WEBVTT - 28 Years Later: Roundtable

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<v Speaker 1>Warning, Today's episode contains spoilers four twenty eight years later,

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<v Speaker 1>the latest edition in the twenty eight years in the

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<v Speaker 1>twenty eight later franchise, Hello, my name is Jason gets

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<v Speaker 1>up to you and I'm Rosie Knight and welcome back

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<v Speaker 1>to x ray Vision, the podcast where we dive deep

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<v Speaker 1>into your favorite shows, movies.

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<v Speaker 2>Comics and pop culture.

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<v Speaker 1>Company from by our podcast where we're bringing you three

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<v Speaker 1>episodes a week plus news.

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<v Speaker 3>In today's episode, the Scream Queens Common and Joela joining

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<v Speaker 3>us for our roundtable discussion of twenty eight years late.

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<v Speaker 2>Joel in Common, how are you doing.

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<v Speaker 3>I'm good, glad to be here, fabulous, Yes, very excited

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<v Speaker 3>to talk to you about this. And then this is

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<v Speaker 3>a war as much for the people who are in

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<v Speaker 3>the podcast to get these.

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<v Speaker 2>Ready as it is that you guys know.

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<v Speaker 3>We will attempt to come to a consensus on the

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<v Speaker 3>on the I'm not saying Mount Rushmore because I hate

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<v Speaker 3>Mount Mushmore, so on the on the best of horror

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<v Speaker 3>movie sequels, what are the best?

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<v Speaker 1>On the medal podium?

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<v Speaker 3>On the metal podium of horror movie sequels, what are

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<v Speaker 3>your top three?

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<v Speaker 2>What gets gold, what gets silver? Worth gets bronze?

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<v Speaker 1>And what gets to stand next to the podium and

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<v Speaker 1>be like I should be up there.

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<v Speaker 2>Yeah, exactly right.

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<v Speaker 4>What's the fourth one that we just live on the

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<v Speaker 4>floor crying? It's almost good enough, guys. Programming note, this

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<v Speaker 4>is good news for you. We've heard you. You love YouTube.

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<v Speaker 4>YouTube's popular.

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<v Speaker 2>Ever heard of it? Guess what? We're posting this video

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<v Speaker 2>on YouTube And if.

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<v Speaker 3>You want to see a group chat melt down NHD,

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<v Speaker 3>you can watch our great sci fi debate on YouTube

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<v Speaker 3>right now.

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<v Speaker 2>Commen, what did you think of twenty eight years later?

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<v Speaker 5>Oh my godnes Well, first of all, thank you for

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<v Speaker 5>giving me the floor first, because I do have a

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<v Speaker 5>lot to say about this movie. This was I think

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<v Speaker 5>the out of all the movies I've seen so far

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<v Speaker 5>this year, this has been the movie that has been

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<v Speaker 5>the most thought provoking for me in the sense that

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<v Speaker 5>I can't stop thinking about it and I really want

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<v Speaker 5>people to go see it because I really need to

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<v Speaker 5>talk to people about it, and that's always a hallmark

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<v Speaker 5>of a great movie for me. I don't know about y'all,

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<v Speaker 5>but first of all, I was my whole experience for

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<v Speaker 5>the first half of the movie. I was squirming in

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<v Speaker 5>my seat. I was peeking through my fingers I was

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<v Speaker 5>doing all of that. I was terrified. They really did

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<v Speaker 5>a good job once we went to the mainland of

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<v Speaker 5>the island of like really ratcheting up the tension.

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<v Speaker 6>But the things I really.

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<v Speaker 5>Loved about the movie were just a lot of the

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<v Speaker 5>same things I loved about the original movie, with kind

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<v Speaker 5>of some of the concepts of the second movie kind

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<v Speaker 5>of blended together in my opinion. So the things that

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<v Speaker 5>reminded me of the first movie that I really really

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<v Speaker 5>loved were the camera work. I thought the camera work

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<v Speaker 5>in this movie was so incredible, like.

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<v Speaker 3>We have really unique, like no one else is doing

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<v Speaker 3>it that way use of technology.

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<v Speaker 5>All of the action scenes were using multiple different angles

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<v Speaker 5>as we're kind of looking at like the violence on screen,

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<v Speaker 5>and it really added like this kind of just erraticness

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<v Speaker 5>to watching those scenes. And also the soundtrack. I really

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<v Speaker 5>really loved the soundtrack. Again, I didn't love the soundtracks, yes,

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<v Speaker 5>and I didn't, you know, love the soundtrack as much

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<v Speaker 5>in the second film, but in this movie, it really

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<v Speaker 5>felt like they had done like a return to form here,

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<v Speaker 5>you know.

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<v Speaker 6>One of the things that I really.

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<v Speaker 5>Thought was cool about the soundtrack and sound design was

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<v Speaker 5>that when our characters are relaxing and they're not under

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<v Speaker 5>any danger, you can still hear in the distance there's

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<v Speaker 5>like these screaming and groaning and like this creepy like

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<v Speaker 5>feeling that is like ratcheting up the tension.

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<v Speaker 6>Now.

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<v Speaker 5>I have to say, like, for me, the reason I

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<v Speaker 5>enjoyed the second movie, as we discussed a little bit

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<v Speaker 5>more than the first movie, is because of the kind

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<v Speaker 5>of twisted family dynamic that the second movie brought in,

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<v Speaker 5>and they used the dad in a way that I

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<v Speaker 5>thought was really effective.

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<v Speaker 2>Series hates dads.

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<v Speaker 7>I know, well, yeah, we get a really good dies horrifically, Yes,

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<v Speaker 7>it's all about bad dads.

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<v Speaker 3>But I think like once it's almost like once the

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<v Speaker 3>Brendan Gleasing character dies because of the lies that I'm

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<v Speaker 3>being told about that location and military eternal kind of

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<v Speaker 3>toxic masculinity. There after that everything is bad dad's toxic masculinity.

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<v Speaker 5>It's very interesting, yes, And so I think for me,

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<v Speaker 5>the movie is really thrive when there's a bad dad

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<v Speaker 5>kind of going on, you know, And so I love

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<v Speaker 5>in the second movie, we have the zombie dad constantly

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<v Speaker 5>haunting these kids as they are trying to survive, and

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<v Speaker 5>in this movie, the dad doesn't ever become a zombie,

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<v Speaker 5>but he is actually kind of worse than.

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<v Speaker 2>The zombies, you know, the true villain of the movie.

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<v Speaker 1>Yeah, absolutely, he's the He is the antagonist for Spike, surely.

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<v Speaker 2>Yes.

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<v Speaker 5>And I think for me that these movies are at

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<v Speaker 5>best when there's like that child parent misdistrust kind of

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<v Speaker 5>dynamic going on, and so I really enjoyed that aspect

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<v Speaker 5>of it. I will say the things that I kind

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<v Speaker 5>of felt like, humh, they're kind of like keeping up

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<v Speaker 5>with the genre more than setting the tone for the

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<v Speaker 5>genre was at first, I felt like the variants were

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<v Speaker 5>probably inspired by like more recent like zombie video game lore.

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<v Speaker 6>Yeah, the Last of Us.

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<v Speaker 3>It was definitely the slow lows we're giving The Last

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<v Speaker 3>of Us for sure.

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<v Speaker 2>Yes, with the mashroom and the nature.

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<v Speaker 5>Right and even the Alphas reminded me of like just

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<v Speaker 5>that whole kind of pack thing. But yeah, I just

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<v Speaker 5>there's a lot I can say about this movie, but

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<v Speaker 5>I really fucking loved it and I want to see

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<v Speaker 5>it again.

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<v Speaker 1>So yeah, I would love to see it again as well. Joelle,

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<v Speaker 1>your thoughts.

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<v Speaker 8>Deeply fucking weird, which is like in the best possible way,

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<v Speaker 8>like in the way that's just like in the theater,

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<v Speaker 8>I was sitting there and I was elementary. Yeah, no,

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<v Speaker 8>Like it's so surreal. There's a ton of They like

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<v Speaker 8>to insert a lot of stock footage of.

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<v Speaker 9>Britain over the years.

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<v Speaker 8>And repeated actions, right, And something I think is so

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<v Speaker 8>interesting about this film, Like it's clearly about Brexit and isolation, isolationism,

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<v Speaker 8>and you know, a bit about like nationalism, maybe some

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<v Speaker 8>racism thrown in there for good measure, but they're also

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<v Speaker 8>making like these very interesting statements about time and the

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<v Speaker 8>things that are in grain within our cultures that hook us,

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<v Speaker 8>and also about how we take sweet lovely boys and

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<v Speaker 8>tournament to horrible people, and like how do you combat

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<v Speaker 8>against that? If you're a young man right now actively

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<v Speaker 8>trying to engage in the world, how do you fight

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<v Speaker 8>back against this ingrained culture? And I was so incredibly

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<v Speaker 8>moved by these statements, and I loved how strange and

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<v Speaker 8>weird it was. You know, Decarmen's point about the cameras,

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<v Speaker 8>you know, and rewatching the previous films, Like if you

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<v Speaker 8>think about the first film being like very surveillance steady,

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<v Speaker 8>you get a lot of like high angles on people

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<v Speaker 8>walking these deserted and it really like the.

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<v Speaker 3>Early days of having the kind of CCTV that could

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<v Speaker 3>track you for miles, like we all yeah now.

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<v Speaker 8>And then in the second one, it's so military heavy

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<v Speaker 8>that you're getting a lot of like helicopter You're like, yeah,

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<v Speaker 8>a lot of scope shots in the second one, so

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<v Speaker 8>you feel like you're constantly being targeted and there's always

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<v Speaker 8>a weapon on you, and you're sort of being hunted

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<v Speaker 8>in that sense, which winds up being much more terrifying

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<v Speaker 8>than the zombies. Uh. In this one, you spend so

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<v Speaker 8>much time in nature that was to really sort of

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<v Speaker 8>get the feeling of it is like, oh, these are

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<v Speaker 8>like other eyes staring back at me, and that it's

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<v Speaker 8>such a creepy, like subversive way to approach a series

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<v Speaker 8>that has been really locked into technology. There's an absence

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<v Speaker 8>of technology in here that makes this such an interesting

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<v Speaker 8>addition to the series and sort of strips back into

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<v Speaker 8>like almost like the core of like humanity.

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<v Speaker 2>You know.

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<v Speaker 8>If the first ones are sort of like our responses

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<v Speaker 8>to situations, the third one asks is like, is this

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<v Speaker 8>this might actually just be we It's really it's like

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<v Speaker 8>devastating and beautiful, And then I'll just say, like so clever,

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<v Speaker 8>the pitfalls, like the obstacles. You know, every zombie movie

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<v Speaker 8>has great obstacles you have to get through, like a

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<v Speaker 8>house that's protecting you and then becomes like a trap.

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<v Speaker 8>The gas station scene is gonna stick with me forever.

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<v Speaker 8>I loved it, just the floating gas in the room,

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<v Speaker 8>the way that becomes you know, there are zombies outside,

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<v Speaker 8>so they're trapped inside, but the gas is literally poisoning them.

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<v Speaker 8>And it's just like this is such a great, fun,

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<v Speaker 8>imaginative sequence that deals in like real world consequences of

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<v Speaker 8>like longevity, and I just think, like the way they've

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<v Speaker 8>built and expanded this world, I felt immediately connected to.

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<v Speaker 9>All of it. I loved this movie. I liked it

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<v Speaker 9>so high went yeah.

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<v Speaker 3>I think that you touch on something that's like really

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<v Speaker 3>important about like the notion of like nature and like

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<v Speaker 3>how nature connects to humans, because something that is and

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<v Speaker 3>this very specifically British thing to notice, but it has

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<v Speaker 3>been reported on. One of the things that kind of

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<v Speaker 3>blew me away is that when they're walking through the mainland,

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<v Speaker 3>you get this visual of them walking down this this

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<v Speaker 3>valley that in the middle of two valleys is a tree,

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<v Speaker 3>right and the tree is called the Sycamore Gap tree.

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<v Speaker 3>The tree was like one hundred and fifty years old,

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<v Speaker 3>and I instantly recognized it and was.

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<v Speaker 2>Like, wait, how is that there?

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<v Speaker 3>Because that tree, which was one hundred and fifty years

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<v Speaker 3>old in twenty twenty three was just cut down by

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<v Speaker 3>rammom vandals, local vandals, and so they actually recreated the

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<v Speaker 3>tree digitally as like an homage to the tree. Well,

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<v Speaker 3>I also think there's something very interesting there about like

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<v Speaker 3>the themes of nature and the way humans impact nature,

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<v Speaker 3>and the choices that humans make that just like selfish choices. Act.

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<v Speaker 1>Yeah, there's a yeah, sorry, go ahead, no, no, go for it,

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<v Speaker 1>go for it, I was gonna say. I think uh.

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<v Speaker 1>I really responded to that too as well, Joelle, And

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<v Speaker 1>I think for me it was interesting to me how

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<v Speaker 1>part of this the experience of this film for me

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<v Speaker 1>was this idea that humans are kind of the side

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<v Speaker 1>show mm hmm. On in England, on the on the

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<v Speaker 1>islands that were formerly known as the UK, it's real

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<v Speaker 1>nature is king once again. The infected are part of

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<v Speaker 1>this kind of like natural landscape that includes like you know,

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<v Speaker 1>newly replenished hordes of deer, Like like we're back in

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<v Speaker 1>the prehistoric ages and people are just kind of one

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<v Speaker 1>of several species that are roaming here in a kind

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<v Speaker 1>of balance with nature. And I found that really interesting.

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<v Speaker 1>The other thing I've been thinking a lot, a lot

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<v Speaker 1>about is that you mentioned the intercutting of different historical

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<v Speaker 1>scenes and movies and stock footage from World War One,

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<v Speaker 1>et cetera. This idea of young men throughout the ages.

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<v Speaker 1>You know, I think as an American medieval yeah, as

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<v Speaker 1>an American, as an American, we don't. It's hard to

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<v Speaker 1>engage with an idea of a history that goes back

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<v Speaker 1>thousands of years as as history there does, and that

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<v Speaker 1>kind of continuum of this visual of medieval soldiers, you know,

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<v Speaker 1>shooting arrows at this oncoming like rushing nights and cavalry

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<v Speaker 1>and the actual like the historical idea of the longbow,

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<v Speaker 1>the development of the longbow in England as this you know,

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<v Speaker 1>cutting edge weapon that helped them win you know, many

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<v Speaker 1>famous battles, particularly during the One Hundred Years War, and

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<v Speaker 1>then to see Spike and then the young men of

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<v Speaker 1>this community being taught how to use this weapon that

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<v Speaker 1>has been in you know now is back after a

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<v Speaker 1>thousand years. All of it was was. It's very deep

0:12:47.880 --> 0:12:50.920
<v Speaker 1>and I'm still thinking a lot about it. And what

0:12:51.080 --> 0:12:53.440
<v Speaker 1>makes it even more interesting to me is the way

0:12:53.480 --> 0:12:58.720
<v Speaker 1>this film critiques that culture. Yeah, it's at once saying, Okay,

0:12:59.120 --> 0:13:03.080
<v Speaker 1>here's how we survived all these years, right, all these

0:13:03.120 --> 0:13:06.240
<v Speaker 1>thousands of years, these many centuries. It's this kind of

0:13:06.679 --> 0:13:12.040
<v Speaker 1>warlike face that we show people, but we maintain that

0:13:12.120 --> 0:13:17.400
<v Speaker 1>warlike face by lying about, yeah, what goes on about

0:13:17.440 --> 0:13:20.480
<v Speaker 1>what really happens. It's dad's taking young men out to

0:13:20.559 --> 0:13:23.319
<v Speaker 1>kill and then coming back to the community and saying, yeah,

0:13:23.360 --> 0:13:24.520
<v Speaker 1>it was awesome.

0:13:24.200 --> 0:13:25.000
<v Speaker 2>It was so cool.

0:13:25.600 --> 0:13:29.320
<v Speaker 1>And that criticism is so interesting, you know, it makes

0:13:29.360 --> 0:13:32.480
<v Speaker 1>me think of this is kind of a digression, but

0:13:32.480 --> 0:13:34.120
<v Speaker 1>I'm reading this book called A Bend in the River.

0:13:34.559 --> 0:13:42.880
<v Speaker 1>It's about this like a family from India that lives

0:13:42.920 --> 0:13:45.680
<v Speaker 1>in Africa and they have a small they have like

0:13:45.720 --> 0:13:48.240
<v Speaker 1>a small shop at this bend in the river. And

0:13:48.640 --> 0:13:52.760
<v Speaker 1>one of the things that the main narrator notes is that,

0:13:53.880 --> 0:13:58.120
<v Speaker 1>you know, because he's feeling like defeated by colonialism and

0:13:58.320 --> 0:14:02.960
<v Speaker 1>how powerful and efficient the colonial powers are at like

0:14:03.080 --> 0:14:07.360
<v Speaker 1>subjugating everybody, and they put this statue up in the

0:14:07.400 --> 0:14:12.240
<v Speaker 1>town of like, you know, the heroes of colonialism, and

0:14:12.480 --> 0:14:16.600
<v Speaker 1>he says, you know, the the Europeans, they want golden

0:14:16.679 --> 0:14:19.440
<v Speaker 1>slaves like everybody else, but they also want to put

0:14:19.480 --> 0:14:22.720
<v Speaker 1>up monuments saying how great they are and how good

0:14:22.760 --> 0:14:26.600
<v Speaker 1>they were, and that's kind of like this. It's like,

0:14:26.800 --> 0:14:29.160
<v Speaker 1>on the one hand, this is why you're a great culture,

0:14:29.160 --> 0:14:32.280
<v Speaker 1>it's like part of this this warlike thing, but also

0:14:32.840 --> 0:14:34.960
<v Speaker 1>you want to pretend that you're good at the same time.

0:14:35.280 --> 0:14:40.920
<v Speaker 1>And it's that friction that has me fascinated with this movie.

0:14:41.480 --> 0:14:44.160
<v Speaker 3>Yeah, no, I think that's a really great point, especially

0:14:44.960 --> 0:14:50.040
<v Speaker 3>as there is like a simmering, secret kind of culture

0:14:50.120 --> 0:14:54.520
<v Speaker 3>that bubbles underneath what we see of the island. Like

0:14:54.560 --> 0:14:57.280
<v Speaker 3>there are these hints that were really big in the

0:14:57.320 --> 0:15:01.080
<v Speaker 3>tray Law of like a cult or the rules that yeah, the.

0:15:01.320 --> 0:15:02.640
<v Speaker 2>Follow the masque.

0:15:03.080 --> 0:15:05.960
<v Speaker 1>We never really dive into what the mask is.

0:15:06.000 --> 0:15:08.600
<v Speaker 3>About, you know, and even like the way that they

0:15:08.680 --> 0:15:11.440
<v Speaker 3>have the banner behind them, the kind of tapestry that's

0:15:11.480 --> 0:15:15.480
<v Speaker 3>like fail we can, but like go on we must

0:15:15.640 --> 0:15:18.920
<v Speaker 3>or something like. And there's definitely feels like there's some

0:15:19.120 --> 0:15:27.240
<v Speaker 3>other secretive, strange, kind of folk horror ish addition.

0:15:26.600 --> 0:15:29.880
<v Speaker 2>To that culture that we have yet to see. It

0:15:29.880 --> 0:15:32.640
<v Speaker 2>feels like it's going to be team explore ones.

0:15:49.000 --> 0:15:50.880
<v Speaker 5>I definitely, yeah, I definitely feel like it's going to

0:15:50.960 --> 0:15:53.480
<v Speaker 5>be explored more on the second movie because we're literally

0:15:53.520 --> 0:15:56.200
<v Speaker 5>going to be following the perspective of Spike, who is

0:15:56.240 --> 0:15:59.000
<v Speaker 5>now like removed from the community, and he'll be able

0:15:59.040 --> 0:16:01.840
<v Speaker 5>to like actually see how other people are living and

0:16:01.840 --> 0:16:04.160
<v Speaker 5>realizing like, oh, maybe where I'm from is actually kind

0:16:04.160 --> 0:16:04.720
<v Speaker 5>of fucked up.

0:16:05.120 --> 0:16:06.800
<v Speaker 2>Yeah, maybe that's the weird place.

0:16:07.160 --> 0:16:09.200
<v Speaker 3>Yeah, you know, And we kind of talked about this

0:16:09.240 --> 0:16:11.240
<v Speaker 3>when we were in pre pro. But the trailer for

0:16:11.280 --> 0:16:14.640
<v Speaker 3>this movie was like unbelievably popular, became the most watched

0:16:14.640 --> 0:16:17.520
<v Speaker 3>horror trailer in twenty twenty four, had sixty million views,

0:16:17.520 --> 0:16:18.200
<v Speaker 3>second biggest.

0:16:18.240 --> 0:16:21.800
<v Speaker 2>I think this is Sony. I think this is meant

0:16:21.800 --> 0:16:21.960
<v Speaker 2>to be.

0:16:21.960 --> 0:16:24.840
<v Speaker 3>Second biggest horror trailer of all time, but behind it

0:16:25.000 --> 0:16:28.360
<v Speaker 3>Chapter two with ninety six million views. But as we

0:16:28.360 --> 0:16:31.200
<v Speaker 3>were kind of talking about, there is some stuff in

0:16:31.240 --> 0:16:34.760
<v Speaker 3>the trailer that we don't see in the finish movie,

0:16:34.760 --> 0:16:37.200
<v Speaker 3>which we know is common, but here feels maybe like

0:16:37.240 --> 0:16:40.560
<v Speaker 3>a little bit more of an interesting kind of twist.

0:16:40.640 --> 0:16:42.480
<v Speaker 3>Like Joel and Jason, I know, you guys were looking

0:16:42.520 --> 0:16:45.120
<v Speaker 3>back at that trailer before we started recording, Joelle, could

0:16:45.120 --> 0:16:47.200
<v Speaker 3>you talk a little bit about your feelings on kind

0:16:47.200 --> 0:16:50.000
<v Speaker 3>of because the trailer does lean into just how weird

0:16:50.040 --> 0:16:53.680
<v Speaker 3>this movie is and how surreal, but it also does

0:16:53.760 --> 0:16:56.120
<v Speaker 3>showcase stuff that we don't see in the finish movie

0:16:56.120 --> 0:16:58.240
<v Speaker 3>in a way that feels like maybe not a studio

0:16:58.360 --> 0:17:00.480
<v Speaker 3>choice and maybe more of a filmmaker choice.

0:17:00.880 --> 0:17:01.080
<v Speaker 9>Yeah.

0:17:01.120 --> 0:17:03.720
<v Speaker 8>Possibly, I would be curious to see who got final

0:17:03.760 --> 0:17:06.320
<v Speaker 8>cut on the trailers. Sometimes a director can negotiate with

0:17:06.359 --> 0:17:08.320
<v Speaker 8>the studio to have final cut on the trailer and

0:17:08.359 --> 0:17:11.359
<v Speaker 8>they get to like decide what it's gonna look like.

0:17:12.000 --> 0:17:13.879
<v Speaker 8>But a lot of times that happens is you just

0:17:14.080 --> 0:17:17.040
<v Speaker 8>get an ass load of footage and then they're like

0:17:17.160 --> 0:17:19.520
<v Speaker 8>make it a trailer, and so you don't really know

0:17:19.600 --> 0:17:22.000
<v Speaker 8>like which cuts are going to be in the movie,

0:17:22.040 --> 0:17:24.720
<v Speaker 8>and so that's why you get a discrepancy sometimes, Like

0:17:24.760 --> 0:17:27.480
<v Speaker 8>looking at the stuff, everything looked like scenes we saw

0:17:27.840 --> 0:17:31.040
<v Speaker 8>from what I could tell you, different angles. Yeah, Like

0:17:31.280 --> 0:17:34.119
<v Speaker 8>it's appeared to me to be different angles, different takes.

0:17:34.200 --> 0:17:34.359
<v Speaker 9>You know.

0:17:34.560 --> 0:17:36.040
<v Speaker 8>Maybe at one point we were like we weren't sure

0:17:36.040 --> 0:17:39.359
<v Speaker 8>how this character was gonna enter. I didn't see anything

0:17:39.400 --> 0:17:41.200
<v Speaker 8>to me that looked like, oh, this might be from

0:17:41.440 --> 0:17:45.320
<v Speaker 8>the second installment of this series. Uh, but I do

0:17:45.359 --> 0:17:48.800
<v Speaker 8>think that the choice to really lean into the culti

0:17:48.880 --> 0:17:51.679
<v Speaker 8>horror vibes was a good one because we love we

0:17:51.720 --> 0:17:54.560
<v Speaker 8>love a mystery, you know. I really feel like we're

0:17:54.560 --> 0:17:57.480
<v Speaker 8>in a moment as a culture right now, a lot

0:17:57.480 --> 0:17:59.840
<v Speaker 8>of cold docs, a lot of learning about like what

0:17:59.880 --> 0:18:03.440
<v Speaker 8>the TikTok houses are like in real life. And I'm

0:18:03.440 --> 0:18:05.080
<v Speaker 8>okay with it because I think if you had tried

0:18:05.119 --> 0:18:07.840
<v Speaker 8>to sell it as the political zombie film that it is,

0:18:08.119 --> 0:18:10.240
<v Speaker 8>people would have been like, this is weird and.

0:18:11.760 --> 0:18:14.719
<v Speaker 1>Yeah, yeah, yeah, yeah, yeah, one million percent.

0:18:14.800 --> 0:18:15.040
<v Speaker 9>Yes.

0:18:16.520 --> 0:18:20.040
<v Speaker 3>Also, another thing that's really different about this movie, and Jason,

0:18:20.119 --> 0:18:23.639
<v Speaker 3>after your kind of thoughts about the colonial aspects.

0:18:23.160 --> 0:18:24.879
<v Speaker 2>And the kind of looking back at history, I'd love

0:18:24.920 --> 0:18:25.760
<v Speaker 2>to know your thoughts on this.

0:18:26.080 --> 0:18:29.560
<v Speaker 3>But also like, this movie doesn't really have like a

0:18:29.600 --> 0:18:32.600
<v Speaker 3>lot of guns. It doesn't really have a lot of

0:18:32.640 --> 0:18:35.440
<v Speaker 3>military It doesn't have a lot of military presence.

0:18:35.800 --> 0:18:38.320
<v Speaker 2>The hordes are further away, there is a lot.

0:18:38.200 --> 0:18:42.320
<v Speaker 3>Less urgency because if they'd have stayed on the island,

0:18:42.359 --> 0:18:45.560
<v Speaker 3>they probably wouldn't have interacted with the zombie. So how

0:18:45.560 --> 0:18:49.119
<v Speaker 3>do you feel like that changes the film? Because it

0:18:49.160 --> 0:18:51.000
<v Speaker 3>is a different in that way the status quo is

0:18:51.080 --> 0:18:51.639
<v Speaker 3>very different.

0:18:52.400 --> 0:18:56.600
<v Speaker 1>Yeah, I think the first two movies are kind of

0:18:56.880 --> 0:19:00.119
<v Speaker 1>infused with this sadness of a world that's gone on.

0:19:01.320 --> 0:19:08.000
<v Speaker 1>This movie, it's almost saying, hey, this is a you know,

0:19:08.040 --> 0:19:11.159
<v Speaker 1>these people are living with their hanging on to life,

0:19:11.320 --> 0:19:17.960
<v Speaker 1>like buy their fingernails. But doesn't it have its advantages too?

0:19:18.160 --> 0:19:22.399
<v Speaker 1>Doesn't it have something to offer as well? Isn't nature beautiful?

0:19:22.880 --> 0:19:26.160
<v Speaker 1>Like look at how the deer are back, there's no.

0:19:26.920 --> 0:19:27.760
<v Speaker 2>In their nature.

0:19:27.880 --> 0:19:32.440
<v Speaker 1>Again, it struck me and I'm am I right about this.

0:19:32.880 --> 0:19:36.760
<v Speaker 1>There is no human on human vibe. There's no non

0:19:36.840 --> 0:19:39.639
<v Speaker 1>infected human on human violence in this film.

0:19:39.520 --> 0:19:42.720
<v Speaker 6>Except for when except for when Age slaps his kid.

0:19:43.080 --> 0:19:43.800
<v Speaker 2>Right, there's no.

0:19:46.080 --> 0:19:47.760
<v Speaker 1>Soldiers killing other soldiers.

0:19:47.960 --> 0:19:55.160
<v Speaker 2>There's no un of like, yes are the West. It's

0:19:55.800 --> 0:19:58.000
<v Speaker 2>even the monkster and the human and.

0:19:57.960 --> 0:20:00.280
<v Speaker 1>Who is And this is even the movie that's seeks

0:20:00.320 --> 0:20:02.919
<v Speaker 1>the the you know, the entrant into this franchise that

0:20:03.040 --> 0:20:06.760
<v Speaker 1>seeks to humanize the infected more than any of the

0:20:06.840 --> 0:20:10.040
<v Speaker 1>other ones. Oh to the point that the the alpha

0:20:10.200 --> 0:20:14.040
<v Speaker 1>Samson is never killed. He's only given name so that

0:20:14.080 --> 0:20:15.000
<v Speaker 1>they can get away.

0:20:15.440 --> 0:20:19.160
<v Speaker 2>And so I think.

0:20:19.119 --> 0:20:24.040
<v Speaker 1>That the lack of guns and the separation and the

0:20:24.119 --> 0:20:26.440
<v Speaker 1>time that has passed, and this we get this wonderful

0:20:26.520 --> 0:20:29.840
<v Speaker 1>juxtaposition when we get the wonderful comic relief when when

0:20:30.080 --> 0:20:34.199
<v Speaker 1>edic shows up. But I think that, you know, I

0:20:34.200 --> 0:20:36.439
<v Speaker 1>think that there is an aspect to this film and

0:20:36.480 --> 0:20:39.359
<v Speaker 1>this story that you know, in the era of climate

0:20:39.440 --> 0:20:43.440
<v Speaker 1>change that's almost saying like, hey, isn't a lack of technic,

0:20:43.560 --> 0:20:47.679
<v Speaker 1>Like it's not what anybody would immediately leap for a

0:20:47.720 --> 0:20:50.080
<v Speaker 1>world in which we eschew technology and go back to

0:20:50.119 --> 0:20:55.040
<v Speaker 1>this kind of more in the land, kind of unibomber uh,

0:20:55.160 --> 0:21:00.280
<v Speaker 1>you know, manifesto type of lifestyle. But does it not

0:21:00.440 --> 0:21:03.560
<v Speaker 1>have something to offer as well? And that was I

0:21:03.560 --> 0:21:04.880
<v Speaker 1>think that's really interesting to.

0:21:04.760 --> 0:21:05.879
<v Speaker 9>Pick up on that, Jason.

0:21:06.000 --> 0:21:08.320
<v Speaker 8>I really feel like the first two movies are about

0:21:08.800 --> 0:21:11.639
<v Speaker 8>surviving and trying to get back to an equilibrium. This

0:21:11.760 --> 0:21:13.680
<v Speaker 8>feels like it's dead and you have to let it go,

0:21:15.520 --> 0:21:17.919
<v Speaker 8>like the momentary thing has hit so hard over and

0:21:17.960 --> 0:21:19.320
<v Speaker 8>over again, and knowing that's.

0:21:19.080 --> 0:21:21.639
<v Speaker 1>Going to be the.

0:21:20.760 --> 0:21:22.960
<v Speaker 8>Main point of the next film. I guess it's called

0:21:23.840 --> 0:21:24.640
<v Speaker 8>Oh my god.

0:21:24.800 --> 0:21:29.600
<v Speaker 6>There's Temple, Bone Temple.

0:21:31.160 --> 0:21:32.760
<v Speaker 1>I'm really why not Bonehenge?

0:21:33.160 --> 0:21:36.880
<v Speaker 2>Why we call it?

0:21:37.200 --> 0:21:41.160
<v Speaker 3>Yeah, that's our official Combo T shirt for the next

0:21:41.240 --> 0:21:42.159
<v Speaker 3>one Bone.

0:21:43.040 --> 0:21:43.680
<v Speaker 2>I love it.

0:21:44.920 --> 0:21:49.320
<v Speaker 8>I think like the idea of there's life after this,

0:21:49.600 --> 0:21:53.080
<v Speaker 8>but only if you accept this one is gone, especially

0:21:53.080 --> 0:21:55.600
<v Speaker 8>if we look at like our kids last like Spike's

0:21:55.680 --> 0:21:58.440
<v Speaker 8>last decision is really like I'm gonna get this baby

0:21:58.440 --> 0:22:00.520
<v Speaker 8>to safety and then actually all of you.

0:22:03.640 --> 0:22:06.120
<v Speaker 9>Yeah beautiful, Yeah, yeah.

0:22:06.119 --> 0:22:11.199
<v Speaker 3>It's really clever, and it's also quite surprising because of

0:22:11.280 --> 0:22:14.600
<v Speaker 3>how much we are used to like with whether it's

0:22:14.680 --> 0:22:16.600
<v Speaker 3>like the Road or the Last of Us or these

0:22:16.680 --> 0:22:20.240
<v Speaker 3>ideas of like or walking dead, like oh well, even

0:22:20.280 --> 0:22:22.640
<v Speaker 3>if it's a kid, they're gonna take the baby with

0:22:22.680 --> 0:22:25.080
<v Speaker 3>them and it's gonna be this kind of like lone

0:22:25.119 --> 0:22:27.680
<v Speaker 3>wolf cub situation. And it's said He's like, no, I'm

0:22:27.720 --> 0:22:31.000
<v Speaker 3>like twelve, like you guys, look after the baby, and

0:22:31.040 --> 0:22:34.080
<v Speaker 3>I'm going to see my my weird stuff.

0:22:34.280 --> 0:22:37.000
<v Speaker 1>He's following in the footsteps of his father and just

0:22:37.080 --> 0:22:43.520
<v Speaker 1>kind of yeah, the child child, are you right, because

0:22:43.520 --> 0:22:46.760
<v Speaker 1>he is well, he can't take he can't.

0:22:46.880 --> 0:22:48.520
<v Speaker 2>He doesn't know to keep it a baby alive.

0:22:48.840 --> 0:22:52.639
<v Speaker 3>But okay, before we take a quick break, this is

0:22:52.680 --> 0:22:57.480
<v Speaker 3>a very weird film, So just quick predictions. Will the

0:22:57.920 --> 0:23:01.560
<v Speaker 3>general audience embrace this like, well, are you guessing for

0:23:01.680 --> 0:23:03.600
<v Speaker 3>an you think it's gonna be a yes, Jason were

0:23:03.600 --> 0:23:05.600
<v Speaker 3>I think it's gonna be a cinema school. I think

0:23:05.600 --> 0:23:07.600
<v Speaker 3>this is gonna be a B plus. I think it's

0:23:07.600 --> 0:23:08.160
<v Speaker 3>gonna be high.

0:23:09.359 --> 0:23:14.320
<v Speaker 1>I think it's gonna be a cinema score a because

0:23:14.359 --> 0:23:17.679
<v Speaker 1>I think the interesting parts of as we mentioned, the

0:23:17.840 --> 0:23:20.439
<v Speaker 1>kind of like interesting things to think about, are so

0:23:20.720 --> 0:23:28.600
<v Speaker 1>well layered under zombie action that you know there they

0:23:28.640 --> 0:23:32.840
<v Speaker 1>will not hinder anybody going to the cinema to see it.

0:23:33.200 --> 0:23:36.159
<v Speaker 1>And I think it's been a great horror We're in

0:23:36.200 --> 0:23:40.760
<v Speaker 1>a great horror spring and horror summer, and I think

0:23:40.880 --> 0:23:43.960
<v Speaker 1>there's nothing else like it in the movie theater no,

0:23:44.640 --> 0:23:47.919
<v Speaker 1>and that we've reached a point where the fans of

0:23:47.960 --> 0:23:51.639
<v Speaker 1>the series who are adults will go see it, and

0:23:51.720 --> 0:23:54.920
<v Speaker 1>you've got the younger horror generation that will be interested

0:23:54.960 --> 0:24:00.240
<v Speaker 1>as well. And I think it's gonna be I think

0:24:00.240 --> 0:24:00.880
<v Speaker 1>it's going to bang.

0:24:01.240 --> 0:24:02.640
<v Speaker 2>I think it's gonna I'm gonna.

0:24:02.400 --> 0:24:04.600
<v Speaker 1>Give and I think it's been a decent sized hit

0:24:05.000 --> 0:24:05.600
<v Speaker 1>for the summer.

0:24:05.840 --> 0:24:08.359
<v Speaker 8>Okay, I'm gonna be a cynic. I what everything Jason

0:24:08.359 --> 0:24:10.280
<v Speaker 8>said to be true. I will want this reality to

0:24:10.280 --> 0:24:13.280
<v Speaker 8>come to fruition. I have a feeling it's going to

0:24:13.320 --> 0:24:17.000
<v Speaker 8>do great the first week, and then people will be like,

0:24:17.040 --> 0:24:20.040
<v Speaker 8>I don't get it and be confused by it.

0:24:20.160 --> 0:24:24.720
<v Speaker 9>No, I think that yeah because I think yeah.

0:24:24.440 --> 0:24:26.960
<v Speaker 8>Like because because it's strange, it might be hard for

0:24:26.960 --> 0:24:29.840
<v Speaker 8>some people to connect to. But then also there's I

0:24:29.840 --> 0:24:32.439
<v Speaker 8>don't want to say a lack of violence overall. They

0:24:32.480 --> 0:24:35.480
<v Speaker 8>have the zombies there there, there's some cool sequences, but

0:24:35.560 --> 0:24:38.240
<v Speaker 8>it is not the Bang bang, shoot them up, run

0:24:38.400 --> 0:24:41.040
<v Speaker 8>giant hoards, blood everywhere, like.

0:24:41.080 --> 0:24:41.840
<v Speaker 9>Vibes of the past.

0:24:41.880 --> 0:24:42.040
<v Speaker 4>Too.

0:24:42.040 --> 0:24:44.520
<v Speaker 8>It's different, I think in all of the best ways,

0:24:44.520 --> 0:24:48.640
<v Speaker 8>and with keeping the tone and like affection that those

0:24:48.640 --> 0:24:51.520
<v Speaker 8>other films had for the genre. Like it's all still there,

0:24:51.560 --> 0:24:55.000
<v Speaker 8>but it's displayed very differently. And I wonder if, like

0:24:55.119 --> 0:24:57.879
<v Speaker 8>your average Joe doesn't I think the cinema under if

0:24:57.880 --> 0:25:00.000
<v Speaker 8>you're on like a letterbox sort of situation. I think

0:25:00.200 --> 0:25:02.639
<v Speaker 8>that crew is going to be into it, but I

0:25:02.760 --> 0:25:04.560
<v Speaker 8>just what I'm worried the jet Pop's gonna be like,

0:25:04.560 --> 0:25:06.040
<v Speaker 8>I don't get this weird arty film.

0:25:06.800 --> 0:25:09.760
<v Speaker 3>Okay, I mean I think how hot? How low do

0:25:09.800 --> 0:25:12.879
<v Speaker 3>you think? I think it's good enough that the cinema school.

0:25:12.960 --> 0:25:14.439
<v Speaker 3>The lowest is going to get is going to be

0:25:14.480 --> 0:25:15.720
<v Speaker 3>like a c I don't think.

0:25:15.840 --> 0:25:17.159
<v Speaker 9>Yeah, I would be shocked.

0:25:18.880 --> 0:25:21.439
<v Speaker 2>Yeah that would be shocking. Yeah yeah, Okay, Calmin, what

0:25:21.440 --> 0:25:21.920
<v Speaker 2>do you think?

0:25:22.760 --> 0:25:25.440
<v Speaker 5>I think it. I think it'll get a bee. I

0:25:25.440 --> 0:25:27.560
<v Speaker 5>I feel pretty good about it. I've heard, you know,

0:25:27.960 --> 0:25:29.760
<v Speaker 5>people are really confused about the ending. But I do

0:25:29.800 --> 0:25:31.440
<v Speaker 5>want to say, as the average.

0:25:31.119 --> 0:25:32.240
<v Speaker 2>I'm so excited to talk about that.

0:25:32.720 --> 0:25:37.000
<v Speaker 5>Yeah, as the average cinemager, you know person.

0:25:36.960 --> 0:25:39.200
<v Speaker 6>I loved it. I had a lot of fun watching it.

0:25:39.280 --> 0:25:42.800
<v Speaker 5>I didn't fully understand it until I started talking to

0:25:42.840 --> 0:25:45.679
<v Speaker 5>you guys about it, because Jason knows a lot more

0:25:45.720 --> 0:25:48.240
<v Speaker 5>about world history than I do, Rosie knows a lot

0:25:48.280 --> 0:25:51.040
<v Speaker 5>more about UK history than I do, and so I

0:25:51.040 --> 0:25:53.800
<v Speaker 5>think as an American who is kind of like not

0:25:53.920 --> 0:25:57.239
<v Speaker 5>as tuned into those things as as everyone else, some

0:25:57.280 --> 0:25:59.520
<v Speaker 5>of that stuff went over my head. But then after

0:25:59.560 --> 0:26:01.280
<v Speaker 5>I underst stood it, I was like, oh, that makes

0:26:01.359 --> 0:26:04.320
<v Speaker 5>this is like so it's like you know, Galaxy brain.

0:26:04.440 --> 0:26:07.400
<v Speaker 6>I was like, whoa, you know, Like, this is amazing.

0:26:07.920 --> 0:26:11.760
<v Speaker 5>So I think it's gonna be one of those movies

0:26:11.760 --> 0:26:14.440
<v Speaker 5>that might be like kind of like a Bee at first,

0:26:14.480 --> 0:26:16.200
<v Speaker 5>but then over time people are really gonna be like, Wow,

0:26:16.240 --> 0:26:18.600
<v Speaker 5>this is an amazing movie because it is such an

0:26:18.720 --> 0:26:22.840
<v Speaker 5>art house movie for a horror movie, and even if

0:26:22.840 --> 0:26:25.840
<v Speaker 5>you don't understand what's going on, you can appreciate the

0:26:26.440 --> 0:26:29.280
<v Speaker 5>kind of craftsmanship that went into making a movie. You know.

0:26:29.359 --> 0:26:31.480
<v Speaker 3>Well, let's let's talk a bit more about that after

0:26:31.520 --> 0:26:35.040
<v Speaker 3>we go to a quick break from our sponsor's hell

0:26:35.600 --> 0:26:55.560
<v Speaker 3>oil company.

0:26:56.040 --> 0:27:00.480
<v Speaker 1>We're back, We're back. Let's talk about the cast in

0:27:00.560 --> 0:27:07.359
<v Speaker 1>this because incredible cast. First of all, I was a

0:27:07.400 --> 0:27:11.000
<v Speaker 1>little worried initially that I was like, is Jody Comer

0:27:11.080 --> 0:27:13.080
<v Speaker 1>just going to be sick in bed for this entire

0:27:15.400 --> 0:27:18.639
<v Speaker 1>It was worrisome, right, and then that's absolutely not know

0:27:18.800 --> 0:27:23.280
<v Speaker 1>what happens and she becomes very ass, kicks ass and becomes,

0:27:23.359 --> 0:27:27.040
<v Speaker 1>you know, kind of like the major emotional catalyst of

0:27:27.119 --> 0:27:29.879
<v Speaker 1>this film. You know, it's really through her life that

0:27:29.920 --> 0:27:34.560
<v Speaker 1>we understand what this movie is about. What struck you

0:27:34.640 --> 0:27:38.440
<v Speaker 1>about any of the performances in this Let's start with you, Carmen.

0:27:39.800 --> 0:27:43.240
<v Speaker 6>I once again I'm amazed by the child's actors.

0:27:43.359 --> 0:27:43.960
<v Speaker 9>And Alfie.

0:27:44.080 --> 0:27:47.360
<v Speaker 6>I thought, yes, Alfie, is that the boy who plays.

0:27:47.160 --> 0:27:52.320
<v Speaker 5>Spike Williams yea Al Williams plays Spike, and I also

0:27:52.359 --> 0:27:56.560
<v Speaker 5>thought even the opening scene are called open with those

0:27:56.760 --> 0:27:58.760
<v Speaker 5>that room of little blonde kids.

0:27:58.520 --> 0:28:02.119
<v Speaker 6>That looked like with you, they did a great job

0:28:02.480 --> 0:28:04.240
<v Speaker 6>freaking a yeah.

0:28:04.320 --> 0:28:06.680
<v Speaker 1>They looked so authentically scared.

0:28:07.200 --> 0:28:10.199
<v Speaker 5>The girl was like holding back her tears while she

0:28:10.280 --> 0:28:12.560
<v Speaker 5>was like hearing what was going on. And so I

0:28:12.640 --> 0:28:15.280
<v Speaker 5>was stunned by the child. I'm always when when child

0:28:15.280 --> 0:28:19.639
<v Speaker 5>doctors do an amazing job, I'm like, hell, yeah, yeah,

0:28:19.840 --> 0:28:23.720
<v Speaker 5>But that was the highlight for me, Joelle, what about you, Joelle?

0:28:25.160 --> 0:28:27.200
<v Speaker 9>As we know, I have number one Aaron Taylor Johnson.

0:28:27.320 --> 0:28:33.920
<v Speaker 9>Stan this conversation and we were talking a little bit.

0:28:34.000 --> 0:28:37.280
<v Speaker 8>So Danny was at our screening and she had mentioned

0:28:37.359 --> 0:28:39.040
<v Speaker 8>like she was looking at billboards and she was like,

0:28:39.080 --> 0:28:41.840
<v Speaker 8>it's so weird to me that, like on the billboards

0:28:41.960 --> 0:28:46.320
<v Speaker 8>you have Alex Garland and Danny Boyle, but not Jodi Comer.

0:28:46.400 --> 0:28:49.840
<v Speaker 8>Aaron Taylor Johnson now atj has had a string of

0:28:50.000 --> 0:28:53.280
<v Speaker 8>not great movies that he is the lead in, which

0:28:53.360 --> 0:28:58.480
<v Speaker 8>is a problem. But I still think he's a household name.

0:28:58.560 --> 0:29:01.200
<v Speaker 8>I think like your average parent is like I remember

0:29:01.320 --> 0:29:02.160
<v Speaker 8>Erir Taylor Johnson.

0:29:02.200 --> 0:29:04.040
<v Speaker 9>I know that kid. To not put him on the

0:29:04.040 --> 0:29:04.840
<v Speaker 9>poster at all.

0:29:05.200 --> 0:29:08.200
<v Speaker 3>Now, no, no, no, this is not I don't think that

0:29:08.320 --> 0:29:09.560
<v Speaker 3>is a reflection of.

0:29:09.440 --> 0:29:10.720
<v Speaker 2>Either of those actors.

0:29:10.760 --> 0:29:13.440
<v Speaker 3>I think it is a choice to play into the

0:29:13.600 --> 0:29:17.080
<v Speaker 3>art house nature and this huge moment of these two

0:29:17.120 --> 0:29:21.440
<v Speaker 3>big visionary British creators like working together again and to

0:29:21.480 --> 0:29:23.840
<v Speaker 3>put the focus on that rather than who is in

0:29:23.880 --> 0:29:26.320
<v Speaker 3>the movie. I don't think it's a Jodi Coma issue,

0:29:26.400 --> 0:29:28.680
<v Speaker 3>or an Aaron Taylor Johnson or a Ray Finds issue.

0:29:28.720 --> 0:29:31.280
<v Speaker 3>I think it's a I think it's like an artistic

0:29:31.360 --> 0:29:35.400
<v Speaker 3>choice to be like, hey, the artisans behind this movie

0:29:35.480 --> 0:29:38.120
<v Speaker 3>are the people who are gonna like be why you

0:29:38.160 --> 0:29:38.960
<v Speaker 3>see the movie? Now?

0:29:39.040 --> 0:29:40.840
<v Speaker 2>Is that true? I think the class should have got

0:29:40.920 --> 0:29:41.960
<v Speaker 2>shout outs, but I think.

0:29:41.800 --> 0:29:45.160
<v Speaker 3>It's less about their quality and more about like a

0:29:45.280 --> 0:29:50.080
<v Speaker 3>message that they were trying to put across the creators.

0:29:50.400 --> 0:29:54.000
<v Speaker 8>Especially if you think about like time on screen, they're

0:29:54.000 --> 0:29:58.280
<v Speaker 8>pretty like the like the three adult leads, uh share

0:29:58.280 --> 0:29:59.960
<v Speaker 8>about an equal amount of time. So there really is

0:30:00.120 --> 0:30:03.160
<v Speaker 8>no clear like lead other than Alfie, who's.

0:30:02.960 --> 0:30:04.520
<v Speaker 9>You know, an unknown child actor.

0:30:05.880 --> 0:30:07.640
<v Speaker 8>And so it does make sense to me, and it's

0:30:07.760 --> 0:30:10.560
<v Speaker 8>kind of again I keep saying it, I will keep

0:30:10.600 --> 0:30:12.560
<v Speaker 8>seeing it. I really think movies are back in a

0:30:12.600 --> 0:30:15.480
<v Speaker 8>way that feels so tangible and real to me. I'm

0:30:15.520 --> 0:30:16.800
<v Speaker 8>like the kids, like, you don't know what going to

0:30:16.840 --> 0:30:18.880
<v Speaker 8>the movies? You selling my father, don't know what going

0:30:18.920 --> 0:30:22.360
<v Speaker 8>through movies? You sound like it's so freaking cool, Like

0:30:22.600 --> 0:30:24.440
<v Speaker 8>you would be there like two or three times a week.

0:30:24.520 --> 0:30:27.800
<v Speaker 8>You have your like weekend warriors, Like just going to

0:30:27.840 --> 0:30:30.640
<v Speaker 8>the movies used to be the it thing, and so like,

0:30:30.880 --> 0:30:34.080
<v Speaker 8>I love this idea of us continuing to celebrate creators

0:30:34.080 --> 0:30:36.800
<v Speaker 8>all of like an early nineties sort of resurgence of

0:30:36.800 --> 0:30:39.120
<v Speaker 8>indie film. And I think given the state of the

0:30:39.120 --> 0:30:41.600
<v Speaker 8>film industry, like that's where a lot of people have

0:30:41.640 --> 0:30:43.280
<v Speaker 8>been predicting it's going to go, is that we're gonna

0:30:43.280 --> 0:30:48.240
<v Speaker 8>come back to these like smaller, like artist driven film projects.

0:30:48.240 --> 0:30:51.040
<v Speaker 8>So that's exciting. But on the actor front, I just

0:30:51.280 --> 0:30:55.360
<v Speaker 8>listen Aaron Taylor playing a bad dad I thought would

0:30:55.920 --> 0:30:56.600
<v Speaker 8>end it for me.

0:30:56.640 --> 0:30:57.000
<v Speaker 9>It didn't.

0:30:57.000 --> 0:30:57.800
<v Speaker 6>I was still into it.

0:30:57.840 --> 0:30:59.880
<v Speaker 8>I was like, wow, this is crazy, still hot as hell,

0:31:00.360 --> 0:31:02.120
<v Speaker 8>and it does such a good job. Like I was

0:31:02.280 --> 0:31:05.400
<v Speaker 8>really moved by this performance that he gave.

0:31:05.600 --> 0:31:06.040
<v Speaker 1>Is so.

0:31:07.640 --> 0:31:09.520
<v Speaker 9>It's just so like tense and then.

0:31:09.360 --> 0:31:12.080
<v Speaker 8>Out of control and sort of fearing back and forth

0:31:12.160 --> 0:31:16.080
<v Speaker 8>between those elegantly, you know, not ever really going over

0:31:16.120 --> 0:31:18.520
<v Speaker 8>the top. It's really hard to sort of control like

0:31:18.640 --> 0:31:20.480
<v Speaker 8>out of control on screen. It's a difficult thing for

0:31:20.520 --> 0:31:24.080
<v Speaker 8>an actor to do. And then for Jody Darling, Jody

0:31:24.200 --> 0:31:27.600
<v Speaker 8>like best like awesome, like be out of your mind

0:31:27.760 --> 0:31:32.200
<v Speaker 8>and so convincingly, and then coming back and also doing

0:31:32.240 --> 0:31:35.560
<v Speaker 8>these like really like intense like fight scene, which is

0:31:35.560 --> 0:31:37.560
<v Speaker 8>not like a challenging sequence like we're used to, but

0:31:37.640 --> 0:31:38.720
<v Speaker 8>in the way of like.

0:31:40.160 --> 0:31:41.720
<v Speaker 9>You guys, fake fighting.

0:31:41.480 --> 0:31:44.800
<v Speaker 8>Is hard, like trying to convincently throw a person's head

0:31:44.800 --> 0:31:47.840
<v Speaker 8>into a wall. It's really challenging, and she just gives

0:31:47.840 --> 0:31:50.520
<v Speaker 8>it one hundred and always lands. I just I'm as

0:31:50.600 --> 0:31:53.479
<v Speaker 8>sounded by not just the performances, but I think the

0:31:53.520 --> 0:31:57.080
<v Speaker 8>writing of these characters is always so good in this series,

0:31:57.120 --> 0:32:00.520
<v Speaker 8>Like you're always like even cheating Dad the worst in

0:32:02.040 --> 0:32:05.120
<v Speaker 8>twenty eight weeks later, I hate him so much that

0:32:05.360 --> 0:32:09.080
<v Speaker 8>Charter is so intriguing, Like, Wow, this is an actual

0:32:09.120 --> 0:32:11.800
<v Speaker 8>coward who can stand on nothing. He'll lie to to

0:32:12.000 --> 0:32:15.560
<v Speaker 8>do everything, and then makes the dumbest decision to kiss

0:32:15.600 --> 0:32:17.800
<v Speaker 8>his wife. You're just like, what, this man is an idiot,

0:32:18.040 --> 0:32:20.920
<v Speaker 8>But I'm so Intriguedally is as a person that I

0:32:21.200 --> 0:32:22.719
<v Speaker 8>enjoy following his story.

0:32:23.600 --> 0:32:24.000
<v Speaker 2>Mm hmm.

0:32:25.160 --> 0:32:30.080
<v Speaker 1>Let's okay. Before before we start, then we hit a question.

0:32:33.480 --> 0:32:38.120
<v Speaker 1>We had the idea of starting a X ray vision.

0:32:38.400 --> 0:32:40.920
<v Speaker 10>Offshoot called what was the what was the name of

0:32:41.640 --> 0:32:46.840
<v Speaker 10>Hot Hot Extra Vision Hot topic Patreon only behind a

0:32:46.880 --> 0:32:50.560
<v Speaker 10>paywall in which we just gossip about stuff.

0:32:50.680 --> 0:32:55.160
<v Speaker 1>So let me just like in the most put it

0:32:55.160 --> 0:32:57.640
<v Speaker 1>out there. First of all, I agree with you atj

0:32:58.240 --> 0:33:02.280
<v Speaker 1>like why he's not a star is fascinating, Like I'm

0:33:02.360 --> 0:33:09.160
<v Speaker 1>a super handsome guy, incredible actor, like this crazy range.

0:33:10.120 --> 0:33:12.840
<v Speaker 1>But yes, this is a hard role because he's got

0:33:12.840 --> 0:33:15.440
<v Speaker 1>to be on the one hand, he's got to come

0:33:15.440 --> 0:33:19.680
<v Speaker 1>off initially like oh man, I wish my dad was

0:33:19.720 --> 0:33:22.200
<v Speaker 1>like this, and then he's got to show you the

0:33:22.200 --> 0:33:26.000
<v Speaker 1>brittleness of this facade that he's putting up, and then

0:33:26.040 --> 0:33:30.240
<v Speaker 1>it's got a crack. And it's in a lot of

0:33:30.240 --> 0:33:33.600
<v Speaker 1>ways an unforgiving role because you realize halfway through his

0:33:33.680 --> 0:33:43.160
<v Speaker 1>performance that like, you hate this guy, and and we're wondering, like, wow, okay,

0:33:43.800 --> 0:33:46.080
<v Speaker 1>I believe that he's not a star, and I believe

0:33:46.120 --> 0:33:48.040
<v Speaker 1>that's kind of like I agree that there's like a

0:33:48.080 --> 0:33:51.560
<v Speaker 1>household man. Now we understand who he is, but I

0:33:51.560 --> 0:33:55.640
<v Speaker 1>do think objectively he's not a star or things like

0:33:56.720 --> 0:34:00.360
<v Speaker 1>you know, Craven wouldn't have happened, you know, not one

0:34:01.000 --> 0:34:04.040
<v Speaker 1>his fault, but there's other things like that. And it

0:34:04.160 --> 0:34:06.880
<v Speaker 1>struck me that I think part of the missing ingredient

0:34:07.320 --> 0:34:09.759
<v Speaker 1>is and we talked about this before the mics went on,

0:34:10.920 --> 0:34:14.319
<v Speaker 1>you look at an actor who's this talented, who is

0:34:14.360 --> 0:34:19.360
<v Speaker 1>this good looking. It is so notable to me that

0:34:20.560 --> 0:34:25.799
<v Speaker 1>he does not have a role in his resume in

0:34:25.880 --> 0:34:30.760
<v Speaker 1>which he falls in love with the with the coast,

0:34:30.960 --> 0:34:33.560
<v Speaker 1>with the character other character in the story, or they

0:34:33.600 --> 0:34:36.560
<v Speaker 1>fall in love with him. There's no role that he

0:34:36.600 --> 0:34:42.279
<v Speaker 1>has played where being in love is part of it,

0:34:42.600 --> 0:34:43.080
<v Speaker 1>part of that.

0:34:45.440 --> 0:34:46.799
<v Speaker 2>Yeah, No, it seems.

0:34:46.520 --> 0:34:50.600
<v Speaker 1>Like such a hole to me, because that's part of

0:34:50.640 --> 0:34:53.320
<v Speaker 1>what makes you a star, you know, It's like the

0:34:53.400 --> 0:34:56.960
<v Speaker 1>Legends of the Fall with you know, for Brad Pitt,

0:34:57.200 --> 0:34:59.719
<v Speaker 1>it's that kind of thing that like elevates you, even

0:34:59.760 --> 0:35:02.479
<v Speaker 1>if it's it's not like a critically acclaimed movie. It

0:35:02.640 --> 0:35:05.520
<v Speaker 1>widens your appeal. And it's that widening of appeal that

0:35:05.640 --> 0:35:08.600
<v Speaker 1>makes you a star. And I think that's missing for Aaron.

0:35:09.040 --> 0:35:12.279
<v Speaker 3>Yeah, it definitely is an I think my argument would be,

0:35:12.560 --> 0:35:16.200
<v Speaker 3>and I'm also an Aaron Taylor Johnson stan My argument

0:35:16.239 --> 0:35:18.600
<v Speaker 3>would be where his career is at right now, he

0:35:18.760 --> 0:35:22.560
<v Speaker 3>is more of a really great character actor because whenever

0:35:22.640 --> 0:35:25.680
<v Speaker 3>he shows up in something right like he was in

0:35:26.000 --> 0:35:28.520
<v Speaker 3>he showed up in Tenet, a movie that everybody hated,

0:35:28.560 --> 0:35:30.880
<v Speaker 3>but the moment he showed up, You're like, oh, this

0:35:31.040 --> 0:35:34.759
<v Speaker 3>is so interesting and dynamic and like he's basically just

0:35:34.800 --> 0:35:38.840
<v Speaker 3>playing like a military grunt, but you're so interested in

0:35:38.880 --> 0:35:40.640
<v Speaker 3>the way he chooses to play it.

0:35:41.040 --> 0:35:42.359
<v Speaker 2>And then the same with.

0:35:43.040 --> 0:35:49.120
<v Speaker 3>Uh oh, he had an absolute breakout character role. Also

0:35:49.520 --> 0:35:51.920
<v Speaker 3>another very horny role for Aaron because in this he

0:35:52.000 --> 0:35:55.400
<v Speaker 3>does he does continue eat out summer as we are

0:35:55.400 --> 0:35:56.160
<v Speaker 3>now calling.

0:35:58.680 --> 0:35:59.200
<v Speaker 2>Sinners.

0:35:59.440 --> 0:36:02.880
<v Speaker 3>Ah, everyone should eat out the summer, guys.

0:36:03.280 --> 0:36:07.080
<v Speaker 2>In horror movies. We got sinners, we got this movie.

0:36:07.400 --> 0:36:09.399
<v Speaker 3>And in nos Varatu, you know, he loves his wife

0:36:09.440 --> 0:36:11.759
<v Speaker 3>so much that he like fucks so when she's dead.

0:36:11.840 --> 0:36:16.920
<v Speaker 3>I mean, very insane characterracter type performances. And the other

0:36:16.960 --> 0:36:19.600
<v Speaker 3>one that I think about a lot is the really

0:36:19.800 --> 0:36:23.160
<v Speaker 3>honestly like not great movie The Kingsman, which was like

0:36:23.239 --> 0:36:26.960
<v Speaker 3>the third Kingsman movie that's about the King's.

0:36:26.680 --> 0:36:29.320
<v Speaker 2>Prequel, The King's man, and it's.

0:36:29.160 --> 0:36:31.960
<v Speaker 3>About like and they tried to do like a weird

0:36:32.040 --> 0:36:37.760
<v Speaker 3>Avengers style, like yes, it was really bad. In that movie,

0:36:37.840 --> 0:36:41.360
<v Speaker 3>Aaron Taylor Johnson shows up no joke, like twenty minutes

0:36:41.840 --> 0:36:45.279
<v Speaker 3>and it is the most heartbreaking, unbelievable performance.

0:36:45.320 --> 0:36:47.480
<v Speaker 2>It's all about like the horrors of World War One.

0:36:47.920 --> 0:36:50.839
<v Speaker 3>I think that when he shows up and gives his all,

0:36:51.480 --> 0:36:54.120
<v Speaker 3>he just makes a movie shine. But I have yet

0:36:54.160 --> 0:36:56.160
<v Speaker 3>to see a movie that puts him in the lead

0:36:56.280 --> 0:36:59.200
<v Speaker 3>that has taken advantage of that ability.

0:36:59.800 --> 0:37:03.759
<v Speaker 9>And I think the kick Ass, right, yeah, kick Ass.

0:37:03.760 --> 0:37:07.880
<v Speaker 8>He's such a standout like star, there's no there's some

0:37:08.239 --> 0:37:11.600
<v Speaker 8>romantic chemistry, but it's not the sort of like sweeping

0:37:11.920 --> 0:37:14.160
<v Speaker 8>like grand central part of the plot.

0:37:14.280 --> 0:37:18.200
<v Speaker 9>So kind forget yeah their kids exactly and.

0:37:18.239 --> 0:37:21.080
<v Speaker 8>So like it's crazy because after seeing that movie, I thought, oh,

0:37:21.080 --> 0:37:24.960
<v Speaker 8>for sure, like this guy's got next, Like he's got all.

0:37:24.800 --> 0:37:28.200
<v Speaker 9>Of the components. It would behoove him. I think to

0:37:28.320 --> 0:37:30.399
<v Speaker 9>take sort of a sweeping We do have.

0:37:30.320 --> 0:37:32.520
<v Speaker 8>Anakarin in a but that movie's not great and for

0:37:32.560 --> 0:37:35.160
<v Speaker 8>whatever reason, not sparking.

0:37:35.680 --> 0:37:37.440
<v Speaker 2>They do not have a lot of chemistry.

0:37:37.520 --> 0:37:41.440
<v Speaker 3>And also it's a very specific like Joe Wright was

0:37:41.480 --> 0:37:43.879
<v Speaker 3>really in his like you know.

0:37:47.080 --> 0:37:48.319
<v Speaker 2>Yes moment, like.

0:37:48.480 --> 0:37:51.320
<v Speaker 3>It's not necessarily about that Aaron Taylor Johnson in a

0:37:51.400 --> 0:37:54.240
<v Speaker 3>rom com Why haven't I seen it? Or it seems

0:37:54.239 --> 0:37:56.560
<v Speaker 3>like it would make so much sense apart from when

0:37:56.560 --> 0:37:59.840
<v Speaker 3>he was in his whole career began with angus thongs

0:37:59.840 --> 0:38:02.719
<v Speaker 3>of full frontal snogging where he was the lead for

0:38:02.880 --> 0:38:04.239
<v Speaker 3>romantic Lead.

0:38:05.080 --> 0:38:07.520
<v Speaker 2>It was based on an English book Shocked.

0:38:07.400 --> 0:38:10.440
<v Speaker 1>Me, Let Me, Let me just throw something at you,

0:38:11.760 --> 0:38:14.240
<v Speaker 1>Normal People, but it starred Aaron Taylor Johnson.

0:38:14.640 --> 0:38:17.680
<v Speaker 9>Oh, I'm unwell.

0:38:19.719 --> 0:38:27.279
<v Speaker 1>Where the role that that made us think there is

0:38:27.320 --> 0:38:28.319
<v Speaker 1>some juice.

0:38:28.239 --> 0:38:31.239
<v Speaker 3>Okay, because I'm saying if Aaron Taylor Johnson is in

0:38:31.360 --> 0:38:35.000
<v Speaker 3>Normal People and he and then Aaron Taylor Johnson gets

0:38:35.040 --> 0:38:37.360
<v Speaker 3>crossing Gladiator too, we might have been having a different

0:38:37.400 --> 0:38:40.000
<v Speaker 3>discussion about what might.

0:38:39.880 --> 0:38:42.200
<v Speaker 2>Have been what might happen to me?

0:38:42.400 --> 0:38:45.800
<v Speaker 1>I'm like, where is the where's that? Where's the normal people?

0:38:45.920 --> 0:38:48.120
<v Speaker 1>And we are in this kind of era of like

0:38:49.680 --> 0:38:52.640
<v Speaker 1>there's a lot of romance fiction. There's a lot of

0:38:52.760 --> 0:38:54.040
<v Speaker 1>romance like it's.

0:38:56.440 --> 0:38:59.520
<v Speaker 11>In a way, yeah it hasn't before, in a way,

0:38:59.600 --> 0:39:05.120
<v Speaker 11>where's the story for this, like incredibly fucking guy, It's

0:39:05.160 --> 0:39:06.600
<v Speaker 11>a mystery to me what.

0:39:06.520 --> 0:39:15.960
<v Speaker 5>About Johnson and Baby Girl.

0:39:12.280 --> 0:39:17.000
<v Speaker 9>For the role the controversy Spicy Carmon.

0:39:17.880 --> 0:39:18.359
<v Speaker 2>Get out.

0:39:18.520 --> 0:39:19.920
<v Speaker 1>I'm not gonna say anything else.

0:39:20.080 --> 0:39:25.080
<v Speaker 12>I'm not gonna say anything album save for hot topic,

0:39:25.239 --> 0:39:33.640
<v Speaker 12>Babe subscribers. Okay, Aaron Johnson he is.

0:39:34.239 --> 0:39:35.360
<v Speaker 2>He does give his.

0:39:35.320 --> 0:39:38.200
<v Speaker 3>Last big moment as he kind of runs into the

0:39:38.239 --> 0:39:40.759
<v Speaker 3>sea and he screams after his son, and you kind

0:39:40.760 --> 0:39:43.719
<v Speaker 3>of feel this lot control and you think, wow, this

0:39:43.920 --> 0:39:48.200
<v Speaker 3>is such a powerful way to end this really serious movement.

0:39:48.560 --> 0:39:53.279
<v Speaker 3>What could ever happened change that smash Cat meet the

0:39:53.440 --> 0:39:57.800
<v Speaker 3>Jimmy's Baby. How did you guys feel about the final

0:39:58.000 --> 0:39:58.720
<v Speaker 3>five minutes?

0:39:58.800 --> 0:40:01.319
<v Speaker 8>I think I grabbed you and I screening, I was like,

0:40:01.360 --> 0:40:05.200
<v Speaker 8>what is screaming?

0:40:06.200 --> 0:40:08.000
<v Speaker 6>I was like, what's happening?

0:40:08.200 --> 0:40:10.680
<v Speaker 2>What this?

0:40:10.719 --> 0:40:12.280
<v Speaker 9>And you don't know there's a sequel coming?

0:40:12.600 --> 0:40:19.640
<v Speaker 2>Like you'd wait, and also like why is it this?

0:40:19.920 --> 0:40:23.600
<v Speaker 3>Another connection to Sinners here is that Jack O'Connell stars

0:40:23.640 --> 0:40:26.200
<v Speaker 3>in like an insane guest role. Now we do not

0:40:26.320 --> 0:40:28.440
<v Speaker 3>get as much of him as we do with Remiic

0:40:28.480 --> 0:40:33.560
<v Speaker 3>obviously because Remick is the antagonist of Sinners, but it

0:40:33.600 --> 0:40:37.400
<v Speaker 3>is unbelievable and he shows up in his purple tracksuit

0:40:37.480 --> 0:40:40.200
<v Speaker 3>with his tabor on and he's like, oh hi, I'm

0:40:40.280 --> 0:40:43.920
<v Speaker 3>Jimmy the pals and and they kind of jump and

0:40:43.960 --> 0:40:49.760
<v Speaker 3>they have this crazy action sequenced like Kung Fu fight moment.

0:40:50.320 --> 0:40:51.400
<v Speaker 2>For me, I did.

0:40:51.800 --> 0:40:55.000
<v Speaker 3>I I really did like this movie a lot, and

0:40:55.040 --> 0:40:57.800
<v Speaker 3>I was looking at it from a very objective like, Wow,

0:40:57.840 --> 0:41:01.640
<v Speaker 3>this is so well made. I think that ending just

0:41:01.719 --> 0:41:04.719
<v Speaker 3>kind of tied everything together for me of like, you

0:41:04.800 --> 0:41:07.080
<v Speaker 3>know what, you guys are really going for it, and

0:41:07.120 --> 0:41:09.560
<v Speaker 3>that's when we kind of that's when we learn that

0:41:09.719 --> 0:41:13.080
<v Speaker 3>Jimmy is not Jamie the bad dad played by Aaron

0:41:13.120 --> 0:41:13.840
<v Speaker 3>Taylor Johnson.

0:41:14.040 --> 0:41:15.080
<v Speaker 2>We assume throughout the.

0:41:15.000 --> 0:41:17.400
<v Speaker 3>Movie that's who he is is he's the survivor of

0:41:17.400 --> 0:41:19.360
<v Speaker 3>the Telly Tubby massacre, let's call it.

0:41:19.640 --> 0:41:21.600
<v Speaker 2>And uh no, it's actually not.

0:41:21.760 --> 0:41:25.320
<v Speaker 3>It's Jack O'Connell's Jimmy and his team of track suited

0:41:25.560 --> 0:41:29.440
<v Speaker 3>Jimmy who will wear blonde wigs. And my theory because

0:41:29.440 --> 0:41:32.719
<v Speaker 3>of how much they use VHS footage and b ROW

0:41:32.760 --> 0:41:35.319
<v Speaker 3>footage that I pitched on mine and Jason's recap is

0:41:35.719 --> 0:41:38.360
<v Speaker 3>I think that like they basically are going to be

0:41:38.480 --> 0:41:41.480
<v Speaker 3>revealed to have like taught themselves how to fight via

0:41:41.640 --> 0:41:45.920
<v Speaker 3>totally love and please can I go a little further.

0:41:46.080 --> 0:41:51.200
<v Speaker 1>I would love it, I think, because I'm like, when

0:41:51.239 --> 0:41:53.600
<v Speaker 1>did did Guy Richie direct the last five?

0:41:53.800 --> 0:41:57.240
<v Speaker 2>Right? Truly?

0:41:58.320 --> 0:42:02.120
<v Speaker 1>And so I almost wonder if there's not gonna be

0:42:02.160 --> 0:42:06.080
<v Speaker 1>a flashback where we realized like they had Teletubbies and Snatch.

0:42:09.120 --> 0:42:12.239
<v Speaker 2>Love thats too.

0:42:12.480 --> 0:42:15.040
<v Speaker 8>Yeah, there's so much happening because Miami heat thought was like, oh,

0:42:15.040 --> 0:42:18.600
<v Speaker 8>this is very like King George, all like the animated Robinhood.

0:42:19.800 --> 0:42:22.439
<v Speaker 8>Then you get very Robinhood asked of, like hey, we're

0:42:22.480 --> 0:42:25.680
<v Speaker 8>a gang of like not kinds, but like people traveling

0:42:26.520 --> 0:42:30.320
<v Speaker 8>protecting folks, and like it's it's such like a mash

0:42:30.520 --> 0:42:34.359
<v Speaker 8>like a dichotomy mashup of like two distart like and.

0:42:34.440 --> 0:42:39.440
<v Speaker 3>Just visually it looks insane competitive rest of.

0:42:40.200 --> 0:42:43.799
<v Speaker 1>And then there's I mean, the fact that you have

0:42:44.760 --> 0:42:49.000
<v Speaker 1>people doing backflips into like martial in the.

0:42:49.160 --> 0:42:53.400
<v Speaker 3>Craziest like color track suits like the brightest most.

0:42:54.800 --> 0:42:57.800
<v Speaker 2>Side and I love them.

0:42:57.840 --> 0:43:04.080
<v Speaker 1>There's this like introduction to of Jimmy's exaggerated kind of

0:43:04.600 --> 0:43:07.080
<v Speaker 1>posh persona.

0:43:06.560 --> 0:43:11.080
<v Speaker 3>Where I'm su Jimmy like I'm Jow and he asks,

0:43:11.200 --> 0:43:14.640
<v Speaker 3>you know, very politely, well, there's too many now coming,

0:43:14.800 --> 0:43:14.920
<v Speaker 3>is it?

0:43:15.000 --> 0:43:15.160
<v Speaker 2>Well?

0:43:15.239 --> 0:43:15.359
<v Speaker 3>Right?

0:43:15.400 --> 0:43:18.040
<v Speaker 1>If we step in and just like asks like, hey,

0:43:18.040 --> 0:43:20.520
<v Speaker 1>can we get involved in the fight, like it is

0:43:20.960 --> 0:43:29.279
<v Speaker 1>so weird. I do want to row, Yeah, it's your

0:43:29.440 --> 0:43:34.400
<v Speaker 1>gen pop like question. I do wonder how gen pop

0:43:34.480 --> 0:43:38.320
<v Speaker 1>will take this because it is a hard laughter.

0:43:39.320 --> 0:43:39.520
<v Speaker 6>Yeah.

0:43:39.719 --> 0:43:42.800
<v Speaker 3>Really, I think for some people it's gonna like ruin

0:43:42.880 --> 0:43:43.640
<v Speaker 3>the movie.

0:43:44.400 --> 0:43:45.920
<v Speaker 6>That's what I've been hearing.

0:43:46.560 --> 0:43:51.440
<v Speaker 3>But I feel like I feel like one I'm gonna reveal,

0:43:51.760 --> 0:43:54.360
<v Speaker 3>and I just kind of a light trigger warning it

0:43:54.440 --> 0:43:56.839
<v Speaker 3>because this person was just so evil in real life,

0:43:56.840 --> 0:44:01.000
<v Speaker 3>but I'm gonna reveal the dark influence on this that

0:44:01.120 --> 0:44:04.560
<v Speaker 3>I think makes it deeply into the thing. There was

0:44:04.600 --> 0:44:07.240
<v Speaker 3>a guy who was a very famous kids TV presenter

0:44:07.280 --> 0:44:09.799
<v Speaker 3>in England called Jimmy Saville who wore a track suit

0:44:09.880 --> 0:44:17.440
<v Speaker 3>like that, who was one of the most abhorrent humans

0:44:17.480 --> 0:44:20.440
<v Speaker 3>who's ever lived, like a complete monster. Don't google it

0:44:20.480 --> 0:44:22.040
<v Speaker 3>if you don't want to know, google it if you

0:44:22.040 --> 0:44:23.239
<v Speaker 3>do want to know. I'm not going to get into

0:44:23.239 --> 0:44:25.680
<v Speaker 3>it anymore. But the fact that this character is called

0:44:25.760 --> 0:44:28.960
<v Speaker 3>Jimmy grew up in the early two thousands wear's the tracksuit.

0:44:29.320 --> 0:44:31.040
<v Speaker 3>He had a show called jim Will Fix It where

0:44:31.040 --> 0:44:34.160
<v Speaker 3>he went around helping kids. That was kind of guyes

0:44:34.680 --> 0:44:38.120
<v Speaker 3>so I do think that on a British pop culture

0:44:38.239 --> 0:44:41.560
<v Speaker 3>level that is not an accident. So I wonder if

0:44:41.600 --> 0:44:45.480
<v Speaker 3>in England it will give people that kind of unsettling feeling.

0:44:45.760 --> 0:44:47.479
<v Speaker 2>For me, I didn't read that.

0:44:47.680 --> 0:44:49.920
<v Speaker 3>Like when I watched the movie, I was just loving

0:44:49.960 --> 0:44:52.520
<v Speaker 3>how weird it was, but afterwards I was like, Okay,

0:44:52.520 --> 0:44:56.600
<v Speaker 3>there's no way, sir Jimmy Jimmy Savile's knighted. I don't

0:44:56.640 --> 0:44:59.239
<v Speaker 3>think there's any way that this is not some kind

0:44:59.280 --> 0:45:04.200
<v Speaker 3>of again, another weird, dark reflection about TV and movies

0:45:04.280 --> 0:45:06.640
<v Speaker 3>and how they raise us, and also like what's better

0:45:06.680 --> 0:45:13.280
<v Speaker 3>without technology or what don't they know? Yeah, I'm not surprised,

0:45:13.360 --> 0:45:16.560
<v Speaker 3>and I think, if I'm not mistaken, in two thousand

0:45:16.560 --> 0:45:17.160
<v Speaker 3>and two.

0:45:17.520 --> 0:45:20.640
<v Speaker 2>They would not have known the truth of Jimmy Savill.

0:45:20.840 --> 0:45:21.799
<v Speaker 2>That's the either thing.

0:45:21.960 --> 0:45:24.440
<v Speaker 3>So it hadn't I don't think it had broken yet,

0:45:24.840 --> 0:45:27.279
<v Speaker 3>so they could have grown up thinking that this guy

0:45:27.440 --> 0:45:30.640
<v Speaker 3>is like a good person and that like is something

0:45:30.680 --> 0:45:33.640
<v Speaker 3>they remember from being kids. So I think there's like

0:45:33.719 --> 0:45:37.000
<v Speaker 3>a lot of extra layers to it, which I'm hoping

0:45:37.719 --> 0:45:40.840
<v Speaker 3>at least in international markets or in English markets, or

0:45:40.880 --> 0:45:43.200
<v Speaker 3>maybe I don't know, maybe the TikTok kids who love

0:45:43.239 --> 0:45:45.880
<v Speaker 3>true crime, who kind of combo that with horror. Maybe

0:45:45.880 --> 0:45:49.160
<v Speaker 3>there's a world where once it's explored, it hits people

0:45:49.239 --> 0:45:52.759
<v Speaker 3>a little deeper. But it is like, I do not

0:45:52.920 --> 0:45:55.960
<v Speaker 3>blame the people I've seen on IMDb or letterbox two

0:45:55.960 --> 0:45:57.000
<v Speaker 3>are like, what the fuck was.

0:45:57.000 --> 0:45:59.000
<v Speaker 2>The last five minutes? I don't want to see the

0:45:59.040 --> 0:46:00.799
<v Speaker 2>next movie now, But.

0:46:00.880 --> 0:46:04.600
<v Speaker 3>I think that they're I think it's creepy on many

0:46:04.719 --> 0:46:07.960
<v Speaker 3>levels and could hint at many different versions of kind

0:46:08.000 --> 0:46:10.120
<v Speaker 3>of like where the story goes next.

0:46:10.920 --> 0:46:13.520
<v Speaker 5>I thought the way that they oh, oh sorry, I

0:46:13.640 --> 0:46:15.480
<v Speaker 5>was gonna say, I thought it was really cool. The

0:46:15.480 --> 0:46:17.840
<v Speaker 5>way that they hinted at Jimmy. Throughout the movie we

0:46:17.880 --> 0:46:21.600
<v Speaker 5>see Jimmy written on the back of the person that

0:46:21.640 --> 0:46:23.640
<v Speaker 5>has been hung up inside the house.

0:46:24.160 --> 0:46:25.480
<v Speaker 6>We see it says on.

0:46:25.320 --> 0:46:28.320
<v Speaker 5>One of the barns from one of the area Jimmy

0:46:28.360 --> 0:46:31.960
<v Speaker 5>comes from the clouds or something like that. And once,

0:46:32.640 --> 0:46:34.279
<v Speaker 5>even though I had no idea what the fuck was

0:46:34.320 --> 0:46:36.080
<v Speaker 5>going on, I was like, Oh, this is so cool.

0:46:36.080 --> 0:46:37.319
<v Speaker 6>They tied it all. They tied it all.

0:46:37.360 --> 0:46:39.759
<v Speaker 3>That was the thing as well, because also they when

0:46:39.800 --> 0:46:44.359
<v Speaker 3>we when the dad Aaron Taylor John says, Jamie and

0:46:45.080 --> 0:46:48.239
<v Speaker 3>our kids Spike are like going through you saw that

0:46:48.280 --> 0:46:51.440
<v Speaker 3>the house had Jimmy scraped on the side, so like

0:46:51.760 --> 0:46:53.520
<v Speaker 3>you were like, well, that's the reason he knows because

0:46:53.560 --> 0:46:55.719
<v Speaker 3>obviously when he was younger, he would come here and

0:46:56.080 --> 0:46:58.680
<v Speaker 3>you know, but it's not him. And yeah, I'm very

0:46:58.680 --> 0:47:01.359
<v Speaker 3>excited to see how that's typically lands.

0:47:01.080 --> 0:47:06.080
<v Speaker 2>Because I also like for someone who is you know.

0:47:07.040 --> 0:47:09.080
<v Speaker 3>More of a less of a gem pop viewer and

0:47:09.080 --> 0:47:11.440
<v Speaker 3>more of like a weird B movie viewer. I actually

0:47:11.480 --> 0:47:14.600
<v Speaker 3>think that and kind of sells it more and will

0:47:14.600 --> 0:47:16.160
<v Speaker 3>make people like intrigued.

0:47:16.600 --> 0:47:19.280
<v Speaker 2>So yeah, how intrigued are we.

0:47:19.400 --> 0:47:22.279
<v Speaker 3>Going forward to twenty eight years later? Bone Temple, Like,

0:47:22.360 --> 0:47:23.480
<v Speaker 3>how excited are you for that?

0:47:23.600 --> 0:47:23.960
<v Speaker 2>Jason?

0:47:24.840 --> 0:47:27.840
<v Speaker 1>Oh, I'm very excited. I mean, I'm like you, you know,

0:47:28.040 --> 0:47:31.360
<v Speaker 1>I'm one of these letterbox coastal elites.

0:47:31.640 --> 0:47:35.880
<v Speaker 3>Correct, how watched two hundred and sixty seven movies this year?

0:47:35.920 --> 0:47:37.759
<v Speaker 2>Baby, I don't do anything important.

0:47:38.280 --> 0:47:43.960
<v Speaker 1>Who loves, you know, nothing more than a huge swing

0:47:44.239 --> 0:47:46.920
<v Speaker 1>in a movie, even if it doesn't land, you know,

0:47:47.120 --> 0:47:51.160
<v Speaker 1>like listen, I love a big bucket of popcorn movies.

0:47:51.400 --> 0:47:53.680
<v Speaker 1>We obviously love Marvel movies and comic book movies and

0:47:53.760 --> 0:47:56.320
<v Speaker 1>some of the most popular stuff out there. And maybe

0:47:56.320 --> 0:47:58.520
<v Speaker 1>because of that. I love when movies like this do

0:47:58.560 --> 0:48:02.160
<v Speaker 1>something super super weird. So very excited, super excited that

0:48:02.520 --> 0:48:06.279
<v Speaker 1>Killian Murphy's coming back. I wonder who else will come

0:48:06.320 --> 0:48:10.640
<v Speaker 1>back from that original cast. Yes, and I'm really excited

0:48:10.680 --> 0:48:16.000
<v Speaker 1>to see again this kind of Canterbury tales, like wandering

0:48:16.360 --> 0:48:21.760
<v Speaker 1>through what this island is like? Now, I'm very excited

0:48:21.800 --> 0:48:22.000
<v Speaker 1>for it.

0:48:22.000 --> 0:48:22.960
<v Speaker 2>What about you, Joelle?

0:48:23.760 --> 0:48:25.800
<v Speaker 9>I can't wait Nia DaCosta is here, guys.

0:48:26.239 --> 0:48:27.600
<v Speaker 2>I love that.

0:48:28.680 --> 0:48:29.880
<v Speaker 1>I love the Candy Man remake.

0:48:29.920 --> 0:48:31.280
<v Speaker 9>I thought it was effing brilliant.

0:48:31.960 --> 0:48:34.319
<v Speaker 8>I cannot wait to see what she does with this,

0:48:34.440 --> 0:48:38.200
<v Speaker 8>and especially given like where like the Sharp Turn sort

0:48:38.239 --> 0:48:41.360
<v Speaker 8>of allows her to do whatever she wants artistically in

0:48:41.480 --> 0:48:43.359
<v Speaker 8>her approaching the next one. It's sort of really kicked

0:48:43.360 --> 0:48:45.880
<v Speaker 8>open the door to be like, bring your sense of

0:48:45.920 --> 0:48:48.319
<v Speaker 8>self to the page. And so I'm excited to see

0:48:48.320 --> 0:48:49.160
<v Speaker 8>what she does with it.

0:48:49.560 --> 0:48:52.360
<v Speaker 3>And my understanding as well is like the Bone Temple

0:48:52.440 --> 0:48:55.719
<v Speaker 3>is actually already completely filmed. They send them back to back,

0:48:55.840 --> 0:48:58.560
<v Speaker 3>so you know it is gonna definitely interconnect.

0:48:58.040 --> 0:48:58.600
<v Speaker 2>With this space.

0:48:58.840 --> 0:49:01.960
<v Speaker 3>Whereas the third movie, as yet un named, has not

0:49:02.040 --> 0:49:03.920
<v Speaker 3>even been written yet, so I think we're in an

0:49:03.960 --> 0:49:06.279
<v Speaker 3>interesting kind of into the Spider Verse, like.

0:49:06.480 --> 0:49:08.120
<v Speaker 2>When will that third movie come out?

0:49:08.160 --> 0:49:08.480
<v Speaker 9>Colmon?

0:49:08.520 --> 0:49:11.120
<v Speaker 2>How about you? Are you ready for the Bone Temple?

0:49:11.480 --> 0:49:14.680
<v Speaker 6>Or I'm making January? I will be there.

0:49:15.239 --> 0:49:17.759
<v Speaker 3>It's not even that far away, guys, We're gonna be that.

0:49:18.960 --> 0:49:20.959
<v Speaker 2>I love January as a yes.

0:49:21.120 --> 0:49:24.040
<v Speaker 3>When I'm sad because Christmas is over, I want to

0:49:24.160 --> 0:49:27.959
<v Speaker 3>be seeing a good horror movie in the cinema. I like, yes,

0:49:28.040 --> 0:49:30.880
<v Speaker 3>I'm depressed, show me something bleak and upsetting.

0:49:31.360 --> 0:49:34.440
<v Speaker 5>I'm most excited to see where they take like all

0:49:34.440 --> 0:49:36.760
<v Speaker 5>of the cult aspects from the original community.

0:49:36.760 --> 0:49:37.799
<v Speaker 6>What are we going to learn about that?

0:49:37.880 --> 0:49:39.680
<v Speaker 5>What are we going to learn about the Jimmy's and

0:49:40.080 --> 0:49:43.880
<v Speaker 5>what are we going I do want to talk really quickly,

0:49:44.440 --> 0:49:47.759
<v Speaker 5>just for a second, if you'll let about the arg rel.

0:49:49.080 --> 0:49:51.680
<v Speaker 2>Let's quickly bring arg back because.

0:49:51.440 --> 0:49:53.719
<v Speaker 5>I think it's coming back because it ties into what

0:49:53.760 --> 0:49:56.799
<v Speaker 5>I've got to say here. Because one of the interesting things.

0:49:56.840 --> 0:50:00.359
<v Speaker 5>So there was an ergy for this for this, which

0:50:00.400 --> 0:50:02.480
<v Speaker 5>is a website that kind of like companions and gives

0:50:02.480 --> 0:50:04.400
<v Speaker 5>you more information about the movie if you want to

0:50:04.400 --> 0:50:08.240
<v Speaker 5>look into it. It's called rage leaks dot com and

0:50:08.400 --> 0:50:10.960
<v Speaker 5>it's like a WikiLeaks and the password to it is

0:50:11.000 --> 0:50:14.040
<v Speaker 5>momentumory and it shows you all of these kind of

0:50:14.160 --> 0:50:18.080
<v Speaker 5>like external reports that are being done on the island

0:50:18.200 --> 0:50:20.680
<v Speaker 5>from just people that are flying over or observing with

0:50:20.760 --> 0:50:25.719
<v Speaker 5>drones and stuff like that. Apparently the outside world has

0:50:25.920 --> 0:50:31.040
<v Speaker 5>absolutely no idea what's going on on the island of

0:50:31.200 --> 0:50:34.840
<v Speaker 5>the former United Kingdom, which I'm very very interested to

0:50:34.880 --> 0:50:38.160
<v Speaker 5>see how that ties in as well, because the website

0:50:38.239 --> 0:50:41.080
<v Speaker 5>kind of gives you the hint that people are so

0:50:41.200 --> 0:50:43.640
<v Speaker 5>fed up with with the mystery that they have just

0:50:43.719 --> 0:50:47.080
<v Speaker 5>started leaking information to the public. So I'm interested to

0:50:47.120 --> 0:50:49.120
<v Speaker 5>know if we zoom out at all and see like

0:50:49.360 --> 0:50:50.840
<v Speaker 5>a little bit more of what the rest of the

0:50:50.840 --> 0:50:54.120
<v Speaker 5>world is doing. We got a hint of it with Eric,

0:50:54.800 --> 0:50:55.640
<v Speaker 5>But how.

0:50:55.680 --> 0:50:58.719
<v Speaker 2>Was some of the funniest most stuff.

0:50:58.440 --> 0:51:01.680
<v Speaker 3>In the movie kind of notion of how much you

0:51:01.719 --> 0:51:04.840
<v Speaker 3>can be left behind if you're just out of social

0:51:04.960 --> 0:51:07.800
<v Speaker 3>culture for like twenty eight years. They still have mobile phones,

0:51:08.000 --> 0:51:10.440
<v Speaker 3>they still have plastic surgery, they still have all this

0:51:10.600 --> 0:51:14.080
<v Speaker 3>other stuff. Like I think that it's really interesting, and

0:51:14.120 --> 0:51:18.560
<v Speaker 3>I will say, uh, you know an arg guys, it

0:51:18.680 --> 0:51:21.160
<v Speaker 3>was very popular. I'm sure all our listeners will remember

0:51:21.200 --> 0:51:24.359
<v Speaker 3>the famous Dark Night ARG. But I think maybe these

0:51:24.440 --> 0:51:28.600
<v Speaker 3>kind of websites, these kind of alternate reality gaming, kind

0:51:28.640 --> 0:51:31.959
<v Speaker 3>of like how do you install someone into the world

0:51:32.040 --> 0:51:34.319
<v Speaker 3>of the movie is coming back? Because there was also

0:51:34.440 --> 0:51:38.680
<v Speaker 3>a very scary bring Her Back Yes website that me

0:51:38.760 --> 0:51:41.600
<v Speaker 3>and Carmen got to each other late at night and

0:51:41.640 --> 0:51:44.359
<v Speaker 3>we're like, I gotta look at it, like I gotta wait,

0:51:44.400 --> 0:51:47.080
<v Speaker 3>I gotta wait till the morning. So I love the

0:51:47.120 --> 0:51:50.840
<v Speaker 3>idea that that is, uh, that that's gonna come back

0:51:51.560 --> 0:51:54.680
<v Speaker 3>and and kind of feed into that stuff. So yeah,

0:51:54.719 --> 0:51:58.000
<v Speaker 3>I'm excited. Keep doing fun digital marketing guys. It's yeah,

0:51:58.080 --> 0:51:59.320
<v Speaker 3>makes me feel young again.

0:51:59.719 --> 0:52:04.960
<v Speaker 1>Yeah, Okay, we're gonna take a quick break, come back

0:52:05.000 --> 0:52:10.000
<v Speaker 1>with our metal Podium of Horror sequels.

0:52:25.120 --> 0:52:25.640
<v Speaker 2>And we're back.

0:52:25.960 --> 0:52:31.920
<v Speaker 1>Okay, Metal Podium of Horror Sequels. Let's quickly go around

0:52:31.920 --> 0:52:35.680
<v Speaker 1>the horn. What do we think our best horror movie

0:52:35.760 --> 0:52:39.719
<v Speaker 1>sequel is of all time? And then let's see if

0:52:39.719 --> 0:52:41.000
<v Speaker 1>we can kind of slap.

0:52:40.760 --> 0:52:42.560
<v Speaker 2>These maybe we can agree together.

0:52:42.760 --> 0:52:46.040
<v Speaker 1>Yeah, yeah, that's what I think we'll do. Okay, rosielet's

0:52:46.040 --> 0:52:47.360
<v Speaker 1>start with you. What's your best.

0:52:48.000 --> 0:52:50.080
<v Speaker 3>Okay, I'm gonna go for one that I know Jason,

0:52:50.160 --> 0:52:52.560
<v Speaker 3>you are gonna agree with me on at least I'm

0:52:52.600 --> 0:52:55.200
<v Speaker 3>gonna not say a silly one like Shax or something

0:52:55.280 --> 0:52:57.200
<v Speaker 3>like that. Though I do love that movie. I'm gonna

0:52:57.200 --> 0:53:02.279
<v Speaker 3>say and Dead because iconic, I think it's up there.

0:53:02.320 --> 0:53:05.640
<v Speaker 3>I think it's a capitalist kind of satire in a

0:53:05.680 --> 0:53:08.520
<v Speaker 3>way that movies like twenty eight years Later are still

0:53:08.520 --> 0:53:09.400
<v Speaker 3>taking from.

0:53:09.520 --> 0:53:10.839
<v Speaker 2>And yeah, just fantastic movie.

0:53:11.800 --> 0:53:14.879
<v Speaker 1>I agree that that should probably be up there. We'll

0:53:14.960 --> 0:53:17.520
<v Speaker 1>keep track of that. Okay, so we've got that Carmen,

0:53:17.840 --> 0:53:20.439
<v Speaker 1>your greatest horror sequel of all time?

0:53:21.120 --> 0:53:23.400
<v Speaker 5>Well, this one might be controversial because it is technically

0:53:23.400 --> 0:53:25.560
<v Speaker 5>like an action sci fi horror.

0:53:26.000 --> 0:53:30.400
<v Speaker 6>I'm gonna say aliens, Aliens.

0:53:34.080 --> 0:53:36.560
<v Speaker 1>Yeah, I now we're going Now, we're going back into

0:53:36.640 --> 0:53:40.880
<v Speaker 1>our previous round table genrefy this.

0:53:45.560 --> 0:53:49.200
<v Speaker 3>Okay, Well you're gonna pick it, will allow it, Okay, Jason,

0:53:49.239 --> 0:53:49.920
<v Speaker 3>what about you?

0:53:51.360 --> 0:53:54.239
<v Speaker 1>Those are two great ones. And since those are off

0:53:54.239 --> 0:53:55.040
<v Speaker 1>the board.

0:53:55.560 --> 0:53:56.920
<v Speaker 10>I'm too.

0:53:58.520 --> 0:54:04.279
<v Speaker 3>Iconic, I would say as well that that's pretty That

0:54:04.320 --> 0:54:08.719
<v Speaker 3>would be pretty gold leaning in my opinion, because I

0:54:08.719 --> 0:54:11.759
<v Speaker 3>do think it's essentially like the first kind of requel

0:54:11.840 --> 0:54:14.360
<v Speaker 3>to where they kind of remade the movie with a

0:54:14.400 --> 0:54:17.680
<v Speaker 3>bigger budget but then gave it this but sort of

0:54:17.719 --> 0:54:20.560
<v Speaker 3>like allowed it to expand and without that second movie,

0:54:20.560 --> 0:54:22.000
<v Speaker 3>I don't know if we're ever going to get like

0:54:22.040 --> 0:54:24.439
<v Speaker 3>the ash Vessus, the Evil Dead and all those very

0:54:24.520 --> 0:54:25.840
<v Speaker 3>impactful sequel.

0:54:25.920 --> 0:54:29.080
<v Speaker 2>That's a really good Joelle. Are you thinking that? She's like,

0:54:29.160 --> 0:54:30.040
<v Speaker 2>what can I do to?

0:54:30.680 --> 0:54:31.800
<v Speaker 9>I got this okay?

0:54:31.880 --> 0:54:33.719
<v Speaker 8>So at first I was gonna say teach, but then

0:54:33.760 --> 0:54:35.520
<v Speaker 8>I was like, that's two action films with that to

0:54:35.560 --> 0:54:39.319
<v Speaker 8>decide two sci fi about because I really like the

0:54:39.360 --> 0:54:41.520
<v Speaker 8>way that that character introduction.

0:54:46.960 --> 0:54:47.520
<v Speaker 9>Favorite.

0:54:47.760 --> 0:54:50.680
<v Speaker 2>Wow, I got one of my own favorite movies.

0:54:50.840 --> 0:54:52.959
<v Speaker 9>I think I'm gonna land on Final Destination five.

0:54:55.920 --> 0:55:00.000
<v Speaker 2>I love that choice. I love that choice. The review

0:55:00.239 --> 0:55:01.879
<v Speaker 2>of the prequel nature of.

0:55:03.800 --> 0:55:05.560
<v Speaker 8>You're watching it and you're like, oh my, that's so good,

0:55:05.600 --> 0:55:07.439
<v Speaker 8>Like the whole franchise is back, and then the ending

0:55:07.440 --> 0:55:08.600
<v Speaker 8>cols you just like smacking the face.

0:55:08.600 --> 0:55:10.160
<v Speaker 9>You're like, my god, what have they done?

0:55:10.280 --> 0:55:12.560
<v Speaker 8>Like if you're already a fan of this franchise, it's

0:55:12.600 --> 0:55:16.120
<v Speaker 8>just like you feel like you've ascended when you finished watching.

0:55:15.840 --> 0:55:17.400
<v Speaker 1>That Movie's true.

0:55:18.440 --> 0:55:21.120
<v Speaker 3>You know something else I love about that movie is

0:55:21.160 --> 0:55:23.560
<v Speaker 3>I feel like I when I'm talking about it in

0:55:23.560 --> 0:55:26.200
<v Speaker 3>this context, obviously I know what happened, but every time

0:55:26.200 --> 0:55:27.600
<v Speaker 3>I watched the movie, I feel like I get to

0:55:27.600 --> 0:55:30.200
<v Speaker 3>the end, and I'm like, oh, yeah, cool, what happens that?

0:55:30.280 --> 0:55:36.759
<v Speaker 3>I It's like some kind of hypnotism. Okay, Jason as

0:55:36.880 --> 0:55:41.120
<v Speaker 3>a sports expert, what is your where do you see

0:55:41.160 --> 0:55:42.560
<v Speaker 3>these podiums lining up?

0:55:42.600 --> 0:55:44.920
<v Speaker 2>And then we'll see if anyone just screams in horror?

0:55:44.960 --> 0:55:47.240
<v Speaker 1>Okay, So let's let's do it like this. I agree

0:55:47.239 --> 0:55:49.920
<v Speaker 1>with you, Rosie. I think Evil did too, because of

0:55:49.960 --> 0:55:53.880
<v Speaker 1>the indie nature of it, because it kind of created

0:55:53.920 --> 0:55:57.960
<v Speaker 1>a mini movement in horror at the time, and because

0:55:58.000 --> 0:56:00.919
<v Speaker 1>it remains I mean, it took everything that was great

0:56:00.920 --> 0:56:03.560
<v Speaker 1>about the first one and just elevated it. Let's let's

0:56:03.560 --> 0:56:08.239
<v Speaker 1>put and it's let's also acknowledge there are many sequels,

0:56:08.239 --> 0:56:11.759
<v Speaker 1>and there's you know, Horror is a sequel, John Enra,

0:56:12.160 --> 0:56:15.920
<v Speaker 1>there are not many that are better than the original.

0:56:16.000 --> 0:56:19.320
<v Speaker 1>Like that doesn't happen very much. Okay, So I'm gonna

0:56:19.440 --> 0:56:23.520
<v Speaker 1>I think Evil Dead to probably on the gold mm hmm.

0:56:26.280 --> 0:56:30.520
<v Speaker 1>I want to give it to Here's the thing, is

0:56:30.680 --> 0:56:33.080
<v Speaker 1>Aliens enough of horror I'm.

0:56:32.920 --> 0:56:36.680
<v Speaker 2>Putting I'm putting Aliens on the side of Brian. And

0:56:36.760 --> 0:56:37.319
<v Speaker 2>that's why I.

0:56:39.000 --> 0:56:42.720
<v Speaker 1>Kind of agree, because I feel like it's not horror

0:56:42.880 --> 0:56:55.319
<v Speaker 1>enough to get all the way onto the.

0:56:54.360 --> 0:56:54.600
<v Speaker 2>Good.

0:56:57.719 --> 0:57:02.799
<v Speaker 1>So I'm gonna so I am to put I'm gonna

0:57:02.800 --> 0:57:06.040
<v Speaker 1>put on in the Dead Silver, and then I would put.

0:57:07.480 --> 0:57:07.680
<v Speaker 8>F. D.

0:57:07.880 --> 0:57:13.640
<v Speaker 1>Sinco in the Bronze, and then I would aliens sadly

0:57:13.760 --> 0:57:18.920
<v Speaker 1>crying assid tears to the side of the podium. But listen,

0:57:19.000 --> 0:57:21.600
<v Speaker 1>love the movie. Think of it more as a sci

0:57:21.640 --> 0:57:24.439
<v Speaker 1>fi as a military sci fi. But it definitely.

0:57:24.520 --> 0:57:28.400
<v Speaker 2>Explained the science. In the fast fifteen minutes though of

0:57:28.520 --> 0:57:29.720
<v Speaker 2>the alien.

0:57:30.120 --> 0:57:33.439
<v Speaker 6>They explain how she's still alive. But they.

0:57:35.440 --> 0:57:40.120
<v Speaker 1>Okay, do we have any quickly as we wrap up,

0:57:40.160 --> 0:57:43.920
<v Speaker 1>do we have any sequels that we feel like should

0:57:43.920 --> 0:57:45.440
<v Speaker 1>at least be mentioned here?

0:57:47.800 --> 0:57:50.480
<v Speaker 5>You know, I have to say I actually like the

0:57:50.520 --> 0:57:57.000
<v Speaker 5>sequel to thee.

0:57:54.080 --> 0:57:59.120
<v Speaker 3>Okay, yes, agree, I was conjuring the second the Second

0:58:00.320 --> 0:58:04.480
<v Speaker 3>and the Second Country movie where it's an that's really good.

0:58:04.920 --> 0:58:07.000
<v Speaker 2>I would also say, like, I do think there is

0:58:07.040 --> 0:58:10.000
<v Speaker 2>a space for like campy horror sequels.

0:58:10.040 --> 0:58:15.840
<v Speaker 3>I do think Jason X is like at.

0:58:13.680 --> 0:58:14.400
<v Speaker 2>The New BEV.

0:58:17.440 --> 0:58:20.080
<v Speaker 3>We got to do just the sequels episode honestly, because

0:58:20.080 --> 0:58:22.800
<v Speaker 3>even like one of my favorite movies of all time

0:58:22.840 --> 0:58:24.800
<v Speaker 3>that I saw in a double bill that I swear

0:58:24.840 --> 0:58:26.840
<v Speaker 3>to God was like programmed for me at the New

0:58:26.880 --> 0:58:30.240
<v Speaker 3>BEV with Jason x is Hell Raiser.

0:58:30.000 --> 0:58:31.919
<v Speaker 2>Black One, which is the fourth one.

0:58:33.000 --> 0:58:36.840
<v Speaker 3>Adam Scott in it as like a sexy Sato masochistic

0:58:37.280 --> 0:58:39.280
<v Speaker 3>like murderer who gets the the.

0:58:41.720 --> 0:58:44.760
<v Speaker 2>I love any scream scream.

0:58:45.160 --> 0:58:48.800
<v Speaker 1>I think could scream. I also could scream.

0:58:48.880 --> 0:58:52.120
<v Speaker 2>Four is up there, Like Emma Roberts is so good

0:58:52.120 --> 0:58:52.960
<v Speaker 2>in that movie.

0:58:53.320 --> 0:58:55.480
<v Speaker 3>Yeah, I mean, there's so many guys, but I think

0:58:55.560 --> 0:58:58.720
<v Speaker 3>I like, I like the chaos of the one. It's

0:58:58.760 --> 0:59:02.520
<v Speaker 3>like half So let's just keep it like gold Able,

0:59:02.600 --> 0:59:07.440
<v Speaker 3>Dead two Fair, I love Don and Dead, fantastic movie,

0:59:07.920 --> 0:59:08.760
<v Speaker 3>Brun's final.

0:59:08.800 --> 0:59:10.680
<v Speaker 2>That's the Nation five. Yeah, well you're gonna do about it.

0:59:10.880 --> 0:59:11.440
<v Speaker 2>That's all.

0:59:12.920 --> 0:59:16.920
<v Speaker 1>We scream queens.

0:59:16.960 --> 0:59:20.000
<v Speaker 2>Thank you so much, LUs to have you here, Thank

0:59:20.040 --> 0:59:20.680
<v Speaker 2>you for having us.

0:59:20.680 --> 0:59:23.280
<v Speaker 1>Thursday, on Extra Vision, we're diving into the first three

0:59:23.320 --> 0:59:32.160
<v Speaker 1>episodes of Ironheart on Disney Plus Bye x Ray Vision

0:59:32.240 --> 0:59:34.760
<v Speaker 1>is hosted by Jason Concepcion and Rosie Knight and is

0:59:34.800 --> 0:59:36.320
<v Speaker 1>a production of iHeart Podcast.

0:59:36.680 --> 0:59:40.280
<v Speaker 3>Our executive producers are Joel Monique and Aaron Cortman.

0:59:40.520 --> 0:59:42.560
<v Speaker 1>Our supervising producer is Abuzafar.

0:59:42.960 --> 0:59:46.880
<v Speaker 3>Our producers are Common Laurent Dean, Jonathan and fay Wag.

0:59:47.040 --> 0:59:49.800
<v Speaker 1>A theme song is by Brian Vasquez, with alternate theme

0:59:49.840 --> 0:59:51.120
<v Speaker 1>songs by Aaron Kauffman.

0:59:51.280 --> 0:59:54.680
<v Speaker 3>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman, and

0:59:54.760 --> 1:00:05.080
<v Speaker 3>Heidi our discord moderator,