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Speaker 1: What's up.

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Speaker 2: It's way up for Angela Yee. I'm Angela Yee and Curdie.

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Speaker 1: V is here hey making the rounds.

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Speaker 2: First of all, I do want to commend you for

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Speaker 2: the fact that you are working so hard. Like I

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Speaker 2: know you have this single about to come out with

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Speaker 2: Megan thee Stallion, but you have been like really doing

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Speaker 2: the rounds and people don't understand that is a lot

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Speaker 2: of work.

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Speaker 3: Yeah, I've been. I've been working, but it's like, to me,

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Speaker 3: it's like it's not as hard, like because I know

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Speaker 3: how how I was going crazy in twenty eighteen two

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Speaker 3: that was seventeen were work, but I'm back in that mode,

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Speaker 3: and it's like it's almost kind of like making me

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Speaker 3: sad because it's like I just got into like this

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Speaker 3: home mom mode that is like okay, like I go

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Speaker 3: to the studio every night, but like in the day,

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Speaker 3: I'm with my kids, and now it's just like now

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Speaker 3: I know, it's like just work, work, work, work, work, work, work, work.

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Speaker 1: Work, work work.

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Speaker 2: So are your kids good with facetiming you when you're

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Speaker 2: not there or do they like, do they care about

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Speaker 2: looking at the phone?

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Speaker 3: Mike want me just there?

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Speaker 1: Okay?

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Speaker 3: Especially my daughter, she's like really like on my hip,

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Speaker 3: like especially now she'd be talking. She'd be like letting me.

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Speaker 1: Know, did she go to school or is she homeschool?

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Speaker 3: No, she go to school.

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Speaker 2: Okay, So I wanted to ask you about that because

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Speaker 2: it is back to school time. So what was that, like,

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Speaker 2: you know, and how hard was it the first time

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Speaker 2: you had to drop her off at school and be

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Speaker 2: like all concerned as a mom?

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Speaker 1: I was.

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Speaker 3: I was crying for sure, But let me tell you something.

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Speaker 3: I just literally cried, like when was it? It was?

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Speaker 3: It was last week on Thursday, right, So let me

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Speaker 3: tell you something. Right, my daughter she graduated from pre

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Speaker 3: K and I was supposed to like you know, like

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Speaker 3: put her like in this new school. But I missed

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Speaker 3: the deadline and I was stuck in La working on

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Speaker 3: rehearsal for the song Bongos and all these other projects

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Speaker 3: that I got coming up. So I missed the deadline

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Speaker 3: and I didn't even know that you were supposed to

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Speaker 3: apply like in January. Like I was like, how am

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Speaker 3: I supposed Like I'm YouTube this like come on now?

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Speaker 3: So I was calling and like they didn't even care,

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Speaker 3: like there was just like yeah, no, she can't get

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Speaker 3: it whatever, But the president of my label knows somebody there.

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Speaker 3: Like that's what It's crazy, Like it really takes a village.

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Speaker 3: It does takes a village, like thank God. Like and

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Speaker 3: it's like she helped me get an appointment for the school.

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Speaker 3: And when I'm like when I went to the school,

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Speaker 3: I started crying because it's like wow, like this is

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Speaker 3: not like the little pre k thing that she was in.

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Speaker 3: She's not really in the school. And I was just

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Speaker 3: crying And.

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Speaker 2: How was she did she was she able to like

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Speaker 2: run off and play or was she scared? You know

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Speaker 2: sometimes when kids be like scared, it makes you feel

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Speaker 2: really bad.

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Speaker 3: Yeah, she's like, Mommy, I'm ready to go to my

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Speaker 3: new school now.

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Speaker 2: So I wanted to ask you this too because recently

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Speaker 2: I had on a journalist, Debora Roberts, and she has

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Speaker 2: a book out where she's paying amas to like great teachers.

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Speaker 2: So I want to ask you, do you have a

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Speaker 2: teacher just in honor of people kids going back to

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Speaker 2: schoo that actually you can think of that was like

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Speaker 2: this teacher really meant a lot to me or they

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Speaker 2: really pushed me.

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Speaker 3: Yes, her name is miss Hill. She was my she

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Speaker 3: was my us history teacher, my global history teacher, and

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Speaker 3: I love her and like she was so harsh. She

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Speaker 3: was so harsh on me, but like she really like

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Speaker 3: like loved me because she was just like the type

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Speaker 3: that like she would be like why are you so

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Speaker 3: heart headed? Like why are you like you're so smart,

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Speaker 3: Like it's like why are you wasting? Why are you

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Speaker 3: wasting yourself? Like just being hard headed and like just

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Speaker 3: doing bad things. So I just like love her and

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Speaker 3: like it's crazy because she's Irish and everything. And I

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Speaker 3: was doing like an interview where like with this Irish

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Speaker 3: radio station and I was and I was just like,

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Speaker 3: like she was so tough. And when I went to

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Speaker 3: visit her like a couple of years ago, she was

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Speaker 3: crying and like I started crying. But I was like, damn,

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Speaker 3: I really wish that like my classmates were here to

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Speaker 3: see this, because it's like, wow, look at her. She

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Speaker 3: really she wasn't really mean, she was really crying.

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Speaker 1: Oh that's so dope. You made her cry cried listen.

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Speaker 2: I think it's important to always acknowledge like that because

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Speaker 2: great we A lot of times people talk about like

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Speaker 2: bad teachers, but to talk about the great teachers that

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Speaker 2: really had an impact. It's important, Okay. So now let's

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Speaker 2: get into the song Bongos. And I know you've been

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Speaker 2: talking about this song non stop.

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Speaker 3: O yo, you have my fans, let me tell you rowd.

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Speaker 3: And I'm like, oh my gosh, they really think that

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Speaker 3: this is a Spanish song.

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Speaker 1: I said a little bit of Spanish.

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Speaker 3: I said, oh, they think that.

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Speaker 1: I'm you know, okay, and I want to tell you this.

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Speaker 2: So we got this song yesterday, right, and Mena was

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Speaker 2: here yesterday, so you know, we listened to it justin

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Speaker 2: here and then we went on the air and I

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Speaker 2: was like, I don't want to say too much. I said,

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Speaker 2: she did through a little Spanish, you know, and there,

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Speaker 2: which I like.

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Speaker 1: And that was it.

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Speaker 2: And I didn't realize saying a little something like that

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Speaker 2: will go as crazy as it did.

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Speaker 3: Yes, And I'm like, y'all do understand that that she

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Speaker 3: said a little Spanish like It's like she just said

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Speaker 3: like a little Spanish one and everybody is like, oh

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Speaker 3: my gosh, this is a Spanish song.

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Speaker 1: Like what, sorry, but I like it.

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Speaker 3: But I like it though, because they're gonna be like surprised.

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Speaker 3: So it's like.

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Speaker 1: You're doing a lot of tricks with this one.

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Speaker 2: And one thing is you put in Megan thee Stallion here,

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Speaker 2: because clearly y'all have a good relationship and she does

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Speaker 2: trust you and you trust her. It's a mutual thing,

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Speaker 2: you know, in this business. So is it a situation

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Speaker 2: where you hit her up directly and it was like

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Speaker 2: I want you.

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Speaker 1: On the song or is it go through the channels?

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Speaker 3: No? I went through the channels because like it's like

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Speaker 3: I know like that she been like like a little

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Speaker 3: bit well she's not a little bit like like she

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Speaker 3: been like away taking care of herself, taking care of herself,

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Speaker 3: like I know she. I know she she's she's been

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Speaker 3: going through a lot. And then on top of that,

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Speaker 3: I'm also shy and everything, so I be shy to

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Speaker 3: ask people for stuff. So it's like, hey, she likes this.

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Speaker 1: Song, let's do another number one.

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Speaker 3: It's like so all right, And.

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Speaker 2: So so you went through those channels and then did

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Speaker 2: she agree right away or did she have to hear

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Speaker 2: the song first?

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Speaker 3: She she sent her verse right away, like I was like,

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Speaker 3: she's she sends it in like in five for it,

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Speaker 3: and it's like and it's that even like boosted like

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Speaker 3: a confidence because it's like I respect her as an

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Speaker 3: artist and I respect her ear So if you're sending

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Speaker 3: me back a verse that fast, that means that you

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Speaker 3: really like the song.

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Speaker 1: Yeah.

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Speaker 3: So I was like, oh my god, yes, and like

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Speaker 3: I didn't even tell you what I what I was

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Speaker 3: thinking in my head and you automatically did it, and

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Speaker 3: it's like they don't it just really really we go.

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Speaker 2: And so I wanted to ask you that since you

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Speaker 2: say that, do you doubt yourself still sometimes?

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Speaker 3: Yes? Yeah, yeah, because I just feel like I don't

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Speaker 3: know what people want nowadays. Like I just don't know

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Speaker 3: what people want nowadays. So it's just like a little

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Speaker 3: bit like hard So it's like them, do they want this?

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Speaker 3: Do they want that?

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Speaker 2: Like I will say though, this song is gonna be

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Speaker 2: amazing in the club. It's gonna be amazing on TikTok.

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Speaker 2: And I feel like you already have some remixes planned

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Speaker 2: because I know that it just feels like some people

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Speaker 2: are gonna want to get on Like I can imagine

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Speaker 2: once it comes out, people are gonna hitting you up,

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Speaker 2: like Yo, such and such want to hop on the

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Speaker 2: on the song.

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Speaker 1: Are you playing remixes already to I? I?

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Speaker 3: Yeah, but you know there's the thing. When I heard

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Speaker 3: the beat, I was, I was, I was in love,

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Speaker 3: Like I was like, I need a, I need a

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Speaker 3: I need to I need to work on this, And

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Speaker 3: like the song is really funk. It's Brazilian funk, but

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Speaker 3: it sounds.

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Speaker 1: Like them bo Okay Dominican, then.

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Speaker 3: Bo Dominican, Thembo and then it's like them Bold, Like

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Speaker 3: it's like I I go out, I'd be outside for real.

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Speaker 3: So it's not only New York that It's like you

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Speaker 3: go to an American club and they still play like

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Speaker 3: you know, the little them both section. It's been everywhere,

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Speaker 3: Like it's like, oh, when I went to Arizona there

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Speaker 3: was playing them Bo and Wan of all set uh bookings,

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Speaker 3: and I'm like, oh ship, Like damn, my my music

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Speaker 3: is going. My people music is like everywhere. It's everywhere now.

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Speaker 3: So like I already like automatically loved it. I put

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Speaker 3: some verses on it and like like if you hear

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Speaker 3: the hook is like bomk bank bom So that was

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Speaker 3: like the hook, but it just felt like so long

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Speaker 3: and it just felt felt so spacious. Then I did

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Speaker 3: verses on it, like a full song just me, and

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Speaker 3: it just felt like a long, long, long, sensus long song.

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Speaker 3: It just and needed dynamic and you know the ratio.

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Speaker 3: With my team, you know, we're just waiting, like, who

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Speaker 3: sound good on this? Who's who's this? Who the and

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Speaker 3: we think we should put like a like a Spanish artist.

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Speaker 3: I'm like, I hear Megan on this, like I hear

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Speaker 3: her on it. She killed it too, and she killed

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Speaker 3: it and it's like and I love that she even

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Speaker 3: like said that. It's like, Yo, this was like a

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Speaker 3: challenge for me because there's something I never did.

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Speaker 1: Never done nothing that sounds like this.

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Speaker 3: So I I just loved that.

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Speaker 1: And that opens her.

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Speaker 2: Up to a different type of audience too, because she's

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Speaker 2: never done something like this. And I do like the

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Speaker 2: fact that this is random. But at the end, I

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Speaker 2: did say, you did a little bit of Spanish. But

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Speaker 2: I like when people do the fun things at the

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Speaker 2: end of a song to make you want to listen

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Speaker 2: to a whole song, you know how, sometimes it just

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Speaker 2: kind of like phades out and the B plays, but

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Speaker 2: you definitely like still, yeah, that's some.

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Speaker 3: Yeah, but you see that that's the thing about the

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Speaker 3: song that it's like, you know how, it's like I

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Speaker 3: have like some parts at the end, like my parts,

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Speaker 3: my parts on the song has never really changed, so

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Speaker 3: like her parts were the empty space parts.

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Speaker 1: Okay, gotcha.

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Speaker 3: So the song was just like incomplete, and like also

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Speaker 3: was like, Yo, you really need to like work on

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Speaker 3: this song because I'm telling you this is it Like

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Speaker 3: you don't hear a little people song everywhere? And I like, like,

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Speaker 3: you know what else?

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Speaker 1: I love to So you've been doing features.

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Speaker 2: You said you're not gonna do no more features until

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Speaker 2: your album comes out, right, are you still sticking with that?

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Speaker 3: That That's gonna be a little bit hard for me

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Speaker 3: because there is songs that like people have been sending

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Speaker 3: me that I like. What I was, you know, like

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Speaker 3: you know, I'll be talking so fast. What I really

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Speaker 3: wanted to say is because I was just doing features.

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Speaker 3: Like I really wanted to say, is like my next

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Speaker 3: song is gonna be my song and I'm not gonna

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Speaker 3: be a feature on somebody else song. That's what I

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Speaker 3: was really.

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Speaker 2: Like, because you be talking so much shit in your verses,

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Speaker 2: but I like that, Like when you did Jealousy, of

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Speaker 2: course you know you went offset with Jealousy. You be

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Speaker 2: saying shit, and I'm like, I know she beats with

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Speaker 2: people and like people talk crazy and you just be like,

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Speaker 2: I'm gonna just put it in a song, and that

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Speaker 2: is I think the best way to address people like

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Speaker 2: put it in your music.

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Speaker 3: I be wanting to address people in my music, but

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Speaker 3: also I just sometimes just want to like get it

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Speaker 3: off my chest, like right there. And then because there's

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Speaker 3: one thing too, though, because I don't always want to

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Speaker 3: address people in my music, because sometimes I want to

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Speaker 3: make fun music and it's like I don't want to

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Speaker 3: make my song about like I'm gonna address this bitch.

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Speaker 3: I'm gona dressed this bitch. And it's like now I

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Speaker 3: sound like I have beef in every single fucking song,

254
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Speaker 3: and it's like I'm not gonna ruin that and I'm

255
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Speaker 3: not gonna do that to my fans or because I

256
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Speaker 3: don't fucking like you, bitch. So it's like sometimes it's

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Speaker 3: like I'm gonna just get this ship out the way,

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Speaker 3: address this girl right here, because I'm not gonna get

259
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Speaker 3: on a fucking song with I don't know, like let's say,

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Speaker 3: if I get a song with fucking a pop artist,

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Speaker 3: I'm not gonna be like, yeah.

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Speaker 2: You know, beeping on it, like like what line you

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Speaker 2: know it'd be like one line even on this song,

264
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Speaker 2: like when we talk about Dusty Ass Hosy the limp brush, Yeah,

265
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Speaker 2: that ain't about nobody, you know specific.

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Speaker 3: That ain't about nobody specific.

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Speaker 1: That's the thing we all could relate to, because sometimes

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Speaker 1: we all feel like that. And I already know.

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Speaker 2: I'm like, okay when this song come out, I already

270
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Speaker 2: know what Instagram story I'm putting up, which part of

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Speaker 2: the song I'm putting with it.

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Speaker 3: So and like I feel like we said that I

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Speaker 3: like Dusty Ass, New York could say.

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Speaker 1: That's very like you, Dusty. Yeah all right.

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Speaker 2: And of course I saw you sat down with who

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Speaker 2: kid and he mentioned something about Beyonce and you studied

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Speaker 2: a little and oh no no, he mentioned Beyonce and

278
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Speaker 2: you was like hot, Well, I don't know.

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Speaker 3: Oh no, no, no, no, no. I saw that. I mean

280
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Speaker 3: I would I would love to do a song with Beyonce.

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Speaker 3: I just haven't. I haven't sung her like a I

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Speaker 3: don't have a song like right now, like like I

283
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Speaker 3: could hear like any like and it's like and if

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Speaker 3: she even like like even wants to do it, like

285
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Speaker 3: you know what I'm saying, Like, but I don't.

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Speaker 1: Yeah, because the way he said it and then you

287
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Speaker 1: was like I was like, okay, it felt like he

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Speaker 1: knew something, you know.

289
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Speaker 2: And you also wear just at Disneyland with your son

290
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Speaker 2: celebrating his birthday. How do y'all like, so when you

291
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Speaker 2: go to Disneyland, y'all just there with everybody or it's

292
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Speaker 2: not like shut down the whole park or nothing like that.

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Speaker 1: Okay, I'm just asking because you could.

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Speaker 3: Yeah, but first of all.

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Speaker 1: That's a lot.

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Speaker 3: That's that's a lot, And it's like, this is my

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Speaker 3: fourth time in Disney, Like is that how I'm going

298
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Speaker 3: there for the kids? Because like so, and I'm just

299
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Speaker 3: not going to do that, Like that's just so extra

300
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Speaker 3: to me.

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Speaker 1: Right.

302
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Speaker 2: I saw also with your kids, So I've seen you

303
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Speaker 2: said that your son is a lot wilder than your daughter.

304
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Speaker 1: Yes, And why do you think that is? Like is

305
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Speaker 1: he more?

306
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Speaker 3: I think I don't know. I think he was just

307
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Speaker 3: born like that because like there's not even a lot

308
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Speaker 3: of like there's not like a lot of like boys.

309
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Speaker 1: Around like for him to get wild with, to.

310
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Speaker 3: Get to get for you to get wild were He's

311
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Speaker 3: just like naturally like that. And it's like I always

312
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Speaker 3: knew I was gonna have a son like that, and

313
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Speaker 3: it's like boom, here you go.

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Speaker 1: And isn't that fun?

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Speaker 3: Having like a It is fun. It is fun. It

316
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Speaker 3: is fun. I was always scared that. I was just

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Speaker 3: like I'm scared to have a boy. But it's like

318
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Speaker 3: he's so fun. One thing for sure is like he

319
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Speaker 3: like like he's obsessed with me. Oh, he is obsessed

320
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Speaker 3: with me?

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Speaker 2: And then is your daughter more obsessed with offset? Because

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Speaker 2: they usually say daddy's little girl.

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Speaker 3: Oh, she's like a daddy's little girl. She's like really

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Speaker 3: like always want to like fake impress him, like because

325
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Speaker 3: when she put like something, she's like, come my daddy,

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Speaker 3: and she'd be like, daddy, I really love you so much. Girl.

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Speaker 1: She's trying to get some stuff now.

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Speaker 2: He also said in this in the interview appeared that

329
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Speaker 2: you're like a pit bull at the mouth when y'all

330
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Speaker 2: get into it, and so buddy. But from what he said,

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Speaker 2: like you fiercely also protect him. And I think from

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Speaker 2: that interview a lot of people were like, Okay, he

333
00:13:47,120 --> 00:13:49,280
Speaker 2: loved her so much, like he don't play about you.

334
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Speaker 1: He said that he checks all of your stuff.

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Speaker 2: So and when you did lip service, you said that

336
00:13:54,640 --> 00:13:57,240
Speaker 2: you don't really apologize like you just be And people

337
00:13:57,240 --> 00:13:59,880
Speaker 2: were mad about that, like you could be sorry, know you,

338
00:14:00,240 --> 00:14:02,880
Speaker 2: but you're not gonna say it all right? Since then

339
00:14:03,440 --> 00:14:10,600
Speaker 2: have you been like sorry I was wrong or still.

340
00:14:12,440 --> 00:14:14,400
Speaker 3: I can't apologize if I'm not wrong?

341
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Speaker 1: Okay, what if you are?

342
00:14:16,800 --> 00:14:23,040
Speaker 3: Never h I have apologized. I have apologized, but you know,

343
00:14:23,520 --> 00:14:28,040
Speaker 3: you know what, you know what I apologize for just

344
00:14:28,120 --> 00:14:32,480
Speaker 3: the other day, right, you know, just the other day,

345
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Speaker 3: I got dragged the fuck down for this and I'm like,

346
00:14:35,760 --> 00:14:38,120
Speaker 3: oh my gosh, like what is what's going on? So

347
00:14:38,160 --> 00:14:39,760
Speaker 3: I saw a pretty picture of me right when I

348
00:14:39,800 --> 00:14:43,840
Speaker 3: was a stripper, right and I posted and I'm like,

349
00:14:44,480 --> 00:14:48,120
Speaker 3: in my head, I'm singing it like the fifty cent Melody,

350
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Speaker 3: like I've said and if I was in the ship club,

351
00:14:51,440 --> 00:14:54,320
Speaker 3: which will still cook me, like I'm saying it like this.

352
00:14:55,520 --> 00:14:58,200
Speaker 3: I'm saying it like that. And when I posted it,

353
00:14:58,600 --> 00:15:01,600
Speaker 3: like people was like, oh you why would you ask

354
00:15:01,680 --> 00:15:05,040
Speaker 3: that question? Why would you ask that question where you're married?

355
00:15:05,040 --> 00:15:07,600
Speaker 3: And I'm like, are you out of I wasn't even

356
00:15:07,640 --> 00:15:10,120
Speaker 3: trying to like say like that. That's not how I

357
00:15:10,160 --> 00:15:12,880
Speaker 3: said it in my head. So I was like, I'm

358
00:15:12,920 --> 00:15:15,280
Speaker 3: sorry because like everybody was just tagging him like, oh,

359
00:15:15,320 --> 00:15:18,200
Speaker 3: look at it look like and it's like and.

360
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Speaker 2: I also saw with this I'm single, you're selling CDs

361
00:15:21,000 --> 00:15:22,360
Speaker 2: like limited edition CDs.

362
00:15:22,440 --> 00:15:23,800
Speaker 1: Yeah, so what was the thinking behind that?

363
00:15:23,840 --> 00:15:25,280
Speaker 2: Because I can't tell you the last time I had

364
00:15:25,320 --> 00:15:27,040
Speaker 2: a CD, but I see people pre ordering it.

365
00:15:27,320 --> 00:15:31,440
Speaker 3: But like fans, like like hardcore fans, they really like

366
00:15:31,640 --> 00:15:35,080
Speaker 3: be buying your CDs, your vinyls, like they really mostly

367
00:15:35,120 --> 00:15:37,960
Speaker 3: buy vinyls. But you have to like hand in your

368
00:15:38,040 --> 00:15:40,800
Speaker 3: song and artwork and everything like four months ahead.

369
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Speaker 2: Like your artwork is beautiful for it.

370
00:15:44,280 --> 00:15:47,880
Speaker 3: It is really pretty, but it's not like it's not

371
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Speaker 3: the theme like of.

372
00:15:49,960 --> 00:15:50,400
Speaker 1: You're saying that.

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Speaker 2: So people thought you put out fake artwork at first,

374
00:15:52,800 --> 00:15:55,200
Speaker 2: you know, but then I saw you correct that.

375
00:15:55,440 --> 00:15:58,960
Speaker 3: Yeah, no it's not fake artwork. But we just want

376
00:15:59,000 --> 00:16:00,760
Speaker 3: to like we just want to people think that it

377
00:16:00,800 --> 00:16:03,000
Speaker 3: was like like a wop thing, and it's like it's

378
00:16:03,080 --> 00:16:06,280
Speaker 3: not really like a whop thing. It's like really more different,

379
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Speaker 3: like I don't want it to people don't know like

380
00:16:09,000 --> 00:16:11,120
Speaker 3: the vibe of the song or the vibe of the video.

381
00:16:11,320 --> 00:16:13,080
Speaker 1: So yeah, and that's what we did it.

382
00:16:13,120 --> 00:16:14,840
Speaker 2: So talk about the video because I have not had

383
00:16:14,880 --> 00:16:16,840
Speaker 2: a chance. I haven't seen that yet, so it's the

384
00:16:16,880 --> 00:16:19,720
Speaker 2: video coming at the same time as Okay, so what

385
00:16:19,840 --> 00:16:21,760
Speaker 2: was the process? Like you said, you spent a lot

386
00:16:21,800 --> 00:16:23,920
Speaker 2: of money on the video, and a lot of people

387
00:16:23,920 --> 00:16:25,960
Speaker 2: nowadays aren't doing that. And I remember back in the day,

388
00:16:25,960 --> 00:16:28,160
Speaker 2: people used to spend millions, like a million dollars on

389
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Speaker 2: a video.

390
00:16:29,000 --> 00:16:30,520
Speaker 1: So what's a lot of money on a video?

391
00:16:31,360 --> 00:16:34,560
Speaker 3: This one, I think is like, ha much two million dollars?

392
00:16:35,400 --> 00:16:40,160
Speaker 2: Who And I want to say, no one does that anymore. Like,

393
00:16:40,640 --> 00:16:42,520
Speaker 2: so that's how I know this means a lot to

394
00:16:42,560 --> 00:16:45,160
Speaker 2: you to invest back into to what it is you're

395
00:16:45,160 --> 00:16:47,320
Speaker 2: trying to do. So what quest like, tell me what

396
00:16:47,520 --> 00:16:49,040
Speaker 2: the theme of this video is?

397
00:16:49,240 --> 00:16:53,120
Speaker 3: All of that it gives. It gives like it gives

398
00:16:53,200 --> 00:16:56,640
Speaker 3: like the theme of the song. So it's like really

399
00:16:56,680 --> 00:17:00,720
Speaker 3: that But I feel like this video is just very beautiful,

400
00:16:59,840 --> 00:17:07,640
Speaker 3: like it has choreography, but it's a location video, so

401
00:17:07,800 --> 00:17:12,360
Speaker 3: I always do like inside production, so this is more

402
00:17:12,400 --> 00:17:15,800
Speaker 3: like of a location video. And just like really the

403
00:17:15,840 --> 00:17:20,560
Speaker 3: little things where was it? It wasn't malleible, okay, but

404
00:17:20,920 --> 00:17:23,639
Speaker 3: just like like little things like that. That's why it

405
00:17:23,840 --> 00:17:26,000
Speaker 3: just like the video be so expensive because it's like,

406
00:17:26,200 --> 00:17:28,040
Speaker 3: I know fans are like, of course the video looks

407
00:17:28,119 --> 00:17:30,600
Speaker 3: very expensive. It was expensive to do, but it's like

408
00:17:31,400 --> 00:17:33,760
Speaker 3: they will be like how this will be like how

409
00:17:33,800 --> 00:17:35,880
Speaker 3: this would be two million dollars? Well, let me tell you.

410
00:17:39,080 --> 00:17:42,359
Speaker 3: It just be little things like so I really wanted

411
00:17:42,359 --> 00:17:45,040
Speaker 3: to do this video like in a different country, but

412
00:17:45,160 --> 00:17:47,840
Speaker 3: I couldn't because of hurricane season. So we did it

413
00:17:47,880 --> 00:17:52,080
Speaker 3: in Malibu, right, so Malleible it always have paparazzis and everything.

414
00:17:52,440 --> 00:17:55,920
Speaker 3: So we hired about like what twenty guards, fifteen guards,

415
00:17:55,960 --> 00:17:58,560
Speaker 3: like just guarding the whole area. And we did what

416
00:17:59,000 --> 00:18:02,159
Speaker 3: was that thing called? It was like geo fencing. That

417
00:18:02,320 --> 00:18:04,600
Speaker 3: is just like everything that is around that area, Like

418
00:18:04,600 --> 00:18:07,679
Speaker 3: if somebody take a picture, it will be what I

419
00:18:07,800 --> 00:18:11,720
Speaker 3: never heard of this? Yes, yes, yeah.

420
00:18:13,920 --> 00:18:14,600
Speaker 1: That's all right.

421
00:18:14,640 --> 00:18:17,000
Speaker 2: So it posted social pains and then you get to

422
00:18:17,240 --> 00:18:20,440
Speaker 2: remove it or it just won't even post at all.

423
00:18:20,680 --> 00:18:21,560
Speaker 1: You know who it is?

424
00:18:21,840 --> 00:18:24,720
Speaker 3: Yeah, this technique and.

425
00:18:26,680 --> 00:18:27,720
Speaker 1: Somebody lost their job.

426
00:18:28,080 --> 00:18:33,760
Speaker 3: Yeah, so so stuff like that costs a lot of money.

427
00:18:33,880 --> 00:18:36,399
Speaker 3: Stuff like that costs a lot of money. We also

428
00:18:36,480 --> 00:18:39,120
Speaker 3: did what was it? We also did things like we

429
00:18:39,400 --> 00:18:41,840
Speaker 3: when we like do videos like we hear the song

430
00:18:41,960 --> 00:18:44,719
Speaker 3: out loud, we did these things like with our ears

431
00:18:44,760 --> 00:18:47,320
Speaker 3: that like we will hear the song playing in our

432
00:18:47,359 --> 00:18:52,359
Speaker 3: ears only, yes, yeah, yeah, they call earwigs, so that

433
00:18:52,520 --> 00:18:55,200
Speaker 3: right there costs a lot of money, like not only

434
00:18:55,280 --> 00:18:57,719
Speaker 3: earwag for me, but like earwakes to all the dancers

435
00:18:57,760 --> 00:19:00,879
Speaker 3: and everybody for production. So like don't type of stuff

436
00:19:00,960 --> 00:19:03,080
Speaker 3: like costs a lot of money for the videos and

437
00:19:03,119 --> 00:19:06,480
Speaker 3: rehearsals every day. Like I cost a lot of money too,

438
00:19:06,560 --> 00:19:08,280
Speaker 3: like a lot of work. Yeah, it's a lot of work.

439
00:19:08,760 --> 00:19:10,200
Speaker 1: And thank you so much.

440
00:19:10,480 --> 00:19:12,920
Speaker 2: I got one too, you know, were healthy up in here,

441
00:19:13,040 --> 00:19:15,720
Speaker 2: and you got your webshots here And speaking of the paparazzi,

442
00:19:15,840 --> 00:19:18,000
Speaker 2: so that did work because I didn't see anything about it.

443
00:19:18,240 --> 00:19:21,119
Speaker 2: So what's the craziest paparazzi situation you've ever been in?

444
00:19:21,119 --> 00:19:23,520
Speaker 2: Because people don't understand, like you can't go anywhere or

445
00:19:23,560 --> 00:19:26,520
Speaker 2: do anything without a potential picture being taken. We saw

446
00:19:26,600 --> 00:19:30,520
Speaker 2: Kanye and his and his wife, yeah in Venice on

447
00:19:30,560 --> 00:19:33,320
Speaker 2: the boat getting pictures taken another band from those boats.

448
00:19:33,320 --> 00:19:36,200
Speaker 2: But have you had like a crazy paparazzi situation where

449
00:19:36,200 --> 00:19:38,640
Speaker 2: you're like, damn, how the hell did they find me here?

450
00:19:39,160 --> 00:19:41,199
Speaker 3: Yeah? When I was shooting I like it, and I

451
00:19:41,280 --> 00:19:43,959
Speaker 3: was pregnant and stuff, and like paparazzi was putting videos

452
00:19:43,960 --> 00:19:45,640
Speaker 3: in my stomach was kind of like you know, kind

453
00:19:45,640 --> 00:19:47,560
Speaker 3: of big, like that pissed me off, or like this

454
00:19:47,600 --> 00:19:51,680
Speaker 3: one time, like there was literally chasing me down the

455
00:19:52,000 --> 00:19:55,879
Speaker 3: the highway here in New York and it's like I

456
00:19:55,920 --> 00:19:57,560
Speaker 3: was going to my grandma's house and it's like, bitch,

457
00:19:57,920 --> 00:20:00,800
Speaker 3: you're not You're not gonna get my ground most fucking address.

458
00:20:00,800 --> 00:20:02,680
Speaker 3: Bitch y'all better leave me the funck alone. And I

459
00:20:02,720 --> 00:20:05,440
Speaker 3: started like it was it's a violation.

460
00:20:06,400 --> 00:20:07,920
Speaker 2: He said, your grandma. I just thought about that. I

461
00:20:07,960 --> 00:20:12,119
Speaker 2: missed my granny that you did hilarious. That was an

462
00:20:12,200 --> 00:20:13,400
Speaker 2: ultimate troll right there.

463
00:20:13,920 --> 00:20:18,080
Speaker 3: But I can't. I don't want. I always tell him,

464
00:20:18,080 --> 00:20:20,720
Speaker 3: like why don't you tell people what happened? Like, why

465
00:20:20,720 --> 00:20:23,119
Speaker 3: don't you tell people what happened? So that week was

466
00:20:23,160 --> 00:20:27,720
Speaker 3: like the that week right that week was like I

467
00:20:27,920 --> 00:20:30,359
Speaker 3: don't know if it was that day, but it was like,

468
00:20:30,400 --> 00:20:35,199
Speaker 3: you know, like the birthday of his grandma, and I

469
00:20:35,200 --> 00:20:36,760
Speaker 3: guess he put that, but like you know, it was

470
00:20:36,760 --> 00:20:41,040
Speaker 3: going to shake and people, we was gonna do some

471
00:20:41,119 --> 00:20:43,359
Speaker 3: ship and he said that, and it's like it's like

472
00:20:43,600 --> 00:20:46,760
Speaker 3: bad timing, like bro bad timing. But now we just

473
00:20:46,760 --> 00:20:48,080
Speaker 3: see that shit like so funny.

474
00:20:48,119 --> 00:20:50,479
Speaker 2: Like it's like it's good that you could laugh at

475
00:20:50,520 --> 00:20:52,280
Speaker 2: things like that. Yeah, because I know things could get

476
00:20:52,359 --> 00:20:54,399
Speaker 2: frustrated because when I spoke to him and before we did,

477
00:20:54,440 --> 00:20:57,719
Speaker 2: and he was so like mad about just people talking

478
00:20:58,200 --> 00:21:00,640
Speaker 2: ish and like making things up. And I know that's

479
00:21:00,640 --> 00:21:02,800
Speaker 2: frustrating because you can't you don't want to have to

480
00:21:02,840 --> 00:21:05,520
Speaker 2: defend yourself against every little thing. But at the same time,

481
00:21:05,840 --> 00:21:07,960
Speaker 2: it's like, no, that's not what happened. I really want

482
00:21:08,000 --> 00:21:09,159
Speaker 2: to tell it, but I also don't want to be

483
00:21:09,240 --> 00:21:10,600
Speaker 2: like overly defending myself.

484
00:21:10,680 --> 00:21:14,760
Speaker 3: Yeah, I mean, it's just it's just annoying because it's

485
00:21:14,800 --> 00:21:20,920
Speaker 3: like like for example, right, like he always be out

486
00:21:20,960 --> 00:21:25,120
Speaker 3: the way, like he really be out the way. When

487
00:21:25,160 --> 00:21:27,560
Speaker 3: people don't like me, the first thing they like to

488
00:21:27,640 --> 00:21:32,680
Speaker 3: do is attack my me and my mans like all

489
00:21:32,720 --> 00:21:34,720
Speaker 3: the time. Like it's like a girl can't even say

490
00:21:34,720 --> 00:21:36,600
Speaker 3: nothing else, but she will attack me and my mens.

491
00:21:37,240 --> 00:21:40,159
Speaker 3: And if they don't like and if they don't have nothing,

492
00:21:40,480 --> 00:21:43,439
Speaker 3: they will make something up. And then it's like people

493
00:21:43,480 --> 00:21:45,920
Speaker 3: it's like people will be like, oh, like you don't

494
00:21:45,920 --> 00:21:48,359
Speaker 3: have to prove it. You like, like, you don't have

495
00:21:48,400 --> 00:21:50,280
Speaker 3: to prove everything, you don't have to prove everything. But

496
00:21:50,320 --> 00:21:53,000
Speaker 3: it's like, if we don't prove it, y'all continue to

497
00:21:53,119 --> 00:21:55,880
Speaker 3: believe it, and they're like, when we prove it to y'all,

498
00:21:55,920 --> 00:21:58,080
Speaker 3: and then when we make a song, it's like, oh,

499
00:21:58,160 --> 00:22:01,760
Speaker 3: it wasn't that serious. Yes, it was serious. It's really

500
00:22:02,119 --> 00:22:04,360
Speaker 3: it really it really was serious to us, like funk

501
00:22:04,400 --> 00:22:07,040
Speaker 3: out of here, right, So that's why we even put

502
00:22:07,040 --> 00:22:09,040
Speaker 3: out like the Jealousy recordar. We wasn't even we've been

503
00:22:09,080 --> 00:22:11,040
Speaker 3: did that song. We wasn't even really planning to drop her.

504
00:22:11,080 --> 00:22:13,160
Speaker 3: But it's like, yo, let's tell these people fuck y'all.

505
00:22:13,160 --> 00:22:14,800
Speaker 3: Like it's like, y'all want ya think y'all can make

506
00:22:14,800 --> 00:22:17,280
Speaker 3: money off of us? You think y'all gonna find cloud

507
00:22:17,320 --> 00:22:20,119
Speaker 3: off of us, We're gonna we're gonna make something out

508
00:22:20,119 --> 00:22:20,560
Speaker 3: of it. Now.

509
00:22:20,640 --> 00:22:24,240
Speaker 2: Look, And I love that song and you really slid

510
00:22:24,280 --> 00:22:26,920
Speaker 2: on that though. Yeah, like that was a nice, good

511
00:22:27,080 --> 00:22:29,919
Speaker 2: passionate as verse that you did on air. I have

512
00:22:30,000 --> 00:22:33,880
Speaker 2: to say, you know now, also since we were talking

513
00:22:33,920 --> 00:22:36,920
Speaker 2: about some of the collapse that you've done, right are you?

514
00:22:37,000 --> 00:22:39,680
Speaker 2: And obviously you have some amazing ones like with Gloilla,

515
00:22:40,160 --> 00:22:42,679
Speaker 2: with Fenny the Rapper, but all of that, are you

516
00:22:42,720 --> 00:22:45,240
Speaker 2: gonna do something with Scarlet? Because she is like, you

517
00:22:45,280 --> 00:22:47,119
Speaker 2: know when she posted that and I know you pulled

518
00:22:47,200 --> 00:22:49,440
Speaker 2: up on her, is that something that's in the works?

519
00:22:50,200 --> 00:22:53,040
Speaker 3: She she I heard I heard a couple of her

520
00:22:53,080 --> 00:22:55,640
Speaker 3: songs actually like a lot of them that she did.

521
00:22:57,640 --> 00:23:00,560
Speaker 3: It just it's just always like the right time the song.

522
00:23:00,920 --> 00:23:05,479
Speaker 3: So especially like when she think when she when I

523
00:23:05,520 --> 00:23:07,439
Speaker 3: was in the studio with her, I already knew that

524
00:23:07,480 --> 00:23:11,280
Speaker 3: I have this one, two and three coming out, and

525
00:23:11,320 --> 00:23:15,120
Speaker 3: like my label be like, bitch, you do one more

526
00:23:15,160 --> 00:23:17,679
Speaker 3: fucking feature again, bitch, I swear to fucking god, we

527
00:23:17,760 --> 00:23:21,000
Speaker 3: end up proving shit, bitch. So it's like it's everything

528
00:23:21,080 --> 00:23:22,560
Speaker 3: like I at the right time and I got it.

529
00:23:22,640 --> 00:23:24,360
Speaker 3: I have a whole bunch of things coming out now.

530
00:23:24,400 --> 00:23:25,920
Speaker 3: So it's just like it's like.

531
00:23:27,760 --> 00:23:29,560
Speaker 2: How many songs do you have in the stash, because

532
00:23:29,560 --> 00:23:31,280
Speaker 2: I know you've been working all this time.

533
00:23:31,480 --> 00:23:33,199
Speaker 1: I got a lot of songs, Like what's a lot.

534
00:23:33,240 --> 00:23:35,040
Speaker 2: It's a lot, like one hundred, it's a lot thirty,

535
00:23:35,320 --> 00:23:38,199
Speaker 2: like fifty, Okay, that is a lot. How are you

536
00:23:38,240 --> 00:23:42,119
Speaker 2: gonna figure out what you want to put out.

537
00:23:41,560 --> 00:23:44,720
Speaker 3: I got, I got my, I got my. Well, one

538
00:23:44,720 --> 00:23:49,199
Speaker 3: thing I do I always ask different people like you

539
00:23:49,359 --> 00:23:51,200
Speaker 3: like this song, like I made people hear my song,

540
00:23:51,320 --> 00:23:52,560
Speaker 3: Like what do you think of this? What do you

541
00:23:52,600 --> 00:23:53,840
Speaker 3: think of that? What do you think of this? So

542
00:23:54,720 --> 00:23:57,679
Speaker 3: because everything is just so different now, like it's like

543
00:23:57,760 --> 00:23:59,959
Speaker 3: everything is just so different, and like you say, have

544
00:24:00,160 --> 00:24:02,760
Speaker 3: changed so much, you don't even know. I don't even

545
00:24:02,760 --> 00:24:03,960
Speaker 3: know sometimes what people really like.

546
00:24:04,160 --> 00:24:06,440
Speaker 1: But listen, Bengos is a very different type of song.

547
00:24:06,600 --> 00:24:09,000
Speaker 2: Yeah, you know, And I think that's still because I

548
00:24:09,000 --> 00:24:10,880
Speaker 2: think the most important thing is if you loving it

549
00:24:10,960 --> 00:24:13,199
Speaker 2: just sound dope, but hit is a hit, yeah, you know,

550
00:24:13,840 --> 00:24:17,280
Speaker 2: regardless of whatever genre is saying like you can listen

551
00:24:17,280 --> 00:24:19,240
Speaker 2: to something like you could listen to Bengos and be like,

552
00:24:19,320 --> 00:24:21,760
Speaker 2: that's gonna be a big on TikTok, that's gonna be

553
00:24:21,800 --> 00:24:24,040
Speaker 2: big in the club. That's gonna be people trying to

554
00:24:24,080 --> 00:24:26,080
Speaker 2: do their own remixes, you know to it.

555
00:24:26,080 --> 00:24:27,399
Speaker 1: It's a huge song, it.

556
00:24:28,680 --> 00:24:33,360
Speaker 3: Is, but it's like it's that but it's like it's

557
00:24:33,440 --> 00:24:42,439
Speaker 3: that but like all right, like my label, like not

558
00:24:42,880 --> 00:24:45,520
Speaker 3: label and management they kept saying, like kept I kept asking,

559
00:24:45,560 --> 00:24:47,600
Speaker 3: like what type of vibes should I come out with,

560
00:24:48,000 --> 00:24:50,280
Speaker 3: like what type of vibe? Because I have different types

561
00:24:50,320 --> 00:24:53,280
Speaker 3: of song, like really different type of song, and there

562
00:24:53,359 --> 00:24:55,240
Speaker 3: was just like you need to do a hip hop song,

563
00:24:55,280 --> 00:24:56,880
Speaker 3: like you gotta do like a super hip hop song,

564
00:24:56,920 --> 00:24:59,160
Speaker 3: you gotta talk to shit type of song. And it's

565
00:24:59,200 --> 00:25:04,840
Speaker 3: just like it's like should I come this way? Like

566
00:25:04,880 --> 00:25:07,000
Speaker 3: it's when you haven't put out a song in a

567
00:25:07,040 --> 00:25:08,879
Speaker 3: long time, it's like it's a lot of pressure to

568
00:25:08,920 --> 00:25:10,680
Speaker 3: put out like the next one. But like I think

569
00:25:10,720 --> 00:25:11,040
Speaker 3: that this.

570
00:25:11,200 --> 00:25:13,399
Speaker 2: Was like I think this is a good look. It

571
00:25:13,440 --> 00:25:15,000
Speaker 2: was a good one because it is still hip hop.

572
00:25:15,040 --> 00:25:17,760
Speaker 2: You got a magma, but it's got I think culturally. Also,

573
00:25:17,960 --> 00:25:21,760
Speaker 2: I love songs that sound like it's international. Yeah, And

574
00:25:21,800 --> 00:25:24,120
Speaker 2: it sounds like an international type of song. It's not

575
00:25:24,280 --> 00:25:27,160
Speaker 2: just like you know, yeah, you know New York here.

576
00:25:27,320 --> 00:25:29,120
Speaker 2: And it is the fiftieth anniversary of hip hop. I'm

577
00:25:29,119 --> 00:25:30,840
Speaker 2: want to ask you, since we're talking about hip hop

578
00:25:30,880 --> 00:25:33,520
Speaker 2: growing up, what hip hop song would you say was

579
00:25:33,560 --> 00:25:36,320
Speaker 2: really impactful in your life? Like I think about me

580
00:25:36,440 --> 00:25:39,560
Speaker 2: growing up and listening to Salt and Pepper and how

581
00:25:39,800 --> 00:25:41,639
Speaker 2: big they were for me, and like a song like

582
00:25:41,680 --> 00:25:44,080
Speaker 2: Push it was huge, but for you as a little

583
00:25:44,119 --> 00:25:46,639
Speaker 2: Cardi B growing up in the Bronx. What was like

584
00:25:46,680 --> 00:25:48,720
Speaker 2: your most impactful hip hop song that you could think

585
00:25:48,760 --> 00:25:51,600
Speaker 2: of that you'd be like, this song always makes me

586
00:25:51,640 --> 00:25:52,520
Speaker 2: think of me growing up.

587
00:25:53,640 --> 00:25:58,280
Speaker 3: Oh, It's it's so many. It's so many different ones,

588
00:25:58,480 --> 00:26:02,440
Speaker 3: like different ones that remind me of like different things,

589
00:26:02,480 --> 00:26:05,680
Speaker 3: like you know what I'm saying. Like it's like, for example,

590
00:26:05,720 --> 00:26:08,000
Speaker 3: like the first song that like it made me like

591
00:26:08,160 --> 00:26:11,840
Speaker 3: just like like it just it just made me like

592
00:26:12,440 --> 00:26:14,920
Speaker 3: get into hip hop a lot. Was always like Missielli

593
00:26:15,040 --> 00:26:17,400
Speaker 3: like freaking and everything. But that because I'm six years

594
00:26:17,440 --> 00:26:19,119
Speaker 3: old and I'm looking at this song and I'm like

595
00:26:19,200 --> 00:26:21,480
Speaker 3: this girl taking her off, like it's like I want

596
00:26:21,520 --> 00:26:23,040
Speaker 3: to I want to see this, I want to see that.

597
00:26:23,200 --> 00:26:25,639
Speaker 3: But then there's just like other type of songs that

598
00:26:25,680 --> 00:26:28,120
Speaker 3: it's just like when I hear it, it just reminds

599
00:26:28,119 --> 00:26:33,600
Speaker 3: me of certain things, like like they don't know because

600
00:26:33,960 --> 00:26:36,560
Speaker 3: that shit reminds me of like like like my uncle

601
00:26:36,720 --> 00:26:39,440
Speaker 3: always like playing it, playing and playing it. And that

602
00:26:39,520 --> 00:26:41,280
Speaker 3: song used to scare me for some reason, like that

603
00:26:41,320 --> 00:26:43,400
Speaker 3: song is a little scary. It's supposed to be, yeah,

604
00:26:43,440 --> 00:26:45,359
Speaker 3: like and I'm a little girl. So it's like that

605
00:26:45,520 --> 00:26:48,000
Speaker 3: song always like bring me like certain type of memories.

606
00:26:49,840 --> 00:26:52,640
Speaker 3: Different songs just bring you type of memories and those

607
00:26:52,840 --> 00:26:56,080
Speaker 3: type of Yeah. So those those like those songs are

608
00:26:56,119 --> 00:26:58,399
Speaker 3: like when I'm like a little girl, like a lot

609
00:26:58,480 --> 00:27:01,639
Speaker 3: of little Wing songs. It's like that's part of like

610
00:27:01,760 --> 00:27:04,639
Speaker 3: now I'm like a high school teenage girl. So like

611
00:27:04,680 --> 00:27:06,199
Speaker 3: a lot of his songs just bring me like a

612
00:27:06,200 --> 00:27:10,560
Speaker 3: lot of like memories of like just like listening to school,

613
00:27:10,720 --> 00:27:15,800
Speaker 3: everybody like into it, like like every single time here

614
00:27:15,840 --> 00:27:18,800
Speaker 3: I'm millionaire, Like it's like it's just it's like different

615
00:27:18,800 --> 00:27:21,040
Speaker 3: type of songs of like your life that it's like, oh,

616
00:27:21,240 --> 00:27:24,439
Speaker 3: this remind me of when I was here. When I

617
00:27:24,520 --> 00:27:28,280
Speaker 3: was there and and for some reason, like when I

618
00:27:28,320 --> 00:27:30,960
Speaker 3: was in high school, I used to really be into

619
00:27:31,200 --> 00:27:37,400
Speaker 3: like like Trina okay Kaya and jack Yo, like they

620
00:27:37,440 --> 00:27:40,119
Speaker 3: had like their little beef going on, and I know

621
00:27:40,240 --> 00:27:42,520
Speaker 3: all like all the songs that they were like throwing

622
00:27:42,800 --> 00:27:44,399
Speaker 3: sheltering each other. I know all their songs.

623
00:27:44,440 --> 00:27:44,800
Speaker 1: Okay.

624
00:27:44,920 --> 00:27:47,120
Speaker 2: That's dope, though, said if they would have had social

625
00:27:47,160 --> 00:27:48,359
Speaker 2: media back then, it would have been on.

626
00:27:48,440 --> 00:27:50,680
Speaker 3: It would have been so funny. It would have been

627
00:27:50,680 --> 00:27:52,439
Speaker 3: so funny because the way the things that they were

628
00:27:52,440 --> 00:27:55,880
Speaker 3: saying to each other. It was just like it's funny.

629
00:27:56,040 --> 00:27:56,600
Speaker 3: It's funny.

630
00:27:56,920 --> 00:27:58,480
Speaker 2: Well, Cartie, I want to thank you so much, and

631
00:27:58,560 --> 00:28:01,159
Speaker 2: just think about this later on. People are gonna be

632
00:28:01,400 --> 00:28:04,280
Speaker 2: and they already do, like the younger younger, younger, they're

633
00:28:04,280 --> 00:28:05,400
Speaker 2: gonna be thinking about.

634
00:28:05,200 --> 00:28:06,879
Speaker 1: You as like part of hip hop history.

635
00:28:07,040 --> 00:28:09,040
Speaker 2: Yeah, you know, and that's a huge thing because you've

636
00:28:09,040 --> 00:28:12,440
Speaker 2: had so many successes already, and like your biggest competition

637
00:28:12,520 --> 00:28:15,840
Speaker 2: is really just yourself. Like I see you breaking records

638
00:28:15,840 --> 00:28:17,560
Speaker 2: on the charts, and then they're like Cardi's breaking her

639
00:28:17,600 --> 00:28:20,360
Speaker 2: own record, you know, as far as like the highest

640
00:28:20,359 --> 00:28:23,040
Speaker 2: selling whatever. It's like you I'm gonna tell you, I

641
00:28:23,160 --> 00:28:25,200
Speaker 2: like it is now less than one hundred million strenes

642
00:28:25,200 --> 00:28:27,959
Speaker 2: from surpassing Bodack Yellow as the most stream song by

643
00:28:27,960 --> 00:28:30,720
Speaker 2: a female rapper in US history, both by Cardi B.

644
00:28:31,040 --> 00:28:33,040
Speaker 1: That is a huge deal and that's history.

645
00:28:33,040 --> 00:28:37,520
Speaker 3: And you know it does like right now, like of course,

646
00:28:37,600 --> 00:28:39,320
Speaker 3: like it's not I'm new in the game. I'm kind

647
00:28:39,320 --> 00:28:41,320
Speaker 3: of like in it already, but it's like, you know,

648
00:28:41,560 --> 00:28:46,560
Speaker 3: I'm still in the moment. Like like when when they

649
00:28:46,560 --> 00:28:48,920
Speaker 3: were like honoring when was it like it was like

650
00:28:48,960 --> 00:28:52,960
Speaker 3: around twenty seventeen or twenty sixteen. They were honoring VH

651
00:28:53,000 --> 00:28:55,160
Speaker 3: one was honoring Little Kim and it was like for

652
00:28:55,280 --> 00:28:56,960
Speaker 3: female hip hop. I think the show was like for

653
00:28:57,400 --> 00:29:00,000
Speaker 3: female hip hop. But they just had like this big

654
00:29:00,280 --> 00:29:05,080
Speaker 3: screen and they have all the female rappers, like all

655
00:29:05,200 --> 00:29:07,520
Speaker 3: the female rappers, all of them, all of them, all

656
00:29:07,560 --> 00:29:12,200
Speaker 3: of them, and it's like wow, Like one day I'm

657
00:29:12,240 --> 00:29:15,040
Speaker 3: gonna like, you know, we do see like things like

658
00:29:15,080 --> 00:29:18,440
Speaker 3: that that they do that now, but it's like one day,

659
00:29:18,520 --> 00:29:21,520
Speaker 3: like when I'm like in my fifties and I'm gonna

660
00:29:21,520 --> 00:29:25,640
Speaker 3: be like like part of that, like and that's like dope,

661
00:29:25,680 --> 00:29:27,080
Speaker 3: that is That's gonna be me one day.

662
00:29:27,120 --> 00:29:27,760
Speaker 1: Yeah, it is.

663
00:29:27,800 --> 00:29:30,560
Speaker 2: Congratulations and congratulations on the whip shots too, by the way,

664
00:29:30,640 --> 00:29:32,320
Speaker 2: you know, I'd be using that in my coffee. And

665
00:29:32,400 --> 00:29:33,360
Speaker 2: y'all got the new pumpkin.

666
00:29:33,600 --> 00:29:37,320
Speaker 3: The pump spie is really like this one is like

667
00:29:37,360 --> 00:29:39,520
Speaker 3: the coffee coffee for real, for real. I like this one.

668
00:29:39,520 --> 00:29:40,000
Speaker 3: I love it.

669
00:29:40,240 --> 00:29:41,960
Speaker 1: Yeah, you know I had some whip shots with Cardi.

670
00:29:42,280 --> 00:29:45,280
Speaker 3: You know I'm going to something.

671
00:29:45,400 --> 00:29:47,720
Speaker 2: Well, Thank you so much and congratulations and I cannot

672
00:29:47,720 --> 00:29:49,240
Speaker 2: wait for the new album Top of the Year.

673
00:29:49,840 --> 00:29:51,960
Speaker 1: Yes, okay, yes, yeah.

674
00:29:51,840 --> 00:29:55,440
Speaker 3: Sure, I have I want to Okay, that's my.

675
00:29:55,400 --> 00:29:58,680
Speaker 2: Goal, all right, well perfect, Well, Bongos's out, so make

676
00:29:58,680 --> 00:30:01,880
Speaker 2: sure y'all stream that down watch the video. I cannot

677
00:30:01,920 --> 00:30:05,000
Speaker 2: wait to see the video my damnself. But congratulations again.

678
00:30:05,080 --> 00:30:07,040
Speaker 2: Y'all got to give the flowers to Cardi B right now.

679
00:30:07,080 --> 00:30:07,719
Speaker 2: It's way up

680
00:30:10,400 --> 00:30:10,640
Speaker 1: Well,