WEBVTT - INTERVIEW: Rickey Smiley Brings 'Big Chris' On The Breakfast Club

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<v Speaker 1>Wake that ass up in the morning. The Breakfast Club Morning.

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<v Speaker 2>Everybody's the j Envy just hilarious. Charlamagne the guy. We

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<v Speaker 2>are the breakfast Club. We got a special guest in

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<v Speaker 2>the building. Yes, indeed he's back, Ladies and gentlemen. Riggy Smiley, Hey,

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<v Speaker 2>thank you all for having me.

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<v Speaker 1>Don't you got your own show?

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<v Speaker 3>Yeah? I got on early record of the prank phone

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<v Speaker 3>call sending her slide.

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<v Speaker 4>Don't over here, folks, man, Riggy, I would laugh so

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<v Speaker 4>much watching your special Man.

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<v Speaker 1>I was telling him that this morning, you saw it.

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<v Speaker 1>What you mean I saw it?

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<v Speaker 4>Okay, Yeah, you knew you was gonna be with it. Man,

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<v Speaker 4>I laughed so hard. You know why, I could have

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<v Speaker 4>felt warm? Right, you know what I'm saying. Regardless of

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<v Speaker 4>what you said that people might get be offended by it,

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<v Speaker 4>just felt like it was coming from a good place.

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<v Speaker 3>Yeah, they'll be all right. That's the problem, man. The

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<v Speaker 3>comedy is just everybody is too sensitive right now. We

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<v Speaker 3>need to get back to the nineties when comedians did

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<v Speaker 3>what they did. Eddie Murphy Robbers still funny. I don't

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<v Speaker 3>get offended that nothing. Eddie Murphy Delirious is funny. Fox

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<v Speaker 3>Jamie Fox Martin Arni, those specials, Mark Curry, all of

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<v Speaker 3>those specialist are still funny.

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<v Speaker 5>Man?

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<v Speaker 3>Are we just in a counsel culture? And on this one,

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<v Speaker 3>I just say what the hell I want to say

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<v Speaker 3>and just have fun with the audience. The audience that

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<v Speaker 3>came out to see you, they say we want you,

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<v Speaker 3>and that's what I gave them want.

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<v Speaker 4>I wouldn't want a young kid to watch Eddie Murphy

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<v Speaker 4>Rod deliver, especially a young Remember the LGBTQ.

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<v Speaker 1>You got to ease into that one. You can't just

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<v Speaker 1>turn that one on now. But is that why it

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<v Speaker 1>took you ten years to do another special? No, man,

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<v Speaker 1>you know what happened.

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<v Speaker 3>I got in the radio, got in and raising the kids.

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<v Speaker 3>I was still performing on the weekend. You just have

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<v Speaker 3>to give yourself some space, give yourself a cushion to

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<v Speaker 3>have a balanced life. You know, do radio, you know,

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<v Speaker 3>do shows or whatever. But then uh push the kids

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<v Speaker 3>on the swing set and just have some fun and

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<v Speaker 3>enjoyed life and sit on the beach a couple of

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<v Speaker 3>a few weekends instead of shows on a Saturday, two

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<v Speaker 3>shows on a Friday. And it ain't the shows, it's

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<v Speaker 3>the end between shows. Just you know, the two hours,

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<v Speaker 3>the two and a half, the three hour wait for

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<v Speaker 3>you to go back on stage in between shows, sitting

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<v Speaker 3>in a room with comedians and we run out of

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<v Speaker 3>things to talk about and your voice gone, and it

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<v Speaker 3>just that was kind of I just needed I just

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<v Speaker 3>needed a cushion. So I didn't put pressure on myself

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<v Speaker 3>to do another one. I just kept performing in David

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<v Speaker 3>Talbert and Land Talbert. It's like, hey, man, you need

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<v Speaker 3>to do another special. You haven't done one in years.

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<v Speaker 3>I said, okay. We put it off and we was

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<v Speaker 3>on the boat swimming with sharks. He said, man, excuse

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<v Speaker 3>me my life. He said, I want to put some

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<v Speaker 3>cinema on your zid like that you curse. I currently said,

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<v Speaker 3>say I'm gonna put some cinema on your ship. I said, okay.

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<v Speaker 3>He said, when you look at Eddie Murphy, raw, Eddie

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<v Speaker 3>Murphy delirious, He said, I want to shoot your you know, say,

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<v Speaker 3>you haven't been presented the right way. You did comedy

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<v Speaker 3>specials on Comedy Central and on all these other shows.

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<v Speaker 3>He said, but man, we got that. We got to

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<v Speaker 3>do you right. So I was like, cool, and we

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<v Speaker 3>did it. We shot it, did three shows, and uh,

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<v Speaker 3>it was fun. I had a good time. If I

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<v Speaker 3>had one critique, I just felt like I, I don't know,

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<v Speaker 3>it just kind of felt like I had something to prove.

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<v Speaker 3>And I think I should have just took a deep

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<v Speaker 3>breath and just relaxed a little bit. When I go

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<v Speaker 3>back and look at it, you know, you your own

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<v Speaker 3>worst critic. You hear yourself on the radio, You're gonna

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<v Speaker 3>turn the station. You ain't gonna sell and listen to you.

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<v Speaker 3>I can't stand and listen to prove to you. Just

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<v Speaker 3>felt like you just have something to prove, like you

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<v Speaker 3>coming out like like that nigga come down.

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<v Speaker 1>It was like a walking apark.

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<v Speaker 6>He was like an uncle at a cookout like you.

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<v Speaker 6>That's why I was gonna ask you, did you write anything?

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<v Speaker 6>It just seemed like you just had it and it

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<v Speaker 6>was just it.

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<v Speaker 3>Was there, like yeah, just I had been working on

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<v Speaker 3>some of that material for years and it was just sharp.

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<v Speaker 3>It was developed. I had did it in comedy club.

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<v Speaker 3>I had reader Brent, comedian special k Big shun LeVar Walker,

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<v Speaker 3>you know, you know, helping me out or whatever, giving me,

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<v Speaker 3>you know, punching up the stuff, making it funny and

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<v Speaker 3>performing it. You know, so when you perform the stuff.

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<v Speaker 3>You know, just when we did shows together. You know

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<v Speaker 3>how many time I'll pull y'all to the side and said, hey, look,

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<v Speaker 3>you make a mistake right here, do this right here,

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<v Speaker 3>and then flip that, do that right there. I wish

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<v Speaker 3>I could coach comedy definitely needs some. I will tell her.

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<v Speaker 3>I was on beat some on ass one night. I said,

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<v Speaker 3>why did you do that? I bought it to the

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<v Speaker 3>dress and I said, you need to do this like this.

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<v Speaker 3>She said, for real, she said, I just really appreciate

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<v Speaker 3>you even taking the time.

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<v Speaker 1>Are they receptive?

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<v Speaker 5>Though?

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<v Speaker 6>The comedian, well, I'm sorry, but she was because she

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<v Speaker 6>did exactly what he because we were all on the

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<v Speaker 6>same exactly what he told her to and she got

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<v Speaker 6>a bigger response.

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<v Speaker 3>Sure did yeah. And man, when she came off State, man,

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<v Speaker 3>we jumping and hugging everybody, like what's going on? I said,

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<v Speaker 3>we had made a critique and I said, hey, you

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<v Speaker 3>should do this like this or what the thing with

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<v Speaker 3>the cell phone had everybody light that. I said, don't

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<v Speaker 3>cut that off. You got to keep that moment you

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<v Speaker 3>got the bill off of it, and then boom, boom boom,

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<v Speaker 3>and she did it the very next night. In Houston,

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<v Speaker 3>and we were just going crazy about it because you know,

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<v Speaker 3>I take the time to coach them. I pulled just

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<v Speaker 3>to the side and say, hey, let's do this like

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<v Speaker 3>this or what do you think or do you think

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<v Speaker 3>this will work better? I'm trying to tell him what

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<v Speaker 3>to do. But that's that's our job because we was coached.

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<v Speaker 3>You know, you couldn't make no mistakes, Steve, I tell

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<v Speaker 3>you that story. No, man, I was dressed like el

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<v Speaker 3>cooj one night on the show with Steve. Yeah, and

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<v Speaker 3>damn right, man, you have to you have to. You

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<v Speaker 3>have to respect that somebody put think enough of you

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<v Speaker 3>to pull you to the side, because most people are

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<v Speaker 3>not gonna say nothing.

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<v Speaker 1>Can you coach people when they not funny?

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<v Speaker 3>Yeah? Hey, hey, just don't don't go back on now.

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<v Speaker 1>You can't write jokes.

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<v Speaker 3>You can't write funny, but they have to know how

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<v Speaker 3>to perform it or whatever. Are you just have to

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<v Speaker 3>find that find that whatever that niche is and bill

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<v Speaker 3>from there or whatever. Yeah.

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<v Speaker 1>So is it okay for comedians to have writers?

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<v Speaker 3>Yeah?

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<v Speaker 2>Okay, so because you know some people like now, I

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<v Speaker 2>wreck my own jokes. I do my own stuff like

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<v Speaker 2>you see that so much. But now today rappers got writers.

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<v Speaker 2>Now they help with certain things.

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<v Speaker 7>Is that okay?

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<v Speaker 3>Or is it one of those things that you gave

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<v Speaker 3>them your concept? You said, sometime I have a punchline.

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<v Speaker 3>I said, here's a punchline. I tell you what I

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<v Speaker 3>tell you another story, Saturday entertainer wrote, Little Daryl, No,

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<v Speaker 3>I didn't know that's the true story. Wow. Now you

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<v Speaker 3>know you know the hotel in Atlanta when you get

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<v Speaker 3>off on Fourteenth Street by Georgia Tech. That that that

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<v Speaker 3>that that married out right there next to the four Seasons,

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<v Speaker 3>right there on fourteenth Street. We were staying at the

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<v Speaker 3>hotel because we open up Uptown Comedy Club that was

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<v Speaker 3>behind Houston's where we was doing the very open the

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<v Speaker 3>opening weekend. And I said, say it, I ain't got

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<v Speaker 3>this this joke about this kid saying this Eastern speech.

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<v Speaker 3>And we was in a seventy nine couple that's driving

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<v Speaker 3>up Peachtree. He said, oh man, I said, what should

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<v Speaker 3>I name it? He said, oh man, he was going

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<v Speaker 3>through that. He said, little Darryl. He said, litt Darren.

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<v Speaker 3>He said, yeah, he's saying the Easter speech. And he

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<v Speaker 3>said my name Little Daryl. And Liz said set entertainer

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<v Speaker 3>pretty much helped me develop that entire joe that changed

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<v Speaker 3>my entire career. I did that that joke on Comic

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<v Speaker 3>View in my career took off. They still talk about it.

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<v Speaker 3>People weren't even born. Well, I don't know if you

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<v Speaker 3>was born when I did, but I know exactly, I

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<v Speaker 3>know it right, right, said said developed that joke.

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<v Speaker 4>You're saying things in the specially that people need to hear.

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<v Speaker 4>For example, tell his brother Nvy why he shouldn't die

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<v Speaker 4>his bed.

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<v Speaker 3>Yeah, yeah, don't don't die because don't that that just

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<v Speaker 3>for men or whatever. I got. I got a little

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<v Speaker 3>dying there. But I let the little great seep out

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<v Speaker 3>a little bit because women like that, right you are, Zaddy, Okay,

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<v Speaker 3>be one. If we got to get off that van,

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<v Speaker 3>we got to get off that van with them ogs,

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<v Speaker 3>with them great beers, with them sung if we got

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<v Speaker 3>to get off the van with my little just a

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<v Speaker 3>little bit, I like my little just let the little

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<v Speaker 3>great come on out. Women like, yeah, now I got

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<v Speaker 3>the little gray coming out or whatever. But I took

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<v Speaker 3>an eyeliner that the little mascaron and kind of breast

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<v Speaker 3>over this part or whatever. But you got to make

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<v Speaker 3>sure you got a nice blend. Like I'm young, but

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<v Speaker 3>the great shows the wisdom. You know what I'm saying.

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<v Speaker 3>You do that and you take your two honey packs

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<v Speaker 3>and have them sticking out of your pocket, still clapping

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<v Speaker 3>them cheeks, Clap them cheeks.

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<v Speaker 4>That shorty low hit too, man when you came out, Man,

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<v Speaker 4>why you wanted to use that song?

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<v Speaker 1>And called a special foolish?

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<v Speaker 3>My producer my morning show. We did a live broadcast somewhere,

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<v Speaker 3>and she said, I was all over the place because

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<v Speaker 3>you know, I go find winos and crackheads and put

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<v Speaker 3>them on stage and let them sing, and I let

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<v Speaker 3>people people get it out. You know what I'm saying,

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<v Speaker 3>Like I put them on. I got a surprise for

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<v Speaker 3>you later on. No, I got surprised you wrong. I

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<v Speaker 3>got a surprise you.

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<v Speaker 1>You're a good dude.

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<v Speaker 3>I got something you that's gonna bless your life. You too,

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<v Speaker 3>just I got something you. Just stay with me.

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<v Speaker 1>We right here.

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<v Speaker 3>I got something for y'all. Last is morninga y'all comedian.

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<v Speaker 3>This is gonna bless your life. Oh no, no, you

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<v Speaker 3>you you got a whole lot of counting you and

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<v Speaker 3>down there rollins, y'all be cracking me. Up or whatever. Yeah,

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<v Speaker 3>you got you in you in the comedy family. So

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<v Speaker 3>yeah you you wander We need to plague them. Yeah yeah,

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<v Speaker 3>yeah he's gonna get.

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<v Speaker 1>I want to ask about butterfly.

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<v Speaker 2>You still have butterflies when you when you perform on Stade.

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<v Speaker 3>Hell yeah, you do it so much. Man, if you're

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<v Speaker 3>not about the if you don't have a bubble in

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<v Speaker 3>your you're about to fart, like you, Brian, you got

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<v Speaker 3>passing gas, you know, just you ever you ever farted

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<v Speaker 3>like headed to the microphone.

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<v Speaker 6>I'm talking about like told taking ship like right before,

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<v Speaker 6>like twenty seconds before you got going.

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<v Speaker 3>You feel it right at the tip.

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<v Speaker 1>Like he's done that here? How about that?

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<v Speaker 3>Oh yeah yeah yeah. Jess and Mike Jesson, Mike Epps

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<v Speaker 3>don't care. They'll blow up anybody's bathroom. What Mike Epps

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<v Speaker 3>took a ship one time, Michael Mike Epps started on

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<v Speaker 3>the set of Friday After Next and we had to

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<v Speaker 3>stop taking no. Yeah, it was in the little house

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<v Speaker 3>where we were doing the scene with the Mike Epps

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<v Speaker 3>let one go that day they said we got to

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<v Speaker 3>take a break. It wasn't enough, It wasn't it wasn't enough.

0:10:10.080 --> 0:10:12.360
<v Speaker 3>Spray it wasn't it was something in there. I don't

0:10:12.400 --> 0:10:14.880
<v Speaker 3>know when Mike Epps eight, but him and just they

0:10:14.920 --> 0:10:17.280
<v Speaker 3>don't care. They didn't blow they blow up bathroom. I

0:10:18.280 --> 0:10:18.800
<v Speaker 3>got sick.

0:10:19.120 --> 0:10:20.080
<v Speaker 1>I was so nervous.

0:10:20.280 --> 0:10:25.440
<v Speaker 3>Uh oh, Donnelle Rodinds low down ass Oh, I don't

0:10:25.440 --> 0:10:27.280
<v Speaker 3>know if you did that show when when the Martin

0:10:27.360 --> 0:10:30.079
<v Speaker 3>Lawrence tour was in Atlanta, I don't know if you.

0:10:30.240 --> 0:10:31.199
<v Speaker 3>I think it was beat some on.

0:10:31.360 --> 0:10:31.560
<v Speaker 1>Yeah.

0:10:32.320 --> 0:10:34.880
<v Speaker 3>So COVID had just came out. Donnelle Rollins goes on

0:10:35.000 --> 0:10:37.559
<v Speaker 3>stage and man, he started doing this stuf. He took

0:10:37.600 --> 0:10:40.559
<v Speaker 3>the hand sanitizer on stage and and you know that

0:10:40.640 --> 0:10:43.040
<v Speaker 3>was when COVID first started, because two weeks after that

0:10:43.120 --> 0:10:45.960
<v Speaker 3>they canceled all the shows tour because COVID had got

0:10:46.080 --> 0:10:48.719
<v Speaker 3>dangerous and he had the hand sanitizer and he was

0:10:48.840 --> 0:10:52.160
<v Speaker 3>pumping the skin of hand sanitizer everywhere on stage. The

0:10:52.280 --> 0:10:55.680
<v Speaker 3>freaking audience was going crazy on on side of saying yeah,

0:10:55.920 --> 0:11:01.440
<v Speaker 3>not realizing that I was next. Yeah, my roma say hey,

0:11:01.520 --> 0:11:03.200
<v Speaker 3>Rick you next. You need to get your ship together

0:11:03.200 --> 0:11:05.680
<v Speaker 3>because look what he doing. Man, he did a twenty

0:11:05.880 --> 0:11:11.320
<v Speaker 3>six thousand standing ovation, hovering many people that are rented

0:11:11.520 --> 0:11:15.560
<v Speaker 3>twelve twenty thousand whatever. The state farm a rented a.

0:11:15.679 --> 0:11:18.960
<v Speaker 1>Full house, got a stand out vision.

0:11:19.160 --> 0:11:22.280
<v Speaker 3>No, no, we ain't gonna do that. We ain't gonna

0:11:22.320 --> 0:11:22.520
<v Speaker 3>do that.

0:11:22.640 --> 0:11:23.160
<v Speaker 1>You gonna do that?

0:11:23.480 --> 0:11:24.120
<v Speaker 3>That's my guy.

0:11:24.840 --> 0:11:32.240
<v Speaker 1>I got. She get mad though, gets mad. I have

0:11:32.320 --> 0:11:32.840
<v Speaker 1>a standing over.

0:11:32.880 --> 0:11:33.720
<v Speaker 3>Oh you should have been there.

0:11:33.760 --> 0:11:35.160
<v Speaker 1>I got funny.

0:11:35.280 --> 0:11:37.480
<v Speaker 3>Yeah, tell Benja Brown to send you the video. Benji

0:11:37.559 --> 0:11:40.440
<v Speaker 3>Brown got it on tape the video. Yeah, shut out

0:11:40.480 --> 0:11:42.439
<v Speaker 3>to benjam Brown. So I was next. So I have

0:11:42.520 --> 0:11:45.800
<v Speaker 3>a playbook Charlemagne. So I have acts one through nine.

0:11:46.240 --> 0:11:48.520
<v Speaker 3>So it's not different jokes, but it's the order that

0:11:48.600 --> 0:11:50.640
<v Speaker 3>I do. The joke depend on what happens before I

0:11:50.760 --> 0:11:52.600
<v Speaker 3>go on state. You know what I'm saying, I watched

0:11:52.640 --> 0:11:56.959
<v Speaker 3>Nick Saban's speech before I perform. Oh okay, you watching

0:11:57.000 --> 0:11:59.880
<v Speaker 3>Nick Saban or coach Prime speech, you can you can

0:12:00.120 --> 0:12:04.240
<v Speaker 3>transformed that into comedy in order to get motivated. I'm

0:12:04.280 --> 0:12:05.319
<v Speaker 3>not lying that football.

0:12:05.600 --> 0:12:07.280
<v Speaker 1>So what had Nick Saban a Prime said that you

0:12:07.400 --> 0:12:09.840
<v Speaker 1>actually what your mind that you remember that.

0:12:09.880 --> 0:12:12.360
<v Speaker 3>You go out there like he always talk about winning

0:12:12.440 --> 0:12:14.559
<v Speaker 3>and being your best and just it just builds you

0:12:14.679 --> 0:12:16.800
<v Speaker 3>up to where you need to be to do whatever

0:12:16.960 --> 0:12:18.679
<v Speaker 3>it is that you need to do. Even though we're

0:12:18.679 --> 0:12:22.280
<v Speaker 3>not playing football. So here Downielle Rollins on stage, and

0:12:22.400 --> 0:12:24.680
<v Speaker 3>you got all of the bloggers on the first two rolls,

0:12:24.800 --> 0:12:27.120
<v Speaker 3>all the celebrities on the first two rolls. And if

0:12:27.160 --> 0:12:32.120
<v Speaker 3>you have a bad show in Atlanta, es, you can

0:12:32.200 --> 0:12:36.920
<v Speaker 3>kiss comedy period. Let's just kiss and say goodbye. Your

0:12:37.000 --> 0:12:39.000
<v Speaker 3>career is Oh, you're finna be in all the blogs

0:12:39.040 --> 0:12:41.000
<v Speaker 3>that they walk out on you. You're about to be

0:12:41.080 --> 0:12:43.679
<v Speaker 3>in the blogs. And he got a standingnovation and I

0:12:43.760 --> 0:12:46.000
<v Speaker 3>had to come with it. And I went on stage

0:12:46.040 --> 0:12:47.800
<v Speaker 3>and I put that work in and got a standing

0:12:47.840 --> 0:12:48.760
<v Speaker 3>innovation behind him.

0:12:49.160 --> 0:12:51.080
<v Speaker 4>And I saw the blog I saw when they wrote

0:12:51.080 --> 0:12:53.079
<v Speaker 4>about you getting the standing ovation in Atlanta, they ain't

0:12:53.080 --> 0:12:53.839
<v Speaker 4>mentioned don Eldo.

0:12:54.080 --> 0:12:54.560
<v Speaker 1>They did.

0:12:57.920 --> 0:12:59.960
<v Speaker 3>Now you're gonna have Now you're gonna have him showing

0:13:00.120 --> 0:13:02.599
<v Speaker 3>up at my show, standing up in the aisle, and

0:13:02.720 --> 0:13:05.160
<v Speaker 3>then it's gonna be a Donnell Rodinson Ricky smile instead

0:13:05.160 --> 0:13:10.719
<v Speaker 3>of done. Hey Donelle, Donelle, you know you my boy.

0:13:10.800 --> 0:13:14.320
<v Speaker 3>I'm I'm giving you props. Kick Charlemagne's ass, not mine.

0:13:15.320 --> 0:13:15.520
<v Speaker 1>Yeah.

0:13:16.000 --> 0:13:18.720
<v Speaker 3>So so and I went backstage and I was throwing

0:13:18.840 --> 0:13:22.840
<v Speaker 3>up and shitty yeah at the same thing, because there

0:13:22.880 --> 0:13:25.880
<v Speaker 3>was pressure. You can't get no standing ovation. Your career

0:13:26.000 --> 0:13:28.719
<v Speaker 3>is over everything you work for. If you don't have

0:13:28.840 --> 0:13:31.199
<v Speaker 3>a good show in Atlanta. Atlanta, you look at every

0:13:31.240 --> 0:13:33.360
<v Speaker 3>show like that, like you have to get that off. No,

0:13:34.960 --> 0:13:39.680
<v Speaker 3>that particular city. And Donnelle Rollins had did this COVID

0:13:39.800 --> 0:13:43.559
<v Speaker 3>joke that up that shot the crowd, and it was

0:13:43.679 --> 0:13:46.240
<v Speaker 3>so freaking funny. I don't even think he.

0:13:46.400 --> 0:13:46.920
<v Speaker 1>Rolle the.

0:13:48.720 --> 0:13:52.160
<v Speaker 3>He was like right, just yeah, and he did the

0:13:52.240 --> 0:13:54.839
<v Speaker 3>joke off the top of his head and he was

0:13:54.920 --> 0:13:57.440
<v Speaker 3>just in priv And that wasn't no written joke because

0:13:57.760 --> 0:14:01.920
<v Speaker 3>you can't. The joke was not developed right because COVID

0:14:01.960 --> 0:14:04.160
<v Speaker 3>that just came out, so it's fresh. So you off

0:14:04.200 --> 0:14:05.960
<v Speaker 3>the top of his head, he's ripping that. I'm seeing

0:14:06.040 --> 0:14:09.640
<v Speaker 3>drug dealers, nigga niggas with necklaces on, falling all on

0:14:09.760 --> 0:14:12.920
<v Speaker 3>the floor, crying, people getting up, slapping each other. You

0:14:13.000 --> 0:14:15.679
<v Speaker 3>ain't seeing that's in depth jam, not that kind of

0:14:16.200 --> 0:14:21.480
<v Speaker 3>each other. Yeah, black people got to be air. Yeah yeah.

0:14:22.280 --> 0:14:24.720
<v Speaker 1>Doing the special in Birmingham make you too comfortable?

0:14:25.160 --> 0:14:29.000
<v Speaker 3>Nah, okay, no, because I didn't even realize where I was.

0:14:29.480 --> 0:14:31.520
<v Speaker 3>Uh you know, you know you in Birmingham, but you

0:14:31.640 --> 0:14:33.840
<v Speaker 3>playing to the cameras. I'm playing to a national audience,

0:14:34.200 --> 0:14:36.480
<v Speaker 3>like y'all sit here and do this show. Yeah, you

0:14:36.560 --> 0:14:38.680
<v Speaker 3>see one hundred and twenty fifth Street, but you also

0:14:38.840 --> 0:14:42.520
<v Speaker 3>see Highway to eighty on Birmingham in ninety five in Miami.

0:14:42.840 --> 0:14:45.960
<v Speaker 3>When you on radio, you you see Baltimore. You see

0:14:46.320 --> 0:14:47.880
<v Speaker 3>see people driving.

0:14:47.680 --> 0:14:49.960
<v Speaker 1>On the toll way.

0:14:51.000 --> 0:14:54.200
<v Speaker 3>Absolutely so yeah, you you playing to the cameras you got,

0:14:54.320 --> 0:14:56.120
<v Speaker 3>you feel like you got something to prove because you

0:14:56.160 --> 0:14:59.440
<v Speaker 3>haven't done one in a while. So and then we

0:14:59.520 --> 0:15:01.760
<v Speaker 3>took about forty minutes off of it. I produced it.

0:15:02.200 --> 0:15:03.680
<v Speaker 4>Yeah, so you say at the beginning, he was like,

0:15:03.840 --> 0:15:06.600
<v Speaker 4>I'm about to be up here for two hours. At

0:15:06.600 --> 0:15:08.400
<v Speaker 4>the beginning of the specially use I'm I'm gonna be

0:15:08.440 --> 0:15:09.160
<v Speaker 4>up here for two hours.

0:15:09.280 --> 0:15:11.120
<v Speaker 3>I got it all out. You know, I usually be

0:15:11.120 --> 0:15:12.480
<v Speaker 3>trying to save jokes for the road.

0:15:12.680 --> 0:15:12.880
<v Speaker 8>Yeah.

0:15:12.960 --> 0:15:14.760
<v Speaker 3>Man, I was like to hear it that, I'll figure

0:15:14.800 --> 0:15:16.520
<v Speaker 3>that other part out. Let me just give it all.

0:15:16.920 --> 0:15:18.040
<v Speaker 3>So I laid it all on the table.

0:15:18.160 --> 0:15:20.520
<v Speaker 1>That editing process got to be stressful, man. To cut

0:15:20.560 --> 0:15:22.880
<v Speaker 1>it down to an hour, Ye got a whole hour. Yeah.

0:15:22.960 --> 0:15:24.680
<v Speaker 3>It was a lot of stuff in there, a lot

0:15:24.720 --> 0:15:26.960
<v Speaker 3>of good stuff. I could take the leftover stuff that

0:15:27.040 --> 0:15:30.160
<v Speaker 3>I didn't use and do a whole nother thirty minute specially. Yeah,

0:15:30.200 --> 0:15:34.000
<v Speaker 3>I could, would you do that? Well, what we'll probably

0:15:34.040 --> 0:15:36.000
<v Speaker 3>do is just take some I get some advice from y'all,

0:15:36.080 --> 0:15:38.840
<v Speaker 3>because y'all good with stuff like that. I'll probably take

0:15:38.880 --> 0:15:40.840
<v Speaker 3>some of those clips and lick them on the internet

0:15:41.600 --> 0:15:44.640
<v Speaker 3>or whatever. But I owned the license and I take it,

0:15:44.640 --> 0:15:47.960
<v Speaker 3>and I walked it over to Hulu. Kevin Hard was,

0:15:48.400 --> 0:15:51.640
<v Speaker 3>you know, negotiating with him, and then Netflix said we

0:15:51.920 --> 0:15:54.440
<v Speaker 3>like it. We'll give you a date for twenty twenty

0:15:54.480 --> 0:15:58.000
<v Speaker 3>six because they already have comedians comedians lined up, and

0:15:58.080 --> 0:16:00.480
<v Speaker 3>Hulu said we'll take it now. And then I thought

0:16:00.520 --> 0:16:02.920
<v Speaker 3>that was cool because Bill Burr and then Roy Wood

0:16:03.040 --> 0:16:05.640
<v Speaker 3>Junior did their you know, roy Wood and we come

0:16:05.680 --> 0:16:08.400
<v Speaker 3>from the same station. We come from both come from Birmingham.

0:16:08.800 --> 0:16:10.600
<v Speaker 3>And I was like, well, that's a nice fit. They

0:16:10.680 --> 0:16:15.000
<v Speaker 3>doing comedy now. So they took it and here we are.

0:16:15.200 --> 0:16:17.200
<v Speaker 2>What's success to you when it comes to that type

0:16:17.240 --> 0:16:19.320
<v Speaker 2>of special or just getting it out?

0:16:19.440 --> 0:16:24.120
<v Speaker 3>Is that just making sure that it's special. That's the thing.

0:16:24.200 --> 0:16:27.120
<v Speaker 3>They called them specials. But the question becomes, you want

0:16:27.160 --> 0:16:30.160
<v Speaker 3>it to be special. You wanted to be one that

0:16:30.520 --> 0:16:33.480
<v Speaker 3>you and your mom gonna pull out on Thanksgiving like

0:16:33.600 --> 0:16:35.880
<v Speaker 3>like this special right here. I believe that they're going

0:16:35.960 --> 0:16:38.760
<v Speaker 3>to pull it out every Thanksgiving and every Christmas. We're

0:16:38.800 --> 0:16:40.320
<v Speaker 3>going to sit down and watch the special. Not a

0:16:40.360 --> 0:16:42.680
<v Speaker 3>lot of cussing, maybe one of two cuss words. You

0:16:42.680 --> 0:16:44.680
<v Speaker 3>can watch it with your kids. They can get by

0:16:44.760 --> 0:16:47.640
<v Speaker 3>that one or two cuss words that I use. And

0:16:49.120 --> 0:16:51.200
<v Speaker 3>you know, every Thanksgiving and Christmas, that's gonna be something

0:16:51.240 --> 0:16:53.480
<v Speaker 3>that people will watch, just like they watched Little Darryl

0:16:53.640 --> 0:16:56.640
<v Speaker 3>and How You do that there with the Basic Good Charlemagne.

0:16:56.680 --> 0:16:58.640
<v Speaker 3>I had that in there. We had to edit it

0:16:58.720 --> 0:17:01.640
<v Speaker 3>out because I couldn't get ten percent, so we'm own

0:17:01.760 --> 0:17:04.479
<v Speaker 3>ten percent of that song. We could not find them

0:17:04.560 --> 0:17:07.760
<v Speaker 3>to pay him wowow or whatever. But the Thanksgiving in

0:17:07.880 --> 0:17:10.560
<v Speaker 3>the Christmas part of it is my favorite. Tommy Davison

0:17:11.440 --> 0:17:15.280
<v Speaker 3>facetiming yesterday, still laughing at one joke about the midget,

0:17:16.720 --> 0:17:21.080
<v Speaker 3>and it just wiped him out. He went from we

0:17:21.280 --> 0:17:24.480
<v Speaker 3>was at the Mbrov in Hollywood. Tommy Davison went from

0:17:24.640 --> 0:17:26.960
<v Speaker 3>table to table repeating this joke while he was still

0:17:27.000 --> 0:17:30.000
<v Speaker 3>showing on the screen. He wouldn't sit his ass down,

0:17:30.600 --> 0:17:32.960
<v Speaker 3>and he was going from table to table just repeating

0:17:33.080 --> 0:17:35.240
<v Speaker 3>a joke and I just sat back to Tommy.

0:17:36.480 --> 0:17:39.639
<v Speaker 1>It's a lot of funny shit. I like, she call herself,

0:17:39.720 --> 0:17:47.600
<v Speaker 1>try and push it. That is so true every uncle.

0:17:49.160 --> 0:17:52.199
<v Speaker 3>Yeahl mamas don't play that. No white people say, oh

0:17:52.240 --> 0:17:54.680
<v Speaker 3>my god, my daughter's gay.

0:17:55.359 --> 0:17:56.960
<v Speaker 1>You know the black Mama's where Brianna?

0:17:57.520 --> 0:17:59.600
<v Speaker 3>She's not calling herself liking pussing.

0:18:02.080 --> 0:18:04.359
<v Speaker 1>That's how today ship though. So that's when you find

0:18:04.400 --> 0:18:04.919
<v Speaker 1>out about that.

0:18:07.200 --> 0:18:09.399
<v Speaker 3>All people missing because nobody asked you.

0:18:10.080 --> 0:18:14.119
<v Speaker 1>We asked where it is. Why does she have to

0:18:14.160 --> 0:18:14.479
<v Speaker 1>say them?

0:18:14.480 --> 0:18:16.200
<v Speaker 3>Why can't you just say she's in the back room.

0:18:16.640 --> 0:18:23.159
<v Speaker 3>Back then he's calling herself like yeah, Now that was

0:18:23.200 --> 0:18:24.160
<v Speaker 3>the moment they hit the floor.

0:18:24.680 --> 0:18:26.240
<v Speaker 1>Yes, that was funny.

0:18:26.359 --> 0:18:26.479
<v Speaker 5>Man.

0:18:26.840 --> 0:18:28.080
<v Speaker 1>I wanted to ask you something about Hulu.

0:18:28.119 --> 0:18:31.120
<v Speaker 4>Do you think the screaming platforms are changing the landscape

0:18:31.160 --> 0:18:32.120
<v Speaker 4>and stand up comedians?

0:18:33.080 --> 0:18:35.720
<v Speaker 3>Uh? Yeah, I don't. I don't know a lot about it.

0:18:36.040 --> 0:18:38.520
<v Speaker 3>I'm still learning as I go because my you know,

0:18:38.600 --> 0:18:40.240
<v Speaker 3>my agent, they have to kind of sit me down

0:18:40.280 --> 0:18:42.320
<v Speaker 3>and explain to me how this stuff works because you

0:18:42.400 --> 0:18:44.680
<v Speaker 3>think you shoot especially Okay, let's run it over to

0:18:44.760 --> 0:18:46.879
<v Speaker 3>bet because that's what I'm used to, That's what I

0:18:46.880 --> 0:18:49.160
<v Speaker 3>always done. I always done my comedy specialist on BT.

0:18:49.280 --> 0:18:52.399
<v Speaker 3>Shout out to BT for giving me my start. H

0:18:52.600 --> 0:18:57.240
<v Speaker 3>I'm excited about doing the UH Comic View Reunion in

0:18:57.520 --> 0:19:00.840
<v Speaker 3>LA with Chris Spencer, who did not show up to

0:19:01.000 --> 0:19:03.440
<v Speaker 3>my premiere. I talked to him on the phone all

0:19:03.560 --> 0:19:07.280
<v Speaker 3>day and my friend was Buddy Lewis riding around LA

0:19:07.560 --> 0:19:07.879
<v Speaker 3>with that.

0:19:09.359 --> 0:19:10.480
<v Speaker 1>Say Mark with me this weekend.

0:19:10.560 --> 0:19:12.480
<v Speaker 3>The last week his ass was into LA talking about

0:19:12.520 --> 0:19:16.240
<v Speaker 3>him and Buddy Lewis riding around Loney Love came your

0:19:16.400 --> 0:19:18.760
<v Speaker 3>shade on Christmas. You know he's the mayor of l

0:19:18.840 --> 0:19:21.480
<v Speaker 3>A absolutely much respect. I'm just throwing shade in it

0:19:21.600 --> 0:19:24.439
<v Speaker 3>because he's like my brother. And I never do anything

0:19:24.480 --> 0:19:26.760
<v Speaker 3>without talking to Chris Spencer. I get on his nerves,

0:19:26.800 --> 0:19:29.199
<v Speaker 3>he get on my nerves. But if I have an

0:19:29.240 --> 0:19:31.560
<v Speaker 3>idea about doing something, I never made a movie about

0:19:31.600 --> 0:19:34.480
<v Speaker 3>picking up the phone calling Christmins why Christ.

0:19:34.480 --> 0:19:35.320
<v Speaker 1>He just gives you a good direction.

0:19:35.640 --> 0:19:37.800
<v Speaker 3>He's just a good dude man. He's just a good

0:19:37.880 --> 0:19:40.200
<v Speaker 3>dude man. He ain't gonna screw you over, he ain't

0:19:40.200 --> 0:19:42.919
<v Speaker 3>gonna talk about you behind your back. He gonna always

0:19:42.960 --> 0:19:45.800
<v Speaker 3>give you the best advice man. And he's genuine. And

0:19:45.800 --> 0:19:47.159
<v Speaker 3>then he ain't gonna be on the phone with you

0:19:47.240 --> 0:19:48.800
<v Speaker 3>all day. You're gonna say we he got to say,

0:19:48.840 --> 0:19:51.600
<v Speaker 3>get his ass off the phone, and uh, and that's that.

0:19:51.720 --> 0:19:54.320
<v Speaker 3>I just really respect him, and I respect how other comedians,

0:19:54.400 --> 0:19:57.119
<v Speaker 3>and I respect him on stage, you know, Chris as

0:19:57.200 --> 0:19:59.480
<v Speaker 3>funny as him, but he didn't show up the mind,

0:20:00.680 --> 0:20:04.359
<v Speaker 3>you know how like when your dad is operating exercising

0:20:04.440 --> 0:20:07.359
<v Speaker 3>his visitation rights and you're on the porch and you

0:20:07.520 --> 0:20:09.640
<v Speaker 3>care about you know, all your cousins that y'all having

0:20:09.680 --> 0:20:12.680
<v Speaker 3>the fair reunion, but your your dad didn't come, and

0:20:12.800 --> 0:20:17.359
<v Speaker 3>then that that music come on. I was standing in

0:20:17.400 --> 0:20:20.400
<v Speaker 3>front of the Hollywood Improv and I hope when y'all shoot,

0:20:20.480 --> 0:20:23.760
<v Speaker 3>y'all do a split screen with Chris Spencer, and uh,

0:20:25.119 --> 0:20:27.600
<v Speaker 3>it was heard for just that thing. I bring it

0:20:27.680 --> 0:20:29.200
<v Speaker 3>up the therapy, but I got something for y'all.

0:20:30.200 --> 0:20:30.480
<v Speaker 9>Do you.

0:20:33.160 --> 0:20:35.600
<v Speaker 6>Do you ever feel like you have to reinvent yourself

0:20:35.640 --> 0:20:36.440
<v Speaker 6>with a new generation.

0:20:38.280 --> 0:20:38.640
<v Speaker 9>I did.

0:20:38.920 --> 0:20:41.080
<v Speaker 3>I did at one point, but I stopped doing that.

0:20:41.200 --> 0:20:44.080
<v Speaker 3>I just started feeling like I have a fan base.

0:20:44.119 --> 0:20:46.760
<v Speaker 3>I have an audience that loved me and love what

0:20:46.880 --> 0:20:49.240
<v Speaker 3>I do. And y'all don't ever forget this. Stick to

0:20:49.320 --> 0:20:51.760
<v Speaker 3>what you do. You don't have to fit in with

0:20:52.000 --> 0:20:56.400
<v Speaker 3>certain crowds and certain cultures and certain organizations. You don't

0:20:56.440 --> 0:20:58.199
<v Speaker 3>have to fit in. Do what you do. Why did

0:20:58.240 --> 0:21:01.080
<v Speaker 3>the people? Why do people come you? I don't care

0:21:01.160 --> 0:21:04.240
<v Speaker 3>who's funny and how funny they are. You might not

0:21:04.400 --> 0:21:08.040
<v Speaker 3>be as funny, do you. You know, God got you,

0:21:08.200 --> 0:21:10.760
<v Speaker 3>brought you here for a reason. God, like these last

0:21:10.840 --> 0:21:13.960
<v Speaker 3>two years have been the toughest two years of my life.

0:21:14.040 --> 0:21:17.240
<v Speaker 3>I wrote my son's name and birthday on the wrist

0:21:17.280 --> 0:21:19.159
<v Speaker 3>of my arm before I went on stage, because my

0:21:19.240 --> 0:21:21.560
<v Speaker 3>son was a comedian, you know, and my son is

0:21:21.640 --> 0:21:25.040
<v Speaker 3>on the special. So after I say good night or whatever,

0:21:25.040 --> 0:21:26.720
<v Speaker 3>in the credits roll and you gonna see a clip

0:21:27.119 --> 0:21:29.880
<v Speaker 3>of me and me and Brandon on stage and Brandon's

0:21:29.880 --> 0:21:32.520
<v Speaker 3>standing there performing he you know, it shows about five

0:21:32.560 --> 0:21:35.639
<v Speaker 3>minutes of his performance, you know, split screen with the

0:21:35.720 --> 0:21:37.800
<v Speaker 3>credits on the other side. So what a great way

0:21:37.840 --> 0:21:41.520
<v Speaker 3>to honor your son, you know, with us on stage

0:21:41.560 --> 0:21:43.280
<v Speaker 3>together like we was. I had him on stage when

0:21:43.280 --> 0:21:45.200
<v Speaker 3>he was seven years old, telling them Joes, and so

0:21:45.400 --> 0:21:48.000
<v Speaker 3>I would take him on tour, have toys in the

0:21:48.080 --> 0:21:50.200
<v Speaker 3>dressing room or whatever. I raised all my kids in

0:21:50.280 --> 0:21:52.119
<v Speaker 3>the they can tell you what every dressing room look like.

0:21:52.680 --> 0:21:54.879
<v Speaker 3>So it was a blessing to do that.

0:21:55.600 --> 0:21:58.399
<v Speaker 4>Yeah, and you always spoke about feeling brand in his

0:21:58.520 --> 0:22:00.560
<v Speaker 4>presence during performances.

0:22:00.840 --> 0:22:03.240
<v Speaker 1>So how does that spiritual connection your manifest on stage

0:22:03.280 --> 0:22:03.440
<v Speaker 1>for you?

0:22:04.400 --> 0:22:07.200
<v Speaker 3>Uh yeah, it's almost like you're doing it for him,

0:22:07.720 --> 0:22:10.240
<v Speaker 3>you know, you know, you're doing it for your son, now,

0:22:10.320 --> 0:22:13.159
<v Speaker 3>my son or whatever. He had his favorite comedians, you know,

0:22:13.240 --> 0:22:15.000
<v Speaker 3>you know, you know, your kids always want to grow

0:22:15.040 --> 0:22:17.320
<v Speaker 3>up try to be different from you. I don't want

0:22:17.359 --> 0:22:20.159
<v Speaker 3>to be like you. My son loved Eddie Griffin. My

0:22:20.320 --> 0:22:24.320
<v Speaker 3>son loved roy Wood Junior and stuff, and uh you know, uh,

0:22:24.560 --> 0:22:27.800
<v Speaker 3>he just had the different comedians that he liked or whatever.

0:22:27.960 --> 0:22:28.119
<v Speaker 1>You know.

0:22:28.320 --> 0:22:33.119
<v Speaker 3>So, uh, he had a whole different style of doing comedy.

0:22:33.160 --> 0:22:35.720
<v Speaker 3>His comedy was more yeah, kind of like thoughtful, a

0:22:35.840 --> 0:22:40.080
<v Speaker 3>mix between roy Wood Junior and Little Real. Yeah, you

0:22:40.160 --> 0:22:41.840
<v Speaker 3>know what I'm saying. That was that was his host.

0:22:42.040 --> 0:22:44.639
<v Speaker 3>He had a lot more He was a lot more intelligent.

0:22:44.840 --> 0:22:46.760
<v Speaker 4>So did the older comedians.

0:22:46.960 --> 0:22:49.480
<v Speaker 3>He just yeah, yeah he knew, but he just had

0:22:49.520 --> 0:22:54.000
<v Speaker 3>his had his own style you know, of performing whatever.

0:22:54.040 --> 0:22:56.480
<v Speaker 3>I enjoyed him. I miss him, But these last two

0:22:56.560 --> 0:23:00.479
<v Speaker 3>years was really really tough and uh uh, now I'm

0:23:00.480 --> 0:23:03.800
<v Speaker 3>at home being a dad. You got to meet my twins. Yeah,

0:23:03.920 --> 0:23:06.440
<v Speaker 3>they're a lot of fun. I got some real daddy's girls.

0:23:06.520 --> 0:23:09.399
<v Speaker 3>And God, just that was a blessing to my life.

0:23:10.000 --> 0:23:12.760
<v Speaker 3>And I thank God gave me those twins as a

0:23:12.880 --> 0:23:15.359
<v Speaker 3>distraction to my grief because I felt like I was dying.

0:23:16.320 --> 0:23:18.480
<v Speaker 3>I felt like I was dying in science. Yeah, I

0:23:18.560 --> 0:23:21.680
<v Speaker 3>felt like I feel like one of these mornings I

0:23:21.800 --> 0:23:23.720
<v Speaker 3>was not gonna wake up. That's how bad it is.

0:23:23.880 --> 0:23:28.360
<v Speaker 3>That's how hurt fun. You have a beautiful family, your babies, man,

0:23:28.480 --> 0:23:31.040
<v Speaker 3>And I don't wish that on nobody. I don't wish

0:23:31.119 --> 0:23:34.440
<v Speaker 3>that on my worst enemy. It's horrible, you know. So

0:23:34.600 --> 0:23:36.600
<v Speaker 3>shout out to all the mothers, all the parents out

0:23:36.640 --> 0:23:38.680
<v Speaker 3>there that had to bury your child and lost chime.

0:23:39.480 --> 0:23:42.080
<v Speaker 3>Keep your kids in sports, keep them in athletics. The

0:23:42.200 --> 0:23:44.520
<v Speaker 3>discipline and the structure matter. We got to learn to

0:23:44.600 --> 0:23:47.720
<v Speaker 3>give kids more of what we had as opposed to

0:23:47.760 --> 0:23:51.439
<v Speaker 3>what we did not have. That's what's ruining kids. If

0:23:51.520 --> 0:23:53.800
<v Speaker 3>you like who you are, then give the kids what

0:23:53.960 --> 0:23:57.399
<v Speaker 3>you had. You know what I'm saying. And I just

0:23:57.480 --> 0:24:00.000
<v Speaker 3>wish everybody the best, and I hope all of y'all kids,

0:24:00.080 --> 0:24:04.440
<v Speaker 3>it's a safe graduate college and going to be productive people.

0:24:04.880 --> 0:24:06.680
<v Speaker 4>I agree with all of that, but I will say

0:24:06.840 --> 0:24:08.439
<v Speaker 4>some of these kids need a little bit more than

0:24:08.520 --> 0:24:09.480
<v Speaker 4>going to the water fountain.

0:24:09.680 --> 0:24:10.280
<v Speaker 1>If you're dealing with.

0:24:16.720 --> 0:24:18.960
<v Speaker 4>Are you dealing with some type of like mental health

0:24:19.040 --> 0:24:21.840
<v Speaker 4>issues or emotion, you didn't need more than the water fountain, Ricky.

0:24:22.080 --> 0:24:22.280
<v Speaker 5>Yeah.

0:24:22.480 --> 0:24:25.760
<v Speaker 3>Yeah, they didn't have medicine for eighty HD. It was going.

0:24:25.960 --> 0:24:27.920
<v Speaker 3>It was going to the water fountain. You know what

0:24:27.960 --> 0:24:30.320
<v Speaker 3>I'm saying. Send me in a classroom with those lights

0:24:30.440 --> 0:24:33.360
<v Speaker 3>like that going all the way across or whatever. That's

0:24:33.400 --> 0:24:36.120
<v Speaker 3>back before you started changing classes. He was in one,

0:24:36.359 --> 0:24:38.120
<v Speaker 3>you remember that elementary schooling.

0:24:38.680 --> 0:24:40.359
<v Speaker 1>I don't even know if they got that them wondered

0:24:40.480 --> 0:24:42.760
<v Speaker 1>they still got the trailers in the back No stop

0:24:42.840 --> 0:24:48.040
<v Speaker 1>trailing stop was one of those classes. Methic glassl to

0:24:48.080 --> 0:24:48.520
<v Speaker 1>stand that out.

0:24:49.560 --> 0:24:49.840
<v Speaker 3>Second.

0:24:50.480 --> 0:24:52.800
<v Speaker 2>He was on that show bus two for a second.

0:24:53.720 --> 0:24:55.200
<v Speaker 1>I don't know if they still got the short bus do.

0:24:55.359 --> 0:24:56.159
<v Speaker 1>I don't see him no more.

0:24:56.359 --> 0:24:58.119
<v Speaker 3>They put them on the bus with the regular kids

0:24:58.240 --> 0:25:01.480
<v Speaker 3>and now and know back then they go to lunch

0:25:01.520 --> 0:25:05.040
<v Speaker 3>at nine thirty. Yeah, yeah, they'renna lunch at nine thirty

0:25:05.080 --> 0:25:08.000
<v Speaker 3>comes they get out of twelve and uh I had

0:25:08.160 --> 0:25:10.760
<v Speaker 3>history class first period, and I could hit them running

0:25:10.800 --> 0:25:12.680
<v Speaker 3>down the street. I mean not down the street, running

0:25:12.680 --> 0:25:14.879
<v Speaker 3>down the hall at nine thirty when that little Now

0:25:14.960 --> 0:25:17.240
<v Speaker 3>that would be a short bell like dream Dream or whatever,

0:25:17.320 --> 0:25:20.080
<v Speaker 3>not a long bell like bring Brandon. You can hear

0:25:20.080 --> 0:25:23.080
<v Speaker 3>them because of the the It was like clicking the

0:25:23.200 --> 0:25:25.280
<v Speaker 3>noise of that, you know. Back then they wore the

0:25:25.320 --> 0:25:28.119
<v Speaker 3>shoes with the you know, with the steel on the

0:25:28.200 --> 0:25:29.000
<v Speaker 3>side or whatever.

0:25:29.000 --> 0:25:31.280
<v Speaker 1>And then all of them, not all, some of them,

0:25:31.520 --> 0:25:31.800
<v Speaker 1>and some.

0:25:31.840 --> 0:25:33.920
<v Speaker 3>Of them were run real fast or whatever. And I

0:25:33.960 --> 0:25:38.880
<v Speaker 3>would sit there and just crack the hell up. Lunch lunch, lunch,

0:25:39.440 --> 0:25:44.040
<v Speaker 3>running down the hall or whatever. You're going to hell,

0:25:46.800 --> 0:25:50.360
<v Speaker 3>but want we want to brain love that it's we're

0:25:50.359 --> 0:25:52.520
<v Speaker 3>going together on the show. Yeah we all we are

0:25:52.560 --> 0:25:55.720
<v Speaker 3>all going to hell and us it's time for us

0:25:55.760 --> 0:25:58.600
<v Speaker 3>to brain. And just I bought you a gift man,

0:25:58.640 --> 0:26:01.320
<v Speaker 3>Where is the gifts that right coming behind the couch?

0:26:02.640 --> 0:26:04.000
<v Speaker 1>About this is about that?

0:26:04.160 --> 0:26:06.600
<v Speaker 3>You got the music writing? Here you go hit the

0:26:06.680 --> 0:26:07.440
<v Speaker 3>music music.

0:26:26.280 --> 0:26:29.919
<v Speaker 1>There you go crazy, y'all crazy?

0:26:30.560 --> 0:26:35.560
<v Speaker 5>Give him a little dad, Hey dude, move out the way,

0:26:40.040 --> 0:26:44.280
<v Speaker 5>go ahead, Chris, you know, just love.

0:26:44.160 --> 0:26:44.719
<v Speaker 1>Of Chris now.

0:26:46.000 --> 0:26:52.120
<v Speaker 5>Yes, his name, Chris, Chris, don't give too much, Chris,

0:26:52.200 --> 0:26:52.760
<v Speaker 5>don't let up.

0:26:53.480 --> 0:26:54.720
<v Speaker 1>You ask for consent first.

0:26:54.760 --> 0:27:02.480
<v Speaker 5>Now he's going down like Chris, I don't know.

0:27:03.080 --> 0:27:10.280
<v Speaker 1>Sharlow Man next, Charla Man you next? Oh, y'all want

0:27:10.680 --> 0:27:11.919
<v Speaker 1>he said, I don't do niggas.

0:27:11.960 --> 0:27:12.240
<v Speaker 3>I don't.

0:27:12.760 --> 0:27:13.399
<v Speaker 1>I don't do man.

0:27:14.160 --> 0:27:14.840
<v Speaker 7>I know that right.

0:27:17.400 --> 0:27:22.600
<v Speaker 1>I thought you're going for bones. Dang, he said, dance

0:27:24.960 --> 0:27:26.640
<v Speaker 1>Chriss my guy.

0:27:27.680 --> 0:27:35.080
<v Speaker 3>Oh you gotta damn. I ain't nothing wrong with him,

0:27:36.400 --> 0:27:38.800
<v Speaker 3>ain't none wrong with him, y'all didn't mess up his chick, Chris.

0:27:38.920 --> 0:27:40.000
<v Speaker 1>Make sure he pay you now?

0:27:41.520 --> 0:27:44.359
<v Speaker 3>He paid you on Chris.

0:27:46.359 --> 0:27:48.600
<v Speaker 1>Here, he can talk.

0:27:50.200 --> 0:27:53.120
<v Speaker 4>You going, Chris, Chris, did he pay you? I hope

0:27:53.160 --> 0:27:54.639
<v Speaker 4>he gave you a down payment now before you got

0:27:54.720 --> 0:27:56.000
<v Speaker 4>up here, Chris.

0:27:56.720 --> 0:28:01.320
<v Speaker 3>Yeah, I gotta talk about this man now?

0:28:01.359 --> 0:28:04.199
<v Speaker 1>Who is that? I know you? I know you, Joe,

0:28:04.280 --> 0:28:10.320
<v Speaker 1>well not you so yes, Charlemagne, and you know and

0:28:10.400 --> 0:28:11.080
<v Speaker 1>you know where that is?

0:28:11.920 --> 0:28:12.040
<v Speaker 8>Who?

0:28:12.960 --> 0:28:13.920
<v Speaker 1>A female rapper?

0:28:17.960 --> 0:28:20.639
<v Speaker 3>That's just hilarious. I know.

0:28:22.400 --> 0:28:23.040
<v Speaker 1>Do you know him?

0:28:24.200 --> 0:28:24.400
<v Speaker 8>Yeah?

0:28:24.440 --> 0:28:25.720
<v Speaker 1>I know who that is.

0:28:27.240 --> 0:28:28.080
<v Speaker 7>I'm a butter right.

0:28:28.000 --> 0:28:34.880
<v Speaker 1>Though, say that, Chris, don't get down.

0:28:35.160 --> 0:28:38.440
<v Speaker 3>Watch all he watch y'all every day. We appreciate that. Yeah,

0:28:38.520 --> 0:28:39.880
<v Speaker 3>so we had to give you a look. You know,

0:28:40.000 --> 0:28:44.440
<v Speaker 3>they have to say it not so much.

0:28:44.800 --> 0:28:47.640
<v Speaker 1>Appreciate Christ. Make sure you pay you man.

0:28:49.520 --> 0:28:54.480
<v Speaker 7>On how quick? Yeah, I'm said, I got a song

0:28:55.160 --> 0:28:56.520
<v Speaker 7>from my brother, right?

0:28:57.120 --> 0:28:59.520
<v Speaker 1>Yeah? Yeah? What is it from my brother?

0:29:00.160 --> 0:29:00.200
<v Speaker 3>It?

0:29:00.240 --> 0:29:03.320
<v Speaker 1>You can do karaoke hit that country grammar one time.

0:29:04.560 --> 0:29:06.720
<v Speaker 1>You ain't never played this song on the radio. You

0:29:06.800 --> 0:29:10.640
<v Speaker 1>ain't never asked you to play it? When you ask you,

0:29:10.680 --> 0:29:11.040
<v Speaker 1>you do what.

0:29:13.440 --> 0:29:17.360
<v Speaker 3>I about to play my ship. I knew it was

0:29:17.360 --> 0:29:19.719
<v Speaker 3>gonna make your day. I knew it was gonna make

0:29:19.760 --> 0:29:22.760
<v Speaker 3>your day. Can you asking about He asked about you?

0:29:22.840 --> 0:29:24.280
<v Speaker 3>Laying about you up here?

0:29:26.320 --> 0:29:26.760
<v Speaker 7>My god.

0:29:27.840 --> 0:29:28.720
<v Speaker 1>I like your shirt.

0:29:29.000 --> 0:29:29.440
<v Speaker 5>I like you.

0:29:29.680 --> 0:29:30.640
<v Speaker 3>I like your shirt too.

0:29:30.880 --> 0:29:32.280
<v Speaker 1>How long you take the play records?

0:29:33.240 --> 0:29:33.400
<v Speaker 3>Man?

0:29:34.320 --> 0:29:36.200
<v Speaker 6>So look, did you write it or just off the

0:29:36.280 --> 0:29:37.400
<v Speaker 6>top of the head freestyle?

0:29:41.280 --> 0:29:48.720
<v Speaker 1>I will yes, sir, okay, little gold we'll tell you.

0:29:50.080 --> 0:29:53.440
<v Speaker 7>I'm gonna do it now. My brother mean I raised

0:29:53.440 --> 0:29:58.200
<v Speaker 7>you yellow the way he's a little baby. Yeah, I

0:29:58.240 --> 0:30:01.720
<v Speaker 7>write your little baby. Well he did, a little brother.

0:30:02.280 --> 0:30:04.400
<v Speaker 7>I'll got for you though, to hold for you.

0:30:04.720 --> 0:30:05.240
<v Speaker 1>You're gone.

0:30:05.800 --> 0:30:10.360
<v Speaker 7>You're going to little brother, he said to me, big brother, Christ,

0:30:10.480 --> 0:30:13.000
<v Speaker 7>my family, I love you, my go home.

0:30:13.680 --> 0:30:14.280
<v Speaker 1>My good song.

0:30:16.120 --> 0:30:17.240
<v Speaker 7>I wanted to something for him.

0:30:17.520 --> 0:30:19.400
<v Speaker 3>You know what, if they can't find a song, you

0:30:19.440 --> 0:30:23.160
<v Speaker 3>can just say something. You gotta saying that song. You

0:30:23.200 --> 0:30:25.520
<v Speaker 3>got to saying something, a good song for my brother.

0:30:27.200 --> 0:30:30.120
<v Speaker 1>Okay, how many girlfriend you got?

0:30:30.200 --> 0:30:31.719
<v Speaker 7>Chris got one right now?

0:30:32.080 --> 0:30:32.680
<v Speaker 1>Just one right now.

0:30:34.080 --> 0:30:35.920
<v Speaker 3>He talked about this girl named Kiky. She got with

0:30:36.000 --> 0:30:41.160
<v Speaker 3>somebody else though, Ma, you had before everybody called everybody on.

0:30:44.600 --> 0:30:45.720
<v Speaker 7>Want my friend to talk?

0:30:45.960 --> 0:30:48.200
<v Speaker 1>Yes, sir, her name, what's her name?

0:30:48.880 --> 0:30:49.160
<v Speaker 7>Nina?

0:30:49.640 --> 0:30:54.000
<v Speaker 1>Nina? Oh ninould talk. I don't know if you should

0:30:54.000 --> 0:30:55.760
<v Speaker 1>be shotting her out yet though she might have another man.

0:30:56.560 --> 0:30:58.320
<v Speaker 8>You sure my love?

0:31:00.240 --> 0:31:00.960
<v Speaker 3>Yet you hit it?

0:31:02.000 --> 0:31:05.040
<v Speaker 1>Stop it stop, you went down on.

0:31:06.120 --> 0:31:06.880
<v Speaker 7>You said there too.

0:31:18.320 --> 0:31:18.560
<v Speaker 1>Quick?

0:31:20.000 --> 0:31:23.760
<v Speaker 7>Way back yeah, and the way back to my family

0:31:24.760 --> 0:31:29.480
<v Speaker 7>he did it yeah, and the world back. I'm coming

0:31:29.600 --> 0:31:34.800
<v Speaker 7>clothes stir don he did it to me stock my

0:31:35.000 --> 0:31:35.960
<v Speaker 7>family's Yes.

0:31:36.800 --> 0:31:41.440
<v Speaker 1>Talk don't don't mean no joke, no no, no, no

0:31:41.520 --> 0:31:43.320
<v Speaker 1>no to talk to show that.

0:31:43.360 --> 0:31:45.320
<v Speaker 3>You should have your own comedians going on the road,

0:31:45.320 --> 0:31:46.760
<v Speaker 3>and you should hold shows.

0:31:48.240 --> 0:31:55.080
<v Speaker 1>To talk all over the country to talk, understand, to talk.

0:31:55.200 --> 0:32:00.760
<v Speaker 7>I gotta get back to no white girl out that

0:32:00.920 --> 0:32:05.000
<v Speaker 7>good night, don't do the work.

0:32:06.800 --> 0:32:10.600
<v Speaker 1>I'm gonna quick black Queens forever. Nobody's never.

0:32:12.400 --> 0:32:16.760
<v Speaker 4>Smacking quick.

0:32:17.880 --> 0:32:21.600
<v Speaker 1>I a you here, this be Christmas bab but you

0:32:21.760 --> 0:32:26.640
<v Speaker 1>man you let's go be. Chris ain't playing found Chris

0:32:26.800 --> 0:32:27.840
<v Speaker 1>laying it down? Quite?

0:32:28.560 --> 0:32:29.720
<v Speaker 3>Is it you hear me lay that.

0:32:29.800 --> 0:32:31.960
<v Speaker 1>Game that Chris, we got you.

0:32:37.440 --> 0:32:40.200
<v Speaker 7>I love you, I miss you.

0:32:48.520 --> 0:32:50.240
<v Speaker 1>This as a matter that you're a rabbit. Yeah, I

0:32:50.360 --> 0:32:55.360
<v Speaker 1>know about you had a video.

0:32:57.240 --> 0:33:03.200
<v Speaker 7>Christy playing no never end up, Paul No take big brother, No, No,

0:33:03.720 --> 0:33:05.400
<v Speaker 7>I love you, never gonna.

0:33:05.200 --> 0:33:05.800
<v Speaker 5>Live miss you.

0:33:06.160 --> 0:33:09.400
<v Speaker 7>Never been my half broken my eyes.

0:33:09.680 --> 0:33:13.240
<v Speaker 1>Tell look, you don't know miss you, don't love you.

0:33:13.680 --> 0:33:15.560
<v Speaker 7>Don't be my brother doing that. I never heard.

0:33:15.560 --> 0:33:17.240
<v Speaker 1>I don't know you can't heard.

0:33:17.120 --> 0:33:20.960
<v Speaker 7>On no, fellas said, turn a little truth, fella side,

0:33:21.080 --> 0:33:24.680
<v Speaker 7>never heard you, never missed you. They're never gonna I

0:33:24.880 --> 0:33:27.800
<v Speaker 7>love you, never be gon gonna do that. Let him No, No,

0:33:27.920 --> 0:33:28.400
<v Speaker 7>I love you.

0:33:28.920 --> 0:33:29.800
<v Speaker 9>You're gonna miss you.

0:33:30.120 --> 0:33:33.600
<v Speaker 7>Take me your toe now, brother stands yourn't never hood

0:33:33.640 --> 0:33:39.640
<v Speaker 7>on MESI Christ jet him Christy Chris Kim, Chris.

0:33:40.240 --> 0:33:45.960
<v Speaker 5>Kim, Christy get lord kidam Chris, Oh God.

0:33:45.880 --> 0:33:53.120
<v Speaker 9>Chris, I ain't godam christ gatty christ Chris Strow tell

0:33:53.200 --> 0:34:02.520
<v Speaker 9>me Chris, tell you christmagine No.

0:34:04.680 --> 0:34:05.640
<v Speaker 3>Tanging in sound.

0:34:07.520 --> 0:34:13.360
<v Speaker 1>Expagine you.

0:34:16.239 --> 0:34:32.240
<v Speaker 8>Know little hey, there you have it, ladies and gentlemen,

0:34:33.239 --> 0:34:34.960
<v Speaker 8>Chris Ricky smiling.

0:34:37.320 --> 0:34:48.399
<v Speaker 1>Then some fools and streaming. Start the show, Chris. Tell

0:34:48.480 --> 0:34:52.560
<v Speaker 1>him to follow you on social media. Chris, okay, okay,

0:34:53.480 --> 0:34:55.239
<v Speaker 1>because I know how to do this. Help him.

0:34:57.640 --> 0:35:04.480
<v Speaker 7>Oh my god, finding me age ground YouTube, I describe

0:35:04.520 --> 0:35:09.359
<v Speaker 7>me YouTube, Chris Big, Chris Meal, baby, Chris Smith.

0:35:10.800 --> 0:35:11.360
<v Speaker 3>Thank you all for.

0:35:13.880 --> 0:35:16.799
<v Speaker 1>About Chris. Thank you. It's the breakfast club.

0:35:17.320 --> 0:35:18.440
<v Speaker 7>I don't want to turn.

0:35:19.880 --> 0:35:23.879
<v Speaker 1>My life. Please tell long ass stories. Now you gotta

0:35:23.920 --> 0:35:26.880
<v Speaker 1>go ahead, Chris, do you go do your thing? Chris,

0:35:26.960 --> 0:35:27.640
<v Speaker 1>come on, hurry up.

0:35:27.680 --> 0:35:29.360
<v Speaker 3>You gotta tell me you don't want to eat, don't you.

0:35:33.640 --> 0:35:36.279
<v Speaker 3>That's right, Chris, take the story. Chris, what going on?

0:35:36.760 --> 0:35:40.880
<v Speaker 7>No touch out? I'll wear your story was back of

0:35:40.920 --> 0:35:44.600
<v Speaker 7>the day man and my brother and now I'm gonna

0:35:44.600 --> 0:35:48.080
<v Speaker 7>tell him met him. Yeah you know me, he on

0:35:48.239 --> 0:35:53.160
<v Speaker 7>he daddy, I turned out to smell. I'm gonna touch on.

0:35:53.560 --> 0:35:59.880
<v Speaker 7>I turned all my favorable clothing to go. Yeah you

0:36:00.160 --> 0:36:02.719
<v Speaker 7>so what god is I'm about?

0:36:02.760 --> 0:36:03.640
<v Speaker 3>Song? Yeah?

0:36:06.280 --> 0:36:08.399
<v Speaker 1>Yeah, my main life.

0:36:09.400 --> 0:36:12.080
<v Speaker 7>Well my man, free man, that's man.

0:36:12.400 --> 0:36:16.719
<v Speaker 3>Yeah, leave that we got them?

0:36:16.760 --> 0:36:17.960
<v Speaker 1>So is that song on streaming?

0:36:18.000 --> 0:36:18.360
<v Speaker 9>Services.

0:36:18.400 --> 0:36:22.799
<v Speaker 1>It's on uh after right now. Are YouTube go downloaded

0:36:22.920 --> 0:36:26.959
<v Speaker 1>on YouTube right now? You don't download on YouTube right now. Listen,

0:36:27.360 --> 0:36:31.840
<v Speaker 1>listen there you go, absolutely, absolutely, absolutely, my god, Chris.

0:36:31.760 --> 0:36:34.080
<v Speaker 3>Thank you, Chris, you're real messy.

0:36:34.120 --> 0:36:37.080
<v Speaker 1>And christ it's the Breakfast Club.

0:36:37.120 --> 0:36:40.000
<v Speaker 3>And then we'll come back when you're here. Wake that

0:36:40.160 --> 0:36:42.840
<v Speaker 3>ass up in the morning. Breakfast Club.