WEBVTT - Are We Out of the Woods?

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<v Speaker 1>It's nine Ogengine with Jenny Garth and Tory spelling.

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<v Speaker 2>Okay, flirting with disaster. I feel like this is like

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<v Speaker 2>a tagline in my entire life, but this episode we're

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<v Speaker 2>about to embark on it is called flirting with disaster.

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<v Speaker 2>Here we are nine O two one, OMG. Welcome good,

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<v Speaker 2>Tory doing good. So guys, Jenny's off ye and sometimes

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<v Speaker 2>Jenny does like the business, so Tory has to take

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<v Speaker 2>it over today and you're doing good. Thank you. And

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<v Speaker 2>you know, like Jen and I are yin and yang

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<v Speaker 2>when it comes to that, like you know, she's you know,

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<v Speaker 2>does buy the book, the procedural business stuff our whole

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<v Speaker 2>relationship for thirty plus years. And I'm very you know,

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<v Speaker 2>fly by the seat of my pants. You know, I'm

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<v Speaker 2>the creative and like we it. So yeah, I'm going

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<v Speaker 2>to do the business sto.

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<v Speaker 1>Which is which is funny because our producer Lorraine was

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<v Speaker 1>talking to us before we start talking to you guys,

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<v Speaker 1>and she's like trying to go over something, and I go,

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<v Speaker 1>We'll just swing it because it's like you and me,

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<v Speaker 1>we can just wing it, wing it. I like, because

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<v Speaker 1>I have an idea because Lorink tossed in a side

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<v Speaker 1>tossed an idea out to us last week when Jenny

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<v Speaker 1>was here, and I think this episode is perfect for it.

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<v Speaker 1>Here's my question for you. I like this episode a lot, right,

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<v Speaker 1>I really do. We can dig into it what I

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<v Speaker 1>am noticing about this season, especially since I think Jason

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<v Speaker 1>kind of became more in the producer role and I

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<v Speaker 1>feel like he really was a producer, not just in

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<v Speaker 1>the credits.

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<v Speaker 2>Right.

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<v Speaker 1>Agreed, there are three unique storylines. And you know how

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<v Speaker 1>we used to talk about like an A storyline, of

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<v Speaker 1>B storyline, a C storyline. Yes, this feels to me

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<v Speaker 1>like we have an AAA. Three storylines, all major storylines,

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<v Speaker 1>all equal in like length and importance, and totally disconnected

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<v Speaker 1>from one another. The three storylines have nothing to do

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<v Speaker 1>with each other whatsoever.

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<v Speaker 2>Yet all three of them are quite literally flirting with disaster.

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<v Speaker 1>They're juicy. All three stories. Well, the camping line is

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<v Speaker 1>the comic relief. We'll talk about that. The three storylines

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<v Speaker 1>are all important, good big storylines. They're all equal.

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<v Speaker 2>Yes, where it used.

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<v Speaker 1>To be like there would be the A storyline and

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<v Speaker 1>the other two were sort of smaller. I think there's

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<v Speaker 1>been a pivot in the sea this season that you

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<v Speaker 1>have these three things going on at the same time,

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<v Speaker 1>but they're not connected. Like, think about it. You do

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<v Speaker 1>not have any scenes in this episode with anyone other

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<v Speaker 1>than the camping people.

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<v Speaker 2>This is true.

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<v Speaker 1>Jenny only has scenes as Kelly with Brian and then

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<v Speaker 1>to the doctor and the you know, Tera Tara. Then

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<v Speaker 1>Tiffany only has her scenes with Colin Colan and his dad,

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<v Speaker 1>Like the three things are completely disconnected.

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<v Speaker 2>We used to call that like block shooting. So someone

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<v Speaker 2>got real smart here and divvied it up where they

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<v Speaker 2>probably quite literally shot them in sequence, like all these

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<v Speaker 2>days we shoot the camping all these days. You know.

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<v Speaker 1>Yeah, that's totally makes sense and then cost effective. We've

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<v Speaker 1>got so much to talk about, so so what we're.

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<v Speaker 2>Talking about is season six, episode twenty six, called Flirting

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<v Speaker 2>with Disaster, aired April third, Jen's Birthday, nineteen ninety six. Synopsis.

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<v Speaker 2>Kelly Taylor is ready to take things to the next

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<v Speaker 2>level with medical resident not doctor Greg until Tara. Tara

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<v Speaker 2>takes matters into her own hands. Colon Colin's dad is

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<v Speaker 2>back in town, but the Vietnam Vet doesn't exactly get

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<v Speaker 2>a warm welcome from his estrange son. Meanwhile, the rest

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<v Speaker 2>of the gang head to the Great Outdoors for spring break,

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<v Speaker 2>where some cute, hm questionable Canadian girls campers come between

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<v Speaker 2>the couples.

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<v Speaker 1>Directed by David Semmel and written by John Eisendrath. Okay,

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<v Speaker 1>my first question for you overall, do you like this episode?

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<v Speaker 2>I do?

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<v Speaker 1>Do you have a favorite of the three storylines? I

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<v Speaker 1>do sort of hooked you in the most, Oh I do.

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<v Speaker 2>Oh gosh, well, taking myself out of it, but keeping

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<v Speaker 2>myself in the camping storyline actually was my least favorite.

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<v Speaker 1>Yeah, yeah, I agree. I agree because it's just we'll

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<v Speaker 1>talk about it. It's just sort of very random. It

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<v Speaker 1>was silly.

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<v Speaker 2>The Colon Valerie storyline, I loved it. I actually writing

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<v Speaker 2>the acting as well acted. I know no one's gonna

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<v Speaker 2>want to hear this, but I was like, ooh, I

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<v Speaker 2>kind of like Valerie and Colon together.

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<v Speaker 1>I agree with you. Also, like, okay, two birds of

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<v Speaker 1>a feather. I mean, there are two just dysfunctional, sort

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<v Speaker 1>of disregulated messes that should be together. They always should

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<v Speaker 1>have been together, do you know what I mean? Like,

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<v Speaker 1>I never thought, I never I don't get Kelly and him.

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<v Speaker 1>He seems much better suited to her, and she's she's

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<v Speaker 1>very motherly and caretaking with him, and she was quite

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<v Speaker 1>good with the dad. Okay, let's get into it. Let's

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<v Speaker 1>get into Okay, So I'm thinking for today, we're gonna

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<v Speaker 1>try something new and everyone can tell us if they

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<v Speaker 1>hate it or if they like it. Let's talk about

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<v Speaker 1>each storyline individually. And I stole this idea from Lorraine.

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<v Speaker 2>Because the three well our favorite.

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<v Speaker 1>Let's start with the one we started with. Let's talk

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<v Speaker 1>about Colon and Valor. Okay, so we've heard brief mentions

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<v Speaker 1>of the dad, so he shows up. You realize there's

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<v Speaker 1>sort of this very caustic relationship with tons of drama

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<v Speaker 1>from the past, like he wasn't a good father. Obviously,

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<v Speaker 1>this is half of why Colin has so many issues.

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<v Speaker 1>Valerie is sort of trying to blend them together. What

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<v Speaker 1>are your thoughts on the whole thing.

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<v Speaker 2>I actually felt for Colin for the first time. I've

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<v Speaker 2>never seen him this raw. Maybe they hadn't written towards

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<v Speaker 2>it before. You know, he was supposed to be you know,

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<v Speaker 2>toxic before, and now he's actually vulnerable. And I wasn't

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<v Speaker 2>mad that I was learning new stuff about someone who

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<v Speaker 2>wasn't a regular like I actually was drawn in.

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<v Speaker 1>Well, that's interesting, Like I felt.

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<v Speaker 2>For this guy. Okay, So Mike Jenevie's played Graham Robbins.

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<v Speaker 1>I knew he was familiar.

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<v Speaker 2>He was great.

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<v Speaker 1>He's done a ton of stuff, like he's kind of

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<v Speaker 1>like that actor that does an episode of this, an

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<v Speaker 1>episode of The Practice, an episode of you know, judging Amy,

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<v Speaker 1>an episode of this, this, this, He's been in everything.

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<v Speaker 2>I wonder if he had worked with my dad before.

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<v Speaker 2>My dad always loyal, loved working with actors La Law.

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<v Speaker 1>Before this, he'd done Star Trek, Deep Space nine, he

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<v Speaker 1>Quantum Leap. He was not blind in real life, okay,

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<v Speaker 1>which I kind of suspected same same because back then

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<v Speaker 1>they weren't as you know, good about hiring actors that

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<v Speaker 1>were what the part is correct, that's kind of changed

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<v Speaker 1>as time has gone on. But I mean so many

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<v Speaker 1>things like family matters, like oh, he did seventeen episodes

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<v Speaker 1>of The Flash, the old series of the nineties. WHOA.

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<v Speaker 1>But he's so familiar and you knew it right when

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<v Speaker 1>he came in. So he's obviously like an excellent actor

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<v Speaker 1>and he was believable.

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<v Speaker 2>Believable, very seasoned, very Yeah.

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<v Speaker 1>What was the scene where where Colin and Valerie are

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<v Speaker 1>sitting on the counter like having a glass of wine?

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<v Speaker 1>Are you directed to do that? Or is that a

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<v Speaker 1>call they made up on the counter.

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<v Speaker 2>It could go either way. David Simmeel directed this episode.

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<v Speaker 2>He originally kind of was in charge of all of

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<v Speaker 2>our like the sound and editing on that level, and

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<v Speaker 2>then came in and started directing, and to this day

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<v Speaker 2>is like a great established director. But he was kind

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<v Speaker 2>of someone we were really good friends with. Okay, very cool,

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<v Speaker 2>and it could have gone either way, but we loved

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<v Speaker 2>working with David.

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<v Speaker 1>Simmel's interesting is it seemed like a Jason Priestley directed episode.

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<v Speaker 2>I was going to say that to you, yes.

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<v Speaker 1>Because the camping especially, it was so him.

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<v Speaker 2>Very and I feel like David and Jason have similar

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<v Speaker 2>styles and sensibilities, especially with humor. And I'm sure because

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<v Speaker 2>Jason's so close with David, they probably work that out.

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<v Speaker 2>All the guys were like, let's do this, Let's do that. Great,

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<v Speaker 2>great great. I was wondering, though, so Colin, is he

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<v Speaker 2>just not a coke addict anymore? Is it okay that

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<v Speaker 2>he drinks?

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<v Speaker 1>He thought the same exact thing I thought, Suddenly he

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<v Speaker 1>just doesn't do anymore? But he's drinking like he shouldn't

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<v Speaker 1>even be what, Like.

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<v Speaker 2>So is he an addict?

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<v Speaker 1>Is he?

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<v Speaker 2>Yes?

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<v Speaker 1>But I guess he's just fine now. I mean, it's

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<v Speaker 1>just crazy. That whole thing is so crazy because I mean,

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<v Speaker 1>we'll get into it in the Terra Tara storyline too,

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<v Speaker 1>But anyway, so there's sort of this like drama with

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<v Speaker 1>the dad and there's almost that sort of like physical altercation.

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<v Speaker 1>And then what did you think when Valerie says, like,

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<v Speaker 1>if you don't stop him, I'm going to.

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<v Speaker 2>I liked it because I like how she he listens

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<v Speaker 2>to her. He didn't listen to Kelly. I want to

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<v Speaker 2>say he good point, beects Valerie. He didn't respect Kelly.

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<v Speaker 2>Is that true?

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<v Speaker 1>Also a good point? Yeah, she sort of has the

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<v Speaker 1>upper hand for multiple reasons. I feel like she has

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<v Speaker 1>the upper hand minus the money, but she's also the money. True.

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<v Speaker 2>There's just a dichotomy and a chemistry between them that

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<v Speaker 2>really works for me. I believe it. I feel like

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<v Speaker 2>it's more of an equal playing field. And maybe it's

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<v Speaker 2>because we have so much invested in Kelly for so

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<v Speaker 2>long that we're like no, no, no, don't be with him,

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<v Speaker 2>And with Valerie, we're like, oh yeah, be with him.

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<v Speaker 1>They seem like a more realistic couple for sure, and

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<v Speaker 1>she does mother him a bit, but he listens to her.

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<v Speaker 1>I mean, I even like she's cooking, she's she's making

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<v Speaker 1>the dinner for the dad.

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<v Speaker 2>You know.

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<v Speaker 1>She the dad obviously is a drinking sort of issue. Also,

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<v Speaker 1>there's a lot of it's abuse with these females, but

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<v Speaker 1>she's very care of taking and she really wants them

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<v Speaker 1>to work it out. Now again, we went from volatile

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<v Speaker 1>to a rainbow unicorns and rainbows a tad too quickly,

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<v Speaker 1>you know, and suddenly like Colin has that line where

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<v Speaker 1>he's like he may be blind, but he taught me

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<v Speaker 1>to see. And it's just like, oh my god.

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<v Speaker 2>Yeah, I know it was sappy, but I was. I

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<v Speaker 2>was so there for the ride the whole time that

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<v Speaker 2>when it happened, I actually was like, wait, can we

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<v Speaker 2>go back to what you were saying. When you were

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<v Speaker 2>saying like they have that altercation that that was That

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<v Speaker 2>was interesting for me because it's so hard with men

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<v Speaker 2>and their fathers because I feel like that's not typically

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<v Speaker 2>a female thing, but men testosterone. You know, you start

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<v Speaker 2>with these little boys that you're holding and teaching them,

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<v Speaker 2>you know, swing their first bat and doing a ride

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<v Speaker 2>a bike, and then all of a sudden they grow

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<v Speaker 2>into men and they're more of your equal and strength.

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<v Speaker 2>And seeing a father and son two men like go

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<v Speaker 2>at it. I was taken aback, but I was like,

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<v Speaker 2>is this common? Is there a point? Not with everyone?

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<v Speaker 2>But I often wonder do boys kind of you know,

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<v Speaker 2>keep your cool, keep it your cool. It's their dad.

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<v Speaker 2>They look up to them, and then physically they don't

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<v Speaker 2>have to look up to them anymore. And do they

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<v Speaker 2>ever get to like clashing and like going at each other.

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<v Speaker 1>Common as they sort of you know, like you don't

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<v Speaker 1>see Jim Walsh and a Brandon doing that? Okay, now,

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<v Speaker 1>fair fair, But I think maybe with these it's very stereotypical,

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<v Speaker 1>like a TV thing, like the caustic relationship and the

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<v Speaker 1>the drama you know between the two and it goes

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<v Speaker 1>to blows and then they've worked it out thanks to Valerie.

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<v Speaker 1>That being said, I enjoyed that whole storyline, Like, I

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<v Speaker 1>liked it. It's kind of far fetched and ridiculous at parts, but.

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<v Speaker 2>I really yeah, it made me think, like, what's going

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<v Speaker 2>to happen with these two? Now? Maybe I don't want

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<v Speaker 2>him to leave. I don't know.

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<v Speaker 1>Yeah, I mean, I right, I get it.

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<v Speaker 2>It was the first time I liked call him, that's all.

0:13:28.760 --> 0:13:33.199
<v Speaker 2>I can't say I like him, but yeah, like fine engaging.

0:13:33.280 --> 0:13:35.679
<v Speaker 1>I mean, no, you can like him. People do. But

0:13:35.720 --> 0:13:39.760
<v Speaker 1>it was like, you know, it's an interesting we're moving

0:13:39.760 --> 0:13:55.640
<v Speaker 1>that storyline along, Okay, Yeah, let's move over to Taratara. Right,

0:13:56.400 --> 0:14:01.800
<v Speaker 1>she's getting unhinged real fast, a little too fast, like

0:14:02.080 --> 0:14:05.040
<v Speaker 1>really really fast, a little too fast. I totally agree.

0:14:05.040 --> 0:14:09.280
<v Speaker 1>She's gone full throttle cray in a blink of an eye. Now,

0:14:10.000 --> 0:14:12.440
<v Speaker 1>I thought this, and then it was interesting as I

0:14:12.480 --> 0:14:15.439
<v Speaker 1>was like looking up trivia from this episode. I love

0:14:15.480 --> 0:14:20.320
<v Speaker 1>that she's ordered to somewhat expensive bouquet of flowers and

0:14:20.440 --> 0:14:23.840
<v Speaker 1>she has no money. How did she pay for those?

0:14:24.320 --> 0:14:27.120
<v Speaker 2>That was the one thing that stood out to me,

0:14:27.320 --> 0:14:34.520
<v Speaker 2>aside from why is Colin drinking? Is the addict? You know? Longer? Yeah? Yeah,

0:14:34.840 --> 0:14:37.120
<v Speaker 2>she'd be on the streets if Kelly and take her in.

0:14:37.240 --> 0:14:40.720
<v Speaker 2>She has no money too, very expensive arrangements.

0:14:40.920 --> 0:14:45.000
<v Speaker 1>How I'm slightly frustrated because you know, like I say

0:14:45.000 --> 0:14:48.960
<v Speaker 1>this sometimes in another show we do. It's a little

0:14:49.000 --> 0:14:51.880
<v Speaker 1>bit of a Three's Company episode to me, when it's like, oh,

0:14:52.200 --> 0:14:55.640
<v Speaker 1>she's done this, and now now the doctor won't talk

0:14:55.680 --> 0:14:59.160
<v Speaker 1>to Kelly because of this, and it's just like, oh God,

0:14:59.240 --> 0:15:02.360
<v Speaker 1>can these people just it's not a plot? I like, right,

0:15:02.760 --> 0:15:05.200
<v Speaker 1>I find it's so frustrating, and maybe I'm supposed to,

0:15:05.560 --> 0:15:10.000
<v Speaker 1>but like, if just the doctor and Kelly spoke, then

0:15:10.000 --> 0:15:12.840
<v Speaker 1>we could resolve all this and realize that Tara Tar

0:15:12.920 --> 0:15:17.720
<v Speaker 1>is crazy faster whatever. So okay, so we go to

0:15:17.800 --> 0:15:20.560
<v Speaker 1>the beginning and she's she's real crazy right from the start.

0:15:21.440 --> 0:15:24.200
<v Speaker 2>So you know what I didn't like. I didn't like

0:15:24.480 --> 0:15:28.720
<v Speaker 2>that last week's episode, we on their storyline went out

0:15:28.760 --> 0:15:32.160
<v Speaker 2>with Kelly and him kissing on the deck. So for me,

0:15:32.440 --> 0:15:35.320
<v Speaker 2>when we came boom right back into that, I thought

0:15:35.320 --> 0:15:38.840
<v Speaker 2>it was maybe the same night and it was a continuation,

0:15:39.000 --> 0:15:40.760
<v Speaker 2>but it wasn't. It was another no.

0:15:42.200 --> 0:15:44.480
<v Speaker 1>Correct. I think it's I think we're sort of supposed

0:15:44.520 --> 0:15:47.880
<v Speaker 1>to assume that they are kind of casually seeing each

0:15:47.880 --> 0:15:51.040
<v Speaker 1>other regularly. It hasn't gotten too hot and heavy yet,

0:15:51.760 --> 0:15:55.640
<v Speaker 1>and we see her just right from the start getting

0:15:55.720 --> 0:16:01.080
<v Speaker 1>really psycho like. And forgive us for the use of

0:16:01.120 --> 0:16:04.840
<v Speaker 1>the lingo, like we well, we're just gonna use the

0:16:04.840 --> 0:16:07.400
<v Speaker 1>words that come but we don't. We're not trying to

0:16:07.440 --> 0:16:11.720
<v Speaker 1>like actually judge her mental illness. So you know, she's

0:16:11.720 --> 0:16:13.640
<v Speaker 1>doing that voice. I can't remember if this is this

0:16:13.720 --> 0:16:16.200
<v Speaker 1>episode or the one before. Oh yeah, I'm Jelly Taylor.

0:16:16.480 --> 0:16:21.720
<v Speaker 2>Yeah. Did you think she did a good job imitating Kelly?

0:16:21.960 --> 0:16:27.680
<v Speaker 1>Yeah? Yeah. So it's getting disturbing right like right away,

0:16:27.720 --> 0:16:30.120
<v Speaker 1>they're really like amping this up.

0:16:30.520 --> 0:16:32.320
<v Speaker 2>Well, her bangs are disturbing to me.

0:16:32.320 --> 0:16:35.600
<v Speaker 1>But because the hairtag's coming soon, we're gonna get that weird.

0:16:36.560 --> 0:16:40.640
<v Speaker 1>So you know, she's sort of manipulating the situation. And

0:16:40.680 --> 0:16:43.320
<v Speaker 1>then she plays the like, oh, David doesn't want to

0:16:43.360 --> 0:16:46.320
<v Speaker 1>go with me, but Kelly makes him and the whole thing,

0:16:46.320 --> 0:16:49.480
<v Speaker 1>and like, did you notice how she touches the doctor

0:16:49.600 --> 0:16:52.560
<v Speaker 1>when she's gonna be his partner in the bowling? And

0:16:52.600 --> 0:16:56.080
<v Speaker 1>you could see he did good acting of like I'm uncomfortable,

0:16:56.120 --> 0:16:59.200
<v Speaker 1>but I'm I'm gonna act like I'm not uncomfortable. She

0:16:59.400 --> 0:17:02.880
<v Speaker 1>really liked him, and then it's just when she pulls

0:17:02.960 --> 0:17:05.840
<v Speaker 1>him aside and like, oh, Kelly really likes you, but

0:17:06.240 --> 0:17:09.360
<v Speaker 1>she's gonna, you know, go off the rails, and you're

0:17:09.400 --> 0:17:11.160
<v Speaker 1>just like, oh my god.

0:17:12.800 --> 0:17:15.040
<v Speaker 2>Let's go back. Though, I got to say at the

0:17:15.040 --> 0:17:22.159
<v Speaker 2>peach Pit. I'm still you know, I'm still upset that Kelly.

0:17:22.640 --> 0:17:26.040
<v Speaker 2>I feel like she brought this girl into her house.

0:17:26.080 --> 0:17:30.000
<v Speaker 2>She's her caretaker, she chose this. But she's like going

0:17:30.000 --> 0:17:34.000
<v Speaker 2>out with Greg every night and the medical student not

0:17:34.160 --> 0:17:37.840
<v Speaker 2>doctor and uh And Tara's like, well, I don't want

0:17:37.840 --> 0:17:39.800
<v Speaker 2>to be a third wheel. I'm like, duh, who does?

0:17:40.040 --> 0:17:45.280
<v Speaker 2>And you're a recovering addict and you're just that. And

0:17:45.359 --> 0:17:49.000
<v Speaker 2>then also when Kelly asked David to be her date,

0:17:49.600 --> 0:17:52.840
<v Speaker 2>I was like, no, just say like, hey, David's coming,

0:17:52.880 --> 0:17:55.120
<v Speaker 2>You're not a third wheel. We're all going as friends.

0:17:55.280 --> 0:18:02.080
<v Speaker 2>Why say that? But if that had further plug Tera Tara, Like.

0:18:02.520 --> 0:18:05.000
<v Speaker 1>I think she just doesn't know that Tara. Tara is

0:18:05.320 --> 0:18:08.080
<v Speaker 1>getting unhinged. I think she thinks she's just kind of like,

0:18:09.000 --> 0:18:11.159
<v Speaker 1>you know, a girl from the streets, doesn't have a

0:18:11.200 --> 0:18:13.600
<v Speaker 1>lot of money, doesn't have friends, doesn't have family, who

0:18:13.680 --> 0:18:20.520
<v Speaker 1>was an addict. But I don't think Kelly realizes how

0:18:20.800 --> 0:18:23.679
<v Speaker 1>unwell she is. But that being said, it's like the

0:18:23.720 --> 0:18:24.320
<v Speaker 1>whole thing.

0:18:24.240 --> 0:18:26.240
<v Speaker 2>Is a rehab.

0:18:26.280 --> 0:18:29.240
<v Speaker 1>You're not third It's like the doctor dating the patient.

0:18:29.680 --> 0:18:33.159
<v Speaker 1>The patient has had another patient home with them.

0:18:33.520 --> 0:18:36.600
<v Speaker 2>It's just all doesn't think they talk to them while

0:18:36.640 --> 0:18:41.320
<v Speaker 2>they were there about you know, find yourself after this.

0:18:41.440 --> 0:18:45.880
<v Speaker 2>It's not you know, don't go jump into new relationships romantic.

0:18:45.960 --> 0:18:49.840
<v Speaker 2>So Kelly has heard this and she's still saying a date.

0:18:50.119 --> 0:18:52.600
<v Speaker 2>I don't know, it doesn't matter. I mean, Tera Tar

0:18:52.760 --> 0:18:56.080
<v Speaker 2>is too far. Nothing Kelly could say or do would

0:18:56.480 --> 0:18:57.480
<v Speaker 2>stop the madness.

0:18:57.840 --> 0:19:02.879
<v Speaker 1>And you're just seeing her like Tara, Tara with the

0:19:02.960 --> 0:19:07.280
<v Speaker 1>dagger eyes right like staring at them, and then she's

0:19:07.560 --> 0:19:11.080
<v Speaker 1>so thrilled when he breaks it off with her. I

0:19:11.119 --> 0:19:14.199
<v Speaker 1>mean just like, it's so creepy. She's so thrilled, and

0:19:14.200 --> 0:19:19.040
<v Speaker 1>then she does the like evil flower trick. Although, can

0:19:19.040 --> 0:19:21.480
<v Speaker 1>we talk about Kelly's blue suit for going to the

0:19:22.119 --> 0:19:24.400
<v Speaker 1>That was crazy? That was nuts.

0:19:24.680 --> 0:19:27.120
<v Speaker 2>It is the season of the suit though, I'm.

0:19:26.920 --> 0:19:29.720
<v Speaker 1>Just like, were we all? I was not wearing suits

0:19:29.760 --> 0:19:33.240
<v Speaker 1>in the nineties like that, when I was twenty whatever whatever.

0:19:33.359 --> 0:19:36.520
<v Speaker 1>She was very dressed up for the you know, doctor's

0:19:36.560 --> 0:19:38.240
<v Speaker 1>appointment with the like white pumps.

0:19:38.240 --> 0:19:40.359
<v Speaker 2>The whole thing was like, but I was very into

0:19:40.359 --> 0:19:41.760
<v Speaker 2>her outfit on the bowling.

0:19:41.480 --> 0:19:43.240
<v Speaker 1>Tea, Yeah that was more casual and cute.

0:19:43.320 --> 0:19:43.920
<v Speaker 2>Yeah it was cute.

0:19:43.960 --> 0:19:47.280
<v Speaker 1>Yeah, Taratar actually looked cute. Yeah, and they all were

0:19:47.280 --> 0:19:51.119
<v Speaker 1>getting along. The thing that I found totally unrealistic is

0:19:51.160 --> 0:19:54.200
<v Speaker 1>that the doctor would have come out. He's not gonna

0:19:54.280 --> 0:19:57.520
<v Speaker 1>just take the flowers that say I don't want to

0:19:57.520 --> 0:20:00.760
<v Speaker 1>see you, and then she comes. He's gonna come just

0:20:00.800 --> 0:20:03.680
<v Speaker 1>as the nice guy that he is. Yes, and also

0:20:03.720 --> 0:20:06.280
<v Speaker 1>that he's a doctor. Can you imagine she goes and says,

0:20:06.320 --> 0:20:11.000
<v Speaker 1>like to some other doctor, Hey, this doctor started dating me,

0:20:11.400 --> 0:20:13.240
<v Speaker 1>and now he won't even speak to me, like he

0:20:13.280 --> 0:20:15.679
<v Speaker 1>doesn't know. There's no way he's not coming out. He

0:20:15.680 --> 0:20:18.000
<v Speaker 1>would have come out. It's just so just to.

0:20:17.920 --> 0:20:20.359
<v Speaker 2>Save his own butt. You're right, can't call him a

0:20:20.400 --> 0:20:21.600
<v Speaker 2>doctor medical.

0:20:22.200 --> 0:20:24.800
<v Speaker 1>I think if you're a resident, you're a doctor. He

0:20:24.960 --> 0:20:26.560
<v Speaker 1>is a doctor. That's why the whole thing is so

0:20:26.600 --> 0:20:29.040
<v Speaker 1>inappropriate or whatever, like.

0:20:29.680 --> 0:20:33.240
<v Speaker 2>But why is he taking Tara? Tara's word? Then he

0:20:33.400 --> 0:20:37.399
<v Speaker 2>knows an addict's mentality, He's been there. This is.

0:20:38.920 --> 0:20:41.320
<v Speaker 1>Ultimately, even in her crazy way, she makes a good

0:20:41.359 --> 0:20:44.560
<v Speaker 1>point like they probably shouldn't have been dating fair, but

0:20:45.720 --> 0:20:50.840
<v Speaker 1>it's like exactly, and he sort of does, but like

0:20:51.560 --> 0:20:55.679
<v Speaker 1>he should say, Bara said, blah blah blah, like whatever.

0:20:55.760 --> 0:20:57.800
<v Speaker 1>It just drives me crazy that they're all paying so

0:20:58.040 --> 0:21:03.320
<v Speaker 1>much attention to terror when you're like, I don't know

0:21:03.359 --> 0:21:03.679
<v Speaker 1>about that.

0:21:04.240 --> 0:21:07.800
<v Speaker 2>Everyone's trusting her, You're right, for no good reason.

0:21:08.200 --> 0:21:10.200
<v Speaker 1>Right, They're all just like listening to her, like she's

0:21:10.240 --> 0:21:15.520
<v Speaker 1>not an addict and you know she's got issues. So anyway,

0:21:15.520 --> 0:21:19.800
<v Speaker 1>we're leveling that up quickly, right, Like, I can't remember

0:21:19.840 --> 0:21:22.680
<v Speaker 1>where we left off of the in the episode with her,

0:21:23.119 --> 0:21:27.880
<v Speaker 1>it's like she's super happy he won't see her. She's

0:21:27.960 --> 0:21:29.480
<v Speaker 1>thrilled about it.

0:21:29.520 --> 0:21:32.560
<v Speaker 2>Just clever of the game on Wow.

0:21:32.720 --> 0:21:34.280
<v Speaker 1>First of all, that's what I was going to say too.

0:21:34.320 --> 0:21:38.440
<v Speaker 1>I just don't see that she would be smart enough

0:21:39.240 --> 0:21:43.400
<v Speaker 1>for that. But why, I don't know why. I guess

0:21:43.760 --> 0:21:48.040
<v Speaker 1>why is she so evil? We don't know that in

0:21:48.119 --> 0:21:49.440
<v Speaker 1>her background yet?

0:21:49.880 --> 0:21:52.280
<v Speaker 2>Right do we find out I don't remember.

0:21:52.560 --> 0:21:55.359
<v Speaker 1>I can't remember. If we find out why she became

0:21:55.520 --> 0:21:59.960
<v Speaker 1>so crazy, she becomes more crazy. This is nothing.

0:22:00.840 --> 0:22:04.800
<v Speaker 2>This reminded me of the Bridget Fonda.

0:22:06.359 --> 0:22:08.240
<v Speaker 1>Oh single white female totally.

0:22:17.760 --> 0:22:20.720
<v Speaker 3>Hi, I'm Kristin Davis, and I want to know, are

0:22:20.720 --> 0:22:23.800
<v Speaker 3>you a Charlotte? In nineteen ninety seven, my life was

0:22:23.880 --> 0:22:26.680
<v Speaker 3>forever changed when I took on the role of Charlotte

0:22:26.760 --> 0:22:29.800
<v Speaker 3>York on a new HBO show called Sex.

0:22:29.680 --> 0:22:30.200
<v Speaker 1>And the City.

0:22:30.520 --> 0:22:35.120
<v Speaker 3>As we watched Carrie, Samantha, Miranda, and Charlotte navigate relationships

0:22:35.119 --> 0:22:38.560
<v Speaker 3>in New York City. The show helped push once unacceptable

0:22:38.560 --> 0:22:42.400
<v Speaker 3>conversation topics out of the shadows and altered the narrative

0:22:42.480 --> 0:22:43.679
<v Speaker 3>around women and sex.

0:22:43.920 --> 0:22:45.800
<v Speaker 2>We all saw ourselves in them.

0:22:45.680 --> 0:22:49.160
<v Speaker 3>As they searched for fulfillment in life, sex and friendships.

0:22:49.400 --> 0:22:51.160
<v Speaker 2>Now I want to connect with you.

0:22:51.280 --> 0:22:54.320
<v Speaker 3>And share untold stories and all the behind the scenes

0:22:54.880 --> 0:22:56.560
<v Speaker 3>together with special guests.

0:22:56.760 --> 0:22:58.680
<v Speaker 2>What will begin with Sex and the City.

0:22:58.560 --> 0:23:01.439
<v Speaker 3>Will evolve into talks about themes that are still so

0:23:01.720 --> 0:23:05.359
<v Speaker 3>relevant today. Are You a Charlotte is a much more

0:23:05.400 --> 0:23:09.080
<v Speaker 3>than just rewatching our beloved show. It brings the past

0:23:09.119 --> 0:23:12.240
<v Speaker 3>and the present together as we talk with heart, humor,

0:23:12.760 --> 0:23:13.240
<v Speaker 3>and of.

0:23:13.240 --> 0:23:15.040
<v Speaker 2>Course some optimism.

0:23:15.440 --> 0:23:18.560
<v Speaker 3>Listen to Are You a Charlotte on the iHeartRadio app,

0:23:18.720 --> 0:23:21.640
<v Speaker 3>Apple Podcast or wherever you get your podcasts.

0:23:24.760 --> 0:23:27.080
<v Speaker 1>Okay, I noticed two in this episode. There's a lot

0:23:27.080 --> 0:23:30.399
<v Speaker 1>of pop culture references, like they give a Forest Gump

0:23:30.440 --> 0:23:33.080
<v Speaker 1>shout out, they do the Chris Farley in a vonder

0:23:33.320 --> 0:23:34.679
<v Speaker 1>by the river, like we'll.

0:23:34.520 --> 0:23:35.680
<v Speaker 2>Get to that.

0:23:36.119 --> 0:23:38.480
<v Speaker 1>Maybe they are sort of ripped from the headlines, but

0:23:38.520 --> 0:23:41.879
<v Speaker 1>they're ripped from like pop culture because like, single white female,

0:23:41.960 --> 0:23:42.679
<v Speaker 1>that's what this is.

0:23:43.440 --> 0:23:46.120
<v Speaker 2>Who's the other person? Sorry, Bridget Fonda, Jeff.

0:23:45.800 --> 0:23:47.960
<v Speaker 1>Fonda and the Jennifer Jason Lee.

0:23:48.359 --> 0:23:49.639
<v Speaker 2>Jennifer Jason Lee.

0:23:50.080 --> 0:23:53.200
<v Speaker 1>Wow, she really that really was and it was nineteen

0:23:53.280 --> 0:23:56.320
<v Speaker 1>ninety two, so like the storyline is totally from that.

0:23:56.400 --> 0:23:59.160
<v Speaker 1>It's obvious, especially since we're going to get the haircut soon,

0:23:59.200 --> 0:24:02.280
<v Speaker 1>which is exactly what she does. Yeah, I mean it

0:24:02.359 --> 0:24:08.040
<v Speaker 1>is single white female, right, like oh boy? So yeah,

0:24:08.200 --> 0:24:11.840
<v Speaker 1>and I don't know the doctor would have come out.

0:24:11.920 --> 0:24:13.840
<v Speaker 1>I just stand by that he would have come out

0:24:13.880 --> 0:24:15.639
<v Speaker 1>and talked to her. He's not going to just be

0:24:15.720 --> 0:24:19.480
<v Speaker 1>that guy. Those flowers, actually, the flowers were not great.

0:24:20.200 --> 0:24:22.119
<v Speaker 2>They never are a nine or two one O. Sorry.

0:24:22.160 --> 0:24:24.679
<v Speaker 2>I loved all of our prop people, but I just

0:24:24.720 --> 0:24:25.800
<v Speaker 2>got to say.

0:24:25.840 --> 0:24:30.960
<v Speaker 1>Right, those are like, you know, grocery store flowers shoved

0:24:30.960 --> 0:24:32.480
<v Speaker 1>in a weird face, which can.

0:24:32.400 --> 0:24:33.600
<v Speaker 2>Be great nowadays.

0:24:34.280 --> 0:24:37.439
<v Speaker 1>Yeah. Yeah, I mean right, Whole Foods has like those

0:24:37.480 --> 0:24:40.480
<v Speaker 1>were not. I wasn't like, oh, those are the most beautiful.

0:24:41.600 --> 0:24:46.560
<v Speaker 2>Like, so here's the things. Okay, So Tara, Tara apparently

0:24:46.600 --> 0:24:49.320
<v Speaker 2>has money because they were very large, both of them.

0:24:49.440 --> 0:24:51.919
<v Speaker 1>Everyone on the internet questions, how is she paying for

0:24:51.960 --> 0:24:58.560
<v Speaker 1>these flowers? No taste, no taste, And nobody's just like, okay, yeah,

0:24:58.600 --> 0:25:00.520
<v Speaker 1>we'll send those flowers, Like where's the cre a card?

0:25:01.680 --> 0:25:04.719
<v Speaker 1>I don't know that was? That was far fetch for me. Okay,

0:25:04.800 --> 0:25:07.400
<v Speaker 1>should we now talk about what is my my favorite

0:25:07.480 --> 0:25:12.120
<v Speaker 1>storyline of the episode, because it's so silly. First of all,

0:25:12.160 --> 0:25:13.920
<v Speaker 1>I love the fact that you know, when they're fishing

0:25:13.960 --> 0:25:18.159
<v Speaker 1>off that freeway overpass, they're not at a lake. It's like,

0:25:18.400 --> 0:25:20.200
<v Speaker 1>where are they camping?

0:25:20.520 --> 0:25:24.280
<v Speaker 2>I don't I'm trying. I don't remember where we shot it,

0:25:24.600 --> 0:25:27.520
<v Speaker 2>but I got to tell you, watching it again after

0:25:27.600 --> 0:25:30.639
<v Speaker 2>all these years took me right back to it and

0:25:31.240 --> 0:25:36.119
<v Speaker 2>I have to find it. There's this iconic photo that

0:25:36.840 --> 0:25:38.680
<v Speaker 2>everyone does it now. But keep in mind, this was

0:25:38.800 --> 0:25:40.960
<v Speaker 2>the nineties and I had never heard of this, and

0:25:41.000 --> 0:25:44.440
<v Speaker 2>we all had our disposable cameras and digital cameras then,

0:25:45.000 --> 0:25:47.640
<v Speaker 2>and it was the first time Ian was like, hey, guys,

0:25:47.720 --> 0:25:49.679
<v Speaker 2>let's do this shot. So all of us doing the

0:25:49.720 --> 0:25:52.480
<v Speaker 2>camping thing where we put the camera in the middle

0:25:53.440 --> 0:25:57.000
<v Speaker 2>and someone pays their yeah, and we all go over and.

0:25:57.119 --> 0:25:59.320
<v Speaker 1>Down at it and we all are kind of eight

0:25:59.400 --> 0:26:01.679
<v Speaker 1>is enough? Remember the opening credits of eight is enough

0:26:01.720 --> 0:26:02.960
<v Speaker 1>where they're all looking down.

0:26:03.080 --> 0:26:05.680
<v Speaker 2>I think, yeah, but do you know that's like a thing.

0:26:05.760 --> 0:26:08.480
<v Speaker 2>Now I have to find this photo. It's so great

0:26:08.640 --> 0:26:11.800
<v Speaker 2>and it's like a great memory that we all.

0:26:12.240 --> 0:26:14.480
<v Speaker 1>It must have been fun, like I imagine that y'all.

0:26:14.600 --> 0:26:16.560
<v Speaker 1>First of all, it's fun to like be out of.

0:26:16.480 --> 0:26:18.840
<v Speaker 2>The office location. Yeah, it was so much. We had

0:26:18.920 --> 0:26:19.640
<v Speaker 2>so much fun.

0:26:20.160 --> 0:26:23.440
<v Speaker 1>It's a ridiculous storyline though. First of all, the fact

0:26:23.440 --> 0:26:26.160
<v Speaker 1>that they call you their dates. Why would Joe say

0:26:26.200 --> 0:26:27.919
<v Speaker 1>that they all did it.

0:26:28.000 --> 0:26:31.120
<v Speaker 2>Well Joe, But Joe like brings it up like these

0:26:31.119 --> 0:26:33.720
<v Speaker 2>aren't your with our dates, it's your girlfriends.

0:26:33.840 --> 0:26:37.160
<v Speaker 1>I know, I to that was bizarre. Second of all,

0:26:37.200 --> 0:26:40.480
<v Speaker 1>like who cares if you like it was a mountain

0:26:40.520 --> 0:26:42.760
<v Speaker 1>out of a molehill a little bit like who cares

0:26:42.760 --> 0:26:44.840
<v Speaker 1>that they like went over and changed his tire and

0:26:44.880 --> 0:26:47.840
<v Speaker 1>flirting and you girls are so peeved about it, and

0:26:47.880 --> 0:26:50.280
<v Speaker 1>then it becomes sort of a caper. That's why I.

0:26:50.240 --> 0:26:54.240
<v Speaker 2>Thought, like, oh, very like vacation like Griswold.

0:26:53.680 --> 0:26:57.120
<v Speaker 1>Like yeah, like oh, then then the Canadian girls are like, oh,

0:26:57.160 --> 0:26:59.480
<v Speaker 1>they've got the guys like it's all like oh wait,

0:27:00.200 --> 0:27:03.640
<v Speaker 1>Kline and Sinker like it was. It's almost like that

0:27:03.800 --> 0:27:05.720
<v Speaker 1>script was written by someone totally.

0:27:05.520 --> 0:27:08.199
<v Speaker 2>Different and perhaps that portion was.

0:27:08.960 --> 0:27:14.160
<v Speaker 1>Yeah, like it's very goofy, and you know, he's like

0:27:14.480 --> 0:27:18.720
<v Speaker 1>makes a Forest Gump joke, and then we're sleeping on

0:27:18.760 --> 0:27:20.440
<v Speaker 1>a ron down by the.

0:27:20.600 --> 0:27:22.919
<v Speaker 2>River, like I feel like Jason add at that.

0:27:23.200 --> 0:27:26.119
<v Speaker 1>Oh my god, there's a line where I am certain

0:27:26.240 --> 0:27:29.359
<v Speaker 1>it was ad libe. So when they're fishing, there's like

0:27:29.440 --> 0:27:34.359
<v Speaker 1>a part Jason Priestley says something like we're just a

0:27:34.400 --> 0:27:39.040
<v Speaker 1>freak guy's vision and you literally see Ian crack up.

0:27:40.840 --> 0:27:44.680
<v Speaker 1>He's just like he laughs like it's such a genuine laugh.

0:27:44.880 --> 0:27:49.000
<v Speaker 1>It's like, yeah, his vision. The three of them are

0:27:49.160 --> 0:27:53.680
<v Speaker 1>so like, first of all, it's weird that it's not Brian,

0:27:54.040 --> 0:27:55.920
<v Speaker 1>that it's like Joe. Do you know what I mean?

0:27:55.920 --> 0:27:58.719
<v Speaker 1>You're like, Okay, that's a little weird that now they're

0:27:58.720 --> 0:28:01.360
<v Speaker 1>throwing in Joe, but he's so cute. But the three

0:28:01.400 --> 0:28:03.919
<v Speaker 1>of them are so like, I don't know, it's just

0:28:04.200 --> 0:28:09.480
<v Speaker 1>very goofy comedy, Like I don't even know how to explain.

0:28:09.800 --> 0:28:14.080
<v Speaker 2>He keeps up say, you know, there's there's a shorthand

0:28:15.520 --> 0:28:19.240
<v Speaker 2>with the boys that he but to that note, Joe

0:28:19.359 --> 0:28:22.040
<v Speaker 2>keeping up with them. I thought Susan kept up with

0:28:22.119 --> 0:28:25.879
<v Speaker 2>Claire and Donna, sure, right, And I really enjoyed the

0:28:25.960 --> 0:28:28.280
<v Speaker 2>comedy banter between Donna Claire.

0:28:28.880 --> 0:28:32.480
<v Speaker 1>It's all fun to watch, like the three of you girls,

0:28:32.520 --> 0:28:35.399
<v Speaker 1>and like, even though the storyline is so silly and ridiculous,

0:28:35.880 --> 0:28:41.840
<v Speaker 1>like h beyond, but yet amusing. I guess it's very teenager.

0:28:41.920 --> 0:28:44.640
<v Speaker 1>He kind of like, oh, I'm gonna be real mad

0:28:44.720 --> 0:28:48.920
<v Speaker 1>that he's changing the tire over there, and then they're like, oh,

0:28:49.000 --> 0:28:52.320
<v Speaker 1>we should run back, and like the binoculars and just

0:28:52.400 --> 0:28:56.400
<v Speaker 1>the whole all of it. But it's totally amusing to watch.

0:28:57.040 --> 0:28:59.440
<v Speaker 1>I mean, it's definitely three different shows. Like I literally

0:28:59.480 --> 0:29:03.760
<v Speaker 1>was watching, so you figure the show's forty five minutes

0:29:03.800 --> 0:29:06.840
<v Speaker 1>each thing, it's like fifteen minutes, fifteen minutes, fifteen minutes.

0:29:08.680 --> 0:29:11.200
<v Speaker 2>Okay, so modern day what would those three?

0:29:11.800 --> 0:29:13.720
<v Speaker 1>I mean, one is very nine O two on oe, right,

0:29:13.800 --> 0:29:16.760
<v Speaker 1>even two felt very nine o two on oe. But

0:29:16.840 --> 0:29:21.440
<v Speaker 1>the other one is like it's very goofy, sort of

0:29:21.720 --> 0:29:24.480
<v Speaker 1>like comedy trying to be a.

0:29:24.440 --> 0:29:30.240
<v Speaker 2>Sitcom with a little bit of like campy like Stummer

0:29:30.840 --> 0:29:34.160
<v Speaker 2>cheesy sitcom.

0:29:34.320 --> 0:29:38.160
<v Speaker 1>Yeah, you know, like the Modern Family. Caress went to Tahoe.

0:29:38.360 --> 0:29:39.040
<v Speaker 1>You know, it's like.

0:29:40.720 --> 0:29:46.120
<v Speaker 2>It's like that, And remember how we were so aligned

0:29:46.760 --> 0:29:50.360
<v Speaker 2>with the shows kind of lining up with real lifetime

0:29:50.400 --> 0:29:54.960
<v Speaker 2>periods and seasons now where it's like a half year difference,

0:29:55.040 --> 0:29:58.960
<v Speaker 2>Like right now it's winter break basically in real life, and.

0:29:59.280 --> 0:30:01.360
<v Speaker 1>It was raining, and I did you notice one thing?

0:30:01.400 --> 0:30:05.960
<v Speaker 1>First of all, there's also filler in each episode or

0:30:06.080 --> 0:30:08.520
<v Speaker 1>somebody's gone, like we really need to start each episode

0:30:08.520 --> 0:30:13.480
<v Speaker 1>with like a music montage. Every episode lately has started

0:30:13.560 --> 0:30:16.520
<v Speaker 1>like shots of Rodeo drive, shots of Beverly Hills, And

0:30:16.520 --> 0:30:18.680
<v Speaker 1>this one is like we have a good, solid couple

0:30:18.760 --> 0:30:22.800
<v Speaker 1>minutes of you guys loading the suitcases of this mini

0:30:22.880 --> 0:30:25.840
<v Speaker 1>van and you're giving like there's almost like some like

0:30:25.880 --> 0:30:29.000
<v Speaker 1>a sticky bit between you and Joe where you're like,

0:30:31.360 --> 0:30:33.400
<v Speaker 1>I can't tell if he's if you're having a tussle

0:30:33.480 --> 0:30:35.600
<v Speaker 1>or if he's mad because you've got too many suitcases.

0:30:36.800 --> 0:30:38.440
<v Speaker 1>But there's this like moment where you're kind of like

0:30:38.920 --> 0:30:42.640
<v Speaker 1>and there's all this like it's a music video. The

0:30:42.680 --> 0:30:44.760
<v Speaker 1>first minute of the thing is a music video.

0:30:46.760 --> 0:30:50.760
<v Speaker 2>Yeah that loading, Yeah, you know, not into.

0:30:50.680 --> 0:30:52.400
<v Speaker 1>I don't mind it. I watched it twice because I

0:30:52.440 --> 0:30:54.480
<v Speaker 1>was like, am I missing anybody?

0:30:55.960 --> 0:30:58.840
<v Speaker 2>I feel like Joe's very handsy with Donna.

0:30:58.600 --> 0:31:01.360
<v Speaker 1>On this episode. I'm not mad about it, Like there's

0:31:01.400 --> 0:31:04.640
<v Speaker 1>a lot of yeah, I look, I still think he

0:31:04.640 --> 0:31:06.960
<v Speaker 1>should have been endgame. I don't know why we like.

0:31:07.080 --> 0:31:10.480
<v Speaker 1>I think it only gets this season endgame, like pre

0:31:10.640 --> 0:31:13.600
<v Speaker 1>and fine, fine pre game. I couldn't kept him around

0:31:13.600 --> 0:31:17.920
<v Speaker 1>for a whole other season. Sure, he's amusing. I thought

0:31:17.920 --> 0:31:19.840
<v Speaker 1>he was so cute. I was bummed when he left.

0:31:20.680 --> 0:31:23.120
<v Speaker 1>There's a dirty line again. I think that Claire and

0:31:23.240 --> 0:31:28.240
<v Speaker 1>Steve have a dirty double entendre that really about the

0:31:28.280 --> 0:31:30.360
<v Speaker 1>tent top a tent or something like this. I forget

0:31:30.400 --> 0:31:33.480
<v Speaker 1>what it was, but it was something, Oh my.

0:31:33.280 --> 0:31:39.000
<v Speaker 2>God, I can't get your tent ou Yeah, all the

0:31:39.040 --> 0:31:40.600
<v Speaker 2>polls they can't find.

0:31:40.840 --> 0:31:45.120
<v Speaker 1>It was amusing. It was definitely the comic relief. But

0:31:45.160 --> 0:31:47.920
<v Speaker 1>I'm interested next week now that we're kind of analyzing it.

0:31:48.320 --> 0:31:51.120
<v Speaker 1>If it's the same thing where it's like three storylines

0:31:51.400 --> 0:31:55.520
<v Speaker 1>none connected, a funny one and two dramatic ones. I

0:31:55.520 --> 0:31:57.040
<v Speaker 1>don't know, we'll see. I mean, we know Tar is

0:31:57.080 --> 0:31:58.280
<v Speaker 1>gonna get crazier and crazier.

0:31:59.000 --> 0:32:01.360
<v Speaker 2>I mean, it's does Greg come back and.

0:32:03.080 --> 0:32:05.760
<v Speaker 1>I think she figures out what she did, like I

0:32:05.760 --> 0:32:06.880
<v Speaker 1>think Kelly figures it out.

0:32:07.040 --> 0:32:10.360
<v Speaker 2>Like Michael Diets and I were very good friends, and

0:32:10.440 --> 0:32:13.120
<v Speaker 2>he's still come on and he's an amazing produce.

0:32:14.080 --> 0:32:16.720
<v Speaker 1>He's gonna come on. He's totally coming on. So this

0:32:16.840 --> 0:32:19.200
<v Speaker 1>was his last episode, which is a bummer. They just

0:32:19.240 --> 0:32:20.720
<v Speaker 1>kind of like get rid of him and we're all

0:32:20.760 --> 0:32:24.360
<v Speaker 1>like left with this. Like I feel like, you know,

0:32:24.720 --> 0:32:28.360
<v Speaker 1>it's the big misunderstanding, which I hate. It's like, oh, God,

0:32:28.600 --> 0:32:32.000
<v Speaker 1>talk to each other and figure out that this girl's unwell,

0:32:32.080 --> 0:32:36.360
<v Speaker 1>but what are you gonna do? So I don't know.

0:32:36.400 --> 0:32:38.600
<v Speaker 1>Everyone needs to decide if they like us going through

0:32:38.600 --> 0:32:40.760
<v Speaker 1>it storyline by storyline or if they like us going

0:32:40.800 --> 0:32:44.560
<v Speaker 1>scene by scene. Yeah, there was some weird fashion and

0:32:44.600 --> 0:32:48.480
<v Speaker 1>some good fashion. You will love to tie the white

0:32:48.520 --> 0:32:49.120
<v Speaker 1>shirt up.

0:32:52.600 --> 0:32:56.240
<v Speaker 2>I feel like I feel like I was like, you

0:32:56.280 --> 0:33:00.120
<v Speaker 2>know what, I'm still just not showing quite enough belly here. Oh,

0:33:00.960 --> 0:33:03.280
<v Speaker 2>let me let me show my what what is that

0:33:03.320 --> 0:33:09.920
<v Speaker 2>your uh middrift? No, what is the bone? Your peck blab?

0:33:10.320 --> 0:33:17.160
<v Speaker 2>You're glavical like between your lungs, your ribs that. Yeah,

0:33:17.200 --> 0:33:19.320
<v Speaker 2>It's like it's like they gave me a shirt and

0:33:19.360 --> 0:33:22.160
<v Speaker 2>it's like we're on location and I'm like it's quite

0:33:22.200 --> 0:33:26.080
<v Speaker 2>not quite sure enough, So I'm just gonna ta good.

0:33:26.120 --> 0:33:28.080
<v Speaker 1>I thought the boys actually looked good too.

0:33:28.960 --> 0:33:33.840
<v Speaker 2>They did, and Timberlains are like really like on train

0:33:34.080 --> 0:33:34.600
<v Speaker 2>at that point.

0:33:35.120 --> 0:33:37.719
<v Speaker 1>Camping thing. This is my favorite part of the camping

0:33:38.680 --> 0:33:42.880
<v Speaker 1>That the car is parked in a parking lot at

0:33:42.880 --> 0:33:43.840
<v Speaker 1>the camping.

0:33:43.880 --> 0:33:46.560
<v Speaker 2>Mm hmm, Like what's wrong with that?

0:33:46.600 --> 0:33:49.160
<v Speaker 1>Who does that? You? You don't park it, you don't

0:33:49.640 --> 0:33:53.000
<v Speaker 1>right next to a camping lot, and maybe in Malibu

0:33:53.120 --> 0:33:55.560
<v Speaker 1>on the beach, but like they're supposed to be camping,

0:33:56.760 --> 0:33:59.880
<v Speaker 1>pull up the car in this asphalt parking lot and

0:34:00.120 --> 0:34:02.160
<v Speaker 1>then just like their tent is literally right in front

0:34:02.160 --> 0:34:05.000
<v Speaker 1>of the van. That's the other thing that's so absurd,

0:34:05.080 --> 0:34:07.920
<v Speaker 1>Like the van's not like down the road. They're just

0:34:07.920 --> 0:34:09.920
<v Speaker 1>sleeping in it and you can see all the tents

0:34:09.920 --> 0:34:11.799
<v Speaker 1>from it. I'm like, I need to know where they

0:34:11.840 --> 0:34:15.480
<v Speaker 1>phoned it, because it definitely was not anywhere where you

0:34:15.480 --> 0:34:16.240
<v Speaker 1>would be camping.

0:34:17.080 --> 0:34:21.919
<v Speaker 2>It was like Griffith Park, No lose a drive could

0:34:21.920 --> 0:34:23.719
<v Speaker 2>have been like seeing me Valley like it was. I

0:34:23.719 --> 0:34:26.400
<v Speaker 2>felt like we drove like an hour forty five minutes,

0:34:26.440 --> 0:34:27.400
<v Speaker 2>like somewhere.

0:34:27.000 --> 0:34:29.120
<v Speaker 1>It seemed like they were fishing in a river way

0:34:29.120 --> 0:34:31.160
<v Speaker 1>off of a bridge. I was like, what, this doesn't

0:34:31.160 --> 0:34:35.319
<v Speaker 1>feel like a lake, doesn't feel like camping all that

0:34:35.440 --> 0:34:38.200
<v Speaker 1>gear anyway, what do you rate this?

0:34:40.200 --> 0:34:43.360
<v Speaker 2>Well, just basing all the flannels alone, it's gonna be

0:34:43.360 --> 0:34:47.320
<v Speaker 2>to high score. I'm gonna go with y.

0:34:47.360 --> 0:34:48.359
<v Speaker 1>I'm going to be a little higher.

0:34:48.400 --> 0:34:51.520
<v Speaker 2>I'm giving it a nine again for my You know,

0:34:51.680 --> 0:34:54.919
<v Speaker 2>this is how I rate what I really enjoy and

0:34:55.160 --> 0:34:57.799
<v Speaker 2>I watch most of them on my phone. I never

0:34:57.880 --> 0:34:58.480
<v Speaker 2>fast forward.

0:34:58.520 --> 0:35:00.880
<v Speaker 1>Oh yeah, I didn't eitherything else I never do. I

0:35:00.960 --> 0:35:03.319
<v Speaker 1>never do, but I know you have. But there are

0:35:03.320 --> 0:35:05.799
<v Speaker 1>moments that I might want to and I don't even

0:35:05.840 --> 0:35:08.240
<v Speaker 1>have that. Like I was like, I am totally enjoying

0:35:08.280 --> 0:35:08.719
<v Speaker 1>all of this.

0:35:09.560 --> 0:35:13.480
<v Speaker 2>Yeah, same. Okay, So next week, you guys do your

0:35:13.520 --> 0:35:18.440
<v Speaker 2>homework because we have season six, episode twenty seven, Strike

0:35:18.560 --> 0:35:22.200
<v Speaker 2>the Match, And all I'm gonna say is Donna's big

0:35:22.239 --> 0:35:23.920
<v Speaker 2>moment in her music video.

0:35:24.160 --> 0:35:24.959
<v Speaker 1>It's so good.

0:35:25.880 --> 0:35:28.360
<v Speaker 2>I'm in a music video and there's so many outtakes

0:35:28.360 --> 0:35:30.839
<v Speaker 2>from this music video that exists, and.

0:35:30.800 --> 0:35:33.360
<v Speaker 1>I can, oh my gosh, we need them. Can we

0:35:33.440 --> 0:35:35.480
<v Speaker 1>post them? We need to let people see them.

0:35:35.680 --> 0:35:39.000
<v Speaker 2>Yeah, I feel like you have them. And Christina Lisa's

0:35:39.080 --> 0:35:42.480
<v Speaker 2>mom took still to this day one of my favorite

0:35:42.520 --> 0:35:45.920
<v Speaker 2>photos ever of me, and it was during this episode

0:35:46.000 --> 0:35:47.920
<v Speaker 2>and styled for this So.

0:35:48.600 --> 0:35:50.480
<v Speaker 1>I'm getting excited about this one.

0:35:51.239 --> 0:35:54.440
<v Speaker 2>Well, i'll see you then strike it up next week