WEBVTT - Avatar (2009) with Ali Nahdee

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<v Speaker 1>Hello listeners. Before we get into this episode, we wanted

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<v Speaker 1>to say something to raise awareness about a particular current event.

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<v Speaker 1>Our guest Ali Noddy speaks about this at the end

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<v Speaker 1>of the episode, but we wanted to stick it here

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<v Speaker 1>at the top as well to make sure as many

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<v Speaker 1>people here about it as possible. Right now, in Canada,

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<v Speaker 1>in Winnipeg, police are refusing to search for the remains

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<v Speaker 1>of four Indigenous women who have been murdered by a

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<v Speaker 1>serial killer. The women are Morgan Harris, Rebecca Countois, Marcedes Myron,

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<v Speaker 1>and a fourth unidentified woman. This speaks to the pervasive

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<v Speaker 1>problem in Canada and elsewhere in the world of Indigenous

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<v Speaker 1>women going missing, being murdered, and officials doing little to

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<v Speaker 1>nothing about it. So we wanted to raise awareness about this.

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<v Speaker 1>We've included more information in the show notes, and we

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<v Speaker 1>encourage you to learn more about this and other issues

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<v Speaker 1>that affect Indigenous people and communities. All right onto the episode.

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<v Speaker 1>On the be Dol cast, the questions asked movies have

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<v Speaker 1>women inum? Are all their discussions just boyfriends and husbands

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<v Speaker 1>or do they have individualism? The patriarchy? Zef invest start

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<v Speaker 1>changing it with the beck Del Cast. Jamie Yes I

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<v Speaker 1>see you, Caitlin, I see you. Do you want to

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<v Speaker 1>mate for life with me? Yeah? Where's your tail at?

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<v Speaker 1>Here is great to come and then we kiss Kis

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<v Speaker 1>kiss under the tree, iconic moment in cinema for better

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<v Speaker 1>or worse. People remember it, they really do. Hello and

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<v Speaker 1>welcome to the Beck Dol cast. Oh my goodness. Here's

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<v Speaker 1>one that has been a long time request, a long

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<v Speaker 1>time coming, and an episode we thought we may never

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<v Speaker 1>release because we were not convinced that the sequels are

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<v Speaker 1>actually going to come out. And yet here we are,

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<v Speaker 1>and here we are the Avatar episode. How you feeling, Caitlin,

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<v Speaker 1>I'm nervous. I feel underprepared. Even though I did a

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<v Speaker 1>lot of reading. There's truly so much to go through.

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<v Speaker 1>And there's also like, there's like fifteen years worth of production, criticism,

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<v Speaker 1>waves of different takes on this. But it's just been

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<v Speaker 1>it's been a real journey, it really has, and I'm

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<v Speaker 1>excited to get into it. We have. I think I

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<v Speaker 1>think we should just get started. I'm like, I'm ready,

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<v Speaker 1>I'm ready. You can breeze. Let's just breeze past. Look

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<v Speaker 1>the show we analyze movies, but you know, figure, let's

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<v Speaker 1>tell it must tell him. Let's tell him. Okay, um like,

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<v Speaker 1>you're like fun this show. We're gonna be here for

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<v Speaker 1>three hours. Buckle In um So analyzed movies through an

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<v Speaker 1>intersectional feminist lens, using the Bechtel tests simply as just

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<v Speaker 1>a baseline jumping off point to initiate a much larger conversation.

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<v Speaker 1>What is the Bechtel test? Though Jamie Well I can

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<v Speaker 1>tell you what it is. It is a media metric

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<v Speaker 1>originally created by queer cartoonist Alison Bechdel, sometimes called the

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<v Speaker 1>Bechtel Wallace Test. Uh. She made it for her incredible

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<v Speaker 1>comic dikes to watch out for, originally as a joke,

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<v Speaker 1>but it is now kind of become a common media

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<v Speaker 1>metric that we use on this show and also in

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<v Speaker 1>the world. A lot of different versions of the test,

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<v Speaker 1>but the one we use is this. To pass the

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<v Speaker 1>Bechtel test, there must be two characters with names of

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<v Speaker 1>a marginalized gender talking to each other about something other

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<v Speaker 1>than a man for more than two lines of dialogue.

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<v Speaker 1>Some things do it, a lot of things don't. And

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<v Speaker 1>that's just kind of what it is. How did how

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<v Speaker 1>did I do so well? We're off to a great start,

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<v Speaker 1>and now is the time to get our guest into

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<v Speaker 1>the mix. I'm so pumped returning guest. You know her

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<v Speaker 1>from our episodes on Aquaman and Frozen two. She's an

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<v Speaker 1>Anisha Nabe, writer, founder of the Ali Naughty Test formerly

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<v Speaker 1>known as the Ala Test. It's Ali Naughty, welcome back.

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<v Speaker 1>I'm back with my braided tails. Hell yeah, I got

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<v Speaker 1>one for each of you. Welcome to the Three Timers Club.

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<v Speaker 1>I told them I was like, I called DIBs on Avatar.

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<v Speaker 1>Nobody else is allowed to do this. I have so

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<v Speaker 1>much to say, and yes I did. You saw my

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<v Speaker 1>Google doc had so much to say. I've seen forty

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<v Speaker 1>two page google doc. I'm so we talked about this, uh,

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<v Speaker 1>I think two years ago, like the first time you

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<v Speaker 1>were on the show. En. Yeah, and the moment is here.

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<v Speaker 1>Avatar two is come out. It's happening. I thought it

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<v Speaker 1>would never happen, and it probably shouldn't happen. But we'll see.

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<v Speaker 1>I hope it's good. James Cameron's pretty good with sequels,

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<v Speaker 1>so we'll see. We'll see. That's true. Titanic too is

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<v Speaker 1>a classic. Ever when he came back, when she woke up,

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<v Speaker 1>she woke up? Yeah, So Ali, what is your your

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<v Speaker 1>history relationship with Avatar? Oh so this is a history. Okay.

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<v Speaker 1>So it came out like two thousand nine. I want

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<v Speaker 1>to say I was probably around like eighteen nineteen ish,

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<v Speaker 1>and it came out at an interesting time. This is

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<v Speaker 1>obviously way before the Ali Naughty Test. The Alt Test

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<v Speaker 1>was ever a discussion the way that it is now

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<v Speaker 1>and the film itself was cathartic in a lot of

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<v Speaker 1>ways for me that I've discovered that it really isn't now,

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<v Speaker 1>But at the time in two thousand nine, I was like,

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<v Speaker 1>I can't believe that there's a movie like this. As

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<v Speaker 1>far as the Natives win, which I didn't see coming.

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<v Speaker 1>Everybody else saw it coming. I'm like, no, we never win.

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<v Speaker 1>Like this is gonna be Titanic level sadness because everybody's

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<v Speaker 1>gonna die and it's pain, and that didn't happen. I

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<v Speaker 1>did not expect the girl to live. Nay Terry did

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<v Speaker 1>not expect that. I didn't expect her to like because

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<v Speaker 1>and and I'll talk about this later, but like in

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<v Speaker 1>a lot of movies, when the native female character falls

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<v Speaker 1>in love with the white male character and he ultimately

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<v Speaker 1>ends up betraying her, she usually like takes his side

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<v Speaker 1>like no, no, I love him and we can work together.

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<v Speaker 1>And I was hoping that that wouldn't happen. I was

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<v Speaker 1>afraid it was going to happen. It did not happen.

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<v Speaker 1>I'm like, ah, what is this movie? Right? So then

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<v Speaker 1>I get online and so many people like hated it,

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<v Speaker 1>just did not like it. They're like, it's pocahontast space,

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<v Speaker 1>it stands as with wolves in space. It's white guilt,

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<v Speaker 1>it's liberalism, it's you know, just all of this stuff.

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<v Speaker 1>And I knew something in it was kind of rooted

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<v Speaker 1>in anti Native racism. I just didn't have the words

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<v Speaker 1>for it. And obviously, like as the years have gone by,

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<v Speaker 1>I found the language to like kind of point out

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<v Speaker 1>what exactly like these criticisms which aren't wronged but also

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<v Speaker 1>are very yes. So then I almost kind of like

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<v Speaker 1>the Avatar out of spite in a way, just because

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<v Speaker 1>I'm like, screw you, guys. I like this movie. But

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<v Speaker 1>I'll be honest, after rewatching it and especially rewatching it now,

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<v Speaker 1>I didn't like it as much. And I'm like, Okay,

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<v Speaker 1>I know everything that's kind of I know everything that's

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<v Speaker 1>wrong with it, but I still liked it. In spite

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<v Speaker 1>of it. But I'm like, you know, after Rhymes three

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<v Speaker 1>Young Gules and Reservation Dogs and Rutherford Falls and Wendell

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<v Speaker 1>and Wild and all of these indigenous films usually made

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<v Speaker 1>by indigenous people. Um, I say with full confidence that

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<v Speaker 1>if Native creators were given the same the same amount

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<v Speaker 1>of power and opportunity as James Cameron, they could do

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<v Speaker 1>it just as good, if not better than. Avatar would

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<v Speaker 1>probably be something you'd never see before, right, Yeah, that's

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<v Speaker 1>what I think. Yeah, I mean absolutely, it's always where

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<v Speaker 1>does the money go and who gets the opportunities? Yes,

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<v Speaker 1>exactly that. So that's my very complicated history with Avatar.

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<v Speaker 1>I love it, Jamie, what about you? What's yours? It's

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<v Speaker 1>a disaster kind of it's all over the place of

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<v Speaker 1>like I feel like you've been witnessed to it, and

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<v Speaker 1>in large part, Caitlin, like, I saw this movie in

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<v Speaker 1>high school, um, along with I think the rest of

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<v Speaker 1>the world. It seems like I saw this movie in

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<v Speaker 1>three D. I remember, Like I just wasn't. I mean,

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<v Speaker 1>I guess like people don't maybe because the show has

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<v Speaker 1>been on for so long, like I was originally your

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<v Speaker 1>co because I just like I didn't know a lot

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<v Speaker 1>about movies and didn't have like a huge passion for

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<v Speaker 1>them growing up. So I saw it because it was

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<v Speaker 1>like compulsory, it felt like, and I was like, I

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<v Speaker 1>liked it, Sure, that was fun. And then as time

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<v Speaker 1>went on and Ali you were alluding to this, there

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<v Speaker 1>was like just there's always the shifting discussion around what

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<v Speaker 1>this movie meant culturally, what it meant about you, if

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<v Speaker 1>you liked it versus you didn't. Like I feel like

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<v Speaker 1>it's just flip flopped a million times. Um. I think

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<v Speaker 1>there was a huge chunk of time where they were

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<v Speaker 1>like Avatar like has been forgotten, like lost to time,

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<v Speaker 1>and you know, like why everyone saw this movie but

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<v Speaker 1>no one can remember a thing that happens in it,

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<v Speaker 1>which like I was like, well, I don't remember. And

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<v Speaker 1>then I think sometime around the Lockdown, I took on

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<v Speaker 1>a shreky in appreciation of Avatar, where it did seem

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<v Speaker 1>like a lot of people uh with with like time

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<v Speaker 1>on their hands, like got back into Avatar kind of

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<v Speaker 1>like spitefully and ironically where they're like, well, I remember

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<v Speaker 1>what happened in Avatar, and and I was I was

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<v Speaker 1>kind of like I was kind of doing that for

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<v Speaker 1>a while because I was you know, lockdown mental illness.

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<v Speaker 1>I don't really know, like I can't really speak to it.

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<v Speaker 1>I know it was happening. I know I bought a

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<v Speaker 1>lot of books in because there was I think actually

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<v Speaker 1>the video that like got me back into wanting to

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<v Speaker 1>understand more about the movie. Because I rewatched the movie,

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<v Speaker 1>I still like, I don't know, I feel like my

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<v Speaker 1>opinion on the actually the movie itself has changed for

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<v Speaker 1>a lot of the reasons you're describing Ali Like, I

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<v Speaker 1>think that a lot of the there's a lot of

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<v Speaker 1>of course, like extremely valid criticism of this movie that

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<v Speaker 1>we need to talk about. And then there's also a

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<v Speaker 1>lot of like overly simplistic comparisons that you're describing that, Um,

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<v Speaker 1>I think you're interesting to discuss. Like, but it's it's

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<v Speaker 1>it's very it's a very movie movie. I don't know,

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<v Speaker 1>it's like a blockbuster where it just kind of washes

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<v Speaker 1>over the movie. That feels like a movie. Would you

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<v Speaker 1>say that the movie it feels like like a movie.

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<v Speaker 1>It's what I would say, um, a movie with blue cats.

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<v Speaker 1>It's oh god, I just dude, fox cats a cat

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<v Speaker 1>does James Caeron, Like, I it's really I'm always going

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<v Speaker 1>to give James Cameron a chance to impress me, and

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<v Speaker 1>he's such a weird man, Like I just don't like.

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<v Speaker 1>The things that he really commits himself to are baffling

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<v Speaker 1>to me, and I'm excited to talk about it. Um.

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<v Speaker 1>But yeah, I kind of came all the way around

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<v Speaker 1>because I saw a YouTube video by a creator named sideways.

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<v Speaker 1>Uh yes, right, so I think maybe we talked about

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<v Speaker 1>you about. It's this incredible video that they made about

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<v Speaker 1>how the Avatar score was composed and then kind of

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<v Speaker 1>uncomposed of like all of this work and resources that

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<v Speaker 1>James Cameron um and the production put into like creating

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<v Speaker 1>a unique, very specific NAVI culture and then they basically

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<v Speaker 1>used none of it and they got like overwhelmed, and

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<v Speaker 1>then they're like, um, let's do a pretty standard James

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<v Speaker 1>Horner score and that will basically be in So I

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<v Speaker 1>got more interested in the production side of the movie

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<v Speaker 1>because there was a lot more thought and intention that

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<v Speaker 1>went into it than I would have guessed based on

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<v Speaker 1>what the movie is like. So ultimately I would say

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<v Speaker 1>the movie feels like a movie. Um. And I I

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<v Speaker 1>still I mean, I am kind of excited to see

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<v Speaker 1>the second one can't lie like I, you know, so Gurdi,

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<v Speaker 1>we were playing a teenager. I've been trigued. I don't know.

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<v Speaker 1>I don't know, but there's a lot of problems. I

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<v Speaker 1>don't know. Yeah, my relationship with Avatar is fraught, but

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<v Speaker 1>you know, so is mine. All right, well what's your

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<v Speaker 1>relationship with Avatar? So I saw this in theaters I

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<v Speaker 1>think twice. I was in my early twenties at the time,

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<v Speaker 1>and I loved it. I was like, this movie rules.

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<v Speaker 1>I know you loved it. Whoa Asterix At the time.

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<v Speaker 1>I was like, damn, this movie is awesome. It's so

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<v Speaker 1>good James Cameron, he's done it again. And then like

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<v Speaker 1>some weeks passed and people were like, yeah, I mean,

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<v Speaker 1>I guess I liked it, but was it that good?

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<v Speaker 1>I'm not sure. And I was like, well, I don't know,

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<v Speaker 1>was it? And then more weeks passed and people are like,

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<v Speaker 1>maybe that movie actually kind of sucks, and like the

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<v Speaker 1>same thing that you were talking about Alie is about

0:13:55.360 --> 0:13:57.560
<v Speaker 1>and you jam me like and then I was like

0:13:57.600 --> 0:14:00.960
<v Speaker 1>seeing all these things on this social media of the time,

0:14:00.960 --> 0:14:05.400
<v Speaker 1>which was Facebook, people being like, it's just it's fern Gully,

0:14:05.760 --> 0:14:07.800
<v Speaker 1>you know, James Cameron ripped off fern Gully, he ripped

0:14:07.840 --> 0:14:10.959
<v Speaker 1>off Disney's pocahon Is it's blah blah blah. And then

0:14:10.960 --> 0:14:13.640
<v Speaker 1>I also remember a very specific criticism that so many

0:14:13.679 --> 0:14:18.080
<v Speaker 1>people were like the things called unobtainium. That's so ridiculous,

0:14:18.120 --> 0:14:21.320
<v Speaker 1>and it's like, first of all, it's I think, intentionally

0:14:21.360 --> 0:14:24.720
<v Speaker 1>on the nose. Secondly, have you seen some some of

0:14:24.760 --> 0:14:28.560
<v Speaker 1>the elements on the periodic table are called there's an

0:14:28.560 --> 0:14:32.960
<v Speaker 1>element called einstein Um, like they have some ridiculous names.

0:14:32.960 --> 0:14:36.160
<v Speaker 1>Like Also, it's like everything about this movie is extremely

0:14:36.200 --> 0:14:39.240
<v Speaker 1>on the nose, like right, it's not trying to be subtle,

0:14:39.400 --> 0:14:42.200
<v Speaker 1>so like it's not really James Don's thing. People being

0:14:42.240 --> 0:14:46.480
<v Speaker 1>like unobtainium that's so like that. I don't think it's

0:14:46.480 --> 0:14:49.040
<v Speaker 1>a valid criticism. But then I was like, oh, yeah,

0:14:49.040 --> 0:14:51.600
<v Speaker 1>I guess it is kind of like pulling from stuff

0:14:51.640 --> 0:14:53.480
<v Speaker 1>and maybe it isn't as good as I thought. And

0:14:53.520 --> 0:14:55.640
<v Speaker 1>I was like young enough that I was like too

0:14:55.680 --> 0:14:59.760
<v Speaker 1>easily influenced by other people's opinions. Still, so I was like, yeah,

0:15:00.040 --> 0:15:04.600
<v Speaker 1>reminds this movie it's not good. And then a decade passes, over,

0:15:04.640 --> 0:15:07.800
<v Speaker 1>a decade passes, I don't watch the movie again until

0:15:08.120 --> 0:15:10.800
<v Speaker 1>three days ago, and then I watch it again. I'm like, no,

0:15:11.040 --> 0:15:14.320
<v Speaker 1>I was right the first time. This movie rules. But

0:15:14.880 --> 0:15:19.800
<v Speaker 1>with the caveat that, there are right. With the caveat that.

0:15:19.880 --> 0:15:22.440
<v Speaker 1>There are a lot of issues with it, which we

0:15:22.600 --> 0:15:26.400
<v Speaker 1>are about to discuss. But from a just like kind

0:15:26.400 --> 0:15:29.880
<v Speaker 1>of strictly narrative standpoint, I'm like, James Cameron, he did

0:15:29.880 --> 0:15:33.400
<v Speaker 1>it again. He can tell a dam cinematic story, does it?

0:15:33.840 --> 0:15:36.920
<v Speaker 1>He kind of always does it. There's a fun James

0:15:36.920 --> 0:15:40.120
<v Speaker 1>Cameron thing that I noticed on this one was because

0:15:40.120 --> 0:15:43.080
<v Speaker 1>there's just like a lot of good killing the bad

0:15:43.120 --> 0:15:45.880
<v Speaker 1>guys moments towards the end of this movie. But the

0:15:45.920 --> 0:15:48.560
<v Speaker 1>most the closest thing to the propeller moment Titanic is

0:15:48.600 --> 0:15:52.480
<v Speaker 1>when the guy gets crushed between the two steel boxes.

0:15:52.520 --> 0:16:01.680
<v Speaker 1>You're like, why he's a sick oh, and then that's

0:16:01.680 --> 0:16:06.480
<v Speaker 1>what you get, colonizer. A lot of good colonizer kills.

0:16:06.600 --> 0:16:09.800
<v Speaker 1>It was pretty exciting so many that's why so many

0:16:09.840 --> 0:16:11.960
<v Speaker 1>white people did not like it. Let me tell me,

0:16:13.360 --> 0:16:16.840
<v Speaker 1>oh my god, because this movie. I mean, I only

0:16:16.840 --> 0:16:20.800
<v Speaker 1>lived in one small country in Europe, you know, so

0:16:20.920 --> 0:16:24.520
<v Speaker 1>I can't say that this applies outside of the US. Everywhere.

0:16:24.920 --> 0:16:27.840
<v Speaker 1>But the movie made so much money for a reason,

0:16:28.280 --> 0:16:31.040
<v Speaker 1>and I'm pretty sure it's because the bad guys in

0:16:31.080 --> 0:16:35.680
<v Speaker 1>Avatar are so American codd Like you don't see American

0:16:35.760 --> 0:16:38.800
<v Speaker 1>flags or anything like that, but there's no British people

0:16:39.000 --> 0:16:42.440
<v Speaker 1>and there's no all the white people have American accents,

0:16:43.400 --> 0:16:49.360
<v Speaker 1>except for Sam Worthington, who's really I love million can't

0:16:49.440 --> 0:16:51.880
<v Speaker 1>make an Australian guy sound American. Tell you there was

0:16:51.920 --> 0:16:55.080
<v Speaker 1>one part where he is like, your life comes down

0:16:55.080 --> 0:17:00.800
<v Speaker 1>to one moroment, and you're like, it just made them

0:17:01.040 --> 0:17:08.000
<v Speaker 1>Australian because they still have a history of colonialism anyway.

0:17:08.040 --> 0:17:10.199
<v Speaker 1>But yeah, and I think that's why, because the Americans

0:17:10.280 --> 0:17:13.560
<v Speaker 1>lose in this one. Like I feel like the rest

0:17:13.560 --> 0:17:15.960
<v Speaker 1>of the world kind of has a very at least

0:17:16.000 --> 0:17:19.840
<v Speaker 1>my experience in Finland, they have a very Disney Princess

0:17:20.440 --> 0:17:25.879
<v Speaker 1>cowboys and Indians understanding of Native history and Native people

0:17:26.560 --> 0:17:29.040
<v Speaker 1>as far as Native American I should say, even if

0:17:29.040 --> 0:17:32.280
<v Speaker 1>it's not as blatantly racist over there, there's still elements

0:17:32.359 --> 0:17:35.120
<v Speaker 1>of it where it's like, oh, but you know, we're

0:17:35.200 --> 0:17:39.440
<v Speaker 1>sympathetic kind of, you know, we're way more sympathetic, and

0:17:39.480 --> 0:17:43.320
<v Speaker 1>we'll play the Indian in our games more than the Cowboy,

0:17:44.040 --> 0:17:46.199
<v Speaker 1>you know that sort of thing. So to have a

0:17:46.240 --> 0:17:50.439
<v Speaker 1>movie like this where the cowboys lose to the Indians,

0:17:50.680 --> 0:17:53.639
<v Speaker 1>I can absolutely see and they sign the Americans packing.

0:17:53.680 --> 0:17:55.160
<v Speaker 1>I mean, of course the rest of the world loved

0:17:55.160 --> 0:17:59.320
<v Speaker 1>this movie. Of course, of course the white Americans hated it.

0:17:59.359 --> 0:18:03.720
<v Speaker 1>It made two point nine billion dollars. Bill yawns, Billy,

0:18:06.040 --> 0:18:09.399
<v Speaker 1>I always forget and get mad again. It's like, there's

0:18:10.000 --> 0:18:13.280
<v Speaker 1>people have accused James Cameron of ripping off a million

0:18:13.359 --> 0:18:16.760
<v Speaker 1>different stories in this, but there's also just like so

0:18:16.840 --> 0:18:19.840
<v Speaker 1>much of James Cameron ripping himself off to for like

0:18:19.880 --> 0:18:22.000
<v Speaker 1>that moment at the end. It reminded me so much

0:18:22.000 --> 0:18:24.080
<v Speaker 1>of like when Mr. Is May survives and you get

0:18:24.119 --> 0:18:27.320
<v Speaker 1>one shot on like this motherfucker lived, and they do

0:18:27.400 --> 0:18:29.320
<v Speaker 1>the same thing with like the bad guy that's not

0:18:29.359 --> 0:18:33.960
<v Speaker 1>the colonel. What's his name? Yeah, yes, yeah, I don't

0:18:33.960 --> 0:18:37.240
<v Speaker 1>know that the character's name. I know the Parker Parker

0:18:37.880 --> 0:18:41.440
<v Speaker 1>when the colonel gets into the like large robot thing,

0:18:41.720 --> 0:18:44.400
<v Speaker 1>that's what Ripley does at the end of Aliens, Like yeah,

0:18:44.560 --> 0:18:48.440
<v Speaker 1>like Dave's Cameron's using his own playbook to do. Oh

0:18:48.480 --> 0:18:50.680
<v Speaker 1>that scene is so I'm like it's so weird. I'm like,

0:18:50.760 --> 0:18:54.760
<v Speaker 1>I like, it's a good movie. There, I forgot. I

0:18:54.800 --> 0:18:57.359
<v Speaker 1>haven't seen in a couple of years, and I think,

0:18:57.520 --> 0:18:59.240
<v Speaker 1>you know whatever, your brain kind of trains you to

0:18:59.280 --> 0:19:04.560
<v Speaker 1>expect the worst in every movie, especially when you do

0:19:04.640 --> 0:19:06.840
<v Speaker 1>this show for six where the hosts of the back

0:19:06.920 --> 0:19:10.760
<v Speaker 1>to cast. Yes, but I always feel myself clenched up

0:19:10.760 --> 0:19:13.720
<v Speaker 1>where I'm like, he's not gonna let na Teri kill

0:19:13.800 --> 0:19:16.800
<v Speaker 1>the colonel. Izzy, He's gonna let's he's gonna let's sull

0:19:17.000 --> 0:19:19.439
<v Speaker 1>kill the colonel. He let's say Terry kill the colonel.

0:19:19.480 --> 0:19:22.919
<v Speaker 1>And it's so exciting, and the whole theater cheered and

0:19:22.960 --> 0:19:28.120
<v Speaker 1>it was awesome. The catharsis good job movie. We're gonna

0:19:28.160 --> 0:19:32.119
<v Speaker 1>have so much fun. Let's take a quick break and

0:19:32.160 --> 0:19:36.040
<v Speaker 1>then we'll come back to recap the movie. So we'll

0:19:36.080 --> 0:19:46.160
<v Speaker 1>be right back, and we're back. All right, here's the recap.

0:19:46.320 --> 0:19:49.680
<v Speaker 1>I had to gloss over some details and I even

0:19:49.680 --> 0:19:52.080
<v Speaker 1>like leave out certain characters just because there's like so

0:19:52.160 --> 0:19:54.760
<v Speaker 1>much and the movie is almost three hours long, so

0:19:55.600 --> 0:19:58.240
<v Speaker 1>bear with me. But um, here we go. Better not

0:19:58.320 --> 0:20:01.680
<v Speaker 1>cut out my friend Dr mac a k, the guy

0:20:01.880 --> 0:20:06.040
<v Speaker 1>from Dragged Me to Hell. Wait, who is his name,

0:20:06.160 --> 0:20:10.240
<v Speaker 1>Dr Max? It's Dr Max Ptel Oh, yes, Um Deelippe

0:20:10.400 --> 0:20:14.520
<v Speaker 1>Row who's also in inception playing a very solar character.

0:20:15.320 --> 0:20:17.280
<v Speaker 1>Kind of this is he was on kind of an

0:20:17.359 --> 0:20:20.639
<v Speaker 1>unprecedented run in two thousand nine and ten and then

0:20:20.680 --> 0:20:24.320
<v Speaker 1>I think James Cameron kidnapped him and um, he is

0:20:24.480 --> 0:20:29.719
<v Speaker 1>stuck in Pantora forever forever. At least he's living off

0:20:29.760 --> 0:20:34.479
<v Speaker 1>the royalties for the rest of his life. Truly, he's chilling. Okay,

0:20:34.520 --> 0:20:38.119
<v Speaker 1>So we meet Jake Sully played by Sam Worthington, and

0:20:38.160 --> 0:20:42.760
<v Speaker 1>we get his backstory. He is a marine who became

0:20:42.800 --> 0:20:46.359
<v Speaker 1>disabled during battle. He's now paralyzed from the waist down

0:20:46.800 --> 0:20:49.399
<v Speaker 1>and he has been approached with an opportunity to go

0:20:49.520 --> 0:20:54.240
<v Speaker 1>to a far away planet called Pandora and do something

0:20:54.280 --> 0:20:57.840
<v Speaker 1>we don't quite know what yet because his twin died,

0:20:58.119 --> 0:21:00.560
<v Speaker 1>which I feel like is very glad used over that

0:21:00.640 --> 0:21:03.200
<v Speaker 1>he's actively mourning his brother. His brother died like four

0:21:03.240 --> 0:21:06.240
<v Speaker 1>minutes ago. Yeah, I know that. They just cremate him,

0:21:06.280 --> 0:21:08.600
<v Speaker 1>like right in front of him. I'm like no, and

0:21:08.640 --> 0:21:11.720
<v Speaker 1>he's just like damn dude, and he's like, we need

0:21:11.720 --> 0:21:16.040
<v Speaker 1>you for science, and he's like he's Okay, these cans.

0:21:17.200 --> 0:21:20.440
<v Speaker 1>He's like, all right, sleep it off science in the morning.

0:21:21.680 --> 0:21:24.399
<v Speaker 1>And also no one cares that he just lost his

0:21:24.440 --> 0:21:28.919
<v Speaker 1>twin brother, like weavers, like, um, okay, what are you

0:21:28.960 --> 0:21:34.479
<v Speaker 1>doing here, you loser? I need your brother. Oh yeah, okay.

0:21:34.520 --> 0:21:37.920
<v Speaker 1>So then Jake arrives on Pandora and he learns about

0:21:37.960 --> 0:21:43.920
<v Speaker 1>the planet. It's dangerous wildlife and it's indigenous population called

0:21:43.960 --> 0:21:49.480
<v Speaker 1>the Navvy, who are tall, blueskinned humanoids. Uh, your cat

0:21:49.600 --> 0:21:54.040
<v Speaker 1>like the cat cat features with cat features. Jake meets

0:21:54.240 --> 0:21:57.000
<v Speaker 1>Norm and the two of them are going to be

0:21:57.040 --> 0:22:01.359
<v Speaker 1>avatar drivers. So basically, scientists have spliced human and NAVI

0:22:01.760 --> 0:22:06.480
<v Speaker 1>d NA to create these avatars that Jake and Norm

0:22:06.520 --> 0:22:11.800
<v Speaker 1>and other people will remotely operate by hooking the people

0:22:11.960 --> 0:22:16.000
<v Speaker 1>up to these avatars via a like neural link, which

0:22:16.040 --> 0:22:18.240
<v Speaker 1>is why they wanted Jake for this because he has

0:22:18.240 --> 0:22:20.520
<v Speaker 1>the same DNA as his brother. They originally built this

0:22:20.560 --> 0:22:23.639
<v Speaker 1>avatar for his brother, but it'll still work with Jake,

0:22:23.960 --> 0:22:27.320
<v Speaker 1>and that always messes me up because it's like they

0:22:27.400 --> 0:22:30.320
<v Speaker 1>do nothing with that. It's like if it's his brother's

0:22:30.440 --> 0:22:33.119
<v Speaker 1>d n A. I mean, this whole movie is about

0:22:33.119 --> 0:22:36.719
<v Speaker 1>accessing memory and accessing like history and stuff have them.

0:22:36.760 --> 0:22:40.600
<v Speaker 1>They never did anything like that where he enters his

0:22:41.280 --> 0:22:45.480
<v Speaker 1>brother's avatar and elements from like his blood memory or

0:22:45.520 --> 0:22:48.000
<v Speaker 1>something like that is still there so he can feel

0:22:48.080 --> 0:22:51.640
<v Speaker 1>his thoughts or something. They never do anything with it.

0:22:51.920 --> 0:22:54.680
<v Speaker 1>That's such a good point. I've never thought about that, right,

0:22:54.680 --> 0:22:57.080
<v Speaker 1>because it's like that would fit into the theme of

0:22:57.080 --> 0:23:01.439
<v Speaker 1>the movie. And Jake's always like underdeveloped, but it's not

0:23:01.480 --> 0:23:04.600
<v Speaker 1>like you don't know anything about it. Damn. Yeah. And

0:23:04.800 --> 0:23:09.159
<v Speaker 1>NATII and the deleted scenes has a sister who died,

0:23:09.680 --> 0:23:13.200
<v Speaker 1>and these guys never bond over that, Like you both

0:23:13.240 --> 0:23:17.040
<v Speaker 1>lost your siblings like recently, and that's not something you

0:23:17.040 --> 0:23:22.119
<v Speaker 1>guys would talk about during your forced fucking romance. And

0:23:22.160 --> 0:23:24.480
<v Speaker 1>you would also think that, like I don't know that,

0:23:24.600 --> 0:23:28.000
<v Speaker 1>like Jake might. I don't know, Like Jake doesn't feel

0:23:29.240 --> 0:23:32.200
<v Speaker 1>culpable enough for any of this the entire movie, when

0:23:32.240 --> 0:23:35.560
<v Speaker 1>it is like, so his fault a lot of the

0:23:35.720 --> 0:23:38.000
<v Speaker 1>like most of the time. But it was like also

0:23:38.080 --> 0:23:41.920
<v Speaker 1>on top of that, his brother would be so disappointed

0:23:41.960 --> 0:23:44.919
<v Speaker 1>in him for like it sounds like his brother was

0:23:44.960 --> 0:23:49.600
<v Speaker 1>a very like, well liked ethical scientist who would be

0:23:49.680 --> 0:23:54.760
<v Speaker 1>probably devastated to learn that his brother like Mick fucked

0:23:54.760 --> 0:24:06.160
<v Speaker 1>his entire like up on such unprecedented scale. Truly, they

0:24:06.200 --> 0:24:09.000
<v Speaker 1>be doing that. Um okay. So then we meet the

0:24:09.040 --> 0:24:13.560
<v Speaker 1>head of the Avatar project, Grace Augustine played by Sigourney Weaver. She,

0:24:13.920 --> 0:24:16.760
<v Speaker 1>like we mentioned, is not thrilled with Jake being there

0:24:16.800 --> 0:24:20.040
<v Speaker 1>because he's not a trained scientist. But Jake being there

0:24:20.160 --> 0:24:24.800
<v Speaker 1>was Parker self Ridge's idea. That's Giovanni Ribisi. And then

0:24:24.800 --> 0:24:27.760
<v Speaker 1>we learned why people have come to Pandora. It's to

0:24:28.119 --> 0:24:35.280
<v Speaker 1>collect parentheses steal an extremely valuable element slash mineral called unobtainium.

0:24:35.920 --> 0:24:38.560
<v Speaker 1>And Parker's whole thing is that he'll stop at nothing

0:24:38.640 --> 0:24:44.200
<v Speaker 1>to obtain this unobtaini um um, yeah, James Cameron does

0:24:44.240 --> 0:24:47.600
<v Speaker 1>the classic thing of like capitalism is one guy and

0:24:47.640 --> 0:24:51.840
<v Speaker 1>the military industrial complex is also another guy. It's not

0:24:51.920 --> 0:24:57.040
<v Speaker 1>subtle storytelling, but you know, but it's also right, like

0:24:57.160 --> 0:25:01.440
<v Speaker 1>it's also correct, which is the worst part. So obviously

0:25:01.480 --> 0:25:05.560
<v Speaker 1>the nov don't want them to do this. So right now,

0:25:05.600 --> 0:25:08.480
<v Speaker 1>the humans are trying to find a quote unquote diplomatic

0:25:08.640 --> 0:25:14.040
<v Speaker 1>way to colonize the Navy and steal their resources. So

0:25:14.080 --> 0:25:18.080
<v Speaker 1>then Jake gets neural linked to his Navy avatar for

0:25:18.119 --> 0:25:21.600
<v Speaker 1>the first time. He gets acclimated to his new body,

0:25:21.760 --> 0:25:25.000
<v Speaker 1>and the movie telegraphs to us that it's exciting for

0:25:25.119 --> 0:25:28.239
<v Speaker 1>him because his in his human body, he's paralyzed from

0:25:28.240 --> 0:25:31.280
<v Speaker 1>the waist down, but in his navy body he can

0:25:31.359 --> 0:25:35.200
<v Speaker 1>walk and run, and he really takes to his new

0:25:35.240 --> 0:25:40.960
<v Speaker 1>body very quickly. This is interesting because there is absolutely

0:25:41.000 --> 0:25:44.840
<v Speaker 1>some able is um for sure in this movie. We'll

0:25:44.880 --> 0:25:48.679
<v Speaker 1>talk about that. Yeah. Yeah, there's a really wonderful line though,

0:25:48.720 --> 0:25:52.399
<v Speaker 1>because obviously people with disabilities are not I hate to

0:25:52.400 --> 0:25:54.679
<v Speaker 1>say not a monolith, but that's the only thing that

0:25:54.720 --> 0:25:58.120
<v Speaker 1>came to mind. You know, there's many different types, uh,

0:25:58.160 --> 0:26:01.359
<v Speaker 1>and it's different for each person. So there was a

0:26:01.480 --> 0:26:05.520
<v Speaker 1>quote when I was doing my research where a woman

0:26:06.000 --> 0:26:09.720
<v Speaker 1>who was able bodied and then couldn't use her legs

0:26:09.760 --> 0:26:12.760
<v Speaker 1>anymore and as in a wheelchair, said that the scene

0:26:12.880 --> 0:26:16.800
<v Speaker 1>where he goes from his wheelchair into the avatar where

0:26:16.840 --> 0:26:21.160
<v Speaker 1>he's walking and playing basketball and running, it's really touching.

0:26:21.320 --> 0:26:23.679
<v Speaker 1>She's like, I had a spinal cord injury in a

0:26:23.680 --> 0:26:25.879
<v Speaker 1>car accident when I was five years old, so it

0:26:25.920 --> 0:26:29.760
<v Speaker 1>gave me chills. I'm in a wheelchair for twenty years.

0:26:29.840 --> 0:26:32.200
<v Speaker 1>I can't even remember what it was like, and he's

0:26:32.280 --> 0:26:34.720
<v Speaker 1>just stretching his legs out and it must have felt

0:26:34.800 --> 0:26:39.280
<v Speaker 1>just so like the ultimate stretch. And then other people

0:26:39.440 --> 0:26:45.320
<v Speaker 1>were like, uh no, this is actually quite awful. Yeah, yeah,

0:26:45.320 --> 0:26:48.000
<v Speaker 1>there's a whole conversation to be had around that. And

0:26:48.040 --> 0:26:53.080
<v Speaker 1>I saw similarly like mixed responses um and ultimately the

0:26:53.200 --> 0:26:57.800
<v Speaker 1>actor should have been a disabled actor exactly, a disabled actor,

0:26:57.800 --> 0:26:59.840
<v Speaker 1>a good actor. You know, there's a lot of part

0:26:59.840 --> 0:27:03.960
<v Speaker 1>your not a white actor, a lot of choices could

0:27:03.960 --> 0:27:06.120
<v Speaker 1>have been made differently. I think, yeah, we'll get into

0:27:06.160 --> 0:27:09.600
<v Speaker 1>the conversation around disability a little later. But I was

0:27:09.680 --> 0:27:12.840
<v Speaker 1>interested that there was such a kind of diversity of

0:27:13.320 --> 0:27:17.479
<v Speaker 1>opinion because what was hitting for me And it's like,

0:27:17.720 --> 0:27:21.480
<v Speaker 1>I'm able bodied, Like I don't have a voice in

0:27:21.480 --> 0:27:24.200
<v Speaker 1>this conversation really, but but I you know, there are

0:27:24.240 --> 0:27:30.360
<v Speaker 1>constant insults thrown Jake Sully's way. They are generally from

0:27:30.440 --> 0:27:33.879
<v Speaker 1>characters we are not supposed to like. So it's like,

0:27:34.000 --> 0:27:37.000
<v Speaker 1>I don't know, it's it's it's a it's an interesting one,

0:27:37.160 --> 0:27:39.920
<v Speaker 1>it's complicated, and from characters that we do like it,

0:27:40.200 --> 0:27:43.760
<v Speaker 1>even Grace At sometimes that's yeah, she's saying some ablest

0:27:44.040 --> 0:27:51.679
<v Speaker 1>slurs at him. Yeah, it's like, okay, Grace smoking a

0:27:51.720 --> 0:27:55.600
<v Speaker 1>cigarette in the lab. Oh yeah, She's like, where's my

0:27:55.640 --> 0:27:58.800
<v Speaker 1>goddamn cigarette? What's wrong with this picture? That was iconic,

0:27:58.960 --> 0:28:03.640
<v Speaker 1>that was great. You don't need a sig you need

0:28:03.760 --> 0:28:08.720
<v Speaker 1>but her able ism was disappointed and consistent too. It

0:28:08.840 --> 0:28:12.159
<v Speaker 1>like became like a term of endearment. It seems like, yeah,

0:28:12.520 --> 0:28:17.120
<v Speaker 1>really gross. Um. So back in his Jake body, he

0:28:17.200 --> 0:28:22.080
<v Speaker 1>meets Trudy. That's Michelle Rodriguez. She's a pilot who will

0:28:22.160 --> 0:28:25.960
<v Speaker 1>bring the avatars into the wilderness so they can do

0:28:26.000 --> 0:28:31.520
<v Speaker 1>their science uh and colonizing. Um. Jake also reports to

0:28:31.840 --> 0:28:37.119
<v Speaker 1>Colonel Quaritch his whole thing is science people are losers.

0:28:37.280 --> 0:28:40.160
<v Speaker 1>Military people are awesome, And I want you to spy

0:28:40.320 --> 0:28:43.080
<v Speaker 1>on the Novi and find out their weaknesses so I

0:28:43.120 --> 0:28:45.920
<v Speaker 1>can kill them more easily. I love this bad guy.

0:28:46.000 --> 0:28:48.680
<v Speaker 1>I know I shouldn't, but I love this bad guy.

0:28:49.160 --> 0:28:54.920
<v Speaker 1>He's such a ham He's so campy. He seems camping, cartoonish.

0:28:55.000 --> 0:28:58.080
<v Speaker 1>But also I feel like there are people like this,

0:28:58.600 --> 0:29:01.960
<v Speaker 1>oh for sure. So just like this, in any other movie,

0:29:02.000 --> 0:29:04.680
<v Speaker 1>he would be the hero. James Cameron just made him

0:29:04.720 --> 0:29:07.360
<v Speaker 1>the bad guy this time, but changed nothing like this

0:29:07.360 --> 0:29:11.200
<v Speaker 1>would be Arnold in the Goddamn Jungle looking for the Predator.

0:29:11.840 --> 0:29:15.520
<v Speaker 1>This could be any action hero in the eighties. It's

0:29:15.560 --> 0:29:20.360
<v Speaker 1>the exact same character. He's just bad this time and

0:29:20.480 --> 0:29:24.760
<v Speaker 1>it's Stephen Lange and he's just so fucking perfect and scoofy.

0:29:25.280 --> 0:29:28.560
<v Speaker 1>It's very good casting. Stephen Lange really seems like he's

0:29:28.560 --> 0:29:31.280
<v Speaker 1>having the time of his life being the worst man ever.

0:29:32.120 --> 0:29:34.760
<v Speaker 1>And I mean the same with Giovanni Ribisi's character, where

0:29:34.760 --> 0:29:37.800
<v Speaker 1>you're like, he's just fucking despicable and it's so like

0:29:38.160 --> 0:29:40.920
<v Speaker 1>played up, and then when they're in the same room,

0:29:40.960 --> 0:29:43.040
<v Speaker 1>you're like, oh, it's the most evil room in the world,

0:29:43.240 --> 0:29:46.600
<v Speaker 1>and you're reculing there are people that are those people

0:29:46.840 --> 0:29:49.240
<v Speaker 1>are just like this do you have on ABC? Is

0:29:49.320 --> 0:29:52.240
<v Speaker 1>interesting though, I feel like his character would have been

0:29:52.320 --> 0:29:56.160
<v Speaker 1>this one dimensional, you know, sort of comic book character

0:29:56.360 --> 0:30:00.360
<v Speaker 1>like Stephen Lane, but he um. I think the actor

0:30:01.120 --> 0:30:04.920
<v Speaker 1>gives it a nuance where he's like conflicted, where it's like,

0:30:04.960 --> 0:30:07.200
<v Speaker 1>because you even see it in the movie sometimes where

0:30:07.200 --> 0:30:10.160
<v Speaker 1>he's like he'll give like a heavy sigh, We're going

0:30:10.240 --> 0:30:13.040
<v Speaker 1>to kill these people and well they're not people, they're

0:30:13.840 --> 0:30:17.120
<v Speaker 1>cats in a tree. Whatever. They can go to another tree.

0:30:18.160 --> 0:30:21.920
<v Speaker 1>But we're gonna kill babies, you know. So it's like

0:30:22.160 --> 0:30:25.280
<v Speaker 1>you kind of like see the mental gymnastics he's doing,

0:30:25.560 --> 0:30:26.960
<v Speaker 1>or like the you know, the things that he has

0:30:26.960 --> 0:30:29.680
<v Speaker 1>to do to justify his choices, which does make it

0:30:29.760 --> 0:30:35.880
<v Speaker 1>worse because he still Yeah, yeah, not to brag or anything,

0:30:35.920 --> 0:30:39.400
<v Speaker 1>but I saw Giovanni Ribis getting ice cream in my

0:30:39.440 --> 0:30:44.520
<v Speaker 1>neighborhood one time. Wow. All I did was see Taylor

0:30:44.600 --> 0:30:47.400
<v Speaker 1>Lawton or screaming at a moon juice. It's not fair.

0:30:48.600 --> 0:30:51.360
<v Speaker 1>I met Scott McNeil a and he told me I

0:30:51.440 --> 0:30:56.760
<v Speaker 1>was beautiful. Hell yeah, okay, I do. That was Piccolow

0:30:56.960 --> 0:31:01.120
<v Speaker 1>from Dragon Ball Z and all of my nineties heroes

0:31:01.680 --> 0:31:07.760
<v Speaker 1>hell yoh okay. So, Jake, Norm and Grace in their

0:31:07.800 --> 0:31:13.840
<v Speaker 1>avatars go into the forest. They encounter some big, scary animals.

0:31:14.400 --> 0:31:17.440
<v Speaker 1>One chases Jake and he gets separated from the others

0:31:17.520 --> 0:31:21.560
<v Speaker 1>and lost in the forest. Then he encounters a navvy

0:31:21.680 --> 0:31:26.120
<v Speaker 1>woman Natieri played by Zoey Soldanna, who saves him from

0:31:26.680 --> 0:31:29.840
<v Speaker 1>the animals who were swarming him. But she's really pissed.

0:31:30.000 --> 0:31:32.880
<v Speaker 1>She's like, those animals didn't need to die, but because

0:31:32.920 --> 0:31:36.840
<v Speaker 1>you were careless and flopping around like a baby, I

0:31:36.880 --> 0:31:41.400
<v Speaker 1>had to kill them. And he's like, Oopsie, well how

0:31:41.400 --> 0:31:44.280
<v Speaker 1>about you teach me to be better at this? And

0:31:44.320 --> 0:31:47.840
<v Speaker 1>she's like, no, you suck. But then the seeds of

0:31:47.960 --> 0:31:51.640
<v Speaker 1>the Sacred tree float down and surround him as if

0:31:51.720 --> 0:31:55.440
<v Speaker 1>to say he's special, He's the chosen one. I know,

0:31:55.560 --> 0:31:58.480
<v Speaker 1>there's so many chosen one shots. And then I've kind

0:31:58.480 --> 0:32:01.040
<v Speaker 1>of always forget that. It culminate in like and also,

0:32:01.120 --> 0:32:04.120
<v Speaker 1>Jake Sully can kind of talk to God and she

0:32:05.040 --> 0:32:10.880
<v Speaker 1>listens to him. What God answers to Jake Sully, what

0:32:10.920 --> 0:32:17.360
<v Speaker 1>are you talking about? Atlantis Morrissette would never talk about. Also,

0:32:18.320 --> 0:32:23.240
<v Speaker 1>Zoe Seldana just like one thousand percent, just embodies this

0:32:23.400 --> 0:32:26.640
<v Speaker 1>character like she's the best. She's the best actress in

0:32:26.640 --> 0:32:31.400
<v Speaker 1>the movie. I love, like just the physical performance, the

0:32:31.480 --> 0:32:35.160
<v Speaker 1>way she moves, the way she the way she hisses

0:32:35.200 --> 0:32:39.640
<v Speaker 1>like a cat. Yes, she's so good. They said that

0:32:39.680 --> 0:32:42.840
<v Speaker 1>she was a former ballet dancer, so she was able

0:32:42.880 --> 0:32:47.120
<v Speaker 1>to do like all the stunt work and stuff like yeah,

0:32:47.160 --> 0:32:50.239
<v Speaker 1>because she was in that movie that we covered and

0:32:50.280 --> 0:32:53.920
<v Speaker 1>it was called Center Stage. Yes, yeah, that was like

0:32:53.960 --> 0:32:56.960
<v Speaker 1>her big debut. Yeah, I forgot that she was Yeah,

0:32:57.200 --> 0:33:01.120
<v Speaker 1>Jews dance trained man. So he sail. Donna also on

0:33:01.320 --> 0:33:03.800
<v Speaker 1>a hot streak because she's also in the Star Trek

0:33:03.840 --> 0:33:07.680
<v Speaker 1>movie this year and Guardians of the and yeah, like

0:33:07.760 --> 0:33:10.200
<v Speaker 1>she's queen a sci fi she's in a lot of

0:33:10.240 --> 0:33:13.440
<v Speaker 1>space movies. Yeah, she's She's also in the Britney Spears

0:33:13.560 --> 0:33:19.520
<v Speaker 1>classic Cross Crossroads. Yes, I did not know that true story.

0:33:19.640 --> 0:33:21.840
<v Speaker 1>I feel like I feel like DNA would prefer it

0:33:21.880 --> 0:33:25.680
<v Speaker 1>that way. It's not a very good movie written by

0:33:25.680 --> 0:33:31.320
<v Speaker 1>Shonda Rhymes though. Okay, So Natieri takes Jake to Home

0:33:31.400 --> 0:33:38.960
<v Speaker 1>Tree where the Navi live. We meet her father. Yes,

0:33:39.040 --> 0:33:40.800
<v Speaker 1>I know that with him as soon as I saw him,

0:33:41.000 --> 0:33:44.000
<v Speaker 1>Like he just has a very distinct looking face, even

0:33:44.080 --> 0:33:45.920
<v Speaker 1>before I even knew he was in the movie. It's

0:33:45.960 --> 0:33:48.680
<v Speaker 1>like as soon as it was like, okay, native coded characters,

0:33:49.160 --> 0:33:54.680
<v Speaker 1>they need a chief there. He is beautiful man. Yeah yea.

0:33:55.080 --> 0:34:00.000
<v Speaker 1>So he's the clan leader. And we also meet Natieri's mother,

0:34:00.000 --> 0:34:03.960
<v Speaker 1>their Mowatt, played by cc H pounder Um. She's there

0:34:04.040 --> 0:34:08.400
<v Speaker 1>like spiritual leader the Sahik. She's incredible. She is the

0:34:08.440 --> 0:34:12.280
<v Speaker 1>best looking one. I love her design. Her design is awesome.

0:34:12.560 --> 0:34:15.480
<v Speaker 1>First of all, that was so Mowatt is the only

0:34:15.840 --> 0:34:18.480
<v Speaker 1>character in the film that passes the Ali Nati test,

0:34:19.120 --> 0:34:21.040
<v Speaker 1>oh because she never falls in love with a white

0:34:21.080 --> 0:34:25.200
<v Speaker 1>man and she doesn't die and all that other good ship.

0:34:26.680 --> 0:34:31.319
<v Speaker 1>But yeah, so she Uh. Usually in stories like this,

0:34:31.440 --> 0:34:36.080
<v Speaker 1>there is never a chief's wife, like there's usually the

0:34:36.160 --> 0:34:40.080
<v Speaker 1>chief's daughter, the Indian princess type, but you never see

0:34:40.200 --> 0:34:43.799
<v Speaker 1>like the spouse of the chief, which is interesting because

0:34:43.840 --> 0:34:47.320
<v Speaker 1>a lot of Native society is not all but many

0:34:47.440 --> 0:34:53.480
<v Speaker 1>are matrilineal, so the bloodline usually follows the mother, so

0:34:53.560 --> 0:34:56.640
<v Speaker 1>you never really see a character quite like this anyways.

0:34:57.120 --> 0:35:02.799
<v Speaker 1>But then she just her design is beautiful. I just

0:35:03.320 --> 0:35:06.600
<v Speaker 1>love how every aspect of this character. You look at

0:35:06.600 --> 0:35:10.800
<v Speaker 1>her and it tells a story. I by that she's

0:35:10.880 --> 0:35:14.799
<v Speaker 1>the chief's wife, that she's the spiritual leader. Um, the

0:35:14.840 --> 0:35:18.640
<v Speaker 1>fact that she's bilingual suggests that she probably tried to

0:35:18.640 --> 0:35:22.600
<v Speaker 1>be diplomatic and then realized there's no salvaging this. So

0:35:23.000 --> 0:35:25.839
<v Speaker 1>you know, it's just such a really interesting I wish

0:35:25.840 --> 0:35:29.320
<v Speaker 1>we saw more of her and less of Jake. I

0:35:29.680 --> 0:35:32.560
<v Speaker 1>like less of Jake on the whole. I hope that

0:35:32.600 --> 0:35:35.880
<v Speaker 1>the second movie really runs with the whole concept of

0:35:36.200 --> 0:35:41.040
<v Speaker 1>less Jake. The trailers tell us anything, though, I feel

0:35:41.080 --> 0:35:43.440
<v Speaker 1>like he's in the movie a lot sid Founder. I

0:35:43.760 --> 0:35:47.760
<v Speaker 1>didn't because I'm like, I don't know anything about linguistics.

0:35:47.920 --> 0:35:51.319
<v Speaker 1>I'm I'm just a baby. I'm seventeen years old. You're

0:35:51.400 --> 0:35:55.920
<v Speaker 1>Jake Sully flopping around in the forest. So that's that

0:35:56.239 --> 0:36:00.439
<v Speaker 1>I'm not that bad. But but um in in that

0:36:00.640 --> 0:36:05.239
<v Speaker 1>sideways video that sort of unpacks how you know, this

0:36:05.280 --> 0:36:09.320
<v Speaker 1>movie invested in building an entire language, kind of Elvish style,

0:36:09.960 --> 0:36:13.680
<v Speaker 1>and like hired a dialect coach to teach each actor

0:36:14.280 --> 0:36:18.319
<v Speaker 1>um how to speak Navi and speak it correctly. I

0:36:18.320 --> 0:36:20.520
<v Speaker 1>guess C. C. H. Pounder is like the m v

0:36:20.640 --> 0:36:23.480
<v Speaker 1>P of speaking Navy in a way that it was

0:36:23.520 --> 0:36:26.080
<v Speaker 1>like very authentic and convincing. And there's like a whole

0:36:26.120 --> 0:36:29.200
<v Speaker 1>sequence of like how she I don't know, it's really

0:36:29.239 --> 0:36:35.960
<v Speaker 1>cool cool anyway, shoutout C. H. Pounder. Hell yeah, shout out. Okay.

0:36:36.080 --> 0:36:40.040
<v Speaker 1>So most of the nov are hostile towards Jake, understandably

0:36:40.160 --> 0:36:44.040
<v Speaker 1>they see him as an outsider. But Ma Watt says

0:36:44.239 --> 0:36:47.359
<v Speaker 1>that Jake Sully should learn their ways because she's like

0:36:47.680 --> 0:36:51.560
<v Speaker 1>she interprets the will of a wa, which is their deity.

0:36:51.640 --> 0:36:54.840
<v Speaker 1>So Mo Wat's like, Okay, you can learn our ways

0:36:55.040 --> 0:36:57.919
<v Speaker 1>and NATII, you're going to be the one to teach him,

0:36:58.080 --> 0:37:03.160
<v Speaker 1>which she's not thrilled about. Back in human world, everyone

0:37:03.880 --> 0:37:06.680
<v Speaker 1>is thrilled that Jake has gotten so close to the

0:37:06.719 --> 0:37:13.240
<v Speaker 1>Navy grace for like science and anthropological reasons. And Parker

0:37:13.440 --> 0:37:16.480
<v Speaker 1>because under the Navy palm tree is one of the

0:37:16.600 --> 0:37:21.440
<v Speaker 1>largest obtanium deposits on the whole planet um and so

0:37:21.520 --> 0:37:25.360
<v Speaker 1>he's giving Jake three months to convince the Navy to

0:37:25.840 --> 0:37:29.400
<v Speaker 1>move so that they can come and steal the unobtainium.

0:37:29.440 --> 0:37:34.160
<v Speaker 1>Otherwise bulldozers will go in and destroy the place. So

0:37:34.239 --> 0:37:38.960
<v Speaker 1>back in Avatar body, Jake begins to learn the culture

0:37:39.000 --> 0:37:43.720
<v Speaker 1>and customs of the Navy. Also, they call themselves omata kaya,

0:37:44.680 --> 0:37:48.959
<v Speaker 1>so I'll like probably use those words interchangeably from now on.

0:37:49.000 --> 0:37:51.760
<v Speaker 1>Although they refer to themselves, they never referred to themselves

0:37:51.800 --> 0:37:54.719
<v Speaker 1>as the Navy. Is that correct. I think it's part

0:37:54.800 --> 0:37:58.680
<v Speaker 1>of their language. Yeah, Because there's a scene where she's

0:37:58.760 --> 0:38:02.040
<v Speaker 1>yelling and I here not be I wonder if it's

0:38:02.040 --> 0:38:05.720
<v Speaker 1>like their word for like people maybe or something, because

0:38:05.960 --> 0:38:10.680
<v Speaker 1>I think is the name of their clan, their clan, Okay,

0:38:10.760 --> 0:38:13.879
<v Speaker 1>because I think other yeah, other like regional clans are

0:38:14.000 --> 0:38:18.680
<v Speaker 1>referenced later on when they're building their the army against

0:38:19.320 --> 0:38:26.319
<v Speaker 1>against Mr. Military. Yes, Stephen Lan, Yeah, I love when

0:38:26.320 --> 0:38:29.640
<v Speaker 1>Stephen Lan dies. It's so exciting. Okay. So, because they

0:38:29.680 --> 0:38:33.120
<v Speaker 1>refer to themselves as amata kaya, all from this point

0:38:33.160 --> 0:38:38.040
<v Speaker 1>on use that um to refer to them. So Jake

0:38:38.239 --> 0:38:44.000
<v Speaker 1>learns how to ride this horse like creature, and Naterie

0:38:44.320 --> 0:38:49.000
<v Speaker 1>explains that he needs to form a bond called sahlu

0:38:49.600 --> 0:38:54.200
<v Speaker 1>with the creature, which is the like. So they all

0:38:54.239 --> 0:38:57.640
<v Speaker 1>the Amakaya people have this long braid and at the

0:38:57.719 --> 0:39:01.640
<v Speaker 1>end of the braid are these how would doc Yeah,

0:39:01.680 --> 0:39:07.400
<v Speaker 1>tentacles more or less little like nerve endings. It's very um,

0:39:07.440 --> 0:39:11.439
<v Speaker 1>You're just like James Cameron. It's what are you thinking

0:39:11.480 --> 0:39:15.160
<v Speaker 1>about in that big old house? That's what he was saying.

0:39:17.920 --> 0:39:24.080
<v Speaker 1>Can't girls and tentacles? I'm just saying, really, it's so funny.

0:39:24.120 --> 0:39:26.680
<v Speaker 1>I'm like, I wouldn't even say that's him knowing his audience.

0:39:26.719 --> 0:39:31.399
<v Speaker 1>I think that's him broadening his audience. So it's like, well,

0:39:31.640 --> 0:39:36.960
<v Speaker 1>fuck the horse with your tentacle braid. Yeah, and that's

0:39:37.000 --> 0:39:40.600
<v Speaker 1>how you create this meaningful bond with animals and trees

0:39:40.719 --> 0:39:44.879
<v Speaker 1>and um, basically any living thing on Pandora. There's also

0:39:44.960 --> 0:39:48.360
<v Speaker 1>this flying animal, the Akron, but he's not ready to

0:39:48.880 --> 0:39:52.880
<v Speaker 1>form a halu with one of those yet, because this

0:39:52.960 --> 0:39:59.640
<v Speaker 1>is like advanced stuff, advanced tentacle sex. He's not ready

0:39:59.640 --> 0:40:06.319
<v Speaker 1>for its. It advanced hantai Hanti two one is yeah,

0:40:06.360 --> 0:40:09.520
<v Speaker 1>but he is learning the language, he's learning how to hunt,

0:40:09.600 --> 0:40:13.319
<v Speaker 1>he's learning how to see things from an omata kaya perspective.

0:40:13.480 --> 0:40:18.680
<v Speaker 1>He learns about the deity Awa and eventually Natteri deems

0:40:18.760 --> 0:40:22.840
<v Speaker 1>him ready to try to form this bond with an Ikron,

0:40:23.520 --> 0:40:27.200
<v Speaker 1>which he successfully does. Also side note, there is an

0:40:27.239 --> 0:40:31.160
<v Speaker 1>alpha version of the Akron, but it's very very rare

0:40:31.239 --> 0:40:34.400
<v Speaker 1>for anyone to bond and fly with one, so just

0:40:34.480 --> 0:40:36.760
<v Speaker 1>put a little pin in that. It's like the guy

0:40:36.880 --> 0:40:42.960
<v Speaker 1>Fieri iron like. It's got flames on this side like

0:40:43.880 --> 0:40:47.520
<v Speaker 1>it's the cool He's very big, you can tell because

0:40:47.520 --> 0:40:54.200
<v Speaker 1>he's got flames. Oh, speaking of cat like creatures, Ali's

0:40:54.200 --> 0:41:00.400
<v Speaker 1>cat just showed up. Heard the call ah Piku, I

0:41:00.440 --> 0:41:05.040
<v Speaker 1>too would like to learn about the cats, the fellow

0:41:05.120 --> 0:41:11.799
<v Speaker 1>dragon fucking cats. Okay, so Jake and Naterie they fly

0:41:12.000 --> 0:41:19.000
<v Speaker 1>together and also they flirt together. Nobody asked for this,

0:41:19.560 --> 0:41:22.600
<v Speaker 1>and yet I'm kind of rooting for them. There I

0:41:22.600 --> 0:41:25.439
<v Speaker 1>said it, you weren't. That was I was honestly brave

0:41:25.520 --> 0:41:28.520
<v Speaker 1>to say, because no one else did. I feel like

0:41:28.600 --> 0:41:33.320
<v Speaker 1>at every turn, you're just like Nigeria can do better

0:41:33.719 --> 0:41:37.960
<v Speaker 1>so much among these faceless navi that do we know

0:41:38.000 --> 0:41:41.120
<v Speaker 1>that it's such a large population, Like, surely, surely someone's

0:41:41.160 --> 0:41:44.440
<v Speaker 1>here that isn't Jake Sully. But I feel like, you know,

0:41:44.520 --> 0:41:46.920
<v Speaker 1>in in the in the real world, we often end

0:41:46.960 --> 0:41:50.080
<v Speaker 1>up with the Jake Sullies of the world. Told me

0:41:50.080 --> 0:41:51.759
<v Speaker 1>about it. You never think it's going to be you.

0:41:52.560 --> 0:41:55.080
<v Speaker 1>The worst part is that the guy she's hooked up with,

0:41:55.120 --> 0:41:56.920
<v Speaker 1>the one who is going to be the next clan leader,

0:41:57.040 --> 0:42:02.800
<v Speaker 1>his name Suite. Those two they're like betrothed. I guess

0:42:02.840 --> 0:42:07.560
<v Speaker 1>they become a mated pair eventually, but you don't really

0:42:07.560 --> 0:42:10.919
<v Speaker 1>see them interact much at all, Like they really don't

0:42:10.960 --> 0:42:14.799
<v Speaker 1>have much of a relationship, which is unfortunate because the

0:42:14.840 --> 0:42:18.040
<v Speaker 1>actor is super hot, and yet they give my man

0:42:18.160 --> 0:42:23.160
<v Speaker 1>this fucking atrocious hairline and these tiny ears and these

0:42:23.200 --> 0:42:28.600
<v Speaker 1>any bodies small nipples. I want to like you, but shit,

0:42:29.920 --> 0:42:35.200
<v Speaker 1>I mean, las Alonzo is gorgeous. They did him so dirty.

0:42:35.320 --> 0:42:37.520
<v Speaker 1>They didn't pretty dirty, I don't. I mean, there's like,

0:42:37.640 --> 0:42:40.240
<v Speaker 1>I think the element of Jak and Dyteri's love story

0:42:40.360 --> 0:42:43.400
<v Speaker 1>that worked for me, although I was like a little

0:42:43.480 --> 0:42:48.319
<v Speaker 1>unclear on what the Navvy mating practices work because it

0:42:48.320 --> 0:42:51.560
<v Speaker 1>was like, yeah, they referenced that you would be betrothed,

0:42:51.600 --> 0:42:54.200
<v Speaker 1>you didn't have a say in who you married. But

0:42:54.320 --> 0:42:56.640
<v Speaker 1>then it's like, I guess they just didn't really go

0:42:56.680 --> 0:42:58.200
<v Speaker 1>into it. I'm sure it's in one of my many

0:42:58.280 --> 0:43:01.440
<v Speaker 1>Navvy guide books that I have back in Los Angeles,

0:43:01.600 --> 0:43:04.000
<v Speaker 1>but I am not there right now, so I couldn't

0:43:04.000 --> 0:43:08.920
<v Speaker 1>consult my my small avatar library that I manically purchased

0:43:08.920 --> 0:43:13.279
<v Speaker 1>second hand. Please don't judge me, okay, um, but I

0:43:13.280 --> 0:43:15.319
<v Speaker 1>think that the element of the Jake and Naterry love

0:43:15.360 --> 0:43:18.480
<v Speaker 1>story that worked for me was like her choosing Like

0:43:18.520 --> 0:43:22.080
<v Speaker 1>that was cool, That's what I liked to Yeah, and

0:43:22.120 --> 0:43:25.040
<v Speaker 1>even Jake Sully was like and she must choose me

0:43:25.440 --> 0:43:32.360
<v Speaker 1>because he's an Australian. She's like she already has kiss

0:43:32.440 --> 0:43:38.120
<v Speaker 1>You're right, Yeah, that's the part. I like, let's fatantical

0:43:38.160 --> 0:43:43.480
<v Speaker 1>six then, but yeah, Jake is a romantic partner? Is um? No?

0:43:43.719 --> 0:43:48.759
<v Speaker 1>Thanks pass? Okay, So back in human world. Jake is

0:43:48.800 --> 0:43:52.160
<v Speaker 1>having an identity crisis because he has gotten so immersed

0:43:52.280 --> 0:43:55.799
<v Speaker 1>in the Omakayah way of life that he feels that

0:43:55.800 --> 0:44:00.920
<v Speaker 1>that's his real life and him as a humans like

0:44:00.960 --> 0:44:06.040
<v Speaker 1>a dream. Basically, they say he stopped showering. You're like, Jake, Yeah,

0:44:06.200 --> 0:44:10.520
<v Speaker 1>get it together, man, Seriously. He is then officially made

0:44:10.800 --> 0:44:13.839
<v Speaker 1>a member of the Oma Takaya, so he is now

0:44:14.040 --> 0:44:17.040
<v Speaker 1>one of them. Can I just say this takes place

0:44:17.080 --> 0:44:22.680
<v Speaker 1>over three months? I know this motherfucker becomes the best navvy,

0:44:22.800 --> 0:44:26.560
<v Speaker 1>the best Indian ever in three months. I don't want

0:44:26.560 --> 0:44:30.000
<v Speaker 1>to hear anybody complain about Ray from Star Wars ever again,

0:44:30.840 --> 0:44:35.480
<v Speaker 1>ever again? Where was that energy for Jake? Selling? Yeah?

0:44:35.800 --> 0:44:39.040
<v Speaker 1>I found that hard to believe, both that he could

0:44:39.120 --> 0:44:41.920
<v Speaker 1>master a language in three months and like just like

0:44:42.000 --> 0:44:45.560
<v Speaker 1>master all of the culture and customs, and that the

0:44:45.640 --> 0:44:49.120
<v Speaker 1>Alma Takaya people would so readily accept him in such

0:44:49.120 --> 0:44:51.400
<v Speaker 1>a short amount of time. I was like, nothing adds

0:44:51.480 --> 0:44:55.440
<v Speaker 1>up here, No disconnected natives, Like obviously not all natives

0:44:55.440 --> 0:44:58.879
<v Speaker 1>are the same, but so many disconnected natives who are

0:44:58.960 --> 0:45:04.719
<v Speaker 1>displaced because of colonization, residential schools, foster care, or just

0:45:05.000 --> 0:45:08.439
<v Speaker 1>some growing off the reservation like there's such an anxiety

0:45:09.000 --> 0:45:12.719
<v Speaker 1>when it comes to reconnecting to your own people that

0:45:12.880 --> 0:45:16.120
<v Speaker 1>the fact that this dude who has nothing to do

0:45:16.160 --> 0:45:18.640
<v Speaker 1>with any of these people and has no history with

0:45:18.680 --> 0:45:20.560
<v Speaker 1>any of these people can just walk right and be

0:45:20.680 --> 0:45:27.480
<v Speaker 1>like oh yeah. There's so many gross moments, like especially

0:45:27.480 --> 0:45:31.879
<v Speaker 1>once he becomes immersed in like o Mentakaya culture, like

0:45:32.000 --> 0:45:35.239
<v Speaker 1>where he repeatedly is like I need to speak and

0:45:35.280 --> 0:45:39.080
<v Speaker 1>it's like, Jake, you don't, like you've just got here

0:45:39.160 --> 0:45:43.000
<v Speaker 1>my man, Like really shouldn't? That, I would say is

0:45:43.080 --> 0:45:47.000
<v Speaker 1>my biggest beef with this movie. Yeah, Jake is really

0:45:47.080 --> 0:45:51.360
<v Speaker 1>taking up quite a bit of space for being a guest,

0:45:51.440 --> 0:45:54.680
<v Speaker 1>for being a new, like a new random white guy

0:45:54.840 --> 0:46:01.640
<v Speaker 1>that is actively ruining everyone's life, Like yeah, fucking Jake Sully.

0:46:01.680 --> 0:46:04.680
<v Speaker 1>But he's one of them now. And um he gets

0:46:04.719 --> 0:46:07.560
<v Speaker 1>to choose a mate and he chooses nay Tieri and

0:46:07.600 --> 0:46:10.760
<v Speaker 1>she's like, I choose you back, and then they kiss

0:46:10.880 --> 0:46:14.919
<v Speaker 1>and have tentacle sex under a tree. It's kind of hot.

0:46:15.080 --> 0:46:20.680
<v Speaker 1>It's confusing, you're corny. James Cameron knows how to make

0:46:20.960 --> 0:46:24.719
<v Speaker 1>a sex scene that will even if you don't like it,

0:46:24.719 --> 0:46:27.520
<v Speaker 1>it's going to stick with you. It's good, you're gonna

0:46:27.520 --> 0:46:30.080
<v Speaker 1>be thinking about it. I remember when I thought that

0:46:30.120 --> 0:46:32.480
<v Speaker 1>scene was so weird when I saw it for the

0:46:32.520 --> 0:46:35.839
<v Speaker 1>first time, and then I a couple of years later,

0:46:35.880 --> 0:46:39.319
<v Speaker 1>I started playing mass Effect and the Love of my

0:46:39.400 --> 0:46:45.960
<v Speaker 1>Life is this cricket looking dinosaur, fucking alien man with

0:46:46.040 --> 0:46:50.400
<v Speaker 1>a very nice voice, So it's not weird. Yeah, his

0:46:50.480 --> 0:46:52.600
<v Speaker 1>pictures in there. If you want to check your the

0:46:52.600 --> 0:46:56.239
<v Speaker 1>Google duck like I do. I do want to check

0:46:56.840 --> 0:47:03.080
<v Speaker 1>Wait what page? Page twenty the very top is the

0:47:03.120 --> 0:47:07.399
<v Speaker 1>Love of my life? Oh my god. Okay, he's kind

0:47:07.400 --> 0:47:11.640
<v Speaker 1>of hot, adores you. It's kind of got a Mr.

0:47:11.760 --> 0:47:16.399
<v Speaker 1>Darcy vibe to like, he's complicated, but I can get

0:47:16.400 --> 0:47:24.160
<v Speaker 1>through to him. His code name is Archangel. Oh my good. Okay.

0:47:24.200 --> 0:47:29.120
<v Speaker 1>So Jake and Nati are smooching and they fall asleep

0:47:29.120 --> 0:47:32.320
<v Speaker 1>together and the next morning a huge bulldozer comes crashing

0:47:32.360 --> 0:47:35.799
<v Speaker 1>into the tree where they're at and Naterian Jake have

0:47:35.920 --> 0:47:40.640
<v Speaker 1>to run away. Colonel Quaritch and Parker, the two big

0:47:40.640 --> 0:47:43.440
<v Speaker 1>bads of the movie, realized that Jake is trying to

0:47:43.480 --> 0:47:47.200
<v Speaker 1>sabotage their mission, and they are piste and they're about

0:47:47.239 --> 0:47:50.560
<v Speaker 1>to go back in guns blazing, and Jake is like stop,

0:47:50.640 --> 0:47:52.759
<v Speaker 1>let me talk to them and see if I can

0:47:52.920 --> 0:47:56.879
<v Speaker 1>negotiate something here. A detail that I didn't really think

0:47:56.920 --> 0:48:01.319
<v Speaker 1>about that I appreciated on this uh one was that

0:48:02.320 --> 0:48:04.920
<v Speaker 1>Grace knew the whole time, like she was able to

0:48:04.920 --> 0:48:07.439
<v Speaker 1>figure out very I feel like a lesser script would

0:48:07.440 --> 0:48:10.280
<v Speaker 1>have been like and she had no idea because women

0:48:10.800 --> 0:48:15.160
<v Speaker 1>can't brain. But I like that she figures out because

0:48:15.360 --> 0:48:18.000
<v Speaker 1>that is like logical, Like he is a marine first,

0:48:18.719 --> 0:48:21.759
<v Speaker 1>um so, and he's around the two most evil people

0:48:21.800 --> 0:48:23.600
<v Speaker 1>ever all the time, and so she's like, oh, I

0:48:23.640 --> 0:48:25.719
<v Speaker 1>need to get him out of here because like I

0:48:25.800 --> 0:48:29.239
<v Speaker 1>need the information he can get me. And of course

0:48:29.239 --> 0:48:30.920
<v Speaker 1>he's going to go with these guys because that is

0:48:30.960 --> 0:48:35.440
<v Speaker 1>like his kind of degree or whatever. Yeah, he hates

0:48:35.480 --> 0:48:38.959
<v Speaker 1>science and he's not he's he's refused to mourn his brother,

0:48:39.120 --> 0:48:42.160
<v Speaker 1>so he's kind of a loose cannon. He forgot all

0:48:42.200 --> 0:48:46.320
<v Speaker 1>about his brother. Yeah, never hear about him ever? Again,

0:48:46.400 --> 0:48:49.120
<v Speaker 1>what was his name? Even do we ever? Commy? We

0:48:49.160 --> 0:48:54.680
<v Speaker 1>do learn his name? Tommy Sully? Horrible, horrible, pouring one

0:48:54.680 --> 0:48:59.800
<v Speaker 1>out for Tommy Sully tonight, Jeeves, just why not Sullivan?

0:49:00.239 --> 0:49:04.480
<v Speaker 1>Why not? Anyway? Shout out to your character Sully though

0:49:04.760 --> 0:49:09.600
<v Speaker 1>from Santa University. I it's look, he's coming back this

0:49:09.680 --> 0:49:13.680
<v Speaker 1>year because it's you're the Sully, Thank you so much?

0:49:14.719 --> 0:49:17.440
<v Speaker 1>All right, so so bad guys are about to go

0:49:17.520 --> 0:49:20.319
<v Speaker 1>back in, guns blazing, and Jake's like, let me talk

0:49:20.360 --> 0:49:23.879
<v Speaker 1>to them, so he goes back in. But NACKTII is like,

0:49:24.200 --> 0:49:27.680
<v Speaker 1>what you knew this would happen? I trusted you and

0:49:27.760 --> 0:49:30.880
<v Speaker 1>you betrayed us. Favorite scene in the movie. Favorite scene

0:49:30.920 --> 0:49:33.640
<v Speaker 1>I talked about this and Frozen too, but I'll say

0:49:33.640 --> 0:49:36.720
<v Speaker 1>it again. Uh, this was the point in the movie

0:49:37.040 --> 0:49:40.239
<v Speaker 1>where I was like, Okay, this can only go one

0:49:40.239 --> 0:49:42.720
<v Speaker 1>of two ways. If it goes one way, I hate

0:49:42.719 --> 0:49:44.880
<v Speaker 1>this movie and it is the worst thing ever made.

0:49:45.640 --> 0:49:48.800
<v Speaker 1>If it goes the other way, I love this movie.

0:49:48.960 --> 0:49:52.279
<v Speaker 1>It's the best thing that's ever been made. I feel

0:49:52.320 --> 0:49:56.080
<v Speaker 1>differently now. The stakes are very high, but literally, like

0:49:56.120 --> 0:49:58.600
<v Speaker 1>I said earlier too, it's all like in movies like

0:49:58.640 --> 0:50:01.799
<v Speaker 1>this and stories like this, especially with a character like this,

0:50:02.000 --> 0:50:05.560
<v Speaker 1>it's you know, oh, well, we can reach something peaceful

0:50:05.560 --> 0:50:07.959
<v Speaker 1>because I love him and he loves me, and love

0:50:08.080 --> 0:50:11.960
<v Speaker 1>saves love consol racism, and it doesn't. So what it

0:50:12.239 --> 0:50:17.040
<v Speaker 1>is is you knew this was happening, and We're gonna

0:50:17.080 --> 0:50:22.200
<v Speaker 1>lose our home. People are going to die, and we

0:50:22.320 --> 0:50:25.880
<v Speaker 1>trusted you. You shouldn't even be here and we've already

0:50:26.000 --> 0:50:31.040
<v Speaker 1>trusted you. And Zoey sell Donna's emotional just rage in

0:50:31.120 --> 0:50:34.719
<v Speaker 1>that scene was so good and I'm like, good, you

0:50:34.880 --> 0:50:38.440
<v Speaker 1>fucking kill his ass, like yeah, and she leaves him

0:50:38.480 --> 0:50:40.880
<v Speaker 1>for dead because she leaves dead. I love that she

0:50:40.960 --> 0:50:44.319
<v Speaker 1>leaves him for dead. Perfect because they tie Jake and

0:50:44.320 --> 0:50:47.600
<v Speaker 1>Grace up to a tree knowing that the bulldozers like

0:50:47.680 --> 0:50:51.600
<v Speaker 1>on its way and like missiles are coming, so leaves

0:50:51.640 --> 0:50:54.560
<v Speaker 1>him for dead. The military shows up to fire at

0:50:54.600 --> 0:50:59.000
<v Speaker 1>home Tree, but then Moa is like, you know what, Jake,

0:50:59.160 --> 0:51:01.480
<v Speaker 1>if you are one of us, help us, So she

0:51:01.520 --> 0:51:05.839
<v Speaker 1>sets him free conflictive feelings about the home tree is destroyed.

0:51:06.000 --> 0:51:11.640
<v Speaker 1>It's absolutely devastating. I'm crying. And Natieri's father is killed

0:51:11.680 --> 0:51:16.040
<v Speaker 1>among others in this attack. Someone brought up how despite

0:51:16.080 --> 0:51:19.880
<v Speaker 1>how anti military and anti imperialist Avatar tries to be,

0:51:19.960 --> 0:51:23.560
<v Speaker 1>they did kill the only native actor in the movie.

0:51:24.560 --> 0:51:29.200
<v Speaker 1>I'm like, you're not wrong. That scene was sad, though

0:51:29.480 --> 0:51:35.040
<v Speaker 1>I love with study and Zoey's performance again just so

0:51:35.120 --> 0:51:38.080
<v Speaker 1>sad because Jake Sulley is once again trying to insert

0:51:38.160 --> 0:51:42.080
<v Speaker 1>himself into one of the most personal moments one can have,

0:51:42.520 --> 0:51:46.480
<v Speaker 1>and it's I think one of the things that has

0:51:46.600 --> 0:51:48.120
<v Speaker 1>I don't I mean, I don't remember how I felt

0:51:48.120 --> 0:51:52.040
<v Speaker 1>about anything when I was seventeen. Probably incorrectly it's safety,

0:51:52.440 --> 0:51:55.920
<v Speaker 1>but I do think that the movie obviously there's a

0:51:56.120 --> 0:51:58.960
<v Speaker 1>shipload of stuff calling on. It's like we're approaching the

0:51:58.960 --> 0:52:03.040
<v Speaker 1>climax of the movie. But wish that they took more

0:52:03.080 --> 0:52:08.080
<v Speaker 1>time to dwell on that loss, because we lose this

0:52:08.320 --> 0:52:13.600
<v Speaker 1>amazing character. It is this really really moving, well performed moment,

0:52:13.719 --> 0:52:17.320
<v Speaker 1>and then we kind of don't revisit it, and it's

0:52:17.480 --> 0:52:19.880
<v Speaker 1>I mean, obviously everyone's in crisis, but it's like it

0:52:19.880 --> 0:52:22.200
<v Speaker 1>would have been nice to see, you know, like her

0:52:22.239 --> 0:52:25.120
<v Speaker 1>mother's reaction, to see the community's reaction. But we get

0:52:25.160 --> 0:52:28.080
<v Speaker 1>way more airtime to like we have to save Grace,

0:52:28.360 --> 0:52:30.680
<v Speaker 1>which is like, sure, Grace is a great character, but

0:52:30.719 --> 0:52:32.960
<v Speaker 1>why are we focusing on a white lady we've known

0:52:33.000 --> 0:52:38.360
<v Speaker 1>for like a couple, you know, months, versus like our leader, Yeah,

0:52:38.360 --> 0:52:42.560
<v Speaker 1>like your parent that like your parents. Oh my god,

0:52:43.080 --> 0:52:46.360
<v Speaker 1>I could not like having lost a parent. I promise

0:52:46.440 --> 0:52:49.880
<v Speaker 1>I won't cry anymore. But having lost a parent, Like

0:52:50.440 --> 0:52:53.920
<v Speaker 1>there's no forgiving someone if they get your dad killed,

0:52:54.160 --> 0:52:56.920
<v Speaker 1>you know what I mean? Like how I get it,

0:52:57.000 --> 0:53:00.360
<v Speaker 1>Like I get it as well, like find out later

0:53:00.400 --> 0:53:03.960
<v Speaker 1>with the Toroka and everything and the story and but

0:53:04.200 --> 0:53:07.120
<v Speaker 1>even so, I mean two things can exist at once, man,

0:53:07.160 --> 0:53:11.120
<v Speaker 1>and you killed my dad. You know, I'm I fuck this,

0:53:11.680 --> 0:53:15.840
<v Speaker 1>fuck you because I didn't mention this, and yet I

0:53:15.840 --> 0:53:19.920
<v Speaker 1>don't think. But Jake Selly has been feeding information about

0:53:20.000 --> 0:53:24.080
<v Speaker 1>like the tree, the home tree, to Colonel Quaritch, So

0:53:24.200 --> 0:53:27.600
<v Speaker 1>he's like gathering this intel that he's now able to

0:53:27.680 --> 0:53:33.280
<v Speaker 1>use against the Omakaya people in this attack. So he's evil.

0:53:33.560 --> 0:53:37.000
<v Speaker 1>So then Jake finds Nteri in the rubble as she's

0:53:37.120 --> 0:53:40.360
<v Speaker 1>mourning the death of her father. She wants nothing to

0:53:40.400 --> 0:53:42.200
<v Speaker 1>do with him. She's like, get away, never come back.

0:53:43.080 --> 0:53:47.360
<v Speaker 1>Then the military bad guys pull the plug on Jake

0:53:47.480 --> 0:53:50.680
<v Speaker 1>and Grace and so they wake up in their human bodies.

0:53:51.080 --> 0:53:54.919
<v Speaker 1>They put them plus Norm in a holding cell. But

0:53:55.080 --> 0:53:59.200
<v Speaker 1>Trudy remember her, she's in the movie. She she would

0:53:59.239 --> 0:54:04.160
<v Speaker 1>the equip about every forty minutes, and you're like, um,

0:54:04.200 --> 0:54:06.840
<v Speaker 1>she breaks them out of prison and they get in

0:54:06.920 --> 0:54:10.399
<v Speaker 1>Trudy's ship and escape this military base, and they head

0:54:10.440 --> 0:54:12.920
<v Speaker 1>to the Tree of Souls, which is the amatokaia is

0:54:13.000 --> 0:54:19.000
<v Speaker 1>most sacred place um where they have relocated and Jake

0:54:19.080 --> 0:54:21.959
<v Speaker 1>needs to prove his worth to be able to rejoin them,

0:54:22.000 --> 0:54:27.560
<v Speaker 1>so he forges a bond with the Alpha Akron, the

0:54:27.560 --> 0:54:30.480
<v Speaker 1>the one that has like spinners on the wheels. I

0:54:30.600 --> 0:54:33.240
<v Speaker 1>just kept thinking it was like the coolest car ever.

0:54:33.840 --> 0:54:38.200
<v Speaker 1>He's got a spoiler on the back. Yeah. Um. So

0:54:38.320 --> 0:54:42.320
<v Speaker 1>Jake shows up with the torok at the Tree of Souls.

0:54:42.800 --> 0:54:45.880
<v Speaker 1>He pulls up, he pulls up. Yeah, he kind of

0:54:45.920 --> 0:54:50.240
<v Speaker 1>tokyo drifts into the I mean, if we have Michelle

0:54:50.280 --> 0:54:53.920
<v Speaker 1>Rodriguez of the movie and everything exactly. Um, and everyone

0:54:53.960 --> 0:54:58.400
<v Speaker 1>reveres him now and Nati is like, maybe you're okay

0:54:58.440 --> 0:55:03.840
<v Speaker 1>again instant forgive nous. Yeah. And then during the escape earlier,

0:55:03.920 --> 0:55:07.640
<v Speaker 1>Grace was shot, so the Omakaya tried to save her

0:55:07.680 --> 0:55:13.120
<v Speaker 1>by transferring her consciousness permanently to her avatar her Oatcaia body,

0:55:13.360 --> 0:55:16.600
<v Speaker 1>but she's too weak and she dies. But she dies

0:55:17.200 --> 0:55:20.799
<v Speaker 1>at peace. Yes, it's a really good scene. Yeah, it's

0:55:20.880 --> 0:55:23.279
<v Speaker 1>very touching, for sure. It's nice. And I also like,

0:55:23.360 --> 0:55:24.960
<v Speaker 1>again it just like I feel like a lot of

0:55:24.960 --> 0:55:28.359
<v Speaker 1>movies would have not had the courage to kill her off,

0:55:28.520 --> 0:55:31.279
<v Speaker 1>especially like a big but it's like, no one can

0:55:31.320 --> 0:55:35.440
<v Speaker 1>die in franchise movies now because not now. But James

0:55:35.480 --> 0:55:39.040
<v Speaker 1>Cameron is not shy about killing people off. So oh,

0:55:39.200 --> 0:55:40.840
<v Speaker 1>get yeah, you're we're about to see a lot of

0:55:40.960 --> 0:55:48.280
<v Speaker 1>colonizers get squished. That Jake gives the biggest, dumbest speech,

0:55:48.440 --> 0:55:54.120
<v Speaker 1>but ID it's cringe, but I dig it. Yeah, it's cringe,

0:55:54.200 --> 0:55:56.680
<v Speaker 1>but I dig it. And the reason I dig it

0:55:56.719 --> 0:56:00.800
<v Speaker 1>is because this is where the Pocahonas and space Trope

0:56:00.880 --> 0:56:05.120
<v Speaker 1>just goes to die. Because again, you know, especially with

0:56:05.200 --> 0:56:09.040
<v Speaker 1>a character like this, a story like this, it's always

0:56:09.080 --> 0:56:12.640
<v Speaker 1>our love can save the day and peace and understanding,

0:56:12.760 --> 0:56:16.560
<v Speaker 1>and this is no, we are beyond that. Now we

0:56:16.640 --> 0:56:19.880
<v Speaker 1>have to fight. Now they need to fucking leave. And

0:56:19.920 --> 0:56:22.920
<v Speaker 1>that never happens in movies like this, where it's like

0:56:23.000 --> 0:56:26.000
<v Speaker 1>pieces not an option. We are hell and gone from diplomacy.

0:56:26.040 --> 0:56:28.880
<v Speaker 1>You have to fucking go. And you never see this

0:56:28.960 --> 0:56:34.280
<v Speaker 1>in like movies about indigenous people, let alone movies about

0:56:34.360 --> 0:56:39.759
<v Speaker 1>indigenous people by non indigenous people, like especially rich white

0:56:39.840 --> 0:56:42.919
<v Speaker 1>dudes in the film industry. So yeah, because it's them

0:56:42.960 --> 0:56:46.319
<v Speaker 1>trying to rewrite history. To be like, no, we it

0:56:46.440 --> 0:56:49.280
<v Speaker 1>was so peaceful when we came here and colonized people

0:56:49.440 --> 0:56:51.920
<v Speaker 1>and murdered them. Yeah. One of my one of my

0:56:51.960 --> 0:56:56.720
<v Speaker 1>grandma's was a princess, was anobby. She plugged her tail

0:56:56.760 --> 0:57:02.400
<v Speaker 1>into my dad, did she though? Yeah, that that's a

0:57:02.480 --> 0:57:06.680
<v Speaker 1>very James Camerony moment. And it's also like, I don't know,

0:57:06.719 --> 0:57:09.879
<v Speaker 1>like I always truggle with Like, I totally agree with you, Ali,

0:57:09.960 --> 0:57:12.719
<v Speaker 1>and I think it's like it is a really unusual

0:57:12.760 --> 0:57:15.600
<v Speaker 1>subversion in a movie of this scale to to do.

0:57:15.719 --> 0:57:19.280
<v Speaker 1>And then it's also like why Jake Sully, like of

0:57:19.320 --> 0:57:21.720
<v Speaker 1>all people, when he's like, this is our land, It's

0:57:21.760 --> 0:57:27.640
<v Speaker 1>like it's our our land, not your your say this

0:57:27.720 --> 0:57:32.320
<v Speaker 1>is your land, Jake, you just got here. It would

0:57:32.320 --> 0:57:33.720
<v Speaker 1>have been cool if he said this is your land.

0:57:33.760 --> 0:57:36.880
<v Speaker 1>I don't know. So yeah, So Jake is rallying the

0:57:37.000 --> 0:57:41.160
<v Speaker 1>Oma Takaya to launch an attack against the humans or

0:57:41.200 --> 0:57:44.160
<v Speaker 1>the sky people as he calls them as if he's

0:57:44.240 --> 0:57:49.560
<v Speaker 1>not one of them, but um, Colonel Quaritch and the

0:57:49.640 --> 0:57:54.040
<v Speaker 1>humans are planning a preemptive counterattack with their you know,

0:57:54.200 --> 0:57:57.760
<v Speaker 1>more advanced weaponry and their aircrafts and missiles and all

0:57:57.760 --> 0:58:00.800
<v Speaker 1>of that. So Jake goes and pray is to Awa

0:58:01.040 --> 0:58:04.560
<v Speaker 1>for help. The Awa scene with it's just Jake Sally

0:58:04.680 --> 0:58:07.280
<v Speaker 1>is like so embarrassing all the time. So he goes

0:58:07.440 --> 0:58:11.880
<v Speaker 1>to Awa to pray essentially, And I did think it

0:58:11.960 --> 0:58:15.160
<v Speaker 1>was kind of funny how that scene and where Natia

0:58:15.240 --> 0:58:17.120
<v Speaker 1>comes in and she's like, yeah, that's like not how

0:58:17.200 --> 0:58:20.760
<v Speaker 1>this works, and Jake's like, oh man, well it was

0:58:20.800 --> 0:58:24.080
<v Speaker 1>worth a dry and then she's like, okay, let's go

0:58:24.120 --> 0:58:27.600
<v Speaker 1>to bed. That's like the scene, but then it ends

0:58:27.680 --> 0:58:31.480
<v Speaker 1>up working like but then, yeah, God is listening to

0:58:31.560 --> 0:58:36.400
<v Speaker 1>Jake Sally, I think not. I think not. Atlantis morsets

0:58:36.440 --> 0:58:39.320
<v Speaker 1>in the tree like all right, okay, just this once.

0:58:40.400 --> 0:58:45.320
<v Speaker 1>Let's hear this Australian guy out. Let's see. So the

0:58:45.360 --> 0:58:49.320
<v Speaker 1>next morning, the humans come to the mountains with you know,

0:58:49.320 --> 0:58:53.160
<v Speaker 1>their heavy firepower, but the Alma Takaya have the hometown

0:58:53.200 --> 0:58:59.040
<v Speaker 1>advantage and they have Jake as Turuk makto um because

0:58:59.040 --> 0:59:04.840
<v Speaker 1>he's on the big pterodactyl with flames on the side convertible. Yeah,

0:59:05.080 --> 0:59:09.040
<v Speaker 1>so he is in charge and there's a long battle

0:59:09.360 --> 0:59:12.760
<v Speaker 1>and eventually it seems like all hope is lost for

0:59:13.160 --> 0:59:17.120
<v Speaker 1>Jake and the tie and the Amatacaya and Trudy who

0:59:17.160 --> 0:59:21.920
<v Speaker 1>shows up to help, and Norm, who's fighting with them,

0:59:21.960 --> 0:59:26.280
<v Speaker 1>has a gun. It's silly. It's like, why are we

0:59:26.360 --> 0:59:29.160
<v Speaker 1>letting Norm have a gun? He's not contributing. Come on,

0:59:32.600 --> 0:59:38.440
<v Speaker 1>Norm's an indoor kid, Like, what's he doing here? So

0:59:38.560 --> 0:59:42.280
<v Speaker 1>Quarich is headed towards the Tree of Souls to destroy it,

0:59:42.720 --> 0:59:46.080
<v Speaker 1>but then the big animals from earlier in the movie

0:59:46.440 --> 0:59:49.600
<v Speaker 1>come charging in and they drive out the bad guys.

0:59:50.240 --> 0:59:55.040
<v Speaker 1>Seems as though Awa has answered Jake's prayer, and so

0:59:55.080 --> 0:59:57.720
<v Speaker 1>the Almatacaya get the upper hand and there's a final

0:59:57.720 --> 1:00:01.800
<v Speaker 1>showdown between quar Rich and Jake and the Tiri and

1:00:02.120 --> 1:00:06.400
<v Speaker 1>they defeat Karrich and a Ti gets like the killing blow.

1:00:06.760 --> 1:00:10.120
<v Speaker 1>Two killing blows were also forgotten on the re release

1:00:10.200 --> 1:00:14.280
<v Speaker 1>that she gets. She gets him twice just to be sure. Yeah,

1:00:14.480 --> 1:00:17.160
<v Speaker 1>it's so satisfying. I love it when the James Horner

1:00:17.200 --> 1:00:24.240
<v Speaker 1>that she pulls up. It's good. The movie feels like

1:00:24.280 --> 1:00:29.880
<v Speaker 1>a movie when I'm watching. That's so good. And then

1:00:30.240 --> 1:00:34.240
<v Speaker 1>the Alma Takaya send the humans home and the movie

1:00:34.360 --> 1:00:39.800
<v Speaker 1>ends with Jake's consciousness being transferred to his avatar to

1:00:40.040 --> 1:00:45.200
<v Speaker 1>make him permanently one of the Alma Takaya the and

1:00:46.840 --> 1:00:49.240
<v Speaker 1>so let's take another quick break and we will come

1:00:49.240 --> 1:01:00.840
<v Speaker 1>back to discuss and then we're back. Okay, Ali, where

1:01:00.840 --> 1:01:05.000
<v Speaker 1>would you like to start a preference? Where do we begin?

1:01:05.400 --> 1:01:10.400
<v Speaker 1>There's so much, there's so much to say. Uh, okay,

1:01:10.400 --> 1:01:15.080
<v Speaker 1>how about we begin with any questions you might have

1:01:15.240 --> 1:01:20.600
<v Speaker 1>for me? Well, so we already we touched on a

1:01:20.640 --> 1:01:24.400
<v Speaker 1>lot of the criticisms that I think we're going to

1:01:24.440 --> 1:01:29.000
<v Speaker 1>have against this movie already during the recap. But yeah,

1:01:29.120 --> 1:01:33.240
<v Speaker 1>I mean, for me, the big thing is, you've got

1:01:33.280 --> 1:01:39.120
<v Speaker 1>this like white guy who like appropriates the body of

1:01:39.160 --> 1:01:45.800
<v Speaker 1>an indigenous person comes in. He's flopping around and they're like, no, no, no,

1:01:45.960 --> 1:01:49.720
<v Speaker 1>You're the chosen one though, and it doesn't make sense,

1:01:50.360 --> 1:01:53.120
<v Speaker 1>but he's the chosen one. He doesn't have imposter syndrome

1:01:53.200 --> 1:01:57.440
<v Speaker 1>for one single second, which I guess is very white

1:01:57.440 --> 1:02:00.320
<v Speaker 1>guy of him. He has a very inflated ego about

1:02:00.360 --> 1:02:02.640
<v Speaker 1>the whole thing. Yeah, but yeah, it is. It is

1:02:02.760 --> 1:02:07.600
<v Speaker 1>like a white savior top to bottom. So the question,

1:02:07.640 --> 1:02:11.160
<v Speaker 1>so my question is what in a in a movie

1:02:11.160 --> 1:02:15.520
<v Speaker 1>with a similar premise where you know, like white capitalist

1:02:15.560 --> 1:02:21.640
<v Speaker 1>colonizers come in and are trying to colonize and steal

1:02:22.120 --> 1:02:25.920
<v Speaker 1>the land and still the resources of Indigenous people. What

1:02:26.120 --> 1:02:29.400
<v Speaker 1>is a version of this story or what changes would

1:02:29.640 --> 1:02:32.280
<v Speaker 1>you make or do you think could be made to

1:02:32.680 --> 1:02:37.920
<v Speaker 1>eliminate the issues that we see in Avatar? Okay, So

1:02:38.000 --> 1:02:40.400
<v Speaker 1>I've thought about this a lot, because a lot of

1:02:40.440 --> 1:02:45.600
<v Speaker 1>the issues stem back to Jake, like massively, for all

1:02:45.640 --> 1:02:49.880
<v Speaker 1>the reasons that we suggested, I feel like, even if

1:02:50.000 --> 1:02:52.040
<v Speaker 1>if nothing else were to change about the film, and

1:02:52.040 --> 1:02:55.000
<v Speaker 1>it would have been the exact same movie and the

1:02:55.040 --> 1:02:58.480
<v Speaker 1>exact same steaks and everything as problematic as it was,

1:02:59.160 --> 1:03:04.960
<v Speaker 1>if someone like Adam Beach or Anthony Mackie or a

1:03:05.080 --> 1:03:11.960
<v Speaker 1>character of color, specifically a disabled and preferably an Indigenous

1:03:12.000 --> 1:03:16.120
<v Speaker 1>actor playing Jake instead, I feel like it would have

1:03:16.160 --> 1:03:19.840
<v Speaker 1>had more gravity. As much as I like Sigourney Weaver's character,

1:03:20.880 --> 1:03:26.040
<v Speaker 1>she's so sympathetic to the knobby that I was like, okay,

1:03:26.040 --> 1:03:32.600
<v Speaker 1>but scientists, unfortunately, are not that sympathetic to Indigenous people.

1:03:32.840 --> 1:03:36.480
<v Speaker 1>They're the ones that are stealing their remains and putting

1:03:36.520 --> 1:03:40.480
<v Speaker 1>them in the Smithsonian against people's wishes and stuff, you know,

1:03:40.800 --> 1:03:45.000
<v Speaker 1>or conducting the research to prove that you know, Sami

1:03:45.080 --> 1:03:49.040
<v Speaker 1>people aren't human enough or not as advanced enough as

1:03:49.080 --> 1:03:53.200
<v Speaker 1>like Swedish or Finnish people. You know, so if you

1:03:53.240 --> 1:03:56.840
<v Speaker 1>were going to have that character like the Scientists character,

1:03:57.720 --> 1:04:00.480
<v Speaker 1>if she were indigenous, if she were played by Tantu

1:04:00.600 --> 1:04:06.800
<v Speaker 1>Cardinal or even Irene Bedard Roads go back to Pocontas,

1:04:06.920 --> 1:04:11.920
<v Speaker 1>or even like if you wanted someone sassy but smart

1:04:12.000 --> 1:04:15.880
<v Speaker 1>and you know, still had that ferocity. Even Jennifer Pademski

1:04:16.760 --> 1:04:20.160
<v Speaker 1>would have been perfect in that part. I think, be great.

1:04:20.520 --> 1:04:24.080
<v Speaker 1>She would have been great. She's hilarious and she's badass,

1:04:24.760 --> 1:04:27.040
<v Speaker 1>because I think that that would have been an interesting

1:04:27.080 --> 1:04:32.480
<v Speaker 1>subversion because her school in the movie. That was another thing.

1:04:32.920 --> 1:04:37.040
<v Speaker 1>And Connor Beard was talking about this on TikTok. He

1:04:37.160 --> 1:04:41.560
<v Speaker 1>was talking about how Avatar has many problems. He's from

1:04:41.560 --> 1:04:46.800
<v Speaker 1>the Lumbi tribe, and he said specifically that the school

1:04:47.240 --> 1:04:50.919
<v Speaker 1>being used as a positive in the film is kind

1:04:50.920 --> 1:04:55.480
<v Speaker 1>of toned off, if not really offensive, because residential schools

1:04:55.560 --> 1:05:00.880
<v Speaker 1>were so bad too native children and they aren't in

1:05:00.880 --> 1:05:03.760
<v Speaker 1>this movie. And I feel like that was probably just

1:05:03.840 --> 1:05:07.720
<v Speaker 1>to bridge the communication error, you know what I mean,

1:05:07.760 --> 1:05:10.240
<v Speaker 1>like or the conflict or you know, it's like we

1:05:10.280 --> 1:05:12.320
<v Speaker 1>need we need to be able to talk to these people.

1:05:12.440 --> 1:05:15.200
<v Speaker 1>They need to be able to blah blah blah. But

1:05:15.520 --> 1:05:18.880
<v Speaker 1>like what if it was Tantu Cardinal and she was

1:05:18.920 --> 1:05:22.280
<v Speaker 1>teaching them a nish nabe mowen instead of English or

1:05:22.320 --> 1:05:25.760
<v Speaker 1>along with English. So it's like, you know, we can

1:05:25.800 --> 1:05:30.480
<v Speaker 1>communicate a little more privately and not in a language

1:05:30.520 --> 1:05:32.480
<v Speaker 1>that would like front you off in front of the

1:05:32.560 --> 1:05:35.400
<v Speaker 1>real bad guys or something, you know, because then that

1:05:35.440 --> 1:05:38.520
<v Speaker 1>would be subversion. That would also be kind of decolonizing

1:05:39.400 --> 1:05:43.840
<v Speaker 1>that sort of premise of the school if you were

1:05:43.880 --> 1:05:46.680
<v Speaker 1>going to have that, because if they want to come

1:05:46.880 --> 1:05:51.160
<v Speaker 1>in and like actually engage in some kind of diplomacy,

1:05:51.160 --> 1:05:53.600
<v Speaker 1>why is it, oh, we have to teach you English

1:05:53.600 --> 1:05:56.080
<v Speaker 1>so that you can communicate with me versus and to

1:05:56.160 --> 1:05:59.600
<v Speaker 1>be fair grace like does no Navi And like the

1:05:59.640 --> 1:06:02.680
<v Speaker 1>other sidecientists seemed too as well. And I wonder if

1:06:02.720 --> 1:06:05.240
<v Speaker 1>that was just almost a choice to be like, well,

1:06:05.360 --> 1:06:07.360
<v Speaker 1>we don't want to have too much of the movie

1:06:07.920 --> 1:06:11.200
<v Speaker 1>in a language other than English, because that Holly Mr.

1:06:11.240 --> 1:06:18.000
<v Speaker 1>Hollywood thinks that that tends to put off American letters audiences,

1:06:18.120 --> 1:06:20.640
<v Speaker 1>So like we have to as much as possible have

1:06:20.720 --> 1:06:24.800
<v Speaker 1>the nov or have the omata kaya speak English. So

1:06:24.880 --> 1:06:27.160
<v Speaker 1>I wonder if like that's just how they justify But

1:06:27.240 --> 1:06:29.360
<v Speaker 1>then but like to have it be like they set

1:06:29.400 --> 1:06:33.160
<v Speaker 1>up a school to teach Indigenous children English, Like you said, Ali,

1:06:33.320 --> 1:06:36.760
<v Speaker 1>the historical parallels to that are atrocious, and it doesn't

1:06:36.760 --> 1:06:41.160
<v Speaker 1>seem like the filmmakers considered the implications of making that choice.

1:06:41.920 --> 1:06:44.760
<v Speaker 1>That was like something that popped for me this time

1:06:44.760 --> 1:06:48.720
<v Speaker 1>where it's like the there's no like even even with Grace,

1:06:48.720 --> 1:06:51.480
<v Speaker 1>because I feel like Grace is and the science and

1:06:51.600 --> 1:06:55.720
<v Speaker 1>you know, Norm, Dr Max, etcetera. Are are all presented

1:06:56.000 --> 1:07:01.600
<v Speaker 1>pretty uncritically as good guys. But on this rewatch specifically

1:07:01.640 --> 1:07:04.440
<v Speaker 1>like with Bechdel goggles on your like this actually like

1:07:04.920 --> 1:07:08.280
<v Speaker 1>the movie should be far more kind of interrogating what

1:07:08.320 --> 1:07:11.120
<v Speaker 1>it is they're doing, because it's like Grace is also

1:07:11.240 --> 1:07:15.280
<v Speaker 1>appropriating an Indigenous body, Like she's doing that consistently, and

1:07:15.360 --> 1:07:19.760
<v Speaker 1>the ethics of that are not questioned, um by any

1:07:19.840 --> 1:07:23.280
<v Speaker 1>of the characters in the movie. It's like, because she's

1:07:23.320 --> 1:07:28.160
<v Speaker 1>not giving information to the kernel, it's made to seem like, well,

1:07:28.200 --> 1:07:30.000
<v Speaker 1>so what she's doing is above board. But it's like

1:07:30.040 --> 1:07:34.120
<v Speaker 1>if if she's starting you know, the equivalent of a

1:07:34.280 --> 1:07:39.120
<v Speaker 1>residential school on Pandora, there's no reciprocity where it's like

1:07:39.320 --> 1:07:42.960
<v Speaker 1>the nov don't have an opportunity to to you know,

1:07:43.280 --> 1:07:46.200
<v Speaker 1>it all takes place on Pandora because that is where

1:07:46.240 --> 1:07:49.880
<v Speaker 1>the humans interests lie is like mining these natural resources.

1:07:50.440 --> 1:07:54.760
<v Speaker 1>And Grace is absolutely complicitly in that, Like she knows

1:07:54.880 --> 1:07:57.840
<v Speaker 1>that to the point where she is able to, you know,

1:07:58.440 --> 1:08:02.200
<v Speaker 1>predict that Jake is going to leak information to the

1:08:02.240 --> 1:08:04.880
<v Speaker 1>colonel and she gets them out of there, which puts

1:08:04.920 --> 1:08:07.360
<v Speaker 1>a band aid on the problem. But she's still aware

1:08:07.400 --> 1:08:10.320
<v Speaker 1>of exactly what's happening, and she's you know, she has

1:08:10.360 --> 1:08:13.960
<v Speaker 1>like some quips and she's she you know, doesn't seem

1:08:14.000 --> 1:08:16.840
<v Speaker 1>to agree with it, but she she's participating. She's a

1:08:16.840 --> 1:08:20.679
<v Speaker 1>willing participant and that is not really interrogated at all. Yeah,

1:08:20.920 --> 1:08:27.080
<v Speaker 1>that's right. I agree. And uh, my friend Aaronnach, who's wonderful, Uh,

1:08:27.160 --> 1:08:30.599
<v Speaker 1>they have a really wonderful YouTube channel. We were talking

1:08:30.640 --> 1:08:32.720
<v Speaker 1>about this because I was sharing my notes and I

1:08:32.760 --> 1:08:36.040
<v Speaker 1>was trying not to share my deeper notes, just more like, oh,

1:08:36.080 --> 1:08:39.160
<v Speaker 1>look this funny thing I said, you know, while I'm

1:08:39.240 --> 1:08:43.120
<v Speaker 1>doing research. But they said, they're like, I think this

1:08:43.200 --> 1:08:47.200
<v Speaker 1>film is so forgettable because it almost does something worthy

1:08:47.200 --> 1:08:49.240
<v Speaker 1>of note and then went, well, how can we make

1:08:49.280 --> 1:08:52.040
<v Speaker 1>a white guy the hero and the weirdest way possible?

1:08:52.240 --> 1:08:55.880
<v Speaker 1>And I'm like, yeah, that's the biggest failing of this

1:08:55.960 --> 1:09:01.679
<v Speaker 1>film is that Jake is in it, just because it

1:09:01.680 --> 1:09:07.280
<v Speaker 1>feels like Natari should be the hero. Absolute like if

1:09:07.320 --> 1:09:09.200
<v Speaker 1>you're going to have the school and stuff like that

1:09:09.280 --> 1:09:11.720
<v Speaker 1>in it, I mean, like, why couldn't it begin with

1:09:11.840 --> 1:09:15.080
<v Speaker 1>nat Terry being a student in the school and then

1:09:15.880 --> 1:09:18.800
<v Speaker 1>seeing her sister be murdered like they say happens in

1:09:18.880 --> 1:09:22.640
<v Speaker 1>the deleted scenes and stuff, and then becoming disillusion and

1:09:22.720 --> 1:09:28.679
<v Speaker 1>disenfranchised with this idea of diplomacy, you know, because there

1:09:28.800 --> 1:09:33.280
<v Speaker 1>is no diplomatic way to forcibly relocate people that's genocide.

1:09:33.840 --> 1:09:36.760
<v Speaker 1>Like that's exactly I love. I mean, I love what

1:09:36.800 --> 1:09:40.759
<v Speaker 1>you're talking about in terms of casting native actors um

1:09:40.960 --> 1:09:44.120
<v Speaker 1>on the human side of the conflict, because that doesn't happen.

1:09:44.120 --> 1:09:47.320
<v Speaker 1>And I feel like that problem scales up to what

1:09:47.400 --> 1:09:50.040
<v Speaker 1>you were discussing at the beginning of the episode, which

1:09:50.080 --> 1:09:53.320
<v Speaker 1>is like that would be an incredible, like I think,

1:09:53.479 --> 1:09:56.120
<v Speaker 1>a far more impactful way to tell this story and

1:09:56.160 --> 1:10:00.200
<v Speaker 1>also probably not a story that James Cameron has any

1:10:00.240 --> 1:10:03.520
<v Speaker 1>business writing. And so it's again, it's like a resources

1:10:03.600 --> 1:10:06.280
<v Speaker 1>thing of like, you know, who is getting the opportunities.

1:10:06.760 --> 1:10:09.840
<v Speaker 1>James Cameron's using his own playbook to try to tell

1:10:09.880 --> 1:10:14.240
<v Speaker 1>this story, but he's limited and what he can do,

1:10:14.479 --> 1:10:18.000
<v Speaker 1>I don't know. It's very outsider's perspective. And the way

1:10:18.000 --> 1:10:22.799
<v Speaker 1>that Dances with Wolves was um but but to Dances

1:10:22.800 --> 1:10:27.519
<v Speaker 1>with Wolves credit the native characters in that movie are

1:10:27.600 --> 1:10:30.840
<v Speaker 1>flushed out way more than the Navy are in Avatar.

1:10:31.520 --> 1:10:33.760
<v Speaker 1>It's like when I watched Dances with Wolves when I

1:10:33.760 --> 1:10:36.280
<v Speaker 1>was very young. I really liked the movie because there

1:10:36.320 --> 1:10:40.000
<v Speaker 1>was kind of a Catharsis of I don't like Kevin

1:10:40.040 --> 1:10:42.800
<v Speaker 1>Costner and I don't really look like Kevin Costner, but

1:10:43.479 --> 1:10:47.639
<v Speaker 1>to see someone who kind of looks like me being

1:10:47.680 --> 1:10:51.799
<v Speaker 1>accepted in a group of people who look like my dad,

1:10:52.479 --> 1:10:57.000
<v Speaker 1>you know, was kind of like really special. And especially

1:10:57.040 --> 1:10:59.920
<v Speaker 1>with the stands with the Fisk character. But even then,

1:11:00.080 --> 1:11:04.040
<v Speaker 1>it's like Graham Green's character, who is a holy man

1:11:04.479 --> 1:11:08.840
<v Speaker 1>in that movie. He's hilarious, he's wonderful, he's dignified, he's

1:11:08.880 --> 1:11:12.679
<v Speaker 1>open to communication, but he's also like, you know, why

1:11:12.840 --> 1:11:15.960
<v Speaker 1>is this guy rolling around on the ground with like

1:11:16.000 --> 1:11:19.280
<v Speaker 1>that thing on his shirt? And then the other native

1:11:19.479 --> 1:11:23.519
<v Speaker 1>character whose name I forgot, but he's very much like

1:11:23.600 --> 1:11:27.679
<v Speaker 1>this dude's fucking crazy. Let's leave, you know, and I'm

1:11:27.720 --> 1:11:31.120
<v Speaker 1>not afraid of you. You know, like the time spent

1:11:31.200 --> 1:11:36.320
<v Speaker 1>in the village, what those characters are more sympathetic and interesting.

1:11:36.920 --> 1:11:40.600
<v Speaker 1>You really don't get that an avatar, no matter how

1:11:40.640 --> 1:11:44.479
<v Speaker 1>sympathetic or understanding they're trying to be, because like, does

1:11:44.560 --> 1:11:48.639
<v Speaker 1>NATTERI have brothers and sisters? Does she have friends? Does

1:11:48.680 --> 1:11:53.639
<v Speaker 1>she have anties? Like you just nothing know so little,

1:11:53.720 --> 1:11:58.000
<v Speaker 1>to the point where like her parents are important characters,

1:11:58.520 --> 1:12:02.040
<v Speaker 1>but I only mentioned each of them like twice in

1:12:02.080 --> 1:12:04.920
<v Speaker 1>the recap, and I so like they're just they're not

1:12:05.080 --> 1:12:10.360
<v Speaker 1>that They're pretty secondary honestly to this story. And it's

1:12:10.400 --> 1:12:14.960
<v Speaker 1>really only Naterie who we get any real insight into.

1:12:15.040 --> 1:12:19.240
<v Speaker 1>And despite Zowey Sodanna's incredible performance, we still don't get

1:12:19.280 --> 1:12:23.120
<v Speaker 1>that much about her backstory, about her life. We know

1:12:23.160 --> 1:12:26.840
<v Speaker 1>a little bit about what is in store for her future. Um,

1:12:26.960 --> 1:12:29.719
<v Speaker 1>she's going to take over the role as like spiritual

1:12:29.800 --> 1:12:32.840
<v Speaker 1>leader for her mother, but like, we don't know that much.

1:12:33.160 --> 1:12:38.680
<v Speaker 1>And then speaking of speaking of indigenous actors playing characters,

1:12:38.880 --> 1:12:45.040
<v Speaker 1>so the actors who play the Alma Takaya characters. Um

1:12:45.040 --> 1:12:49.000
<v Speaker 1>of the ones who get speaking roles, they're mostly black actors,

1:12:49.120 --> 1:12:53.599
<v Speaker 1>except with one exception of West Study, who plays Naterie's father,

1:12:54.120 --> 1:12:59.040
<v Speaker 1>A Tookan. He is an actor of the Cherokee Nation.

1:13:00.040 --> 1:13:02.200
<v Speaker 1>But it seems to me and correct me if I'm

1:13:02.240 --> 1:13:05.600
<v Speaker 1>misinterpreting this, but it feels like a lot of the

1:13:05.640 --> 1:13:10.479
<v Speaker 1>imagery and iconography they're pulling from as far as just

1:13:10.560 --> 1:13:15.360
<v Speaker 1>like cultural things, historical things about the Alma Takaya seem

1:13:15.479 --> 1:13:19.760
<v Speaker 1>to be pulled from indigenous people of Northern America, So

1:13:19.800 --> 1:13:25.000
<v Speaker 1>it feels weird to not cast more Native Americans in

1:13:25.040 --> 1:13:28.640
<v Speaker 1>those roles. And if they're playing a character that's not

1:13:28.720 --> 1:13:32.360
<v Speaker 1>even human, you know, like if it's going to be

1:13:32.479 --> 1:13:36.479
<v Speaker 1>indigenous coded, then there's so many indigenous people that you

1:13:36.479 --> 1:13:39.160
<v Speaker 1>could reach out to. You could cast Sami actors, you

1:13:39.160 --> 1:13:42.559
<v Speaker 1>could cast Maudi actors or why. It could be the

1:13:42.560 --> 1:13:46.400
<v Speaker 1>whole spectrum of indigenous people, But it would be nice

1:13:46.400 --> 1:13:49.400
<v Speaker 1>to see them as humans. Took Well, that's the thing.

1:13:49.479 --> 1:13:51.839
<v Speaker 1>Is like on top of that, it's like, how often

1:13:52.720 --> 1:13:55.200
<v Speaker 1>like people of color in general, but you know, specifically

1:13:55.680 --> 1:13:59.759
<v Speaker 1>Indigenous Americans are Indigenous people in general, are like other

1:14:00.640 --> 1:14:03.759
<v Speaker 1>in I mean, this is like a pretty aggressive mothering

1:14:03.960 --> 1:14:08.679
<v Speaker 1>of I don't know. Yeah, we're curiously science fiction. Yeah, yes, exactly,

1:14:08.840 --> 1:14:15.719
<v Speaker 1>especially since colonizers use language and rhetoric against indigenous people

1:14:15.840 --> 1:14:20.400
<v Speaker 1>to justify killing them and stealing from them. And one

1:14:20.400 --> 1:14:23.000
<v Speaker 1>of the ways they do that is to reduce them

1:14:23.439 --> 1:14:29.000
<v Speaker 1>or liken them to animals, and so to make the

1:14:29.040 --> 1:14:35.799
<v Speaker 1>Almatya have animal features, pentacle porn cats. This is the mark,

1:14:36.160 --> 1:14:39.920
<v Speaker 1>just a bit the other thing. Okay, so even back then,

1:14:40.960 --> 1:14:43.600
<v Speaker 1>the thing that makes me just cringe the most, it's like,

1:14:43.640 --> 1:14:46.839
<v Speaker 1>you you've got cat people, I know their native coded

1:14:47.800 --> 1:14:50.200
<v Speaker 1>Why are they leallying? I mean, I know there's an

1:14:50.200 --> 1:14:52.240
<v Speaker 1>actual word for it. I just forgot what it is.

1:14:52.280 --> 1:14:58.400
<v Speaker 1>But it's where I'm going to move away from my mic. It's, yes,

1:14:58.520 --> 1:15:03.599
<v Speaker 1>why why are they doing that? They're cats? Right, like

1:15:03.840 --> 1:15:10.240
<v Speaker 1>they're cats. They should be saying even the even that

1:15:10.360 --> 1:15:13.840
<v Speaker 1>thing that they do that, you know what I mean,

1:15:14.800 --> 1:15:18.000
<v Speaker 1>Like it's yeah, I I saw a lot of criticisms

1:15:18.040 --> 1:15:21.840
<v Speaker 1>around the battle cries that seemed kind of like randomly

1:15:22.280 --> 1:15:26.360
<v Speaker 1>and offensively selected for the Omedicaiah, And yeah, I haven't

1:15:26.400 --> 1:15:29.360
<v Speaker 1>seen an effective argument against it, Like it just seems

1:15:29.400 --> 1:15:33.000
<v Speaker 1>like that was a straight up offensive, lazy, shitty choice.

1:15:34.000 --> 1:15:36.640
<v Speaker 1>It just made me. I was like, oh, you know,

1:15:37.600 --> 1:15:39.840
<v Speaker 1>first time I saw it too. Every time I see it,

1:15:39.880 --> 1:15:42.759
<v Speaker 1>I'm like, oh, why are you doing that? That's so strange.

1:15:43.120 --> 1:15:45.880
<v Speaker 1>There's a whole montage where it's like just that over

1:15:45.960 --> 1:15:49.120
<v Speaker 1>and over and over and over and and and then

1:15:49.120 --> 1:15:51.840
<v Speaker 1>the context of that scene is that Jake Sully is

1:15:51.960 --> 1:15:57.759
<v Speaker 1>randomly the general now like that was. He just shows

1:15:57.880 --> 1:16:01.599
<v Speaker 1>up on his large pterodactyl and he's like, I'm the captain.

1:16:02.360 --> 1:16:05.960
<v Speaker 1>We're left to think that, like there is some collaboration

1:16:06.000 --> 1:16:08.080
<v Speaker 1>going on between Jake and Suit, but it seems like

1:16:08.120 --> 1:16:09.719
<v Speaker 1>at the end of the day, Jake is in charge

1:16:09.760 --> 1:16:13.800
<v Speaker 1>because Jake like walkie talkies ton A ri at the

1:16:13.840 --> 1:16:16.479
<v Speaker 1>peak of the action, it says that's an order. I

1:16:16.520 --> 1:16:20.280
<v Speaker 1>was like, dude, you don't. You're not stop, You're not

1:16:20.320 --> 1:16:24.000
<v Speaker 1>in charge. You just got here. You can't make an order.

1:16:24.840 --> 1:16:29.320
<v Speaker 1>And I mean, speaking of cat like features of the

1:16:29.400 --> 1:16:33.480
<v Speaker 1>Oma ta Kaya people, there's I think a whole conversation

1:16:33.720 --> 1:16:37.360
<v Speaker 1>around their character design. I mean, there's like a lot

1:16:37.400 --> 1:16:41.960
<v Speaker 1>of things to unpack as far as like lack of

1:16:41.960 --> 1:16:46.360
<v Speaker 1>body diversity, costume design, skin color, just like everything that

1:16:46.439 --> 1:16:51.479
<v Speaker 1>encompasses the character design of the Navy or the Ama

1:16:51.520 --> 1:16:54.639
<v Speaker 1>ta kaya. So friend of the show, I just want

1:16:54.640 --> 1:16:58.040
<v Speaker 1>a quickly shot. Friend of the show Janish Meeting has

1:16:58.240 --> 1:17:01.160
<v Speaker 1>pointed this out for years, is the lack of body

1:17:01.200 --> 1:17:05.200
<v Speaker 1>diversity in avatar characters. And it's also um because she's

1:17:05.240 --> 1:17:08.360
<v Speaker 1>the funniest person ever, like turned it into a bit

1:17:09.040 --> 1:17:10.880
<v Speaker 1>um where she's like, I'm going to get cast as

1:17:10.880 --> 1:17:13.840
<v Speaker 1>a Navy and the game's gonna change, but like she's

1:17:13.960 --> 1:17:17.120
<v Speaker 1>she was the first person I heard talking about that,

1:17:17.200 --> 1:17:20.800
<v Speaker 1>because there already think so many like problematic elements to

1:17:20.840 --> 1:17:23.000
<v Speaker 1>the way the Navy are designed that that sort of

1:17:23.080 --> 1:17:28.040
<v Speaker 1>gets overlooked a lot of the time. Well not only that, um,

1:17:28.160 --> 1:17:31.800
<v Speaker 1>elders play such an important role in indigenous community. So

1:17:31.880 --> 1:17:35.280
<v Speaker 1>the fact that we don't really see like an elderly

1:17:35.800 --> 1:17:39.880
<v Speaker 1>navvy character, you know other than the terries parents or

1:17:39.920 --> 1:17:44.080
<v Speaker 1>you know, like not everyone in a society like this

1:17:44.240 --> 1:17:48.120
<v Speaker 1>is a warrior, you know, So what do they look

1:17:48.160 --> 1:17:50.920
<v Speaker 1>like when they're not in like peak shape all the time.

1:17:51.600 --> 1:17:55.559
<v Speaker 1>And what about the warriors who um, you know get

1:17:55.640 --> 1:17:59.640
<v Speaker 1>hurt or get injured or are disabled or something, what

1:17:59.800 --> 1:18:03.280
<v Speaker 1>they're a bad hunt and the dinosaur thing bite your

1:18:03.400 --> 1:18:07.439
<v Speaker 1>arm off, right, We don't see any of that, and

1:18:07.479 --> 1:18:10.320
<v Speaker 1>it would have been interesting to see Jake like interact

1:18:10.439 --> 1:18:15.439
<v Speaker 1>with some of those veterans you know. Actually, right, so

1:18:15.479 --> 1:18:20.000
<v Speaker 1>many like overlaps between Jake and Navy culture that just

1:18:20.000 --> 1:18:24.599
<v Speaker 1>just goes completely unexplored by this, uh, by this movie, right, Yeah.

1:18:24.640 --> 1:18:27.320
<v Speaker 1>And then yeah, as far as like just the body type,

1:18:27.560 --> 1:18:32.719
<v Speaker 1>every single Navy person has the same exact body type,

1:18:33.000 --> 1:18:36.840
<v Speaker 1>so they all have frog butts. Theyll frog butts. There's

1:18:36.920 --> 1:18:40.320
<v Speaker 1>not a booty to be found. Well, I think that that,

1:18:40.560 --> 1:18:43.080
<v Speaker 1>Like I kind of wonder. I've watched a lot of

1:18:43.120 --> 1:18:45.679
<v Speaker 1>behind the scenes features on this movie in the past,

1:18:45.720 --> 1:18:47.759
<v Speaker 1>and I like, I know that it's kind of tricky

1:18:47.760 --> 1:18:49.800
<v Speaker 1>because in some ways, I want to say that they're

1:18:49.840 --> 1:18:53.479
<v Speaker 1>almost animated characters. I know that it's motion capture. So

1:18:53.520 --> 1:18:57.200
<v Speaker 1>it's like it's either animation trips we've talked about before

1:18:57.439 --> 1:19:02.400
<v Speaker 1>where it's like very rigid two body types available, which

1:19:02.439 --> 1:19:05.160
<v Speaker 1>I think does kind of carry through this movie, or

1:19:05.200 --> 1:19:08.639
<v Speaker 1>it's a casting issue and they only cast to body types.

1:19:08.720 --> 1:19:12.080
<v Speaker 1>So either way, it's you know, a fucking wash and

1:19:12.920 --> 1:19:15.479
<v Speaker 1>you know, like it just I don't know, it doesn't

1:19:15.520 --> 1:19:19.200
<v Speaker 1>just like reinforce um rigid stereotypes we see all the time.

1:19:19.240 --> 1:19:24.040
<v Speaker 1>It also like lessons the richness of Pandora because you're

1:19:24.080 --> 1:19:27.200
<v Speaker 1>just like completely ali, like what what are other people

1:19:27.320 --> 1:19:30.920
<v Speaker 1>up to? Like it? Can't they appear to be thriving?

1:19:31.240 --> 1:19:34.160
<v Speaker 1>You would think there are other things and elements of

1:19:34.520 --> 1:19:37.320
<v Speaker 1>this culture that just are like not referenced or explored

1:19:37.360 --> 1:19:40.200
<v Speaker 1>at all. And don't cants always have like that, you know,

1:19:40.439 --> 1:19:50.120
<v Speaker 1>belly fat that like flops the run and they famously

1:19:50.200 --> 1:19:55.519
<v Speaker 1>have eight nipples, So why don't they Alma Takaya have

1:19:55.880 --> 1:20:03.479
<v Speaker 1>eight nipples? They just have tentacles nipples on the nipples scales, um.

1:20:03.520 --> 1:20:05.760
<v Speaker 1>And then as far as and this is something I

1:20:05.800 --> 1:20:08.439
<v Speaker 1>think we've touched on in different episodes in the past,

1:20:08.520 --> 1:20:12.360
<v Speaker 1>but there's a pretty um a precedent has been set

1:20:12.400 --> 1:20:16.320
<v Speaker 1>somewhere along the line that in sci fi and fantasy,

1:20:16.880 --> 1:20:19.799
<v Speaker 1>especially because these are the genres where you would usually

1:20:19.840 --> 1:20:26.240
<v Speaker 1>have like non human human like characters. So in this case,

1:20:26.479 --> 1:20:29.720
<v Speaker 1>the Novi, the Alma Takaya have blue skin. And this

1:20:29.760 --> 1:20:32.640
<v Speaker 1>is something we see a lot where um, you know,

1:20:32.680 --> 1:20:38.120
<v Speaker 1>like humanoid characters who are coded as indigenous, they're coded

1:20:38.200 --> 1:20:42.320
<v Speaker 1>as people of color in general, they will have blueskin,

1:20:42.600 --> 1:20:46.640
<v Speaker 1>green skin, purple skin, some skin color that does not

1:20:46.760 --> 1:20:52.080
<v Speaker 1>exist on humans, and um, just like kind of further

1:20:52.240 --> 1:20:56.280
<v Speaker 1>others these characters who are coded as people of color.

1:20:56.600 --> 1:20:59.280
<v Speaker 1>And I noticed that this is something that happens a

1:20:59.320 --> 1:21:03.000
<v Speaker 1>lot in sci fi, where even if they cast like

1:21:03.040 --> 1:21:07.320
<v Speaker 1>an actress of color, they usually cast her as an alien,

1:21:07.840 --> 1:21:12.440
<v Speaker 1>like even um Star Trek, which is pretty diverse anyways.

1:21:12.479 --> 1:21:14.840
<v Speaker 1>And I'm referring to like the J. J. Abrams movies

1:21:14.880 --> 1:21:20.719
<v Speaker 1>because I am not a tricky how Dare You? Also

1:21:20.800 --> 1:21:23.799
<v Speaker 1>starring Zoe's Seldonna, but this time she gets to actually

1:21:23.880 --> 1:21:28.440
<v Speaker 1>have her actual skin, Carna skin. But but Sophia Botella,

1:21:28.520 --> 1:21:30.160
<v Speaker 1>I think that's how you say her name. And the

1:21:30.200 --> 1:21:35.960
<v Speaker 1>third movie is an alien with white skin, but she

1:21:36.080 --> 1:21:40.200
<v Speaker 1>looks awesome and she's great, but you know, like it's

1:21:40.240 --> 1:21:44.800
<v Speaker 1>not her also, but it's always held Donna, and like

1:21:44.840 --> 1:21:49.679
<v Speaker 1>Guardians of the Galaxy has green skin, and uh, I

1:21:49.720 --> 1:21:53.040
<v Speaker 1>love costume and makeup designs and stuff like that, especially

1:21:53.040 --> 1:21:56.400
<v Speaker 1>when you're making monsters like Doug Jones is a fucking

1:21:56.479 --> 1:22:01.479
<v Speaker 1>g and I love how Boy and everything, but it

1:22:01.640 --> 1:22:06.080
<v Speaker 1>is a trope I've noticed like a lot, even in

1:22:06.160 --> 1:22:08.559
<v Speaker 1>Star Wars. It's like you get Lupetea n Ago when

1:22:08.560 --> 1:22:13.120
<v Speaker 1>you make her that ugly little alien. God do it.

1:22:13.240 --> 1:22:16.400
<v Speaker 1>I will never get over that. I just like you

1:22:16.479 --> 1:22:21.200
<v Speaker 1>did what with that casting decision? You did nothing, nothing

1:22:21.240 --> 1:22:25.000
<v Speaker 1>with the casting decision, the most beautiful, talented person and

1:22:25.080 --> 1:22:28.880
<v Speaker 1>you did what there. I was, Yeah, I don't even

1:22:28.920 --> 1:22:31.240
<v Speaker 1>give a shit about Star Wars particularly, but I was

1:22:31.600 --> 1:22:34.400
<v Speaker 1>enraged to fight that. I would also be curious to

1:22:34.439 --> 1:22:37.519
<v Speaker 1>hear what listeners think on that issue, because I don't know.

1:22:37.520 --> 1:22:41.200
<v Speaker 1>I've seen that point made about Zoe Salbanda's career quite

1:22:41.200 --> 1:22:44.040
<v Speaker 1>a bit of like her too biggest or you know,

1:22:44.080 --> 1:22:47.840
<v Speaker 1>I guess best remembered roles. Although there are those crossheads

1:22:47.880 --> 1:22:51.240
<v Speaker 1>people out there, those cross roads cross the cross Heads

1:22:51.400 --> 1:22:55.920
<v Speaker 1>from hell. Um, Okay, two SIPs of Miller Lite and

1:22:55.960 --> 1:23:01.520
<v Speaker 1>I'm I'm cooked. Um. But yeah, I like I I

1:23:01.560 --> 1:23:05.280
<v Speaker 1>think that that is like absolutely no accident. And I

1:23:05.320 --> 1:23:08.479
<v Speaker 1>wish that sci fi were at a place where, like

1:23:09.000 --> 1:23:10.479
<v Speaker 1>you know, sci fi can be like in a really

1:23:10.520 --> 1:23:16.280
<v Speaker 1>amazing place to explore like more diverse world. If you

1:23:16.400 --> 1:23:19.800
<v Speaker 1>have diverse voices, they're also behind the camera, which is

1:23:19.800 --> 1:23:24.800
<v Speaker 1>not really happening in Avatar. And I think the you

1:23:24.880 --> 1:23:29.040
<v Speaker 1>always run the risk of racial stereotyping anytime you code

1:23:29.360 --> 1:23:34.200
<v Speaker 1>non human species as an existing group of actual people.

1:23:35.160 --> 1:23:39.360
<v Speaker 1>I think Frozen two and even Avatar The Last Airbender

1:23:39.560 --> 1:23:42.519
<v Speaker 1>do this better, where it's like, yes, they're coded as

1:23:43.160 --> 1:23:48.120
<v Speaker 1>Inuit or they're coded as Sammy, but they're not you know,

1:23:48.200 --> 1:23:52.519
<v Speaker 1>their water tribe, their Nothaldra, you know so, but they're people.

1:23:53.080 --> 1:23:57.520
<v Speaker 1>You know, they're like actual human characters, even if the

1:23:57.600 --> 1:24:03.320
<v Speaker 1>tribe or the races is not. I hope I said

1:24:03.360 --> 1:24:06.439
<v Speaker 1>that correctly. No, I know what you mean. Yeah, And

1:24:06.479 --> 1:24:10.320
<v Speaker 1>this wouldn't be as much of a concern if in

1:24:10.439 --> 1:24:15.200
<v Speaker 1>these genres you had white actors also playing like, you know,

1:24:15.560 --> 1:24:18.160
<v Speaker 1>blue skinned aliens, like it wouldn't be And then and

1:24:18.200 --> 1:24:22.120
<v Speaker 1>that there was no specific like racial coding attached to

1:24:22.160 --> 1:24:25.760
<v Speaker 1>any any of the characters. It's just like, this is

1:24:25.840 --> 1:24:30.080
<v Speaker 1>just a person, like a doctrine with purple right, Doug Jones.

1:24:30.240 --> 1:24:38.240
<v Speaker 1>Doug Jones, folks, he's a sexy fish, the sex. But

1:24:38.280 --> 1:24:43.240
<v Speaker 1>because the trend tends to be that only bipoc actors

1:24:43.280 --> 1:24:46.680
<v Speaker 1>are cast in these roles where their skin is a

1:24:47.479 --> 1:24:51.200
<v Speaker 1>is you know, some color of the rainbow, and their

1:24:51.320 --> 1:24:55.439
<v Speaker 1>character is coded as like another race. It's also because

1:24:55.479 --> 1:24:58.160
<v Speaker 1>it's generally by like white writers and directors that are

1:24:58.160 --> 1:25:01.760
<v Speaker 1>making that decision. Like that is a huge element of

1:25:02.439 --> 1:25:04.120
<v Speaker 1>I don't know, like it does Like the way James

1:25:04.200 --> 1:25:08.880
<v Speaker 1>Cameron is doing it seems like a trophy, overwrought, like lazy,

1:25:09.000 --> 1:25:13.120
<v Speaker 1>kind of pretty offensive like storytelling trope, Like it's not

1:25:13.360 --> 1:25:17.800
<v Speaker 1>he's not doing anything new here. Yeah, it would have

1:25:17.880 --> 1:25:20.840
<v Speaker 1>more gravity if it was by a writer who was

1:25:20.880 --> 1:25:25.760
<v Speaker 1>Indigenous or otherwise marginalized, right, I think. And then as

1:25:25.760 --> 1:25:29.200
<v Speaker 1>far as the costume design goes, Um, I'm curious about

1:25:29.240 --> 1:25:33.600
<v Speaker 1>your thoughts on this alley, But the nov across the

1:25:33.680 --> 1:25:37.760
<v Speaker 1>gender spectrum of the nov, they're all like pretty scantily

1:25:37.960 --> 1:25:41.639
<v Speaker 1>clad as far as their costume goes, Yes, the two

1:25:41.640 --> 1:25:45.439
<v Speaker 1>body types are scantily clad. You can see all of

1:25:45.520 --> 1:25:51.000
<v Speaker 1>their blueskin basically. And there is definitely another media trend

1:25:51.360 --> 1:25:55.519
<v Speaker 1>where Indigenous women we see this time and time again

1:25:56.120 --> 1:26:02.600
<v Speaker 1>are hyper hyper sexualized in meat. Yeah, I don't know

1:26:02.680 --> 1:26:05.000
<v Speaker 1>exactly if that's what's happening here. I'm just so I'm

1:26:05.040 --> 1:26:08.599
<v Speaker 1>just curious to your thoughts. So, um, this is kind

1:26:08.640 --> 1:26:11.599
<v Speaker 1>of okay. So if you talk to one Indigenous person

1:26:11.600 --> 1:26:14.160
<v Speaker 1>who've only talked to one Indigenous person. So this is

1:26:14.200 --> 1:26:20.479
<v Speaker 1>just me personally. UM Connor Beard on TikTok, who's from

1:26:20.479 --> 1:26:22.920
<v Speaker 1>the Lumbi tribe. I think I mentioned him earlier. He's

1:26:22.960 --> 1:26:27.720
<v Speaker 1>doing a series of TikTok videos about Avatar and racism

1:26:27.760 --> 1:26:31.560
<v Speaker 1>in it and tropes in it that are anti Indigenous,

1:26:31.960 --> 1:26:34.400
<v Speaker 1>and I can co sign on most of them. I

1:26:34.400 --> 1:26:36.800
<v Speaker 1>think he makes really good points. But he released and

1:26:36.840 --> 1:26:42.080
<v Speaker 1>I say this respectfully. Um, he released a recent TikTok

1:26:42.320 --> 1:26:47.400
<v Speaker 1>talking about how avatar uh fetishizes and sexualizes Native women,

1:26:48.000 --> 1:26:54.200
<v Speaker 1>and I get it, but I don't agree entirely because, UM,

1:26:54.320 --> 1:26:57.439
<v Speaker 1>I personally have a rule where if male and female

1:26:57.520 --> 1:27:03.679
<v Speaker 1>characters are wearing the same costume, the costume itself isn't

1:27:03.960 --> 1:27:08.960
<v Speaker 1>inherently sexualized. UM Like, Black Widow and Captain America are

1:27:09.000 --> 1:27:12.240
<v Speaker 1>basically wearing the same unitard. It's just Black Widow was

1:27:12.280 --> 1:27:17.280
<v Speaker 1>filmed differently, you know, So it's not really the costume

1:27:17.400 --> 1:27:21.519
<v Speaker 1>that's the problem. UM. Like, someone I forgot who it was.

1:27:21.560 --> 1:27:24.439
<v Speaker 1>I think it was a pop culture detective was talking

1:27:24.479 --> 1:27:31.720
<v Speaker 1>about how Cora in tron Legacy is sexualized and I

1:27:31.760 --> 1:27:34.160
<v Speaker 1>did not agree with that either. I'm like, she's wearing

1:27:34.200 --> 1:27:37.240
<v Speaker 1>the same thing everybody else is wearing, and she's never

1:27:37.320 --> 1:27:42.400
<v Speaker 1>really objectified by the camera, because there's a difference between

1:27:42.439 --> 1:27:45.400
<v Speaker 1>like a character just being really sexy on the screen

1:27:45.840 --> 1:27:52.439
<v Speaker 1>and the filmmakers and the filmmaking actively sexualizing that character.

1:27:53.080 --> 1:27:57.080
<v Speaker 1>I watched that same TikTok um from Connor Beard, and

1:27:57.240 --> 1:28:01.280
<v Speaker 1>he points out that in the screenplay for Avatar. So

1:28:01.360 --> 1:28:04.360
<v Speaker 1>this makes me kind of think that James Cameron is

1:28:04.800 --> 1:28:09.960
<v Speaker 1>actively sexualizing especially n No. I hate reading I hate

1:28:09.960 --> 1:28:14.639
<v Speaker 1>reading James Cameron's writing. It's so stressful. Do you remember

1:28:14.680 --> 1:28:18.599
<v Speaker 1>that thing from Titanic where she falls under his welcome weight.

1:28:18.920 --> 1:28:22.160
<v Speaker 1>I will never stop thinking about the phrase welcome weight

1:28:22.479 --> 1:28:25.559
<v Speaker 1>written by a fifty year old man. I just can't

1:28:25.760 --> 1:28:28.240
<v Speaker 1>even Okay, what did he say? What did you say?

1:28:30.439 --> 1:28:36.439
<v Speaker 1>I at least it translates well to strain, But he's like,

1:28:36.720 --> 1:28:39.920
<v Speaker 1>I don't even think it's like an unpopular opinion to

1:28:39.960 --> 1:28:42.639
<v Speaker 1>say that James Cameron is like a pretty bad writer.

1:28:43.560 --> 1:28:45.720
<v Speaker 1>He's just got he's got a lot of chops where

1:28:45.760 --> 1:28:47.799
<v Speaker 1>he's got a lot of chops. And then he also

1:28:47.880 --> 1:28:51.080
<v Speaker 1>writes the movie he and then he writes what we're

1:28:51.080 --> 1:28:57.200
<v Speaker 1>about welcome here? Okay, sorry, sorry, So This is for

1:28:57.479 --> 1:29:00.720
<v Speaker 1>Naterie's character introduction, which in a screen generally has a

1:29:00.720 --> 1:29:05.479
<v Speaker 1>little bit more detail um about like the character visually,

1:29:05.520 --> 1:29:08.719
<v Speaker 1>like what the character looks like. So quote, Jake passes

1:29:08.800 --> 1:29:11.880
<v Speaker 1>under a tree limb invisible to him, draped on the

1:29:11.920 --> 1:29:15.800
<v Speaker 1>limb like a leopard. Is a striking, navvy girl. She

1:29:15.840 --> 1:29:19.599
<v Speaker 1>watches only her eyes moving. She is life as a

1:29:19.640 --> 1:29:24.000
<v Speaker 1>cat with a long neck, muscular shoulders, and nubile breasts.

1:29:24.800 --> 1:29:28.880
<v Speaker 1>And she is devastatingly beautiful for a girl with a tail.

1:29:30.120 --> 1:29:34.599
<v Speaker 1>Oh my, Jim, So do they ever mentioned the size

1:29:34.640 --> 1:29:37.759
<v Speaker 1>of Jake's dick and he's going into his aftar body

1:29:37.760 --> 1:29:44.080
<v Speaker 1>because not that that's telling exactly. Yeah, where's the reciprocity.

1:29:44.200 --> 1:29:47.320
<v Speaker 1>Jim's going to horny jail? Again, there's one more sentence

1:29:47.360 --> 1:29:54.600
<v Speaker 1>that is upsetting. In human age, she would be eighteen,

1:29:55.760 --> 1:30:00.160
<v Speaker 1>so she is young, young young Jake Sully is what

1:30:00.320 --> 1:30:04.120
<v Speaker 1>in his thirties, mid to late thirties, probably he could

1:30:04.160 --> 1:30:09.040
<v Speaker 1>be a strong c W thirty one, you know, Dad,

1:30:09.560 --> 1:30:15.160
<v Speaker 1>So that it is creepy. So like I I because

1:30:15.360 --> 1:30:17.200
<v Speaker 1>I think that that is a really good rule of

1:30:17.240 --> 1:30:19.960
<v Speaker 1>thumb that you're describing alley of like if there is

1:30:20.240 --> 1:30:23.879
<v Speaker 1>because it's also like you, like James Cameron writes creepy.

1:30:24.040 --> 1:30:26.800
<v Speaker 1>We've discussed it on the show before. It seems particularly

1:30:26.920 --> 1:30:30.840
<v Speaker 1>pointed in this in this example, because he's you know,

1:30:30.960 --> 1:30:36.720
<v Speaker 1>like writing about an Indigenous woman who's eighteen like man,

1:30:37.320 --> 1:30:40.400
<v Speaker 1>there was like a lot of I'm glad that there's

1:30:40.439 --> 1:30:42.519
<v Speaker 1>like a diversity of opinion on this, because I do

1:30:42.600 --> 1:30:47.000
<v Speaker 1>think that, like the movie does not objectify Naterie the

1:30:47.080 --> 1:30:50.920
<v Speaker 1>way that that couple of sentence run would imply that

1:30:51.040 --> 1:30:53.759
<v Speaker 1>it would based on how creepy he's being. I didn't

1:30:53.800 --> 1:30:58.000
<v Speaker 1>feel that creepiness in the camera or in the film language.

1:30:58.040 --> 1:30:59.560
<v Speaker 1>I think that that is like, in spite of the

1:30:59.600 --> 1:31:02.760
<v Speaker 1>fact that he's like a creepy writer, he's not a

1:31:02.760 --> 1:31:06.519
<v Speaker 1>creepy filmmaker, which is, you know, an oversimplification. I'm sure

1:31:06.560 --> 1:31:09.479
<v Speaker 1>he's had his creepy moments, but and he's made like

1:31:09.680 --> 1:31:12.080
<v Speaker 1>R rated movies too, So if he really wanted to

1:31:12.120 --> 1:31:14.479
<v Speaker 1>be creepy, he could have really been creepy and his

1:31:14.600 --> 1:31:20.439
<v Speaker 1>other But but then on the other hand, it's I mean,

1:31:20.560 --> 1:31:22.439
<v Speaker 1>I know that we sort of have spent a lot

1:31:22.439 --> 1:31:26.479
<v Speaker 1>of this episode unraveling, like the way that like comparing

1:31:26.520 --> 1:31:31.479
<v Speaker 1>Avatar to disney Spokehontas is a vast oversimplification, but because

1:31:31.520 --> 1:31:35.599
<v Speaker 1>it's like the nav characters are like somewhat animated or like,

1:31:35.920 --> 1:31:38.320
<v Speaker 1>I don't know how to describe motion capture really, but

1:31:38.439 --> 1:31:41.240
<v Speaker 1>she looks more like a cat than a person, So

1:31:41.520 --> 1:31:46.080
<v Speaker 1>it's not it doesn't I feel like Pocahontas like Disney's Pokehonas.

1:31:46.280 --> 1:31:50.360
<v Speaker 1>Even Shell or Shell from the Road to Eldorado. I

1:31:50.400 --> 1:31:54.240
<v Speaker 1>think that's way more offensive than the Terry because I

1:31:54.280 --> 1:31:58.240
<v Speaker 1>would say that that is hyper sexualized and objectified more

1:31:58.280 --> 1:32:01.960
<v Speaker 1>than nay Terry, because I also don't think that nudity

1:32:02.280 --> 1:32:06.960
<v Speaker 1>is inherently sexual either, And the really the only time

1:32:07.040 --> 1:32:10.639
<v Speaker 1>Nateri is ever like sexy on screen is when she's

1:32:10.680 --> 1:32:17.880
<v Speaker 1>having sex, which you know, hopefully kind of the best

1:32:17.920 --> 1:32:21.599
<v Speaker 1>time to be sexy is during sex. Wow, yeah, kind

1:32:21.600 --> 1:32:24.320
<v Speaker 1>of weird if you're not. And even during the weird

1:32:24.360 --> 1:32:28.920
<v Speaker 1>tentacle sex thing. I mean it's more romantic than sexy. Um,

1:32:30.040 --> 1:32:37.639
<v Speaker 1>I guess yes. But like a worse example of this

1:32:37.720 --> 1:32:41.559
<v Speaker 1>would be in Terrence Malix film The New World, where

1:32:41.760 --> 1:32:46.519
<v Speaker 1>Koreanka Kulture, who is fourteen years old, is way more

1:32:46.640 --> 1:32:53.160
<v Speaker 1>sexualized with her to grown male counter counter stars co stars,

1:32:53.360 --> 1:32:56.800
<v Speaker 1>co stars, that's the word that counter stars. Yes, so

1:32:57.120 --> 1:33:02.160
<v Speaker 1>fourteen year old Koreanka culture with that, Christian Bale and

1:33:02.240 --> 1:33:06.120
<v Speaker 1>Colin Farrell, And excuse a blame, I still have not

1:33:06.439 --> 1:33:08.920
<v Speaker 1>been able to bring myself to watch that one because

1:33:09.000 --> 1:33:14.080
<v Speaker 1>everything I hear about it is just disgusting. She's beautiful

1:33:14.160 --> 1:33:17.720
<v Speaker 1>and she's wonderful, but god, baby girl, I'm sorry. I'm

1:33:17.800 --> 1:33:21.400
<v Speaker 1>so sorry, ugly ass bitch like Terance Bald, what do

1:33:21.439 --> 1:33:28.120
<v Speaker 1>you do that, you fucking evil? One last thing, I'm

1:33:28.160 --> 1:33:30.519
<v Speaker 1>and then then I promise I'll stop dragging Connor. But

1:33:31.880 --> 1:33:35.360
<v Speaker 1>there was one more line that he says in that

1:33:35.560 --> 1:33:40.439
<v Speaker 1>TikTok where so it's a line where NATII tells him,

1:33:40.479 --> 1:33:43.599
<v Speaker 1>you know you're Alma Takaya now and you can make

1:33:43.640 --> 1:33:47.360
<v Speaker 1>your bow from home tree and you can choose a woman,

1:33:48.080 --> 1:33:51.680
<v Speaker 1>and he, you know, Jake's like, already chose, but this

1:33:51.720 --> 1:33:56.240
<v Speaker 1>woman must choose me, And Connor feared makes the argument

1:33:56.439 --> 1:34:01.519
<v Speaker 1>that Jake is the one being progressive and the yes

1:34:01.560 --> 1:34:03.720
<v Speaker 1>the one being primitive. And I think that this is

1:34:03.720 --> 1:34:08.479
<v Speaker 1>where context matters, because the Navy, with all other problems,

1:34:08.479 --> 1:34:12.439
<v Speaker 1>are very egalitarian, and I don't think the women are

1:34:12.520 --> 1:34:15.960
<v Speaker 1>just like, oh, you only exist to be chosen by

1:34:16.080 --> 1:34:18.840
<v Speaker 1>these dudes, you know, because then why would there be

1:34:18.840 --> 1:34:23.960
<v Speaker 1>women warriors? And I think it's also cousny Terry's engaged,

1:34:24.280 --> 1:34:26.720
<v Speaker 1>so he's like, hey, do you want to come with me?

1:34:27.120 --> 1:34:30.840
<v Speaker 1>Or you know, I know who I've chosen, but do

1:34:30.920 --> 1:34:33.040
<v Speaker 1>you choose me? And I don't know. It's like I

1:34:33.080 --> 1:34:37.400
<v Speaker 1>didn't think that was Yeah, I don't know. I hear

1:34:37.439 --> 1:34:39.479
<v Speaker 1>you on that, like I mean, and I think that

1:34:39.680 --> 1:34:42.760
<v Speaker 1>like the best. I mean, you said it yourself. Like

1:34:43.040 --> 1:34:45.879
<v Speaker 1>the fact that she is engaged is not really harped

1:34:45.920 --> 1:34:48.439
<v Speaker 1>on by the movie, which I appreciated because that's like

1:34:48.479 --> 1:34:51.360
<v Speaker 1>a really annoying trope to like get in the mire of.

1:34:51.800 --> 1:34:55.160
<v Speaker 1>But it's like it makes sense that it would be

1:34:55.479 --> 1:34:58.639
<v Speaker 1>sort of like tacitly brought up in that conversation, because

1:34:59.200 --> 1:35:04.000
<v Speaker 1>be weird if Jake didn't try to tacitly acknowledge like that,

1:35:04.400 --> 1:35:08.000
<v Speaker 1>it's sort of him the way that Jack Dawson is

1:35:08.040 --> 1:35:11.200
<v Speaker 1>like do you love him? It's just a simple question,

1:35:11.240 --> 1:35:13.320
<v Speaker 1>do you love the guy or not? And Rose is like,

1:35:13.840 --> 1:35:17.280
<v Speaker 1>this is not a suitable conversation. But but Jack was

1:35:17.320 --> 1:35:19.880
<v Speaker 1>being being very rude. Jack was being a little devil

1:35:19.920 --> 1:35:22.599
<v Speaker 1>in that conversation because he was being agro and not

1:35:22.720 --> 1:35:24.920
<v Speaker 1>to hand it to Jake Sally, I don't do it

1:35:24.960 --> 1:35:27.479
<v Speaker 1>and I hate to do it, but but you know,

1:35:27.560 --> 1:35:30.120
<v Speaker 1>Jake doesn't get agro about it. It's like a it's

1:35:30.160 --> 1:35:33.559
<v Speaker 1>a conversation. It's not like cornering you in the gym

1:35:33.640 --> 1:35:37.759
<v Speaker 1>of the Titan. I'm just merely pointing out that James

1:35:37.800 --> 1:35:40.559
<v Speaker 1>Cameron keeps writing more or less the same scene over

1:35:40.800 --> 1:35:43.719
<v Speaker 1>he loves, he loves this one movie that he writes.

1:35:44.000 --> 1:35:50.400
<v Speaker 1>And UM, my last question as it relates to the

1:35:50.520 --> 1:35:55.320
<v Speaker 1>character design of the Alma Takaya, is I wasn't sure

1:35:55.360 --> 1:36:00.839
<v Speaker 1>if James Cameron was referencing any specific into genius culture

1:36:01.000 --> 1:36:05.120
<v Speaker 1>or cultures or nations with the Alma Takaya or is

1:36:05.160 --> 1:36:08.160
<v Speaker 1>he just sort of like treating indigenous people as a

1:36:08.200 --> 1:36:13.640
<v Speaker 1>monolith and like just kind of making several aesthetic references

1:36:13.720 --> 1:36:16.240
<v Speaker 1>and kind of lumping them all together. And like, I

1:36:16.240 --> 1:36:19.680
<v Speaker 1>don't know what's your thought on that A bit of

1:36:19.760 --> 1:36:23.520
<v Speaker 1>column A and column B, Like it feels very outsiders

1:36:23.560 --> 1:36:31.120
<v Speaker 1>perspective because it is when I first saw the movie, Um,

1:36:31.160 --> 1:36:35.120
<v Speaker 1>it felt like I don't know if you've ever seen Apocalypto,

1:36:35.320 --> 1:36:38.360
<v Speaker 1>but it kind of reminded me of that where it was.

1:36:39.000 --> 1:36:42.120
<v Speaker 1>I assumed, since they're in a rainforest and the nab

1:36:42.400 --> 1:36:45.840
<v Speaker 1>don't wear a lot of clothing, that it was probably

1:36:45.880 --> 1:36:51.400
<v Speaker 1>inspired by a South American or Mesoamerican indigenous culture. I

1:36:51.479 --> 1:36:58.760
<v Speaker 1>haven't found anything that suggested that. What I have found was, um,

1:36:58.800 --> 1:37:02.160
<v Speaker 1>a lot of inspiration is from Maudi people from New

1:37:02.240 --> 1:37:05.760
<v Speaker 1>Zealand and even in U the trailers for the Way

1:37:05.760 --> 1:37:07.799
<v Speaker 1>of Water, I noticed that a lot of the facial

1:37:07.840 --> 1:37:10.840
<v Speaker 1>tattoos on some of the New nav characters looked very

1:37:10.880 --> 1:37:14.599
<v Speaker 1>much like the same ones from Polynesian cultures. Yeah, from

1:37:14.600 --> 1:37:16.760
<v Speaker 1>what I've heard of and and read a little bit

1:37:16.800 --> 1:37:20.080
<v Speaker 1>about the second movie, it seems like Cameron takes that

1:37:20.160 --> 1:37:23.720
<v Speaker 1>direction a little more decisively in the second movie. How

1:37:23.760 --> 1:37:26.519
<v Speaker 1>effective it is or how respectful it is, I don't know,

1:37:26.680 --> 1:37:30.320
<v Speaker 1>but that I was. I was going through like old

1:37:30.320 --> 1:37:32.880
<v Speaker 1>features trying to see if there was because there's so

1:37:32.960 --> 1:37:36.280
<v Speaker 1>much written about certain elements of production. But that was

1:37:36.320 --> 1:37:39.120
<v Speaker 1>not something I was able to really find. And I

1:37:39.200 --> 1:37:43.439
<v Speaker 1>know that there is this tendency. Um. We were talking

1:37:43.439 --> 1:37:47.400
<v Speaker 1>about this with Olivia Woodward a while ago about just

1:37:47.479 --> 1:37:51.960
<v Speaker 1>like this tendency to take so many unique indigenous cultures

1:37:51.960 --> 1:37:56.040
<v Speaker 1>and just like lump them all into one vague, you know,

1:37:56.160 --> 1:38:00.400
<v Speaker 1>kind of trophy interpretation, which I don't know if that's

1:38:00.439 --> 1:38:02.280
<v Speaker 1>really what I mean. I I just kind of struggled

1:38:02.280 --> 1:38:05.679
<v Speaker 1>to find information on what he was doing. Right well,

1:38:05.800 --> 1:38:08.920
<v Speaker 1>when I first saw the movie two thousand nine in

1:38:09.000 --> 1:38:15.040
<v Speaker 1>the theater, there were several scenes five like major events

1:38:15.040 --> 1:38:19.320
<v Speaker 1>in the film that I think mirror actual historical events

1:38:19.400 --> 1:38:26.120
<v Speaker 1>in like a broader Native American history. So obviously invading

1:38:26.160 --> 1:38:29.880
<v Speaker 1>Pandora is any It could be Columbus, it could be

1:38:30.000 --> 1:38:32.240
<v Speaker 1>the British, it could be the French, it could be

1:38:32.439 --> 1:38:38.080
<v Speaker 1>leif Ericson, you know, like any invasion colonialism, you know

1:38:38.200 --> 1:38:43.759
<v Speaker 1>that's happening. Um. Obviously, there are elements that are probably

1:38:43.840 --> 1:38:49.680
<v Speaker 1>inspired by Pocahontas and Jamestown and the Powetan nation interacting

1:38:49.680 --> 1:38:55.040
<v Speaker 1>with the settlers, especially since John Smith, when he was kidnapped,

1:38:55.880 --> 1:39:00.040
<v Speaker 1>was accepted into the tribe as kind of like a

1:39:00.120 --> 1:39:05.559
<v Speaker 1>honorary member to like, you know, build diplomacy. The image

1:39:05.560 --> 1:39:09.000
<v Speaker 1>of Pocahontas, like resting her head on him and saving

1:39:09.120 --> 1:39:12.360
<v Speaker 1>him is kind of more of like an initiation, kind

1:39:12.400 --> 1:39:17.960
<v Speaker 1>of like she's his godmother to compare it to anything. Uh,

1:39:18.240 --> 1:39:22.439
<v Speaker 1>don't quote me on that one, since I'm not from

1:39:22.479 --> 1:39:26.799
<v Speaker 1>those tribes, but that's my understanding of it. Any big

1:39:26.880 --> 1:39:30.879
<v Speaker 1>massacre scene, but you know, a home tree getting destroyed

1:39:31.400 --> 1:39:34.120
<v Speaker 1>felt like it could have been wounded me. It could

1:39:34.120 --> 1:39:37.360
<v Speaker 1>have been sand Creek. It could have been any attack,

1:39:37.760 --> 1:39:41.120
<v Speaker 1>any massacre really, and then you have the trail of

1:39:41.200 --> 1:39:48.320
<v Speaker 1>tears afterwards. Were forcibly relocating indigenous people, um any death march,

1:39:48.520 --> 1:39:52.479
<v Speaker 1>any long walks, you know. I was and again it

1:39:52.520 --> 1:39:54.040
<v Speaker 1>was like it was just hard to find any like

1:39:54.160 --> 1:39:56.720
<v Speaker 1>hard confirmation, But I kind of assumed that that was

1:39:57.240 --> 1:40:00.080
<v Speaker 1>what Cameron was trying to reference, even in the a

1:40:00.680 --> 1:40:03.280
<v Speaker 1>that Giovanni Ribisi's character was talking about it like oh,

1:40:03.320 --> 1:40:05.720
<v Speaker 1>it's not a big deal. It's like a relocation. It's

1:40:05.800 --> 1:40:08.080
<v Speaker 1>not like I was like, Okay, this is kind of

1:40:08.200 --> 1:40:12.880
<v Speaker 1>clearly mapped on peacefully negotiate their relocation. It's like, there's

1:40:12.880 --> 1:40:18.519
<v Speaker 1>no peaceful negotiation forcibly relocating. But the last one, which

1:40:18.880 --> 1:40:22.880
<v Speaker 1>surprised me, and I'm happy that it ended like this

1:40:23.120 --> 1:40:26.800
<v Speaker 1>was I feel like the final battle in Avatar, like

1:40:26.880 --> 1:40:30.000
<v Speaker 1>the big climatic, awesome battle, felt like it was a

1:40:30.000 --> 1:40:32.479
<v Speaker 1>big allegory to the Battle of a Little Big Horn

1:40:32.600 --> 1:40:35.200
<v Speaker 1>or the Battle of Greasy Grass where the Lakota sue

1:40:35.760 --> 1:40:41.439
<v Speaker 1>and the Cheyenne one a battle against General Custer and

1:40:41.479 --> 1:40:45.240
<v Speaker 1>the U. S Army, and um, they did that because

1:40:45.320 --> 1:40:49.360
<v Speaker 1>Custer thought that he was going to ambush them and

1:40:49.479 --> 1:40:52.240
<v Speaker 1>murder all of them. And no, there's five thousand of

1:40:52.360 --> 1:40:56.240
<v Speaker 1>us and you're dying today. And the person who shot

1:40:56.320 --> 1:41:00.200
<v Speaker 1>him off of his horse was a woman fun by

1:41:01.880 --> 1:41:12.599
<v Speaker 1>Buffalo calf road woman. So that pleases me. I didn't

1:41:12.600 --> 1:41:15.160
<v Speaker 1>realize that's that's amazing. Yeah, she's the one who shot

1:41:15.200 --> 1:41:17.960
<v Speaker 1>him off of his horse and probably delivered the killing blow.

1:41:18.360 --> 1:41:22.560
<v Speaker 1>And afterwards the other women took like little needles or

1:41:22.600 --> 1:41:26.240
<v Speaker 1>whatever and poked out his ear drums. And that's where

1:41:26.280 --> 1:41:30.080
<v Speaker 1>the phrase, uh, that's where the phrase see what happens

1:41:30.120 --> 1:41:35.920
<v Speaker 1>where you don't listen comes from. A So it sounds

1:41:35.960 --> 1:41:40.439
<v Speaker 1>to me like James Cameron is pulling not only from

1:41:40.439 --> 1:41:42.240
<v Speaker 1>like a design point of view of the of the

1:41:42.280 --> 1:41:46.880
<v Speaker 1>Alma Takaya, but also from just like narrative events in

1:41:46.920 --> 1:41:52.000
<v Speaker 1>the movie Avatar. He's pulling from a lot of different nations. So,

1:41:53.160 --> 1:41:58.559
<v Speaker 1>I mean, allegory in storytelling is like you know that

1:41:58.600 --> 1:42:01.080
<v Speaker 1>tends to happen where like you're you might be kind

1:42:01.080 --> 1:42:04.599
<v Speaker 1>of referencing something it's an allegorical probably be weirder if

1:42:04.640 --> 1:42:08.920
<v Speaker 1>you didn't pull from actual history. Like, it's not inherently

1:42:09.000 --> 1:42:12.679
<v Speaker 1>negative that he did that, right, it's just the mess.

1:42:13.240 --> 1:42:16.320
<v Speaker 1>It's just that, And it's the outsider's perspective that I

1:42:16.360 --> 1:42:20.920
<v Speaker 1>think is really Yeah, and uh, well, I mean Indigenous

1:42:20.960 --> 1:42:25.480
<v Speaker 1>people globally have a lot of shared experiences with colonialism

1:42:25.560 --> 1:42:32.200
<v Speaker 1>and racism and environmental oppression and damage also, so I

1:42:32.240 --> 1:42:34.920
<v Speaker 1>can see how kind of blending it together because it

1:42:34.960 --> 1:42:38.680
<v Speaker 1>all kind of blows together makes sense. I feel like

1:42:38.720 --> 1:42:41.560
<v Speaker 1>it probably could have been done a little more ethically,

1:42:42.560 --> 1:42:44.799
<v Speaker 1>and the way to do that would be the higher

1:42:45.160 --> 1:42:52.599
<v Speaker 1>native writers to write about the allegory. Um what else?

1:42:53.640 --> 1:42:56.840
<v Speaker 1>Another thing I would change is that a fangirl Gene.

1:42:57.160 --> 1:42:59.120
<v Speaker 1>I hope I'm pronouncing her name right. I think it's

1:42:59.120 --> 1:43:03.960
<v Speaker 1>pronounced gene, but I think it's also pronounced jean j

1:43:04.160 --> 1:43:08.719
<v Speaker 1>e a and n e f jean. Oh my, please

1:43:08.720 --> 1:43:13.719
<v Speaker 1>don't kill me, fangro Jean. Anyway, she uh was talking

1:43:13.720 --> 1:43:16.080
<v Speaker 1>about how she kind of likes and dislikes Avatar in

1:43:16.120 --> 1:43:19.040
<v Speaker 1>the same way as I do, but she's like Jake

1:43:19.360 --> 1:43:22.680
<v Speaker 1>should not have been allowed to stay period if he

1:43:22.800 --> 1:43:24.800
<v Speaker 1>was going to, And I feel like that would have

1:43:24.880 --> 1:43:27.519
<v Speaker 1>lended itself to the story a little bit better and

1:43:27.560 --> 1:43:31.599
<v Speaker 1>the sincerity of the character where they're like, listen, we

1:43:31.640 --> 1:43:36.080
<v Speaker 1>appreciate your help, but you put us in this situation,

1:43:36.400 --> 1:43:39.760
<v Speaker 1>so at the end of all things, you can't sit

1:43:39.840 --> 1:43:43.439
<v Speaker 1>with us anymore. So if it would have, at the

1:43:43.560 --> 1:43:45.479
<v Speaker 1>very least it should have and he should be okay

1:43:45.520 --> 1:43:47.960
<v Speaker 1>with it, if he's as good as he thinks he is,

1:43:48.080 --> 1:43:51.280
<v Speaker 1>then that would have been like, that's fair, Okay, you

1:43:51.320 --> 1:43:53.360
<v Speaker 1>don't get to stay with us. Yeah, I fucked up.

1:43:53.920 --> 1:44:01.320
<v Speaker 1>I'll see myself out. Yeah, I will say your brother's funeral, Jake, Yeah, jeez,

1:44:01.680 --> 1:44:06.000
<v Speaker 1>I will say. Um. This is my hot take is

1:44:06.040 --> 1:44:11.479
<v Speaker 1>that I think, not that his story is good, not

1:44:11.640 --> 1:44:15.040
<v Speaker 1>that his redemption arc is good, but all things consider,

1:44:15.320 --> 1:44:22.080
<v Speaker 1>Jake's redemption arc is more satisfying or better than a

1:44:22.160 --> 1:44:26.800
<v Speaker 1>redemption arc for like Kylo Wren, for example, because at

1:44:26.840 --> 1:44:29.120
<v Speaker 1>the end of the day, even though Kyleo Wren or

1:44:29.160 --> 1:44:32.280
<v Speaker 1>even Darth Vader turned from the dark side and do

1:44:32.360 --> 1:44:35.120
<v Speaker 1>the right thing at the last moment, they die right

1:44:35.240 --> 1:44:39.479
<v Speaker 1>after and they don't undo all the damage that they did.

1:44:40.000 --> 1:44:43.759
<v Speaker 1>They may have stopped or prevented more damage, which good,

1:44:44.200 --> 1:44:47.400
<v Speaker 1>but they never face the people that they hurt. They

1:44:47.479 --> 1:44:53.240
<v Speaker 1>never like face any repercussions or consequences for the harm

1:44:53.280 --> 1:44:57.799
<v Speaker 1>that they've caused. So, Jake, even though it's not great,

1:44:59.320 --> 1:45:01.800
<v Speaker 1>he's still it has to prove himself if he's going

1:45:01.840 --> 1:45:05.559
<v Speaker 1>to show his face again. And when he does the

1:45:05.640 --> 1:45:10.200
<v Speaker 1>right thing, eventually it's like his friends die, people get hurt.

1:45:10.640 --> 1:45:13.000
<v Speaker 1>He can never go back to his planet again. He

1:45:13.040 --> 1:45:15.439
<v Speaker 1>can never you know. So there's a whole lot at

1:45:15.439 --> 1:45:18.960
<v Speaker 1>stake that, you know, a lot of sacrifices that was

1:45:19.040 --> 1:45:21.760
<v Speaker 1>made for him to do the right thing. He does

1:45:21.840 --> 1:45:26.400
<v Speaker 1>have to do a lot to actually have a redemption.

1:45:27.080 --> 1:45:32.160
<v Speaker 1>But he like centers himself so consistently throughout it that

1:45:32.240 --> 1:45:35.360
<v Speaker 1>he's like I'm the boss now, and you're he's like

1:45:35.640 --> 1:45:37.880
<v Speaker 1>or like yeah that it's I mean, which is maybe

1:45:37.880 --> 1:45:43.519
<v Speaker 1>like realistic, super macho white male behavior, but like, yeah,

1:45:43.560 --> 1:45:46.320
<v Speaker 1>the fact that he's like, Okay, I like, I totally agree.

1:45:46.360 --> 1:45:50.400
<v Speaker 1>It's good that he recognizes that he can't just like

1:45:50.560 --> 1:45:55.679
<v Speaker 1>something has to be done to try to mitigate this tragedy.

1:45:55.760 --> 1:45:59.640
<v Speaker 1>That is in a huge part his fault, but his

1:46:00.000 --> 1:46:02.960
<v Speaker 1>ocean is like I have to be the lead captain

1:46:03.040 --> 1:46:08.240
<v Speaker 1>of And then he's rewarded by being like, Okay, you're deaf.

1:46:08.320 --> 1:46:11.800
<v Speaker 1>You're one of us again, and you're permanently one of us,

1:46:11.960 --> 1:46:14.720
<v Speaker 1>and we're gonna do this like spiritual ceremony to make

1:46:14.760 --> 1:46:19.000
<v Speaker 1>you shud be back on a trial basis at very

1:46:19.120 --> 1:46:23.320
<v Speaker 1>least like for real. It's like you're answering for crimes

1:46:23.360 --> 1:46:30.800
<v Speaker 1>against right. Hey, here's another question I have for you, ali, Um.

1:46:30.800 --> 1:46:34.639
<v Speaker 1>Throughout the movie, there's a lot of emphasis on the

1:46:34.680 --> 1:46:38.680
<v Speaker 1>Alma Takaya's connection to the earth and this like spiritual

1:46:38.680 --> 1:46:42.360
<v Speaker 1>connection to the wildlife the floor and the fauna, and

1:46:43.240 --> 1:46:47.479
<v Speaker 1>obviously pulling from you know, indigenous culture in the connection

1:46:47.520 --> 1:46:50.920
<v Speaker 1>that indigenous people have with the earth. But the movie

1:46:51.000 --> 1:46:56.000
<v Speaker 1>introduces this like kind of sci fi fantasy element to

1:46:56.280 --> 1:47:03.080
<v Speaker 1>that with like the tentacle angling network and then yeah,

1:47:03.320 --> 1:47:06.720
<v Speaker 1>and and I'm just curious about your thoughts about that

1:47:06.800 --> 1:47:10.400
<v Speaker 1>and what implications you think that has good or bad

1:47:10.520 --> 1:47:16.839
<v Speaker 1>or neutral. Okay, this is why Natives need to make stuff.

1:47:19.160 --> 1:47:21.840
<v Speaker 1>Kim Natives the same budget, and we will make something

1:47:21.880 --> 1:47:26.800
<v Speaker 1>better than Avatar. I promise. I promise, Um, because I

1:47:26.840 --> 1:47:33.920
<v Speaker 1>mean to James Cameron's credit, he's been an environmentalist activists

1:47:33.920 --> 1:47:38.360
<v Speaker 1>since like high school, so there are good intentions there.

1:47:38.400 --> 1:47:42.040
<v Speaker 1>He Um said in an interview very recently. I think

1:47:42.040 --> 1:47:44.439
<v Speaker 1>it was like James Cameron breaks down his most iconic

1:47:44.680 --> 1:47:48.920
<v Speaker 1>roles or something like that. Yeah. Yeah, he Um was

1:47:49.000 --> 1:47:52.960
<v Speaker 1>talking about like as he was making Avatar, He's like

1:47:53.000 --> 1:47:55.479
<v Speaker 1>Indigenous people were reaching out and saying, you know, a

1:47:55.479 --> 1:47:59.479
<v Speaker 1>lot of the stuff that's happening in your movie is

1:47:59.520 --> 1:48:02.679
<v Speaker 1>happening in real life in our community. So there were

1:48:02.720 --> 1:48:07.559
<v Speaker 1>things like UM and even Sophia yanoku'sa Sami activists UM,

1:48:07.600 --> 1:48:11.479
<v Speaker 1>when she gave her TED talk about mining companies in

1:48:11.640 --> 1:48:15.800
<v Speaker 1>Lapland in Sami territories and the damage that had done,

1:48:15.840 --> 1:48:22.120
<v Speaker 1>she said that Avatar felt like that, Like she definitely

1:48:22.160 --> 1:48:28.000
<v Speaker 1>resonated with the damage that's done to these um ecosystems

1:48:28.080 --> 1:48:32.160
<v Speaker 1>and these sacred territories and everything, and how Avatar has

1:48:32.200 --> 1:48:35.639
<v Speaker 1>a happy ending, but in real life, we're still fighting

1:48:36.760 --> 1:48:39.680
<v Speaker 1>in Lapland, and the same can be said in like

1:48:39.800 --> 1:48:45.520
<v Speaker 1>Brazil and Standing Rock, West Uotan and all these other places.

1:48:46.320 --> 1:48:50.400
<v Speaker 1>And when you think of like just the spiritual aspect

1:48:50.479 --> 1:48:53.080
<v Speaker 1>in Pandora, I mean it's a movie, so they kind

1:48:53.080 --> 1:48:57.759
<v Speaker 1>of have to ham it up. But I mean people

1:48:57.840 --> 1:49:03.679
<v Speaker 1>are not like usually in indigenous cultures or the way

1:49:03.720 --> 1:49:06.760
<v Speaker 1>that we believe in these things. People are not at

1:49:06.760 --> 1:49:10.400
<v Speaker 1>the top of the pyramid and then everything is beneath us.

1:49:11.120 --> 1:49:13.679
<v Speaker 1>Indigenous people tend to be stewards of the land who

1:49:13.680 --> 1:49:18.160
<v Speaker 1>believe that we are actually part of an ecosystem. And

1:49:18.200 --> 1:49:20.479
<v Speaker 1>as much as we need the land, the land also

1:49:20.560 --> 1:49:24.280
<v Speaker 1>needs us to take care of it. And the land

1:49:24.360 --> 1:49:29.280
<v Speaker 1>is very much as alive and as sentient as people

1:49:29.479 --> 1:49:33.000
<v Speaker 1>and as animals. So I see what he was trying

1:49:33.040 --> 1:49:38.000
<v Speaker 1>to do. Uh, he's just kind of it's just kind

1:49:38.000 --> 1:49:40.760
<v Speaker 1>of out of his element because he's not part of

1:49:40.800 --> 1:49:46.520
<v Speaker 1>the community. You know, there's like a something lost in translation.

1:49:46.560 --> 1:49:50.520
<v Speaker 1>I guess there's a disconnect because it's so very outsider's perspective,

1:49:51.320 --> 1:49:53.800
<v Speaker 1>and it's a good idea. I mean, I do like

1:49:53.920 --> 1:49:57.280
<v Speaker 1>the idea of you know, like you can plug your

1:49:57.280 --> 1:50:01.920
<v Speaker 1>tail into the willow tree and here your ancestors singing

1:50:02.040 --> 1:50:09.640
<v Speaker 1>and stuff like. That's beautiful, but not when they're aliens, right,

1:50:10.720 --> 1:50:14.240
<v Speaker 1>It's almost to me it reads is like um an

1:50:14.240 --> 1:50:20.120
<v Speaker 1>outsider's perspective looking at Indigenous spirituality and being like it's

1:50:20.280 --> 1:50:26.040
<v Speaker 1>so mystical, it's so magical, it's almost science fiction, and

1:50:26.080 --> 1:50:29.880
<v Speaker 1>then like so as to be alien and then just

1:50:29.920 --> 1:50:32.920
<v Speaker 1>like leaning into that and then putting it in a movie.

1:50:33.479 --> 1:50:37.080
<v Speaker 1>Yeah yeah, and in a way that kind of dehumanizes

1:50:37.160 --> 1:50:40.880
<v Speaker 1>indigenous people that you're trying to be sympathetic towards. Anyways,

1:50:41.000 --> 1:50:45.719
<v Speaker 1>and the deleted scenes. There's a really awesome deleted scene

1:50:45.840 --> 1:50:49.640
<v Speaker 1>where Jake, before he becomes one of the people, undergoes

1:50:50.000 --> 1:50:54.040
<v Speaker 1>a vision quest. I guess I don't know if you've

1:50:54.080 --> 1:50:57.840
<v Speaker 1>seen that. I have not seen that scene. Now. Yeah, it's, um,

1:50:57.880 --> 1:51:01.080
<v Speaker 1>it's an incomplete deleted scene and they must have ran

1:51:01.200 --> 1:51:04.679
<v Speaker 1>out of money because the CG isn't there. But it's

1:51:04.680 --> 1:51:07.559
<v Speaker 1>where he like, um, it's when he tells core Rich

1:51:07.840 --> 1:51:10.360
<v Speaker 1>or Stephen Lane, you know, I have one more thing

1:51:10.400 --> 1:51:12.280
<v Speaker 1>I have to do and then I'll be one of

1:51:12.360 --> 1:51:14.720
<v Speaker 1>them and blah blah blah. And then it cuts to

1:51:15.280 --> 1:51:18.720
<v Speaker 1>nay Terry putting the war paint on um and then

1:51:18.760 --> 1:51:23.240
<v Speaker 1>he goes into like this chamber and Moat is like

1:51:23.720 --> 1:51:26.599
<v Speaker 1>lighting the incense and the herbs and stuff, and like

1:51:26.680 --> 1:51:29.600
<v Speaker 1>this beetle or whatever, like he eats a worm and

1:51:29.600 --> 1:51:31.720
<v Speaker 1>then this beetle like stings him on the back of

1:51:31.760 --> 1:51:34.040
<v Speaker 1>his neck or whatever, and he has a vision quest

1:51:34.120 --> 1:51:38.160
<v Speaker 1>and when he survives it, they're like, oh, well you're alive,

1:51:38.280 --> 1:51:42.360
<v Speaker 1>so let's all hug and touch each other. But there's

1:51:42.400 --> 1:51:45.320
<v Speaker 1>a scene where he's talking to Grace before he does it,

1:51:45.360 --> 1:51:49.280
<v Speaker 1>because she's like, dude, you cannot do this because actual

1:51:49.400 --> 1:51:52.320
<v Speaker 1>navvy have died doing this and we have no idea

1:51:52.400 --> 1:51:55.160
<v Speaker 1>what an avatar is going to do. But it's Jake

1:51:55.240 --> 1:51:58.560
<v Speaker 1>and he has his plat armor, so he'll be fine.

1:51:58.760 --> 1:52:02.559
<v Speaker 1>But the chosen one he can't die. Yeah, he's God,

1:52:03.080 --> 1:52:06.240
<v Speaker 1>he should I should have died in the first second

1:52:06.400 --> 1:52:09.680
<v Speaker 1>when he goes in as an avatar when those like

1:52:10.320 --> 1:52:14.360
<v Speaker 1>rhinoceros like animals are like plowing him over, Like, yeah,

1:52:14.520 --> 1:52:17.240
<v Speaker 1>he should have been done for I found I found

1:52:17.240 --> 1:52:20.519
<v Speaker 1>it so frustrating. How like anytime n Teria was about

1:52:20.520 --> 1:52:23.040
<v Speaker 1>to bail on him, which was constantly because he sucks,

1:52:23.960 --> 1:52:29.080
<v Speaker 1>Like there's a sign from the from Pandora from Awa

1:52:29.280 --> 1:52:32.960
<v Speaker 1>that Jake's a really cool guy. You're like, oh my god,

1:52:34.560 --> 1:52:38.360
<v Speaker 1>in what way? But anyway, So the thing is he

1:52:38.400 --> 1:52:42.120
<v Speaker 1>tells Grace what he's doing, then he goes They don't

1:52:42.160 --> 1:52:45.040
<v Speaker 1>even have a word for lie. They had to learn

1:52:45.120 --> 1:52:49.919
<v Speaker 1>it from us. I'm like, dude, what, In my opinion,

1:52:50.960 --> 1:52:54.240
<v Speaker 1>it dehumanizes Indigenous people when you say something, even if

1:52:54.240 --> 1:52:56.280
<v Speaker 1>it's meant to be flattering, Like they don't have a

1:52:56.280 --> 1:52:59.599
<v Speaker 1>word for lie. You know, they don't even lie. That's

1:52:59.640 --> 1:53:01.920
<v Speaker 1>the other side of the coin, for there's no word

1:53:01.960 --> 1:53:04.920
<v Speaker 1>for thank you and doth racky. You don't know what

1:53:04.960 --> 1:53:09.800
<v Speaker 1>I mean. It's like it's another form of just degrading.

1:53:10.160 --> 1:53:13.680
<v Speaker 1>They cannot possibly comprehend the concept of x y Z

1:53:14.120 --> 1:53:16.400
<v Speaker 1>or that like an indigenous character would not be capable

1:53:16.439 --> 1:53:22.960
<v Speaker 1>of lying, like the full spectrum of being you know, alive. Yeah, ridiculous.

1:53:23.720 --> 1:53:28.040
<v Speaker 1>I found it interesting. I looked into James Cameron's first

1:53:28.120 --> 1:53:30.200
<v Speaker 1>round of interviews for this movie and then his current interview.

1:53:30.280 --> 1:53:33.160
<v Speaker 1>It does seem like I mean, I'm just like, I

1:53:33.240 --> 1:53:36.880
<v Speaker 1>guess I'm just interested in how avatar to works out

1:53:36.920 --> 1:53:38.919
<v Speaker 1>for him. But in the first one I was curious

1:53:38.920 --> 1:53:42.960
<v Speaker 1>of like how explicitly he was, how explicit he was

1:53:43.000 --> 1:53:45.240
<v Speaker 1>and saying like where his influences were coming from, because

1:53:45.240 --> 1:53:47.519
<v Speaker 1>this was something he started working on in the nineties,

1:53:47.560 --> 1:53:49.960
<v Speaker 1>like during the production of Titanic. He was it is

1:53:50.080 --> 1:53:55.800
<v Speaker 1>very nineties environmentalists Captain planet E right, and we were like,

1:53:55.960 --> 1:53:59.800
<v Speaker 1>I see the intent, but the follow through is But

1:54:00.040 --> 1:54:03.360
<v Speaker 1>he said, like, I was surprised at how open he was,

1:54:03.400 --> 1:54:07.639
<v Speaker 1>A like being influenced by movies like Dances with Wolves,

1:54:07.760 --> 1:54:11.880
<v Speaker 1>movies like Lawrence of Arabia in terms of a movie

1:54:11.920 --> 1:54:15.920
<v Speaker 1>I like. He He references Princess Mononoke uh several times

1:54:15.920 --> 1:54:20.040
<v Speaker 1>as another inspiration, but he does kind of explicitly say like, yeah,

1:54:20.080 --> 1:54:25.680
<v Speaker 1>these you know, very white savior sympathetic colonizer stories are

1:54:25.720 --> 1:54:28.800
<v Speaker 1>like ones I was pulling from when I was making

1:54:28.800 --> 1:54:33.600
<v Speaker 1>this and and so there's that I just wanted to

1:54:33.640 --> 1:54:36.600
<v Speaker 1>share and you can tell, and you can tell, and

1:54:38.520 --> 1:54:41.640
<v Speaker 1>Precess Mononoke does it so much better, just does it

1:54:41.800 --> 1:54:45.800
<v Speaker 1>so much better. And it also features an indigenous main

1:54:45.920 --> 1:54:50.640
<v Speaker 1>character because Ashitaka is Amish. Love it my indigenous king.

1:54:51.600 --> 1:54:57.480
<v Speaker 1>But uh, okay, so elephant in the room. Let's talk

1:54:57.520 --> 1:55:03.920
<v Speaker 1>about the comparisons may between this movie and Pokehonas, because

1:55:03.920 --> 1:55:08.160
<v Speaker 1>that's usually how everybody dismisses the film. It's Pokehonisan space.

1:55:09.320 --> 1:55:12.760
<v Speaker 1>Oh and James Cameron also says that he mapped early

1:55:13.240 --> 1:55:17.800
<v Speaker 1>plots about Materia onto. He says the Pokehontas story. But

1:55:17.840 --> 1:55:19.640
<v Speaker 1>I'm like, well, what do you even mean when you

1:55:19.680 --> 1:55:22.680
<v Speaker 1>say that? It sounds like he's he's referring specifically to

1:55:22.760 --> 1:55:26.760
<v Speaker 1>the Disney version of it, because the real version of

1:55:26.800 --> 1:55:32.440
<v Speaker 1>that story, you're fifty years old. Yeah, so um so

1:55:32.520 --> 1:55:37.200
<v Speaker 1>to begin, I mean, obviously, the reason I haven't stepped

1:55:37.240 --> 1:55:39.600
<v Speaker 1>up to do a Pokehonas episode is because I'm not

1:55:39.800 --> 1:55:43.840
<v Speaker 1>from her tribe and there's a lot of insight that

1:55:44.600 --> 1:55:49.040
<v Speaker 1>I cannot provide that someone from her tribe would. But

1:55:49.400 --> 1:55:51.960
<v Speaker 1>you know, obviously, the way I look at it, when people,

1:55:52.120 --> 1:55:54.800
<v Speaker 1>you know, try to dismiss it as Pokehonisan space, I

1:55:54.880 --> 1:55:58.840
<v Speaker 1>always say, I'm like, Pokehonas is an actual person who

1:55:59.720 --> 1:56:04.360
<v Speaker 1>saw heard and terrible things happened to her, So she

1:56:04.880 --> 1:56:07.960
<v Speaker 1>deserves more respect than that. And these stories are not

1:56:08.000 --> 1:56:11.760
<v Speaker 1>the same, you know, like full stock. It's like, you know,

1:56:11.840 --> 1:56:15.120
<v Speaker 1>the same way that people make fun of Elizabeth Warren

1:56:15.600 --> 1:56:17.640
<v Speaker 1>and call her Pocahonas, And it's like, you know, you

1:56:17.680 --> 1:56:23.480
<v Speaker 1>can criticize both this film and Elizabeth Warren for numerous

1:56:23.560 --> 1:56:26.800
<v Speaker 1>valid reasons, but you can do it without being racist,

1:56:26.920 --> 1:56:30.320
<v Speaker 1>and you can do it without using an abused child

1:56:30.960 --> 1:56:35.280
<v Speaker 1>as a punchline. But the other thing is is that

1:56:35.800 --> 1:56:39.240
<v Speaker 1>the story of pokeahon Is how it like, actually not

1:56:39.320 --> 1:56:43.560
<v Speaker 1>even the story of Pocahons, but the romanticized account of

1:56:43.640 --> 1:56:46.560
<v Speaker 1>Pocahonas that people are very familiar with that was used

1:56:46.560 --> 1:56:50.640
<v Speaker 1>in this movie and the Disney movie and everything is

1:56:50.800 --> 1:56:55.040
<v Speaker 1>much older. And it says there's this article and it's

1:56:55.040 --> 1:56:59.520
<v Speaker 1>called the pocona Is perplex and it says that it

1:56:59.680 --> 1:57:03.040
<v Speaker 1>was um Originally there was this old Scottish ballad. It

1:57:03.080 --> 1:57:05.680
<v Speaker 1>was called like Lord Bateman and the Turkish King's Daughter,

1:57:06.480 --> 1:57:11.120
<v Speaker 1>and it was this really well known ballad in Europe

1:57:11.200 --> 1:57:15.080
<v Speaker 1>at the time where an English adventurer goes to a

1:57:15.160 --> 1:57:20.320
<v Speaker 1>foreign land and meets like the sultan's daughter or an

1:57:20.360 --> 1:57:25.440
<v Speaker 1>African king's daughter or something, and she's beautiful and when

1:57:25.520 --> 1:57:28.120
<v Speaker 1>he's in a dungeon and he's about to die, she

1:57:28.280 --> 1:57:33.000
<v Speaker 1>saves him and then they fall in love. He goes

1:57:33.080 --> 1:57:36.000
<v Speaker 1>back to his homeland and she goes after him and

1:57:36.000 --> 1:57:38.440
<v Speaker 1>shows up on his wedding day and they love each

1:57:38.440 --> 1:57:43.400
<v Speaker 1>other even though she's darker. And people who read John

1:57:43.400 --> 1:57:48.000
<v Speaker 1>Smith's accounts of his stories in the New World, we're like,

1:57:48.080 --> 1:57:52.240
<v Speaker 1>oh my god, it's that story John Smith. And Pocahonas

1:57:52.400 --> 1:57:55.720
<v Speaker 1>is like Lord Bateman and the Turkish king's daughter would

1:57:55.760 --> 1:57:58.080
<v Speaker 1>be like, you know, oh my god, it's like Jack

1:57:58.160 --> 1:58:02.120
<v Speaker 1>and Rhose from Titanic, you know, like it was that level.

1:58:02.520 --> 1:58:06.120
<v Speaker 1>So that's what started the whole thing. So there are

1:58:06.200 --> 1:58:09.640
<v Speaker 1>elements where, you know, like you can compare the two,

1:58:09.720 --> 1:58:14.960
<v Speaker 1>but it's not the Pocahonta story specifically, because that is

1:58:15.000 --> 1:58:20.000
<v Speaker 1>a very different story. When people were, you know, criticizing

1:58:20.040 --> 1:58:23.360
<v Speaker 1>Avatar for ripping off or seemed to be ripping off

1:58:23.360 --> 1:58:26.640
<v Speaker 1>so much from Disney's Pocahontas, and I remember like fern

1:58:26.680 --> 1:58:28.920
<v Speaker 1>Gully being a thing too that everyone was like, it's

1:58:29.000 --> 1:58:33.120
<v Speaker 1>ripping off a fern gully. And yeah, as I was

1:58:33.160 --> 1:58:38.480
<v Speaker 1>watching the movie this time, I was like remembering that criticism,

1:58:38.520 --> 1:58:41.640
<v Speaker 1>but I was thinking, well, no one was talking about

1:58:41.680 --> 1:58:45.400
<v Speaker 1>how this movie is just pulling from a lot of

1:58:45.480 --> 1:58:51.560
<v Speaker 1>historical events, like in history. Yeah, yeah, his history, like,

1:58:52.080 --> 1:58:54.880
<v Speaker 1>but that was never part of the mainstream conversation about

1:58:54.880 --> 1:58:58.040
<v Speaker 1>this movie. And yes, as we've discussed, James Cameron did

1:58:58.040 --> 1:59:01.160
<v Speaker 1>not handle certain things in this movie well, but people

1:59:01.200 --> 1:59:04.800
<v Speaker 1>were so hung up on similarities to existing movies. But

1:59:04.880 --> 1:59:07.880
<v Speaker 1>it's like a lot of what happens in Avatar, there's

1:59:07.920 --> 1:59:12.520
<v Speaker 1>a very clear historical precedent of colonizers stealing land and

1:59:12.560 --> 1:59:17.160
<v Speaker 1>committing genocide against Indigenous people for capitalist gain and for power,

1:59:18.040 --> 1:59:21.440
<v Speaker 1>and that not being part of the conversation about this movie,

1:59:21.640 --> 1:59:24.920
<v Speaker 1>I feel like speaks to what you were saying earlier,

1:59:25.360 --> 1:59:27.120
<v Speaker 1>like at the very beginning of the episode Ali as

1:59:27.160 --> 1:59:33.080
<v Speaker 1>far as like people finding reasons to not like this movie,

1:59:33.240 --> 1:59:38.320
<v Speaker 1>and that it felt very steeped in like anti indigenous racism,

1:59:38.400 --> 1:59:42.080
<v Speaker 1>and the colonizers are very clearly presented as the bad

1:59:42.120 --> 1:59:45.040
<v Speaker 1>guys in this movie, which is not true of Disney's

1:59:45.040 --> 1:59:48.120
<v Speaker 1>Pocahontas other than it's like I think again, it's like

1:59:48.240 --> 1:59:51.200
<v Speaker 1>colonization the one guy and all the other guys are great,

1:59:51.200 --> 1:59:53.840
<v Speaker 1>and one of them is Christian Bail and you're just like, well,

1:59:54.400 --> 1:59:56.640
<v Speaker 1>what the fuck? And the guys in that movie are

1:59:56.840 --> 2:00:00.960
<v Speaker 1>terrible and they're never held account bowl for all of

2:00:01.360 --> 2:00:05.640
<v Speaker 1>singing about killing Indians and stuff like that. So it's like, oh, well,

2:00:05.680 --> 2:00:09.280
<v Speaker 1>this guy is worse than you because this is your

2:00:09.480 --> 2:00:13.720
<v Speaker 1>John Smith's friends. So if you work nice, you know,

2:00:13.920 --> 2:00:19.320
<v Speaker 1>and and Avatar doesn't do that right right. I yeah,

2:00:20.040 --> 2:00:22.920
<v Speaker 1>it didn't register for me certainly at the time, but

2:00:23.120 --> 2:00:27.360
<v Speaker 1>I I I think that the the original backlash to

2:00:27.520 --> 2:00:30.160
<v Speaker 1>I mean, like whatever, it's problematic on so many levels,

2:00:30.560 --> 2:00:33.360
<v Speaker 1>and I know that word is overused, but first of all,

2:00:33.400 --> 2:00:36.400
<v Speaker 1>it's like, well, it doesn't bode well for James Cameron

2:00:36.440 --> 2:00:40.280
<v Speaker 1>if he's being criticized for ripping off a famously historically

2:00:40.320 --> 2:00:45.600
<v Speaker 1>abysmal children's movie. That's not great to begin with. But

2:00:45.880 --> 2:00:48.880
<v Speaker 1>I also feel, yeah, it like speaks ill of the

2:00:48.960 --> 2:00:53.080
<v Speaker 1>general audiences at the time and of film criticism, or

2:00:53.080 --> 2:00:55.480
<v Speaker 1>at least you know, prominent film critics at the time,

2:00:56.160 --> 2:00:59.400
<v Speaker 1>which we've talked about a million times always skew white guys,

2:01:00.080 --> 2:01:03.600
<v Speaker 1>and the the implication there is like, well, we've already

2:01:03.640 --> 2:01:06.560
<v Speaker 1>had a movie that talks about colonialism. We don't need

2:01:06.920 --> 2:01:10.720
<v Speaker 1>more where you're just like, no, like not to say

2:01:10.760 --> 2:01:15.240
<v Speaker 1>that Avatar deals with it anywhere, approaching perfectly, but for

2:01:15.280 --> 2:01:20.160
<v Speaker 1>the conclusion to be like imperialism and colonialism and racism

2:01:20.200 --> 2:01:22.920
<v Speaker 1>against indigenous populations is like, what, we have that movie,

2:01:23.000 --> 2:01:24.760
<v Speaker 1>we don't need another one. It's like, well, okay, I'll

2:01:24.760 --> 2:01:29.560
<v Speaker 1>go fund yourself. No, yeah, well I noticed that back then,

2:01:29.760 --> 2:01:32.120
<v Speaker 1>and I'm sure it hasn't gone away. But back then,

2:01:32.520 --> 2:01:37.400
<v Speaker 1>when I was like spite liking it, the white reviewers,

2:01:37.560 --> 2:01:42.280
<v Speaker 1>like on YouTube and on different um platforms, we're criticizing

2:01:42.360 --> 2:01:44.440
<v Speaker 1>the film, and the biggest thing that kept going if

2:01:44.440 --> 2:01:47.320
<v Speaker 1>they didn't just outright dismiss it as dancers with wolves

2:01:47.320 --> 2:01:50.880
<v Speaker 1>in space or Poconisan space, they would say things like

2:01:51.480 --> 2:01:55.560
<v Speaker 1>white guilt, and you know, like, oh, well, what am

2:01:55.600 --> 2:01:58.760
<v Speaker 1>I supposed to do? You know, And it's like Hollywood's

2:01:58.760 --> 2:02:01.600
<v Speaker 1>making these movies where I'm supposed to feel bad for

2:02:01.680 --> 2:02:03.960
<v Speaker 1>being a white guy, and all of these white guys

2:02:03.960 --> 2:02:05.960
<v Speaker 1>in this movie are the bad guys. And I'm like,

2:02:06.000 --> 2:02:10.440
<v Speaker 1>if that's your takeaway from it and not the anti

2:02:10.520 --> 2:02:14.120
<v Speaker 1>indigenous like racism in the film, even if it is,

2:02:14.560 --> 2:02:17.560
<v Speaker 1>you know, not nearly as bad as it has been

2:02:17.560 --> 2:02:21.040
<v Speaker 1>in the past, but it's still problematic, Like you have

2:02:21.160 --> 2:02:24.600
<v Speaker 1>a bigger problem with not being the good guy this time,

2:02:25.640 --> 2:02:29.120
<v Speaker 1>when you know, there's so many other problems with the

2:02:29.120 --> 2:02:32.000
<v Speaker 1>film that you could be talking about that, you know,

2:02:32.080 --> 2:02:36.160
<v Speaker 1>Indigenous people have even talked about, like I like the movie,

2:02:37.200 --> 2:02:41.480
<v Speaker 1>but lots of Indigenous people don't, for like many valid reasons.

2:02:41.720 --> 2:02:44.200
<v Speaker 1>And it's like none of those reasons that I've heard

2:02:44.320 --> 2:02:48.440
<v Speaker 1>Indigenous people complain about have ever been said by any

2:02:48.480 --> 2:02:51.080
<v Speaker 1>of like those reviewers from the past at all because

2:02:51.080 --> 2:02:53.520
<v Speaker 1>they just weren't even thinking about it. It's like their

2:02:53.600 --> 2:03:00.960
<v Speaker 1>ego was just so fragile. There the hell of this

2:03:01.000 --> 2:03:05.000
<v Speaker 1>movie was vaguely critical of me and I hate fire.

2:03:06.160 --> 2:03:08.000
<v Speaker 1>You're just like still at the end of the day,

2:03:08.000 --> 2:03:10.640
<v Speaker 1>it's like, I mean, this movie was made by a

2:03:10.880 --> 2:03:16.600
<v Speaker 1>fabulously wealthy white guy, like and the other thing. Um,

2:03:16.680 --> 2:03:20.400
<v Speaker 1>because I used to think back then, I used to think, Okay,

2:03:20.440 --> 2:03:23.080
<v Speaker 1>maybe the bad guys are a little too on the nose,

2:03:23.120 --> 2:03:26.600
<v Speaker 1>maybe they're too cartooning, maybe they're you know, not subtle enough.

2:03:27.000 --> 2:03:32.880
<v Speaker 1>Until Standing Rock happened, and that really I'm like, rewatching

2:03:32.880 --> 2:03:37.280
<v Speaker 1>this in a post Standing Rock era, post Missing and

2:03:37.360 --> 2:03:41.440
<v Speaker 1>Murdered Indigenous Women era, I'm like, this is exactly how

2:03:41.560 --> 2:03:44.920
<v Speaker 1>these people think, you know, Like this is how they talk.

2:03:45.480 --> 2:03:48.440
<v Speaker 1>So let's see. There's a couple quotes from the movie

2:03:48.600 --> 2:03:51.720
<v Speaker 1>that really stood out to me. Um. The first one's

2:03:51.800 --> 2:03:56.040
<v Speaker 1>Joe Bonny Rubus's character when he's talking to Jake about

2:03:56.040 --> 2:04:01.680
<v Speaker 1>relocating them, and he says, look, kill the Indigenous looks bad.

2:04:01.720 --> 2:04:04.920
<v Speaker 1>But there's one thing that shareholders hate more than bad press,

2:04:05.000 --> 2:04:09.560
<v Speaker 1>and that's a bad quarterly statement. Yes, that is like yes,

2:04:10.040 --> 2:04:13.320
<v Speaker 1>that's not a cartoon villain. That's how it works. That's Enbridge,

2:04:13.680 --> 2:04:17.160
<v Speaker 1>you know what I mean. That is Oca, you know,

2:04:17.240 --> 2:04:19.760
<v Speaker 1>the Oca crisis for people who don't live in the

2:04:19.840 --> 2:04:26.520
<v Speaker 1>United States, is every mining facility in sami Land, you know,

2:04:26.600 --> 2:04:30.520
<v Speaker 1>in Lapland. And that's how they think. That's that's how

2:04:30.560 --> 2:04:34.600
<v Speaker 1>it is. There's a quote from I think it's in

2:04:35.040 --> 2:04:39.760
<v Speaker 1>Jake's voiceover, so it shouldn't be him who says this.

2:04:39.840 --> 2:04:42.800
<v Speaker 1>It should probably be material who says this. But the

2:04:42.880 --> 2:04:45.440
<v Speaker 1>quote is something like, you know, make them the enemy

2:04:45.600 --> 2:04:48.480
<v Speaker 1>and you can justify killing them, which is what has

2:04:48.520 --> 2:04:52.760
<v Speaker 1>happened all throughout history when genocides have happened. Is like again,

2:04:52.840 --> 2:05:00.960
<v Speaker 1>rhetoric and mental gymnastics are used to justify by killing

2:05:01.360 --> 2:05:03.880
<v Speaker 1>entire populations of people. And you see that happening in

2:05:03.880 --> 2:05:07.680
<v Speaker 1>the movie where like the Omanakaya people are referred to

2:05:07.960 --> 2:05:13.680
<v Speaker 1>are like references being roaches and you know Blue Monthly

2:05:14.160 --> 2:05:18.720
<v Speaker 1>and yeah, anti indigenous slurs are used several times. Their

2:05:18.760 --> 2:05:22.200
<v Speaker 1>intelligence is insulted, like it's just all these things to

2:05:22.280 --> 2:05:27.440
<v Speaker 1>dehumanize them and make them the enemy to justify killing them.

2:05:27.480 --> 2:05:30.320
<v Speaker 1>And I found the line while a line from the movie.

2:05:30.400 --> 2:05:34.440
<v Speaker 1>It says, it's grace telling him these are people in

2:05:34.840 --> 2:05:38.680
<v Speaker 1>Giovanni Ribisi's character says, no, they're fly, fly bitten savages

2:05:38.720 --> 2:05:40.760
<v Speaker 1>that live in a tree. All right, look around. I

2:05:40.760 --> 2:05:42.680
<v Speaker 1>don't know about you, but I see a lot of trees.

2:05:42.800 --> 2:05:46.280
<v Speaker 1>They can move. So I said, you know, this is

2:05:46.360 --> 2:05:51.680
<v Speaker 1>genocide and action. You know, granted they're not human, but

2:05:51.960 --> 2:05:54.480
<v Speaker 1>you strip them of their humanity and it becomes easier

2:05:54.480 --> 2:05:59.000
<v Speaker 1>to kill them. And then in colonial terms, like this

2:05:59.080 --> 2:06:02.200
<v Speaker 1>is something I don't a lot of people understand when

2:06:02.240 --> 2:06:06.520
<v Speaker 1>you talk about colonialism, and you know, white imperialists coming

2:06:06.800 --> 2:06:11.680
<v Speaker 1>to America, for example, in America is huge, Like the

2:06:11.720 --> 2:06:17.120
<v Speaker 1>continent of North America is gigantic, the United States is massive.

2:06:17.480 --> 2:06:21.080
<v Speaker 1>That is a lot of land that was stolen, you know.

2:06:21.200 --> 2:06:24.960
<v Speaker 1>So anyways, it says, you know, like let's not even

2:06:25.080 --> 2:06:27.320
<v Speaker 1>break it down. Let's break it down to like it's

2:06:27.320 --> 2:06:29.880
<v Speaker 1>not even an entire continent. Let's say it's your house

2:06:30.400 --> 2:06:34.960
<v Speaker 1>and someone comes to your house and they're like, oh, well,

2:06:35.440 --> 2:06:37.920
<v Speaker 1>why don't we just share your house? You know, like

2:06:37.960 --> 2:06:40.320
<v Speaker 1>we want to live here, We're here, I brought my

2:06:40.360 --> 2:06:42.680
<v Speaker 1>whole family. Let's just live in your house. I mean,

2:06:42.720 --> 2:06:44.240
<v Speaker 1>what do you tell them do you say, oh, yeah,

2:06:44.320 --> 2:06:46.280
<v Speaker 1>here's the room set up for you, or do you

2:06:46.280 --> 2:06:51.040
<v Speaker 1>tell them get the funk out of my house. Yeah,

2:06:51.120 --> 2:06:53.959
<v Speaker 1>it's like, no, we're not sharing our home with you.

2:06:53.960 --> 2:06:57.880
<v Speaker 1>You have to fucking get out of my house. Even

2:06:57.920 --> 2:07:00.880
<v Speaker 1>in the event where okay, okay, we'll leave Home Tree

2:07:00.880 --> 2:07:03.080
<v Speaker 1>and we'll go someplace else, they're not going to stop

2:07:03.080 --> 2:07:06.800
<v Speaker 1>at Home Tree. They're going to obliterate them, absolutely, because

2:07:06.840 --> 2:07:10.960
<v Speaker 1>they immediately switched and threatened to kill, like we're threatened

2:07:11.000 --> 2:07:14.800
<v Speaker 1>to the next Yeah, yeah, yeah. And it's like that's

2:07:14.840 --> 2:07:18.120
<v Speaker 1>the other thing I mean, like, again, Turtle Island is massive,

2:07:18.160 --> 2:07:21.080
<v Speaker 1>The United States is massive. That is a lot of trees.

2:07:21.320 --> 2:07:25.000
<v Speaker 1>They had a lot of natives moved to and look

2:07:25.040 --> 2:07:30.720
<v Speaker 1>what happened, you know, and it's it's so heavy. It

2:07:30.840 --> 2:07:35.280
<v Speaker 1>was almost good, except it's sucking Jake, right, take Jake

2:07:35.280 --> 2:07:39.520
<v Speaker 1>out of the story. I think that there was also

2:07:39.560 --> 2:07:42.920
<v Speaker 1>a time where I felt like the storytelling was too unsettled,

2:07:42.960 --> 2:07:45.080
<v Speaker 1>which is like also kind of ridiculous when you show

2:07:45.160 --> 2:07:47.080
<v Speaker 1>up a James Cameron movie you're like, well, well, I

2:07:47.120 --> 2:07:50.440
<v Speaker 1>don't know what I expected, but but I think that, yeah,

2:07:50.440 --> 2:07:54.480
<v Speaker 1>like that those elements have aged very very well, and

2:07:54.640 --> 2:07:57.840
<v Speaker 1>in the movie's favor. And it's also like the politics.

2:07:58.040 --> 2:08:01.240
<v Speaker 1>I mean, I was not on every front, but in

2:08:01.320 --> 2:08:05.520
<v Speaker 1>terms of anti military industrial complex, and I had to

2:08:05.520 --> 2:08:08.440
<v Speaker 1>go back and like look up, like there were specific

2:08:08.840 --> 2:08:11.320
<v Speaker 1>terms and events connected to the Iraq War that James

2:08:11.400 --> 2:08:15.600
<v Speaker 1>Cameron was referencing through this that I just did not remember.

2:08:16.040 --> 2:08:24.560
<v Speaker 1>Um is unobtainium oil, not your fucking mind. But uh

2:08:24.680 --> 2:08:27.080
<v Speaker 1>but I thought that, Like, I mean, the politics of

2:08:27.120 --> 2:08:30.480
<v Speaker 1>this movie and what it is against is pretty clear,

2:08:30.720 --> 2:08:34.360
<v Speaker 1>and like the I think the metaphor and the characters

2:08:34.400 --> 2:08:37.600
<v Speaker 1>that they used to make those politics clear is very

2:08:37.800 --> 2:08:42.280
<v Speaker 1>very muddled, and bajillion mistakes are made, some of which

2:08:42.280 --> 2:08:44.120
<v Speaker 1>we've discussed, some of which we still have to discuss.

2:08:44.720 --> 2:08:47.200
<v Speaker 1>But I mean, it's like the politics of this movie.

2:08:47.360 --> 2:08:50.880
<v Speaker 1>It's it's a you know, massively successful anti war, anti

2:08:50.960 --> 2:08:57.560
<v Speaker 1>imperialist movie, anti capitalist corporation. Yeah, And ironically the movie

2:08:57.560 --> 2:09:02.520
<v Speaker 1>made three billion dollars three bill on Tall Wars And

2:09:02.520 --> 2:09:04.600
<v Speaker 1>that's why people remember it. It's because it was so

2:09:04.640 --> 2:09:08.280
<v Speaker 1>good at capitalism, not because it was like the best

2:09:08.320 --> 2:09:11.040
<v Speaker 1>movie ever. You know. The sad thing is that it

2:09:11.120 --> 2:09:13.560
<v Speaker 1>could have been. It just needed like it have been

2:09:13.960 --> 2:09:17.920
<v Speaker 1>so much better, could have been because even James Cameron,

2:09:18.000 --> 2:09:20.240
<v Speaker 1>like in the YouTube video I was talking about like

2:09:20.440 --> 2:09:24.640
<v Speaker 1>his most iconic films or whatever, he said, He's all like,

2:09:24.720 --> 2:09:27.560
<v Speaker 1>after I did Avatar, I was hoping to like do

2:09:27.720 --> 2:09:33.000
<v Speaker 1>some more environmentalist activism and like Brazil and all these

2:09:33.040 --> 2:09:35.920
<v Speaker 1>other places. He's like, but I decided to make the

2:09:36.000 --> 2:09:41.520
<v Speaker 1>Avatar sequels instead, And I'm like, well, instead of ocean conservation,

2:09:42.440 --> 2:09:45.000
<v Speaker 1>and I'm like, dude, you could have been doing actual

2:09:45.080 --> 2:09:47.960
<v Speaker 1>good stuff. But he did say, he's like, you know,

2:09:48.120 --> 2:09:51.840
<v Speaker 1>film is powerful and you can reach a lot of people.

2:09:52.840 --> 2:09:58.200
<v Speaker 1>For sure, I completely agree, But also film productions, especially

2:09:58.280 --> 2:10:03.480
<v Speaker 1>huge budget ones like this, in the environmental impact they have, well,

2:10:03.520 --> 2:10:06.120
<v Speaker 1>I would be curious to know if James Cameron has

2:10:06.560 --> 2:10:09.840
<v Speaker 1>made any strides in that direction. I'm always interested in

2:10:10.640 --> 2:10:13.040
<v Speaker 1>that kind of side of filmmaking because there's there are

2:10:13.120 --> 2:10:15.720
<v Speaker 1>like far less harmful ways to do it. And I

2:10:15.720 --> 2:10:18.280
<v Speaker 1>wonder if, like, you know, given the politics of his

2:10:18.320 --> 2:10:20.880
<v Speaker 1>movies and seems like his personal politics, whether that's something

2:10:20.880 --> 2:10:25.400
<v Speaker 1>that has been addressed even remotely. I hope so, but

2:10:25.480 --> 2:10:28.640
<v Speaker 1>it's like you just never know with a production like that. Right,

2:10:30.080 --> 2:10:33.480
<v Speaker 1>The biggest concern I have with the sequel is that

2:10:34.520 --> 2:10:37.760
<v Speaker 1>how many of the characters in the film in the

2:10:37.840 --> 2:10:41.800
<v Speaker 1>sequel are actors of color, and how of them, how

2:10:41.840 --> 2:10:46.120
<v Speaker 1>many are Indigenous? And that's like my biggest concern. It's like,

2:10:46.120 --> 2:10:49.800
<v Speaker 1>if it's more white people and blue faces pretending to

2:10:49.800 --> 2:10:52.360
<v Speaker 1>be Indians. I'm like, have we learned anything? It's been

2:10:53.000 --> 2:10:57.040
<v Speaker 1>fourteen years or something like, it's been eighty four years

2:10:57.120 --> 2:10:59.400
<v Speaker 1>and eighty four it's felt like eighty four years since

2:10:59.400 --> 2:11:02.840
<v Speaker 1>two thousand nine. To be honest, Um, Um, can we

2:11:02.880 --> 2:11:06.760
<v Speaker 1>talk about the able is um a bit more? Um?

2:11:06.760 --> 2:11:08.680
<v Speaker 1>We touched on a lot of the things already, but

2:11:08.720 --> 2:11:10.080
<v Speaker 1>I just want to make sure it has It's like,

2:11:11.120 --> 2:11:14.120
<v Speaker 1>we give it some more time. So Jake Sulley uses

2:11:14.160 --> 2:11:17.080
<v Speaker 1>a wheelchair. He seems to be paralyzed from the waist

2:11:17.120 --> 2:11:21.040
<v Speaker 1>down from an injury he sustained in battle as a marine.

2:11:21.840 --> 2:11:25.080
<v Speaker 1>As we mentioned, that character is not played by a

2:11:25.120 --> 2:11:28.400
<v Speaker 1>disabled actor, which is a problem we come upon time

2:11:28.400 --> 2:11:33.320
<v Speaker 1>and time again in movies. Um, Sam Worthington is able bodied.

2:11:34.000 --> 2:11:37.600
<v Speaker 1>I read a lot of responses from disabled people about

2:11:37.840 --> 2:11:41.480
<v Speaker 1>the representation we get on screen in this movie, and

2:11:42.040 --> 2:11:46.720
<v Speaker 1>like we mentioned already, it seems to be pretty mixed

2:11:46.800 --> 2:11:50.760
<v Speaker 1>across the board, where some people saw themselves in Jake Sully.

2:11:50.800 --> 2:11:54.680
<v Speaker 1>They they felt represented by his character and you know,

2:11:54.760 --> 2:11:59.920
<v Speaker 1>him being a disabled character. Others criticized him as one

2:12:00.040 --> 2:12:04.160
<v Speaker 1>of many movie characters who is trying to quote unquote

2:12:04.160 --> 2:12:08.520
<v Speaker 1>fix his disability, right right, He's like being incentivized by

2:12:08.560 --> 2:12:11.000
<v Speaker 1>the kernel of like I will like it's implied like

2:12:11.040 --> 2:12:14.600
<v Speaker 1>I will make you whole again. And that's something that

2:12:14.840 --> 2:12:20.200
<v Speaker 1>is said to be appealing to Jake Sully at first.

2:12:20.320 --> 2:12:23.960
<v Speaker 1>That and there are interpretations and I can see how

2:12:24.040 --> 2:12:26.720
<v Speaker 1>you might interpret it this way where one of the

2:12:26.760 --> 2:12:29.760
<v Speaker 1>main reasons he chooses to stay in his avatar body

2:12:29.920 --> 2:12:33.240
<v Speaker 1>is that his avatar body is able bodied. And of

2:12:33.280 --> 2:12:37.680
<v Speaker 1>course this, you know, perpetuates this idea that disabled people

2:12:37.920 --> 2:12:40.720
<v Speaker 1>are you know, quote unquote incomplete, or that they have

2:12:40.840 --> 2:12:44.320
<v Speaker 1>something wrong with them. Disabled characters and movies trying to

2:12:44.480 --> 2:12:47.880
<v Speaker 1>again quote unquote fix their disability is is something that

2:12:47.920 --> 2:12:50.480
<v Speaker 1>you see a lot, I think, especially in movie villains.

2:12:51.120 --> 2:12:54.160
<v Speaker 1>Um A friend of the show, Kristin Lopez, wrote about

2:12:54.200 --> 2:12:58.600
<v Speaker 1>this in The Hollywood Reporter when Tour Story four came out.

2:12:58.640 --> 2:13:00.720
<v Speaker 1>So it talks a lot about story for but it

2:13:00.760 --> 2:13:04.480
<v Speaker 1>references a lot of other movie characters where this is

2:13:05.040 --> 2:13:09.240
<v Speaker 1>the case so there's you know, that criticism. But then

2:13:09.320 --> 2:13:12.000
<v Speaker 1>other people were like, well, but no, that's not why

2:13:12.160 --> 2:13:15.640
<v Speaker 1>he chooses to stay in his avatar body. There are

2:13:15.680 --> 2:13:18.400
<v Speaker 1>other reasons. So there's just like seems like it's like

2:13:18.720 --> 2:13:21.960
<v Speaker 1>an original like that that first sequence where when he's

2:13:22.000 --> 2:13:25.200
<v Speaker 1>in the avatar body does seem like that is a

2:13:25.240 --> 2:13:27.800
<v Speaker 1>big but it doesn't seem like that remains the incentive.

2:13:27.880 --> 2:13:30.440
<v Speaker 1>I don't know, or or like not that it's even

2:13:30.440 --> 2:13:32.880
<v Speaker 1>an incentive, right, because then he falls in love with

2:13:32.920 --> 2:13:34.840
<v Speaker 1>a woman, and then he falls in love with the

2:13:34.880 --> 2:13:39.760
<v Speaker 1>culture and he becomes an indigenous person. You know how

2:13:39.800 --> 2:13:42.000
<v Speaker 1>when you can be a white person and then you

2:13:42.120 --> 2:13:45.280
<v Speaker 1>become an indigenous person, you know when that always happened.

2:13:46.000 --> 2:13:48.400
<v Speaker 1>So the point is there's a lot of nuances to

2:13:48.440 --> 2:13:52.200
<v Speaker 1>this discussion, and I'd be as always, we're just curious

2:13:52.280 --> 2:13:55.720
<v Speaker 1>to hear from our listeners who can speak from from

2:13:55.760 --> 2:13:58.320
<v Speaker 1>a place of experience. Yeah, I mean, because it's I

2:13:59.000 --> 2:14:03.960
<v Speaker 1>also read kind of a diversity of opinion there where. Um,

2:14:04.000 --> 2:14:07.560
<v Speaker 1>you know, we have we have a protagonist who he sucks,

2:14:07.560 --> 2:14:12.000
<v Speaker 1>but he is our our main our protagonists is a

2:14:12.040 --> 2:14:14.280
<v Speaker 1>is a disabled person and you don't see that in

2:14:14.640 --> 2:14:19.600
<v Speaker 1>movies really ever very infrequently. Yeah, But on top of that,

2:14:19.640 --> 2:14:24.680
<v Speaker 1>you have many of the common trophy issues with disabled characters,

2:14:24.760 --> 2:14:28.120
<v Speaker 1>beginning with the fact that Sam Worthington is not a

2:14:28.160 --> 2:14:30.400
<v Speaker 1>disabled actor, and it kind of goes on from there.

2:14:30.400 --> 2:14:34.560
<v Speaker 1>I would be really curious to hear listener perspective on

2:14:34.560 --> 2:14:36.920
<v Speaker 1>on that because I think the movie, like the movie

2:14:36.960 --> 2:14:42.080
<v Speaker 1>doesn't really touch on it that much after the first act,

2:14:42.400 --> 2:14:44.520
<v Speaker 1>and which I think is where the you know could

2:14:44.560 --> 2:14:46.960
<v Speaker 1>could be seen us for the best, where James Cameron

2:14:46.960 --> 2:14:49.520
<v Speaker 1>doesn't appear to have very much insight into that topic.

2:14:49.680 --> 2:14:54.280
<v Speaker 1>But again, like who's telling the story, who is advising,

2:14:54.520 --> 2:14:57.880
<v Speaker 1>and um, how does that bear out? And character for

2:14:58.360 --> 2:15:04.280
<v Speaker 1>exactly exactly Jake, not like the other colonizers Sully. It

2:15:04.320 --> 2:15:06.440
<v Speaker 1>seems like that choice was made in the story because

2:15:06.440 --> 2:15:08.360
<v Speaker 1>when you're writing a screenplay. I don't know if you

2:15:08.360 --> 2:15:10.440
<v Speaker 1>know this, but I do have the master's degree in

2:15:10.480 --> 2:15:13.080
<v Speaker 1>screenwriting from Boston University. I would never bring it up

2:15:13.120 --> 2:15:18.040
<v Speaker 1>on my own, but you make choices about your characters,

2:15:18.120 --> 2:15:23.080
<v Speaker 1>especially a protagonist, to motivate and justify other things that

2:15:23.120 --> 2:15:25.680
<v Speaker 1>will happen in the movie. So it feels to me

2:15:26.560 --> 2:15:29.600
<v Speaker 1>like we need to get him from the start of

2:15:29.640 --> 2:15:32.480
<v Speaker 1>the movie where he's a human white guy, to the

2:15:32.560 --> 2:15:36.000
<v Speaker 1>end of the movie, he's gonna be uh member of

2:15:36.160 --> 2:15:40.760
<v Speaker 1>the Alma Takaya people. What qualities or what things can

2:15:40.800 --> 2:15:44.280
<v Speaker 1>we attribute to this character to justify that making sense

2:15:44.320 --> 2:15:46.120
<v Speaker 1>by the end of the movie for him to want

2:15:46.160 --> 2:15:51.320
<v Speaker 1>to permanently be an Alma Takaya person. And I feel

2:15:51.360 --> 2:15:53.960
<v Speaker 1>like the only reason that he is a disabled character

2:15:54.040 --> 2:15:55.880
<v Speaker 1>in the movie is to be like, well, that, well,

2:15:55.920 --> 2:15:58.360
<v Speaker 1>that'll be one of the things that justifies him making

2:15:58.400 --> 2:16:02.200
<v Speaker 1>this choice. I was about to say that because, um,

2:16:02.280 --> 2:16:05.680
<v Speaker 1>one of the things now speaking also as an able

2:16:05.720 --> 2:16:10.120
<v Speaker 1>bodied person, was that watching the film for the first time,

2:16:10.160 --> 2:16:13.040
<v Speaker 1>I think another reason why I like Stephen Lane's character,

2:16:13.120 --> 2:16:16.080
<v Speaker 1>even though he's the bad guy, was you know, he

2:16:16.120 --> 2:16:19.080
<v Speaker 1>tells them, I look out for my own If you

2:16:19.200 --> 2:16:21.600
<v Speaker 1>do this, I promise you you'll get your legs back,

2:16:22.040 --> 2:16:24.800
<v Speaker 1>you know, And and he says, quote unquote your real legs,

2:16:25.640 --> 2:16:28.000
<v Speaker 1>And it's like, you know, for me, you know who's

2:16:28.040 --> 2:16:32.959
<v Speaker 1>not disabled or doesn't have a disability, I'm like, fuck, yeah,

2:16:33.000 --> 2:16:36.920
<v Speaker 1>you know these things are aliens and your planets dying,

2:16:37.160 --> 2:16:40.039
<v Speaker 1>So get your legs and do it and save the

2:16:40.080 --> 2:16:43.000
<v Speaker 1>planet and go home. Hell. Yes, you know, and I

2:16:43.000 --> 2:16:45.879
<v Speaker 1>feel like a lot of people probably felt the same

2:16:45.879 --> 2:16:48.720
<v Speaker 1>way until you meet the nav and you realize that

2:16:48.760 --> 2:16:52.640
<v Speaker 1>this is bullshit and he's colonizer and stuff. So at first,

2:16:52.760 --> 2:16:57.080
<v Speaker 1>on paper, it makes sense. However, if that was the case,

2:16:57.240 --> 2:17:00.640
<v Speaker 1>if it was do this for me, get your legs back,

2:17:01.400 --> 2:17:04.480
<v Speaker 1>the downside should have been if you don't do this,

2:17:05.200 --> 2:17:09.680
<v Speaker 1>you remain disabled. But there's no like lose lose He's like, okay,

2:17:09.800 --> 2:17:14.880
<v Speaker 1>so I still have my body at the end, you know, so, well,

2:17:14.920 --> 2:17:18.240
<v Speaker 1>that's that's that's implying that, like your punishment is that

2:17:18.320 --> 2:17:23.320
<v Speaker 1>you stay disabled, as if being disabled is a punishment.

2:17:23.360 --> 2:17:26.920
<v Speaker 1>So there's all these like yucky implications. And also it's

2:17:26.959 --> 2:17:30.280
<v Speaker 1>like we've received no indication that like Jake Sulley is

2:17:30.760 --> 2:17:34.760
<v Speaker 1>unhappy as like as a disabled man, Like that's not

2:17:34.879 --> 2:17:38.880
<v Speaker 1>something that we ever hear him speak on in any like,

2:17:38.959 --> 2:17:41.120
<v Speaker 1>it's just people are making that assumption about him, which

2:17:41.160 --> 2:17:43.160
<v Speaker 1>is a very common, ablest thing to do. But it's

2:17:43.200 --> 2:17:46.440
<v Speaker 1>like the story doesn't challenge it really, like they're like, well,

2:17:46.480 --> 2:17:49.120
<v Speaker 1>of course this is true. Right at the beginning of

2:17:49.160 --> 2:17:51.840
<v Speaker 1>the movie, he does make a comment where he's like, uh,

2:17:52.280 --> 2:17:54.720
<v Speaker 1>they can fix it if you have the money because

2:17:54.760 --> 2:17:58.280
<v Speaker 1>American healthcare in the future is still dogshit. So he

2:17:59.000 --> 2:18:02.480
<v Speaker 1>is disabled because he broke But still it's like that

2:18:02.560 --> 2:18:05.120
<v Speaker 1>should have been a bigger driving point if that was

2:18:05.160 --> 2:18:08.440
<v Speaker 1>going to be the thing that motivates them to do

2:18:08.480 --> 2:18:11.120
<v Speaker 1>the thing, right, I mean, yeah, it's like, Okay, I

2:18:11.120 --> 2:18:14.400
<v Speaker 1>guess there's commentary on like the horrible state of of

2:18:14.400 --> 2:18:19.120
<v Speaker 1>like American healthcare slash like veteran benefits, which is like

2:18:19.760 --> 2:18:24.119
<v Speaker 1>still abysmal, But yeah, the the way that was handled.

2:18:24.600 --> 2:18:27.280
<v Speaker 1>And then again, and I'm speculating here, but I think

2:18:27.280 --> 2:18:29.440
<v Speaker 1>the choice was made to make him disabled to like

2:18:29.560 --> 2:18:34.359
<v Speaker 1>narratively justify like him wanting to remain in this avatar

2:18:34.400 --> 2:18:37.560
<v Speaker 1>body by the end of the movie. That's just like

2:18:37.600 --> 2:18:41.120
<v Speaker 1>not the representation people. And I you know, I'm also

2:18:41.160 --> 2:18:44.080
<v Speaker 1>speaking as an able bodied person here, but it's my

2:18:44.160 --> 2:18:47.760
<v Speaker 1>understanding that people with disabilities want to see themselves represented

2:18:47.800 --> 2:18:50.480
<v Speaker 1>on screen, I mean obviously far more than they already are,

2:18:50.840 --> 2:18:54.200
<v Speaker 1>and in a way that just normalizes their experience rather

2:18:54.320 --> 2:18:58.720
<v Speaker 1>than being some like justification for something else, some other

2:18:58.879 --> 2:19:02.080
<v Speaker 1>narrative choice that's going to happen, And that's not what's

2:19:02.080 --> 2:19:05.280
<v Speaker 1>happening in this movie. No, it's been like weaponized as

2:19:05.280 --> 2:19:07.760
<v Speaker 1>a plot point, like it's just and like a lazy

2:19:07.800 --> 2:19:12.680
<v Speaker 1>plot point at that, which is just like, I guess

2:19:12.720 --> 2:19:16.440
<v Speaker 1>I can't say that the movie is necessarily above that behavior.

2:19:16.879 --> 2:19:21.240
<v Speaker 1>Obviously we've been talking for two hours, but like, but yeah,

2:19:20.879 --> 2:19:24.760
<v Speaker 1>it is. I would be curious to know, because I also, like,

2:19:24.879 --> 2:19:28.080
<v Speaker 1>I mean, I don't want to ignore disabled writers who

2:19:28.160 --> 2:19:31.920
<v Speaker 1>who did enjoy how Jake Sally was characterized. Of course,

2:19:32.600 --> 2:19:35.160
<v Speaker 1>I have one last, just quick thing that I want

2:19:35.160 --> 2:19:38.240
<v Speaker 1>to touch on really quickly, harkening back to the romance

2:19:38.360 --> 2:19:43.360
<v Speaker 1>between Jake and the tri um. Yeah, I want to

2:19:43.360 --> 2:19:47.520
<v Speaker 1>talk about anterior in general, because praising her like and

2:19:47.640 --> 2:19:51.240
<v Speaker 1>you know, in different places. But yeah, yeah, and so

2:19:51.280 --> 2:19:53.199
<v Speaker 1>the thing I liked about the romance and it's really

2:19:53.240 --> 2:19:55.720
<v Speaker 1>just that like he's like, I have chosen a woman,

2:19:55.800 --> 2:19:58.119
<v Speaker 1>but she needs to choose me, and she's like, yeah

2:19:58.160 --> 2:20:01.400
<v Speaker 1>I did already you goo. Um. So I liked that,

2:20:01.480 --> 2:20:05.200
<v Speaker 1>Like she's given and like that just shows how how

2:20:05.240 --> 2:20:09.440
<v Speaker 1>low the bar is for a female character being given

2:20:09.480 --> 2:20:12.800
<v Speaker 1>agency in her own romantic life is something that I'm like,

2:20:12.840 --> 2:20:16.080
<v Speaker 1>oh my goodness, that happened. I feel like we've really

2:20:16.080 --> 2:20:18.440
<v Speaker 1>been handing it to James Cameron for doing that in

2:20:18.480 --> 2:20:20.720
<v Speaker 1>a way that's like, yeah, that should just be kind

2:20:20.360 --> 2:20:23.800
<v Speaker 1>of should just a standard. But you know in Titanic

2:20:23.840 --> 2:20:26.640
<v Speaker 1>at a period piece, you're like, oh wow, women, I

2:20:26.680 --> 2:20:32.119
<v Speaker 1>know choices back then. How subversive. Then it's like, why

2:20:32.120 --> 2:20:36.959
<v Speaker 1>are the Navy monogamous? Okay? I I had the same thought,

2:20:36.959 --> 2:20:38.760
<v Speaker 1>because she's like, and now we had sex one time

2:20:38.760 --> 2:20:41.160
<v Speaker 1>and now we're made it for life. And and again

2:20:41.280 --> 2:20:43.320
<v Speaker 1>I I don't I'm not an expert on this, but

2:20:44.000 --> 2:20:48.480
<v Speaker 1>it's my understanding that like hetero monogamy is a very

2:20:48.720 --> 2:20:54.039
<v Speaker 1>European Christian thing. And I'm not knocking monogamy or anything,

2:20:54.480 --> 2:20:59.520
<v Speaker 1>but things like heteronormativity and the quote unquote gender binary

2:21:00.120 --> 2:21:05.320
<v Speaker 1>and long term monogamous pair bonding, these are all constructs that,

2:21:05.560 --> 2:21:09.000
<v Speaker 1>again from my understanding, a lot of communities around the world,

2:21:09.080 --> 2:21:14.320
<v Speaker 1>including many indigenous ones, don't participate in because it's never

2:21:14.360 --> 2:21:17.840
<v Speaker 1>been a part of their culture or cultural evolution. I

2:21:17.879 --> 2:21:22.560
<v Speaker 1>am literally reading this book called Reclaiming to Spirits, and

2:21:23.040 --> 2:21:25.080
<v Speaker 1>I'm like just a couple of chapters in, but they're

2:21:25.160 --> 2:21:29.279
<v Speaker 1>already talking about like how all over the United States

2:21:29.920 --> 2:21:32.600
<v Speaker 1>in general, like there are so much there's so much

2:21:32.600 --> 2:21:40.199
<v Speaker 1>evidence of lgbt Q relationships and polygamous relationships, not even

2:21:40.280 --> 2:21:43.800
<v Speaker 1>just like one man with multiple wives, which does happen,

2:21:43.879 --> 2:21:49.200
<v Speaker 1>but like a man with multiple husbands. And so to

2:21:49.360 --> 2:21:51.920
<v Speaker 1>see it like done like this in a movie that

2:21:52.040 --> 2:21:56.359
<v Speaker 1>is about connection and about like you know, this network

2:21:56.400 --> 2:21:58.080
<v Speaker 1>of people and stuff like that. Why would she just

2:21:58.120 --> 2:22:01.920
<v Speaker 1>be limited to one person she would be in love with? Yeah?

2:22:02.080 --> 2:22:06.640
<v Speaker 1>Why would this? Why would they? When that's such a

2:22:06.720 --> 2:22:12.280
<v Speaker 1>construct of like like such a euro Christian centric construct.

2:22:12.680 --> 2:22:17.000
<v Speaker 1>It's because he's a white guy, because James Cameron. Right,

2:22:17.040 --> 2:22:19.800
<v Speaker 1>it's like it does feel like a James Cameron thing

2:22:19.840 --> 2:22:23.200
<v Speaker 1>where it's like he is I don't even know, like

2:22:23.240 --> 2:22:25.960
<v Speaker 1>I was like who even knows how conscious, like how

2:22:26.000 --> 2:22:28.240
<v Speaker 1>hard he even thought about this, because it's just like

2:22:28.280 --> 2:22:32.280
<v Speaker 1>that's what happens when you have like he's giving like

2:22:32.360 --> 2:22:35.400
<v Speaker 1>he's giving the navi elements of the oppressor in a

2:22:35.440 --> 2:22:40.600
<v Speaker 1>way that is like what what who and for what

2:22:40.160 --> 2:22:43.880
<v Speaker 1>and what and then gives us the little peanut of like, well,

2:22:43.920 --> 2:22:47.360
<v Speaker 1>but Nateria got to choose her partner that you have

2:22:47.440 --> 2:22:51.040
<v Speaker 1>to marry after having sex with one time, and we're like, yes, girlfa,

2:22:51.600 --> 2:22:53.960
<v Speaker 1>it's amazing. So I take it all back. I'm not

2:22:54.080 --> 2:22:59.360
<v Speaker 1>rooting for their relationship. She just should have snagged the

2:22:59.360 --> 2:23:02.080
<v Speaker 1>white guy and that that should have been Jake, Like,

2:23:02.120 --> 2:23:05.920
<v Speaker 1>wait what, because oh, I just sucked a cat with

2:23:05.959 --> 2:23:09.600
<v Speaker 1>my brain tentacle thing. The one moment with Jake and

2:23:09.640 --> 2:23:13.920
<v Speaker 1>Ateri that I did like was when she finds him

2:23:13.959 --> 2:23:17.480
<v Speaker 1>in human form and she's holding him and then they say,

2:23:17.520 --> 2:23:21.320
<v Speaker 1>I see you and you're like everywhere she he sucks

2:23:21.320 --> 2:23:24.360
<v Speaker 1>in all forms, but she accepts him in all forms. Wow,

2:23:24.360 --> 2:23:31.840
<v Speaker 1>it's so nice, goddamn it. But no, Niteri in general,

2:23:32.200 --> 2:23:35.800
<v Speaker 1>I love her. I think that they could have done

2:23:36.040 --> 2:23:39.920
<v Speaker 1>more to characterize her. We don't know very much. She

2:23:39.959 --> 2:23:43.600
<v Speaker 1>gets reduced to the relationship at certain moments, not all

2:23:43.600 --> 2:23:45.680
<v Speaker 1>the time, because, like you were saying earlier, Ali like

2:23:46.160 --> 2:23:51.960
<v Speaker 1>she is, like I think, realistically and like tactically and emotionally,

2:23:52.520 --> 2:23:55.800
<v Speaker 1>most connected to her family and to Pandora. And when

2:23:55.920 --> 2:23:58.880
<v Speaker 1>Jake Fox with her family, Fox with Pandora, he's cut

2:23:58.879 --> 2:24:01.640
<v Speaker 1>out of her life. That totally makes sense. But there

2:24:01.680 --> 2:24:05.600
<v Speaker 1>are sequences of the movie where they're on good turn

2:24:05.680 --> 2:24:08.240
<v Speaker 1>like when things are going well. All we know about

2:24:08.360 --> 2:24:11.920
<v Speaker 1>Nitti is in relation to Jake. When things aren't going well,

2:24:11.959 --> 2:24:14.880
<v Speaker 1>She gets these character moments, but they're also in reaction

2:24:14.920 --> 2:24:18.160
<v Speaker 1>to Jake more often than not because there's not Is

2:24:18.200 --> 2:24:21.000
<v Speaker 1>there a scene in this movie where two Navy characters

2:24:21.040 --> 2:24:23.480
<v Speaker 1>talk to each other and Jake or Grace are not there,

2:24:23.520 --> 2:24:31.840
<v Speaker 1>Like no n test. It's when Naterie and her dad

2:24:32.040 --> 2:24:34.640
<v Speaker 1>are talking to each other when he's dying. He tells

2:24:34.680 --> 2:24:38.280
<v Speaker 1>her to protect but then Jake shows up, but then

2:24:38.320 --> 2:24:42.520
<v Speaker 1>he's still bull dozes into the scene. Okay, let me

2:24:42.600 --> 2:24:44.640
<v Speaker 1>touch your shoulder to comfort you, and she's like, get

2:24:44.640 --> 2:24:47.600
<v Speaker 1>the funk away from me. You ask whole She loves

2:24:47.640 --> 2:24:52.160
<v Speaker 1>to insert himself. You're like, dude, I do appreciate the

2:24:52.360 --> 2:24:58.560
<v Speaker 1>um Naterius never framed as a damsel. She saves Jake

2:24:58.640 --> 2:25:01.560
<v Speaker 1>several times, she saves her elf several times. She's a

2:25:01.600 --> 2:25:10.039
<v Speaker 1>competent warrior guy. She kills the colonel that she should

2:25:10.080 --> 2:25:14.440
<v Speaker 1>have been the hero, and she should have been and

2:25:15.920 --> 2:25:18.480
<v Speaker 1>she should have been that if anything was going to

2:25:18.600 --> 2:25:21.880
<v Speaker 1>like be the big motivator to unite the clans, it

2:25:21.920 --> 2:25:23.920
<v Speaker 1>should have been like we lost home tree, this is

2:25:23.959 --> 2:25:27.520
<v Speaker 1>what's at stake. I'm getting a fucking dragon and and

2:25:27.560 --> 2:25:29.840
<v Speaker 1>I think that would have been more like that would

2:25:29.840 --> 2:25:32.640
<v Speaker 1>have put her people in a better, like more comfortable

2:25:32.640 --> 2:25:35.440
<v Speaker 1>place to have, Like yeah, that, why would it? Why

2:25:35.480 --> 2:25:37.840
<v Speaker 1>would it be Jake? This movie should have been more

2:25:37.920 --> 2:25:42.480
<v Speaker 1>like the movie Prey, where it's told from her point

2:25:42.480 --> 2:25:47.600
<v Speaker 1>of view, where she is like the Ultimate Warrior, where

2:25:47.640 --> 2:25:51.600
<v Speaker 1>she fights the aliens who came from the sky and

2:25:52.040 --> 2:25:54.360
<v Speaker 1>kills their ass. I guess it's just one of them

2:25:54.360 --> 2:26:00.360
<v Speaker 1>in Prey, but still still, yeah, that would have been great.

2:26:00.520 --> 2:26:03.240
<v Speaker 1>That would have been better Jake. If Jake was going

2:26:03.320 --> 2:26:07.480
<v Speaker 1>to do anything, he should have like sabotaged the base

2:26:07.680 --> 2:26:11.320
<v Speaker 1>from the inside, yeah, while Matery was getting shipped done,

2:26:11.320 --> 2:26:14.840
<v Speaker 1>because that would have subverted everything. I think like if

2:26:14.879 --> 2:26:16.920
<v Speaker 1>that would have been like, Okay, our hero fucked up

2:26:16.920 --> 2:26:19.320
<v Speaker 1>and he ain't ships, so now he's in jail and

2:26:19.360 --> 2:26:22.680
<v Speaker 1>if he wants to contribute, he can do something with

2:26:22.760 --> 2:26:27.680
<v Speaker 1>his own people inside of jail in kind of the base,

2:26:27.840 --> 2:26:29.720
<v Speaker 1>and then he should have gone back to Earth. And

2:26:29.720 --> 2:26:33.080
<v Speaker 1>it's like sorry for you that the Earth is basically

2:26:33.200 --> 2:26:35.760
<v Speaker 1>like mad Max Fury Road. But whose fault was that?

2:26:36.120 --> 2:26:39.600
<v Speaker 1>It's not our problem was that? Yeah, it's because humans

2:26:39.640 --> 2:26:44.039
<v Speaker 1>fucked it up? Um? Is there anything anyone else wants

2:26:44.080 --> 2:26:47.640
<v Speaker 1>to talk about? I feel like we've only scratched the service,

2:26:47.840 --> 2:26:51.000
<v Speaker 1>but I just wanted to breeze through really quickly. A

2:26:51.040 --> 2:26:55.720
<v Speaker 1>few other um women in the movie. We've talked about Grace,

2:26:56.280 --> 2:26:59.320
<v Speaker 1>you know, like she's it's a Sigourney Weaver characters. At

2:26:59.320 --> 2:27:01.240
<v Speaker 1>the end of the day, I'm like, nice, but I

2:27:01.280 --> 2:27:05.000
<v Speaker 1>do think like it's worth kind of repeating that her character.

2:27:05.120 --> 2:27:07.640
<v Speaker 1>You know, it's like, on the surface level, it's good that,

2:27:07.840 --> 2:27:11.560
<v Speaker 1>you know, our highest most respected scientist is a woman

2:27:11.640 --> 2:27:14.240
<v Speaker 1>who seems to have a lot of control, influence, respect,

2:27:14.360 --> 2:27:18.120
<v Speaker 1>woman and stuff. On the other hand, she is ethically compromised,

2:27:18.160 --> 2:27:20.360
<v Speaker 1>and no one ever wants to bring that up and

2:27:20.440 --> 2:27:24.960
<v Speaker 1>complicit in genie. I do like her relationship with Jake, though,

2:27:24.959 --> 2:27:30.680
<v Speaker 1>because you rarely see that mentor student relationships between men

2:27:30.720 --> 2:27:34.560
<v Speaker 1>and women, where the woman is the teacher and the

2:27:34.560 --> 2:27:38.240
<v Speaker 1>man is like her subordinate and there's like a genuine

2:27:38.240 --> 2:27:41.520
<v Speaker 1>respect and camaraderie that I wish he would have had

2:27:41.560 --> 2:27:45.280
<v Speaker 1>that with nay Terry. Also, yes, instead of whatever the

2:27:45.320 --> 2:27:48.000
<v Speaker 1>fun because snag the white guy and then go get

2:27:48.040 --> 2:27:51.960
<v Speaker 1>married it or don't get married, just fucking fuck monogamy

2:27:52.000 --> 2:27:58.320
<v Speaker 1>and marriage. Just have just fuck. But yeah, I I

2:27:58.440 --> 2:28:00.280
<v Speaker 1>that's a that's a good point. And also the like

2:28:00.320 --> 2:28:03.520
<v Speaker 1>I feel like when there is a woman in the

2:28:03.600 --> 2:28:07.600
<v Speaker 1>mentor role, the like Malemntee constantly brings it up of

2:28:07.640 --> 2:28:11.000
<v Speaker 1>like I can't believe I'm learning from feel like I'm

2:28:11.080 --> 2:28:14.440
<v Speaker 1>learning from my mom. But it's just like a and

2:28:14.560 --> 2:28:17.240
<v Speaker 1>inherently respectful and like, I feel like this is these

2:28:17.240 --> 2:28:19.280
<v Speaker 1>are elements of the James Cameron play a book that

2:28:19.320 --> 2:28:22.080
<v Speaker 1>he's generally really good with the same goose. It's like,

2:28:22.240 --> 2:28:27.400
<v Speaker 1>it's a pretty diverse team, the science team, and you

2:28:27.520 --> 2:28:31.600
<v Speaker 1>also have again, she's like when the Michelle Rodriguez character

2:28:31.640 --> 2:28:35.160
<v Speaker 1>is so underwritten and so underdeveloped that it's like, we're

2:28:35.160 --> 2:28:37.320
<v Speaker 1>just gonna have her say fast and the furious lines

2:28:37.520 --> 2:28:42.320
<v Speaker 1>in this movie. Um, but a very highly motivated character

2:28:42.640 --> 2:28:46.600
<v Speaker 1>who has a whole arc about realizing that the military

2:28:46.680 --> 2:28:51.360
<v Speaker 1>industrial complex is bad. Actually, but she is like she is,

2:28:51.640 --> 2:28:55.840
<v Speaker 1>you know, without that character, uh, a lot of you know,

2:28:55.959 --> 2:28:59.200
<v Speaker 1>Jake's return to Pandora would not have been possible, so

2:28:59.480 --> 2:29:02.119
<v Speaker 1>the whole third act wouldn't have happened. So yeah, Trudy

2:29:02.200 --> 2:29:04.440
<v Speaker 1>like is a very important character for someone with very

2:29:04.440 --> 2:29:08.520
<v Speaker 1>little screen time. I wish that they didn't blow her up. Yeah, yeah,

2:29:08.560 --> 2:29:12.840
<v Speaker 1>Trudy is what Giovanni Verese's character isn't because Giovanni Versi

2:29:12.920 --> 2:29:15.720
<v Speaker 1>knows that something's wrong and he continues to do it,

2:29:15.800 --> 2:29:19.080
<v Speaker 1>and Trudy knows that it's wrong, and she's like, fuck this.

2:29:19.200 --> 2:29:21.480
<v Speaker 1>I didn't sign up for this, which we kind of did,

2:29:21.640 --> 2:29:24.920
<v Speaker 1>but he did technically did. But maybe you didn't know

2:29:24.959 --> 2:29:27.000
<v Speaker 1>exactly what you were signing up for because we can

2:29:27.040 --> 2:29:31.680
<v Speaker 1>script people very very young and it's sucked up. Uh,

2:29:31.760 --> 2:29:35.480
<v Speaker 1>but I did. I did generally like that character. Um. Again,

2:29:35.600 --> 2:29:39.200
<v Speaker 1>very broad James camerony writing, but very easily could have

2:29:39.240 --> 2:29:44.440
<v Speaker 1>been cast as a man and was not, which I

2:29:44.480 --> 2:29:46.840
<v Speaker 1>think is again I feel like we're handing it to

2:29:46.920 --> 2:29:50.480
<v Speaker 1>James Cameron for nothing, but most male otour directors don't

2:29:50.520 --> 2:29:52.879
<v Speaker 1>do that. He did make Titanic, though, so we got

2:29:53.000 --> 2:29:56.160
<v Speaker 1>to really hand it to him for a lot of stuff. Um.

2:29:56.280 --> 2:29:58.800
<v Speaker 1>Shout out Norm kind of just for no reason. But

2:29:59.120 --> 2:30:02.560
<v Speaker 1>I'm just like he was in Bones. He's a sweetie.

2:30:02.600 --> 2:30:09.119
<v Speaker 1>He's a sweetie. Also complicit in genocide. Uh yeah. Norm

2:30:09.200 --> 2:30:12.880
<v Speaker 1>originally in the deleted scenes, was supposed to be the

2:30:13.080 --> 2:30:16.120
<v Speaker 1>Jake Sully character as far as like, oh well, we've

2:30:16.160 --> 2:30:18.800
<v Speaker 1>got a scientist who's not threatening and maybe he's going

2:30:18.840 --> 2:30:20.400
<v Speaker 1>to be the one to connect with the Navvy, and

2:30:20.440 --> 2:30:22.720
<v Speaker 1>then Jake just steals his job and that's why he's

2:30:22.760 --> 2:30:29.160
<v Speaker 1>piste off. And there's another deleted scene where Suite. It's

2:30:29.200 --> 2:30:34.000
<v Speaker 1>after Jake hunts and is a successful hunter or whatever,

2:30:34.120 --> 2:30:37.720
<v Speaker 1>and then they party and they're eating and drinking and

2:30:37.760 --> 2:30:40.920
<v Speaker 1>stuff like that, and Sute is drinking and he and

2:30:41.000 --> 2:30:44.120
<v Speaker 1>Jake get into like a drinking competition. He says there

2:30:44.120 --> 2:30:46.200
<v Speaker 1>he's kind of drunk. He's like, I never thought a

2:30:46.240 --> 2:30:49.800
<v Speaker 1>sky person would be brave. He's like, you guys fight

2:30:49.959 --> 2:30:52.880
<v Speaker 1>far away and like those machines and stuff like that,

2:30:52.920 --> 2:30:54.959
<v Speaker 1>you fight at a distance. I never thought one of

2:30:54.959 --> 2:30:57.080
<v Speaker 1>them could be brave. And they had like a bonding

2:30:57.160 --> 2:31:03.000
<v Speaker 1>moment and makes that fucking scene where he's like you

2:31:03.160 --> 2:31:06.039
<v Speaker 1>made it with her like that much worse because it's like, dude,

2:31:06.040 --> 2:31:09.520
<v Speaker 1>I thought we were broke and then you just And

2:31:09.560 --> 2:31:12.520
<v Speaker 1>then they actually have a proper fight scene in the

2:31:12.560 --> 2:31:15.760
<v Speaker 1>deleted scenes, and that one should have been good and

2:31:15.920 --> 2:31:18.080
<v Speaker 1>that should have been in the re release and it's not.

2:31:18.160 --> 2:31:20.240
<v Speaker 1>And I'm salty about it because he would have won.

2:31:21.040 --> 2:31:24.400
<v Speaker 1>He would have won. They keep disrespecting my man, that

2:31:24.600 --> 2:31:34.199
<v Speaker 1>entire fucking movie. Well, have we reached the end? I

2:31:34.200 --> 2:31:38.000
<v Speaker 1>think we have what a journey, and yet I feel

2:31:38.040 --> 2:31:42.760
<v Speaker 1>like there's still so much. Boy does this movie pass

2:31:42.800 --> 2:31:45.400
<v Speaker 1>the back to test? Does it? Oh my gosh, I

2:31:45.440 --> 2:31:49.520
<v Speaker 1>forgot to pay attention. Um, I can't. Really. There is

2:31:49.560 --> 2:31:54.080
<v Speaker 1>a few that I flagged that I was like, maybe, like,

2:31:54.360 --> 2:31:58.080
<v Speaker 1>there's a few close passes because like, Grace does speak

2:31:58.080 --> 2:32:01.360
<v Speaker 1>to materies, like, but it's all is I don't think

2:32:01.400 --> 2:32:04.440
<v Speaker 1>that it does. And now I have scholarly journal, Bechtel

2:32:04.480 --> 2:32:07.879
<v Speaker 1>Test dot com up and the closest I can get

2:32:07.920 --> 2:32:11.160
<v Speaker 1>to someone effectively making an argument because they're always talking

2:32:11.160 --> 2:32:15.440
<v Speaker 1>about Jake. And the best argument I've been able to

2:32:15.480 --> 2:32:19.039
<v Speaker 1>find was like, well, Grace talks to a what at

2:32:19.080 --> 2:32:22.920
<v Speaker 1>the end window? I was like, well, that conversation doesn't

2:32:22.920 --> 2:32:27.920
<v Speaker 1>even happen on screen, um, and she's literally telling Jake

2:32:28.000 --> 2:32:31.360
<v Speaker 1>about it. So Jake ruins this whole movie. He also

2:32:31.480 --> 2:32:36.080
<v Speaker 1>prevents it from passing the Bechtel test. Congratulations Jake Sully, asshole.

2:32:36.200 --> 2:32:39.760
<v Speaker 1>Damn it. And Terry doesn't pass the Ali Naty tests. God,

2:32:39.879 --> 2:32:47.959
<v Speaker 1>damn it, damn it, goddamn it, son of a bitch. Jake, Well,

2:32:47.959 --> 2:32:51.000
<v Speaker 1>what about our nipple scale though scale of zero to

2:32:51.040 --> 2:32:53.600
<v Speaker 1>five nipples, where we rate the movie based on looking

2:32:53.600 --> 2:33:00.440
<v Speaker 1>at it through an intersectional feminist lens um, I would say, oh, okay,

2:33:00.480 --> 2:33:04.880
<v Speaker 1>here we go. James Cameron, he had good intentions. I

2:33:04.920 --> 2:33:09.120
<v Speaker 1>think with this movie. He tried. He wanted to tell

2:33:09.120 --> 2:33:17.560
<v Speaker 1>a story about anti capitalism, anti colonialism, anti military industrial complex,

2:33:17.920 --> 2:33:21.440
<v Speaker 1>and those messages are clear. However, when you dig a

2:33:21.480 --> 2:33:24.200
<v Speaker 1>little deeper and you look at a lot of the

2:33:24.240 --> 2:33:29.359
<v Speaker 1>implications of what's happening on screen, you realize that it's

2:33:29.400 --> 2:33:34.760
<v Speaker 1>a white savior story about a white guy who fails

2:33:34.920 --> 2:33:40.320
<v Speaker 1>upward into somehow being a part of this community. Which

2:33:40.360 --> 2:33:43.480
<v Speaker 1>if this was a movie made by indigenous people, I

2:33:43.520 --> 2:33:46.000
<v Speaker 1>don't think that would have ever happened like that would

2:33:46.000 --> 2:33:48.400
<v Speaker 1>have never been written that way. That would have is

2:33:48.440 --> 2:33:50.560
<v Speaker 1>not how that story would have panned out. It would

2:33:50.560 --> 2:33:53.600
<v Speaker 1>have just been told from, you know, Natierie's point of view.

2:33:54.200 --> 2:33:56.840
<v Speaker 1>Jake would have been eliminated from the story. In general.

2:33:57.440 --> 2:34:01.560
<v Speaker 1>It would just be a story told from the omata

2:34:01.600 --> 2:34:07.000
<v Speaker 1>Kaya people's perspective, and that would be the movie. So

2:34:07.400 --> 2:34:10.920
<v Speaker 1>intentions good though they might have been, a lot of

2:34:11.040 --> 2:34:16.880
<v Speaker 1>marks were missed as far as indigenous representation, as far

2:34:17.040 --> 2:34:21.600
<v Speaker 1>as disability representation, and to some extent, I think the

2:34:21.640 --> 2:34:24.200
<v Speaker 1>representation of women as well, because you could kind of

2:34:24.240 --> 2:34:27.080
<v Speaker 1>easily make the argument that Niteria is presented as a

2:34:27.120 --> 2:34:31.720
<v Speaker 1>plot trophy for Jake Sully doing the right thing, a

2:34:31.760 --> 2:34:34.440
<v Speaker 1>prize to be one. She has more agency than that,

2:34:34.480 --> 2:34:40.480
<v Speaker 1>though she does. But but again, if this movie, in

2:34:40.560 --> 2:34:44.160
<v Speaker 1>our rewrite that we're going to do, um, Niteria would

2:34:44.200 --> 2:34:51.600
<v Speaker 1>be which, first of all, it'll be on ice of ice.

2:34:52.959 --> 2:34:55.720
<v Speaker 1>We'll find a way to work minions into the story,

2:34:55.879 --> 2:34:59.200
<v Speaker 1>and Shrek will make an appearance. Obviously, minions would have

2:34:59.200 --> 2:35:01.640
<v Speaker 1>worked for the current opinions, would have worked for the

2:35:01.680 --> 2:35:05.039
<v Speaker 1>colonel for sure. Um, we're gonna do a rewrite. But no,

2:35:05.320 --> 2:35:08.480
<v Speaker 1>the story should be Nati story like she should be

2:35:08.560 --> 2:35:11.800
<v Speaker 1>the protagonist. Jake Sally didn't even need to be there.

2:35:12.400 --> 2:35:16.200
<v Speaker 1>So with all of that in mind, I'll give the

2:35:16.240 --> 2:35:20.600
<v Speaker 1>movie to two and a half. It's kind of where

2:35:20.600 --> 2:35:24.440
<v Speaker 1>I'm at Nipples. I'll land on two and a half

2:35:24.480 --> 2:35:26.600
<v Speaker 1>because at the end of the day, I still had

2:35:26.600 --> 2:35:29.400
<v Speaker 1>a damn good time watching this movie. The movie felt

2:35:29.440 --> 2:35:34.280
<v Speaker 1>like a movie. The movie feels like a movie. So

2:35:34.560 --> 2:35:39.959
<v Speaker 1>I'll give one to Natie, I'll give one to mowat

2:35:40.440 --> 2:35:47.200
<v Speaker 1>her mother, and I'll give my half nipple to Pandora mother.

2:35:47.320 --> 2:35:50.440
<v Speaker 1>A wa um, I guess I'll made you there. I

2:35:50.520 --> 2:35:52.400
<v Speaker 1>kind of want to dog into too. I don't really

2:35:52.720 --> 2:35:55.800
<v Speaker 1>know why. I don't have a good reason to go

2:35:55.840 --> 2:35:58.400
<v Speaker 1>with your guts, but I'm going on this one. That's

2:35:58.440 --> 2:36:01.959
<v Speaker 1>what your braid tentacles are telling you to go with it. Yes,

2:36:02.040 --> 2:36:05.520
<v Speaker 1>I just saw this really funny tweet while you're um.

2:36:05.560 --> 2:36:10.520
<v Speaker 1>It's James Cameron standing at the avatar to Premier. It's

2:36:10.560 --> 2:36:13.080
<v Speaker 1>just him standing in front of the words tar. And

2:36:13.120 --> 2:36:15.480
<v Speaker 1>it's like even James Cameron had to see what all

2:36:15.520 --> 2:36:20.480
<v Speaker 1>the fuss is about and went to see tar. Okay,

2:36:21.080 --> 2:36:24.119
<v Speaker 1>moving right along, I'm gonna I think that again. Yes,

2:36:24.160 --> 2:36:27.600
<v Speaker 1>I think that, like James Cameron expresses certain themes very

2:36:27.600 --> 2:36:30.320
<v Speaker 1>effectively here in a way that you never see even

2:36:30.360 --> 2:36:34.160
<v Speaker 1>really attempted in blockbuster movies. He's always been good with this.

2:36:34.360 --> 2:36:37.320
<v Speaker 1>He's made, you know, entire movies that are explicitly critical

2:36:37.320 --> 2:36:41.280
<v Speaker 1>of the L A. P. D Um. He is generally good.

2:36:41.320 --> 2:36:43.520
<v Speaker 1>I think he could have been better in this movie, honestly,

2:36:43.560 --> 2:36:49.200
<v Speaker 1>about putting women in prominent and um motivated and interesting

2:36:49.400 --> 2:36:52.400
<v Speaker 1>action roles. Um, I don't think this is the movie

2:36:52.440 --> 2:36:53.840
<v Speaker 1>where he does it best, but he does it to

2:36:53.920 --> 2:36:56.320
<v Speaker 1>some extent. You know, he's doing the things that he

2:36:56.360 --> 2:36:58.879
<v Speaker 1>does well well and then when he's out of his depth,

2:36:59.120 --> 2:37:02.640
<v Speaker 1>it's very obvi this. Yeah, but but I think that

2:37:02.720 --> 2:37:05.199
<v Speaker 1>like it's I don't know, my experience of this movie

2:37:05.240 --> 2:37:09.560
<v Speaker 1>has been so kind of colored by the changing ways

2:37:09.600 --> 2:37:12.840
<v Speaker 1>that we've talked about it in the thirteen years it's existed.

2:37:12.879 --> 2:37:15.240
<v Speaker 1>It feels like it's been around for sucking ever. And

2:37:15.280 --> 2:37:17.400
<v Speaker 1>I think that, you know, there's a lot to love

2:37:17.440 --> 2:37:20.680
<v Speaker 1>about this movie that we've been encouraged not to love

2:37:21.160 --> 2:37:25.640
<v Speaker 1>because of how just media in general seems to view

2:37:26.280 --> 2:37:30.360
<v Speaker 1>indigenous stories and centering Indigenous characters in any way, shape

2:37:30.400 --> 2:37:32.320
<v Speaker 1>or form. And that's not to say that this movie

2:37:32.320 --> 2:37:35.960
<v Speaker 1>does it particularly well. So I don't know. I guess

2:37:35.959 --> 2:37:39.039
<v Speaker 1>I'll go two and a half because that was mostly complimentary.

2:37:39.160 --> 2:37:43.080
<v Speaker 1>Uh that said, it doesn't pass the Printles test, and

2:37:44.680 --> 2:37:48.240
<v Speaker 1>you know, and only one character passes the alien Nati test, right,

2:37:48.280 --> 2:37:51.880
<v Speaker 1>but not the not the main woman that you'd expect,

2:37:52.040 --> 2:37:55.520
<v Speaker 1>not in a terry and um, you don't get really

2:37:55.600 --> 2:37:58.160
<v Speaker 1>any you know, there's too much Jake Sully. You don't

2:37:58.160 --> 2:38:02.920
<v Speaker 1>get any interior look into what the what the Omedicaia

2:38:03.360 --> 2:38:07.600
<v Speaker 1>are thinking when Jake Sully isn't there, which is I

2:38:07.640 --> 2:38:10.920
<v Speaker 1>think a huge missed opportunity. And that's like supposedly, if

2:38:11.000 --> 2:38:15.480
<v Speaker 1>James Cameron wants to make a movie that effectively addresses

2:38:15.879 --> 2:38:19.560
<v Speaker 1>you know, Indigenous issues and concerns and culture. Um, then

2:38:19.640 --> 2:38:24.320
<v Speaker 1>why is Jake Sully always there? Is my two and

2:38:24.320 --> 2:38:27.920
<v Speaker 1>a half napples. I'm giving one to a tie, I'm

2:38:27.959 --> 2:38:32.800
<v Speaker 1>given one to Niteri's mommy, why do I have the

2:38:33.000 --> 2:38:35.680
<v Speaker 1>Wikipedia page for tar Up? Oh, it's because of the

2:38:36.800 --> 2:38:40.280
<v Speaker 1>um giving one to I'm not giving one to tar

2:38:40.840 --> 2:38:44.000
<v Speaker 1>I'm giving one Tonteria, one to Moat, and I will

2:38:44.040 --> 2:38:53.160
<v Speaker 1>give the last half twa perfect beautiful Okay. So if

2:38:53.200 --> 2:38:56.240
<v Speaker 1>you were to ask me back when it first came out,

2:38:56.280 --> 2:38:59.240
<v Speaker 1>I probably would have gave it four four nipples off

2:38:59.240 --> 2:39:04.600
<v Speaker 1>four of them. But now you know, after enough time,

2:39:04.760 --> 2:39:10.000
<v Speaker 1>and especially after talking and communicating with other Indigenous people,

2:39:10.120 --> 2:39:14.640
<v Speaker 1>especially indigenous creatives, and now that I've seen better, I

2:39:14.720 --> 2:39:19.200
<v Speaker 1>know that we could do better. And there's absolutely no

2:39:19.280 --> 2:39:23.160
<v Speaker 1>reason why Indigenous people shouldn't be allowed to tell stories

2:39:23.800 --> 2:39:29.800
<v Speaker 1>of the scale, you know, so I feel like I'm

2:39:29.840 --> 2:39:34.080
<v Speaker 1>gonna give it three. I'll just commit and give it

2:39:34.120 --> 2:39:37.120
<v Speaker 1>three because I did, and I did enjoy it. The

2:39:37.160 --> 2:39:40.000
<v Speaker 1>stuff that I enjoyed I still very much enjoy I

2:39:40.040 --> 2:39:43.119
<v Speaker 1>think it's beautiful, and I think like the special effects

2:39:43.200 --> 2:39:46.800
<v Speaker 1>and everything, and the fact that the water wasn't real

2:39:47.120 --> 2:39:50.320
<v Speaker 1>like blew my mind. The fact that it remotely holds

2:39:50.400 --> 2:39:53.840
<v Speaker 1>up is so wild. I know it looks it looks

2:39:53.879 --> 2:39:58.080
<v Speaker 1>so good and uh, but the Aliens. Now, as someone

2:39:58.120 --> 2:40:02.000
<v Speaker 1>who smashes Aliens and Mass Effect act for three games,

2:40:02.959 --> 2:40:06.560
<v Speaker 1>I wish that the Aliens were to that caliber of

2:40:06.640 --> 2:40:09.560
<v Speaker 1>hot or at least because the characters in Mass Effect

2:40:09.680 --> 2:40:14.119
<v Speaker 1>have a lot more to offer as far as like

2:40:14.400 --> 2:40:17.959
<v Speaker 1>their own stories, their own histories, their own opinions on things,

2:40:18.080 --> 2:40:20.400
<v Speaker 1>and all that stuff. It's a BioWare games, so you're

2:40:20.400 --> 2:40:23.240
<v Speaker 1>allowed to go deep. You couldn't go deep in this one.

2:40:23.560 --> 2:40:29.400
<v Speaker 1>And there were too many human characters, not enough navy characters.

2:40:29.800 --> 2:40:33.840
<v Speaker 1>Jake should have had a couple navvy friends outside of

2:40:33.959 --> 2:40:39.520
<v Speaker 1>Natterie and outside of his bromance with Sute, just to

2:40:39.600 --> 2:40:43.760
<v Speaker 1>like kind of build on why he switches side so

2:40:43.840 --> 2:40:46.840
<v Speaker 1>fast and feels this connection to these people instead of

2:40:46.920 --> 2:40:50.320
<v Speaker 1>just like, well I'm here, I'm here and blessed by God,

2:40:50.560 --> 2:40:56.400
<v Speaker 1>so love me God. But um, but yeah, so I'll

2:40:56.400 --> 2:40:59.040
<v Speaker 1>still give it the three star, three stars, three nipples,

2:40:59.160 --> 2:41:03.560
<v Speaker 1>three pasties. Um one's is gonna go to na Terry

2:41:04.200 --> 2:41:06.320
<v Speaker 1>one is going to go to Mowat for passing the

2:41:06.360 --> 2:41:09.040
<v Speaker 1>Alienati test, and then the last one is going to

2:41:09.080 --> 2:41:11.160
<v Speaker 1>go to suite because he should at least have one

2:41:11.200 --> 2:41:15.080
<v Speaker 1>regular size nipples because his are so small. On top

2:41:15.160 --> 2:41:21.160
<v Speaker 1>of everything else wrong, I have to give my mad

2:41:21.320 --> 2:41:25.560
<v Speaker 1>some dignity because he got almost done in this movie.

2:41:25.800 --> 2:41:27.920
<v Speaker 1>He did have a great death scene, but that's not

2:41:27.959 --> 2:41:32.200
<v Speaker 1>saying much. Yeah, well, Elie, thank you as always for

2:41:32.280 --> 2:41:35.800
<v Speaker 1>being here. It's been an absolute delight. Three time or

2:41:36.280 --> 2:41:39.080
<v Speaker 1>we love to see it. There is one last thing

2:41:39.120 --> 2:41:41.080
<v Speaker 1>I want to shout out while I'm here though, This

2:41:41.360 --> 2:41:45.200
<v Speaker 1>is very important. So um, this has taken place in

2:41:45.320 --> 2:41:50.920
<v Speaker 1>Winnipeg right now in Canada, and since uh, we're talking

2:41:50.959 --> 2:41:54.720
<v Speaker 1>about indigenous people, let's actually talk about the real ones

2:41:54.800 --> 2:41:58.600
<v Speaker 1>that exist today. But there is a situation happening right

2:41:58.600 --> 2:42:02.600
<v Speaker 1>now where the daughters of Morgan Harris, who is an

2:42:02.640 --> 2:42:06.680
<v Speaker 1>Indigenous woman in Canada who was murdered by a serial

2:42:06.760 --> 2:42:12.240
<v Speaker 1>killer along with four other Indigenous women. They believe that

2:42:12.720 --> 2:42:18.800
<v Speaker 1>their bodies are in the the Prairie Green Landfill the RCMP.

2:42:19.000 --> 2:42:21.400
<v Speaker 1>So the Canadian police told them that they believe that

2:42:21.400 --> 2:42:24.800
<v Speaker 1>that's where the serial killer dumped their bodies, and they're

2:42:24.840 --> 2:42:29.680
<v Speaker 1>refusing to investigate because they said that it isn't feasible.

2:42:30.120 --> 2:42:33.800
<v Speaker 1>So there essentially telling these girls that they have to

2:42:33.879 --> 2:42:37.280
<v Speaker 1>make peace with their mother staying in a dumpster and

2:42:37.400 --> 2:42:40.640
<v Speaker 1>not getting a burial, and these girls are fighting to

2:42:40.840 --> 2:42:43.800
<v Speaker 1>push back and search the landfill. So I really wanted

2:42:43.840 --> 2:42:47.199
<v Speaker 1>to just raise awareness to that and get the word

2:42:47.240 --> 2:42:50.560
<v Speaker 1>out there because I heard about it two days ago

2:42:50.959 --> 2:42:54.160
<v Speaker 1>and it's just not making as much waves as it

2:42:54.200 --> 2:42:56.600
<v Speaker 1>should be. So do you know, if there's any kind

2:42:56.640 --> 2:43:00.680
<v Speaker 1>of go fund me or anything to support, I will

2:43:00.800 --> 2:43:03.280
<v Speaker 1>definitely look it up and send it your way if

2:43:03.280 --> 2:43:05.840
<v Speaker 1>I but we'll post it in the show notes if

2:43:05.959 --> 2:43:08.439
<v Speaker 1>if well, at least link to a story for context

2:43:08.520 --> 2:43:11.800
<v Speaker 1>as well. That's yes, sucking, unconscionable. I was seeing what

2:43:11.800 --> 2:43:13.879
<v Speaker 1>you were posting about it, and yeah, I also did

2:43:13.920 --> 2:43:16.800
<v Speaker 1>not hear about it before you said something, yep. So

2:43:16.959 --> 2:43:19.520
<v Speaker 1>if we could do anything good, I mean, like Avatar

2:43:19.600 --> 2:43:22.320
<v Speaker 1>is great, but people are going to go see Avatar too,

2:43:22.360 --> 2:43:24.880
<v Speaker 1>and not enough people are talking about this. So I'm

2:43:24.920 --> 2:43:30.000
<v Speaker 1>definitely yes, spread the word. Thank you for that. Absolutely.

2:43:30.560 --> 2:43:33.119
<v Speaker 1>Is there anything you'd like to plug as far as

2:43:33.400 --> 2:43:37.960
<v Speaker 1>your own work, Well, I am kind of limiting my

2:43:38.080 --> 2:43:41.440
<v Speaker 1>Twitter access, but I'm Ali Naughty on Twitter. I'm Ali

2:43:41.560 --> 2:43:46.280
<v Speaker 1>Naughty on Instagram and TikTok. I'm back on Tumbler because

2:43:46.760 --> 2:43:53.680
<v Speaker 1>I don't like so especially now, but I've been more

2:43:53.760 --> 2:43:57.360
<v Speaker 1>active than on the Ali Naughty Tumbler account, which is

2:43:57.360 --> 2:43:59.959
<v Speaker 1>still the Ala Test because that's how a lot of

2:44:00.040 --> 2:44:04.200
<v Speaker 1>people know it. So I keep it there. And my

2:44:04.280 --> 2:44:10.360
<v Speaker 1>sisters and I opened up a boutique, Darlings of our Mother,

2:44:11.280 --> 2:44:14.640
<v Speaker 1>So check it out and buy some stuff. Very cool.

2:44:14.760 --> 2:44:17.760
<v Speaker 1>Yeah wait, that's huge for me. Okay, I can wait. Yeah,

2:44:17.800 --> 2:44:22.560
<v Speaker 1>I'll send that to YouTube. Come back anytime please. Yeah.

2:44:22.840 --> 2:44:29.320
<v Speaker 1>Wonderful and uh you can follow us on Instagram and

2:44:29.600 --> 2:44:34.039
<v Speaker 1>Twitter at Bechtel Cast and um. Speaking of Twitter, there's

2:44:34.080 --> 2:44:39.480
<v Speaker 1>a pretty good tweet that we found. Oh okay, this

2:44:39.560 --> 2:44:42.200
<v Speaker 1>is It feels like an end of the Daily Zeitgeist episode,

2:44:42.320 --> 2:44:46.520
<v Speaker 1>like tweets you like, okay, but this was one that

2:44:46.600 --> 2:44:50.000
<v Speaker 1>really just It's from the l A Times review of

2:44:50.080 --> 2:44:52.879
<v Speaker 1>Avatar Way of Water, which is a quite good review.

2:44:52.920 --> 2:44:56.800
<v Speaker 1>It's getting quite good early reviews. Folks. Um, we haven't

2:44:56.800 --> 2:45:00.600
<v Speaker 1>seen it yet, but the critics are sa drav ing

2:45:00.840 --> 2:45:04.720
<v Speaker 1>about the Way of Water. But this is from Justin Chang,

2:45:05.280 --> 2:45:09.280
<v Speaker 1>the film critic over at the l A Times. Um.

2:45:09.320 --> 2:45:13.360
<v Speaker 1>He references how Avatar Too is about Jake Sully being

2:45:13.400 --> 2:45:17.879
<v Speaker 1>a loving father in the second movie, and then he says,

2:45:17.920 --> 2:45:24.000
<v Speaker 1>and I quote, you could say he's a police Navy dad.

2:45:25.879 --> 2:45:31.400
<v Speaker 1>It's so good, twitters. It's still horrible, but there are

2:45:31.440 --> 2:45:35.400
<v Speaker 1>there are moments there, moments that was my moment that

2:45:35.440 --> 2:45:38.360
<v Speaker 1>really meant a lot to us. Um. You can also

2:45:38.360 --> 2:45:41.320
<v Speaker 1>follow us on Instagram, where I did not receive that information,

2:45:41.360 --> 2:45:44.000
<v Speaker 1>but it is. You know, it's another platform where we're at.

2:45:44.360 --> 2:45:48.600
<v Speaker 1>We're also going on tour reminder West Coast. You can

2:45:48.640 --> 2:45:51.120
<v Speaker 1>find that in the link in our bios and the

2:45:51.200 --> 2:45:53.480
<v Speaker 1>link in this description as well. We're going to be

2:45:53.879 --> 2:45:59.080
<v Speaker 1>in l A, San Francisco, Portland, and Seattle at the

2:45:59.200 --> 2:46:02.280
<v Speaker 1>end of January into the beginning of February. More info

2:46:02.400 --> 2:46:04.959
<v Speaker 1>about that at the link, and you can join our

2:46:04.959 --> 2:46:08.080
<v Speaker 1>patrion ak Matreon. What the hell is that case, Oh

2:46:08.120 --> 2:46:11.000
<v Speaker 1>my gosh. It's a place where you can get to

2:46:11.320 --> 2:46:14.640
<v Speaker 1>bonus episodes of the Bechtel Cast, usually just Jamie and

2:46:14.720 --> 2:46:16.879
<v Speaker 1>I hoof and goof and goofing, but we're also having

2:46:16.959 --> 2:46:21.520
<v Speaker 1>awesome discourse and um and you get access to the

2:46:21.560 --> 2:46:25.120
<v Speaker 1>back catalog of well over one hundred bonus episodes. So

2:46:25.160 --> 2:46:28.200
<v Speaker 1>if you've run out of main feed episodes, scoot on

2:46:28.280 --> 2:46:33.480
<v Speaker 1>over to patreon dot com slash Bechtel Cast. And it's December,

2:46:33.520 --> 2:46:36.440
<v Speaker 1>so we're doing our cursed holiday movie round up. We

2:46:37.000 --> 2:46:41.760
<v Speaker 1>have already released our Netflix original Lindsay Lohan Falling for Christmas,

2:46:41.879 --> 2:46:45.160
<v Speaker 1>a movie where a little girl's Christmas, which is for

2:46:45.280 --> 2:46:48.920
<v Speaker 1>Lindsay Lohan to fall off of a mountain. And we'll

2:46:48.920 --> 2:46:51.160
<v Speaker 1>also be doing while you were sleeping. And I also

2:46:51.200 --> 2:46:56.359
<v Speaker 1>I was getting excited today because January is the Pinocchio

2:46:56.520 --> 2:47:00.360
<v Speaker 1>Wars episode and so we just we have a hell

2:47:00.440 --> 2:47:03.920
<v Speaker 1>of a time over there. Joined the community, Joined, joined

2:47:04.000 --> 2:47:08.880
<v Speaker 1>the movement that is the Matreon um. And finally, it's

2:47:08.879 --> 2:47:12.280
<v Speaker 1>the holiday so if you're looking for gifts, last minute gifts,

2:47:12.280 --> 2:47:14.240
<v Speaker 1>you can go to our store over at t public

2:47:14.280 --> 2:47:18.000
<v Speaker 1>dot com slash v Bechtel Cast. We actually have some

2:47:18.080 --> 2:47:23.400
<v Speaker 1>new designs just came out pretty fun feminist icon Paddington

2:47:23.959 --> 2:47:28.160
<v Speaker 1>Shreky in which came up in this episode. It's cannon

2:47:28.200 --> 2:47:31.080
<v Speaker 1>to the show is. And um, also just one that

2:47:31.120 --> 2:47:33.200
<v Speaker 1>I kind of wanted to make for myself that we

2:47:33.280 --> 2:47:36.280
<v Speaker 1>have referenced on the show, which is the Flobber Mambo.

2:47:37.080 --> 2:47:42.680
<v Speaker 1>Bye Danny Alfman. So that plus classic designs including our

2:47:42.760 --> 2:47:46.600
<v Speaker 1>holiday baby Grinch designs that over there get some gifts,

2:47:47.000 --> 2:47:51.640
<v Speaker 1>uh and live your damn life exactly. And um, hey

2:47:51.879 --> 2:48:00.160
<v Speaker 1>Jamie Ali, I see you. Bye bye m