1 00:00:03,600 --> 00:00:06,760 Speaker 1: Reality with the King is hosted by me, Carlos King. 2 00:00:07,080 --> 00:00:10,239 Speaker 1: I'm an executive producer who have produced some of your 3 00:00:10,240 --> 00:00:13,520 Speaker 1: favorite shows from the Real Housewives in Atlanta, New Jersey 4 00:00:13,920 --> 00:00:17,320 Speaker 1: and my own creation, The Love and Marriage Franchise and 5 00:00:17,520 --> 00:00:23,040 Speaker 1: Bell Collective. Every episode we recap reality television from the 6 00:00:23,079 --> 00:00:27,680 Speaker 1: Real Housewives Franchise to The Bachelor or Selling Sunset, in 7 00:00:27,720 --> 00:00:31,680 Speaker 1: addition to celebrity guests, whether in the unscripted space or 8 00:00:31,720 --> 00:00:39,599 Speaker 1: scripted as well. Apparently, when it comes to Giselle Briant 9 00:00:39,680 --> 00:00:43,960 Speaker 1: and Robert Dixon's podcast Reasonably Shady that's on the Black 10 00:00:44,000 --> 00:00:50,199 Speaker 1: Effect Network, they decided to have a conversation on the rumor. 11 00:00:51,720 --> 00:00:54,640 Speaker 2: That ky Michelle is a new Atlanta Housewife. 12 00:00:54,800 --> 00:01:00,400 Speaker 1: So Claudia and Dustin on the podcast, Robert Dixon as 13 00:01:00,440 --> 00:01:04,560 Speaker 1: you honor for Potomac as well as Jazelle Bryant, had 14 00:01:04,600 --> 00:01:09,880 Speaker 1: a conversation and what was said was, I think Atlanta 15 00:01:10,120 --> 00:01:14,640 Speaker 1: has run out of people, Robin said, referring to reports 16 00:01:14,680 --> 00:01:18,600 Speaker 1: that Ky Michelle and Angel Love Angel Loves from Basketball 17 00:01:18,600 --> 00:01:22,280 Speaker 1: Wise might be joining the Bravo franchises, which is the 18 00:01:22,280 --> 00:01:26,680 Speaker 1: Real Housewives of Atlanta for Kamushell allegedly, and then it 19 00:01:26,760 --> 00:01:34,720 Speaker 1: is Angel Love allegedly joining married to Madison. Robin continued 20 00:01:34,800 --> 00:01:38,600 Speaker 1: Desna Claudia, I really thought that the network or the 21 00:01:38,640 --> 00:01:43,720 Speaker 1: show tried to avoid crossovers from different networks. But I'm 22 00:01:43,840 --> 00:01:47,600 Speaker 1: like Atlanta is running all of people because you are 23 00:01:47,720 --> 00:01:51,880 Speaker 1: using people from other networks. Now, before I get into 24 00:01:51,960 --> 00:01:54,400 Speaker 1: ky Michelle's clap back, I want to read what Giselle 25 00:01:54,480 --> 00:01:56,920 Speaker 1: said and I want to talk about this amongst us 26 00:01:56,920 --> 00:02:01,480 Speaker 1: first before we kiem Michelle's clapback, Vin said, I'm not 27 00:02:01,560 --> 00:02:04,960 Speaker 1: mad at it. At first, I was like, what, ky Michelle, 28 00:02:05,360 --> 00:02:09,160 Speaker 1: that's weird. But out of the love and hip hop world, 29 00:02:09,639 --> 00:02:12,480 Speaker 1: there are very few people that I feel like have 30 00:02:12,720 --> 00:02:15,800 Speaker 1: left that behind them and have gone on to do 31 00:02:15,880 --> 00:02:19,639 Speaker 1: so many other things that it really wasn't a factor, 32 00:02:20,120 --> 00:02:23,560 Speaker 1: So her being a housewife, I'm not mad at it. 33 00:02:24,240 --> 00:02:26,680 Speaker 1: I know this is something Claudia, Dustin we already talked about. 34 00:02:27,440 --> 00:02:29,440 Speaker 1: Before I get to the Chemistrald's clip back. Why do 35 00:02:29,520 --> 00:02:36,399 Speaker 1: y'all think this is such a hot topic, especially amongst 36 00:02:36,600 --> 00:02:37,799 Speaker 1: Bravo celebrities. 37 00:02:37,840 --> 00:02:39,000 Speaker 2: I want to start with Dustin. 38 00:02:41,120 --> 00:02:43,400 Speaker 3: I think we can kind of narrow the lens here 39 00:02:43,440 --> 00:02:46,000 Speaker 3: and take it from the kind of broad stroke of 40 00:02:46,040 --> 00:02:49,120 Speaker 3: amongst Bravo celebrities to well, you know what, let's keep 41 00:02:49,120 --> 00:02:52,040 Speaker 3: it there and then we'll get to Robin specifically next. 42 00:02:52,560 --> 00:02:55,160 Speaker 3: I think that most Bravo celebrities, and this is where 43 00:02:55,200 --> 00:02:58,480 Speaker 3: Claudia is a unicorn amongst the rest of these Bravo 44 00:02:58,520 --> 00:03:02,600 Speaker 3: celebrities right there, claim to fame is being featured and 45 00:03:03,280 --> 00:03:07,160 Speaker 3: documented on Bravo. You know, as part of a Bravo series. 46 00:03:07,440 --> 00:03:10,680 Speaker 3: Claudia was already a Claudia Jordan. Claudia had been Jordan 47 00:03:10,760 --> 00:03:12,720 Speaker 3: before she even got on the Housewives, and so it 48 00:03:12,800 --> 00:03:15,880 Speaker 3: was a little bit different. Same with Candy Barrys and others, 49 00:03:15,960 --> 00:03:19,919 Speaker 3: Drew Sidora, many others that have come into the folk war, 50 00:03:20,160 --> 00:03:23,400 Speaker 3: you know what I'm saying, same with them. And so 51 00:03:23,520 --> 00:03:27,160 Speaker 3: I think that sometimes the Bravo celebrities have kind of 52 00:03:27,280 --> 00:03:30,560 Speaker 3: enjoyed the gatekeeping of sorts when it came to opportunities 53 00:03:30,560 --> 00:03:33,440 Speaker 3: within the network that was there because it kept them 54 00:03:33,440 --> 00:03:38,040 Speaker 3: and maintained their status as notable because they were chosen 55 00:03:38,040 --> 00:03:41,280 Speaker 3: and selected by Bravo. So once they opened them doors 56 00:03:41,320 --> 00:03:43,960 Speaker 3: up to other people, it kind of makes you have 57 00:03:44,040 --> 00:03:47,080 Speaker 3: to have a little bit something else going on in 58 00:03:47,160 --> 00:03:49,480 Speaker 3: order to be considered. And I think that's a threat 59 00:03:49,720 --> 00:03:53,480 Speaker 3: to people who have thrived within that zeitgeist. So, and 60 00:03:53,520 --> 00:03:55,800 Speaker 3: I think Robin Dixon especially as one of them. My 61 00:03:55,880 --> 00:03:58,000 Speaker 3: thing is, if Atlanta running out of people, then maybe 62 00:03:58,000 --> 00:03:59,640 Speaker 3: your ass need to be looking at houses. 63 00:04:00,120 --> 00:04:01,560 Speaker 4: If you know what I'm saying, you need to move 64 00:04:01,600 --> 00:04:02,160 Speaker 4: to Atlanta. 65 00:04:02,200 --> 00:04:06,200 Speaker 3: If Atlanta is now becoming second chance city, maybe you 66 00:04:06,280 --> 00:04:08,320 Speaker 3: need to be looking at jobs. It's a lot of coaches, 67 00:04:08,360 --> 00:04:11,720 Speaker 3: she said, why I want to coach collegiate basketball? You know, 68 00:04:11,800 --> 00:04:14,440 Speaker 3: it's several schools there where he can have opportunities. It's 69 00:04:14,440 --> 00:04:16,680 Speaker 3: a lot of laundromats, you know what I'm saying. It's 70 00:04:16,680 --> 00:04:20,720 Speaker 3: a lot of shit in Atlanta. That's my thing, you know. 71 00:04:21,120 --> 00:04:25,039 Speaker 3: And also the fact that Robin said that that, the 72 00:04:25,240 --> 00:04:28,159 Speaker 3: fact that Robin started all this shit is exactly why 73 00:04:28,279 --> 00:04:30,080 Speaker 3: maybe there is still a place for her on the 74 00:04:30,120 --> 00:04:33,640 Speaker 3: Housewives cast, right because she stirred all of this up. 75 00:04:33,960 --> 00:04:36,400 Speaker 3: Maybe if she had done more of that blatantly instead 76 00:04:36,400 --> 00:04:39,640 Speaker 3: of trying to do it second handedly in a sneaky 77 00:04:39,680 --> 00:04:42,440 Speaker 3: way when she was on the cast, maybe she would 78 00:04:42,480 --> 00:04:44,880 Speaker 3: still be there. So that's my thing. God damn it. 79 00:04:44,880 --> 00:04:46,760 Speaker 3: If they running out of people, then maybe this is 80 00:04:46,800 --> 00:04:49,599 Speaker 3: your chance. Maybe you need to get your ass down 81 00:04:49,600 --> 00:04:51,720 Speaker 3: to Atlanta and get in front of a camera. 82 00:04:55,320 --> 00:04:56,000 Speaker 2: Laubia Jordan. 83 00:04:57,040 --> 00:04:58,440 Speaker 5: I slightly disagree. 84 00:04:58,680 --> 00:05:01,560 Speaker 6: I will say this because we do commentary, which she 85 00:05:01,640 --> 00:05:04,240 Speaker 6: said was nothing different than the kind of stuff that 86 00:05:04,240 --> 00:05:06,279 Speaker 6: we might say. They've running out of people, and I 87 00:05:06,320 --> 00:05:08,360 Speaker 6: think she may have a point, but I think people 88 00:05:08,400 --> 00:05:11,120 Speaker 6: are just running with it. It's K Michelle's He's very like, 89 00:05:11,440 --> 00:05:13,640 Speaker 6: not polarizing, but you know, we gonna turn up with 90 00:05:13,720 --> 00:05:17,080 Speaker 6: K Michelle. And when I watched the whole clip, she 91 00:05:17,200 --> 00:05:18,840 Speaker 6: wasn't trashing Ca Michelle at all. 92 00:05:19,240 --> 00:05:20,640 Speaker 5: She actually was giving her a lot of. 93 00:05:20,600 --> 00:05:23,560 Speaker 6: Props and saying At first I was like nah, but 94 00:05:23,640 --> 00:05:25,480 Speaker 6: then the more I thought about it, she's the one 95 00:05:25,480 --> 00:05:27,000 Speaker 6: that could go and then stirred up and she actually 96 00:05:27,000 --> 00:05:28,960 Speaker 6: gave her a prop. And that's sometimes what I hate 97 00:05:28,960 --> 00:05:31,599 Speaker 6: about these click baity titles. It makes it look like 98 00:05:31,640 --> 00:05:34,000 Speaker 6: she was really coming for her and had a lot. 99 00:05:33,920 --> 00:05:34,560 Speaker 5: Of shit to say. 100 00:05:34,600 --> 00:05:36,719 Speaker 6: And then Maybek Michelle doesn't watch the whole clip, and 101 00:05:36,839 --> 00:05:38,640 Speaker 6: she just sees the one part and doesn't see whether 102 00:05:38,720 --> 00:05:40,840 Speaker 6: they were basically giving her her props. 103 00:05:40,640 --> 00:05:43,360 Speaker 5: And saying, if someone can do it, it is K Michelle. 104 00:05:43,480 --> 00:05:46,000 Speaker 6: And I kind of like, don't like that because we 105 00:05:46,040 --> 00:05:48,360 Speaker 6: could exactly easy happen to us. They take one part 106 00:05:48,400 --> 00:05:51,560 Speaker 6: of our conversation and don't hear it in its full conversation, 107 00:05:51,920 --> 00:05:54,400 Speaker 6: in full context, and it seems like you're hating. And 108 00:05:54,440 --> 00:05:56,440 Speaker 6: I don't think she was. I don't think she was. 109 00:05:56,680 --> 00:05:58,040 Speaker 5: And I do think yeah, like. 110 00:05:58,080 --> 00:06:02,360 Speaker 6: Now the shows are definitely pollinating, cross promoting. Someone might 111 00:06:02,600 --> 00:06:04,000 Speaker 6: be asked to be on a Love and Hip Hop 112 00:06:04,120 --> 00:06:07,360 Speaker 6: or or Atlanta Housewives or Potomac or whatever. 113 00:06:07,800 --> 00:06:10,320 Speaker 5: I mean, fuck it, I'm gonna hate again. 114 00:06:10,400 --> 00:06:12,920 Speaker 6: Don't nobody saying nothing when TI be going from every 115 00:06:12,920 --> 00:06:15,880 Speaker 6: single reality show, dating every every girl from every reality show. 116 00:06:16,160 --> 00:06:18,040 Speaker 6: Like it's just kind of like the sign of the times. 117 00:06:18,040 --> 00:06:20,360 Speaker 6: Like people are just like their cross media is changing. 118 00:06:20,600 --> 00:06:22,839 Speaker 6: You're not just exclusive to one brand now like they're 119 00:06:22,880 --> 00:06:25,320 Speaker 6: they're saying that there's you can have success with bringing 120 00:06:25,360 --> 00:06:28,600 Speaker 6: someone that has a fan base from another franchise coming 121 00:06:28,600 --> 00:06:30,400 Speaker 6: over here and stirn up. I don't see anything wrong 122 00:06:30,440 --> 00:06:32,360 Speaker 6: with it. I also don't think that Robin. I don't 123 00:06:32,360 --> 00:06:34,080 Speaker 6: think that Joe. I don't think they came from bad 124 00:06:34,080 --> 00:06:34,640 Speaker 6: place at all. 125 00:06:34,720 --> 00:06:38,480 Speaker 1: I don't personally, Okay, I do rain drops. We are 126 00:06:38,520 --> 00:06:41,160 Speaker 1: going to get to the Rasheeta and Yandy scene of 127 00:06:41,240 --> 00:06:44,200 Speaker 1: it all. Later in this episode We're Live, we're first 128 00:06:44,200 --> 00:06:48,560 Speaker 1: talking about kay Michelle clapping back up Robin Dixon from 129 00:06:48,600 --> 00:06:51,760 Speaker 1: the Potomac Housewives. I want to I want to ask 130 00:06:51,800 --> 00:06:54,520 Speaker 1: you all this question again before I read Chemishell's response. 131 00:06:56,640 --> 00:07:02,240 Speaker 1: I'm getting the sense that ky Michelle being on the. 132 00:07:02,160 --> 00:07:05,520 Speaker 2: Real Housewives of Atlanta allegedly. 133 00:07:06,480 --> 00:07:09,359 Speaker 1: Has a lot to do with classism, It has a 134 00:07:09,360 --> 00:07:13,240 Speaker 1: lot to do with elitism, and a low key has to. 135 00:07:13,160 --> 00:07:17,240 Speaker 2: Do with that girl over there right. 136 00:07:17,440 --> 00:07:19,640 Speaker 1: I want to have a real conversation about this because 137 00:07:20,320 --> 00:07:24,240 Speaker 1: I think ky Michelle being announced as possibly joining the 138 00:07:24,240 --> 00:07:28,400 Speaker 1: Real Hospice Atlanta coming from love and hip hop, I'm 139 00:07:28,480 --> 00:07:31,200 Speaker 1: starting to get a sense that it is becoming that 140 00:07:31,640 --> 00:07:35,560 Speaker 1: ky Michelle isn't that classy enough. 141 00:07:35,600 --> 00:07:36,640 Speaker 2: These are things I saw. 142 00:07:37,000 --> 00:07:40,040 Speaker 1: She's not classy enough to be on the Real Hospital Atlanta. 143 00:07:40,600 --> 00:07:42,480 Speaker 1: And my thing is this, if this is somebody who 144 00:07:42,560 --> 00:07:45,840 Speaker 1: started day one, season one of the Real Hospitals Atlanta, 145 00:07:47,200 --> 00:07:50,960 Speaker 1: I was there with Ninny Lee, Cherie Whitfield, Kim Zosiak, Deshons, 146 00:07:51,320 --> 00:07:56,200 Speaker 1: Lisa Wu. When we started that show, there wasn't this 147 00:07:56,360 --> 00:08:01,400 Speaker 1: concentration on those ladies being classy. Know where it came 148 00:08:01,440 --> 00:08:04,880 Speaker 1: from that people thought The Real Housewatchs of Atlanta was 149 00:08:04,920 --> 00:08:09,360 Speaker 1: a classy show. It was never and that's me being 150 00:08:09,360 --> 00:08:13,880 Speaker 1: a fun producer. It was never a classy show. Granted, yes, 151 00:08:14,320 --> 00:08:19,320 Speaker 1: they may have highlighted more of the the wealthy people 152 00:08:19,320 --> 00:08:21,400 Speaker 1: who were on the show at the time. We saw 153 00:08:21,480 --> 00:08:26,880 Speaker 1: Deshaun Snow's ten thousand square foot home, but the other ladies, 154 00:08:26,920 --> 00:08:31,040 Speaker 1: to the audience and toil, all of us lived moderately well. 155 00:08:31,680 --> 00:08:35,640 Speaker 1: Nobody was in the mansions like on Beverly Hills. I 156 00:08:35,679 --> 00:08:40,960 Speaker 1: think Beverly Hills has the sort of halo over them 157 00:08:41,000 --> 00:08:44,160 Speaker 1: as being this sort of like classier show. Although once 158 00:08:44,200 --> 00:08:48,439 Speaker 1: again Lisa Renna threw a drink at somebody, Brandy Glanville 159 00:08:48,480 --> 00:08:54,880 Speaker 1: slapped Lisa Vanda pump face. Okay, Brandy Laville also slapped 160 00:08:56,040 --> 00:09:01,199 Speaker 1: Eileen Davison, a soap actress. When it comes to black 161 00:09:01,280 --> 00:09:04,160 Speaker 1: people on the Real Housewives franchise. 162 00:09:04,320 --> 00:09:06,600 Speaker 2: You guys who are saying caym. 163 00:09:06,440 --> 00:09:08,960 Speaker 1: Mischelle does not belong whether you're on TV or not, 164 00:09:09,440 --> 00:09:12,040 Speaker 1: what you are saying is that as a black person, 165 00:09:12,160 --> 00:09:15,120 Speaker 1: you don't think Cay Michelle as a black woman, deserves 166 00:09:15,160 --> 00:09:20,040 Speaker 1: to grow into being somebody that can go to another 167 00:09:20,160 --> 00:09:22,800 Speaker 1: show doesn't make a very good point about Claudia Jordan. 168 00:09:23,080 --> 00:09:25,320 Speaker 2: Claudia Jordan has been famous that she was a teenager. 169 00:09:25,880 --> 00:09:29,240 Speaker 1: Right when I met her, I didn't and this is 170 00:09:29,240 --> 00:09:30,360 Speaker 1: no shame to my girl, Claudia. 171 00:09:30,679 --> 00:09:33,679 Speaker 2: I didn't think to myself, I wonder how classy she is. 172 00:09:33,960 --> 00:09:37,439 Speaker 1: I want I wonder what the square footage of her 173 00:09:37,520 --> 00:09:38,120 Speaker 1: home is. 174 00:09:38,320 --> 00:09:39,280 Speaker 5: I was in the apartment. 175 00:09:40,080 --> 00:09:44,480 Speaker 1: Yeah, when I cast Claudia Jordan pitched her, it had 176 00:09:44,600 --> 00:09:46,880 Speaker 1: nothing to do. I didn't ask how much money she had. 177 00:09:47,240 --> 00:09:50,120 Speaker 1: I didn't asked her to send me photos of her home. 178 00:09:50,520 --> 00:09:53,120 Speaker 1: It was about the fact that I saw this strikingly 179 00:09:53,320 --> 00:09:59,560 Speaker 1: beautiful woman who had a a a friendly situation with 180 00:09:59,640 --> 00:10:04,559 Speaker 1: Kenyon More as somebody who could fit the standard of 181 00:10:04,600 --> 00:10:08,600 Speaker 1: the real hospals Blanta, which was a beautiful, accomplished woman 182 00:10:08,960 --> 00:10:11,920 Speaker 1: who know how to be amongst women and stand up 183 00:10:11,960 --> 00:10:14,640 Speaker 1: for herself. That's what the fuck the show is about. 184 00:10:14,920 --> 00:10:19,640 Speaker 1: You guys, to me care so much. I'm annoyed because listen, 185 00:10:19,840 --> 00:10:23,120 Speaker 1: it's a lot happening, But I'm annoyed about this classism. 186 00:10:23,400 --> 00:10:26,800 Speaker 1: The real Hospors Blanta is not a classy show. Potomac 187 00:10:26,960 --> 00:10:30,439 Speaker 1: is not a classy show. Jersey is not a classy show, 188 00:10:30,760 --> 00:10:33,880 Speaker 1: so Lake City. None of them are classy shows. All 189 00:10:33,920 --> 00:10:37,520 Speaker 1: of them has had physical altercations. Just because Love and 190 00:10:37,600 --> 00:10:40,160 Speaker 1: hip Hop is known for it does not mean that 191 00:10:40,320 --> 00:10:43,080 Speaker 1: anybody that comes from loving hip. 192 00:10:42,840 --> 00:10:45,160 Speaker 2: Hop should be stuck in a box. 193 00:10:46,200 --> 00:10:49,400 Speaker 6: I think that was something that like and being have 194 00:10:49,520 --> 00:10:52,080 Speaker 6: worked with both of those shows. As yourself, Carlos, I 195 00:10:52,120 --> 00:10:54,240 Speaker 6: think it's always been a thing like, well, we're not 196 00:10:54,280 --> 00:10:56,319 Speaker 6: It's kind of like the well, we're not like them, 197 00:10:56,360 --> 00:10:59,160 Speaker 6: we're here, you know, we don't fight like them, And 198 00:10:59,200 --> 00:11:01,600 Speaker 6: for a while they could say that for a little while, 199 00:11:01,600 --> 00:11:03,640 Speaker 6: but then it had definitely changed where there is definitely 200 00:11:03,679 --> 00:11:08,160 Speaker 6: more of that behavior on Bond that show as well. 201 00:11:08,600 --> 00:11:11,199 Speaker 6: So yeah, it was like kind of like a it 202 00:11:11,240 --> 00:11:15,080 Speaker 6: was a classism thing, you know, like you think the housewives. 203 00:11:14,679 --> 00:11:16,520 Speaker 5: Were perceived to be classy. 204 00:11:16,559 --> 00:11:19,720 Speaker 6: They were supposed to be classier, whether or not they 205 00:11:19,760 --> 00:11:20,240 Speaker 6: always were. 206 00:11:20,320 --> 00:11:21,959 Speaker 5: I mean, there's an argument to be made. 207 00:11:22,120 --> 00:11:23,840 Speaker 6: And you got to say, and Love and hip Hop, 208 00:11:23,840 --> 00:11:25,920 Speaker 6: there are definitely way more fights. 209 00:11:26,280 --> 00:11:29,200 Speaker 5: But let's be clear this there's been fights on both. 210 00:11:29,800 --> 00:11:30,760 Speaker 2: They've been fights on both. 211 00:11:30,760 --> 00:11:33,480 Speaker 1: I will say this Love and Hip Hop shows more 212 00:11:33,840 --> 00:11:36,439 Speaker 1: other fights oh. 213 00:11:36,120 --> 00:11:39,040 Speaker 6: Yeah, because I do remember a certain someone get in 214 00:11:39,040 --> 00:11:41,080 Speaker 6: the fight in a hall in an alley and they 215 00:11:41,120 --> 00:11:44,040 Speaker 6: never showed it, and I was like, see, y'all keep 216 00:11:44,440 --> 00:11:47,440 Speaker 6: being okay with violent behavior but then acting like this 217 00:11:47,480 --> 00:11:48,839 Speaker 6: is classy shit and it wasn't. 218 00:11:49,080 --> 00:11:50,600 Speaker 5: But yeah, I think it's a class thing. 219 00:11:50,679 --> 00:11:53,880 Speaker 6: Like well, I remember when there's reports out that I'm 220 00:11:53,880 --> 00:11:55,880 Speaker 6: maybe joining Love and Hip Hop Miami, which I've done 221 00:11:55,880 --> 00:11:57,600 Speaker 6: a couple of scenes with Rada because she's on there, 222 00:11:57,640 --> 00:12:00,680 Speaker 6: Michael Blackson, and it was like, oh what a she 223 00:12:00,760 --> 00:12:03,240 Speaker 6: went from Atlanta Housewives to Love and hip Hop And 224 00:12:03,280 --> 00:12:05,839 Speaker 6: it was definitely like this class stuffy and thrown to 225 00:12:05,920 --> 00:12:09,520 Speaker 6: me like I must be desperate somehow or things must 226 00:12:09,559 --> 00:12:11,360 Speaker 6: not be going well, honey. 227 00:12:12,160 --> 00:12:15,080 Speaker 5: I The only class I care about is what class 228 00:12:15,080 --> 00:12:15,760 Speaker 5: my check is in. 229 00:12:15,880 --> 00:12:17,920 Speaker 6: I like to work and make money as long as 230 00:12:17,960 --> 00:12:20,520 Speaker 6: I'm not out here fighting, playing myself and embarrass myself. 231 00:12:20,640 --> 00:12:22,880 Speaker 5: You will see Claudie jordanha setting in the credits. 232 00:12:23,080 --> 00:12:29,640 Speaker 3: Okay, Also, what the fuck is it to you? 233 00:12:27,080 --> 00:12:29,560 Speaker 4: What right? 234 00:12:29,640 --> 00:12:31,920 Speaker 3: You're a viewer enjoyed the show, just like we enjoy 235 00:12:32,000 --> 00:12:34,800 Speaker 3: the shows that we watch. People got to stop acting 236 00:12:34,960 --> 00:12:38,200 Speaker 3: like just because and this back to your earlier statement 237 00:12:38,200 --> 00:12:42,240 Speaker 3: Carlos about this opinion of a lot of people that 238 00:12:42,320 --> 00:12:46,640 Speaker 3: there is a class distinction in the casting efforts of 239 00:12:46,679 --> 00:12:49,480 Speaker 3: the Real Housewives of Atlanta and other cities versus Love 240 00:12:49,520 --> 00:12:53,760 Speaker 3: and Hip Hop, which there is a different talent pool, right, 241 00:12:54,040 --> 00:12:57,000 Speaker 3: and a different pool criteria that applies to these shows, 242 00:12:57,000 --> 00:13:00,439 Speaker 3: which is exactly why Ky Michelle is a rare case 243 00:13:00,440 --> 00:13:03,920 Speaker 3: that has been able to navigate right across into this 244 00:13:04,600 --> 00:13:06,000 Speaker 3: into the Bravo universe. 245 00:13:06,080 --> 00:13:07,679 Speaker 4: Now, right, she can do it. 246 00:13:07,720 --> 00:13:11,440 Speaker 3: Tammy Rivera could have done it, Toya right, Toyo Johnson 247 00:13:11,559 --> 00:13:12,560 Speaker 3: could to. 248 00:13:14,320 --> 00:13:16,719 Speaker 1: Toya Rushing, who, by the way, auditioned to be a 249 00:13:16,760 --> 00:13:18,800 Speaker 1: Michelle and I was there doing her casting tape. 250 00:13:19,559 --> 00:13:22,040 Speaker 4: Well, Russian, she could do it. 251 00:13:22,040 --> 00:13:25,760 Speaker 3: There's a lot of women who have full lives that 252 00:13:25,760 --> 00:13:28,440 Speaker 3: that that could fill up the space that a real 253 00:13:28,480 --> 00:13:31,800 Speaker 3: housewife requires. I think because of someone came to Shechelle's 254 00:13:31,880 --> 00:13:35,800 Speaker 3: more sensational behaviors in the past, people are surprised that 255 00:13:35,840 --> 00:13:38,880 Speaker 3: the choice was her, But that's what it is. And 256 00:13:39,040 --> 00:13:42,040 Speaker 3: just because a lot of people think something with the end, 257 00:13:42,120 --> 00:13:44,320 Speaker 3: I don't care what nobody says. The introduction of the 258 00:13:44,360 --> 00:13:48,040 Speaker 3: comment section started all as shit because once people started 259 00:13:48,120 --> 00:13:49,839 Speaker 3: adding value to opinion. 260 00:13:50,320 --> 00:13:54,679 Speaker 4: We ended up in this space where now creative. 261 00:13:54,160 --> 00:13:57,640 Speaker 3: Minds are second guessing their their instincts, you know what 262 00:13:57,640 --> 00:14:00,600 Speaker 3: I'm saying, because of public opinion and because of the 263 00:14:00,640 --> 00:14:03,480 Speaker 3: fucking comments, or because of what an audience has to say. 264 00:14:03,480 --> 00:14:06,720 Speaker 3: And while it does matter if an audience receives a 265 00:14:06,840 --> 00:14:11,319 Speaker 3: project and watches a show or listens to a music project, 266 00:14:11,559 --> 00:14:15,640 Speaker 3: their opinion is something that they're entitled to but doesn't 267 00:14:15,679 --> 00:14:17,360 Speaker 3: have any value towards the project. 268 00:14:17,559 --> 00:14:19,200 Speaker 4: And that's where people get it fucked up. 269 00:14:19,320 --> 00:14:21,480 Speaker 3: So they come up with these ideas that there is 270 00:14:21,520 --> 00:14:25,240 Speaker 3: a classist element to the casting of Real Housewives shows, 271 00:14:25,480 --> 00:14:27,640 Speaker 3: and now they feel as if they have authority to 272 00:14:27,720 --> 00:14:30,840 Speaker 3: determine who's good enough and who's not, so much so 273 00:14:30,960 --> 00:14:31,800 Speaker 3: that they will in it. 274 00:14:31,920 --> 00:14:34,840 Speaker 4: They will. Kymi Schelle's not my favorite. 275 00:14:34,480 --> 00:14:36,640 Speaker 3: Person, right, but I don't think she deserves to be 276 00:14:37,240 --> 00:14:39,600 Speaker 3: slapped in the face every day with a comment that 277 00:14:39,680 --> 00:14:41,560 Speaker 3: she's not good enough for this damn show. 278 00:14:41,840 --> 00:14:42,640 Speaker 4: Quiet as it's kept. 279 00:14:42,680 --> 00:14:45,160 Speaker 3: That's why Robin ended up getting what she got because 280 00:14:45,200 --> 00:14:48,440 Speaker 3: Key Mischelle was probably sick and tired of seeing people 281 00:14:48,480 --> 00:14:50,280 Speaker 3: say that she was not good enough to be a 282 00:14:50,320 --> 00:14:53,360 Speaker 3: part of the Bravo universe, and I think that's a problem. 283 00:14:53,600 --> 00:14:56,120 Speaker 3: If a lot of people think something, then people just 284 00:14:56,160 --> 00:14:57,960 Speaker 3: decide that that is not. 285 00:14:58,080 --> 00:14:59,080 Speaker 4: A rule or a law. 286 00:14:59,280 --> 00:15:02,560 Speaker 3: Similar to the conversation regarding seating arrangements at the Real 287 00:15:02,560 --> 00:15:06,080 Speaker 3: Housewives reunions, people have decided that there is a value 288 00:15:06,160 --> 00:15:08,520 Speaker 3: to what seat you sitting next to and all that 289 00:15:08,560 --> 00:15:12,320 Speaker 3: other shit, and countless times producers people involved have said 290 00:15:12,320 --> 00:15:12,960 Speaker 3: that there is not. 291 00:15:13,960 --> 00:15:16,040 Speaker 4: People just decide that it is. And so now where 292 00:15:16,080 --> 00:15:17,240 Speaker 4: you're sitting is a big deal. 293 00:15:17,400 --> 00:15:19,360 Speaker 3: Y'all got to back up off of that sometimes and 294 00:15:19,440 --> 00:15:21,680 Speaker 3: just enjoy the entertainment and let that. 295 00:15:21,680 --> 00:15:21,960 Speaker 4: Be that. 296 00:15:24,560 --> 00:15:27,360 Speaker 1: This is reality with the King and I'm Carlos King. 297 00:15:27,840 --> 00:15:29,960 Speaker 2: Let's get back into the show. 298 00:15:31,080 --> 00:15:33,760 Speaker 5: With weeby being faked, though not fake or disingenuous. 299 00:15:33,800 --> 00:15:35,720 Speaker 6: If we don't say that there is there is a 300 00:15:35,760 --> 00:15:38,080 Speaker 6: class thing going on, especially with when it comes to 301 00:15:38,160 --> 00:15:41,600 Speaker 6: zoos love and hip hop, and they were supposed to 302 00:15:41,600 --> 00:15:43,600 Speaker 6: because like the other day, even with us, I gotta 303 00:15:43,640 --> 00:15:46,520 Speaker 6: keep it buck when wet about Jocelyn being on Real 304 00:15:46,520 --> 00:15:47,240 Speaker 6: Housewives up. 305 00:15:47,520 --> 00:15:51,680 Speaker 4: I mean, we all was like, well, my reaction wasn't 306 00:15:51,720 --> 00:15:52,720 Speaker 4: rooted in classes. 307 00:15:53,400 --> 00:15:56,120 Speaker 3: My reaction wasn't rooted in classes, and That's exactly where 308 00:15:56,160 --> 00:15:58,280 Speaker 3: I just articulated it the way I did when I 309 00:15:58,320 --> 00:16:01,280 Speaker 3: said there's a difference in the talent pool and then 310 00:16:01,360 --> 00:16:04,840 Speaker 3: the criteria for the talent pool, it's simply a different. 311 00:16:04,520 --> 00:16:06,480 Speaker 4: Net being cast. It doesn't mean that. 312 00:16:06,920 --> 00:16:10,120 Speaker 3: One if someone feels that there's a class distinction, that's 313 00:16:10,160 --> 00:16:13,200 Speaker 3: a personal slant, you know what I'm saying. It's simply 314 00:16:13,200 --> 00:16:15,520 Speaker 3: a different call sheet that goes out. They're going to 315 00:16:15,600 --> 00:16:17,520 Speaker 3: ask for different types of people, and they're trying to 316 00:16:17,560 --> 00:16:22,080 Speaker 3: profile a different worldview or a different perspective. You're gonna 317 00:16:22,080 --> 00:16:26,040 Speaker 3: ask for different people, and certain shows are crafted to 318 00:16:26,560 --> 00:16:27,920 Speaker 3: show a different perspective. 319 00:16:28,040 --> 00:16:29,240 Speaker 4: That's just what it is to me. 320 00:16:29,320 --> 00:16:31,720 Speaker 3: If you think the people on Zeus or Now That's 321 00:16:31,760 --> 00:16:34,160 Speaker 3: TV or Love and Hip Hop are better or worse 322 00:16:34,240 --> 00:16:37,240 Speaker 3: than the people on Bravo, you got some internal work 323 00:16:37,240 --> 00:16:40,320 Speaker 3: to do because it's just a different talent pool. 324 00:16:40,440 --> 00:16:40,880 Speaker 4: That's it. 325 00:16:41,800 --> 00:16:44,480 Speaker 1: I drew the talent pool because even when I said that, look, 326 00:16:44,600 --> 00:16:47,520 Speaker 1: I would love to see Joscelyn Hernandez on Miami. The 327 00:16:47,560 --> 00:16:49,520 Speaker 1: reason why I said that, and I wasn't saying that 328 00:16:49,520 --> 00:16:52,680 Speaker 1: to be like just a start a thought provoking conversation. 329 00:16:53,960 --> 00:16:59,360 Speaker 1: Joscelyn is from Miami, Florida. Joslyn speaks fluently in Spanish. 330 00:16:59,520 --> 00:17:02,920 Speaker 1: I am a huge fan of Miami Housewives. I do 331 00:17:02,960 --> 00:17:05,480 Speaker 1: feel like, this is my opinion as a viewer of 332 00:17:05,520 --> 00:17:06,080 Speaker 1: that show. 333 00:17:06,600 --> 00:17:09,240 Speaker 2: I do feel like it's missing something right. 334 00:17:09,760 --> 00:17:13,840 Speaker 1: And look, I think because Jocelyn is a Puerto Rican 335 00:17:13,880 --> 00:17:19,040 Speaker 1: woman from a different from a different world than those women, 336 00:17:19,280 --> 00:17:21,200 Speaker 1: I just feel like it could be interesting. 337 00:17:21,920 --> 00:17:23,000 Speaker 2: And that's the reason why. 338 00:17:23,280 --> 00:17:27,200 Speaker 1: Look, the world is evolving, and I know the three 339 00:17:27,240 --> 00:17:29,199 Speaker 1: of us haven't told once in our lives that we 340 00:17:29,280 --> 00:17:30,919 Speaker 1: did not belong in certain rooms. 341 00:17:31,040 --> 00:17:33,919 Speaker 2: Right, I'll speak for myself. I know I have and 342 00:17:34,080 --> 00:17:34,560 Speaker 2: I may. 343 00:17:34,400 --> 00:17:40,080 Speaker 1: Be Carlos King, but I still get that today today, 344 00:17:40,200 --> 00:17:43,600 Speaker 1: people still see me as we love you, but we 345 00:17:43,640 --> 00:17:46,520 Speaker 1: don't love you as much as to bring you into 346 00:17:46,600 --> 00:17:49,200 Speaker 1: this room. And that is some real shit. So listen, 347 00:17:49,400 --> 00:17:52,520 Speaker 1: me just being completely transparent. Maybe I am taking it 348 00:17:52,600 --> 00:17:56,240 Speaker 1: personally when I see someone like kay Michelle being a 349 00:17:56,280 --> 00:17:59,560 Speaker 1: topic of conversation because she was on a VH one 350 00:17:59,640 --> 00:18:01,440 Speaker 1: show I work with her. 351 00:18:01,880 --> 00:18:06,840 Speaker 2: Cam Michelle has never key. Michelle has never physically put 352 00:18:06,880 --> 00:18:10,040 Speaker 2: her hands on anybody. She threw a candle at Rosheita, 353 00:18:10,400 --> 00:18:16,800 Speaker 2: But my goodness, gracious Marge Joseph spilled the whole drink 354 00:18:16,920 --> 00:18:20,879 Speaker 2: on Danielle's style, like, y'all gotta stop looking at black 355 00:18:20,920 --> 00:18:24,080 Speaker 2: women on certain shows as if they don't belong. 356 00:18:24,600 --> 00:18:28,040 Speaker 1: And that's why when it comes to Zeus, look, I 357 00:18:28,080 --> 00:18:30,439 Speaker 1: may not watch Zeus. And this has nothing to do 358 00:18:30,480 --> 00:18:33,000 Speaker 1: with classism. It has to do it at my big age. 359 00:18:33,480 --> 00:18:37,600 Speaker 1: I like, I like a story, like I like a 360 00:18:37,680 --> 00:18:41,520 Speaker 1: BAGHINTI of middle and an end. When I was in 361 00:18:41,520 --> 00:18:45,720 Speaker 1: my twenties, I watched Raggles Club every freaking Monday if 362 00:18:45,720 --> 00:18:48,640 Speaker 1: think it came on. And that's why I love Natalie None, 363 00:18:48,760 --> 00:18:52,119 Speaker 1: I love I know all this girls, Finisha Thomas. But 364 00:18:52,880 --> 00:18:56,080 Speaker 1: it doesn't mean I have to say, don't watch Zeus. 365 00:18:55,920 --> 00:19:00,640 Speaker 3: Don't watch should not exist because you're not entertainment. That's 366 00:19:00,640 --> 00:19:03,600 Speaker 3: the difference here, right. People decide that their opinion or 367 00:19:03,640 --> 00:19:08,199 Speaker 3: their feeling about something can now determine a rule or 368 00:19:08,200 --> 00:19:10,560 Speaker 3: the existence of something. And I think that's the distinction 369 00:19:10,600 --> 00:19:13,560 Speaker 3: where people kind of have to police their damn self, right, Like, 370 00:19:13,720 --> 00:19:16,960 Speaker 3: just because you have a feeling about something like Carlos, 371 00:19:17,119 --> 00:19:19,840 Speaker 3: you can want Jocelyn to be you can think that 372 00:19:19,920 --> 00:19:22,080 Speaker 3: Johnson would be a great choice for the Real Housewives 373 00:19:22,119 --> 00:19:24,680 Speaker 3: in Miami, And there's nothing wrong with you feeling like that. 374 00:19:25,000 --> 00:19:27,480 Speaker 3: I can agree or I can disagree. There's nothing wrong 375 00:19:27,520 --> 00:19:30,280 Speaker 3: with that. It doesn't mean we're bad people. You understand 376 00:19:30,280 --> 00:19:33,320 Speaker 3: what I'm saying. And it's okay for things to be subjective, 377 00:19:33,800 --> 00:19:36,080 Speaker 3: like all of that is okay. And so if a 378 00:19:36,119 --> 00:19:40,439 Speaker 3: person feels like there is a classist, classist element to 379 00:19:40,680 --> 00:19:43,520 Speaker 3: this internally for them, then you need to do that 380 00:19:43,680 --> 00:19:46,840 Speaker 3: internal work your damn self, because I can literally say 381 00:19:46,840 --> 00:19:51,879 Speaker 3: I'm not speaking from that place. Yeah, and I know 382 00:19:50,800 --> 00:19:52,280 Speaker 3: you're not. 383 00:19:52,960 --> 00:19:56,000 Speaker 4: Yeah. No, that's my story, you know what I tell 384 00:19:56,040 --> 00:19:56,800 Speaker 4: you all the time. 385 00:19:56,960 --> 00:20:00,439 Speaker 3: If our grandmamas and our mamas because sit up and 386 00:20:00,480 --> 00:20:04,480 Speaker 3: watch Guiding Light and Passions and One Life to goddamn 387 00:20:04,640 --> 00:20:07,800 Speaker 3: Live and the bold and and Beautiful and all my cheering, 388 00:20:08,240 --> 00:20:10,040 Speaker 3: if they can watch all of that, then we can 389 00:20:10,080 --> 00:20:13,840 Speaker 3: watch our stories, which just might be Baddie's Africa, which 390 00:20:14,000 --> 00:20:17,919 Speaker 3: just might be Baddie's Gone Well, or Joscelyn's Cabaret, okay, 391 00:20:18,040 --> 00:20:21,480 Speaker 3: or maybe South Central Baddies on Now That's TV. You know, 392 00:20:21,560 --> 00:20:24,720 Speaker 3: maybe it's one of those shows my PA's my comfort television, 393 00:20:25,000 --> 00:20:26,160 Speaker 3: call it what you want. 394 00:20:26,920 --> 00:20:27,360 Speaker 5: That's it. 395 00:20:27,480 --> 00:20:29,920 Speaker 2: That's it, And I think that's fair. Claudia's having to 396 00:20:29,920 --> 00:20:31,400 Speaker 2: Wi Fi issues. Don't worry y'all. 397 00:20:31,520 --> 00:20:32,720 Speaker 4: We did not tick out. 398 00:20:33,480 --> 00:20:36,200 Speaker 2: Yeah, she is not going to find her luggage. 399 00:20:37,160 --> 00:20:37,760 Speaker 4: No, she ain't. 400 00:20:37,800 --> 00:20:43,760 Speaker 1: No feara culture fans know that, So Dustin, I want 401 00:20:43,800 --> 00:20:48,040 Speaker 1: to read to you what ky Michelle said. In response 402 00:20:48,400 --> 00:20:52,320 Speaker 1: to Robin Dixon and Giselle Brian's conversation. 403 00:20:53,600 --> 00:20:55,360 Speaker 2: Michelle wrote in the. 404 00:20:55,320 --> 00:20:59,200 Speaker 1: Comments, why be so worried about me and my overly 405 00:20:59,440 --> 00:21:04,240 Speaker 1: educated and successful self and what I might be doing? Robin, 406 00:21:04,840 --> 00:21:08,560 Speaker 1: you ran out of a job a long time ago. 407 00:21:09,400 --> 00:21:12,880 Speaker 1: You would love to be recycled, you little cosh potato. 408 00:21:13,359 --> 00:21:14,000 Speaker 2: Just yapping. 409 00:21:15,720 --> 00:21:18,960 Speaker 1: You should have ran through the hotel lobby where your 410 00:21:19,119 --> 00:21:23,720 Speaker 1: husband was. Lady Giselle, you look beautiful. Leave me alone 411 00:21:23,920 --> 00:21:26,479 Speaker 1: and let me go. Yellllo in peace. Kim Michelle did 412 00:21:26,520 --> 00:21:30,760 Speaker 1: not stop there. She continued dusting with I'm around here 413 00:21:30,800 --> 00:21:33,960 Speaker 1: selling our shows and you're selling baseball hats, But you 414 00:21:34,080 --> 00:21:35,080 Speaker 1: worried about. 415 00:21:34,800 --> 00:21:37,919 Speaker 2: Me and what I might be doing the nerve of 416 00:21:38,000 --> 00:21:42,359 Speaker 2: this cosh potato listen not but nothing. 417 00:21:42,440 --> 00:21:46,040 Speaker 3: Chemille's funny by jil, which is why she's gonna add 418 00:21:46,080 --> 00:21:48,359 Speaker 3: value to their cast. One of the reasons why she 419 00:21:48,359 --> 00:21:50,280 Speaker 3: should add value to their real house whiles of Atlantic 420 00:21:50,400 --> 00:21:52,440 Speaker 3: cast when she holding their peach like we know she's 421 00:21:52,440 --> 00:21:56,680 Speaker 3: about to. Now here's the thing that was hilarious. Comedic 422 00:21:56,800 --> 00:22:01,479 Speaker 3: value always makes something better. She he went there with wine, 423 00:22:01,560 --> 00:22:04,399 Speaker 3: the wine shit, whatever, But that was hilarious. Couch potato 424 00:22:04,600 --> 00:22:06,840 Speaker 3: was funny as hell, and I could see her saying 425 00:22:06,880 --> 00:22:08,960 Speaker 3: it was hilarious, you know what I'm saying. 426 00:22:09,600 --> 00:22:11,320 Speaker 4: That's just it was what it was. 427 00:22:11,359 --> 00:22:14,720 Speaker 3: And I think that even though I personally don't think 428 00:22:14,720 --> 00:22:20,000 Speaker 3: that Robin said anything offensive or disrespectful, I think the 429 00:22:20,119 --> 00:22:24,280 Speaker 3: grouping of Cay Michelle's casting with the notion that Atlanta 430 00:22:24,400 --> 00:22:27,280 Speaker 3: must be running out of people, as if the other 431 00:22:27,480 --> 00:22:31,240 Speaker 3: choices would have been more reasonable than her, I think 432 00:22:31,280 --> 00:22:34,119 Speaker 3: that that's the negative slant that kind of registered with 433 00:22:34,200 --> 00:22:37,640 Speaker 3: k Michelle and prompted her response. So although I don't 434 00:22:37,640 --> 00:22:40,960 Speaker 3: think that Robin like disrespected her blatantly in any way, 435 00:22:41,480 --> 00:22:44,160 Speaker 3: you know, and she just simply did just share a perspective, 436 00:22:44,520 --> 00:22:47,240 Speaker 3: it still was one that's not positive. You know what 437 00:22:47,320 --> 00:22:49,439 Speaker 3: I'm saying. It's like you're saying that, damn, since they 438 00:22:49,520 --> 00:22:51,639 Speaker 3: cast me, they must be running out of the people. 439 00:22:51,720 --> 00:22:53,200 Speaker 3: What the fuck is that supposed to me, and I 440 00:22:53,240 --> 00:22:55,679 Speaker 3: think that's how ca Michelle received it. You know what 441 00:22:55,680 --> 00:22:58,960 Speaker 3: I'm saying. But couch Potato was funny as hell, and 442 00:22:59,480 --> 00:22:59,800 Speaker 3: that's that. 443 00:23:01,520 --> 00:23:03,160 Speaker 2: Claudia, did you? 444 00:23:03,800 --> 00:23:07,280 Speaker 1: I know you were gone, but that's okay, that's okay. 445 00:23:08,240 --> 00:23:09,920 Speaker 1: Do you want me to read you what cay Michelle said? 446 00:23:10,000 --> 00:23:10,720 Speaker 1: You remember it? 447 00:23:10,960 --> 00:23:12,720 Speaker 5: Can you read again? Because the way my matter? 448 00:23:13,400 --> 00:23:14,240 Speaker 2: No, no, I'll good. 449 00:23:14,480 --> 00:23:17,359 Speaker 1: So Cay Michelle said, why be so worried about me 450 00:23:17,480 --> 00:23:21,080 Speaker 1: and my overly educated and successful self and what I 451 00:23:21,200 --> 00:23:24,640 Speaker 1: might be doing? Robin, you ran out of a job 452 00:23:24,720 --> 00:23:28,800 Speaker 1: a long time ago. You would love to be recycled, 453 00:23:29,240 --> 00:23:33,280 Speaker 1: you little cossed potato, just yapping. You should have ran 454 00:23:33,480 --> 00:23:37,680 Speaker 1: through that hotel lobby where your husband was. Lady Giselle, 455 00:23:38,040 --> 00:23:41,639 Speaker 1: you look beautiful. Leave me alone and let me go, yodo. 456 00:23:42,160 --> 00:23:45,600 Speaker 1: She continued. I'm around here selling got shows and you're 457 00:23:45,640 --> 00:23:47,440 Speaker 1: selling baseball hats, but you. 458 00:23:47,480 --> 00:23:50,840 Speaker 2: Worried about it? Does the stop? 459 00:23:51,600 --> 00:23:54,800 Speaker 3: I think about Warwick every time she say baseball hats. 460 00:23:54,920 --> 00:23:58,000 Speaker 3: I think about Dion Warwick and them hats that should 461 00:23:58,000 --> 00:24:00,679 Speaker 3: be wearing it. Just every time she said, when I 462 00:24:00,680 --> 00:24:03,840 Speaker 3: see that, she said baseball hats, which is a very 463 00:24:03,880 --> 00:24:09,160 Speaker 3: black way to describe Robin's hats. Okay, I think about them. 464 00:24:09,200 --> 00:24:12,000 Speaker 3: Has Dion Warrid be wearing and it just takes me out. 465 00:24:12,400 --> 00:24:14,159 Speaker 3: If Robin was smart, that's who she would have had 466 00:24:14,200 --> 00:24:15,720 Speaker 3: modeled them off. I'll bet you them hats would have 467 00:24:15,720 --> 00:24:18,880 Speaker 3: been out the window. 468 00:24:18,920 --> 00:24:19,919 Speaker 2: That's actually smart. 469 00:24:20,359 --> 00:24:20,679 Speaker 3: Okay. 470 00:24:20,720 --> 00:24:24,280 Speaker 1: So Claudia, she said, while you running rocket something baseball hats, 471 00:24:24,320 --> 00:24:26,679 Speaker 1: but you're worried about meeting what I might be doing. 472 00:24:27,119 --> 00:24:29,080 Speaker 2: The nerve of this cost potato. 473 00:24:31,480 --> 00:24:34,399 Speaker 6: I think the punishment didn't fit the crime. I feel 474 00:24:34,400 --> 00:24:36,720 Speaker 6: like I feel like the shape from Robin was a two. 475 00:24:36,920 --> 00:24:39,240 Speaker 6: I think the clydback from Camashall was a twenty two, 476 00:24:39,440 --> 00:24:43,159 Speaker 6: which you know that's what you're gonna get, right, so listen. 477 00:24:44,880 --> 00:24:46,760 Speaker 5: Now it's on ten. Now it's up, I guess. 478 00:24:46,880 --> 00:24:49,760 Speaker 6: But I mean, if we didn't do commentary like we 479 00:24:49,800 --> 00:24:52,320 Speaker 6: do commentary, we could find ourselves in this position easily 480 00:24:52,359 --> 00:24:55,600 Speaker 6: and there's everything we say deserve to get a level 481 00:24:55,680 --> 00:24:58,520 Speaker 6: twenty two clip back. No, I do think two things 482 00:24:58,640 --> 00:25:00,640 Speaker 6: be true at the same time. I do think Michelle. 483 00:25:00,880 --> 00:25:04,280 Speaker 6: I think Robin caught it because ky Mischelle had had 484 00:25:04,400 --> 00:25:06,960 Speaker 6: enough of being dragged by so many other people having 485 00:25:07,000 --> 00:25:10,440 Speaker 6: their opinion about if she was good enough for Housewives, 486 00:25:10,440 --> 00:25:13,560 Speaker 6: accomplished enough to get whatever the hell, and I think 487 00:25:13,600 --> 00:25:16,000 Speaker 6: she's probably was at her wits end. It's more about 488 00:25:16,000 --> 00:25:19,000 Speaker 6: that now I can't agree with someone things that Robin 489 00:25:19,000 --> 00:25:21,600 Speaker 6: said about recycling people and using the same people over 490 00:25:21,680 --> 00:25:23,359 Speaker 6: and over again, because we we did be wanting like 491 00:25:23,440 --> 00:25:23,880 Speaker 6: that fresh. 492 00:25:23,920 --> 00:25:25,600 Speaker 5: She doesn't have to be a celebrity like someone that 493 00:25:25,680 --> 00:25:29,119 Speaker 5: just brings that energy. But I do think Calvin cut. 494 00:25:29,000 --> 00:25:32,720 Speaker 1: You off now that I yes, then I can get 495 00:25:32,760 --> 00:25:33,920 Speaker 1: I can get with sorry ahead. 496 00:25:33,960 --> 00:25:36,480 Speaker 6: But I do think Cay Michelle doesn't deserve as much 497 00:25:36,520 --> 00:25:40,480 Speaker 6: as a smoke because I do think that she with 498 00:25:40,680 --> 00:25:44,520 Speaker 6: all that being said, she has shown growth, she has 499 00:25:44,560 --> 00:25:46,119 Speaker 6: moved on. I mean, I didn't like when she was 500 00:25:46,200 --> 00:25:49,040 Speaker 6: hitting people with flowers and throwing stuff at the Camelong 501 00:25:49,119 --> 00:25:50,320 Speaker 6: kind of stuff and long. 502 00:25:50,359 --> 00:25:51,480 Speaker 5: You know, I don't want to see her doing that 503 00:25:51,480 --> 00:25:51,960 Speaker 5: and the. 504 00:25:51,880 --> 00:25:54,760 Speaker 6: Housewives capacity, but like she let's not act like this 505 00:25:54,800 --> 00:25:56,119 Speaker 6: woman has not evolved. 506 00:25:56,160 --> 00:25:59,280 Speaker 5: She's entered into a new area of music in the 507 00:25:59,320 --> 00:26:00,000 Speaker 5: country scene. 508 00:26:00,320 --> 00:26:02,760 Speaker 6: She's probably been sick of getting attacked by them, white people, 509 00:26:02,880 --> 00:26:05,520 Speaker 6: mad that black people are taking over their spaces. She's 510 00:26:05,520 --> 00:26:08,600 Speaker 6: been getting dragged for probably a few years with this stuff. 511 00:26:08,640 --> 00:26:11,280 Speaker 6: Now she's gone on to get married. She was on 512 00:26:11,359 --> 00:26:13,280 Speaker 6: Queen's Court, which she did a really good job. She 513 00:26:13,400 --> 00:26:16,720 Speaker 6: showed growth on that show, so she's probably like, god, damn, yeah, 514 00:26:16,760 --> 00:26:18,520 Speaker 6: I was gett on hood back then, but I have 515 00:26:18,640 --> 00:26:21,040 Speaker 6: evolved since then, and I'm kind of sick and tired 516 00:26:21,040 --> 00:26:23,720 Speaker 6: of people saying I'm not good enough. Still I understand 517 00:26:23,720 --> 00:26:26,119 Speaker 6: what she feel frustrated then, and I think Robin was 518 00:26:26,119 --> 00:26:28,480 Speaker 6: probably just like the straw that broke the camel's back. 519 00:26:30,359 --> 00:26:32,879 Speaker 6: I don't think what Robin really warranted all that. I 520 00:26:32,920 --> 00:26:36,200 Speaker 6: think Robin caught the heat from all the other people 521 00:26:36,240 --> 00:26:38,520 Speaker 6: talking shit about Ky Michelle and came show was like, well, 522 00:26:38,520 --> 00:26:41,080 Speaker 6: goddamn you about to get it for everybody else. That's 523 00:26:41,160 --> 00:26:42,600 Speaker 6: kind of what I feel like, because I don't think 524 00:26:42,680 --> 00:26:45,600 Speaker 6: Robin Robin will do it a little shit. But if you, 525 00:26:45,680 --> 00:26:46,959 Speaker 6: damn if you do, you damn if you don't. When 526 00:26:46,960 --> 00:26:48,639 Speaker 6: you do a podcast, you don't you give him something. 527 00:26:48,880 --> 00:26:51,080 Speaker 6: You a hater, You don't give him something. You're boring, 528 00:26:51,800 --> 00:26:53,280 Speaker 6: And I think that's what I think, that's where they 529 00:26:53,359 --> 00:26:53,720 Speaker 6: do it. 530 00:26:53,600 --> 00:26:55,440 Speaker 3: To They just did it to me on our show 531 00:26:55,480 --> 00:26:57,520 Speaker 3: this week Monday, when I was talking about the housewives 532 00:26:57,520 --> 00:26:59,600 Speaker 3: in New Jersey because you know, even though I don't 533 00:26:59,640 --> 00:27:01,639 Speaker 3: be in the I don't mean all my cousins and 534 00:27:01,680 --> 00:27:04,680 Speaker 3: shit back home. And it was a lady named Michelle 535 00:27:04,720 --> 00:27:06,800 Speaker 3: Baron that called me a bitch for no reason. 536 00:27:06,880 --> 00:27:08,840 Speaker 4: She was like, dusting is a bit. Some lady named 537 00:27:08,840 --> 00:27:09,600 Speaker 4: Michelle Baron. 538 00:27:09,960 --> 00:27:13,399 Speaker 3: She had them Charlotte Airport, white rocking chair teeth in 539 00:27:13,400 --> 00:27:14,840 Speaker 3: her mouth, big ass front. 540 00:27:14,560 --> 00:27:16,240 Speaker 4: Teeth leaning back like that. 541 00:27:16,359 --> 00:27:18,719 Speaker 3: Everybody know that's the best part about the Charlotte Airport, 542 00:27:18,720 --> 00:27:22,720 Speaker 3: them right rocking chairs. Okay, that's what her teacher looked like. 543 00:27:22,760 --> 00:27:24,879 Speaker 3: And you know, my cousins ran it right down to me. 544 00:27:25,040 --> 00:27:26,720 Speaker 3: Call me a bitch for no reason. You know what 545 00:27:26,760 --> 00:27:28,840 Speaker 3: I'm saying that all I said was what happened with 546 00:27:28,920 --> 00:27:32,280 Speaker 3: Teresa and never took a side, never did none of that. 547 00:27:32,359 --> 00:27:35,000 Speaker 3: But you didn't, right, So people like that Michelle Barron 548 00:27:35,080 --> 00:27:37,200 Speaker 3: lady are just gonna be negative, you know what I'm saying, 549 00:27:37,280 --> 00:27:39,639 Speaker 3: just for the sake of and it just it's a 550 00:27:39,680 --> 00:27:40,159 Speaker 3: part of it. 551 00:27:40,240 --> 00:27:43,640 Speaker 4: So unfortunately Robin just got called Michelle. 552 00:27:43,840 --> 00:27:46,280 Speaker 6: You know, I did be seeing a girl a negative 553 00:27:46,280 --> 00:27:48,080 Speaker 6: A lot of common say, Michelle, maybe it's the same 554 00:27:48,119 --> 00:27:50,199 Speaker 6: one but she's probably not getting any dick or pussy, 555 00:27:50,200 --> 00:27:51,000 Speaker 6: and she's probably angry. 556 00:27:51,040 --> 00:27:51,920 Speaker 4: I don't care about. 557 00:27:52,320 --> 00:27:55,680 Speaker 5: I got a back and low titties, hanging love strep 558 00:27:55,720 --> 00:27:56,439 Speaker 5: walks on the stomach. 559 00:27:56,440 --> 00:28:00,080 Speaker 6: You know she's probably Yeah, you'll be looking fine and 560 00:28:00,240 --> 00:28:02,560 Speaker 6: in shape, got a big ass, dead got money, got 561 00:28:02,560 --> 00:28:03,640 Speaker 6: a rooftop. 562 00:28:03,840 --> 00:28:05,080 Speaker 5: You've got views of the city. 563 00:28:06,840 --> 00:28:07,360 Speaker 1: You know what I'm saying. 564 00:28:07,400 --> 00:28:07,960 Speaker 5: I get it. 565 00:28:07,960 --> 00:28:10,439 Speaker 3: It's all good. You know what I'm saying. She definitely 566 00:28:10,520 --> 00:28:12,960 Speaker 3: looked like Uncle Phil a little bit. 567 00:28:13,040 --> 00:28:15,879 Speaker 4: You know what I'm saying. It was all good. You 568 00:28:15,920 --> 00:28:17,639 Speaker 4: know what I'm saying. It's all good. 569 00:28:19,680 --> 00:28:20,520 Speaker 2: Okay, it's all good. 570 00:28:20,800 --> 00:28:23,240 Speaker 4: We love the rain drops. She ain't no rain drop. 571 00:28:24,760 --> 00:28:25,920 Speaker 2: I didn't see that comment. 572 00:28:27,480 --> 00:28:30,840 Speaker 4: I didn't neither my cousin. They look. They send me 573 00:28:30,880 --> 00:28:32,280 Speaker 4: a screenshot. I ain't. 574 00:28:33,680 --> 00:28:37,439 Speaker 3: They went to her youthube account, screenshot of her picture 575 00:28:37,480 --> 00:28:38,240 Speaker 3: and send it to me. 576 00:28:38,400 --> 00:28:43,240 Speaker 4: You know what I'm saying. So I want I want 577 00:28:43,240 --> 00:28:44,280 Speaker 4: to I want to. 578 00:28:44,640 --> 00:28:47,800 Speaker 3: You look like an owl, Michelle Baron. I just want 579 00:28:47,800 --> 00:28:49,640 Speaker 3: you to know that you literally look like an owl 580 00:28:49,680 --> 00:28:51,520 Speaker 3: in the face with jowls. 581 00:28:54,120 --> 00:28:54,640 Speaker 5: That's okay. 582 00:28:54,920 --> 00:28:58,600 Speaker 4: So poor caught her up a little bit. 583 00:29:00,840 --> 00:29:03,080 Speaker 2: Is Claudia Prosen again. 584 00:29:03,240 --> 00:29:05,320 Speaker 4: So okay, yeah she is Okay. 585 00:29:05,560 --> 00:29:07,120 Speaker 2: I will say this. I will say this. 586 00:29:07,200 --> 00:29:07,800 Speaker 4: I will say this. 587 00:29:08,920 --> 00:29:12,280 Speaker 1: I grew with all of you guys. In terms of Robin, Listen, 588 00:29:13,520 --> 00:29:17,440 Speaker 1: I've been around Robin. Robin's job as a pod Holt 589 00:29:17,600 --> 00:29:22,040 Speaker 1: podcast post is to talk about the topic. Yes, you 590 00:29:22,160 --> 00:29:25,840 Speaker 1: just said, Dustin, you you gave Teresa so much praise. 591 00:29:26,120 --> 00:29:28,600 Speaker 1: You made a comment that people didn't like, and all 592 00:29:28,640 --> 00:29:33,480 Speaker 1: of a sudden it erased everything positive you said. Which, 593 00:29:33,520 --> 00:29:36,600 Speaker 1: by the way, Teresa liked the post that I posted 594 00:29:36,600 --> 00:29:39,440 Speaker 1: of you. Uh, talk about that, So I wanted you 595 00:29:39,440 --> 00:29:42,240 Speaker 1: to know that. And by the way, Teresa wanted me 596 00:29:42,320 --> 00:29:43,040 Speaker 1: to tell you. 597 00:29:43,000 --> 00:29:47,400 Speaker 3: Hi, Dustin, Hi Teresa, what's up Teresa? I hope your 598 00:29:47,480 --> 00:29:48,160 Speaker 3: season love. 599 00:29:49,040 --> 00:29:51,440 Speaker 2: Yes, so Teresa wanted me to tell you, She says. 600 00:29:51,200 --> 00:29:59,400 Speaker 3: Hello, thank you, And I like your Applientis I love 601 00:29:59,440 --> 00:30:01,840 Speaker 3: with smig? Do you have a mixer in your kitchen? Carlos, 602 00:30:01,880 --> 00:30:03,120 Speaker 3: you got a kitchen aid? 603 00:30:04,280 --> 00:30:05,120 Speaker 5: No? Should I? 604 00:30:06,040 --> 00:30:06,320 Speaker 3: Yes? 605 00:30:06,400 --> 00:30:08,720 Speaker 4: My mama has had a kitchen aid for my grandmother 606 00:30:08,800 --> 00:30:16,240 Speaker 4: all that man thirty years. Yeah. 607 00:30:16,640 --> 00:30:17,360 Speaker 5: Is it Simon? 608 00:30:20,000 --> 00:30:22,400 Speaker 1: I think Simon has other things of her about besides 609 00:30:22,440 --> 00:30:24,640 Speaker 1: your wi final It must be somebody else. 610 00:30:25,360 --> 00:30:27,760 Speaker 2: Well, I wasn't gonna say today, but I'm not gonna 611 00:30:27,760 --> 00:30:29,720 Speaker 2: do that because that that will blow the end of day. 612 00:30:29,760 --> 00:30:32,560 Speaker 2: I'll text you, but what I will say. What I 613 00:30:32,600 --> 00:30:34,240 Speaker 2: will say is this. 614 00:30:36,480 --> 00:30:39,440 Speaker 1: Robin's job is to be a podcast host and to 615 00:30:39,520 --> 00:30:40,360 Speaker 1: stay her opinion. 616 00:30:40,840 --> 00:30:42,360 Speaker 2: All three of us get dragged. 617 00:30:42,840 --> 00:30:46,080 Speaker 1: I have seen people tag some of my friends in 618 00:30:46,120 --> 00:30:49,480 Speaker 1: reality TV saying Carlos is laughing at people talking. 619 00:30:49,240 --> 00:30:50,720 Speaker 2: About you like y'all. 620 00:30:50,800 --> 00:30:55,200 Speaker 1: Y'all, y'all try to get people to like comfort us 621 00:30:55,480 --> 00:30:59,800 Speaker 1: and that's not okay. Y'all either want entertaining show or you. 622 00:31:00,560 --> 00:31:02,400 Speaker 1: But the fact that some of y'all run till. 623 00:31:02,280 --> 00:31:06,240 Speaker 2: That is wow. But I digress anyways. 624 00:31:06,840 --> 00:31:16,239 Speaker 5: Don't it's mortal? It's mortal? Is that? I mean? 625 00:31:16,280 --> 00:31:18,320 Speaker 2: I dispelled the name. Don't say a live. 626 00:31:23,960 --> 00:31:25,160 Speaker 5: Mortal or time. 627 00:31:27,320 --> 00:31:28,280 Speaker 2: I would vote for Todd. 628 00:31:31,560 --> 00:31:36,080 Speaker 1: Reality with the King is executive produced by me Carlos King, 629 00:31:36,480 --> 00:31:40,440 Speaker 1: produced by Lizzie Nimitz, and a partnership. 630 00:31:39,840 --> 00:31:41,920 Speaker 2: With the Lack of Effect Network. 631 00:31:42,280 --> 00:31:45,000 Speaker 1: You can also find us on my YouTube channel at 632 00:31:45,040 --> 00:31:46,880 Speaker 1: be Carlos King Underscore