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Speaker 1: It's nine Ogengine with Jenny Garth and Tory spelling.

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Speaker 2: Okay, flirting with disaster. I feel like this is like

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Speaker 2: a tagline in my entire life, but this episode we're

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Speaker 2: about to embark on it is called flirting with disaster.

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Speaker 2: Here we are nine O two one, OMG. Welcome good,

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Speaker 2: Tory doing good. So guys, Jenny's off ye and sometimes

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Speaker 2: Jenny does like the business, so Tory has to take

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Speaker 2: it over today and you're doing good. Thank you. And

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Speaker 2: you know, like Jen and I are yin and yang

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Speaker 2: when it comes to that, like you know, she's you know,

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Speaker 2: does buy the book, the procedural business stuff our whole

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Speaker 2: relationship for thirty plus years. And I'm very you know,

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Speaker 2: fly by the seat of my pants. You know, I'm

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Speaker 2: the creative and like we it. So yeah, I'm going

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Speaker 2: to do the business sto.

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Speaker 1: Which is which is funny because our producer Lorraine was

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Speaker 1: talking to us before we start talking to you guys,

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Speaker 1: and she's like trying to go over something, and I go,

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Speaker 1: We'll just swing it because it's like you and me,

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Speaker 1: we can just wing it, wing it. I like, because

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Speaker 1: I have an idea because Lorink tossed in a side

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Speaker 1: tossed an idea out to us last week when Jenny

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Speaker 1: was here, and I think this episode is perfect for it.

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Speaker 1: Here's my question for you. I like this episode a lot, right,

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Speaker 1: I really do. We can dig into it what I

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Speaker 1: am noticing about this season, especially since I think Jason

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Speaker 1: kind of became more in the producer role and I

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Speaker 1: feel like he really was a producer, not just in

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Speaker 1: the credits.

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Speaker 2: Right.

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Speaker 1: Agreed, there are three unique storylines. And you know how

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Speaker 1: we used to talk about like an A storyline, of

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Speaker 1: B storyline, a C storyline. Yes, this feels to me

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Speaker 1: like we have an AAA. Three storylines, all major storylines,

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Speaker 1: all equal in like length and importance, and totally disconnected

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Speaker 1: from one another. The three storylines have nothing to do

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Speaker 1: with each other whatsoever.

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Speaker 2: Yet all three of them are quite literally flirting with disaster.

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Speaker 1: They're juicy. All three stories. Well, the camping line is

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Speaker 1: the comic relief. We'll talk about that. The three storylines

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Speaker 1: are all important, good big storylines. They're all equal.

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Speaker 2: Yes, where it used.

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Speaker 1: To be like there would be the A storyline and

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Speaker 1: the other two were sort of smaller. I think there's

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Speaker 1: been a pivot in the sea this season that you

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Speaker 1: have these three things going on at the same time,

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Speaker 1: but they're not connected. Like, think about it. You do

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Speaker 1: not have any scenes in this episode with anyone other

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Speaker 1: than the camping people.

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Speaker 2: This is true.

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Speaker 1: Jenny only has scenes as Kelly with Brian and then

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Speaker 1: to the doctor and the you know, Tera Tara. Then

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Speaker 1: Tiffany only has her scenes with Colin Colan and his dad,

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Speaker 1: Like the three things are completely disconnected.

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Speaker 2: We used to call that like block shooting. So someone

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Speaker 2: got real smart here and divvied it up where they

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Speaker 2: probably quite literally shot them in sequence, like all these

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Speaker 2: days we shoot the camping all these days. You know.

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Speaker 1: Yeah, that's totally makes sense and then cost effective. We've

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Speaker 1: got so much to talk about, so so what we're.

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Speaker 2: Talking about is season six, episode twenty six, called Flirting

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Speaker 2: with Disaster, aired April third, Jen's Birthday, nineteen ninety six. Synopsis.

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Speaker 2: Kelly Taylor is ready to take things to the next

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Speaker 2: level with medical resident not doctor Greg until Tara. Tara

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Speaker 2: takes matters into her own hands. Colon Colin's dad is

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Speaker 2: back in town, but the Vietnam Vet doesn't exactly get

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Speaker 2: a warm welcome from his estrange son. Meanwhile, the rest

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Speaker 2: of the gang head to the Great Outdoors for spring break,

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Speaker 2: where some cute, hm questionable Canadian girls campers come between

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Speaker 2: the couples.

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Speaker 1: Directed by David Semmel and written by John Eisendrath. Okay,

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Speaker 1: my first question for you overall, do you like this episode?

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Speaker 2: I do?

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Speaker 1: Do you have a favorite of the three storylines? I

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Speaker 1: do sort of hooked you in the most, Oh I do.

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Speaker 2: Oh gosh, well, taking myself out of it, but keeping

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Speaker 2: myself in the camping storyline actually was my least favorite.

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Speaker 1: Yeah, yeah, I agree. I agree because it's just we'll

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Speaker 1: talk about it. It's just sort of very random. It

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Speaker 1: was silly.

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Speaker 2: The Colon Valerie storyline, I loved it. I actually writing

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Speaker 2: the acting as well acted. I know no one's gonna

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Speaker 2: want to hear this, but I was like, ooh, I

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Speaker 2: kind of like Valerie and Colon together.

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Speaker 1: I agree with you. Also, like, okay, two birds of

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Speaker 1: a feather. I mean, there are two just dysfunctional, sort

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Speaker 1: of disregulated messes that should be together. They always should

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Speaker 1: have been together, do you know what I mean? Like,

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Speaker 1: I never thought, I never I don't get Kelly and him.

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Speaker 1: He seems much better suited to her, and she's she's

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Speaker 1: very motherly and caretaking with him, and she was quite

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Speaker 1: good with the dad. Okay, let's get into it. Let's

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Speaker 1: get into Okay, So I'm thinking for today, we're gonna

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Speaker 1: try something new and everyone can tell us if they

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Speaker 1: hate it or if they like it. Let's talk about

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Speaker 1: each storyline individually. And I stole this idea from Lorraine.

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Speaker 2: Because the three well our favorite.

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Speaker 1: Let's start with the one we started with. Let's talk

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Speaker 1: about Colon and Valor. Okay, so we've heard brief mentions

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Speaker 1: of the dad, so he shows up. You realize there's

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Speaker 1: sort of this very caustic relationship with tons of drama

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Speaker 1: from the past, like he wasn't a good father. Obviously,

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Speaker 1: this is half of why Colin has so many issues.

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Speaker 1: Valerie is sort of trying to blend them together. What

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Speaker 1: are your thoughts on the whole thing.

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Speaker 2: I actually felt for Colin for the first time. I've

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Speaker 2: never seen him this raw. Maybe they hadn't written towards

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Speaker 2: it before. You know, he was supposed to be you know,

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Speaker 2: toxic before, and now he's actually vulnerable. And I wasn't

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Speaker 2: mad that I was learning new stuff about someone who

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Speaker 2: wasn't a regular like I actually was drawn in.

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Speaker 1: Well, that's interesting, Like I felt.

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Speaker 2: For this guy. Okay, So Mike Jenevie's played Graham Robbins.

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Speaker 1: I knew he was familiar.

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Speaker 2: He was great.

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Speaker 1: He's done a ton of stuff, like he's kind of

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Speaker 1: like that actor that does an episode of this, an

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Speaker 1: episode of The Practice, an episode of you know, judging Amy,

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Speaker 1: an episode of this, this, this, He's been in everything.

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Speaker 2: I wonder if he had worked with my dad before.

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Speaker 2: My dad always loyal, loved working with actors La Law.

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Speaker 1: Before this, he'd done Star Trek, Deep Space nine, he

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Speaker 1: Quantum Leap. He was not blind in real life, okay,

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Speaker 1: which I kind of suspected same same because back then

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Speaker 1: they weren't as you know, good about hiring actors that

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Speaker 1: were what the part is correct, that's kind of changed

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Speaker 1: as time has gone on. But I mean so many

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Speaker 1: things like family matters, like oh, he did seventeen episodes

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Speaker 1: of The Flash, the old series of the nineties. WHOA.

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Speaker 1: But he's so familiar and you knew it right when

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Speaker 1: he came in. So he's obviously like an excellent actor

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Speaker 1: and he was believable.

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Speaker 2: Believable, very seasoned, very Yeah.

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Speaker 1: What was the scene where where Colin and Valerie are

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Speaker 1: sitting on the counter like having a glass of wine?

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Speaker 1: Are you directed to do that? Or is that a

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Speaker 1: call they made up on the counter.

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Speaker 2: It could go either way. David Simmeel directed this episode.

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Speaker 2: He originally kind of was in charge of all of

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Speaker 2: our like the sound and editing on that level, and

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Speaker 2: then came in and started directing, and to this day

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Speaker 2: is like a great established director. But he was kind

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Speaker 2: of someone we were really good friends with. Okay, very cool,

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Speaker 2: and it could have gone either way, but we loved

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Speaker 2: working with David.

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Speaker 1: Simmel's interesting is it seemed like a Jason Priestley directed episode.

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Speaker 2: I was going to say that to you, yes.

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Speaker 1: Because the camping especially, it was so him.

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Speaker 2: Very and I feel like David and Jason have similar

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Speaker 2: styles and sensibilities, especially with humor. And I'm sure because

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Speaker 2: Jason's so close with David, they probably work that out.

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Speaker 2: All the guys were like, let's do this, Let's do that. Great,

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Speaker 2: great great. I was wondering, though, so Colin, is he

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Speaker 2: just not a coke addict anymore? Is it okay that

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Speaker 2: he drinks?

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Speaker 1: He thought the same exact thing I thought, Suddenly he

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Speaker 1: just doesn't do anymore? But he's drinking like he shouldn't

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Speaker 1: even be what, Like.

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Speaker 2: So is he an addict?

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Speaker 1: Is he?

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Speaker 2: Yes?

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Speaker 1: But I guess he's just fine now. I mean, it's

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Speaker 1: just crazy. That whole thing is so crazy because I mean,

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Speaker 1: we'll get into it in the Terra Tara storyline too,

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Speaker 1: But anyway, so there's sort of this like drama with

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Speaker 1: the dad and there's almost that sort of like physical altercation.

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Speaker 1: And then what did you think when Valerie says, like,

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Speaker 1: if you don't stop him, I'm going to.

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Speaker 2: I liked it because I like how she he listens

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Speaker 2: to her. He didn't listen to Kelly. I want to

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Speaker 2: say he good point, beects Valerie. He didn't respect Kelly.

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Speaker 2: Is that true?

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Speaker 1: Also a good point? Yeah, she sort of has the

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Speaker 1: upper hand for multiple reasons. I feel like she has

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Speaker 1: the upper hand minus the money, but she's also the money. True.

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Speaker 2: There's just a dichotomy and a chemistry between them that

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Speaker 2: really works for me. I believe it. I feel like

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Speaker 2: it's more of an equal playing field. And maybe it's

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Speaker 2: because we have so much invested in Kelly for so

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Speaker 2: long that we're like no, no, no, don't be with him,

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Speaker 2: And with Valerie, we're like, oh yeah, be with him.

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Speaker 1: They seem like a more realistic couple for sure, and

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Speaker 1: she does mother him a bit, but he listens to her.

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Speaker 1: I mean, I even like she's cooking, she's she's making

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Speaker 1: the dinner for the dad.

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Speaker 2: You know.

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Speaker 1: She the dad obviously is a drinking sort of issue. Also,

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Speaker 1: there's a lot of it's abuse with these females, but

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Speaker 1: she's very care of taking and she really wants them

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Speaker 1: to work it out. Now again, we went from volatile

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Speaker 1: to a rainbow unicorns and rainbows a tad too quickly,

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Speaker 1: you know, and suddenly like Colin has that line where

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Speaker 1: he's like he may be blind, but he taught me

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Speaker 1: to see. And it's just like, oh my god.

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Speaker 2: Yeah, I know it was sappy, but I was. I

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Speaker 2: was so there for the ride the whole time that

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Speaker 2: when it happened, I actually was like, wait, can we

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Speaker 2: go back to what you were saying. When you were

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Speaker 2: saying like they have that altercation that that was That

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Speaker 2: was interesting for me because it's so hard with men

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Speaker 2: and their fathers because I feel like that's not typically

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Speaker 2: a female thing, but men testosterone. You know, you start

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Speaker 2: with these little boys that you're holding and teaching them,

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Speaker 2: you know, swing their first bat and doing a ride

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Speaker 2: a bike, and then all of a sudden they grow

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Speaker 2: into men and they're more of your equal and strength.

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Speaker 2: And seeing a father and son two men like go

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Speaker 2: at it. I was taken aback, but I was like,

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Speaker 2: is this common? Is there a point? Not with everyone?

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Speaker 2: But I often wonder do boys kind of you know,

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Speaker 2: keep your cool, keep it your cool. It's their dad.

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Speaker 2: They look up to them, and then physically they don't

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Speaker 2: have to look up to them anymore. And do they

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Speaker 2: ever get to like clashing and like going at each other.

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Speaker 1: Common as they sort of you know, like you don't

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Speaker 1: see Jim Walsh and a Brandon doing that? Okay, now,

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Speaker 1: fair fair, But I think maybe with these it's very stereotypical,

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Speaker 1: like a TV thing, like the caustic relationship and the

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Speaker 1: the drama you know between the two and it goes

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Speaker 1: to blows and then they've worked it out thanks to Valerie.

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Speaker 1: That being said, I enjoyed that whole storyline, Like, I

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Speaker 1: liked it. It's kind of far fetched and ridiculous at parts, but.

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Speaker 2: I really yeah, it made me think, like, what's going

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Speaker 2: to happen with these two? Now? Maybe I don't want

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Speaker 2: him to leave. I don't know.

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Speaker 1: Yeah, I mean, I right, I get it.

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Speaker 2: It was the first time I liked call him, that's all.

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Speaker 2: I can't say I like him, but yeah, like fine engaging.

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Speaker 1: I mean, no, you can like him. People do. But

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Speaker 1: it was like, you know, it's an interesting we're moving

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Speaker 1: that storyline along, Okay, Yeah, let's move over to Taratara. Right,

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Speaker 1: she's getting unhinged real fast, a little too fast, like

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Speaker 1: really really fast, a little too fast. I totally agree.

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Speaker 1: She's gone full throttle cray in a blink of an eye. Now,

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Speaker 1: I thought this, and then it was interesting as I

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Speaker 1: was like looking up trivia from this episode. I love

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Speaker 1: that she's ordered to somewhat expensive bouquet of flowers and

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Speaker 1: she has no money. How did she pay for those?

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Speaker 2: That was the one thing that stood out to me,

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Speaker 2: aside from why is Colin drinking? Is the addict? You know? Longer? Yeah? Yeah,

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Speaker 2: she'd be on the streets if Kelly and take her in.

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Speaker 2: She has no money too, very expensive arrangements.

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Speaker 1: How I'm slightly frustrated because you know, like I say

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Speaker 1: this sometimes in another show we do. It's a little

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Speaker 1: bit of a Three's Company episode to me, when it's like, oh,

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Speaker 1: she's done this, and now now the doctor won't talk

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Speaker 1: to Kelly because of this, and it's just like, oh God,

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Speaker 1: can these people just it's not a plot? I like, right,

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Speaker 1: I find it's so frustrating, and maybe I'm supposed to,

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Speaker 1: but like, if just the doctor and Kelly spoke, then

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Speaker 1: we could resolve all this and realize that Tara Tar

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Speaker 1: is crazy faster whatever. So okay, so we go to

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Speaker 1: the beginning and she's she's real crazy right from the start.

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Speaker 2: So you know what I didn't like. I didn't like

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Speaker 2: that last week's episode, we on their storyline went out

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Speaker 2: with Kelly and him kissing on the deck. So for me,

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Speaker 2: when we came boom right back into that, I thought

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Speaker 2: it was maybe the same night and it was a continuation,

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Speaker 2: but it wasn't. It was another no.

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Speaker 1: Correct. I think it's I think we're sort of supposed

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Speaker 1: to assume that they are kind of casually seeing each

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Speaker 1: other regularly. It hasn't gotten too hot and heavy yet,

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Speaker 1: and we see her just right from the start getting

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Speaker 1: really psycho like. And forgive us for the use of

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Speaker 1: the lingo, like we well, we're just gonna use the

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Speaker 1: words that come but we don't. We're not trying to

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Speaker 1: like actually judge her mental illness. So you know, she's

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Speaker 1: doing that voice. I can't remember if this is this

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Speaker 1: episode or the one before. Oh yeah, I'm Jelly Taylor.

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Speaker 2: Yeah. Did you think she did a good job imitating Kelly?

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Speaker 1: Yeah? Yeah. So it's getting disturbing right like right away,

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Speaker 1: they're really like amping this up.

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Speaker 2: Well, her bangs are disturbing to me.

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Speaker 1: But because the hairtag's coming soon, we're gonna get that weird.

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Speaker 1: So you know, she's sort of manipulating the situation. And

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Speaker 1: then she plays the like, oh, David doesn't want to

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Speaker 1: go with me, but Kelly makes him and the whole thing,

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Speaker 1: and like, did you notice how she touches the doctor

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Speaker 1: when she's gonna be his partner in the bowling? And

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Speaker 1: you could see he did good acting of like I'm uncomfortable,

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Speaker 1: but I'm I'm gonna act like I'm not uncomfortable. She

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Speaker 1: really liked him, and then it's just when she pulls

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Speaker 1: him aside and like, oh, Kelly really likes you, but

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Speaker 1: she's gonna, you know, go off the rails, and you're

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Speaker 1: just like, oh my god.

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Speaker 2: Let's go back. Though, I got to say at the

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Speaker 2: peach Pit. I'm still you know, I'm still upset that Kelly.

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Speaker 2: I feel like she brought this girl into her house.

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Speaker 2: She's her caretaker, she chose this. But she's like going

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Speaker 2: out with Greg every night and the medical student not

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Speaker 2: doctor and uh And Tara's like, well, I don't want

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Speaker 2: to be a third wheel. I'm like, duh, who does?

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Speaker 2: And you're a recovering addict and you're just that. And

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Speaker 2: then also when Kelly asked David to be her date,

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Speaker 2: I was like, no, just say like, hey, David's coming,

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Speaker 2: You're not a third wheel. We're all going as friends.

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Speaker 2: Why say that? But if that had further plug Tera Tara, Like.

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Speaker 1: I think she just doesn't know that Tara. Tara is

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Speaker 1: getting unhinged. I think she thinks she's just kind of like,

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Speaker 1: you know, a girl from the streets, doesn't have a

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Speaker 1: lot of money, doesn't have friends, doesn't have family, who

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Speaker 1: was an addict. But I don't think Kelly realizes how

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Speaker 1: unwell she is. But that being said, it's like the

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Speaker 1: whole thing.

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Speaker 2: Is a rehab.

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Speaker 1: You're not third It's like the doctor dating the patient.

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Speaker 1: The patient has had another patient home with them.

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Speaker 2: It's just all doesn't think they talk to them while

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Speaker 2: they were there about you know, find yourself after this.

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Speaker 2: It's not you know, don't go jump into new relationships romantic.

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Speaker 2: So Kelly has heard this and she's still saying a date.

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Speaker 2: I don't know, it doesn't matter. I mean, Tera Tar

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Speaker 2: is too far. Nothing Kelly could say or do would

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Speaker 2: stop the madness.

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Speaker 1: And you're just seeing her like Tara, Tara with the

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Speaker 1: dagger eyes right like staring at them, and then she's

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Speaker 1: so thrilled when he breaks it off with her. I

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Speaker 1: mean just like, it's so creepy. She's so thrilled, and

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Speaker 1: then she does the like evil flower trick. Although, can

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Speaker 1: we talk about Kelly's blue suit for going to the

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Speaker 1: That was crazy? That was nuts.

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Speaker 2: It is the season of the suit though, I'm.

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Speaker 1: Just like, were we all? I was not wearing suits

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Speaker 1: in the nineties like that, when I was twenty whatever whatever.

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Speaker 1: She was very dressed up for the you know, doctor's

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Speaker 1: appointment with the like white pumps.

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Speaker 2: The whole thing was like, but I was very into

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Speaker 2: her outfit on the bowling.

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Speaker 1: Tea, Yeah that was more casual and cute.

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Speaker 2: Yeah it was cute.

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Speaker 1: Yeah, Taratar actually looked cute. Yeah, and they all were

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Speaker 1: getting along. The thing that I found totally unrealistic is

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Speaker 1: that the doctor would have come out. He's not gonna

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Speaker 1: just take the flowers that say I don't want to

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Speaker 1: see you, and then she comes. He's gonna come just

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Speaker 1: as the nice guy that he is. Yes, and also

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Speaker 1: that he's a doctor. Can you imagine she goes and says,

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Speaker 1: like to some other doctor, Hey, this doctor started dating me,

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Speaker 1: and now he won't even speak to me, like he

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Speaker 1: doesn't know. There's no way he's not coming out. He

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Speaker 1: would have come out. It's just so just to.

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Speaker 2: Save his own butt. You're right, can't call him a

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Speaker 2: doctor medical.

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Speaker 1: I think if you're a resident, you're a doctor. He

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Speaker 1: is a doctor. That's why the whole thing is so

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Speaker 1: inappropriate or whatever, like.

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Speaker 2: But why is he taking Tara? Tara's word? Then he

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Speaker 2: knows an addict's mentality, He's been there. This is.

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Speaker 1: Ultimately, even in her crazy way, she makes a good

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Speaker 1: point like they probably shouldn't have been dating fair, but

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Speaker 1: it's like exactly, and he sort of does, but like

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Speaker 1: he should say, Bara said, blah blah blah, like whatever.

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Speaker 1: It just drives me crazy that they're all paying so

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Speaker 1: much attention to terror when you're like, I don't know

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Speaker 1: about that.

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Speaker 2: Everyone's trusting her, You're right, for no good reason.

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Speaker 1: Right, They're all just like listening to her, like she's

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Speaker 1: not an addict and you know she's got issues. So anyway,

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Speaker 1: we're leveling that up quickly, right, Like, I can't remember

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Speaker 1: where we left off of the in the episode with her,

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Speaker 1: it's like she's super happy he won't see her. She's

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Speaker 1: thrilled about it.

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Speaker 2: Just clever of the game on Wow.

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Speaker 1: First of all, that's what I was going to say too.

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Speaker 1: I just don't see that she would be smart enough

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Speaker 1: for that. But why, I don't know why. I guess

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Speaker 1: why is she so evil? We don't know that in

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Speaker 1: her background yet?

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Speaker 2: Right do we find out I don't remember.

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Speaker 1: I can't remember. If we find out why she became

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Speaker 1: so crazy, she becomes more crazy. This is nothing.

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Speaker 2: This reminded me of the Bridget Fonda.

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Speaker 1: Oh single white female totally.

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Speaker 3: Hi, I'm Kristin Davis, and I want to know, are

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Speaker 3: you a Charlotte? In nineteen ninety seven, my life was

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Speaker 3: forever changed when I took on the role of Charlotte

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Speaker 3: York on a new HBO show called Sex.

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Speaker 1: And the City.

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Speaker 3: As we watched Carrie, Samantha, Miranda, and Charlotte navigate relationships

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Speaker 3: in New York City. The show helped push once unacceptable

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Speaker 3: conversation topics out of the shadows and altered the narrative

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Speaker 3: around women and sex.

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Speaker 2: We all saw ourselves in them.

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Speaker 3: As they searched for fulfillment in life, sex and friendships.

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Speaker 2: Now I want to connect with you.

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Speaker 3: And share untold stories and all the behind the scenes

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Speaker 3: together with special guests.

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Speaker 2: What will begin with Sex and the City.

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00:22:58,560 --> 00:23:01,439
Speaker 3: Will evolve into talks about themes that are still so

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00:23:01,720 --> 00:23:05,359
Speaker 3: relevant today. Are You a Charlotte is a much more

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Speaker 3: than just rewatching our beloved show. It brings the past

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Speaker 3: and the present together as we talk with heart, humor,

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Speaker 3: and of.

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Speaker 2: Course some optimism.

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Speaker 3: Listen to Are You a Charlotte on the iHeartRadio app,

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Speaker 3: Apple Podcast or wherever you get your podcasts.

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Speaker 1: Okay, I noticed two in this episode. There's a lot

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Speaker 1: of pop culture references, like they give a Forest Gump

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Speaker 1: shout out, they do the Chris Farley in a vonder

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Speaker 1: by the river, like we'll.

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Speaker 2: Get to that.

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Speaker 1: Maybe they are sort of ripped from the headlines, but

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Speaker 1: they're ripped from like pop culture because like, single white female,

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Speaker 1: that's what this is.

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Speaker 2: Who's the other person? Sorry, Bridget Fonda, Jeff.

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Speaker 1: Fonda and the Jennifer Jason Lee.

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Speaker 2: Jennifer Jason Lee.

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Speaker 1: Wow, she really that really was and it was nineteen

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Speaker 1: ninety two, so like the storyline is totally from that.

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Speaker 1: It's obvious, especially since we're going to get the haircut soon,

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Speaker 1: which is exactly what she does. Yeah, I mean it

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Speaker 1: is single white female, right, like oh boy? So yeah,

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Speaker 1: and I don't know the doctor would have come out.

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Speaker 1: I just stand by that he would have come out

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Speaker 1: and talked to her. He's not going to just be

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Speaker 1: that guy. Those flowers, actually, the flowers were not great.

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Speaker 2: They never are a nine or two one O. Sorry.

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Speaker 2: I loved all of our prop people, but I just

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Speaker 2: got to say.

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Speaker 1: Right, those are like, you know, grocery store flowers shoved

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Speaker 1: in a weird face, which can.

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Speaker 2: Be great nowadays.

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Speaker 1: Yeah. Yeah, I mean right, Whole Foods has like those

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Speaker 1: were not. I wasn't like, oh, those are the most beautiful.

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Speaker 2: Like, so here's the things. Okay, So Tara, Tara apparently

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Speaker 2: has money because they were very large, both of them.

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Speaker 1: Everyone on the internet questions, how is she paying for

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Speaker 1: these flowers? No taste, no taste, And nobody's just like, okay, yeah,

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Speaker 1: we'll send those flowers, Like where's the cre a card?

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Speaker 1: I don't know that was? That was far fetch for me. Okay,

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Speaker 1: should we now talk about what is my my favorite

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Speaker 1: storyline of the episode, because it's so silly. First of all,

433
00:25:12,160 --> 00:25:13,920
Speaker 1: I love the fact that you know, when they're fishing

434
00:25:13,960 --> 00:25:18,159
Speaker 1: off that freeway overpass, they're not at a lake. It's like,

435
00:25:18,400 --> 00:25:20,200
Speaker 1: where are they camping?

436
00:25:20,520 --> 00:25:24,280
Speaker 2: I don't I'm trying. I don't remember where we shot it,

437
00:25:24,600 --> 00:25:27,520
Speaker 2: but I got to tell you, watching it again after

438
00:25:27,600 --> 00:25:30,639
Speaker 2: all these years took me right back to it and

439
00:25:31,240 --> 00:25:36,119
Speaker 2: I have to find it. There's this iconic photo that

440
00:25:36,840 --> 00:25:38,680
Speaker 2: everyone does it now. But keep in mind, this was

441
00:25:38,800 --> 00:25:40,960
Speaker 2: the nineties and I had never heard of this, and

442
00:25:41,000 --> 00:25:44,440
Speaker 2: we all had our disposable cameras and digital cameras then,

443
00:25:45,000 --> 00:25:47,640
Speaker 2: and it was the first time Ian was like, hey, guys,

444
00:25:47,720 --> 00:25:49,679
Speaker 2: let's do this shot. So all of us doing the

445
00:25:49,720 --> 00:25:52,480
Speaker 2: camping thing where we put the camera in the middle

446
00:25:53,440 --> 00:25:57,000
Speaker 2: and someone pays their yeah, and we all go over and.

447
00:25:57,119 --> 00:25:59,320
Speaker 1: Down at it and we all are kind of eight

448
00:25:59,400 --> 00:26:01,679
Speaker 1: is enough? Remember the opening credits of eight is enough

449
00:26:01,720 --> 00:26:02,960
Speaker 1: where they're all looking down.

450
00:26:03,080 --> 00:26:05,680
Speaker 2: I think, yeah, but do you know that's like a thing.

451
00:26:05,760 --> 00:26:08,480
Speaker 2: Now I have to find this photo. It's so great

452
00:26:08,640 --> 00:26:11,800
Speaker 2: and it's like a great memory that we all.

453
00:26:12,240 --> 00:26:14,480
Speaker 1: It must have been fun, like I imagine that y'all.

454
00:26:14,600 --> 00:26:16,560
Speaker 1: First of all, it's fun to like be out of.

455
00:26:16,480 --> 00:26:18,840
Speaker 2: The office location. Yeah, it was so much. We had

456
00:26:18,920 --> 00:26:19,640
Speaker 2: so much fun.

457
00:26:20,160 --> 00:26:23,440
Speaker 1: It's a ridiculous storyline though. First of all, the fact

458
00:26:23,440 --> 00:26:26,160
Speaker 1: that they call you their dates. Why would Joe say

459
00:26:26,200 --> 00:26:27,919
Speaker 1: that they all did it.

460
00:26:28,000 --> 00:26:31,120
Speaker 2: Well Joe, But Joe like brings it up like these

461
00:26:31,119 --> 00:26:33,720
Speaker 2: aren't your with our dates, it's your girlfriends.

462
00:26:33,840 --> 00:26:37,160
Speaker 1: I know, I to that was bizarre. Second of all,

463
00:26:37,200 --> 00:26:40,480
Speaker 1: like who cares if you like it was a mountain

464
00:26:40,520 --> 00:26:42,760
Speaker 1: out of a molehill a little bit like who cares

465
00:26:42,760 --> 00:26:44,840
Speaker 1: that they like went over and changed his tire and

466
00:26:44,880 --> 00:26:47,840
Speaker 1: flirting and you girls are so peeved about it, and

467
00:26:47,880 --> 00:26:50,280
Speaker 1: then it becomes sort of a caper. That's why I.

468
00:26:50,240 --> 00:26:54,240
Speaker 2: Thought, like, oh, very like vacation like Griswold.

469
00:26:53,680 --> 00:26:57,120
Speaker 1: Like yeah, like oh, then then the Canadian girls are like, oh,

470
00:26:57,160 --> 00:26:59,480
Speaker 1: they've got the guys like it's all like oh wait,

471
00:27:00,200 --> 00:27:03,640
Speaker 1: Kline and Sinker like it was. It's almost like that

472
00:27:03,800 --> 00:27:05,720
Speaker 1: script was written by someone totally.

473
00:27:05,520 --> 00:27:08,199
Speaker 2: Different and perhaps that portion was.

474
00:27:08,960 --> 00:27:14,160
Speaker 1: Yeah, like it's very goofy, and you know, he's like

475
00:27:14,480 --> 00:27:18,720
Speaker 1: makes a Forest Gump joke, and then we're sleeping on

476
00:27:18,760 --> 00:27:20,440
Speaker 1: a ron down by the.

477
00:27:20,600 --> 00:27:22,919
Speaker 2: River, like I feel like Jason add at that.

478
00:27:23,200 --> 00:27:26,119
Speaker 1: Oh my god, there's a line where I am certain

479
00:27:26,240 --> 00:27:29,359
Speaker 1: it was ad libe. So when they're fishing, there's like

480
00:27:29,440 --> 00:27:34,359
Speaker 1: a part Jason Priestley says something like we're just a

481
00:27:34,400 --> 00:27:39,040
Speaker 1: freak guy's vision and you literally see Ian crack up.

482
00:27:40,840 --> 00:27:44,680
Speaker 1: He's just like he laughs like it's such a genuine laugh.

483
00:27:44,880 --> 00:27:49,000
Speaker 1: It's like, yeah, his vision. The three of them are

484
00:27:49,160 --> 00:27:53,680
Speaker 1: so like, first of all, it's weird that it's not Brian,

485
00:27:54,040 --> 00:27:55,920
Speaker 1: that it's like Joe. Do you know what I mean?

486
00:27:55,920 --> 00:27:58,719
Speaker 1: You're like, Okay, that's a little weird that now they're

487
00:27:58,720 --> 00:28:01,360
Speaker 1: throwing in Joe, but he's so cute. But the three

488
00:28:01,400 --> 00:28:03,919
Speaker 1: of them are so like, I don't know, it's just

489
00:28:04,200 --> 00:28:09,480
Speaker 1: very goofy comedy, Like I don't even know how to explain.

490
00:28:09,800 --> 00:28:14,080
Speaker 2: He keeps up say, you know, there's there's a shorthand

491
00:28:15,520 --> 00:28:19,240
Speaker 2: with the boys that he but to that note, Joe

492
00:28:19,359 --> 00:28:22,040
Speaker 2: keeping up with them. I thought Susan kept up with

493
00:28:22,119 --> 00:28:25,879
Speaker 2: Claire and Donna, sure, right, And I really enjoyed the

494
00:28:25,960 --> 00:28:28,280
Speaker 2: comedy banter between Donna Claire.

495
00:28:28,880 --> 00:28:32,480
Speaker 1: It's all fun to watch, like the three of you girls,

496
00:28:32,520 --> 00:28:35,399
Speaker 1: and like, even though the storyline is so silly and ridiculous,

497
00:28:35,880 --> 00:28:41,840
Speaker 1: like h beyond, but yet amusing. I guess it's very teenager.

498
00:28:41,920 --> 00:28:44,640
Speaker 1: He kind of like, oh, I'm gonna be real mad

499
00:28:44,720 --> 00:28:48,920
Speaker 1: that he's changing the tire over there, and then they're like, oh,

500
00:28:49,000 --> 00:28:52,320
Speaker 1: we should run back, and like the binoculars and just

501
00:28:52,400 --> 00:28:56,400
Speaker 1: the whole all of it. But it's totally amusing to watch.

502
00:28:57,040 --> 00:28:59,440
Speaker 1: I mean, it's definitely three different shows. Like I literally

503
00:28:59,480 --> 00:29:03,760
Speaker 1: was watching, so you figure the show's forty five minutes

504
00:29:03,800 --> 00:29:06,840
Speaker 1: each thing, it's like fifteen minutes, fifteen minutes, fifteen minutes.

505
00:29:08,680 --> 00:29:11,200
Speaker 2: Okay, so modern day what would those three?

506
00:29:11,800 --> 00:29:13,720
Speaker 1: I mean, one is very nine O two on oe, right,

507
00:29:13,800 --> 00:29:16,760
Speaker 1: even two felt very nine o two on oe. But

508
00:29:16,840 --> 00:29:21,440
Speaker 1: the other one is like it's very goofy, sort of

509
00:29:21,720 --> 00:29:24,480
Speaker 1: like comedy trying to be a.

510
00:29:24,440 --> 00:29:30,240
Speaker 2: Sitcom with a little bit of like campy like Stummer

511
00:29:30,840 --> 00:29:34,160
Speaker 2: cheesy sitcom.

512
00:29:34,320 --> 00:29:38,160
Speaker 1: Yeah, you know, like the Modern Family. Caress went to Tahoe.

513
00:29:38,360 --> 00:29:39,040
Speaker 1: You know, it's like.

514
00:29:40,720 --> 00:29:46,120
Speaker 2: It's like that, And remember how we were so aligned

515
00:29:46,760 --> 00:29:50,360
Speaker 2: with the shows kind of lining up with real lifetime

516
00:29:50,400 --> 00:29:54,960
Speaker 2: periods and seasons now where it's like a half year difference,

517
00:29:55,040 --> 00:29:58,960
Speaker 2: Like right now it's winter break basically in real life, and.

518
00:29:59,280 --> 00:30:01,360
Speaker 1: It was raining, and I did you notice one thing?

519
00:30:01,400 --> 00:30:05,960
Speaker 1: First of all, there's also filler in each episode or

520
00:30:06,080 --> 00:30:08,520
Speaker 1: somebody's gone, like we really need to start each episode

521
00:30:08,520 --> 00:30:13,480
Speaker 1: with like a music montage. Every episode lately has started

522
00:30:13,560 --> 00:30:16,520
Speaker 1: like shots of Rodeo drive, shots of Beverly Hills, And

523
00:30:16,520 --> 00:30:18,680
Speaker 1: this one is like we have a good, solid couple

524
00:30:18,760 --> 00:30:22,800
Speaker 1: minutes of you guys loading the suitcases of this mini

525
00:30:22,880 --> 00:30:25,840
Speaker 1: van and you're giving like there's almost like some like

526
00:30:25,880 --> 00:30:29,000
Speaker 1: a sticky bit between you and Joe where you're like,

527
00:30:31,360 --> 00:30:33,400
Speaker 1: I can't tell if he's if you're having a tussle

528
00:30:33,480 --> 00:30:35,600
Speaker 1: or if he's mad because you've got too many suitcases.

529
00:30:36,800 --> 00:30:38,440
Speaker 1: But there's this like moment where you're kind of like

530
00:30:38,920 --> 00:30:42,640
Speaker 1: and there's all this like it's a music video. The

531
00:30:42,680 --> 00:30:44,760
Speaker 1: first minute of the thing is a music video.

532
00:30:46,760 --> 00:30:50,760
Speaker 2: Yeah that loading, Yeah, you know, not into.

533
00:30:50,680 --> 00:30:52,400
Speaker 1: I don't mind it. I watched it twice because I

534
00:30:52,440 --> 00:30:54,480
Speaker 1: was like, am I missing anybody?

535
00:30:55,960 --> 00:30:58,840
Speaker 2: I feel like Joe's very handsy with Donna.

536
00:30:58,600 --> 00:31:01,360
Speaker 1: On this episode. I'm not mad about it, Like there's

537
00:31:01,400 --> 00:31:04,640
Speaker 1: a lot of yeah, I look, I still think he

538
00:31:04,640 --> 00:31:06,960
Speaker 1: should have been endgame. I don't know why we like.

539
00:31:07,080 --> 00:31:10,480
Speaker 1: I think it only gets this season endgame, like pre

540
00:31:10,640 --> 00:31:13,600
Speaker 1: and fine, fine pre game. I couldn't kept him around

541
00:31:13,600 --> 00:31:17,920
Speaker 1: for a whole other season. Sure, he's amusing. I thought

542
00:31:17,920 --> 00:31:19,840
Speaker 1: he was so cute. I was bummed when he left.

543
00:31:20,680 --> 00:31:23,120
Speaker 1: There's a dirty line again. I think that Claire and

544
00:31:23,240 --> 00:31:28,240
Speaker 1: Steve have a dirty double entendre that really about the

545
00:31:28,280 --> 00:31:30,360
Speaker 1: tent top a tent or something like this. I forget

546
00:31:30,400 --> 00:31:33,480
Speaker 1: what it was, but it was something, Oh my.

547
00:31:33,280 --> 00:31:39,000
Speaker 2: God, I can't get your tent ou Yeah, all the

548
00:31:39,040 --> 00:31:40,600
Speaker 2: polls they can't find.

549
00:31:40,840 --> 00:31:45,120
Speaker 1: It was amusing. It was definitely the comic relief. But

550
00:31:45,160 --> 00:31:47,920
Speaker 1: I'm interested next week now that we're kind of analyzing it.

551
00:31:48,320 --> 00:31:51,120
Speaker 1: If it's the same thing where it's like three storylines

552
00:31:51,400 --> 00:31:55,520
Speaker 1: none connected, a funny one and two dramatic ones. I

553
00:31:55,520 --> 00:31:57,040
Speaker 1: don't know, we'll see. I mean, we know Tar is

554
00:31:57,080 --> 00:31:58,280
Speaker 1: gonna get crazier and crazier.

555
00:31:59,000 --> 00:32:01,360
Speaker 2: I mean, it's does Greg come back and.

556
00:32:03,080 --> 00:32:05,760
Speaker 1: I think she figures out what she did, like I

557
00:32:05,760 --> 00:32:06,880
Speaker 1: think Kelly figures it out.

558
00:32:07,040 --> 00:32:10,360
Speaker 2: Like Michael Diets and I were very good friends, and

559
00:32:10,440 --> 00:32:13,120
Speaker 2: he's still come on and he's an amazing produce.

560
00:32:14,080 --> 00:32:16,720
Speaker 1: He's gonna come on. He's totally coming on. So this

561
00:32:16,840 --> 00:32:19,200
Speaker 1: was his last episode, which is a bummer. They just

562
00:32:19,240 --> 00:32:20,720
Speaker 1: kind of like get rid of him and we're all

563
00:32:20,760 --> 00:32:24,360
Speaker 1: like left with this. Like I feel like, you know,

564
00:32:24,720 --> 00:32:28,360
Speaker 1: it's the big misunderstanding, which I hate. It's like, oh, God,

565
00:32:28,600 --> 00:32:32,000
Speaker 1: talk to each other and figure out that this girl's unwell,

566
00:32:32,080 --> 00:32:36,360
Speaker 1: but what are you gonna do? So I don't know.

567
00:32:36,400 --> 00:32:38,600
Speaker 1: Everyone needs to decide if they like us going through

568
00:32:38,600 --> 00:32:40,760
Speaker 1: it storyline by storyline or if they like us going

569
00:32:40,800 --> 00:32:44,560
Speaker 1: scene by scene. Yeah, there was some weird fashion and

570
00:32:44,600 --> 00:32:48,480
Speaker 1: some good fashion. You will love to tie the white

571
00:32:48,520 --> 00:32:49,120
Speaker 1: shirt up.

572
00:32:52,600 --> 00:32:56,240
Speaker 2: I feel like I feel like I was like, you

573
00:32:56,280 --> 00:33:00,120
Speaker 2: know what, I'm still just not showing quite enough belly here. Oh,

574
00:33:00,960 --> 00:33:03,280
Speaker 2: let me let me show my what what is that

575
00:33:03,320 --> 00:33:09,920
Speaker 2: your uh middrift? No, what is the bone? Your peck blab?

576
00:33:10,320 --> 00:33:17,160
Speaker 2: You're glavical like between your lungs, your ribs that. Yeah,

577
00:33:17,200 --> 00:33:19,320
Speaker 2: It's like it's like they gave me a shirt and

578
00:33:19,360 --> 00:33:22,160
Speaker 2: it's like we're on location and I'm like it's quite

579
00:33:22,200 --> 00:33:26,080
Speaker 2: not quite sure enough, So I'm just gonna ta good.

580
00:33:26,120 --> 00:33:28,080
Speaker 1: I thought the boys actually looked good too.

581
00:33:28,960 --> 00:33:33,840
Speaker 2: They did, and Timberlains are like really like on train

582
00:33:34,080 --> 00:33:34,600
Speaker 2: at that point.

583
00:33:35,120 --> 00:33:37,719
Speaker 1: Camping thing. This is my favorite part of the camping

584
00:33:38,680 --> 00:33:42,880
Speaker 1: That the car is parked in a parking lot at

585
00:33:42,880 --> 00:33:43,840
Speaker 1: the camping.

586
00:33:43,880 --> 00:33:46,560
Speaker 2: Mm hmm, Like what's wrong with that?

587
00:33:46,600 --> 00:33:49,160
Speaker 1: Who does that? You? You don't park it, you don't

588
00:33:49,640 --> 00:33:53,000
Speaker 1: right next to a camping lot, and maybe in Malibu

589
00:33:53,120 --> 00:33:55,560
Speaker 1: on the beach, but like they're supposed to be camping,

590
00:33:56,760 --> 00:33:59,880
Speaker 1: pull up the car in this asphalt parking lot and

591
00:34:00,120 --> 00:34:02,160
Speaker 1: then just like their tent is literally right in front

592
00:34:02,160 --> 00:34:05,000
Speaker 1: of the van. That's the other thing that's so absurd,

593
00:34:05,080 --> 00:34:07,920
Speaker 1: Like the van's not like down the road. They're just

594
00:34:07,920 --> 00:34:09,920
Speaker 1: sleeping in it and you can see all the tents

595
00:34:09,920 --> 00:34:11,799
Speaker 1: from it. I'm like, I need to know where they

596
00:34:11,840 --> 00:34:15,480
Speaker 1: phoned it, because it definitely was not anywhere where you

597
00:34:15,480 --> 00:34:16,240
Speaker 1: would be camping.

598
00:34:17,080 --> 00:34:21,919
Speaker 2: It was like Griffith Park, No lose a drive could

599
00:34:21,920 --> 00:34:23,719
Speaker 2: have been like seeing me Valley like it was. I

600
00:34:23,719 --> 00:34:26,400
Speaker 2: felt like we drove like an hour forty five minutes,

601
00:34:26,440 --> 00:34:27,400
Speaker 2: like somewhere.

602
00:34:27,000 --> 00:34:29,120
Speaker 1: It seemed like they were fishing in a river way

603
00:34:29,120 --> 00:34:31,160
Speaker 1: off of a bridge. I was like, what, this doesn't

604
00:34:31,160 --> 00:34:35,319
Speaker 1: feel like a lake, doesn't feel like camping all that

605
00:34:35,440 --> 00:34:38,200
Speaker 1: gear anyway, what do you rate this?

606
00:34:40,200 --> 00:34:43,360
Speaker 2: Well, just basing all the flannels alone, it's gonna be

607
00:34:43,360 --> 00:34:47,320
Speaker 2: to high score. I'm gonna go with y.

608
00:34:47,360 --> 00:34:48,359
Speaker 1: I'm going to be a little higher.

609
00:34:48,400 --> 00:34:51,520
Speaker 2: I'm giving it a nine again for my You know,

610
00:34:51,680 --> 00:34:54,919
Speaker 2: this is how I rate what I really enjoy and

611
00:34:55,160 --> 00:34:57,799
Speaker 2: I watch most of them on my phone. I never

612
00:34:57,880 --> 00:34:58,480
Speaker 2: fast forward.

613
00:34:58,520 --> 00:35:00,880
Speaker 1: Oh yeah, I didn't eitherything else I never do. I

614
00:35:00,960 --> 00:35:03,319
Speaker 1: never do, but I know you have. But there are

615
00:35:03,320 --> 00:35:05,799
Speaker 1: moments that I might want to and I don't even

616
00:35:05,840 --> 00:35:08,240
Speaker 1: have that. Like I was like, I am totally enjoying

617
00:35:08,280 --> 00:35:08,719
Speaker 1: all of this.

618
00:35:09,560 --> 00:35:13,480
Speaker 2: Yeah, same. Okay, So next week, you guys do your

619
00:35:13,520 --> 00:35:18,440
Speaker 2: homework because we have season six, episode twenty seven, Strike

620
00:35:18,560 --> 00:35:22,200
Speaker 2: the Match, And all I'm gonna say is Donna's big

621
00:35:22,239 --> 00:35:23,920
Speaker 2: moment in her music video.

622
00:35:24,160 --> 00:35:24,959
Speaker 1: It's so good.

623
00:35:25,880 --> 00:35:28,360
Speaker 2: I'm in a music video and there's so many outtakes

624
00:35:28,360 --> 00:35:30,839
Speaker 2: from this music video that exists, and.

625
00:35:30,800 --> 00:35:33,360
Speaker 1: I can, oh my gosh, we need them. Can we

626
00:35:33,440 --> 00:35:35,480
Speaker 1: post them? We need to let people see them.

627
00:35:35,680 --> 00:35:39,000
Speaker 2: Yeah, I feel like you have them. And Christina Lisa's

628
00:35:39,080 --> 00:35:42,480
Speaker 2: mom took still to this day one of my favorite

629
00:35:42,520 --> 00:35:45,920
Speaker 2: photos ever of me, and it was during this episode

630
00:35:46,000 --> 00:35:47,920
Speaker 2: and styled for this So.

631
00:35:48,600 --> 00:35:50,480
Speaker 1: I'm getting excited about this one.

632
00:35:51,239 --> 00:35:54,440
Speaker 2: Well, i'll see you then strike it up next week