WEBVTT - Q1 Review

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<v Speaker 1>The first three months of twenty twenty six have been interesting,

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<v Speaker 1>to say the least.

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<v Speaker 2>I don't even think it's a new year, Like I

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<v Speaker 2>feel like all the baggage from twenty twenty five is

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<v Speaker 2>rolled on into twenty twenty six and it's like an

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<v Speaker 2>extended twenty twenty five, Like when do we claim a

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<v Speaker 2>new year?

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<v Speaker 1>Dead Ass? It all started with real talk, unfiltered, honest

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<v Speaker 1>and straight from the heart. Since then, we've gone on

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<v Speaker 1>to become Webby award winning podcasters in New York Times

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<v Speaker 1>bestselling authors.

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<v Speaker 2>Dead Ass was more than a podcast for us. It

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<v Speaker 2>was about our growth, a place where we could be vulnerable.

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<v Speaker 1>Be wraw or but most apportantly be us.

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<v Speaker 2>But as we know, life keeps evolving, and so do we,

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<v Speaker 2>and through it all, one thing has never changed.

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<v Speaker 1>This is a severafter dead Ass.

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<v Speaker 3>Because we got a lot to talk about, all right,

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<v Speaker 3>story time, So I'm gonna laugh while I say this,

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<v Speaker 3>because y'all don't get a chance to see to run

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<v Speaker 3>the shows, and typically trible rights down says story time,

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<v Speaker 3>tell us about a moment when right so right now,

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<v Speaker 3>it says, here Verbatien, tell us about a moment in

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<v Speaker 3>twenty twenty six, when you thought things had already hit the.

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<v Speaker 1>Fan a moment, like a moment I can't I really

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<v Speaker 1>cannot think about a moment, but I will say this,

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<v Speaker 1>watching what was going on with Ice in Minnesota, to

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<v Speaker 1>me was like the most heartbreaking thing I had seen

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<v Speaker 1>in a very, very long time.

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<v Speaker 4>And that was at the top of the year.

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<v Speaker 1>That was the top of the year. It just seemed like,

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<v Speaker 1>for the first time in my life. I know we

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<v Speaker 1>as a people have experienced this, but this is the

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<v Speaker 1>first time in my life I felt like it was us,

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<v Speaker 1>we the people against the government. The only thing that

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<v Speaker 1>I will say that for the first time in my life,

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<v Speaker 1>it was a collective group though, like all of us

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<v Speaker 1>as a people were against the government, and I will

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<v Speaker 1>say that kind of felt good because it didn't seem

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<v Speaker 1>like we were picking out certain people to defend. It

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<v Speaker 1>was like, at this when all of us as citizens.

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<v Speaker 2>Truth that is retired. We need to spiral that into

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<v Speaker 2>karaoke facts. All right, karaoke time. I think I'm gonna

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<v Speaker 2>put this on. Matt. You know why options off you?

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<v Speaker 5>You can't use that one because when k sang that

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<v Speaker 5>on the on another episode, it's the funniest ship I've

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<v Speaker 5>ever seen in my life because it was the most

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<v Speaker 5>inappropriate use.

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<v Speaker 6>Of the song.

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<v Speaker 1>Oh yes, yes, it wasn't supposed to.

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<v Speaker 5>And we were all surprised by it. I watched that

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<v Speaker 5>clip so many times.

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<v Speaker 4>It's just kind of pull the clip up.

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<v Speaker 1>It was we're talking about episode. It was episode, and

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<v Speaker 1>she was like a limit.

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<v Speaker 6>In between, like.

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<v Speaker 2>You can count on me for a little joke, Joe,

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<v Speaker 2>not only through the through the karaoke to Matt, because

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<v Speaker 2>I know one of your greatest moments that's going to

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<v Speaker 2>come up in the show is by an artist who

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<v Speaker 2>has the album The Drops.

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<v Speaker 7>Oh yeah, but Chi, I gotta I gotta learn the

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<v Speaker 7>words in detail.

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<v Speaker 4>What is there a throwback from him that we enjoy?

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<v Speaker 1>Man, Matt got mad throwbacks.

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<v Speaker 6>I think of Jordan, Illuminati, everybody. I stumbled over that.

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<v Speaker 1>But.

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<v Speaker 4>That's insanity. I like one of my favorites from him

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<v Speaker 4>is I keep my head.

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<v Speaker 2>Apparently that is I need my dreams to rescue me.

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<v Speaker 7>J baby, you got one the one with.

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<v Speaker 1>That's my that's my.

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<v Speaker 5>No.

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<v Speaker 1>But that's not the one.

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<v Speaker 7>It is It is.

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<v Speaker 1>Me and you. How does it start?

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<v Speaker 2>Now?

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<v Speaker 8>It's like a harmony.

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<v Speaker 1>It is to go play it because I got to

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<v Speaker 1>sing it one of the most.

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<v Speaker 4>With him at home Girl. Nobody's perfect, nobody is perfect. Yeah,

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<v Speaker 4>nobody Me.

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<v Speaker 1>I got something, h I got something. I want to

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<v Speaker 1>tell you. Dreams can come true. That's my ship.

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<v Speaker 5>Jo.

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<v Speaker 4>Lots of karaoke, karaoke, karaoke, A ball moments.

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<v Speaker 7>I need yl sign please thank you that part.

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<v Speaker 2>And then Jackson literally just hit me and was saying, Ma,

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<v Speaker 2>J Cole, He's gonna be a concert here in Georgia.

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<v Speaker 4>I was just wondering if and I was like, oh,

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<v Speaker 4>you want to go to J Cole.

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<v Speaker 1>Concert as a dad. The dopest moment me and Jackson

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<v Speaker 1>in the car listening to Jay Cole. I forgot the

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<v Speaker 1>lyric because I wasn't paying attention. I hit Jackson stop.

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<v Speaker 1>He goes that was a double Entandre said She's like, yeah,

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<v Speaker 1>I got two meetings. The fact it got three meanings.

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<v Speaker 1>I said, you starting to get it.

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<v Speaker 6>Get it?

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<v Speaker 4>That's one thing? Would you say that?

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<v Speaker 2>Well, I can't. We'll save that for the discussion. Let's

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<v Speaker 2>pay some bills and we'll come back with Oper no op.

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<v Speaker 4>I love it. All right, We're back. What you got

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<v Speaker 4>for us today? Triple oper no Op.

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<v Speaker 6>So this is going to fall into the Q one review.

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<v Speaker 5>Okay, if you don't mind, so, y'all remember the Target boycott?

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<v Speaker 6>I know, could he even remember?

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<v Speaker 5>She's yeah over so recently, I guess. Jamal Bryant announced

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<v Speaker 5>that the Target boycott had ended, saying that you know,

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<v Speaker 5>it had done what it needed to do, but other

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<v Speaker 5>activists and black folks alike saying, no the hell it didn't.

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<v Speaker 6>If it's up, then it's stuck. So opera, no op.

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<v Speaker 6>Are we going back to Target or not?

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<v Speaker 4>But what was it?

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<v Speaker 2>What was his What were the parameters in which he

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<v Speaker 2>felt we don't need to lift the boy?

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<v Speaker 4>What happened he.

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<v Speaker 6>Got his check? I think that's what it was.

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<v Speaker 1>There's no details room, there's no details.

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<v Speaker 2>You're just going to randomly in my office, Like if

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<v Speaker 2>we're all and we're all going to be on the

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<v Speaker 2>same accord, we need to know what we're fighting for

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<v Speaker 2>and when we're going to stop, and if it's a

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<v Speaker 2>collective stop because of what what did Target then do?

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<v Speaker 4>What did they implement?

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<v Speaker 5>Clay He claimed that in part a two billion dollar

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<v Speaker 5>investment commitment for black owned businesses is what Target made,

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<v Speaker 5>and I think that he did his own. Target fast

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<v Speaker 5>is what he called it for a year, But activists

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<v Speaker 5>don't think that Target did what they should have done

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<v Speaker 5>and reinvested into their DEI programs. Plus them divesting from

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<v Speaker 5>DEI programs just made it clear that we shouldn't be

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<v Speaker 5>shopping there anyway. So I think other activists want to

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<v Speaker 5>run Target into the ground.

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<v Speaker 6>Whereas Jamal Bryant, I think I think he got a check.

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<v Speaker 1>So here's here's my question. Who started the boycott, who

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<v Speaker 1>called for it? It wasn't him Minnesota. So now I

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<v Speaker 1>just want to I just want to bring this up right,

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<v Speaker 1>He owes Tabitha Brown a huge apology because when Tabitha

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<v Speaker 1>was trying to explain how certain things can happen to

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<v Speaker 1>not only her but other people who are part of Target,

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<v Speaker 1>even when she made the video stating that she wasn't

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<v Speaker 1>telling people to go to Target, she was telling people,

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<v Speaker 1>if you want to support these artists and these people

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<v Speaker 1>have things in Target, go to their website directly to

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<v Speaker 1>support them.

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<v Speaker 2>Right, Or if you're going to Target, go to Target

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<v Speaker 2>specifically to shop for those said process.

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<v Speaker 1>And he used that as an opportunity to jump on

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<v Speaker 1>Tabs back and say things about tab and they created

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<v Speaker 1>a whole Yeah, it created a whole thing where people

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<v Speaker 1>were upset at tab trying to make it seem like

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<v Speaker 1>Tad was grifting and trying to utilize the people and

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<v Speaker 1>the boycott to kill still line her pockets, which she wasn't.

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<v Speaker 1>But it just kills me that the same guy who

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<v Speaker 1>did that is now calling for an end to the

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<v Speaker 1>boycott when the people who started it are like, nah, bro,

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<v Speaker 1>I think that that needs to be said out loud

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<v Speaker 1>and people need to hold him accountable for that.

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<v Speaker 6>Yeah.

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<v Speaker 5>So he claims that Target agreed to three of the

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<v Speaker 5>four demands. I guess that maybe he took to them.

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<v Speaker 5>He said they will maintain its existing DEI efforts, but

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<v Speaker 5>do not plan to introduce new initiatives. They will launch

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<v Speaker 5>a new partnership this fall, yet to be named, at

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<v Speaker 5>a yet to be named Southern HBCU, and they have

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<v Speaker 5>invested ten million dollars that helped reopen the Pensoul Lewis

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<v Speaker 5>College of Business and Design in Detroit, the only HBCU

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<v Speaker 5>design school.

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<v Speaker 6>And then they detail.

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<v Speaker 5>Their contributions to the United Negro College Fund and scholarship programs.

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<v Speaker 1>But the people who started the boycott, they still they say.

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<v Speaker 7>They said, nothing has been fulfilled by the way until they.

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<v Speaker 4>Can be empty promises and saying they're gonna do something.

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<v Speaker 2>I don't know.

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<v Speaker 4>I don't buy it quite yet. No, I don't buy it,

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<v Speaker 4>and I don't think one person can.

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<v Speaker 1>Just I don't think so either.

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<v Speaker 4>I don't negate everything that people have.

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<v Speaker 1>Been facts, you know, and this is the truth. They've

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<v Speaker 1>been trying to find people to put in the face

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<v Speaker 1>of black people to say, hey, it's over. They came

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<v Speaker 1>to us a couple of months ago asking.

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<v Speaker 4>Actually last may or June.

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<v Speaker 1>I think it was asking us to sit down on

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<v Speaker 1>a panel or something and talk, and we were like nah,

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<v Speaker 1>And it came with a check, as always they always

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<v Speaker 1>come with a check. But I think this is the

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<v Speaker 1>point where they're starting to realize, like, wait a minute,

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<v Speaker 1>Black consumers dollars really freaking matter, and we need somebody

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<v Speaker 1>to get in front to tell them that it's over

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<v Speaker 1>and people are not buying it anymore, and they're not

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<v Speaker 1>They're not going to just go on social media and

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<v Speaker 1>listen to one person like people are going to go

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<v Speaker 1>stick to the ten toes down. I think now is

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<v Speaker 1>the time when we stick ten toes down. I haven't

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<v Speaker 1>been back to Target. You haven't our life has been fine.

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<v Speaker 6>Since that's right, I would agree with that.

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<v Speaker 1>So that's my ap Yeah.

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<v Speaker 6>I got another oper no op and this is another

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<v Speaker 6>cue one and review thing.

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<v Speaker 5>Something that I found hilarious that came back up on

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<v Speaker 5>a timeline this week is a person affectionately known as

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<v Speaker 5>bro Rilla, and it's Gloriala's thud sister. I don't know

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<v Speaker 5>her name, but earlier this year she was on the

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<v Speaker 5>internet complaining that Glorilla hasn't done anything for her family.

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<v Speaker 5>I think Golorilla has like twelve siblings, a bunch of siblings,

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<v Speaker 5>and she stated in this video that she was so

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<v Speaker 5>hungry one time she almost ate a roach. And she's

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<v Speaker 5>going in on Glorilla. And when somebody sat down with

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<v Speaker 5>her and asked how much money do you think would

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<v Speaker 5>be fair for Gloriala to give you and each of your.

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<v Speaker 4>Siblings, I said, so ridiculous.

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<v Speaker 6>She said five thousand.

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<v Speaker 1>That's said she did all this for five You know

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<v Speaker 1>what that shows?

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<v Speaker 4>It was so exhausting.

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<v Speaker 1>I have no this this was never really about Gloilla

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<v Speaker 1>and her needing money. It was she just wanted to

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<v Speaker 1>some attention. Man. I hope they pray and they family

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<v Speaker 1>heal and because you know, it's a lot having someone

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<v Speaker 1>who's in the news all the time and then you

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<v Speaker 1>have a sister who's going through all of this stuff. Like,

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<v Speaker 1>I hope they heal as a family and leave their

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<v Speaker 1>stuff out of the internet. That's all I got for.

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<v Speaker 1>I'm not giving that no attention.

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<v Speaker 4>No man.

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<v Speaker 7>Is hilarious that they call her brolla. I never saw.

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<v Speaker 1>The first time I seen it was fifty cents speaking

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<v Speaker 1>of this somewhere Spiral, Listen to Inspiral, Listen to fifty

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<v Speaker 1>cent and t I, because we are we doing so

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<v Speaker 1>this is This may be an unpopular opinion, right, but

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<v Speaker 1>this is what I honestly believe. I honestly believe that

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<v Speaker 1>t I and fifty cent together to start this beef.

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<v Speaker 1>It has been super entertaining. TI I got an album

0:12:05.120 --> 0:12:09.040
<v Speaker 1>coming out, fifty cent is dropping new TV shows. I

0:12:09.080 --> 0:12:12.240
<v Speaker 1>think it was brilliant because they were Everybody was talking

0:12:12.320 --> 0:12:14.680
<v Speaker 1>for about them for like two weeks straight, and I

0:12:14.679 --> 0:12:17.880
<v Speaker 1>couldn't go anywhere without anybody talking about it. I think

0:12:17.960 --> 0:12:19.600
<v Speaker 1>some people out here in the world are taking it

0:12:19.720 --> 0:12:23.120
<v Speaker 1>a bit too serious, too literally. I don't think T

0:12:23.280 --> 0:12:25.240
<v Speaker 1>I and fifty cent are taking it seriously at all.

0:12:25.280 --> 0:12:27.520
<v Speaker 1>I really don't. I think it's hilarious. I think they

0:12:27.520 --> 0:12:29.120
<v Speaker 1>are laughing at all of the people who think it's

0:12:29.160 --> 0:12:33.760
<v Speaker 1>real because I mean, even King getting involved involved and

0:12:33.840 --> 0:12:36.720
<v Speaker 1>him rapping about it, it showed his ability as a rapper.

0:12:36.760 --> 0:12:39.480
<v Speaker 1>It's like everybody's been showcasing their talent through a beef.

0:12:39.520 --> 0:12:41.760
<v Speaker 9>I think that's the one piece that I think is real.

0:12:41.800 --> 0:12:44.120
<v Speaker 9>Because fifty was talking about his mom's so King jumped

0:12:44.160 --> 0:12:45.719
<v Speaker 9>in and trying to defend his mom.

0:12:45.760 --> 0:12:47.800
<v Speaker 4>I say, as a mother, why we gotta be the.

0:12:49.280 --> 0:12:54.080
<v Speaker 1>I think I think because fifty is a millennial from

0:12:54.320 --> 0:12:57.000
<v Speaker 1>Queen's Your mother is the hardest thing you can say

0:12:57.040 --> 0:13:00.640
<v Speaker 1>to somebody. Somebody said anything, and you'll know what to say.

0:13:01.080 --> 0:13:03.520
<v Speaker 1>I think. I think it was calculated because that's how

0:13:03.559 --> 0:13:06.160
<v Speaker 1>you get the kids involved. If he doesn't say anything

0:13:06.160 --> 0:13:08.880
<v Speaker 1>about Tiny, the kids don't care because remember the kids

0:13:08.960 --> 0:13:11.320
<v Speaker 1>was beefing with t I beefing, which I don't even

0:13:11.320 --> 0:13:13.439
<v Speaker 1>think was a real thing. You know what I'm saying.

0:13:13.800 --> 0:13:15.840
<v Speaker 1>I think all of that. I think all of that

0:13:15.920 --> 0:13:17.960
<v Speaker 1>is a way for them to kind of get people

0:13:18.000 --> 0:13:21.000
<v Speaker 1>involved in It's like a reality show on Maybe it's

0:13:21.080 --> 0:13:24.400
<v Speaker 1>not real, but I will say every day.

0:13:25.720 --> 0:13:29.080
<v Speaker 5>I realized more and more why fifty cent got shot

0:13:29.160 --> 0:13:29.840
<v Speaker 5>nine times?

0:13:30.640 --> 0:13:33.040
<v Speaker 6>You know what I'm saying. Somebody was really like, shut

0:13:33.200 --> 0:13:33.640
<v Speaker 6>the fuck.

0:13:34.320 --> 0:13:36.959
<v Speaker 4>God, that's crazy.

0:13:37.240 --> 0:13:41.800
<v Speaker 1>I think he's a master market I do. I really

0:13:41.840 --> 0:13:44.600
<v Speaker 1>do think he's I can't remember a time when fifty

0:13:44.640 --> 0:13:47.000
<v Speaker 1>cent wasn't starting beef and his shows weren't number one,

0:13:47.400 --> 0:13:50.800
<v Speaker 1>that's right, and his album wasn't number one. Yeah, I'm

0:13:50.840 --> 0:13:53.160
<v Speaker 1>talking about back when he started.

0:13:53.320 --> 0:13:57.400
<v Speaker 8>He started his industry, running and coming to everybody.

0:13:57.320 --> 0:14:00.360
<v Speaker 1>To everybody like this. If you know from long enough,

0:14:00.360 --> 0:14:03.240
<v Speaker 1>you realize the play and realize how smart it is.

0:14:04.080 --> 0:14:05.720
<v Speaker 6>Yeah, he ruined.

0:14:06.920 --> 0:14:10.960
<v Speaker 1>How about y'all will run? How about this? If fifty

0:14:10.960 --> 0:14:12.959
<v Speaker 1>cent was really that much of a detriment, you think

0:14:13.000 --> 0:14:15.360
<v Speaker 1>these big companies will be investing in him the way

0:14:15.400 --> 0:14:20.160
<v Speaker 1>they are when you really much detriment. That's what I'm saying.

0:14:20.400 --> 0:14:22.760
<v Speaker 5>The thing that's crazy to about fifty cent is that

0:14:22.800 --> 0:14:25.120
<v Speaker 5>he's sober, so all.

0:14:25.160 --> 0:14:34.720
<v Speaker 6>This his right mind. That's the craziest.

0:14:34.520 --> 0:14:37.360
<v Speaker 2>Better, I guess, because it's like he really no, he's

0:14:37.400 --> 0:14:38.120
<v Speaker 2>really nuts.

0:14:38.240 --> 0:14:40.680
<v Speaker 1>I will say this. He do have vendettas against people,

0:14:41.040 --> 0:14:42.200
<v Speaker 1>and he really don't care.

0:14:42.280 --> 0:14:42.840
<v Speaker 8>He don't care.

0:14:42.880 --> 0:14:45.120
<v Speaker 1>He don't care, you know, what I'm saying, But that's

0:14:45.160 --> 0:14:47.280
<v Speaker 1>what happens when you get shot nine times. Someone trying

0:14:47.280 --> 0:14:48.720
<v Speaker 1>to end my life and you expect me to care.

0:14:48.760 --> 0:14:49.800
<v Speaker 8>But I came back from it.

0:14:50.160 --> 0:14:51.800
<v Speaker 1>Yeah, like I'm not going to care about people.

0:14:52.000 --> 0:14:54.960
<v Speaker 10>You're not really going to do nothing to me. The

0:14:55.000 --> 0:14:56.960
<v Speaker 10>worst has been done to me already. I don't have

0:14:57.040 --> 0:14:58.920
<v Speaker 10>my mother, I don't have my grandparents no more.

0:14:59.120 --> 0:14:59.920
<v Speaker 1>You see what I'm saying.

0:15:00.080 --> 0:15:03.360
<v Speaker 10>I shot nine times and I'm successful. Can you really

0:15:03.400 --> 0:15:05.640
<v Speaker 10>do growing up? He was confused. His mama was kissing

0:15:05.680 --> 0:15:05.960
<v Speaker 10>the girl.

0:15:06.080 --> 0:15:18.680
<v Speaker 1>That's what he said, Triple. That was good. I listen.

0:15:18.800 --> 0:15:22.120
<v Speaker 1>I this may be unpopular belief, but I actually love fifty.

0:15:22.360 --> 0:15:24.840
<v Speaker 1>You know my story with fifty. I know I was

0:15:25.080 --> 0:15:29.840
<v Speaker 1>working as unt double to a Mario Hotwick. He remembered

0:15:30.280 --> 0:15:33.280
<v Speaker 1>me from the funeral video. Was like, YO, pulled me

0:15:33.280 --> 0:15:35.160
<v Speaker 1>in the room and talk to me for like two hours,

0:15:35.240 --> 0:15:36.800
<v Speaker 1>and was the one that was just like, YO, if

0:15:36.800 --> 0:15:38.680
<v Speaker 1>you're doing it, he's watched my videos. None of my

0:15:38.760 --> 0:15:42.480
<v Speaker 1>videos twenty sixteen. You can fact check this. Twenty sixteen,

0:15:42.560 --> 0:15:45.080
<v Speaker 1>none of my videos had gone viral yet. And I

0:15:45.200 --> 0:15:46.880
<v Speaker 1>was doing the videos and I was showing him. He's like, YO,

0:15:46.960 --> 0:15:48.640
<v Speaker 1>this is some funny family. He said, this don't the

0:15:48.640 --> 0:15:50.680
<v Speaker 1>ship I'll be doing, but this is funny. He was like,

0:15:50.760 --> 0:15:53.480
<v Speaker 1>keep posting it and eventually one gonna go. And when

0:15:53.520 --> 0:15:55.840
<v Speaker 1>it go, now you have a catalog. He's like, this

0:15:55.920 --> 0:15:58.640
<v Speaker 1>is what happens with artists. They get one hit song,

0:15:58.720 --> 0:16:00.440
<v Speaker 1>they throw it on YouTube, and now people go to

0:16:00.480 --> 0:16:02.480
<v Speaker 1>their YouTube page looking for more music and they don't

0:16:02.520 --> 0:16:04.640
<v Speaker 1>got none. He was like, you got it, so just

0:16:04.720 --> 0:16:09.240
<v Speaker 1>keep posting it. And September thirteenth, twenty sixteen, I posted

0:16:09.240 --> 0:16:12.760
<v Speaker 1>a video ok after she had Cairo, and it went viral,

0:16:13.040 --> 0:16:15.240
<v Speaker 1>and then I started going back to all my old videos.

0:16:15.400 --> 0:16:17.680
<v Speaker 1>All the old videos started having over one hundred thousand,

0:16:17.920 --> 0:16:20.360
<v Speaker 1>and I was like, yo, fifty was right. He was like,

0:16:20.400 --> 0:16:20.840
<v Speaker 1>he was right.

0:16:20.880 --> 0:16:24.000
<v Speaker 2>He's consistency with social media.

0:16:24.040 --> 0:16:25.080
<v Speaker 4>It was like the way to do it, this is

0:16:25.080 --> 0:16:26.760
<v Speaker 4>before social media was Really.

0:16:26.760 --> 0:16:30.160
<v Speaker 1>He was the first one. So I could see like

0:16:30.440 --> 0:16:33.200
<v Speaker 1>he plays very calculated games, but he understands. When he

0:16:33.240 --> 0:16:36.200
<v Speaker 1>says I am the algorithm, he really means that he

0:16:36.280 --> 0:16:39.360
<v Speaker 1>knows how to make stuff trend. So I could see

0:16:39.440 --> 0:16:41.360
<v Speaker 1>him in TI sitting down and being like, yo, we

0:16:41.360 --> 0:16:44.200
<v Speaker 1>should do this. It's like a beef laughing at everybody laughing.

0:16:44.240 --> 0:16:45.200
<v Speaker 1>I could see them laughing.

0:16:45.280 --> 0:16:47.880
<v Speaker 10>I honestly thought it started legit. I don't think fifty

0:16:48.040 --> 0:16:50.920
<v Speaker 10>cents doesn't. I think when he starts with people, he's

0:16:51.000 --> 0:16:52.960
<v Speaker 10>legit with it. But I can see him saying, like,

0:16:53.120 --> 0:16:55.760
<v Speaker 10>let's play into this and make perfect marketing sense.

0:16:56.840 --> 0:16:57.280
<v Speaker 1>Agree with that.

0:16:57.400 --> 0:16:59.400
<v Speaker 6>I think it's speaking of like legendary beef.

0:16:59.400 --> 0:17:03.160
<v Speaker 5>I feel like Josh has a has a review point

0:17:03.960 --> 0:17:06.639
<v Speaker 5>that is also some legendary beef that happened.

0:17:06.960 --> 0:17:10.119
<v Speaker 8>Oh afro Man, what.

0:17:11.680 --> 0:17:12.840
<v Speaker 4>He's talking about?

0:17:13.080 --> 0:17:13.199
<v Speaker 2>Yo?

0:17:13.320 --> 0:17:17.760
<v Speaker 10>So afro Man is a uh a rapper. Yeah, he's

0:17:17.760 --> 0:17:23.040
<v Speaker 10>a rapper slash freedom fighter. So he sang a classic

0:17:23.240 --> 0:17:25.680
<v Speaker 10>yeah because I got hot that song that came out

0:17:25.720 --> 0:17:29.280
<v Speaker 10>in two thousands that we were in college. And so

0:17:29.320 --> 0:17:31.239
<v Speaker 10>he went to court. I don't really know what the

0:17:31.359 --> 0:17:32.879
<v Speaker 10>what the whole case was about, but I know he

0:17:32.880 --> 0:17:36.240
<v Speaker 10>went to court to try to recoup some money, and

0:17:36.280 --> 0:17:38.720
<v Speaker 10>I think he had the police department also had a

0:17:38.720 --> 0:17:42.840
<v Speaker 10>defamation case against him. So what I thought was funny

0:17:42.920 --> 0:17:45.679
<v Speaker 10>was that he made songs of all the officers that

0:17:45.760 --> 0:17:49.280
<v Speaker 10>were like in the court, sorry, all the officers that

0:17:49.320 --> 0:17:52.120
<v Speaker 10>were raising his house. He made a song about one

0:17:52.160 --> 0:17:54.960
<v Speaker 10>called pound Cake or lemon, lemon pound cake.

0:17:55.560 --> 0:17:55.679
<v Speaker 8>Uh.

0:17:55.800 --> 0:17:58.920
<v Speaker 10>He made a song about a bald officer and the

0:17:59.000 --> 0:18:01.520
<v Speaker 10>officer sued him for The officer tried to sue him

0:18:01.560 --> 0:18:05.600
<v Speaker 10>for defamation. And guess what the officer is actually bald.

0:18:09.920 --> 0:18:10.040
<v Speaker 5>Uh.

0:18:11.280 --> 0:18:14.760
<v Speaker 10>They try to sue him for making allegations of him

0:18:14.840 --> 0:18:17.600
<v Speaker 10>actually uh, saying that he cheated his one of the

0:18:17.640 --> 0:18:19.880
<v Speaker 10>officer's wife's cheated with him.

0:18:20.320 --> 0:18:21.720
<v Speaker 8>It was all funny and hilarious.

0:18:21.720 --> 0:18:21.880
<v Speaker 7>Man.

0:18:21.920 --> 0:18:23.800
<v Speaker 8>Two days, I think two or three days on Instagram.

0:18:24.480 --> 0:18:24.600
<v Speaker 2>Uh.

0:18:24.680 --> 0:18:30.040
<v Speaker 10>The court case like went viral and ultimately uh Afroman one.

0:18:30.680 --> 0:18:32.840
<v Speaker 1>But this is what they're using our taxpayer dollars for.

0:18:32.920 --> 0:18:35.639
<v Speaker 1>They in court talking about Afroman and the cops arguing

0:18:35.680 --> 0:18:37.440
<v Speaker 1>about lyrics.

0:18:37.440 --> 0:18:42.320
<v Speaker 10>They was mad because they said that Afroman his songs

0:18:43.560 --> 0:18:45.000
<v Speaker 10>played played to like.

0:18:46.520 --> 0:18:47.200
<v Speaker 8>Public trust.

0:18:48.080 --> 0:18:49.920
<v Speaker 10>No one was gonna like trust the police because the

0:18:49.920 --> 0:18:52.840
<v Speaker 10>Afroman was making songs about them coming to his house

0:18:52.920 --> 0:18:55.720
<v Speaker 10>and raiding them and stealing money.

0:18:56.400 --> 0:19:01.120
<v Speaker 5>Okay, this also happened outside of my home town, Cincinnati.

0:19:01.240 --> 0:19:03.920
<v Speaker 5>It's really close to Cincinnati, but in a smaller town,

0:19:04.680 --> 0:19:09.600
<v Speaker 5>so the news of these songs traveled fast around there,

0:19:09.760 --> 0:19:10.600
<v Speaker 5>and so.

0:19:10.520 --> 0:19:12.400
<v Speaker 6>The kids at school was talking shit.

0:19:13.160 --> 0:19:17.520
<v Speaker 5>I personally, there's one song about a female officer named Lisa.

0:19:17.960 --> 0:19:19.840
<v Speaker 5>And this song's been stuck in my head since I've

0:19:20.200 --> 0:19:22.560
<v Speaker 5>learned about it, has been waiting to be waiting.

0:19:24.600 --> 0:19:25.080
<v Speaker 6>He said.

0:19:25.560 --> 0:19:32.520
<v Speaker 5>Lick low, Lisa, Lick him low, Lisa. And the song

0:19:32.600 --> 0:19:37.080
<v Speaker 5>is like thirteen minutes long. And in the courtroom they

0:19:37.200 --> 0:19:42.240
<v Speaker 5>played the whole song and while Lisa was on the stand,

0:19:42.560 --> 0:19:46.920
<v Speaker 5>and Lisa is crying, she's she's in tears of sadness.

0:19:46.960 --> 0:19:50.240
<v Speaker 5>She's like really sad that this is happening to her,

0:19:50.320 --> 0:19:52.919
<v Speaker 5>and they just keep playing the song. She starts crying

0:19:52.960 --> 0:19:55.120
<v Speaker 5>like four minutes in, like, Lisa, you got nine minutes

0:19:55.160 --> 0:19:56.640
<v Speaker 5>and you.

0:19:56.600 --> 0:19:58.000
<v Speaker 6>Gotta dry your tears real quick.

0:19:58.440 --> 0:20:03.000
<v Speaker 5>Then after he he won the suit, he made another

0:20:03.320 --> 0:20:07.440
<v Speaker 5>song batter ram him of the police whistleblower. He said,

0:20:09.359 --> 0:20:12.280
<v Speaker 5>word on the street too is that he's like Maga too,

0:20:12.400 --> 0:20:14.440
<v Speaker 5>But you know that's neither here nor there.

0:20:14.440 --> 0:20:18.240
<v Speaker 6>He's fighting for freedom of speech, I guess, but he.

0:20:18.240 --> 0:20:18.840
<v Speaker 7>Might be Mega.

0:20:18.840 --> 0:20:26.040
<v Speaker 9>He always walking around and you us a flag suit man.

0:20:26.280 --> 0:20:27.800
<v Speaker 1>This this, this whole story is.

0:20:27.760 --> 0:20:34.840
<v Speaker 5>Just to add more insult to injury. After so there's

0:20:34.840 --> 0:20:37.240
<v Speaker 5>a there's a restaurant in Cincinnati called Taste of Belgium.

0:20:37.280 --> 0:20:40.400
<v Speaker 5>It's like a chain and they sell like Belgium waffles

0:20:40.440 --> 0:20:45.480
<v Speaker 5>or whatever. After the the after he won, they are

0:20:45.560 --> 0:20:49.560
<v Speaker 5>giving fans free lemon pound cake waffles.

0:20:50.080 --> 0:20:53.480
<v Speaker 1>This is not real. This can't be real. This can't be.

0:20:55.119 --> 0:20:57.440
<v Speaker 6>Bro. These cops are pissed.

0:20:59.000 --> 0:21:02.240
<v Speaker 5>And I mean, whether he's magat or not, pissing off

0:21:02.359 --> 0:21:03.720
<v Speaker 5>police officers.

0:21:03.359 --> 0:21:05.080
<v Speaker 8>Is like I can get behind that.

0:21:05.160 --> 0:21:06.840
<v Speaker 6>I can get that, you know what I'm saying.

0:21:06.880 --> 0:21:08.800
<v Speaker 8>That's especially and.

0:21:08.760 --> 0:21:11.600
<v Speaker 1>It seems like the communities behind him too, for them

0:21:11.680 --> 0:21:13.639
<v Speaker 1>to put them pancakes in there. They're like, y know what,

0:21:13.800 --> 0:21:14.600
<v Speaker 1>fuck these police?

0:21:14.720 --> 0:21:17.680
<v Speaker 6>Well, you know, people just love ridiculous ship.

0:21:18.200 --> 0:21:20.399
<v Speaker 5>We are we are in society now that it's like

0:21:20.800 --> 0:21:23.359
<v Speaker 5>the memification of like society.

0:21:23.520 --> 0:21:25.600
<v Speaker 6>We love something that can be memed.

0:21:26.080 --> 0:21:29.440
<v Speaker 5>We we we can we we we get together.

0:21:30.480 --> 0:21:32.760
<v Speaker 1>Millennials are now in charge. They should have never put

0:21:32.840 --> 0:21:36.080
<v Speaker 1>us in charge. We're the most unserious generation ever. Bro.

0:21:36.600 --> 0:21:38.760
<v Speaker 1>We make fun of We make fun of our kids.

0:21:39.320 --> 0:21:41.639
<v Speaker 1>Our kids be going through stuff, We be laughing, filming

0:21:41.720 --> 0:21:45.640
<v Speaker 1>in you know what I'm saying, Like, what's wrong with you?

0:21:45.720 --> 0:21:47.639
<v Speaker 1>Like and then you realize that, wait a minute, I'm

0:21:47.640 --> 0:21:49.280
<v Speaker 1>supposed to be parenting shit.

0:21:50.040 --> 0:21:53.520
<v Speaker 11>We getting fired from jobs, you know, for doing.

0:21:53.320 --> 0:21:55.239
<v Speaker 1>Stuff we should we show up to jobs late and

0:21:55.240 --> 0:21:58.040
<v Speaker 1>be like, what's the big deal? Like Millennials, Really we're not.

0:21:58.080 --> 0:22:01.040
<v Speaker 1>We're the most unserious generation and we're that right now.

0:22:00.960 --> 0:22:03.360
<v Speaker 5>Because we we I think we realized that, like, none

0:22:03.359 --> 0:22:04.240
<v Speaker 5>of this ship is real.

0:22:04.880 --> 0:22:05.960
<v Speaker 7>Millennia has been through a lot.

0:22:06.560 --> 0:22:06.879
<v Speaker 1>We have.

0:22:07.200 --> 0:22:08.760
<v Speaker 4>We've been through so much.

0:22:08.920 --> 0:22:11.040
<v Speaker 2>I saw a video where someone was talking about like

0:22:11.080 --> 0:22:12.879
<v Speaker 2>to be a millennial and if you're born in like

0:22:12.920 --> 0:22:15.920
<v Speaker 2>the nineteen eighties, everything that we've had to endure from

0:22:16.640 --> 0:22:20.160
<v Speaker 2>Y two K to Anthrax to starting.

0:22:20.720 --> 0:22:24.840
<v Speaker 9>Starting in two thousands for real, whole nineties crack nineties.

0:22:25.080 --> 0:22:28.359
<v Speaker 2>Yeah, will come on, bro, what's your earliest childhood memory

0:22:28.359 --> 0:22:30.160
<v Speaker 2>of like the biggest headline.

0:22:30.119 --> 0:22:31.520
<v Speaker 1>The war and in the Middle East?

0:22:31.760 --> 0:22:35.160
<v Speaker 7>Yeah, a local thing would be I'm gonna do y'all.

0:22:36.000 --> 0:22:37.399
<v Speaker 1>Oh, I'm gonna do, I'm gonna do.

0:22:37.760 --> 0:22:39.520
<v Speaker 8>Yeah that was two thousands, was it?

0:22:39.760 --> 0:22:39.920
<v Speaker 1>No?

0:22:41.000 --> 0:22:41.520
<v Speaker 8>Late nineties?

0:22:41.600 --> 0:22:42.199
<v Speaker 4>You forget this l.

0:22:44.600 --> 0:22:50.040
<v Speaker 1>Late eighties, my earl, my early like I remember that

0:22:50.160 --> 0:22:52.200
<v Speaker 1>meaning ninety three.

0:22:52.160 --> 0:22:55.000
<v Speaker 4>And here we are same, back in again.

0:22:55.359 --> 0:22:56.679
<v Speaker 6>Yeah, here we are in.

0:22:58.080 --> 0:23:01.320
<v Speaker 2>Well for my Q one review, I'm actually wearing her husband,

0:23:01.560 --> 0:23:06.080
<v Speaker 2>well his wife's memorabilia from the too.

0:23:06.200 --> 0:23:08.240
<v Speaker 1>You find any reason to put on Beyonce, Well, I

0:23:08.280 --> 0:23:10.119
<v Speaker 1>tell you, absolutely.

0:23:10.240 --> 0:23:14.119
<v Speaker 2>Boy Card so beyond his husband apparently is having a

0:23:14.160 --> 0:23:19.080
<v Speaker 2>show beyond Who's going, Who's all going?

0:23:19.080 --> 0:23:20.760
<v Speaker 4>My male hove man, who's all going?

0:23:21.200 --> 0:23:24.480
<v Speaker 1>My may hove has been regulated to being beyond his husband.

0:23:24.480 --> 0:23:27.879
<v Speaker 1>And I bet you ship you do. I bet you

0:23:27.960 --> 0:23:29.720
<v Speaker 1>he'd be like, I'm Beyonce's husband.

0:23:30.680 --> 0:23:32.480
<v Speaker 7>Don't worry. He's coming back to fix that right now,

0:23:33.080 --> 0:23:34.600
<v Speaker 7>on the way back to fix that nerdive.

0:23:34.600 --> 0:23:36.160
<v Speaker 1>When he when this album come out. But I'm gonna

0:23:36.200 --> 0:23:38.359
<v Speaker 1>be honest, though Beyonce has been the youngest entertainer of

0:23:38.400 --> 0:23:40.879
<v Speaker 1>our generation. Hey, if you could be that woman's husband,

0:23:40.880 --> 0:23:43.480
<v Speaker 1>you win it. You know what I'm saying, Like, yeah,

0:23:43.920 --> 0:23:44.720
<v Speaker 1>proud my wife.

0:23:44.800 --> 0:23:48.359
<v Speaker 2>He absolutely, but within his own right, jay Z is

0:23:48.400 --> 0:23:53.160
<v Speaker 2>a staple exactly, I can a legend. My proud moment

0:23:53.200 --> 0:23:55.560
<v Speaker 2>has actually been recently that Jackson has been listening to

0:23:55.640 --> 0:23:59.560
<v Speaker 2>more jay Z and he's understanding like the dynamics of music.

0:23:59.600 --> 0:24:01.680
<v Speaker 4>And it's just very nostalgic for us to watch his

0:24:01.800 --> 0:24:04.200
<v Speaker 4>parents in this a proud moment. You know, I worried about.

0:24:03.960 --> 0:24:06.280
<v Speaker 2>Moving out of Brooklyn and bringing our kids south, like

0:24:06.359 --> 0:24:08.000
<v Speaker 2>how will they lose that?

0:24:08.359 --> 0:24:08.560
<v Speaker 8>You know?

0:24:08.640 --> 0:24:09.120
<v Speaker 4>Connection.

0:24:09.840 --> 0:24:11.199
<v Speaker 7>He got a bunch of Brooklyn dudes around him.

0:24:11.320 --> 0:24:15.080
<v Speaker 2>Alternate right in Dakota, like he was born technically down

0:24:15.080 --> 0:24:15.840
<v Speaker 2>here in Georgia.

0:24:15.640 --> 0:24:18.840
<v Speaker 10>Huad technically he was actually born upstairs in the bathroom.

0:24:19.119 --> 0:24:22.920
<v Speaker 1>Technically sign in that bathroom that says welcome to Brooklyn.

0:24:23.000 --> 0:24:23.480
<v Speaker 7>So he was.

0:24:27.680 --> 0:24:29.280
<v Speaker 2>For sure and you can't tell him that he's not

0:24:29.320 --> 0:24:32.040
<v Speaker 2>a Brooklyn boy. But yeah, so I'm excited about the show.

0:24:32.040 --> 0:24:34.120
<v Speaker 2>We're going to hopefully figure out a way to get

0:24:34.119 --> 0:24:34.639
<v Speaker 2>some tickets.

0:24:34.640 --> 0:24:35.760
<v Speaker 4>I will fly to New York for that.

0:24:36.000 --> 0:24:38.480
<v Speaker 10>I love that Jackson is actually listening to that because

0:24:38.520 --> 0:24:40.320
<v Speaker 10>a lot of a lot of the messaging that we

0:24:40.440 --> 0:24:42.679
<v Speaker 10>got growing up came out of that music.

0:24:42.960 --> 0:24:45.480
<v Speaker 8>And it was like you was learning the street smart.

0:24:45.560 --> 0:24:48.640
<v Speaker 10>She was learning what the world was outside of the

0:24:49.359 --> 0:24:52.760
<v Speaker 10>protectiveness of your parents. Like he was just getting understanding,

0:24:52.840 --> 0:24:55.000
<v Speaker 10>like the street mentality and what you look for. So

0:24:55.320 --> 0:24:57.560
<v Speaker 10>that's that's who you dope that Jackson's watching that. Listen

0:24:57.640 --> 0:24:58.119
<v Speaker 10>to that right now.

0:24:58.200 --> 0:24:59.920
<v Speaker 1>When I think about jay Z, I think about how

0:25:00.000 --> 0:25:03.720
<v Speaker 1>he gave me the entrepreneurial mindset out. He's from Brooklyn,

0:25:03.720 --> 0:25:05.840
<v Speaker 1>he was able to do these great things. He always

0:25:05.840 --> 0:25:09.320
<v Speaker 1>talked about ownership. He always talked about gentrification and buying back.

0:25:09.160 --> 0:25:12.280
<v Speaker 4>The block, your favorite song or a favorite lyric.

0:25:12.720 --> 0:25:14.080
<v Speaker 1>I got so many, too.

0:25:13.920 --> 0:25:14.400
<v Speaker 8>Many, yo.

0:25:14.560 --> 0:25:14.960
<v Speaker 1>Let me tell you.

0:25:15.040 --> 0:25:17.359
<v Speaker 10>What jay Z did though, was that he made me

0:25:17.359 --> 0:25:18.760
<v Speaker 10>think you was supposed to have a lot of women,

0:25:18.880 --> 0:25:22.639
<v Speaker 10>and then he turned around and got one straight up. Like,

0:25:22.720 --> 0:25:24.720
<v Speaker 10>growing up, I thought he was supposed to have a

0:25:24.720 --> 0:25:27.400
<v Speaker 10>bunch of women. I'm a hay poppy at the song

0:25:27.680 --> 0:25:29.480
<v Speaker 10>all the Girls in a Boat he.

0:25:29.440 --> 0:25:36.160
<v Speaker 1>Did, you can't blame but I bought it. I feel

0:25:36.200 --> 0:25:37.119
<v Speaker 1>you no.

0:25:37.240 --> 0:25:39.240
<v Speaker 8>But seriously, like, I just saw that. I just saw that.

0:25:39.440 --> 0:25:40.920
<v Speaker 10>I was a huge jay Z fan growing up, so

0:25:40.960 --> 0:25:42.520
<v Speaker 10>when I saw that, I just thought that's what it was.

0:25:42.760 --> 0:25:44.280
<v Speaker 10>So when I grew up, I was like, so.

0:25:44.240 --> 0:25:46.240
<v Speaker 1>Can I say this? Though? Jay Z's been making music

0:25:46.280 --> 0:25:48.000
<v Speaker 1>since he was in his twenties. In his twenties, he

0:25:48.040 --> 0:25:50.240
<v Speaker 1>was single and then he got married. What we watched

0:25:50.240 --> 0:25:52.520
<v Speaker 1>was the evolution of a man. Absolutely. I thought that

0:25:52.600 --> 0:25:55.520
<v Speaker 1>womanizing was the way until he got older and mature

0:25:55.520 --> 0:25:58.240
<v Speaker 1>and was like, nah, my legacy is more important and

0:25:58.560 --> 0:26:00.920
<v Speaker 1>I'm not gonna lie. Watching him go through that transition

0:26:01.040 --> 0:26:02.920
<v Speaker 1>made me realize that, yo, it was okay, It's okay

0:26:02.960 --> 0:26:06.399
<v Speaker 1>to evolve. He went from selling dope and shoot him

0:26:06.480 --> 0:26:08.320
<v Speaker 1>up bang bang to now he's not talking about that

0:26:08.320 --> 0:26:12.639
<v Speaker 1>in the moment, talk legacy, getting people out of prison,

0:26:12.760 --> 0:26:16.280
<v Speaker 1>you know, working with who is working with robber Craft

0:26:16.760 --> 0:26:20.520
<v Speaker 1>and who else was it they have a whole initiative about,

0:26:21.040 --> 0:26:22.760
<v Speaker 1>not with Kim k. This is when he's working over

0:26:22.800 --> 0:26:26.919
<v Speaker 1>cidivism and paying people's bills. When jay Z's been doing

0:26:26.960 --> 0:26:29.000
<v Speaker 1>he also been buying back a lot of people's masters

0:26:29.000 --> 0:26:30.840
<v Speaker 1>and getting them out of their deals. Like he's trying

0:26:30.880 --> 0:26:33.960
<v Speaker 1>to make sure artists are compensated for the contributions they've

0:26:33.960 --> 0:26:36.440
<v Speaker 1>given to hip hop. And I just think that that's dope,

0:26:36.520 --> 0:26:37.920
<v Speaker 1>you know what I'm saying. I mean, there's certain things

0:26:37.920 --> 0:26:40.520
<v Speaker 1>people don't like about jay Z. Everybody got something they

0:26:40.520 --> 0:26:42.080
<v Speaker 1>don't like about them. But when I think about what

0:26:42.080 --> 0:26:47.159
<v Speaker 1>he's done and contributed, it's him. It's ll LL to me,

0:26:47.320 --> 0:26:49.800
<v Speaker 1>was like, it's like the first rap icon, Like he's

0:26:49.840 --> 0:26:52.800
<v Speaker 1>the he's the first rapper signed to death Jam, first

0:26:52.880 --> 0:26:59.400
<v Speaker 1>rapper to really go mainstream rocket ll Yes, as that's

0:26:59.440 --> 0:27:03.359
<v Speaker 1>not my no, absolutely, because rock Kim gave us the sound,

0:27:03.520 --> 0:27:06.120
<v Speaker 1>the hood sound, right, but LLL took rap and made

0:27:06.119 --> 0:27:09.040
<v Speaker 1>it global, you know, like LL made rap a thing

0:27:09.080 --> 0:27:10.000
<v Speaker 1>that everybody.

0:27:09.680 --> 0:27:13.120
<v Speaker 7>Knows was more global? Was he global first before?

0:27:14.400 --> 0:27:15.840
<v Speaker 1>I think L was the first. He was the first

0:27:15.880 --> 0:27:17.760
<v Speaker 1>rapper signed in deaf jam. He was the first rapper

0:27:17.760 --> 0:27:20.960
<v Speaker 1>to have a big time deal. I think before him though,

0:27:21.160 --> 0:27:23.600
<v Speaker 1>was the Fat Boys. The Fat Boys had a big

0:27:23.600 --> 0:27:26.280
<v Speaker 1>deal before him, and they had movie rights, and the

0:27:26.320 --> 0:27:28.119
<v Speaker 1>Fat Boys were big and hip hop. But I think

0:27:28.480 --> 0:27:32.080
<v Speaker 1>LLL was the first solo act to have that type

0:27:32.119 --> 0:27:35.640
<v Speaker 1>of you know what they can the white woman acclaim

0:27:35.880 --> 0:27:38.719
<v Speaker 1>to where he was sexy even to white women at

0:27:38.720 --> 0:27:40.600
<v Speaker 1>that time. And we're talking about the late eighties and

0:27:40.640 --> 0:27:44.119
<v Speaker 1>they knew who ll was. That crossover pill. Yeah, so

0:27:44.400 --> 0:27:47.560
<v Speaker 1>shout out to L two And I think it's called

0:27:47.560 --> 0:27:50.520
<v Speaker 1>the Reform Alliance, The Reform Alliance. Yes, yes, yes, he

0:27:50.600 --> 0:27:53.040
<v Speaker 1>been working with Meek like you said, to help with

0:27:53.080 --> 0:27:55.439
<v Speaker 1>recidivism and stuff. I just think that it's dope. You know,

0:27:55.720 --> 0:27:58.960
<v Speaker 1>all the stuff he's done, dope good sibar.

0:27:59.600 --> 0:28:01.159
<v Speaker 4>Yeah, you know, I love a sidebar.

0:28:01.200 --> 0:28:03.240
<v Speaker 1>What's up? Me and Matt was talking about this, and

0:28:03.400 --> 0:28:05.840
<v Speaker 1>we're gonna talk about this in our Q one review. Uh,

0:28:06.080 --> 0:28:11.520
<v Speaker 1>his favorite artist got two songs that take shots and

0:28:11.600 --> 0:28:12.480
<v Speaker 1>we think Jay z.

0:28:12.880 --> 0:28:14.920
<v Speaker 10>Oh he absolutely took a shot at jay Z and

0:28:15.320 --> 0:28:17.360
<v Speaker 10>I was trying to figure about nobody was talking about.

0:28:17.160 --> 0:28:19.359
<v Speaker 1>It, right, and that's that's what we were was like,

0:28:19.359 --> 0:28:20.480
<v Speaker 1>what do you think this is about?

0:28:20.600 --> 0:28:25.280
<v Speaker 8>He said the so called greatest That's what I said,

0:28:25.359 --> 0:28:26.160
<v Speaker 8>And then he got this.

0:28:26.800 --> 0:28:29.000
<v Speaker 7>J Cole took two shots at jay Z.

0:28:29.400 --> 0:28:31.520
<v Speaker 1>Because he's a big time jay Z fan, Like he

0:28:31.680 --> 0:28:33.600
<v Speaker 1>historically was like, yo, that was my idol.

0:28:33.320 --> 0:28:35.040
<v Speaker 7>But he was also scientist and he was signed.

0:28:35.760 --> 0:28:36.720
<v Speaker 1>He was signed to jay Z.

0:28:37.320 --> 0:28:40.120
<v Speaker 10>History here, but he also talks about how jay Z

0:28:40.240 --> 0:28:42.520
<v Speaker 10>looked out for him when he was leaving the label.

0:28:42.560 --> 0:28:43.320
<v Speaker 8>He didn't. He didn't.

0:28:44.000 --> 0:28:46.240
<v Speaker 10>He didn't allow him to. He didn't make him like

0:28:46.240 --> 0:28:48.520
<v Speaker 10>pay all back he had to do. He actually gave

0:28:48.560 --> 0:28:50.520
<v Speaker 10>him additional money so he could take care of the

0:28:50.560 --> 0:28:51.360
<v Speaker 10>rest of Dreamsville.

0:28:51.680 --> 0:28:54.600
<v Speaker 8>So like he mentioned it on.

0:28:56.480 --> 0:28:57.160
<v Speaker 1>He didn't mention it.

0:28:57.680 --> 0:29:02.200
<v Speaker 8>What's his name on his jed He talked about it, Joe.

0:29:02.280 --> 0:29:03.560
<v Speaker 1>But my thing is if he if he did all

0:29:03.600 --> 0:29:05.280
<v Speaker 1>of that, then why does it seem like Cole got

0:29:05.280 --> 0:29:05.720
<v Speaker 1>an issue with.

0:29:05.760 --> 0:29:09.480
<v Speaker 9>There's definitely an interview with GQ where he talks about

0:29:09.560 --> 0:29:13.040
<v Speaker 9>there's it's not smooth because of audit business stuff.

0:29:13.520 --> 0:29:16.440
<v Speaker 1>Happen okay, because he makes a comment he says, fuck

0:29:16.520 --> 0:29:18.960
<v Speaker 1>you pay me, and you know that comment comes from

0:29:19.040 --> 0:29:21.040
<v Speaker 1>jay Z's first album where he does the whole skit

0:29:21.120 --> 0:29:23.560
<v Speaker 1>where he's like, fuck you pay me. It's almost like

0:29:24.480 --> 0:29:26.880
<v Speaker 1>do you owe him money? Because if they're saying jay

0:29:26.920 --> 0:29:29.000
<v Speaker 1>Z gave him money to leave and was like took

0:29:29.040 --> 0:29:31.200
<v Speaker 1>care of Dreamville, then he don't owe you money or

0:29:31.240 --> 0:29:33.680
<v Speaker 1>does he owe you more money? It's like I kind

0:29:33.680 --> 0:29:35.320
<v Speaker 1>of want to know what that is. These are two

0:29:35.360 --> 0:29:37.800
<v Speaker 1>brothers that I look up to as far as being

0:29:37.880 --> 0:29:41.760
<v Speaker 1>even but also handling their business appropriately. So I'm interested.

0:29:41.960 --> 0:29:45.160
<v Speaker 10>But we also know there's also sport too, like jay

0:29:45.240 --> 0:29:47.920
<v Speaker 10>Z is not is definitely want to take shots, but

0:29:48.480 --> 0:29:51.800
<v Speaker 10>you wouldn't really know who he's actually talking about it

0:29:52.040 --> 0:29:54.800
<v Speaker 10>and listening to the past. Last interview he just did

0:29:54.840 --> 0:29:59.040
<v Speaker 10>about Kendrick and uh Drake, you know that it's something

0:29:59.080 --> 0:30:00.720
<v Speaker 10>that will keep on Wax don't make it like.

0:30:01.480 --> 0:30:03.800
<v Speaker 1>Who you mean? J Cole's and the view he did

0:30:04.240 --> 0:30:07.120
<v Speaker 1>j Z, he talked about Drake and Kendrick.

0:30:07.280 --> 0:30:09.520
<v Speaker 9>Yeah, oh he has the same opinion that Ja Cole

0:30:09.560 --> 0:30:13.720
<v Speaker 9>had that he got killed for. He was just like,

0:30:13.840 --> 0:30:15.600
<v Speaker 9>this is not this is this is getting to a

0:30:15.600 --> 0:30:16.960
<v Speaker 9>point where I don't want to be a part of this,

0:30:17.160 --> 0:30:19.600
<v Speaker 9>and he apologized back out of it. And he's saying

0:30:19.640 --> 0:30:21.640
<v Speaker 9>that jay Z basically to say he don't know that

0:30:22.400 --> 0:30:25.440
<v Speaker 9>he's battling should be a part of hip hop anymore.

0:30:25.520 --> 0:30:27.600
<v Speaker 1>I think I've seen that the second part, because remember

0:30:27.600 --> 0:30:29.280
<v Speaker 1>he was talking about how he felt bad about what

0:30:29.320 --> 0:30:31.800
<v Speaker 1>happened with Nas, but it didn't start at the Summer

0:30:31.920 --> 0:30:33.960
<v Speaker 1>Jam screen. He was like, there was so many things

0:30:34.000 --> 0:30:35.520
<v Speaker 1>before that, and he was like, which, I feel bad

0:30:35.560 --> 0:30:38.680
<v Speaker 1>now because I really like Nash. That's also sign of maturity.

0:30:38.840 --> 0:30:40.600
<v Speaker 1>When you were in your twenties, you ready to crash

0:30:40.640 --> 0:30:42.560
<v Speaker 1>out and say whatever, But now you fifty something and

0:30:42.600 --> 0:30:44.040
<v Speaker 1>you like, was it really that important?

0:30:44.400 --> 0:30:46.480
<v Speaker 9>I like he acknowledged that, though, like, y'all might not

0:30:46.920 --> 0:30:48.760
<v Speaker 9>like me for this opinion because I've done this in

0:30:48.800 --> 0:30:51.320
<v Speaker 9>the past, but I don't like where this is going

0:30:51.440 --> 0:30:52.480
<v Speaker 9>in today's age.

0:30:53.160 --> 0:30:56.280
<v Speaker 1>The thing is, it all comes full circle because Cole

0:30:56.360 --> 0:30:58.920
<v Speaker 1>has a song called I Think It's I Wish or

0:30:58.920 --> 0:30:59.320
<v Speaker 1>what If?

0:30:59.440 --> 0:30:59.800
<v Speaker 7>What If?

0:31:00.120 --> 0:31:03.520
<v Speaker 1>What If, where he raps as Biggie and raps as

0:31:03.520 --> 0:31:06.440
<v Speaker 1>Tupac and they apologize to each other about the beef.

0:31:06.680 --> 0:31:09.400
<v Speaker 1>But he also lays out how the labels and the

0:31:09.440 --> 0:31:12.280
<v Speaker 1>media utilized the beef to sensationalize it and then the

0:31:12.320 --> 0:31:13.440
<v Speaker 1>street took it for real.

0:31:13.640 --> 0:31:14.800
<v Speaker 7>And that's the Internet now, and.

0:31:15.120 --> 0:31:17.680
<v Speaker 1>That's that's the crazy part. And I think that's why

0:31:17.840 --> 0:31:19.680
<v Speaker 1>the older people like a Jay Z would be like,

0:31:19.720 --> 0:31:22.000
<v Speaker 1>looking at the way things is going, you can't have

0:31:22.080 --> 0:31:24.880
<v Speaker 1>those friendly beefs on wax if people that aren't even

0:31:24.880 --> 0:31:26.200
<v Speaker 1>a part of the beef are going to take it

0:31:26.280 --> 0:31:29.800
<v Speaker 1>upon themselves to make it real, you know what I'm saying.

0:31:29.880 --> 0:31:31.720
<v Speaker 7>I see that one last thing on that.

0:31:31.800 --> 0:31:35.080
<v Speaker 9>I also think that Jay Cole is trying to trigger

0:31:35.120 --> 0:31:36.680
<v Speaker 9>jay Z to say something, because if you listen to

0:31:36.680 --> 0:31:39.000
<v Speaker 9>one of his other songs, he's saying that a lot

0:31:39.000 --> 0:31:40.320
<v Speaker 9>of the old rappers that he used to look up

0:31:40.360 --> 0:31:42.080
<v Speaker 9>to don't have the love for it anymore. And I

0:31:42.080 --> 0:31:43.600
<v Speaker 9>think I can inspire you to get back to it.

0:31:43.720 --> 0:31:45.400
<v Speaker 1>He did say that, so if I can take.

0:31:45.240 --> 0:31:46.760
<v Speaker 7>Shots at you and this is how you're gonna get

0:31:46.800 --> 0:31:48.960
<v Speaker 7>come back out. I did my job, man.

0:31:49.000 --> 0:31:56.320
<v Speaker 6>I like to see tickle fight having which she hates.

0:31:57.520 --> 0:31:58.160
<v Speaker 8>I am not.

0:31:58.680 --> 0:32:01.480
<v Speaker 1>She cried in college way, Yeah, I used to tickle

0:32:01.520 --> 0:32:05.680
<v Speaker 1>her and then she was like I.

0:32:09.000 --> 0:32:18.320
<v Speaker 2>Was like, I would never tickle you again, that like

0:32:18.360 --> 0:32:22.120
<v Speaker 2>the hardest fingers, Like, yeah, people don't right, have.

0:32:22.120 --> 0:32:25.080
<v Speaker 8>You ever been kids? It cause you pain?

0:32:25.560 --> 0:32:28.600
<v Speaker 4>It hurts His fingers are like I was hurting very

0:32:28.600 --> 0:32:29.240
<v Speaker 4>hard fingers.

0:32:29.640 --> 0:32:29.920
<v Speaker 1>I was.

0:32:31.640 --> 0:32:34.160
<v Speaker 4>Flowers. I'm fragile.

0:32:34.840 --> 0:32:37.720
<v Speaker 5>Little kids be trying to drive their fingers through your skin.

0:32:37.800 --> 0:32:44.160
<v Speaker 5>With one other thing that happened in you one. Have

0:32:44.200 --> 0:32:45.960
<v Speaker 5>you all seen Cam Newton's podcast?

0:32:46.920 --> 0:32:52.360
<v Speaker 1>Yes, I watch it, watching watch watch clips clips.

0:32:52.360 --> 0:32:54.480
<v Speaker 6>Did you'll see the episode with.

0:32:57.600 --> 0:33:05.640
<v Speaker 10>Dang yeah, neglick neglected name collect collected inlet electic in collected?

0:33:05.720 --> 0:33:06.280
<v Speaker 1>Yeah, I seen it.

0:33:06.280 --> 0:33:14.280
<v Speaker 6>Actually he said collector again. What's her name?

0:33:14.800 --> 0:33:15.200
<v Speaker 4>Her face?

0:33:15.600 --> 0:33:19.520
<v Speaker 10>It's not It was girls, the girl she's in that

0:33:19.680 --> 0:33:24.040
<v Speaker 10>uh that the podcast that the form stand for all her.

0:33:24.160 --> 0:33:28.560
<v Speaker 1>Mother what though? Yeah, girl our girls, Yeah.

0:33:28.480 --> 0:33:30.920
<v Speaker 4>Damn And I can't even hear her name right now.

0:33:30.920 --> 0:33:32.960
<v Speaker 4>But yes, I did see the neglect.

0:33:33.200 --> 0:33:34.360
<v Speaker 1>I thought it was a funny moment.

0:33:35.600 --> 0:33:38.480
<v Speaker 8>It was lady London, lady, Yes, yeah, lady.

0:33:38.880 --> 0:33:41.200
<v Speaker 1>The thing that was the funniest to me is that

0:33:41.240 --> 0:33:44.520
<v Speaker 1>he kept getting it wrong. Yeah, every time he kept

0:33:44.520 --> 0:33:46.840
<v Speaker 1>getting it wrong, he doubled down with the smoothest just

0:33:46.880 --> 0:33:50.640
<v Speaker 1>like yeah, yeah, it was like you gotta be like,

0:33:50.720 --> 0:33:55.600
<v Speaker 1>damn up. He was like, wrong, what word is that?

0:33:55.600 --> 0:33:58.080
<v Speaker 1>He said, I made it up? He said, you pronounced

0:33:58.120 --> 0:33:59.560
<v Speaker 1>it wrong. He said I did that on purpose. So

0:33:59.600 --> 0:34:01.959
<v Speaker 1>you get was like, yo, the fact that he stayed

0:34:02.000 --> 0:34:05.360
<v Speaker 1>that's smooth though. Yeah, yeah, yeah, I love it.

0:34:05.520 --> 0:34:12.799
<v Speaker 5>She said spell it in collector.

0:34:13.120 --> 0:34:15.279
<v Speaker 6>But that's kind of like that's been a moment.

0:34:15.120 --> 0:34:18.759
<v Speaker 5>Because people have been using the word in collector, like

0:34:18.840 --> 0:34:21.759
<v Speaker 5>on threads. They'd be like, oh, when on a first

0:34:21.840 --> 0:34:26.839
<v Speaker 5>date it was going well, then boom and it's going.

0:34:27.239 --> 0:34:28.960
<v Speaker 1>In the dictionary.

0:34:28.120 --> 0:34:31.400
<v Speaker 6>I love it. That's crazy work.

0:34:31.880 --> 0:34:34.359
<v Speaker 5>I love I love those cultural moments that we can

0:34:34.400 --> 0:34:38.920
<v Speaker 5>have where something small turns into something really big and lasting.

0:34:39.800 --> 0:34:42.520
<v Speaker 1>Yeah, speaking of cultural moments, I got to talk about

0:34:42.520 --> 0:34:46.160
<v Speaker 1>this this first part of Yeah Man Sinners, Oh and

0:34:46.200 --> 0:34:52.120
<v Speaker 1>everything that is happy and I'm just excited for everybody

0:34:52.600 --> 0:34:55.160
<v Speaker 1>because it also marks a time in history for us

0:34:55.160 --> 0:34:56.719
<v Speaker 1>that we'll go back to and say, you know what,

0:34:57.200 --> 0:35:02.000
<v Speaker 1>there was a writer who has original I P who

0:35:02.120 --> 0:35:05.040
<v Speaker 1>was able to sell that original IP to a large studio.

0:35:06.040 --> 0:35:08.840
<v Speaker 1>He's gonna get his rights returned back to him in

0:35:08.880 --> 0:35:12.839
<v Speaker 1>twenty five years to have ownership. He won awards and

0:35:12.880 --> 0:35:15.680
<v Speaker 1>it was a black lay cast. We have not seen

0:35:15.719 --> 0:35:18.919
<v Speaker 1>that ever, and I think we're gonna look back twenty

0:35:19.000 --> 0:35:21.279
<v Speaker 1>years ago when that becomes the norm, because it's going

0:35:21.320 --> 0:35:22.880
<v Speaker 1>to start to be what it is, and we're gonna say,

0:35:22.880 --> 0:35:26.480
<v Speaker 1>you remember the first time, remember the movie centers like

0:35:26.520 --> 0:35:28.600
<v Speaker 1>we we lived through that, and to me, I think

0:35:28.600 --> 0:35:30.439
<v Speaker 1>it's important for people to recognize that.

0:35:30.480 --> 0:35:36.080
<v Speaker 5>And did y'all see the performance on the Oscars was amazing?

0:35:36.200 --> 0:35:38.239
<v Speaker 5>I mean she only performed at the very end because

0:35:38.239 --> 0:35:40.000
<v Speaker 5>you know, she just had like place.

0:35:42.600 --> 0:35:47.640
<v Speaker 2>The fact that she came back like so so happy.

0:35:47.320 --> 0:35:48.040
<v Speaker 4>And proud of her.

0:35:48.680 --> 0:35:50.080
<v Speaker 2>But I think there was also the point that had

0:35:50.120 --> 0:35:53.279
<v Speaker 2>to be proved after Homeboys.

0:35:53.120 --> 0:35:56.600
<v Speaker 11>Comment, yeah, yeah, yeah, what happened?

0:35:56.640 --> 0:35:59.440
<v Speaker 6>He also call him all type of you didn't.

0:35:59.200 --> 0:36:01.239
<v Speaker 7>About Tim y'all comments about.

0:36:01.440 --> 0:36:04.160
<v Speaker 6>Cares about the opera?

0:36:04.640 --> 0:36:05.680
<v Speaker 1>Hear that one?

0:36:05.800 --> 0:36:09.759
<v Speaker 9>Yeah, he said during the campaigning for War Season, which

0:36:09.760 --> 0:36:10.760
<v Speaker 9>is like shooting yourself.

0:36:10.760 --> 0:36:12.000
<v Speaker 8>What was what was the reason for him saying that?

0:36:12.000 --> 0:36:13.320
<v Speaker 8>Though he was he was doing.

0:36:13.120 --> 0:36:17.399
<v Speaker 1>The podcast with your boy Matt McConaughey, and if I'm

0:36:17.400 --> 0:36:19.480
<v Speaker 1>being honest, I think he was. He's young. He was

0:36:19.520 --> 0:36:21.719
<v Speaker 1>being a cheeky, you know, cheeky young kid. You know,

0:36:21.760 --> 0:36:24.640
<v Speaker 1>he doesn't really probably know much about the arts. He's young,

0:36:25.360 --> 0:36:28.960
<v Speaker 1>so he was just let me let me ask what,

0:36:29.680 --> 0:36:30.520
<v Speaker 1>let me let me He.

0:36:30.520 --> 0:36:34.319
<v Speaker 7>Looks really but he's been he's been a while. He

0:36:34.360 --> 0:36:35.120
<v Speaker 7>was an interstellar.

0:36:35.239 --> 0:36:37.319
<v Speaker 1>Yeah he's thirty, so I mean, but he's still like

0:36:37.360 --> 0:36:40.759
<v Speaker 1>he's he's a young person. He's a young person, young mentality, right,

0:36:40.800 --> 0:36:44.239
<v Speaker 1>And if you think about our generation, you don't how

0:36:44.280 --> 0:36:46.080
<v Speaker 1>many people in our generation say they're going to go

0:36:46.080 --> 0:36:48.120
<v Speaker 1>to the opera or they're going to go to the ballet.

0:36:48.239 --> 0:36:50.680
<v Speaker 1>So in his mind, it's a lost art, you know

0:36:50.719 --> 0:36:52.840
<v Speaker 1>what I'm saying. I think the issue was is he

0:36:52.880 --> 0:36:55.080
<v Speaker 1>made it seem like no one cares about it while

0:36:55.080 --> 0:36:59.160
<v Speaker 1>you're campaigning for an artist award that doesn't make any sense.

0:36:59.200 --> 0:37:00.880
<v Speaker 2>And then he had a chance salvage it, and then

0:37:00.920 --> 0:37:02.920
<v Speaker 2>he doubled down by saying, oh wait, sorry, did I

0:37:03.000 --> 0:37:04.440
<v Speaker 2>just lose like fourteen followers?

0:37:04.520 --> 0:37:06.200
<v Speaker 7>Yeah, no, you just lost the award that you probably

0:37:06.200 --> 0:37:06.680
<v Speaker 7>would have won.

0:37:07.040 --> 0:37:09.919
<v Speaker 1>Yeah, it's I don't think he would have won it, though.

0:37:09.840 --> 0:37:11.879
<v Speaker 7>I think he had a strong chance of feeling.

0:37:11.719 --> 0:37:14.319
<v Speaker 1>He definitely had a strong chance. But I also am

0:37:14.360 --> 0:37:15.920
<v Speaker 1>not going to discredit Michael b.

0:37:16.080 --> 0:37:17.600
<v Speaker 9>No, No, I'm not discredited it might not be at all,

0:37:17.600 --> 0:37:19.400
<v Speaker 9>because I think Michael Be earned that award. I'm just

0:37:19.400 --> 0:37:21.840
<v Speaker 9>saying I think the way all the award season was

0:37:21.920 --> 0:37:24.719
<v Speaker 9>leaning from January, he was in strong contention for that

0:37:24.760 --> 0:37:27.960
<v Speaker 9>award before he said that from sup Yes, he was

0:37:28.000 --> 0:37:28.560
<v Speaker 9>in contention.

0:37:28.800 --> 0:37:33.600
<v Speaker 1>But remember Michael B won the SAG Award, but he's won.

0:37:33.719 --> 0:37:36.560
<v Speaker 9>Timothy Schallamane was winning awards in January, SAG wasn' until

0:37:36.560 --> 0:37:37.080
<v Speaker 9>February late.

0:37:37.200 --> 0:37:39.520
<v Speaker 1>I feel you. But if you look at who wins

0:37:39.560 --> 0:37:41.880
<v Speaker 1>that SAG Award, most of the time that's those are

0:37:41.920 --> 0:37:45.280
<v Speaker 1>the Artists Awards, the Golden Globe, SAG, and it typically

0:37:45.360 --> 0:37:47.560
<v Speaker 1>tracks you know what I'm saying. But I think Timothy

0:37:47.600 --> 0:37:50.719
<v Speaker 1>won the Golden Globe, right. Didn't Timothy win the Party

0:37:51.280 --> 0:37:54.000
<v Speaker 1>for Best Actor? Yes? I think so, and then Michael

0:37:54.040 --> 0:37:57.120
<v Speaker 1>B won the SAG Award, so it was like ASP.

0:37:57.440 --> 0:37:59.480
<v Speaker 1>But my thing is when I look at the comparisons

0:37:59.480 --> 0:38:02.239
<v Speaker 1>of the roles, Michael Be ultimately had to play two

0:38:02.360 --> 0:38:04.480
<v Speaker 1>characters and a half because he had to play the

0:38:04.520 --> 0:38:06.880
<v Speaker 1>vampire version of the character. He also had to do

0:38:06.920 --> 0:38:08.839
<v Speaker 1>fighting sequences and stuff. I just need there was more

0:38:08.880 --> 0:38:12.040
<v Speaker 1>that went into that role. It was also a period piece, right,

0:38:12.239 --> 0:38:14.319
<v Speaker 1>Timothy's role was great and the movie was good. But

0:38:14.360 --> 0:38:16.279
<v Speaker 1>if I had to compare who had to invest more

0:38:16.280 --> 0:38:18.160
<v Speaker 1>to play those in this moment and those moments, I

0:38:18.160 --> 0:38:19.879
<v Speaker 1>would go with Mike be And the only reason why

0:38:19.880 --> 0:38:21.360
<v Speaker 1>I bring that up is because I don't want to

0:38:21.440 --> 0:38:26.120
<v Speaker 1>use Timothy's mishap to say that's I don't want to do.

0:38:26.280 --> 0:38:30.360
<v Speaker 9>Yeah, I'm just saying I think he had a stronger

0:38:30.440 --> 0:38:32.759
<v Speaker 9>case for winning before he went and shot himself in that.

0:38:32.840 --> 0:38:35.080
<v Speaker 1>Definitely, Like at that point it was just like forget

0:38:35.120 --> 0:38:36.880
<v Speaker 1>about it because no one was even talking about it.

0:38:37.160 --> 0:38:40.960
<v Speaker 9>The more won the Golden Globe, he was in the Secret.

0:38:40.680 --> 0:38:43.120
<v Speaker 1>Agent, Okay, so now so then even Timothy didn't even

0:38:43.120 --> 0:38:45.480
<v Speaker 1>win for the Golden Globe, so it was really up

0:38:45.480 --> 0:38:45.879
<v Speaker 1>in the air.

0:38:46.200 --> 0:38:49.000
<v Speaker 4>Michael Bacari, congratulations.

0:38:48.120 --> 0:38:49.839
<v Speaker 6>Brought That's what the b stands were.

0:38:51.239 --> 0:38:54.200
<v Speaker 1>I also want to shout out. We talked about Michael B.

0:38:54.280 --> 0:38:57.520
<v Speaker 1>Jordan winning Best Actor, which is, you know, phenomenal. We

0:38:57.560 --> 0:39:01.960
<v Speaker 1>also talked about Ryan Coogler, but also Autumn Durral. I

0:39:02.000 --> 0:39:03.560
<v Speaker 1>think it's our copp.

0:39:06.040 --> 0:39:06.080
<v Speaker 2>L.

0:39:06.120 --> 0:39:09.000
<v Speaker 1>I want to say Acapol, she's the first female to

0:39:09.080 --> 0:39:15.600
<v Speaker 1>win DP, to win as a DP, that's dope and

0:39:15.640 --> 0:39:17.239
<v Speaker 1>That's that's why I'm saying, we're going to look back

0:39:17.239 --> 0:39:20.239
<v Speaker 1>at this movie and realize how many like ceilings were

0:39:20.280 --> 0:39:24.120
<v Speaker 1>broken by original I p she was.

0:39:24.120 --> 0:39:32.360
<v Speaker 5>The first female DP to shoot in that IMAX s crazy,

0:39:32.520 --> 0:39:37.200
<v Speaker 5>which is crazy too. The film was just groundbreaking in itself.

0:39:37.560 --> 0:39:40.600
<v Speaker 5>And I just listened to I just finished the episode

0:39:40.680 --> 0:39:44.720
<v Speaker 5>of Amy Poler's podcast. She did an interview with Ryan Coogler,

0:39:44.760 --> 0:39:48.120
<v Speaker 5>and the man is just smart. He is a smart guy.

0:39:48.239 --> 0:39:50.879
<v Speaker 5>Like before he went to film school, he was going

0:39:51.080 --> 0:39:52.760
<v Speaker 5>to be a doctor.

0:39:53.080 --> 0:39:54.080
<v Speaker 1>Played football too.

0:39:54.280 --> 0:39:56.560
<v Speaker 5>He played football. Yeah, he played football as it means

0:39:56.600 --> 0:39:59.359
<v Speaker 5>to pay for college. Like, he's just a smart guy.

0:39:59.440 --> 0:40:02.839
<v Speaker 5>He's very focused and driven and I feel like, you

0:40:02.840 --> 0:40:05.200
<v Speaker 5>know everything that he does too, Like we were talking

0:40:05.200 --> 0:40:08.960
<v Speaker 5>about last week, he's a student of his craft.

0:40:09.080 --> 0:40:10.360
<v Speaker 1>Yeah you know what I'm saying.

0:40:10.560 --> 0:40:12.600
<v Speaker 6>And he's so smart.

0:40:12.640 --> 0:40:14.440
<v Speaker 5>But when I was listening to his episode, I was like,

0:40:14.840 --> 0:40:18.600
<v Speaker 5>I'm smart too, because me and him have all.

0:40:18.480 --> 0:40:19.720
<v Speaker 6>The same favorite movies.

0:40:19.760 --> 0:40:21.480
<v Speaker 5>Like he was naming all his favorite movies and it

0:40:21.560 --> 0:40:23.200
<v Speaker 5>was like, those are my favorite movies.

0:40:24.239 --> 0:40:25.160
<v Speaker 6>Like that's creat.

0:40:26.080 --> 0:40:31.319
<v Speaker 1>Yeah, you go, you gotta get into directing. But no, seriously, though,

0:40:31.440 --> 0:40:33.200
<v Speaker 1>you see how he stepped out on faith though and

0:40:33.239 --> 0:40:35.040
<v Speaker 1>just started doing shit. I'll be telling you this all

0:40:35.080 --> 0:40:37.759
<v Speaker 1>the time, Trouble. Yeah, stop holding yourself back. I go

0:40:37.800 --> 0:40:40.399
<v Speaker 1>out there and do it, because you really holding back

0:40:40.440 --> 0:40:43.880
<v Speaker 1>somebody from being great. Because Ryan Cooler did this, look

0:40:43.920 --> 0:40:46.080
<v Speaker 1>at all of the other people around him who achieved

0:40:46.080 --> 0:40:49.120
<v Speaker 1>greatness because of his thoughts and I yeah, So don't

0:40:49.120 --> 0:40:51.440
<v Speaker 1>even do it for yourself, do it for all of us, Trouble.

0:40:51.760 --> 0:40:52.960
<v Speaker 1>That's you know what I'm saying. Get out there. You

0:40:52.960 --> 0:40:54.040
<v Speaker 1>could be helping somebody else.

0:40:54.520 --> 0:40:57.279
<v Speaker 9>He partnered with dope artists too.

0:40:57.000 --> 0:40:57.320
<v Speaker 1>Before.

0:40:57.680 --> 0:41:00.560
<v Speaker 9>Before we take a break, I got a question garification.

0:41:01.000 --> 0:41:04.000
<v Speaker 9>Timothy did win Golden Globe. It was for Musical All Comedy,

0:41:04.160 --> 0:41:07.480
<v Speaker 9>back the More one for Drama, Different.

0:41:08.760 --> 0:41:09.280
<v Speaker 7>Choice Award.

0:41:09.600 --> 0:41:12.840
<v Speaker 1>Okay, so Timothy did win for that one. Okay. I

0:41:12.880 --> 0:41:15.040
<v Speaker 1>have a question for y'all too, as black women since

0:41:15.040 --> 0:41:17.160
<v Speaker 1>we're talking about Q one, because I did see a

0:41:17.200 --> 0:41:21.240
<v Speaker 1>little bit of a split online right with Tianna Taylor.

0:41:22.160 --> 0:41:24.520
<v Speaker 1>Some black women were excited for her, So this is amazing.

0:41:24.560 --> 0:41:26.919
<v Speaker 1>I love Tianna, this is great. And then some black

0:41:26.960 --> 0:41:30.239
<v Speaker 1>women were like, no, the role that she she wanted for,

0:41:30.320 --> 0:41:34.160
<v Speaker 1>we're not going to exalt that anymore. I want to

0:41:34.200 --> 0:41:36.359
<v Speaker 1>know how y'all felt about it, which I loved, going

0:41:36.400 --> 0:41:38.160
<v Speaker 1>battle after another I did too.

0:41:38.200 --> 0:41:40.280
<v Speaker 4>We watched it twice, three times, maybe twice.

0:41:40.400 --> 0:41:40.640
<v Speaker 6>Yeah.

0:41:41.120 --> 0:41:44.240
<v Speaker 1>So do you think that that part of the internet

0:41:44.640 --> 0:41:47.120
<v Speaker 1>is like a small loud minority.

0:41:47.400 --> 0:41:50.600
<v Speaker 5>No, I think that. I mean artists subjective, you know

0:41:50.640 --> 0:41:53.239
<v Speaker 5>what I'm saying. It's up to the person interpreting it

0:41:53.320 --> 0:41:55.640
<v Speaker 5>how they feel about it. And some people just didn't

0:41:55.840 --> 0:42:00.560
<v Speaker 5>appreciate that portrayal of a black woman fair and I

0:42:00.600 --> 0:42:03.240
<v Speaker 5>thought it was definitely difficult to watch.

0:42:04.760 --> 0:42:06.480
<v Speaker 6>And I think that.

0:42:08.719 --> 0:42:12.440
<v Speaker 5>I don't think the onus is on Tianna Taylor for

0:42:12.520 --> 0:42:17.319
<v Speaker 5>playing the role. The person who wrote the movie, you know,

0:42:17.480 --> 0:42:19.680
<v Speaker 5>interpreted power in the way that he did. And the

0:42:19.719 --> 0:42:21.600
<v Speaker 5>person who wrote the movie is a white man, so

0:42:22.120 --> 0:42:24.040
<v Speaker 5>he interpreted power in the way that he did, and

0:42:25.120 --> 0:42:29.680
<v Speaker 5>black women who actually live in our existence as black women,

0:42:29.719 --> 0:42:31.239
<v Speaker 5>we wouldn't interpret power that way.

0:42:31.480 --> 0:42:33.080
<v Speaker 1>I think that's a lot of black women say that

0:42:33.120 --> 0:42:36.000
<v Speaker 1>they're tired of feeling fetishized. Like if you think about

0:42:36.000 --> 0:42:38.239
<v Speaker 1>Holly Berry and Monster's Ball, they said she only wanted

0:42:38.280 --> 0:42:40.880
<v Speaker 1>because she had to sleep with a racist white cop,

0:42:41.320 --> 0:42:44.040
<v Speaker 1>and she's a black woman, and they utilized her body

0:42:44.040 --> 0:42:46.960
<v Speaker 1>to showcase beauty. The only way a black woman can

0:42:47.000 --> 0:42:49.279
<v Speaker 1>be seen as beautiful as through her body. And I'm

0:42:49.280 --> 0:42:52.239
<v Speaker 1>hearing the same arguments about Tiana, and I just was

0:42:52.280 --> 0:42:55.840
<v Speaker 1>interested to hear your ideas as black women because realistically,

0:42:55.880 --> 0:42:58.520
<v Speaker 1>as men, our perspectives are automatically going to be skewed

0:42:58.520 --> 0:42:59.960
<v Speaker 1>because we don't live in that space.

0:43:00.200 --> 0:43:02.359
<v Speaker 5>Yeah, and I think that black women should be free

0:43:02.480 --> 0:43:03.960
<v Speaker 5>enough to do what the fuck we want to do

0:43:04.080 --> 0:43:06.440
<v Speaker 5>with our art, with our body, with our time. And

0:43:06.520 --> 0:43:09.200
<v Speaker 5>black women we have to start accepting that about each other.

0:43:09.280 --> 0:43:10.480
<v Speaker 5>We are not a monolith.

0:43:10.719 --> 0:43:12.680
<v Speaker 6>We're not all going to agree on the same things.

0:43:12.680 --> 0:43:14.279
<v Speaker 5>We're not gonna all do the same things, We're not

0:43:14.320 --> 0:43:17.160
<v Speaker 5>gonna feel the same about the same shit. If we

0:43:17.200 --> 0:43:19.080
<v Speaker 5>really want to be free, we gotta be free to

0:43:19.239 --> 0:43:24.080
<v Speaker 5>be ourselves and independent of the collective thoughts sometimes. And

0:43:24.120 --> 0:43:28.120
<v Speaker 5>Tianna Taylor's body is so motherfucking raw. She could get

0:43:28.120 --> 0:43:30.440
<v Speaker 5>on this screen, she could get on TV and for

0:43:30.520 --> 0:43:33.239
<v Speaker 5>ninety minutes she could just stand butt naked, and I

0:43:33.280 --> 0:43:36.560
<v Speaker 5>would be like, Brava, give her an Austin.

0:43:36.960 --> 0:43:37.600
<v Speaker 6>You know what I'm saying.

0:43:37.800 --> 0:43:40.680
<v Speaker 2>I mean to your point with art being subjective, it's

0:43:40.680 --> 0:43:43.799
<v Speaker 2>supposed to make you feel something. I feel like that role,

0:43:43.880 --> 0:43:46.120
<v Speaker 2>whatever it is that she played in that moment, made

0:43:46.160 --> 0:43:48.239
<v Speaker 2>everyone feel something, whether it was good or bad.

0:43:48.360 --> 0:43:50.719
<v Speaker 4>Right, So if anything, that was a win in itself.

0:43:51.160 --> 0:43:53.440
<v Speaker 2>I'm gonna rock and root for Tianna Taylor because I

0:43:53.440 --> 0:43:55.920
<v Speaker 2>feel like she is so extremely talented. She's not a

0:43:55.960 --> 0:43:59.280
<v Speaker 2>monolith in herself. She has so many talents from singing

0:43:59.440 --> 0:44:01.799
<v Speaker 2>to acting to all the things. The fact that she's

0:44:01.840 --> 0:44:05.120
<v Speaker 2>finally getting her chance and getting her opportunity to exist

0:44:05.200 --> 0:44:07.200
<v Speaker 2>in those talent spaces because she can.

0:44:07.800 --> 0:44:09.839
<v Speaker 4>I'm gonna rock with her one hundred Yeah.

0:44:09.840 --> 0:44:13.080
<v Speaker 1>I agree with you as an artist myself. Shout out

0:44:13.120 --> 0:44:15.000
<v Speaker 1>to Joe, my manager. Joe's over there in the corner.

0:44:15.080 --> 0:44:17.800
<v Speaker 1>We go through auditions and I got an audition yesterday

0:44:17.880 --> 0:44:20.799
<v Speaker 1>for a show that I like, and the audition I'm

0:44:20.840 --> 0:44:23.279
<v Speaker 1>reading the sides, and then the sides, the guy ends

0:44:23.320 --> 0:44:27.040
<v Speaker 1>up being a pedophile and it was a flashback scene

0:44:27.040 --> 0:44:28.640
<v Speaker 1>of something going on and he goes to put his

0:44:28.719 --> 0:44:31.279
<v Speaker 1>hand on a young girl's waist and I hit Joe back.

0:44:31.320 --> 0:44:33.719
<v Speaker 1>I said, yo, Joe, like this is not something I

0:44:33.719 --> 0:44:35.600
<v Speaker 1>can do, and Joe was like understood. Like after I

0:44:35.640 --> 0:44:37.279
<v Speaker 1>read the sides, I could see you passing on this,

0:44:38.080 --> 0:44:40.719
<v Speaker 1>and I was saying to myself, I wanted to pass

0:44:40.760 --> 0:44:43.239
<v Speaker 1>on it for my own personal reasons, right, But at

0:44:43.239 --> 0:44:45.720
<v Speaker 1>the same time, this story needs to be told because

0:44:45.760 --> 0:44:47.840
<v Speaker 1>when I was thinking about you telling the story about

0:44:47.840 --> 0:44:50.400
<v Speaker 1>what you went through, It's like art is supposed to

0:44:50.480 --> 0:44:53.000
<v Speaker 1>be used to let people know that these things are happening.

0:44:53.719 --> 0:44:57.200
<v Speaker 1>And as a black man speaking to black women, I

0:44:57.200 --> 0:44:59.960
<v Speaker 1>can hear both sides from y'all, Tiana should be able

0:45:00.120 --> 0:45:02.040
<v Speaker 1>to do all the stuff that she wants to do

0:45:02.120 --> 0:45:04.680
<v Speaker 1>because she has to deal with so much things. But

0:45:04.719 --> 0:45:06.440
<v Speaker 1>I also hear the part that said, you know, as

0:45:06.440 --> 0:45:08.240
<v Speaker 1>a black woman, I don't always want to be seen

0:45:08.280 --> 0:45:09.400
<v Speaker 1>that way, because.

0:45:09.200 --> 0:45:10.000
<v Speaker 8>That's how I felt.

0:45:10.320 --> 0:45:12.719
<v Speaker 1>I'm like, I'm a black man and they always put

0:45:12.760 --> 0:45:15.160
<v Speaker 1>us in negative positions. I don't want to be the pedophile.

0:45:15.520 --> 0:45:17.719
<v Speaker 1>Get somebody else to do that, you know what I'm saying.

0:45:17.760 --> 0:45:19.040
<v Speaker 1>So I get both sides.

0:45:19.239 --> 0:45:22.160
<v Speaker 5>I also get really frustrated because black women are not

0:45:22.400 --> 0:45:26.399
<v Speaker 5>always seen in a way. But when it does come

0:45:26.440 --> 0:45:30.200
<v Speaker 5>to those films where black women are not seeing that way,

0:45:30.680 --> 0:45:33.800
<v Speaker 5>there's still a problem. Like with the Color Purple movie.

0:45:34.200 --> 0:45:36.520
<v Speaker 5>People fucking didn't go see it. They hated it. And

0:45:36.560 --> 0:45:40.000
<v Speaker 5>then they talked shit about there being a queer storyline

0:45:40.320 --> 0:45:44.000
<v Speaker 5>when Alice Walker herself is queer. Of course there's a

0:45:44.040 --> 0:45:47.279
<v Speaker 5>fucking queer storyline. So and then, you know what I'm saying,

0:45:47.320 --> 0:45:49.919
<v Speaker 5>y'all didn't support that. But now you're talking about black

0:45:49.960 --> 0:45:52.759
<v Speaker 5>women being fetishized, and that's all about the power of

0:45:52.880 --> 0:45:56.319
<v Speaker 5>black women in black sisterhood. So what about that even

0:45:56.360 --> 0:46:00.000
<v Speaker 5>in cases where it's like, oh, you know, it always

0:46:00.080 --> 0:46:02.080
<v Speaker 5>has to be a light skinned woman, Well, like, how

0:46:02.160 --> 0:46:05.480
<v Speaker 5>much do you support Biola Davis? How much do you

0:46:05.520 --> 0:46:07.840
<v Speaker 5>subsperb Danielle?

0:46:07.920 --> 0:46:10.080
<v Speaker 6>You know what I'm saying, how much do you support

0:46:10.080 --> 0:46:10.960
<v Speaker 6>these other movies?

0:46:11.080 --> 0:46:14.080
<v Speaker 5>And when these actors are you know what I'm saying,

0:46:14.320 --> 0:46:16.160
<v Speaker 5>you go see though, do you talk about them as

0:46:16.200 --> 0:46:17.960
<v Speaker 5>much as you talk negative about that?

0:46:18.560 --> 0:46:20.399
<v Speaker 2>You're absolutely right true, And we said the same thing

0:46:20.440 --> 0:46:23.040
<v Speaker 2>even about six Triple eight, which is that Tyler made

0:46:23.040 --> 0:46:26.440
<v Speaker 2>with Kerrie Washington Ebeney of City in an amazing, amazing cast,

0:46:26.680 --> 0:46:30.920
<v Speaker 2>such an amazing film, historic period piece, period piece.

0:46:30.920 --> 0:46:33.040
<v Speaker 4>Did not get nearly as many streams.

0:46:33.040 --> 0:46:35.040
<v Speaker 1>I think it got to number two on Netflix. All

0:46:35.080 --> 0:46:38.439
<v Speaker 1>of Tyler's movies go number one, and they all say

0:46:38.520 --> 0:46:41.320
<v Speaker 1>Tyler don't do no movie showing black women in position

0:46:41.400 --> 0:46:43.360
<v Speaker 1>the power. But the six Triple eight was all that,

0:46:43.719 --> 0:46:45.560
<v Speaker 1>all of that, and it was just like they didn't

0:46:45.560 --> 0:46:48.719
<v Speaker 1>support it. Why, Like, what was the reason why? It

0:46:48.800 --> 0:46:52.680
<v Speaker 1>was Kerrie Washington? It was those two were leading it.

0:46:52.800 --> 0:46:55.279
<v Speaker 4>Yeah, but then you have the what was the other one?

0:46:55.320 --> 0:46:57.880
<v Speaker 2>Divorced in Black where the body falls out the casket

0:46:57.880 --> 0:46:59.840
<v Speaker 2>in the first three minutes and everyone's like running to

0:47:01.080 --> 0:47:01.640
<v Speaker 2>and it's you.

0:47:01.560 --> 0:47:03.759
<v Speaker 5>Know what I'm saying, right, and people are literally hate

0:47:03.800 --> 0:47:06.920
<v Speaker 5>watching it right right exactly.

0:47:06.960 --> 0:47:08.759
<v Speaker 2>So it's literally we're living in an age where you're

0:47:08.800 --> 0:47:10.960
<v Speaker 2>damned if you do you damned if you're as an artist,

0:47:11.400 --> 0:47:13.359
<v Speaker 2>you just need to be able to decide does this

0:47:13.400 --> 0:47:15.640
<v Speaker 2>resonate with me? Does this character resonate with me? Is

0:47:15.640 --> 0:47:17.560
<v Speaker 2>this a story that needs to be told? And do

0:47:17.640 --> 0:47:19.440
<v Speaker 2>I want to be the one to tell the story?

0:47:19.680 --> 0:47:23.560
<v Speaker 4>Then go for it, because if we're being quite honest.

0:47:22.800 --> 0:47:25.360
<v Speaker 2>The roles are not coming like they did, the auditions

0:47:25.360 --> 0:47:27.880
<v Speaker 2>are not coming like they did. There's not opportunities that

0:47:27.920 --> 0:47:30.640
<v Speaker 2>there once were, so people are really chopping at the

0:47:30.640 --> 0:47:33.400
<v Speaker 2>bits for that role. And if that was her opportunity

0:47:33.440 --> 0:47:37.200
<v Speaker 2>to be in those spaces during this Award season, go off, Tiana,

0:47:37.480 --> 0:47:38.200
<v Speaker 2>you already know.

0:47:40.400 --> 0:47:40.839
<v Speaker 6>For real?

0:47:41.120 --> 0:47:43.600
<v Speaker 5>And yeah, I think black women should just be free

0:47:43.640 --> 0:47:45.400
<v Speaker 5>to be able to make art.

0:47:45.840 --> 0:47:47.680
<v Speaker 1>Do y'all feel like it was more black people upset

0:47:47.680 --> 0:47:52.440
<v Speaker 1>at Tiana or yeah it? So how we gain from that?

0:47:52.680 --> 0:47:55.080
<v Speaker 1>How do we gain from being upset at ourselves and

0:47:55.120 --> 0:47:56.759
<v Speaker 1>then saying we don't see ourselves, but then when we

0:47:56.840 --> 0:47:59.560
<v Speaker 1>see ourselves, you know what I'm saying, Like I'm in agreement.

0:47:59.719 --> 0:48:01.880
<v Speaker 1>It's it's hard sometimes to always see yourself as the

0:48:01.920 --> 0:48:05.320
<v Speaker 1>bad guy, even being a black guy. Like I stopped

0:48:05.320 --> 0:48:08.600
<v Speaker 1>watching Chicago PD. I told my dad, I'm not watching

0:48:08.600 --> 0:48:10.640
<v Speaker 1>the more. He's like, why not? I said, because every

0:48:10.680 --> 0:48:14.399
<v Speaker 1>episode the person committing all the crimes is a black man.

0:48:15.120 --> 0:48:17.000
<v Speaker 1>And it's like, how It's like, that's not the only

0:48:17.040 --> 0:48:19.120
<v Speaker 1>people committing crimes in the world. And I just can't

0:48:19.120 --> 0:48:22.600
<v Speaker 1>continue to watch the negative stereotypes of who I'm supposed

0:48:22.640 --> 0:48:25.319
<v Speaker 1>to represent play out on television. You know, it can

0:48:25.360 --> 0:48:27.400
<v Speaker 1>be exhausting, It can be exhausting, but then at the

0:48:27.400 --> 0:48:31.080
<v Speaker 1>same time, when we do have positive like options, we

0:48:31.200 --> 0:48:33.480
<v Speaker 1>have to support it.

0:48:33.480 --> 0:48:35.480
<v Speaker 5>It is only that way because we live in a

0:48:35.520 --> 0:48:39.759
<v Speaker 5>society where blackness is demonized already so then when it's

0:48:39.800 --> 0:48:43.279
<v Speaker 5>reinforced in stories, then it feels bad to us when

0:48:43.280 --> 0:48:45.439
<v Speaker 5>we see it. Yes, you know what I'm saying, I'm

0:48:45.440 --> 0:48:50.160
<v Speaker 5>sure white people don't have that same experience. They because

0:48:50.200 --> 0:48:52.560
<v Speaker 5>white people are free to be good or bad, you

0:48:52.600 --> 0:48:55.600
<v Speaker 5>know what I'm saying without without it having something to

0:48:55.760 --> 0:48:57.040
<v Speaker 5>say about the whole culture.

0:48:57.840 --> 0:49:00.799
<v Speaker 1>Yeah, yeah, yeah, that is. So what we have to do,

0:49:00.880 --> 0:49:03.920
<v Speaker 1>is the people is we have to be very selective,

0:49:04.000 --> 0:49:07.040
<v Speaker 1>not only would the roles we take, but also what

0:49:07.080 --> 0:49:09.840
<v Speaker 1>we support. Like if we just see something that we

0:49:09.880 --> 0:49:11.759
<v Speaker 1>don't like, we just all as a collective half, Like

0:49:11.800 --> 0:49:13.960
<v Speaker 1>the Target boycott, we have to just be like, yo,

0:49:14.000 --> 0:49:16.640
<v Speaker 1>we're not going to support that. The problem is when

0:49:16.680 --> 0:49:19.400
<v Speaker 1>those black artists get an opportunity in those white spaces

0:49:19.440 --> 0:49:22.040
<v Speaker 1>and they don't feel supported by their own people, it

0:49:22.120 --> 0:49:23.760
<v Speaker 1>looks bad on us too.

0:49:23.640 --> 0:49:25.880
<v Speaker 5>You know, and for them too, because the next time

0:49:26.239 --> 0:49:28.959
<v Speaker 5>somebody wants to put Tianna Taylor in a big box movie,

0:49:28.960 --> 0:49:31.600
<v Speaker 5>they're gonna say, you didn't bring out the black audience.

0:49:31.719 --> 0:49:33.959
<v Speaker 5>They didn't like you in that last movie. That's bad

0:49:34.000 --> 0:49:37.839
<v Speaker 5>for her, And we're all, what, why ain't they putting

0:49:37.880 --> 0:49:40.320
<v Speaker 5>Tianna Taylor? Why don't we have more Black women. Well,

0:49:41.480 --> 0:49:43.640
<v Speaker 5>that is Oscar nominated movie.

0:49:44.080 --> 0:49:46.200
<v Speaker 1>That is a fact. That is a fact.

0:49:46.200 --> 0:49:48.480
<v Speaker 8>We just need to kill threads. That's what it is.

0:49:49.120 --> 0:49:50.200
<v Speaker 7>We need to kill the internet.

0:49:50.520 --> 0:49:50.759
<v Speaker 1>Fact.

0:49:51.200 --> 0:49:51.720
<v Speaker 6>The internet.

0:49:51.800 --> 0:49:55.760
<v Speaker 5>We need to do like we can do internet every

0:49:55.840 --> 0:49:57.799
<v Speaker 5>day from five to six pm.

0:49:59.280 --> 0:50:00.719
<v Speaker 4>Everyone, and then it's shut off.

0:50:00.920 --> 0:50:03.520
<v Speaker 2>Oh that would be amazing, that would be amazing. Well,

0:50:03.560 --> 0:50:05.960
<v Speaker 2>don't cut it off before we pay these bills. Keep

0:50:05.960 --> 0:50:08.080
<v Speaker 2>the internet on, y'all, keep watching. We're going to be

0:50:08.120 --> 0:50:09.759
<v Speaker 2>back with our listening letter episode of the.

0:50:09.800 --> 0:50:26.399
<v Speaker 4>Day, so stick around y'all. All right, so here's our

0:50:26.640 --> 0:50:28.719
<v Speaker 4>listener letter of the day. Hi Cane Deval.

0:50:28.840 --> 0:50:31.279
<v Speaker 2>First, I would like to say I love watching your show.

0:50:31.480 --> 0:50:33.600
<v Speaker 2>I've been married for three years. We're both thirty one,

0:50:33.680 --> 0:50:36.719
<v Speaker 2>and throughout the three year marriage, my husband has not

0:50:36.840 --> 0:50:39.360
<v Speaker 2>had a consistent job, meaning he'll have a job for

0:50:39.400 --> 0:50:41.160
<v Speaker 2>a few months and then lose it, or he'll have

0:50:41.200 --> 0:50:43.680
<v Speaker 2>tempt jobs that don't last long. And I'm taking care

0:50:43.719 --> 0:50:46.520
<v Speaker 2>of all the bills. I did this without complaint or

0:50:46.560 --> 0:50:49.520
<v Speaker 2>causing an issue out of love. But as of recently,

0:50:49.680 --> 0:50:53.000
<v Speaker 2>back in November, I learned during his downtime or when

0:50:53.040 --> 0:50:56.040
<v Speaker 2>he's not working, that he's been talking to talking to

0:50:56.120 --> 0:50:59.760
<v Speaker 2>other women through TikTok and other platforms, talking to them sexually,

0:51:00.160 --> 0:51:02.480
<v Speaker 2>asking them to send him money, or saying that he

0:51:02.680 --> 0:51:05.919
<v Speaker 2>just gets to stay home all day and I take

0:51:05.960 --> 0:51:08.800
<v Speaker 2>care of everything. So as you can imagine, I was

0:51:08.840 --> 0:51:10.920
<v Speaker 2>pissed when I found out about it, and I have

0:51:11.040 --> 0:51:15.080
<v Speaker 2>become emotionally detached from him. Also, we haven't been intimate

0:51:15.239 --> 0:51:18.239
<v Speaker 2>in that way in over a year, and no matter

0:51:18.280 --> 0:51:20.919
<v Speaker 2>what I do or say, all he will literally say

0:51:21.040 --> 0:51:25.960
<v Speaker 2>is we can do it tomorrow. I've been feeling discernment

0:51:26.040 --> 0:51:28.360
<v Speaker 2>more and more around him lately, and I'm starting to

0:51:28.440 --> 0:51:30.560
<v Speaker 2>feel that it's time for me to just throw in

0:51:30.640 --> 0:51:33.120
<v Speaker 2>the towel. Would love to get your advice and inside,

0:51:33.120 --> 0:51:33.880
<v Speaker 2>please and thank you.

0:51:38.239 --> 0:51:39.000
<v Speaker 7>I'll come through.

0:51:41.360 --> 0:51:44.359
<v Speaker 1>Once you found a TikTok's asking women for money, saying

0:51:44.400 --> 0:51:48.200
<v Speaker 1>and I just get on. That means you just doing this.

0:51:48.200 --> 0:51:52.520
<v Speaker 4>On purpose and three years and only and not intimate

0:51:52.520 --> 0:51:56.200
<v Speaker 4>in a year. Over crazy, over, we can do it.

0:51:56.520 --> 0:51:58.040
<v Speaker 4>He's the one putting it off till tomorrow.

0:51:58.400 --> 0:52:00.840
<v Speaker 8>I'm always a house he's a house husband.

0:52:01.040 --> 0:52:05.560
<v Speaker 1>I'm always about giving grace and empathy. But nah, that

0:52:05.680 --> 0:52:07.520
<v Speaker 1>was my sister. I'm up in that crib and I'm

0:52:07.520 --> 0:52:09.200
<v Speaker 1>fighting somebody. So that was my sister.

0:52:09.719 --> 0:52:11.520
<v Speaker 10>Is it the fact that it's too many strikes in

0:52:11.680 --> 0:52:13.840
<v Speaker 10>so many different areas, That's what it is to me.

0:52:13.880 --> 0:52:16.440
<v Speaker 1>It's like, you know how women say sometimes I'll marry

0:52:16.440 --> 0:52:19.640
<v Speaker 1>a man based off potential. He's not even showing potential.

0:52:20.000 --> 0:52:22.920
<v Speaker 1>Three years, you can't keep a job, and you talking

0:52:22.960 --> 0:52:25.360
<v Speaker 1>to women and you're not sexually pleasing. I say this

0:52:25.400 --> 0:52:27.239
<v Speaker 1>all the time. It doesn't matter if you're a man

0:52:27.360 --> 0:52:30.000
<v Speaker 1>or a woman. If that other person is out in

0:52:30.080 --> 0:52:32.960
<v Speaker 1>the workforce every day doing everything, is your job to

0:52:33.000 --> 0:52:35.760
<v Speaker 1>make sure that that person feels okay when they come home.

0:52:36.080 --> 0:52:37.840
<v Speaker 1>So it's okay if you're not working. But the minute

0:52:37.840 --> 0:52:39.400
<v Speaker 1>you get home, if your wife come home and I

0:52:39.400 --> 0:52:44.239
<v Speaker 1>got the tub ready, hate food, yeah, I do that.

0:52:44.360 --> 0:52:46.920
<v Speaker 2>And this is just like I'm doing a few because

0:52:46.920 --> 0:52:48.240
<v Speaker 2>in this moment you need to be supportive.

0:52:48.360 --> 0:52:51.840
<v Speaker 1>Yes, and we both work. So imagine if I'm not

0:52:51.880 --> 0:52:53.719
<v Speaker 1>working out doing nothing and she working for three years

0:52:53.760 --> 0:52:55.279
<v Speaker 1>and then she come home and I just belch and

0:52:55.280 --> 0:53:00.440
<v Speaker 1>I'm on TikTok way bro just yea nah Sonna.

0:53:00.480 --> 0:53:02.560
<v Speaker 8>That just eight two right.

0:53:03.560 --> 0:53:06.800
<v Speaker 1>You made sure I'm eating. I'm going to his house tomorrow.

0:53:07.000 --> 0:53:08.799
<v Speaker 8>She's probably sitting the car before she gets home.

0:53:11.520 --> 0:53:19.320
<v Speaker 4>Does what you do deep breathing for about ten No,

0:53:19.440 --> 0:53:24.319
<v Speaker 4>that's not girl so far, I do hit the road.

0:53:24.400 --> 0:53:27.239
<v Speaker 2>I'm sorry that you're dealing with this, but yeah, this

0:53:27.320 --> 0:53:28.280
<v Speaker 2>is kind of a no brainer.

0:53:28.520 --> 0:53:29.080
<v Speaker 4>All right, y'all.

0:53:29.080 --> 0:53:30.640
<v Speaker 2>If you want to be featured as a listener letter

0:53:30.680 --> 0:53:32.960
<v Speaker 2>on a future episode, be sure to email us at

0:53:33.320 --> 0:53:35.480
<v Speaker 2>the ls Advice at gmail dot com.

0:53:35.520 --> 0:53:37.920
<v Speaker 1>That's t h E E L L I S A

0:53:38.080 --> 0:53:41.279
<v Speaker 1>d V I C E at gmail dot com.

0:53:41.360 --> 0:53:44.839
<v Speaker 4>All right, quick moment of truth talking about Q.

0:53:44.800 --> 0:53:49.080
<v Speaker 8>One touch it agreed.

0:53:49.280 --> 0:53:50.759
<v Speaker 1>Yes, Yes, I.

0:53:50.680 --> 0:53:52.960
<v Speaker 4>Was going to say the sun will come out tomorrow.

0:53:53.400 --> 0:53:56.200
<v Speaker 1>We hope is for the rest of twenty twenty six, y'all.

0:53:56.280 --> 0:53:56.839
<v Speaker 6>That is the fact.

0:53:56.880 --> 0:53:58.319
<v Speaker 8>I like to say. It could always be worse.

0:53:58.400 --> 0:54:02.919
<v Speaker 10>But Jesus right, we need even talk about the fact

0:54:02.920 --> 0:54:06.000
<v Speaker 10>that the US is in conflict with another country.

0:54:06.560 --> 0:54:08.399
<v Speaker 8>I know what I'm saying. Like we talked about all

0:54:08.400 --> 0:54:10.360
<v Speaker 8>of this, we didn't even talk about the actual We.

0:54:10.360 --> 0:54:13.720
<v Speaker 2>Should acknowledge that there is a lot of unrest and conflict.

0:54:14.120 --> 0:54:16.160
<v Speaker 11>Yes, and I want to acknowledge to keep this light

0:54:16.200 --> 0:54:17.839
<v Speaker 11>for you, that we try to keep it light on

0:54:17.920 --> 0:54:20.680
<v Speaker 11>purpose because we know that y'all listen to us as

0:54:20.719 --> 0:54:23.640
<v Speaker 11>an escape, and we appreciate y'all, but y'all also our

0:54:23.760 --> 0:54:26.360
<v Speaker 11>escape too, So thank y'all, because this is why we

0:54:26.480 --> 0:54:28.360
<v Speaker 11>keep it light for everybody.

0:54:28.400 --> 0:54:30.400
<v Speaker 2>And it's been hard to just even think about posting

0:54:30.480 --> 0:54:33.400
<v Speaker 2>content with everything going on. You know what I'm saying,

0:54:33.400 --> 0:54:35.040
<v Speaker 2>Like it's hard. You don't want to feel like you're

0:54:35.080 --> 0:54:36.560
<v Speaker 2>tone deaf to society.

0:54:37.040 --> 0:54:39.640
<v Speaker 6>You don't want to feel like you're an incollector. For sure.

0:54:42.320 --> 0:54:46.600
<v Speaker 2>That is to take away, do not be it, all right,

0:54:46.640 --> 0:54:48.239
<v Speaker 2>and don't be an incllective. You should be signed up

0:54:48.239 --> 0:54:50.719
<v Speaker 2>for our Patreon, all right. Be sure to follow us

0:54:50.760 --> 0:54:54.879
<v Speaker 2>there where we have exclusive dead ass podcasts after show,

0:54:55.000 --> 0:54:55.359
<v Speaker 2>we have.

0:54:55.400 --> 0:54:56.400
<v Speaker 4>The family content.

0:54:56.440 --> 0:54:58.279
<v Speaker 2>All the good stuff happens on Patreon, So shout out

0:54:58.280 --> 0:55:00.279
<v Speaker 2>to our Patreon gang. But in the meantime, you can

0:55:00.280 --> 0:55:03.840
<v Speaker 2>follow us on social media at Ellis ever After, I'm

0:55:03.920 --> 0:55:05.080
<v Speaker 2>at Kadeen, I am.

0:55:05.239 --> 0:55:08.319
<v Speaker 10>I am Deval matt ellisphoto dot com, and i am

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<v Speaker 10>at t t rbbzi the Cool Josha Dwayne.

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<v Speaker 5>I'm at tribs the Cool t ri ibb Z the

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<v Speaker 5>Cool on everything.

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<v Speaker 1>That's right And if you're listening on Apple podcasts. Make

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<v Speaker 1>sure you rate, review, subscribe and download most.

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<v Speaker 2>As Baby, Download and Tell a friend, And Tell a friend,

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<v Speaker 2>and tell a friend. Love y'all.

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<v Speaker 5>God Ellis ever After is an iHeartMedia podcast. It's hosted

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<v Speaker 5>by Kadeen and deval Ellis. It's produced by Triple Video,

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<v Speaker 5>Production by Joshua Dwane and Matthew Ellis, video editing by

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<v Speaker 5>Lashan Roe.

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<v Speaker 2>If it had not had must se