,160 Speaker 2: At all times. Yeah. Also, speaking of sand Tropejla, can 36 00:01:57,200 --> 00:01:59,640 Speaker 2: you explain to me what you meant when you wrote 37 00:01:59,680 --> 00:02:04,240 Speaker 2: on our thing one of my boys uses chat GBT 38 00:02:06,080 --> 00:02:08,639 Speaker 2: to talk to women. L M a O. What the 39 00:02:08,720 --> 00:02:11,480 Speaker 2: hell is wrong with this man? What are you talking about? 40 00:02:11,520 --> 00:02:13,079 Speaker 1: What is wrong with this man? 41 00:02:13,880 --> 00:02:14,400 Speaker 4: Why? Why? 42 00:02:14,400 --> 00:02:15,959 Speaker 2: I don't know the story, so I can't tell you. 43 00:02:16,440 --> 00:02:18,000 Speaker 2: I need you to tell the story so I can 44 00:02:18,080 --> 00:02:19,440 Speaker 2: explain to you what's rowing this man. 45 00:02:19,639 --> 00:02:25,480 Speaker 1: Apparently he uses chatgypt to like PT. No, no, it's 46 00:02:25,520 --> 00:02:29,480 Speaker 1: like vevnol over again. Are you serious? Yes? G C 47 00:02:30,360 --> 00:02:36,480 Speaker 1: Chad GPT chat chat Chat his name Chad did I 48 00:02:37,280 --> 00:02:38,680 Speaker 1: chat GP? 49 00:02:39,480 --> 00:02:41,200 Speaker 2: Yeah? This is another one of those things where I'm 50 00:02:41,200 --> 00:02:43,000 Speaker 2: gonna say it wrong now because you guys say it. 51 00:02:43,360 --> 00:02:45,400 Speaker 2: What I say the other day tales so old as time, 52 00:02:45,760 --> 00:02:48,400 Speaker 2: and I'm like, that's not someone look at me like 53 00:02:48,480 --> 00:02:52,959 Speaker 2: tail is oldest time. I'm like, Okay, whatever I said, 54 00:02:53,000 --> 00:02:55,160 Speaker 2: it is the way we're saying it now, Okay, so please. 55 00:02:55,400 --> 00:02:57,760 Speaker 5: So Yeah, apparently he speaks to or like he'll like 56 00:02:57,840 --> 00:03:00,040 Speaker 5: go to CHATGYBT and he'll talk to like all, so 57 00:03:00,120 --> 00:03:02,639 Speaker 5: how do I initiate a conversation or like how do 58 00:03:02,760 --> 00:03:04,919 Speaker 5: I tell her about my day? It's like are you 59 00:03:05,040 --> 00:03:07,360 Speaker 5: a that lazy? And b are you out of words 60 00:03:07,400 --> 00:03:08,080 Speaker 5: by two pm? 61 00:03:08,200 --> 00:03:08,920 Speaker 2: Like you know what I mean? 62 00:03:09,200 --> 00:03:11,079 Speaker 5: So for me, I thought that was very interesting because 63 00:03:11,360 --> 00:03:13,480 Speaker 5: I wouldn't I would tell right away if somebody spoke 64 00:03:13,480 --> 00:03:15,160 Speaker 5: to me from CHADGYBT, would you. 65 00:03:17,880 --> 00:03:19,160 Speaker 1: I just feel like it's really formal. 66 00:03:19,639 --> 00:03:21,520 Speaker 5: Yeah, I don't know, it's really formal, and then it's 67 00:03:21,600 --> 00:03:24,359 Speaker 5: not as personal my personal I don't know. Yeah, I 68 00:03:24,400 --> 00:03:26,720 Speaker 5: don't know Chad like that, but like I think that's 69 00:03:26,880 --> 00:03:29,040 Speaker 5: really weird. It's like, are you just that lazy that 70 00:03:29,080 --> 00:03:32,920 Speaker 5: I don't know the purpose? Like he wouldn't really try Chad, Hey. 71 00:03:32,919 --> 00:03:35,720 Speaker 3: Chad, and then you have to pretend like you're flirting 72 00:03:35,760 --> 00:03:37,800 Speaker 3: with one of us with what it tells you how. 73 00:03:40,480 --> 00:03:44,440 Speaker 2: With a how to talk to a woman, how to 74 00:03:44,520 --> 00:03:47,160 Speaker 2: flirt with a woman, it would appear that it's thinking 75 00:03:47,240 --> 00:03:47,640 Speaker 2: about it. 76 00:03:49,680 --> 00:03:49,880 Speaker 5: Hard. 77 00:03:51,720 --> 00:03:54,320 Speaker 2: Flirting is it's really doing it. Flirting is about showing 78 00:03:54,360 --> 00:03:57,360 Speaker 2: interested in attraction in a playful and respectful manner. Not 79 00:03:57,440 --> 00:03:59,840 Speaker 2: everybody wants to be respectful. Don't respect me, I'm a 80 00:04:00,120 --> 00:04:02,720 Speaker 2: us the lack of respect some people are into these days. 81 00:04:02,760 --> 00:04:05,200 Speaker 2: But anyway, it's a different topic. Keep in mind that 82 00:04:05,240 --> 00:04:07,640 Speaker 2: every person is different. It's important to pay attention to 83 00:04:07,760 --> 00:04:12,960 Speaker 2: her reactions and comfort level. Okay, so first first, Jason, 84 00:04:13,280 --> 00:04:16,240 Speaker 2: I'm smiling at you and I'm making eye contact. 85 00:04:16,440 --> 00:04:19,120 Speaker 1: Oh gosh, okay, that thinks mean there oh many. 86 00:04:19,040 --> 00:04:22,000 Speaker 2: Creepy all the top. And then I give you a compliment, 87 00:04:22,080 --> 00:04:25,240 Speaker 2: give your compliments about her appearance, personality, or something she's 88 00:04:25,279 --> 00:04:30,160 Speaker 2: passionate about. You know, you and your your travel acumen 89 00:04:30,760 --> 00:04:33,240 Speaker 2: blow me away. Thank you. The things that you know 90 00:04:33,360 --> 00:04:40,320 Speaker 2: about the world are incredible. Like light teasing, playful teasing 91 00:04:40,440 --> 00:04:46,920 Speaker 2: can create a fun and relaxed atmosphere. Has it working 92 00:04:46,960 --> 00:04:54,160 Speaker 2: on you ladies so far, and if the flirtation was 93 00:04:54,240 --> 00:04:56,240 Speaker 2: like radiating and then and you guys were getting a 94 00:04:56,240 --> 00:05:01,800 Speaker 2: little bit of it. To use humor, humor, big humor. See, 95 00:05:01,880 --> 00:05:05,000 Speaker 2: I just did it. I used humor. That was so funny. 96 00:05:05,560 --> 00:05:09,000 Speaker 2: Use humor. It's a great way to break the ice 97 00:05:09,080 --> 00:05:12,200 Speaker 2: here funny stories or make witty comments to make her laugh. 98 00:05:13,000 --> 00:05:16,600 Speaker 2: Active listening. I can't stand in that like an overly 99 00:05:16,680 --> 00:05:20,080 Speaker 2: active listener, Like I want I want you to know. 100 00:05:21,240 --> 00:05:23,920 Speaker 2: I want to know that you're paying attention. But it's like, 101 00:05:24,200 --> 00:05:25,320 Speaker 2: huh really yeah. 102 00:05:25,720 --> 00:05:29,440 Speaker 1: Okay what huh Yeah. 103 00:05:29,600 --> 00:05:31,240 Speaker 2: Now I'm like, I'm like, just you're not like, you're 104 00:05:31,279 --> 00:05:34,040 Speaker 2: not that like that you feel like sometimes but not 105 00:05:34,160 --> 00:05:34,640 Speaker 2: that bad. 106 00:05:34,880 --> 00:05:36,640 Speaker 1: But but I do it from like a good place 107 00:05:36,760 --> 00:05:37,720 Speaker 1: and I know, I know you do. 108 00:05:37,839 --> 00:05:39,680 Speaker 2: But then I get distracted in my own story by 109 00:05:39,760 --> 00:05:40,480 Speaker 2: your reactions. 110 00:05:40,839 --> 00:05:43,000 Speaker 1: Do you want people to feel like like I'm there, 111 00:05:43,120 --> 00:05:45,080 Speaker 1: you know, like I'm really in I think it's. 112 00:05:44,920 --> 00:05:47,120 Speaker 2: Sweet, but you I think you can do not you. 113 00:05:47,320 --> 00:05:50,200 Speaker 2: I say you one can do too much to where 114 00:05:50,200 --> 00:05:55,400 Speaker 2: I'm And then I'm like, right, that wasn't that wasn't 115 00:05:55,440 --> 00:05:57,360 Speaker 2: the funny part of the story listening. 116 00:05:57,480 --> 00:06:00,560 Speaker 1: You're just saying things. Oh my god, it can. 117 00:06:02,839 --> 00:06:06,160 Speaker 3: It's not about you, I know, I just I think 118 00:06:06,200 --> 00:06:08,600 Speaker 3: people are trying to come from a good place though 119 00:06:08,600 --> 00:06:09,120 Speaker 3: when they do that. 120 00:06:09,920 --> 00:06:16,599 Speaker 2: Okay, yeah, money, listening body language, find common interests, be confident, 121 00:06:17,320 --> 00:06:20,880 Speaker 2: use subtle flirting signals. This is what our old boy 122 00:06:21,080 --> 00:06:25,080 Speaker 2: Chad GBT is telling us to do. What are subtle 123 00:06:25,160 --> 00:06:29,919 Speaker 2: flirting signals? Gestures, leaning in, slightly mirroring her body language, 124 00:06:30,400 --> 00:06:31,640 Speaker 2: using gentle humor. 125 00:06:32,200 --> 00:06:33,920 Speaker 1: If I got my hip pops and then you start 126 00:06:33,960 --> 00:06:35,960 Speaker 1: plopping your head, I'm like, I gotta go. 127 00:06:36,160 --> 00:06:41,479 Speaker 2: I mean, that's my move. Stops mirroring me. Respectful compliments, 128 00:06:43,920 --> 00:06:48,760 Speaker 2: listen and respond, create inside jokes references. I mean, this 129 00:06:48,880 --> 00:06:51,040 Speaker 2: is like deeper inside. It takes a little while to 130 00:06:51,120 --> 00:06:53,640 Speaker 2: do that. I'm like, comeing up an inside joke in 131 00:06:53,680 --> 00:06:57,560 Speaker 2: the first fifteen minutes. If we've fun out just a 132 00:06:57,640 --> 00:07:00,839 Speaker 2: little something that you and I share, I just. 133 00:07:01,000 --> 00:07:03,480 Speaker 1: Not you do and stop staring and smiling at me. 134 00:07:04,000 --> 00:07:07,600 Speaker 2: Use texting wisely, respect boundaries. Give her space. 135 00:07:08,520 --> 00:07:11,400 Speaker 1: That's true, but like we need like examples like. 136 00:07:11,560 --> 00:07:13,440 Speaker 2: Right not if you're that one lady. Don't give the 137 00:07:13,520 --> 00:07:15,240 Speaker 2: lady from waiting on the phone a couple of days ago. 138 00:07:15,360 --> 00:07:18,280 Speaker 2: Space she does, he wants you to say good morning, beautiful. 139 00:07:18,840 --> 00:07:21,880 Speaker 2: In fact, I'm a little late texting her just to 140 00:07:21,920 --> 00:07:24,160 Speaker 2: get there by six, and I mess it up anyway, 141 00:07:24,200 --> 00:07:26,200 Speaker 2: thanks to Chad gbt so. 142 00:07:26,240 --> 00:07:28,200 Speaker 1: But what I'm trying to figure out is what you 143 00:07:28,240 --> 00:07:28,840 Speaker 1: would say, right? 144 00:07:28,920 --> 00:07:28,960 Speaker 4: Like? 145 00:07:29,000 --> 00:07:31,000 Speaker 2: What is your friend getting from this? 146 00:07:31,760 --> 00:07:34,520 Speaker 5: He also says that artists use it to like write 147 00:07:34,600 --> 00:07:36,520 Speaker 5: songs and stuff. Now like people are using it for 148 00:07:36,640 --> 00:07:38,880 Speaker 5: like those purposes. So I'm curious, like, is he going 149 00:07:38,920 --> 00:07:40,040 Speaker 5: to write a poem for somebody? 150 00:07:40,200 --> 00:07:44,080 Speaker 1: Like why would you use chat? Actual lines? Like give 151 00:07:44,160 --> 00:07:44,880 Speaker 1: me a pickup line? 152 00:07:45,000 --> 00:07:48,680 Speaker 2: That's what I'm doing, Okay, pickup lines? Oh, here we go, 153 00:07:49,680 --> 00:07:52,880 Speaker 2: of course, here are some lighthearted and fun pickup lines 154 00:07:52,920 --> 00:07:56,120 Speaker 2: you might enjoy. This is serious. I just typed this 155 00:07:56,200 --> 00:08:02,080 Speaker 2: into chat GPT. Are you a Wi Fi signal? Because 156 00:08:02,080 --> 00:08:07,400 Speaker 2: I'm feeling a strong connection. Do I have a name 157 00:08:07,640 --> 00:08:08,880 Speaker 2: or can I call you mine? 158 00:08:10,160 --> 00:08:11,800 Speaker 1: Okay? That is terrifying. 159 00:08:13,000 --> 00:08:16,720 Speaker 2: I'm not making this up. Is your name Google? Because 160 00:08:16,760 --> 00:08:21,440 Speaker 2: you have everything I've been searching for. If you were 161 00:08:21,480 --> 00:08:31,760 Speaker 2: a vegetable, you'd be a cute cumber. Mary my god, 162 00:08:32,000 --> 00:08:35,640 Speaker 2: you a campfire because you're hot and I want small. 163 00:08:41,960 --> 00:08:45,200 Speaker 2: Are you a bank? Loan because you have my interest. 164 00:08:47,920 --> 00:08:51,000 Speaker 2: Is your name Chap Steak? Because you're the ball? 165 00:08:57,240 --> 00:08:57,760 Speaker 1: All right? 166 00:08:58,440 --> 00:09:00,480 Speaker 2: Let me see if they have like suggect to pick 167 00:09:00,600 --> 00:09:00,920 Speaker 2: up line? 168 00:09:00,960 --> 00:09:04,079 Speaker 1: Shall yeah, like naughty, like normal dirty? Well, Jason and 169 00:09:04,080 --> 00:09:06,040 Speaker 1: I made Chad talk dirty and he didn't want to. 170 00:09:06,360 --> 00:09:09,199 Speaker 2: I'm sorry, but we can't provide explicitor sugestive content. What 171 00:09:09,320 --> 00:09:12,000 Speaker 2: good is this Forget this thing? This isn't helpful. 172 00:09:12,160 --> 00:09:13,280 Speaker 1: Right, You'll never get a date. 173 00:09:13,760 --> 00:09:17,200 Speaker 2: How do I get nudes? No? I don't know, Like anyway, 174 00:09:17,360 --> 00:09:20,040 Speaker 2: I'm done with Chad today. That's not gonna work. 175 00:09:21,120 --> 00:09:21,160 Speaker 4: No. 176 00:09:22,160 --> 00:09:23,520 Speaker 1: Do you want to call someone a cucumber? 177 00:09:24,760 --> 00:09:28,679 Speaker 2: Not again? You know I've been using that. It's time 178 00:09:28,720 --> 00:09:31,960 Speaker 2: for a new life. I think you know nobody wants 179 00:09:32,000 --> 00:09:34,800 Speaker 2: to marry me, as we learned yesterday in text, because 180 00:09:34,840 --> 00:09:40,680 Speaker 2: I'm so desperate to be married. You a cute cumber? Yeah, 181 00:09:40,880 --> 00:09:41,920 Speaker 2: they talk better than they. 182 00:09:43,640 --> 00:09:44,959 Speaker 1: These are the radio. 183 00:09:44,800 --> 00:09:48,920 Speaker 2: Blocks, all right, Ashley, Jess. I'll meet you around people 184 00:09:48,960 --> 00:09:50,920 Speaker 2: around the back of the parking lot and I'll distract 185 00:09:50,960 --> 00:09:53,920 Speaker 2: the door and you can come in. Yeah, it's embarrassing 186 00:09:53,960 --> 00:09:56,120 Speaker 2: when I go to you know premieres with rufowing does 187 00:09:56,160 --> 00:09:59,720 Speaker 2: this like it's embarrassing. You can afford it, we can 188 00:09:59,760 --> 00:10:02,120 Speaker 2: pay ever want to get in. But no, no, all right, 189 00:10:02,240 --> 00:10:04,240 Speaker 2: like writing in our diaries, we call them blogs or 190 00:10:04,320 --> 00:10:06,679 Speaker 2: rufi's got one go, Thank you, dear blog. 191 00:10:06,760 --> 00:10:09,079 Speaker 1: I have to, I guess, be careful with what my 192 00:10:09,160 --> 00:10:09,600 Speaker 1: words here. 193 00:10:10,320 --> 00:10:13,480 Speaker 4: This one goes out to all the passenger princesses out there. 194 00:10:13,760 --> 00:10:15,880 Speaker 1: I don't know if you're familiar with the passenger princesses. 195 00:10:15,920 --> 00:10:20,760 Speaker 1: Fred no no o. Ex person that like doesn't drive 196 00:10:21,000 --> 00:10:22,400 Speaker 1: like they're always in the passenger seat. 197 00:10:22,920 --> 00:10:28,760 Speaker 2: Just bring es right, Okay, So so you're saying this 198 00:10:28,880 --> 00:10:31,480 Speaker 2: is someone who you always have to drive around. So 199 00:10:31,600 --> 00:10:34,160 Speaker 2: you're saying, this is someone named Jess. Sure, why not 200 00:10:34,320 --> 00:10:35,240 Speaker 2: we want to go for it. 201 00:10:36,040 --> 00:10:36,640 Speaker 1: I mean, like. 202 00:10:41,440 --> 00:10:42,640 Speaker 2: Passenger princesses you. 203 00:10:42,720 --> 00:10:45,680 Speaker 4: Have, not just my wife, but like other passenger princes, 204 00:10:45,920 --> 00:10:47,319 Speaker 4: you know, like there's people. 205 00:10:47,080 --> 00:10:52,920 Speaker 1: Out there right exactly. I mean, I don't know. It's 206 00:10:53,600 --> 00:10:55,000 Speaker 1: my wife, I don't know. 207 00:10:55,080 --> 00:10:58,360 Speaker 4: For some reason, will always complain like when I'm driving 208 00:10:59,400 --> 00:11:01,800 Speaker 4: and she never drive like it's just like she doesn't 209 00:11:01,800 --> 00:11:03,200 Speaker 4: like the way I drive, she doesn't like the way 210 00:11:03,240 --> 00:11:06,400 Speaker 4: I park, she doesn't like uh, like if I'm driving 211 00:11:06,880 --> 00:11:09,839 Speaker 4: the van like her car, Like if I change a 212 00:11:09,920 --> 00:11:10,679 Speaker 4: setting in her car. 213 00:11:10,800 --> 00:11:13,800 Speaker 1: She doesn't like it. I'm like, then why am I driving? 214 00:11:14,160 --> 00:11:16,000 Speaker 4: It doesn't make any sense to me, Like, if you're 215 00:11:16,040 --> 00:11:19,040 Speaker 4: gonna complain the whole time about how I drive, I 216 00:11:19,080 --> 00:11:21,440 Speaker 4: don't drive fast enough, I'm not in the right lane, 217 00:11:21,840 --> 00:11:24,040 Speaker 4: I park too far away from the door, I park 218 00:11:24,200 --> 00:11:28,760 Speaker 4: too close to somebody else. Like, why am I driving 219 00:11:28,960 --> 00:11:32,559 Speaker 4: all the time? If you're just gonna complain about what? 220 00:11:32,600 --> 00:11:35,000 Speaker 4: Does she say that and responds I can't say that 221 00:11:35,080 --> 00:11:35,440 Speaker 4: to her. 222 00:11:39,320 --> 00:11:41,920 Speaker 2: Right now? So you coming in here on the radio 223 00:11:42,000 --> 00:11:44,079 Speaker 2: talking away, Hey, then why am I driving? You talk 224 00:11:44,200 --> 00:11:45,839 Speaker 2: like that, but you're not actually talking to her that way. 225 00:11:45,880 --> 00:11:47,920 Speaker 3: Would you be able to let her drive though, because 226 00:11:48,400 --> 00:11:51,120 Speaker 3: a lot of y'all drivers are not comfortable with somebody 227 00:11:51,160 --> 00:11:54,560 Speaker 3: else driving, and you're very annoying when somebody else tries 228 00:11:54,640 --> 00:11:55,480 Speaker 3: to offer to drive. 229 00:11:55,920 --> 00:11:59,200 Speaker 1: That's me, yeah, yeah, So would you be okay? Because 230 00:11:59,280 --> 00:12:02,240 Speaker 1: people offer and then y'all are like, I don't know, 231 00:12:02,480 --> 00:12:05,160 Speaker 1: I I guess exactly. 232 00:12:05,320 --> 00:12:05,360 Speaker 5: No. 233 00:12:05,440 --> 00:12:07,960 Speaker 6: I mean, it's it's just that it's just so funny, 234 00:12:08,040 --> 00:12:10,800 Speaker 6: like it it's her car, but I like I drive. 235 00:12:10,840 --> 00:12:12,079 Speaker 6: We go to the store, I drive, we go to 236 00:12:12,160 --> 00:12:14,560 Speaker 6: wherever I drive. Because it's like but then you're gonna 237 00:12:14,559 --> 00:12:16,959 Speaker 6: complain about the way I drive. I just don't get it, Like, 238 00:12:17,360 --> 00:12:19,679 Speaker 6: why don't you just drive better? What do you mean 239 00:12:19,840 --> 00:12:20,320 Speaker 6: drive better? 240 00:12:22,720 --> 00:12:25,520 Speaker 7: That's the argument in my house too, Like whenever Big 241 00:12:25,559 --> 00:12:27,040 Speaker 7: Tim and I are going somewhere, I feel like he 242 00:12:27,080 --> 00:12:28,959 Speaker 7: should drive and I should sit in the passenger and 243 00:12:29,040 --> 00:12:32,360 Speaker 7: look cute. But then we argue the entire ride because 244 00:12:32,400 --> 00:12:34,600 Speaker 7: why are you speeding? Like this is not a video game? 245 00:12:34,720 --> 00:12:37,320 Speaker 1: Relax? Why are you switching lanes? Why do you park 246 00:12:37,400 --> 00:12:38,199 Speaker 1: so far away from the door? 247 00:12:38,240 --> 00:12:41,240 Speaker 7: It was eight other part of there, Like I understand Jess, 248 00:12:41,440 --> 00:12:43,520 Speaker 7: and but you don't want to drive. 249 00:12:43,559 --> 00:12:45,840 Speaker 2: If you're not gonna drive, if you're gonna be the passenger, 250 00:12:45,960 --> 00:12:50,240 Speaker 2: then you accept the terms of the driver, which because 251 00:12:50,320 --> 00:12:52,120 Speaker 2: I'm not gonna tell her how to drive, but I'm 252 00:12:52,120 --> 00:12:54,960 Speaker 2: also not gonna die, So I just don't. 253 00:12:55,080 --> 00:12:57,120 Speaker 1: You know, she drives as she drives. I do drive 254 00:12:57,200 --> 00:13:00,320 Speaker 1: as I drive, and and I love. 255 00:13:00,240 --> 00:13:00,599 Speaker 4: That for you. 256 00:13:00,880 --> 00:13:03,160 Speaker 2: I always hope safety for you, But I don't like 257 00:13:03,200 --> 00:13:05,080 Speaker 2: the way you drive, so I don't. I don't often 258 00:13:05,160 --> 00:13:05,520 Speaker 2: ride with you. 259 00:13:05,679 --> 00:13:07,040 Speaker 1: I know when you're in the car. I'm working on it. 260 00:13:07,120 --> 00:13:09,360 Speaker 5: But Kaylea is the best passage of day. Ever, she 261 00:13:09,400 --> 00:13:13,240 Speaker 5: don't complain. She gets into her little prayer. She likes me, 262 00:13:16,400 --> 00:13:18,640 Speaker 5: I'm not gonna lie. She was chilling like she was 263 00:13:18,679 --> 00:13:19,640 Speaker 5: just putting on our lip gloss. 264 00:13:19,679 --> 00:13:22,520 Speaker 1: I'm my girl. We just almost ran a card. If 265 00:13:22,520 --> 00:13:24,079 Speaker 1: you guys are nice enough to drive, who am I 266 00:13:24,240 --> 00:13:24,800 Speaker 1: go complain? 267 00:13:25,480 --> 00:13:27,960 Speaker 2: That's my thing though. If you're if you're just gonna 268 00:13:28,000 --> 00:13:30,920 Speaker 2: sit there, then you got it, unless it's life or death, 269 00:13:31,280 --> 00:13:34,160 Speaker 2: unless there's gonna be an accident. Like my mom was 270 00:13:34,240 --> 00:13:36,280 Speaker 2: driving the other day. We were together, and we're in 271 00:13:36,360 --> 00:13:38,480 Speaker 2: a we're in Dallas, and and she's not used to 272 00:13:38,960 --> 00:13:41,199 Speaker 2: live there, so I don't know. It's it can be 273 00:13:41,240 --> 00:13:43,959 Speaker 2: stressful driving in a city where you don't know and whatever, 274 00:13:44,400 --> 00:13:48,040 Speaker 2: and and and there was a merge opportunity and she 275 00:13:48,160 --> 00:13:50,199 Speaker 2: wasn't aggressive enough in that moment, and there was a 276 00:13:50,240 --> 00:13:52,160 Speaker 2: car over here and she was gonna hit it, and 277 00:13:52,240 --> 00:13:54,400 Speaker 2: so I'm like Mom, and it starts out with, hey, 278 00:13:54,640 --> 00:13:56,520 Speaker 2: you gotta go left, you gotta go Mom, I gotta 279 00:13:56,520 --> 00:13:57,920 Speaker 2: go left. You gotta go left, And it's the point 280 00:13:57,920 --> 00:13:59,520 Speaker 2: where we're gonna hit it. And all I can think 281 00:13:59,600 --> 00:14:03,280 Speaker 2: in my is this wasn't going to be catastrophic, But 282 00:14:03,840 --> 00:14:06,840 Speaker 2: anything from my sister would have been catastrophic, Like if 283 00:14:07,000 --> 00:14:09,920 Speaker 2: if there had been even a fender bender, my sister 284 00:14:09,960 --> 00:14:13,120 Speaker 2: would have gone off the rails. Left the wedding in Denver, 285 00:14:13,320 --> 00:14:16,120 Speaker 2: bought a ticket, come home just to scream at my 286 00:14:16,280 --> 00:14:18,760 Speaker 2: mother and check to make sure Polly is okay. And 287 00:14:19,000 --> 00:14:22,000 Speaker 2: so all I'm thinking in my head is catastrophe. I'm like, oh, 288 00:14:22,800 --> 00:14:26,800 Speaker 2: now she got so mad at me. You don't tell 289 00:14:26,920 --> 00:14:29,680 Speaker 2: me you don't do this. So I drove the rest 290 00:14:29,720 --> 00:14:33,080 Speaker 2: of the time, But I was trying to prevent a situation. 291 00:14:33,560 --> 00:14:35,880 Speaker 2: I wasn't going You should be in the middle lane, 292 00:14:35,920 --> 00:14:37,120 Speaker 2: you should be in the left lane, you should be 293 00:14:37,120 --> 00:14:38,880 Speaker 2: in the right lane. You should go faster, you should 294 00:14:38,880 --> 00:14:42,400 Speaker 2: go slower. If you think that, then you drive right. 295 00:14:43,120 --> 00:14:45,600 Speaker 2: If it's a matter of preference, then you drive. It's 296 00:14:45,640 --> 00:14:49,880 Speaker 2: a matter of safety, that's different. So you sit there 297 00:14:49,920 --> 00:14:54,600 Speaker 2: and look pretty and do nothing. Kiki or Jess and 298 00:14:54,720 --> 00:14:57,040 Speaker 2: you both are pretty, So you're looking pretty. I know 299 00:14:57,160 --> 00:15:00,840 Speaker 2: that's true. Then you don't get to say what how 300 00:15:00,920 --> 00:15:03,200 Speaker 2: the other person drives because you you shang stamped it. 301 00:15:03,480 --> 00:15:03,800 Speaker 2: Thank you. 302 00:15:04,040 --> 00:15:05,320 Speaker 1: She'd be like, you should have honked your horn there. 303 00:15:05,320 --> 00:15:07,920 Speaker 4: It's like, I'm not trying to you know your horn nowadays, 304 00:15:07,960 --> 00:15:09,840 Speaker 4: like me, like yourn nowadays. 305 00:15:10,040 --> 00:15:13,160 Speaker 2: You don't know what you don't know how Yeah, yeah, 306 00:15:13,640 --> 00:15:17,400 Speaker 2: look here Troy, hey, that would have been a good 307 00:15:17,400 --> 00:15:18,800 Speaker 2: opportunity in there for the horn. 308 00:15:18,920 --> 00:15:20,200 Speaker 1: Like shut up, I'm. 309 00:15:22,400 --> 00:15:22,840 Speaker 4: Just m. 310 00:15:24,680 --> 00:15:27,280 Speaker 2: But once I'm on your side. But just this lunch chest, 311 00:15:27,600 --> 00:15:30,120 Speaker 2: just this one there goes next. This show is on. 312 00:15:32,240 --> 00:15:33,480 Speaker 1: It feels good, good. 313 00:15:33,440 --> 00:15:36,040 Speaker 2: News, tappy stories every day on the show. Can'tley what 314 00:15:36,160 --> 00:15:36,520 Speaker 2: you find? 315 00:15:36,640 --> 00:15:37,400 Speaker 1: This is so cute. 316 00:15:37,440 --> 00:15:39,920 Speaker 3: So a Tennessee zoo announced the birth of what officials 317 00:15:40,000 --> 00:15:43,360 Speaker 3: believed to be the only spotless giraffe in the world. 318 00:15:43,800 --> 00:15:46,720 Speaker 3: The Bright Zoo in Limestone said the female giraffe was 319 00:15:46,760 --> 00:15:49,640 Speaker 3: born at the facility July thirty first, and zoo keepers 320 00:15:49,720 --> 00:15:53,640 Speaker 3: soon noticed the baby was uniquely solid colored. Zoo director 321 00:15:53,760 --> 00:15:58,160 Speaker 3: David Bright said the last known spotless reticulated giraffe, named Toshiko, 322 00:15:58,440 --> 00:15:59,120 Speaker 3: was born at. 323 00:15:59,040 --> 00:16:01,320 Speaker 1: A Tokyo zoo and nineteen seventy two. So it's been 324 00:16:01,360 --> 00:16:01,760 Speaker 1: a minute. 325 00:16:01,920 --> 00:16:04,720 Speaker 3: The zoo is considering four names for the draft type 326 00:16:04,800 --> 00:16:08,800 Speaker 3: key for Yali, Shakiri, and Jamela, and members of the 327 00:16:08,880 --> 00:16:11,760 Speaker 3: public can be voting today if they want to have 328 00:16:11,840 --> 00:16:13,560 Speaker 3: an input. But yeah, it's an adorable photo. 329 00:16:13,600 --> 00:16:15,560 Speaker 1: We can post it. There are no spots on this 330 00:16:15,680 --> 00:16:18,160 Speaker 1: little girl. It'll be unique girl friends. 331 00:16:21,240 --> 00:16:24,280 Speaker 2: So this is a really great story about a nineteen 332 00:16:24,440 --> 00:16:27,720 Speaker 2: sixty nine gee that was very special to a family. 333 00:16:27,800 --> 00:16:30,880 Speaker 2: Shane Porter, husband and father of two young men, was 334 00:16:30,880 --> 00:16:33,680 Speaker 2: struggling with two cancers when he bought a nineteen sixty 335 00:16:33,760 --> 00:16:36,120 Speaker 2: nine Jeep Commando, which is a very cool looking car 336 00:16:37,000 --> 00:16:39,280 Speaker 2: as a family fixer upper. He hoped to create fond 337 00:16:39,320 --> 00:16:41,880 Speaker 2: memories in what he knew would be his final years 338 00:16:42,760 --> 00:16:45,760 Speaker 2: putting this car back together, restoring it completely. So for 339 00:16:45,800 --> 00:16:47,720 Speaker 2: a lot of years they tinkered away this thing from 340 00:16:47,920 --> 00:16:51,440 Speaker 2: twenty sixteen to twenty twenty two, and then the man 341 00:16:51,520 --> 00:16:54,120 Speaker 2: passed away at age fifty seven, so the Jeep wasn't done. 342 00:16:55,360 --> 00:16:58,640 Speaker 2: His wife, his sons, they couldn't even bring themselves to 343 00:16:58,680 --> 00:17:00,040 Speaker 2: put a finger on the car because they were so 344 00:17:00,160 --> 00:17:04,600 Speaker 2: sad about his passing. And that's when a teacher at 345 00:17:04,640 --> 00:17:09,800 Speaker 2: a local automotive class at a high school, Corona High School, 346 00:17:10,400 --> 00:17:12,600 Speaker 2: paid the family a visit and said the jeep would 347 00:17:12,600 --> 00:17:16,520 Speaker 2: be an amazing project for his students, who long story short, 348 00:17:16,600 --> 00:17:20,080 Speaker 2: then went and completely reassembled the car, restored it completely 349 00:17:20,240 --> 00:17:23,040 Speaker 2: as a project in there a high school automotive class 350 00:17:23,200 --> 00:17:28,199 Speaker 2: and presented it back to the family. Oh look at 351 00:17:28,240 --> 00:17:31,960 Speaker 2: that put people out there in the world doing some good. 352 00:17:32,440 --> 00:17:38,000 Speaker 1: Thank you, k gon I do every day here fun fact, friends, 353 00:17:38,119 --> 00:17:45,440 Speaker 1: fun so much. 354 00:17:46,040 --> 00:17:51,879 Speaker 2: That is Snickers. We love Snickers? Right, Yes, the Snickers 355 00:17:52,000 --> 00:17:56,440 Speaker 2: candy bar Moniker actually traces back to a horse belonging 356 00:17:56,520 --> 00:18:00,320 Speaker 2: to the founders of the company, Ethel and Frank mars So. 357 00:18:00,440 --> 00:18:04,640 Speaker 2: The couple invested in some land and bought a three 358 00:18:04,680 --> 00:18:09,840 Speaker 2: thousand acre horse breeding farm after notching their successful Morrow 359 00:18:10,040 --> 00:18:13,880 Speaker 2: Bar company that created the famed Milky Way. At the time, 360 00:18:13,920 --> 00:18:15,560 Speaker 2: the couple have been planning to create a new candy 361 00:18:15,640 --> 00:18:17,960 Speaker 2: bar and put it in production as a nameless bar. 362 00:18:18,600 --> 00:18:21,280 Speaker 2: That is until one of their horses named Snickers died 363 00:18:22,520 --> 00:18:25,160 Speaker 2: and they named the candy bar after Snickers. I guess 364 00:18:25,200 --> 00:18:28,359 Speaker 2: they then tried to change the name in England and 365 00:18:28,440 --> 00:18:29,760 Speaker 2: then people were like, I don't know what that is, 366 00:18:29,960 --> 00:18:31,440 Speaker 2: what happened to the Snickers And then they put it 367 00:18:31,520 --> 00:18:34,360 Speaker 2: back to Snickers. But Snickers when you eat it next time, 368 00:18:34,720 --> 00:18:37,639 Speaker 2: it is named after a beloved horse. That sound like 369 00:18:37,680 --> 00:18:43,399 Speaker 2: a horse's name, Snickers. Look at that, aren't you touched? Yes? Okay, well, 370 00:18:43,440 --> 00:18:45,640 Speaker 2: thanks more thread show. 371 00:18:45,840 --> 00:18:50,520 Speaker 1: Next, the Fread Show is on. 372 00:18:53,600 --> 00:18:56,320 Speaker 2: Good morning everybody, It's the frend Show. We're glad you 373 00:18:56,440 --> 00:18:59,320 Speaker 2: here blogs in just a second. The Entertainer Report after that, 374 00:18:59,480 --> 00:19:00,560 Speaker 2: what do you work at? On Klin? 375 00:19:00,800 --> 00:19:03,119 Speaker 1: Scooter Broun is having a bad week. 376 00:19:03,400 --> 00:19:06,840 Speaker 2: Oh I can tell. There's a couple of people in 377 00:19:06,840 --> 00:19:09,400 Speaker 2: the room. Whore really worried about Scooter Bron's a well being. 378 00:19:09,720 --> 00:19:10,600 Speaker 1: So sorry money. 379 00:19:10,800 --> 00:19:13,440 Speaker 2: Yeah, Caylin and Jason are constantly worried about Scooter Brown. 380 00:19:13,680 --> 00:19:13,880 Speaker 5: Yeah. 381 00:19:14,760 --> 00:19:20,680 Speaker 1: Yeah. And my girl's up and you're down. Get them girl. 382 00:19:21,600 --> 00:19:24,119 Speaker 2: People want an update on the on the Foot on 383 00:19:24,240 --> 00:19:27,520 Speaker 2: your new income stream of the feet pictures that you 384 00:19:27,600 --> 00:19:28,480 Speaker 2: announced the other day. 385 00:19:28,760 --> 00:19:31,080 Speaker 3: Yeah, so I don't haven't like, I haven't made content yet, 386 00:19:31,119 --> 00:19:33,080 Speaker 3: but I made my little account. But then people are 387 00:19:33,119 --> 00:19:35,240 Speaker 3: making me nervous because they were saying that sits a scam, 388 00:19:35,600 --> 00:19:37,439 Speaker 3: and people were sending me other feet sites. 389 00:19:37,520 --> 00:19:40,920 Speaker 1: So it's kind of the quite the undertaking. I feel 390 00:19:41,000 --> 00:19:41,879 Speaker 1: like to get started. 391 00:19:41,920 --> 00:19:43,080 Speaker 2: Why don't's getting only fans? 392 00:19:43,720 --> 00:19:45,600 Speaker 1: That's what people were saying I should do, But I don't. 393 00:19:45,960 --> 00:19:47,119 Speaker 1: Can that be like trace to me? 394 00:19:48,160 --> 00:19:48,480 Speaker 2: I don't know. 395 00:19:48,640 --> 00:19:51,080 Speaker 1: Why did you do with the lady the Maui, ladies, 396 00:19:51,119 --> 00:19:54,359 Speaker 1: do it just I'm not sending nudes. No, no, no, 397 00:19:56,160 --> 00:20:00,440 Speaker 1: I'm saying, yeah, we to take another training man asking 398 00:20:00,520 --> 00:20:00,920 Speaker 1: for your news. 399 00:20:03,480 --> 00:20:05,080 Speaker 2: Vio wants to be the curator of the new and 400 00:20:05,440 --> 00:20:08,320 Speaker 2: for some reason, which is strange, but it's a professional purposes. 401 00:20:12,000 --> 00:20:14,480 Speaker 2: I reached money for Maui. It's you know, he really 402 00:20:14,520 --> 00:20:20,520 Speaker 2: cares about the region, the region, about the region. I 403 00:20:20,560 --> 00:20:23,240 Speaker 2: think it only fans is the way I mean. I'm 404 00:20:23,280 --> 00:20:25,600 Speaker 2: not encouraging you to get an only fan. You already 405 00:20:25,680 --> 00:20:27,480 Speaker 2: shared that you would like to make an additional revenue 406 00:20:27,520 --> 00:20:30,320 Speaker 2: stream with foot pictures. I did. I think that you 407 00:20:30,359 --> 00:20:33,280 Speaker 2: should just get an only fans have an alias. Okay, 408 00:20:33,960 --> 00:20:35,560 Speaker 2: just spell your name one of the many ways that 409 00:20:35,640 --> 00:20:39,520 Speaker 2: other people spell it. Caitlyn. Yeah, just be Caitlin Katelyn 410 00:20:39,560 --> 00:20:42,840 Speaker 2: the foot goddess. And let's see. I think we could 411 00:20:42,880 --> 00:20:44,359 Speaker 2: even promote it on the show, and let's see how 412 00:20:44,440 --> 00:20:46,480 Speaker 2: much money you can make. I have no problem with 413 00:20:46,560 --> 00:20:47,359 Speaker 2: you making money on this. 414 00:20:47,560 --> 00:20:49,880 Speaker 3: I just get a little weary of like people knowing 415 00:20:50,119 --> 00:20:52,960 Speaker 3: who I am and then receiving my feet pictures, Like 416 00:20:52,960 --> 00:20:54,280 Speaker 3: I would like to be anonymous. 417 00:20:54,840 --> 00:20:56,399 Speaker 2: Yeah, but if you were sandals, people can go on 418 00:20:56,480 --> 00:20:57,439 Speaker 2: the Instagram they can go. 419 00:20:57,440 --> 00:21:00,160 Speaker 1: To frustrating maybe oh you do, yeah, I put sense. 420 00:21:00,440 --> 00:21:02,760 Speaker 2: Because you knew that it's going to be a revenue 421 00:21:02,760 --> 00:21:04,640 Speaker 2: stores for you somebody. You can't just give away the goods. 422 00:21:04,680 --> 00:21:05,520 Speaker 2: That's why you've been doing it. 423 00:21:05,720 --> 00:21:09,159 Speaker 1: Exactly, exactly are private? 424 00:21:09,359 --> 00:21:09,760 Speaker 2: I get it? 425 00:21:10,480 --> 00:21:14,240 Speaker 1: What nothing? I just learned something new every day. 426 00:21:15,640 --> 00:21:16,760 Speaker 2: What that she comes up her feet? 427 00:21:17,000 --> 00:21:19,119 Speaker 1: I didn't know Kaitlin was out here like this. 428 00:21:20,200 --> 00:21:26,119 Speaker 2: She knew. She knows that it's an in demand proposition, 429 00:21:26,760 --> 00:21:28,720 Speaker 2: it's an in demand quantity. 430 00:21:29,000 --> 00:21:31,960 Speaker 1: Yes, well you know what. I support your small business, 431 00:21:33,040 --> 00:21:38,720 Speaker 1: you know, subscribe how either you have cute feet. I 432 00:21:38,720 --> 00:21:39,320 Speaker 1: wouldn't do it. 433 00:21:39,480 --> 00:21:40,920 Speaker 2: From now on, I'm covering my feet. 434 00:21:41,359 --> 00:21:43,119 Speaker 1: You should put the censored thing on Instagram. 435 00:21:43,640 --> 00:21:45,959 Speaker 2: Me that Yeah, well I wear shoes, so I think 436 00:21:46,000 --> 00:21:47,280 Speaker 2: that does. That does a job for me. 437 00:21:50,119 --> 00:21:51,240 Speaker 1: You mandos the. 438 00:21:54,280 --> 00:21:54,440 Speaker 2: Man? 439 00:21:54,560 --> 00:21:56,359 Speaker 1: What man mandles? That's what I call. 440 00:21:57,280 --> 00:21:59,679 Speaker 2: I haven't worn sandals in a while out in public. 441 00:22:00,000 --> 00:22:04,760 Speaker 1: Why you have great feet? It was, yeah, a lot 442 00:22:04,840 --> 00:22:05,760 Speaker 1: of men have cute feet. 443 00:22:05,920 --> 00:22:08,159 Speaker 2: Maybe we should do any like a joint That's what 444 00:22:08,240 --> 00:22:11,400 Speaker 2: I said. Well no, but now it's just processing. It's 445 00:22:11,440 --> 00:22:13,800 Speaker 2: taking me into But I guess what I'm thinking. Is 446 00:22:13,920 --> 00:22:15,879 Speaker 2: do do women want to see men's feet the way 447 00:22:15,920 --> 00:22:17,480 Speaker 2: that men want to see women's feet? Or is that 448 00:22:17,720 --> 00:22:21,359 Speaker 2: is that a primarily male fetish? I don't know the answer. 449 00:22:21,480 --> 00:22:23,760 Speaker 3: Okay, So like our friend in the company, another radio 450 00:22:23,800 --> 00:22:25,879 Speaker 3: person asks this, and I guess in Vancouver there's a 451 00:22:25,920 --> 00:22:29,440 Speaker 3: big market of women who want to who are turned 452 00:22:29,480 --> 00:22:30,359 Speaker 3: on by men's feet. 453 00:22:31,359 --> 00:22:34,560 Speaker 1: Just one place, well from Vancouver. 454 00:22:35,240 --> 00:22:36,080 Speaker 2: It where's Vancouver? 455 00:22:36,720 --> 00:22:39,560 Speaker 1: Vancouver in Canada? 456 00:22:39,680 --> 00:22:42,880 Speaker 2: Right? It is which part of Canada? In which part 457 00:22:42,880 --> 00:22:43,640 Speaker 2: of Canada? Jason? 458 00:22:43,680 --> 00:22:50,240 Speaker 8: Would you find Vancouver the North? Everything north? Good answer? Actually, no, 459 00:22:50,960 --> 00:22:57,680 Speaker 8: it's north of Canada. Northern Canada is the North Pole? Okay, 460 00:22:57,920 --> 00:22:59,919 Speaker 8: it's a desert. It's actually southern Canada. 461 00:23:00,000 --> 00:23:00,879 Speaker 1: Oh that's it's hard to. 462 00:23:02,359 --> 00:23:05,680 Speaker 2: Jesus. Can you get my facts? K tell me about 463 00:23:05,760 --> 00:23:10,000 Speaker 2: fires the horse dammit? It would technically be southern Canada. 464 00:23:10,359 --> 00:23:13,679 Speaker 2: Vancouver it's right on the border. It's not that far 465 00:23:13,720 --> 00:23:16,520 Speaker 2: from Seattle. That's still north of here. Yeah, but he 466 00:23:16,560 --> 00:23:17,560 Speaker 2: said Northern Canada. 467 00:23:17,640 --> 00:23:20,760 Speaker 1: Yeah, I did say north. Everything in Canada is north. Okay, 468 00:23:20,800 --> 00:23:22,880 Speaker 1: that's why that's why they say we the North. 469 00:23:23,000 --> 00:23:27,280 Speaker 2: I was right. See, you know what, I don't have 470 00:23:27,400 --> 00:23:27,800 Speaker 2: the energy. 471 00:23:29,600 --> 00:23:29,960 Speaker 7: I don't know. 472 00:23:32,400 --> 00:23:41,920 Speaker 2: Six up there. Okay, words, dear blog. I stayed in 473 00:23:41,920 --> 00:23:43,639 Speaker 2: the hotel over the weekend that as one hundred and 474 00:23:43,760 --> 00:23:46,960 Speaker 2: thirty years old. Hotels one hundred and thirty years old, 475 00:23:48,040 --> 00:23:51,120 Speaker 2: and they've obviously updated it, you know, like the furniture 476 00:23:51,119 --> 00:23:54,120 Speaker 2: and stuff, but many aspects of it they've kept looking 477 00:23:54,240 --> 00:23:56,920 Speaker 2: super old, because I guess people are into that. And 478 00:23:57,040 --> 00:24:01,160 Speaker 2: this is supposedly a fancy hotel. It's called you guess, laugh, 479 00:24:01,880 --> 00:24:08,119 Speaker 2: it's in Milwaukee. It's called the Fister. What right that 480 00:24:08,240 --> 00:24:10,920 Speaker 2: were available in Milwaukee? I mean, how could I not 481 00:24:12,960 --> 00:24:18,200 Speaker 2: he fag somebody's name the Fister story. Apparently it's a 482 00:24:18,320 --> 00:24:22,720 Speaker 2: very famous hotel. I guess, pet No. I mean it 483 00:24:23,200 --> 00:24:26,600 Speaker 2: was very nice, But I couldn't help but think the 484 00:24:26,680 --> 00:24:29,680 Speaker 2: whole time I was there, if those walls could talk, 485 00:24:31,240 --> 00:24:32,760 Speaker 2: like do you ever go to a place? Have you 486 00:24:32,800 --> 00:24:34,159 Speaker 2: ever stated in a place like that? Like I'm like, 487 00:24:34,320 --> 00:24:37,959 Speaker 2: is it is it haunted? I mean, how many thousands 488 00:24:38,000 --> 00:24:40,960 Speaker 2: and thousands of weddings have taken place there? How many 489 00:24:41,040 --> 00:24:45,040 Speaker 2: generations of weddings have taken other ghosts floating around there? 490 00:24:45,280 --> 00:24:46,879 Speaker 2: How many people have had sex in the room I 491 00:24:47,040 --> 00:24:49,760 Speaker 2: was in one hundred and thirty years it's been there. 492 00:24:50,560 --> 00:24:52,480 Speaker 2: I just couldn't help but like sort of soak in 493 00:24:52,560 --> 00:25:04,760 Speaker 2: all the history Michigan, in this case Milwaukee, pure Milwaukee. 494 00:25:05,600 --> 00:25:08,040 Speaker 2: You could stay at the Fister, oh my. 495 00:25:09,320 --> 00:25:09,800 Speaker 1: More than. 496 00:25:12,320 --> 00:25:14,280 Speaker 2: I mean, how could I knock though I saw the 497 00:25:14,320 --> 00:25:20,200 Speaker 2: list of hotels, it was like Marriotte, you know, ratan sister. 498 00:25:21,040 --> 00:25:24,159 Speaker 2: I'm like, let me dig in. That is one turn out. 499 00:25:24,200 --> 00:25:26,399 Speaker 2: It was a very nice place. But I just I 500 00:25:26,520 --> 00:25:28,240 Speaker 2: just got to thinking about that. I guess the NBA 501 00:25:28,359 --> 00:25:30,480 Speaker 2: team stay there. I mean apparently it's like a big 502 00:25:30,600 --> 00:25:31,000 Speaker 2: time deal. 503 00:25:31,800 --> 00:25:35,359 Speaker 1: I just like in your room, like realizing so many things, 504 00:25:35,520 --> 00:25:36,320 Speaker 1: like just sitting there. 505 00:25:36,400 --> 00:25:38,560 Speaker 2: Oh no, I did. I was in deep thought about this. 506 00:25:38,680 --> 00:25:41,080 Speaker 2: I'm like, this place has been here for so long. 507 00:25:42,160 --> 00:25:46,240 Speaker 2: I mean people have probably died there. I mean people 508 00:25:46,280 --> 00:25:51,000 Speaker 2: are probably I don't know, I got engaged, babies. I mean, 509 00:25:51,000 --> 00:25:53,560 Speaker 2: I'm just serious. The place is that old. And I 510 00:25:53,600 --> 00:25:55,520 Speaker 2: guess it's not every day. I feel like everything is 511 00:25:55,560 --> 00:25:58,680 Speaker 2: new and shiny these days. Yeah, that's it's not every 512 00:25:58,760 --> 00:26:00,360 Speaker 2: day you have to think of No, and I don't 513 00:26:00,400 --> 00:26:04,119 Speaker 2: know Theodore Roosevelt stayed there. Someone just said, oh god. 514 00:26:04,040 --> 00:26:06,680 Speaker 1: And I heard he still walks the halls. Oh god, 515 00:26:06,720 --> 00:26:11,600 Speaker 1: I wheels, he still wheels the. 516 00:26:11,600 --> 00:26:15,360 Speaker 2: Halls I know that was that was FDR was the wheelchaired. 517 00:26:16,080 --> 00:26:21,520 Speaker 2: Oh you guys, branch don't work like this, Like you don't. 518 00:26:21,600 --> 00:26:23,280 Speaker 2: You don't walk into a place that has that much 519 00:26:23,359 --> 00:26:26,879 Speaker 2: history and go like wow, absolutely, there's a lot of stuff. 520 00:26:27,000 --> 00:26:28,640 Speaker 2: Like honestly, like wow. 521 00:26:28,680 --> 00:26:31,760 Speaker 1: We stayed at the Virgin. Our friend shot out our friends. 522 00:26:32,640 --> 00:26:34,680 Speaker 7: She showed us that it's actually ghosts in some of 523 00:26:34,720 --> 00:26:37,560 Speaker 7: those rooms where they are and like watch out. 524 00:26:37,800 --> 00:26:39,760 Speaker 3: Yeah, well, because you can feel them when you walk 525 00:26:39,760 --> 00:26:41,520 Speaker 3: in there. Remember I said, I'm like, how many ghosts 526 00:26:41,520 --> 00:26:43,159 Speaker 3: are in here? She's like, oh god, an they got 527 00:26:43,280 --> 00:26:44,160 Speaker 3: names to and everything. 528 00:26:45,640 --> 00:26:47,600 Speaker 2: Well, doesn't freak me out, like the fact that there 529 00:26:47,680 --> 00:26:49,600 Speaker 2: might be ghosts, Like, I don't really I didn't feel 530 00:26:49,600 --> 00:26:51,200 Speaker 2: like I was being watched or anything, but I just 531 00:26:51,280 --> 00:26:54,720 Speaker 2: I don't know. I just was like wow in a 532 00:26:54,760 --> 00:26:55,760 Speaker 2: lobby having a drink. 533 00:26:55,840 --> 00:26:57,400 Speaker 3: I'm like, Wow, this is what I'm going to take 534 00:26:57,400 --> 00:26:58,920 Speaker 3: you on, like a tour of Chicago. We got some 535 00:26:58,960 --> 00:26:59,399 Speaker 3: old stuff. 536 00:26:59,560 --> 00:27:01,520 Speaker 2: I've done the ghost to where I've done the old 537 00:27:01,560 --> 00:27:03,560 Speaker 2: I mean, there's a lot of old stuff, you know. 538 00:27:04,560 --> 00:27:08,040 Speaker 2: I I but I slept where like thousands of people 539 00:27:08,080 --> 00:27:10,560 Speaker 2: of I don't know. I just I could overwhelm me 540 00:27:11,359 --> 00:27:15,280 Speaker 2: that the idea of what has gone on in those 541 00:27:15,400 --> 00:27:19,000 Speaker 2: walls in that period of time, like I don't know, 542 00:27:19,920 --> 00:27:23,760 Speaker 2: crimes maybe have been committed, who knows, Man. 543 00:27:23,800 --> 00:27:25,080 Speaker 1: The possibilities are endless. 544 00:27:25,240 --> 00:27:28,360 Speaker 2: People have been born and died who have stayed there, 545 00:27:28,760 --> 00:27:31,399 Speaker 2: probably even before I was born, stayed in that hotel. 546 00:27:32,160 --> 00:27:36,800 Speaker 1: Daddy rose in the Fister you were in deep. 547 00:27:38,880 --> 00:27:39,560 Speaker 2: The jokes are. 548 00:27:42,160 --> 00:27:45,119 Speaker 1: Just the jokes, didn't hand you. That's a great story. 549 00:27:51,000 --> 00:27:54,639 Speaker 2: Have your problem at the if you're looking for the 550 00:27:54,680 --> 00:27:57,119 Speaker 2: five minute advertisements, because here's one thing you can make 551 00:27:57,119 --> 00:27:59,000 Speaker 2: fun of the name of all you want. But the 552 00:27:59,040 --> 00:28:01,280 Speaker 2: next time somebody goes Still Milwaukee, they're gonna look up 553 00:28:01,320 --> 00:28:06,280 Speaker 2: the fist. You're welcome spell please, yeah, yeah please. If 554 00:28:06,320 --> 00:28:12,880 Speaker 2: you type in Fister Milwaukee, you might give some that's 555 00:28:12,920 --> 00:28:16,560 Speaker 2: a different hotel. I'm not endorsing that one. P F 556 00:28:16,800 --> 00:28:19,200 Speaker 2: I S T. E. R. Tripe that in