1 00:00:01,920 --> 00:00:06,080 Speaker 1: Hello, and welcome to Earsay, the Audible and iHeart Audio 2 00:00:06,080 --> 00:00:11,040 Speaker 1: book Club. It's the book club for audiobook lovers. I'm 3 00:00:11,160 --> 00:00:13,319 Speaker 1: ed Helms and I am cal Penn. 4 00:00:14,120 --> 00:00:17,880 Speaker 2: Each episode, Ed or I will tackle a different Audible 5 00:00:17,920 --> 00:00:21,360 Speaker 2: title with your favorite hosts and special guests from across 6 00:00:21,400 --> 00:00:25,239 Speaker 2: the iHeart Podcast world and beyond. They'll share what they heard, 7 00:00:25,320 --> 00:00:28,000 Speaker 2: what they loved, and what they can't stop thinking about. 8 00:00:29,080 --> 00:00:32,400 Speaker 2: You've heard the books, Now hear the ear. 9 00:00:32,240 --> 00:00:48,560 Speaker 1: Say earsay that title? Are we all getting it? Cal 10 00:00:48,640 --> 00:00:50,080 Speaker 1: break it down? Sure? 11 00:00:50,200 --> 00:00:55,560 Speaker 2: If I need to get specific well pronounced earsay. It's 12 00:00:55,560 --> 00:01:00,800 Speaker 2: a play on hearsay, but unlike hearsay, you shouldn't ignore it. 13 00:01:01,160 --> 00:01:04,080 Speaker 2: You want to listen to the ear say it's the 14 00:01:04,120 --> 00:01:07,400 Speaker 2: lively chatter that follows a great audiobook. 15 00:01:09,160 --> 00:01:10,560 Speaker 1: I'm not sure I get it. Can you use it 16 00:01:10,600 --> 00:01:13,160 Speaker 1: in a sentence? Yes? 17 00:01:13,760 --> 00:01:17,720 Speaker 2: Uh, let's see. I finished the book. Now I'm catching 18 00:01:17,800 --> 00:01:20,760 Speaker 2: up on the ear say see what I'm saying? 19 00:01:21,319 --> 00:01:22,560 Speaker 1: Yeah, Okay, that's far. 20 00:01:22,640 --> 00:01:24,840 Speaker 2: This season, we're going to be getting into some really 21 00:01:24,880 --> 00:01:28,360 Speaker 2: fun titles that push the limits of the audiobook format. 22 00:01:28,440 --> 00:01:31,319 Speaker 2: So we'll dive into an oral history of one of 23 00:01:31,319 --> 00:01:35,240 Speaker 2: the funniest movies in the eighties. We'll do a supernatural 24 00:01:35,360 --> 00:01:37,920 Speaker 2: thriller co authored by m Night Shamalan. 25 00:01:38,520 --> 00:01:41,440 Speaker 1: We'll also dive into the full cast audio edition of 26 00:01:41,480 --> 00:01:45,640 Speaker 1: Harry Potter and the Sorcerer's Stone. It stars Riz Ahmed, 27 00:01:45,880 --> 00:01:48,080 Speaker 1: Hugh Laurie, and Matthew mcfaddian. 28 00:01:48,480 --> 00:01:51,840 Speaker 2: This is our audiobook club, and you're invited. 29 00:01:55,160 --> 00:01:58,360 Speaker 1: Cow. Do you have a formative audiobook memory? 30 00:01:59,000 --> 00:02:03,600 Speaker 2: I guess formative audio book memory. I really like listening 31 00:02:03,840 --> 00:02:10,360 Speaker 2: to audiobooks from authors who whose voices are kind of iconic. 32 00:02:10,919 --> 00:02:15,359 Speaker 2: There's something about getting that firsthand that I like. But 33 00:02:15,400 --> 00:02:17,680 Speaker 2: really the like, the more universal side of that. I 34 00:02:17,720 --> 00:02:21,160 Speaker 2: remember listening to somebody like a Mindy kayale Right is 35 00:02:21,240 --> 00:02:25,760 Speaker 2: so sweet and bubbly, and her whole persona is that 36 00:02:26,040 --> 00:02:29,520 Speaker 2: of like I'm everybody's friend. So when you listen to 37 00:02:30,440 --> 00:02:33,200 Speaker 2: a fun memoir that she's written, and it's vulnerable and 38 00:02:33,240 --> 00:02:34,160 Speaker 2: it's funny and. 39 00:02:34,160 --> 00:02:35,280 Speaker 1: Absolutely how about you? 40 00:02:35,520 --> 00:02:38,440 Speaker 2: Yeah, I totally agree you have a formative audiobook memory. 41 00:02:38,840 --> 00:02:42,239 Speaker 1: I'm not sure thinking back when I really started to 42 00:02:42,280 --> 00:02:46,160 Speaker 1: get into audiobooks, but but I've been into them for 43 00:02:46,200 --> 00:02:49,600 Speaker 1: a long time and there's one experience that I had 44 00:02:49,639 --> 00:02:53,919 Speaker 1: that I that I just love. I still think back 45 00:02:53,960 --> 00:02:57,079 Speaker 1: on fondly. I was on a road trip by myself 46 00:02:57,560 --> 00:03:01,320 Speaker 1: on the open road in the Western United States for 47 00:03:01,440 --> 00:03:04,800 Speaker 1: thirteen hours straight and I had to get from A 48 00:03:04,880 --> 00:03:06,919 Speaker 1: to B, so I just was kind of like barreling 49 00:03:06,960 --> 00:03:09,240 Speaker 1: through as efficiently as I could, and I put in 50 00:03:09,280 --> 00:03:15,040 Speaker 1: this audio book The Overstory. The Overstory is this incredibly 51 00:03:15,800 --> 00:03:21,040 Speaker 1: rich and deep and beautiful novel, and it's also one 52 00:03:21,080 --> 00:03:25,760 Speaker 1: that is quite overwhelming with the just amount of it's dense. 53 00:03:25,800 --> 00:03:28,600 Speaker 1: There's so much narrative, there's so much sort of color 54 00:03:28,720 --> 00:03:32,520 Speaker 1: and experience to this story. But because I was able 55 00:03:32,560 --> 00:03:36,440 Speaker 1: to just dial in on the open road, I just 56 00:03:36,880 --> 00:03:40,920 Speaker 1: was riveted and it made this the entire day of 57 00:03:41,040 --> 00:03:44,760 Speaker 1: driving just like disappear. I was so immersed in this 58 00:03:44,760 --> 00:03:46,920 Speaker 1: book and I and to this day, I love it. 59 00:03:46,960 --> 00:03:50,800 Speaker 1: I think it's such an incredibly powerful and beautiful, beautiful. 60 00:03:50,360 --> 00:03:52,920 Speaker 2: Book that's so cool, like a TimewARP for you. 61 00:03:53,040 --> 00:03:56,480 Speaker 1: Yeah, audiobooks are timewarps because they're so immersive. 62 00:03:57,040 --> 00:04:03,200 Speaker 2: I assume you narrated the audiobook commercial of your book, right, correct, Yes, Yes, 63 00:04:03,360 --> 00:04:05,160 Speaker 2: I did the same. I wrote this memoir called You 64 00:04:05,240 --> 00:04:08,880 Speaker 2: Can't Be Serious, and the subtext is about systemic change 65 00:04:08,920 --> 00:04:11,920 Speaker 2: in Hollywood and Washington. But really it's like a collection 66 00:04:12,000 --> 00:04:14,760 Speaker 2: of short stories that I just want people to be 67 00:04:14,800 --> 00:04:16,919 Speaker 2: able to laugh at, whether they're reading it by the 68 00:04:16,960 --> 00:04:18,680 Speaker 2: pool or kind of listening to it on the subway 69 00:04:18,680 --> 00:04:22,760 Speaker 2: around on a drive. And I remember when my editor 70 00:04:22,839 --> 00:04:25,680 Speaker 2: called after I turned in the manuscript and she said, so, 71 00:04:25,800 --> 00:04:29,000 Speaker 2: do you want to record and narrate your audiobook or 72 00:04:29,040 --> 00:04:30,400 Speaker 2: do you want to give it to somebody else? And 73 00:04:31,080 --> 00:04:34,400 Speaker 2: I was so confused by that, like why would the 74 00:04:34,440 --> 00:04:37,920 Speaker 2: amount of self deprecating jokes alone and the weird voices 75 00:04:38,000 --> 00:04:41,159 Speaker 2: that I do in my head that could so easily 76 00:04:42,080 --> 00:04:46,440 Speaker 2: like with the wrong voice, could just like a problematic situation. 77 00:04:47,000 --> 00:04:47,200 Speaker 3: Yes. 78 00:04:48,360 --> 00:04:51,760 Speaker 1: Yeah, I wrote a book that's more sort of my 79 00:04:52,279 --> 00:04:58,080 Speaker 1: comedic take on some straight history stories. It's called SNAPO, 80 00:04:58,520 --> 00:05:02,680 Speaker 1: The Definitive Guide to Histories Greatest screw Ups, available wherever 81 00:05:02,720 --> 00:05:05,200 Speaker 1: you get your books, and the same thing. I was 82 00:05:05,240 --> 00:05:06,840 Speaker 1: so proud of it. I was like, I'm not I 83 00:05:06,880 --> 00:05:09,760 Speaker 1: don't want I don't want some other jerk just like 84 00:05:09,920 --> 00:05:11,320 Speaker 1: rattling this thing off. 85 00:05:11,040 --> 00:05:14,240 Speaker 2: In your book, by the way, came from your podcast, 86 00:05:14,279 --> 00:05:15,440 Speaker 2: which is also called Snaffo. 87 00:05:15,760 --> 00:05:20,600 Speaker 1: Yes, thank you for mentioning that. My my podcast Snaffoo 88 00:05:20,640 --> 00:05:24,760 Speaker 1: also about history's greatest grew ups. Season four is coming out, 89 00:05:25,000 --> 00:05:28,360 Speaker 1: and I'm having guests come on and I tell them 90 00:05:28,360 --> 00:05:31,560 Speaker 1: about a snafoo and we reflect on what these snaffoos 91 00:05:31,600 --> 00:05:35,760 Speaker 1: say about humanity, and spoiler alert, it's usually not good 92 00:05:35,800 --> 00:05:37,520 Speaker 1: things about humanity. 93 00:05:38,160 --> 00:05:41,240 Speaker 2: You also have a podcast I do, or I guess 94 00:05:41,320 --> 00:05:44,159 Speaker 2: technically I will. It is still a very big secret 95 00:05:44,200 --> 00:05:47,960 Speaker 2: for right now, but we will announce it on the 96 00:05:48,080 --> 00:05:52,960 Speaker 2: fourteenth of October. But yes, we do podcasts, we do 97 00:05:53,279 --> 00:05:56,599 Speaker 2: audio books, and we're maybe the perfect guys to host 98 00:05:56,640 --> 00:05:58,640 Speaker 2: a podcast about audiobooks. 99 00:05:59,720 --> 00:06:04,320 Speaker 1: Yeah, yes, And so for our first episode today, we 100 00:06:04,440 --> 00:06:07,280 Speaker 1: have the pleasure of stepping into the carriages and drawing 101 00:06:07,360 --> 00:06:11,719 Speaker 1: rooms of Regency England. Our guest and I listened to 102 00:06:11,800 --> 00:06:16,279 Speaker 1: the audible reimagining of a piece of the English literature canon, 103 00:06:16,760 --> 00:06:22,360 Speaker 1: Jane Austen's eighteen thirteen masterpiece, Pride and Prejudice. It came 104 00:06:22,400 --> 00:06:25,080 Speaker 1: out during the peak of the Romantic era, when people 105 00:06:25,160 --> 00:06:28,239 Speaker 1: like John Keats and Lord Byron were writing about passion 106 00:06:28,320 --> 00:06:32,039 Speaker 1: and mortality and the nature of beauty. But Pride and 107 00:06:32,080 --> 00:06:36,280 Speaker 1: Prejudice offered witty, sharp social commentary at a time when 108 00:06:36,320 --> 00:06:40,440 Speaker 1: the novel itself was seen as kind of frivolous. Austin 109 00:06:40,560 --> 00:06:43,600 Speaker 1: published it anonymously, which was common for women authors at 110 00:06:43,640 --> 00:06:46,520 Speaker 1: the time. Writing novels was seen as an improper way 111 00:06:46,560 --> 00:06:49,919 Speaker 1: for women to spend their time. Pride and Prejudice was 112 00:06:49,960 --> 00:06:53,560 Speaker 1: a smash hit and went on to be instrumental in 113 00:06:53,600 --> 00:06:57,440 Speaker 1: shaping what the English novel would become. Austin's narrative style 114 00:06:57,560 --> 00:07:01,120 Speaker 1: is called free indirect speech. That's when the thoughts and 115 00:07:01,200 --> 00:07:03,480 Speaker 1: speech of any character can be written out in the 116 00:07:03,560 --> 00:07:06,560 Speaker 1: voice of the narrator, which is totally familiar to a 117 00:07:06,560 --> 00:07:11,040 Speaker 1: modern reader, but was groundbreaking when the book came out. 118 00:07:12,440 --> 00:07:16,800 Speaker 1: Cal Have you ever read Pride and Prejudice? I read 119 00:07:16,960 --> 00:07:19,280 Speaker 1: enough of it, but yes, I remember reading it a 120 00:07:19,320 --> 00:07:21,680 Speaker 1: quick refresher. Pride and Prejudice is the story of the 121 00:07:21,760 --> 00:07:25,960 Speaker 1: quick witted Elizabeth Bennett, who finds herself navigating complicated social 122 00:07:26,040 --> 00:07:28,400 Speaker 1: dynamics in a romantic back and forth with a man 123 00:07:28,480 --> 00:07:32,440 Speaker 1: she calls the quote proudest and most disagreeable man in 124 00:07:32,480 --> 00:07:36,280 Speaker 1: the world, the handsome and delusive and of course fabulously rich, 125 00:07:36,640 --> 00:07:41,000 Speaker 1: mister Dawesy. The themes in Pride and Prejudice are timeless. 126 00:07:41,320 --> 00:07:46,680 Speaker 1: We're talking self discovery class. Of course, both Pride and 127 00:07:46,880 --> 00:07:50,400 Speaker 1: Prejudice question, cal in your relationship, are you more than 128 00:07:50,400 --> 00:07:53,000 Speaker 1: mister Darcy or more the Lizzie Bennett? 129 00:07:53,120 --> 00:07:55,840 Speaker 2: Oh my gosh, I mean digging? 130 00:07:56,000 --> 00:07:56,920 Speaker 1: Am I digging too deep? 131 00:07:56,960 --> 00:07:58,640 Speaker 2: And no, you're not digging deep at all. It's one 132 00:07:58,640 --> 00:08:00,480 Speaker 2: of those things where I'm probably more of like the 133 00:08:00,520 --> 00:08:03,480 Speaker 2: Lizzie Bennett, but like aspirationally, I would love to be 134 00:08:03,600 --> 00:08:07,080 Speaker 2: a mister Darcy. I would love to have the the handsome, 135 00:08:07,360 --> 00:08:09,840 Speaker 2: you know, I'd love to be fabulously rich. So I'm 136 00:08:09,840 --> 00:08:12,720 Speaker 2: not trying to script the question, but maybe an amalgam 137 00:08:12,720 --> 00:08:15,920 Speaker 2: of both. Leaning towards the miss Bennett. 138 00:08:15,680 --> 00:08:18,000 Speaker 1: Well good, I mean it's a win win. They're both 139 00:08:18,080 --> 00:08:24,160 Speaker 1: remarkable characters. Lizzie just has this like irrepressible verb and 140 00:08:24,360 --> 00:08:28,760 Speaker 1: kind of sass and deep intelligence, and mister Darcy, we learn, 141 00:08:28,920 --> 00:08:32,800 Speaker 1: has like great integrity and of course a lot of money. 142 00:08:33,120 --> 00:08:35,480 Speaker 1: So if you're a combination of those two, you're you're 143 00:08:35,480 --> 00:08:39,160 Speaker 1: doing You're doing good. So this new Audible adaptation of 144 00:08:39,200 --> 00:08:42,280 Speaker 1: Pride and Prejudice is less of an audio book and 145 00:08:42,640 --> 00:08:46,520 Speaker 1: more like a mini series for your ears, with immersive 146 00:08:46,600 --> 00:08:50,800 Speaker 1: sound design and original music. It stars Marisa Abella as 147 00:08:51,000 --> 00:08:55,920 Speaker 1: Elizabeth and Harris Dickinson as mister Darcy. It's faithful to 148 00:08:55,960 --> 00:08:59,400 Speaker 1: the original, but it's told from Elizabeth's perspective in a 149 00:08:59,520 --> 00:09:04,680 Speaker 1: highly suggestive way that kind of sizzles in the intimate 150 00:09:04,800 --> 00:09:06,679 Speaker 1: audio format. Let's take a listen. 151 00:09:07,000 --> 00:09:10,880 Speaker 4: I'm not concerned at all. I'm really trying to illustrate your. 152 00:09:10,840 --> 00:09:13,560 Speaker 1: Character and do you succeed? 153 00:09:14,960 --> 00:09:15,600 Speaker 2: Not at all. 154 00:09:16,800 --> 00:09:19,600 Speaker 4: I hear such different accounts of you. I can't make 155 00:09:19,679 --> 00:09:20,560 Speaker 4: any sense of it. 156 00:09:21,800 --> 00:09:29,800 Speaker 2: Ooh, Steamy, Marissa, Abella, Marisa, Marisa, excuse me, Marisa, Yeah, amazing. 157 00:09:30,120 --> 00:09:32,640 Speaker 2: I just did a little arc on Industry. We did 158 00:09:32,640 --> 00:09:35,360 Speaker 2: not have scenes together, but even her voice is so 159 00:09:35,440 --> 00:09:38,440 Speaker 2: if you're a fan of that show, she is so 160 00:09:38,440 --> 00:09:39,040 Speaker 2: so good. 161 00:09:39,600 --> 00:09:43,679 Speaker 1: Yeah, this is giving some pretty saucy vibes. Yeah, I'm 162 00:09:43,720 --> 00:09:44,320 Speaker 1: not gonna lie. 163 00:09:44,480 --> 00:09:48,319 Speaker 2: Did they make you watch the like nineteen sixties version 164 00:09:48,320 --> 00:09:50,160 Speaker 2: of Romeo and Juliet in high school? 165 00:09:50,960 --> 00:09:53,160 Speaker 1: Oh, I have a vague memory of that. 166 00:09:53,720 --> 00:09:57,199 Speaker 2: I remember that they we watched that and it was like, okay, 167 00:09:57,320 --> 00:09:59,520 Speaker 2: all right, it did. I don't think it helped me 168 00:09:59,600 --> 00:10:02,440 Speaker 2: understand and the material any better. But then when I 169 00:10:02,480 --> 00:10:05,720 Speaker 2: was in college, the Leo DiCaprio, Claar Danes, Baz Luhrmann 170 00:10:05,800 --> 00:10:09,640 Speaker 2: version came out and that was like whoa. Yeah, you know. 171 00:10:09,760 --> 00:10:15,199 Speaker 2: The to illustrate the timelessness of literature, especially Shakespeare obviously 172 00:10:15,800 --> 00:10:20,080 Speaker 2: was like bonkers. Anyway, just listening to that clip, have 173 00:10:20,200 --> 00:10:22,559 Speaker 2: something like that brought to life by a voice you recognized, 174 00:10:22,679 --> 00:10:24,079 Speaker 2: was yeah, very riveting. 175 00:10:24,520 --> 00:10:28,480 Speaker 1: It's it's uh yeah, it's very compelling. Yeah, there's there's 176 00:10:28,520 --> 00:10:31,440 Speaker 1: more star power in this production too. By the way, 177 00:10:31,640 --> 00:10:38,480 Speaker 1: the legendary British thespian Bill Nye plays Elizabeth's father, mister Bennett, 178 00:10:38,720 --> 00:10:42,840 Speaker 1: and Glenn Close plays the domineering and downright kind of 179 00:10:42,920 --> 00:10:47,520 Speaker 1: scary lady Catherine de Bourg. Let's listen to another clip. 180 00:10:47,800 --> 00:10:51,959 Speaker 3: Tell me once and for all are you engaged to him? 181 00:10:53,640 --> 00:10:56,960 Speaker 3: I am not, And will you promise me never to 182 00:10:57,120 --> 00:10:58,559 Speaker 3: enter into such an engagement? 183 00:11:00,080 --> 00:11:01,520 Speaker 4: Can I promises of the kind? 184 00:11:02,040 --> 00:11:05,080 Speaker 1: Oh? That Lizzie just the backbone, she's so tough. 185 00:11:05,320 --> 00:11:07,320 Speaker 2: Oh, she will not make any promises. 186 00:11:07,440 --> 00:11:09,959 Speaker 1: I've worked with Glenn Close. She is one of the 187 00:11:10,000 --> 00:11:12,400 Speaker 1: most lovely human beings you'll ever know, But man, she 188 00:11:12,520 --> 00:11:13,840 Speaker 1: can play tough. 189 00:11:14,640 --> 00:11:16,920 Speaker 2: I would This goes back to the earlier question you 190 00:11:16,960 --> 00:11:20,480 Speaker 2: asked me about, like who I'm more like I would 191 00:11:20,640 --> 00:11:24,600 Speaker 2: love in modern times like today, if somebody on a 192 00:11:24,600 --> 00:11:27,400 Speaker 2: work call asks me to promise them something, I just 193 00:11:27,480 --> 00:11:29,880 Speaker 2: want to say that I will make no promises. 194 00:11:29,440 --> 00:11:30,400 Speaker 1: Of the kind. 195 00:11:30,600 --> 00:11:34,680 Speaker 2: I just want to use that line. 196 00:11:34,360 --> 00:11:37,600 Speaker 1: I will make no promises of the kind. Yeah, that's 197 00:11:37,679 --> 00:11:38,880 Speaker 1: you're right, that's a stinger. 198 00:11:39,040 --> 00:11:40,680 Speaker 2: Why don't you ask me if I'll be part of 199 00:11:40,679 --> 00:11:42,160 Speaker 2: this interview and I will say that I will make 200 00:11:42,280 --> 00:11:43,760 Speaker 2: no promises of the kind. 201 00:11:44,559 --> 00:11:47,480 Speaker 1: I'm gonna get this party started with our first guest. 202 00:11:48,040 --> 00:11:50,760 Speaker 1: Thanks so much for helping me kick off this podcast. 203 00:11:50,800 --> 00:11:53,160 Speaker 1: We're gonna have a ton of fun and here we go. 204 00:11:53,240 --> 00:11:56,480 Speaker 2: Yeah, man, I am. I'm very excited. Enjoy, enjoy the convo. 205 00:11:56,559 --> 00:11:58,400 Speaker 2: I will hop off and leave you to the rest 206 00:11:58,400 --> 00:12:00,559 Speaker 2: of this one. 207 00:12:03,320 --> 00:12:06,960 Speaker 1: Well, our first guest on the Earsay podcast. You know 208 00:12:07,120 --> 00:12:11,800 Speaker 1: her as Kelly Taylor from the legendary Beverly Hills nine 209 00:12:11,800 --> 00:12:14,800 Speaker 1: oh two one zero. She starred in What I Like 210 00:12:14,840 --> 00:12:18,800 Speaker 1: About You. She also starred in the reality shows Jenny Garth, 211 00:12:18,920 --> 00:12:23,120 Speaker 1: A Little Bit Country and The Jenny Garth Project. Now 212 00:12:23,200 --> 00:12:26,840 Speaker 1: she is host of the iHeart podcast I Choose Me 213 00:12:27,240 --> 00:12:30,640 Speaker 1: with Jenny Garth and just in case you haven't done 214 00:12:30,679 --> 00:12:33,560 Speaker 1: the math and figured it out already, I am of course, 215 00:12:33,600 --> 00:12:39,559 Speaker 1: talking about the legendary Jenny Garth. Jenny, welcome to Earsay. 216 00:12:40,400 --> 00:12:41,360 Speaker 4: What's that you say? 217 00:12:41,920 --> 00:12:47,559 Speaker 1: Ere Earsay ear say, uh, yeah, it's just we think 218 00:12:47,600 --> 00:12:50,320 Speaker 1: it's a neat name. We're very proud of our cute name. 219 00:12:50,640 --> 00:12:52,640 Speaker 4: But uh, it is good, it's catchy. 220 00:12:52,880 --> 00:12:53,080 Speaker 5: Ear. 221 00:12:53,320 --> 00:12:55,000 Speaker 1: Yeah, you're you're our first guest. 222 00:12:55,320 --> 00:12:55,640 Speaker 2: What. 223 00:12:56,080 --> 00:12:57,880 Speaker 1: Yeah, it's just such a thrill to have you on 224 00:12:57,960 --> 00:12:59,000 Speaker 1: board right out of the gate. 225 00:12:59,120 --> 00:13:01,200 Speaker 4: I'm so happy to be here. And you know what, 226 00:13:01,600 --> 00:13:05,160 Speaker 4: we're talking about one of my favorite books slash movies 227 00:13:05,200 --> 00:13:07,600 Speaker 4: of all time. How did that happen? I don't even know. 228 00:13:08,280 --> 00:13:11,720 Speaker 1: It's no accident because your podcast and as sort of 229 00:13:12,000 --> 00:13:14,720 Speaker 1: career has touched on so many of these themes, and 230 00:13:14,800 --> 00:13:16,679 Speaker 1: it feels like it just felt like such a good 231 00:13:16,679 --> 00:13:18,440 Speaker 1: fit out of the gate. But the fact that you 232 00:13:18,640 --> 00:13:21,199 Speaker 1: love it makes it even better. 233 00:13:21,360 --> 00:13:23,559 Speaker 4: Yep, yep, true. 234 00:13:23,800 --> 00:13:27,320 Speaker 1: Well right out of the gate. What have you been 235 00:13:27,520 --> 00:13:30,040 Speaker 1: reading lately? Any books caught your fancy? 236 00:13:30,480 --> 00:13:32,280 Speaker 4: Oh my gosh, you know, I do a lot of 237 00:13:32,320 --> 00:13:35,520 Speaker 4: reading just in prep for my podcast when I have 238 00:13:35,559 --> 00:13:37,520 Speaker 4: guests on that have new books coming out, So that 239 00:13:37,600 --> 00:13:41,439 Speaker 4: has really taken over all of my reading opportunities lately. 240 00:13:41,720 --> 00:13:44,360 Speaker 4: I just read a book that's about to come out 241 00:13:44,559 --> 00:13:48,000 Speaker 4: by Jen Hatmaker called a Wake. It is so good. 242 00:13:48,280 --> 00:13:52,560 Speaker 4: I enjoyed Tina Knowle's really great book come out now 243 00:13:52,640 --> 00:13:57,880 Speaker 4: that long ago. So I like a memoir laced with lessons. 244 00:13:58,320 --> 00:14:01,079 Speaker 1: I like that. I like that a lot. I've been 245 00:14:01,160 --> 00:14:04,319 Speaker 1: I'm much more of like a just a straight history nerd. 246 00:14:04,840 --> 00:14:09,040 Speaker 1: I've been reading Dead Wake, which is the story of 247 00:14:09,080 --> 00:14:11,760 Speaker 1: the last crossing of the Lusitania ship. 248 00:14:12,200 --> 00:14:16,040 Speaker 4: I trying to tell you that sounds interesting. I love history. 249 00:14:16,240 --> 00:14:18,440 Speaker 1: It is cool. Yeah, I mean, this is a this 250 00:14:18,480 --> 00:14:20,600 Speaker 1: is like a cruise ship that got shot by German 251 00:14:20,720 --> 00:14:24,800 Speaker 1: U boats, and it's a wild story. It's totally true. 252 00:14:24,920 --> 00:14:27,600 Speaker 1: It's just straight history, but it's a it's a very 253 00:14:27,800 --> 00:14:30,960 Speaker 1: very cool account. Are you an audio book person? 254 00:14:31,160 --> 00:14:34,080 Speaker 4: I read audio books like when it first started happening, 255 00:14:34,840 --> 00:14:38,240 Speaker 4: and then I read audio books. That doesn't make sense. 256 00:14:38,320 --> 00:14:40,200 Speaker 4: I listened to audio books. 257 00:14:40,240 --> 00:14:42,240 Speaker 1: I'm making can say. I think you can say you 258 00:14:42,280 --> 00:14:43,160 Speaker 1: read an audio book. 259 00:14:43,200 --> 00:14:45,160 Speaker 4: I think I can get credit for it. Okay, yeah, 260 00:14:45,320 --> 00:14:48,720 Speaker 4: good good. So I hadn't really like gotten more into them, 261 00:14:48,800 --> 00:14:51,320 Speaker 4: and I was busy, been busy, But then I listened 262 00:14:51,360 --> 00:14:54,800 Speaker 4: to this one and I was really blown away at 263 00:14:54,880 --> 00:14:57,760 Speaker 4: how far they've come. Yeah, this is like a whole 264 00:14:57,920 --> 00:15:00,520 Speaker 4: new experience one that I like. 265 00:15:01,440 --> 00:15:05,880 Speaker 1: This is almost more like a dramatic interpretation than just 266 00:15:05,920 --> 00:15:08,200 Speaker 1: like a straight audio book. It really is. 267 00:15:08,320 --> 00:15:11,240 Speaker 4: It's like you're watching the movie, but you're not stuck 268 00:15:11,320 --> 00:15:14,480 Speaker 4: to watching the screen, and then you get to have 269 00:15:14,680 --> 00:15:19,160 Speaker 4: your imagination as would if you're reading it, but it 270 00:15:19,240 --> 00:15:21,920 Speaker 4: kind of fills in all the little details and all 271 00:15:22,000 --> 00:15:25,280 Speaker 4: the things that you would see when you're watching the movie, 272 00:15:25,320 --> 00:15:26,040 Speaker 4: which is so cool. 273 00:15:26,120 --> 00:15:30,080 Speaker 1: Yeah, it's arguably more immersive because it's giving you all 274 00:15:30,120 --> 00:15:35,480 Speaker 1: of the audio sort of spatial and environmental cues, but 275 00:15:35,640 --> 00:15:39,960 Speaker 1: it relies entirely on your imagination to conjure these images 276 00:15:40,080 --> 00:15:46,120 Speaker 1: and characters. The dawn of audio books dramatically increased my 277 00:15:46,200 --> 00:15:52,840 Speaker 1: intake of books, really, yeah, because I have ADHD and 278 00:15:53,000 --> 00:15:58,240 Speaker 1: I struggle to kind of stay engaged. I have sort 279 00:15:58,240 --> 00:16:02,320 Speaker 1: of like my working memory is very scattered and sort 280 00:16:02,320 --> 00:16:06,120 Speaker 1: of broken, and so that's what reading requires, is to 281 00:16:06,160 --> 00:16:10,600 Speaker 1: sort of hold information and context in your head. Weirdly, 282 00:16:11,200 --> 00:16:15,040 Speaker 1: when I'm listening to text, my working memory fires. It 283 00:16:15,200 --> 00:16:20,400 Speaker 1: just is like dialed in and I can listen at 284 00:16:20,440 --> 00:16:24,040 Speaker 1: extremely high speeds. Weirdly, I don't know why, But I 285 00:16:24,080 --> 00:16:28,240 Speaker 1: really enjoy just taking in the information almost just like 286 00:16:28,280 --> 00:16:31,240 Speaker 1: a funnel, like ah, just taking it as much as 287 00:16:31,280 --> 00:16:35,120 Speaker 1: I can. So yeah, it makes reading faster and more 288 00:16:35,200 --> 00:16:38,960 Speaker 1: immersive for me. I just love audio books. Jenny, you 289 00:16:39,280 --> 00:16:43,960 Speaker 1: host the iHeart podcast I Choose Me First. Can you 290 00:16:44,920 --> 00:16:46,800 Speaker 1: explain the significance of that title? 291 00:16:47,080 --> 00:16:51,040 Speaker 4: Well, I am probably best known for Beverly Hills Onoto Ando, 292 00:16:51,120 --> 00:16:54,000 Speaker 4: which was a show that lasted the entire span of 293 00:16:54,040 --> 00:16:57,680 Speaker 4: the nineties decade, and at one point, my character Kelly 294 00:16:57,720 --> 00:17:00,640 Speaker 4: Taylor had this moment where she was in this love 295 00:17:00,760 --> 00:17:03,520 Speaker 4: triangle and she had to choose between two guys, the 296 00:17:03,600 --> 00:17:06,200 Speaker 4: two you know, like Brandon and Dylan. It was big, 297 00:17:06,320 --> 00:17:08,840 Speaker 4: everybody was watching it. It's kind of like what's happening 298 00:17:08,960 --> 00:17:11,720 Speaker 4: right now with the young people. There's a show called 299 00:17:12,000 --> 00:17:15,959 Speaker 4: The Summary Turn Pretty where it's people are watching it 300 00:17:16,000 --> 00:17:19,000 Speaker 4: and we everybody has something to say about who she 301 00:17:19,080 --> 00:17:22,680 Speaker 4: should pick. Sure, so it's exactly the same beat as 302 00:17:22,720 --> 00:17:25,359 Speaker 4: we played in the nineties on nine Totoentoo. It's so 303 00:17:25,400 --> 00:17:27,320 Speaker 4: fun to watch it come back, but it's a really 304 00:17:27,359 --> 00:17:31,520 Speaker 4: interesting message. She chose herself instead of choosing one of 305 00:17:31,560 --> 00:17:34,840 Speaker 4: the guys, So she said, I choose me, and I 306 00:17:35,000 --> 00:17:38,600 Speaker 4: didn't really understand the significance of that at that age. 307 00:17:38,680 --> 00:17:43,280 Speaker 4: You know, in my life, I was probably nineteen twenty, 308 00:17:43,440 --> 00:17:47,600 Speaker 4: and I feel like now, looking back at things, you 309 00:17:47,720 --> 00:17:51,439 Speaker 4: kind of reach that age where you take stock of 310 00:17:51,520 --> 00:17:55,480 Speaker 4: your life, where you've been, what felt good and in alignment, 311 00:17:55,520 --> 00:17:58,760 Speaker 4: and where you felt like you had accomplishments. It kind 312 00:17:58,760 --> 00:18:01,800 Speaker 4: of revisiting those places and I thought, you know what 313 00:18:01,880 --> 00:18:05,919 Speaker 4: that is something that message, I know, really helped a 314 00:18:05,960 --> 00:18:08,159 Speaker 4: lot of young women who were watching the show in 315 00:18:08,200 --> 00:18:11,960 Speaker 4: real time to identify the fact that they could choose 316 00:18:12,359 --> 00:18:16,240 Speaker 4: themselves in any given moment. Of course, so many women 317 00:18:16,480 --> 00:18:19,320 Speaker 4: said I didn't really know that I could choose myself 318 00:18:19,400 --> 00:18:22,600 Speaker 4: until I saw Kelly Taylor do it, and so I've 319 00:18:22,880 --> 00:18:25,399 Speaker 4: I kind of thought, wow, that's really meaningful, and I 320 00:18:25,440 --> 00:18:28,000 Speaker 4: think that's a message that needs to continue forward. So 321 00:18:29,160 --> 00:18:30,639 Speaker 4: I was kind of lost. I didn't know what I 322 00:18:30,640 --> 00:18:32,840 Speaker 4: wanted to do with my career, and you know, things 323 00:18:32,840 --> 00:18:36,359 Speaker 4: are weird now in the business. So I just said, 324 00:18:36,359 --> 00:18:40,359 Speaker 4: I'm going to focus on spreading something that's important to me. 325 00:18:40,560 --> 00:18:43,639 Speaker 1: I love that it's like put on your oxygen mask first, 326 00:18:44,080 --> 00:18:48,080 Speaker 1: right when the plane's going down. What's really interesting about 327 00:18:48,119 --> 00:18:52,840 Speaker 1: it is as an idea I choose me. It might 328 00:18:53,040 --> 00:18:57,000 Speaker 1: ring at first like self absorbed or narcissistic even, but 329 00:18:57,560 --> 00:19:00,720 Speaker 1: it truly is the way I hear you talk about it, 330 00:19:01,320 --> 00:19:04,320 Speaker 1: and as I've listened to your podcast, it's truly a 331 00:19:05,080 --> 00:19:09,200 Speaker 1: generous disposition. It's a way of presenting to the world 332 00:19:09,560 --> 00:19:12,960 Speaker 1: in a way where you know your own value, right, 333 00:19:13,000 --> 00:19:15,720 Speaker 1: and when you do that, you are elevating the people 334 00:19:15,760 --> 00:19:21,000 Speaker 1: around you as well. Definitely, all right, let's get into 335 00:19:21,119 --> 00:19:24,160 Speaker 1: Pride and Prejudice a little bit here, Yes, but let's 336 00:19:24,200 --> 00:19:27,560 Speaker 1: sort of segue from nine o two one zero into 337 00:19:27,600 --> 00:19:31,640 Speaker 1: Pride and Prejudice. So Kelly had that famous moment of 338 00:19:32,320 --> 00:19:36,640 Speaker 1: choosing between Dylan and Brandon. Do you think Kelly would 339 00:19:36,640 --> 00:19:40,000 Speaker 1: have fallen for someone like mister Darcy or would she 340 00:19:40,040 --> 00:19:42,240 Speaker 1: have gone for a Wickham first? 341 00:19:42,800 --> 00:19:45,800 Speaker 4: Without a doubt in my mind, she would have fallen 342 00:19:45,840 --> 00:19:47,080 Speaker 4: in love with mister Darcy. 343 00:19:47,640 --> 00:19:49,240 Speaker 1: Oh that's great, all right. 344 00:19:50,280 --> 00:19:54,480 Speaker 4: I mean I did, and you know we're pretty similar, so. 345 00:19:54,640 --> 00:19:56,920 Speaker 1: Good, good, Yeah, for sure, I think that says the 346 00:19:57,000 --> 00:20:03,760 Speaker 1: right thing about Kelly and Jenny. So Bride and Prejudice 347 00:20:04,040 --> 00:20:08,119 Speaker 1: it's considered an important novel, right, but what makes it 348 00:20:08,160 --> 00:20:10,360 Speaker 1: a fun novel. What is it about the story that's 349 00:20:10,359 --> 00:20:10,879 Speaker 1: fun to you? 350 00:20:11,320 --> 00:20:13,639 Speaker 4: It's the romance it's always going to come back to 351 00:20:13,680 --> 00:20:17,959 Speaker 4: that really draws people in. And you get so invested 352 00:20:18,040 --> 00:20:21,919 Speaker 4: in the characters and you see them making mistakes, and 353 00:20:21,960 --> 00:20:25,119 Speaker 4: you see them learning from those mistakes and figuring things 354 00:20:25,160 --> 00:20:26,360 Speaker 4: out along the way. 355 00:20:26,440 --> 00:20:26,840 Speaker 1: Sure. 356 00:20:27,040 --> 00:20:32,360 Speaker 4: And I just love period pieces, the costumes and the 357 00:20:32,400 --> 00:20:36,240 Speaker 4: horses and the carriages, and the just the beautiful way 358 00:20:36,240 --> 00:20:39,439 Speaker 4: everyone carries themselves. It's so different than it is now 359 00:20:40,000 --> 00:20:42,560 Speaker 4: that I just find it really refreshing to look back 360 00:20:42,600 --> 00:20:44,240 Speaker 4: and remember what things used to be like. 361 00:20:45,160 --> 00:20:48,720 Speaker 1: Yeah, I think you're right on the money. It's such 362 00:20:48,760 --> 00:20:52,880 Speaker 1: a classic romantic tale, which is always riveting. I also 363 00:20:52,920 --> 00:20:56,439 Speaker 1: think there's something just for us as Americans. There's something 364 00:20:56,600 --> 00:21:00,400 Speaker 1: so alluring about that subtle British wit. Yeah, that kind 365 00:21:00,400 --> 00:21:04,879 Speaker 1: of like dry sarcasm, but there's a sweetness underneath it. 366 00:21:05,000 --> 00:21:07,280 Speaker 1: You can tell these characters have affection with each other, 367 00:21:07,320 --> 00:21:09,440 Speaker 1: even though they kind of bite at each other. 368 00:21:09,680 --> 00:21:13,000 Speaker 4: Yeah, it's fun to listen to their banter for sure. 369 00:21:13,080 --> 00:21:13,399 Speaker 2: Yeah. 370 00:21:13,600 --> 00:21:18,480 Speaker 1: And I think Austin's writing is it's fun and accessible, 371 00:21:18,480 --> 00:21:22,160 Speaker 1: but it's also sort of making commentary. And she has 372 00:21:22,880 --> 00:21:26,080 Speaker 1: a wonderful warmth towards all of these characters. It's a 373 00:21:26,119 --> 00:21:26,919 Speaker 1: special novel. 374 00:21:27,040 --> 00:21:28,399 Speaker 4: Did you read it in high school? 375 00:21:28,920 --> 00:21:31,359 Speaker 1: I think I pretended to read it in high school 376 00:21:31,400 --> 00:21:32,920 Speaker 1: and probably just read cliff notes. 377 00:21:33,040 --> 00:21:33,760 Speaker 4: Yeah. 378 00:21:34,000 --> 00:21:38,879 Speaker 1: So this new Audible production is a full cast audio adaptation, 379 00:21:39,119 --> 00:21:44,399 Speaker 1: complete with star performances, sound design, and original music. What 380 00:21:44,520 --> 00:21:46,960 Speaker 1: stood out to you in this production while listening? 381 00:21:47,119 --> 00:21:49,320 Speaker 4: Well, I went into it not knowing what I was 382 00:21:49,520 --> 00:21:52,400 Speaker 4: going to be hearing, like this new way of listening 383 00:21:52,400 --> 00:21:56,200 Speaker 4: to a book. But I was drawn in immediately by 384 00:21:56,760 --> 00:21:59,680 Speaker 4: the sound design. I felt as if I was in 385 00:21:59,720 --> 00:22:03,680 Speaker 4: the room room with these characters and I was in 386 00:22:03,720 --> 00:22:08,479 Speaker 4: their conversation, and there is something so inclusive about that. 387 00:22:08,960 --> 00:22:11,000 Speaker 4: So for me, it was really about the sound design, 388 00:22:11,160 --> 00:22:15,320 Speaker 4: just the footsteps and the doors opening and closing. It's 389 00:22:15,440 --> 00:22:18,160 Speaker 4: like it's real. It's like it's really happening. 390 00:22:18,800 --> 00:22:22,959 Speaker 1: I agree, it's totally immersive. There's a beautiful score woven 391 00:22:23,000 --> 00:22:27,720 Speaker 1: in by Morgan Kibbie. There's a subtle bit of sound 392 00:22:27,760 --> 00:22:33,479 Speaker 1: design that I thought was so effective where Lizzie's voice 393 00:22:34,200 --> 00:22:37,960 Speaker 1: is given a kind of this like reaver some effect 394 00:22:38,400 --> 00:22:40,480 Speaker 1: anyway that makes it clear that you're in her head, 395 00:22:40,880 --> 00:22:43,640 Speaker 1: in her inner monologue. You're going in and out of 396 00:22:44,040 --> 00:22:47,040 Speaker 1: Lizzie's head in a way that for the listener this 397 00:22:47,119 --> 00:22:49,760 Speaker 1: might sound crazy, but it's actually totally intuitive. When you 398 00:22:49,840 --> 00:22:52,880 Speaker 1: listen to it, it makes perfect sense. What role would 399 00:22:52,920 --> 00:22:53,720 Speaker 1: you want to play? 400 00:22:53,880 --> 00:22:56,600 Speaker 4: I mean in this story? Are you really going to 401 00:22:56,640 --> 00:23:03,200 Speaker 4: ask me that? Lizzie Luy, Yeah, I mean great, She's 402 00:23:03,359 --> 00:23:08,040 Speaker 4: just so smart and so independent and strong. I just 403 00:23:08,119 --> 00:23:10,400 Speaker 4: love HER's she says it like it is. 404 00:23:10,760 --> 00:23:12,840 Speaker 1: You would be an incredible Lizzie. 405 00:23:13,000 --> 00:23:15,480 Speaker 4: Oh god, thanks, such a coment. 406 00:23:15,840 --> 00:23:18,320 Speaker 1: This is not a trick question, no wrong answer. What 407 00:23:18,480 --> 00:23:19,919 Speaker 1: role would I play? 408 00:23:21,640 --> 00:23:24,400 Speaker 4: You know what? I can see you as mister Darcy. 409 00:23:25,560 --> 00:23:26,960 Speaker 4: You got a little Colin first. 410 00:23:27,680 --> 00:23:32,760 Speaker 1: Okay, that's really sweet. I appreciate that. But are you 411 00:23:32,800 --> 00:23:35,000 Speaker 1: sure I'm not I'm not the dad. I mean I'm 412 00:23:35,000 --> 00:23:36,080 Speaker 1: not mister Bennett here. 413 00:23:36,880 --> 00:23:40,440 Speaker 4: I mean with the right you know, wardrobe, hair and makeup. 414 00:23:40,520 --> 00:23:41,159 Speaker 4: I think it's you. 415 00:23:42,280 --> 00:23:45,160 Speaker 1: Pride and Prejudice, as you mentioned before, has been made 416 00:23:45,280 --> 00:23:50,399 Speaker 1: into multiple TV series, movies, reimaginings and so on. Do 417 00:23:50,440 --> 00:23:51,560 Speaker 1: you have a favorite version? 418 00:23:52,400 --> 00:23:56,040 Speaker 4: Oh yeah, BBC original, Yeah, Colin. 419 00:23:55,760 --> 00:23:59,439 Speaker 1: First, Jennifer e Lee. Yep, there's something about that version 420 00:24:00,080 --> 00:24:06,560 Speaker 1: that just captured Jane Austen's tone acting too. 421 00:24:06,720 --> 00:24:11,159 Speaker 4: I think Colin just the way you hated him and 422 00:24:11,280 --> 00:24:14,679 Speaker 4: loved him at the same time, and his stature like 423 00:24:14,720 --> 00:24:19,240 Speaker 4: does everything about it. I was head over heels for him. Delicious, 424 00:24:19,440 --> 00:24:21,280 Speaker 4: It's delicious. 425 00:24:21,080 --> 00:24:24,200 Speaker 1: Yes, of course, yes. So what is it about those 426 00:24:24,280 --> 00:24:28,399 Speaker 1: Brits they're so beguiling? What do you think it is 427 00:24:28,400 --> 00:24:32,800 Speaker 1: about pride and prejudice that has given it such incredible 428 00:24:32,800 --> 00:24:35,560 Speaker 1: staying power for more than two hundred years. 429 00:24:36,480 --> 00:24:39,800 Speaker 4: Well, I don't think it hurts that they keep reimagining it. Sure, 430 00:24:39,920 --> 00:24:42,600 Speaker 4: you know, I think they've done you know, like you 431 00:24:42,640 --> 00:24:47,040 Speaker 4: said before, it goes from BBC to Hallmark to Disney Channel, 432 00:24:47,160 --> 00:24:49,960 Speaker 4: like there's always going to be their interpretation for a 433 00:24:49,960 --> 00:24:52,040 Speaker 4: different age group audience. 434 00:24:52,200 --> 00:24:52,520 Speaker 1: Amen. 435 00:24:52,760 --> 00:24:58,240 Speaker 4: I think what's made it last it's just it's a timeless. 436 00:24:57,760 --> 00:24:59,840 Speaker 2: Story, Yeah, exactly, Like. 437 00:24:59,800 --> 00:25:02,080 Speaker 4: That's at its heart, it's a timeless story. 438 00:25:02,640 --> 00:25:05,320 Speaker 1: I mean, like humans were just suckers for a great 439 00:25:05,359 --> 00:25:09,640 Speaker 1: love story. But this one has this really wonderful trope 440 00:25:09,880 --> 00:25:13,240 Speaker 1: of the people that are destined to be together but 441 00:25:13,720 --> 00:25:17,439 Speaker 1: hate each other at first, Right, they start off with 442 00:25:17,480 --> 00:25:22,640 Speaker 1: all the friction. Yeah, that's satisfying. They when they realize. 443 00:25:22,280 --> 00:25:24,160 Speaker 4: Yeah, that moonlighting energy, like. 444 00:25:24,240 --> 00:25:26,160 Speaker 1: Yeah, moonlighting, Oh perfect. 445 00:25:26,359 --> 00:25:29,000 Speaker 4: They hate each other, but you know they love each 446 00:25:29,000 --> 00:25:30,840 Speaker 4: other and you're just waiting on the edge of your 447 00:25:30,840 --> 00:25:32,520 Speaker 4: seat for them to finally get together. 448 00:25:33,280 --> 00:25:37,639 Speaker 1: Marriage is obviously a major theme in Pride and Prejudice. 449 00:25:38,040 --> 00:25:42,680 Speaker 1: Norms around marriage have changed profoundly in the last two 450 00:25:42,720 --> 00:25:43,680 Speaker 1: hundred and twenty five years. 451 00:25:43,800 --> 00:25:44,280 Speaker 4: Thank God. 452 00:25:44,480 --> 00:25:48,280 Speaker 1: What are some things that this book says about marriage 453 00:25:48,320 --> 00:25:49,919 Speaker 1: that might still be true today? 454 00:25:50,320 --> 00:25:54,080 Speaker 4: Well, I think in Lizzie's case, she wanted to find 455 00:25:54,119 --> 00:25:58,520 Speaker 4: somebody that could keep up with her intellectually, and that 456 00:25:58,640 --> 00:26:02,720 Speaker 4: the spice that she you know, finding someone that can 457 00:26:02,880 --> 00:26:04,879 Speaker 4: sort of spar with you when you want to spar 458 00:26:05,200 --> 00:26:08,040 Speaker 4: and roll with you when you want to roll, like 459 00:26:08,160 --> 00:26:10,639 Speaker 4: she wanted that then, and I think, I know I 460 00:26:10,720 --> 00:26:14,200 Speaker 4: still want that as a woman in this day and age. 461 00:26:14,880 --> 00:26:17,560 Speaker 4: I don't want to be bored. I don't want to 462 00:26:17,600 --> 00:26:22,040 Speaker 4: be a comfortable kept woman. I think, you know, there 463 00:26:22,080 --> 00:26:25,280 Speaker 4: are all different kinds of women and they all have 464 00:26:25,320 --> 00:26:28,000 Speaker 4: different needs. Back then, it was about finding a husband 465 00:26:28,040 --> 00:26:29,440 Speaker 4: because that's how you survived. 466 00:26:30,080 --> 00:26:32,200 Speaker 1: Yeah, And I think to what you're speaking to about, 467 00:26:32,440 --> 00:26:35,480 Speaker 1: you know, being able to spar with somebody without it 468 00:26:35,600 --> 00:26:38,879 Speaker 1: threatening the integrity of the relationship is really about having 469 00:26:39,119 --> 00:26:43,240 Speaker 1: an underlying respect for one another, and a deep sort 470 00:26:43,240 --> 00:26:47,439 Speaker 1: of abiding respect that transcends the petty moments or the 471 00:26:47,480 --> 00:26:52,000 Speaker 1: hard moments of conflict. What I love about pride and 472 00:26:52,040 --> 00:26:56,040 Speaker 1: prejudice is that really their love story. In my view, 473 00:26:56,200 --> 00:26:58,960 Speaker 1: they realize they love each other when they built respect 474 00:26:59,000 --> 00:27:04,160 Speaker 1: for one another, and that's what's ultimately gratifying. And it's 475 00:27:04,200 --> 00:27:07,120 Speaker 1: a little bit in defiance of some of the norms 476 00:27:07,160 --> 00:27:10,479 Speaker 1: of the day. All Right, I asked my co host 477 00:27:10,640 --> 00:27:16,440 Speaker 1: cal this question before. Who in your marriage is more 478 00:27:16,480 --> 00:27:19,200 Speaker 1: of the Darcy and who is more of the Elizabeth 479 00:27:20,160 --> 00:27:21,879 Speaker 1: or are you another character altogether? 480 00:27:24,080 --> 00:27:30,200 Speaker 4: Oh, I feel like hmmm, honestly, it's kind of weird. 481 00:27:30,240 --> 00:27:31,800 Speaker 4: I never really thought about it, but I think my 482 00:27:31,880 --> 00:27:37,639 Speaker 4: husband's morally mister Darcy. He's got that like dry quick 483 00:27:37,880 --> 00:27:44,119 Speaker 4: wit and walks to his own drum. It has that 484 00:27:44,200 --> 00:27:48,160 Speaker 4: air of independence and almost like a little bit of 485 00:27:48,320 --> 00:27:52,400 Speaker 4: arrogance sometimes, which must be appealing to me because I'm 486 00:27:52,440 --> 00:27:54,000 Speaker 4: liking it here again with him. 487 00:27:54,359 --> 00:27:57,439 Speaker 1: Pride. Yeah, the pride, pride and prejudice exactly. 488 00:27:58,760 --> 00:28:00,919 Speaker 4: So I like that in a man, and that confidence 489 00:28:01,520 --> 00:28:04,320 Speaker 4: that's great, And yeah, i'd probably be more like Lizzie 490 00:28:04,359 --> 00:28:08,120 Speaker 4: just because she doesn't just go with the way she's 491 00:28:08,160 --> 00:28:11,560 Speaker 4: told to go. She wants to have her own path. 492 00:28:12,200 --> 00:28:15,159 Speaker 1: I would say my wife is definitely Lizzie. I'm maybe 493 00:28:15,240 --> 00:28:19,760 Speaker 1: more of a Bingley in what way. I just like 494 00:28:19,800 --> 00:28:25,080 Speaker 1: the I'm the fun guy. That's my main contribution is 495 00:28:25,160 --> 00:28:28,600 Speaker 1: just being like, agreeable and fun and hopefully stable. 496 00:28:28,840 --> 00:28:31,040 Speaker 4: Those are all great qualities, so I. 497 00:28:31,040 --> 00:28:32,880 Speaker 1: Like to think. So I like to think I bring 498 00:28:32,920 --> 00:28:33,800 Speaker 1: something to the table. 499 00:28:34,160 --> 00:28:35,920 Speaker 4: Yeah. 500 00:28:36,040 --> 00:28:38,280 Speaker 1: Of course, at the end of the story, despite all 501 00:28:38,360 --> 00:28:43,000 Speaker 1: odds being against it, Elizabeth and Darcy end up engaged. 502 00:28:43,160 --> 00:28:45,320 Speaker 1: I can't say Darcy just like I have to say 503 00:28:45,400 --> 00:28:49,960 Speaker 1: Darcy Saws. They surprise each other and they surprise themselves, 504 00:28:50,480 --> 00:28:55,360 Speaker 1: and through that new knowledge, their love becomes possible. We 505 00:28:55,440 --> 00:28:56,240 Speaker 1: have a clip. 506 00:28:56,640 --> 00:28:59,440 Speaker 5: You showed me how insufficient all of my pretensions were 507 00:28:59,440 --> 00:29:02,800 Speaker 5: to please woman worthy of being pleased. 508 00:29:04,320 --> 00:29:09,280 Speaker 1: Oh it's the birds for me right that listener. That 509 00:29:09,480 --> 00:29:12,080 Speaker 1: is a little taste of the sound design just all 510 00:29:12,120 --> 00:29:16,480 Speaker 1: through this thing that is so so wonderful. Do you 511 00:29:16,480 --> 00:29:20,239 Speaker 1: think there's an element of wish fulfillment here, Like a 512 00:29:20,280 --> 00:29:24,320 Speaker 1: really smart young woman meets a really smart, handsome, wealthy man. 513 00:29:25,000 --> 00:29:29,000 Speaker 1: Austin Jane Austen started writing this at age twenty, so 514 00:29:29,600 --> 00:29:32,520 Speaker 1: perhaps there's something aspirational in this story. What do you 515 00:29:32,560 --> 00:29:34,200 Speaker 1: think for sure? 516 00:29:34,320 --> 00:29:39,120 Speaker 4: I think, I mean, speaking for myself, Yeah, you want 517 00:29:39,200 --> 00:29:47,960 Speaker 4: that romance and you want that challenge and intrigue. If 518 00:29:47,960 --> 00:29:52,880 Speaker 4: anything's too easy, it feels like it's not worth it somehow. 519 00:29:53,600 --> 00:29:56,600 Speaker 4: And I feel like both of the characters in this 520 00:29:57,440 --> 00:30:01,120 Speaker 4: book really have their own personal jarnies to go through 521 00:30:01,480 --> 00:30:08,520 Speaker 4: until they find that mutual respect. Looking past the stereotypes 522 00:30:08,560 --> 00:30:12,480 Speaker 4: and past what all the other women that he had 523 00:30:12,520 --> 00:30:16,520 Speaker 4: to choose from were, and then learning that she, like 524 00:30:16,600 --> 00:30:22,560 Speaker 4: he said, she's worthy of his love. That's saying a lot. 525 00:30:23,160 --> 00:30:26,360 Speaker 1: Yeah, and knowing that that Jane Austen started writing this 526 00:30:27,000 --> 00:30:29,480 Speaker 1: at age twenty, I'm eager to kind of do more 527 00:30:29,520 --> 00:30:33,800 Speaker 1: research on Austin and what kind of person was she 528 00:30:34,080 --> 00:30:38,400 Speaker 1: who was such a keen observer of human behavior and 529 00:30:38,440 --> 00:30:42,560 Speaker 1: the human condition and obviously an incredible wit. And I 530 00:30:42,600 --> 00:30:46,960 Speaker 1: would think she built Lizzie on herself in some way. 531 00:30:47,000 --> 00:30:50,440 Speaker 1: But I'm now very curious about our author here, meager 532 00:30:50,480 --> 00:30:51,680 Speaker 1: to kind of read up on that. 533 00:30:52,080 --> 00:30:53,520 Speaker 4: I know very interesting. 534 00:30:54,520 --> 00:30:58,200 Speaker 1: Are all stories that we consume in culture and media, 535 00:30:58,400 --> 00:31:01,400 Speaker 1: are they some kind of wish fulfillment. Would you say, 536 00:31:01,400 --> 00:31:02,840 Speaker 1: Beverly Hills nine oh two one oh? 537 00:31:03,640 --> 00:31:03,920 Speaker 5: Was that? 538 00:31:04,520 --> 00:31:07,440 Speaker 4: Oh? Yeah? I mean, if you think about it, that 539 00:31:07,480 --> 00:31:10,160 Speaker 4: was the nineties. There was no Internet. Nobody knew what 540 00:31:10,760 --> 00:31:14,480 Speaker 4: life in Beverly Hills was like. But man, did it 541 00:31:14,680 --> 00:31:15,400 Speaker 4: sound good? 542 00:31:15,720 --> 00:31:15,920 Speaker 1: Yeah? 543 00:31:16,040 --> 00:31:18,280 Speaker 4: And then when they got to see it on their 544 00:31:18,320 --> 00:31:20,720 Speaker 4: TV screens every week it looked good. 545 00:31:20,920 --> 00:31:21,320 Speaker 1: Oh yeah. 546 00:31:21,360 --> 00:31:24,040 Speaker 4: I know people that have moved from I hear this 547 00:31:24,120 --> 00:31:27,040 Speaker 4: all the time. I moved from Germany to Beverly Hills 548 00:31:27,320 --> 00:31:29,040 Speaker 4: so that I could have this life that I saw 549 00:31:29,080 --> 00:31:33,120 Speaker 4: on my TV. And I'm kind of like, oh, how'd 550 00:31:33,120 --> 00:31:35,200 Speaker 4: that work out for you? Like, I get a little nervous, 551 00:31:35,720 --> 00:31:39,400 Speaker 4: but because it's you know, it's it's manufactured, it's not real. 552 00:31:39,560 --> 00:31:44,239 Speaker 4: Everybody's lives are challenging, but I feel like anything that 553 00:31:44,320 --> 00:31:48,520 Speaker 4: you really get lost in there is that sense of 554 00:31:49,320 --> 00:31:52,040 Speaker 4: either it's inspirational or it's aspirational. 555 00:31:52,520 --> 00:31:54,840 Speaker 1: Yeah. I was watching Beverly Hills nine oh two and 556 00:31:54,880 --> 00:31:59,479 Speaker 1: oh from my living room and Atlanta, Georgia and just 557 00:31:59,480 --> 00:32:03,640 Speaker 1: being like, what is this world? Who are these people? 558 00:32:03,840 --> 00:32:05,000 Speaker 1: They really live like that? 559 00:32:05,600 --> 00:32:09,120 Speaker 4: Yeah, it was a wild, eye opening experience for the 560 00:32:09,200 --> 00:32:09,880 Speaker 4: rest of the world. 561 00:32:09,920 --> 00:32:13,120 Speaker 1: I think we're gonna take a short break, but we'll 562 00:32:13,120 --> 00:32:27,560 Speaker 1: be right back with more ear Say, okay, Jenny, we're 563 00:32:27,560 --> 00:32:30,240 Speaker 1: gonna do some rapid fire questions here and in a 564 00:32:30,240 --> 00:32:33,800 Speaker 1: little segment we're calling plot twist. Are you ready? 565 00:32:34,520 --> 00:32:36,680 Speaker 4: I'm ready? 566 00:32:37,280 --> 00:32:40,040 Speaker 1: All right. At one point in the original novel, mister 567 00:32:40,120 --> 00:32:45,160 Speaker 1: Collins reads from Fordyce's sermons two young women. They gave 568 00:32:45,200 --> 00:32:49,280 Speaker 1: advice like be seen and not heard, don't be vain 569 00:32:50,040 --> 00:32:54,280 Speaker 1: but be very beautiful, don't make men feel bad or insecure. 570 00:32:54,440 --> 00:32:58,880 Speaker 1: You know, really good reasonable stuff. So he reads the 571 00:32:58,920 --> 00:33:03,960 Speaker 1: sermons to missus Bennet and her daughters with nottonous solemnity. 572 00:33:04,040 --> 00:33:07,400 Speaker 1: If you're at a party and you're asked to share 573 00:33:07,520 --> 00:33:09,680 Speaker 1: a reading, what are you going to reach for? It 574 00:33:09,720 --> 00:33:12,160 Speaker 1: could be print, audio, video, whatever. 575 00:33:12,880 --> 00:33:15,680 Speaker 4: I feel like. My first instinct is like a roomy poem. 576 00:33:15,920 --> 00:33:21,360 Speaker 4: I would probably pull out something poetic but meaningful and insightful. Yep, 577 00:33:21,520 --> 00:33:24,400 Speaker 4: I like it, but certainly none of the same message 578 00:33:24,440 --> 00:33:26,120 Speaker 4: as that quote you just read. 579 00:33:26,560 --> 00:33:29,040 Speaker 1: There's nothing like a great poem. My grandfather used to 580 00:33:29,200 --> 00:33:35,080 Speaker 1: recite these poems at big gatherings. Robert Servis was the poet. 581 00:33:35,240 --> 00:33:38,640 Speaker 1: There are these funny, sort of long shaggy dog stories. 582 00:33:39,000 --> 00:33:41,920 Speaker 1: There's one called the Cremation of Sam McGhee. There's just 583 00:33:41,960 --> 00:33:45,280 Speaker 1: sort of these old Yukon trail stories but they rhyme 584 00:33:45,440 --> 00:33:48,080 Speaker 1: like a Johnny Cash song, and I just loved it. 585 00:33:48,120 --> 00:33:51,760 Speaker 1: There was no there was no message. It was just entertaining. 586 00:33:52,800 --> 00:33:55,480 Speaker 1: But it's like my grandfather could just hold the room 587 00:33:55,520 --> 00:33:56,960 Speaker 1: in these awesome stories. 588 00:33:57,040 --> 00:33:58,440 Speaker 4: Oh sure, it's great. 589 00:33:59,080 --> 00:34:00,720 Speaker 1: All right, We're going to play a clip from the 590 00:34:00,800 --> 00:34:04,640 Speaker 1: new Audible original Pride and Prejudice, and then I have 591 00:34:04,640 --> 00:34:05,360 Speaker 1: a question for you. 592 00:34:05,560 --> 00:34:09,879 Speaker 4: Okay, how can you account about having fallen in love 593 00:34:09,920 --> 00:34:11,640 Speaker 4: with me? How could you begin? 594 00:34:12,719 --> 00:34:15,120 Speaker 5: I can't fix on the hour, or the spot or 595 00:34:15,160 --> 00:34:17,640 Speaker 5: the look I was in the middle before I knew 596 00:34:17,640 --> 00:34:19,120 Speaker 5: i'd begun. Oo. 597 00:34:21,040 --> 00:34:25,560 Speaker 1: They're so relaxed. I see something. So it's such a 598 00:34:25,600 --> 00:34:28,520 Speaker 1: deep confidence in their delivery. I love it. 599 00:34:28,600 --> 00:34:32,600 Speaker 4: They're saying, is so like meaningful. 600 00:34:32,320 --> 00:34:36,360 Speaker 1: Very profound. Yeah, it's very very profound. Okay, So was 601 00:34:36,400 --> 00:34:39,279 Speaker 1: there a moment that you knew you were in love 602 00:34:39,640 --> 00:34:41,040 Speaker 1: with your husband? 603 00:34:41,520 --> 00:34:46,839 Speaker 4: For me, it's humor. It's someone that doesn't take things 604 00:34:46,880 --> 00:34:50,880 Speaker 4: too seriously because I can be quite serious sometimes, so 605 00:34:50,960 --> 00:34:54,520 Speaker 4: I need that counterbalance of someone who can de escalate 606 00:34:54,560 --> 00:34:58,640 Speaker 4: a situation, add in that self deprecation and just makes 607 00:34:58,680 --> 00:35:00,600 Speaker 4: me laugh every time, and then I kind of get 608 00:35:00,640 --> 00:35:04,600 Speaker 4: out of my like, you know, this is so serious mindset. 609 00:35:05,200 --> 00:35:09,840 Speaker 1: Yeah, amen, I mean everybody is. Everybody's so wonderful and 610 00:35:09,960 --> 00:35:12,800 Speaker 1: charming out of the gate. But once he realized, like, oh, 611 00:35:13,200 --> 00:35:15,560 Speaker 1: this is a permanent part of this person. 612 00:35:16,480 --> 00:35:18,759 Speaker 4: Like he said, I didn't know it until I was 613 00:35:18,760 --> 00:35:22,800 Speaker 4: in the middle of it. That's so yeah true. Because 614 00:35:22,920 --> 00:35:25,680 Speaker 4: when you're with somebody, you think you love them, but 615 00:35:25,719 --> 00:35:27,640 Speaker 4: then you learn more and more and more about them 616 00:35:27,640 --> 00:35:29,640 Speaker 4: and you can either grow to not love them so 617 00:35:29,719 --> 00:35:32,160 Speaker 4: much and realize this is not a good match, or 618 00:35:32,200 --> 00:35:36,080 Speaker 4: you can find all the little ways that connect you guys. 619 00:35:36,120 --> 00:35:40,000 Speaker 4: Like I know, watching my husband, who's nine years younger 620 00:35:40,000 --> 00:35:42,920 Speaker 4: than me, step into this big world that I lived 621 00:35:43,080 --> 00:35:48,440 Speaker 4: and having three young step daughters to take on when 622 00:35:48,480 --> 00:35:52,239 Speaker 4: he had no children, no experience whatsoever. I saw him 623 00:35:52,280 --> 00:35:54,719 Speaker 4: like really trying to struggle through that and be the 624 00:35:54,719 --> 00:35:56,880 Speaker 4: best he could, but he didn't have any of the tools. 625 00:35:57,200 --> 00:35:59,439 Speaker 4: But now as we sort of settled into like ten 626 00:35:59,520 --> 00:36:03,680 Speaker 4: years now, seeing how that has evolved for him, his 627 00:36:03,719 --> 00:36:06,919 Speaker 4: ability to love in such a deeper, more meaningful way, 628 00:36:07,000 --> 00:36:10,880 Speaker 4: not just me, but in our daughters. I fall more 629 00:36:10,920 --> 00:36:13,880 Speaker 4: in love with him just seeing how important he is 630 00:36:14,040 --> 00:36:14,840 Speaker 4: to them. 631 00:36:15,560 --> 00:36:18,760 Speaker 1: It's just like you said before, having a partner willing 632 00:36:18,800 --> 00:36:21,640 Speaker 1: to grow with you, and what a growth he's gone 633 00:36:21,719 --> 00:36:26,320 Speaker 1: through to become a just instant dad. I have two girls, 634 00:36:26,320 --> 00:36:30,040 Speaker 1: but I've had the benefit of like watching watching them 635 00:36:30,400 --> 00:36:35,120 Speaker 1: become humans from the very beginning. That's a serious journey, 636 00:36:35,640 --> 00:36:38,200 Speaker 1: it really is. And it's a testament to you too, 637 00:36:38,600 --> 00:36:42,040 Speaker 1: to be a partner that can cultivate that. There's another 638 00:36:42,080 --> 00:36:47,759 Speaker 1: reimagining of Pride and Prejudice called Pride and Prejudice and Zombies, 639 00:36:48,360 --> 00:36:51,440 Speaker 1: a two thousand and nine book and a twenty sixteen movie. 640 00:36:52,200 --> 00:36:54,920 Speaker 1: What character from Pride and Prejudice would you want with 641 00:36:55,160 --> 00:37:00,000 Speaker 1: you most and least during a zombie apocalypse? 642 00:37:01,600 --> 00:37:04,200 Speaker 4: I'm so boring. I keep coming back to mister Darcy 643 00:37:04,239 --> 00:37:06,120 Speaker 4: obviously thinks it's a good answer. 644 00:37:06,520 --> 00:37:07,120 Speaker 1: Answer. 645 00:37:07,280 --> 00:37:09,880 Speaker 4: I just feel like he's gonna be able to handle things. 646 00:37:10,680 --> 00:37:11,280 Speaker 4: He's smart. 647 00:37:12,520 --> 00:37:14,520 Speaker 1: Can I give you a controversial answer? 648 00:37:15,239 --> 00:37:15,479 Speaker 4: Yeah? 649 00:37:16,400 --> 00:37:21,440 Speaker 1: Wickham, you think you know because he's wiy Yeah, And 650 00:37:21,560 --> 00:37:26,479 Speaker 1: I feel like he's a little dangerous, like he'll he'll 651 00:37:26,480 --> 00:37:27,280 Speaker 1: take care of business. 652 00:37:27,400 --> 00:37:27,560 Speaker 2: He know. 653 00:37:27,560 --> 00:37:29,279 Speaker 4: It's how to survive something like that. 654 00:37:29,480 --> 00:37:33,000 Speaker 1: Darcy's going to help you stay like. He's going to 655 00:37:33,120 --> 00:37:35,400 Speaker 1: keep you grounded. He's going to keep you focused on 656 00:37:35,480 --> 00:37:37,840 Speaker 1: survival and the courage, and he's going to say all 657 00:37:37,880 --> 00:37:40,440 Speaker 1: the right things. I think he's a tough guy, but 658 00:37:40,480 --> 00:37:44,200 Speaker 1: I do feel like Wickham in The Zombie Apocalypse might 659 00:37:44,320 --> 00:37:45,920 Speaker 1: just be a better utility player. 660 00:37:46,160 --> 00:37:47,440 Speaker 4: Okay, I see it. 661 00:37:47,520 --> 00:37:53,799 Speaker 1: Uh okay. Miss Bingley says that to call a woman accomplished, 662 00:37:54,080 --> 00:37:58,120 Speaker 1: she needs to be skilled in singing, drawing, dancing, and languages, 663 00:37:58,160 --> 00:38:02,720 Speaker 1: plus a certain say qua. Darcy adds that she also 664 00:38:02,800 --> 00:38:06,680 Speaker 1: needs to be very well read. Kind of a long list. 665 00:38:06,920 --> 00:38:09,560 Speaker 4: Yeah, I have to sing, I have to dance. 666 00:38:09,840 --> 00:38:11,920 Speaker 1: Yeah, this is a this is a very I'm going 667 00:38:11,960 --> 00:38:13,000 Speaker 1: to you know, I'm going. 668 00:38:12,960 --> 00:38:15,919 Speaker 4: To just go with the Genessee qua because I think 669 00:38:15,920 --> 00:38:16,719 Speaker 4: that's where it's at. 670 00:38:17,000 --> 00:38:19,440 Speaker 1: That's your must have in a partner. Yeah, that's the 671 00:38:19,600 --> 00:38:22,880 Speaker 1: right they just need. So you don't need a partner 672 00:38:22,920 --> 00:38:27,200 Speaker 1: to be a good singer, drawer, dancer or no multiple languages, 673 00:38:27,960 --> 00:38:30,080 Speaker 1: uh just qua. 674 00:38:30,600 --> 00:38:33,840 Speaker 4: I kind of would be into somebody. Well, my husband's 675 00:38:33,880 --> 00:38:37,640 Speaker 4: not the best dancer, so it be really fun to 676 00:38:37,640 --> 00:38:40,400 Speaker 4: have a guy that could dance, but more importantly is 677 00:38:40,400 --> 00:38:41,200 Speaker 4: the Genessee Qua. 678 00:38:42,160 --> 00:38:45,640 Speaker 1: I think you're right because that is that's the most 679 00:38:45,680 --> 00:38:49,560 Speaker 1: open ended dancer. Yeah, right, like Jenna qua is just 680 00:38:49,840 --> 00:38:53,480 Speaker 1: is like something you like and it's gonna be different 681 00:38:53,480 --> 00:38:57,000 Speaker 1: for everybody. So yeah, they got to have that. Is 682 00:38:57,000 --> 00:38:59,720 Speaker 1: there anything that you would have? Are there any must 683 00:38:59,760 --> 00:39:03,560 Speaker 1: have a partner for you that you know apart from 684 00:39:03,640 --> 00:39:06,840 Speaker 1: this list? Are there any must haves in a partner? 685 00:39:07,000 --> 00:39:10,720 Speaker 4: Honesty? It's just it's hard. It's hard to be honest 686 00:39:10,800 --> 00:39:11,319 Speaker 4: all the time. 687 00:39:11,960 --> 00:39:12,399 Speaker 1: Mm hmm. 688 00:39:14,320 --> 00:39:19,200 Speaker 4: I also humor right at the top of my list, accountability. 689 00:39:19,320 --> 00:39:22,480 Speaker 4: I'm I there's a book that I read that has 690 00:39:22,520 --> 00:39:25,160 Speaker 4: made such a difference in my Life's called the Four Agreements. 691 00:39:25,360 --> 00:39:28,680 Speaker 1: Oh yeah, sure, the ancient Toll Tech Wisdom. 692 00:39:28,840 --> 00:39:31,319 Speaker 4: That's the one. That's the one, and one of the 693 00:39:31,360 --> 00:39:35,520 Speaker 4: four agreements is be impeccable with your word. Yes, I 694 00:39:35,600 --> 00:39:40,120 Speaker 4: think there's something so important there. Whether you're the one 695 00:39:40,160 --> 00:39:43,000 Speaker 4: giving your word or you're the one receiving someone else's word, 696 00:39:43,400 --> 00:39:46,839 Speaker 4: it's important that you do what you say you're going 697 00:39:46,920 --> 00:39:49,560 Speaker 4: to do. You are who you say you are, you know. 698 00:39:50,360 --> 00:39:53,439 Speaker 1: I agree. I read that book like thirty years ago. 699 00:39:53,560 --> 00:39:54,800 Speaker 4: It's always a good reread. 700 00:39:55,280 --> 00:39:59,759 Speaker 1: Yeah, Yeah, and that one in particular, I think was 701 00:39:59,800 --> 00:40:02,000 Speaker 1: a kind of an eye opener because it's like, yeah, 702 00:40:02,040 --> 00:40:04,480 Speaker 1: of course you want to be honest when you navigate 703 00:40:04,520 --> 00:40:07,040 Speaker 1: the world, but the way it's explained and laid out, 704 00:40:07,239 --> 00:40:09,600 Speaker 1: it's really much more of an ethos, a way to 705 00:40:09,640 --> 00:40:14,160 Speaker 1: move through the world with a sense of truth and integrity. 706 00:40:14,239 --> 00:40:14,399 Speaker 4: Yeah. 707 00:40:14,480 --> 00:40:16,799 Speaker 1: That's a good one. That's a juicy one. 708 00:40:16,960 --> 00:40:17,960 Speaker 4: That's a juicy one. 709 00:40:19,640 --> 00:40:22,040 Speaker 1: I think that you nailed plot twist. 710 00:40:22,840 --> 00:40:23,239 Speaker 4: I did. 711 00:40:23,680 --> 00:40:25,879 Speaker 1: Yeah. I think you got all the answers. 712 00:40:25,600 --> 00:40:27,800 Speaker 4: Right, I feel like I did pretty good. Yeah. 713 00:40:27,960 --> 00:40:33,279 Speaker 1: Right. So, Jinny, what is a recommendation that you have 714 00:40:33,560 --> 00:40:36,239 Speaker 1: a book or an audiobook for our listeners? 715 00:40:36,640 --> 00:40:41,280 Speaker 4: Gosh, I go back to those books that Jonathan Livingston Siegel. 716 00:40:41,719 --> 00:40:44,160 Speaker 4: I don't know if you ever read that book. That's 717 00:40:44,200 --> 00:40:48,640 Speaker 4: an old bit a goodie painted such a visual in 718 00:40:48,719 --> 00:40:54,600 Speaker 4: my mind, and there was some lasting lesson in that 719 00:40:54,719 --> 00:40:59,640 Speaker 4: about being who you are unapologetically and owning that. 720 00:40:59,640 --> 00:41:04,920 Speaker 1: That sounds right up your alley, really, and that is 721 00:41:05,480 --> 00:41:10,920 Speaker 1: absolutely a classic and a great recommendation. Jonathan Livingston Seagull 722 00:41:12,160 --> 00:41:19,120 Speaker 1: by Richard Bach. Yes, great, Jenny Garth, it was so wonderful. 723 00:41:19,200 --> 00:41:22,560 Speaker 1: Have you here on earsay as our very first guest. 724 00:41:23,120 --> 00:41:25,520 Speaker 1: What a blast. Thanks being a member of our club. 725 00:41:25,520 --> 00:41:27,960 Speaker 1: You're in the club, remember you got in. 726 00:41:28,239 --> 00:41:29,280 Speaker 4: I feel so special. 727 00:41:29,640 --> 00:41:31,440 Speaker 1: We'll send you your little card. You can carry it 728 00:41:31,480 --> 00:41:35,320 Speaker 1: around with you. Okay, thank you, and don't forget listeners. 729 00:41:35,320 --> 00:41:38,319 Speaker 1: You can hear Jenny Garth on the iHeart podcast I 730 00:41:38,680 --> 00:41:45,719 Speaker 1: choose Me check it out now. I gotta tell you 731 00:41:45,800 --> 00:41:49,520 Speaker 1: deconstructing Pride and Prejudice with Jenny Garth a lot of fun. 732 00:41:50,160 --> 00:41:52,960 Speaker 2: Well, she seems like the absolute best and I mean 733 00:41:53,080 --> 00:41:55,520 Speaker 2: very cool for us to have her on our very 734 00:41:55,560 --> 00:41:58,400 Speaker 2: first episode of the show. I think we grew up 735 00:41:58,440 --> 00:42:01,400 Speaker 2: around the original Beverly nine two one zero era, so 736 00:42:02,280 --> 00:42:03,920 Speaker 2: big sort of nerding out over that for. 737 00:42:03,960 --> 00:42:06,520 Speaker 1: Us, absolutely, and it's very cool how she's sort of 738 00:42:06,560 --> 00:42:09,879 Speaker 1: taken an iconic line from her character and really made 739 00:42:09,920 --> 00:42:13,880 Speaker 1: it a message for living a better life. So to 740 00:42:13,920 --> 00:42:16,760 Speaker 1: our audience, thank you for tuning in to this first 741 00:42:16,800 --> 00:42:21,160 Speaker 1: episode of Earsay. The Audible and iHeart Audiobook Club will 742 00:42:21,200 --> 00:42:24,919 Speaker 1: be recording these episodes right as these audiobooks are coming out. 743 00:42:25,120 --> 00:42:28,120 Speaker 1: The next will be a conversation about season two of 744 00:42:28,160 --> 00:42:32,480 Speaker 1: the Audible original The Prophecy with series creator Randy McKinnon. 745 00:42:32,760 --> 00:42:34,280 Speaker 1: Cal you get to do that one. 746 00:42:34,480 --> 00:42:37,760 Speaker 2: Yes, I do so. The Prophecy is an audio drama 747 00:42:37,840 --> 00:42:43,080 Speaker 2: starring Kerrie Washington, Laurence Fishburne, Daniel Daykim. The premise is 748 00:42:43,120 --> 00:42:46,560 Speaker 2: basically a question, what if the Bible wasn't made up 749 00:42:46,600 --> 00:42:49,640 Speaker 2: of stories that happened in the past, but prophecies that 750 00:42:49,719 --> 00:42:53,919 Speaker 2: were going to happen in the future. Yeah, it's pretty wild. 751 00:42:54,000 --> 00:42:56,960 Speaker 2: I've listened to it and it is incredible. The way 752 00:42:57,040 --> 00:43:00,360 Speaker 2: the sound design works too. You really feel like, for example, 753 00:43:00,360 --> 00:43:03,880 Speaker 2: you're on a moving train with these folks, you're you know, 754 00:43:03,920 --> 00:43:06,600 Speaker 2: the stresses that you have are the ones that they have. 755 00:43:06,760 --> 00:43:10,480 Speaker 2: And then the whole question of reality versus what people 756 00:43:10,600 --> 00:43:14,480 Speaker 2: are experiencing was impactful. The whole thing was a wild listen, 757 00:43:14,719 --> 00:43:15,680 Speaker 2: so I can't wait. 758 00:43:16,520 --> 00:43:19,040 Speaker 1: I can't wait either, buddy. Now, if you had fun 759 00:43:19,040 --> 00:43:21,960 Speaker 1: with us today, consider following the show wherever you listen 760 00:43:22,120 --> 00:43:27,560 Speaker 1: and share it with your friends, your nephew's nieces, pen pals, whomever. 761 00:43:27,239 --> 00:43:28,360 Speaker 2: And your kel pen pals. 762 00:43:28,760 --> 00:43:32,880 Speaker 1: Sure you your calp and pals. Yeah, that's a that 763 00:43:33,000 --> 00:43:39,759 Speaker 1: is a you're my calpen pals. Yeah, I love it, hearsay. 764 00:43:39,920 --> 00:43:44,080 Speaker 1: The Audible and iHeart Audio Book Club is a production 765 00:43:44,160 --> 00:43:45,760 Speaker 1: of Iheart's Ruby Studio. 766 00:43:46,200 --> 00:43:50,840 Speaker 2: We're your hosts Ed Helms and Kelpen. Our executive producer 767 00:43:50,920 --> 00:43:53,919 Speaker 2: is Matt Schultz, with theme music and post production by 768 00:43:53,960 --> 00:43:56,320 Speaker 2: Marcus Pagala for Ruby Studio. 769 00:43:56,440 --> 00:43:59,839 Speaker 1: Our managing EP is Matt Romano, our EP of post 770 00:43:59,880 --> 00:44:05,880 Speaker 1: Production is Matt Stillo, and our production coordinator is Abby Aguilar. 771 00:44:05,480 --> 00:44:08,400 Speaker 2: And of course a big thank you to our friends 772 00:44:08,440 --> 00:44:10,759 Speaker 2: at Audible. Don't forget. You can listen to what we're 773 00:44:10,760 --> 00:44:13,720 Speaker 2: listening to on the Audible app or at audible dot com. 774 00:44:14,120 --> 00:44:16,279 Speaker 2: Sign up for a free thirty day Audible trial and 775 00:44:16,320 --> 00:44:20,360 Speaker 2: your first audiobook is free. Visit audible dot com slash 776 00:44:20,480 --> 00:44:21,000 Speaker 2: ear say 777 00:44:21,840 --> 00:44:24,240 Speaker 1: Until next time, thanks for listening,