WEBVTT - Questlove Supreme: Narada Michael Walden Part 1

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio.

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<v Speaker 2>I'm raring this hat quest Love for you. This is

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<v Speaker 2>my drumming hat in high school in the high school bands. Man. Yeah,

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<v Speaker 2>you still have that.

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<v Speaker 3>Wow, that's amazing. Yeah all right, Uh, I'm not nervous

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<v Speaker 3>at all.

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<v Speaker 2>Good. We gotta get your.

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<v Speaker 3>Hat like that of mair ladies and gentlemen.

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<v Speaker 4>This is quest Love Supreme. I am quest Love, your

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<v Speaker 4>host of the day. We are here with fun Tigolo

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<v Speaker 4>f Takeolo.

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<v Speaker 3>Where you at right now?

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<v Speaker 2>I'm at the crib man. I just uh, I came

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<v Speaker 2>in just straight from the gym, so you know, sweat

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<v Speaker 2>same shame here, yep, shame.

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<v Speaker 4>It's it's something about uh March that creeps in that says, okay,

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<v Speaker 4>summer coming.

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<v Speaker 3>I gotta get my summer by yeah, mineus picnic.

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<v Speaker 5>Body, so yeah, I.

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<v Speaker 4>Want to look halfway presentable with the picnic. H Steve,

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<v Speaker 4>how are you pal?

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<v Speaker 2>I'm good, really looking forward to this interview like everybody else.

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<v Speaker 3>How interesting was your evening?

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<v Speaker 2>Super interesting? Definitely trying to hear you pronounce words and

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<v Speaker 2>so forth.

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<v Speaker 4>All right, Steve, As you guys know, I can't stop

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<v Speaker 4>writing books. And one of the well I'm not trying

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<v Speaker 4>to say unfortunate, but one of the things that I

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<v Speaker 4>am not much of a fan of in the process

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<v Speaker 4>of book writing is doing the audio books, especially when

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<v Speaker 4>Steve is on standby to hear me struggle with college words.

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<v Speaker 4>And he definitely got a ear full last night. But look,

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<v Speaker 4>we got more important pressing matters on our hands. Let

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<v Speaker 4>me just say that I know that a line share

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<v Speaker 4>of my personal music knowledge, you know, honestly came into

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<v Speaker 4>play once hip hop contextualized my parents boring record made

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<v Speaker 4>it interesting, which you know, basically my age fourteen fifteen sixteen.

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<v Speaker 4>Of course I could ratle off any musician's name, but

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<v Speaker 4>I wasn't in a slouch either when I was a kid.

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<v Speaker 4>But you know this, this knowledge I have a music

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<v Speaker 4>really became a thing when I was a teenager.

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<v Speaker 3>However, I will say that.

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<v Speaker 4>In my life in real time, and I'm talking about

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<v Speaker 4>when I'm seven years old, there were two particular drummers

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<v Speaker 4>who I idolized. And of course, if you're a longtime

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<v Speaker 4>listener of the podcast, you already know that I've had

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<v Speaker 4>the pleasure of doing a one on one with my

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<v Speaker 4>idol Steve Rone, formerly of The Average White band today

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<v Speaker 4>is no exception, and today we'll actually complete that circle,

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<v Speaker 4>because if I'm really honest with myself, our guest today

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<v Speaker 4>might be the first air quote fusion drummer that I

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<v Speaker 4>became familiar with.

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<v Speaker 3>Not exactly by choice.

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<v Speaker 4>It just so happens that a particular family excursion of

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<v Speaker 4>nineteen seventy seven on a trip to Disney World in

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<v Speaker 4>a van with an A track tape player as our

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<v Speaker 4>entertainment and maybe six A track tapes in rotation, and

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<v Speaker 4>one of those six A track tapes had heavy rotation

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<v Speaker 4>of the debut album of our guest on the Show today,

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<v Speaker 4>entitled Garden of Love Light. And one song in particular

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<v Speaker 4>that I know that I personally put ten thousand Gladwellian

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<v Speaker 4>hours in a practice was a tune called The Sun

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<v Speaker 4>Is Dancing. And now that I think about it, I

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<v Speaker 4>think the very first time that I nerded out on

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<v Speaker 4>Bassis Megabasis will Lee of The Letterman Show was more

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<v Speaker 4>about him playing on that album than it was anything

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<v Speaker 4>else that Willy has done. Willie's done legendary shit, but

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<v Speaker 4>I will say that his resume is beyond impressive. Name

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<v Speaker 4>It Whitney Arefa, Mariah, George, Michael Jeff Beck Campbell, Yeah,

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<v Speaker 4>Temi Campbell, Barbaris Streiss and Wynald Richie Whitney Houston, Mariah Carey, Dona.

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<v Speaker 3>Ross, Rachel my Vision Orchestra.

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<v Speaker 4>He's worked with everyone but me, and the time I

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<v Speaker 4>think I'm trying to be him, you know what I mean.

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<v Speaker 4>Not to mention, I will say that he's probably the

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<v Speaker 4>first human being that I've ever taken note of that

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<v Speaker 4>even mentioned the word that I'm obsessed with now post pandemic,

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<v Speaker 4>which is meditation. So this is a long overdue conversation

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<v Speaker 4>with the great legendary. Please welcome Nordom, Michael Walton, finally

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<v Speaker 4>the Quest Love Supreme.

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<v Speaker 2>Thank you so much man, a long time man. Wow,

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<v Speaker 2>thank you so much. Happy to be here. This is wonderful.

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<v Speaker 2>I'm a big fan of yours, breath, a big fan

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<v Speaker 2>of yours. You know, you bring the funk, man, you

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<v Speaker 2>bring the soul, and you bring the integrity to the music.

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<v Speaker 2>Some I'm really really loving you.

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<v Speaker 4>Then I'm bringing everything I ever learned from you, man, So.

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<v Speaker 3>Now you know what it is.

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<v Speaker 4>I'm also realizing I've met you briefly before, and I

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<v Speaker 4>will say that there are very few human beings that

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<v Speaker 4>have an instantaneous.

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<v Speaker 3>Disarming chip that I wish I had. You have a

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<v Speaker 3>level of.

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<v Speaker 4>Calm that I now know that. Of course, your resume

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<v Speaker 4>is that impressive because I believe that you have a

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<v Speaker 4>sort of calming element, because you produced some people that

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<v Speaker 4>I would believe would be some of the hardest people

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<v Speaker 4>personality wise to even step with. I've said no to

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<v Speaker 4>a few of these people were just like drumming with

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<v Speaker 4>them or any of those things, because I couldn't bear

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<v Speaker 4>to think of the thought of, you know.

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<v Speaker 3>Of dealing with that.

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<v Speaker 4>But can I ask you, like, what when did you

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<v Speaker 4>develop this personality of just calmness, Like you have a

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<v Speaker 4>very disarming like have you ever gotten angry in your life?

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<v Speaker 2>Oh? Yeah, sure, sure I do, of course I do.

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<v Speaker 2>It's just that I learned, like what you're speaking about

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<v Speaker 2>in production and working with other people that I wanted

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<v Speaker 2>to get their best, and I realized that the love

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<v Speaker 2>aspect was really powerful. It is really powerful. And then

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<v Speaker 2>you mentioned meditation, So through meditation and the love aspect

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<v Speaker 2>that became the most important part, and that the person

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<v Speaker 2>I'm working with could feel that love to do their best,

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<v Speaker 2>and then that would just make everything just go. So

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<v Speaker 2>I kind of just pray, swim, you know, get myself

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<v Speaker 2>together physically, and then get in that spirit that the

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<v Speaker 2>person you really feel like, oh, you're not here to

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<v Speaker 2>fight with me, You're going to me that great music.

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<v Speaker 2>Then they start singing whatever they're going to do, and

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<v Speaker 2>then endorphins kick in and are gone. But that spirit

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<v Speaker 2>of love is really really important. That's what I want

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<v Speaker 2>to say to.

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<v Speaker 3>You about that.

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<v Speaker 5>Do you have a pre studio ritual that you do

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<v Speaker 5>or something like the kind of get ready to get

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<v Speaker 5>into this.

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<v Speaker 2>You know you can see behind me. I have a candle,

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<v Speaker 2>two camels here and a candle up there. You know.

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<v Speaker 2>I burn a little incense every now and again. I

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<v Speaker 2>usually bring a gift to the person I'm working with,

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<v Speaker 2>just kind of make them feel the love on a

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<v Speaker 2>physical level, a Teddy bear flower or something sweet. And

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<v Speaker 2>then I want to say one more thing about what

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<v Speaker 2>you're asking about, because it's really important for me that.

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<v Speaker 2>Probably the most incredible moment along this line was after

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<v Speaker 2>I made the songs of two songs, Who's the Men Who?

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<v Speaker 2>Until You Say You Love Me? And Here and flew

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<v Speaker 2>back to Detroit, Michigan to meet Aretha. It looking in

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<v Speaker 2>her eyes is scary that would that would scare you?

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<v Speaker 2>That would that scared me? But there again, you know,

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<v Speaker 2>I let her know in my spirit, my eyes, my love,

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<v Speaker 2>I'm not here to fight, I'm not here to make

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<v Speaker 2>a problem. I want I want to serve you, I

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<v Speaker 2>love you, and help us make the best music. And

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<v Speaker 2>then once the music comes on and then she starts

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<v Speaker 2>opening up and singing, then again, like I said, it

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<v Speaker 2>just gets happy. And then it's like, well, what do

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<v Speaker 2>you want to eat? You want cheeseburger, you want, you know,

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<v Speaker 2>fried chicken? What you want? And all that sounds happening.

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<v Speaker 4>See, I wish I'd known you previously, Steve could have

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<v Speaker 4>tested this.

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<v Speaker 3>You know. Of course I'm still here at the tonight.

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<v Speaker 4>Show and Lovely Lovely, and I've only had one client

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<v Speaker 4>sort of put us through the ringer to the point

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<v Speaker 4>where I just walked away. And you know, unfortunately, I've

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<v Speaker 4>had the pleasure of playing practically with every person I've

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<v Speaker 4>ever idolized.

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<v Speaker 3>But when it.

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<v Speaker 4>Came to a refa and the alpha level of testing

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<v Speaker 4>that we were put through, I failed that test.

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<v Speaker 3>Oh no, you know it was like.

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<v Speaker 4>My ego was there because in my mind I'm like, well,

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<v Speaker 4>I'm holding up the tradition, like we are holding up

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<v Speaker 4>the tradition of Cornell dupri and Bernard Purty like her seventies,

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<v Speaker 4>her seventies crack band, and you know, she wanted to

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<v Speaker 4>have a long talk, and she wanted us to audition

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<v Speaker 4>and all this stuff, and you know, I just now

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<v Speaker 4>regret that that move. But I was just like, well, no,

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<v Speaker 4>I'm fine. If you want to sing behind your karaoke track,

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<v Speaker 4>then go ahead and do so.

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<v Speaker 3>And she did so, and.

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<v Speaker 4>It could have been magic, but you know it was

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<v Speaker 4>definitely I didn't know about what you just said, Like

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<v Speaker 4>we're dealing with people and how to disarm them and

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<v Speaker 4>all that stuff. And so first starters, Where were you born.

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<v Speaker 2>I'm from Calamazoo, Michigan, between Chicago and Detroit, rightland middle

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<v Speaker 2>in the country, Calumbo where they make gifts and guitars,

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<v Speaker 2>you know, and Battle Creek, Michigan is not far away

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<v Speaker 2>with the Mick Kellogg's conflicts, and that's where Junior Walk

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<v Speaker 2>All the Star comes from, you know, with all that

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<v Speaker 2>funk so Calams in Michigan.

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<v Speaker 4>I'm only laughing because Kalamazoo is always my go to

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<v Speaker 4>random hypothetical city when I say something like, oh you

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<v Speaker 4>know I always in Kalamazoo, miss but I've never known

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<v Speaker 4>one human being from Kalamazoo, Michigan.

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<v Speaker 2>Now you do, Now you do.

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<v Speaker 4>I read a really interesting story about you in a magazine.

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<v Speaker 3>I think it was right on.

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<v Speaker 4>I'm not certain, but the very first thing I've ever

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<v Speaker 4>read about you. I happen to be reading this story

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<v Speaker 4>a year before were in Philadelphia. And I don't remember

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<v Speaker 4>the exact lining of the earth whatever, but I do

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<v Speaker 4>know that we were about to go through in nineteen

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<v Speaker 4>eighty four a major solar eclipse.

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<v Speaker 2>Oh wow.

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<v Speaker 4>And it was one of the things were like the

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<v Speaker 4>school was like handing out these these sunglasses and.

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<v Speaker 3>You must never look in the sun or else you'll

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<v Speaker 3>go blind.

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<v Speaker 4>And yes, yes, And I remember reading an interview of

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<v Speaker 4>you where you said you were so inspired by Stevie

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<v Speaker 4>Wonder that could you tell that story?

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<v Speaker 3>Please?

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<v Speaker 2>Okay, brother, that's true story. Okay, let me just go

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<v Speaker 2>back up just for a second to say that Ray Charles,

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<v Speaker 2>George Sharing or blind men knocked me out with their genius.

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<v Speaker 2>And then on the scene, my aunts, my mom's sisters,

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<v Speaker 2>they're Vickian Valor there their twins. They said, well, you know,

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<v Speaker 2>on the scene now is a little boy your age,

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<v Speaker 2>maybe a little older than you, but he plays drums

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<v Speaker 2>better than you play. And he's incredible. I said, no, no, no,

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<v Speaker 2>I don't want to buy it. And he said, oh no.

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<v Speaker 2>His little name is little Stevie Wonder you know. And

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<v Speaker 2>he plays. I said, how can you he's blind, how

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<v Speaker 2>can you even see the drums? Well he does, Okay, okay, okay.

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<v Speaker 2>But not long after came out a song that was

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<v Speaker 2>a live version of Fingertips, and Fingertips were smoking and

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<v Speaker 2>I mean smoking, like smoking smoking. And I was lucky

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<v Speaker 2>enough to go to Chicago, my dad comes from Chicago,

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<v Speaker 2>and go to the Regal Theater and see him play.

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<v Speaker 2>And when they walked him out, it was like an alien.

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<v Speaker 2>He walked like an alien, slowly, kind of back and forth,

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<v Speaker 2>like you know, like I've never seen anything walk like

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<v Speaker 2>like you walked. But now in the audience it's packed

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<v Speaker 2>with screaming girls, like beatles, screaming, you know. And when

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<v Speaker 2>he gets the microphone, he's just in control and his

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<v Speaker 2>voice is high like a little boy, but just every

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<v Speaker 2>little note just so perfect, just so perfect, and the

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<v Speaker 2>band just rocking and on the harmonica perfect, and I

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<v Speaker 2>just was like is true. He is better than me.

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<v Speaker 2>He's got everyone in his pond of hand. He's challenging God.

0:13:05.400 --> 0:13:07.480
<v Speaker 2>And that was the summer of the eclips you're talking

0:13:07.480 --> 0:13:11.800
<v Speaker 2>about Signed in Chicago. I decide, Okay, if I'm blind,

0:13:11.920 --> 0:13:13.840
<v Speaker 2>I can maybe be as good as these guys are

0:13:13.880 --> 0:13:17.520
<v Speaker 2>are my hero. So I wasn't stare at the sun

0:13:17.640 --> 0:13:19.880
<v Speaker 2>make myself blind. But the Good Lord said no, no, no,

0:13:19.880 --> 0:13:21.440
<v Speaker 2>you keep your sight. But I did try to make

0:13:21.480 --> 0:13:22.000
<v Speaker 2>myself blind.

0:13:22.080 --> 0:13:27.400
<v Speaker 3>Yeah. Oh, I read that story and I guess we had.

0:13:27.600 --> 0:13:30.200
<v Speaker 4>You know, the next cycle of that was sometime in

0:13:30.280 --> 0:13:36.120
<v Speaker 4>nineteen eighty four, and you know again this and also

0:13:36.280 --> 0:13:37.920
<v Speaker 4>you know, there's a thing like when you're a kid

0:13:38.040 --> 0:13:42.240
<v Speaker 4>an adult tells you no, you're just instantly like, even

0:13:42.280 --> 0:13:44.560
<v Speaker 4>if it's to your own detriment. And there was one

0:13:44.600 --> 0:13:49.920
<v Speaker 4>point where I was like, yeah, Nardi Michael's right, like

0:13:50.720 --> 0:13:53.440
<v Speaker 4>if I'm blind, like Stevie Wonder, I too can have gifts.

0:13:53.480 --> 0:13:56.920
<v Speaker 4>And I was actually thinking, let me go outside and

0:13:57.080 --> 0:14:07.160
<v Speaker 4>just stick. Do you remember your very first musical memory?

0:14:08.400 --> 0:14:10.280
<v Speaker 2>When I was really little, my dad bought a record

0:14:10.280 --> 0:14:12.280
<v Speaker 2>home called Froggy went a court and he did lie

0:14:13.000 --> 0:14:16.880
<v Speaker 2>Froggy went according he did you know I was a

0:14:16.880 --> 0:14:19.120
<v Speaker 2>little kid, kid, kid, kid kid. I remember that kind

0:14:19.160 --> 0:14:21.600
<v Speaker 2>of thing. I also remember, very very young, I was

0:14:21.640 --> 0:14:24.800
<v Speaker 2>so blessed by Santa with a toy toy Land drum

0:14:24.840 --> 0:14:29.040
<v Speaker 2>set for Christmas. That blew my mind. These little drums

0:14:29.040 --> 0:14:31.720
<v Speaker 2>with the paper heads. So you play them, but the

0:14:31.760 --> 0:14:33.600
<v Speaker 2>head's been last very long because it's bit of paper.

0:14:34.360 --> 0:14:36.480
<v Speaker 2>But I get orgasmic beating these damn things. And I

0:14:36.600 --> 0:14:39.880
<v Speaker 2>see the happiness of my parents, my grandparents, and I

0:14:39.880 --> 0:14:42.960
<v Speaker 2>got so happy. That's bigger when I knew that's it,

0:14:43.120 --> 0:14:45.800
<v Speaker 2>that's a little little kid. I guess just after that

0:14:45.840 --> 0:14:50.080
<v Speaker 2>would be like then making pillows and getting a pie

0:14:50.080 --> 0:14:52.960
<v Speaker 2>ten and playing along with Na Simone live a town hall,

0:14:53.440 --> 0:14:56.080
<v Speaker 2>you know, Summertime and that album, the live album of

0:14:56.080 --> 0:14:59.280
<v Speaker 2>hers playing along with that, and then that became like

0:14:59.360 --> 0:15:01.480
<v Speaker 2>kind of going on like that, you know, Ama Jamal

0:15:01.880 --> 0:15:04.560
<v Speaker 2>and those those those type of records, playing along with them.

0:15:04.760 --> 0:15:08.000
<v Speaker 2>But yeah, it's just always there, that record, the young,

0:15:08.160 --> 0:15:12.920
<v Speaker 2>the young vibe, catching the spirit of the music. So important.

0:15:13.560 --> 0:15:16.880
<v Speaker 3>High tins were your symbols. Yeah A ten ten A

0:15:18.080 --> 0:15:19.560
<v Speaker 3>we are the same person?

0:15:19.880 --> 0:15:25.160
<v Speaker 2>Yeah yeah, yeah, that's crazy. Yeah, that's right.

0:15:25.440 --> 0:15:27.400
<v Speaker 5>So what is the significant of a pie tin symbol?

0:15:27.440 --> 0:15:28.920
<v Speaker 5>What what what will we hear that on?

0:15:29.640 --> 0:15:31.680
<v Speaker 2>Well, you know, it just makes a high, high tending

0:15:31.800 --> 0:15:34.120
<v Speaker 2>tink tink, you know it kind of if you don't

0:15:34.120 --> 0:15:37.200
<v Speaker 2>have a symbol, at least it can make high kind

0:15:37.240 --> 0:15:39.800
<v Speaker 2>of a sound like a symbol, so you know. H

0:15:39.960 --> 0:15:42.440
<v Speaker 2>And a pillow, like a flat pillow can be like

0:15:42.440 --> 0:15:43.800
<v Speaker 2>a bass drum or whatever you want it to be.

0:15:44.600 --> 0:15:47.520
<v Speaker 4>I was set up chairs, Yeah, that's it. I was

0:15:47.560 --> 0:15:50.320
<v Speaker 4>set up chairs, as my drum said. And then either

0:15:50.440 --> 0:15:53.200
<v Speaker 4>the lamp, lamp shade or a pie ten.

0:15:53.280 --> 0:15:56.440
<v Speaker 3>Was always my damn. I thought I was the only person.

0:15:56.240 --> 0:16:00.640
<v Speaker 2>That thought about no, no, man. I bet Steven want

0:16:01.080 --> 0:16:01.360
<v Speaker 2>it too.

0:16:02.280 --> 0:16:04.040
<v Speaker 3>That is crazy.

0:16:04.080 --> 0:16:07.960
<v Speaker 4>Recently I went back to my old neighborhood and I

0:16:08.000 --> 0:16:10.960
<v Speaker 4>saw there's a lady that you know, still living and

0:16:11.000 --> 0:16:13.840
<v Speaker 4>down the block, and she was telling like people's stories

0:16:13.920 --> 0:16:15.880
<v Speaker 4>off like, eh, he used to always wail in the drums.

0:16:15.880 --> 0:16:19.680
<v Speaker 4>I used to hear him five six houses away. So

0:16:19.840 --> 0:16:24.040
<v Speaker 4>your parents lived in a household in which they encouraged

0:16:24.040 --> 0:16:26.000
<v Speaker 4>you to make noise and all these things, and.

0:16:26.160 --> 0:16:27.920
<v Speaker 2>Yeah, yeah, I got to say my dad was like

0:16:28.000 --> 0:16:29.920
<v Speaker 2>eighteen when he had me. My mom was nineteen when

0:16:29.920 --> 0:16:32.240
<v Speaker 2>they had me, and my dad wanted to be a drummer,

0:16:32.520 --> 0:16:34.800
<v Speaker 2>and he would carry his best friend's drums around in

0:16:34.880 --> 0:16:37.320
<v Speaker 2>a cant named Bill Dowdy from the Three Sounds. So

0:16:37.400 --> 0:16:39.480
<v Speaker 2>he wasn't a drummer, but he loved it. So that

0:16:39.640 --> 0:16:41.680
<v Speaker 2>was a big yes, you know, build out it from

0:16:41.680 --> 0:16:44.600
<v Speaker 2>Three Sounds. Yes, well that was my dad's friend, and

0:16:44.800 --> 0:16:46.960
<v Speaker 2>that's another record I was raised up playing along with

0:16:47.040 --> 0:16:49.360
<v Speaker 2>him and my dad. Quite frankly, the only time he

0:16:49.400 --> 0:16:51.240
<v Speaker 2>really kind of gave me the kudos like ild I

0:16:51.280 --> 0:16:54.000
<v Speaker 2>could play was when I could play a note for

0:16:54.040 --> 0:16:56.640
<v Speaker 2>note that record he bought. That was when he knew, oh, well,

0:16:57.280 --> 0:16:59.560
<v Speaker 2>I guess you can play. But it wasn't until that.

0:17:00.440 --> 0:17:00.720
<v Speaker 3>Wow.

0:17:01.200 --> 0:17:03.760
<v Speaker 2>Yeah, I'm letting you know that. The whole Billdouti thing

0:17:03.760 --> 0:17:06.439
<v Speaker 2>in our family was a big to do and and

0:17:07.119 --> 0:17:10.119
<v Speaker 2>I was I could make noise. So you're right, the

0:17:10.200 --> 0:17:15.240
<v Speaker 2>parents loving you, loving what the sound? It's important.

0:17:15.840 --> 0:17:17.720
<v Speaker 3>How old were you when you first started drumming?

0:17:19.359 --> 0:17:21.560
<v Speaker 2>A little kid? Five, six, seven years old? But I

0:17:21.600 --> 0:17:24.240
<v Speaker 2>didn't take stare droom lessons until like ten years old.

0:17:24.400 --> 0:17:28.760
<v Speaker 2>You know, rudiment, five stroke, role paradiddles, you know like that,

0:17:28.840 --> 0:17:30.440
<v Speaker 2>and then oh, your left hand is not as fast

0:17:30.440 --> 0:17:32.080
<v Speaker 2>as your right hand. You gotta work right your left hand,

0:17:32.160 --> 0:17:35.760
<v Speaker 2>all that kind of behavior. But then I'm really blessed.

0:17:35.920 --> 0:17:40.680
<v Speaker 2>Maybe you're around the age of eleven twelve. There was

0:17:40.680 --> 0:17:43.040
<v Speaker 2>a drummer on the north side of Kalamazoo, not apart

0:17:43.040 --> 0:17:47.200
<v Speaker 2>from my grandparents house named Harold Mason. And Harold was

0:17:47.240 --> 0:17:52.520
<v Speaker 2>a black cat who knew independency. And he had a

0:17:52.560 --> 0:17:56.240
<v Speaker 2>Blue Book of Independency by Jim Chapin. So that book

0:17:56.359 --> 0:17:59.440
<v Speaker 2>you play right hand written Jane Jane K Jean Chane

0:17:59.520 --> 0:18:03.040
<v Speaker 2>K Jean Jechang like that, but then against it on

0:18:03.080 --> 0:18:06.320
<v Speaker 2>the left hand. The pattern keeps changing, so you have

0:18:06.320 --> 0:18:08.359
<v Speaker 2>to kind of, you know, keep reading the changing and

0:18:08.480 --> 0:18:10.440
<v Speaker 2>like learning your mind how to break it up. Then

0:18:10.440 --> 0:18:12.680
<v Speaker 2>you bring your feet into it, your bass drum, your

0:18:12.760 --> 0:18:15.399
<v Speaker 2>high hat. But then he'd be so advanced. He would say, well,

0:18:15.480 --> 0:18:17.560
<v Speaker 2>you know the jazz cats in New York, now you

0:18:17.560 --> 0:18:19.080
<v Speaker 2>know what they're doing. They aren't just playing two and

0:18:19.080 --> 0:18:22.280
<v Speaker 2>four in the hide anymore. They're playing with the high hand,

0:18:23.280 --> 0:18:24.720
<v Speaker 2>you know, whatever they want to do on the on

0:18:24.760 --> 0:18:27.000
<v Speaker 2>the on the left foot. I thought that that would

0:18:27.040 --> 0:18:28.280
<v Speaker 2>be too much. I don't want to get into all that.

0:18:28.280 --> 0:18:30.160
<v Speaker 2>I was happy just playing to do on the high

0:18:30.160 --> 0:18:33.639
<v Speaker 2>hat with my foot. But he was that advanced breaking

0:18:33.680 --> 0:18:37.080
<v Speaker 2>the mind up for independency, which really, to this day

0:18:37.640 --> 0:18:39.359
<v Speaker 2>helped me. A lot of people don't understand its like

0:18:39.480 --> 0:18:41.639
<v Speaker 2>learning to ride a bike. You can do it, then

0:18:41.680 --> 0:18:44.320
<v Speaker 2>you can play all kind of crazy stuff. So it

0:18:44.359 --> 0:18:46.480
<v Speaker 2>happened early in my life that I got with peril Maze.

0:18:46.480 --> 0:18:48.520
<v Speaker 2>And then guess what happened. Harold went on to play

0:18:48.560 --> 0:18:51.520
<v Speaker 2>the drumps for Stevie. Wonder. Now Stevie's a little older now,

0:18:51.680 --> 0:18:54.080
<v Speaker 2>you know, signed to deliver. Those records are out and

0:18:54.119 --> 0:18:57.359
<v Speaker 2>they came through Calumu Zoo a place called Western Michigan

0:18:57.440 --> 0:19:00.360
<v Speaker 2>University of the College, and the place is to see

0:19:00.359 --> 0:19:02.520
<v Speaker 2>Stevie won. He's a big star. So here's my teacher,

0:19:02.600 --> 0:19:04.840
<v Speaker 2>Harold Maston, drums and the thing that caught the fire

0:19:04.920 --> 0:19:08.520
<v Speaker 2>is this, and you'll appreciate you You're you're bad. Harold

0:19:08.520 --> 0:19:12.000
<v Speaker 2>starts playing this groove, goes on the bell like one, two,

0:19:12.359 --> 0:19:16.040
<v Speaker 2>the four dean t kitting dan thing, but bean to

0:19:16.119 --> 0:19:23.440
<v Speaker 2>kitting thing thing, pan, kting thing thing, ticketing thing pan

0:19:24.080 --> 0:19:27.080
<v Speaker 2>like that, and Steve's catching fire with us. Stevene runs

0:19:27.160 --> 0:19:31.080
<v Speaker 2>over the blind stuff pushes us get off the drums.

0:19:31.240 --> 0:19:34.360
<v Speaker 2>Harold gets on the drums and starts playing the same

0:19:34.400 --> 0:19:35.520
<v Speaker 2>thing stronger.

0:19:35.400 --> 0:19:36.520
<v Speaker 3>Dean Ti Kadan.

0:19:38.000 --> 0:19:43.320
<v Speaker 2>King. I was like, damn. Then Stephen gets crazy. He

0:19:43.400 --> 0:19:45.480
<v Speaker 2>stands up on the stool and the police goes ah.

0:19:46.440 --> 0:19:48.720
<v Speaker 2>He falls off the stool on the floor, gets back

0:19:48.760 --> 0:19:52.240
<v Speaker 2>up up again, falls on the floor and starts playing

0:19:52.240 --> 0:19:57.280
<v Speaker 2>this groove. I'm like, these people are nuts. They're nuts,

0:19:57.359 --> 0:20:00.959
<v Speaker 2>But it showed me that the level craziness you can

0:20:01.040 --> 0:20:02.280
<v Speaker 2>go to and it's okay.

0:20:02.920 --> 0:20:05.520
<v Speaker 3>You're one of the rare artists that I mean.

0:20:05.560 --> 0:20:07.840
<v Speaker 4>We've had a few artists on the show that I

0:20:07.960 --> 0:20:11.119
<v Speaker 4>have recollections of seeing one concert or two concerts or whatever.

0:20:11.200 --> 0:20:13.960
<v Speaker 4>But a m I have believed that even since childhood,

0:20:14.000 --> 0:20:17.959
<v Speaker 4>you were just regularly seeing shows of musicians.

0:20:18.480 --> 0:20:20.520
<v Speaker 2>In Kalamus and Michigan. We're in the country, so it's

0:20:20.560 --> 0:20:22.800
<v Speaker 2>not like I'm in the city. So no, I wouldn't

0:20:22.800 --> 0:20:24.439
<v Speaker 2>say like I'm like a New York where Ucats were

0:20:24.480 --> 0:20:27.560
<v Speaker 2>or Philadelphia. No, we're country cats. We're country mice. But

0:20:27.880 --> 0:20:29.640
<v Speaker 2>our ears are big because we're hearing all the music

0:20:29.640 --> 0:20:31.840
<v Speaker 2>out of Detroit, We're hearing all the music out of Chicago.

0:20:32.160 --> 0:20:35.360
<v Speaker 2>You know, five stairsteps Curtis Mayfield. We're hearing everything. We're

0:20:35.359 --> 0:20:37.720
<v Speaker 2>hearing everything. We're hearing them the brand new motown, you know,

0:20:37.800 --> 0:20:41.400
<v Speaker 2>shop around Miracles, We're hearing all the new stuff. You know, baby,

0:20:41.440 --> 0:20:43.159
<v Speaker 2>I need you to love them before you don't even hears it.

0:20:43.400 --> 0:20:46.159
<v Speaker 2>It's there at our parties. So that's what it was.

0:20:46.160 --> 0:20:48.720
<v Speaker 2>It was just hearing the radio. And then I gotta

0:20:48.760 --> 0:20:52.600
<v Speaker 2>say pop music like Patty Page, Old Cape Cod, Johnny Mathis's.

0:20:52.640 --> 0:20:57.320
<v Speaker 2>Chances are all that music is just as huge in Michigan.

0:20:58.000 --> 0:21:02.479
<v Speaker 2>So you love Prince. That's why Prince is so bad ass,

0:21:02.520 --> 0:21:04.720
<v Speaker 2>because Prince not only got the funks, but but he

0:21:04.800 --> 0:21:07.480
<v Speaker 2>got all the white pop stuff just as wrong. That's

0:21:07.480 --> 0:21:10.600
<v Speaker 2>what it is back there, miss Minnesota, Michigan. Right, It's

0:21:10.640 --> 0:21:12.639
<v Speaker 2>like a big old gumbo.

0:21:13.760 --> 0:21:15.840
<v Speaker 3>I see. Were you a big record collector as a kid.

0:21:16.000 --> 0:21:18.040
<v Speaker 2>Yeah, I love the records. I love the records, and

0:21:18.080 --> 0:21:21.040
<v Speaker 2>I loved also like playing that song by the who

0:21:21.119 --> 0:21:22.639
<v Speaker 2>I Can See for miles and miles of miles in

0:21:22.640 --> 0:21:25.120
<v Speaker 2>my basement. That was that caught my attention. I didn't

0:21:25.119 --> 0:21:26.800
<v Speaker 2>even know who Keith Muon or anything that was. I

0:21:26.880 --> 0:21:31.800
<v Speaker 2>just like the I can see I Can see you

0:21:31.840 --> 0:21:32.720
<v Speaker 2>know that left power.

0:21:32.800 --> 0:21:38.600
<v Speaker 3>Yeah, who was your idol? Drumming? Wise? Uh wait, do

0:21:38.640 --> 0:21:40.760
<v Speaker 3>you play any other instruments besides drums?

0:21:40.960 --> 0:21:43.520
<v Speaker 2>I just played keyboard piano to write my songs. You know,

0:21:45.160 --> 0:21:45.919
<v Speaker 2>keyboards to.

0:21:46.000 --> 0:21:48.000
<v Speaker 3>Right, So drumming is still your first left?

0:21:48.080 --> 0:21:48.600
<v Speaker 2>Yeah? Yeah?

0:21:49.200 --> 0:21:50.520
<v Speaker 3>Who were your idols?

0:21:50.600 --> 0:21:50.679
<v Speaker 2>Like?

0:21:51.640 --> 0:21:54.479
<v Speaker 4>Once you develop your style, like, who's the person that

0:21:55.240 --> 0:21:55.920
<v Speaker 4>I'm that person?

0:21:55.960 --> 0:21:56.840
<v Speaker 3>Who's your north star?

0:21:59.840 --> 0:22:02.600
<v Speaker 2>I learned from everybody. Harold taught me so much, Harold Mason,

0:22:02.640 --> 0:22:05.119
<v Speaker 2>Stevie that that thing I just told you about. I

0:22:05.240 --> 0:22:07.920
<v Speaker 2>was blown out by the charisma ringo star. I gotta

0:22:07.920 --> 0:22:10.400
<v Speaker 2>tell you. On the Ed Sullivan Show, to see him

0:22:10.400 --> 0:22:13.320
<v Speaker 2>flirt with the chicks in the upper balcony as he

0:22:13.400 --> 0:22:19.280
<v Speaker 2>was playing the open slushy high hands smiling at the

0:22:19.320 --> 0:22:24.800
<v Speaker 2>chicks above. I thought that was badass. See the chrism

0:22:24.880 --> 0:22:27.639
<v Speaker 2>aspect got me more than the chops, just the swinging

0:22:27.760 --> 0:22:35.320
<v Speaker 2>and the smiling. Wow man, Okay. Then Mitch Mitchell with

0:22:35.440 --> 0:22:38.480
<v Speaker 2>Hendricks was mean. It was mean, so I had to

0:22:38.480 --> 0:22:39.200
<v Speaker 2>give him a lot of love.

0:22:40.040 --> 0:22:40.440
<v Speaker 3>All right.

0:22:40.480 --> 0:22:44.679
<v Speaker 4>So I've talked to many an artist and of a

0:22:44.680 --> 0:22:47.480
<v Speaker 4>certain age, of a certain age for a lot of them.

0:22:47.640 --> 0:22:52.480
<v Speaker 3>There north star was the Beatles on Sullivan the same

0:22:52.480 --> 0:22:54.120
<v Speaker 3>way like twenty years later.

0:22:54.160 --> 0:22:57.320
<v Speaker 4>Of course, like Motown twenty five was another north Star

0:22:57.400 --> 0:22:59.840
<v Speaker 4>moment for people that watched the Moon.

0:23:00.440 --> 0:23:02.399
<v Speaker 3>But I'm more fascinated when black.

0:23:02.160 --> 0:23:08.440
<v Speaker 4>People speak of the Beatles on Sullivan, like, could you

0:23:08.480 --> 0:23:13.280
<v Speaker 4>explain what the fascination was? Because was it just that

0:23:13.359 --> 0:23:15.720
<v Speaker 4>there was nothing else? Like what made black people even

0:23:15.760 --> 0:23:16.679
<v Speaker 4>open to that moment?

0:23:17.680 --> 0:23:21.320
<v Speaker 2>Well, okay, I knew the Beatles were coming because I

0:23:21.359 --> 0:23:24.320
<v Speaker 2>saw their album cover in downtown Kallumazoo and Paul McCartney

0:23:24.359 --> 0:23:26.159
<v Speaker 2>had a cigarette on the cover and that was unusual,

0:23:26.280 --> 0:23:28.000
<v Speaker 2>just to see a cat having a cigarette bowl on

0:23:28.040 --> 0:23:30.600
<v Speaker 2>the cover. Just small things like that. There's a Catholic

0:23:30.640 --> 0:23:34.200
<v Speaker 2>school and so the girls were already certain rumble about

0:23:34.240 --> 0:23:36.399
<v Speaker 2>the Beatles. It was already catch them fire, and that

0:23:36.480 --> 0:23:38.720
<v Speaker 2>was unusual because no one ever talked about music. So

0:23:38.800 --> 0:23:41.240
<v Speaker 2>here they are rumbling about the Beatles. It's like, really,

0:23:41.280 --> 0:23:44.119
<v Speaker 2>you guys are into this. So when it hit and

0:23:44.160 --> 0:23:46.400
<v Speaker 2>the best thing was this man, not just that show,

0:23:46.440 --> 0:23:49.760
<v Speaker 2>but check this out. It'd be John Lennon saying, well,

0:23:51.080 --> 0:23:54.920
<v Speaker 2>our favorite female vocalist is Mary Wells. It's like, damn

0:23:54.920 --> 0:23:57.639
<v Speaker 2>Mary well That's that's Detroit, That's where I live. But

0:23:57.680 --> 0:23:59.440
<v Speaker 2>little white girls a little better at the school. They

0:23:59.440 --> 0:24:02.239
<v Speaker 2>who's Mary. It's like, damn, that's Mary Wells. They don't die.

0:24:02.240 --> 0:24:04.520
<v Speaker 2>I don't know Mary Wells, they would say, and then

0:24:04.720 --> 0:24:07.040
<v Speaker 2>ring John would say, well, also, our favorite male singer

0:24:07.080 --> 0:24:10.159
<v Speaker 2>is a little Richard, Little Richard, little Richard that was

0:24:10.200 --> 0:24:12.760
<v Speaker 2>on a seven year you know, long tall sally all

0:24:12.800 --> 0:24:15.480
<v Speaker 2>those records. So but they have no idea who they were.

0:24:15.600 --> 0:24:18.880
<v Speaker 2>So the Beatles really educated all these people who I knew,

0:24:19.080 --> 0:24:22.080
<v Speaker 2>the little white kids whatever to what was really going down.

0:24:22.560 --> 0:24:24.520
<v Speaker 2>So I do and I liked that. I liked that

0:24:24.560 --> 0:24:26.360
<v Speaker 2>that's caught. That caught us because they're not the're talking

0:24:26.359 --> 0:24:28.920
<v Speaker 2>about black people and given a shine which we never had.

0:24:30.400 --> 0:24:32.080
<v Speaker 2>You know what I'm saying. That was a big to do.

0:24:32.600 --> 0:24:35.200
<v Speaker 2>And I'm telling you, man, this whole beatle Mania thing

0:24:35.480 --> 0:24:37.679
<v Speaker 2>was real. So you're born with seventy one? What do

0:24:37.720 --> 0:24:38.959
<v Speaker 2>what do you born right?

0:24:39.040 --> 0:24:39.560
<v Speaker 3>Seventy one?

0:24:39.800 --> 0:24:42.440
<v Speaker 2>Yeah? Okay, so this is like sixty three, sixty four.

0:24:43.280 --> 0:24:45.480
<v Speaker 2>It was on fire. We never experienced like it. Just

0:24:45.520 --> 0:24:48.000
<v Speaker 2>even the plane, the plane landing, looking at them coming

0:24:48.000 --> 0:24:51.960
<v Speaker 2>off the plane, people going hysterical, so just it just

0:24:52.000 --> 0:24:55.119
<v Speaker 2>you go wow, wow. The music was good, but it

0:24:55.160 --> 0:24:57.639
<v Speaker 2>was all the frenzy around it me like incredible, damn.

0:24:58.000 --> 0:24:59.879
<v Speaker 2>But then when they started loving black people, I was like,

0:25:00.240 --> 0:25:02.200
<v Speaker 2>I like these kids, you know what I was talking

0:25:02.200 --> 0:25:03.600
<v Speaker 2>to talk about, talk about litle Richard, you know what

0:25:03.640 --> 0:25:06.120
<v Speaker 2>I was talking about by your married Wells. So that's

0:25:06.119 --> 0:25:07.840
<v Speaker 2>what it was, man, the catching of all these things

0:25:07.880 --> 0:25:09.080
<v Speaker 2>that were like cool.

0:25:09.359 --> 0:25:11.400
<v Speaker 3>Got it got yeah? All right?

0:25:11.480 --> 0:25:14.800
<v Speaker 4>So how far is Detroit from Kalamazoo? And at any

0:25:14.840 --> 0:25:17.399
<v Speaker 4>point did you make a move to Detroit? Like was

0:25:17.440 --> 0:25:20.600
<v Speaker 4>Motown calling you or that sort of thing?

0:25:21.280 --> 0:25:22.600
<v Speaker 2>I would love. I would love to have gone to

0:25:22.760 --> 0:25:25.440
<v Speaker 2>to Motown. I've gone. We would drive to Detroit to

0:25:25.440 --> 0:25:28.000
<v Speaker 2>go visit a family friend or whatever and just go

0:25:28.080 --> 0:25:30.439
<v Speaker 2>by the street. But you know, you could never go

0:25:30.480 --> 0:25:32.760
<v Speaker 2>in there. It was like a sacred territory. You know,

0:25:32.760 --> 0:25:34.800
<v Speaker 2>you could never go in there. But just to go

0:25:34.840 --> 0:25:36.320
<v Speaker 2>buy it, just drive by it would be like a

0:25:36.320 --> 0:25:39.399
<v Speaker 2>big deal. So I don't have any stories of like,

0:25:39.400 --> 0:25:41.560
<v Speaker 2>you know, going inside there or anything. But we all

0:25:41.640 --> 0:25:45.920
<v Speaker 2>were just like religion. The chord changes and the way

0:25:45.920 --> 0:25:48.200
<v Speaker 2>they put it together with the sounds and the great singers.

0:25:48.240 --> 0:25:49.240
<v Speaker 2>It was just a religion, man.

0:25:49.840 --> 0:25:50.080
<v Speaker 3>Damn.

0:25:50.480 --> 0:25:55.080
<v Speaker 4>Yeah, what was your what was your band? Experience like

0:25:55.160 --> 0:25:57.760
<v Speaker 4>in your teen years, like were you forming bands in high.

0:25:57.600 --> 0:26:00.960
<v Speaker 2>School or yes, yeah, my first band was I was

0:26:00.960 --> 0:26:05.120
<v Speaker 2>eleven and he'd be ten. He played Hammond B three

0:26:06.400 --> 0:26:08.760
<v Speaker 2>and his name is Joel Brooks and he was brilliant,

0:26:08.840 --> 0:26:11.480
<v Speaker 2>like Jimmy Smith, a young kid, Jimmy Smith. So it

0:26:11.640 --> 0:26:14.160
<v Speaker 2>just drums me and him on organ. And his uncle

0:26:14.200 --> 0:26:18.359
<v Speaker 2>owned a little nightclub called the Ambassador Lounge on the

0:26:18.359 --> 0:26:20.199
<v Speaker 2>north side of Caladizoo, the Black side of calnal Zoo.

0:26:21.160 --> 0:26:23.719
<v Speaker 2>So he can go on in the Ambassador Lounge and

0:26:23.760 --> 0:26:26.639
<v Speaker 2>be the opening at because his uncle owned the place

0:26:26.960 --> 0:26:30.200
<v Speaker 2>before Jim mcgrifford, whoever's coming through town is gonna play

0:26:30.600 --> 0:26:33.440
<v Speaker 2>what it was, Yes, So it was like first hand

0:26:33.480 --> 0:26:36.880
<v Speaker 2>experienced playing Jane Jane or where we were gonna play

0:26:37.119 --> 0:26:41.240
<v Speaker 2>before they came on. And you know that was just

0:26:41.359 --> 0:26:43.520
<v Speaker 2>mind blowing because I must tell you also a part

0:26:43.520 --> 0:26:45.639
<v Speaker 2>of what I love there is a record by Kennat

0:26:45.720 --> 0:26:49.639
<v Speaker 2>Jimmy Smith called The Sermon Is twenty two minutes long.

0:26:49.960 --> 0:26:52.879
<v Speaker 2>Were what it did to my brain is e equals

0:26:52.920 --> 0:26:57.000
<v Speaker 2>empty square. Art Blakey played a batbeat two and four

0:26:57.560 --> 0:27:00.880
<v Speaker 2>the whole record, because you know those cat jazz guys

0:27:00.880 --> 0:27:12.720
<v Speaker 2>are busy, No, but dude, it just rocks like a

0:27:12.720 --> 0:27:17.320
<v Speaker 2>blues record. I realized the power of that, and that

0:27:17.480 --> 0:27:19.880
<v Speaker 2>really helped me a lot. That you could just put

0:27:20.040 --> 0:27:24.040
<v Speaker 2>down and it's and people love it even more so. Man,

0:27:24.600 --> 0:27:26.800
<v Speaker 2>those experience when I was eleven with the Ambassadors, that

0:27:26.920 --> 0:27:29.600
<v Speaker 2>helped me that band. And then we bring a little

0:27:29.600 --> 0:27:32.240
<v Speaker 2>horn player into it. You know, Captain was studying at

0:27:32.240 --> 0:27:34.040
<v Speaker 2>the at the university on trumpet Pierre, or a Sacic

0:27:34.080 --> 0:27:36.600
<v Speaker 2>player or a vise player, Carl. You know, I gonna

0:27:36.600 --> 0:27:38.720
<v Speaker 2>expand the sound. So I had great experience playing the

0:27:38.800 --> 0:27:42.480
<v Speaker 2>young like that, and then uh, I would do that.

0:27:42.560 --> 0:27:44.720
<v Speaker 2>Then the rock thing of my own bands. And then

0:27:44.720 --> 0:27:46.000
<v Speaker 2>as I got a little I left home when I

0:27:46.000 --> 0:27:48.480
<v Speaker 2>was about sixteen years old, right, and I had now

0:27:48.520 --> 0:27:51.800
<v Speaker 2>go to keyboards. I played Fender bass Oregon and we

0:27:51.880 --> 0:27:53.840
<v Speaker 2>do like what does It Take by Junior Walker all Stars,

0:27:53.840 --> 0:27:56.720
<v Speaker 2>those type of songs. But I'm playing keyboards now. So

0:27:56.800 --> 0:27:58.360
<v Speaker 2>and then that band was called Distance in the Far.

0:27:58.560 --> 0:28:00.399
<v Speaker 2>Then I had another band I played bass that's called

0:28:00.440 --> 0:28:02.640
<v Speaker 2>the Mother Thump with the Flunkies. Now we're doing Expressway

0:28:02.680 --> 0:28:06.320
<v Speaker 2>to Your Heart and Grand Funk Railroad. You know, are

0:28:06.359 --> 0:28:10.440
<v Speaker 2>you ready all that music. Yeah. So, and then before

0:28:10.480 --> 0:28:12.840
<v Speaker 2>I left Kalamazoo, I joined a horn band, kind of

0:28:12.880 --> 0:28:15.679
<v Speaker 2>a Chicago horn band, but very progressive called Avatar and

0:28:15.720 --> 0:28:18.040
<v Speaker 2>they were really, really, like, probably the most progressive band

0:28:18.040 --> 0:28:20.320
<v Speaker 2>I've been with. And then my friend who played trouble

0:28:20.359 --> 0:28:23.240
<v Speaker 2>with that band, Bobby Napp, he said, do you know

0:28:23.320 --> 0:28:27.879
<v Speaker 2>about this record by Cold Blood called I said no.

0:28:28.320 --> 0:28:30.760
<v Speaker 2>He played me this cap man named Sandy McGee on

0:28:30.840 --> 0:28:33.600
<v Speaker 2>an album called Siss. And to this day, you say

0:28:33.680 --> 0:28:36.480
<v Speaker 2>north Star moment, that's still my north Star moment. Sandy

0:28:36.520 --> 0:28:37.680
<v Speaker 2>McGee on drums.

0:28:38.080 --> 0:28:43.960
<v Speaker 4>Wow, Okay, So when's the moment in which you're like, Okay,

0:28:44.280 --> 0:28:45.440
<v Speaker 4>this is my profession.

0:28:45.680 --> 0:28:47.320
<v Speaker 3>I am going to be a drummer.

0:28:48.080 --> 0:28:50.160
<v Speaker 2>Always. I didn't want to ever do anything else. I

0:28:50.200 --> 0:28:52.440
<v Speaker 2>remember one day I had joined a band called dickon

0:28:52.440 --> 0:28:54.480
<v Speaker 2>Wings so Revival that came to Calamazoo. They took me

0:28:54.600 --> 0:28:56.440
<v Speaker 2>up after I did want to be in college anymore.

0:28:56.480 --> 0:28:58.320
<v Speaker 2>I went three semesters of college. I packed my drums

0:28:58.360 --> 0:29:00.719
<v Speaker 2>in their school bus and went out to play them Flint, Michigan,

0:29:00.800 --> 0:29:04.240
<v Speaker 2>these little nasty joints. But it was so important that

0:29:04.320 --> 0:29:06.320
<v Speaker 2>I did that because that I really knew how to

0:29:06.360 --> 0:29:10.440
<v Speaker 2>connect with the people people people, the people people people,

0:29:10.920 --> 0:29:13.000
<v Speaker 2>and that was that same and my dad. I come

0:29:13.040 --> 0:29:14.600
<v Speaker 2>back to Calendars to go play some more clubs, and

0:29:14.600 --> 0:29:16.440
<v Speaker 2>my dad would saying, why didn't you just become a policeman,

0:29:16.480 --> 0:29:17.840
<v Speaker 2>you know, because this whole road thing for you, I

0:29:17.880 --> 0:29:19.600
<v Speaker 2>don't know if you should be doing that. But now

0:29:20.040 --> 0:29:22.120
<v Speaker 2>now I was always a drummer. Then that band decided

0:29:22.120 --> 0:29:23.640
<v Speaker 2>to go out to California. Now here we are going

0:29:23.640 --> 0:29:26.040
<v Speaker 2>out to California. I came out to California, you know,

0:29:26.080 --> 0:29:28.120
<v Speaker 2>we played shows out here and you know, in Hollywood

0:29:28.120 --> 0:29:31.120
<v Speaker 2>and all that. Then that band broke up. Then I decided, no,

0:29:31.280 --> 0:29:33.240
<v Speaker 2>I want to stay in California. And then that became hard.

0:29:33.440 --> 0:29:36.600
<v Speaker 2>Now my ship from receiving clerk downtown La, wrapping boxes

0:29:36.640 --> 0:29:39.520
<v Speaker 2>here in music, constantly just trying to get out of here,

0:29:39.600 --> 0:29:42.440
<v Speaker 2>you know, how to save myself. And I had a

0:29:42.440 --> 0:29:45.200
<v Speaker 2>few cousins, one that helped me out out in the

0:29:45.240 --> 0:29:48.160
<v Speaker 2>Englewood area and then another one out in Pasadena. He said,

0:29:48.160 --> 0:29:50.120
<v Speaker 2>come stay with me, and I did, and then it

0:29:50.200 --> 0:29:53.520
<v Speaker 2>was there I could like really shed was now the

0:29:53.560 --> 0:29:55.720
<v Speaker 2>Mobblished Workers album just came out. I had enough money

0:29:55.760 --> 0:30:00.080
<v Speaker 2>to buy that Inner Mounting Flame album that just crush

0:30:00.120 --> 0:30:03.800
<v Speaker 2>to me. I'd never heard anything like Colbum vishnu on

0:30:03.960 --> 0:30:06.960
<v Speaker 2>that effort and seven nine eleven whatever, what the hell

0:30:07.960 --> 0:30:12.600
<v Speaker 2>funk you like a fucking dog god? So that became

0:30:12.600 --> 0:30:16.080
<v Speaker 2>my shedding shed And then I also love Buddy Miles,

0:30:16.080 --> 0:30:19.440
<v Speaker 2>the live album that got that Bam S Joe text.

0:30:20.200 --> 0:30:22.240
<v Speaker 2>You know, then for spiritual moments you put on Alice

0:30:22.280 --> 0:30:26.360
<v Speaker 2>Coltrane's Universal Consciousness side too. You know, it could be

0:30:26.440 --> 0:30:29.760
<v Speaker 2>Jack Vignette, you know, just like so how kind of

0:30:29.760 --> 0:30:33.840
<v Speaker 2>got off on mixing these worlds, the Colbumn, cleanless Buddy

0:30:33.840 --> 0:30:37.520
<v Speaker 2>funk and the Jackie net symbols. I love all that

0:30:37.560 --> 0:30:39.120
<v Speaker 2>stuff that I got that I met this cat man

0:30:39.160 --> 0:30:44.520
<v Speaker 2>you might know him Eddie Hazel. I had a band

0:30:44.520 --> 0:30:48.400
<v Speaker 2>with him called Ouch Why he was so mean because

0:30:48.880 --> 0:30:52.200
<v Speaker 2>me being good that he could play the funk really fast.

0:30:52.800 --> 0:30:55.000
<v Speaker 2>That prepared me for provision you later. But he'd be like,

0:30:55.040 --> 0:31:03.040
<v Speaker 2>look at and then you pass around this joint, but

0:31:03.080 --> 0:31:06.560
<v Speaker 2>it'd be laced with PCP the angel dust. So now

0:31:06.600 --> 0:31:08.280
<v Speaker 2>you're really getting out there. But you know you're looking

0:31:08.280 --> 0:31:10.479
<v Speaker 2>at him because he's gorgeous, got his things on and

0:31:10.680 --> 0:31:14.280
<v Speaker 2>gorgeous and just playing so clean and so fast aries.

0:31:15.680 --> 0:31:17.280
<v Speaker 2>So those type of things happen for me. You know,

0:31:17.920 --> 0:31:19.480
<v Speaker 2>I've had great experiences.

0:31:19.800 --> 0:31:22.160
<v Speaker 4>I need I need to hear what Eddie Hazel was

0:31:22.200 --> 0:31:25.680
<v Speaker 4>like from a person not in the p funk atmosphere.

0:31:26.320 --> 0:31:30.760
<v Speaker 2>Just a big, big, big brain, you know, like Hendrick's

0:31:30.760 --> 0:31:33.600
<v Speaker 2>a big brain, you know, and not afraid of anything,

0:31:34.200 --> 0:31:38.240
<v Speaker 2>the rock, the tone, the funk, the black, like early prince,

0:31:38.400 --> 0:31:41.960
<v Speaker 2>like a prince could hug like he was, that could

0:31:42.000 --> 0:31:44.960
<v Speaker 2>do anything like in those worlds and not not scared

0:31:45.000 --> 0:31:49.640
<v Speaker 2>of anything. And and again this powerful, it's powerful, this

0:31:49.760 --> 0:31:51.440
<v Speaker 2>powerful thing that would go around and would be like,

0:31:51.480 --> 0:31:53.560
<v Speaker 2>oh my god, I almost can't mess with that because

0:31:53.960 --> 0:31:56.280
<v Speaker 2>I'm too I'm too sensitive, but it would just make

0:31:56.360 --> 0:32:00.200
<v Speaker 2>you feel like whoa you know. So Eddie Hayes was

0:32:00.600 --> 0:32:02.560
<v Speaker 2>an influent I didn't stayed them very long, you know,

0:32:02.560 --> 0:32:04.840
<v Speaker 2>because he was always moving, but you know, but he

0:32:04.880 --> 0:32:07.560
<v Speaker 2>made a big influence in my life. You know. You

0:32:07.560 --> 0:32:09.440
<v Speaker 2>hear Maggot brains that how he plays on that record,

0:32:09.440 --> 0:32:10.520
<v Speaker 2>It's like that's who he is.

0:32:15.560 --> 0:32:17.320
<v Speaker 4>I would look to know at what point did the

0:32:17.360 --> 0:32:22.720
<v Speaker 4>teachings of Sri Chamoy enter your life, Like was it

0:32:22.800 --> 0:32:25.040
<v Speaker 4>during this period or was it later on.

0:32:25.840 --> 0:32:28.120
<v Speaker 2>Just after this period. This is my passage in the

0:32:28.240 --> 0:32:30.560
<v Speaker 2>LA experience I'm talking about, right, you know. And then

0:32:30.600 --> 0:32:32.520
<v Speaker 2>I had to work hard to try to find work

0:32:32.560 --> 0:32:35.000
<v Speaker 2>out in LA, you know, very hard. And they even

0:32:35.040 --> 0:32:36.880
<v Speaker 2>go back in the big what's called a you know,

0:32:36.880 --> 0:32:41.160
<v Speaker 2>an orderly in the hospitals to make ends meet. But

0:32:41.200 --> 0:32:43.240
<v Speaker 2>it wasn't long after I got a phone call from Miami.

0:32:43.280 --> 0:32:46.040
<v Speaker 2>A cat and down there named Santa Toronto, guitar player

0:32:46.040 --> 0:32:48.520
<v Speaker 2>from a winter band down in Santa Morono. He found

0:32:48.560 --> 0:32:50.200
<v Speaker 2>he heard about me. He said, come down to Miami.

0:32:51.440 --> 0:32:55.400
<v Speaker 2>So he bought my first plane ticket. I'd never been

0:32:55.440 --> 0:33:01.240
<v Speaker 2>on the plane before. What it be it maybe seventy one,

0:33:01.320 --> 0:33:03.960
<v Speaker 2>seventy two, seventy one there, see, because I got to

0:33:04.000 --> 0:33:06.840
<v Speaker 2>my high school seventy so that's now the year you're born,

0:33:06.880 --> 0:33:09.680
<v Speaker 2>seventy one around that area. One that I fled in Miami,

0:33:10.080 --> 0:33:12.080
<v Speaker 2>and I like Miami, and it really opened my eyes

0:33:12.240 --> 0:33:14.760
<v Speaker 2>again because I'm at the universe. I wasn't at the university,

0:33:15.040 --> 0:33:17.200
<v Speaker 2>but at the university would be all these great cats

0:33:17.200 --> 0:33:21.200
<v Speaker 2>coming up. Pat Matheeni, you know, Danny Gotlieb hiring Bullock,

0:33:21.360 --> 0:33:23.760
<v Speaker 2>Cliff Card and Patty Scaffolo's now married to Bruce Bringsteen.

0:33:24.160 --> 0:33:26.479
<v Speaker 2>They are all these young people like that. But my

0:33:26.480 --> 0:33:29.880
<v Speaker 2>friend was one of the teachers them stand SMOLDI and

0:33:29.920 --> 0:33:32.480
<v Speaker 2>I stayed with him and he'd have books on the group.

0:33:32.640 --> 0:33:35.600
<v Speaker 2>I said, okay, I said, this is the cat who's

0:33:35.680 --> 0:33:38.560
<v Speaker 2>inspiring my vision news. Yes, so then you start reading

0:33:38.560 --> 0:33:41.760
<v Speaker 2>the books of poetry on she was treaching moy that

0:33:41.800 --> 0:33:44.560
<v Speaker 2>were inspiring my vision news. The poems of birds of fire,

0:33:44.640 --> 0:33:47.840
<v Speaker 2>you know, my flute and immortality, all these things he

0:33:47.880 --> 0:33:51.480
<v Speaker 2>was writing that were just beautiful and very God ordained.

0:33:52.280 --> 0:33:54.360
<v Speaker 2>So I had a band down there called the New

0:33:54.440 --> 0:33:59.959
<v Speaker 2>MacGuire Sisters. Now we really went full fledge rock spusion

0:34:00.920 --> 0:34:06.000
<v Speaker 2>out there, odd meters to the limit because now Mobby

0:34:06.000 --> 0:34:09.640
<v Speaker 2>Storchestra made it go there, and we'd have this big

0:34:09.680 --> 0:34:12.640
<v Speaker 2>warehouse where the sound would just be like enormous, like

0:34:12.680 --> 0:34:15.200
<v Speaker 2>I could mic my bass drum with a big SVT amplifier.

0:34:15.640 --> 0:34:17.800
<v Speaker 2>So I got used to just making this huge sound

0:34:17.920 --> 0:34:20.719
<v Speaker 2>in there. And then not long after we got all

0:34:20.719 --> 0:34:23.480
<v Speaker 2>this together, that band then moved to Connecticut, a place

0:34:23.520 --> 0:34:26.080
<v Speaker 2>called Canan, Connecticut, where up on the board of matth

0:34:26.120 --> 0:34:30.920
<v Speaker 2>Houst's in Connecticut a farm a bard where we could play.

0:34:31.040 --> 0:34:33.800
<v Speaker 2>It was an awesome sound, and then the little cabins

0:34:33.800 --> 0:34:37.400
<v Speaker 2>in a main house and so we could keep kept working.

0:34:38.080 --> 0:34:39.759
<v Speaker 2>But I was always scratching how am I gonna make it?

0:34:39.760 --> 0:34:40.880
<v Speaker 2>But how am I gonna make it? How am I

0:34:40.920 --> 0:34:43.960
<v Speaker 2>gonna make it? I was always on my soul. And

0:34:43.960 --> 0:34:49.080
<v Speaker 2>then not long after came through Hartford the Mobys Shtorkers'

0:34:49.080 --> 0:34:52.000
<v Speaker 2>second album, playing the Birds of Fire. And I had

0:34:52.000 --> 0:34:54.600
<v Speaker 2>my friend, our manager, take me down to that show

0:34:54.600 --> 0:34:56.920
<v Speaker 2>and dropped me off at the show. And what this

0:34:57.000 --> 0:35:00.480
<v Speaker 2>is really important because you asked about Guru. This was

0:35:00.480 --> 0:35:04.360
<v Speaker 2>my first time laying eyes on the real living Mobbish

0:35:04.400 --> 0:35:07.759
<v Speaker 2>new and cobblem And as I'm getting the I'm bit late,

0:35:08.040 --> 0:35:11.799
<v Speaker 2>the place is packed. There's a bright light on vish

0:35:11.920 --> 0:35:15.680
<v Speaker 2>you and it's just him on double neck guitar and

0:35:15.760 --> 0:35:19.560
<v Speaker 2>Cob going at it maybe in seventeen something so out

0:35:19.600 --> 0:35:21.920
<v Speaker 2>there you would never you can't even count it. But

0:35:21.960 --> 0:35:24.920
<v Speaker 2>they were like so intense with it. It was just nuts.

0:35:25.840 --> 0:35:27.719
<v Speaker 2>So I decided to walk right down to the edge

0:35:27.760 --> 0:35:28.960
<v Speaker 2>of the stage and look up in his eyes and

0:35:28.960 --> 0:35:32.560
<v Speaker 2>see what the hell is going on? And I did.

0:35:33.080 --> 0:35:34.960
<v Speaker 2>I looked right up in his eyes and he's he's

0:35:35.040 --> 0:35:41.240
<v Speaker 2>just the bullets just bullets just like an adimal on fire,

0:35:42.320 --> 0:35:46.200
<v Speaker 2>and his eyes are back in his head and I go, yeah,

0:35:46.360 --> 0:35:49.480
<v Speaker 2>this is real. It's too intense to be made to me,

0:35:49.520 --> 0:35:54.200
<v Speaker 2>to be like memorized. It's just flowing through him. And

0:35:54.239 --> 0:35:56.839
<v Speaker 2>it went up for so long that could have been

0:35:56.880 --> 0:36:02.000
<v Speaker 2>like tw many minutes of this. I heard John Coltrane

0:36:02.080 --> 0:36:04.200
<v Speaker 2>on record with Elvin Jones just be out there for

0:36:04.239 --> 0:36:08.560
<v Speaker 2>the longest times. I've never seen anything live in a

0:36:08.719 --> 0:36:16.520
<v Speaker 2>rock setting. Marshals five's drum set, loud clean vibes. Oh

0:36:16.560 --> 0:36:22.319
<v Speaker 2>my god, clear fives, loud clean. It could stop like

0:36:22.440 --> 0:36:32.759
<v Speaker 2>that and back at it together. Oh Holy God, this

0:36:32.840 --> 0:36:36.359
<v Speaker 2>is this is now my life. This is now gotta

0:36:36.400 --> 0:36:38.120
<v Speaker 2>be what I gotta go to because if I if

0:36:38.120 --> 0:36:40.040
<v Speaker 2>I do another direction of my life, I could die.

0:36:40.200 --> 0:36:42.160
<v Speaker 2>I don't want to die. Jimmy, who are my fruit?

0:36:42.200 --> 0:36:45.080
<v Speaker 2>My heroes? Now I knew that the vision was into God.

0:36:45.360 --> 0:36:48.799
<v Speaker 2>He'd found the meditation way because I knew about his guru.

0:36:50.120 --> 0:36:53.480
<v Speaker 2>So that night I saw a guy in white. I

0:36:53.520 --> 0:36:56.399
<v Speaker 2>knew his disciple. His name is a Pikshah. I said, please,

0:36:56.440 --> 0:36:59.319
<v Speaker 2>a paic Shaw, I really have to meet Morvish team

0:36:59.400 --> 0:37:01.279
<v Speaker 2>back to meet him, and he was so kind to

0:37:01.320 --> 0:37:04.919
<v Speaker 2>me of the whole audience something I'm nobody. He gets

0:37:04.920 --> 0:37:09.120
<v Speaker 2>me backstage and Marvish to pokes his head and said,

0:37:09.120 --> 0:37:10.160
<v Speaker 2>go in that little room and I'll meet you in

0:37:10.200 --> 0:37:13.080
<v Speaker 2>one minute. And I wait that little tiny room and

0:37:13.120 --> 0:37:16.520
<v Speaker 2>I'm scared because I've never seen anything like this. And

0:37:16.560 --> 0:37:19.279
<v Speaker 2>I can hear Cobbm and Joan Hamer you know, Hi

0:37:19.400 --> 0:37:22.880
<v Speaker 2>talk in the other room like Mcca you know, and

0:37:23.520 --> 0:37:27.399
<v Speaker 2>Jon They're all and then maister comes in and he's

0:37:27.440 --> 0:37:33.719
<v Speaker 2>like English with this black mob. Miles Davis talk, hello, brother,

0:37:33.719 --> 0:37:35.080
<v Speaker 2>how are you?

0:37:35.080 --> 0:37:35.279
<v Speaker 3>You know?

0:37:35.360 --> 0:37:37.440
<v Speaker 2>Just like what is that? But that's how he was.

0:37:38.080 --> 0:37:39.520
<v Speaker 2>And I said, well, my name is Michael Wallas and

0:37:39.560 --> 0:37:41.520
<v Speaker 2>I said I've never seen anything like you, and I

0:37:41.600 --> 0:37:46.080
<v Speaker 2>want to be like you. I played drums and he said, well,

0:37:46.320 --> 0:37:48.920
<v Speaker 2>you know what I'm doing is larg as I do

0:37:48.920 --> 0:37:51.120
<v Speaker 2>to my prayer life, my meditation life. I said, yeah,

0:37:51.160 --> 0:37:53.600
<v Speaker 2>I know, because I ran on the back of your jackets.

0:37:53.640 --> 0:37:55.680
<v Speaker 2>These the poems by your group. He said yeah. He said,

0:37:55.680 --> 0:37:57.560
<v Speaker 2>I'm gonna see my grou at six in the morning

0:37:58.280 --> 0:38:01.720
<v Speaker 2>and I'll tell I met you. And that was like damn.

0:38:02.760 --> 0:38:05.600
<v Speaker 2>Here We're on the backstage in Hartford. It's almost one

0:38:05.600 --> 0:38:08.239
<v Speaker 2>in the morning. He is going to drive all night,

0:38:08.320 --> 0:38:10.439
<v Speaker 2>go back to Queens, New York and see the grew

0:38:10.480 --> 0:38:14.240
<v Speaker 2>at six am. That's not he's not going to sleep

0:38:14.920 --> 0:38:17.680
<v Speaker 2>after just what I saw him do. Something is so

0:38:17.760 --> 0:38:20.640
<v Speaker 2>small like that just rock my world. This is too

0:38:20.719 --> 0:38:23.760
<v Speaker 2>much and you know what happened. It's just God. Because

0:38:23.840 --> 0:38:25.960
<v Speaker 2>about a week later, I'm way out in the country

0:38:25.960 --> 0:38:29.560
<v Speaker 2>of Hayman, Connecticut, in the woods at this farm I

0:38:29.600 --> 0:38:32.680
<v Speaker 2>lived in, and the throne rings and it's Mahavish New.

0:38:32.760 --> 0:38:36.160
<v Speaker 2>He says, Ah, Man, it's Marvish New. And I can't

0:38:36.200 --> 0:38:38.360
<v Speaker 2>be the tonight, but I want you to go to

0:38:38.440 --> 0:38:43.400
<v Speaker 2>the meditation in Norwalk and meet the Grew tonight. I said, okay,

0:38:44.360 --> 0:38:49.160
<v Speaker 2>So Man, I had long hair. I brushed my hair back,

0:38:50.160 --> 0:38:52.840
<v Speaker 2>you know, and I got my shaver and I shaved

0:38:52.840 --> 0:38:56.120
<v Speaker 2>my beard off because I know they have no beards.

0:38:56.760 --> 0:38:57.920
<v Speaker 2>And my mom had made me a kind of a

0:38:57.960 --> 0:39:00.759
<v Speaker 2>white dog shiki. I put that white does she k on?

0:39:01.920 --> 0:39:05.280
<v Speaker 2>And we had an old limousine that the new McGuire

0:39:05.360 --> 0:39:08.040
<v Speaker 2>sisters had and my friend Greg Felt drove me down

0:39:08.080 --> 0:39:10.600
<v Speaker 2>there and to nor Walk. And when I got there,

0:39:10.640 --> 0:39:11.880
<v Speaker 2>that was I was a little bit late too, so

0:39:11.920 --> 0:39:14.200
<v Speaker 2>guess what happened. I go inside and I leave my

0:39:14.200 --> 0:39:15.799
<v Speaker 2>eyes on the grou The area is singing and playing

0:39:15.800 --> 0:39:19.040
<v Speaker 2>the harmonium and singing, and he sees me and keep singing.

0:39:19.840 --> 0:39:21.200
<v Speaker 2>And the girls are on one side, and the boys

0:39:21.239 --> 0:39:23.040
<v Speaker 2>and the other side. They're all wearing white, and the

0:39:23.040 --> 0:39:25.680
<v Speaker 2>girls are all wearing these kind of Indian sories. So

0:39:25.719 --> 0:39:27.359
<v Speaker 2>there's one chair left on the girl's sides. I sit

0:39:27.400 --> 0:39:32.040
<v Speaker 2>down with the girls, and then this old lady named Akoutie,

0:39:32.080 --> 0:39:33.440
<v Speaker 2>she gets up front and she reads out of his

0:39:33.520 --> 0:39:36.680
<v Speaker 2>new book called The Dance of Life, Part two. And

0:39:36.719 --> 0:39:39.520
<v Speaker 2>the poems in this book were just like knives in

0:39:39.560 --> 0:39:43.880
<v Speaker 2>my heart, because you know, it was just just crying

0:39:43.880 --> 0:39:46.279
<v Speaker 2>to God. You know, Oh Lord, how many days, how

0:39:46.280 --> 0:39:50.319
<v Speaker 2>many nights, how many minutes, seconds, hours must I cry

0:39:50.360 --> 0:39:53.520
<v Speaker 2>to see your face? How long must I wait to

0:39:53.520 --> 0:39:56.839
<v Speaker 2>see you? Go on and on like that, And then

0:39:56.840 --> 0:39:59.840
<v Speaker 2>that hit me again, Maybe what you're asking for, Michael,

0:40:00.000 --> 0:40:02.520
<v Speaker 2>It was not an ard, I was, Michael. Maybe what

0:40:02.560 --> 0:40:04.680
<v Speaker 2>you're asking for you're not really ready for. That's what

0:40:04.840 --> 0:40:07.440
<v Speaker 2>hit me again. Then I met a black gentleman just

0:40:07.480 --> 0:40:11.880
<v Speaker 2>after the whole thing, named Lelehan. He's all, let's go

0:40:11.960 --> 0:40:13.960
<v Speaker 2>stare as the library you know me by guy by

0:40:14.000 --> 0:40:15.240
<v Speaker 2>a book, and then I can take you to the

0:40:15.320 --> 0:40:20.440
<v Speaker 2>to the UH to the restaurant called Love and Serve. Okay,

0:40:20.920 --> 0:40:23.279
<v Speaker 2>So I go up to the library and all these

0:40:23.280 --> 0:40:25.680
<v Speaker 2>books you have written, I have just enough moneed to

0:40:25.680 --> 0:40:27.839
<v Speaker 2>buy a book called The Dance of Life Part two

0:40:27.880 --> 0:40:29.919
<v Speaker 2>that they had read the downstairs they had read from

0:40:30.640 --> 0:40:32.239
<v Speaker 2>So I buy that one book and I said'm walking

0:40:32.239 --> 0:40:35.759
<v Speaker 2>down the stairs. Man, here is the gurul in the

0:40:35.800 --> 0:40:40.360
<v Speaker 2>living room, just standing there kind of meditating. And I

0:40:40.400 --> 0:40:43.160
<v Speaker 2>stopped and he says, so you are mobbish and his

0:40:43.280 --> 0:40:46.839
<v Speaker 2>friend I said, yes, said you would like you would

0:40:46.880 --> 0:40:49.800
<v Speaker 2>like to become my disciple. I said I think I'm ready,

0:40:50.080 --> 0:40:53.240
<v Speaker 2>And he went into a long meditation like just all moblished,

0:40:53.320 --> 0:40:57.040
<v Speaker 2>the eyes back in his head, and just this feeling

0:40:57.080 --> 0:41:00.879
<v Speaker 2>came over me as I stood before him. And then

0:41:01.080 --> 0:41:03.920
<v Speaker 2>long after he said I accept through him my heart,

0:41:04.239 --> 0:41:05.719
<v Speaker 2>and then he kind of walked away. But as he

0:41:05.760 --> 0:41:08.560
<v Speaker 2>walked away, I kind of felt like an explosion and

0:41:08.680 --> 0:41:12.960
<v Speaker 2>happening inside of me, and maybe explosion of gratitude that

0:41:13.080 --> 0:41:15.000
<v Speaker 2>now I've not met my vision you now, I mean

0:41:15.040 --> 0:41:18.279
<v Speaker 2>it's girl. His giru has just accepted me. Who am. I.

0:41:20.160 --> 0:41:22.840
<v Speaker 2>That's what happened to me. And I was so grateful

0:41:22.840 --> 0:41:27.040
<v Speaker 2>that to be to be accepted, and I knew that

0:41:27.080 --> 0:41:29.200
<v Speaker 2>would save my life because I did not want to die.

0:41:29.880 --> 0:41:32.840
<v Speaker 2>I'm the kind of cat LSD loved the experiences of

0:41:32.840 --> 0:41:34.600
<v Speaker 2>being so high. But you can have a bad experience

0:41:34.600 --> 0:41:37.920
<v Speaker 2>and be out of here or at his BSPs and

0:41:37.960 --> 0:41:40.759
<v Speaker 2>the angel dosts and those things can just get you

0:41:40.840 --> 0:41:44.000
<v Speaker 2>out of here. Man, so here, this is the God way.

0:41:44.080 --> 0:41:46.400
<v Speaker 2>You just love God. You know you pray, you meditate,

0:41:47.040 --> 0:41:49.000
<v Speaker 2>you know you you you do beautiful things that you

0:41:49.040 --> 0:41:52.160
<v Speaker 2>offer your music to God. That change the whole trick

0:41:52.239 --> 0:41:53.680
<v Speaker 2>is obtected in my life.

0:41:53.840 --> 0:41:56.359
<v Speaker 3>All right, let me ask you something because it took me.

0:41:57.680 --> 0:42:01.600
<v Speaker 3>No no, no, no no. I appreciate you sharing that because.

0:42:01.320 --> 0:42:04.120
<v Speaker 4>The thing is is that it might have taken me

0:42:04.200 --> 0:42:11.200
<v Speaker 4>about five decades to even be open to that level

0:42:11.200 --> 0:42:15.920
<v Speaker 4>of spirituality. Because you know, for a lot of African

0:42:15.960 --> 0:42:21.799
<v Speaker 4>Americans in America, like we clutch onto our Christianity like

0:42:21.840 --> 0:42:28.480
<v Speaker 4>no one's business and any other kind of straying from

0:42:30.160 --> 0:42:32.319
<v Speaker 4>you know, what your grandmom taught to you, what her

0:42:32.360 --> 0:42:35.840
<v Speaker 4>grandmother taught her, what and so on and so forth

0:42:36.120 --> 0:42:40.279
<v Speaker 4>back to you know, our presence in this country is

0:42:40.880 --> 0:42:46.920
<v Speaker 4>often frowned upon amongst other black people. Like I remember

0:42:47.080 --> 0:42:50.439
<v Speaker 4>seeing an interview with like Maurice White of earth Wood

0:42:50.560 --> 0:42:53.839
<v Speaker 4>Fire maybe like in the late seventies early eighties, where

0:42:53.840 --> 0:42:58.200
<v Speaker 4>he's talking about this level of spirituality and kind of

0:42:58.239 --> 0:43:00.959
<v Speaker 4>looking at the adults in the room as he's saying

0:43:01.000 --> 0:43:04.239
<v Speaker 4>it's on television. They're frowning like mm hmm, see that's

0:43:04.280 --> 0:43:07.600
<v Speaker 4>that double shit. He ain't talking about Christianity. Da da da,

0:43:07.880 --> 0:43:11.919
<v Speaker 4>So like, what made you? Because this is not even

0:43:11.960 --> 0:43:16.759
<v Speaker 4>though this, this level of spirituality is our African origins?

0:43:17.400 --> 0:43:20.400
<v Speaker 2>Yes, what made you?

0:43:20.480 --> 0:43:22.400
<v Speaker 3>Just sort of bypass.

0:43:21.880 --> 0:43:26.520
<v Speaker 4>The fear of what will others think about me? Or

0:43:26.560 --> 0:43:28.960
<v Speaker 4>what will my parents say? Or what will my fellow

0:43:28.960 --> 0:43:30.760
<v Speaker 4>Michigan's people or a fellow of black people?

0:43:30.800 --> 0:43:33.560
<v Speaker 3>They think like, I'm this weird? What made you just

0:43:33.640 --> 0:43:34.239
<v Speaker 3>bypass that?

0:43:35.200 --> 0:43:37.640
<v Speaker 2>I want to save my life? It was just me

0:43:37.800 --> 0:43:41.279
<v Speaker 2>against the world. It's just me against the world. How

0:43:41.320 --> 0:43:43.000
<v Speaker 2>am I going to make it? This is the way

0:43:43.000 --> 0:43:46.120
<v Speaker 2>to make it? Narada, My visions accepted you as a friend.

0:43:46.160 --> 0:43:48.719
<v Speaker 2>He's calling you the phone. This is his guru, his

0:43:48.800 --> 0:43:51.640
<v Speaker 2>grou's accepted you. It felt good to me. It was

0:43:51.680 --> 0:43:56.200
<v Speaker 2>a way of living a good life, of having a

0:43:56.239 --> 0:44:01.040
<v Speaker 2>way of directing my attention, my focus. And I needed that.

0:44:01.120 --> 0:44:03.280
<v Speaker 2>I know, I knew I needed it. I was raised Catholic,

0:44:03.360 --> 0:44:06.560
<v Speaker 2>I was raised with mother, married Jesus and all that,

0:44:06.600 --> 0:44:08.680
<v Speaker 2>and I hold the communion and all that and all

0:44:08.719 --> 0:44:11.880
<v Speaker 2>those things, you know, the your stay and the sanctuary

0:44:11.920 --> 0:44:16.279
<v Speaker 2>and all the beautiful music. But but that wasn't saving me.

0:44:16.920 --> 0:44:21.360
<v Speaker 2>And I had been clobbered by Morvish News Live, not

0:44:21.520 --> 0:44:27.439
<v Speaker 2>only on record, you know, unspoken heights live, I see.

0:44:28.080 --> 0:44:31.480
<v Speaker 2>And then to meet this teacher, he was beautiful, It

0:44:31.600 --> 0:44:34.640
<v Speaker 2>was nothing wrong. It was like, okay, would you follow Jesus. Yeah,

0:44:34.920 --> 0:44:39.040
<v Speaker 2>well there's a living example of someone living truth, talking truth.

0:44:39.440 --> 0:44:42.080
<v Speaker 2>What you're gonna do? So for me, it was a blessing,

0:44:42.520 --> 0:44:44.560
<v Speaker 2>absolute blessing. There was no doubt about that at all.

0:44:44.719 --> 0:44:46.759
<v Speaker 2>Only data was Am I Am I good enough? Am

0:44:46.800 --> 0:44:50.040
<v Speaker 2>I ready enough? Like I told you? When did you

0:44:50.080 --> 0:44:52.239
<v Speaker 2>when did he grant you with the name Nara? Well

0:44:52.280 --> 0:44:54.160
<v Speaker 2>that came later, he told me, laters, and I'm gonna

0:44:54.200 --> 0:44:56.600
<v Speaker 2>I'm not gonna spoil you. I've spoiled so many, given

0:44:56.640 --> 0:44:59.399
<v Speaker 2>them names too fast or do early. I'm not gonna spoil,

0:44:59.440 --> 0:45:02.240
<v Speaker 2>I'm gonna make you. And it wasn't until the release

0:45:02.320 --> 0:45:06.000
<v Speaker 2>of Garden of Lovelight that he gave me a min

0:45:06.120 --> 0:45:13.919
<v Speaker 2>named Narda. And he said, no row dumb, no ruh.

0:45:13.960 --> 0:45:15.080
<v Speaker 2>That went on for so long, I don't know if

0:45:15.080 --> 0:45:18.640
<v Speaker 2>a name is nah rah ar Da. So he said, Narda,

0:45:20.080 --> 0:45:23.239
<v Speaker 2>Narda supreme musician. Narda' soul brings from having to Earth light,

0:45:23.320 --> 0:45:25.879
<v Speaker 2>delight and compassion and takes back to having from Earth

0:45:26.200 --> 0:45:29.919
<v Speaker 2>earth sufferings. So the music, this is my role now

0:45:30.320 --> 0:45:34.399
<v Speaker 2>as Narda. Michael Oldham and uh yeah, what.

0:45:34.560 --> 0:45:39.160
<v Speaker 3>Leads to your deal at Atlantic Records?

0:45:39.200 --> 0:45:41.960
<v Speaker 4>And on top of that, how did you link with

0:45:42.120 --> 0:45:46.000
<v Speaker 4>of all people Tom Dowd on your first album.

0:45:46.520 --> 0:45:49.439
<v Speaker 2>I went through after I joined Mavish Orchestra and did

0:45:49.480 --> 0:45:51.200
<v Speaker 2>like two and a half years with my Vish Orchestra.

0:45:51.280 --> 0:45:54.960
<v Speaker 2>When that band stopped and Vishnu then went to Shakti

0:45:55.800 --> 0:45:58.480
<v Speaker 2>with you know, Zakia Hussein and that genius stuff. Then

0:45:58.520 --> 0:46:01.640
<v Speaker 2>I was really into a funk, in a depression because

0:46:01.640 --> 0:46:03.000
<v Speaker 2>now I didn't know what to do with my life.

0:46:03.120 --> 0:46:05.320
<v Speaker 2>I mean, I'm I'm high now now all my chop

0:46:05.480 --> 0:46:08.040
<v Speaker 2>everything is. But what are you gonna do? You're not

0:46:08.080 --> 0:46:09.640
<v Speaker 2>in the band anymore. It was like the Beatle brook up.

0:46:10.840 --> 0:46:14.360
<v Speaker 2>So I just tried to think of what I was

0:46:14.360 --> 0:46:16.000
<v Speaker 2>going to do. I became a teacher for a while,

0:46:16.280 --> 0:46:18.400
<v Speaker 2>the drama workshop, the teacher's thing, what the word was

0:46:18.440 --> 0:46:21.640
<v Speaker 2>called someplace. I played top talk down there for a while. Anyway,

0:46:21.680 --> 0:46:25.680
<v Speaker 2>I'm saying to you, I just had to focus, and

0:46:25.719 --> 0:46:27.480
<v Speaker 2>I thought, well, that's just going to my solo career.

0:46:27.840 --> 0:46:30.680
<v Speaker 2>So then my attorney was Barry Plattine. He said, you

0:46:30.680 --> 0:46:32.000
<v Speaker 2>know what, Epic Records will pay for you to make

0:46:32.040 --> 0:46:34.279
<v Speaker 2>a demo, you know, because at least you've got some

0:46:34.320 --> 0:46:36.680
<v Speaker 2>names from coming to Movis structure. I said, okay. So

0:46:36.719 --> 0:46:39.240
<v Speaker 2>then I heard off Lenny White's album of Phoenician Summers,

0:46:39.280 --> 0:46:42.080
<v Speaker 2>this cat named Raymond Gomez, who I thought, damn, this

0:46:42.160 --> 0:46:44.399
<v Speaker 2>guy has got the chops like I'm wanting to hear.

0:46:44.920 --> 0:46:46.640
<v Speaker 2>And then when I met him, he had the both

0:46:46.680 --> 0:46:51.080
<v Speaker 2>sides of Candridge Blues with chops and infusionary. So I said, okay,

0:46:51.320 --> 0:46:53.440
<v Speaker 2>I want you. Would you play make my demo with

0:46:53.440 --> 0:46:55.560
<v Speaker 2>me and David Sanchez who had made his album Hime

0:46:55.600 --> 0:46:57.880
<v Speaker 2>on keyboards and then a guy like ru Lee was

0:46:57.920 --> 0:46:59.759
<v Speaker 2>David's bass player at the time. So then I went

0:46:59.800 --> 0:47:03.640
<v Speaker 2>to Epic and made son Is Dancing maybe delightful and

0:47:03.640 --> 0:47:05.640
<v Speaker 2>one wan one of the songs, or maybe maybe delfe

0:47:05.680 --> 0:47:08.040
<v Speaker 2>on one of the songs three three things, and the

0:47:08.120 --> 0:47:10.919
<v Speaker 2>Epic turned it down. So then walk on the streets

0:47:10.920 --> 0:47:12.239
<v Speaker 2>thinking how you're gonna make it, How you're gonna make it,

0:47:12.239 --> 0:47:15.000
<v Speaker 2>how you're gonna make And then Barry said, just you know,

0:47:15.120 --> 0:47:17.279
<v Speaker 2>stay patient. And I got a phone call from my

0:47:17.360 --> 0:47:21.359
<v Speaker 2>cat named Raymond Silva from Atlantic. They were doing well

0:47:21.440 --> 0:47:26.600
<v Speaker 2>with now colbum and he said, you know, uh, you know,

0:47:27.000 --> 0:47:30.640
<v Speaker 2>maybe we'd be interested in you. So then I gave

0:47:30.719 --> 0:47:33.160
<v Speaker 2>them my tape that I've done for the Epic of

0:47:33.160 --> 0:47:35.520
<v Speaker 2>the Sun Is Dancing and maybe with a few things

0:47:35.520 --> 0:47:38.759
<v Speaker 2>I've cut, and I met Jerry Greenberg, who was a

0:47:38.800 --> 0:47:42.160
<v Speaker 2>president at the time, and then they offered me a deal.

0:47:42.600 --> 0:47:45.920
<v Speaker 2>But guess what, they said, we want half your publishing.

0:47:46.239 --> 0:47:48.080
<v Speaker 2>I said, okay, I wanted to deal that bad. I

0:47:48.440 --> 0:47:50.520
<v Speaker 2>was doing well with Wired. I wrote four so Always

0:47:50.560 --> 0:47:53.200
<v Speaker 2>on Wire for Jeff Beeck, so I'm making money so

0:47:53.239 --> 0:47:54.759
<v Speaker 2>that they said we won't have to publish. I said not,

0:47:54.800 --> 0:47:57.680
<v Speaker 2>I don't care. Just sign me, give me a shot,

0:47:58.640 --> 0:48:01.040
<v Speaker 2>and they did, and then they said, you have your

0:48:01.120 --> 0:48:04.480
<v Speaker 2>choice of two producers in house producers or Reef Martin

0:48:05.040 --> 0:48:09.000
<v Speaker 2>or Tommy Dowd. And I said, well, I love them both,

0:48:09.960 --> 0:48:13.920
<v Speaker 2>but this album is more on the rock side, and

0:48:13.960 --> 0:48:16.319
<v Speaker 2>I want to use this engineer from London who did

0:48:16.520 --> 0:48:20.399
<v Speaker 2>the last Mobish album called Inner Worlds, named Dennis McKay right,

0:48:20.520 --> 0:48:22.439
<v Speaker 2>So I thought maybe I should use Timy Tommy Dowd

0:48:22.440 --> 0:48:25.879
<v Speaker 2>because he's more on that side of things. And I did.

0:48:26.040 --> 0:48:28.640
<v Speaker 2>Tommy said hey, let's work, and Timy was so cool

0:48:28.680 --> 0:48:31.480
<v Speaker 2>and he just let me be me and help me.

0:48:31.560 --> 0:48:34.839
<v Speaker 2>And I was in that studio brother Whereretha and ray

0:48:34.880 --> 0:48:36.920
<v Speaker 2>and all that. That's why I cut the Garden Love

0:48:36.960 --> 0:48:39.840
<v Speaker 2>and that main studio and it'd be on I do

0:48:39.960 --> 0:48:42.040
<v Speaker 2>want to say. Another cat was there as Jimmy Douglas,

0:48:42.080 --> 0:48:45.840
<v Speaker 2>a young backup cat. He was my He was the second.

0:48:46.120 --> 0:48:48.560
<v Speaker 2>So it'd be him and desm Kay and Tommy, Tommy

0:48:48.600 --> 0:48:51.840
<v Speaker 2>Dowd and my hot band of Raymond Gomez David Sanchez

0:48:51.880 --> 0:48:54.160
<v Speaker 2>will Lee on bass and myself. That was the core.

0:48:54.600 --> 0:48:56.640
<v Speaker 2>I deliverhearsal forts so they'd know what to expect in

0:48:56.680 --> 0:48:58.480
<v Speaker 2>the studio so we could cut it fast because you know,

0:48:58.480 --> 0:49:00.520
<v Speaker 2>as you know still your time and all that expensive.

0:49:01.360 --> 0:49:03.439
<v Speaker 2>So we went in there and know I knew White

0:49:03.520 --> 0:49:05.680
<v Speaker 2>Knight Ray and I wrote that and we knew how

0:49:05.719 --> 0:49:08.399
<v Speaker 2>to do it. I brought in a created ranger named

0:49:08.400 --> 0:49:10.759
<v Speaker 2>Michael Gibbs who did the Apocalypse album Mama Short, because

0:49:10.920 --> 0:49:12.799
<v Speaker 2>he was brought up to range my strings when I

0:49:12.840 --> 0:49:17.160
<v Speaker 2>wanted that. And then my friends came, like Carlos Santannaka

0:49:17.280 --> 0:49:20.680
<v Speaker 2>did to think of First Love, which is beautiful, Jeff

0:49:20.719 --> 0:49:23.359
<v Speaker 2>Beck Game to do Satan Lurascal, which is beautiful. So

0:49:23.880 --> 0:49:26.400
<v Speaker 2>I'm just really honored by that album, and I'm glad

0:49:26.400 --> 0:49:28.359
<v Speaker 2>that you know about it, because some people don't even

0:49:28.400 --> 0:49:30.040
<v Speaker 2>know about it. But that was my first soul album.

0:49:30.120 --> 0:49:33.600
<v Speaker 2>My baby, Yo, Yo, what up everybody. This is Fonte

0:49:33.680 --> 0:49:36.480
<v Speaker 2>Fontibelo from Team Supreme. We haven't done this in.

0:49:36.440 --> 0:49:38.719
<v Speaker 5>A while, but this conversation is so great and we

0:49:38.800 --> 0:49:40.560
<v Speaker 5>had so much to cover that we had to make

0:49:40.560 --> 0:49:42.839
<v Speaker 5>it a two parter. Look out for part two, drop

0:49:42.880 --> 0:49:45.359
<v Speaker 5>it next week or above this in your podcast feed.

0:49:45.760 --> 0:49:48.960
<v Speaker 5>In that conversation, Narta talks about his work with Whitney Houston,

0:49:49.040 --> 0:49:53.359
<v Speaker 5>Aretha Franklin Starship, and becoming one of the most in Deman.

0:49:53.160 --> 0:49:55.960
<v Speaker 1>Producers and all of music of all.

0:49:56.120 --> 0:49:57.560
<v Speaker 3>Time, Top flight.

0:49:57.440 --> 0:50:00.359
<v Speaker 5>Security of the world, Craig this conversation, it was mind

0:50:00.400 --> 0:50:01.040
<v Speaker 5>blowing from me.

0:50:01.200 --> 0:50:03.880
<v Speaker 2>And I know you're gonna enjoy it, all right, that's happening.

0:50:06.080 --> 0:50:12.759
<v Speaker 1>Must Love Supreme is a production of iHeartRadio. For more

0:50:12.800 --> 0:50:17.320
<v Speaker 1>podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or

0:50:17.320 --> 0:50:18.960
<v Speaker 1>wherever you listen to your favorite shows.