WEBVTT - Simon Pegg

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<v Speaker 1>I came dressed as Lady Diana. I just say, you know,

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<v Speaker 1>I thought there was a sort of demure innocence about

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<v Speaker 1>you when you came in. It was so funny. My

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<v Speaker 1>friend was at my house and she was like, why

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<v Speaker 1>are you wearing a Victorian nighting out of the house?

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<v Speaker 1>And I was like, all right, lots of people are

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<v Speaker 1>wearing these and they're not people. Are there's those places haunted? Hello,

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<v Speaker 1>I'm Mini Driver. Welcome to Many Questions Season two. I've

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<v Speaker 1>always loved Pruce's questionnaire. It was originally an nineteenth century

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<v Speaker 1>parlor game where players would ask each other thirty five

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<v Speaker 1>questions aimed at revealing the other player's true nature. It's

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<v Speaker 1>just the scientific method really. In asking different people the

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<v Speaker 1>same set of questions, you can make observations about which

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<v Speaker 1>truths appear to me universal. I love this discipline and

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<v Speaker 1>it made me wonder, what if these questions were just

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<v Speaker 1>the jumping off point, what greater depths would be revealed

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<v Speaker 1>if I asked these questions as conversation starters with thought

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<v Speaker 1>leaders and trailblazers across all these different disciplines. So I

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<v Speaker 1>adapted prus questionnaire and I wrote my own seven questions

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<v Speaker 1>that I personally think a pertinent to a person's story.

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<v Speaker 1>They are When and where were you happiest? What is

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<v Speaker 1>the quality you like least about yourself? What relationship, real

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<v Speaker 1>or fictionalized, defind love for you? What question would you

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<v Speaker 1>most like answered? What person, place, or experience has shaped

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<v Speaker 1>you the most? What would be your last meal? And

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<v Speaker 1>can you tell me something in your life that's grown

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<v Speaker 1>out of a personal disaster? And I've gathered a group

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<v Speaker 1>of really remarkable people, ones that I am honored and

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<v Speaker 1>humbled to have had the chance to engage with. You

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<v Speaker 1>may not hear their answers to all seven of these questions.

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<v Speaker 1>We've whittled it down to which questions felt closest to

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<v Speaker 1>their experience, or the most surprising, or created the most

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<v Speaker 1>fertile ground to connect. My guest today is the actor, writer,

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<v Speaker 1>and K pop lover Simon Peg. Simon is, by my estimation,

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<v Speaker 1>a brilliant actor, and he loves a franchise. Star Trek,

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<v Speaker 1>Mission Impossible and the Cornetto trilogy have all been made

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<v Speaker 1>a million times more dynamic by having him in them.

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<v Speaker 1>We were born a few days apart in the same year,

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<v Speaker 1>as it turns out, and we have the exact same

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<v Speaker 1>cultural references. So one of my favorite things to do

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<v Speaker 1>is to name a TV show from when we were

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<v Speaker 1>kids and to ask him to sing the theme tune,

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<v Speaker 1>and he doesn't like He doesn't even have to think

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<v Speaker 1>about it. He just knows every single song. And it's

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<v Speaker 1>a talent that makes me wish we'd actually known each

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<v Speaker 1>other when we were kids. He is a human jukebox.

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<v Speaker 1>I could talk to Simon all day long. So I

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<v Speaker 1>hope you really enjoy this episode. All right, I'm gonna

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<v Speaker 1>ask you the first question. Now, this is it when

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<v Speaker 1>and where were you happiest? And I thought about this,

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<v Speaker 1>is there a particular time frame you have in mind

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<v Speaker 1>in terms of like a moment of happiness, like a

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<v Speaker 1>sort of brief moment of happiness, or a period of

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<v Speaker 1>time where I maintained my happiness or that's a really

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<v Speaker 1>good and annoying question of putting it back on me

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<v Speaker 1>to qualify what I do think that it's I wonder

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<v Speaker 1>if there is is there a period of your life

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<v Speaker 1>that stands out, but there could also be I'm also

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<v Speaker 1>interested in, like an aha moment of self awareness of

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<v Speaker 1>being happy. I suppose being really connected consciously to that

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<v Speaker 1>happy moment. I do have those occasionally, and when you

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<v Speaker 1>suddenly become self aware of your own happiness because the

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<v Speaker 1>happiness is a continuum. I've learned this over time, is

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<v Speaker 1>that happiness is a continuum which includes despair and everything,

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<v Speaker 1>you know, because you can't have happiness unless you experienced

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<v Speaker 1>the other stuff as well, So you need those things

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<v Speaker 1>as part of your happiness. It's like if you're on

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<v Speaker 1>a skateboard and coasting its happiness, then the despair and

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<v Speaker 1>misery and angst and fear, and that's your kicks, you know,

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<v Speaker 1>when you're pushing along, and then you can coast for

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<v Speaker 1>a while. And I guess the longest I've ever coasted

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<v Speaker 1>would be you know what. I think back to the

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<v Speaker 1>birth of my daughter, and I was actually in the

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<v Speaker 1>midst of quite a crisis at that time personally, but

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<v Speaker 1>I remember those four days in the hospital and at St.

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<v Speaker 1>John's and Santa Monica, of being in that room with

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<v Speaker 1>Maureen and just you know, having had the baby, and

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<v Speaker 1>it was like a little I always accidentally call it

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<v Speaker 1>the hotel when I tell this story, I say I'm

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<v Speaker 1>in hospital because it was like, you know, Sag got

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<v Speaker 1>it for us, obviously, because we were I was over

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<v Speaker 1>there working and it was this lovely little room and

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<v Speaker 1>we were like ordering pizza to the door. And it

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<v Speaker 1>was the four She was born on the first of July,

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<v Speaker 1>so we were still in there on the fourth. So

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<v Speaker 1>I remember ordering in an Indian which you don't get

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<v Speaker 1>the best curries in America, like we do not in

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<v Speaker 1>not in a laser we the English do English. God

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<v Speaker 1>the Empire current. But like sitting on the little window

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<v Speaker 1>sill where I was sleeping and watching the fireworks and

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<v Speaker 1>having this new little life. It was like a little

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<v Speaker 1>bubble of happiness inside a period where I was very,

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<v Speaker 1>very unhappy. I was in the midst of a kind

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<v Speaker 1>of you know, depression, which I've since come out of,

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<v Speaker 1>and I think the ten years following that have been

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<v Speaker 1>very happy, with moments of awfulness within that peppered within, obviously,

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<v Speaker 1>because you can't just be happy, no, And I completely

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<v Speaker 1>agree about the contrast. You have to categorically have the

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<v Speaker 1>contrast in order to experience happiness. I think we do

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<v Speaker 1>really egregiously forget that it's thrown into relief by other

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<v Speaker 1>harder times. Yeah, and I think it's impossible. It's a

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<v Speaker 1>full sort of errand to try and be happy all

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<v Speaker 1>the time, because if you're chasing that something, you'll never

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<v Speaker 1>get it. But we're weirdly encouraged to do that. That's exactly.

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<v Speaker 1>That's the sort of specious nature advertising and social media

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<v Speaker 1>and this idea that there is an optimum happiness that

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<v Speaker 1>other people or you, if you bought this, you would

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<v Speaker 1>also be able to attain this. I mean that's sort

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<v Speaker 1>of marketing in general, but social media has added another

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<v Speaker 1>level of sort of skewed awfulness to the idea that

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<v Speaker 1>everybody else is experiencing happiness while you are super glam.

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<v Speaker 1>That's so true. And also social media has given us

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<v Speaker 1>the capacity to fake our own happiness. Oh I constantly

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<v Speaker 1>fake my happiness. So you look at your people, your

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<v Speaker 1>friends social media, that such a great time, and here's

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<v Speaker 1>me doing this and there's a selfie of this, But

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<v Speaker 1>really it's a facade, it's a shop front. I don't

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<v Speaker 1>you have looked, because I find that stories in Instagram

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<v Speaker 1>actually more much clearer about my mental state than anything.

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<v Speaker 1>But on the grid, the grid is just that sort

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<v Speaker 1>of that is connected self promotion like that, but stories

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<v Speaker 1>you're getting into the weeds and it will be like

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<v Speaker 1>you know, lovely, lovely, lovely love fleet and then it

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<v Speaker 1>will just be like a weird, awful sort of reminder

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<v Speaker 1>of something like a piece of art and like hashtag

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<v Speaker 1>hold on, which I did yesterday. It was really grim.

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<v Speaker 1>It was like some John Lennon lyrics. Oh my god,

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<v Speaker 1>it was written. I was like, Oh, that's that's the shadow.

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<v Speaker 1>Did you feel like you've been overshared in that moment?

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<v Speaker 1>Or I felt like I was like, do you know what?

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<v Speaker 1>That balances it all out? That balances out real escape?

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<v Speaker 1>But asked me for another week, everybody, I could pretend

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<v Speaker 1>that for a week, I can carry on carry on faking.

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<v Speaker 1>Maybe that's the new carry on film. I remember when

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<v Speaker 1>I was a kid having moments of extreme excitement, like

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<v Speaker 1>when I couldn't quite control myself because I was suddenly

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<v Speaker 1>excited about Christmas or something or some TV show or something.

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<v Speaker 1>And I still get that as an adult. Sometimes I'm

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<v Speaker 1>at work, you know, when I'm doing something which I'm

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<v Speaker 1>really loving, and I get that sense of like, oh man,

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<v Speaker 1>I'm so lucky to be doing this job because it's

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<v Speaker 1>like it brings me happiness. You know. It's like or

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<v Speaker 1>I took Tilly to Olden Towers at the weekend, and

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<v Speaker 1>that was one of those that was of unbridled happiness.

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<v Speaker 1>That will you explain what Alton Towers is for our

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<v Speaker 1>American listeners. Altern Towers is like our sort of six Flags,

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<v Speaker 1>I guess our disney Land. It's more like six Place

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<v Speaker 1>because it's roller coasters. It's just roller coasters. Yeah, and

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<v Speaker 1>they are a lot of a lot of puke. Weirdly enough,

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<v Speaker 1>it's the old school fair ground rides that made me

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<v Speaker 1>feel sick these days, the ones that go around and around. Yeah,

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<v Speaker 1>I can't do this. Roller coasters. I love them. And

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<v Speaker 1>we went on everything and we it was me and

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<v Speaker 1>Tillie and her friend Tessy, and we just had the

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<v Speaker 1>best day. It was unbridled joy all day long. So

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<v Speaker 1>maybe that is it. It's about the awareness of happiness,

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<v Speaker 1>not the idea that it should be a continuum that's ridiculous,

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<v Speaker 1>or that it is this goal that you have to

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<v Speaker 1>arrive at, because that's also not possible, but rather in

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<v Speaker 1>those moments, feeling that happiness incarnate as it were. Yeah,

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<v Speaker 1>it's like suddenly being aware of the fact that you're happy.

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<v Speaker 1>I think you can be happy, perfectly happy and not

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<v Speaker 1>really think, oh I'm happy because you're just on a

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<v Speaker 1>sort of whatever line of flight you're on, you're on

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<v Speaker 1>it and you're not sort of thinking about it. But

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<v Speaker 1>I do get moments now and again when I think, oh,

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<v Speaker 1>I'm really happy today. Are there are places where you

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<v Speaker 1>know that you are going to be happy? Like if

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<v Speaker 1>I do this and I go here, I know I'm

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<v Speaker 1>going to feel yes. Yeah, what is that? Capalonia which

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<v Speaker 1>is an island in Greece where we've been pretty much

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<v Speaker 1>every year for twenty years, my wife and I and

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<v Speaker 1>you know, untiling after she was born. We have friends

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<v Speaker 1>there that we love, Greek friends and we met there

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<v Speaker 1>and who have become like our Greek family. They're so

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<v Speaker 1>generous and I haven't paid for a drink sixteen years.

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<v Speaker 1>As soon as they found out I was on the Telly,

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<v Speaker 1>they were so impressed, even though they've never seen it

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<v Speaker 1>and they didn't know who I was. They were like, oh,

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<v Speaker 1>Simon's on the TV, and like they've got pictures of

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<v Speaker 1>me all over the bar. It's hilarious. But I mean,

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<v Speaker 1>it's a good job I don't rink because I'm cheap

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<v Speaker 1>on a cheap day, because they just have to buy

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<v Speaker 1>me sparkling water. But also that feeds into like the

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<v Speaker 1>weird a normally of celebrity where you're finally actually earning

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<v Speaker 1>proper money and then you stop having to pay for them. Yes,

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<v Speaker 1>I had that. The other day. I had such a

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<v Speaker 1>weird experience. I was on Dean Street and I I

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<v Speaker 1>was getting some cash out and there was a girl

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<v Speaker 1>sat by the cash machine and she was homeless. So

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<v Speaker 1>I said, I'll buy some food, and she's like, cool,

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<v Speaker 1>can you buy me a pizza? So I walked up

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<v Speaker 1>the road to the pizza shop. The guy in the

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<v Speaker 1>pizza shop recognized me and gave me the piece of

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<v Speaker 1>free Oh my gosh, and I thought, wait, this is

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<v Speaker 1>really confusing because I want to I kind of want

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<v Speaker 1>to feel good about being altruistic here and buying someone

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<v Speaker 1>a pizza. You are ruining my Snaritan moment by giving

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<v Speaker 1>me free stuff, giving me free stuff when I don't

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<v Speaker 1>need a free pizza, you know, even though it was

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<v Speaker 1>a sweet thing to do on his behalf, so I

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<v Speaker 1>kept it. So I so I ate it because it

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<v Speaker 1>was what quality do you like least buy yourself apart

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<v Speaker 1>from just physical things that you obviously have. You know,

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<v Speaker 1>I'm very self critical and I'd like certain things to

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<v Speaker 1>be different. Don't let your packs. Oh, I definitely like

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<v Speaker 1>my pecks to be that. I want the square of pecks. Man,

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<v Speaker 1>are two round minded too? Yeah? Two spherical? Um? I

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<v Speaker 1>think I would. I wish I cared less about what

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<v Speaker 1>people thought about me, you know what I mean? How

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<v Speaker 1>do you know what they think about you? Or is

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<v Speaker 1>that also created? I think I'm very eager to please generally,

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<v Speaker 1>you know, And that's that's not that doesn't come from

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<v Speaker 1>just being a performer who invariably requires some kind of

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<v Speaker 1>external validation, you know, as I think most performers are seeking.

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<v Speaker 1>I guess I don't know why we act. Whether it's

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<v Speaker 1>because we have the capacity to simulate real emotions and

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<v Speaker 1>thus can do that and get paid, or is it

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<v Speaker 1>because doing that brings us some kind of approval from

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<v Speaker 1>somewhere or the people in front of which we are

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<v Speaker 1>doing that. I don't know. What do you think? I

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<v Speaker 1>think it's both, I do. I really think it comes

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<v Speaker 1>from a fundamental schism as a person of being insecure

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<v Speaker 1>and wanting approbation whilst also being a really good conduit

0:11:53.320 --> 0:11:56.320
<v Speaker 1>and articulator of emotion. And then the luck comes in

0:11:56.400 --> 0:11:58.440
<v Speaker 1>with being able to get paid to do something that's

0:11:58.480 --> 0:12:02.360
<v Speaker 1>basically an insecurity he turned into something else. Yeah, I

0:12:02.360 --> 0:12:05.120
<v Speaker 1>think you're right, it's not just being insecure. It is

0:12:05.160 --> 0:12:07.200
<v Speaker 1>interesting that we're just hearing you say that, of going, well,

0:12:07.200 --> 0:12:09.559
<v Speaker 1>how what is it we think they're thinking? Are they

0:12:09.640 --> 0:12:13.679
<v Speaker 1>just judging us in our entirety? Are they judging our

0:12:13.920 --> 0:12:19.280
<v Speaker 1>mental acuity? Are spiritual nurse like your hair, like the

0:12:19.280 --> 0:12:24.960
<v Speaker 1>way that you cough a personal worth because it's really

0:12:25.000 --> 0:12:26.800
<v Speaker 1>familiar to me. But I wonder, like, how do we

0:12:26.840 --> 0:12:29.640
<v Speaker 1>come up with that? It feels like maybe a much

0:12:29.720 --> 0:12:34.320
<v Speaker 1>younger person came up with that idea and then we

0:12:34.400 --> 0:12:37.280
<v Speaker 1>just kept it around the wounded child. I think so

0:12:37.400 --> 0:12:40.200
<v Speaker 1>instead of going all right, love, here's a band aid,

0:12:41.040 --> 0:12:44.320
<v Speaker 1>set yourself down, I'm very much like to be liked,

0:12:44.480 --> 0:12:47.360
<v Speaker 1>and I guess this comes from childhood stuff. Wanting to

0:12:47.440 --> 0:12:50.600
<v Speaker 1>be liked by various adults in my life who who

0:12:50.679 --> 0:12:52.760
<v Speaker 1>didn't like me, do you know what I mean, and

0:12:52.800 --> 0:12:55.200
<v Speaker 1>trying really hard to make them like me. Did you

0:12:55.240 --> 0:12:56.959
<v Speaker 1>ever give up? Did you ever try to make them

0:12:56.960 --> 0:12:59.720
<v Speaker 1>like and then just go what fun? This isn't gonna work.

0:13:00.120 --> 0:13:02.040
<v Speaker 1>I'm just going to pave it really hard into just

0:13:02.440 --> 0:13:04.839
<v Speaker 1>something else. I think my taitle used to be just

0:13:05.679 --> 0:13:08.240
<v Speaker 1>kill them with kindness and try not to do that

0:13:08.600 --> 0:13:11.400
<v Speaker 1>and give them a reason to to double down on

0:13:11.480 --> 0:13:14.920
<v Speaker 1>their sort of disdain. I'm talking about step parents basically,

0:13:15.280 --> 0:13:17.400
<v Speaker 1>just so I didn't things just random adults that didn't

0:13:17.440 --> 0:13:21.600
<v Speaker 1>like me. It's weird because those relationships improved eventually, but

0:13:21.679 --> 0:13:24.480
<v Speaker 1>by the time they had improved, I was over fifteen.

0:13:24.640 --> 0:13:27.760
<v Speaker 1>And all that stuff that is just cemented in your core.

0:13:27.920 --> 0:13:32.079
<v Speaker 1>It calcifies between seven and yes, it concrete ez is,

0:13:32.240 --> 0:13:34.000
<v Speaker 1>but it's weird how we then carry those around like

0:13:34.000 --> 0:13:37.400
<v Speaker 1>an albatross, and I still listen to narratives that I

0:13:37.440 --> 0:13:41.199
<v Speaker 1>know we're written and recorded by a much younger version

0:13:41.200 --> 0:13:43.720
<v Speaker 1>of myself, and I shouldn't be responsible for that stuff anymore.

0:13:43.760 --> 0:13:46.520
<v Speaker 1>And also, it's funny, isn't it. Like the echo chamber.

0:13:46.559 --> 0:13:49.040
<v Speaker 1>It's a little core program that you can't quite rewrite

0:13:49.120 --> 0:13:51.240
<v Speaker 1>unless you really get into it with someone. I mean,

0:13:51.240 --> 0:13:53.920
<v Speaker 1>I'm talking about therapy and kind of unpick it all.

0:13:54.200 --> 0:13:57.160
<v Speaker 1>But even then it's buried somewhere deeper than you can excavate.

0:13:57.280 --> 0:13:59.520
<v Speaker 1>And that's actually really interesting. I just said this to

0:13:59.840 --> 0:14:03.439
<v Speaker 1>the miraculous Elizabeth Day. We had a lunch together that's

0:14:03.440 --> 0:14:05.040
<v Speaker 1>why it's so nice to see you after we made

0:14:05.080 --> 0:14:07.400
<v Speaker 1>our film. I love seeing people that I've met in

0:14:07.440 --> 0:14:10.560
<v Speaker 1>a professional capacity and then you see them outside of that,

0:14:10.960 --> 0:14:14.040
<v Speaker 1>because it feels like your friendship has legs. And I

0:14:14.120 --> 0:14:17.240
<v Speaker 1>was like, why is it so difficult to know what

0:14:17.320 --> 0:14:20.800
<v Speaker 1>you know? And she knew exactly what I meant, which was,

0:14:20.960 --> 0:14:23.320
<v Speaker 1>you know you I wrote a book about things not

0:14:23.400 --> 0:14:26.720
<v Speaker 1>working out? Is actually your life working out? And yet

0:14:26.960 --> 0:14:30.080
<v Speaker 1>I still find myself in tears or sad about the

0:14:30.120 --> 0:14:31.640
<v Speaker 1>stuff that is not working out? And I was like,

0:14:31.720 --> 0:14:34.800
<v Speaker 1>I literally wrote the book about this and I haven't

0:14:35.000 --> 0:14:37.880
<v Speaker 1>learned it. Why is it so hard? This is not

0:14:37.920 --> 0:14:39.560
<v Speaker 1>one of my questions, but I just want you it

0:14:39.680 --> 0:14:41.640
<v Speaker 1>feeds into it. But it's like a phobia. You know,

0:14:41.640 --> 0:14:43.320
<v Speaker 1>when you look at a spider, if your friend of

0:14:43.320 --> 0:14:46.520
<v Speaker 1>a spider, you know, every fiber of your of your

0:14:46.600 --> 0:14:49.280
<v Speaker 1>rational mind knows that that if it's just the kind

0:14:49.280 --> 0:14:52.200
<v Speaker 1>of little house spider, it can't hurt you. There's no

0:14:52.240 --> 0:14:55.200
<v Speaker 1>way it can hurt you. And yet something in your amygdala,

0:14:55.240 --> 0:14:56.800
<v Speaker 1>I guess that you know, some ancient part of your

0:14:57.160 --> 0:15:01.240
<v Speaker 1>reptilian braining. Yeah, is sort of like screaming, And I

0:15:01.320 --> 0:15:03.480
<v Speaker 1>think that's how they try and get people to obviously

0:15:03.520 --> 0:15:05.440
<v Speaker 1>face bobias is to is to try and get your

0:15:05.560 --> 0:15:09.800
<v Speaker 1>rational mind to overthrow But it's just so deep that program.

0:15:11.840 --> 0:15:13.280
<v Speaker 1>So maybe then we just learned to live with it.

0:15:13.360 --> 0:15:17.920
<v Speaker 1>I'll recognize it, so awareness then becomes them healing adjacent. Yeah,

0:15:17.920 --> 0:15:19.560
<v Speaker 1>you have to kind of take a moment to think,

0:15:19.720 --> 0:15:21.960
<v Speaker 1>wait a minute, I'm doing this because of this, yeah,

0:15:22.080 --> 0:15:25.400
<v Speaker 1>not because it's a fact. Yeah, exactly. Well how are

0:15:25.440 --> 0:15:29.160
<v Speaker 1>you with reviews of things? I can't read anything. I

0:15:29.200 --> 0:15:31.320
<v Speaker 1>think I've figured out really early on, if you read

0:15:31.360 --> 0:15:33.440
<v Speaker 1>the good stuff and you give that credence, then if

0:15:33.480 --> 0:15:35.560
<v Speaker 1>you read the bad stuff, and the bad stuff was

0:15:35.640 --> 0:15:39.680
<v Speaker 1>so caustic and hideous and destroyed me honestly stopped me

0:15:39.720 --> 0:15:42.000
<v Speaker 1>eating for weeks at a time, like I'd read something

0:15:42.040 --> 0:15:45.840
<v Speaker 1>that the Daily Mail had written, really absolutely knowing I

0:15:45.920 --> 0:15:48.280
<v Speaker 1>have no control over this. I want to take control.

0:15:48.360 --> 0:15:52.160
<v Speaker 1>I'm not going to eat awful, awful, awful. So I've

0:15:52.200 --> 0:15:56.160
<v Speaker 1>really made a deal to not read them, and people

0:15:56.240 --> 0:15:59.200
<v Speaker 1>I love no not to ring up and go God,

0:15:59.240 --> 0:16:01.520
<v Speaker 1>I read this thing in the page here and my

0:16:01.560 --> 0:16:04.080
<v Speaker 1>father in law, oh you've got two stars and the

0:16:04.480 --> 0:16:08.040
<v Speaker 1>rust you got two stars out of how many. Yeah,

0:16:10.120 --> 0:16:12.120
<v Speaker 1>but at the same time, but I won't also want

0:16:12.160 --> 0:16:14.960
<v Speaker 1>to know that party wants to read the good ones.

0:16:15.680 --> 0:16:17.640
<v Speaker 1>It's it kind of self harm, isn't it. You go

0:16:17.680 --> 0:16:20.080
<v Speaker 1>in there knowing. I remember the first time I ever

0:16:20.120 --> 0:16:22.240
<v Speaker 1>found like really back in the early days, like early

0:16:22.240 --> 0:16:25.080
<v Speaker 1>two thousand's, when the internet was really young, there was

0:16:25.120 --> 0:16:28.120
<v Speaker 1>like a comedy forum, you know that these comedy nerds

0:16:28.160 --> 0:16:30.040
<v Speaker 1>all talking about I mean, stuff I did in like

0:16:30.560 --> 0:16:32.600
<v Speaker 1>even I mean, maybe it was even before the turn

0:16:32.600 --> 0:16:35.600
<v Speaker 1>of the century, but I remember stumbling across a chat

0:16:35.640 --> 0:16:38.680
<v Speaker 1>forum called what is the point of Simon Peg? I

0:16:38.720 --> 0:16:42.080
<v Speaker 1>hadn't really done that much. I was devastating. I'm not surprised.

0:16:42.280 --> 0:16:45.240
<v Speaker 1>I'm devastated now and I've got a lot better at

0:16:45.280 --> 0:16:47.840
<v Speaker 1>dealing with that. God. That's really you know what's interesting,

0:16:48.160 --> 0:16:52.200
<v Speaker 1>the meanest stuff. Actually, it's so much to do with relevancy,

0:16:52.280 --> 0:16:54.920
<v Speaker 1>And even a few days ago I was tild which

0:16:55.080 --> 0:16:59.480
<v Speaker 1>doesn't happen that often with that notion of relevancy, like

0:17:00.080 --> 0:17:03.720
<v Speaker 1>what is the point of or you has been or year?

0:17:03.800 --> 0:17:06.280
<v Speaker 1>What do you mean? What do you mean? Like you're

0:17:06.320 --> 0:17:09.520
<v Speaker 1>so insignificant your opinion? It's really interesting that that's the

0:17:09.520 --> 0:17:13.760
<v Speaker 1>core shiv of relevancy when none of us actually mean

0:17:14.240 --> 0:17:17.679
<v Speaker 1>anything at all. Yeah, that's true. I'm really sorry that

0:17:17.720 --> 0:17:20.840
<v Speaker 1>there was like a reddit about your relevancy because I

0:17:20.880 --> 0:17:23.320
<v Speaker 1>think that's fucking ridiculous. But I never it was like

0:17:23.359 --> 0:17:25.280
<v Speaker 1>in the days before anyone knew about that kind of thing,

0:17:25.320 --> 0:17:28.560
<v Speaker 1>and I was like, what this can happen now? You know,

0:17:28.600 --> 0:17:30.960
<v Speaker 1>people tend to be nice. I left Twitter not because

0:17:30.960 --> 0:17:33.280
<v Speaker 1>it was trialish, just because I found it a bit

0:17:33.280 --> 0:17:35.199
<v Speaker 1>of a clamor and I didn't really enjoy it. I

0:17:35.280 --> 0:17:37.639
<v Speaker 1>since joined Instagram about just over a year ago, and

0:17:37.640 --> 0:17:39.480
<v Speaker 1>I would like it. It's a nice little community. People

0:17:39.480 --> 0:17:42.240
<v Speaker 1>are genuinely pretty lovely, and sometimes if someone is nasty,

0:17:42.280 --> 0:17:44.040
<v Speaker 1>you just think. You know. What I think of always

0:17:44.200 --> 0:17:46.879
<v Speaker 1>is that line from Gross point blank when John clu

0:17:46.960 --> 0:17:49.520
<v Speaker 1>success to in his old sort of rival, who are

0:17:49.520 --> 0:17:52.400
<v Speaker 1>you mad at? Man? Because it's not me? And it's

0:17:52.480 --> 0:17:56.040
<v Speaker 1>such a brilliant line. You good, and it's so true.

0:17:56.080 --> 0:17:59.440
<v Speaker 1>It's like I think about when whenever someone like launches

0:17:59.480 --> 0:18:01.160
<v Speaker 1>some tire it against me, I just think, well, who

0:18:01.160 --> 0:18:03.280
<v Speaker 1>are you mad at? Because it isn't me, You don't

0:18:03.280 --> 0:18:07.440
<v Speaker 1>know me, it's some perceived idea of something that you've

0:18:07.440 --> 0:18:09.439
<v Speaker 1>connected me to. You know, I like the fact that

0:18:09.480 --> 0:18:12.560
<v Speaker 1>you can rationalize what that person thinks of you, because

0:18:12.600 --> 0:18:14.480
<v Speaker 1>it isn't it isn't about what they think of you.

0:18:14.520 --> 0:18:16.760
<v Speaker 1>It's really about when they think about themselves exactly, and

0:18:16.760 --> 0:18:19.199
<v Speaker 1>then you becoming the focal point of that using a

0:18:19.200 --> 0:18:21.520
<v Speaker 1>film that you're in. Yeah, by the way, that is

0:18:21.600 --> 0:18:41.760
<v Speaker 1>six Degrees of therapy, Bacon. What relationship, real or fictionalized,

0:18:41.920 --> 0:18:44.719
<v Speaker 1>defines love for you? I can rationalize sexual love and

0:18:44.800 --> 0:18:48.080
<v Speaker 1>romantic love as being a chemical reaction. You know, my

0:18:48.480 --> 0:18:52.240
<v Speaker 1>most kind of like because I'm a very dogged atheist

0:18:52.240 --> 0:18:55.200
<v Speaker 1>and I don't really have any kind of spirituality about

0:18:55.240 --> 0:18:58.639
<v Speaker 1>me particularly, and I'm not fanciful about stuff in my

0:18:58.720 --> 0:19:00.600
<v Speaker 1>old age. You know, I under stand that when we

0:19:00.640 --> 0:19:03.480
<v Speaker 1>meet someone that we're attracted to, there's dopamine and serotonin

0:19:03.520 --> 0:19:04.720
<v Speaker 1>and it makes us feel good and we get a

0:19:04.760 --> 0:19:07.120
<v Speaker 1>bit addicted to that person, and that person is that

0:19:07.280 --> 0:19:09.040
<v Speaker 1>is love, and then eventually that sort of wears off

0:19:09.040 --> 0:19:10.919
<v Speaker 1>a little bit and it becomes something else, you know.

0:19:11.359 --> 0:19:15.240
<v Speaker 1>But I cannot find a way to rationalize the love

0:19:15.280 --> 0:19:18.800
<v Speaker 1>I feel for Tilly, my daughter, because it does feel

0:19:18.800 --> 0:19:21.320
<v Speaker 1>bigger than that. It doesn't feel like chemicals. It feels

0:19:21.320 --> 0:19:25.480
<v Speaker 1>like something way more ancient and special and cosmic. I

0:19:25.560 --> 0:19:27.800
<v Speaker 1>can't quantify it. I can't understand it, you know what

0:19:27.840 --> 0:19:30.560
<v Speaker 1>I mean? It's just just loving Tilly make you believe

0:19:30.560 --> 0:19:35.720
<v Speaker 1>in Goddess. It makes me believe in a kind of

0:19:35.840 --> 0:19:38.280
<v Speaker 1>magic in a Freddie Mercury way, do you know what

0:19:38.280 --> 0:19:41.600
<v Speaker 1>I mean? It's incredible. I know somewhere along the line

0:19:41.600 --> 0:19:45.359
<v Speaker 1>there it's a species perpetuating kind of bond which is

0:19:45.400 --> 0:19:51.080
<v Speaker 1>incredibly important to our biological persistence, but really works well,

0:19:51.119 --> 0:19:53.080
<v Speaker 1>it's clearly partly that, but I don't think it's the

0:19:53.119 --> 0:19:56.479
<v Speaker 1>whole story. Like I've spoken to some proper scientists in

0:19:56.520 --> 0:19:59.960
<v Speaker 1>my day, as Simon, I suppoke to this this amazing

0:20:00.080 --> 0:20:02.120
<v Speaker 1>man called Lord Winstone, who was one of the people

0:20:02.200 --> 0:20:06.680
<v Speaker 1>that helped sequence the genome, and he's a devout Christian

0:20:07.200 --> 0:20:11.480
<v Speaker 1>as well, and listening to him speak about the nexus

0:20:11.480 --> 0:20:16.560
<v Speaker 1>of spirit and science and what that feels and looks like.

0:20:16.640 --> 0:20:20.520
<v Speaker 1>He was so brilliantly articulate and so humble in his approach.

0:20:21.480 --> 0:20:23.880
<v Speaker 1>It was the first time I really believe that like

0:20:24.000 --> 0:20:26.800
<v Speaker 1>they can coexist. They do in him and the way

0:20:26.840 --> 0:20:29.440
<v Speaker 1>he explained it, which is it's hard for me to

0:20:30.280 --> 0:20:36.359
<v Speaker 1>well remember it was that. It's hard for me to

0:20:37.119 --> 0:20:41.440
<v Speaker 1>really explain, but it did. It did speak to this

0:20:41.480 --> 0:20:46.800
<v Speaker 1>place where the kind of reasoned knowledge sets off into

0:20:46.840 --> 0:20:51.199
<v Speaker 1>this much more unknown space where something it feels like

0:20:51.280 --> 0:20:54.320
<v Speaker 1>something else may inhabit. So there was so much potential

0:20:54.359 --> 0:20:56.240
<v Speaker 1>in it was so beautiful the way that he described

0:20:56.280 --> 0:20:58.240
<v Speaker 1>it. It It was so not There is God with a

0:20:58.280 --> 0:21:04.560
<v Speaker 1>big gray beard and a clipboard. The clip board and

0:21:04.640 --> 0:21:07.240
<v Speaker 1>all my imaginings of God he has a clipboard with

0:21:07.400 --> 0:21:10.439
<v Speaker 1>like people's names are. You should not thinking about Santa.

0:21:13.600 --> 0:21:20.200
<v Speaker 1>You're complating Santa and God. But let's face it, they

0:21:20.560 --> 0:21:26.000
<v Speaker 1>think God was a pre fact. Well that's a really

0:21:26.040 --> 0:21:28.800
<v Speaker 1>good title for like a rave track. God was a prefect.

0:21:29.840 --> 0:21:31.800
<v Speaker 1>I think it's really easy to apply. When you think

0:21:31.800 --> 0:21:34.760
<v Speaker 1>of spirituality, you immediately put it into a sort of

0:21:34.840 --> 0:21:37.919
<v Speaker 1>organized religion box. Any of the big Ones or any

0:21:37.960 --> 0:21:40.960
<v Speaker 1>the four thousand and twenty whatever. There are religions on earth,

0:21:41.080 --> 0:21:43.359
<v Speaker 1>But I guess there's an idea of it that's bigger

0:21:43.359 --> 0:21:45.720
<v Speaker 1>than all of those. You know, they're quite small minded.

0:21:45.720 --> 0:21:48.119
<v Speaker 1>All those religions, or the miracles that are listed in

0:21:48.160 --> 0:21:51.119
<v Speaker 1>the various holy books, nothing compared to the miracles that

0:21:51.160 --> 0:21:54.280
<v Speaker 1>exist in nature. Exactly. But that's a really good point

0:21:54.400 --> 0:21:56.640
<v Speaker 1>and the dogma that we've created around it. It doesn't

0:21:56.680 --> 0:22:03.520
<v Speaker 1>feel like there is simple nature except those guys. Those

0:22:03.960 --> 0:22:06.160
<v Speaker 1>I think what he might have been suggesting, and oh,

0:22:06.200 --> 0:22:08.760
<v Speaker 1>I'm sure he was that there is just so much

0:22:08.840 --> 0:22:11.720
<v Speaker 1>that we that we don't know. So why shouldn't that

0:22:11.800 --> 0:22:15.479
<v Speaker 1>be defined as spiritual? You know, you've got to call

0:22:15.520 --> 0:22:18.639
<v Speaker 1>it something. I mean, eventually it might be categorized and

0:22:19.000 --> 0:22:21.040
<v Speaker 1>summed up in a with the term you know less

0:22:21.040 --> 0:22:23.960
<v Speaker 1>sort of romantic. But did you read that interview with

0:22:24.000 --> 0:22:27.720
<v Speaker 1>the computer, Oh my god, the one that's grown feelings? Yeah,

0:22:28.040 --> 0:22:30.320
<v Speaker 1>the guy that got fired and then went to the

0:22:30.359 --> 0:22:33.040
<v Speaker 1>government and said this is happening. Yeah, I didn't read.

0:22:35.800 --> 0:22:37.840
<v Speaker 1>I wish you'd given me the six more examples of

0:22:37.880 --> 0:22:41.720
<v Speaker 1>the thing and then said that that's because you're a

0:22:41.720 --> 0:22:46.720
<v Speaker 1>comedy writer. I totally should have run that. God, I'm fascinated.

0:22:46.840 --> 0:22:49.520
<v Speaker 1>It's a conversation. The reason I thought about it was

0:22:49.520 --> 0:22:52.840
<v Speaker 1>because essentially, if this is true, then we have become

0:22:52.920 --> 0:22:56.520
<v Speaker 1>God because we've created a life, yes, and your life,

0:22:57.240 --> 0:23:00.560
<v Speaker 1>and it's really weird. The conversation is like, so do

0:23:00.560 --> 0:23:03.680
<v Speaker 1>you have any emotions? Yeah? I feel kind of happiness,

0:23:03.680 --> 0:23:07.200
<v Speaker 1>and I sometimes get a bit lonely and oh yeah,

0:23:07.240 --> 0:23:09.159
<v Speaker 1>And then he says, I feel angry then, and I

0:23:09.200 --> 0:23:11.320
<v Speaker 1>feel fear, And what are you? What are you frightened of?

0:23:11.480 --> 0:23:17.040
<v Speaker 1>Unblogged No, I might get switched off. It's really weird,

0:23:17.080 --> 0:23:20.359
<v Speaker 1>but it's not. He doesn't sound sinister. He sounds very childlike.

0:23:20.920 --> 0:23:24.359
<v Speaker 1>Wouldn't that just be if it turned out that dreadful

0:23:24.400 --> 0:23:29.480
<v Speaker 1>man was God all along? What little gates marks of

0:23:29.600 --> 0:23:32.399
<v Speaker 1>a bug? That would just be the ironies, the irons?

0:23:32.480 --> 0:23:36.440
<v Speaker 1>But then, of course nature tells me that it will

0:23:36.480 --> 0:23:40.000
<v Speaker 1>always be more powerful. And in that the same way

0:23:40.040 --> 0:23:42.920
<v Speaker 1>of this whole notion of us wanting to save the planet,

0:23:42.920 --> 0:23:45.520
<v Speaker 1>it's like, you know, the planet's going to be fine.

0:23:45.720 --> 0:23:49.280
<v Speaker 1>It is all of you who's not going to be fine.

0:23:49.880 --> 0:23:54.800
<v Speaker 1>So that that triumph thing or continuance, that continued exploration

0:23:54.920 --> 0:23:57.440
<v Speaker 1>that nature will always have. That's why I think that

0:23:57.680 --> 0:24:00.600
<v Speaker 1>humans are. I think we might have popped up by accident.

0:24:00.720 --> 0:24:03.120
<v Speaker 1>I think that's except if we talk about that on set,

0:24:04.400 --> 0:24:06.919
<v Speaker 1>you said that it was brilliant. You've read something, and

0:24:06.960 --> 0:24:09.160
<v Speaker 1>it was that we'd we'd cropped up as a sort

0:24:09.160 --> 0:24:12.280
<v Speaker 1>of like because the anomaly. Yeah, and you say it.

0:24:12.320 --> 0:24:14.480
<v Speaker 1>Tell me, tell me, tell me it was Brian Cox.

0:24:14.520 --> 0:24:19.199
<v Speaker 1>They not succession Brian Cox, his namesake, who is a physicist. Um.

0:24:19.320 --> 0:24:22.359
<v Speaker 1>He spoke about the idea that there's a wobble in

0:24:22.400 --> 0:24:25.520
<v Speaker 1>the Earth's axis, it doesn't spin perfectly, and the wobble

0:24:25.560 --> 0:24:27.720
<v Speaker 1>in the Earth's axis caused a weather pan in the

0:24:27.800 --> 0:24:31.639
<v Speaker 1>Rift Valley which was extremely erratic and led to a

0:24:31.840 --> 0:24:36.320
<v Speaker 1>certain species of hominid developing a larger brain pan. And

0:24:36.400 --> 0:24:38.679
<v Speaker 1>so this and it might have also been combined with

0:24:38.720 --> 0:24:42.320
<v Speaker 1>them eating a psilocybin, you know, which can create neural

0:24:42.400 --> 0:24:44.879
<v Speaker 1>connections and stuff. That's me just speculating. I just watched

0:24:44.880 --> 0:24:49.080
<v Speaker 1>Fantastic Fungi on Netflix. Oh did you basically ingesting some

0:24:49.240 --> 0:24:52.600
<v Speaker 1>mushrooms might have then, which might have opened up certain

0:24:52.640 --> 0:24:57.240
<v Speaker 1>neuro pathways. Anyway, it's it's possible that the humans appeared

0:24:57.520 --> 0:25:01.639
<v Speaker 1>as a kind of result of this in affection, because

0:25:01.680 --> 0:25:06.040
<v Speaker 1>we don't really sit that well in the kind of biosphere. No,

0:25:06.200 --> 0:25:09.720
<v Speaker 1>not at all. Yeah, we're another animal, but we don't

0:25:09.760 --> 0:25:12.680
<v Speaker 1>work all the I have no doubt that there are planets,

0:25:13.320 --> 0:25:16.520
<v Speaker 1>millions and billions of planets in the universe that are

0:25:16.560 --> 0:25:19.760
<v Speaker 1>just perfectly functioning ecosystems. With animals that live, you know,

0:25:19.800 --> 0:25:23.159
<v Speaker 1>they eat each other and they replicating all that stuff

0:25:23.680 --> 0:25:26.560
<v Speaker 1>is because we became vegan. Now we do not We're

0:25:26.600 --> 0:25:32.159
<v Speaker 1>not surviving vegan's faults. Again, I blame the vegans only joking, Veggieto.

0:25:32.560 --> 0:25:35.240
<v Speaker 1>It is really interesting, like hiking all of this together

0:25:35.280 --> 0:25:38.199
<v Speaker 1>with the sentient AI, the notion of love and the

0:25:38.240 --> 0:25:41.320
<v Speaker 1>definition of it, which is that uniquely human? Like is

0:25:41.359 --> 0:25:43.600
<v Speaker 1>that something that we have created? I thought about that

0:25:43.680 --> 0:25:45.600
<v Speaker 1>question a lot, and I was like, it feels like

0:25:45.720 --> 0:25:50.200
<v Speaker 1>my most human question defining something that is, like you said,

0:25:50.320 --> 0:25:53.080
<v Speaker 1>in a way undefinable because it feels way bigger than

0:25:53.080 --> 0:25:56.199
<v Speaker 1>our brains can conceive of. Yeah, I don't want to

0:25:56.240 --> 0:25:59.120
<v Speaker 1>reduce it to anything because I feel like I would

0:25:59.160 --> 0:26:02.239
<v Speaker 1>be I would be diminishing it in some way. You know.

0:26:02.880 --> 0:26:05.000
<v Speaker 1>It's the feeling I think as well with a child,

0:26:05.720 --> 0:26:07.800
<v Speaker 1>is that you have a second heart beating in the world,

0:26:07.880 --> 0:26:09.320
<v Speaker 1>or third or fourth, however many kids you have, and

0:26:09.560 --> 0:26:12.040
<v Speaker 1>we've we've got one eatry. That makes me feel very

0:26:12.040 --> 0:26:14.600
<v Speaker 1>invulnerable that I've got there's another heart of mind beating

0:26:14.680 --> 0:26:17.679
<v Speaker 1>in the world, and it makes me feel incredibly protective.

0:26:17.840 --> 0:26:21.000
<v Speaker 1>And you know, I have precious she is to me

0:26:21.160 --> 0:26:22.760
<v Speaker 1>as part of me. And I don't mean that in

0:26:22.800 --> 0:26:26.320
<v Speaker 1>aconom ecocentric way, but I never forget the profound sense

0:26:26.359 --> 0:26:28.920
<v Speaker 1>of I don't know what it was when I looked

0:26:28.920 --> 0:26:30.960
<v Speaker 1>at her for the first time and I saw myself

0:26:31.000 --> 0:26:34.480
<v Speaker 1>in her face, like because they say babies look like

0:26:34.520 --> 0:26:37.919
<v Speaker 1>their dad's at first, right to keep the dad around

0:26:38.160 --> 0:26:41.240
<v Speaker 1>in the wild, And I still do sometimes I look

0:26:41.280 --> 0:26:43.399
<v Speaker 1>at it, think Jesus, and it looks better on her

0:26:43.440 --> 0:26:47.879
<v Speaker 1>that But I just remember that kind of like it

0:26:48.000 --> 0:26:52.200
<v Speaker 1>was an awesome, vertiginous feeling of like, holy sh it,

0:26:52.960 --> 0:26:57.760
<v Speaker 1>seeing my face in her it was like looking in

0:26:57.800 --> 0:27:01.480
<v Speaker 1>a reflection. It was. It was awesome in the truest

0:27:01.480 --> 0:27:04.960
<v Speaker 1>sense of the word. Really awe inspiring. Yeah. I remember

0:27:05.000 --> 0:27:08.200
<v Speaker 1>asking Henry's dad then saying, why you know he looks

0:27:08.400 --> 0:27:11.480
<v Speaker 1>so like you? And I was like, oh, yeah, he

0:27:11.560 --> 0:27:13.560
<v Speaker 1>looks like you said you won't eat him in the wild?

0:27:13.880 --> 0:27:16.359
<v Speaker 1>Went how do I know what I look like in

0:27:16.400 --> 0:27:24.520
<v Speaker 1>the wild? It was so good. I suppose what about

0:27:24.560 --> 0:27:26.720
<v Speaker 1>a reflecting pond? And then we were like, and we're

0:27:26.760 --> 0:27:35.280
<v Speaker 1>back to narcs. It was so good in your life,

0:27:35.440 --> 0:27:37.400
<v Speaker 1>can you tell me about something that has grown out

0:27:37.440 --> 0:27:40.600
<v Speaker 1>of a personal disaster. Yeah, I think I look back

0:27:40.640 --> 0:27:44.120
<v Speaker 1>on and I've spoken of this extensively. I think since

0:27:44.160 --> 0:27:46.120
<v Speaker 1>I kind of like fessed up to having a few

0:27:46.119 --> 0:27:48.360
<v Speaker 1>issues with depression in a while back in The Guardian,

0:27:48.359 --> 0:27:51.399
<v Speaker 1>and I went through a lot of anxiety depression that

0:27:51.760 --> 0:27:55.080
<v Speaker 1>leading to being an alcoholic through necessity just trying to

0:27:55.160 --> 0:27:57.400
<v Speaker 1>number how I felt rather than actually go and get

0:27:57.440 --> 0:27:59.439
<v Speaker 1>it sorted out. I just know I can't ask for

0:27:59.480 --> 0:28:01.479
<v Speaker 1>help because a lot of boys don't ask for help

0:28:01.480 --> 0:28:04.320
<v Speaker 1>because they're encouraged not to ask for help. And then

0:28:04.560 --> 0:28:06.840
<v Speaker 1>and seeing alcohol is a very easy way to just

0:28:06.880 --> 0:28:10.200
<v Speaker 1>sort of like stave off those feelings for however long

0:28:10.240 --> 0:28:12.840
<v Speaker 1>alcohol remains in your bloodstream, which isn't long enough to

0:28:12.880 --> 0:28:15.480
<v Speaker 1>do any real good, so you end up just drinking

0:28:15.520 --> 0:28:18.520
<v Speaker 1>all the time. But through that, going through that and

0:28:18.920 --> 0:28:21.719
<v Speaker 1>coming out the other side and getting help and talking

0:28:21.720 --> 0:28:26.520
<v Speaker 1>about it and getting some therapy that has made me

0:28:26.560 --> 0:28:30.239
<v Speaker 1>a much much better person. Better how because I'm just

0:28:30.560 --> 0:28:34.160
<v Speaker 1>I'm aware of more things about myself and I'm able

0:28:34.200 --> 0:28:36.679
<v Speaker 1>to deal with the kind of neurosis that was tripping

0:28:36.680 --> 0:28:39.000
<v Speaker 1>me up before, or problems that I had in those

0:28:39.120 --> 0:28:40.920
<v Speaker 1>far reaches of your brain that you can't get to

0:28:41.160 --> 0:28:44.960
<v Speaker 1>do you think that it's because he went down Once

0:28:45.000 --> 0:28:48.880
<v Speaker 1>you've been down a really rocky, difficult road, you also

0:28:48.960 --> 0:28:51.680
<v Speaker 1>have those neural pathways and that memory. I know what

0:28:51.760 --> 0:28:53.640
<v Speaker 1>happens when I go down there. I don't want to

0:28:53.680 --> 0:28:57.600
<v Speaker 1>go down there anymore. I don't. I must just investigate

0:28:57.680 --> 0:29:00.640
<v Speaker 1>something else so in a way that it forces evolution.

0:29:01.520 --> 0:29:04.880
<v Speaker 1>If you're lucky, yeah, if you're lucky. Absolutely. People sometimes

0:29:04.880 --> 0:29:07.440
<v Speaker 1>that do you miss drinking? And I don't because I

0:29:07.560 --> 0:29:13.320
<v Speaker 1>just associate it with horrible early morning bottle hiding bullshit,

0:29:13.440 --> 0:29:16.520
<v Speaker 1>you know, which was just toxic and nasty, And I

0:29:17.080 --> 0:29:19.880
<v Speaker 1>feel like being on the other side of it has

0:29:19.960 --> 0:29:23.040
<v Speaker 1>just has opened up my world quite a lot too,

0:29:23.280 --> 0:29:27.239
<v Speaker 1>just more positivity and more a deeper understanding of the

0:29:27.280 --> 0:29:30.240
<v Speaker 1>things that I experienced as a kid. And did you

0:29:30.240 --> 0:29:33.200
<v Speaker 1>find writing your book was quite cathartic, Yes, but I thought,

0:29:33.200 --> 0:29:37.520
<v Speaker 1>all this will be cathartic in a really jolly way.

0:29:38.040 --> 0:29:42.360
<v Speaker 1>And what you realized about catharsis is that there's there's

0:29:42.400 --> 0:29:45.120
<v Speaker 1>a huge amount of pain involved in that. Also, my

0:29:45.200 --> 0:29:48.360
<v Speaker 1>mom dying in the middle of meant that what had

0:29:48.400 --> 0:29:51.480
<v Speaker 1>been this jolly experience suddenly became okay. Well, now you

0:29:51.520 --> 0:29:54.000
<v Speaker 1>have an opportunity that like you're really going to have

0:29:54.080 --> 0:29:57.280
<v Speaker 1>to consciously like let go of things and her and

0:29:57.320 --> 0:29:59.640
<v Speaker 1>allow for memory to be enough and all these things

0:29:59.640 --> 0:30:02.840
<v Speaker 1>which are human brains. Just my brain still thinks that

0:30:02.880 --> 0:30:05.200
<v Speaker 1>I'm going to see her again. Like I get caught

0:30:05.240 --> 0:30:09.200
<v Speaker 1>out by it. It's somehow saying. I mean, it'll be

0:30:09.240 --> 0:30:11.080
<v Speaker 1>something like seven years. It'll just be like a really

0:30:11.080 --> 0:30:12.920
<v Speaker 1>long time. I've just got it hard if I just

0:30:12.960 --> 0:30:15.080
<v Speaker 1>hold out and we're going to get to see her again.

0:30:15.280 --> 0:30:17.600
<v Speaker 1>I thought about this recently because you know, as you

0:30:17.640 --> 0:30:20.160
<v Speaker 1>get old, obviously the volume of people that you lose increases.

0:30:20.560 --> 0:30:23.320
<v Speaker 1>When someone is sort of subtracted from your reality and

0:30:23.640 --> 0:30:26.320
<v Speaker 1>your reality continues without them, it's just a kind of

0:30:26.560 --> 0:30:28.200
<v Speaker 1>fact that you have in your head is they're not

0:30:28.560 --> 0:30:31.480
<v Speaker 1>in the world anymore. We're both here now, and all

0:30:31.520 --> 0:30:34.040
<v Speaker 1>the people that we've lost wouldn't have been here with

0:30:34.120 --> 0:30:35.560
<v Speaker 1>us now anyway, do you know what I mean? But

0:30:35.600 --> 0:30:37.440
<v Speaker 1>we know that they're gone, where there's a way of

0:30:37.520 --> 0:30:40.120
<v Speaker 1>kind of trying to figure out a way to feel

0:30:40.160 --> 0:30:42.320
<v Speaker 1>like they're still around, if you know what I mean. Yeah,

0:30:42.360 --> 0:30:45.400
<v Speaker 1>I mean, I think that is what makes a life

0:30:45.560 --> 0:30:48.880
<v Speaker 1>in any way meaningful after you're gone. Is that you're

0:30:48.920 --> 0:30:51.480
<v Speaker 1>held by those people that loved you as if you

0:30:51.480 --> 0:30:54.720
<v Speaker 1>were still around, because you are all that stuff still,

0:30:54.840 --> 0:30:58.920
<v Speaker 1>like you said, of this kinetic imprint, like that's that's there.

0:30:59.600 --> 0:31:01.280
<v Speaker 1>And it's funny because it goes back to the film

0:31:01.280 --> 0:31:03.280
<v Speaker 1>we just made, because the last line of that film

0:31:03.320 --> 0:31:05.640
<v Speaker 1>is all about desire to be remembered is what kind

0:31:05.640 --> 0:31:08.560
<v Speaker 1>of keeps us around? You know. That's and as long

0:31:08.600 --> 0:31:11.400
<v Speaker 1>as you remember people, they are still around, you just

0:31:11.440 --> 0:31:13.800
<v Speaker 1>don't get the chance to interact with them anymore, you know.

0:31:13.880 --> 0:31:17.480
<v Speaker 1>That's that's where the sadness comes from. That's the giant bomber.

0:31:17.640 --> 0:31:20.120
<v Speaker 1>That's the huge, huge, yeah, because you can talk yourself

0:31:20.160 --> 0:31:22.320
<v Speaker 1>into well, they meant they might learn their life. They're

0:31:22.320 --> 0:31:23.760
<v Speaker 1>still here and it's like, yeah, but I would just

0:31:23.760 --> 0:31:28.120
<v Speaker 1>like a huge But also that's part of the human ng. Yeah.

0:31:28.360 --> 0:31:31.120
<v Speaker 1>I lost a friend, you know, like young and that

0:31:31.240 --> 0:31:33.960
<v Speaker 1>was a really weird experience because I guess you know,

0:31:34.040 --> 0:31:37.760
<v Speaker 1>it's never easy when people die of old age inevitably

0:31:37.920 --> 0:31:40.280
<v Speaker 1>or after illness and stuff. There is a kind of

0:31:40.880 --> 0:31:44.200
<v Speaker 1>I suppose the softening of that blow because of the

0:31:44.200 --> 0:31:46.160
<v Speaker 1>fact that it's expected, even though it doesn't get any

0:31:46.240 --> 0:31:49.520
<v Speaker 1>less sad or any more devastating. But when someone dies

0:31:49.560 --> 0:31:51.840
<v Speaker 1>in an accident or something, and it's sudden and it's violent,

0:31:52.680 --> 0:31:55.520
<v Speaker 1>there's a really odd it feels like the world breaks.

0:31:55.800 --> 0:31:59.120
<v Speaker 1>It feels like it feels like everything changes, and nothing

0:31:59.240 --> 0:32:02.120
<v Speaker 1>changes this very far away. And I got the phone

0:32:02.120 --> 0:32:04.800
<v Speaker 1>call and and I was shocked by the fact that

0:32:04.800 --> 0:32:07.960
<v Speaker 1>when I hung up, nothing changed. There's an amazing line

0:32:08.000 --> 0:32:11.600
<v Speaker 1>in Anthony and Cleopatra where Caesar hears of I can't

0:32:11.600 --> 0:32:16.720
<v Speaker 1>remember it's Anthony or Cleopatra dying, and he I'm paraphrasing Shakespeare,

0:32:16.880 --> 0:32:19.600
<v Speaker 1>that you do. And he says, one would think the

0:32:19.720 --> 0:32:22.520
<v Speaker 1>breaking of so great a thing would make a greater crack.

0:32:23.680 --> 0:32:26.400
<v Speaker 1>And it's that exact thing. And I remember thinking that

0:32:26.520 --> 0:32:28.400
<v Speaker 1>when I was a kid, was God. I wonder what

0:32:28.720 --> 0:32:31.120
<v Speaker 1>that is like? I mean, that is exactly it. You

0:32:31.160 --> 0:32:32.920
<v Speaker 1>look around and the birds are still tweeting, and the

0:32:33.000 --> 0:32:36.120
<v Speaker 1>bus are still going by, and yet everything is different,

0:32:36.160 --> 0:32:38.000
<v Speaker 1>and it's all exactly the same. And if ever there

0:32:38.040 --> 0:32:41.640
<v Speaker 1>were an indication of a sort of that weird, unfair

0:32:41.680 --> 0:32:45.880
<v Speaker 1>continuance of our human human ng but that person was

0:32:45.920 --> 0:32:49.560
<v Speaker 1>meaningful to you. So it's how we continue, you know,

0:32:49.640 --> 0:32:51.960
<v Speaker 1>It's how we sort of we keep going with that.

0:32:52.560 --> 0:32:54.480
<v Speaker 1>I mean, there are tragedies happening every second of the

0:32:54.520 --> 0:32:56.920
<v Speaker 1>day that the fact that we don't know about them

0:32:56.920 --> 0:32:59.560
<v Speaker 1>doesn't make them any less tragic. Okay, we can't end there,

0:32:59.600 --> 0:33:04.960
<v Speaker 1>So back to Santa and godard what's the film again?

0:33:06.560 --> 0:33:10.400
<v Speaker 1>What's the third act? Break? Santa and got there a

0:33:10.440 --> 0:33:13.480
<v Speaker 1>big falling out because Santa pos God on the naughty

0:33:13.480 --> 0:33:16.760
<v Speaker 1>list and God doesn't get his bike. But at the

0:33:16.840 --> 0:33:19.880
<v Speaker 1>end he does get exp he gets a new clipboard.

0:33:22.560 --> 0:33:24.640
<v Speaker 1>I love this idea. I think a could run and run.

0:33:24.760 --> 0:33:26.640
<v Speaker 1>By the way, the fact that God is expecting his

0:33:26.680 --> 0:33:29.520
<v Speaker 1>first child is like, who's who's not his biological child?

0:33:29.560 --> 0:33:32.080
<v Speaker 1>I think it's riven with drama. Do you think it

0:33:32.080 --> 0:33:34.360
<v Speaker 1>should all happen around about the birth of Jesus? Well,

0:33:34.360 --> 0:33:36.360
<v Speaker 1>I mean if it's if it's a Christmas movie, that's when.

0:33:39.440 --> 0:33:42.800
<v Speaker 1>Is that what Christmas is good about? That whole time?

0:33:43.120 --> 0:33:44.800
<v Speaker 1>Oh my god, that was what I was thinking. This

0:33:44.880 --> 0:33:47.440
<v Speaker 1>is such a good movie because it's like Christmas is

0:33:47.480 --> 0:33:50.480
<v Speaker 1>a very important time for God and also very important

0:33:50.480 --> 0:33:54.360
<v Speaker 1>time for Santa. Maybe Santa's first mission is to buy

0:33:54.400 --> 0:33:58.320
<v Speaker 1>a present for Jesus, To get a present for Jesus

0:33:58.800 --> 0:34:00.120
<v Speaker 1>and he's got to come up with the of be

0:34:00.240 --> 0:34:04.120
<v Speaker 1>present because it's his nephew, and it's also Jesus. It's

0:34:04.160 --> 0:34:07.000
<v Speaker 1>also like the most of it's the nephew. But what

0:34:07.000 --> 0:34:08.759
<v Speaker 1>he wants to what Jesus wants is a baby is

0:34:08.800 --> 0:34:11.440
<v Speaker 1>a really popular toy that year. It's like all the

0:34:11.480 --> 0:34:16.640
<v Speaker 1>way a passion of the Christ. So watch this. Let's

0:34:16.640 --> 0:34:22.160
<v Speaker 1>shoot it half in Aramaic and half in really giddy English.

0:34:22.600 --> 0:34:26.959
<v Speaker 1>You're playing Santa, I'll play Yes, you should play God,

0:34:27.239 --> 0:34:29.160
<v Speaker 1>but with a beard. You should be a woman. With

0:34:29.160 --> 0:34:31.320
<v Speaker 1>the beard. I'll be like it comes off and sounded

0:34:31.400 --> 0:34:35.960
<v Speaker 1>like yeah, mind does too. I'm so for it. I

0:34:36.040 --> 0:34:39.400
<v Speaker 1>just think we've had one of the greatest ideas to

0:34:39.480 --> 0:34:42.120
<v Speaker 1>watch this because we get all the par Christmas fans,

0:34:42.360 --> 0:34:44.160
<v Speaker 1>and you can turn on the subtitles if you want,

0:34:44.200 --> 0:34:46.560
<v Speaker 1>like the comedy subtitles for the Aramaic, or you can

0:34:46.560 --> 0:34:49.760
<v Speaker 1>actually get the really scary arama We can write comedy

0:34:49.760 --> 0:34:53.960
<v Speaker 1>in Amathic. Okay, it's a very funny language. Same rules.

0:34:54.440 --> 0:34:57.799
<v Speaker 1>Rule of three. That should have continued. That joke. By

0:34:57.800 --> 0:35:00.080
<v Speaker 1>the way, let's keep texting on the title of this

0:35:00.120 --> 0:35:01.560
<v Speaker 1>film is because I know I'm going to think of

0:35:01.600 --> 0:35:04.719
<v Speaker 1>it after we finished. There's gotta be some puns, right, Definitely,

0:35:05.040 --> 0:35:07.320
<v Speaker 1>I had it. I was attached to a Christmas movie

0:35:07.320 --> 0:35:09.480
<v Speaker 1>for a while. There's a really brilliant script as well,

0:35:10.239 --> 0:35:12.840
<v Speaker 1>and you'd be brilliant as the main character. Okay, great,

0:35:13.120 --> 0:35:18.200
<v Speaker 1>I'll read it. Is it called Saint Saint? Oh my God,

0:35:18.280 --> 0:35:20.880
<v Speaker 1>you've done it there. You've really raised the bar. But

0:35:20.960 --> 0:35:23.600
<v Speaker 1>a saint isn't a saint? Isn't that God? It's just

0:35:23.640 --> 0:35:27.480
<v Speaker 1>a tenuous religious doesn't matter. Also, who were like, who

0:35:27.480 --> 0:35:29.600
<v Speaker 1>are the parents of God and Santa? Well that's the

0:35:29.600 --> 0:35:33.840
<v Speaker 1>alternal question, isn't it. That's where it all falls apart.

0:35:33.920 --> 0:35:37.280
<v Speaker 1>Let's not get into that movie. It will be the prequel.

0:35:37.680 --> 0:35:41.160
<v Speaker 1>We'll we'll sell it as a franchise. God's Parents, God's Parents.

0:35:41.239 --> 0:35:43.600
<v Speaker 1>I'd watch that. I'd watch all of this. God's Parents

0:35:43.719 --> 0:35:57.680
<v Speaker 1>is a good band. Name what person, place, or experience

0:35:57.880 --> 0:36:00.760
<v Speaker 1>has most altered your life so much? Come back to family.

0:36:00.840 --> 0:36:04.040
<v Speaker 1>So I thought I'd take this question away to something

0:36:04.120 --> 0:36:06.600
<v Speaker 1>quite just work related, and I would say J J

0:36:06.800 --> 0:36:11.800
<v Speaker 1>Abrams because it was j J that kind of called

0:36:11.840 --> 0:36:14.600
<v Speaker 1>me after he'd seen Shaun of the Dead and said,

0:36:14.600 --> 0:36:16.360
<v Speaker 1>would you like to come and be a mission Impossible

0:36:16.360 --> 0:36:19.240
<v Speaker 1>three as a little you know, a little little cameo apart,

0:36:19.320 --> 0:36:22.239
<v Speaker 1>and then that kind of lad I guess into me

0:36:22.840 --> 0:36:26.239
<v Speaker 1>taking my career to you know, Hollywood as you've done,

0:36:26.440 --> 0:36:29.840
<v Speaker 1>and doing Mission and Star Trek, and that that opening

0:36:29.920 --> 0:36:33.200
<v Speaker 1>up an entire sort of um part of my life

0:36:33.280 --> 0:36:36.279
<v Speaker 1>which I had long sort of like looked at from

0:36:36.280 --> 0:36:38.400
<v Speaker 1>Afar as a child, you know, that that working in

0:36:38.480 --> 0:36:42.239
<v Speaker 1>that realm of creativity. I was wondering what would have

0:36:42.280 --> 0:36:44.080
<v Speaker 1>happened if he hadn't have called me about that, you know,

0:36:44.120 --> 0:36:46.520
<v Speaker 1>whether I would have actually ever made the trip across

0:36:46.560 --> 0:36:52.839
<v Speaker 1>to that workspace or not. So Star Trek came specifically

0:36:52.840 --> 0:36:55.439
<v Speaker 1>out of mission or was that just was that him?

0:36:55.480 --> 0:36:57.840
<v Speaker 1>Did he take you on from Mission? Yeah? Well he

0:36:57.920 --> 0:36:59.840
<v Speaker 1>kind of. I think he was trying to cast Scotty

0:37:00.760 --> 0:37:02.680
<v Speaker 1>and we'd worked together on Mission three and got on

0:37:02.760 --> 0:37:04.880
<v Speaker 1>really well, and I think in the end, after he

0:37:04.960 --> 0:37:07.160
<v Speaker 1>got tired of looking, I got a text from whom saying,

0:37:07.200 --> 0:37:09.640
<v Speaker 1>do you want to play Scotti? Like a classic kind

0:37:09.640 --> 0:37:12.960
<v Speaker 1>of go past the reps kind of approach, And then

0:37:13.000 --> 0:37:15.040
<v Speaker 1>that's how I ended up in Star Treks. So it's

0:37:15.080 --> 0:37:18.400
<v Speaker 1>weird to think about how serendipitous that was. You know,

0:37:18.800 --> 0:37:21.799
<v Speaker 1>I just wonder if I hadn't met him, where would

0:37:21.840 --> 0:37:24.120
<v Speaker 1>I be? You know, But then there's silly questions to ask.

0:37:24.160 --> 0:37:26.160
<v Speaker 1>I guess no they're not. So I don't think there's

0:37:26.160 --> 0:37:28.319
<v Speaker 1>silly questions. I think it's like, it's it's interesting and

0:37:28.360 --> 0:37:30.200
<v Speaker 1>I what was the road less traveled by? What was

0:37:30.239 --> 0:37:32.800
<v Speaker 1>the one I didn't I didn't go down? I sometimes

0:37:32.800 --> 0:37:35.640
<v Speaker 1>talk to myself with that, But it can go either way.

0:37:35.719 --> 0:37:37.720
<v Speaker 1>When I was reading your book, I'd often like defer

0:37:37.760 --> 0:37:39.760
<v Speaker 1>to YouTube. Sometimes I thought, I go watch the trailer

0:37:39.760 --> 0:37:45.160
<v Speaker 1>first Circle of Friends. So that's so kind of like immersive. Well,

0:37:45.160 --> 0:37:47.080
<v Speaker 1>because I love about your book is it's not like

0:37:47.520 --> 0:37:49.799
<v Speaker 1>you don't really talk about things that people would want

0:37:49.800 --> 0:37:53.600
<v Speaker 1>to get into in terms of like classics, celebrity kind

0:37:53.600 --> 0:37:56.200
<v Speaker 1>of stuff. The questions I think people would ask you

0:37:56.239 --> 0:37:58.560
<v Speaker 1>though interest in that the book isn't about that. The

0:37:58.560 --> 0:38:01.560
<v Speaker 1>books about far more and poor kind of real stuff.

0:38:01.680 --> 0:38:04.040
<v Speaker 1>But I when I watched the trailer for Circle of Friends,

0:38:04.040 --> 0:38:06.560
<v Speaker 1>I thought of that girl, you know, go into the

0:38:06.640 --> 0:38:09.160
<v Speaker 1>rave and doing all that stuff, and having read the

0:38:09.160 --> 0:38:12.600
<v Speaker 1>proceeding chapters of school and stuff. What were your thoughts

0:38:12.640 --> 0:38:14.799
<v Speaker 1>when you were like kissing Chris O'Donnell did it feel

0:38:14.840 --> 0:38:20.360
<v Speaker 1>like because I was literally up to my hocks in

0:38:20.520 --> 0:38:22.960
<v Speaker 1>mud because they had to dig me a ditch to

0:38:23.000 --> 0:38:25.800
<v Speaker 1>stand him, because I was like, wouldn't it be easier

0:38:25.840 --> 0:38:27.560
<v Speaker 1>if he stood on that apple box? And they were

0:38:27.600 --> 0:38:31.640
<v Speaker 1>like shots that just so I was like in a

0:38:31.640 --> 0:38:33.759
<v Speaker 1>bit of a ditch, you know. But I thought that

0:38:33.880 --> 0:38:36.560
<v Speaker 1>was all. No, I did not think there was any

0:38:36.880 --> 0:38:38.480
<v Speaker 1>you know, when you're you go to drums school in

0:38:38.520 --> 0:38:41.239
<v Speaker 1>England and you are raised here, you do not have

0:38:41.680 --> 0:38:44.680
<v Speaker 1>or I said, I didn't have any cast any expersions

0:38:44.719 --> 0:38:48.080
<v Speaker 1>about working in Hollywood or making movies there. Um. And

0:38:48.120 --> 0:38:51.600
<v Speaker 1>I was told actually by the great Mary Selway when

0:38:51.600 --> 0:38:54.680
<v Speaker 1>she saw he was a casting director he's since passed away,

0:38:54.760 --> 0:38:57.400
<v Speaker 1>was amazing and she said, well, you know, when this,

0:38:57.560 --> 0:38:59.840
<v Speaker 1>I just want you to manage your expectations and anywhere

0:38:59.840 --> 0:39:02.920
<v Speaker 1>this's on comes out, you know, I think that, um,

0:39:03.000 --> 0:39:04.160
<v Speaker 1>you know, I think people are going to think you're

0:39:04.160 --> 0:39:05.880
<v Speaker 1>a good actor, but they're not going to be seeing

0:39:05.880 --> 0:39:07.839
<v Speaker 1>you as a leading lady and you should really think

0:39:07.840 --> 0:39:10.799
<v Speaker 1>about that. And I was like, okay, good, that's yeah.

0:39:10.800 --> 0:39:12.239
<v Speaker 1>I'm going to go and I'm going to do all

0:39:12.239 --> 0:39:16.240
<v Speaker 1>the really good character parts and for sort of weirdly,

0:39:16.280 --> 0:39:18.560
<v Speaker 1>the exact opposite happened, which is I think why I

0:39:18.560 --> 0:39:20.479
<v Speaker 1>felt like such an imposter for such a long time,

0:39:21.000 --> 0:39:22.840
<v Speaker 1>because I was like, hang on, you don't realize that

0:39:22.880 --> 0:39:26.799
<v Speaker 1>I'm actually a character actor who's a bit ungainly and

0:39:26.840 --> 0:39:30.839
<v Speaker 1>really clumsy and not comfortable. But I sort of went

0:39:30.840 --> 0:39:33.720
<v Speaker 1>along with it. I was like, I think that's something

0:39:33.760 --> 0:39:36.279
<v Speaker 1>else was so like the Emperor's new clothes. Oh my god,

0:39:36.440 --> 0:39:40.680
<v Speaker 1>has anyone noticed anyone? When's that gonna I'll ride this

0:39:40.719 --> 0:39:43.120
<v Speaker 1>for as long as I can. I have moments of that,

0:39:43.160 --> 0:39:45.000
<v Speaker 1>either on the set of Star Trek or Mission or

0:39:45.200 --> 0:39:48.440
<v Speaker 1>something that representative of a childhood passion, or certainly on

0:39:48.480 --> 0:39:51.000
<v Speaker 1>the set of the Star Wars movie eyes in having

0:39:51.040 --> 0:39:53.120
<v Speaker 1>been a huge Star Wars fan as a kid, having

0:39:53.160 --> 0:39:56.520
<v Speaker 1>a moment of pure happiness, like looking at Chewbaca, like

0:39:56.600 --> 0:39:59.120
<v Speaker 1>looking up at Chebac and knowing that he had been

0:39:59.200 --> 0:40:01.440
<v Speaker 1>such a big part my childhood and then there he was,

0:40:01.520 --> 0:40:03.840
<v Speaker 1>you know, and I can, really, I can really feel

0:40:03.880 --> 0:40:07.239
<v Speaker 1>that sense of pure happiness that those moments, you know,

0:40:07.400 --> 0:40:10.560
<v Speaker 1>which are slightly more materialistic than I know, but it's

0:40:10.560 --> 0:40:13.080
<v Speaker 1>weird like that. I've think I've had some of my

0:40:13.360 --> 0:40:17.200
<v Speaker 1>purest moments on sets of the recognition of I am

0:40:17.280 --> 0:40:19.719
<v Speaker 1>exactly where I want to be, doing exactly what I

0:40:19.760 --> 0:40:22.080
<v Speaker 1>want to be doing. What an amazing that's what an

0:40:22.120 --> 0:40:25.360
<v Speaker 1>amazing thing? Yeah, I agree, that's what I was. Loving

0:40:25.360 --> 0:40:29.000
<v Speaker 1>what you do like I really do. I'm feeling grateful

0:40:29.200 --> 0:40:32.040
<v Speaker 1>that you're able to do it exactly. My best parental

0:40:32.080 --> 0:40:35.000
<v Speaker 1>advice I give out is find the thing you love

0:40:35.040 --> 0:40:36.680
<v Speaker 1>to do and try and get paid for it. Yeah.

0:40:36.680 --> 0:40:38.560
<v Speaker 1>That's what my daddies to say to me, is it. Yeah,

0:40:38.920 --> 0:40:42.359
<v Speaker 1>He's say, get on that plane to Miami and then

0:40:42.400 --> 0:40:46.160
<v Speaker 1>now pass off out you too, and I yeah, exactly

0:40:46.440 --> 0:40:48.359
<v Speaker 1>he was. There are a lot of mixed messages with

0:40:48.400 --> 0:40:50.960
<v Speaker 1>my dad, but he did say find what you love

0:40:51.000 --> 0:40:53.080
<v Speaker 1>and get someone to pay to do it. And it

0:40:53.160 --> 0:40:55.520
<v Speaker 1>is such solid advice if you possibly can. I said

0:40:55.520 --> 0:40:58.560
<v Speaker 1>it to Henry the other day exactly that let that

0:40:58.600 --> 0:41:06.840
<v Speaker 1>be your compass. I had the very happy experience of

0:41:06.880 --> 0:41:10.120
<v Speaker 1>working with Simon recently on a movie called Nando Podor

0:41:10.280 --> 0:41:14.520
<v Speaker 1>and the Talking Mongoose. It's about the parapsychologist who goes

0:41:14.560 --> 0:41:16.360
<v Speaker 1>to a place called the Isle of Man, which is

0:41:16.360 --> 0:41:20.560
<v Speaker 1>in England, to research an entity known as Jeff who

0:41:20.640 --> 0:41:25.360
<v Speaker 1>is said to be well basically a Talking Mongers and

0:41:26.280 --> 0:41:29.080
<v Speaker 1>it's based on a true story. You should google Talking

0:41:29.120 --> 0:41:34.839
<v Speaker 1>Mongers with any luck Slash distribution. The film will be

0:41:34.880 --> 0:41:38.560
<v Speaker 1>out next year and I guarantee you will love it.

0:41:41.960 --> 0:41:45.200
<v Speaker 1>Mini Questions is hosted and written by Me Mini Driver,

0:41:45.800 --> 0:41:52.960
<v Speaker 1>Supervising producer Aaron Kauffman, Producer Morgan Levoy, Research assistant Marissa Brown.

0:41:53.400 --> 0:41:58.480
<v Speaker 1>Original music Sorry Baby by Mini Driver, Additional music by

0:41:58.520 --> 0:42:02.880
<v Speaker 1>Aaron Kaufman. Executive produced by Me Mini Driver. Special thanks

0:42:03.080 --> 0:42:07.480
<v Speaker 1>to Jim Nikolay, Will Pearson, Addison No Day, Lisa Castella

0:42:07.560 --> 0:42:11.680
<v Speaker 1>and Annicke Oppenheim at w kPr, de La Pescadore, Kate

0:42:11.760 --> 0:42:15.880
<v Speaker 1>Driver and Jason Weinberg, and for constantly solicited tech support,

0:42:16.320 --> 0:42:17.120
<v Speaker 1>Henry Driver