WEBVTT - CZM Book Club: The Comet, by W.E.B. Du Bois

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<v Speaker 1>Cool Zone Media book Club book Club book Club, book

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<v Speaker 1>Club book Club. Hello and welcome to Cooleson Media book Club,

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<v Speaker 1>the only book club where you don't have to do

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<v Speaker 1>the reading because I do it for you. I'm your host,

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<v Speaker 1>Margaret Giljoy, and every week I bring you usually stories,

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<v Speaker 1>and this week I'm bringing you a story by someone

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<v Speaker 1>that I didn't even realize wrote fiction, but someone that

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<v Speaker 1>I've referenced a lot in my historian research. Historical research,

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<v Speaker 1>I'm not really a historian, but in the history podcast

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<v Speaker 1>that I run, because I'm going back to a story

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<v Speaker 1>from nineteen twenty written by the civil rights leader, Harvard

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<v Speaker 1>trained sociologist and prolific author W. E. B. Dubois. Basically,

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<v Speaker 1>if you've heard me reference on cool people who did

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<v Speaker 1>cool stuff, the idea that the Civil War was one

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<v Speaker 1>by the general strike of enslaved people in the US South,

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<v Speaker 1>and how that crippled the Confederate economy. I'm referencing W. E. B.

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<v Speaker 1>Du Bois, and he's written a lot, but that's the

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<v Speaker 1>most influential on my understanding of history. W. E. B.

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<v Speaker 1>Du Bois was born in eighteen sixty eight, and he

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<v Speaker 1>is primarily known as a nonfiction writer. Most notably The

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<v Speaker 1>Souls of Black Folk and Black Reconstruction in America. But

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<v Speaker 1>he also left us some fiction that explored ideas he

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<v Speaker 1>couldn't articulate with his nonfiction work, And it's actually good fiction.

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<v Speaker 1>Just to be clear. Sometimes when nonfiction writers are like,

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<v Speaker 1>I'm a writer, story, they're not nailing it. But yeah, no,

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<v Speaker 1>the stories, it's very good. Dubois was one of the

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<v Speaker 1>founders of the NAACP and was a longtime editor of

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<v Speaker 1>its newspaper, which is called The Crisis, which is a

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<v Speaker 1>fantastic name for a paper. Politically, he was a Panaic

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<v Speaker 1>Africanist and sympathetic to socialism, and found capitalism to be

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<v Speaker 1>the root cause of fascism, though pragmatism and personal conflicts

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<v Speaker 1>with socialist organizers often led him back to electoral politics.

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<v Speaker 1>This story, The Comet, is a pillar of early twentieth

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<v Speaker 1>century Black science fiction, and a lot of critics look

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<v Speaker 1>back on it as an early example of afrofuturism. Dubois

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<v Speaker 1>was a lifelong atheist, but was deeply interested in religious

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<v Speaker 1>metaphor apocalyptic language and the way that systems bigger than

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<v Speaker 1>us filter down into everyday lives. And you'll see that

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<v Speaker 1>on full display in this story. And just as a note,

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<v Speaker 1>this was written by a black author nineteen twenty talking

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<v Speaker 1>about people at the time, and some people are going

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<v Speaker 1>to use the N word to describe a character in

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<v Speaker 1>the story. I am not going to read the N word,

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<v Speaker 1>but instead I'm going to introduce a bleep okay, without

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<v Speaker 1>further ado, because that's the ado. The ado is done

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<v Speaker 1>without any more of that ado. Here is the Comet

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<v Speaker 1>by W. E. B. Du Bois. He stood a moment

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<v Speaker 1>on the steps of the bank, watching the human river

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<v Speaker 1>that swirled down Broadway. Few noticed him, few ever noticed him,

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<v Speaker 1>save in a way that stung. He was outside the world. Nothing,

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<v Speaker 1>as he said bitterly, bits of the words of the

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<v Speaker 1>walkers came to him. The comment, oh, the comment. Everyone

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<v Speaker 1>was talking of it. Even the President, as he entered,

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<v Speaker 1>smiled patronizingly at him and asked, well, Jim, are you scared. No,

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<v Speaker 1>said the messenger shortly, I thought. We journeyed through the

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<v Speaker 1>comet's tail once broke in. The junior clerk affably, Oh,

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<v Speaker 1>that was Haley's, said the President. This is a new comment.

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<v Speaker 1>Quite a stranger, they say, wonderful, wonderful. Well, I saw

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<v Speaker 1>it last night. Oh, by the way, Jim, turning around

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<v Speaker 1>again to the messenger, I want you to go down

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<v Speaker 1>into the lower vaults today. The messenger followed the President silently.

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<v Speaker 1>Of course they wanted him to go down to the

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<v Speaker 1>lower vaults. It was too dangerous for more valuable men.

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<v Speaker 1>He smiled grimly and listened. Everything of value has been

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<v Speaker 1>moved out since the water began to seep in, said

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<v Speaker 1>the President. But we missed two volumes of old records.

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<v Speaker 1>Suppose you nose around down there. It isn't very pleasant.

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<v Speaker 1>I suppose not very said the messenger as he walked out. Well, Jim,

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<v Speaker 1>the tale of the new comet hits us at noon

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<v Speaker 1>this time, said the vault clerk as he passed over

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<v Speaker 1>the keys. But the messenger passed silently down the stairs.

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<v Speaker 1>Down he went beneath Broadway, where the dim light filtered

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<v Speaker 1>through the feet of hurrying men, Down to the dark basement, beneath,

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<v Speaker 1>down into the blackness and silence, beneath that lowest cavern. Here,

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<v Speaker 1>with his dark lantern, he groped in the bowels of

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<v Speaker 1>the earth, under the world. He drew a long breath

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<v Speaker 1>as he threw back the last great iron door and

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<v Speaker 1>stepped into the fetid slime within. Here at last was peace,

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<v Speaker 1>and he groped moodily forward. A great rat leaped past him,

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<v Speaker 1>and cobwebs crept across his face. He felt carefully around

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<v Speaker 1>the room, shelf by shelf, on the muddied floor, and

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<v Speaker 1>in crevice and corner. Nothing. Then he went back to

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<v Speaker 1>the far end, where somehow the wall felt different. He

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<v Speaker 1>sounded and pushed and pried. Nothing. He started away, then

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<v Speaker 1>something brought him back. He was sounding and working again,

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<v Speaker 1>when suddenly the whole black wall swung as on mighty hinges,

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<v Speaker 1>and blackness yawned beyond. He peered in. It was evidently

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<v Speaker 1>a secret vault, some hiding place of the old Bank vault,

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<v Speaker 1>unknown in newer times. He entered hesitatingly. It was a long,

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<v Speaker 1>narrow room with shelves, and at the far end an

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<v Speaker 1>old iron chest. On a high shelf lay the two

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<v Speaker 1>missing volumes of records and others. He put them carefully

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<v Speaker 1>aside and stepped to the chest. It was old, strong,

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<v Speaker 1>and rusty. He looked at the vast and old fashioned

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<v Speaker 1>lock and flashed its light on the hinges. They were

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<v Speaker 1>deeply encrusted with rust. Looking about he found a bit

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<v Speaker 1>of iron and began to pry. The rust had eaten

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<v Speaker 1>a hundred years, and it had gone deep slowly wearily,

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<v Speaker 1>the old lid lifted, and with a last low groan,

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<v Speaker 1>lay bare its treasure, and he saw the dull sheen

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<v Speaker 1>of gold. Boom, A low, grinding, reverberating crash struck upon

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<v Speaker 1>his ear. He started up and looked about. All was

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<v Speaker 1>black and still. He groped for his light and swung

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<v Speaker 1>it about him. Then he knew the great stone door

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<v Speaker 1>had swung to He forgot the gold and looked death

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<v Speaker 1>squarely in the face. Then, with a sigh, he went

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<v Speaker 1>methodically to work. The cold sweat stood on his forehead,

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<v Speaker 1>but he searched, pounded, pushed, and worked until after what

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<v Speaker 1>seemed endless hours, his hand struck a cold bit of metal,

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<v Speaker 1>and the great door swung again, harshly on its hinges,

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<v Speaker 1>and then, striking against something soft and heavy, stopped. He

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<v Speaker 1>had just roomed squeeze through. There lay the body of

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<v Speaker 1>the vault Clerk, cold and stiff. He stared at it

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<v Speaker 1>and then felt sick and nauseated. The air seemed unaccountably foul,

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<v Speaker 1>with a strong peculiar odor. He stepped forward, clutched at

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<v Speaker 1>the air and fell fainting across the corpse. He awoke

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<v Speaker 1>with a sense of horror, leaped from the body, and

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<v Speaker 1>groped up the stairs, calling to the guard. The watchman

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<v Speaker 1>sat as if asleep, with the gate swinging free, with

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<v Speaker 1>one glance at him. The messenger hurried up to the subvault.

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<v Speaker 1>In vain, he called to the guards. His voice echoed

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<v Speaker 1>and re echoed weirdly. Up into the great basement, he rushed. Here,

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<v Speaker 1>another guard lay prostrate on his face, cold and still.

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<v Speaker 1>A fear arose in the messenger's heart. He dashed up

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<v Speaker 1>to the cellar floor. Up into the bank, the stillness

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<v Speaker 1>of death lay everywhere, and everywhere bowed, bent and stretched,

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<v Speaker 1>the silent forms of men. The messenger paused and glanced about.

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<v Speaker 1>He was not a man easily moved, but the sight

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<v Speaker 1>was appalling robbery and murder. He whispered slowly to himself

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<v Speaker 1>as he saw the twisted, oozing mouth of the President,

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<v Speaker 1>where he lay half buried on his desk. Then a

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<v Speaker 1>new thought seized him. If they found him here alone,

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<v Speaker 1>with all this money and all these dead men, what

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<v Speaker 1>would his life be worth? He glanced about, tiptoed cautiously

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<v Speaker 1>to a side door, and again looked behind. Quietly, he

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<v Speaker 1>turned the latch and stepped out into Wall Street. How

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<v Speaker 1>silent the street was not, A soul was stirring, and

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<v Speaker 1>yet it was high noon Wall Street Broadway. He glanced

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<v Speaker 1>almost wildly up and down, then across the street, and

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<v Speaker 1>as he looked, a sickening horror froze in his limbs.

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<v Speaker 1>With a choking cry of utter fright. He lunged, leaned

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<v Speaker 1>giddily against the cold building, and stared helplessly at the sight.

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<v Speaker 1>In the great stone doorway. A hundred men and women

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<v Speaker 1>and children lay, crushed and twisted and jammed forced into

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<v Speaker 1>that great, gaping doorway, like refuse in a can, as

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<v Speaker 1>if in one wild frantic rush to safety, they had

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<v Speaker 1>rushed and ground themselves to death. Slowly the messenger crept

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<v Speaker 1>along the walls, wetting his parched mouth and trying to comprehend,

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<v Speaker 1>stilling the tremor in his limbs and the rising terror

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<v Speaker 1>in his heart. He met a business man, silk hatted

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<v Speaker 1>and frock coated, who had crept too along that smooth wall,

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<v Speaker 1>and stood now stone dead, with wonder written on his lips.

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<v Speaker 1>The messenger turned his eyes hastily away and sought the curb.

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<v Speaker 1>A woman leaned wearily against the sign post, her head

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<v Speaker 1>bowed motionless on her lace and silken bosom. Before her

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<v Speaker 1>stood a street car, silent and within. But the messenger

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<v Speaker 1>but glanced and hurried on. A grimy newsboy sat in

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<v Speaker 1>the gutter with the last edition in his uplifted hand.

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<v Speaker 1>Danger screamed its black headlines, warnings wired around the world.

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<v Speaker 1>The comet's tail sweeps past us at noon, Deadly gases expected,

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<v Speaker 1>Close doors and windows, seek the cellar. The messenger read

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<v Speaker 1>and staggered on far out from a window above a

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<v Speaker 1>girl lay with gasping face and sleevelets on her arms.

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<v Speaker 1>On a store step sat a little, sweet faced girl,

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<v Speaker 1>looking upward toward the skies, and in the carriage by

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<v Speaker 1>her lay. But the messenger looked no longer. The cords

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<v Speaker 1>gave way. The terror burst in his veins, and with

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<v Speaker 1>one great gasping cry, he sprang desperately forward and ran

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<v Speaker 1>ran as only the frightened run, shrieking and fighting the air,

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<v Speaker 1>until with one last wail of pain, he sank on

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<v Speaker 1>the grass of Madison Square and lay prone and still.

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<v Speaker 1>When he rose, he gave no glance at all. To

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<v Speaker 1>the still and silent forms on the benches, but going

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<v Speaker 1>to a fountain, bathed his face. Then, hiding himself in

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<v Speaker 1>a corner away from the drama of death, he quietly

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<v Speaker 1>gripped himself and thought, the thing through the comet had

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<v Speaker 1>swept the earth, and this was the end. Was everybody dead?

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<v Speaker 1>He must search and see. He knew that he must

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<v Speaker 1>steady himself and keep calm, or he would go insane.

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<v Speaker 1>First he must go to a restaurant. He walked up

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<v Speaker 1>Fifth Avenue to a famous hostelry and entered its gorgeous,

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<v Speaker 1>ghost haunted halls. He beat back the nausea, and, seizing

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<v Speaker 1>a tray from dead hands, hurried into the streets and

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<v Speaker 1>ate ravenously, hiding to keep out the sights. Yesterday they

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<v Speaker 1>would not have served me, he whispered as he forced

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<v Speaker 1>the food down. Then he started up the street, looking, peering, telephoning,

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<v Speaker 1>ringing alarms, silent, silent. All was nobody, nobody. He dared

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<v Speaker 1>not think the thought, and hurried on. Suddenly he stopped still.

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<v Speaker 1>He had forgotten, My god, how could he have forgotten?

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<v Speaker 1>He must rush to the subway. Then he almost laughed, No,

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<v Speaker 1>a car, if he could find a Ford. He saw

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<v Speaker 1>one gently, he lifted off its burden and took his

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<v Speaker 1>place on the seat. He tested the throttle. There was gas.

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<v Speaker 1>He glided off, shivering, and drove up the street. Everywhere

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<v Speaker 1>stood leaned, lounged, and lay the dead in grim and

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<v Speaker 1>awful silence. On he ran past an automobile wrecked and overturned,

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<v Speaker 1>passed another filled with a gay party whose smiles yet

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<v Speaker 1>lingered on their death. Struck lips on past crowds and

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<v Speaker 1>groups of cars, pausing by dead policeman at forty second Street.

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<v Speaker 1>He had to detour to Park Avenue to avoid the

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<v Speaker 1>dead congestion. He came back on Fifth Avenue at fifty

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<v Speaker 1>seventh and flew past the plaza and by the park

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<v Speaker 1>with its hushed babies and silent throng, until as he

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<v Speaker 1>was rushing past seventy second Street, he heard a sharp

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<v Speaker 1>cry and saw a living form leaning wildly out an

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<v Speaker 1>upper window. He gasped. The human voice sounded in his

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<v Speaker 1>ears like the voice of God. And do you know

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<v Speaker 1>what else is in your ear right now? Like the

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<v Speaker 1>voice of God. I'm sure as fuck is in sports gambling,

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<v Speaker 1>but it might be the rest of these goods and

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<v Speaker 1>services and we're back. Hello, Hello, Hell in God's name,

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<v Speaker 1>wailed the woman. There's a dead girl in here, and

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<v Speaker 1>a man, and see yonder, dead men lying in the street,

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<v Speaker 1>and dead horses. For the love of God, go and

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<v Speaker 1>bring the officers. And the words trailed off into hysterical tears.

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<v Speaker 1>He wheeled the car in a sudden circle, running over

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<v Speaker 1>the still body of a child and leaping on the curb.

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<v Speaker 1>Then he rushed up the steps and tried the door,

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<v Speaker 1>and rang violently. There was a long pause, but at

0:15:28.960 --> 0:15:32.840
<v Speaker 1>last the heavy door swung back. They stared a moment

0:15:32.920 --> 0:15:36.240
<v Speaker 1>in silence. She had not noticed before, but he was

0:15:36.280 --> 0:15:40.160
<v Speaker 1>a Negro. He had not thought of her as white.

0:15:40.200 --> 0:15:43.720
<v Speaker 1>She was a woman of perhaps twenty five, rarely beautiful,

0:15:43.720 --> 0:15:48.400
<v Speaker 1>and richly gowned, with darkly golden hair and jewels. Yesterday,

0:15:48.440 --> 0:15:51.320
<v Speaker 1>he thought with bitterness, she would scarcely have looked at

0:15:51.360 --> 0:15:55.040
<v Speaker 1>him twice. He would have been dirt beneath her silken feet.

0:15:55.800 --> 0:15:58.600
<v Speaker 1>She stared at him. Of all the sorts of men

0:15:58.680 --> 0:16:01.160
<v Speaker 1>she had pictured as coming to a rescue, she had

0:16:01.200 --> 0:16:04.040
<v Speaker 1>not dreamed of one like him, not that he was

0:16:04.080 --> 0:16:07.120
<v Speaker 1>not human, but he dwelt in a world so far

0:16:07.160 --> 0:16:10.920
<v Speaker 1>from her, so infinitely far that he seldom even entered

0:16:10.920 --> 0:16:14.520
<v Speaker 1>her thought. Yet as she looked at him curiously, he

0:16:14.560 --> 0:16:19.200
<v Speaker 1>seemed quite commonplace and usual. He was a tall, dark

0:16:19.280 --> 0:16:23.480
<v Speaker 1>workingman of the better classes, with a sensitive face trained

0:16:23.480 --> 0:16:27.440
<v Speaker 1>to stolidity, and a poor man's clothes and hands. His

0:16:27.560 --> 0:16:30.240
<v Speaker 1>face was soft and slow in his manner, at once

0:16:30.440 --> 0:16:34.440
<v Speaker 1>cold and nervous, like fires long banked but not out.

0:16:35.920 --> 0:16:39.840
<v Speaker 1>So a moment each paused and gaged the other. Then

0:16:40.000 --> 0:16:42.960
<v Speaker 1>the thought of the dead world without rushed in, and

0:16:43.040 --> 0:16:47.280
<v Speaker 1>they started toward each other. What has happened, she cried,

0:16:47.760 --> 0:16:51.160
<v Speaker 1>Tell me nothing stirs, all is silence. I see the

0:16:51.240 --> 0:16:54.240
<v Speaker 1>dead strown before my window, is winnowed by the breath

0:16:54.280 --> 0:16:57.880
<v Speaker 1>of God. And see she dragged him through the great

0:16:57.960 --> 0:17:01.920
<v Speaker 1>silken hangings to wear the sheen of mahogany and silver.

0:17:02.400 --> 0:17:06.679
<v Speaker 1>A little French maid lay stretched in quiet, everlasting sleep,

0:17:07.240 --> 0:17:10.280
<v Speaker 1>and near her a butler lay prone in his livery.

0:17:11.320 --> 0:17:14.600
<v Speaker 1>The tears streamed down the woman's cheeks, and she clung

0:17:14.640 --> 0:17:17.920
<v Speaker 1>to his arm, until the perfume of her breath swept

0:17:17.920 --> 0:17:20.919
<v Speaker 1>his face, and he felt the tremors racing through her body.

0:17:22.000 --> 0:17:24.320
<v Speaker 1>I had been shut up in my dark room, developing

0:17:24.400 --> 0:17:27.320
<v Speaker 1>pictures of the comet, which I took last night. When

0:17:27.359 --> 0:17:32.200
<v Speaker 1>I came out, I saw the dead. What has happened?

0:17:32.480 --> 0:17:38.679
<v Speaker 1>She cried again. He answered slowly, something comet or devil

0:17:39.240 --> 0:17:44.240
<v Speaker 1>swept across the earth this morning. And many are dead, many,

0:17:45.040 --> 0:17:48.119
<v Speaker 1>very many. I have searched, and I have seen no

0:17:48.200 --> 0:17:52.520
<v Speaker 1>other living soul but you. She gasped, Oh. And they

0:17:52.560 --> 0:17:59.120
<v Speaker 1>stared at each other. My father, she whispered, where is he?

0:17:59.119 --> 0:18:02.639
<v Speaker 1>He started for the office. Where is it in the

0:18:02.680 --> 0:18:06.720
<v Speaker 1>Metropolitan Tower? Leave a note for him here and come.

0:18:07.560 --> 0:18:12.280
<v Speaker 1>Then he stopped. No, he said firmly. First we must

0:18:12.320 --> 0:18:18.439
<v Speaker 1>go to Harlem. Harlem, she cried. Then she understood. She

0:18:18.560 --> 0:18:23.040
<v Speaker 1>tapped her foot at first impatiently. She looked back and shuddered.

0:18:23.520 --> 0:18:27.439
<v Speaker 1>Then she came resolutely down the steps. There's a swifter

0:18:27.560 --> 0:18:30.600
<v Speaker 1>car in the garage in the court, She said, I

0:18:30.680 --> 0:18:33.560
<v Speaker 1>don't know how to drive it. He said, I do,

0:18:33.800 --> 0:18:38.240
<v Speaker 1>she answered. In ten minutes, they were flying to Harlem

0:18:38.280 --> 0:18:43.120
<v Speaker 1>on the wind. The stoots rose and raced like an airplane.

0:18:43.280 --> 0:18:45.679
<v Speaker 1>They took the turn at one hundred and tenth Street

0:18:45.720 --> 0:18:48.960
<v Speaker 1>on two wheels and slipped with a shriek into one

0:18:49.000 --> 0:18:53.919
<v Speaker 1>thirty fifth. He was gone but a moment. Then he returned,

0:18:54.320 --> 0:18:58.280
<v Speaker 1>and his face was gray. She did not look, but said,

0:18:59.040 --> 0:19:05.800
<v Speaker 1>you have lost somebody. I have lost everybody, he said, simply,

0:19:06.680 --> 0:19:11.359
<v Speaker 1>unless he ran back and was gone several minutes hours

0:19:11.400 --> 0:19:15.879
<v Speaker 1>They seemed to her everybody, he said, and he walked

0:19:15.920 --> 0:19:18.800
<v Speaker 1>slowly back, with something film like in his hand, which

0:19:18.840 --> 0:19:23.160
<v Speaker 1>he stuffed into his pocket. I'm afraid I was selfish,

0:19:23.240 --> 0:19:26.600
<v Speaker 1>he said. But already the car was moving toward the park.

0:19:26.680 --> 0:19:29.879
<v Speaker 1>Among the dark and lined dead of Harlem, the brown

0:19:30.000 --> 0:19:34.240
<v Speaker 1>still faces, the knotted hands, the homely garments, and the silence,

0:19:34.680 --> 0:19:38.760
<v Speaker 1>the wild and haunting silence. Out of the park and

0:19:38.800 --> 0:19:42.480
<v Speaker 1>down Fifth Avenue, they whirled in and out among the dead.

0:19:42.520 --> 0:19:46.119
<v Speaker 1>They slipped and quivered, needing no sound of bell or horn,

0:19:46.720 --> 0:19:51.960
<v Speaker 1>until the great square Metropolitan Tower hove in sight. Gently,

0:19:52.040 --> 0:19:55.959
<v Speaker 1>he laid the dead elevator boy aside. The car shot upward.

0:19:56.560 --> 0:19:59.760
<v Speaker 1>The door of the office stood open. On the threshold

0:19:59.800 --> 0:20:04.240
<v Speaker 1>lay the stenographer, and staring at her sat the dead clerk.

0:20:05.000 --> 0:20:07.679
<v Speaker 1>The inner office was empty, but a note lay on

0:20:07.720 --> 0:20:13.840
<v Speaker 1>the desk, folded and addressed, but unsent, Dear daughter, I've

0:20:13.880 --> 0:20:17.360
<v Speaker 1>gone for a hundred mile spin in Fred's new Mercedes.

0:20:17.880 --> 0:20:21.480
<v Speaker 1>Shall not be back before dinner. I'll bring Fred with me.

0:20:22.640 --> 0:20:27.760
<v Speaker 1>J B H. Come, she cried nervously. We must search

0:20:27.800 --> 0:20:33.199
<v Speaker 1>the city, up and down, over and across back again.

0:20:33.920 --> 0:20:38.320
<v Speaker 1>On went that ghostly search. Everywhere was silence and death,

0:20:38.840 --> 0:20:43.119
<v Speaker 1>death and silence. They hunted from Madison Square to Spute

0:20:43.119 --> 0:20:47.439
<v Speaker 1>and deval. They rushed across the Williamsburg Bridge. They swept

0:20:47.520 --> 0:20:51.320
<v Speaker 1>over Brooklyn from the Battery and Morningside Heights. They scanned

0:20:51.320 --> 0:20:57.360
<v Speaker 1>the river, silence, silence everywhere, and no human sign. Haggard

0:20:57.359 --> 0:21:00.760
<v Speaker 1>and bedraggled, they puffed a third time, so slowly down

0:21:00.800 --> 0:21:05.760
<v Speaker 1>Broadway under the broiling sun, and at last stopped. He

0:21:05.880 --> 0:21:09.439
<v Speaker 1>sniffed the air, an odor, a smell, and with a

0:21:09.440 --> 0:21:13.440
<v Speaker 1>shifting breeze, a sickening stench filled their nostrils and brought

0:21:13.480 --> 0:21:17.639
<v Speaker 1>its awful warning. The girl settled back helplessly in her seat.

0:21:19.640 --> 0:21:23.160
<v Speaker 1>What can we do, she cried. It was his turn

0:21:23.240 --> 0:21:25.280
<v Speaker 1>now to take the lead, and he did it quickly,

0:21:26.640 --> 0:21:31.480
<v Speaker 1>the long distance telephone, the telegraph and the cable, night rockets,

0:21:31.520 --> 0:21:36.320
<v Speaker 1>and then flight. She looked at him now with strength

0:21:36.359 --> 0:21:40.080
<v Speaker 1>and confidence. He did not look like men as she

0:21:40.119 --> 0:21:43.639
<v Speaker 1>had always pictured men, but he acted like one, and

0:21:43.720 --> 0:21:46.720
<v Speaker 1>she was content. In fifteen minutes. They were at the

0:21:46.720 --> 0:21:50.199
<v Speaker 1>Central Telephone Exchange. As they came to the door, he

0:21:50.200 --> 0:21:53.360
<v Speaker 1>stepped quickly before her and pressed her gently back as

0:21:53.359 --> 0:21:56.480
<v Speaker 1>he closed it. She heard him moving to and fro,

0:21:57.000 --> 0:22:00.800
<v Speaker 1>and knew his burdens, the poor little bird turdans he bore.

0:22:01.960 --> 0:22:04.760
<v Speaker 1>When she entered, he was alone in the room. The

0:22:04.800 --> 0:22:10.080
<v Speaker 1>grim switchboard flashed its metallic face and cryptic sphinx like immobility.

0:22:11.400 --> 0:22:15.159
<v Speaker 1>She seated herself on a stool and donned the bright earpiece.

0:22:15.880 --> 0:22:18.479
<v Speaker 1>She looked at the mouthpiece. She had never looked at

0:22:18.480 --> 0:22:22.400
<v Speaker 1>one so closely before. It was wide and black, pimpled

0:22:22.400 --> 0:22:28.200
<v Speaker 1>with usage, inert, dead, most sarcastic in its unfeeling curves.

0:22:28.920 --> 0:22:31.520
<v Speaker 1>It looked she beat back the thought, but it looked

0:22:32.240 --> 0:22:36.040
<v Speaker 1>it persisted in looking like. She turned her head and

0:22:36.080 --> 0:22:40.439
<v Speaker 1>found herself alone. One moment she was terrified. Then she

0:22:40.600 --> 0:22:44.679
<v Speaker 1>thanked him silently for his delicacy and turned resolutely with

0:22:44.720 --> 0:22:50.200
<v Speaker 1>a quick intaking of breath. Hello, she cried in low tones.

0:22:50.760 --> 0:22:53.640
<v Speaker 1>She was calling to the world. The world must answer.

0:22:53.960 --> 0:22:58.880
<v Speaker 1>Would the world answer? Was the world? Silence? She had

0:22:58.880 --> 0:23:05.399
<v Speaker 1>spoken too low? Hello, she cried, full voiced. She listened silence.

0:23:06.000 --> 0:23:14.320
<v Speaker 1>Her heart beat quickly she cried, in clear, distinct loud tones, Hello, Hello, Hello,

0:23:14.840 --> 0:23:18.840
<v Speaker 1>What was that worrying? Surely no, was it the click

0:23:18.840 --> 0:23:22.480
<v Speaker 1>of a receiver. She bent close. She moved the pegs

0:23:22.480 --> 0:23:25.600
<v Speaker 1>in the holes and called and called into Her voice

0:23:25.680 --> 0:23:29.840
<v Speaker 1>rose almost to a shriek, and her heart hammered. It

0:23:29.960 --> 0:23:32.520
<v Speaker 1>was as if she had heard the last flicker of creation,

0:23:33.359 --> 0:23:38.400
<v Speaker 1>and the evil was silence. Her voice dropped to a sob.

0:23:39.080 --> 0:23:42.960
<v Speaker 1>She sat stupidly staring into the black and sarcastic mouthpiece,

0:23:43.680 --> 0:23:48.560
<v Speaker 1>and the thought came again. Hope lay dead within her. Yes,

0:23:48.680 --> 0:23:52.399
<v Speaker 1>the cable and the rockets remained, but the world. She

0:23:52.440 --> 0:23:55.280
<v Speaker 1>could not frame the thought or say the word.

0:23:56.080 --> 0:23:56.800
<v Speaker 2>It was too.

0:23:56.760 --> 0:24:00.560
<v Speaker 1>Mighty, too terrible. She turned toward the door with a

0:24:00.560 --> 0:24:03.119
<v Speaker 1>new fear in her heart. For the first time, she

0:24:03.160 --> 0:24:05.280
<v Speaker 1>seemed to realize that she was alone in the world,

0:24:05.280 --> 0:24:08.240
<v Speaker 1>with a stranger, with something more than a stranger, with

0:24:08.320 --> 0:24:13.199
<v Speaker 1>a man alien in blood and culture unknown, perhaps unknowable.

0:24:13.920 --> 0:24:17.520
<v Speaker 1>It was awful. She must escape, She must fly, He

0:24:17.600 --> 0:24:21.680
<v Speaker 1>must not see her again. Who knew what awful thoughts?

0:24:22.359 --> 0:24:27.560
<v Speaker 1>She gathered her silken skirts deftly about her young smooth limbs, listened,

0:24:27.600 --> 0:24:32.000
<v Speaker 1>and glided into a side hall a moment, she shrank back.

0:24:32.440 --> 0:24:35.840
<v Speaker 1>The hall lay filled with dead women. Then she leaped

0:24:35.880 --> 0:24:38.520
<v Speaker 1>to the door and tore at it with bleeding fingers

0:24:38.600 --> 0:24:42.560
<v Speaker 1>until it swung wide. She looked out. He was standing

0:24:42.600 --> 0:24:47.720
<v Speaker 1>at the top of the alley, silhouetted, tall and black, motionless.

0:24:48.640 --> 0:24:51.840
<v Speaker 1>Was he looking at her or away? She did not know,

0:24:52.640 --> 0:24:56.400
<v Speaker 1>She did not care. She simply leaped and ran, ran

0:24:56.480 --> 0:24:59.720
<v Speaker 1>until she found herself alone amid the dead and the tall,

0:25:00.040 --> 0:25:05.600
<v Speaker 1>imparts of towering buildings. She stopped. She was alone, alone,

0:25:06.000 --> 0:25:09.159
<v Speaker 1>alone on the streets, alone in the city, perhaps alone

0:25:09.200 --> 0:25:12.320
<v Speaker 1>in the world. There crept in upon her the sense

0:25:12.359 --> 0:25:16.560
<v Speaker 1>of deception, of creeping hands behind her back, of silent

0:25:16.680 --> 0:25:20.119
<v Speaker 1>moving things she could not see, a voice hushed in

0:25:20.200 --> 0:25:25.880
<v Speaker 1>fearsome conspiracy. She looked behind and sideways, started at strange sounds,

0:25:25.880 --> 0:25:30.320
<v Speaker 1>and heard still stranger, until every nerve within her stood

0:25:30.359 --> 0:25:33.680
<v Speaker 1>sharp and quivering, stretched a scream. At the barest touch.

0:25:34.200 --> 0:25:37.320
<v Speaker 1>She whirled and flew back, whimpering like a child, until

0:25:37.359 --> 0:25:40.320
<v Speaker 1>she found that narrow alley again, and the dark, silent

0:25:40.400 --> 0:25:45.200
<v Speaker 1>figure silhouetted at the top. She stopped and rested. Then

0:25:45.240 --> 0:25:48.960
<v Speaker 1>she walked silently toward him, looked at him, timidly, but

0:25:49.040 --> 0:25:51.200
<v Speaker 1>he said nothing as he handed her into the car.

0:25:51.920 --> 0:25:56.960
<v Speaker 1>Her voice coughed as she whispered, not that, and he

0:25:56.960 --> 0:26:03.639
<v Speaker 1>answered slowly, no, not. And you, dear listener, are also

0:26:03.760 --> 0:26:07.000
<v Speaker 1>never alone in this great and terrible world, for you

0:26:07.040 --> 0:26:12.040
<v Speaker 1>will always have the accompaniment of these sweet, sweet deals

0:26:12.119 --> 0:26:15.119
<v Speaker 1>on products and services waiting for you.

0:26:15.440 --> 0:26:29.560
<v Speaker 2>Gently, here's ads, and we're back.

0:26:34.119 --> 0:26:36.919
<v Speaker 1>They climbed into the car. She bent forward on the

0:26:36.920 --> 0:26:41.320
<v Speaker 1>wheel and sobbed with great, dry, quivering sobs as they

0:26:41.400 --> 0:26:44.600
<v Speaker 1>flew toward the cable office on the east side, leaving

0:26:44.640 --> 0:26:47.520
<v Speaker 1>the world of wealth and prosperity for the world of

0:26:47.560 --> 0:26:51.120
<v Speaker 1>poverty and work. In the world behind them were death

0:26:51.160 --> 0:26:55.520
<v Speaker 1>and silence, grave and grim, almost cynical, but always decent.

0:26:56.480 --> 0:26:59.960
<v Speaker 1>Here it was hideous. It clothed itself in every game,

0:27:00.040 --> 0:27:04.960
<v Speaker 1>vastly form of terror, struggle, hate, and suffering. It lay

0:27:05.000 --> 0:27:09.520
<v Speaker 1>wreathed in crime and squalor, greed and lust. Only in

0:27:09.600 --> 0:27:15.080
<v Speaker 1>its dread and awful silence was it like death everywhere. Yet,

0:27:15.320 --> 0:27:18.959
<v Speaker 1>as the two flying and alone, looked upon the horror

0:27:19.000 --> 0:27:23.560
<v Speaker 1>of the world, slowly, gradually the sense of all enveloping

0:27:23.640 --> 0:27:26.959
<v Speaker 1>death deserted them. They seemed to move in a world

0:27:27.080 --> 0:27:31.960
<v Speaker 1>silent and asleep, not dead. They moved in quiet reverence,

0:27:32.600 --> 0:27:35.880
<v Speaker 1>lest somehow they wake these sleeping forms who had at

0:27:35.960 --> 0:27:41.560
<v Speaker 1>last found peace. They moved in some solemn, worldwide friedhoff,

0:27:42.320 --> 0:27:45.800
<v Speaker 1>above which some mighty arm had waved its magic wand

0:27:46.680 --> 0:27:50.600
<v Speaker 1>all nature slept until until and quick, with the same

0:27:50.680 --> 0:27:54.920
<v Speaker 1>startling thought, they looked into each other's eyes, he Ashen

0:27:55.080 --> 0:28:00.440
<v Speaker 1>and she crimson, with unspoken thought to both, the vision

0:28:00.520 --> 0:28:05.159
<v Speaker 1>of a mighty beauty of vast unspoken things swelled in

0:28:05.240 --> 0:28:10.600
<v Speaker 1>their songs, but they put it away. Great dark coils

0:28:10.640 --> 0:28:13.760
<v Speaker 1>of wire came up from the earth and down from

0:28:13.800 --> 0:28:18.000
<v Speaker 1>the sun, and entered this low lair of witchery. The

0:28:18.040 --> 0:28:22.120
<v Speaker 1>gathered lightnings of the world centered here, binding with beams

0:28:22.160 --> 0:28:25.399
<v Speaker 1>of light the ends of the earth. The doors gaped

0:28:25.440 --> 0:28:29.840
<v Speaker 1>on the gloom within. He paused on the threshold. Do

0:28:29.920 --> 0:28:33.040
<v Speaker 1>you know the code, she asked, I know the call

0:28:33.119 --> 0:28:36.320
<v Speaker 1>for help. We used it formerly at the bank. She

0:28:36.440 --> 0:28:40.200
<v Speaker 1>hardly heard. She heard the lapping of the waters far below,

0:28:40.680 --> 0:28:44.800
<v Speaker 1>the dark and restless waters, the cold and luring waters,

0:28:44.880 --> 0:28:49.480
<v Speaker 1>as they called. He stepped within. Slowly. She walked to

0:28:49.520 --> 0:28:52.840
<v Speaker 1>the wall where the water called below, and stood and

0:28:52.920 --> 0:28:57.760
<v Speaker 1>waited long. She waited and he did not come. Then

0:28:57.840 --> 0:29:01.320
<v Speaker 1>with a start, she saw him too, standing beside the

0:29:01.360 --> 0:29:05.880
<v Speaker 1>black waters. Slowly he removed his coat and stood there silently.

0:29:06.720 --> 0:29:08.920
<v Speaker 1>She walked quickly to him and laid her hand on

0:29:09.000 --> 0:29:13.320
<v Speaker 1>his arm. He did not start or look. The waters

0:29:13.400 --> 0:29:17.320
<v Speaker 1>lapped on in luring, deadly rhythm. He pointed down to

0:29:17.360 --> 0:29:21.400
<v Speaker 1>the waters and said, quietly, the world lies beneath the waters.

0:29:21.440 --> 0:29:27.680
<v Speaker 1>Now may I go. She looked into his stricken, tired face,

0:29:28.080 --> 0:29:31.560
<v Speaker 1>and a great pity surged within her heart. She answered,

0:29:31.600 --> 0:29:37.400
<v Speaker 1>in a voice clear and calm, no, upward. They turned

0:29:37.440 --> 0:29:40.959
<v Speaker 1>toward life again, and he seized the wheel. The world

0:29:41.080 --> 0:29:44.320
<v Speaker 1>was darkening to twilight, and a great gray pall was

0:29:44.360 --> 0:29:48.360
<v Speaker 1>falling mercifully and gently on the sleeping dead. The ghastly

0:29:48.400 --> 0:29:51.160
<v Speaker 1>glare of reality seemed replaced with the dream of some

0:29:51.280 --> 0:29:55.880
<v Speaker 1>vast romance. The girl lay silently back as the motor

0:29:55.920 --> 0:29:59.600
<v Speaker 1>whizzed along, and looked half consciously for the elf queen

0:29:59.680 --> 0:30:03.080
<v Speaker 1>to wake of life into this dead world again. She

0:30:03.160 --> 0:30:05.680
<v Speaker 1>forgot to wonder at the quickness with which he had

0:30:05.800 --> 0:30:09.560
<v Speaker 1>learned to drive her car. It seemed natural. And then

0:30:09.600 --> 0:30:12.920
<v Speaker 1>as they whirled and swung into Madison Square and at

0:30:12.920 --> 0:30:16.360
<v Speaker 1>the door of the Metropolitan Tower. She gave a low cry,

0:30:16.760 --> 0:30:20.040
<v Speaker 1>and her eyes were great. Perhaps she had seen the

0:30:20.040 --> 0:30:23.640
<v Speaker 1>elf Queen. The man led her to the elevator of

0:30:23.680 --> 0:30:27.680
<v Speaker 1>the tower, and deftly they ascended in her father's office.

0:30:27.720 --> 0:30:30.680
<v Speaker 1>They gathered rugs and chairs, and he wrote a note

0:30:30.720 --> 0:30:33.480
<v Speaker 1>and laid it on the desk. Then they ascended to

0:30:33.520 --> 0:30:36.959
<v Speaker 1>the roof, and he made her comfortable. For a while.

0:30:37.040 --> 0:30:41.560
<v Speaker 1>She rested and sank to dreamy somnolence, watching the worlds

0:30:41.560 --> 0:30:45.640
<v Speaker 1>above and wondering Below lay the dark shadows of the city,

0:30:45.960 --> 0:30:49.320
<v Speaker 1>and afar was the shining of the sea. She glanced

0:30:49.320 --> 0:30:52.600
<v Speaker 1>at him timidly as he set food before her and

0:30:52.640 --> 0:30:55.360
<v Speaker 1>took a shawl and wound her in it, touching her

0:30:55.400 --> 0:30:59.800
<v Speaker 1>reverently yet tenderly. She looked up at him with thankfulness

0:30:59.840 --> 0:31:04.120
<v Speaker 1>in her eyes. Eating what he served, he watched the city.

0:31:04.640 --> 0:31:09.360
<v Speaker 1>She watched him. He seemed very human, very near. Now

0:31:11.040 --> 0:31:14.920
<v Speaker 1>have you had to work hard, she asked softly, always,

0:31:15.120 --> 0:31:19.360
<v Speaker 1>he said, I have always been idle. She said, I

0:31:19.480 --> 0:31:24.200
<v Speaker 1>was rich, I was poor. He almost echoed. The rich

0:31:24.240 --> 0:31:27.520
<v Speaker 1>and the poor are met together, she began, and he finished.

0:31:28.280 --> 0:31:32.360
<v Speaker 1>The Lord is maker of them all. Yes, she said, slowly,

0:31:32.880 --> 0:31:37.600
<v Speaker 1>and how foolish our human distinctions seem now, looking down

0:31:37.680 --> 0:31:43.080
<v Speaker 1>to the great dead city stretched below, swimming in unlightened shadows. Yes,

0:31:43.360 --> 0:31:48.000
<v Speaker 1>I was not human yesterday, he said. She looked at him,

0:31:48.800 --> 0:31:52.400
<v Speaker 1>and your people were not my people, she said. But today,

0:31:53.160 --> 0:31:56.719
<v Speaker 1>she paused, he was a man no more. But he

0:31:56.800 --> 0:32:00.600
<v Speaker 1>was in some larger sense of gentlemen, sensitive, kindly, chivalrous,

0:32:01.120 --> 0:32:06.680
<v Speaker 1>everything save his hands and his face. Yet yesterday death,

0:32:06.760 --> 0:32:11.719
<v Speaker 1>the leveler, he muttered, and the revealer, she whispered. Gently.

0:32:12.280 --> 0:32:15.600
<v Speaker 1>Rising to her feet with great eyes, he turned away, and,

0:32:15.640 --> 0:32:18.760
<v Speaker 1>after fumbling a moment, sent a rocket into the darkening air.

0:32:19.560 --> 0:32:23.560
<v Speaker 1>It arose, shrieked, and flew up a slim path of light,

0:32:23.680 --> 0:32:27.600
<v Speaker 1>and scattered its stars abroad. Dropping on the city below.

0:32:28.400 --> 0:32:31.719
<v Speaker 1>She scarcely noticed it. A vision of the world had

0:32:31.800 --> 0:32:35.760
<v Speaker 1>risen before her. Slowly, the mighty prophecy of her destiny

0:32:35.800 --> 0:32:40.680
<v Speaker 1>overwhelmed her. Above the dead past hovered the Angel of Annunciation.

0:32:42.040 --> 0:32:47.000
<v Speaker 1>She was no mere woman. She was neither high nor low, white,

0:32:47.120 --> 0:32:52.120
<v Speaker 1>nor black, rich nor poor. She was primal woman, mighty

0:32:52.200 --> 0:32:56.000
<v Speaker 1>mother of all men to come, and bride of life.

0:32:56.040 --> 0:32:59.440
<v Speaker 1>She looked upon the man beside her and forgot all else.

0:32:59.480 --> 0:33:04.400
<v Speaker 1>But his man manhood, his strong, vigorous manhood, his sorrow

0:33:04.440 --> 0:33:08.560
<v Speaker 1>and sacrifice. She saw him glorified. She was no longer

0:33:08.600 --> 0:33:12.280
<v Speaker 1>a thing apart, a creature below, a strange outcast of

0:33:12.320 --> 0:33:17.040
<v Speaker 1>another climb and blood, but her brother, humanity, incarnate, son

0:33:17.120 --> 0:33:20.280
<v Speaker 1>of God and great allfather of the race to be.

0:33:22.000 --> 0:33:24.880
<v Speaker 1>He did not glimpse the glory in her eyes, but

0:33:25.080 --> 0:33:28.520
<v Speaker 1>stood looking outward toward the sea, and sending rocket after

0:33:28.640 --> 0:33:33.640
<v Speaker 1>rocket into the unanswering darkness. Dark purple clouds lay banked

0:33:33.680 --> 0:33:37.000
<v Speaker 1>and billowed in the west behind them, and all around

0:33:37.080 --> 0:33:41.120
<v Speaker 1>the heavens glowed in dim, weird radiance that suffused the

0:33:41.200 --> 0:33:45.360
<v Speaker 1>darkening world and made almost a minor music. Suddenly, as

0:33:45.360 --> 0:33:48.920
<v Speaker 1>though gathered back at some vast hand, the great cloud

0:33:48.960 --> 0:33:52.680
<v Speaker 1>curtain fell away. Low on the horizon lay a long

0:33:52.840 --> 0:33:58.160
<v Speaker 1>white star, mystic, wonderful, and from it fled upward to

0:33:58.200 --> 0:34:03.160
<v Speaker 1>the pole like some water bridal veil, a pale, wide

0:34:03.280 --> 0:34:07.280
<v Speaker 1>sheet of flame that lighted all the world and dimmed

0:34:07.320 --> 0:34:12.640
<v Speaker 1>the stars in fascinated silence. The man gazed at the

0:34:12.680 --> 0:34:16.560
<v Speaker 1>heavens and dropped his rockets to the floor. Memories of

0:34:16.680 --> 0:34:20.200
<v Speaker 1>memories stirred to life in the dead recesses of his mind.

0:34:20.840 --> 0:34:23.960
<v Speaker 1>The shackles seemed to rattle and fall from his soul.

0:34:24.920 --> 0:34:27.560
<v Speaker 1>Up from the crass and crushing and cringing of his

0:34:27.719 --> 0:34:32.160
<v Speaker 1>cast leaped the lone majesty of kings, long dead. He

0:34:32.200 --> 0:34:37.000
<v Speaker 1>arose within the shadows, tall, straight and stern, with power

0:34:37.080 --> 0:34:40.719
<v Speaker 1>in his eyes, and ghostly scepters hovering to his grasp.

0:34:41.520 --> 0:34:44.960
<v Speaker 1>It was as though some mighty pharaoh lived again, or

0:34:45.080 --> 0:34:49.000
<v Speaker 1>curled Assyrian lord. He turned and looked upon the lady,

0:34:49.320 --> 0:34:54.640
<v Speaker 1>and found her gazing straight at him, silently, Immovably, they

0:34:54.719 --> 0:34:58.799
<v Speaker 1>saw each other, face to face, eye to eye, their

0:34:58.840 --> 0:35:02.320
<v Speaker 1>souls lay naked to the night. It was not lust,

0:35:03.000 --> 0:35:07.160
<v Speaker 1>It was not love. It was some vaster, mightier thing

0:35:07.320 --> 0:35:10.600
<v Speaker 1>that needed neither touch of body nor thrill of soul.

0:35:11.880 --> 0:35:18.360
<v Speaker 1>It was a thought, divine, splendid. Slowly, noiselessly, they moved

0:35:18.400 --> 0:35:23.000
<v Speaker 1>toward each other, the heavens above, the seas around the city,

0:35:23.120 --> 0:35:27.800
<v Speaker 1>grim and dead. Below, he loomed out from the velvet shadows,

0:35:27.920 --> 0:35:32.560
<v Speaker 1>vast and dark, pearl white and slender. She shone beneath

0:35:32.600 --> 0:35:37.360
<v Speaker 1>the stars. She stretched her jeweled hands abroad. He lifted

0:35:37.440 --> 0:35:40.560
<v Speaker 1>up his mighty arms, and they cried to each other,

0:35:41.200 --> 0:35:46.879
<v Speaker 1>almost with one voice. The world is dead. Long live

0:35:47.120 --> 0:35:51.719
<v Speaker 1>the Hong Kong. Hoarse and sharp, the cry of a

0:35:51.800 --> 0:35:56.040
<v Speaker 1>motor drifted up clearly from the silence below. They started

0:35:56.040 --> 0:35:58.520
<v Speaker 1>backward with a cry, and gazed upon each other with

0:35:58.600 --> 0:36:03.640
<v Speaker 1>eyes that faltered and fell with blood that boiled. Honk honk,

0:36:03.920 --> 0:36:08.279
<v Speaker 1>honk honk, came the mad cry again, and almost from

0:36:08.280 --> 0:36:11.440
<v Speaker 1>their feet a rocket blazed into the air and scattered

0:36:11.480 --> 0:36:14.920
<v Speaker 1>its stars upon them. She covered her eyes with her

0:36:14.960 --> 0:36:19.400
<v Speaker 1>hands and her shoulders. Heaved, he dropped and bowed, groped

0:36:19.440 --> 0:36:23.000
<v Speaker 1>blindly on his knees about the floor. A blue flame

0:36:23.080 --> 0:36:25.960
<v Speaker 1>sputtered lazily after an age, and she heard the scream

0:36:26.040 --> 0:36:29.560
<v Speaker 1>of an answering rocket as it flew. Then they stood

0:36:29.640 --> 0:36:34.960
<v Speaker 1>still as death, looking to opposite ends of the earth. Clang, crash, clang.

0:36:36.440 --> 0:36:39.960
<v Speaker 1>The roar and ring of swift elevators shooting upward from

0:36:40.000 --> 0:36:44.400
<v Speaker 1>below made the great Tower tremble. A murmur and babble

0:36:44.440 --> 0:36:48.319
<v Speaker 1>of voices swept in upon the night, all over the

0:36:48.400 --> 0:36:52.440
<v Speaker 1>once dead city. The lights blinked, flickered, and flamed, and

0:36:52.520 --> 0:36:55.120
<v Speaker 1>then with a sudden clanging of doors, the entrance to

0:36:55.160 --> 0:36:58.880
<v Speaker 1>the platform was filled with men, and one with white

0:36:58.960 --> 0:37:01.520
<v Speaker 1>and flying hair, rushed to the girl and lifted her

0:37:01.560 --> 0:37:06.680
<v Speaker 1>to his breast. My daughter, he sobbed. Behind him, hurried

0:37:06.680 --> 0:37:11.160
<v Speaker 1>a younger comelier man, carefully clad in motor costume, who

0:37:11.239 --> 0:37:14.960
<v Speaker 1>bent above the girl with passionate solicitude and gazed into

0:37:14.960 --> 0:37:18.160
<v Speaker 1>her staring eyes until they narrowed and dropped, and her

0:37:18.200 --> 0:37:23.880
<v Speaker 1>face flushed deeper and deeper. Crimson, Julia, he whispered, my darling,

0:37:24.200 --> 0:37:27.120
<v Speaker 1>I thought you were gone forever. She looked up at

0:37:27.200 --> 0:37:31.800
<v Speaker 1>him with strange, searching eyes. Fred, she murmured, almost vaguely.

0:37:32.440 --> 0:37:37.400
<v Speaker 1>Is the world gone? Only New York? He answered? It

0:37:37.520 --> 0:37:41.960
<v Speaker 1>is terrible awful, you know, But you how did you escape?

0:37:42.239 --> 0:37:47.680
<v Speaker 1>How have you endured this horror? Are you well? Unharmed? Unharmed?

0:37:47.760 --> 0:37:51.480
<v Speaker 1>She said? And this man here, he asked, encircling her

0:37:51.560 --> 0:37:54.640
<v Speaker 1>drooping form with one arm and turning toward the negro.

0:37:55.760 --> 0:37:59.800
<v Speaker 1>Suddenly he stiffened, and his hand flew to his hip. Why,

0:38:00.160 --> 0:38:06.720
<v Speaker 1>he snarled, it's ah, Julia, has he has? He dared?

0:38:07.480 --> 0:38:11.040
<v Speaker 1>She lifted her head and looked at her late companion curiously,

0:38:11.200 --> 0:38:14.080
<v Speaker 1>and then dropped her eyes with a sigh. He has

0:38:14.200 --> 0:38:18.279
<v Speaker 1>dared all to rescue me, she said, quietly, and I

0:38:18.560 --> 0:38:22.000
<v Speaker 1>thank him much, but she did not look at him again.

0:38:22.560 --> 0:38:25.160
<v Speaker 1>As the couple turned away, the father drew a roll

0:38:25.200 --> 0:38:29.200
<v Speaker 1>of bills from his pockets. Here, my good fellow, he said,

0:38:29.560 --> 0:38:33.040
<v Speaker 1>thrusting the money into the man's hands. Take that. What's

0:38:33.040 --> 0:38:38.520
<v Speaker 1>your name? Jim Davis, came the answer, alive, voiced, well, Jim,

0:38:38.760 --> 0:38:41.480
<v Speaker 1>I thank you. I've always liked your people. If you

0:38:41.600 --> 0:38:45.480
<v Speaker 1>ever want a job, call on me. And they were gone.

0:38:45.880 --> 0:38:49.440
<v Speaker 1>The crowd poured up and out the elevators, talking and whispering.

0:38:50.120 --> 0:38:54.200
<v Speaker 1>Who was it? Are they alive? How many two? Who

0:38:54.320 --> 0:38:58.880
<v Speaker 1>was saved? A white girl in up there? She goes?

0:39:00.200 --> 0:39:00.319
<v Speaker 2>Uh?

0:39:01.239 --> 0:39:04.399
<v Speaker 1>Where is he? Let's lynch the damned shut up. He's

0:39:04.440 --> 0:39:06.960
<v Speaker 1>all right, he saved her, saved hell. He has no

0:39:07.080 --> 0:39:11.240
<v Speaker 1>business here. He comes into the glare of the electric lights.

0:39:11.239 --> 0:39:14.120
<v Speaker 1>The colored man moved slowly, with the eyes of those

0:39:14.160 --> 0:39:16.879
<v Speaker 1>that walk and sleep. What do you think of that?

0:39:16.960 --> 0:39:19.440
<v Speaker 1>Cried a bystander of all New York, Just a white

0:39:19.480 --> 0:39:23.880
<v Speaker 1>girl in a The colored man heard nothing. He stood

0:39:23.920 --> 0:39:26.640
<v Speaker 1>silently beneath the glare of the light, gazing at the

0:39:26.680 --> 0:39:29.800
<v Speaker 1>money in his hand, and shrinking as he gazed. Slowly,

0:39:29.880 --> 0:39:32.440
<v Speaker 1>he put his other hand into his pocket and brought

0:39:32.480 --> 0:39:36.800
<v Speaker 1>out a baby's filmy cap and gazed again. A woman

0:39:37.080 --> 0:39:40.280
<v Speaker 1>mounted to the platform and looked about, shading her eyes.

0:39:40.840 --> 0:39:44.959
<v Speaker 1>She was brown, small and toil worn, and in one

0:39:45.080 --> 0:39:48.960
<v Speaker 1>arm lay the corpse of a dark baby. The crowd parted,

0:39:49.239 --> 0:39:52.320
<v Speaker 1>and her eyes fell on the colored man. With a cry,

0:39:53.000 --> 0:39:58.000
<v Speaker 1>she tottered towards him. Jim. He whirled and with a

0:39:58.040 --> 0:40:03.759
<v Speaker 1>sob of joy, caught her in his arms. The end,

0:40:04.880 --> 0:40:09.240
<v Speaker 1>and yeah, we're back, Thanks for listening a story with me. Hazel,

0:40:09.280 --> 0:40:11.520
<v Speaker 1>who helps me pick the stories, has this to say

0:40:11.560 --> 0:40:15.200
<v Speaker 1>about it. Dubois is using common literary tropes of the

0:40:15.280 --> 0:40:18.120
<v Speaker 1>day to craft a powerful tale of apocalypse and rebirth

0:40:18.160 --> 0:40:21.360
<v Speaker 1>for black folks. He plays with archetypes from the Garden

0:40:21.360 --> 0:40:23.640
<v Speaker 1>of Eden to cast our protagonists as a new Adam

0:40:23.640 --> 0:40:26.400
<v Speaker 1>and Eve and a grand metaphor for the destruction of

0:40:26.480 --> 0:40:29.480
<v Speaker 1>racism in the birth of a new humanity. Du Bois's

0:40:29.480 --> 0:40:32.480
<v Speaker 1>protagonist could only imagine the destruction of racism through the

0:40:32.480 --> 0:40:36.000
<v Speaker 1>destruction of his entire society, and the restoration of societal

0:40:36.120 --> 0:40:40.040
<v Speaker 1>order coming with some pretty profound degradation and dehumanization. Even

0:40:40.080 --> 0:40:42.040
<v Speaker 1>as the scale of the story returns back to the

0:40:42.040 --> 0:40:45.200
<v Speaker 1>inner personal and out of the mythical. We still see

0:40:45.239 --> 0:40:47.400
<v Speaker 1>how the characters continue to be caught up in rolls

0:40:47.440 --> 0:40:49.919
<v Speaker 1>and narratives and violence that is greater than they are.

0:40:50.360 --> 0:40:52.680
<v Speaker 1>And even amidst that, we still end on a moment

0:40:52.719 --> 0:40:56.719
<v Speaker 1>of black joy, a reminder of resistance and interdependence, a

0:40:56.800 --> 0:41:01.800
<v Speaker 1>promise that the fight for liberation continues. Also that Hazel

0:41:01.840 --> 0:41:05.560
<v Speaker 1>specifically enjoys quote how when the cars honk and the

0:41:05.600 --> 0:41:08.440
<v Speaker 1>fireworks crack, the noise they make is put into quotation

0:41:08.560 --> 0:41:11.239
<v Speaker 1>marks as if they're characters who are also speaking. I

0:41:11.280 --> 0:41:14.520
<v Speaker 1>find this stylistically quite charming. As for what I have

0:41:14.520 --> 0:41:17.040
<v Speaker 1>to say about it, I tend to agree with Hazel

0:41:17.040 --> 0:41:19.239
<v Speaker 1>about stories, That's why we work together on this. But

0:41:20.400 --> 0:41:23.880
<v Speaker 1>specifically he loves alliteration, and it makes it really funny

0:41:23.880 --> 0:41:25.920
<v Speaker 1>to read and to do a lot of like retakes

0:41:25.960 --> 0:41:30.160
<v Speaker 1>of various parts. But I really appreciate that he actually

0:41:30.200 --> 0:41:32.320
<v Speaker 1>cares about the craft of writing. There's a lot of

0:41:32.320 --> 0:41:35.960
<v Speaker 1>stuff that isn't the modern style, right, like ending sentences

0:41:36.000 --> 0:41:38.680
<v Speaker 1>with exclamation marks is like seeing as cheesy from the

0:41:38.680 --> 0:41:41.879
<v Speaker 1>pulp air of fiction this was written. Then, I also

0:41:41.920 --> 0:41:44.880
<v Speaker 1>really appreciate that he's managed to write a nuclear apocalypse

0:41:44.960 --> 0:41:47.680
<v Speaker 1>story before the invention of the nuclear bomb. And it's

0:41:47.680 --> 0:41:51.200
<v Speaker 1>interesting because it was probably presented as horror, but it

0:41:51.239 --> 0:41:54.000
<v Speaker 1>doesn't read as horror to me now because the idea

0:41:54.040 --> 0:41:57.560
<v Speaker 1>of literally everyone dying is like apocalypse is a different

0:41:57.680 --> 0:42:01.000
<v Speaker 1>genre than horror now, even though most of the story

0:42:01.080 --> 0:42:03.960
<v Speaker 1>is just like describing dead bodies. And I also really

0:42:04.000 --> 0:42:07.839
<v Speaker 1>like the sort of subtle and unsubtle play of like

0:42:07.920 --> 0:42:10.680
<v Speaker 1>as they're like developing these like sexual thoughts towards each other,

0:42:10.719 --> 0:42:14.040
<v Speaker 1>it's mostly her deciding that she has sexual thoughts towards him.

0:42:14.400 --> 0:42:16.879
<v Speaker 1>I didn't catch it until my second read that she's

0:42:16.920 --> 0:42:19.759
<v Speaker 1>like holding the telephone and this like black telephone. She's

0:42:19.800 --> 0:42:23.640
<v Speaker 1>like it almost looks like a No, I can't think that.

0:42:24.520 --> 0:42:26.279
<v Speaker 1>I don't know, but the characters like they're still doing

0:42:26.280 --> 0:42:31.800
<v Speaker 1>this like mythical level thing, but they feel very real. Yeah,

0:42:32.600 --> 0:42:37.440
<v Speaker 1>I don't know. I understand why people have to imagine

0:42:37.520 --> 0:42:40.799
<v Speaker 1>the destruction of all of the existent. And also I

0:42:40.840 --> 0:42:42.920
<v Speaker 1>just really appreciate stuff that talks about death as the

0:42:42.960 --> 0:42:46.319
<v Speaker 1>great leveler. I really appreciate when I'm reading history, you know,

0:42:46.400 --> 0:42:49.200
<v Speaker 1>and you're like, oh, these revolutionaries they died or whatever,

0:42:49.200 --> 0:42:50.839
<v Speaker 1>and you're like yeah, and so did everyone who sat

0:42:50.840 --> 0:42:53.399
<v Speaker 1>it out right, so did everyone who just like stayed

0:42:53.400 --> 0:42:55.560
<v Speaker 1>at home twiddled their thumbs. You're talking about nineteenth century.

0:42:55.640 --> 0:42:58.360
<v Speaker 1>Everyone's dead. No one from the nineteenth century is alive.

0:42:59.280 --> 0:43:00.799
<v Speaker 1>So what do you want?

0:43:01.280 --> 0:43:01.520
<v Speaker 2>Yeah?

0:43:01.560 --> 0:43:05.520
<v Speaker 1>Anyway? This has been the comment by web du Bois,

0:43:05.600 --> 0:43:09.279
<v Speaker 1>published in nineteen twenty in a collection called Darkwater. I'm

0:43:09.280 --> 0:43:11.640
<v Speaker 1>Margaret Kiljoy. You can find me on the internet at

0:43:11.880 --> 0:43:15.520
<v Speaker 1>Margaret on Blue Sky and Margaret Kiljoy on Instagram, and

0:43:16.160 --> 0:43:18.920
<v Speaker 1>next Sunday I will be back with more short fiction

0:43:19.440 --> 0:43:22.239
<v Speaker 1>the cool Zone Media Book Club. Take care of each other,

0:43:22.400 --> 0:43:25.040
<v Speaker 1>love each other. It is our duty to fight for freedom,

0:43:25.239 --> 0:43:29.720
<v Speaker 1>and it is our duty to win. All right, Bye everyone.

0:43:31.000 --> 0:43:33.520
<v Speaker 1>It could happen here as a production of cool Zone Media.

0:43:33.600 --> 0:43:35.040
<v Speaker 1>For more podcasts from cool.

0:43:34.920 --> 0:43:37.759
<v Speaker 2>Zone Media, visit our website cool zonemedia dot com or

0:43:37.800 --> 0:43:40.320
<v Speaker 2>check us out on the Iheard Radio app, Apple Podcasts,

0:43:40.400 --> 0:43:42.160
<v Speaker 2>or wherever you listen to podcasts.

0:43:42.560 --> 0:43:44.680
<v Speaker 1>You can find sources where it Could Happen here, updated

0:43:44.760 --> 0:43:48.800
<v Speaker 1>monthly at cool zonemedia dot com slash sources. Thanks for listening.