1
00:00:00,360 --> 00:00:04,120
Speaker 1: The Favorite podcast is presented by FanDuel Sports Book. There's

2
00:00:04,160 --> 00:00:08,280
Speaker 1: no better place to make every moment more than with FanDuel.

3
00:00:08,400 --> 00:00:11,319
Speaker 1: I bet with FanDuel because they're safe and secure, they

4
00:00:11,360 --> 00:00:14,440
Speaker 1: offer great odds and markets across the NBA, n h L,

5
00:00:14,520 --> 00:00:17,680
Speaker 1: and more, and because it's fun to combine multiple bets

6
00:00:17,920 --> 00:00:21,720
Speaker 1: into same game parlays. So if you're new, just download

7
00:00:21,760 --> 00:00:24,560
Speaker 1: the FanDuel Sports Book app to get started now. Sign

8
00:00:24,640 --> 00:00:28,280
Speaker 1: up with promo code Favorites so they know I sent

9
00:00:28,400 --> 00:00:33,160
Speaker 1: you. You You must be over in president in Arizona, Colorado, Connecticut, Indiana, Michigan,

10
00:00:33,159 --> 00:00:36,640
Speaker 1: New Jersey, New York, Tennessee, Virginia, West Virginia or Louisiana.

11
00:00:36,720 --> 00:00:39,640
Speaker 1: Gambling problem called one eight hundred next step or text

12
00:00:39,960 --> 00:00:42,279
Speaker 1: next step to five three three four two in Arizona

13
00:00:42,520 --> 00:00:45,320
Speaker 1: one eight hundred gambler or visit FanDuel dot com slash

14
00:00:45,400 --> 00:00:49,000
Speaker 1: RG in Colorado, Indiana, New Jersey. In Virginia one eight

15
00:00:49,240 --> 00:00:52,320
Speaker 1: seven eight nine seven seven seven seven or visit CCPG

16
00:00:52,479 --> 00:00:56,840
Speaker 1: dot org slash chat in Connecticut one eight seven zero

17
00:00:56,880 --> 00:00:59,279
Speaker 1: seven one one seven for confidential help in Michigan one

18
00:00:59,400 --> 00:01:03,560
Speaker 1: eight seventh having s t O P in Louisiana called

19
00:01:03,560 --> 00:01:07,240
Speaker 1: the Tennessee Redline one eight eight nine nine, or visit

20
00:01:07,640 --> 00:01:18,520
Speaker 1: one eight hundred gambler dot net in West Virginia. Welcome

21
00:01:18,640 --> 00:01:22,640
Speaker 1: to The Favorites, the podcast from the Volume Podcast Network.

22
00:01:22,840 --> 00:01:27,720
Speaker 1: I am Chad Milman, Chief content Officer at the Action Network.

23
00:01:27,800 --> 00:01:31,280
Speaker 1: I am joined as I am for every episode because

24
00:01:31,319 --> 00:01:33,400
Speaker 1: he never takes a day off, which we talked about

25
00:01:33,440 --> 00:01:36,759
Speaker 1: in his review. He's a very good worker. My co host,

26
00:01:36,840 --> 00:01:42,840
Speaker 1: my bff, my companion, Michael Padre, professional better, Simon Hunter Yead.

27
00:01:42,920 --> 00:01:44,920
Speaker 1: You love to say no days off. The NFL off

28
00:01:44,959 --> 00:01:47,160
Speaker 1: season apparently does not exist. I'm trying to prep for

29
00:01:47,200 --> 00:01:49,560
Speaker 1: the draft, and it feels like every day we have

30
00:01:49,560 --> 00:01:52,520
Speaker 1: a new quarterback on some different team. I can't remember

31
00:01:52,520 --> 00:01:54,120
Speaker 1: ever being this way. This is we're in a new

32
00:01:54,120 --> 00:01:56,280
Speaker 1: era kind of what is it? Two straight years a

33
00:01:56,400 --> 00:01:58,880
Speaker 1: team a player switched team at quarterback Tom Brady and

34
00:01:58,880 --> 00:02:01,280
Speaker 1: then Matt Stafford and took those teams the Super Bowl. So,

35
00:02:01,520 --> 00:02:03,080
Speaker 1: I mean, there's so much breakdown. We came to get

36
00:02:03,120 --> 00:02:05,080
Speaker 1: to all of it, but this is pretty crazy. Matt

37
00:02:05,160 --> 00:02:07,880
Speaker 1: Ryan going from Atlanta to the Colts. I was dead wrong.

38
00:02:08,040 --> 00:02:11,079
Speaker 1: I'll be up front. I had had heard whispers about

39
00:02:11,280 --> 00:02:14,320
Speaker 1: the Shawn Watson and the love for Atlanta Falcons. That's

40
00:02:14,320 --> 00:02:15,720
Speaker 1: why I don't give out all my tips on the

41
00:02:15,720 --> 00:02:18,760
Speaker 1: show because sometimes the tips just it's not gonna work

42
00:02:18,760 --> 00:02:21,639
Speaker 1: out that way. But I've been here since February that

43
00:02:21,960 --> 00:02:24,680
Speaker 1: he wanted to go to Atlanta, so we gave out

44
00:02:24,720 --> 00:02:26,360
Speaker 1: Atlanta seventy one. They went all the way down to

45
00:02:26,400 --> 00:02:28,200
Speaker 1: thirty five to one to four to one to win

46
00:02:28,240 --> 00:02:30,960
Speaker 1: the Super Bowl ad FanDuel. Even the media got it wrong.

47
00:02:31,360 --> 00:02:34,160
Speaker 1: Watson went to the Brown So it's been a crazy

48
00:02:34,200 --> 00:02:37,880
Speaker 1: week for NFL and bet in NFL futures, and look,

49
00:02:38,000 --> 00:02:42,440
Speaker 1: we're gonna dig deeper into all of it as markets settle.

50
00:02:42,680 --> 00:02:45,919
Speaker 1: Matt Ryan, you mentioned Deshaun Watson, you mentioned the NFL

51
00:02:46,000 --> 00:02:50,120
Speaker 1: can't let anybody else have any attention. But but around

52
00:02:50,120 --> 00:02:54,840
Speaker 1: the world, it's going to be impossible for people to

53
00:02:54,960 --> 00:02:59,760
Speaker 1: ignore the fact that it's Oscar's week. Simon Hunter and

54
00:03:00,040 --> 00:03:04,399
Speaker 1: last year, one of our most popular offseason podcasts featured

55
00:03:04,960 --> 00:03:11,120
Speaker 1: our guests returning today, If You Talk Academy Awards betting

56
00:03:12,040 --> 00:03:18,000
Speaker 1: friend of the podcast, Mr Michael Lasker, a true Hollywood insider,

57
00:03:18,680 --> 00:03:25,280
Speaker 1: a talent manager at Mosaic in Hollywood, Land, one of

58
00:03:25,320 --> 00:03:27,560
Speaker 1: the Ones upon a Time named one of the forty

59
00:03:27,600 --> 00:03:33,920
Speaker 1: most Powerful people in Comedy by the Hollywood Reporter. Most importantly,

60
00:03:34,960 --> 00:03:40,560
Speaker 1: he's a legitimate Oscars savant to if people don't remember

61
00:03:40,680 --> 00:03:42,160
Speaker 1: or they're new to the podcast, because we have a

62
00:03:42,200 --> 00:03:44,760
Speaker 1: lot of new listeners, Michael, our audience is blown up

63
00:03:44,960 --> 00:03:48,600
Speaker 1: since you were last year that we are massive massive.

64
00:03:49,640 --> 00:03:52,880
Speaker 1: One of your party tricks is you can name all

65
00:03:53,000 --> 00:03:57,839
Speaker 1: nominees and winners across the major award categories for any

66
00:03:57,880 --> 00:04:01,080
Speaker 1: year in Oscar's history. We will put that to the

67
00:04:01,120 --> 00:04:08,560
Speaker 1: test later in the episode. Um So we are super

68
00:04:08,600 --> 00:04:11,720
Speaker 1: excited you're here if we're gonna talk Oscar's betting across

69
00:04:11,760 --> 00:04:16,000
Speaker 1: seven major categories. And by the way, Oscar's betting is huge.

70
00:04:16,360 --> 00:04:18,680
Speaker 1: It is huge in the way March Madness is huge

71
00:04:18,680 --> 00:04:23,279
Speaker 1: because it's become sort of a galvanizing event. I don't know, Michael,

72
00:04:23,279 --> 00:04:25,800
Speaker 1: if like you have that experience, well, first of all,

73
00:04:25,839 --> 00:04:28,360
Speaker 1: it is an absolute honor to be back. I really

74
00:04:28,440 --> 00:04:30,640
Speaker 1: mean that I had so much fun last year. I

75
00:04:30,640 --> 00:04:34,120
Speaker 1: want to be clear. The forty most Powerful Comedy list

76
00:04:34,360 --> 00:04:36,760
Speaker 1: that was like forty of like forty two people, so

77
00:04:36,800 --> 00:04:39,760
Speaker 1: that that that you're giving me too much credit. Doesn't.

78
00:04:40,440 --> 00:04:43,600
Speaker 1: That's just a list that a magazine invents to sell magazines.

79
00:04:44,160 --> 00:04:46,600
Speaker 1: They do those lists like every three weeks, God bless them.

80
00:04:47,240 --> 00:04:49,640
Speaker 1: Was really interesting about betting in the Academy Awards a

81
00:04:49,680 --> 00:04:52,320
Speaker 1: couple of things. First of all, as I'm sure you know,

82
00:04:52,440 --> 00:04:54,279
Speaker 1: and I would think most of your listeners probably know,

83
00:04:54,680 --> 00:04:57,840
Speaker 1: the Golden Globes are like kind of on ice right now.

84
00:04:57,880 --> 00:05:00,400
Speaker 1: The Golden Globes don't have anybody that for it that

85
00:05:00,400 --> 00:05:02,320
Speaker 1: are also in the Academy because the Golden Globes are

86
00:05:02,400 --> 00:05:04,919
Speaker 1: these foreign journalists who vote for it. But the point

87
00:05:04,920 --> 00:05:07,160
Speaker 1: being is there have always been a lot of precursor

88
00:05:07,200 --> 00:05:09,440
Speaker 1: awards leading up to the Oscars, which is why some

89
00:05:09,480 --> 00:05:11,720
Speaker 1: people think the Oscar ratings are going down. There's too

90
00:05:11,720 --> 00:05:14,640
Speaker 1: many awards shows, which I totally agree with. But the

91
00:05:14,640 --> 00:05:17,120
Speaker 1: Golden Globes didn't happen this year. They kind of happened

92
00:05:17,120 --> 00:05:19,640
Speaker 1: in absentia. And then you have like the Critics Choice

93
00:05:19,640 --> 00:05:22,960
Speaker 1: Awards and SAG. But the point is, nobody who votes

94
00:05:23,000 --> 00:05:26,000
Speaker 1: the Academy Awards has voted in that block yet. Because

95
00:05:26,000 --> 00:05:28,000
Speaker 1: when the guilds have their awards like the dj A,

96
00:05:28,320 --> 00:05:30,280
Speaker 1: w A, the p g A, that's a whole another

97
00:05:30,320 --> 00:05:33,360
Speaker 1: several group of like massive amounts of producers or directors

98
00:05:33,400 --> 00:05:36,440
Speaker 1: or writers. So the point being is, well, think of

99
00:05:36,440 --> 00:05:39,200
Speaker 1: it like this. You guys are betting on like the

100
00:05:39,240 --> 00:05:42,479
Speaker 1: Patriots playing the Colts. You've watched the Patriots play like

101
00:05:42,520 --> 00:05:45,760
Speaker 1: sixteen games in a row. No one's actually watched any

102
00:05:45,839 --> 00:05:48,640
Speaker 1: of these people do anything except they've seen the actual movies.

103
00:05:48,960 --> 00:05:50,680
Speaker 1: So my point is that at the end of the day,

104
00:05:50,680 --> 00:05:53,520
Speaker 1: there's ten thousand Academy members. No one knows what they're

105
00:05:53,520 --> 00:05:57,599
Speaker 1: gonna do. And I often say, if you've been nominated

106
00:05:57,600 --> 00:05:59,880
Speaker 1: for an Oscar, you can win. If you got to

107
00:05:59,880 --> 00:06:02,600
Speaker 1: the final ballot, why can't you win, You're already there.

108
00:06:02,600 --> 00:06:05,560
Speaker 1: So yes, there are oftentimes there are favorites will get

109
00:06:05,560 --> 00:06:09,919
Speaker 1: to that. Excuse the punts like and jumping ahead obviously,

110
00:06:09,920 --> 00:06:11,679
Speaker 1: like Will Smith is like one of the big favorites

111
00:06:11,680 --> 00:06:14,160
Speaker 1: on Sunday for King Richard. You guys must feel good

112
00:06:14,160 --> 00:06:15,800
Speaker 1: because you've got like a sports movie in the mix

113
00:06:15,800 --> 00:06:18,400
Speaker 1: of this year. So you guys, you guys feel like

114
00:06:18,480 --> 00:06:21,240
Speaker 1: you're being paid attention to. But my point being is

115
00:06:21,279 --> 00:06:23,440
Speaker 1: that it's an interesting thing to bet on because it

116
00:06:23,520 --> 00:06:25,960
Speaker 1: feels like there are locks, but you don't really know

117
00:06:26,040 --> 00:06:28,479
Speaker 1: because you actually don't have much information out there to

118
00:06:28,560 --> 00:06:31,599
Speaker 1: suggest that you know what's going to happen, unlike again

119
00:06:31,600 --> 00:06:35,040
Speaker 1: in many of these sports situations. So yeah, people could

120
00:06:35,080 --> 00:06:37,040
Speaker 1: do well, you know, betting on the Oscars, and I

121
00:06:37,080 --> 00:06:39,320
Speaker 1: assume you're going to point out there's like hundreds of

122
00:06:39,320 --> 00:06:42,279
Speaker 1: ways to do it through all these websites and so forth,

123
00:06:42,320 --> 00:06:44,240
Speaker 1: Like you probably don't have to go to the Bahamas

124
00:06:44,240 --> 00:06:46,800
Speaker 1: anymore to place a bet on the Oscars, right, you

125
00:06:46,839 --> 00:06:49,440
Speaker 1: can just do that like anywhere you want. No, that's

126
00:06:49,440 --> 00:06:52,360
Speaker 1: the beauty of this is like you know, up until

127
00:06:52,400 --> 00:06:55,919
Speaker 1: the last couple of years, this was not available in

128
00:06:56,120 --> 00:06:59,680
Speaker 1: legal betting markets, and even since we spoke last year,

129
00:06:59,760 --> 00:07:02,480
Speaker 1: there's so many more places in which you can get

130
00:07:02,640 --> 00:07:06,520
Speaker 1: money down legally. Obviously, we're sponsored by FanDuel. You can

131
00:07:06,560 --> 00:07:08,760
Speaker 1: bet on the Oscars on FanDuel. All the odds that

132
00:07:08,760 --> 00:07:11,560
Speaker 1: we're talking about for the Oscars, they're coming from FanDuel.

133
00:07:12,320 --> 00:07:15,080
Speaker 1: Reminder of the Oscars if you want to watch how

134
00:07:15,160 --> 00:07:18,720
Speaker 1: you potentially do in your bets a PM Eastern on

135
00:07:18,920 --> 00:07:23,440
Speaker 1: ABC UM. But yeah, it's it's fairly new. Let's get

136
00:07:23,440 --> 00:07:28,920
Speaker 1: to it. Let's people should know it is limited. So like,

137
00:07:28,960 --> 00:07:30,640
Speaker 1: if you like you're listening on, You're gonna been on

138
00:07:30,720 --> 00:07:33,280
Speaker 1: FanDuel the max you're gonna be able to get down

139
00:07:33,360 --> 00:07:35,680
Speaker 1: it's probably gonna be five. I mean, it's just like

140
00:07:35,720 --> 00:07:37,920
Speaker 1: he talked about, it's so much rumor and stuff that

141
00:07:37,960 --> 00:07:40,600
Speaker 1: the books don't want exposure to it. So that's definitely

142
00:07:40,600 --> 00:07:42,480
Speaker 1: something to keep in mind here. If you think you're

143
00:07:42,520 --> 00:07:44,280
Speaker 1: about to make a good a good amount of money

144
00:07:44,280 --> 00:07:46,840
Speaker 1: off this, better in person or betting online. I've already

145
00:07:46,840 --> 00:07:49,200
Speaker 1: been a couple of sports books. It's limited. Uh, they

146
00:07:49,240 --> 00:07:52,320
Speaker 1: just don't want the exposure to it. And in my opinion,

147
00:07:52,360 --> 00:07:55,000
Speaker 1: if they want to fix the Oscars, get a funny host.

148
00:07:55,200 --> 00:07:58,480
Speaker 1: I there's nothing better, especially as a peasant, a commoner

149
00:07:58,560 --> 00:08:01,440
Speaker 1: as I am, seeing a comedian just lay into these

150
00:08:01,480 --> 00:08:05,360
Speaker 1: Hollywood actors at the Oscars. So they bring Simon. I

151
00:08:05,640 --> 00:08:08,480
Speaker 1: couldn't agree more. And I mean, I think you know

152
00:08:08,480 --> 00:08:11,240
Speaker 1: they as maybe your listeners don't know. They're having three

153
00:08:11,280 --> 00:08:14,280
Speaker 1: hosts on Sunday um and Amy Schumer is one of

154
00:08:14,280 --> 00:08:16,320
Speaker 1: the hosts. She's probably gonna be the one who lays

155
00:08:16,360 --> 00:08:18,560
Speaker 1: in the most. But yeah, this weird thing happened not

156
00:08:18,640 --> 00:08:20,680
Speaker 1: to bore everybody, but Kevin Hart was gonna host the

157
00:08:20,760 --> 00:08:24,560
Speaker 1: Oscars three years ago, some old jokes surfaced. He got

158
00:08:24,640 --> 00:08:27,840
Speaker 1: mini canceled for five seconds, and then the Academy got

159
00:08:27,840 --> 00:08:29,600
Speaker 1: scared of having a host for a couple of years.

160
00:08:29,600 --> 00:08:31,440
Speaker 1: And it's like, I'm old enough to remember when it

161
00:08:31,480 --> 00:08:34,679
Speaker 1: was like Steve Martin, Woppy Goldberg, Billy Crystal, like that

162
00:08:34,800 --> 00:08:37,679
Speaker 1: was so fun because maybe part of what it was

163
00:08:37,679 --> 00:08:40,760
Speaker 1: was the reverence. You know, um, they had even David

164
00:08:40,840 --> 00:08:42,720
Speaker 1: Letterman like and who was a little more off kilter,

165
00:08:42,840 --> 00:08:45,120
Speaker 1: but they had a reverence. They could make fun of

166
00:08:45,160 --> 00:08:48,200
Speaker 1: everybody in the room while still celebrating everybody. And it

167
00:08:48,320 --> 00:08:51,880
Speaker 1: is so weird to me. It's really sad that somehow

168
00:08:52,040 --> 00:08:54,760
Speaker 1: the Oscars, the hosting being got so messed up that

169
00:08:54,800 --> 00:08:57,520
Speaker 1: now like nobody wants to do it. I thought Jimmy

170
00:08:57,600 --> 00:08:59,679
Speaker 1: Kimmel was excellent. He did it two years in a row,

171
00:08:59,720 --> 00:09:02,040
Speaker 1: and he famously did the one that had the snaff

172
00:09:02,040 --> 00:09:04,160
Speaker 1: foo the best picture. I've talked to people in Jimmy

173
00:09:04,240 --> 00:09:07,559
Speaker 1: Kimmel's circle and they're just like, it's thankless, Like it

174
00:09:07,600 --> 00:09:09,360
Speaker 1: doesn't matter how good of a job you do. The

175
00:09:09,400 --> 00:09:12,120
Speaker 1: next day, the reviews, I'll say you were fine, and

176
00:09:12,160 --> 00:09:14,199
Speaker 1: the show is too long and so I think a

177
00:09:14,280 --> 00:09:16,400
Speaker 1: lot of people they just don't want to do it.

178
00:09:16,440 --> 00:09:18,679
Speaker 1: They don't like want the guff. And again, I'm old

179
00:09:18,760 --> 00:09:21,440
Speaker 1: enough to remember when like Billie Crystal was the quasi

180
00:09:21,520 --> 00:09:23,840
Speaker 1: permanent host for like a decade. You know, he took

181
00:09:23,880 --> 00:09:26,200
Speaker 1: some time off, but he did it like six times

182
00:09:26,200 --> 00:09:28,880
Speaker 1: in the nineties and it was really cool. So I

183
00:09:28,920 --> 00:09:30,720
Speaker 1: really hope they go back to that. They went after

184
00:09:30,760 --> 00:09:33,280
Speaker 1: a ton of comedians this year and everybody passed if

185
00:09:33,320 --> 00:09:34,480
Speaker 1: you know the right people, if they would have just

186
00:09:34,520 --> 00:09:37,760
Speaker 1: got Pete Davidson, well supposedly they asked Pete Davidson. But

187
00:09:37,840 --> 00:09:39,760
Speaker 1: that's my point is that people like that are passing

188
00:09:39,800 --> 00:09:42,000
Speaker 1: now because they're also a little afraid they're gonna say

189
00:09:42,040 --> 00:09:45,160
Speaker 1: something too blue and then they're gonna get canceled. I mean,

190
00:09:45,200 --> 00:09:47,360
Speaker 1: it speaks a whole another bigger issue about where we

191
00:09:47,360 --> 00:09:49,400
Speaker 1: are in the state of comedy. So I think the

192
00:09:49,480 --> 00:09:52,000
Speaker 1: three women that are doing it on Sunday want to

193
00:09:52,040 --> 00:09:55,400
Speaker 1: psych Sammy Schumer and Regina Hall. Yes, they're each taking

194
00:09:55,440 --> 00:09:58,199
Speaker 1: like a different hour of the show. So let's dig in.

195
00:09:58,840 --> 00:10:03,720
Speaker 1: Let's get to it. The first category, Best Film. They

196
00:10:03,880 --> 00:10:06,200
Speaker 1: expanded the nominations a few years ago, so I think

197
00:10:06,200 --> 00:10:09,920
Speaker 1: there's ten films up for Best Film of the Year.

198
00:10:10,040 --> 00:10:14,679
Speaker 1: Power of the Dog minus one forties starring Benedict Cumberbatch

199
00:10:15,160 --> 00:10:19,079
Speaker 1: and Kirsten Dunst and Jesse Plemons is the leader. In

200
00:10:19,120 --> 00:10:23,160
Speaker 1: the Clubhouse Coda remake of a French film plus one

201
00:10:23,200 --> 00:10:26,800
Speaker 1: oh five is number two. I've got very strong opinions

202
00:10:26,840 --> 00:10:28,840
Speaker 1: here of the movies I've seen, I haven't seen all

203
00:10:28,880 --> 00:10:31,360
Speaker 1: the movies, but I have seen these two movies, so

204
00:10:31,400 --> 00:10:34,719
Speaker 1: I've seen the favorites. Michael, handicap it from your point

205
00:10:34,760 --> 00:10:37,320
Speaker 1: of view, knowing Power of the Dog is sort of

206
00:10:37,360 --> 00:10:39,520
Speaker 1: the leader, and the has the shortest odds and Koda

207
00:10:39,600 --> 00:10:42,160
Speaker 1: has the second shortest dots. I should also name the

208
00:10:42,200 --> 00:10:47,720
Speaker 1: other movies being in consideration Belfast, Kenneth Brauna, West Side Story,

209
00:10:47,760 --> 00:10:52,600
Speaker 1: Steven Spielberg, Dune. I forgot King Richard, as you mentioned, Uh,

210
00:10:52,640 --> 00:10:56,240
Speaker 1: that's the one starting Will Smith Labors, Pizza, Paul Thomas Anderson,

211
00:10:56,640 --> 00:10:59,839
Speaker 1: don't look up Jesus Christ. That was terrible, Adam m

212
00:11:00,760 --> 00:11:04,880
Speaker 1: uh drive my Car, and Uh Nightmare Alley, which is

213
00:11:04,920 --> 00:11:08,440
Speaker 1: a bit of a surprise. So handicap before me again

214
00:11:08,600 --> 00:11:11,200
Speaker 1: for your listeners. It almost could equate to sports in

215
00:11:11,200 --> 00:11:13,400
Speaker 1: the sense of who you think is like, you know,

216
00:11:13,600 --> 00:11:16,080
Speaker 1: looking good in September for the NFL versus looking good

217
00:11:16,120 --> 00:11:18,760
Speaker 1: in January. Power of the Dog has been the prohibitive

218
00:11:18,800 --> 00:11:21,920
Speaker 1: favorite for like four months. You know Jane Campion, who

219
00:11:21,920 --> 00:11:26,480
Speaker 1: won an Oscar for writing the Piano. She has been

220
00:11:26,520 --> 00:11:28,920
Speaker 1: in New Zealand and Australia making these really good TV

221
00:11:28,960 --> 00:11:31,400
Speaker 1: shows like Top of the Lake hasn't made a mainstream

222
00:11:31,400 --> 00:11:33,800
Speaker 1: film in a while, and this is like Netflix is big,

223
00:11:33,840 --> 00:11:36,360
Speaker 1: big push to finally win an Oscar for Best Picture,

224
00:11:37,120 --> 00:11:38,880
Speaker 1: and people really like this movie. I've seen it. It's

225
00:11:38,960 --> 00:11:41,880
Speaker 1: very good, it's very interesting. It's got a very complex ending.

226
00:11:42,360 --> 00:11:46,760
Speaker 1: But Coda is like the quasi little movie that could

227
00:11:46,880 --> 00:11:50,199
Speaker 1: from Apple, another streaming service that was bought at Sunday's

228
00:11:50,280 --> 00:11:52,880
Speaker 1: last year full disclosure of my colleagues client wrote and

229
00:11:52,880 --> 00:11:55,160
Speaker 1: directed it, but I sweared not by so though I

230
00:11:55,160 --> 00:11:57,360
Speaker 1: thought it was wonderful and I like Power of the

231
00:11:57,400 --> 00:12:00,520
Speaker 1: Dog a lot too. But Koda has come on very

232
00:12:00,600 --> 00:12:02,800
Speaker 1: late and has a lot of momentum right now. And

233
00:12:02,840 --> 00:12:05,000
Speaker 1: the thing that your listeners need to know is that

234
00:12:05,040 --> 00:12:08,480
Speaker 1: the Academy voting only started like a week ago, so

235
00:12:08,720 --> 00:12:10,640
Speaker 1: you know, it doesn't matter what somebody thought in October

236
00:12:10,679 --> 00:12:13,160
Speaker 1: and October people thought Belfast was gonna be the Best Picture,

237
00:12:13,160 --> 00:12:15,160
Speaker 1: and I do not think that's going to win. So

238
00:12:16,160 --> 00:12:17,880
Speaker 1: if you look at the last ten years or so,

239
00:12:18,200 --> 00:12:20,800
Speaker 1: more than certainly like the fifty years before, the last

240
00:12:20,800 --> 00:12:24,560
Speaker 1: ten years, you've had a lot of split director and

241
00:12:24,679 --> 00:12:27,840
Speaker 1: Best Picture winners. So like La La Land was Best

242
00:12:27,840 --> 00:12:31,600
Speaker 1: Director two thousand sixteen for Damian Gazelle, Moonlight was Best

243
00:12:31,640 --> 00:12:35,160
Speaker 1: Picture two thousand eighteen, Alfonso Kron best Director of a Roma,

244
00:12:35,200 --> 00:12:38,800
Speaker 1: but green Book was Best Picture? Right, Um, so you

245
00:12:38,880 --> 00:12:45,280
Speaker 1: see that more and more. It's happening more and more, Um, Alfonso, Sorry,

246
00:12:45,559 --> 00:12:48,320
Speaker 1: Alejandra and Arito one Best Director for the second year

247
00:12:48,360 --> 00:12:50,719
Speaker 1: in a row for The Revenant, and Spotlight was the

248
00:12:50,760 --> 00:12:54,720
Speaker 1: Best Picture. So jumping into your second major category, I

249
00:12:54,760 --> 00:12:57,400
Speaker 1: think the smart money is that Jane Campion will win

250
00:12:57,480 --> 00:13:00,920
Speaker 1: Best Director. Boat is going to win Best Pick. Sure, now,

251
00:13:01,000 --> 00:13:04,320
Speaker 1: Coda only has three OSCAR nominations and not since like

252
00:13:04,400 --> 00:13:07,360
Speaker 1: Grand Hotel in two as a movie with that a

253
00:13:07,400 --> 00:13:10,640
Speaker 1: few ASCAR ownations one Best Picture. But the truth is,

254
00:13:10,679 --> 00:13:13,200
Speaker 1: I don't think that stuff matters anymore. And ironically, what

255
00:13:13,240 --> 00:13:17,280
Speaker 1: you're gonna see, not to spoil, Dune will probably win

256
00:13:17,320 --> 00:13:19,600
Speaker 1: the most Oscars on Sunday, because it's going to dominate

257
00:13:19,640 --> 00:13:22,440
Speaker 1: all the technical categories. So this is not one of

258
00:13:22,480 --> 00:13:25,120
Speaker 1: those years where you have a Titanic that's gonna win

259
00:13:25,160 --> 00:13:30,240
Speaker 1: eleven Oscars, or you know, Lord of the Rings or

260
00:13:30,240 --> 00:13:32,439
Speaker 1: maybe eleven Oscars, remember the third Lord of the Rings.

261
00:13:32,480 --> 00:13:35,319
Speaker 1: So I think I would bet on Coda. I think

262
00:13:35,360 --> 00:13:38,400
Speaker 1: Coda is surging um and Power of the Dog. You know,

263
00:13:38,440 --> 00:13:40,559
Speaker 1: Jene Campion probably wins Best Director, and it's one of

264
00:13:40,600 --> 00:13:44,199
Speaker 1: those two. Nobody else Belfast West Side Story, none of

265
00:13:44,200 --> 00:13:46,520
Speaker 1: the others have a chance. I would tell you to

266
00:13:46,800 --> 00:13:50,720
Speaker 1: bet on Coda. You know what's interesting the way you

267
00:13:50,880 --> 00:13:57,200
Speaker 1: described the Power of the Dog. Nobody says, Oh, I

268
00:13:57,240 --> 00:14:00,600
Speaker 1: love this movie. It's so good. Oh, I like, I

269
00:14:00,640 --> 00:14:04,439
Speaker 1: had all the fields. They're like, it's interesting, it's complex.

270
00:14:05,120 --> 00:14:10,280
Speaker 1: I watched it. It was subtle to the point of

271
00:14:10,320 --> 00:14:15,600
Speaker 1: non existence, like it just like I almost I didn't

272
00:14:15,600 --> 00:14:18,720
Speaker 1: want to watch it at first because all the reviews

273
00:14:18,720 --> 00:14:24,000
Speaker 1: were about how sadistic Benedict Cumber batches in the movie,

274
00:14:25,040 --> 00:14:28,480
Speaker 1: and that's just not my jam and and so I

275
00:14:28,520 --> 00:14:31,320
Speaker 1: really was turned off by the way it was described.

276
00:14:31,760 --> 00:14:33,640
Speaker 1: And then we decided to watch it. My wife and

277
00:14:33,680 --> 00:14:36,880
Speaker 1: I and we stopped in the middle and did a

278
00:14:36,920 --> 00:14:40,680
Speaker 1: forty five minute zoom with her parents, which was even

279
00:14:41,400 --> 00:14:45,640
Speaker 1: more uninteresting. That's how the filmmaker intended you to watch it, Chad, Yeah,

280
00:14:45,680 --> 00:14:47,680
Speaker 1: I went. I picked up my kid at like eleven

281
00:14:47,760 --> 00:14:50,200
Speaker 1: thirty at night, like by the time, like it just

282
00:14:50,240 --> 00:14:54,240
Speaker 1: didn't hold my attention was coda, Like I was all

283
00:14:54,280 --> 00:14:58,160
Speaker 1: happy tears. It was a beautiful, wonderful film. You know.

284
00:14:58,160 --> 00:14:59,840
Speaker 1: The funny thing that Power of the Dog. I saw

285
00:15:00,000 --> 00:15:01,680
Speaker 1: a couple of months ago and I said to a friend,

286
00:15:01,800 --> 00:15:03,720
Speaker 1: I liked it, I said, but I it reminded me

287
00:15:03,760 --> 00:15:07,080
Speaker 1: of Brokeback Mountain, and I like to Brokeback Mountain much better. Well,

288
00:15:07,120 --> 00:15:09,560
Speaker 1: I found out a little bit of googling. Power of

289
00:15:09,560 --> 00:15:13,280
Speaker 1: the Dog is a novel from seven that Annie Prue

290
00:15:13,960 --> 00:15:17,240
Speaker 1: read in like the eighties, and it inspired her to

291
00:15:17,280 --> 00:15:20,120
Speaker 1: write Brokeback Mountain, which was then adapted by Larry mcmurphry

292
00:15:20,160 --> 00:15:22,600
Speaker 1: and Diana Osana. So it's kind of interesting to see

293
00:15:22,640 --> 00:15:25,880
Speaker 1: just how one person's art inspires the next generation because

294
00:15:25,880 --> 00:15:28,480
Speaker 1: it has very similar themes. And apparently I just heard

295
00:15:28,920 --> 00:15:30,960
Speaker 1: on another podcast. I won't name them. I don't want

296
00:15:30,960 --> 00:15:34,000
Speaker 1: to draw your viewers away. That um, the guy who

297
00:15:34,000 --> 00:15:35,920
Speaker 1: wrote the book Who's Dead, who wrote the Power of

298
00:15:35,960 --> 00:15:38,360
Speaker 1: the Dog. It's basically based on his life. He's the kid,

299
00:15:38,760 --> 00:15:42,000
Speaker 1: he had the abusive um, he had the benet a

300
00:15:42,040 --> 00:15:44,040
Speaker 1: car Batch guy in his life. I don't know if

301
00:15:44,080 --> 00:15:47,240
Speaker 1: he did what the movie would tell you he might

302
00:15:47,280 --> 00:15:49,720
Speaker 1: have done. Not to spoil it, but that was his

303
00:15:50,080 --> 00:15:54,200
Speaker 1: that was his upbringing. So I hear you coda. It

304
00:15:54,320 --> 00:15:57,280
Speaker 1: was just beautiful. You don't see enough about deaf culture,

305
00:15:57,800 --> 00:16:00,200
Speaker 1: and it's kind of ironic. As Marley Matlin, you was

306
00:16:00,240 --> 00:16:02,320
Speaker 1: the first deaf person to win an oscar in nine

307
00:16:03,240 --> 00:16:06,120
Speaker 1: six from Children Over the Lesser God, which is really

308
00:16:06,120 --> 00:16:09,280
Speaker 1: interesting movie. Actually one of my clients mothers wrote the

309
00:16:09,320 --> 00:16:11,480
Speaker 1: play that it's based on. She passed away about two

310
00:16:11,520 --> 00:16:13,680
Speaker 1: years ago. I just don't see this talked about a lot.

311
00:16:13,720 --> 00:16:15,640
Speaker 1: And you see that family in that movie, and you

312
00:16:15,640 --> 00:16:18,000
Speaker 1: see how much love they have but also how complicated

313
00:16:18,040 --> 00:16:20,960
Speaker 1: they are. And I thought the young woman who you

314
00:16:21,000 --> 00:16:23,000
Speaker 1: know played the you know, the doctor who can hear,

315
00:16:23,040 --> 00:16:26,440
Speaker 1: I thought she was incredible. To me. It was, you know,

316
00:16:27,000 --> 00:16:30,320
Speaker 1: head and shoulders above Power of the Dog. I hope

317
00:16:30,320 --> 00:16:32,400
Speaker 1: at winds the oscar. I loved it. It was the

318
00:16:32,400 --> 00:16:35,200
Speaker 1: exact right movie the exact right time for me personally,

319
00:16:35,640 --> 00:16:38,920
Speaker 1: just thought it was amazing. You mentioned Best Director Paul

320
00:16:38,960 --> 00:16:44,560
Speaker 1: Thomas Anderson Liquors, Pizza is about plus one, Steven Spielberg,

321
00:16:44,560 --> 00:16:49,560
Speaker 1: West Side Story also ties to one, Kenneth Brauna Belfast

322
00:16:50,120 --> 00:16:56,240
Speaker 1: to one, and then resup Hamagucci Drive My Car. You

323
00:16:56,280 --> 00:16:59,760
Speaker 1: mentioned Jane Campion, So she directed Power the Dog right now,

324
00:17:00,000 --> 00:17:04,720
Speaker 1: and fandel she is minus to come home with the award.

325
00:17:05,400 --> 00:17:07,080
Speaker 1: I think she will win. I mean there was a

326
00:17:07,080 --> 00:17:09,920
Speaker 1: snap food with her ten days ago where she made

327
00:17:09,920 --> 00:17:12,560
Speaker 1: this comment to the Williams sisters at an award show

328
00:17:12,600 --> 00:17:14,879
Speaker 1: where she said, you know, you guys are amazing, but

329
00:17:14,920 --> 00:17:17,320
Speaker 1: I have to compete against the men, and you don't.

330
00:17:17,359 --> 00:17:21,560
Speaker 1: I think what she meant, I think was that directing

331
00:17:21,560 --> 00:17:24,520
Speaker 1: in movies has been male dominated for over a hundred years.

332
00:17:24,600 --> 00:17:27,360
Speaker 1: I mean there's only been, like I think Variety lists,

333
00:17:27,440 --> 00:17:30,480
Speaker 1: there's only been eighteen movies nominated for Best Picture directed

334
00:17:30,480 --> 00:17:33,920
Speaker 1: by women, and as far as women nominated for Best Director,

335
00:17:33,920 --> 00:17:37,600
Speaker 1: I mean it's Lena worked Miller in like nineteen seventy six,

336
00:17:37,640 --> 00:17:40,600
Speaker 1: I think, and then the next time it was Jane Campion,

337
00:17:41,840 --> 00:17:44,120
Speaker 1: and then it was Sofia Coppola in two thousand and three,

338
00:17:44,280 --> 00:17:46,359
Speaker 1: and then it was Katherine Bigelow in two thousand and

339
00:17:46,440 --> 00:17:49,119
Speaker 1: nine and she was the first woman to win Best Director.

340
00:17:49,680 --> 00:17:53,840
Speaker 1: And then Gregi Growig was nominated in UM in twenty

341
00:17:54,680 --> 00:17:58,760
Speaker 1: seventeen for Ladybird. And uh, and now we've got Jane

342
00:17:58,800 --> 00:18:02,480
Speaker 1: nominated again. So I think that's what she meant. Um.

343
00:18:02,560 --> 00:18:05,359
Speaker 1: You know, I'm sure she's a nice person. Uh. I

344
00:18:05,359 --> 00:18:06,840
Speaker 1: think she's gonna win. I've talked to a lot of

345
00:18:06,840 --> 00:18:10,760
Speaker 1: people this week in the business who think that Spielberg

346
00:18:11,160 --> 00:18:13,760
Speaker 1: is a dark horse, UM, just because he did such

347
00:18:13,760 --> 00:18:17,359
Speaker 1: an amazing job West Side Story, And I don't know,

348
00:18:17,480 --> 00:18:19,120
Speaker 1: I don't see it happening. I would bet on Jane

349
00:18:19,119 --> 00:18:22,440
Speaker 1: Campi Simon, I want you to weigh in best Actor.

350
00:18:22,440 --> 00:18:25,200
Speaker 1: I want to ask one more question about director, because Michael,

351
00:18:25,240 --> 00:18:30,720
Speaker 1: you mentioned Spielberg. So to me, that movie was indicative

352
00:18:31,040 --> 00:18:37,360
Speaker 1: of a very inside movie industry story. Everyone loved it,

353
00:18:37,400 --> 00:18:42,720
Speaker 1: took a while to put together, beautifully directed, colorful, wonderful.

354
00:18:42,800 --> 00:18:48,080
Speaker 1: New talent comes out and is critically loved and bombs

355
00:18:48,119 --> 00:18:51,600
Speaker 1: at the box office because for variety of reasons, you know,

356
00:18:51,840 --> 00:18:54,879
Speaker 1: the studio wanted to put it out at the box Office,

357
00:18:55,160 --> 00:18:57,600
Speaker 1: they delayed or they waited on the streaming and just

358
00:18:58,080 --> 00:19:02,680
Speaker 1: debuted on Disney. Plus, I wonder if he is becoming

359
00:19:02,680 --> 00:19:05,400
Speaker 1: while it's Spielberg and he's sort of the most powerful

360
00:19:05,440 --> 00:19:09,280
Speaker 1: person in the world when it comes to this business, Like,

361
00:19:10,040 --> 00:19:13,439
Speaker 1: is he representative of sort of Hollywood struggling with the

362
00:19:13,440 --> 00:19:15,920
Speaker 1: way things are changing and they are rooting for him

363
00:19:16,040 --> 00:19:18,560
Speaker 1: and it because it was so good and didn't do

364
00:19:18,640 --> 00:19:21,080
Speaker 1: well critically when they really would like movies like this

365
00:19:21,200 --> 00:19:23,280
Speaker 1: to do well. That could be a big part of it.

366
00:19:23,280 --> 00:19:25,520
Speaker 1: And I think the other thing too that you cannot underestimate.

367
00:19:25,960 --> 00:19:28,760
Speaker 1: So the Academy in the last five years, they like

368
00:19:28,880 --> 00:19:31,920
Speaker 1: massively opened the voter rolls and they added about five

369
00:19:31,960 --> 00:19:34,800
Speaker 1: thousand members and it was it was an initiative to

370
00:19:34,880 --> 00:19:38,639
Speaker 1: add more diverse people, younger people, types of people that

371
00:19:38,720 --> 00:19:41,560
Speaker 1: maybe had not been welcomed to the Academy for many,

372
00:19:41,560 --> 00:19:44,800
Speaker 1: many years. But what's interesting if you look at the winners,

373
00:19:44,920 --> 00:19:46,800
Speaker 1: I mean, like then you still had Green Book with

374
00:19:47,040 --> 00:19:48,600
Speaker 1: you know, and it's like that feels like a movie

375
00:19:48,640 --> 00:19:50,639
Speaker 1: that was voted on my people over sixty and I

376
00:19:50,680 --> 00:19:54,320
Speaker 1: liked Book. Um, So I think that my point is

377
00:19:54,359 --> 00:19:57,240
Speaker 1: the Academy is still on the older side. I think

378
00:19:57,240 --> 00:19:59,280
Speaker 1: the weird thing about West Side Story, to be quite honest,

379
00:19:59,359 --> 00:20:01,480
Speaker 1: is like the this movie already one best picture, I

380
00:20:01,520 --> 00:20:04,560
Speaker 1: mean one like eleven oscars in one, so it's like,

381
00:20:05,080 --> 00:20:07,520
Speaker 1: and he did an amazing job with it. But that's

382
00:20:07,560 --> 00:20:09,679
Speaker 1: what seems weird to me, is like, are we honoring

383
00:20:09,800 --> 00:20:11,679
Speaker 1: him for a movie that was already like one of

384
00:20:11,680 --> 00:20:15,159
Speaker 1: the great masterpieces ever. Spielberg is not going anywhere. He

385
00:20:15,280 --> 00:20:19,240
Speaker 1: is a spry like seventy three girl man who is

386
00:20:19,240 --> 00:20:21,920
Speaker 1: going to make a gazillion more movies. So I would

387
00:20:21,960 --> 00:20:25,439
Speaker 1: bet on Jane Campion. Also, it's very interesting just because

388
00:20:25,520 --> 00:20:27,879
Speaker 1: this is a pattern doesn't mean it's going to happen.

389
00:20:28,160 --> 00:20:29,840
Speaker 1: But if you go back to two thousand and ten,

390
00:20:30,320 --> 00:20:31,560
Speaker 1: I could name them for you in a second if

391
00:20:31,600 --> 00:20:34,159
Speaker 1: you want me to. Almost every best director is a

392
00:20:34,240 --> 00:20:37,960
Speaker 1: non American born director, which is I think really great

393
00:20:38,000 --> 00:20:41,160
Speaker 1: and fascinating that, like the rest of the world is,

394
00:20:41,359 --> 00:20:44,840
Speaker 1: you know, producing these amazing voices, they're ultimately coming to America.

395
00:20:44,960 --> 00:20:47,480
Speaker 1: So like I mean, you guys study all the stuff,

396
00:20:47,480 --> 00:20:49,959
Speaker 1: you look at these numbers that would suggest Jane Campion

397
00:20:50,000 --> 00:20:53,400
Speaker 1: is gonna win, because I mean every every year it's

398
00:20:53,400 --> 00:20:57,400
Speaker 1: a non American born director has been winning a trend

399
00:20:57,640 --> 00:21:02,359
Speaker 1: that is a trend to go Simon Hunter Michael is

400
00:21:02,440 --> 00:21:06,840
Speaker 1: bringing next level analytics to the best directing category. A

401
00:21:06,840 --> 00:21:08,440
Speaker 1: lot of these big movies have been flopping, like The

402
00:21:08,520 --> 00:21:11,359
Speaker 1: Last Duel that was one of the bigger flops of

403
00:21:11,560 --> 00:21:13,280
Speaker 1: last year, and that one of the biggest budgets. So

404
00:21:13,680 --> 00:21:15,960
Speaker 1: we're definitely seen a trend where it's like, I think,

405
00:21:15,960 --> 00:21:18,000
Speaker 1: then you started thinking about what audience is going to

406
00:21:18,080 --> 00:21:20,000
Speaker 1: go out and see these movies other than people that

407
00:21:20,000 --> 00:21:22,000
Speaker 1: are old like Chad, I just want to sit at home,

408
00:21:22,359 --> 00:21:23,919
Speaker 1: get the movie and watch it on the couch, like

409
00:21:24,000 --> 00:21:26,000
Speaker 1: you don't really feel like in the movies. And the

410
00:21:26,040 --> 00:21:28,000
Speaker 1: movie you did go see out wasn't The Spider Man.

411
00:21:28,680 --> 00:21:31,640
Speaker 1: I went to see The Batman a couple of weeks ago.

412
00:21:32,600 --> 00:21:35,240
Speaker 1: It was a little long and literally too dark, Like

413
00:21:35,240 --> 00:21:38,080
Speaker 1: I couldn't see a fucking thing. So when when it

414
00:21:38,119 --> 00:21:40,959
Speaker 1: was over, my wife and kid were like, we loved it.

415
00:21:41,000 --> 00:21:43,560
Speaker 1: I'm like they're and my wife was like, you couldn't

416
00:21:43,600 --> 00:21:45,040
Speaker 1: really see a kid who I'm like, I could not

417
00:21:45,400 --> 00:21:49,200
Speaker 1: see anything. Yeah, I haven't yet because it's hard to

418
00:21:49,200 --> 00:21:51,680
Speaker 1: get out of the movie is three hours long and

419
00:21:51,880 --> 00:21:54,520
Speaker 1: the Grove, our closest movie theater in l A runs

420
00:21:54,560 --> 00:21:58,000
Speaker 1: thirty five minutes of previews and commercials, and my wife

421
00:21:58,000 --> 00:22:00,359
Speaker 1: and I we can't make the like five hour around

422
00:22:00,440 --> 00:22:03,440
Speaker 1: trip to go see the movie between like feeding the bait,

423
00:22:03,480 --> 00:22:05,920
Speaker 1: you know what I mean. Like so, but but here's

424
00:22:05,920 --> 00:22:07,600
Speaker 1: the thing though, and this goes to your point about

425
00:22:07,680 --> 00:22:10,359
Speaker 1: Last Toul Simon. They already announced The Batman's coming on

426
00:22:10,480 --> 00:22:13,479
Speaker 1: HBO Max at the end of April. The studios, they

427
00:22:13,520 --> 00:22:15,960
Speaker 1: think they have to do it shortening their own timeline

428
00:22:16,000 --> 00:22:18,720
Speaker 1: literally by putting these movies out so fast onto v

429
00:22:18,800 --> 00:22:21,080
Speaker 1: O D to make more money. I mean, you guys

430
00:22:21,080 --> 00:22:23,200
Speaker 1: all know time goes by so fast. If you were

431
00:22:23,240 --> 00:22:25,080
Speaker 1: like an adult who want to see the Last Duel,

432
00:22:25,200 --> 00:22:26,560
Speaker 1: all you had to wait it was like a month

433
00:22:26,640 --> 00:22:28,800
Speaker 1: to see it, and a month goes by really fast.

434
00:22:28,800 --> 00:22:30,760
Speaker 1: You have other ship to do. And that's why a

435
00:22:30,760 --> 00:22:32,639
Speaker 1: lot of those movies are starting to fail at the

436
00:22:32,680 --> 00:22:35,600
Speaker 1: box office. It's a double edged sword though, because I'm

437
00:22:35,640 --> 00:22:38,280
Speaker 1: an old soul, I'm not good with technology. I can

438
00:22:38,320 --> 00:22:40,800
Speaker 1: get you any movie you want right now for free.

439
00:22:41,240 --> 00:22:43,919
Speaker 1: So that's what they're dealing with here. It's like I

440
00:22:43,960 --> 00:22:46,199
Speaker 1: get what they want to delay Batman. But it's like,

441
00:22:47,080 --> 00:22:49,080
Speaker 1: I don't know, I could have got that opening weekend,

442
00:22:49,600 --> 00:22:53,639
Speaker 1: you know, the Chinese version, the Russian version, whatever. They

443
00:22:53,680 --> 00:22:55,320
Speaker 1: would have the subtitles of the bottom, but it would

444
00:22:55,359 --> 00:22:57,760
Speaker 1: be clear picture. So I get it. Man. It's it's

445
00:22:57,760 --> 00:22:59,800
Speaker 1: a tough battle for these movie things. That's why this

446
00:23:00,000 --> 00:23:03,000
Speaker 1: next category is funny. Best Actor. This feels like a

447
00:23:03,119 --> 00:23:06,080
Speaker 1: makeup award this year. So Will Smith, I'm looking right

448
00:23:06,080 --> 00:23:09,960
Speaker 1: here for King Richard Mine is six. That's yeah, that's crazy.

449
00:23:10,119 --> 00:23:13,399
Speaker 1: And Benedict Cumberbatch, who Chad just talked about little bit

450
00:23:13,400 --> 00:23:14,800
Speaker 1: with the power of the Dog. That to me that

451
00:23:14,960 --> 00:23:18,000
Speaker 1: was pretty good acting Like I did not like him

452
00:23:18,040 --> 00:23:21,359
Speaker 1: at all, and he's to me a pretty likable guy. Um,

453
00:23:21,440 --> 00:23:25,360
Speaker 1: so he's in there plus five fifty. That's really that's

454
00:23:25,359 --> 00:23:27,359
Speaker 1: a crazy discrepancy from the first place guy to the

455
00:23:27,400 --> 00:23:29,520
Speaker 1: second place guy. Is that really? Is that just what?

456
00:23:29,640 --> 00:23:31,400
Speaker 1: It's a foregone conclusion this year that it's just gonna

457
00:23:31,400 --> 00:23:33,880
Speaker 1: be at totally foregone conclusion. And I thought, I mean,

458
00:23:33,880 --> 00:23:37,320
Speaker 1: they look, Bennett was great. I think that the Will

459
00:23:37,359 --> 00:23:39,919
Speaker 1: Smith thing is half of a makeup oscar. And what

460
00:23:39,960 --> 00:23:41,960
Speaker 1: I mean by that is I think it's a great

461
00:23:42,000 --> 00:23:45,320
Speaker 1: performance he is worthy of winning. Sometimes people talk about

462
00:23:45,359 --> 00:23:48,160
Speaker 1: makeup Oscars, where people win Oscars for roles that weren't

463
00:23:48,200 --> 00:23:51,119
Speaker 1: as challenging as other roles. But it feels like a

464
00:23:51,200 --> 00:23:53,840
Speaker 1: makeup oscar because we liked Will Smith for so long

465
00:23:54,920 --> 00:23:57,040
Speaker 1: and he's been nominated two other times. There were a

466
00:23:57,040 --> 00:23:59,439
Speaker 1: couple other times he should have been nominated that he wasn't, like,

467
00:23:59,520 --> 00:24:03,239
Speaker 1: even going out to six streies of separation, and so

468
00:24:03,280 --> 00:24:06,720
Speaker 1: I think there's a sense of like, it's just his time,

469
00:24:06,760 --> 00:24:08,200
Speaker 1: and we love him and we want to give it

470
00:24:08,200 --> 00:24:10,640
Speaker 1: to him. I mean, he's been quote unquote running for

471
00:24:10,680 --> 00:24:14,080
Speaker 1: six months, he released his long awaited autobiography, He's doing

472
00:24:14,160 --> 00:24:17,320
Speaker 1: all this massive publicity. But I thought he was really

473
00:24:17,320 --> 00:24:19,600
Speaker 1: good and I yeah, it's on your on your Shelf,

474
00:24:19,920 --> 00:24:22,480
Speaker 1: and I am. I watched that movie and I feel

475
00:24:22,480 --> 00:24:24,879
Speaker 1: like I was not watching Will Smith and Bennet Comberbadge

476
00:24:25,040 --> 00:24:27,680
Speaker 1: is a brilliant actor. For the people who have never

477
00:24:27,680 --> 00:24:32,200
Speaker 1: seen his Sherlock Holmes BBC show, it's incredible. But he's

478
00:24:32,240 --> 00:24:34,160
Speaker 1: just gonna be around. He's gonna get not in five

479
00:24:34,200 --> 00:24:37,479
Speaker 1: more times. So this to me is the lock of

480
00:24:37,520 --> 00:24:40,800
Speaker 1: the night. Like when I watched King Richard ten Minton

481
00:24:40,880 --> 00:24:42,879
Speaker 1: I was like, Yeah, he's winning the oscar like this

482
00:24:42,920 --> 00:24:45,399
Speaker 1: is this is when he's when he's like fighting with

483
00:24:45,440 --> 00:24:49,359
Speaker 1: the gangs who are like stalking his daughters, He's like, Okay,

484
00:24:49,359 --> 00:24:52,080
Speaker 1: he's winning the oscar like he's amazing. So that that

485
00:24:52,200 --> 00:24:54,120
Speaker 1: is the lock. I don't know how much you can

486
00:24:54,119 --> 00:24:56,159
Speaker 1: win on that. Why does that make you when you

487
00:24:56,240 --> 00:24:59,720
Speaker 1: see that? Why does that make you feel like? Get

488
00:25:00,000 --> 00:25:03,440
Speaker 1: I think of that, and it feels like a very

489
00:25:03,520 --> 00:25:09,760
Speaker 1: consistent trope in movies about sports, which which part in

490
00:25:09,800 --> 00:25:14,760
Speaker 1: particular it's it's the father being protective in a difficult

491
00:25:14,800 --> 00:25:20,520
Speaker 1: neighborhood of his children against gangs like that. That's not

492
00:25:21,200 --> 00:25:23,800
Speaker 1: sort of unique in cinema to me, Why does something

493
00:25:23,840 --> 00:25:26,520
Speaker 1: like that when it's done in this movie speak to

494
00:25:26,560 --> 00:25:29,879
Speaker 1: you as he's getting For me, I thought it was

495
00:25:29,960 --> 00:25:32,920
Speaker 1: just the pure acting of like him, like going at

496
00:25:33,000 --> 00:25:35,639
Speaker 1: night like face the gang again and then getting beaten up.

497
00:25:35,680 --> 00:25:37,480
Speaker 1: I just felt it was so raw. But but to

498
00:25:37,640 --> 00:25:40,639
Speaker 1: further answer your question, I think where the movie was

499
00:25:40,680 --> 00:25:44,280
Speaker 1: so interesting and I'll admit I mean, I'm I only knew.

500
00:25:44,880 --> 00:25:47,360
Speaker 1: I think I had a biased opinion of Richard Williams

501
00:25:47,440 --> 00:25:49,320
Speaker 1: based on the news of the nineties that he was

502
00:25:49,400 --> 00:25:52,960
Speaker 1: this cranky dad who was like overbearing. But you you

503
00:25:53,000 --> 00:25:57,119
Speaker 1: see that movie, which granted the Williams Sisters produced, and

504
00:25:57,200 --> 00:25:59,960
Speaker 1: it seems like, no, he was trying to protect these kids,

505
00:26:00,040 --> 00:26:03,119
Speaker 1: give them a real childhood, and to also you know,

506
00:26:03,320 --> 00:26:06,720
Speaker 1: managed the expectations of their lives. But ultimately, thought what

507
00:26:06,840 --> 00:26:09,480
Speaker 1: made the movie interesting going forward, you know, past those

508
00:26:09,520 --> 00:26:13,159
Speaker 1: early scenes, um, was how he was managing their lives

509
00:26:13,160 --> 00:26:15,200
Speaker 1: and wanting them to be kids and taking them out

510
00:26:15,359 --> 00:26:19,359
Speaker 1: of the junior tournaments and all that stuff. So I

511
00:26:19,400 --> 00:26:21,600
Speaker 1: don't know, it's it's a very good question. I get

512
00:26:21,600 --> 00:26:23,879
Speaker 1: your point. Whether it's The blind Side or other movies

513
00:26:23,920 --> 00:26:27,040
Speaker 1: like that, it's definitely a trope. But I think it happened.

514
00:26:27,320 --> 00:26:29,159
Speaker 1: I mean that that's the thing, you know, from what

515
00:26:29,200 --> 00:26:33,040
Speaker 1: I have read about the Williams sisters, Uh, that was

516
00:26:33,080 --> 00:26:35,919
Speaker 1: a real thing, you know, um, And I don't know,

517
00:26:36,000 --> 00:26:39,200
Speaker 1: I just thought will Smith he was he was complicated

518
00:26:39,240 --> 00:26:42,600
Speaker 1: in that movie but powerful, and you got kind of

519
00:26:42,600 --> 00:26:45,360
Speaker 1: how much he loved these kids because he was so

520
00:26:45,480 --> 00:26:47,920
Speaker 1: fueled by trying to give them a better chance than

521
00:26:48,000 --> 00:26:51,040
Speaker 1: what he had had. Obviously, So anyways, I think that

522
00:26:51,040 --> 00:26:53,240
Speaker 1: that's the lock of the night. He's gonna Win. I

523
00:26:53,320 --> 00:26:55,240
Speaker 1: like this next one is a little bit better because

524
00:26:55,240 --> 00:26:57,920
Speaker 1: it's so flip floppy. I've been checking for the last

525
00:26:57,960 --> 00:27:00,760
Speaker 1: couple of months, and for best Stress, it's been moving

526
00:27:00,800 --> 00:27:04,359
Speaker 1: around a lot, so just checking out. And FanDuel Jessica

527
00:27:04,480 --> 00:27:07,720
Speaker 1: Chastain The Eyes of Tammy How do you pronounce that

528
00:27:07,800 --> 00:27:12,440
Speaker 1: last name? Tammy Fay? The Eyes of Tammy Faye minus

529
00:27:12,560 --> 00:27:14,960
Speaker 1: one forty, which is new to me because I literally

530
00:27:15,040 --> 00:27:18,359
Speaker 1: checked not even a week ago. And Nicole Kidman for

531
00:27:18,600 --> 00:27:20,840
Speaker 1: being the Ricardo's was favorite at the time. She's now

532
00:27:20,880 --> 00:27:26,000
Speaker 1: plus two forty. Christian Stewart for Spencer plus five hundred.

533
00:27:26,280 --> 00:27:30,680
Speaker 1: And you know, I don't hate Penelope Cruise. She's always

534
00:27:30,680 --> 00:27:34,720
Speaker 1: at the bottom for Parallel Mothers plus six, which I

535
00:27:34,720 --> 00:27:37,479
Speaker 1: thought she was really good at. I honestly, of all

536
00:27:37,560 --> 00:27:40,120
Speaker 1: the movies I watched, of all these actresses, I've only

537
00:27:40,119 --> 00:27:42,520
Speaker 1: seen three of these. To me on this list, he

538
00:27:42,640 --> 00:27:44,480
Speaker 1: was my favorite ones. That's surprisingly seeing her at the

539
00:27:44,480 --> 00:27:47,040
Speaker 1: bottom there plus six, well what I think is happening

540
00:27:47,040 --> 00:27:50,200
Speaker 1: in this category. And Jessica jess Stein is a is

541
00:27:50,200 --> 00:27:52,439
Speaker 1: a kind of a colleague of mine. Um. You know,

542
00:27:52,440 --> 00:27:57,200
Speaker 1: I gotta give you all my all my comments of interest. Um, yeah,

543
00:27:57,240 --> 00:28:01,200
Speaker 1: five women. Penelope Creuse one Best Learnning Actress for Vicky

544
00:28:01,240 --> 00:28:03,840
Speaker 1: Cassina Barcelona back. I think in two thousands, in two

545
00:28:03,840 --> 00:28:08,399
Speaker 1: tho UM, Olivia Coleman one Best Actress in eighteen for

546
00:28:08,440 --> 00:28:10,920
Speaker 1: the Favorite UM. And then you've got a cole Kidman

547
00:28:10,920 --> 00:28:13,879
Speaker 1: who won Best Actress in two thousand two for The

548
00:28:13,960 --> 00:28:17,280
Speaker 1: Hours UM. And then you have Christmas Stewart, you have

549
00:28:17,320 --> 00:28:19,399
Speaker 1: Jessica Chesstains. You have three women who have already won

550
00:28:19,400 --> 00:28:23,600
Speaker 1: the Oscar. And Jessica chess Stain has been nominated twice before.

551
00:28:23,640 --> 00:28:28,159
Speaker 1: She's a brilliant actress who the community really really respects.

552
00:28:28,600 --> 00:28:31,960
Speaker 1: She's excellent in Tammy Faye Um christ and Stewart was

553
00:28:32,000 --> 00:28:35,879
Speaker 1: great in Um Spencer, but that's a movie. I feel

554
00:28:35,920 --> 00:28:39,480
Speaker 1: like people were very divided on and part of me

555
00:28:39,520 --> 00:28:42,200
Speaker 1: thinks people just look at this category and think, well,

556
00:28:42,240 --> 00:28:45,120
Speaker 1: three of the women already have an Oscar. Christmas Stewart's

557
00:28:45,160 --> 00:28:47,640
Speaker 1: pretty young, she's gonna be back. Chess Stain was nominated

558
00:28:47,680 --> 00:28:50,400
Speaker 1: twice before for the Help of Zero Dark thirty. It's

559
00:28:50,400 --> 00:28:52,920
Speaker 1: just kind of her time and so but this one

560
00:28:52,960 --> 00:28:54,760
Speaker 1: is is it? This one could be a surprise. I

561
00:28:54,840 --> 00:28:58,440
Speaker 1: think chess Stain will win she's been surging as of late,

562
00:28:59,000 --> 00:29:02,800
Speaker 1: but you can't count out. Like Olivia Coleman is really

563
00:29:02,840 --> 00:29:05,800
Speaker 1: good in The Lost Daughter, and Olivia Coleman is one

564
00:29:05,840 --> 00:29:08,760
Speaker 1: of those British actors and actresses now where it just

565
00:29:08,800 --> 00:29:11,680
Speaker 1: seems like we're gonna give them five Oscars because they're

566
00:29:11,720 --> 00:29:14,800
Speaker 1: just genius and everything they do. And she is amazing

567
00:29:14,840 --> 00:29:17,880
Speaker 1: in that film. But I would put your money on Chestaing.

568
00:29:17,920 --> 00:29:24,240
Speaker 1: I think she's gonna win. Can we uh take? Can

569
00:29:24,280 --> 00:29:29,120
Speaker 1: we not down the brilliance of Jessica Chastain and Penelic

570
00:29:29,160 --> 00:29:33,120
Speaker 1: p CRUs because they were of the three five five,

571
00:29:33,200 --> 00:29:36,320
Speaker 1: which I tried to watch and it was so bad

572
00:29:36,760 --> 00:29:38,600
Speaker 1: I had to turn it off on animals. Never turn

573
00:29:38,640 --> 00:29:41,480
Speaker 1: off movies. You're gonna get me, get me in trouble.

574
00:29:41,920 --> 00:29:45,120
Speaker 1: You know what, it's everybody they make. People make a

575
00:29:45,160 --> 00:29:48,080
Speaker 1: lot of movies and not all movies work, and making

576
00:29:48,160 --> 00:29:51,200
Speaker 1: movies very hard. That's the real alchemy. I represent a

577
00:29:51,200 --> 00:29:53,520
Speaker 1: lot of people people. Here's the thing about movies. You

578
00:29:53,560 --> 00:29:56,960
Speaker 1: have to remember about anything TV, there's always somebody on

579
00:29:56,960 --> 00:29:59,600
Speaker 1: the other side doing their absolute best and sometimes it

580
00:29:59,640 --> 00:30:02,720
Speaker 1: doesn't to connect, you know, no different than than athletes.

581
00:30:02,720 --> 00:30:05,200
Speaker 1: They're trying their hardest and they don't they don't know

582
00:30:05,320 --> 00:30:08,160
Speaker 1: He's uh. I don't disagree with you. I did. I

583
00:30:08,200 --> 00:30:11,640
Speaker 1: watched that movie. I love Jessica Chastain, love her, love

584
00:30:11,720 --> 00:30:14,920
Speaker 1: Penelope CRUs think she's amazing. Like I watched that movie.

585
00:30:14,960 --> 00:30:17,200
Speaker 1: I turned it on. I was like, everybody in my

586
00:30:17,240 --> 00:30:20,160
Speaker 1: house was out. I'm like, I've seen the previews for this,

587
00:30:20,240 --> 00:30:22,280
Speaker 1: I've been wanting to see it. I turned it on.

588
00:30:22,760 --> 00:30:27,160
Speaker 1: I'm like, oh God, and they were acting their hearts out.

589
00:30:27,200 --> 00:30:29,280
Speaker 1: They were trying so hard and they were putting everything

590
00:30:29,320 --> 00:30:33,440
Speaker 1: behind it. It just you know, it wasn't translating Best

591
00:30:34,000 --> 00:30:37,320
Speaker 1: Supporting Actor. We talked about Power of the Dog. We

592
00:30:37,400 --> 00:30:41,200
Speaker 1: talked about Kirsten Dunn's son in that movie and how

593
00:30:41,240 --> 00:30:45,320
Speaker 1: better to Cumberbatch sort of terrorizes him. Cody Smith McPhee

594
00:30:45,440 --> 00:30:50,840
Speaker 1: plus plus two twenty to win the Oscar Troy cot

595
00:30:50,920 --> 00:30:57,160
Speaker 1: Sor for Coda is at minus Kern Hines. I looked

596
00:30:57,160 --> 00:30:58,840
Speaker 1: it up. I want to make sure I was pronouncing

597
00:30:58,840 --> 00:31:03,000
Speaker 1: it correctly, because as it's Gaelic. Curon Hines Belfast plus

598
00:31:03,080 --> 00:31:06,960
Speaker 1: eighteen hundred. Jesse Plemons one of my favorites as a

599
00:31:07,080 --> 00:31:12,480
Speaker 1: Friday Night Lights advocate devotee the power of the dog,

600
00:31:12,600 --> 00:31:15,160
Speaker 1: Kirsten Dunn's husband in real life and in the movie,

601
00:31:15,200 --> 00:31:19,320
Speaker 1: plus J K. Simmons being the Ricardo's he was probably

602
00:31:19,320 --> 00:31:22,080
Speaker 1: the best part of the movie for me. Plus there

603
00:31:22,920 --> 00:31:24,600
Speaker 1: this one is that this is another kind of lock

604
00:31:24,680 --> 00:31:26,520
Speaker 1: of the Night. I mean again, if you do go

605
00:31:26,680 --> 00:31:31,600
Speaker 1: off the trend, Troy Cotser has won every major award. Look, well,

606
00:31:31,640 --> 00:31:34,600
Speaker 1: you have to decide about Sunday. Since CODA only has

607
00:31:34,600 --> 00:31:37,800
Speaker 1: three nominations. You're either all in on CODA or you're not.

608
00:31:38,000 --> 00:31:40,760
Speaker 1: And it's nominated for Supporting Actor, Adatmosphere and Playing Picture.

609
00:31:40,840 --> 00:31:43,360
Speaker 1: And so you have to just think, like, do I

610
00:31:43,440 --> 00:31:45,720
Speaker 1: believe that there's a code of surge. If there's a

611
00:31:45,760 --> 00:31:48,959
Speaker 1: code of surge, it's gonna sweep those three oscars. And

612
00:31:48,960 --> 00:31:50,880
Speaker 1: that's and and by the way, I want to be clear,

613
00:31:50,920 --> 00:31:53,160
Speaker 1: there are lots of movies that have one Best Picture

614
00:31:53,680 --> 00:31:56,560
Speaker 1: that have only one one or two oscars. Argo famously

615
00:31:56,640 --> 00:32:00,080
Speaker 1: in one Best Picture in Best Editing. That's it. So

616
00:32:00,120 --> 00:32:02,200
Speaker 1: there's movies to win Best Picture that only win an

617
00:32:02,200 --> 00:32:04,320
Speaker 1: Oscar too. There's just not a lot that only get

618
00:32:04,920 --> 00:32:09,240
Speaker 1: three nominations. Um, I think he'll win. He's really really

619
00:32:09,240 --> 00:32:12,040
Speaker 1: good in the movie. Um. He's kind of the discovery

620
00:32:12,040 --> 00:32:14,800
Speaker 1: of this Oscar season. I mean apparently, you know, he's

621
00:32:14,800 --> 00:32:17,640
Speaker 1: been acting for years and he was homeless, and you

622
00:32:17,680 --> 00:32:19,840
Speaker 1: know he's had a hard time making a living. There's

623
00:32:19,840 --> 00:32:22,640
Speaker 1: only so many parts for deaf actors, so I think

624
00:32:22,680 --> 00:32:25,280
Speaker 1: he'll win the You know, the early season favorite was

625
00:32:25,320 --> 00:32:27,800
Speaker 1: Cody Smith McPhee, but I don't think it's happening. And

626
00:32:27,840 --> 00:32:29,720
Speaker 1: now you could argue he's kind of canceled out by

627
00:32:29,800 --> 00:32:33,120
Speaker 1: Jesse Plemmons. J J. Simmons already one supporting actor in

628
00:32:33,520 --> 00:32:37,640
Speaker 1: UM for Whiplash, and I don't think he's gonna win.

629
00:32:38,040 --> 00:32:40,560
Speaker 1: And then you've got Karen Hines, who I thought was

630
00:32:40,640 --> 00:32:43,800
Speaker 1: incredible in Belfast. That to me is sort of like,

631
00:32:43,920 --> 00:32:46,280
Speaker 1: we've loved this guy for twenty five years and he's

632
00:32:46,280 --> 00:32:48,239
Speaker 1: really good in this movie. Let's nominate him. But he's

633
00:32:48,280 --> 00:32:50,840
Speaker 1: not gonna win. Apparently has COVID right now, so I

634
00:32:50,880 --> 00:32:55,840
Speaker 1: hope he can go on Sunday Best Original Screenplay Belfast

635
00:32:55,920 --> 00:32:59,480
Speaker 1: at plus one fifty don't look up, this was so

636
00:32:59,520 --> 00:33:02,800
Speaker 1: bad plus two seventy the worst person in the World

637
00:33:03,120 --> 00:33:07,840
Speaker 1: plus a thousand, King Richard plus The favorite is Liquorice

638
00:33:07,880 --> 00:33:12,760
Speaker 1: Pizza Paul Thomas Anderson minus one Don't say Don't Look Up.

639
00:33:12,800 --> 00:33:16,600
Speaker 1: As a long shot. That movie was freaking terrible. This

640
00:33:17,080 --> 00:33:19,760
Speaker 1: is a really, really weird category. I will go ahead

641
00:33:19,760 --> 00:33:22,840
Speaker 1: and tell you this is I don't know I'm gonna

642
00:33:22,840 --> 00:33:25,440
Speaker 1: give you a pick, but like we'll break it down quickly,

643
00:33:25,720 --> 00:33:27,160
Speaker 1: and you know, I think Don't Look Up will win.

644
00:33:27,680 --> 00:33:31,200
Speaker 1: McKay won an Oscar for the Big Short. He's been

645
00:33:31,200 --> 00:33:33,040
Speaker 1: nominated a ton. Now, I don't think that's gonna win,

646
00:33:33,080 --> 00:33:35,000
Speaker 1: So take that off the board. I don't think King

647
00:33:35,080 --> 00:33:38,640
Speaker 1: Richard's gonna win. Take that off the board. That leaves Belfast,

648
00:33:39,080 --> 00:33:42,120
Speaker 1: Licorice Pizza and The Worst Person in the World. The

649
00:33:42,200 --> 00:33:44,640
Speaker 1: Worst Person in the World is a really really good

650
00:33:44,680 --> 00:33:47,600
Speaker 1: movie that came on very very late in the Oscar season.

651
00:33:47,640 --> 00:33:51,000
Speaker 1: It's a foreign film. It's also nominated for Best International Film.

652
00:33:51,000 --> 00:33:53,680
Speaker 1: This has a real shot of winning. I don't I'm

653
00:33:53,680 --> 00:33:56,440
Speaker 1: not convinced yet that it will because I don't think

654
00:33:56,480 --> 00:33:59,760
Speaker 1: it's quite had the time to seep in. But but

655
00:34:00,000 --> 00:34:03,440
Speaker 1: as a real shot, Belfast could win simply because Kenneth

656
00:34:03,480 --> 00:34:05,920
Speaker 1: Brown has been nominated like for ten Oscars now all

657
00:34:05,920 --> 00:34:08,600
Speaker 1: the way back to Henry the Fifth and nine for

658
00:34:08,640 --> 00:34:10,839
Speaker 1: Best Director and Best Actor, which is an amazing film.

659
00:34:10,880 --> 00:34:12,960
Speaker 1: He made it. He was like twenty three and this

660
00:34:13,000 --> 00:34:15,480
Speaker 1: could kind of be his makeup oscar Um and it's

661
00:34:15,480 --> 00:34:17,640
Speaker 1: about his childhood and he did a really good job.

662
00:34:17,760 --> 00:34:19,880
Speaker 1: And then you have Paul Thomas Anderson. This is another

663
00:34:19,920 --> 00:34:22,359
Speaker 1: one where it felt like two months ago, Okay, it's

664
00:34:22,400 --> 00:34:24,319
Speaker 1: time to annoint p T a once and for all.

665
00:34:24,320 --> 00:34:28,360
Speaker 1: And I worshiped Paul Thomas Anderson worshiped, but like Liquors

666
00:34:28,400 --> 00:34:31,640
Speaker 1: pizzas probably his seventh best movie he's made, and I

667
00:34:31,719 --> 00:34:34,360
Speaker 1: loved it. But I the more I think about it,

668
00:34:34,400 --> 00:34:35,680
Speaker 1: I just don't know if that's going to be what

669
00:34:35,800 --> 00:34:37,719
Speaker 1: we look back and say, that's the movie Paul Thomas

670
00:34:37,760 --> 00:34:40,759
Speaker 1: Anderson won an oscar for. So I'm giving you an

671
00:34:40,760 --> 00:34:43,280
Speaker 1: non answer answer. It's a three way heat between Belfast,

672
00:34:43,360 --> 00:34:45,520
Speaker 1: Lagors Pizza, and the worst person in the world. If

673
00:34:45,560 --> 00:34:49,480
Speaker 1: I was betting now, I would I would still probably

674
00:34:49,520 --> 00:34:52,120
Speaker 1: go with Paul Thomas Anderson for Sunday. Bell Fast is

675
00:34:52,160 --> 00:34:54,440
Speaker 1: one of those movies where I was talking to our

676
00:34:54,520 --> 00:35:01,040
Speaker 1: mutual friend and Hollywood stalwart Isabel Gomez yesterday. Yeah of course, yeah, genius. Yeah,

677
00:35:01,200 --> 00:35:04,200
Speaker 1: we were talking about Belfast and because why I talk

678
00:35:04,239 --> 00:35:06,840
Speaker 1: about work. I was like, Belfast is the movie that

679
00:35:06,920 --> 00:35:08,680
Speaker 1: I've tried to watch my wife, and I've tried to

680
00:35:08,719 --> 00:35:12,239
Speaker 1: watch a thousand times, but it's just so seemingly only

681
00:35:13,000 --> 00:35:15,040
Speaker 1: ninety minutes. Chad. I mean, come on, you know, but

682
00:35:15,120 --> 00:35:17,600
Speaker 1: every single time, it's like we settle on a movie

683
00:35:17,719 --> 00:35:21,840
Speaker 1: like Marry Me instead because it's just lighter and happier,

684
00:35:21,920 --> 00:35:24,680
Speaker 1: and we're just not in the mood. Well, the funny

685
00:35:24,719 --> 00:35:27,560
Speaker 1: thing about Belfast, I can't take credit for this joke,

686
00:35:27,680 --> 00:35:30,440
Speaker 1: but a lot of I've talked to another podcaster out

687
00:35:30,480 --> 00:35:34,480
Speaker 1: there who she very funnily said Belfast is just like

688
00:35:34,600 --> 00:35:37,479
Speaker 1: Kenneth Brownna being like, guess what my parents were smoking hot,

689
00:35:38,000 --> 00:35:40,840
Speaker 1: like like the gasting in that movie, or just like,

690
00:35:41,160 --> 00:35:44,040
Speaker 1: look at my gorgeous father and my gorgeous mother and

691
00:35:44,080 --> 00:35:46,279
Speaker 1: look at them dance and sing to each other, like

692
00:35:46,960 --> 00:35:49,000
Speaker 1: you must have had a very beautiful family, Keneth Brauna,

693
00:35:49,560 --> 00:35:53,160
Speaker 1: My parents did not look like that, alright. Best adapted screenplay,

694
00:35:53,480 --> 00:35:57,799
Speaker 1: Power the Dog plus one thirty Coda is the leader

695
00:35:57,840 --> 00:36:01,000
Speaker 1: in the clubhouse at minus one forty lost Daughter plus

696
00:36:01,080 --> 00:36:05,439
Speaker 1: six hundred u Dune plus and then Drive My Car

697
00:36:06,239 --> 00:36:08,759
Speaker 1: is sneaking in the middle of there. Plus this is

698
00:36:08,840 --> 00:36:12,160
Speaker 1: another codea versus Power of the Dog. And this is

699
00:36:12,239 --> 00:36:14,920
Speaker 1: a category where when you know, if Coda wins this one,

700
00:36:15,080 --> 00:36:16,839
Speaker 1: it's going all the way. If Power of the Dog

701
00:36:16,920 --> 00:36:18,960
Speaker 1: wins this one, Power Are the Dog is probably going

702
00:36:19,000 --> 00:36:20,719
Speaker 1: all the way. And you have to look for these

703
00:36:20,760 --> 00:36:23,400
Speaker 1: kind of momentum turns. I think cod is gonna win.

704
00:36:23,840 --> 00:36:26,960
Speaker 1: Shawn Heater, who my colleague represents and another client of

705
00:36:27,000 --> 00:36:29,640
Speaker 1: mine's working with on a TV show, She's a wonderful filmmaker.

706
00:36:30,239 --> 00:36:31,719
Speaker 1: You know, this is the only way to give her

707
00:36:31,760 --> 00:36:34,200
Speaker 1: an oscar on Sunday. She was not nominated for Best Director,

708
00:36:34,280 --> 00:36:36,280
Speaker 1: and she's not part of the producing team for CODA,

709
00:36:36,760 --> 00:36:39,720
Speaker 1: So like, this is how to give her a statue.

710
00:36:40,280 --> 00:36:42,759
Speaker 1: And Jane Campion is going to get her statue with

711
00:36:42,840 --> 00:36:45,480
Speaker 1: Best Director. And I think that the Power of the

712
00:36:45,520 --> 00:36:48,680
Speaker 1: Dog book was complicated material to adapt. But like when

713
00:36:48,719 --> 00:36:50,960
Speaker 1: I watched that movie, I did not come away thinking

714
00:36:51,000 --> 00:36:53,520
Speaker 1: about the script. I came away thinking about the direction,

715
00:36:53,640 --> 00:36:56,880
Speaker 1: about the photography, and about the music, which is nominated

716
00:36:56,920 --> 00:36:59,920
Speaker 1: for cinematography and music, and it could win those categories.

717
00:37:00,440 --> 00:37:02,560
Speaker 1: So I would go with CODA. I think Coda is

718
00:37:02,560 --> 00:37:05,120
Speaker 1: gonna win. I hope. So it's very interesting because of

719
00:37:05,200 --> 00:37:08,840
Speaker 1: all the other categories Code is in, it's still plus

720
00:37:08,960 --> 00:37:11,359
Speaker 1: money to bet on Coda. This is the only one

721
00:37:11,400 --> 00:37:14,040
Speaker 1: where the momentum has kind of swung and made Coda

722
00:37:14,560 --> 00:37:17,520
Speaker 1: the prohibitive favorite. All right, yeah she she won the

723
00:37:17,640 --> 00:37:20,080
Speaker 1: w J Award on Sunday, which can be a pretty

724
00:37:20,239 --> 00:37:25,880
Speaker 1: decent outlier. So we'll see start your bracket with a

725
00:37:25,960 --> 00:37:29,440
Speaker 1: bang right now. FanDuel's Sports Book is giving you customers

726
00:37:29,560 --> 00:37:34,759
Speaker 1: a one hundred and fifty dollar instant bonus guaranteed. That's right,

727
00:37:35,000 --> 00:37:37,720
Speaker 1: You'll get a hundred and fifty dollars in bonus side credit,

728
00:37:37,880 --> 00:37:40,240
Speaker 1: and all you have to do is place your first

729
00:37:40,400 --> 00:37:43,200
Speaker 1: bet of five dollars or more. How you bet the

730
00:37:43,239 --> 00:37:45,719
Speaker 1: bracket is up to you. You can choose from the

731
00:37:45,760 --> 00:37:48,279
Speaker 1: money line, totals, prop bets, and so much more, and

732
00:37:48,360 --> 00:37:51,080
Speaker 1: with cash out the balls in your court so you

733
00:37:51,120 --> 00:37:53,800
Speaker 1: can close out your bet whenever you want before the

734
00:37:53,880 --> 00:37:57,200
Speaker 1: game is over. Personally, I'd go with Purdue to lay

735
00:37:57,239 --> 00:38:01,160
Speaker 1: it on St. Peter's as heavy favorites Thursday night. Join

736
00:38:01,320 --> 00:38:04,200
Speaker 1: FanDuel today with promo code Favorites, then you could place

737
00:38:04,280 --> 00:38:06,480
Speaker 1: your five dollar bet to score a hundred and fifty

738
00:38:06,560 --> 00:38:10,279
Speaker 1: in bonus site credit guaranteed. That's promo code favorites on

739
00:38:10,320 --> 00:38:12,839
Speaker 1: the FanDuel sports Book app. You must be twenty one

740
00:38:12,920 --> 00:38:18,800
Speaker 1: and over and present in Arizona, Colorado, Connecticut, Iowa, Illinois, Indiana, Louisiana, Michigan,

741
00:38:18,880 --> 00:38:23,360
Speaker 1: New Jersey, New York, Pennsylvania, Tennessee, Virginia, Wyoming, or West Virginia.

742
00:38:23,600 --> 00:38:27,440
Speaker 1: First online real money wager only ten dollar first deposit required.

743
00:38:27,719 --> 00:38:31,760
Speaker 1: Bonus issued as non withdrawal side credit that expires fourteen

744
00:38:31,880 --> 00:38:35,919
Speaker 1: days after receipt. Restrictions apply see terms at sports book

745
00:38:35,960 --> 00:38:40,000
Speaker 1: dot FanDuel dot com. Gamboon problem called one eight hundred

746
00:38:40,120 --> 00:38:43,080
Speaker 1: next step or text next step to five three three

747
00:38:43,120 --> 00:38:46,120
Speaker 1: four two in Arizona one eight hundred gambler or visit

748
00:38:46,200 --> 00:38:50,080
Speaker 1: FanDuel dot com slash RG in Colorado, Indiana, New Jersey,

749
00:38:50,120 --> 00:38:53,000
Speaker 1: and Virginia one eight eight eight seven eight nine seven

750
00:38:53,040 --> 00:38:57,600
Speaker 1: seven seven seven, or visit CCPG dot org slash chat

751
00:38:57,960 --> 00:39:01,520
Speaker 1: in Connecticut one eight hundred two seven zero seven seven

752
00:39:01,600 --> 00:39:04,439
Speaker 1: for confidential help. In Michigan called the Tennessee Red Line

753
00:39:04,520 --> 00:39:08,239
Speaker 1: one eight eight eight nine eight nine, or visit one

754
00:39:08,360 --> 00:39:13,680
Speaker 1: eight hundred gambler dot net in West Virginia. Let's do

755
00:39:13,840 --> 00:39:16,560
Speaker 1: a quick round of trivia. We promised people we would test,

756
00:39:16,600 --> 00:39:19,520
Speaker 1: although you did prove many times throughout the podcast. You're

757
00:39:19,760 --> 00:39:24,640
Speaker 1: completely obsessive, maybe unhealthy knowledge of the major categories in

758
00:39:24,840 --> 00:39:27,800
Speaker 1: history and the nominees and the winners for the Oscars,

759
00:39:27,920 --> 00:39:36,719
Speaker 1: but for the Academy Awards presented in two movies. Exactly

760
00:39:37,120 --> 00:39:42,080
Speaker 1: who were the Best Picture nominees and who won Best

761
00:39:42,080 --> 00:39:47,560
Speaker 1: s Ficture nominees for the Academy Awards. Movies were Raiders

762
00:39:47,600 --> 00:39:51,160
Speaker 1: Are The Lost Ark directed by Steven Spieldberg. On Golden

763
00:39:51,239 --> 00:39:56,960
Speaker 1: Pond directed by Mark Rydell Reds directed by Warren Beatty Um,

764
00:39:57,320 --> 00:39:59,880
Speaker 1: Chariots of Fire directed by Hugh Hudson who was not

765
00:40:00,080 --> 00:40:02,759
Speaker 1: nominated for Best Director, and Terence Fire was the Best

766
00:40:02,800 --> 00:40:05,560
Speaker 1: Picture and the last nominee. And I've seen anyone was

767
00:40:05,600 --> 00:40:09,279
Speaker 1: Atlantic City directed by Louis mall or Molly and I'm

768
00:40:09,360 --> 00:40:14,160
Speaker 1: mispronouncing his native French director Chariots of Fire. One that

769
00:40:15,120 --> 00:40:22,759
Speaker 1: is sick. There are correct on all the nominees and

770
00:40:22,840 --> 00:40:24,800
Speaker 1: the fact you pulled Atlantic City out and saved it

771
00:40:24,880 --> 00:40:28,000
Speaker 1: for the end. That's some real show bizz chops right there.

772
00:40:28,120 --> 00:40:31,440
Speaker 1: Sign up, Thank you, ask question number two. The Academy

773
00:40:31,560 --> 00:40:34,000
Speaker 1: is present in two thousand two. Who were the Best

774
00:40:34,040 --> 00:40:37,239
Speaker 1: Actor nominees and who won? Okay, that's so that's for

775
00:40:37,320 --> 00:40:40,640
Speaker 1: the movies of two thousand and one. The winner was

776
00:40:40,719 --> 00:40:44,359
Speaker 1: down to Washington for Training Day. Also nominated was Tom

777
00:40:44,440 --> 00:40:48,239
Speaker 1: Wilkinson for In the Bedroom, and then the other three

778
00:40:48,560 --> 00:40:52,440
Speaker 1: nominees were Russell Crowe for Beautiful Mind. Beautiful Mind one

779
00:40:52,480 --> 00:40:55,560
Speaker 1: best Picture that year. So that's three and the other two.

780
00:40:56,080 --> 00:40:58,800
Speaker 1: Have to think real quickly, I mean, I know, I

781
00:40:58,920 --> 00:41:02,400
Speaker 1: know these, um I have to like keep running it.

782
00:41:02,480 --> 00:41:05,440
Speaker 1: So you've got Tom Willginson for In the Bedroom, Watchington

783
00:41:05,440 --> 00:41:08,680
Speaker 1: wins for Training Dave, Oh, excuse me, Will Smith for Ali,

784
00:41:09,600 --> 00:41:11,960
Speaker 1: So that's four now, and then the fifth point of

785
00:41:12,040 --> 00:41:14,800
Speaker 1: Seawan Penn for My Aunt Sam. So those were the

786
00:41:14,840 --> 00:41:18,640
Speaker 1: five nominees. I don't think John Penn. John Penn did

787
00:41:18,719 --> 00:41:21,600
Speaker 1: not come. I think he left early, so they had

788
00:41:21,600 --> 00:41:23,759
Speaker 1: to like put his picture up at the thing. John

789
00:41:23,840 --> 00:41:25,920
Speaker 1: Penn won two years later in two thousand three from

790
00:41:25,920 --> 00:41:27,960
Speaker 1: Mystic River, and then he wanted two thousand and eight

791
00:41:28,040 --> 00:41:31,240
Speaker 1: from Milk. So he's won the Best Actor Oscar twice

792
00:41:31,480 --> 00:41:35,000
Speaker 1: and he was first nominated for Dead Men Walking, which

793
00:41:35,040 --> 00:41:37,120
Speaker 1: is an incredible movie, incredible performance, and he was no

794
00:41:37,239 --> 00:41:39,920
Speaker 1: mean again in ninten nine for Sweet and Lowdown, a

795
00:41:39,960 --> 00:41:44,800
Speaker 1: Woody Allen film. Dead Man Walking was an amazing, unbelievable

796
00:41:44,880 --> 00:41:47,359
Speaker 1: Susan Sarandon one Best Actress for that. Tim Robbins, who

797
00:41:47,400 --> 00:41:49,240
Speaker 1: was her husband the time, was nominated for Best Director.

798
00:41:49,600 --> 00:41:53,240
Speaker 1: That was a cool moment because Tim Robbins, for your listeners,

799
00:41:53,320 --> 00:41:55,120
Speaker 1: was just the picture from Bull Durham and of course

800
00:41:55,160 --> 00:41:58,200
Speaker 1: Andy Dufraine from Shoshank Redemption. And then he directed a movie.

801
00:41:58,480 --> 00:42:00,719
Speaker 1: It was his second movie he had directed, and that

802
00:42:00,840 --> 00:42:04,080
Speaker 1: movie is a masterpiece. I loved that movie. Final question,

803
00:42:04,360 --> 00:42:08,520
Speaker 1: what best picture winner from the nineteen nineties? So films

804
00:42:08,719 --> 00:42:14,640
Speaker 1: released nine nine has the lowest score on Rotten Tomatoes

805
00:42:15,480 --> 00:42:20,160
Speaker 1: today Tomato meter, Tomato meter, Okay, interesting, So let's just

806
00:42:20,280 --> 00:42:21,560
Speaker 1: we gotta go through the list, and I have to

807
00:42:21,600 --> 00:42:25,279
Speaker 1: think about this. Nineties Dancers of the Wolves salam Is

808
00:42:25,320 --> 00:42:27,759
Speaker 1: ninety two is Unforgiven any three sh There's list ninety

809
00:42:27,800 --> 00:42:30,319
Speaker 1: fourst Forest comp ny five is Brave Heart, ninety six

810
00:42:30,440 --> 00:42:33,800
Speaker 1: is the English Patient, ninety seven is Titanic ninety Shakespeare

811
00:42:33,800 --> 00:42:36,440
Speaker 1: and Love ninety nine is American Beauty. Okay, those are

812
00:42:36,440 --> 00:42:40,759
Speaker 1: the winners. Based on those winners, I would think I

813
00:42:40,800 --> 00:42:43,680
Speaker 1: would think that it is Shakespeare in Love or American Beauty.

814
00:42:43,840 --> 00:42:48,400
Speaker 1: And so my final answer is going to be I

815
00:42:48,520 --> 00:42:50,840
Speaker 1: think it would be Shakespeare in Love. That's my answer.

816
00:42:51,520 --> 00:42:57,560
Speaker 1: Not even close. Forrest Dump, for sure is that seventy

817
00:42:58,480 --> 00:43:01,600
Speaker 1: Braveheart is it seventy eight? But that also could be

818
00:43:01,680 --> 00:43:05,440
Speaker 1: people just you know, being Sickamore Gibson, English Patient eighty six,

819
00:43:05,520 --> 00:43:08,720
Speaker 1: Titanic American Beauty both tied at eighty seven. I'm sorry,

820
00:43:09,120 --> 00:43:12,799
Speaker 1: Dances with Wolves is at eighty three. Then Findler's list

821
00:43:12,840 --> 00:43:16,520
Speaker 1: is number one. Uh, Silence and the Lambs and Unforgiven

822
00:43:16,560 --> 00:43:18,680
Speaker 1: both tied at number two. The Forrest Gump thing makes

823
00:43:18,719 --> 00:43:21,600
Speaker 1: sense because I mean, I love Forrest Gump. I I

824
00:43:21,960 --> 00:43:24,680
Speaker 1: famously saw that movie twice the same day and open.

825
00:43:24,800 --> 00:43:26,800
Speaker 1: I saw it at noon and I saw it seven o'clock.

826
00:43:26,840 --> 00:43:30,000
Speaker 1: I was so transfixed by it. But I now remember

827
00:43:30,080 --> 00:43:31,880
Speaker 1: Forrest Gump. There was a lot of people in the

828
00:43:32,040 --> 00:43:34,560
Speaker 1: nineteen four who thought that movie was just like so

829
00:43:35,239 --> 00:43:39,320
Speaker 1: stupidly like hollow, you know, just like like that that

830
00:43:39,520 --> 00:43:41,879
Speaker 1: that was a bit of a divider when some people

831
00:43:41,960 --> 00:43:44,560
Speaker 1: just were transfixed by it, like myself who was fifteen,

832
00:43:44,640 --> 00:43:48,240
Speaker 1: and some people thought it was just silly, like just gibberish,

833
00:43:48,360 --> 00:43:50,000
Speaker 1: you know, and I'm just going through history and having

834
00:43:50,040 --> 00:43:52,440
Speaker 1: all these you know, and oh now Jenny has aids

835
00:43:52,520 --> 00:43:54,520
Speaker 1: and you know, all the stuff that it was kind

836
00:43:54,520 --> 00:43:56,719
Speaker 1: of coded for. But I love Forrest Gump. That that

837
00:43:56,840 --> 00:43:59,560
Speaker 1: year is one of the best Oscar years ever because

838
00:43:59,560 --> 00:44:03,400
Speaker 1: you've got uh Pull Fiction, Forrest Gump, Shoshank, Redemption and

839
00:44:03,480 --> 00:44:06,000
Speaker 1: then Forwardings in the Funeral and Quish or the five nominees.

840
00:44:06,120 --> 00:44:09,040
Speaker 1: I mean, three of those nominees are all time classic movies.

841
00:44:09,520 --> 00:44:11,480
Speaker 1: So I mean I was bum pull Fiction didn't win

842
00:44:11,520 --> 00:44:13,880
Speaker 1: Best Picture, but Garantino did win his first Oscar for

843
00:44:14,040 --> 00:44:16,600
Speaker 1: writing it with Roger Avery, so that was you know,

844
00:44:16,680 --> 00:44:18,600
Speaker 1: that was the spreading it around. But that that was

845
00:44:18,680 --> 00:44:21,799
Speaker 1: the year that Zamchis Robert Zemeckis who greaded Forrest Scump.

846
00:44:21,840 --> 00:44:23,239
Speaker 1: I mean, that was kind of his year, and I

847
00:44:23,280 --> 00:44:26,319
Speaker 1: think Forrest Gump won seven Oscars. I stand by Forrest Gump.

848
00:44:26,360 --> 00:44:29,560
Speaker 1: I love Forrest Gump, Love Forrest Gump, great movie true story.

849
00:44:29,960 --> 00:44:33,600
Speaker 1: Quiz Show was shot on my block on the Upper

850
00:44:33,640 --> 00:44:36,319
Speaker 1: West Side of Manhattan. The summer I moved to New

851
00:44:36,400 --> 00:44:41,960
Speaker 1: York and my wife later became Rob Morrow's architect. Oh wow,

852
00:44:42,800 --> 00:44:46,000
Speaker 1: that's very ironic. I mean Quiz Show for all your listeners,

853
00:44:46,040 --> 00:44:48,759
Speaker 1: because that's not a movie that has survived, you know,

854
00:44:48,880 --> 00:44:51,200
Speaker 1: in the last twenty five years that people well, I mean,

855
00:44:51,239 --> 00:44:53,960
Speaker 1: I don't think it's a heavily watched film. It is

856
00:44:54,000 --> 00:44:57,680
Speaker 1: an absolute masterpiece. UM. I was turning a class at

857
00:44:57,719 --> 00:44:59,439
Speaker 1: USC when I was in film school where that movie

858
00:44:59,520 --> 00:45:03,800
Speaker 1: was broken down and like the production design, the costume design.

859
00:45:03,840 --> 00:45:06,560
Speaker 1: Because for your listeners at home, the movie has three

860
00:45:06,680 --> 00:45:10,120
Speaker 1: lead actors and John Taturo plays this like rumpled you know,

861
00:45:10,480 --> 00:45:13,799
Speaker 1: jewish guy from Brooklyn who's on the quiz show. Raye

862
00:45:13,880 --> 00:45:17,239
Speaker 1: Finds is the like waspy guy you know who's from

863
00:45:17,239 --> 00:45:20,759
Speaker 1: this upper crust family Charles and Burn and then Robin

864
00:45:20,800 --> 00:45:22,279
Speaker 1: Morrow is kind of in the middle and he's like

865
00:45:22,320 --> 00:45:25,440
Speaker 1: the investigator of the quiz show scandals. And if you

866
00:45:25,480 --> 00:45:27,719
Speaker 1: go back and watch that movie, the way they dress

867
00:45:27,840 --> 00:45:30,359
Speaker 1: each character, the way their apartments look, the way they

868
00:45:30,400 --> 00:45:33,840
Speaker 1: shoot each character. Robert Redford directed that. He was nominated

869
00:45:33,840 --> 00:45:37,600
Speaker 1: for Best Director. It's an amazing, amazing movie, um, and

870
00:45:37,640 --> 00:45:40,000
Speaker 1: a really interesting look at a thing that happened these

871
00:45:40,080 --> 00:45:43,879
Speaker 1: quiz show scandals in the so it's definitely worth becking out.

872
00:45:44,600 --> 00:45:48,560
Speaker 1: All right, this was a really a lesson and I

873
00:45:48,680 --> 00:45:52,640
Speaker 1: feel completely and totally prepared to bet on all these

874
00:45:52,760 --> 00:45:57,160
Speaker 1: categories for the Oscars and for anyone who needs even

875
00:45:57,320 --> 00:46:01,919
Speaker 1: more Oscars talk that goes even deep into more categories.

876
00:46:02,320 --> 00:46:06,040
Speaker 1: You would not believe what our Action Network experts can

877
00:46:06,120 --> 00:46:09,319
Speaker 1: dig up. Check out the Action Network podcasts this week.

878
00:46:09,760 --> 00:46:14,000
Speaker 1: Michael Askar again really one of the forty most powerful

879
00:46:14,040 --> 00:46:17,200
Speaker 1: people incommodating according to the Hollywood Reporter, and definitely the

880
00:46:17,280 --> 00:46:23,239
Speaker 1: most powerful person from Hollywood on this podcast from Mosaic

881
00:46:23,640 --> 00:46:27,359
Speaker 1: the Management Company. You are an Oscar savant. You've given

882
00:46:27,440 --> 00:46:30,800
Speaker 1: us a real gift today. Thank you for joining. For

883
00:46:31,000 --> 00:46:35,920
Speaker 1: Simon Hunter, for producer Extraordinaire Matt Mitchell. I am Chad Milman.

884
00:46:35,960 --> 00:46:38,359
Speaker 1: This has been the Favorites. Download us from Spotify from

885
00:46:38,360 --> 00:46:42,040
Speaker 1: Apple Podcast rate review, subscribe, give us five stars, say

886
00:46:42,080 --> 00:46:45,279
Speaker 1: anything you want feedback as a gift. Until next time,

887
00:46:45,560 --> 00:46:45,960
Speaker 1: I love you.