1 00:00:02,120 --> 00:00:03,960 Speaker 1: By the way, if someone did that to you, I'd 2 00:00:03,960 --> 00:00:06,519 Speaker 1: punch him in the face. I'm sorry, this isn't appropriate. 3 00:00:06,680 --> 00:00:09,160 Speaker 2: She's just a thirsty. 4 00:00:08,840 --> 00:00:11,360 Speaker 1: Little Yeah, it's too much. It's too much. 5 00:00:11,680 --> 00:00:13,360 Speaker 2: I said it once, I said it in a million times. 6 00:00:13,680 --> 00:00:17,040 Speaker 3: You're missing out And some people go, you're comparing the 7 00:00:17,040 --> 00:00:18,919 Speaker 3: Housewives to Lucille Bowl. Yes. 8 00:00:19,280 --> 00:00:20,200 Speaker 2: Absolutely, yes. 9 00:00:20,760 --> 00:00:23,560 Speaker 3: After she was broken into what they said they were 10 00:00:23,560 --> 00:00:26,439 Speaker 3: broken into when they came to arrest her, she said, 11 00:00:26,480 --> 00:00:27,520 Speaker 3: is this about the robbery? 12 00:00:27,560 --> 00:00:28,920 Speaker 2: And the policeman said. 13 00:00:29,040 --> 00:00:34,120 Speaker 1: There was no robbery. Yo, you cannot micro manage the situation. 14 00:00:34,360 --> 00:00:35,000 Speaker 1: Shut up. 15 00:00:35,560 --> 00:00:37,159 Speaker 3: I was in an episode of The Fresh Prince of 16 00:00:37,159 --> 00:00:40,320 Speaker 3: bel Air which I almost got cut out of. I 17 00:00:40,320 --> 00:00:43,640 Speaker 3: almost got fired from that because no, this is a 18 00:00:43,640 --> 00:00:46,320 Speaker 3: good story, and I say, Yo, can I talk to 19 00:00:46,320 --> 00:00:46,960 Speaker 3: you for a second? 20 00:00:50,360 --> 00:00:51,960 Speaker 1: I love it? Sorry so much. 21 00:01:01,040 --> 00:01:05,160 Speaker 2: Hello, Welcome to rap Ports Reality. My name is Michael. 22 00:01:04,920 --> 00:01:07,800 Speaker 1: Rappaport and Import. 23 00:01:06,920 --> 00:01:10,600 Speaker 3: And this is our podcast where we talk about all 24 00:01:10,640 --> 00:01:16,240 Speaker 3: things reality TV, all things popular culture, and a few 25 00:01:16,240 --> 00:01:18,399 Speaker 3: things about our relationship. 26 00:01:19,920 --> 00:01:23,040 Speaker 2: If you've never listened to rap Ports Reality, why Why 27 00:01:23,080 --> 00:01:23,840 Speaker 2: haven't you? Why? 28 00:01:23,880 --> 00:01:24,400 Speaker 1: And welcome? 29 00:01:26,000 --> 00:01:29,160 Speaker 3: If you've never listened to rap Ports Reality, Subscribe, rate, review, follow, 30 00:01:29,240 --> 00:01:33,880 Speaker 3: us on Instagram at rap aports reality so much to 31 00:01:33,959 --> 00:01:36,200 Speaker 3: discuss in the world of reality TV. 32 00:01:36,319 --> 00:01:38,560 Speaker 2: I mean, oh wow, they stack it. 33 00:01:39,200 --> 00:01:41,320 Speaker 1: I love it. What will we do without it? 34 00:01:42,000 --> 00:01:44,920 Speaker 2: I truly don't know what we would do without reality TV? 35 00:01:45,200 --> 00:01:51,240 Speaker 3: And you know, I was thinking about traders, thinking about 36 00:01:51,280 --> 00:01:55,520 Speaker 3: the response of traders, thinking about all of the reality TV, 37 00:01:56,360 --> 00:01:59,920 Speaker 3: thinking about the crossover of reality TV, thinking about how 38 00:02:00,640 --> 00:02:06,440 Speaker 3: reality stars are taken used one place, using other place, 39 00:02:07,000 --> 00:02:10,639 Speaker 3: and it's. 40 00:02:09,000 --> 00:02:11,240 Speaker 2: Never been more popular than right now. 41 00:02:11,400 --> 00:02:16,519 Speaker 1: Totally, it's like an unstoppable machine. For instance, last night, 42 00:02:16,600 --> 00:02:18,720 Speaker 1: when I we didn't know quite what to watch, we 43 00:02:18,720 --> 00:02:23,040 Speaker 1: were both tired, and I turned on Below Deck Captain 44 00:02:23,160 --> 00:02:27,440 Speaker 1: Jason Edition and lo and behold, boom, there are our 45 00:02:27,440 --> 00:02:29,520 Speaker 1: girls from Housewives of Salt Lake City. 46 00:02:29,600 --> 00:02:32,120 Speaker 2: And we got to see the Below. 47 00:02:31,840 --> 00:02:34,480 Speaker 1: Deck version, their side of the store. 48 00:02:34,240 --> 00:02:37,960 Speaker 3: Their pov of having the Housewives of Salt Lake City, 49 00:02:38,440 --> 00:02:41,080 Speaker 3: which of course the real Houses of Salt Lake City 50 00:02:41,120 --> 00:02:45,480 Speaker 3: had a great two episode stint with the best when 51 00:02:45,520 --> 00:02:50,919 Speaker 3: she said, Heather Gay, she said, she hooked, you know see, 52 00:02:50,960 --> 00:02:52,600 Speaker 3: but are you not away with anything? 53 00:02:52,720 --> 00:02:55,200 Speaker 1: Yes, it's true. But now that we see that version 54 00:02:57,000 --> 00:02:59,520 Speaker 1: when she's riding with him on one of the wave runner, 55 00:02:59,600 --> 00:03:02,560 Speaker 1: what of the things in the water, And she's holding 56 00:03:02,560 --> 00:03:07,040 Speaker 1: on to Captain Jason, she's like riding him, but she's 57 00:03:07,080 --> 00:03:11,480 Speaker 1: like and so she made that in the Housewife addition, 58 00:03:11,720 --> 00:03:13,760 Speaker 1: as if they hooked up, and now you kind of 59 00:03:13,760 --> 00:03:16,119 Speaker 1: see why. I mean, she had her hands on his hip. 60 00:03:16,280 --> 00:03:17,720 Speaker 1: She felt like she got close. 61 00:03:19,560 --> 00:03:21,440 Speaker 2: She didn't get he's a married man. 62 00:03:21,560 --> 00:03:23,360 Speaker 1: I know, but I'm just saying, oh, what are you 63 00:03:23,440 --> 00:03:23,920 Speaker 1: talking about? 64 00:03:24,000 --> 00:03:24,400 Speaker 2: Heaving game. 65 00:03:24,480 --> 00:03:26,160 Speaker 1: By the way, if someone did that to you, I'd 66 00:03:26,200 --> 00:03:29,079 Speaker 1: punch him in the fucking face. I'm sorry, this isn't appropriate. 67 00:03:29,240 --> 00:03:31,960 Speaker 2: She's just a thirsty little. 68 00:03:31,919 --> 00:03:32,919 Speaker 1: Yeah, it's too much. 69 00:03:33,160 --> 00:03:36,520 Speaker 2: It's too much, you know, like you you insinuated. Oh 70 00:03:36,560 --> 00:03:38,440 Speaker 2: I hooked up with him, but like, are you dating 71 00:03:38,480 --> 00:03:39,960 Speaker 2: anybody else? Like sugar? 72 00:03:40,040 --> 00:03:42,200 Speaker 3: I won't talk about that, But when it's Captain Jason, 73 00:03:43,680 --> 00:03:48,960 Speaker 3: a married man, you're fine saying terrible, insane. 74 00:03:48,800 --> 00:03:52,280 Speaker 1: Totally inappropriate. No bueno. I don't like it. You know, 75 00:03:52,280 --> 00:03:54,040 Speaker 1: it's funny. I was watching her on this show, so. 76 00:03:54,160 --> 00:03:56,040 Speaker 2: Hooked up used to me be like, yo, let's hook up. 77 00:03:56,080 --> 00:03:57,400 Speaker 2: That means to be like I would say that to 78 00:03:57,440 --> 00:03:58,320 Speaker 2: a dude, Let's. 79 00:03:58,120 --> 00:04:00,920 Speaker 3: Hook up and meet at the parkticle play basketball and 80 00:04:00,960 --> 00:04:01,720 Speaker 3: then hook up. 81 00:04:01,800 --> 00:04:04,480 Speaker 2: The slanging now means a man and a woman or. 82 00:04:04,680 --> 00:04:07,800 Speaker 1: Getting together all the way. And I think I think 83 00:04:07,840 --> 00:04:10,800 Speaker 1: hook up means hook up, not just make out like 84 00:04:10,840 --> 00:04:12,360 Speaker 1: I really like hook up, right. 85 00:04:12,160 --> 00:04:14,920 Speaker 3: But hook up, Yo, let's hook up and go play ball. 86 00:04:15,520 --> 00:04:17,320 Speaker 3: Then this isn't took her to a different place. 87 00:04:17,240 --> 00:04:20,720 Speaker 1: That was our generation. Yes, yes, no, this is something different, Heather. 88 00:04:20,800 --> 00:04:22,880 Speaker 2: Let's just say one, we're time. You didn't nothing. 89 00:04:22,640 --> 00:04:23,719 Speaker 1: Happened, Nothing happened. 90 00:04:23,839 --> 00:04:24,640 Speaker 2: You groped him. 91 00:04:25,320 --> 00:04:27,680 Speaker 3: The guy was trying to give you a little beach short. 92 00:04:27,720 --> 00:04:29,719 Speaker 3: And then she said, well, we met in Australia. You 93 00:04:29,760 --> 00:04:31,760 Speaker 3: met in Australia, probably at a Bravo event. 94 00:04:32,200 --> 00:04:33,080 Speaker 1: Yeah, And you know I was. 95 00:04:33,760 --> 00:04:36,160 Speaker 3: Me saying I hooked up with because you could say 96 00:04:37,200 --> 00:04:39,719 Speaker 3: something to the effect of, well, I hooked up with 97 00:04:39,760 --> 00:04:42,360 Speaker 3: Heather Gate at Bravo Country years ago. I met her 98 00:04:42,520 --> 00:04:46,760 Speaker 3: like means hooked up to us, texted and we hooked 99 00:04:46,839 --> 00:04:47,600 Speaker 3: up and we said hello. 100 00:04:48,240 --> 00:04:50,240 Speaker 2: That's what hooked up used to. 101 00:04:50,200 --> 00:04:52,839 Speaker 1: Me, because the young younger people say we hooked up 102 00:04:52,920 --> 00:04:55,760 Speaker 1: and they mean they got down right, I got jiggy. 103 00:04:56,000 --> 00:04:58,240 Speaker 1: But you know what was really really wild to me 104 00:04:58,440 --> 00:05:02,880 Speaker 1: that to watch below deck version and when she lost 105 00:05:02,960 --> 00:05:07,279 Speaker 1: her pasty for her breast and she had the stew 106 00:05:07,440 --> 00:05:11,760 Speaker 1: girl though stew stewardess stewardest. No, that's a shot, like. 107 00:05:12,560 --> 00:05:15,040 Speaker 2: You know, but I heard them say stewardess on this 108 00:05:15,200 --> 00:05:18,560 Speaker 2: stew this deck stew But I think that means steward. 109 00:05:18,680 --> 00:05:21,880 Speaker 2: It's the same steward. Yea, I think I don't know. 110 00:05:23,040 --> 00:05:26,600 Speaker 1: It's early guys. Anyway, she had the girl put touch 111 00:05:26,640 --> 00:05:30,640 Speaker 1: her breast and put it back on. We talk about thirsty. 112 00:05:30,839 --> 00:05:34,080 Speaker 1: This is I don't know, maybe it's thin Heather. It's 113 00:05:34,120 --> 00:05:37,800 Speaker 1: feeling good about herself. So she's wackier than normal. You know, 114 00:05:37,839 --> 00:05:41,039 Speaker 1: there's chunky Heather and thin Heather, and I think the 115 00:05:41,080 --> 00:05:43,440 Speaker 1: two people are different. And she would probably say that 116 00:05:43,480 --> 00:05:46,880 Speaker 1: she's more confident. I would say she's more annoying. Yes, 117 00:05:47,440 --> 00:05:50,839 Speaker 1: like you know what I mean, slow down, Yes, it 118 00:05:50,880 --> 00:05:52,960 Speaker 1: can come back, yes, you know what I mean. Like, 119 00:05:53,240 --> 00:05:55,479 Speaker 1: so I feel like she's aggressive her Maybe she's not 120 00:05:55,600 --> 00:05:59,120 Speaker 1: really we're not seeing her and her real life completely, 121 00:05:59,240 --> 00:06:01,080 Speaker 1: like her kids are going on and we're not seeing 122 00:06:01,120 --> 00:06:04,279 Speaker 1: her date. So she's a shit stir. You know, she's 123 00:06:04,279 --> 00:06:07,359 Speaker 1: playing that role. Something's going on. But I was like, whoa, 124 00:06:07,520 --> 00:06:10,680 Speaker 1: that's like an HR kind of thing for her. Yes, 125 00:06:11,360 --> 00:06:15,280 Speaker 1: I don't know, but they didn't show that on Housewives. 126 00:06:15,400 --> 00:06:15,599 Speaker 2: No. 127 00:06:16,279 --> 00:06:18,720 Speaker 3: Well they were picking and choosing and also like, oh 128 00:06:18,760 --> 00:06:21,240 Speaker 3: well show this is I know how if you watch 129 00:06:21,279 --> 00:06:23,320 Speaker 3: it closely. I was watching how they were editing in 130 00:06:23,440 --> 00:06:25,719 Speaker 3: certain cameras camera angles. 131 00:06:25,720 --> 00:06:27,359 Speaker 2: They were redoing the drink throw. 132 00:06:27,560 --> 00:06:30,479 Speaker 1: The drink throw when they it was great. 133 00:06:30,560 --> 00:06:33,360 Speaker 3: It's like a like a Doug Hanting David Copperfield trick. 134 00:06:33,480 --> 00:06:36,000 Speaker 3: Like totally the two waters were thrown and they met 135 00:06:36,000 --> 00:06:38,480 Speaker 3: in mid air. Yes, they did it so shit from 136 00:06:38,480 --> 00:06:39,000 Speaker 3: the matrix. 137 00:06:39,040 --> 00:06:41,839 Speaker 1: Totally, it was excellent. But then on below deck they 138 00:06:41,839 --> 00:06:44,239 Speaker 1: focused on the glass on the floor, which you can't 139 00:06:44,279 --> 00:06:46,840 Speaker 1: have the glass on the on the floor right that 140 00:06:46,920 --> 00:06:48,000 Speaker 1: you can't every clash. 141 00:06:47,760 --> 00:06:49,280 Speaker 3: On the floor for so like City, because then it 142 00:06:49,320 --> 00:06:51,280 Speaker 3: takes away from the front of the. 143 00:06:50,800 --> 00:06:54,320 Speaker 1: Glass throwing water throw. I feel like every reality show, 144 00:06:54,440 --> 00:06:56,280 Speaker 1: I mean, this is the benefit of the after show 145 00:06:56,320 --> 00:06:58,479 Speaker 1: for me. You get to see a different angle. I mean, 146 00:06:58,640 --> 00:07:02,400 Speaker 1: we like to turn our Housewives or our reality TVs. 147 00:07:02,440 --> 00:07:04,800 Speaker 1: It's like Rubik's cube. We want to we want to 148 00:07:04,839 --> 00:07:06,760 Speaker 1: play with the colors. We want to turn it around, 149 00:07:06,760 --> 00:07:08,440 Speaker 1: to fix it and put it back. This is what 150 00:07:08,480 --> 00:07:10,760 Speaker 1: this is like to me by seeing the other angle 151 00:07:10,760 --> 00:07:10,960 Speaker 1: of it. 152 00:07:11,040 --> 00:07:14,480 Speaker 2: Yeah, it's like Rahaman that movie rashamnh. 153 00:07:14,080 --> 00:07:14,880 Speaker 1: Yes, exactly. 154 00:07:14,960 --> 00:07:16,120 Speaker 2: The point is is that. 155 00:07:17,520 --> 00:07:21,840 Speaker 3: A lot of times people that aren't in the reality 156 00:07:22,160 --> 00:07:25,600 Speaker 3: fandom world, like obviously we are, and every single person 157 00:07:25,680 --> 00:07:28,880 Speaker 3: listening worldwide, because there's so many of you guys listening worldwide, 158 00:07:29,360 --> 00:07:31,600 Speaker 3: hundreds and hundreds of thousands of people, and we want 159 00:07:31,680 --> 00:07:36,640 Speaker 3: more and more people listening to rapid portality is I 160 00:07:36,720 --> 00:07:38,720 Speaker 3: said it once, I said it a million times. You're 161 00:07:38,800 --> 00:07:44,600 Speaker 3: missing out because there's so few actual good TV shows 162 00:07:45,280 --> 00:07:48,440 Speaker 3: and you could be smudget, you could look down on it. 163 00:07:48,560 --> 00:07:52,040 Speaker 3: I don't see you reading a book. You're flipping the 164 00:07:52,080 --> 00:07:54,560 Speaker 3: channels just like we are. We just we're not flipping 165 00:07:54,560 --> 00:07:57,520 Speaker 3: because we sit there and we watch three four hours 166 00:07:57,560 --> 00:08:00,400 Speaker 3: of this shit, I know, and we're never complaining. 167 00:08:00,080 --> 00:08:04,160 Speaker 1: Ever complaining, And honestly, my level of concentration for there's 168 00:08:04,200 --> 00:08:06,080 Speaker 1: some good TV shows. I watch a lot of more, 169 00:08:06,240 --> 00:08:10,240 Speaker 1: a lot more TV, and you won't. You don't veer off. 170 00:08:10,280 --> 00:08:13,040 Speaker 1: I can't get sports or reality television for you. And I, 171 00:08:13,120 --> 00:08:15,080 Speaker 1: you know, I like the there's a few shows I like, 172 00:08:15,160 --> 00:08:17,600 Speaker 1: you know, I like Tehran. There's a couple of shows 173 00:08:17,640 --> 00:08:21,360 Speaker 1: I like, but let me tell you something, there's nothing 174 00:08:21,800 --> 00:08:25,240 Speaker 1: that it's like. It puts you in a total relaxation 175 00:08:25,480 --> 00:08:29,760 Speaker 1: zone and at the same time these women are completely 176 00:08:29,800 --> 00:08:32,560 Speaker 1: and utterly entertaining. I was just woke up for some 177 00:08:32,600 --> 00:08:36,520 Speaker 1: reason thinking about Lucio Ball. This's my favorite, and I 178 00:08:36,679 --> 00:08:40,440 Speaker 1: thought of the vitamin regimin. Yes, you know, do you 179 00:08:40,480 --> 00:08:43,640 Speaker 1: pull out at parties? And I'm watching Lucy on YouTube 180 00:08:43,640 --> 00:08:46,880 Speaker 1: this morning, just for to wipe my brain clean of 181 00:08:46,920 --> 00:08:49,520 Speaker 1: what's going on in the world, and I'm like, this 182 00:08:49,600 --> 00:08:52,480 Speaker 1: is how I feel about the reality. It's the same 183 00:08:52,520 --> 00:08:56,160 Speaker 1: way I feel that Lucioball and just the they don't 184 00:08:56,160 --> 00:08:57,800 Speaker 1: even know how funny they are, do you know what 185 00:08:57,840 --> 00:08:58,160 Speaker 1: I mean? 186 00:08:58,280 --> 00:09:03,360 Speaker 3: And some people go, you're comparing the Housewives did Lucille Ball. Yes, absolutely, Yes, 187 00:09:05,080 --> 00:09:07,880 Speaker 3: we're not saying that they're Lucille Ball. We're saying you 188 00:09:07,920 --> 00:09:11,640 Speaker 3: get the same thing from from it. Yes, lighthearted fun entertainment. 189 00:09:11,720 --> 00:09:13,280 Speaker 3: And at the end of the day, that's what the 190 00:09:13,360 --> 00:09:17,360 Speaker 3: TV was invented for. That's right to bring you lighthearted, 191 00:09:17,440 --> 00:09:19,640 Speaker 3: fun entertainment. And now it's taken on a world. It's 192 00:09:19,679 --> 00:09:22,160 Speaker 3: one you can get anything you want, but with everything 193 00:09:22,200 --> 00:09:24,080 Speaker 3: going on in the world, with everything going on in 194 00:09:24,080 --> 00:09:28,520 Speaker 3: your life, with everything going on all the time, lighthearted 195 00:09:28,679 --> 00:09:31,400 Speaker 3: fun entertainment is what we get. I don't care if 196 00:09:31,440 --> 00:09:35,000 Speaker 3: it's Married to Medicine, great season. I don't care if 197 00:09:35,000 --> 00:09:39,520 Speaker 3: it's so Lake City, fantastic season. Potomac just finished their reunion. 198 00:09:39,160 --> 00:09:42,720 Speaker 1: Yes, wow wow, And I will add that yes, Like, 199 00:09:42,760 --> 00:09:45,559 Speaker 1: there's some very serious things going on in these ladies' 200 00:09:45,640 --> 00:09:49,360 Speaker 1: real life, but I think or between each other, they're 201 00:09:49,400 --> 00:09:51,720 Speaker 1: not getting along, they're having fights, whatever, but they all 202 00:09:51,760 --> 00:09:54,360 Speaker 1: seem to come together and they do the show next year, 203 00:09:54,640 --> 00:09:57,080 Speaker 1: so it can't be that bad. And we don't want 204 00:09:57,120 --> 00:09:59,360 Speaker 1: to get into the real, real part of it. We're 205 00:09:59,400 --> 00:10:00,960 Speaker 1: watching it entertainment. 206 00:10:01,040 --> 00:10:03,240 Speaker 2: It's a soap opera. It's that's it. 207 00:10:03,240 --> 00:10:10,760 Speaker 1: It's a soap opera with comedy. 208 00:10:14,400 --> 00:10:19,160 Speaker 3: We must acknowledge terrible, terrible talk about real life, terribly 209 00:10:19,240 --> 00:10:23,320 Speaker 3: sad news. The passing of Mary Cosby's son. This is 210 00:10:24,240 --> 00:10:26,160 Speaker 3: this is very sad because. 211 00:10:26,080 --> 00:10:27,480 Speaker 1: My heart aches for her. 212 00:10:27,760 --> 00:10:31,240 Speaker 3: And it's played out when it plays out the way 213 00:10:31,280 --> 00:10:33,680 Speaker 3: it has played out the last two seasons, when you're 214 00:10:33,760 --> 00:10:35,839 Speaker 3: getting to know the kid and you're getting to see 215 00:10:35,880 --> 00:10:40,840 Speaker 3: the relationship and you're hoping that it'll go better, and 216 00:10:40,880 --> 00:10:43,920 Speaker 3: you're hoping and praying that this kid will get on track, 217 00:10:44,000 --> 00:10:46,840 Speaker 3: and you're kind of seeing the potential for things to 218 00:10:46,920 --> 00:10:50,880 Speaker 3: go right, and then they actually don't happen that way, 219 00:10:50,960 --> 00:10:55,360 Speaker 3: and it really these are regular people, Yes, they are 220 00:10:55,400 --> 00:10:57,679 Speaker 3: just people trying to make it in the world, make 221 00:10:57,720 --> 00:10:59,280 Speaker 3: a living, find their way. 222 00:10:59,320 --> 00:11:02,720 Speaker 2: And what a sad said, sad sad, sad terrible. 223 00:11:04,200 --> 00:11:07,280 Speaker 1: I mean, I don't have words because I I that woman. 224 00:11:07,400 --> 00:11:10,280 Speaker 1: That was her life, her child, that was her best friend. 225 00:11:10,400 --> 00:11:12,680 Speaker 1: I don't know where she goes from here. I hope 226 00:11:12,679 --> 00:11:16,240 Speaker 1: that she relies on her faith and she can get 227 00:11:16,240 --> 00:11:19,559 Speaker 1: through this time. But we're praying for your strength, Mary. 228 00:11:19,720 --> 00:11:25,080 Speaker 1: And definitely in his short lifetime, he did make an 229 00:11:25,120 --> 00:11:28,679 Speaker 1: impact because he taught people about addiction and them sharing 230 00:11:28,800 --> 00:11:31,920 Speaker 1: and opening up. That was it was really in some 231 00:11:32,040 --> 00:11:34,600 Speaker 1: way the world. I'm praying that for somebody in the 232 00:11:34,600 --> 00:11:37,080 Speaker 1: world got something and got to make it to the 233 00:11:37,080 --> 00:11:39,599 Speaker 1: other side because of what they've shared on television. 234 00:11:39,679 --> 00:11:40,400 Speaker 2: Yeah, that's it. 235 00:11:40,480 --> 00:11:42,720 Speaker 3: But I mean, you know, one of the good things 236 00:11:42,720 --> 00:11:45,360 Speaker 3: about watching the shows that you do get invested in them. 237 00:11:45,480 --> 00:11:48,720 Speaker 2: But this is just a terrible, terrible thing. Another potentially 238 00:11:48,880 --> 00:11:49,800 Speaker 2: terrible terrible thing. 239 00:11:49,920 --> 00:11:51,240 Speaker 1: Oh boy, I know where you're going. 240 00:11:51,840 --> 00:11:53,760 Speaker 2: Yo, it's not good. 241 00:11:53,559 --> 00:11:57,280 Speaker 1: For Wendy Zen when it's not looking good. Let me 242 00:11:57,400 --> 00:12:02,040 Speaker 1: say something, babe, this lad you know this shout out 243 00:12:02,040 --> 00:12:04,920 Speaker 1: to the Lagron Dame, our favorite because we when we 244 00:12:04,960 --> 00:12:07,480 Speaker 1: had troubles with her interview with Andy, and she got 245 00:12:07,480 --> 00:12:12,400 Speaker 1: to clean it up on this last episode steps forward three, Yes, exactly, 246 00:12:12,440 --> 00:12:15,000 Speaker 1: and you know, hey, there's something to be said about that. 247 00:12:15,280 --> 00:12:16,920 Speaker 3: But listen, I want to say in regard to her 248 00:12:16,960 --> 00:12:21,000 Speaker 3: interview with Andy, when you're just out of jail, your 249 00:12:21,040 --> 00:12:24,400 Speaker 3: mind can't be I'm sure I don't capsulate therapy in prison. 250 00:12:24,600 --> 00:12:25,679 Speaker 1: And I said that, I feel like it was a 251 00:12:25,679 --> 00:12:27,920 Speaker 1: little it's a journey. Yes, it's a journey, but it 252 00:12:27,960 --> 00:12:30,160 Speaker 1: was too you know, she's got to work and she's 253 00:12:30,160 --> 00:12:31,760 Speaker 1: got to jump back in. But I was like, whoa, 254 00:12:31,920 --> 00:12:34,000 Speaker 1: like take a beat. I mean, she had just come home. 255 00:12:34,200 --> 00:12:34,599 Speaker 2: I like that. 256 00:12:34,960 --> 00:12:38,160 Speaker 1: Anyway. That's saying she has the experience and the knowledge 257 00:12:38,160 --> 00:12:43,720 Speaker 1: and the wisdom being the Lagron Dame to tell Wendy, oh, 258 00:12:44,800 --> 00:12:48,040 Speaker 1: shut your mouth, stop talking, stop talking. And I thought 259 00:12:48,080 --> 00:12:51,320 Speaker 1: that was, by the way, that was incredible TV for 260 00:12:51,400 --> 00:12:54,080 Speaker 1: her to say that, because we know she knows because 261 00:12:54,200 --> 00:12:55,680 Speaker 1: she was asked to take a plea deal and she 262 00:12:55,760 --> 00:12:58,600 Speaker 1: did it and then kept on talking. Right, so she 263 00:12:59,000 --> 00:13:04,520 Speaker 1: really knows and Wendy at first, And why I say. 264 00:13:04,320 --> 00:13:05,240 Speaker 2: What you want about Wendy. 265 00:13:05,320 --> 00:13:08,160 Speaker 1: She's not dumb, no, no, But I think when your 266 00:13:08,240 --> 00:13:10,199 Speaker 1: back is up against the row, and you may know, 267 00:13:11,120 --> 00:13:13,040 Speaker 1: she knows what she's up against. 268 00:13:13,320 --> 00:13:13,480 Speaker 2: Yo. 269 00:13:13,720 --> 00:13:15,600 Speaker 1: I like that. She finally shut her mouth and said, 270 00:13:15,679 --> 00:13:17,600 Speaker 1: I got it. I take that to heart, thank you. 271 00:13:18,240 --> 00:13:21,079 Speaker 3: But why did it even take that many times? I 272 00:13:21,120 --> 00:13:22,840 Speaker 3: don't take her saying that. 273 00:13:22,800 --> 00:13:26,200 Speaker 1: Because she said her lawyers said what she could say. 274 00:13:26,240 --> 00:13:28,080 Speaker 1: I don't care what the lawyers would say. I wouldn't 275 00:13:28,080 --> 00:13:28,640 Speaker 1: say a word. 276 00:13:28,679 --> 00:13:31,320 Speaker 3: I'd be like, yo, Andy, we all know what happened. 277 00:13:31,800 --> 00:13:33,640 Speaker 3: This is how I feel about it. And I can't 278 00:13:33,679 --> 00:13:36,640 Speaker 3: talk about it anything further period because I can't remember 279 00:13:36,679 --> 00:13:37,679 Speaker 3: exactly what she said. 280 00:13:37,679 --> 00:13:38,760 Speaker 2: But she said one thing. 281 00:13:39,080 --> 00:13:41,160 Speaker 1: She told the little story that I came downstairs and 282 00:13:41,200 --> 00:13:42,959 Speaker 1: the police are at the door, and they said that 283 00:13:43,160 --> 00:13:45,360 Speaker 1: you know what I mean, there was we weren't broken into. 284 00:13:45,640 --> 00:13:47,719 Speaker 2: The police came when it came. 285 00:13:48,120 --> 00:13:51,520 Speaker 3: After she was broken into. They said they were broken into. 286 00:13:51,920 --> 00:13:54,040 Speaker 3: When they came to arrest her, she said, is this 287 00:13:54,080 --> 00:13:56,599 Speaker 3: about the robbery, and the policeman said. 288 00:13:56,400 --> 00:13:58,600 Speaker 1: There was no robbery, yo. 289 00:13:59,400 --> 00:14:01,800 Speaker 3: And that's when I start getting the passports and I'm 290 00:14:01,840 --> 00:14:02,880 Speaker 3: leaving the country. 291 00:14:03,280 --> 00:14:06,400 Speaker 2: I'm fucking yo, you're going, You're in You're in trouble. 292 00:14:06,520 --> 00:14:07,560 Speaker 2: You're playing games. 293 00:14:07,760 --> 00:14:11,080 Speaker 1: It's serious. And then I said to you, what if 294 00:14:11,160 --> 00:14:15,280 Speaker 1: maybe you know, the happy Eddie who wants to please 295 00:14:15,320 --> 00:14:18,160 Speaker 1: his wife and sees where she's up against and the 296 00:14:18,240 --> 00:14:20,400 Speaker 1: keeping up of the Joneses and the nice things and 297 00:14:20,440 --> 00:14:22,240 Speaker 1: having a nice house. You know, your whole life is 298 00:14:22,680 --> 00:14:24,920 Speaker 1: exposed after her. I think it was her was it 299 00:14:25,040 --> 00:14:27,400 Speaker 1: her first season that she got a full body Mommy 300 00:14:27,440 --> 00:14:30,440 Speaker 1: makeover and came back and was like, da, da, the 301 00:14:30,480 --> 00:14:33,720 Speaker 1: professor is hot, you know. And I think he was 302 00:14:33,760 --> 00:14:36,840 Speaker 1: like pleasing his wife, Like maybe he had it done 303 00:14:37,000 --> 00:14:40,359 Speaker 1: because he needs to support her shopping. 304 00:14:40,920 --> 00:14:41,920 Speaker 2: Like what if that's it? 305 00:14:42,040 --> 00:14:43,880 Speaker 1: I mean, that would be so scary that she doesn't 306 00:14:43,880 --> 00:14:47,320 Speaker 1: even know that he was. I'm just saying, what there's 307 00:14:47,360 --> 00:14:50,120 Speaker 1: many things of what could have happened where she's gonna 308 00:14:50,120 --> 00:14:52,560 Speaker 1: go downstairs and say to the cops, is this about 309 00:14:52,600 --> 00:14:54,840 Speaker 1: the robbery? WHOA that's like? 310 00:14:54,960 --> 00:14:57,720 Speaker 3: And I gotta be honest when her saying that on 311 00:14:57,880 --> 00:14:59,840 Speaker 3: TV seems like it was a contrive. 312 00:15:00,400 --> 00:15:03,400 Speaker 1: Yes, it seemed too much, and I think that's why 313 00:15:03,480 --> 00:15:07,000 Speaker 1: legron Don was like, oh wait, yo, you cannot manage this, 314 00:15:07,200 --> 00:15:11,280 Speaker 1: Like whatever you're doing, you cannot micro manage the situation. 315 00:15:11,480 --> 00:15:12,280 Speaker 1: Shut up. 316 00:15:13,720 --> 00:15:15,400 Speaker 2: I don't know if you went to bet I asked 317 00:15:15,440 --> 00:15:15,920 Speaker 2: you this before. 318 00:15:15,960 --> 00:15:19,520 Speaker 3: If you're a betting woman, what do you think the 319 00:15:19,600 --> 00:15:22,000 Speaker 3: outcome is for Wendy and Happy Eddy in terms of 320 00:15:22,000 --> 00:15:23,960 Speaker 3: going to prison, not going to prison, going to prison 321 00:15:24,040 --> 00:15:25,080 Speaker 3: together at the same time. 322 00:15:25,120 --> 00:15:28,960 Speaker 1: I judge, I have a feeling up in Baltimore they 323 00:15:29,000 --> 00:15:30,000 Speaker 1: will go at the same time. 324 00:15:31,360 --> 00:15:31,760 Speaker 2: Babe. 325 00:15:32,280 --> 00:15:35,160 Speaker 3: No, no judge would do that for this kind of thing. 326 00:15:35,520 --> 00:15:38,520 Speaker 3: You can't do that. You have to do the Joe. 327 00:15:37,640 --> 00:15:42,360 Speaker 1: Well, depend on how if they can prove how involved. 328 00:15:41,920 --> 00:15:46,600 Speaker 2: She was, Babe. They can't take both those parents away. 329 00:15:46,480 --> 00:15:48,520 Speaker 1: Say if they both broke the law. I mean, I 330 00:15:48,560 --> 00:15:51,680 Speaker 1: know the judaics one went first and then and then 331 00:15:51,720 --> 00:15:53,440 Speaker 1: the Joe went after Teresa. 332 00:15:54,200 --> 00:15:56,360 Speaker 2: But I think that was Joe went first and Teresa 333 00:15:56,440 --> 00:15:56,840 Speaker 2: went after. 334 00:15:57,320 --> 00:16:01,520 Speaker 1: Teresa went first, she went first, Yeah, right, yeah. 335 00:16:02,480 --> 00:16:05,160 Speaker 3: I hope this hasn't happened to them. I really hope. 336 00:16:05,160 --> 00:16:07,000 Speaker 3: Those kids are too damn cute. 337 00:16:06,960 --> 00:16:08,920 Speaker 1: And I wonder if that how that if a lawyer 338 00:16:09,000 --> 00:16:13,000 Speaker 1: helps negotiate that with the judge. Yes, yes, I'm sure 339 00:16:13,000 --> 00:16:14,760 Speaker 1: they're going to have to do something like that, But 340 00:16:14,840 --> 00:16:17,040 Speaker 1: I don't know. I don't know that's a lenient. You know, 341 00:16:17,080 --> 00:16:19,000 Speaker 1: that's being very lenient. They don't have to do that. 342 00:16:19,080 --> 00:16:21,560 Speaker 1: They do not have to do that. I don't know. 343 00:16:21,600 --> 00:16:24,200 Speaker 1: It depends if they get tried together they go separately. See, 344 00:16:24,200 --> 00:16:25,920 Speaker 1: there's a lot of things that are happening. We know 345 00:16:26,680 --> 00:16:29,360 Speaker 1: there's a court take. I think it passed ors coming up. 346 00:16:29,400 --> 00:16:32,040 Speaker 1: I don't know. I'm here, I don't know those poor 347 00:16:32,080 --> 00:16:34,600 Speaker 1: little cute children that have to go through this, But 348 00:16:34,680 --> 00:16:38,560 Speaker 1: I have a sneaky suspicion that something is not right 349 00:16:38,720 --> 00:16:41,280 Speaker 1: and that this might be a you know, whenever on 350 00:16:41,280 --> 00:16:43,200 Speaker 1: these shows where people talk about how much money they have, 351 00:16:43,240 --> 00:16:45,360 Speaker 1: I've said this before. You know, we did this to 352 00:16:45,400 --> 00:16:47,720 Speaker 1: the house and then the mom's dead giveaway and we're like, 353 00:16:47,800 --> 00:16:50,880 Speaker 1: you spent a lot of money, not good, and now 354 00:16:50,880 --> 00:16:52,880 Speaker 1: we know that they're taking care of her the money 355 00:16:52,920 --> 00:16:55,600 Speaker 1: you give me. She said. There is a lot happening 356 00:16:55,640 --> 00:16:57,960 Speaker 1: in this household. And I pray that they get it 357 00:16:58,000 --> 00:17:02,520 Speaker 1: all straightened out. And I don't know in. 358 00:17:02,520 --> 00:17:05,400 Speaker 3: Other news that is just making us pull our hair out, 359 00:17:05,960 --> 00:17:09,360 Speaker 3: scratch our head, and keeping us tossing and turning at night. 360 00:17:10,080 --> 00:17:15,760 Speaker 3: Austin and Craig, the bromance has fallen apart. 361 00:17:16,080 --> 00:17:20,440 Speaker 2: Now. One thing about these reality people is the show 362 00:17:20,520 --> 00:17:21,040 Speaker 2: will go on. 363 00:17:21,400 --> 00:17:24,320 Speaker 3: Oh yeah, they'll be like, listen, I can't fucking stand you, 364 00:17:24,320 --> 00:17:25,359 Speaker 3: you can't fucking stand me. 365 00:17:25,560 --> 00:17:26,480 Speaker 1: We're gonna get that check. 366 00:17:26,640 --> 00:17:27,960 Speaker 2: We need to get that check. Yeah. 367 00:17:28,359 --> 00:17:30,600 Speaker 1: And I've been doing it so long that I don't 368 00:17:30,640 --> 00:17:33,480 Speaker 1: know if they you know, I see in particular, like 369 00:17:34,000 --> 00:17:35,720 Speaker 1: what is he gonna do? Like he I don't think. 370 00:17:35,840 --> 00:17:36,720 Speaker 2: I think they're gonna be fine. 371 00:17:36,720 --> 00:17:38,679 Speaker 3: And also, your dudes at the end of the day, 372 00:17:38,720 --> 00:17:41,760 Speaker 3: it's like you're not a married couple. It's like Teresa 373 00:17:41,760 --> 00:17:45,399 Speaker 3: and Joe Judaye. It's like we're brother and sister. We 374 00:17:45,640 --> 00:17:46,679 Speaker 3: don't have kids together. 375 00:17:47,200 --> 00:17:48,160 Speaker 2: We didn't get. 376 00:17:48,200 --> 00:17:51,040 Speaker 3: Something got off the rails. Okay, I'm sorry, you're sorry. 377 00:17:51,119 --> 00:17:54,960 Speaker 3: We're brother and sister first and foremost. Second and foremost, 378 00:17:55,160 --> 00:17:57,600 Speaker 3: it's like, we're brother and sister. Let's get this fucking money. 379 00:17:58,320 --> 00:18:02,840 Speaker 2: Your two dudes shit out and weird. I find it, 380 00:18:02,880 --> 00:18:05,400 Speaker 2: but I get when a bromance falls apart, you. 381 00:18:05,320 --> 00:18:08,520 Speaker 1: Do, yes, talk to me about that baby, because I 382 00:18:08,520 --> 00:18:09,840 Speaker 1: I don't understand it at all. 383 00:18:10,000 --> 00:18:10,679 Speaker 2: I mean, you get it. 384 00:18:10,680 --> 00:18:13,040 Speaker 3: When it's girls, it's like you know you've had I mean, 385 00:18:13,560 --> 00:18:15,280 Speaker 3: or maybe you haven't, but I think you've had falling 386 00:18:15,280 --> 00:18:17,960 Speaker 3: outs with yah with women, it's. 387 00:18:17,600 --> 00:18:19,960 Speaker 1: Just I just out. I just I don't do the 388 00:18:20,000 --> 00:18:21,160 Speaker 1: fall I just out. 389 00:18:21,080 --> 00:18:23,680 Speaker 2: Right, you just out. Yeah, So I get see. 390 00:18:23,800 --> 00:18:25,959 Speaker 3: But this is a working I mean, they're friends and 391 00:18:26,000 --> 00:18:27,240 Speaker 3: it's a working relationship. 392 00:18:27,359 --> 00:18:30,280 Speaker 2: Right at the end of the day. You're not fucking 393 00:18:30,320 --> 00:18:32,640 Speaker 2: each other as far as we know. Maybe they are, right, 394 00:18:32,720 --> 00:18:34,160 Speaker 2: I don't think they are fucking each other. 395 00:18:34,440 --> 00:18:37,160 Speaker 1: I mean, the attention is real, like something's going something 396 00:18:37,160 --> 00:18:39,280 Speaker 1: went down, but they had a drunken night, maybe they 397 00:18:39,280 --> 00:18:39,920 Speaker 1: made out. 398 00:18:39,760 --> 00:18:42,879 Speaker 3: But it's it is the same kind of love, yes, 399 00:18:42,960 --> 00:18:45,360 Speaker 3: And it is the same kind of relationship. And then 400 00:18:45,400 --> 00:18:48,560 Speaker 3: it is a kind of like, well, we're not as 401 00:18:49,000 --> 00:18:52,600 Speaker 3: quote unquote in love. And you know, whether it's two 402 00:18:52,720 --> 00:18:55,560 Speaker 3: girls that are best friends, you love each other, and 403 00:18:55,600 --> 00:18:57,920 Speaker 3: if something goes off the rails and you're no longer 404 00:18:57,960 --> 00:19:00,919 Speaker 3: friends or one hurt, it's the same similar. 405 00:19:00,880 --> 00:19:03,880 Speaker 1: Same kind of hurt. I understand it. I guess I do. 406 00:19:04,040 --> 00:19:05,119 Speaker 1: I just find it to be. 407 00:19:05,720 --> 00:19:07,320 Speaker 2: It's funny because it's funny. 408 00:19:07,000 --> 00:19:10,080 Speaker 1: Because it's so extreme on television and it's heartfelt. I 409 00:19:10,119 --> 00:19:12,080 Speaker 1: mean when they last season when they were where were 410 00:19:12,160 --> 00:19:13,960 Speaker 1: they in Puerto Rico and they were at the pit 411 00:19:14,080 --> 00:19:16,400 Speaker 1: fire pit and he was basically saying that he had 412 00:19:16,400 --> 00:19:18,880 Speaker 1: a drinking problem, and Austin really looked like, well, you've 413 00:19:18,880 --> 00:19:21,760 Speaker 1: never said that, but I've seen how lit you get, 414 00:19:21,840 --> 00:19:25,480 Speaker 1: like you take it overboard. I think probably all three 415 00:19:25,480 --> 00:19:28,720 Speaker 1: of them do Shep include it. But then you see 416 00:19:28,760 --> 00:19:29,800 Speaker 1: him drinking again. 417 00:19:30,080 --> 00:19:30,840 Speaker 2: Why and then. 418 00:19:30,760 --> 00:19:33,120 Speaker 1: He doesn't know, like he's confused because he's like, wait 419 00:19:33,160 --> 00:19:36,280 Speaker 1: a minute, this is serious what you just said before. 420 00:19:37,080 --> 00:19:40,720 Speaker 1: I think for Austin it's confusing. Also, Austin lost his sibling, 421 00:19:41,160 --> 00:19:44,240 Speaker 1: and I think he takes his right friendships very deeply 422 00:19:44,280 --> 00:19:47,200 Speaker 1: and very seriously, and you know, maybe in a little 423 00:19:47,200 --> 00:19:49,719 Speaker 1: bit of an immature way of in the way of 424 00:19:49,760 --> 00:19:51,959 Speaker 1: expectation having you know, that can get in the way 425 00:19:51,960 --> 00:19:54,359 Speaker 1: when you have too many expectations from people based on 426 00:19:54,400 --> 00:19:58,760 Speaker 1: your own psychology and pain past pain. But I just 427 00:19:58,800 --> 00:20:01,879 Speaker 1: think the way it's playing out is so funny. 428 00:20:02,200 --> 00:20:04,680 Speaker 2: But also Shep is not a good mediator. 429 00:20:04,960 --> 00:20:08,480 Speaker 3: No, That's what I say, Austin Craig, if you need 430 00:20:08,520 --> 00:20:10,320 Speaker 3: a guy to mediate, I'll do it. 431 00:20:10,400 --> 00:20:13,200 Speaker 2: Shep is a deer in a headlight. 432 00:20:14,080 --> 00:20:14,880 Speaker 1: He doesn't know what's happen. 433 00:20:14,880 --> 00:20:15,560 Speaker 2: I don't know what the fuck. 434 00:20:15,600 --> 00:20:17,840 Speaker 3: And he loves them both and he's just sitting there 435 00:20:17,840 --> 00:20:19,360 Speaker 3: like I don't want to get And the other guy, 436 00:20:19,400 --> 00:20:25,320 Speaker 3: who's the main guy, the fucking Whitney Whitney, he's not 437 00:20:25,400 --> 00:20:27,879 Speaker 3: equipped to mediate it, and I'm offering my service. 438 00:20:27,920 --> 00:20:29,000 Speaker 1: I think he'd be great at it. 439 00:20:29,080 --> 00:20:30,520 Speaker 2: I'd be great. It's a third part. 440 00:20:30,600 --> 00:20:33,840 Speaker 1: Whitney's not. It's below Whitney. Whitney's just does it. He's like, 441 00:20:34,040 --> 00:20:36,800 Speaker 1: get it together. I mean, Whitney's a guy who goes 442 00:20:36,840 --> 00:20:39,159 Speaker 1: to the beach fully closed. He said he hadn't been 443 00:20:39,160 --> 00:20:41,480 Speaker 1: to the beach, and since I don't know nineteen eighty nine, 444 00:20:41,520 --> 00:20:44,880 Speaker 1: I don't know. He can't be bothered with many things. Okay, 445 00:20:44,960 --> 00:20:47,560 Speaker 1: so I don't think he's the right person. I think 446 00:20:47,680 --> 00:20:49,720 Speaker 1: Madison could do it if she actually got them in 447 00:20:49,760 --> 00:20:53,280 Speaker 1: a room together. I think she's invested in both of them. 448 00:20:53,520 --> 00:20:54,159 Speaker 2: She can do it. 449 00:20:54,400 --> 00:20:54,639 Speaker 1: You know. 450 00:20:55,280 --> 00:20:56,480 Speaker 2: She's like, I have my own kids. 451 00:20:56,520 --> 00:20:59,359 Speaker 1: Yeah, now she's got her own kids. But maybe she 452 00:20:59,400 --> 00:21:01,440 Speaker 1: wouldn't be too invest but as. 453 00:21:03,040 --> 00:21:05,840 Speaker 3: Yes, and I'm saying, you're the guy I would make 454 00:21:05,880 --> 00:21:07,760 Speaker 3: it happen, and I would say, guys. 455 00:21:07,600 --> 00:21:09,679 Speaker 1: We should reach out to them, say you think you 456 00:21:09,720 --> 00:21:10,200 Speaker 1: can fix this. 457 00:21:21,320 --> 00:21:23,080 Speaker 3: The other thing that we watched that we didn't talk 458 00:21:23,119 --> 00:21:27,040 Speaker 3: about the other day, that we really, really, really enjoyed 459 00:21:28,040 --> 00:21:33,800 Speaker 3: is this Tyra Banks America's Top Model documentary, which I think. 460 00:21:33,640 --> 00:21:35,320 Speaker 2: It's a three part series. 461 00:21:35,359 --> 00:21:38,400 Speaker 3: It could have been two parts, yes, But the reason 462 00:21:38,400 --> 00:21:40,520 Speaker 3: why they do that, you know why is because the 463 00:21:40,560 --> 00:21:43,600 Speaker 3: more episodes, the more eyes, the more eyes, the more minutes, 464 00:21:43,720 --> 00:21:45,240 Speaker 3: the more minutes, the more money. 465 00:21:46,680 --> 00:21:50,520 Speaker 2: Yeah. But Tyra Banks is a motherfucker. 466 00:21:50,560 --> 00:21:50,760 Speaker 3: Man. 467 00:21:51,680 --> 00:21:57,720 Speaker 1: She's like a old school diva actress. I don't know, man, 468 00:21:57,800 --> 00:22:01,440 Speaker 1: She's very difficult for me to watch. That was difficult. 469 00:22:01,640 --> 00:22:02,720 Speaker 2: She no, it is true. 470 00:22:02,720 --> 00:22:06,360 Speaker 3: She's got that old school publicity where her and her 471 00:22:06,400 --> 00:22:10,200 Speaker 3: team come up with the stock lines and we're gonna 472 00:22:11,400 --> 00:22:14,800 Speaker 3: we didn't know. And she's Tyra Banks who I was 473 00:22:14,840 --> 00:22:17,640 Speaker 3: in her Two things with Tyer Banks. I actually did 474 00:22:18,280 --> 00:22:20,960 Speaker 3: The Fresh Prince of bel Air, and I believe that 475 00:22:21,000 --> 00:22:24,239 Speaker 3: was the very first time she ever acted. Yes, I 476 00:22:24,280 --> 00:22:26,080 Speaker 3: was in an episode of The Fresh Prince of bel air, 477 00:22:26,119 --> 00:22:29,480 Speaker 3: which I almost got cut out of. I almost got 478 00:22:29,480 --> 00:22:33,520 Speaker 3: fired from that, because this is a good story. I 479 00:22:33,520 --> 00:22:35,800 Speaker 3: wound up working with Will Smith later on in Hitch. 480 00:22:36,520 --> 00:22:40,960 Speaker 3: But something about Will Smith and me and me and 481 00:22:41,000 --> 00:22:44,280 Speaker 3: Will Smith at that time, he did not like me, 482 00:22:44,560 --> 00:22:48,199 Speaker 3: and I didn't really like the way he didn't like me. 483 00:22:48,280 --> 00:22:50,760 Speaker 3: This I felt he probably wouldn't even remember this, right, 484 00:22:51,680 --> 00:22:53,960 Speaker 3: But I mean I had a small part. My friend 485 00:22:54,040 --> 00:22:55,600 Speaker 3: was the producer on the show. I had already done 486 00:22:56,240 --> 00:22:58,440 Speaker 3: I think True Romance. I'd done a couple of things. 487 00:22:58,880 --> 00:23:00,840 Speaker 1: Wait a second, because I didn't you that you had 488 00:23:00,840 --> 00:23:02,119 Speaker 1: did China Beach? No? 489 00:23:02,200 --> 00:23:05,080 Speaker 2: I did, I did maybe zad. 490 00:23:04,800 --> 00:23:07,480 Speaker 1: China Beach, and then you did this and then after 491 00:23:07,520 --> 00:23:10,000 Speaker 1: that you just took off. I'm telling you because I 492 00:23:10,080 --> 00:23:12,119 Speaker 1: wasn't with you when you did it. It was before we 493 00:23:12,119 --> 00:23:12,600 Speaker 1: were together. 494 00:23:12,800 --> 00:23:18,800 Speaker 3: No, I swear, no really, yes, no, no, that's so we. 495 00:23:18,680 --> 00:23:21,920 Speaker 1: You went to work on Oh maybe you're right. Actually. 496 00:23:22,640 --> 00:23:26,920 Speaker 3: Nonetheless, when I was doing my episode of The Fresh Prince, 497 00:23:27,280 --> 00:23:30,240 Speaker 3: I remember I it was just a vibe thing. 498 00:23:30,800 --> 00:23:32,320 Speaker 2: I couldn't get a read on him. 499 00:23:32,400 --> 00:23:34,439 Speaker 3: And you know, I was a fan because it was 500 00:23:34,440 --> 00:23:37,280 Speaker 3: a Fresh Prince and jazzy Jeff like I was, and 501 00:23:37,359 --> 00:23:39,080 Speaker 3: I don't know, like it was just like a vibe 502 00:23:39,160 --> 00:23:40,920 Speaker 3: thing like I couldn't get. And I was just thought 503 00:23:40,960 --> 00:23:43,399 Speaker 3: like he was listen. He probably had, he didn't know 504 00:23:43,440 --> 00:23:47,240 Speaker 3: what the fuck he was doing show and he's you know. 505 00:23:47,880 --> 00:23:50,000 Speaker 1: Super famous and new to this big show. 506 00:23:50,119 --> 00:23:53,800 Speaker 2: And you know, I got my attitude is so street. 507 00:23:54,440 --> 00:23:58,560 Speaker 1: You were street, so shit, you were street like. 508 00:23:58,680 --> 00:23:59,919 Speaker 2: It was extreme, it was. 509 00:24:00,080 --> 00:24:02,480 Speaker 1: And yeah, you went to work on the fresh breads 510 00:24:02,760 --> 00:24:05,040 Speaker 1: and if somebody gave you a wrong look on the set, 511 00:24:05,160 --> 00:24:07,040 Speaker 1: you'll be like you looking at it. 512 00:24:07,119 --> 00:24:10,280 Speaker 3: But I literally, at one point before the taping of 513 00:24:10,359 --> 00:24:14,199 Speaker 3: the live show, I knocked on his dressing room, how 514 00:24:14,320 --> 00:24:17,000 Speaker 3: dare and I say, yo, I talked to you for 515 00:24:17,040 --> 00:24:17,480 Speaker 3: a second. 516 00:24:20,880 --> 00:24:22,480 Speaker 1: I love it, sorry so much. 517 00:24:22,560 --> 00:24:23,240 Speaker 2: He came outside. 518 00:24:23,520 --> 00:24:25,879 Speaker 1: I see him opening his trailer door and looking at 519 00:24:25,880 --> 00:24:27,000 Speaker 1: it his. 520 00:24:26,880 --> 00:24:29,680 Speaker 3: Bright eyed, bushy tail, you know, like the fresh positive 521 00:24:30,680 --> 00:24:32,760 Speaker 3: and I was like, this is the this is the 522 00:24:32,840 --> 00:24:33,680 Speaker 3: gist of the conversation. 523 00:24:33,800 --> 00:24:37,080 Speaker 2: And I wasn't threatening, but this is how at the time. 524 00:24:37,080 --> 00:24:39,280 Speaker 1: You came off like that. At the time, everything was 525 00:24:39,280 --> 00:24:40,119 Speaker 1: a threat, babe. 526 00:24:40,359 --> 00:24:42,359 Speaker 3: It just I remember you that not that Will Smith 527 00:24:42,440 --> 00:24:44,760 Speaker 3: is pussy no, and Will's was the same side. 528 00:24:44,760 --> 00:24:45,760 Speaker 2: But like a little bigger than me. 529 00:24:45,840 --> 00:24:48,440 Speaker 3: Were the same time, and I remember he had his 530 00:24:48,680 --> 00:24:51,840 Speaker 3: good friend Charlie mcne but he came outside and they 531 00:24:51,840 --> 00:24:54,560 Speaker 3: were gearing up to shoot the episode and they were 532 00:24:54,600 --> 00:24:56,640 Speaker 3: in there, and I remember this, this is a weird thing. 533 00:24:57,040 --> 00:24:58,560 Speaker 3: He had a bunch of people in his dress room 534 00:24:58,560 --> 00:24:59,920 Speaker 3: with a bunch of he had like a little pass 535 00:25:00,200 --> 00:25:04,159 Speaker 3: like you know, make up people and assistance, and you know, 536 00:25:04,280 --> 00:25:06,439 Speaker 3: like there was people and there were like ten people 537 00:25:06,440 --> 00:25:09,600 Speaker 3: a small dress rooms and they're listening to his music. 538 00:25:09,640 --> 00:25:12,560 Speaker 3: And I remember going the fuck out, this is what 539 00:25:12,680 --> 00:25:16,040 Speaker 3: you're listening again, I guess this is all ninety shit. 540 00:25:16,200 --> 00:25:19,520 Speaker 2: Yes, But I said to him, talk to you. 541 00:25:19,560 --> 00:25:22,000 Speaker 1: So he was having a listening party in his dress 542 00:25:22,000 --> 00:25:25,080 Speaker 1: getting the show, But why were they listening to his music? 543 00:25:25,240 --> 00:25:28,760 Speaker 3: That's right, that's right, that's the ego, and that's why 544 00:25:28,800 --> 00:25:29,560 Speaker 3: you're Will Smith. 545 00:25:30,080 --> 00:25:33,119 Speaker 1: Yes, Okay, you need that kind of yes, because. 546 00:25:32,840 --> 00:25:34,320 Speaker 2: That of all the things to listen to, why not 547 00:25:34,400 --> 00:25:35,359 Speaker 2: listen to your own music? 548 00:25:35,480 --> 00:25:37,159 Speaker 1: Okay, I got weird. 549 00:25:37,320 --> 00:25:39,800 Speaker 3: Okay, But I said to him, and he came out, 550 00:25:39,800 --> 00:25:41,560 Speaker 3: so I said, yo, I just want to make sure 551 00:25:42,440 --> 00:25:43,760 Speaker 3: I probably worded it like this. 552 00:25:44,160 --> 00:25:48,200 Speaker 2: I want to make sure we don't have a problem. 553 00:25:49,560 --> 00:25:52,440 Speaker 1: Talk about ego. You're like on his show and you're like, yo, 554 00:25:52,560 --> 00:25:55,000 Speaker 1: you got a problem with me. That's amazing. This is 555 00:25:55,000 --> 00:25:56,080 Speaker 1: why I love you. 556 00:25:56,680 --> 00:25:57,159 Speaker 2: I love it. 557 00:25:58,240 --> 00:25:58,800 Speaker 1: I love it. 558 00:25:58,920 --> 00:26:04,240 Speaker 3: They my lines, see, my lines kept getting cut, My 559 00:26:04,320 --> 00:26:06,600 Speaker 3: lines get getting getting cut down, like at one point 560 00:26:06,600 --> 00:26:08,359 Speaker 3: it was a bigger part than it wanted to be like. 561 00:26:08,920 --> 00:26:10,359 Speaker 2: And then he was like, no, we're good, and I 562 00:26:10,400 --> 00:26:12,000 Speaker 2: was like, okay, I just want to make sure I. 563 00:26:12,119 --> 00:26:13,439 Speaker 1: Think people in the room heard you. 564 00:26:13,480 --> 00:26:16,480 Speaker 2: No, no, no, because outside Oh he came outside. 565 00:26:16,240 --> 00:26:18,280 Speaker 3: And and that was it. And I did the show 566 00:26:18,280 --> 00:26:19,880 Speaker 3: and then I went on to do a hitch with him. 567 00:26:20,240 --> 00:26:22,880 Speaker 1: Wait mate, back up, what did he do to make 568 00:26:22,960 --> 00:26:23,399 Speaker 1: you think? 569 00:26:23,520 --> 00:26:25,439 Speaker 2: Was it just a look or a vibe? 570 00:26:25,480 --> 00:26:27,720 Speaker 3: And I think because my lines kept getting cut, I 571 00:26:27,720 --> 00:26:31,280 Speaker 3: didn't know. Also, I could tell you one thing because 572 00:26:32,920 --> 00:26:36,040 Speaker 3: I did Murphy Brown right before that. 573 00:26:36,160 --> 00:26:37,159 Speaker 1: Okay, we were together. 574 00:26:37,320 --> 00:26:39,600 Speaker 3: But one of the things that I didn't know, and 575 00:26:39,640 --> 00:26:41,520 Speaker 3: it was all the way until when I did Friends. 576 00:26:41,640 --> 00:26:44,560 Speaker 3: I didn't understand it till even probably after I did Friends, 577 00:26:45,520 --> 00:26:48,280 Speaker 3: was when you're working on a sitcom and the live 578 00:26:48,320 --> 00:26:51,920 Speaker 3: audience aspect of it and the beats of doing a sitcom. 579 00:26:52,119 --> 00:26:54,160 Speaker 2: Yes, if you don't know what you're doing. 580 00:26:54,160 --> 00:26:56,800 Speaker 3: And I'm thinking, I'm like fucking al Pacino in circrocle, 581 00:26:56,880 --> 00:26:57,760 Speaker 3: like I'm improving. 582 00:26:57,760 --> 00:27:00,320 Speaker 2: I'm in the moment. No, I probably was step on 583 00:27:00,359 --> 00:27:02,080 Speaker 2: his lines and not waiting for laughs. 584 00:27:02,560 --> 00:27:04,919 Speaker 3: I know I was doing it on friends and they 585 00:27:05,080 --> 00:27:07,359 Speaker 3: they corrected me in a like they were like, you 586 00:27:07,400 --> 00:27:08,160 Speaker 3: have to wait for lasts. 587 00:27:08,160 --> 00:27:10,040 Speaker 2: And I was like, oh, I didn't. 588 00:27:10,040 --> 00:27:11,680 Speaker 1: You don't because you did movies. 589 00:27:11,920 --> 00:27:12,439 Speaker 2: I didn't know. 590 00:27:12,760 --> 00:27:14,919 Speaker 3: And I'm in the moment because I'm I'm just a 591 00:27:15,000 --> 00:27:17,520 Speaker 3: theeal actor and I'm al Pacino in Cirproca, and I'm 592 00:27:17,560 --> 00:27:18,720 Speaker 3: just I'm so. 593 00:27:18,720 --> 00:27:19,280 Speaker 2: In the moment. 594 00:27:20,440 --> 00:27:23,560 Speaker 3: Yeah, I'm such an artist. I'm being sarcastic people, but 595 00:27:24,080 --> 00:27:26,240 Speaker 3: you know, like I remember it was either matt LeBlanc, 596 00:27:26,960 --> 00:27:29,080 Speaker 3: the late great Matthew Perry or David Trummer or maybe 597 00:27:29,080 --> 00:27:30,679 Speaker 3: all of them, Like they did it in a like, oh, 598 00:27:30,720 --> 00:27:32,240 Speaker 3: you gotta wait for and I was like, oh, okay, 599 00:27:32,280 --> 00:27:34,640 Speaker 3: I didn't know you have to wait for laughs. And 600 00:27:34,640 --> 00:27:36,360 Speaker 3: and I remember even when I did The War at Home, 601 00:27:36,440 --> 00:27:38,159 Speaker 3: like I always felt. 602 00:27:37,920 --> 00:27:39,639 Speaker 1: Like it is stifling. 603 00:27:39,680 --> 00:27:42,040 Speaker 2: It's a little stifling, but there's an art form. 604 00:27:42,359 --> 00:27:45,199 Speaker 1: Because yes, I mean that's what we're my journey was 605 00:27:45,240 --> 00:27:48,560 Speaker 1: and I remember it's almost like not acting acts to 606 00:27:48,640 --> 00:27:49,200 Speaker 1: coom acting. 607 00:27:49,200 --> 00:27:51,080 Speaker 2: It is acting, it's acting, but it's. 608 00:27:51,040 --> 00:27:53,480 Speaker 1: Very performative and like it's different than the film acting. 609 00:27:53,480 --> 00:27:56,600 Speaker 1: It's almost like different from film and stage. It's like 610 00:27:56,960 --> 00:27:58,920 Speaker 1: down the middle of it, like but not. 611 00:27:58,840 --> 00:28:01,240 Speaker 3: So much on stage because if you're doing a play 612 00:28:01,720 --> 00:28:06,000 Speaker 3: and it's a comedy, you must no predict and expect 613 00:28:06,080 --> 00:28:08,040 Speaker 3: certain labs, lasts where they come or not. 614 00:28:08,160 --> 00:28:09,280 Speaker 2: You have to take those beats. 615 00:28:09,400 --> 00:28:13,920 Speaker 1: Same is the same as sitcom, Like. 616 00:28:12,640 --> 00:28:15,119 Speaker 3: Yeah, because I'm a Pacino and dog dance and like 617 00:28:15,200 --> 00:28:19,480 Speaker 3: I'm so in the moment and I'm just this, you know, free. 618 00:28:19,119 --> 00:28:20,399 Speaker 2: Flowing fucking artist. 619 00:28:20,400 --> 00:28:22,879 Speaker 3: So I probably had that and they were probably like, 620 00:28:23,080 --> 00:28:26,040 Speaker 3: fucking cut this fucking lunatics line right, and then at 621 00:28:26,080 --> 00:28:27,800 Speaker 3: won't I think they were gonna fire me, but they 622 00:28:27,800 --> 00:28:30,240 Speaker 3: didn't fire me, but just because it was like why 623 00:28:30,320 --> 00:28:30,600 Speaker 3: is he? 624 00:28:30,720 --> 00:28:33,840 Speaker 2: I was nothing? And then I have the audacity. 625 00:28:35,840 --> 00:28:36,280 Speaker 3: Do you have a. 626 00:28:36,280 --> 00:28:41,840 Speaker 1: Problem or I can't? That's funny, amazing to me, amazing 627 00:28:41,880 --> 00:28:44,360 Speaker 1: And he was like, no, not a problem. You know 628 00:28:44,400 --> 00:28:46,040 Speaker 1: what I love in you because you're like this and 629 00:28:46,040 --> 00:28:48,000 Speaker 1: now you will fix thing. You know what I mean? 630 00:28:48,040 --> 00:28:49,880 Speaker 1: You are that kind of guy. I think you've done 631 00:28:49,880 --> 00:28:51,240 Speaker 1: that before, I mean. 632 00:28:51,120 --> 00:28:54,200 Speaker 3: After that one other time with another actor, which was 633 00:28:54,280 --> 00:28:54,960 Speaker 3: I was wrong. 634 00:28:55,120 --> 00:28:57,000 Speaker 2: This is even more wrong. 635 00:28:57,640 --> 00:29:02,360 Speaker 3: I did this because again I was doing true romance 636 00:29:03,320 --> 00:29:06,880 Speaker 3: and I was off camera while Christian Slater. 637 00:29:06,960 --> 00:29:08,080 Speaker 2: I remember it distinctly. 638 00:29:08,120 --> 00:29:11,120 Speaker 3: We were doing the scenes at the amusement park, and 639 00:29:11,160 --> 00:29:13,080 Speaker 3: I had probably done it beforehand because I didn't know 640 00:29:13,120 --> 00:29:14,080 Speaker 3: what the fuck. 641 00:29:13,880 --> 00:29:14,600 Speaker 2: I was doing. 642 00:29:14,920 --> 00:29:16,680 Speaker 3: I literally didn't know what the fuck I was doing, 643 00:29:17,120 --> 00:29:19,920 Speaker 3: and I did not realize that when you're off camera acting. 644 00:29:20,000 --> 00:29:23,120 Speaker 3: So when you're doing a scene with Christian Slater and 645 00:29:23,160 --> 00:29:27,320 Speaker 3: you're saying lines when they're shooting his clothes up off camera, 646 00:29:27,640 --> 00:29:29,440 Speaker 3: you stick to the line so not fuck up his 647 00:29:29,560 --> 00:29:31,200 Speaker 3: rhythm because this is his time to shot. 648 00:29:31,640 --> 00:29:33,239 Speaker 2: I didn't know that I did. 649 00:29:33,360 --> 00:29:39,160 Speaker 3: I didn't understand that, and I was riffing while he's 650 00:29:39,280 --> 00:29:41,680 Speaker 3: on camera because I'm this free flowing. 651 00:29:41,960 --> 00:29:44,240 Speaker 1: Well, you were very eager and determined. I didn't know 652 00:29:44,280 --> 00:29:46,200 Speaker 1: what the fuck was doing, yes, but you didn't know it. 653 00:29:46,360 --> 00:29:48,080 Speaker 3: And he said, can you shut the fuck up and 654 00:29:48,120 --> 00:29:50,160 Speaker 3: say your lines or something, or just say you're lines. 655 00:29:50,320 --> 00:29:51,680 Speaker 3: I don't think he said shut the fuck up. I 656 00:29:51,680 --> 00:29:54,560 Speaker 3: think he just say your fucking lines Ritchie and he 657 00:29:54,680 --> 00:29:58,440 Speaker 3: called me and I was, yeah, like he's trying to 658 00:29:58,480 --> 00:30:00,840 Speaker 3: help me without like going like yo, my man, like 659 00:30:01,440 --> 00:30:02,600 Speaker 3: I have you ever been acting classes? 660 00:30:02,600 --> 00:30:04,200 Speaker 2: You don't have any idea what the fuck is right? 661 00:30:04,640 --> 00:30:05,960 Speaker 3: And then later on I said do we have a 662 00:30:06,000 --> 00:30:07,880 Speaker 3: p and he was like no, And and then I 663 00:30:08,000 --> 00:30:10,960 Speaker 3: realized later on, like years later, this is probably like 664 00:30:11,000 --> 00:30:13,240 Speaker 3: two or three years ago, I was like. 665 00:30:13,200 --> 00:30:16,040 Speaker 2: Oh, fuck, Christian Slater wasn't an asshole. I didn't know 666 00:30:16,040 --> 00:30:17,200 Speaker 2: what the fuck I was doing. 667 00:30:18,680 --> 00:30:21,000 Speaker 1: But literally two or three years ago. 668 00:30:21,280 --> 00:30:23,360 Speaker 2: This particular thing with Chris because I always. 669 00:30:23,080 --> 00:30:24,880 Speaker 3: Oh, that's right, you actually told me about it, because 670 00:30:24,880 --> 00:30:26,960 Speaker 3: I always to make this thing with you, and I 671 00:30:27,000 --> 00:30:27,880 Speaker 3: never said anything to me. 672 00:30:28,000 --> 00:30:29,959 Speaker 2: We're I know, people are like, you're crazy. 673 00:30:30,320 --> 00:30:32,800 Speaker 3: And that's why when people say to me, when I 674 00:30:32,800 --> 00:30:35,440 Speaker 3: hear people, Michael Rapport is a crazy person. I am 675 00:30:35,440 --> 00:30:37,480 Speaker 3: a crazy person, and I'm probably a crazy person for 676 00:30:37,520 --> 00:30:40,200 Speaker 3: even acknowledging anyway, But you're not crazy. 677 00:30:40,240 --> 00:30:42,920 Speaker 1: But wait, let's wrap this up by let me ask 678 00:30:42,920 --> 00:30:46,240 Speaker 1: you a question. When did you realize because you're one 679 00:30:46,240 --> 00:30:50,080 Speaker 1: of the greatest actors of our generation truly, and like, 680 00:30:50,200 --> 00:30:52,280 Speaker 1: when the fuck did you figure out you do what 681 00:30:52,320 --> 00:30:55,200 Speaker 1: you were doing, Like when in your career did you 682 00:30:55,240 --> 00:30:58,720 Speaker 1: go okay, well, these were lessons because if you're saying 683 00:30:58,720 --> 00:31:00,520 Speaker 1: two years ago, three years ago, you're. 684 00:31:00,320 --> 00:31:02,560 Speaker 2: Like, oh no, two years ago, three years ago. 685 00:31:02,600 --> 00:31:05,479 Speaker 3: I realized it in regards to Christian Slady, okay, the 686 00:31:05,520 --> 00:31:09,800 Speaker 3: technical aspect of acting off camera, which is how this 687 00:31:09,880 --> 00:31:14,680 Speaker 3: got started. I learned that later on. Definitely, you know 688 00:31:14,840 --> 00:31:18,040 Speaker 3: when I started doing Copland. Definitely when I started doing Copland, 689 00:31:18,160 --> 00:31:20,760 Speaker 3: but it was a few movies into it. 690 00:31:21,160 --> 00:31:23,720 Speaker 2: And it's very interesting because. 691 00:31:25,040 --> 00:31:28,120 Speaker 3: No one told me that, and I'm sure there's other 692 00:31:28,160 --> 00:31:31,080 Speaker 3: actors that I've had to experience it. But the thing 693 00:31:31,160 --> 00:31:34,520 Speaker 3: about these acting classes from what I know, and I'm 694 00:31:34,520 --> 00:31:39,640 Speaker 3: sure there's more specific acting classes unless you've actually worked 695 00:31:40,400 --> 00:31:43,040 Speaker 3: on an actual sitcom and you've actually worked on an 696 00:31:43,080 --> 00:31:44,200 Speaker 3: actual film. 697 00:31:44,080 --> 00:31:46,360 Speaker 1: Or commercial there, it's like you don't know. 698 00:31:46,600 --> 00:31:48,640 Speaker 3: That's those are the things like, so there's there's a 699 00:31:48,720 --> 00:31:50,600 Speaker 3: technical part of the art of. 700 00:31:50,600 --> 00:31:53,360 Speaker 1: Acting, mostly technical. I would say it's a lot. That's 701 00:31:53,360 --> 00:31:55,120 Speaker 1: why you have to be so good at acting, because 702 00:31:55,160 --> 00:31:58,440 Speaker 1: that's even when you're doing a TV with your marks 703 00:31:58,480 --> 00:32:01,239 Speaker 1: and it's a different thing. Sit it without looking at 704 00:32:01,280 --> 00:32:03,320 Speaker 1: the fucking tape and you know you don't ever want 705 00:32:03,320 --> 00:32:05,240 Speaker 1: to look down it like there's a lot of tiny. 706 00:32:05,360 --> 00:32:07,040 Speaker 2: I'm sure they do that in it act class. 707 00:32:07,080 --> 00:32:09,720 Speaker 1: So there's film acting clauses where they teach that, but I. 708 00:32:09,720 --> 00:32:10,760 Speaker 2: Knew nothing about it. 709 00:32:11,160 --> 00:32:14,680 Speaker 3: But I remember when I was just working on this thing, 710 00:32:15,120 --> 00:32:18,840 Speaker 3: this young actress was asking me questions about, you know, acting, 711 00:32:18,880 --> 00:32:20,840 Speaker 3: and da da da da, And it was late when 712 00:32:20,840 --> 00:32:23,120 Speaker 3: I was doing the thing, and I remember I said 713 00:32:23,120 --> 00:32:24,600 Speaker 3: to her, I said, you know one thing that they're 714 00:32:24,600 --> 00:32:26,560 Speaker 3: probably never going to teach you an acclicas And I said, 715 00:32:26,560 --> 00:32:30,120 Speaker 3: this is a gem. Is that at four point thirty 716 00:32:30,120 --> 00:32:33,400 Speaker 3: in the morning, when you've done the scene forty times, yes, 717 00:32:33,720 --> 00:32:39,160 Speaker 3: from nine different angles, and you're exhausted, and the crew 718 00:32:39,240 --> 00:32:42,880 Speaker 3: is exhausted, and you're literally it is nothing to do 719 00:32:42,920 --> 00:32:43,320 Speaker 3: with acting. 720 00:32:43,320 --> 00:32:46,960 Speaker 2: It's really just about stand away. There's no technique. 721 00:32:47,000 --> 00:32:50,200 Speaker 3: There's no Meisner, there's no Stanislavsky, there's no listening to 722 00:32:50,200 --> 00:32:51,800 Speaker 3: a Marlin Brando interview. 723 00:32:51,680 --> 00:32:53,320 Speaker 2: That will explain to you what you need to do that. 724 00:32:53,360 --> 00:32:56,040 Speaker 3: And then it becomes an artistic I don't want to 725 00:32:56,040 --> 00:32:58,040 Speaker 3: overstate it, an artistic war of nutrition. 726 00:32:58,800 --> 00:33:00,000 Speaker 2: Oh, that's what it becomes. 727 00:33:00,800 --> 00:33:04,520 Speaker 3: Because it's four thirty in the morning, you're exhausted, you're cold, 728 00:33:05,280 --> 00:33:06,200 Speaker 3: and you're tired. 729 00:33:06,360 --> 00:33:09,600 Speaker 2: These lines you've said a gazillion times. Anyway, I love this. 730 00:33:09,600 --> 00:33:11,920 Speaker 1: It's so interesting to hear you talk about that. Anyway, 731 00:33:11,960 --> 00:33:13,560 Speaker 1: how do we get went on a tangent. 732 00:33:13,840 --> 00:33:14,719 Speaker 2: About Tyra Banks? 733 00:33:14,800 --> 00:33:18,320 Speaker 3: Yes, and because that's right higher learning, because I did, 734 00:33:18,840 --> 00:33:21,160 Speaker 3: and I'm saying this, Tyra Banks knows she's probably not 735 00:33:21,200 --> 00:33:22,920 Speaker 3: that good of an actress. She doesn't need to be 736 00:33:22,920 --> 00:33:26,000 Speaker 3: a good actor. She's a mogul, YadA, YadA YadA. That 737 00:33:26,120 --> 00:33:28,520 Speaker 3: being said, she's on that old school fade done. 738 00:33:28,400 --> 00:33:31,800 Speaker 1: Away totally like the pat Answers and the but when 739 00:33:31,840 --> 00:33:34,520 Speaker 1: she said I didn't know boo boo, I was like, 740 00:33:34,560 --> 00:33:36,920 Speaker 1: come on now, girl, this is you stop Like it's 741 00:33:36,960 --> 00:33:42,320 Speaker 1: just stop. The biggest takeaway two takeaways for me. So 742 00:33:42,480 --> 00:33:46,880 Speaker 1: much problematic shit happened in the what was the early 743 00:33:46,920 --> 00:33:50,160 Speaker 1: two thousands that I mean, we grew up in a generation. 744 00:33:50,280 --> 00:33:52,680 Speaker 1: These people now think like, oh, it's hard and I'm 745 00:33:52,680 --> 00:33:55,840 Speaker 1: triggered in a you know, I'm you know, verbally accosted 746 00:33:55,840 --> 00:33:58,400 Speaker 1: and all this. I mean, the ship that people put 747 00:33:58,480 --> 00:34:04,960 Speaker 1: up with us, included or participated and not unwittingly is wild. 748 00:34:05,240 --> 00:34:06,600 Speaker 2: That is it good? Or is it bad. 749 00:34:08,080 --> 00:34:10,200 Speaker 1: I don't know. You know, I always say some things 750 00:34:10,760 --> 00:34:13,719 Speaker 1: are not meant to be changed, like something I agree, 751 00:34:13,760 --> 00:34:16,440 Speaker 1: you know, like and other things like models or models. 752 00:34:16,480 --> 00:34:18,799 Speaker 1: I mean making the chick tear out her teeth to 753 00:34:18,840 --> 00:34:21,960 Speaker 1: close her gap, and now we see everybody with gaps 754 00:34:21,960 --> 00:34:23,439 Speaker 1: in their teeth, and we could look at all kinds 755 00:34:23,440 --> 00:34:27,360 Speaker 1: of crazy different looks. In terms of modeling, it was 756 00:34:27,440 --> 00:34:29,919 Speaker 1: too far. But I don't know, maybe they were thinking 757 00:34:29,960 --> 00:34:32,640 Speaker 1: in terms of her face it didn't match the gap. Whatever. 758 00:34:33,080 --> 00:34:36,000 Speaker 1: My point is, hindsight is twenty twenty and then now 759 00:34:36,000 --> 00:34:38,239 Speaker 1: when you can come TV though, yeah, it gives you 760 00:34:38,280 --> 00:34:40,880 Speaker 1: great TV. The other part that I was really disappointed 761 00:34:41,040 --> 00:34:45,600 Speaker 1: is that how she didn't keep in touch with Miss j. Yes, yeah, 762 00:34:45,640 --> 00:34:48,319 Speaker 1: like that's and you know she has plenty she could 763 00:34:48,320 --> 00:34:50,200 Speaker 1: help them pay his bad Like I know, it's a. 764 00:34:50,239 --> 00:34:53,960 Speaker 3: Reality TV though it's interesting because yeah, people should be 765 00:34:54,040 --> 00:34:57,360 Speaker 3: treated with respect, there should be hours, you know, eliminated. 766 00:34:57,440 --> 00:34:59,040 Speaker 2: You know, it should be unionized and all that. So 767 00:34:59,120 --> 00:34:59,759 Speaker 2: I totally. 768 00:34:59,520 --> 00:35:02,880 Speaker 3: Agreea especially now that it's we know it's not a 769 00:35:02,920 --> 00:35:05,759 Speaker 3: freak show. Now we know it's a business. We know 770 00:35:06,520 --> 00:35:08,880 Speaker 3: the Real Housewives of Everywhere is a business. 771 00:35:08,920 --> 00:35:12,040 Speaker 2: It's landing a fucking life changing job. 772 00:35:13,000 --> 00:35:17,399 Speaker 3: We know that Traders is the top five watch most show, 773 00:35:18,080 --> 00:35:21,480 Speaker 3: YadA YadA, YadA, and they know that. And but that 774 00:35:21,640 --> 00:35:27,840 Speaker 3: being said, there is a chaos, and there is a 775 00:35:27,960 --> 00:35:31,799 Speaker 3: payoff to the chaos, and there is a gratification to 776 00:35:31,960 --> 00:35:37,839 Speaker 3: the chaos that the fans. Everybody likes, loves to hate, 777 00:35:38,120 --> 00:35:41,160 Speaker 3: hates to love, and all that. When you're specifically, when 778 00:35:41,200 --> 00:35:44,719 Speaker 3: I'm going into, like specifically this season of Traders, like you. 779 00:35:44,680 --> 00:35:47,799 Speaker 2: Know, as much as they talk to you, as much 780 00:35:47,800 --> 00:35:48,360 Speaker 2: as they're. 781 00:35:48,239 --> 00:35:50,239 Speaker 3: And they go out of their way production I'm being 782 00:35:50,280 --> 00:35:53,480 Speaker 3: clear to say production for Traders took care of us 783 00:35:53,960 --> 00:35:57,919 Speaker 3: in every way, in every way possible. Yes, and there's rules, regulations, 784 00:35:58,000 --> 00:35:59,640 Speaker 3: you have days off, all that stuff. 785 00:35:59,640 --> 00:36:01,759 Speaker 2: They're doing mental health checks. If you have. 786 00:36:01,719 --> 00:36:06,560 Speaker 1: All that, there's somebody for you to talk. Yes, good 787 00:36:06,640 --> 00:36:07,719 Speaker 1: and that change is good. 788 00:36:07,960 --> 00:36:09,400 Speaker 2: But they want that chaos. 789 00:36:09,480 --> 00:36:10,000 Speaker 1: That's the right. 790 00:36:10,239 --> 00:36:12,359 Speaker 3: Wait. Wait, when I'm eating in a room, then this 791 00:36:12,400 --> 00:36:14,160 Speaker 3: is a simple silly thing. When I'm eating the room 792 00:36:14,200 --> 00:36:17,080 Speaker 3: stuff on my face, they want that. When I'm screaming 793 00:36:17,080 --> 00:36:19,200 Speaker 3: at somebody, or somebody's screaming at me, or people are 794 00:36:19,239 --> 00:36:21,960 Speaker 3: not getting along, they want that shit to happen on camera. 795 00:36:22,280 --> 00:36:24,239 Speaker 2: And that's the thing for me that. 796 00:36:24,239 --> 00:36:28,080 Speaker 3: Was frustrating about Traders is because when I look at it, 797 00:36:28,120 --> 00:36:31,520 Speaker 3: where my head was at, like I was literally treating 798 00:36:31,520 --> 00:36:32,160 Speaker 3: it like a show. 799 00:36:32,840 --> 00:36:35,799 Speaker 2: It is like I wasn't treating it like I was 800 00:36:35,800 --> 00:36:36,840 Speaker 2: trying to win this money. 801 00:36:37,000 --> 00:36:38,839 Speaker 1: But this is what I would say. It's like I 802 00:36:38,880 --> 00:36:41,000 Speaker 1: remember someone said it. I don't know if it was 803 00:36:41,000 --> 00:36:43,680 Speaker 1: like Ice Cubes told me or when I did that 804 00:36:43,719 --> 00:36:45,960 Speaker 1: little movie The Glass Shield, he was talking to me 805 00:36:45,960 --> 00:36:49,600 Speaker 1: about Denzel Washing and telling him about show and business, yes, 806 00:36:50,080 --> 00:36:54,480 Speaker 1: and uh what like it's mostly uh business business and 807 00:36:54,600 --> 00:36:55,640 Speaker 1: so uh it's. 808 00:36:55,480 --> 00:36:57,719 Speaker 2: A Kobe Ball called business show and visual show. 809 00:36:57,760 --> 00:37:01,360 Speaker 1: That's right. Going back to Tyra's show America's Next Top Model, 810 00:37:02,480 --> 00:37:04,399 Speaker 1: the scene where they let the girl in the hot 811 00:37:04,440 --> 00:37:06,680 Speaker 1: tub with the guys that they invited over and they 812 00:37:06,719 --> 00:37:08,719 Speaker 1: just let it play out for the for the sake 813 00:37:08,760 --> 00:37:12,319 Speaker 1: of show. Death needs to change, right, Like you could 814 00:37:12,320 --> 00:37:15,560 Speaker 1: see this poor girl from timbuctoos Get is all of 815 00:37:15,600 --> 00:37:18,239 Speaker 1: a sudden here in Hollywood and she's in drunk and 816 00:37:18,280 --> 00:37:21,759 Speaker 1: she got a boyfriend that was terrible, and so I 817 00:37:21,800 --> 00:37:25,120 Speaker 1: don't care. I'm glad that changed. I'm glad that like Traders, 818 00:37:25,120 --> 00:37:27,840 Speaker 1: and I'm sure all shows have these these things in 819 00:37:27,920 --> 00:37:33,200 Speaker 1: place now to make sure people are safe. Yes, that 820 00:37:33,320 --> 00:37:36,360 Speaker 1: being said, it's one of the things that made the 821 00:37:36,400 --> 00:37:42,160 Speaker 1: show extremely popular, and the ratings for that were really high. Yes, 822 00:37:42,239 --> 00:37:45,560 Speaker 1: so hence the business right, and you sign up by 823 00:37:45,560 --> 00:37:47,240 Speaker 1: the way you sign up. 824 00:37:47,400 --> 00:37:49,520 Speaker 3: I guarantee you on shows like Love Island where you 825 00:37:49,600 --> 00:37:52,120 Speaker 3: meet people by having them stick their. 826 00:37:51,960 --> 00:37:54,480 Speaker 1: Tongue down your mouth and the camera is up your 827 00:37:54,480 --> 00:38:00,840 Speaker 1: buttthole with your contract, that's right saying, So they're. 828 00:38:00,680 --> 00:38:03,479 Speaker 3: Signing away your rights to be touched all that because 829 00:38:03,480 --> 00:38:06,440 Speaker 3: they're all that. When I think of Love Island and 830 00:38:06,480 --> 00:38:09,760 Speaker 3: I think of when you are meeting somebody and your 831 00:38:10,160 --> 00:38:12,359 Speaker 3: you have your finger up their ass, they grab them 832 00:38:12,360 --> 00:38:14,160 Speaker 3: by both cheeks and their ass. 833 00:38:13,880 --> 00:38:16,080 Speaker 1: And they're all slimy and they got stuff all over. 834 00:38:16,239 --> 00:38:16,920 Speaker 1: Yes wild. 835 00:38:17,080 --> 00:38:19,640 Speaker 3: They don't even say what's your name? They stick their 836 00:38:19,719 --> 00:38:23,000 Speaker 3: tongues down their throats and you grab. You know what 837 00:38:23,080 --> 00:38:25,600 Speaker 3: world you live in to think that that's I mean, 838 00:38:26,239 --> 00:38:29,480 Speaker 3: when you think about how do you think about trust me? 839 00:38:29,480 --> 00:38:31,440 Speaker 3: In ten fifteen years, there's gonna be a document. 840 00:38:31,280 --> 00:38:32,200 Speaker 1: About the viol Island. 841 00:38:32,719 --> 00:38:34,919 Speaker 3: I thought it was good and I got so many 842 00:38:34,960 --> 00:38:37,720 Speaker 3: followers this is not normal. 843 00:38:37,520 --> 00:38:41,200 Speaker 1: That I'm saying some things need to change. In some things, 844 00:38:41,239 --> 00:38:45,000 Speaker 1: no things need to change. But in terms of business, 845 00:38:45,320 --> 00:38:46,880 Speaker 1: because it's business show. 846 00:38:47,040 --> 00:38:48,120 Speaker 2: They know what they're giving up. 847 00:38:48,200 --> 00:38:48,720 Speaker 1: That's right. 848 00:38:48,760 --> 00:38:51,200 Speaker 3: Because you go on Love Island, you're it's like getting 849 00:38:51,239 --> 00:38:52,480 Speaker 3: your break on a show. 850 00:38:52,800 --> 00:38:54,319 Speaker 2: It's like getting you now. 851 00:38:54,360 --> 00:38:56,920 Speaker 1: It's the thing that's fame. But I got to say. 852 00:38:57,080 --> 00:38:58,839 Speaker 1: The last thing I'll say about the whole thing is 853 00:38:59,120 --> 00:39:03,560 Speaker 1: I really believe that you know, people sign up, it's 854 00:39:03,600 --> 00:39:05,600 Speaker 1: a choice that they sign up, and they kind of 855 00:39:05,600 --> 00:39:07,520 Speaker 1: know what they're they make it, make it clear now, 856 00:39:07,640 --> 00:39:08,640 Speaker 1: and that now they're making it. 857 00:39:09,680 --> 00:39:12,799 Speaker 3: I ask you, you got lawyers, you could fucking take 858 00:39:12,800 --> 00:39:15,279 Speaker 3: that contract and throw it in chat GPT asked you, 859 00:39:16,160 --> 00:39:19,799 Speaker 3: they're they're covering their asses because they know motherfuckers are 860 00:39:19,920 --> 00:39:20,880 Speaker 3: trying to lawyer up. 861 00:39:20,960 --> 00:39:23,359 Speaker 1: Yeah. And also here's the thing, if we don't like it, 862 00:39:23,400 --> 00:39:24,520 Speaker 1: we can change the channel. 863 00:39:24,680 --> 00:39:27,800 Speaker 2: That is the thing. If it's so gross. 864 00:39:27,719 --> 00:39:29,880 Speaker 1: Like Love Island, I think we tapped out. We were like, 865 00:39:29,960 --> 00:39:32,359 Speaker 1: whoa too many asses in our face to I don't 866 00:39:32,360 --> 00:39:32,680 Speaker 1: need to. 867 00:39:32,600 --> 00:39:35,759 Speaker 3: See twenty one year old girl who just like I 868 00:39:35,840 --> 00:39:36,840 Speaker 3: just came from Missouri. 869 00:39:36,920 --> 00:39:38,560 Speaker 2: And then it's too much. 870 00:39:38,719 --> 00:39:40,680 Speaker 1: So we get to choose. We get to pick and choose. 871 00:39:40,920 --> 00:39:42,360 Speaker 3: We get to pick and choose, and you get to 872 00:39:42,360 --> 00:39:44,920 Speaker 3: pick and choose, and you chose listening to rap ports rayllity. 873 00:39:45,000 --> 00:39:49,360 Speaker 3: And that's what we are here for, to give it 874 00:39:49,400 --> 00:39:54,000 Speaker 3: to you, rough, rugged and realistically wrap up ports reality style. 875 00:39:54,640 --> 00:39:56,680 Speaker 3: Tell a friend who Tell a friend about rap ports 876 00:39:56,719 --> 00:40:01,000 Speaker 3: reality against. Subscribe, rate and review, and leave a message 877 00:40:01,000 --> 00:40:04,880 Speaker 3: to leave a comment on our Instagram page at Rappaport's Reality. 878 00:40:04,920 --> 00:40:12,920 Speaker 2: Love you, Babe, Love you mm hmmm