1 00:00:00,040 --> 00:00:10,039 Speaker 1: Too Much Information is a production of iHeartRadio. Hello everyone, 2 00:00:10,080 --> 00:00:12,799 Speaker 1: and welcome to Too Much Information, the show that brings 3 00:00:12,840 --> 00:00:15,319 Speaker 1: you the secret history and lin loan facts behind your 4 00:00:15,320 --> 00:00:18,880 Speaker 1: favorite music, movies, TV shows, and more. We are your 5 00:00:18,960 --> 00:00:23,919 Speaker 1: blended family of banality, your step siblings of stories. You're Marcia, 6 00:00:24,040 --> 00:00:28,560 Speaker 1: Marcia Marsha's of Minutia. You're An B. Davis's of the 7 00:00:28,640 --> 00:00:31,520 Speaker 1: Deep Dive, speaking to you live from the confines of 8 00:00:31,600 --> 00:00:35,040 Speaker 1: a three by three square grid. My name is Jordan Runtug, 9 00:00:35,120 --> 00:00:38,720 Speaker 1: and I'm Alex Eigel. And folks gather around because here's 10 00:00:38,720 --> 00:00:41,720 Speaker 1: the story of a man named Brady, a lovely lady, 11 00:00:42,040 --> 00:00:45,199 Speaker 1: and six adorable kids. We're gonna talk all about the 12 00:00:45,240 --> 00:00:48,839 Speaker 1: way they became The Brady Bunch. It's certainly on the 13 00:00:48,840 --> 00:00:52,160 Speaker 1: Mount Rushmore beloved classic sitcom, despite the fact that it's 14 00:00:52,560 --> 00:00:55,440 Speaker 1: kind of not a good show. But I say that 15 00:00:55,480 --> 00:00:57,920 Speaker 1: with love because look, I was raised by Nick at Knight, 16 00:00:58,000 --> 00:00:59,760 Speaker 1: and I will go to bat for anything that was 17 00:00:59,800 --> 00:01:03,000 Speaker 1: part of their programming, especially during the block Party Summer era. 18 00:01:03,560 --> 00:01:05,760 Speaker 1: The Brady Bunch was one of those shows that I 19 00:01:05,760 --> 00:01:08,720 Speaker 1: think I rarely sought out, but I washed a lot 20 00:01:08,880 --> 00:01:12,759 Speaker 1: simply because it was there. I called this the sprite phenomenon. 21 00:01:12,920 --> 00:01:14,640 Speaker 1: It's what you drink at the birthday party when the 22 00:01:14,640 --> 00:01:17,200 Speaker 1: two lead bottles of coke and rupie are empty. Because 23 00:01:17,280 --> 00:01:19,880 Speaker 1: I mean, did you know anybody who actively seeks out sprite? 24 00:01:20,480 --> 00:01:22,840 Speaker 1: I saw it out. Sprat was my go to hangover here. 25 00:01:23,000 --> 00:01:26,360 Speaker 1: Oh well, okay, sprite causes alcohol will be broken down 26 00:01:26,400 --> 00:01:29,600 Speaker 1: more quickly metabolized more quickly. Is that true according to 27 00:01:30,400 --> 00:01:32,840 Speaker 1: some study in Japan that I just made up. No, 28 00:01:33,040 --> 00:01:35,480 Speaker 1: I actually did look this up. Yeah, so my go 29 00:01:35,560 --> 00:01:39,600 Speaker 1: to hangover cure was coconut water and sprite. Oh wow, Okay, 30 00:01:40,200 --> 00:01:41,880 Speaker 1: all right, they could have gone it was Sierra miss. 31 00:01:41,880 --> 00:01:43,680 Speaker 1: It just kind of flies in the face of my theory. 32 00:01:43,680 --> 00:01:47,000 Speaker 1: But mellow yellow. Mellow yellow fits more into the Brady 33 00:01:47,000 --> 00:01:49,680 Speaker 1: Bunch aesthetics. So we're gonna go with rebrand this as 34 00:01:49,720 --> 00:01:52,760 Speaker 1: the Melo yellow theory. Okay. Anyway, the point stands, Brady 35 00:01:52,800 --> 00:01:55,960 Speaker 1: Bunch just sort of absorbed it. But obviously there are 36 00:01:55,960 --> 00:01:59,120 Speaker 1: super fans still to this day, nearly fifty four years 37 00:01:59,120 --> 00:02:02,080 Speaker 1: after it pimired on ABC. You know, it's a dose 38 00:02:02,120 --> 00:02:04,920 Speaker 1: of nostalgia that goes down easily. But it's unique in 39 00:02:04,960 --> 00:02:08,040 Speaker 1: that it's nostalgia isn't tethered to the generation who came 40 00:02:08,080 --> 00:02:11,360 Speaker 1: of age with The Brady Kids. Show creator Sherwood Shorts 41 00:02:11,360 --> 00:02:14,079 Speaker 1: had a very simple explanation for why this show continues 42 00:02:14,120 --> 00:02:16,840 Speaker 1: to endure across multiple generations. He said, I think it's 43 00:02:16,880 --> 00:02:19,520 Speaker 1: because the stories are drawn from a child's point of view, 44 00:02:19,560 --> 00:02:23,000 Speaker 1: which is rare in television history. High go. I know, 45 00:02:23,080 --> 00:02:25,760 Speaker 1: we talked about this earlier and I correctly deduced that 46 00:02:25,800 --> 00:02:28,400 Speaker 1: this was not a big one for you. But surely 47 00:02:28,440 --> 00:02:31,520 Speaker 1: you must have some thoughts or memories on the Brady Bunch, 48 00:02:31,600 --> 00:02:34,280 Speaker 1: even just through culturals. Moses, Yeah, I mean, maybe just 49 00:02:34,400 --> 00:02:37,600 Speaker 1: rerun blocks again, like just on TV when you're a 50 00:02:37,680 --> 00:02:40,680 Speaker 1: kid and you don't realize that death is coming for 51 00:02:40,720 --> 00:02:43,800 Speaker 1: all of us and you just while away long hours 52 00:02:44,040 --> 00:02:49,840 Speaker 1: watching idiot stuff. No. I actually my most enduring memory 53 00:02:49,840 --> 00:02:54,040 Speaker 1: of the Bradies is the surreal life Oh yeah, yeah, yeah, 54 00:02:54,080 --> 00:02:56,320 Speaker 1: when the one Brady fell in love with that mean 55 00:02:56,400 --> 00:03:01,560 Speaker 1: model lady Drink Curry Drink Curry, America's Next Top Model 56 00:03:02,120 --> 00:03:06,000 Speaker 1: season one winner Adrian Curry, who was just chased off 57 00:03:06,040 --> 00:03:10,160 Speaker 1: of Twitter for saying mean things about a woman on 58 00:03:10,200 --> 00:03:13,720 Speaker 1: the biggest show in the world right now anyway, Um, yeah, 59 00:03:13,720 --> 00:03:16,680 Speaker 1: I remember watching her and who's it not Wayne Knight, 60 00:03:16,760 --> 00:03:20,080 Speaker 1: Christopher Knight, christ Peter Ready Yeah, yeah, yeah yeah, and 61 00:03:20,160 --> 00:03:24,160 Speaker 1: then he seemed like such a nice guy on that show. 62 00:03:24,320 --> 00:03:29,000 Speaker 1: Actually he was like the really nice Yeah, that's it. 63 00:03:29,080 --> 00:03:31,480 Speaker 1: That's all I read, that's all. And they the movies, right, 64 00:03:31,919 --> 00:03:33,560 Speaker 1: they came out when we were when we were kids. 65 00:03:33,560 --> 00:03:35,840 Speaker 1: When did they reboot that? They came out when we 66 00:03:35,840 --> 00:03:38,080 Speaker 1: were kids, But I think ninety five is when the 67 00:03:38,080 --> 00:03:40,520 Speaker 1: movie came out. We're not gonna go really touch on 68 00:03:40,560 --> 00:03:43,320 Speaker 1: the movies in this episode too much because because they 69 00:03:43,320 --> 00:03:45,840 Speaker 1: were more of an affectionate parody, I would say, damn, 70 00:03:45,880 --> 00:03:49,960 Speaker 1: Shelley Long was Carol Brady, Gary Cole was Mike Brady, 71 00:03:50,240 --> 00:03:54,480 Speaker 1: Christine Taylor was Marsha h yeah huh yeah. I just 72 00:03:54,560 --> 00:03:56,840 Speaker 1: qualified it because it was a parody and not like 73 00:03:56,880 --> 00:04:01,800 Speaker 1: a properized continuation of the series. But also I was 74 00:04:01,920 --> 00:04:04,640 Speaker 1: lazy because there's like twenty three pages of Brady Bunch 75 00:04:04,640 --> 00:04:07,480 Speaker 1: stuff to get through and I just didn't need another thing. Yeah, 76 00:04:07,520 --> 00:04:10,760 Speaker 1: it's true, I should stop derailing this go ahead, but yeah, 77 00:04:10,760 --> 00:04:12,920 Speaker 1: an important part of my appreciation for the Brady Bunch 78 00:04:13,200 --> 00:04:15,120 Speaker 1: was not only these movies that were kind of in 79 00:04:15,160 --> 00:04:17,440 Speaker 1: the ether, but the irreverent Nick and Knight promos that 80 00:04:17,520 --> 00:04:20,520 Speaker 1: sort of lovingly teased the show. There was a cover 81 00:04:20,640 --> 00:04:22,920 Speaker 1: of the ramones I want to be Sedated that they 82 00:04:23,240 --> 00:04:24,880 Speaker 1: changed the lyrics to make it I want to be 83 00:04:24,920 --> 00:04:27,839 Speaker 1: a Brady. Do you remember this? No, it sounds terrible, 84 00:04:27,880 --> 00:04:30,400 Speaker 1: It's a guy. I want to be a Brady. It's great. 85 00:04:30,920 --> 00:04:45,320 Speaker 1: I want to cruise around. Pretty good, medium, funny, And 86 00:04:45,400 --> 00:04:47,840 Speaker 1: there was a whole recurring bit where all the cast 87 00:04:48,000 --> 00:04:50,400 Speaker 1: pretended that there was a long lost Brady sister named 88 00:04:50,400 --> 00:04:52,960 Speaker 1: Phoebe and it was just like a little like in 89 00:04:52,960 --> 00:04:55,839 Speaker 1: between shows bumper bit, But they had the whole cast 90 00:04:55,920 --> 00:04:57,719 Speaker 1: there and they committed to it, and I, you know, 91 00:04:57,760 --> 00:05:00,440 Speaker 1: I appreciated that it kind of imbued a little bit 92 00:05:00,440 --> 00:05:03,400 Speaker 1: of a reverence into this very straight seeming, sunny pop 93 00:05:03,440 --> 00:05:05,719 Speaker 1: cultural entity. And to me, it was almost like what 94 00:05:05,800 --> 00:05:08,880 Speaker 1: Mystery Signs Theater three thousand did to those old bad movies. 95 00:05:08,920 --> 00:05:10,840 Speaker 1: It was, you know, the Brady bunch was just so 96 00:05:11,000 --> 00:05:15,320 Speaker 1: rigidly straight laced that it almost seemed subversive, which is 97 00:05:15,360 --> 00:05:17,800 Speaker 1: something that I very much connect with too. Maybe it's 98 00:05:17,839 --> 00:05:20,640 Speaker 1: because I sort of how I see myself, but yeah, 99 00:05:20,680 --> 00:05:22,800 Speaker 1: the Brady Bunch movies in the nineties also played with this. 100 00:05:22,920 --> 00:05:26,400 Speaker 1: The show was just mocked for being so supremely uncool, 101 00:05:26,920 --> 00:05:29,039 Speaker 1: but it was done with affection, and you got the 102 00:05:29,080 --> 00:05:31,080 Speaker 1: sense that the cast were in on the joke too, 103 00:05:31,160 --> 00:05:34,160 Speaker 1: So I appreciated that. And also, as is so often 104 00:05:34,160 --> 00:05:36,680 Speaker 1: the case, the more squeaky clean the production, the more 105 00:05:36,760 --> 00:05:39,679 Speaker 1: raunchy the stories behind the scene. It's it's the Mickey 106 00:05:39,680 --> 00:05:42,960 Speaker 1: Mouse Club rule. That's my second rule that I've made 107 00:05:43,040 --> 00:05:44,760 Speaker 1: up off the top of my head in this episode, 108 00:05:45,000 --> 00:05:47,120 Speaker 1: and we are five minutes in, and you know, I 109 00:05:47,200 --> 00:05:48,800 Speaker 1: got to say it's worth noting. I'm a member of 110 00:05:48,839 --> 00:05:52,200 Speaker 1: a blended family myself, and I'd argue that there's something 111 00:05:52,279 --> 00:05:57,560 Speaker 1: aspirational and maybe even inspirational about the Brady Bunch despite 112 00:05:57,560 --> 00:06:01,239 Speaker 1: its lightweight status. We forget that this family, especially the kids, 113 00:06:01,520 --> 00:06:04,839 Speaker 1: went through some sort of traumatic upheaval, death, divorce. They 114 00:06:04,839 --> 00:06:07,480 Speaker 1: don't really dwell on what in the plot before they 115 00:06:07,560 --> 00:06:11,480 Speaker 1: arrived at this very cozy suburban shangra law. As you recall, 116 00:06:11,640 --> 00:06:14,880 Speaker 1: that's the way they became the Brady Bunch, So damn it, 117 00:06:15,120 --> 00:06:18,640 Speaker 1: I'd say they earn their boring, slightly lobotomized lives after 118 00:06:18,760 --> 00:06:21,360 Speaker 1: whatever hardship that came before. I think that the fact 119 00:06:21,400 --> 00:06:24,800 Speaker 1: that they found peace and their lives were happy enough 120 00:06:24,839 --> 00:06:27,440 Speaker 1: that every problem could be solved in twenty minutes or less. 121 00:06:27,800 --> 00:06:29,120 Speaker 1: I think it's a good thing. I think it's a 122 00:06:29,160 --> 00:06:31,359 Speaker 1: good thing to see, especially for kids at a time 123 00:06:31,800 --> 00:06:34,520 Speaker 1: these days, when families look all kinds of different ways, 124 00:06:35,040 --> 00:06:37,680 Speaker 1: and you know, for nineteen sixty nine, it was quietly 125 00:06:37,800 --> 00:06:40,839 Speaker 1: radical that this blended family could be just as boring 126 00:06:40,920 --> 00:06:43,400 Speaker 1: and lame as a traditional nuclear family. So I think 127 00:06:43,440 --> 00:06:49,120 Speaker 1: that's powerful, fair thank you. So that in mind, let's 128 00:06:49,160 --> 00:06:53,919 Speaker 1: press on from the weird pseudo ancestral relationships between the 129 00:06:53,960 --> 00:06:55,840 Speaker 1: kids and the cast. I probably should have put a 130 00:06:55,880 --> 00:07:00,919 Speaker 1: little space between my heartfelt sentiment and incest. I should 131 00:07:01,040 --> 00:07:03,359 Speaker 1: should have put that one later in the deck. To 132 00:07:03,440 --> 00:07:05,359 Speaker 1: the time that Mike Brady was such a pain in 133 00:07:05,400 --> 00:07:07,800 Speaker 1: the ass that the show's creator planned to kill him off, 134 00:07:08,400 --> 00:07:11,120 Speaker 1: to the several ways that the actors nearly died while 135 00:07:11,120 --> 00:07:14,400 Speaker 1: shooting the show, the episode that Greg Brady filmed while high, 136 00:07:14,440 --> 00:07:16,840 Speaker 1: the real life view between two of the Brady sisters, 137 00:07:17,160 --> 00:07:20,200 Speaker 1: the Curse of cousin Oliver, the Insane Brady Bunch spin 138 00:07:20,240 --> 00:07:22,640 Speaker 1: off drama, and the New York mayor who gave Carol 139 00:07:22,680 --> 00:07:26,040 Speaker 1: Brady an std. Here's everything you didn't know about the 140 00:07:26,080 --> 00:07:35,480 Speaker 1: Brady Bunch. So here's the story. You have to stop using. 141 00:07:38,880 --> 00:07:41,320 Speaker 1: The story The Brady Bunch began in nineteen sixty five 142 00:07:41,360 --> 00:07:44,640 Speaker 1: when television producer Sherwood Schwartz came across a small article 143 00:07:44,640 --> 00:07:47,440 Speaker 1: in the La Times. It was just a tiny filler piece, 144 00:07:47,520 --> 00:07:49,800 Speaker 1: some four lines long, and it said that in that year, 145 00:07:49,840 --> 00:07:53,200 Speaker 1: in nineteen sixty five, thirty one percent of all marriages 146 00:07:53,240 --> 00:07:55,880 Speaker 1: involved people who had a child or children from a 147 00:07:55,880 --> 00:07:59,400 Speaker 1: previous marriage. And Sherwood Schwartz later said it was just 148 00:07:59,440 --> 00:08:02,200 Speaker 1: a statistic stick, but to me, it indicated a remarkable 149 00:08:02,240 --> 00:08:06,440 Speaker 1: sociological change in our country. Thirty one percent is approximately 150 00:08:06,440 --> 00:08:10,080 Speaker 1: one third of all marriages. That's a huge statistic. And 151 00:08:10,200 --> 00:08:12,880 Speaker 1: Schwartz by this point was already a television power player, 152 00:08:12,920 --> 00:08:15,920 Speaker 1: having created Gilligan's Island, which was a hit at this time, 153 00:08:16,440 --> 00:08:18,520 Speaker 1: and this article gave him an idea for a new 154 00:08:18,560 --> 00:08:21,239 Speaker 1: show about a blended family, and he wrote a pilot 155 00:08:21,320 --> 00:08:23,480 Speaker 1: script that he called Yours and Mine, and he shopped 156 00:08:23,480 --> 00:08:26,280 Speaker 1: it around to all three major television networks he had. 157 00:08:26,280 --> 00:08:28,680 Speaker 1: All three networks wanted to make some major changes to 158 00:08:28,720 --> 00:08:31,680 Speaker 1: the plot. One network wanted to delete a scene with 159 00:08:31,760 --> 00:08:34,600 Speaker 1: the kids a company the newly married parents on their honeymoon, 160 00:08:35,000 --> 00:08:39,199 Speaker 1: which admittedly is kind of weird, and the network executives 161 00:08:39,200 --> 00:08:41,760 Speaker 1: deemed it unrealistic. And then there was another network who 162 00:08:41,760 --> 00:08:44,280 Speaker 1: didn't want to marriage at all, but a prolonged courtship, 163 00:08:44,559 --> 00:08:47,120 Speaker 1: which kind of makes a certain amount of sense. Weddings 164 00:08:47,120 --> 00:08:49,400 Speaker 1: could be a huge mid series draw, and it seemed 165 00:08:49,400 --> 00:08:51,760 Speaker 1: a shame to blow this gimmick on the first episode. 166 00:08:52,400 --> 00:08:54,760 Speaker 1: The episode where Genie from My Dream of Genie married 167 00:08:54,760 --> 00:08:57,920 Speaker 1: Major Nelson in nineteen sixty nine was a huge ratings getter, 168 00:08:57,960 --> 00:09:02,840 Speaker 1: for example, although many fans, including Barbara Eden A Jeanie herself, 169 00:09:02,960 --> 00:09:05,440 Speaker 1: thought that the marriage ruined the show by eliminating the 170 00:09:05,480 --> 00:09:08,960 Speaker 1: sexual tension. Also see the Office with Jim and Pam 171 00:09:09,000 --> 00:09:11,640 Speaker 1: after they got married. I tuned out. Most people tuned out, 172 00:09:11,679 --> 00:09:14,920 Speaker 1: but anyway, I digress. Cheers Jenna Sherwood. Schwartz went into 173 00:09:14,920 --> 00:09:17,160 Speaker 1: television because he couldn't get into med school because there 174 00:09:17,160 --> 00:09:20,200 Speaker 1: were quotas on the amount of Jewish students med schools 175 00:09:20,200 --> 00:09:22,840 Speaker 1: could accept. I did not I knew his brother wrote 176 00:09:22,880 --> 00:09:28,280 Speaker 1: for like Bob Hope, yeah, yeah, wow, that is wild. 177 00:09:28,440 --> 00:09:30,959 Speaker 1: We have anti Semitism to thank for the Brady Bunch, 178 00:09:31,440 --> 00:09:33,760 Speaker 1: as you were. Sherwood Schwartz didn't want to make any 179 00:09:33,840 --> 00:09:36,920 Speaker 1: changes to his scripts, so he basically told the networks no, 180 00:09:37,080 --> 00:09:39,280 Speaker 1: thank you. And luckily for him, he was flushed with 181 00:09:39,360 --> 00:09:43,280 Speaker 1: Gilligan's Island Bucks and he didn't have to do anything 182 00:09:43,280 --> 00:09:45,960 Speaker 1: he didn't want to, so he shoved the idea. But 183 00:09:46,040 --> 00:09:49,319 Speaker 1: then three years later, in nineteen sixty eight, United Artists 184 00:09:49,320 --> 00:09:52,840 Speaker 1: released a film called Yours, Mine and Rs, starring Lucille 185 00:09:52,840 --> 00:09:55,520 Speaker 1: Ball and Henry Fonda, and this movie told the story 186 00:09:55,520 --> 00:09:58,120 Speaker 1: of a widow with eight children who married a father 187 00:09:58,240 --> 00:10:02,120 Speaker 1: of ten. And this film was a huge success, becoming 188 00:10:02,160 --> 00:10:04,800 Speaker 1: I think the top grossing movie for United Artists that year, 189 00:10:05,240 --> 00:10:08,040 Speaker 1: And one of the side effects was that suddenly television 190 00:10:08,080 --> 00:10:11,160 Speaker 1: networks were extremely interested in Sherwood Schwartz is Yours and 191 00:10:11,200 --> 00:10:14,439 Speaker 1: Mine pilot about blend and families again, And he'd say 192 00:10:14,520 --> 00:10:16,880 Speaker 1: years later, this movie had dunbe my pilot for me. 193 00:10:17,760 --> 00:10:20,960 Speaker 1: He decided to change the very similar title so that 194 00:10:21,040 --> 00:10:23,800 Speaker 1: audiences wouldn't confuse it with the movie, and for a 195 00:10:23,880 --> 00:10:27,640 Speaker 1: time it was The Bradley Brood, which I hate yeah, 196 00:10:27,679 --> 00:10:30,839 Speaker 1: I know, especially because like David Cronenberg's The Brood would 197 00:10:30,840 --> 00:10:34,559 Speaker 1: come out like twelve years later, The Brood. Yeah, I 198 00:10:34,559 --> 00:10:38,000 Speaker 1: don't like The Brood. Then it morphed into The Brady Brood, 199 00:10:38,400 --> 00:10:41,120 Speaker 1: which I also don't like, and finally The Brady Bunch. 200 00:10:41,840 --> 00:10:43,680 Speaker 1: But the promise of the show was still too close 201 00:10:43,720 --> 00:10:46,000 Speaker 1: to comfort for the producers of Yours, Mine and Ours 202 00:10:46,040 --> 00:10:49,280 Speaker 1: the movie, who threatened legal action against Sherwood Schwartz and 203 00:10:49,280 --> 00:10:53,000 Speaker 1: The Brady Buns production for seemingly jacking their script idea. 204 00:10:53,160 --> 00:10:55,920 Speaker 1: Schwartz responded by turning over his script and outline for 205 00:10:55,960 --> 00:10:58,600 Speaker 1: the series, which he'd written years before the movie came out, 206 00:10:59,000 --> 00:11:01,920 Speaker 1: thus diffusing any threat of legal action, but the show 207 00:11:02,000 --> 00:11:06,160 Speaker 1: was plagued by scoreless rumors that something you know untoward 208 00:11:06,240 --> 00:11:09,120 Speaker 1: it occurred. How does that work? You were you were 209 00:11:09,120 --> 00:11:11,520 Speaker 1: a screenwriter or a major How does that work? Did 210 00:11:11,559 --> 00:11:13,920 Speaker 1: you have to log it with the WGA to have 211 00:11:14,040 --> 00:11:17,800 Speaker 1: it count as a intellectual property or could you just 212 00:11:17,960 --> 00:11:22,319 Speaker 1: produce something that you carbon dated or had notarized when 213 00:11:22,360 --> 00:11:25,240 Speaker 1: you wrote it, And we're like, we're putting an envelope 214 00:11:25,280 --> 00:11:28,439 Speaker 1: and mailed it to yourself, which was the poor man's 215 00:11:28,480 --> 00:11:33,319 Speaker 1: notary it's a good idea to log stuff with the WGA, 216 00:11:33,520 --> 00:11:35,840 Speaker 1: But yeah, I think they're a little bit looser. I mean, 217 00:11:35,840 --> 00:11:37,600 Speaker 1: I don't know how it was in nineteen sixty eight, 218 00:11:37,640 --> 00:11:40,640 Speaker 1: but yeah, I mean, if I were sure Richwartz and 219 00:11:40,679 --> 00:11:42,920 Speaker 1: I had Gilligan's Island under my belt, I would have 220 00:11:42,960 --> 00:11:45,360 Speaker 1: sued this movie for being like, wait a minute, Yeah, 221 00:11:45,360 --> 00:11:47,280 Speaker 1: he made a movie with almost the exact same title 222 00:11:47,280 --> 00:11:49,640 Speaker 1: of an unproduced pilot of mine that's been to all 223 00:11:49,679 --> 00:11:53,480 Speaker 1: three TV networks. Maybe this got out, like, you know, 224 00:11:53,600 --> 00:11:55,920 Speaker 1: Lucy's a big TV power player at the time too, 225 00:11:56,000 --> 00:11:59,840 Speaker 1: So I don't know anyway, too early in the show 226 00:12:00,000 --> 00:12:04,160 Speaker 1: about the Brady Bunch for legal action and squabbles. Maybe 227 00:12:04,160 --> 00:12:05,599 Speaker 1: one of the reasons he didn't sue is that he 228 00:12:05,679 --> 00:12:07,480 Speaker 1: really had his hands full getting the show off the 229 00:12:07,480 --> 00:12:11,720 Speaker 1: ground for ABC. Surewood Swartz oversaw pretty much every aspect 230 00:12:11,760 --> 00:12:15,600 Speaker 1: of the production personally, including plots for the episodes. Many 231 00:12:15,600 --> 00:12:17,439 Speaker 1: of the stories from The Brady Bunch were drawn from 232 00:12:17,440 --> 00:12:21,160 Speaker 1: his own family life, and I love this. Perhaps not coincidentally, 233 00:12:21,480 --> 00:12:24,080 Speaker 1: his favorite episode of the series was one called Father 234 00:12:24,200 --> 00:12:28,040 Speaker 1: of the Year, where Marcia enters a newspaper contest against 235 00:12:28,040 --> 00:12:30,880 Speaker 1: Mike Brady's wishes in order to write an essay about 236 00:12:30,880 --> 00:12:36,080 Speaker 1: how wonderful her stepdad is, and hilarity ensues. It's doubtful 237 00:12:36,120 --> 00:12:38,440 Speaker 1: that Sherwood Swartz's own daughter would have done this at 238 00:12:38,440 --> 00:12:40,800 Speaker 1: the time, because she was honestly kind of pissed by 239 00:12:40,800 --> 00:12:44,400 Speaker 1: the whole Brady Bunch thing. Sherwood's daughter, Hope would later 240 00:12:44,440 --> 00:12:46,800 Speaker 1: say that she found the Brady Bunch really embarrassing because 241 00:12:46,840 --> 00:12:49,600 Speaker 1: she'd often watched the show and see stories from her 242 00:12:49,600 --> 00:12:53,920 Speaker 1: own life popping up in the plot lines. Presumably, Sureward 243 00:12:53,960 --> 00:12:55,640 Speaker 1: made it up to her by getting her not one, 244 00:12:55,760 --> 00:12:59,000 Speaker 1: not two, not three, but four guest spots on the show, 245 00:12:59,120 --> 00:13:02,400 Speaker 1: including a recurring role as Greg Brady's steady girlfriend Rachel 246 00:13:03,200 --> 00:13:05,920 Speaker 1: and Hope. Schwartz would later go on to marry musician 247 00:13:06,000 --> 00:13:10,280 Speaker 1: Lawrence Juber, who is the guitarist in Paul McCartney's Wings. 248 00:13:10,320 --> 00:13:12,800 Speaker 1: In nineteen seventy nine, he played on their Back to 249 00:13:12,840 --> 00:13:18,160 Speaker 1: the Egg album together along with her brother Lloyd more 250 00:13:18,200 --> 00:13:20,840 Speaker 1: on him. Later, three of them wrote a Brady Bunch 251 00:13:21,000 --> 00:13:24,160 Speaker 1: musical that premiered in October twenty twenty at the Augunquick 252 00:13:24,240 --> 00:13:27,320 Speaker 1: Playhouse in Maine. I was trying to find something interesting 253 00:13:27,320 --> 00:13:30,080 Speaker 1: to say about him, and on his Wikipedia page it 254 00:13:30,160 --> 00:13:34,319 Speaker 1: just says he's he was miscredited as Lawrence Tuber on 255 00:13:34,360 --> 00:13:39,079 Speaker 1: this which is potato a kind of potato a Tuber 256 00:13:39,200 --> 00:13:43,120 Speaker 1: on the nineteen eighty one Ringo Star solo record Stop 257 00:13:43,160 --> 00:13:50,360 Speaker 1: and Smell the Roses. Oh, poor Lawrence. Sorry, what were 258 00:13:50,400 --> 00:13:54,480 Speaker 1: we talking about? As you were? But we can't talk 259 00:13:54,480 --> 00:13:57,520 Speaker 1: about Brady Bunch music without discussing the famous theme song, 260 00:13:57,559 --> 00:14:01,120 Speaker 1: which was written by Sherwood Schwartz himself shrewarch Worts. His 261 00:14:01,160 --> 00:14:04,400 Speaker 1: productions were famous for the ingenious story songs that always 262 00:14:04,400 --> 00:14:06,720 Speaker 1: outlined the plot of the show. He'd co written the 263 00:14:06,720 --> 00:14:11,080 Speaker 1: Gilligans Island theme which, interestingly, their pilot had a completely 264 00:14:11,160 --> 00:14:13,839 Speaker 1: unrelated clipso song on it, which is kind of a 265 00:14:14,000 --> 00:14:15,880 Speaker 1: kind of a catchy too look it up on YouTube. 266 00:14:16,120 --> 00:14:18,679 Speaker 1: But you know, the Gilligans Island theme song gives you 267 00:14:18,720 --> 00:14:20,440 Speaker 1: all the information you need to know about the series 268 00:14:20,520 --> 00:14:22,280 Speaker 1: right there. So if you're brand knew it's you can 269 00:14:22,400 --> 00:14:24,560 Speaker 1: hop right in. It's great, probably one of the reasons 270 00:14:24,560 --> 00:14:27,680 Speaker 1: that contributed to his success well. Shrwod Swartz also wrote 271 00:14:27,680 --> 00:14:30,000 Speaker 1: the lyrics to the Brady Bunch theme with music by 272 00:14:30,000 --> 00:14:33,640 Speaker 1: the composer Frank Daval and hilariously, he was always haunted 273 00:14:33,640 --> 00:14:35,920 Speaker 1: by the line. They knew that it was much more 274 00:14:36,000 --> 00:14:38,840 Speaker 1: than a hunch because it was basically just a placeholder, 275 00:14:38,880 --> 00:14:42,640 Speaker 1: but he couldn't think of anything better, and Sherwood s Worts' son, 276 00:14:42,720 --> 00:14:45,040 Speaker 1: Lloyd would torment him by sneaking up behind him and 277 00:14:45,080 --> 00:14:47,720 Speaker 1: singing that line in his ear, which is funny to me, 278 00:14:48,560 --> 00:14:51,720 Speaker 1: it is a pretty bad line. The theme song for 279 00:14:51,760 --> 00:14:53,520 Speaker 1: the first season of The Brady Bunch was sung by 280 00:14:53,560 --> 00:14:57,040 Speaker 1: the Peppermint Trolley Company, who were in La Area Sunshine 281 00:14:57,040 --> 00:15:00,000 Speaker 1: pop band who were basically just like half a step 282 00:15:00,040 --> 00:15:02,920 Speaker 1: away from being studio musicians, and in fact, some of 283 00:15:02,960 --> 00:15:06,080 Speaker 1: the famous Wrecking Crew session musician players were the ones 284 00:15:06,160 --> 00:15:08,560 Speaker 1: that are on that song. You know, they're the people 285 00:15:08,560 --> 00:15:11,400 Speaker 1: who played with Phil Specter, the Beach Boys, Elvis. So 286 00:15:11,640 --> 00:15:14,840 Speaker 1: you've got Carol Kay the bassist, and Carol Brady together 287 00:15:14,880 --> 00:15:19,000 Speaker 1: at last. But during filming for the first season, Sherwood 288 00:15:19,000 --> 00:15:22,920 Speaker 1: Schwartz supposedly heard Christopher Knight, who played Peter Brady, singing 289 00:15:22,920 --> 00:15:25,280 Speaker 1: the Brady Bunch theme songer on the set and he 290 00:15:25,320 --> 00:15:27,080 Speaker 1: thought this was really cute, and this gave him the 291 00:15:27,120 --> 00:15:30,600 Speaker 1: idea supposedly to have all six Brady Kids sing the 292 00:15:30,640 --> 00:15:33,680 Speaker 1: song themselves. But I think the timing of this is 293 00:15:33,720 --> 00:15:37,680 Speaker 1: really suspicious because the second season premiered right when The 294 00:15:37,760 --> 00:15:41,080 Speaker 1: Partridge Family premiered, which you know, obviously became a massive 295 00:15:41,160 --> 00:15:43,960 Speaker 1: hit both on television and the radio airwaves. So I'm 296 00:15:43,960 --> 00:15:46,680 Speaker 1: guessing Sherwood Schwartz wanted a piece of that big TV 297 00:15:46,920 --> 00:15:51,560 Speaker 1: family music act action. That same year, in nineteen seventy, 298 00:15:51,600 --> 00:15:54,280 Speaker 1: they released an album of the Brady Kids singing Christmas 299 00:15:54,280 --> 00:15:58,400 Speaker 1: carols called Merry Christmas from the Brady Bunch, and hilariously, 300 00:15:58,440 --> 00:16:00,800 Speaker 1: the following year, the Partridge Family at least their Yule 301 00:16:00,840 --> 00:16:04,880 Speaker 1: Tide album a Partridge Family Christmas Card. I just love 302 00:16:04,960 --> 00:16:08,560 Speaker 1: this notion of like an arms race between calcil knockoff 303 00:16:08,720 --> 00:16:13,000 Speaker 1: Gargantean singing families on network TV in the early seventies. 304 00:16:13,880 --> 00:16:15,640 Speaker 1: I think they were both on ABC, though, so maybe 305 00:16:15,640 --> 00:16:17,960 Speaker 1: it was like a same team kind of thing. But still, Oh, 306 00:16:18,000 --> 00:16:21,040 Speaker 1: how Blaine played on the Hartridge Family record. Oh yeah, 307 00:16:21,080 --> 00:16:24,720 Speaker 1: they had a lot of wrecking crew people on those. Yeah. 308 00:16:24,760 --> 00:16:27,520 Speaker 1: I think that the harpsichord those like Harpsichord triplets on 309 00:16:27,560 --> 00:16:30,640 Speaker 1: the theme of the Partridge Family or come On, Get 310 00:16:30,640 --> 00:16:34,000 Speaker 1: Happy or whatever. It's called was inspired by the Beach 311 00:16:34,080 --> 00:16:37,560 Speaker 1: Boys song. It was just a single only called the 312 00:16:37,560 --> 00:16:40,360 Speaker 1: Little Girl. I once knew do Do Do Do Do 313 00:16:40,360 --> 00:16:42,800 Speaker 1: Do Do Do Do do. Yeah, I can always bring 314 00:16:42,840 --> 00:16:47,560 Speaker 1: it back to Brian Wilson and the sandbox casting. When 315 00:16:47,600 --> 00:16:54,800 Speaker 1: it came to assembling casting that segue Jesus Christ, I 316 00:16:54,840 --> 00:16:56,520 Speaker 1: mean I didn't really give you much there, I mean, 317 00:16:57,880 --> 00:17:02,800 Speaker 1: pretty bunch. The cast of the Brady Bunch was so 318 00:17:02,880 --> 00:17:14,240 Speaker 1: much more than a hunch. Anybody golf swing. When it 319 00:17:14,280 --> 00:17:16,760 Speaker 1: came time to assemble the crew of Brady children, much 320 00:17:16,800 --> 00:17:21,280 Speaker 1: like Doctor Hammond in Jurassic Park, Sherwood Schwartz spared no expense. 321 00:17:21,600 --> 00:17:24,920 Speaker 1: He auditioned, by some reports, four hundred and sixty four 322 00:17:25,000 --> 00:17:28,080 Speaker 1: children over the course of three months. We do the 323 00:17:28,080 --> 00:17:30,560 Speaker 1: math on that, five eight hour work days a week, 324 00:17:30,840 --> 00:17:35,560 Speaker 1: how many children per hours? That? Yeah, the kid just 325 00:17:35,640 --> 00:17:37,879 Speaker 1: comes in and opens their mouth. He's like, no, next, 326 00:17:39,560 --> 00:17:41,679 Speaker 1: it's about one an hour. By the way, Oh, I 327 00:17:41,680 --> 00:17:45,600 Speaker 1: guess that's reasonable. Okay, all right, fine. To find the 328 00:17:45,640 --> 00:17:48,800 Speaker 1: six young leads, three boys and three girls, he had 329 00:17:48,800 --> 00:17:51,959 Speaker 1: a funny process to determine which kids had the right stuff, 330 00:17:52,119 --> 00:17:54,320 Speaker 1: and when he held auditions in his office, he put 331 00:17:54,359 --> 00:17:57,200 Speaker 1: toys all over his desk as a distraction. He figured 332 00:17:57,240 --> 00:17:59,560 Speaker 1: that the kids who wouldn't become fixated on the toys 333 00:17:59,720 --> 00:18:02,400 Speaker 1: with ones with the stamina and focus required from making 334 00:18:02,440 --> 00:18:05,960 Speaker 1: a sitcom. Is that like a jelly the Reagan's jelly 335 00:18:06,000 --> 00:18:09,919 Speaker 1: beans rule? Oh is that true? I know we love 336 00:18:10,040 --> 00:18:11,960 Speaker 1: jelly beans. And at a jar of the Mana's desk 337 00:18:12,359 --> 00:18:14,440 Speaker 1: was that to like try to weed up if people 338 00:18:14,480 --> 00:18:16,800 Speaker 1: had self control. I didn't know that he had a 339 00:18:16,880 --> 00:18:20,440 Speaker 1: standing order of seven hundred and twenty bags of jellybellies 340 00:18:20,640 --> 00:18:23,600 Speaker 1: per month. Man after my own heart, I was gonna say, 341 00:18:23,760 --> 00:18:27,399 Speaker 1: that's up there with you. As Christopher Knight, who played 342 00:18:27,480 --> 00:18:30,640 Speaker 1: Peter Brady, later said, it wasn't a talent audition, it 343 00:18:30,680 --> 00:18:33,520 Speaker 1: was a looks audition. Schwartz was very clever about how 344 00:18:33,520 --> 00:18:36,040 Speaker 1: he structured his TV family. He wanted the three age 345 00:18:36,040 --> 00:18:39,040 Speaker 1: groups of kids on the show, children, tweens, and teens 346 00:18:39,240 --> 00:18:41,560 Speaker 1: to appeal to a full range of young viewers, so 347 00:18:41,560 --> 00:18:43,960 Speaker 1: that everyone, regardless of their age or gender, could find 348 00:18:44,000 --> 00:18:45,840 Speaker 1: a character on the show that they could identify with. 349 00:18:46,040 --> 00:18:48,760 Speaker 1: I think that's really clever. It's very clever. Yeah, yeah, yeah, 350 00:18:48,760 --> 00:18:50,639 Speaker 1: And this goes a long way to explaining why the 351 00:18:50,640 --> 00:18:53,600 Speaker 1: show was a big hit with kids more so than adults, 352 00:18:54,040 --> 00:18:56,399 Speaker 1: and to visually illustrate the idea of a blended family, 353 00:18:56,440 --> 00:18:58,399 Speaker 1: he wanted the husband and wife to each have different 354 00:18:58,400 --> 00:19:02,040 Speaker 1: colored hair, and their chorus bonding children's hair would match. This. 355 00:19:02,160 --> 00:19:03,800 Speaker 1: Early in the casting though, they didn't know who the 356 00:19:03,800 --> 00:19:06,399 Speaker 1: parents would be yet, so instead of having just six kids, 357 00:19:06,680 --> 00:19:10,240 Speaker 1: Sherwood pulled twelve three blonde girls three brunette boys that 358 00:19:10,359 --> 00:19:13,439 Speaker 1: wound up on the show, as well as reserves of 359 00:19:13,560 --> 00:19:17,680 Speaker 1: three brunette girls and three blonde boys. Or palette swapped. 360 00:19:18,040 --> 00:19:21,600 Speaker 1: It's like in the Mortal Kombat games, or like video 361 00:19:21,600 --> 00:19:24,520 Speaker 1: game design where they like just would swap the colors 362 00:19:24,560 --> 00:19:27,360 Speaker 1: of like in the first Mortal Kombat game, the Ninjas 363 00:19:27,400 --> 00:19:29,439 Speaker 1: sub Zero and Scorpion. There's all this lore about how 364 00:19:29,480 --> 00:19:31,719 Speaker 1: their mortal enemies or whatever, and when they were designing 365 00:19:31,720 --> 00:19:33,600 Speaker 1: the game, they were just like, Ah, it's the same guy, 366 00:19:33,720 --> 00:19:37,520 Speaker 1: just changes colors. I didn't know that. Yeah, palette swapping, 367 00:19:37,560 --> 00:19:42,879 Speaker 1: it's like a thing with early video games. Yeah, I 368 00:19:43,000 --> 00:19:46,480 Speaker 1: Surewood later said in his book Brady Brady Brady Colan, 369 00:19:46,600 --> 00:19:48,840 Speaker 1: The Complete Story of the Brady Bunch as told by 370 00:19:48,880 --> 00:19:52,800 Speaker 1: the Father Slash Son team who really know that should 371 00:19:52,800 --> 00:19:55,320 Speaker 1: have gone back to the editor that that's a defensive 372 00:19:55,320 --> 00:19:59,960 Speaker 1: book title. To this day, there were three dark haired 373 00:20:00,040 --> 00:20:02,719 Speaker 1: girls and three blonde boys somewhere in the world who 374 00:20:02,800 --> 00:20:05,280 Speaker 1: might have been the Brady Bunch kids, and they are 375 00:20:05,320 --> 00:20:09,360 Speaker 1: just finding that out if they're reading this book. Actually, 376 00:20:10,000 --> 00:20:13,000 Speaker 1: that's not true. The almost Jan, who is a woman 377 00:20:13,000 --> 00:20:15,919 Speaker 1: with the awesome name of Debbie Storm, was given a 378 00:20:15,920 --> 00:20:19,320 Speaker 1: bit part as Jan's classmate in the episode My Fair Opponent, 379 00:20:19,760 --> 00:20:22,080 Speaker 1: Thank You. I just wanted to see if she has 380 00:20:22,119 --> 00:20:24,760 Speaker 1: any other credits. I mean, she has many credits, but 381 00:20:24,760 --> 00:20:27,560 Speaker 1: it's all Brady Bunch related stuff. Oh, she was in 382 00:20:27,600 --> 00:20:32,800 Speaker 1: a movie called The Brotherhood of Satan. Well did you 383 00:20:32,840 --> 00:20:34,720 Speaker 1: know it? We'll get to this later. The actual person 384 00:20:34,800 --> 00:20:36,840 Speaker 1: who played a Jam Brady eve Plum, tried out for 385 00:20:36,880 --> 00:20:39,080 Speaker 1: the part of Reagan and the Exorcist while she was 386 00:20:39,160 --> 00:20:43,280 Speaker 1: on The Brady Bunch in nineteen seventy three. Okay, okay, okay, 387 00:20:43,359 --> 00:20:50,639 Speaker 1: So there's a little yeah there. It is worth noting, however, 388 00:20:50,680 --> 00:20:53,000 Speaker 1: that hair dye was in fact used to give Nature 389 00:20:53,040 --> 00:20:56,400 Speaker 1: a helping hand with the casting. Mike Lookinland was Sherwood 390 00:20:56,400 --> 00:20:59,240 Speaker 1: Schwartz's first choice for the role of youngest son Bobby, 391 00:20:59,400 --> 00:21:03,080 Speaker 1: and he had naturally strawberry blonde hair. When brown haired 392 00:21:03,160 --> 00:21:05,560 Speaker 1: Robert Reid was cast as the dad, the kid had 393 00:21:05,560 --> 00:21:08,280 Speaker 1: to endure his hair being dyed a wide variety of 394 00:21:08,280 --> 00:21:10,600 Speaker 1: colors so that it looked appropriately dark under the harsh 395 00:21:10,640 --> 00:21:14,560 Speaker 1: studio lights. Susan Olsen, who played Cindy, had it even worse. 396 00:21:14,880 --> 00:21:18,480 Speaker 1: She was blonde, but not blonde enough for the producers. Well, 397 00:21:18,520 --> 00:21:20,840 Speaker 1: you would have thought a Jewish television show guy would 398 00:21:20,840 --> 00:21:22,680 Speaker 1: have been more sensitive to the plight of blonde people. 399 00:21:25,800 --> 00:21:27,520 Speaker 1: So this eight year old kid had to submit to 400 00:21:27,600 --> 00:21:30,360 Speaker 1: regular bleaching early on in the series. By the time 401 00:21:30,400 --> 00:21:33,240 Speaker 1: they started shooting season two, her hair had begun falling 402 00:21:33,240 --> 00:21:36,800 Speaker 1: out in clumps, so she went to Sherwood Schwartz in tears, 403 00:21:37,280 --> 00:21:40,359 Speaker 1: begging him to stop having this happen, and he ordered 404 00:21:40,400 --> 00:21:44,120 Speaker 1: the crew to let her hair alone. Speaking of hair, 405 00:21:44,320 --> 00:21:46,560 Speaker 1: fewers noticed that Mike Brady and his two oldest sons, 406 00:21:46,560 --> 00:21:50,640 Speaker 1: Greg and Peter went from having straight hair to their iconic, big, 407 00:21:50,680 --> 00:21:55,760 Speaker 1: bushy rod Flanders esque curls between the third and fourth season, 408 00:21:55,840 --> 00:21:58,280 Speaker 1: prompting many to speculate that they were forced to get perms, 409 00:21:58,359 --> 00:22:02,000 Speaker 1: which was then the the trend for her suit men 410 00:22:02,040 --> 00:22:05,440 Speaker 1: of the seventies. If you will, this is ok, if 411 00:22:05,440 --> 00:22:08,800 Speaker 1: you will, yeah, very good. This is reportedly not true. 412 00:22:09,080 --> 00:22:11,359 Speaker 1: Florence Henderson says that the style shift was a result 413 00:22:11,359 --> 00:22:14,240 Speaker 1: of the episode being filmed in Hawaii in nineteen seventy two, 414 00:22:14,560 --> 00:22:18,000 Speaker 1: where the humidity supposedly cause Robert Reid the Brady Dad 415 00:22:18,040 --> 00:22:21,119 Speaker 1: Mike's hair to curl, and this supposedly led them to 416 00:22:21,200 --> 00:22:25,520 Speaker 1: abandon the hair straightening treatment and go oh naturelle but 417 00:22:27,080 --> 00:22:31,440 Speaker 1: maybe just out yeah man man. Back to Cindy, poor 418 00:22:31,640 --> 00:22:35,840 Speaker 1: bald Cindy, or rather the young actress who portrayed her, 419 00:22:36,160 --> 00:22:39,280 Speaker 1: Susan Olsen. She actually had an impressive career up to 420 00:22:39,280 --> 00:22:41,560 Speaker 1: this point, considering she was so young when the show premiered. 421 00:22:41,920 --> 00:22:44,960 Speaker 1: She'd appeared in episodes of Ironside, Guns, Smoke, and the 422 00:22:45,000 --> 00:22:47,720 Speaker 1: groundbreaking sitcom Julia, and she had a role in the 423 00:22:47,760 --> 00:22:50,680 Speaker 1: Elvis movie The Trouble with Girls in nineteen sixty eight. 424 00:22:51,320 --> 00:22:53,280 Speaker 1: Is that one of the better ones? No, I mean, 425 00:22:53,320 --> 00:22:56,200 Speaker 1: none of them are. After after Blue Hawaii, they all 426 00:22:56,320 --> 00:22:58,840 Speaker 1: kind of took another of Las Vegas is okay, I guess, 427 00:22:59,000 --> 00:23:01,800 Speaker 1: but yeah, not one of the good ones. She was 428 00:23:01,840 --> 00:23:05,520 Speaker 1: reportedly the only easy casting decision for the show because 429 00:23:05,560 --> 00:23:09,080 Speaker 1: Sherwood Schwartz was so thoroughly charmed by her lisp. He 430 00:23:09,119 --> 00:23:11,919 Speaker 1: recalls her saying, I was on an epithode of gun smoke. 431 00:23:12,240 --> 00:23:14,199 Speaker 1: I was on a wharf and I got frightened by 432 00:23:14,200 --> 00:23:17,639 Speaker 1: a snake. And that was the end of the audition 433 00:23:18,040 --> 00:23:20,919 Speaker 1: she had the part. Rather than send her to a 434 00:23:20,960 --> 00:23:24,200 Speaker 1: speech therapist, Sherwood allowed her to speak naturally on the show. 435 00:23:24,440 --> 00:23:29,840 Speaker 1: Generous of him, Let's make let's make this temporary speech 436 00:23:29,840 --> 00:23:33,040 Speaker 1: impediment the defining characteristic of the rest of your life, 437 00:23:33,880 --> 00:23:37,119 Speaker 1: and even incorporated into an episode called a first Full 438 00:23:37,160 --> 00:23:42,560 Speaker 1: of Reasons. What don't it's like a fistful of dollars? Yeah, 439 00:23:42,600 --> 00:23:46,440 Speaker 1: but there's a lisp thing in there. First God, these 440 00:23:46,480 --> 00:23:49,800 Speaker 1: people are where She was teased by the buddy Bully Hinton, 441 00:23:49,920 --> 00:23:53,560 Speaker 1: who taunted her by chanting, baby talk, baby talk, it's 442 00:23:53,560 --> 00:23:56,520 Speaker 1: a wonder you can walk. Olsen regularly worked with a 443 00:23:56,560 --> 00:23:59,880 Speaker 1: speech therapist until the age of nineteen, and ultimately under 444 00:24:00,080 --> 00:24:03,119 Speaker 1: went surgery to assist with this. Is that something that 445 00:24:03,160 --> 00:24:06,160 Speaker 1: we both share? Weren't we I was treated for disfluent 446 00:24:06,240 --> 00:24:11,040 Speaker 1: speech as a as a little kid. I'd a lisp yeah, yeah, 447 00:24:12,359 --> 00:24:21,000 Speaker 1: look at us now acting suddenly seeking Susan. I have 448 00:24:21,040 --> 00:24:24,639 Speaker 1: no problem with my esses anymore, thanks to the Central 449 00:24:24,680 --> 00:24:29,280 Speaker 1: Pennsylvania Public school system. I'm I'm surprised I wasn't taken 450 00:24:29,280 --> 00:24:34,000 Speaker 1: out back and shot. It was an episode in season 451 00:24:34,000 --> 00:24:36,280 Speaker 1: two where Cindy tattles on everyone at her family, and 452 00:24:36,320 --> 00:24:38,760 Speaker 1: this had tragic consequences in her social life. When she 453 00:24:38,800 --> 00:24:41,280 Speaker 1: was shunned by the kids at her school, who assumed 454 00:24:41,320 --> 00:24:43,800 Speaker 1: that she and Cindy were one and the same. I 455 00:24:43,880 --> 00:24:46,800 Speaker 1: was teased mercilessly, she was quoted as saying in twenty nineteen, 456 00:24:47,200 --> 00:24:49,879 Speaker 1: I know about bullying, but I had really good parents 457 00:24:49,880 --> 00:24:51,880 Speaker 1: who gave me a lot of wisdom. I was being 458 00:24:51,920 --> 00:24:54,679 Speaker 1: bullied because other kids were jealous. One time, I was 459 00:24:54,760 --> 00:24:56,600 Speaker 1: riding my bike around the neighborhood and saw a group 460 00:24:56,640 --> 00:24:58,719 Speaker 1: of kids playing on a big mound of dirt. I 461 00:24:58,760 --> 00:25:03,400 Speaker 1: wanted to go play with them same, so I got 462 00:25:03,440 --> 00:25:05,360 Speaker 1: up my nerve and rode my bike over to them 463 00:25:05,359 --> 00:25:07,800 Speaker 1: and tried to play with them. They started throwing dirt 464 00:25:07,840 --> 00:25:11,280 Speaker 1: at me, saying, Brady Bratt, go home. I thought, wait 465 00:25:11,280 --> 00:25:13,199 Speaker 1: a minute, I'm on a TV show and I have 466 00:25:13,280 --> 00:25:16,080 Speaker 1: so much fun. I don't blame them for being jealous. 467 00:25:16,320 --> 00:25:18,359 Speaker 1: I'd rather be on that TV show than playing on 468 00:25:18,359 --> 00:25:20,720 Speaker 1: a mound of dirt, so let them have their dirt. 469 00:25:21,960 --> 00:25:26,680 Speaker 1: What a hilariously specific anecdote. Sometimes life is like that. 470 00:25:28,359 --> 00:25:31,400 Speaker 1: Susan Olsen actually started an inadvertent feud with another TV 471 00:25:31,520 --> 00:25:34,800 Speaker 1: star at the time. She wanted to give herself sausage 472 00:25:34,880 --> 00:25:39,199 Speaker 1: curl pigtails. Are you really you're making this? That's what 473 00:25:39,240 --> 00:25:42,080 Speaker 1: they call it, sausage curl pigtails, as I've seen them 474 00:25:42,080 --> 00:25:45,199 Speaker 1: described to look like. Another cute blonde TV star at 475 00:25:45,200 --> 00:25:47,320 Speaker 1: the time, a Nissa Jones who played the character Buffy 476 00:25:47,400 --> 00:25:50,560 Speaker 1: on the show Family Affair, starting Sebastian Cabot and Brian Keith, 477 00:25:50,680 --> 00:25:53,159 Speaker 1: the dad from the original Parent Trap movie. That's a 478 00:25:53,160 --> 00:25:59,880 Speaker 1: real trifecta of your interests. No is it good? I mean, 479 00:26:00,000 --> 00:26:02,399 Speaker 1: this is definitely a segment that's for my fellow millennial 480 00:26:02,520 --> 00:26:04,720 Speaker 1: kids who spent way too much time watching TV land 481 00:26:04,720 --> 00:26:08,920 Speaker 1: as a kid, M four of them. Yeah, it's a 482 00:26:09,000 --> 00:26:16,720 Speaker 1: mid sixties sitcom. No, it's not one of the good ones. Well, 483 00:26:16,720 --> 00:26:19,840 Speaker 1: the character of Cindy seemed modeled after the Buffy character, 484 00:26:19,920 --> 00:26:22,199 Speaker 1: right down at the creepy doll she carried around. Buffy 485 00:26:22,240 --> 00:26:25,879 Speaker 1: had a doll named Missus Beasley, and Cindy had Kitty Carryall. 486 00:26:26,520 --> 00:26:29,560 Speaker 1: Another actress on The Family Affair, Kathy Garver, who played 487 00:26:29,560 --> 00:26:32,919 Speaker 1: Buffy's older sister Sissy, was not pleased with this, and 488 00:26:33,080 --> 00:26:35,680 Speaker 1: she told Fox News as much a few years back, saying, 489 00:26:35,920 --> 00:26:38,160 Speaker 1: if you watch the show The Brady Bunch, you see 490 00:26:38,200 --> 00:26:40,639 Speaker 1: Susan Olson dressed up like a Nissa Jones was on 491 00:26:40,640 --> 00:26:43,240 Speaker 1: our show, wearing a mini dress and supporting the two 492 00:26:43,240 --> 00:26:46,439 Speaker 1: blonde pigtails, carrying a doll around all the time, just 493 00:26:46,480 --> 00:26:49,560 Speaker 1: like a Nissa did. And she Susan Olsen has gone 494 00:26:49,560 --> 00:26:51,800 Speaker 1: on TV shows and has admitted that they were trying 495 00:26:51,840 --> 00:26:54,800 Speaker 1: to copy the success of our show with that character. 496 00:26:55,840 --> 00:27:01,960 Speaker 1: Anissa Jones is kind of like the original child Star 497 00:27:02,200 --> 00:27:07,840 Speaker 1: with a tragic after story. She died in nineteen seventy 498 00:27:07,840 --> 00:27:11,159 Speaker 1: six at the age of eighteen in Los Angeles, and 499 00:27:11,200 --> 00:27:14,320 Speaker 1: the corner said it was one of the biggest drug 500 00:27:14,359 --> 00:27:17,160 Speaker 1: overdoses he had ever seen. And for an LA Area 501 00:27:17,240 --> 00:27:22,960 Speaker 1: coroner to say that in nineteen seventy six, that's saying something. 502 00:27:23,000 --> 00:27:26,520 Speaker 1: There are traces of cocaine, PCP, queyludes and second all 503 00:27:26,880 --> 00:27:31,720 Speaker 1: found in her bloodstream, as well as a small vial 504 00:27:31,720 --> 00:27:34,359 Speaker 1: of blue liquid next to her, which was never identified. 505 00:27:35,520 --> 00:27:41,159 Speaker 1: So yeah, if the show Family Affair is sort of 506 00:27:42,080 --> 00:27:45,960 Speaker 1: permanently asterisked, one not permanently asterisk but I mean it's 507 00:27:46,000 --> 00:27:50,879 Speaker 1: sort of it lives on given that history, that unfortunate history, 508 00:27:50,920 --> 00:27:53,560 Speaker 1: I should say. Susan Olsen went on to become a 509 00:27:53,640 --> 00:27:57,400 Speaker 1: hydroponic weed grower at the advice of her then husband 510 00:27:57,760 --> 00:28:00,679 Speaker 1: when this was still technically illegal. She would say that 511 00:28:00,720 --> 00:28:02,480 Speaker 1: this was one of the reasons that they got divorced, 512 00:28:02,880 --> 00:28:05,760 Speaker 1: and she went on to host what many have described 513 00:28:05,800 --> 00:28:08,920 Speaker 1: as a right leaning radio program on LA Talk Radio 514 00:28:09,040 --> 00:28:12,040 Speaker 1: until she parted company with the network. She denies that 515 00:28:12,080 --> 00:28:16,760 Speaker 1: she was fired due to alleged slash reported islamophobic and 516 00:28:16,960 --> 00:28:21,000 Speaker 1: homophobic remarks that you can google that we would not 517 00:28:21,000 --> 00:28:25,080 Speaker 1: be reading on this show. Where were we the seventies? 518 00:28:28,040 --> 00:28:31,119 Speaker 1: Your favorite Cindy related Brady stories. There's a scene in 519 00:28:31,119 --> 00:28:34,840 Speaker 1: the episode Cindy Brady Lady where she struggled to memorize 520 00:28:34,840 --> 00:28:37,000 Speaker 1: her lines and as she left the kitchen set. At 521 00:28:37,040 --> 00:28:38,720 Speaker 1: the end of the scene, she can be seen breaking 522 00:28:38,800 --> 00:28:41,680 Speaker 1: character and sticking her tongue out. That's because she thought 523 00:28:41,680 --> 00:28:44,360 Speaker 1: that they were still rehearsing and she was growing frustrated. 524 00:28:44,720 --> 00:28:47,640 Speaker 1: They left the shot in what you call one of 525 00:28:47,680 --> 00:28:51,400 Speaker 1: the many sloppy editing decisions made on the show. Yeah, 526 00:28:51,440 --> 00:28:54,160 Speaker 1: have it out for the Brady Bunch editing team. I mean, 527 00:28:54,200 --> 00:28:56,480 Speaker 1: I think this was because it was just pre DVRs 528 00:28:56,520 --> 00:28:59,200 Speaker 1: and home video, so I guess, you know, it was 529 00:28:59,240 --> 00:29:02,640 Speaker 1: assumed that no and whatever. Notice. Yeah, I guess that's fair. 530 00:29:03,600 --> 00:29:06,360 Speaker 1: There are numerous instances of continuity, as in The Brady 531 00:29:06,360 --> 00:29:09,520 Speaker 1: Bunch Jan wearing a green hairtie one scene, brown and another, 532 00:29:09,840 --> 00:29:12,520 Speaker 1: Greg wearing beetle boots in one scene and sneakers in another. 533 00:29:12,600 --> 00:29:14,560 Speaker 1: One of the biggest examples is in the season two 534 00:29:14,560 --> 00:29:17,480 Speaker 1: episode The Winner, where Mike and Carol Brady take Bobby 535 00:29:17,560 --> 00:29:19,880 Speaker 1: to a local TV station to compete in an ice 536 00:29:19,920 --> 00:29:22,360 Speaker 1: cream eating competition. He didn't have a trophy, was the 537 00:29:22,360 --> 00:29:24,600 Speaker 1: only Brady get without a trophy, so they took him 538 00:29:24,600 --> 00:29:27,200 Speaker 1: the competition that he had a chance in hell of winning. 539 00:29:27,760 --> 00:29:31,760 Speaker 1: It's good. They leave their house in a blue convertible 540 00:29:31,840 --> 00:29:35,640 Speaker 1: and return home in a brown station wagon. He lost 541 00:29:35,720 --> 00:29:40,520 Speaker 1: so badly that to give him the car, Yeah, that's egregious. 542 00:29:41,360 --> 00:29:43,560 Speaker 1: And then there were times the show would recycle Marsha's 543 00:29:43,560 --> 00:29:48,080 Speaker 1: outfit for other characters later a few episodes later. For example, 544 00:29:48,080 --> 00:29:50,680 Speaker 1: the orange and white miniskirt outfit she wears in the 545 00:29:50,680 --> 00:29:53,680 Speaker 1: episode where she meets Davy Jones shows up later on 546 00:29:53,720 --> 00:29:56,360 Speaker 1: a character in the background. That's just due to the 547 00:29:56,360 --> 00:29:59,680 Speaker 1: Brady family's largesse. They were just they were just handing 548 00:29:59,680 --> 00:30:02,280 Speaker 1: out there. They're they're clothes to children in the neighborhood 549 00:30:02,320 --> 00:30:04,600 Speaker 1: where it once and then burn it And then Carol 550 00:30:04,760 --> 00:30:08,360 Speaker 1: was like, no, honey, I said burn it, and then 551 00:30:08,360 --> 00:30:11,480 Speaker 1: she snuck it out back. And we're gonna talk about 552 00:30:11,520 --> 00:30:14,640 Speaker 1: the Brady family patriarch, Mike Brady, But you need to 553 00:30:14,640 --> 00:30:18,360 Speaker 1: take this next sectionist with your beloved Gene Hackman. Oh, 554 00:30:18,360 --> 00:30:22,200 Speaker 1: come on you, how did you not talk about Susan 555 00:30:22,240 --> 00:30:29,600 Speaker 1: Olsen's art? Yeah, take us there, my dude. Susan Olson 556 00:30:29,720 --> 00:30:31,680 Speaker 1: in July of twenty twelve was one of a number 557 00:30:31,720 --> 00:30:34,240 Speaker 1: of artists and celebrities invited to show their work at 558 00:30:34,240 --> 00:30:38,520 Speaker 1: the Pas Gallery in Fulton, California called Art with an Agenda, 559 00:30:38,760 --> 00:30:42,840 Speaker 1: an exhibit inspired by Kelly Thomas. Kelly Thomas was a 560 00:30:42,880 --> 00:30:46,320 Speaker 1: homeless man of schizophrenia who died five days after being 561 00:30:46,360 --> 00:30:49,360 Speaker 1: severely beaten by members of the Fullerton Police Department At 562 00:30:49,400 --> 00:30:53,520 Speaker 1: thirty seven. Olsen's Peace was titled still Life and showed 563 00:30:53,560 --> 00:30:56,440 Speaker 1: a half eaten doughnut in a puddle of blood besides 564 00:30:56,480 --> 00:31:01,120 Speaker 1: a lit flashlight. All Right, onto the parents for the 565 00:31:01,200 --> 00:31:04,880 Speaker 1: Brady family patriarch. The production ultimately got actor Robert Reid, 566 00:31:05,000 --> 00:31:07,840 Speaker 1: who we will get to, but originally Sherwood Schwartz had 567 00:31:07,840 --> 00:31:13,000 Speaker 1: his sights set on it Gene Hackman, Baby, Popeye, Fine 568 00:31:13,320 --> 00:31:16,160 Speaker 1: Doyle oh Man, only if he did it in characters 569 00:31:16,240 --> 00:31:24,040 Speaker 1: Popeye just dropping racial slurs and drunk running over shopping 570 00:31:24,120 --> 00:31:30,200 Speaker 1: cards under the elevated track in Brooklyn oh Man. The 571 00:31:30,360 --> 00:31:34,480 Speaker 1: studio overseeing the production, Paramount, killed the idea sadly. Even 572 00:31:34,520 --> 00:31:36,640 Speaker 1: though Hackman had just had his big breakout role in 573 00:31:36,680 --> 00:31:39,080 Speaker 1: the Oscar winning Bonnie and Clyde as Buck Barrow, he 574 00:31:39,120 --> 00:31:40,960 Speaker 1: still wasn't a big enough name for the studio to 575 00:31:41,000 --> 00:31:44,400 Speaker 1: consider him as a lead in their new sitcom. Sherwood 576 00:31:44,480 --> 00:31:47,800 Speaker 1: later said Paramount wouldn't even okay Gene Hackman for an 577 00:31:47,800 --> 00:31:51,160 Speaker 1: interview because he had a very low tv Q. Tv 578 00:31:51,320 --> 00:31:54,120 Speaker 1: Q is a survey that executives used to determine the 579 00:31:54,160 --> 00:31:57,400 Speaker 1: audiences familiarity with performances like a like a Q store. 580 00:31:57,720 --> 00:32:01,600 Speaker 1: They weren't commenting on Gene Hackman's intelligence, which is very high. No, yeah, 581 00:32:01,640 --> 00:32:06,160 Speaker 1: both emotional and intellectual, I'm told. But the year after 582 00:32:06,200 --> 00:32:10,440 Speaker 1: The Brady Bunch debuted, Gene Hackman, with no TVQ started 583 00:32:10,480 --> 00:32:14,000 Speaker 1: in a little picture called The French Connection and won 584 00:32:14,040 --> 00:32:16,560 Speaker 1: the Academy Award for Best Actor and has been a 585 00:32:16,560 --> 00:32:22,040 Speaker 1: major star ever since. So take that paramount well, folks. 586 00:32:22,120 --> 00:32:24,800 Speaker 1: Gene Hackman hates many things, as we've talked about on 587 00:32:24,800 --> 00:32:27,360 Speaker 1: this show, but he probably wouldn't have hated the role 588 00:32:27,360 --> 00:32:29,680 Speaker 1: of Mike Brady as much as the man who did 589 00:32:30,040 --> 00:32:32,920 Speaker 1: ultimately play him. The network wanted to go with Robert 590 00:32:32,920 --> 00:32:35,280 Speaker 1: Reid because he had a lead role in a popular 591 00:32:35,360 --> 00:32:38,840 Speaker 1: early sixties legal drama, The Defenders, which earned a whopping 592 00:32:38,960 --> 00:32:42,680 Speaker 1: thirteen Emmys during its run, which is thirteen more than 593 00:32:42,720 --> 00:32:45,800 Speaker 1: The Brady Bunch ever won. So not only did he 594 00:32:45,800 --> 00:32:48,000 Speaker 1: have audience recognition from that show, but he also was 595 00:32:48,080 --> 00:32:50,120 Speaker 1: under contract a paramount at the time to do a 596 00:32:50,160 --> 00:32:54,040 Speaker 1: TV pilot version of the Neil Simon Broadway show Barefoot 597 00:32:54,080 --> 00:32:56,280 Speaker 1: in the Park, which had recently been made into a 598 00:32:56,320 --> 00:33:00,280 Speaker 1: movie with Robert Redford and Jane Fonda, I cannot stress 599 00:33:00,360 --> 00:33:02,480 Speaker 1: us enough. Robert Reid, the Brady Bunch Dad was a 600 00:33:02,560 --> 00:33:06,240 Speaker 1: capital s serious actor. He trained at the Royal Academy 601 00:33:06,240 --> 00:33:08,320 Speaker 1: of Dramatic Arts. He was a member of the Actor's 602 00:33:08,360 --> 00:33:11,040 Speaker 1: studio in New York City for thirty years, and he 603 00:33:11,080 --> 00:33:14,200 Speaker 1: was a member of a Shakespeare company. So he can 604 00:33:14,280 --> 00:33:16,520 Speaker 1: almost be forgiven for feeling that the role of Mike 605 00:33:16,560 --> 00:33:21,400 Speaker 1: Brady was somewhat beneath him. I am really hard pressed 606 00:33:21,440 --> 00:33:23,920 Speaker 1: to name an actor who, from the very start so 607 00:33:24,120 --> 00:33:27,440 Speaker 1: fiercely hated the role that made him famous. He initially 608 00:33:27,440 --> 00:33:29,120 Speaker 1: said that when the show was pitched to him, it 609 00:33:29,200 --> 00:33:33,240 Speaker 1: was a semi serious adult drama about modern blending families, 610 00:33:33,760 --> 00:33:38,040 Speaker 1: and then somewhere along the line this shifted. In an 611 00:33:38,040 --> 00:33:40,840 Speaker 1: interview in nineteen eighty eight, Robert Reids quoted as saying, 612 00:33:40,920 --> 00:33:44,000 Speaker 1: I wouldn't have given the shows a nicol's chance of succeeding. 613 00:33:44,560 --> 00:33:47,800 Speaker 1: He would often go into Sherwood Schwartz's office and say, Sherwood, 614 00:33:47,800 --> 00:33:49,360 Speaker 1: I gotta get out of this. I can't believe he 615 00:33:49,400 --> 00:33:53,360 Speaker 1: talked me into this. In a nineteen eighty three interview, 616 00:33:53,440 --> 00:33:56,200 Speaker 1: Robert Reid admitted that he often budded head with Schwartz, 617 00:33:56,240 --> 00:33:59,120 Speaker 1: saying we fought over the scripts, always over the scripts. 618 00:33:59,200 --> 00:34:02,120 Speaker 1: The producer D Shwarts had done Gilligan's Island, which was 619 00:34:02,120 --> 00:34:04,400 Speaker 1: just gag lines. That would have been what the Brady 620 00:34:04,400 --> 00:34:08,360 Speaker 1: Bunch was had I not protested and Shrewd Schwartz was 621 00:34:08,400 --> 00:34:11,680 Speaker 1: so frustrated with Robert Reid that he repeatedly asclaimed over 622 00:34:11,719 --> 00:34:13,960 Speaker 1: the years that had the show been renewed for a 623 00:34:14,000 --> 00:34:16,520 Speaker 1: sixth season, it was canceled before that, he would have 624 00:34:16,520 --> 00:34:19,879 Speaker 1: either killed off Mike Brady or replaced the actor playing him, 625 00:34:20,719 --> 00:34:23,440 Speaker 1: Darren Stevens in Bewitched. That's what they did to the 626 00:34:23,480 --> 00:34:27,640 Speaker 1: Darren Stevens character. Shrewd Shwarts later said of Reid, television 627 00:34:27,680 --> 00:34:31,239 Speaker 1: in general was beneath him, and situation comedy was beneath television. 628 00:34:31,280 --> 00:34:33,440 Speaker 1: In his opinion, he wound up on a show that 629 00:34:33,440 --> 00:34:35,040 Speaker 1: he didn't want to do in the first place, and 630 00:34:35,080 --> 00:34:38,720 Speaker 1: it became more and more difficult for him and Sherwood. 631 00:34:38,719 --> 00:34:41,440 Speaker 1: Schwartz tried to placate Robert Reid by letting him direct 632 00:34:41,440 --> 00:34:43,800 Speaker 1: a few episodes, which is an old producer's trick to 633 00:34:43,880 --> 00:34:47,080 Speaker 1: keep stars happy, like they would do on mash for example. 634 00:34:47,120 --> 00:34:50,680 Speaker 1: With all in all, the but Unfortunately, Robert Reid could 635 00:34:50,680 --> 00:34:54,840 Speaker 1: not be placated so easily. He frequently set Sherwood Swartz 636 00:34:54,920 --> 00:34:59,799 Speaker 1: handwritten memos questioning his character's motivation or the emotional authenticity 637 00:34:59,840 --> 00:35:02,880 Speaker 1: of a scene, and he was also a stickler for facts. 638 00:35:03,400 --> 00:35:06,560 Speaker 1: He once held up production by arguing about the implausibility 639 00:35:06,560 --> 00:35:09,399 Speaker 1: of his characters slipping on an egg, and he only 640 00:35:09,440 --> 00:35:12,040 Speaker 1: agreed to shoot the scene after he dropped the egg 641 00:35:12,120 --> 00:35:17,680 Speaker 1: for real and accidentally slipped, which he said later, you know, 642 00:35:17,719 --> 00:35:19,839 Speaker 1: the whole way down. As I was following, I thought, geez, 643 00:35:19,880 --> 00:35:25,080 Speaker 1: I probably deserve this. He was a sliver of self awareness. 644 00:35:25,120 --> 00:35:28,000 Speaker 1: Oh yeah. He once complained about the quality of fake 645 00:35:28,080 --> 00:35:31,680 Speaker 1: ink that stayed to Alice the Housekeeper's uniform, prompting him 646 00:35:31,719 --> 00:35:35,040 Speaker 1: to dash off a furious, multi page letter to the 647 00:35:35,040 --> 00:35:39,000 Speaker 1: show's top brass, tearing apart the prop department and calling 648 00:35:39,000 --> 00:35:42,359 Speaker 1: the ink scene quote so unfunny that even a laugh 649 00:35:42,400 --> 00:35:46,560 Speaker 1: machine would bulk at it. But the most famous instance 650 00:35:46,560 --> 00:35:49,600 Speaker 1: of Robert Reid aka Mike Brady's nitpicking occurred on the 651 00:35:49,680 --> 00:35:54,360 Speaker 1: season four episode Jan the Only Child. And in this episode, 652 00:35:54,400 --> 00:35:57,000 Speaker 1: Carol Brady and Alice the Housekeeper were having a contest 653 00:35:57,120 --> 00:36:00,319 Speaker 1: see who could make the best strawberry dessert. The character 654 00:36:00,320 --> 00:36:01,920 Speaker 1: of Mike was supposed to walk in and say, it 655 00:36:02,000 --> 00:36:06,200 Speaker 1: smells like strawberry Heaven. Robert Reid refused to say this 656 00:36:06,239 --> 00:36:10,080 Speaker 1: line because strawberries don't smell when they're being cooked, and 657 00:36:10,160 --> 00:36:14,280 Speaker 1: he supposedly dragged out an encyclopedia to verify this angrily 658 00:36:14,360 --> 00:36:17,600 Speaker 1: to Sherwood Schwartz, and he wouldn't act the scene until 659 00:36:17,600 --> 00:36:20,200 Speaker 1: the line was changed too. I do believe I've died 660 00:36:20,200 --> 00:36:23,560 Speaker 1: and gone to strawberry Heaven, which is still pretty terrible. 661 00:36:24,600 --> 00:36:27,040 Speaker 1: Shrewrid Schwarts got so used to predicting this nitpicking that 662 00:36:27,120 --> 00:36:30,680 Speaker 1: he started brushing up on legal technicalities to ward off 663 00:36:30,760 --> 00:36:34,880 Speaker 1: any potential problems. For one episode, when Mike Brady installs 664 00:36:34,880 --> 00:36:37,040 Speaker 1: a pay phone in the house for his kids to use, 665 00:36:37,520 --> 00:36:41,080 Speaker 1: Robert Reid sure enough complained about this being totally implausible, 666 00:36:41,760 --> 00:36:43,799 Speaker 1: and Shrewrid Schwartz told him that it was in fact 667 00:36:43,880 --> 00:36:47,600 Speaker 1: legal to install payphone in a private residence in Santa Monica, 668 00:36:47,920 --> 00:36:50,480 Speaker 1: which is where Sherwood Swartz told him the Brady's lived, 669 00:36:50,719 --> 00:36:53,279 Speaker 1: and since he had never up to this point specified 670 00:36:53,280 --> 00:36:55,960 Speaker 1: where the Brady's lived, Robert Reid had no choice but 671 00:36:56,000 --> 00:36:58,879 Speaker 1: to storm off the set and drown his sorrows at 672 00:36:58,880 --> 00:37:01,480 Speaker 1: a bar near the Para Mountain lot, which he did 673 00:37:01,600 --> 00:37:04,839 Speaker 1: a lot. Apparently shooting in the afternoons with Robert Reid 674 00:37:05,040 --> 00:37:08,200 Speaker 1: was a little tricky. The final straw for Robert Reid 675 00:37:08,280 --> 00:37:11,279 Speaker 1: came while filming the final episode of Season five in 676 00:37:11,360 --> 00:37:14,880 Speaker 1: nineteen seventy four, when Greg Brady buys a hair tonic 677 00:37:14,920 --> 00:37:17,840 Speaker 1: from his younger brother Bobby and it turns his hair orange. 678 00:37:18,600 --> 00:37:22,480 Speaker 1: Robert Reid supposedly objected because, among many other things, the 679 00:37:22,640 --> 00:37:29,600 Speaker 1: product wasn't FDA approved. He wrote a lengthy, extremely eloquent 680 00:37:29,680 --> 00:37:33,400 Speaker 1: memo to Sherwood Schwartz and his staff which is inexplicably 681 00:37:33,400 --> 00:37:36,360 Speaker 1: available to read on the Steve Hoffman forums, which is 682 00:37:36,440 --> 00:37:39,680 Speaker 1: usually a forum for music stuff, but it's on there. 683 00:37:40,520 --> 00:37:44,320 Speaker 1: And in this memo he evokes Hamlet and Citizen Kane 684 00:37:46,600 --> 00:37:49,520 Speaker 1: and it's actually a really fascinating document which I encouraged 685 00:37:49,600 --> 00:37:52,200 Speaker 1: everybody's interested to go check out, in which Robert Reid 686 00:37:52,239 --> 00:37:58,640 Speaker 1: outlines what he calls the quote fundamental difference between melodrama, drama, comedy, farce, 687 00:37:59,120 --> 00:38:03,520 Speaker 1: slapstick satire, and fantasy. He draws on all of his 688 00:38:03,600 --> 00:38:06,719 Speaker 1: actor training in this memo it's pretty impressive. I have 689 00:38:06,719 --> 00:38:08,000 Speaker 1: to say I'd like to read some of it because 690 00:38:08,000 --> 00:38:10,680 Speaker 1: I find it both interesting and also it's just so 691 00:38:10,800 --> 00:38:15,280 Speaker 1: incongruous coming from the guy who played Mike Brady. He writes, 692 00:38:15,400 --> 00:38:18,279 Speaker 1: these styles of comedy require not only a difference in 693 00:38:18,360 --> 00:38:22,279 Speaker 1: terms of construction, but also in presentation and most explicitly, 694 00:38:22,600 --> 00:38:28,280 Speaker 1: styles of acting. The dramatis personai are non interchangeable. For example, Hamlet, 695 00:38:28,520 --> 00:38:31,799 Speaker 1: archetypical of the dramatic character, could not be written into 696 00:38:31,800 --> 00:38:36,200 Speaker 1: Shakespeare's Midsummer Night's Dream and still retain his identity. Ophelia 697 00:38:36,320 --> 00:38:39,120 Speaker 1: could not play a scene, but Titania Richard the Second 698 00:38:39,200 --> 00:38:41,680 Speaker 1: could not be found in Twelfth Night. In other words, 699 00:38:41,880 --> 00:38:44,880 Speaker 1: a character indigenous to one style of the theater cannot 700 00:38:44,920 --> 00:38:48,400 Speaker 1: function in any other styles. The boundaries are rigid, and 701 00:38:48,480 --> 00:38:51,560 Speaker 1: within the confines of one theatric piece, the style must 702 00:38:51,560 --> 00:38:55,520 Speaker 1: remain constant. Why it has a long since proven theorem 703 00:38:55,560 --> 00:38:58,120 Speaker 1: in the theater that an audience will adjust its suspension 704 00:38:58,120 --> 00:39:00,960 Speaker 1: of belief to the degree that the of the presentation 705 00:39:01,080 --> 00:39:04,200 Speaker 1: leads them. When a curtain rises on two French maids 706 00:39:04,200 --> 00:39:07,160 Speaker 1: in a farce set discussing the peccadillos of their master. 707 00:39:07,560 --> 00:39:10,080 Speaker 1: The audience is now set for an evening of theater 708 00:39:10,160 --> 00:39:13,000 Speaker 1: in a certain style and are prepared to accept having 709 00:39:13,040 --> 00:39:16,239 Speaker 1: excluded certain levels of reality. And that is the price 710 00:39:16,320 --> 00:39:18,720 Speaker 1: difference in the styles of theater, both for the actor 711 00:39:18,760 --> 00:39:23,320 Speaker 1: and the writer. The degree of reality inherent. Pure drama 712 00:39:23,360 --> 00:39:27,120 Speaker 1: and comedy are closest to core realism. Slapstick and fantasy 713 00:39:27,120 --> 00:39:29,319 Speaker 1: are far less removed. It was also part of that 714 00:39:29,400 --> 00:39:33,839 Speaker 1: theorem that one cannot change styles. Midstream television falls under 715 00:39:33,880 --> 00:39:37,760 Speaker 1: exactly the same principle. What the networks and their oversimplification 716 00:39:37,840 --> 00:39:42,680 Speaker 1: called sitcoms are actually quite diverse styles, except when bastardized 717 00:39:42,680 --> 00:39:46,719 Speaker 1: by careless writing or performing. For instance, Mash is comedy, 718 00:39:47,000 --> 00:39:51,080 Speaker 1: The Paul Lynden Show is farce, the Beverly Hillbillies is slapstick, 719 00:39:51,440 --> 00:39:55,920 Speaker 1: Batman is satire, and a drew of genius fantasy. Imagine 720 00:39:56,040 --> 00:39:59,960 Speaker 1: Archie Bunkers suddenly landing on Gilligan's Island. The maximum implicit 721 00:40:00,040 --> 00:40:02,840 Speaker 1: and all this is when the first act curtain rises 722 00:40:02,880 --> 00:40:05,640 Speaker 1: on a comedy, the second act curtain has to rise 723 00:40:05,719 --> 00:40:09,080 Speaker 1: on the same thing, with the actors playing commiserate styles. 724 00:40:09,440 --> 00:40:12,040 Speaker 1: If it isn't already clear, not only does the audience 725 00:40:12,040 --> 00:40:14,920 Speaker 1: accept a certain level of belief, but so must the 726 00:40:15,040 --> 00:40:18,480 Speaker 1: actor in order to function at all. His consciousness opens 727 00:40:18,480 --> 00:40:21,560 Speaker 1: like an iris to allow the proper amount of reality. 728 00:40:21,600 --> 00:40:24,800 Speaker 1: And it was acting subtext, and all of the actors 729 00:40:24,800 --> 00:40:27,520 Speaker 1: in the same piece must deal with the same level, 730 00:40:27,840 --> 00:40:30,160 Speaker 1: or the audience will not know to whom to adjust, 731 00:40:30,280 --> 00:40:32,640 Speaker 1: and will often empathize with the character with the most 732 00:40:32,640 --> 00:40:38,440 Speaker 1: credibility total reality listening the most complete empathetic response. Example, 733 00:40:38,800 --> 00:40:41,239 Speaker 1: we are in the operating room and mash when the 734 00:40:41,320 --> 00:40:44,560 Speaker 1: usual pan shot across a mirror out of operating tables 735 00:40:44,600 --> 00:40:47,880 Speaker 1: filled with surgical teams at work. The leads are sweating 736 00:40:47,880 --> 00:40:50,560 Speaker 1: away at their work and at the same time engaged 737 00:40:50,600 --> 00:40:53,399 Speaker 1: in banter with the head nurse. Suddenly the doors fly 738 00:40:53,480 --> 00:40:59,000 Speaker 1: open and Batman appears. Sounds awesome. I'm gonna stop quoting 739 00:40:59,000 --> 00:41:00,479 Speaker 1: now for a moment. This goes on for a while 740 00:41:00,520 --> 00:41:03,359 Speaker 1: before he gets back to The Brady Bunch. He says, 741 00:41:03,360 --> 00:41:05,600 Speaker 1: the most generic problem to date in The Brady Bunch 742 00:41:05,680 --> 00:41:09,960 Speaker 1: has been this almost constant scripted transposition of styles. He 743 00:41:10,000 --> 00:41:13,799 Speaker 1: writes a little more before criticizing certain specific previous episodes, 744 00:41:14,000 --> 00:41:17,400 Speaker 1: including a silent movie style pie throwing sequence that offended 745 00:41:17,440 --> 00:41:20,760 Speaker 1: him to his core in a previous episode. Without belaboring 746 00:41:20,760 --> 00:41:23,560 Speaker 1: the inequities of the script, which are varied and numerous. 747 00:41:23,719 --> 00:41:26,040 Speaker 1: The major point to all of this is once an 748 00:41:26,040 --> 00:41:28,880 Speaker 1: actor has geared himself up to play a given style 749 00:41:28,920 --> 00:41:32,400 Speaker 1: with its prescribed level belief, he cannot react to or 750 00:41:32,440 --> 00:41:35,880 Speaker 1: accept within the same confines of the piece a different style. 751 00:41:36,719 --> 00:41:39,359 Speaker 1: In other words, when the kid's hair turns red, it's 752 00:41:39,440 --> 00:41:44,520 Speaker 1: Batman in the operating room, I can't play it. Thus, 753 00:41:44,560 --> 00:41:50,279 Speaker 1: the memo ends, I cut out a tremendous amount. What 754 00:41:50,440 --> 00:41:53,239 Speaker 1: a bitch. So I'm gonna call this the dude rule 755 00:41:53,360 --> 00:41:56,479 Speaker 1: from The Big Lebowski, as in, you're not wrong, Robert Reid, 756 00:41:56,640 --> 00:42:00,960 Speaker 1: You're just an asshole. That's my third rule that I 757 00:42:01,000 --> 00:42:04,080 Speaker 1: made a bulletop of my head for this episode. Sherwood 758 00:42:04,080 --> 00:42:06,480 Speaker 1: Swartz apparently didn't get this lengthy memo in time to 759 00:42:06,480 --> 00:42:08,400 Speaker 1: make any of these changes to the script, so he 760 00:42:08,480 --> 00:42:11,000 Speaker 1: simply cut Robert Reid from the scene and ultimately the 761 00:42:11,160 --> 00:42:14,720 Speaker 1: entire episode. Robert Reid showed up on the set anyway, 762 00:42:14,840 --> 00:42:19,400 Speaker 1: and things got weird and tense. Security reportedly offered to 763 00:42:19,440 --> 00:42:22,319 Speaker 1: have him removed, like physically carried off the set, but 764 00:42:22,480 --> 00:42:24,759 Speaker 1: Sherwood declined because he didn't want to do that to 765 00:42:24,840 --> 00:42:26,960 Speaker 1: him in front of the kids, and as a result, 766 00:42:27,160 --> 00:42:30,480 Speaker 1: Mike Brady was officially quote out of town for Greg's 767 00:42:30,560 --> 00:42:34,120 Speaker 1: high school graduation, which was taking place in that same episode, 768 00:42:34,760 --> 00:42:36,840 Speaker 1: and most importantly to the history of the series, it 769 00:42:36,880 --> 00:42:39,200 Speaker 1: meant that Mike Brady did not appear in the final 770 00:42:39,280 --> 00:42:42,120 Speaker 1: episode of The Brady Bunch, which was canceled before work 771 00:42:42,160 --> 00:42:44,560 Speaker 1: on the sixth season could begin. So that's all weird. 772 00:42:45,760 --> 00:42:48,840 Speaker 1: But to his credit, despite their differences, Sherwood Swartz praised 773 00:42:48,880 --> 00:42:53,000 Speaker 1: Robert Reid's professionalism and commitment to his performance. He later said, 774 00:42:53,040 --> 00:42:55,279 Speaker 1: whatever he chose to do, after arguing and fussing and 775 00:42:55,320 --> 00:42:58,080 Speaker 1: so forth, he would do it well. And he also 776 00:42:58,160 --> 00:43:01,440 Speaker 1: acknowledged the chemistry among the actors. It became very attached 777 00:43:01,440 --> 00:43:04,160 Speaker 1: to each other. Even Bob Reid, who was a personal 778 00:43:04,200 --> 00:43:06,960 Speaker 1: pain to me, loved the kids and they loved him. 779 00:43:07,560 --> 00:43:09,479 Speaker 1: And yet to the kids on the set, Robert Reid 780 00:43:09,520 --> 00:43:12,000 Speaker 1: became like a second father. And in fact, the main 781 00:43:12,080 --> 00:43:14,319 Speaker 1: reason Robert Reid didn't quit The Brady Bunch to begin 782 00:43:14,400 --> 00:43:17,080 Speaker 1: with was that he didn't abandoned them, and he really 783 00:43:17,120 --> 00:43:19,640 Speaker 1: treated them as if they were his own kids. He 784 00:43:19,680 --> 00:43:21,759 Speaker 1: once took the kids on a trip to England because 785 00:43:21,760 --> 00:43:24,680 Speaker 1: he wanted to expose them to culture and Shakespeare, which 786 00:43:24,719 --> 00:43:27,600 Speaker 1: I find adorable, and he also gave them Super eight 787 00:43:27,680 --> 00:43:29,799 Speaker 1: cameras for Christmas to try to teach him about the 788 00:43:29,840 --> 00:43:33,840 Speaker 1: process of filmmaking, and on one occasion, his by the 789 00:43:33,880 --> 00:43:37,640 Speaker 1: book Pain in the Ass nitpicking actually saved the kids lives. 790 00:43:38,400 --> 00:43:41,320 Speaker 1: These season five episode The Cincinnati Kids was filmed to 791 00:43:41,400 --> 00:43:44,600 Speaker 1: the theme park in Cincinnati, and Robert Reid refused to 792 00:43:44,600 --> 00:43:46,720 Speaker 1: allow the cast to shoot a scene on a roller 793 00:43:46,719 --> 00:43:49,319 Speaker 1: coaster until the camera equipment that was secured to the 794 00:43:49,360 --> 00:43:51,399 Speaker 1: front of one of the roller coaster cars had been 795 00:43:51,400 --> 00:43:54,600 Speaker 1: tested for safety, and during the test, the camera came 796 00:43:54,640 --> 00:43:57,200 Speaker 1: dislodged and rammed into the seats where they would have 797 00:43:57,200 --> 00:44:01,480 Speaker 1: been sitting. Susan Olson, who Cindy, was so freaked out 798 00:44:01,520 --> 00:44:03,799 Speaker 1: that she refused to ride the coaster at all and 799 00:44:03,880 --> 00:44:07,080 Speaker 1: a double was used for the scene. And Susan Olson 800 00:44:07,200 --> 00:44:09,720 Speaker 1: posted a message to Facebook a few years back praising 801 00:44:09,800 --> 00:44:12,239 Speaker 1: Robert Reid, who died in nineteen ninety two, as a 802 00:44:12,320 --> 00:44:15,880 Speaker 1: beloved father figure, explaining that the man who quote bottle 803 00:44:15,920 --> 00:44:18,239 Speaker 1: fed puppies when he wasn't quarreling with the heads of 804 00:44:18,280 --> 00:44:22,239 Speaker 1: networks shaped her heart as much as my biological parents did. 805 00:44:23,360 --> 00:44:26,480 Speaker 1: And in the same note, Susan Olson speculated that Robert 806 00:44:26,480 --> 00:44:29,960 Speaker 1: Reid struggled to accept his own homosexuality was a key 807 00:44:30,000 --> 00:44:32,600 Speaker 1: factor in his unhappiness, and I don't think he ever 808 00:44:32,680 --> 00:44:35,480 Speaker 1: came out in his lifetime, Like so many actors who 809 00:44:35,520 --> 00:44:37,840 Speaker 1: began their career in the fifties and sixties, he believed 810 00:44:37,840 --> 00:44:40,960 Speaker 1: that being openly gay would ruin his career. And Olson 811 00:44:41,000 --> 00:44:43,200 Speaker 1: wrote that those surrounding read for much of his life 812 00:44:43,239 --> 00:44:46,600 Speaker 1: quote shoved their own judgment down his throats, and sadly 813 00:44:46,840 --> 00:44:49,640 Speaker 1: he bought into it. He thought he was wrong. Because 814 00:44:49,680 --> 00:44:53,000 Speaker 1: homosexuality was so taboo, he could never make peace with himself. 815 00:44:53,320 --> 00:44:55,920 Speaker 1: He never allowed himself to have a genuine love. He 816 00:44:55,960 --> 00:44:58,720 Speaker 1: was forever tormented by his own disdain for the natural 817 00:44:58,760 --> 00:45:02,000 Speaker 1: inclinations that he was worn with. Bob was a family man. 818 00:45:02,440 --> 00:45:04,719 Speaker 1: Had he been allowed to form a relationship with another man, 819 00:45:05,000 --> 00:45:08,720 Speaker 1: he would have been the best husband ever. And Florence Henderson, 820 00:45:08,760 --> 00:45:10,879 Speaker 1: who played Carol Brady, echoed the sentiment in a two 821 00:45:10,880 --> 00:45:14,200 Speaker 1: thousand interview with ABC News. Here he was the perfect 822 00:45:14,200 --> 00:45:17,080 Speaker 1: father of this wonderful little family, a perfect husband, she said, 823 00:45:17,280 --> 00:45:19,919 Speaker 1: but he was an unhappy person. I think had Bob 824 00:45:20,040 --> 00:45:21,880 Speaker 1: not been forced to live this double life, I think 825 00:45:21,880 --> 00:45:23,799 Speaker 1: it would have dissipated a lot of that anger and 826 00:45:23,880 --> 00:45:26,600 Speaker 1: frustration he had. I had a lot of compassion for 827 00:45:26,680 --> 00:45:30,400 Speaker 1: him because I knew he was suffering. Many associated with 828 00:45:30,440 --> 00:45:33,520 Speaker 1: the Brady Bunch production, including Florence Henderson and Barry Williams, 829 00:45:33,560 --> 00:45:36,360 Speaker 1: who played Greg Brady, sadly agreed that back in nineteen 830 00:45:36,400 --> 00:45:38,959 Speaker 1: sixty nine, having an openly gay man playing a straight 831 00:45:39,000 --> 00:45:42,560 Speaker 1: sitcom father would have most certainly doomed the series and 832 00:45:42,640 --> 00:45:44,760 Speaker 1: probably would have caused the demise of the show. Barry 833 00:45:44,760 --> 00:45:46,719 Speaker 1: Williams acknowledged, and I think it would have hurt his 834 00:45:46,760 --> 00:45:51,000 Speaker 1: career tremendously. Robert Reid's sexuality was an open secret around 835 00:45:51,000 --> 00:45:53,520 Speaker 1: the set at the time, and Florence Henderson said that 836 00:45:53,560 --> 00:45:56,840 Speaker 1: when they were shooting their very first romantic scenes together 837 00:45:56,880 --> 00:45:59,600 Speaker 1: for the pilot, she could tell he was getting extremely 838 00:45:59,680 --> 00:46:02,320 Speaker 1: unco comfortable, and she could even see his heart beating 839 00:46:02,400 --> 00:46:05,359 Speaker 1: through his PJ shirt. When they were shooting scenes where 840 00:46:05,360 --> 00:46:09,239 Speaker 1: they kissed and sure with Schwartz all went over his head. 841 00:46:09,280 --> 00:46:12,120 Speaker 1: He was just demanding take after take and finally Florence 842 00:46:12,120 --> 00:46:14,520 Speaker 1: told him to back off and took Robert Reid aside 843 00:46:14,520 --> 00:46:16,920 Speaker 1: and they talked things out, and she said they spent 844 00:46:17,000 --> 00:46:19,160 Speaker 1: a lot of time rehearsing these love scenes in private 845 00:46:19,160 --> 00:46:21,160 Speaker 1: together so they could be more comfortable with each other 846 00:46:21,200 --> 00:46:23,680 Speaker 1: and ultimately would look more natural when it came time 847 00:46:23,719 --> 00:46:25,880 Speaker 1: to film them, which was done usually at the end 848 00:46:25,880 --> 00:46:28,279 Speaker 1: of the day after the kids went home. But yeah, 849 00:46:28,360 --> 00:46:31,120 Speaker 1: Robert Reid never discussed this homosexuality of the actors who 850 00:46:31,120 --> 00:46:34,080 Speaker 1: played his kids, and they all said later that he 851 00:46:34,120 --> 00:46:36,600 Speaker 1: probably would have been mortified to know that they knew. 852 00:46:37,040 --> 00:46:39,319 Speaker 1: It was a secret that went unspoken between the cast 853 00:46:39,480 --> 00:46:43,160 Speaker 1: until according to Susan Olsen Marine McCormick's wedding in nineteen 854 00:46:43,200 --> 00:46:46,080 Speaker 1: eighty five, she played Marsha. Susan said, we were all 855 00:46:46,080 --> 00:46:49,000 Speaker 1: sitting around talking and Bob hadn't shown up, and Marine said, 856 00:46:49,360 --> 00:46:51,560 Speaker 1: I wish she felt comfortable enough to bring a female 857 00:46:51,680 --> 00:46:54,040 Speaker 1: or mail date just to be here, and that's when 858 00:46:54,040 --> 00:46:55,840 Speaker 1: one by one we were all, like, you knew he 859 00:46:55,880 --> 00:46:57,960 Speaker 1: was gay too. I found out when I was nine 860 00:46:58,080 --> 00:47:00,280 Speaker 1: from my mummy, but none of us ever talked about 861 00:47:00,280 --> 00:47:01,759 Speaker 1: it because we didn't think it was a big deal. 862 00:47:02,560 --> 00:47:05,440 Speaker 1: Robert Reid won critical acclaim and an Emmy nomination for 863 00:47:05,480 --> 00:47:09,480 Speaker 1: his groundbreaking role as Pat Kattison, a transgender doctor, in 864 00:47:09,480 --> 00:47:13,239 Speaker 1: a nineteen seventy five episode of Medical Center, and he 865 00:47:13,280 --> 00:47:16,560 Speaker 1: also reprised his role as Mike Brady in every Brady 866 00:47:16,600 --> 00:47:19,440 Speaker 1: related spinoff, which I think is kind of touching. Just 867 00:47:19,800 --> 00:47:22,360 Speaker 1: shows how close he felt to the rest of the cast, 868 00:47:22,680 --> 00:47:26,800 Speaker 1: including the short lived nineteen ninety dramaedy series The Bradys, 869 00:47:26,920 --> 00:47:30,040 Speaker 1: which we'll talk more about later. These episodes featured serious, 870 00:47:30,120 --> 00:47:33,799 Speaker 1: dramatic plot lines. For example, in the pilot episode, when 871 00:47:33,840 --> 00:47:36,480 Speaker 1: Bobby Brady, who dropped out of grad school to pursue 872 00:47:36,520 --> 00:47:38,800 Speaker 1: a career as a race car driver, has a horrific 873 00:47:38,840 --> 00:47:44,160 Speaker 1: car accident that leaves him paralyzed. Oh yeah, we'll talk 874 00:47:44,200 --> 00:47:47,480 Speaker 1: more about this later, but these episodes gay really serious. 875 00:47:47,520 --> 00:47:50,800 Speaker 1: Mike Brady gets involved in politics, and Peter Brady begins 876 00:47:50,880 --> 00:47:54,280 Speaker 1: dating the abusive daughter of his political rival, and Marsha 877 00:47:54,320 --> 00:47:58,040 Speaker 1: spurtles with alcoholism as her deadbeat husband loses a series 878 00:47:58,080 --> 00:48:01,240 Speaker 1: of jobs, resulting in the couple moving into the Brady 879 00:48:01,280 --> 00:48:04,160 Speaker 1: family home to save money. Yeah, it gets dark, so 880 00:48:04,280 --> 00:48:06,319 Speaker 1: I don't know. Maybe Robert Reid felt vindicated that he 881 00:48:06,360 --> 00:48:09,560 Speaker 1: finally got his like serious Blendid family plot lines a 882 00:48:09,560 --> 00:48:13,319 Speaker 1: couple of decades later, but unfortunately this triumph was all 883 00:48:13,360 --> 00:48:16,799 Speaker 1: too brief because the show was canceled after six episodes 884 00:48:16,840 --> 00:48:20,920 Speaker 1: because people didn't want to see The Bradies living sad lives. 885 00:48:21,200 --> 00:48:23,240 Speaker 1: That's why we watched The Bradies. We wanted to escape 886 00:48:23,239 --> 00:48:27,479 Speaker 1: our own sad lives and even sadder. Robert Reid died 887 00:48:27,560 --> 00:48:29,719 Speaker 1: two years after The Bradies went off the air on 888 00:48:29,840 --> 00:48:32,799 Speaker 1: May twelfth, nineteen ninety two, of colon cancer at the 889 00:48:32,800 --> 00:48:35,440 Speaker 1: age of fifty nine. Way too young, and he was 890 00:48:35,600 --> 00:48:37,839 Speaker 1: HIV positive at the time of his death, which led 891 00:48:37,880 --> 00:48:40,440 Speaker 1: some outlets to an accurately report that he died of AIDS, 892 00:48:40,480 --> 00:48:43,479 Speaker 1: which wasn't true, and weeks before his death, Robert Reid 893 00:48:43,480 --> 00:48:46,120 Speaker 1: called Florence Henderson and asked her to inform the rest 894 00:48:46,160 --> 00:48:49,120 Speaker 1: of his Brady Bunch family that he was terminally ill, 895 00:48:49,600 --> 00:48:52,200 Speaker 1: and he remains a beloved figure to his TV family 896 00:48:52,280 --> 00:48:56,279 Speaker 1: and his fans. He was rated the fourteenth greatest TV 897 00:48:56,480 --> 00:48:58,359 Speaker 1: dad of all time in a two thousand and four 898 00:48:58,480 --> 00:49:01,760 Speaker 1: list published by TV Guy, which I think he's lovely, 899 00:49:02,120 --> 00:49:04,280 Speaker 1: although I kind of think he should have been higher, 900 00:49:04,560 --> 00:49:07,720 Speaker 1: So yeah, Mike Brady has something of a tragic shadow 901 00:49:07,760 --> 00:49:13,080 Speaker 1: hanging over him. That's a complicated Uh, that's a complicated legacy. 902 00:49:13,320 --> 00:49:18,640 Speaker 1: I know, I know. I mean, great, great actor, great actor. 903 00:49:19,080 --> 00:49:21,040 Speaker 1: You know his last televised roles and Jake and the 904 00:49:21,040 --> 00:49:24,279 Speaker 1: Fat Man. Have I told you about Jake and the 905 00:49:24,320 --> 00:49:27,960 Speaker 1: Fat Man? No? I? Okay. I was going to text 906 00:49:28,040 --> 00:49:30,399 Speaker 1: you this story the other day, and I didn't because 907 00:49:30,440 --> 00:49:31,880 Speaker 1: it was the weekend. I didn't want to bother you 908 00:49:31,880 --> 00:49:35,040 Speaker 1: with more of my brain droppings. So there's Jake and 909 00:49:35,120 --> 00:49:38,280 Speaker 1: the Fatman is a running joke in my family. My 910 00:49:38,640 --> 00:49:41,160 Speaker 1: grandfather used to fall asleep in front of the TV, 911 00:49:41,280 --> 00:49:43,400 Speaker 1: and his wife used to always yell at him for 912 00:49:43,480 --> 00:49:45,799 Speaker 1: falling asleep in front of the TV. So to try 913 00:49:45,840 --> 00:49:49,160 Speaker 1: to like circumvent this, he would just randomly yell out 914 00:49:49,239 --> 00:49:52,120 Speaker 1: plot points whenever she was like in the other room 915 00:49:52,160 --> 00:49:54,040 Speaker 1: doing dishes or something, and he would just to try 916 00:49:54,080 --> 00:49:56,680 Speaker 1: to prove that he hadn't fallen asleep. Okay, okay. So 917 00:49:56,880 --> 00:50:02,359 Speaker 1: my parents drove to surprise my grandma grandpa like eight 918 00:50:02,400 --> 00:50:05,239 Speaker 1: hours to like a blizzard or something on Christmas. And 919 00:50:05,360 --> 00:50:07,920 Speaker 1: they arrived there and they left themselves. They opened the 920 00:50:07,960 --> 00:50:10,320 Speaker 1: door and let themselves in the house and they find 921 00:50:10,360 --> 00:50:12,799 Speaker 1: my grandfather sleep in front of the TV. And he 922 00:50:12,840 --> 00:50:16,440 Speaker 1: wakes with a start and he sees them and his 923 00:50:16,480 --> 00:50:18,840 Speaker 1: first thought isn't oh my god, my son and his 924 00:50:18,880 --> 00:50:21,759 Speaker 1: wife just drove from Massachusetts to Pennsylvania and see us 925 00:50:21,800 --> 00:50:23,960 Speaker 1: on the holiday, but was, oh my god, they're gonna 926 00:50:23,960 --> 00:50:25,600 Speaker 1: bust me for falling sleep in front of the TV. 927 00:50:25,920 --> 00:50:27,799 Speaker 1: So he just points at the TV and he's watching 928 00:50:27,880 --> 00:50:30,800 Speaker 1: Jake and the Fat Man, and he goes, they kidnapped 929 00:50:30,800 --> 00:50:33,799 Speaker 1: the Fat Man because I guess the character of the 930 00:50:33,800 --> 00:50:37,920 Speaker 1: Fat Man had been kidnapped, but out of context, they 931 00:50:38,000 --> 00:50:40,680 Speaker 1: kidnapped the fat Man. Yeah, my dad just hearing that 932 00:50:40,800 --> 00:50:43,120 Speaker 1: having driven through a blizzard for eight hours, and that 933 00:50:43,200 --> 00:50:46,520 Speaker 1: being the greeting from his father, just complete non sequitor, 934 00:50:46,960 --> 00:50:50,960 Speaker 1: just it is funny to him thirty five years later, 935 00:50:51,120 --> 00:50:53,560 Speaker 1: and it's become a catchphrase in my family. They kidnapped 936 00:50:53,560 --> 00:50:55,279 Speaker 1: the Fat Man. And I was going to text you 937 00:50:55,320 --> 00:50:57,200 Speaker 1: that this weekend because he came up and I thought 938 00:50:57,200 --> 00:50:59,560 Speaker 1: you'd find it funny. I can't believe you asked me that. Well, 939 00:51:02,320 --> 00:51:04,839 Speaker 1: as you meditate on that, we'll be right back with 940 00:51:04,880 --> 00:51:20,759 Speaker 1: more too much information after these messages, Well, pivoting from 941 00:51:20,800 --> 00:51:24,879 Speaker 1: that to Missus Brady, who's a lightness. Florence Henderson wasn't 942 00:51:24,880 --> 00:51:27,239 Speaker 1: even the original first choice to play the Brady matriarch. 943 00:51:27,440 --> 00:51:30,800 Speaker 1: Competition for the role was apparently very fierce. One actress 944 00:51:30,880 --> 00:51:34,560 Speaker 1: seeking the role sent Sherwood Schwartz nude photos. Do we 945 00:51:34,600 --> 00:51:38,160 Speaker 1: know who that was? I do not. I looked. Another 946 00:51:38,200 --> 00:51:42,719 Speaker 1: woman grabbed Schwartz's crotch when he went to shake her hand. 947 00:51:42,960 --> 00:51:46,040 Speaker 1: Neither of them got the part. When pre production first began, 948 00:51:46,200 --> 00:51:48,880 Speaker 1: Sherwood Schwartz wanted to keep the mom character similar to 949 00:51:48,920 --> 00:51:51,759 Speaker 1: Lucille Ball in the movie Yours, Mine and Ours, which 950 00:51:51,960 --> 00:51:54,840 Speaker 1: mentioned earlier. To that end, they wanted Missus Brady to 951 00:51:54,880 --> 00:51:59,279 Speaker 1: be a wacky comedian Alla Lucy. They originally cast a 952 00:51:59,280 --> 00:52:03,080 Speaker 1: comedic actress named Joyce Bullefont, who was used in most 953 00:52:03,080 --> 00:52:05,400 Speaker 1: of the screen tests for the child actors during auditions, 954 00:52:05,640 --> 00:52:07,200 Speaker 1: and in fact one of the reasons that eve Plum 955 00:52:07,360 --> 00:52:09,439 Speaker 1: landed the role of Jams because she looked a lot 956 00:52:09,480 --> 00:52:13,279 Speaker 1: like Joyce Bullfunt, But dynamics changed when they cast Anne 957 00:52:13,280 --> 00:52:15,880 Speaker 1: Bea Davis for the role of the housekeeper. Alice Davis 958 00:52:15,880 --> 00:52:18,600 Speaker 1: was an Emmy winning comedian, so to balance things out, 959 00:52:18,640 --> 00:52:20,759 Speaker 1: they decided to recast the other as someone more down 960 00:52:20,840 --> 00:52:23,480 Speaker 1: to earth. This was bad news for Bullefont, who later 961 00:52:23,520 --> 00:52:26,759 Speaker 1: told Fox News that she was signed, sealed, and delivered 962 00:52:26,800 --> 00:52:29,279 Speaker 1: to play the role of Carol Brady. As she was 963 00:52:29,320 --> 00:52:31,920 Speaker 1: trying on costumes. Three days before the pilot was to 964 00:52:31,960 --> 00:52:35,360 Speaker 1: begin shooting, Sherwood Schwartz broke the news about the recast, 965 00:52:35,440 --> 00:52:39,240 Speaker 1: and Bullefont was understandably devastated. I had signed a seven 966 00:52:39,360 --> 00:52:42,360 Speaker 1: year contract, she recalled. The little girls were cast to 967 00:52:42,440 --> 00:52:45,520 Speaker 1: look like me. She got over it. She went on 968 00:52:45,560 --> 00:52:47,640 Speaker 1: to play a leading role in The Mary Tyler Moore 969 00:52:47,680 --> 00:52:50,200 Speaker 1: Show Or with cousin Oliver I believe we will talk 970 00:52:50,200 --> 00:52:53,600 Speaker 1: about later. Beforecasting Florence Henderson, producers tried to get her 971 00:52:53,600 --> 00:52:56,680 Speaker 1: best friend Shirley Jones, but Shirley Jones passed on the role, 972 00:52:56,920 --> 00:52:59,319 Speaker 1: as she put it, because she refused to play a 973 00:52:59,320 --> 00:53:01,480 Speaker 1: part where all she had to do was quote, take 974 00:53:01,520 --> 00:53:04,319 Speaker 1: a pot roast out of the oven. Of course, just 975 00:53:04,360 --> 00:53:06,920 Speaker 1: a year after the Brady entrepremiere, Shirley Jones would then 976 00:53:07,000 --> 00:53:12,680 Speaker 1: play Carol Brady's early seventies TV matriarch of an extra 977 00:53:12,760 --> 00:53:17,239 Speaker 1: large sized family rival on The Partridge Family that was 978 00:53:17,280 --> 00:53:19,640 Speaker 1: a hell of a dangling modifier, Thank you. And this 979 00:53:19,800 --> 00:53:22,160 Speaker 1: show aired an hour after The Brady Bunch on Friday 980 00:53:22,200 --> 00:53:25,560 Speaker 1: nights in ABC. He really did just a big old 981 00:53:25,800 --> 00:53:30,319 Speaker 1: family rock block on ABC. Huh they loved the Causeles, Yeah, 982 00:53:30,440 --> 00:53:33,480 Speaker 1: they're all pictures family based on the Causeles. Florence Henderson 983 00:53:33,480 --> 00:53:36,280 Speaker 1: had impressive background in television. She'd been the first woman 984 00:53:36,360 --> 00:53:39,120 Speaker 1: two guest hosts The Tonight Show in nineteen sixty two, 985 00:53:39,160 --> 00:53:41,960 Speaker 1: between Jack Parr and Johnny Carson's tenure. That's really cool. 986 00:53:42,000 --> 00:53:44,960 Speaker 1: Good for her? Was she a stand up? She was 987 00:53:45,040 --> 00:53:47,000 Speaker 1: a sad She was like an all around entertainer. She 988 00:53:47,200 --> 00:53:49,520 Speaker 1: I think she had a Broadway background and sang. When 989 00:53:49,560 --> 00:53:51,600 Speaker 1: Henderson arrived late to do her screen test for The 990 00:53:51,640 --> 00:53:53,680 Speaker 1: Brady Bunch, she couldn't find anyone to do her makeup, 991 00:53:54,160 --> 00:53:57,520 Speaker 1: and she ultimately stumbled on a makeup room for Star Trek, 992 00:53:57,640 --> 00:54:01,280 Speaker 1: which briefly shared studio space with a Brady Bunch. Henderson 993 00:54:01,280 --> 00:54:04,000 Speaker 1: said she sat in a makeup chair between William Shatner 994 00:54:04,080 --> 00:54:07,680 Speaker 1: and Leonard Nimoy, both of whom ignored her. I think 995 00:54:07,719 --> 00:54:10,279 Speaker 1: she hated them for the rest of her life for 996 00:54:10,400 --> 00:54:16,000 Speaker 1: that reason, feeling slighted by them. That's fair. The Brady 997 00:54:16,000 --> 00:54:19,000 Speaker 1: Bunch Pilot was shot in September nineteen sixty eight. Why 998 00:54:19,120 --> 00:54:22,600 Speaker 1: is the Brady Bunch Pilot never included in stock news 999 00:54:22,680 --> 00:54:28,439 Speaker 1: montage of the Turbulin Robert F. Kennedy, Martin Luther King, 1000 00:54:28,560 --> 00:54:33,439 Speaker 1: The Brady Bunch premiere DNC riots in Chicago. They Bunch, 1001 00:54:33,600 --> 00:54:35,760 Speaker 1: it didn't premiere. It was right, it was. The pilot 1002 00:54:35,800 --> 00:54:37,480 Speaker 1: was shown one of the many things that was shot 1003 00:54:37,520 --> 00:54:48,120 Speaker 1: in nineteen sixty eighth O. The Brady Bunch Pilot shot 1004 00:54:48,160 --> 00:54:50,919 Speaker 1: in September of nineteen sixty eight, a full year before 1005 00:54:50,920 --> 00:54:53,880 Speaker 1: the show premiered on primetime, and during that time, Florence 1006 00:54:53,880 --> 00:54:56,640 Speaker 1: Henderson's cast in a movie musical called The Song of Norway, 1007 00:54:56,960 --> 00:54:59,520 Speaker 1: which was filming on location in Denmark, when she learned 1008 00:54:59,520 --> 00:55:02,160 Speaker 1: that the show going into production. As a result, the 1009 00:55:02,160 --> 00:55:04,600 Speaker 1: Brady Bunch began filming the first six episodes of the 1010 00:55:04,640 --> 00:55:08,520 Speaker 1: show without her while The Song of Norway wrapped in Europe. Weirdly, 1011 00:55:08,840 --> 00:55:14,200 Speaker 1: this movie also featured David Bowie's early girlfriend, Hermione Farthingale 1012 00:55:14,560 --> 00:55:18,400 Speaker 1: as a dancer. That's a fake name. You made that up, 1013 00:55:19,160 --> 00:55:21,279 Speaker 1: real name, he wrote. He wrote a song about it. 1014 00:55:21,360 --> 00:55:24,839 Speaker 1: Letter Hermione, She broke up with Bowie to take the role, 1015 00:55:25,040 --> 00:55:27,600 Speaker 1: and it left him heartbroken for the rest of his life. 1016 00:55:27,640 --> 00:55:31,120 Speaker 1: As you mentioned, the song Letter to Hermione appeared on 1017 00:55:31,160 --> 00:55:33,840 Speaker 1: the space out of the album and in the video 1018 00:55:33,960 --> 00:55:36,160 Speaker 1: for Where Are We Now in twenty thirteen, he can 1019 00:55:36,160 --> 00:55:38,120 Speaker 1: be seen wearing a T shirt that says the song 1020 00:55:38,160 --> 00:55:42,239 Speaker 1: of Norway. Okay man, well here we go. Wait a minute, 1021 00:55:42,239 --> 00:55:44,960 Speaker 1: you know David Bowie's real name is David Jones, Yes, 1022 00:55:45,120 --> 00:55:47,000 Speaker 1: and he changed it. One of the reasons is because 1023 00:55:47,000 --> 00:55:49,200 Speaker 1: he didn't want to be confused with David Jones of 1024 00:55:49,320 --> 00:55:52,160 Speaker 1: The Monkeys, who played a crucial role on The Brady Bunch, 1025 00:55:52,160 --> 00:55:54,200 Speaker 1: which we don't really get into much on this episode 1026 00:55:54,200 --> 00:55:57,640 Speaker 1: because we're too busy talking about go on coke, mostly 1027 00:56:00,040 --> 00:56:06,120 Speaker 1: political assassination's Adrina, chrome, police brutality. What else we touched on. 1028 00:56:08,120 --> 00:56:10,879 Speaker 1: But back to Florence Henderson. She was forced to wear 1029 00:56:10,880 --> 00:56:13,080 Speaker 1: a wig for the first season because her hair been 1030 00:56:13,120 --> 00:56:17,120 Speaker 1: cropped short for a Broadway production of South Pacific, which 1031 00:56:17,560 --> 00:56:22,400 Speaker 1: sadly featured none of David Bowie's exes. As revealed in 1032 00:56:22,400 --> 00:56:25,600 Speaker 1: the pilot, Carol Brady's maiden name was Tyler and her 1033 00:56:25,680 --> 00:56:28,520 Speaker 1: married name was Martin so there's been a great deal 1034 00:56:28,560 --> 00:56:31,640 Speaker 1: of speculation among fans as to what happened to Carol's husband. 1035 00:56:32,080 --> 00:56:34,360 Speaker 1: Mike Brady was a widower, but the show was always 1036 00:56:34,440 --> 00:56:38,000 Speaker 1: vague about what had ended Carol's previous marriage. Sureward Schwartz 1037 00:56:38,000 --> 00:56:39,920 Speaker 1: has said in several interviews that his intention was for 1038 00:56:40,040 --> 00:56:43,160 Speaker 1: Carol to have been a divorce, but divorce was still 1039 00:56:43,160 --> 00:56:46,520 Speaker 1: considered to be taboo for primetime television, especially for such 1040 00:56:46,520 --> 00:56:49,160 Speaker 1: a family friendly show. Towards the end of her life, 1041 00:56:49,200 --> 00:56:51,799 Speaker 1: Florence Henderson preferred to tell interviews that she'd murdered her 1042 00:56:51,800 --> 00:56:55,120 Speaker 1: first husband. She told the Huffington Post, I was the 1043 00:56:55,120 --> 00:56:59,839 Speaker 1: original black widow. Misty solved. Good for her. She's fun, 1044 00:57:00,200 --> 00:57:04,080 Speaker 1: she's awesome. She's on thirty Rock. Oh yeah yeah. By 1045 00:57:04,120 --> 00:57:07,799 Speaker 1: all accounts, Florence Henderson was a strong, powerful, inspiring lady 1046 00:57:07,800 --> 00:57:10,719 Speaker 1: who overcame poverty and neglect during the Great Depression when 1047 00:57:10,719 --> 00:57:13,439 Speaker 1: she was the youngest of ten children. She later said 1048 00:57:13,440 --> 00:57:15,680 Speaker 1: that she modeled her character of Carol Brady as the 1049 00:57:15,719 --> 00:57:18,920 Speaker 1: mother that she'd always wanted. She was active until the end, 1050 00:57:19,040 --> 00:57:21,400 Speaker 1: attending a taping of Dancing with the Stars to cheer 1051 00:57:21,440 --> 00:57:24,200 Speaker 1: on her TV daughter Mauren McCormick just three days before 1052 00:57:24,200 --> 00:57:27,720 Speaker 1: her death and Thanksgiving twenty sixteen. We stand a loyal 1053 00:57:27,760 --> 00:57:33,080 Speaker 1: sitcom mom. And she was a hoot. She was a 1054 00:57:33,400 --> 00:57:36,320 Speaker 1: funny lady. I'm trying to remember some of the thirty Rock, 1055 00:57:36,720 --> 00:57:39,600 Speaker 1: the thirty Rock bits with her. Anyway, she has a 1056 00:57:39,600 --> 00:57:42,760 Speaker 1: cameo and the weird Owl music video for Amish Paradise 1057 00:57:43,240 --> 00:57:46,040 Speaker 1: and the opening of the MTV Movie Awards, which she 1058 00:57:46,160 --> 00:57:49,840 Speaker 1: does the Sharon Stone leg cross from Basic Instinct. I 1059 00:57:50,200 --> 00:57:58,080 Speaker 1: distinctly remember that. Okay, you're staring very closely at a 1060 00:57:58,160 --> 00:58:00,520 Speaker 1: screen right now, which makes me wonder what you're looking at. 1061 00:58:00,560 --> 00:58:03,680 Speaker 1: Oh that was related to no No, the episode of 1062 00:58:03,720 --> 00:58:08,440 Speaker 1: the episode of thirty Rock. Um. Yeah, there's an episode 1063 00:58:08,440 --> 00:58:12,600 Speaker 1: where where Tracy is trying to uh, I don't know, 1064 00:58:12,640 --> 00:58:14,920 Speaker 1: they're they're, they're, they're the whole thing where Kenneth is 1065 00:58:15,000 --> 00:58:20,440 Speaker 1: confusing real life and sitcoms and uh, Basically, Tracy has 1066 00:58:20,480 --> 00:58:24,400 Speaker 1: bought Florence Henderson to come in and surprise Kenneth and 1067 00:58:24,560 --> 00:58:28,080 Speaker 1: her line. As she walks in, Kenneth goes missus Brady 1068 00:58:28,200 --> 00:58:30,840 Speaker 1: and she goes, I told the black guy here, none 1069 00:58:30,880 --> 00:58:36,200 Speaker 1: of that Brady stuff. And then she goes, let's get 1070 00:58:36,200 --> 00:58:38,240 Speaker 1: this over with. Whose booking is this? Are you the 1071 00:58:38,240 --> 00:58:39,880 Speaker 1: pervert who want to go to town on each other 1072 00:58:39,880 --> 00:58:47,600 Speaker 1: while I make a pie good for her? Uh? Sorry? 1073 00:58:47,680 --> 00:58:49,680 Speaker 1: In two thousand and two, she made memorable guest appearance 1074 00:58:49,720 --> 00:58:52,920 Speaker 1: on the improvisational comedy show Whose Line Is Anyway, participating 1075 00:58:52,960 --> 00:58:55,680 Speaker 1: in on screen kisses with Ryan Styles and Colin Mockery. 1076 00:58:56,120 --> 00:58:58,240 Speaker 1: In two thousand and three, she made a self deprecating 1077 00:58:58,240 --> 00:59:01,600 Speaker 1: turn a Pepsi twist, Pepsi twist. Wasn't that the lemon 1078 00:59:01,640 --> 00:59:05,160 Speaker 1: pepsi friend of the pot pepsi twist? Oh? That should 1079 00:59:05,160 --> 00:59:07,680 Speaker 1: have been your That should have been the rule. Pepsi twist, 1080 00:59:07,760 --> 00:59:12,400 Speaker 1: the pepsi twist rule long before I have sprite. Oh 1081 00:59:12,400 --> 00:59:17,800 Speaker 1: that's a hot take with Ozzy Osbourne. But there's one 1082 00:59:17,880 --> 00:59:22,600 Speaker 1: Florence Henderson's story that you cherry picked among decades of them. 1083 00:59:23,120 --> 00:59:25,520 Speaker 1: Less about the story and more about the fact that 1084 00:59:25,600 --> 00:59:27,600 Speaker 1: she chose to share it at the age of seventy eight. 1085 00:59:27,680 --> 00:59:30,680 Speaker 1: When she published her memoir, she had a one night 1086 00:59:30,760 --> 00:59:34,560 Speaker 1: stand with then New York Mayor John Lindsay and he 1087 00:59:34,640 --> 00:59:39,600 Speaker 1: gave her crabs. The then married actress revealed what's the 1088 00:59:39,680 --> 00:59:43,480 Speaker 1: name of her memboir? It's a non Brady title. Life 1089 00:59:43,560 --> 00:59:46,440 Speaker 1: is Not a Stage. As the actress revealed in her 1090 00:59:46,440 --> 00:59:49,560 Speaker 1: memoir Life Is Not a Stage. Henderson said that Mayor 1091 00:59:49,600 --> 00:59:52,400 Speaker 1: Lindsay seduced her over drinks at the Beverly Hills Hotel. 1092 00:59:52,880 --> 00:59:55,240 Speaker 1: Then she woke up the next morning to find quote 1093 00:59:55,520 --> 00:59:58,480 Speaker 1: little black things crawling over her body. As she wrote 1094 00:59:58,480 --> 01:00:00,800 Speaker 1: in the memoir, guess I into the hard way that 1095 01:00:00,840 --> 01:00:05,320 Speaker 1: crabs do not discriminate, but crossover all socioeconomic strata. Mayor 1096 01:00:05,360 --> 01:00:07,800 Speaker 1: Lindsay must have had quite the active life. What a 1097 01:00:07,840 --> 01:00:10,680 Speaker 1: way to put the kibosh on a relationship. He apparently 1098 01:00:10,720 --> 01:00:12,920 Speaker 1: sent her flowers and an apology note to make up 1099 01:00:12,960 --> 01:00:15,360 Speaker 1: for it, but she got one hell of a story 1100 01:00:15,440 --> 01:00:19,440 Speaker 1: from it. Yes, well, from pubic Lights, We returned to 1101 01:00:19,560 --> 01:00:24,960 Speaker 1: the Brady Bunch. The show premiered on September twenty six, 1102 01:00:25,120 --> 01:00:27,920 Speaker 1: nineteen sixty nine, at eight pm, and one of the 1103 01:00:27,960 --> 01:00:30,840 Speaker 1: big knocks against it then and now was that, despite 1104 01:00:30,840 --> 01:00:33,480 Speaker 1: the whole blended family premise, the whole setup of the 1105 01:00:33,480 --> 01:00:36,680 Speaker 1: show seemed kind of dated. In fifties Ish and Florence 1106 01:00:36,680 --> 01:00:39,320 Speaker 1: Tennyson tried to get around this by lobbying the producers 1107 01:00:39,320 --> 01:00:41,840 Speaker 1: of the show to give Carol a job, but they 1108 01:00:41,840 --> 01:00:44,640 Speaker 1: insisted that she remained at home to reflect the experience 1109 01:00:44,640 --> 01:00:46,680 Speaker 1: of the average American woman at the time in the 1110 01:00:46,720 --> 01:00:50,160 Speaker 1: late sixties and early seventies. They ultimately compromised and gave 1111 01:00:50,200 --> 01:00:52,320 Speaker 1: her a bunch of volunteering permissions. You could work, but 1112 01:00:52,360 --> 01:00:55,440 Speaker 1: you can't get paid more than just this format. The 1113 01:00:55,520 --> 01:00:58,200 Speaker 1: actual look and style of the show made it basically 1114 01:00:58,240 --> 01:01:01,600 Speaker 1: an instant cultural relic, and hilariously, this was something that 1115 01:01:01,640 --> 01:01:05,560 Speaker 1: the producers of the show actively considered and tried to prevent. 1116 01:01:06,440 --> 01:01:09,400 Speaker 1: The kids in the show hated their wardrobe and begged 1117 01:01:09,400 --> 01:01:12,720 Speaker 1: the costume designers for anything more fashionable to wear, but 1118 01:01:12,800 --> 01:01:15,560 Speaker 1: Sherwood Schwartz refused because he wanted the show to run 1119 01:01:15,560 --> 01:01:18,120 Speaker 1: in syndication and he didn't want to do anything too 1120 01:01:18,160 --> 01:01:23,520 Speaker 1: trendy to make the show appeared dated. Nice work. They 1121 01:01:23,560 --> 01:01:25,920 Speaker 1: also kept writing in the word groovy into the scripts, 1122 01:01:26,040 --> 01:01:29,680 Speaker 1: which left many of the kids, specifically Eve Plum, who 1123 01:01:29,720 --> 01:01:33,040 Speaker 1: played Jan absolutely mortified. I just think it's so funny 1124 01:01:33,040 --> 01:01:35,280 Speaker 1: that they actually went out of their way to consider 1125 01:01:35,320 --> 01:01:39,600 Speaker 1: making it not look dated and somehow made it kind 1126 01:01:39,600 --> 01:01:42,720 Speaker 1: of one of the most dated TV shows. Yeah, I 1127 01:01:42,760 --> 01:01:47,440 Speaker 1: can consider, like well, die hard Brady Heads and I'm 1128 01:01:47,480 --> 01:01:49,440 Speaker 1: sure there are some out there. We'll remember that the 1129 01:01:49,480 --> 01:01:52,280 Speaker 1: Bradys had a pet dog in the first season who 1130 01:01:52,320 --> 01:01:55,720 Speaker 1: was known as Tiger. The animal disappeared abruptly from the 1131 01:01:55,760 --> 01:01:59,120 Speaker 1: show without explanation and became something of a mystery slash 1132 01:01:59,200 --> 01:02:03,320 Speaker 1: running joke among fans, and the reason for Tiger's disappearance 1133 01:02:03,360 --> 01:02:06,960 Speaker 1: will have Pet up in arms. One evening after filming 1134 01:02:06,960 --> 01:02:10,120 Speaker 1: the season one episode Kuchu, in which Jan appears to 1135 01:02:10,120 --> 01:02:13,280 Speaker 1: be allergic to the family dog, Tiger's trainer took the 1136 01:02:13,280 --> 01:02:16,600 Speaker 1: dog out for his daily exercise walk on the Paramount lot, 1137 01:02:17,040 --> 01:02:19,880 Speaker 1: and unfortunately, during this walk, Tiger was struck by a 1138 01:02:19,920 --> 01:02:23,320 Speaker 1: careless driver and killed. I'm going to go out on 1139 01:02:23,320 --> 01:02:26,080 Speaker 1: a limb and say it was the cigar chomping executive 1140 01:02:26,080 --> 01:02:29,560 Speaker 1: who did it. The trainer flew into a panic and 1141 01:02:29,680 --> 01:02:32,480 Speaker 1: reportedly spent the rest of the night frantically driving to 1142 01:02:32,560 --> 01:02:35,640 Speaker 1: every animal shelter in town trying to find an identical 1143 01:02:35,760 --> 01:02:38,440 Speaker 1: dog because they still had more scenes to shoot for 1144 01:02:38,480 --> 01:02:42,439 Speaker 1: the episode, and amazingly, the Trader almost pulled this off. 1145 01:02:42,440 --> 01:02:44,560 Speaker 1: They did manage to find a dog that resembled the 1146 01:02:44,560 --> 01:02:47,920 Speaker 1: original Tiger, but the cast and crew got suspicious when 1147 01:02:47,920 --> 01:02:50,880 Speaker 1: they went back to filming these scenes, always discovered that 1148 01:02:50,880 --> 01:02:54,880 Speaker 1: the dog couldn't follow basic direction and was absolutely terrified 1149 01:02:54,920 --> 01:02:57,960 Speaker 1: by the noise and lights all. The only way the 1150 01:02:58,000 --> 01:03:00,520 Speaker 1: director got fake Tiger to stay in play during the 1151 01:03:00,560 --> 01:03:04,360 Speaker 1: emotional climactic scene where the boys were beating him Materiful 1152 01:03:04,400 --> 01:03:09,440 Speaker 1: Furwell was to nail his collar to the floor, and 1153 01:03:09,560 --> 01:03:11,680 Speaker 1: then the dog was written out of the show soon after, 1154 01:03:11,800 --> 01:03:15,240 Speaker 1: but the dog house remained in the backyard in mute tribute. 1155 01:03:15,280 --> 01:03:18,080 Speaker 1: I should say the backyard set. The only reason it 1156 01:03:18,160 --> 01:03:20,560 Speaker 1: was left there was at a hot stage light burnt 1157 01:03:20,560 --> 01:03:23,360 Speaker 1: a hole in the AstroTurf of the backyard set, so 1158 01:03:23,440 --> 01:03:27,680 Speaker 1: they put the dog house over to disguise it. We'll 1159 01:03:27,720 --> 01:03:29,680 Speaker 1: talk more about the house later, but the Brady Bunch 1160 01:03:29,760 --> 01:03:32,960 Speaker 1: house was pretty junkie for a guy who was supposedly 1161 01:03:33,000 --> 01:03:35,360 Speaker 1: an architect. That was Mike Brady's job, right, Oh, you 1162 01:03:35,400 --> 01:03:37,360 Speaker 1: don't know, Yeah, I'm pretty sure it is an architect. 1163 01:03:37,680 --> 01:03:39,720 Speaker 1: During one scene when the boys were playing football in 1164 01:03:39,720 --> 01:03:42,680 Speaker 1: the backyard, you can actually see the AstroTurf that's supposed 1165 01:03:42,680 --> 01:03:45,400 Speaker 1: to be the lawn coming loose, and there were also 1166 01:03:45,480 --> 01:03:48,480 Speaker 1: missing tiles on the brick entryway. You don't want to 1167 01:03:48,480 --> 01:03:50,800 Speaker 1: talk about the dead cat. Oh yeah, there was also 1168 01:03:50,960 --> 01:03:53,800 Speaker 1: the Brady Girl's cat Fluffy, which was featured in the 1169 01:03:53,840 --> 01:03:56,760 Speaker 1: pilot and never seen him again. If you were allowed 1170 01:03:56,760 --> 01:03:59,800 Speaker 1: to one know the whereabouts of the Brady Bunch's cat Fluffy, 1171 01:04:00,480 --> 01:04:05,880 Speaker 1: please tweet at us as someone does. Yeah. Well, The 1172 01:04:05,920 --> 01:04:07,680 Speaker 1: Brady Bunch is one of those shows where you watch 1173 01:04:07,720 --> 01:04:09,880 Speaker 1: it and it really seems like everyone involved, from the 1174 01:04:09,920 --> 01:04:12,160 Speaker 1: creation on down to the actors was stoned out of 1175 01:04:12,200 --> 01:04:15,560 Speaker 1: their minds, and in one scene in particular, you would 1176 01:04:15,560 --> 01:04:19,480 Speaker 1: be right. The scene involved Greg Brady aka Barry Williams, 1177 01:04:19,520 --> 01:04:21,640 Speaker 1: who was supposed to have a day off while filming 1178 01:04:21,640 --> 01:04:25,800 Speaker 1: the season four episode appropriately titled Law in Disorder in 1179 01:04:25,880 --> 01:04:29,680 Speaker 1: nineteen seventy three, and Barry decided to spend his day 1180 01:04:29,680 --> 01:04:32,160 Speaker 1: off by smoking pot with his friends because it was 1181 01:04:32,280 --> 01:04:35,440 Speaker 1: nineteen seventy three in Los Angeles. Then he had an 1182 01:04:35,480 --> 01:04:38,040 Speaker 1: emergency call from the Brady Bunch producers calling him into 1183 01:04:38,080 --> 01:04:42,040 Speaker 1: the studio immediately to reshoot a scene, and Barry showed up, 1184 01:04:42,120 --> 01:04:45,040 Speaker 1: but it was pretty soon obvious to all concerned that 1185 01:04:45,080 --> 01:04:47,840 Speaker 1: he was in no condition to work. He was supposed 1186 01:04:47,880 --> 01:04:49,800 Speaker 1: to just comment on a new boat that his dad 1187 01:04:49,800 --> 01:04:52,800 Speaker 1: had just bought, but his delivery was stilted, his eyes 1188 01:04:52,840 --> 01:04:56,240 Speaker 1: were glazed, and for some reason he inexplicably tripped over 1189 01:04:56,400 --> 01:05:00,280 Speaker 1: nothing in the backyard set, and ultimately the writer had 1190 01:05:00,320 --> 01:05:02,800 Speaker 1: to hastily rewrite the scene so that Barry had fewer 1191 01:05:02,840 --> 01:05:05,720 Speaker 1: lines it could just go home. He later wrote about 1192 01:05:05,720 --> 01:05:08,080 Speaker 1: the incident on his blog, saying, I went through a 1193 01:05:08,160 --> 01:05:11,440 Speaker 1: stage of experimentation as a kid. I certainly never went 1194 01:05:11,480 --> 01:05:13,880 Speaker 1: to the set high again. But I don't like weed. 1195 01:05:14,200 --> 01:05:17,880 Speaker 1: It makes me dumb, paranoid and hungry. But perhaps the 1196 01:05:17,920 --> 01:05:21,000 Speaker 1: most infamous incident concerning Greg Brady, and I would argue 1197 01:05:21,000 --> 01:05:23,560 Speaker 1: the most infamous incident concerning the series as a whole, 1198 01:05:24,200 --> 01:05:26,680 Speaker 1: was the time that Barry Williams asked his TV mom 1199 01:05:26,760 --> 01:05:30,920 Speaker 1: Florence Henderson out on a date. In his memoir Growing 1200 01:05:31,000 --> 01:05:34,040 Speaker 1: Up Brady, I was a teenage Greg, he admitted to 1201 01:05:34,080 --> 01:05:37,120 Speaker 1: having a crush on Florence, referring to her as quote 1202 01:05:37,480 --> 01:05:43,280 Speaker 1: a totally white hot babe. It's all in the emphasis 1203 01:05:43,280 --> 01:05:46,800 Speaker 1: and how you say that. Yeah, I know he was sixteen, 1204 01:05:47,080 --> 01:05:50,000 Speaker 1: she was thirty six. When those little things called hormones 1205 01:05:50,040 --> 01:05:53,360 Speaker 1: start kicking in, you get excited by even inanimate objects. 1206 01:05:53,360 --> 01:05:56,160 Speaker 1: He wrote, somewhat ungallantly, I have to say. In the 1207 01:05:56,280 --> 01:06:01,160 Speaker 1: chapter of his memoir memorably titled Dating Your Mom, it 1208 01:06:01,240 --> 01:06:03,600 Speaker 1: wasn't that I sought to bed her, he continued, I 1209 01:06:03,640 --> 01:06:06,520 Speaker 1: just wanted to spend time with her. That's the worst thing. 1210 01:06:06,800 --> 01:06:09,000 Speaker 1: That's the worst thing. Why did he phrase it like that. 1211 01:06:09,360 --> 01:06:13,200 Speaker 1: It wasn't that I sought to bed her, but I 1212 01:06:13,280 --> 01:06:16,000 Speaker 1: just wanted to spend time with her. It's the sought 1213 01:06:16,040 --> 01:06:19,480 Speaker 1: to bed. Who said, who says that a former seventies 1214 01:06:19,560 --> 01:06:24,840 Speaker 1: child star, I mean, well, yeah, that's true. Florence Henderson 1215 01:06:24,920 --> 01:06:26,800 Speaker 1: was married with four children of her own at the time, 1216 01:06:26,800 --> 01:06:28,400 Speaker 1: but she went out to dinner with Barry to the 1217 01:06:28,440 --> 01:06:32,200 Speaker 1: Coconut Grobe nightclub at the Ambassador Hotel where RFK was 1218 01:06:32,240 --> 01:06:37,480 Speaker 1: shot bringing it all back. They just saw what Florence 1219 01:06:37,520 --> 01:06:40,600 Speaker 1: described in her own memoir as a popular singer. I 1220 01:06:40,640 --> 01:06:42,680 Speaker 1: didn't give it all that much thought, though, since I 1221 01:06:42,680 --> 01:06:44,640 Speaker 1: would have gladly done the same for any of the 1222 01:06:44,680 --> 01:06:48,200 Speaker 1: other children if they had asked, she continued in her memoir. 1223 01:06:48,360 --> 01:06:51,400 Speaker 1: They were driven by Barry's older brother because Barry himself 1224 01:06:51,480 --> 01:06:54,120 Speaker 1: was too young to drive, and when it was all over, 1225 01:06:54,280 --> 01:06:56,560 Speaker 1: Florence gave him a peck on the cheek and that 1226 01:06:56,640 --> 01:06:59,640 Speaker 1: was it, and Florence Henderson later said the story was 1227 01:07:00,080 --> 01:07:03,840 Speaker 1: lightly exaggerated in Barry's memoir. She addressed the incident more 1228 01:07:03,880 --> 01:07:06,720 Speaker 1: directly on her website, writing that whole thing with Barry 1229 01:07:06,760 --> 01:07:09,040 Speaker 1: got blown way out of proportion. I guess in a 1230 01:07:09,080 --> 01:07:11,360 Speaker 1: sense it was a date. It was a date because 1231 01:07:11,400 --> 01:07:13,640 Speaker 1: Barry thought it was, but of course I had no 1232 01:07:13,720 --> 01:07:16,480 Speaker 1: idea that his intentions were to quote date me. It 1233 01:07:16,480 --> 01:07:19,520 Speaker 1: has made her a good story, though she added in 1234 01:07:19,560 --> 01:07:22,000 Speaker 1: her memoir, what is very true is that Barry did 1235 01:07:22,040 --> 01:07:24,560 Speaker 1: have a serious crush on me, which I understood and 1236 01:07:24,640 --> 01:07:28,120 Speaker 1: helped him get past told him about the crabs thing. 1237 01:07:30,000 --> 01:07:32,000 Speaker 1: Let us just say that if he had entertained the 1238 01:07:32,200 --> 01:07:34,880 Speaker 1: role in the hay with me, I would have never 1239 01:07:34,920 --> 01:07:38,320 Speaker 1: done that. Undeniably, we had a very special connection, and 1240 01:07:38,400 --> 01:07:40,440 Speaker 1: it goes without saying that I always felt like a 1241 01:07:40,480 --> 01:07:42,680 Speaker 1: surrogate mother to him and the rest of the kids. 1242 01:07:43,080 --> 01:07:45,680 Speaker 1: On a deeper level, I represented something to him that 1243 01:07:45,720 --> 01:07:48,360 Speaker 1: he admired. He loved music and knew I could sing. 1244 01:07:48,760 --> 01:07:51,200 Speaker 1: He also liked my work ethic and adopted it as 1245 01:07:51,200 --> 01:07:55,360 Speaker 1: he still does. He remained a dear friend. The proximity 1246 01:07:55,400 --> 01:07:57,440 Speaker 1: of Surrogate Mother and roll in the Hay, and that 1247 01:07:57,640 --> 01:08:00,400 Speaker 1: anecdote was a little too close to come for me. 1248 01:08:01,240 --> 01:08:06,640 Speaker 1: You know. Barry Williams had a six year live music 1249 01:08:06,680 --> 01:08:09,160 Speaker 1: review where he sings the songs of the seventies and 1250 01:08:09,520 --> 01:08:15,440 Speaker 1: can you guess where Tahoe? So close? Reno Branson, Missouri. 1251 01:08:15,920 --> 01:08:18,920 Speaker 1: Always I knew he lived in Branson. Yeah, there's a 1252 01:08:18,960 --> 01:08:23,080 Speaker 1: giant Titanic museum in Branson, as Branson like an epicenter 1253 01:08:23,080 --> 01:08:27,559 Speaker 1: of all my interests. Mid century kitchen Titanic apparently. Yeah. Wow, 1254 01:08:29,160 --> 01:08:31,479 Speaker 1: Just to wrap up the whole Barry Williams sleeping with 1255 01:08:31,479 --> 01:08:35,800 Speaker 1: the yeah Yeah. In twenty fourteen, during an appearance on 1256 01:08:35,840 --> 01:08:41,000 Speaker 1: The Talk celebrating Florence Henderson's eightieth birthday, Barry Williams surprised 1257 01:08:41,040 --> 01:08:43,680 Speaker 1: his TV mom with a passionate kiss before telling the 1258 01:08:43,720 --> 01:08:46,600 Speaker 1: crowd That's something I've been waiting forty years to do. 1259 01:08:47,880 --> 01:08:50,280 Speaker 1: But still, it's just weird that he made that like 1260 01:08:50,479 --> 01:08:54,960 Speaker 1: his like the defining anecdote for his life. Yeah, yes 1261 01:08:55,000 --> 01:09:00,200 Speaker 1: it is. Yeah, that's the quiet part, lad hig Thank 1262 01:09:00,200 --> 01:09:03,240 Speaker 1: you Haigle. That is the joke. Okay, okay, cool, cool, 1263 01:09:04,520 --> 01:09:06,760 Speaker 1: Thanks Ted, that was the joke. Thank you, Ted. That 1264 01:09:07,080 --> 01:09:10,760 Speaker 1: was the joke. Yeah. Oh, he's got a podcast where 1265 01:09:10,800 --> 01:09:16,080 Speaker 1: he goes episode with yeah, episode by episode if it's 1266 01:09:16,120 --> 01:09:21,200 Speaker 1: doing better than our shelf and kill myself. Well, what's 1267 01:09:21,200 --> 01:09:24,200 Speaker 1: it called the Brady Brothers or something real? The real 1268 01:09:24,240 --> 01:09:31,280 Speaker 1: Brady bros. Hell it is portion is the only part. 1269 01:09:31,400 --> 01:09:33,559 Speaker 1: The only thing that's important is that we're having fun 1270 01:09:34,479 --> 01:09:37,200 Speaker 1: and we're still to your friends. Yes, yes, yes, yes. 1271 01:09:38,400 --> 01:09:41,320 Speaker 1: So Bear Williams did not have a sexual encounter with 1272 01:09:41,360 --> 01:09:49,640 Speaker 1: his TV mom in the seventies nailed it, but he 1273 01:09:49,680 --> 01:09:52,479 Speaker 1: did have a sexual encounter with his TV sister, which 1274 01:09:52,520 --> 01:09:56,240 Speaker 1: is almost as good slash bad. He also talked about 1275 01:09:56,240 --> 01:09:58,880 Speaker 1: this in his memoir. There have been some sexual tension 1276 01:09:58,960 --> 01:10:02,200 Speaker 1: mounting I Travelish said mounting there between Barry Williams and 1277 01:10:02,280 --> 01:10:06,280 Speaker 1: Marine aka Marsha McCormick on the set, and it was 1278 01:10:06,360 --> 01:10:09,559 Speaker 1: fairly obvious to the crew. While filming a scene with 1279 01:10:09,600 --> 01:10:11,800 Speaker 1: a two sat on a bed for an episode called 1280 01:10:11,880 --> 01:10:13,960 Speaker 1: a Room at the Top, where they battled over who 1281 01:10:13,960 --> 01:10:16,439 Speaker 1: got the private room in the attic. The director kept 1282 01:10:16,439 --> 01:10:19,040 Speaker 1: having the reshoot because the body language between the two 1283 01:10:19,040 --> 01:10:22,960 Speaker 1: of them was just too flirty. And Sherwood Schwartz's son Lloyd, 1284 01:10:23,000 --> 01:10:26,080 Speaker 1: who worked on the show resorted to asking each actor 1285 01:10:26,120 --> 01:10:28,280 Speaker 1: to make a fist and place it between them as 1286 01:10:28,320 --> 01:10:30,720 Speaker 1: they sat on the bed, telling them to maintain that 1287 01:10:30,760 --> 01:10:33,679 Speaker 1: amount of distance at all times during the scene, which 1288 01:10:33,720 --> 01:10:36,400 Speaker 1: is basically the sitcom production equivalent of the teacher at 1289 01:10:36,400 --> 01:10:39,120 Speaker 1: the middle school dance, you know, going around telling all 1290 01:10:39,160 --> 01:10:43,479 Speaker 1: the slow dancing tweens to leave room for Jesus. They 1291 01:10:43,479 --> 01:10:48,880 Speaker 1: were apparently fairly serious, at least on an emotional level. Marine, 1292 01:10:48,680 --> 01:10:51,600 Speaker 1: I can't I can't bring myself to say this. I 1293 01:10:51,640 --> 01:10:53,880 Speaker 1: wanted to lose her virginity to Bury, which is a 1294 01:10:54,720 --> 01:10:59,160 Speaker 1: sweet she said in her memoir. There was apparently an 1295 01:10:59,200 --> 01:11:02,160 Speaker 1: instance when and Barry had Marine over to his parents' 1296 01:11:02,200 --> 01:11:04,559 Speaker 1: house for dinner, and then after dinner, he took her 1297 01:11:04,600 --> 01:11:07,639 Speaker 1: up to their bedroom where they listened to some Barry White, 1298 01:11:07,920 --> 01:11:11,760 Speaker 1: which sounds like a polite euphemism, but that's real. But 1299 01:11:11,880 --> 01:11:15,000 Speaker 1: they were unfortunately interrupted by his mother calling them down 1300 01:11:15,040 --> 01:11:17,720 Speaker 1: for dessert, which also sounds like a euphemism, but it 1301 01:11:17,800 --> 01:11:24,360 Speaker 1: is not. This has somehow become the filthiest episode we've 1302 01:11:24,360 --> 01:11:27,200 Speaker 1: ever done. Is anyone ever have they ever dressed his uh? 1303 01:11:27,560 --> 01:11:30,000 Speaker 1: The twin sests from Game of Thrones? That would be 1304 01:11:30,000 --> 01:11:33,360 Speaker 1: a funny bit. Oh wow, oh yeah, you know William 1305 01:11:33,880 --> 01:11:41,000 Speaker 1: Marine McCormick is uh Cercy and ERTs? What lertees Layerties? 1306 01:11:41,600 --> 01:11:44,320 Speaker 1: You think there's a character on Game of Thrones named Larerties? 1307 01:11:44,400 --> 01:11:47,000 Speaker 1: Do you think I've seen Game of Thrones? Given how 1308 01:11:47,080 --> 01:11:49,160 Speaker 1: much I know about the Brady bunch, do you actually 1309 01:11:49,160 --> 01:11:55,360 Speaker 1: think there's overlap in my brain for that? You get 1310 01:11:55,479 --> 01:12:03,920 Speaker 1: Layerties from Greek? Maybe, I don't know. It's probably a 1311 01:12:04,040 --> 01:12:06,840 Speaker 1: name I've only seen written and I'm like, I just 1312 01:12:06,880 --> 01:12:10,160 Speaker 1: assume that was how you pronounced this. Jamie Lanister, oh 1313 01:12:10,600 --> 01:12:18,800 Speaker 1: no from New England, Yeah, Lanister anyway. Marie McCormick and 1314 01:12:18,880 --> 01:12:22,719 Speaker 1: Barry Williams aka Marsha and Greg Brady finally kissed while 1315 01:12:22,760 --> 01:12:26,080 Speaker 1: filming a three part episode in Hawaii for the show's 1316 01:12:26,120 --> 01:12:29,800 Speaker 1: fourth season in nineteen seventy two. The pair reportedly snuck 1317 01:12:29,800 --> 01:12:32,160 Speaker 1: out after curfew and took a moonlight stroll on the 1318 01:12:32,200 --> 01:12:34,800 Speaker 1: beach where they kissed, and Barry described it in his 1319 01:12:34,920 --> 01:12:37,200 Speaker 1: memoir as quote, something I've been meaning to do for 1320 01:12:37,240 --> 01:12:39,679 Speaker 1: a long time, which I think is the same line 1321 01:12:39,720 --> 01:12:44,519 Speaker 1: he used on Florence Henderson m Unfortunately it was not 1322 01:12:44,600 --> 01:12:49,000 Speaker 1: quite as pleasant a memory from Marie McCormick, who ultimately 1323 01:12:49,120 --> 01:12:52,120 Speaker 1: was still weirded out by the whole TV brother thing. 1324 01:12:52,840 --> 01:12:55,320 Speaker 1: She wrote about the incident in her own memoir, Here's 1325 01:12:55,320 --> 01:12:58,639 Speaker 1: the Story, Surviving Marsha Brady and Finding My True Voice 1326 01:12:59,439 --> 01:13:02,000 Speaker 1: described the incident. It's always bad when you describe a 1327 01:13:02,120 --> 01:13:05,120 Speaker 1: romantic encounter with the word incident. Describing the incident like 1328 01:13:05,200 --> 01:13:09,240 Speaker 1: a pulpy romantic novel, we couldn't hold back any longer, 1329 01:13:09,280 --> 01:13:12,639 Speaker 1: she wrote, That's not how you read a romantic, pulpy novel, 1330 01:13:12,680 --> 01:13:14,280 Speaker 1: but I'm just going to go with it. It was 1331 01:13:14,320 --> 01:13:17,280 Speaker 1: our first kiss, and it was long, passionate and deep. 1332 01:13:17,800 --> 01:13:20,599 Speaker 1: Then it finally hit me, oh my god, I'm kissing 1333 01:13:20,600 --> 01:13:25,240 Speaker 1: my brother. What am I doing? Things understandably cooled after 1334 01:13:25,280 --> 01:13:29,040 Speaker 1: that from her end at least, and Sherbert Schwartz was 1335 01:13:29,120 --> 01:13:32,879 Speaker 1: understandably worried about his two teenage leads having relationship because 1336 01:13:33,000 --> 01:13:36,599 Speaker 1: this would almost certainly end in disaster. So he had 1337 01:13:36,600 --> 01:13:40,040 Speaker 1: his son Lloyd take Barry Williams aside and diffuse the 1338 01:13:40,040 --> 01:13:43,040 Speaker 1: whole thing, which he basically did by saying, why limit 1339 01:13:43,080 --> 01:13:47,360 Speaker 1: yourself use marine to get to her hot friends the seventies? 1340 01:13:47,920 --> 01:13:50,320 Speaker 1: How does her story get worse? Before it gets better. 1341 01:13:50,680 --> 01:13:53,439 Speaker 1: Yeah it does. Oh you didn't put her coke stuff 1342 01:13:53,439 --> 01:13:57,400 Speaker 1: in here, did you? Oh yeah, I'm reading it. Sorry 1343 01:13:57,960 --> 01:13:59,760 Speaker 1: you read it? Well, take us there, take us there? 1344 01:14:00,000 --> 01:14:03,040 Speaker 1: And oh yeah, Barry Williams fell off a surfboard and 1345 01:14:03,040 --> 01:14:05,960 Speaker 1: got hurt in Hawaii. Yeah it was bad anyway. Yeah, thay, 1346 01:14:05,960 --> 01:14:09,080 Speaker 1: thank us there. So the story wasn't nine. It's gonna 1347 01:14:09,080 --> 01:14:11,680 Speaker 1: be nice. It's gonna be longer than the Titanic Trilochie, 1348 01:14:13,000 --> 01:14:14,639 Speaker 1: Let's get to the Let's get to the Marsha Brady 1349 01:14:14,720 --> 01:14:19,040 Speaker 1: cocaine stuff. Okay, okay. Marie McCormick would go on to 1350 01:14:19,200 --> 01:14:23,240 Speaker 1: have several other high profile seventies pop culture relationships, including 1351 01:14:23,280 --> 01:14:26,360 Speaker 1: with Michael Jackson while he was still a member of 1352 01:14:26,360 --> 01:14:29,840 Speaker 1: the Jackson Five. She wrote in her memoir Once we 1353 01:14:29,880 --> 01:14:31,960 Speaker 1: went ice skating, and he held my hand as we 1354 01:14:32,040 --> 01:14:34,400 Speaker 1: glided around the rink. I wondered if he might try 1355 01:14:34,400 --> 01:14:39,400 Speaker 1: to kiss me, but he didn't. After another outing, after 1356 01:14:39,439 --> 01:14:41,559 Speaker 1: another outing, he did give me a kiss goodbye, but 1357 01:14:41,600 --> 01:14:44,160 Speaker 1: it was only a gentle peck on the cheek. Less 1358 01:14:44,200 --> 01:14:46,519 Speaker 1: cute was a date with Steve Martin a few years later, 1359 01:14:46,560 --> 01:14:49,240 Speaker 1: after the Brady Bunch had ended. Apparently Martin had asked 1360 01:14:49,240 --> 01:14:52,960 Speaker 1: for her number through their mutual friend, Chevy Chase. No 1361 01:14:53,040 --> 01:14:56,760 Speaker 1: idea how Maureen and Chevy knew each other, but guesses one, two, 1362 01:14:56,800 --> 01:15:00,320 Speaker 1: and three are cocaine. The date with Steve was in 1363 01:15:00,360 --> 01:15:03,360 Speaker 1: the midst of her growing substance abuse problems, and according 1364 01:15:03,400 --> 01:15:06,320 Speaker 1: to her account in her memoir, it did not go well. 1365 01:15:07,280 --> 01:15:09,519 Speaker 1: She wrote, I remember him being a very good kisser, 1366 01:15:09,640 --> 01:15:12,320 Speaker 1: but I was insecure and either high or spaced out, 1367 01:15:12,560 --> 01:15:15,080 Speaker 1: most likely both, and I didn't laugh at his jokes, 1368 01:15:15,560 --> 01:15:17,880 Speaker 1: though Steve was too polite and confident of his talent 1369 01:15:17,960 --> 01:15:20,880 Speaker 1: to say anything. I'm sure that's a weird thing to say. 1370 01:15:21,120 --> 01:15:24,400 Speaker 1: I'm sure it wasn't funny. Yeah, I'm sure my inability 1371 01:15:24,439 --> 01:15:27,680 Speaker 1: to carry on a normal conversation or respond intelligently put 1372 01:15:27,760 --> 01:15:30,720 Speaker 1: him off. We never spoke again after that date. I've 1373 01:15:30,720 --> 01:15:33,240 Speaker 1: always regretted my behavior because he impressed me as an 1374 01:15:33,240 --> 01:15:37,080 Speaker 1: extraordinary guy. I would have enjoyed a second date. Oh, 1375 01:15:37,160 --> 01:15:39,280 Speaker 1: I would look to say. During a time on The 1376 01:15:39,320 --> 01:15:41,640 Speaker 1: Brady Bunch. Marie McCormick also had a crush on her 1377 01:15:41,640 --> 01:15:45,760 Speaker 1: TV dad, Robert Reid, which wouldn't have worked for so 1378 01:15:45,800 --> 01:15:49,439 Speaker 1: many reasons. I would love a poll of child actors 1379 01:15:49,479 --> 01:15:52,000 Speaker 1: who had crushes on their TV or movie parents. And 1380 01:15:52,000 --> 01:15:54,280 Speaker 1: then I would like a psychologist to interpret the results 1381 01:15:54,280 --> 01:15:57,360 Speaker 1: of that poll because I feel like it's like disproportionately high. 1382 01:15:57,920 --> 01:16:01,200 Speaker 1: It's curtainly high. I don't know how I feel about high, 1383 01:16:01,200 --> 01:16:04,479 Speaker 1: but I know it's high. Who who just had a 1384 01:16:04,840 --> 01:16:07,960 Speaker 1: just confessed about having a crush on m Lena Bonham Carter, 1385 01:16:08,640 --> 01:16:11,240 Speaker 1: one of the Harry Potter kids. But I guess that's 1386 01:16:11,240 --> 01:16:14,760 Speaker 1: that teacher. What's that? It wasn't she a teacher? And 1387 01:16:14,800 --> 01:16:16,680 Speaker 1: then no, she was one of the death theaters. It's 1388 01:16:16,720 --> 01:16:19,640 Speaker 1: one of the bad guys. Yeah, it doesn't really, it 1389 01:16:19,640 --> 01:16:21,800 Speaker 1: doesn't really, you know. Oh yeah, having a crush on 1390 01:16:21,800 --> 01:16:24,320 Speaker 1: an older actor that's like just in the same thing 1391 01:16:24,360 --> 01:16:27,240 Speaker 1: as one thing, but like having a parent who is 1392 01:16:27,240 --> 01:16:31,120 Speaker 1: your parent? Yeah? Or a sibling no parent parents, sorry, 1393 01:16:30,880 --> 01:16:37,960 Speaker 1: parent parents. Jesus Maureena had guest roles on I Dream 1394 01:16:37,960 --> 01:16:42,360 Speaker 1: of Jeanie Honey West, the Farmer's Daughter, and My three Sons. Shockingly, 1395 01:16:42,400 --> 01:16:45,719 Speaker 1: none of those are porn uh. Prior to getting cast 1396 01:16:45,720 --> 01:16:51,360 Speaker 1: on Brady Bunch but to me, but to Jordan, her 1397 01:16:51,360 --> 01:16:54,519 Speaker 1: biggest role was the voice of the chatty Cathy Doll yeah, 1398 01:16:55,080 --> 01:16:58,640 Speaker 1: okay man the second version of It sixties with the 1399 01:16:58,680 --> 01:17:00,800 Speaker 1: non movable I ask your mom Oh, of course the 1400 01:17:00,840 --> 01:17:05,919 Speaker 1: rebooting one. Yeah, she'd also appear You're not a Chattycathy purist. 1401 01:17:06,280 --> 01:17:10,040 Speaker 1: McCormick also appeared in TV ad for the Doll before 1402 01:17:10,120 --> 01:17:12,519 Speaker 1: she was cast as the voice of it. Are you 1403 01:17:12,600 --> 01:17:16,559 Speaker 1: cast for the Voice of a Doll? Another child who 1404 01:17:16,640 --> 01:17:18,920 Speaker 1: was involved with that commercial was Eve Plum, who would 1405 01:17:19,080 --> 01:17:23,840 Speaker 1: play Jan Brady. So there's another weird doll connection. But 1406 01:17:23,880 --> 01:17:26,800 Speaker 1: the most infamous TV moment with Marie McCormick occurred in 1407 01:17:26,800 --> 01:17:30,400 Speaker 1: the season four episode called The Subject was Noses, which is, 1408 01:17:30,400 --> 01:17:32,600 Speaker 1: of course, yes, the legendary scene where she gets hit 1409 01:17:32,640 --> 01:17:35,880 Speaker 1: in the nose with a football. The professional that she was, 1410 01:17:36,040 --> 01:17:38,200 Speaker 1: she actually got hit in the face with her football. 1411 01:17:39,040 --> 01:17:41,639 Speaker 1: Christopher Knight Peter Brady was supposed to throw the ball 1412 01:17:41,640 --> 01:17:43,559 Speaker 1: in the show, but he had a hard time actually 1413 01:17:43,680 --> 01:17:49,200 Speaker 1: hitting her, so Sherwood Schwartz stepped in and gamely railed 1414 01:17:49,240 --> 01:17:52,200 Speaker 1: the teen actress directly in the face with a tight 1415 01:17:52,280 --> 01:18:00,000 Speaker 1: spiral phrasing. He reused the nose bit from mckilligan's Island episode. 1416 01:18:00,040 --> 01:18:03,080 Speaker 1: He has like a tarantino esque thing for swollen noses. Yeah. 1417 01:18:03,160 --> 01:18:05,639 Speaker 1: In the episode A Knows By any Other Name, Gilligan's 1418 01:18:05,720 --> 01:18:07,920 Speaker 1: nose swells up when he falls out of a tree. 1419 01:18:08,240 --> 01:18:10,040 Speaker 1: Did the guy who played Gilligan have a Cooke brom 1420 01:18:10,520 --> 01:18:13,200 Speaker 1: Bob Denver. I think he was a huge bodhead. I 1421 01:18:13,200 --> 01:18:15,759 Speaker 1: think he got like busted a few times. Oh that's fine. 1422 01:18:17,080 --> 01:18:20,920 Speaker 1: But unlike her annoyingly perfect, goody goody sitcom character, McCormick 1423 01:18:20,960 --> 01:18:24,160 Speaker 1: had a rebellious streak. Susan Olsen tells the story of 1424 01:18:24,160 --> 01:18:28,320 Speaker 1: Marine going shoplifting with Susan Cowsill of the Sills, the 1425 01:18:28,360 --> 01:18:31,519 Speaker 1: real life family band who inspired the Partridge Family, and 1426 01:18:31,600 --> 01:18:35,120 Speaker 1: then after the show ended, McCormick fell into the sadly 1427 01:18:35,240 --> 01:18:38,040 Speaker 1: now familiar X child star trap of drug binges at 1428 01:18:38,040 --> 01:18:41,840 Speaker 1: the Playboy Mansion and Sammy Davis Junior's house. Is that real? Yeah? 1429 01:18:41,960 --> 01:18:44,559 Speaker 1: I mean maybe that's not part of the ex child 1430 01:18:44,560 --> 01:18:47,519 Speaker 1: star cliche that Sammy Davis Junior's house is a little 1431 01:18:47,560 --> 01:18:49,800 Speaker 1: more specific, but yeah, no, it was real. Wow. No, 1432 01:18:49,840 --> 01:18:51,519 Speaker 1: I mean I knew the Playboy Mansion. I assumed the 1433 01:18:51,520 --> 01:18:54,240 Speaker 1: Playboy Mansion thing. I didn't realize that Sammy Davis Junior's 1434 01:18:54,240 --> 01:18:58,880 Speaker 1: house was a Dan of iniquity I should have assumed. Yeah. Yeah, 1435 01:18:58,920 --> 01:19:02,200 Speaker 1: As she wrote in her memoir Are Jesus Christ, they 1436 01:19:02,200 --> 01:19:05,080 Speaker 1: would call me the hoover because of how much cocaine 1437 01:19:05,080 --> 01:19:07,360 Speaker 1: I would do. If there was coke, I had to 1438 01:19:07,360 --> 01:19:09,559 Speaker 1: stay up and do every last flake, even if it 1439 01:19:09,600 --> 01:19:13,559 Speaker 1: meant going without sleep for days. Nothing else mattered. Her 1440 01:19:13,560 --> 01:19:16,600 Speaker 1: illness began to impact her career. She reportedly stayed a 1441 01:19:16,680 --> 01:19:19,160 Speaker 1: week for three days prior to auditioning for the role 1442 01:19:19,200 --> 01:19:22,000 Speaker 1: of Marion Ravenwood in Indiana Jones and Ready to the 1443 01:19:22,120 --> 01:19:25,320 Speaker 1: Lost Arc with Steven Spielberg, and it went so badly 1444 01:19:25,400 --> 01:19:28,880 Speaker 1: that Spielberg just gave her an orange and sent her home. 1445 01:19:30,240 --> 01:19:32,599 Speaker 1: I don't really understand what the orange was about. I 1446 01:19:32,640 --> 01:19:35,080 Speaker 1: think he thought that she had the flu, and she 1447 01:19:35,160 --> 01:19:37,960 Speaker 1: was like sniffling and looked pale. Yeah, it's like, oh, 1448 01:19:37,960 --> 01:19:42,959 Speaker 1: you need some vitamin take this from this edible arrangement 1449 01:19:43,000 --> 01:19:47,760 Speaker 1: that Harrison Ford just sent me. Maureene married fellow actor 1450 01:19:47,840 --> 01:19:50,479 Speaker 1: Michael Cummings in nineteen eighty five. Underwent a series of 1451 01:19:50,520 --> 01:19:53,559 Speaker 1: therapies for her addiction and depression, including treatment with the 1452 01:19:53,640 --> 01:19:58,080 Speaker 1: controversial therapist Eugene Landy, who treated and or abused Brian 1453 01:19:58,120 --> 01:20:01,120 Speaker 1: Wilson in the seventies and eighties. She has since regained 1454 01:20:01,120 --> 01:20:04,080 Speaker 1: her health and he's reportedly very happy. Well, Marsha and 1455 01:20:04,120 --> 01:20:06,599 Speaker 1: Greg weren't the only Brady kids to have a love connection. 1456 01:20:09,320 --> 01:20:14,280 Speaker 1: Cindi and Bobby, or Susan Olson and Mike looking Land 1457 01:20:14,560 --> 01:20:16,400 Speaker 1: also had a crush on each other on the set, 1458 01:20:16,800 --> 01:20:19,400 Speaker 1: and they used to sneak into their dead dog Tigers 1459 01:20:19,479 --> 01:20:22,280 Speaker 1: doghouse on the set to make out as nine year olds, 1460 01:20:22,520 --> 01:20:30,519 Speaker 1: which is somewhere between gothic and adorable. Jesus Christ, that's 1461 01:20:30,520 --> 01:20:35,280 Speaker 1: a little young, even for the seventies. Yeah, Susan Olsen 1462 01:20:35,280 --> 01:20:38,799 Speaker 1: admitted this is these quotes from her with admirable frankness, 1463 01:20:38,920 --> 01:20:42,000 Speaker 1: that all the kids hooked up at one point. She said, quote, 1464 01:20:42,000 --> 01:20:44,120 Speaker 1: I think all of us did. We led a sheltered 1465 01:20:44,160 --> 01:20:45,640 Speaker 1: life for part of the year, so if there was 1466 01:20:45,680 --> 01:20:47,679 Speaker 1: anybody to get a crush on or try to date, 1467 01:20:47,960 --> 01:20:50,280 Speaker 1: it would be our counterparts on the show in the 1468 01:20:50,360 --> 01:20:53,920 Speaker 1: age brackets. Yeah. But okay, Well, then as I got 1469 01:20:53,960 --> 01:20:57,960 Speaker 1: a little older, they because I started trading Bobby Star, 1470 01:21:01,560 --> 01:21:04,880 Speaker 1: Bobby started to get a crush on jan when everybody 1471 01:21:04,880 --> 01:21:08,040 Speaker 1: started getting a little older. Um, and he would later 1472 01:21:08,080 --> 01:21:12,639 Speaker 1: accuse Eve plum of stealing Bobby Mike looking land away 1473 01:21:12,640 --> 01:21:17,400 Speaker 1: from her. And they had had a fake marriage, Bobby 1474 01:21:17,439 --> 01:21:21,439 Speaker 1: and Cindy to to I almost consummate, they did not 1475 01:21:21,840 --> 01:21:24,280 Speaker 1: when I was trying to say to make their their 1476 01:21:24,400 --> 01:21:31,160 Speaker 1: child love. No, No, they had had a fake marriage 1477 01:21:31,400 --> 01:21:34,840 Speaker 1: just on the set, and when Bobby started to get 1478 01:21:34,840 --> 01:21:39,160 Speaker 1: a crush on jan they had it ann old or 1479 01:21:39,200 --> 01:21:42,160 Speaker 1: they they had a fake divorce, which they just assumed 1480 01:21:42,280 --> 01:21:45,040 Speaker 1: was just doing their wedding ceremony in reverse. So that 1481 01:21:45,320 --> 01:21:48,559 Speaker 1: was good. Yeah, But they all remained close, and Susan 1482 01:21:48,560 --> 01:21:52,080 Speaker 1: Olson named her firstborn son, Mike in his honor, which 1483 01:21:52,120 --> 01:21:55,240 Speaker 1: is sweet, whom I named after my TV brother who 1484 01:21:55,280 --> 01:22:00,400 Speaker 1: I used to kiss in our dead dog's house. Ah. 1485 01:22:00,439 --> 01:22:04,960 Speaker 1: Oh god, it gets weirder. Yeah. Bobby and Cindy, the 1486 01:22:05,040 --> 01:22:08,720 Speaker 1: youngest Brady siblings, also star in what I believe to 1487 01:22:08,760 --> 01:22:11,519 Speaker 1: be the only band scene in Brady Bunch history, and 1488 01:22:11,600 --> 01:22:15,880 Speaker 1: it's a pseudo nude scene a robe claude. Bobby and 1489 01:22:16,040 --> 01:22:18,800 Speaker 1: Cindy enter the kitchen to tell Alice, the housekeeper, that 1490 01:22:18,840 --> 01:22:22,360 Speaker 1: they're going swimming in a neighbor's pool a doctor, which 1491 01:22:22,439 --> 01:22:26,200 Speaker 1: to me adds a whole other creepy element to this. Alice, 1492 01:22:26,320 --> 01:22:29,160 Speaker 1: for reasons that I don't fully understand, opens Bobby's robe 1493 01:22:29,200 --> 01:22:32,360 Speaker 1: to see what swimming trunks he's wearing, which again weird, 1494 01:22:32,640 --> 01:22:35,600 Speaker 1: and discovers that quote as she says he's wearing his 1495 01:22:35,680 --> 01:22:40,080 Speaker 1: birthday suit and not his swim suit. Alice then checks 1496 01:22:40,080 --> 01:22:43,240 Speaker 1: Cindy and discovers the same thing, prompting her to quip 1497 01:22:43,520 --> 01:22:46,519 Speaker 1: who's moved in over there? Adam and Eve? And for 1498 01:22:46,560 --> 01:22:48,960 Speaker 1: whatever reason that I didn't watch this full episode, so 1499 01:22:48,960 --> 01:22:51,160 Speaker 1: I don't really understand, the kids are hell bent on 1500 01:22:51,280 --> 01:22:54,880 Speaker 1: going over to this pool naked, saying quote doctor Bellfield says, 1501 01:22:54,880 --> 01:22:58,040 Speaker 1: the sun has lots of vitamins, to which Alice replies, 1502 01:22:58,160 --> 01:23:00,360 Speaker 1: so does orange juice, but you don't go swimming in it. 1503 01:23:01,120 --> 01:23:03,680 Speaker 1: She eventually forbids them from going over, saying that she 1504 01:23:03,720 --> 01:23:06,280 Speaker 1: won't allow any of the Brady kids to quote some 1505 01:23:06,520 --> 01:23:11,479 Speaker 1: X rated party in their birthday suit. Weird. And another 1506 01:23:11,520 --> 01:23:13,840 Speaker 1: weird thing. I guess the older sisters on the show 1507 01:23:13,880 --> 01:23:17,280 Speaker 1: didn't like wearing bras, and so a producer would sneak 1508 01:23:17,360 --> 01:23:19,479 Speaker 1: up behind them and feel their backs to make sure 1509 01:23:19,520 --> 01:23:23,240 Speaker 1: they were quote properly dressed. This is according to Barry 1510 01:23:23,240 --> 01:23:29,000 Speaker 1: Williams memoir rude and weird. Being a girl coming of 1511 01:23:29,040 --> 01:23:33,720 Speaker 1: age on this show seems like hell, okay, yes, let's 1512 01:23:33,720 --> 01:23:38,080 Speaker 1: talk about Let's talk about our buddy Bobby. Mike Lukelyn 1513 01:23:38,200 --> 01:23:39,880 Speaker 1: as the man who played him, and he was up 1514 01:23:39,920 --> 01:23:42,599 Speaker 1: for two different sitcomerals in nineteen sixty eight, The Brady 1515 01:23:42,600 --> 01:23:45,560 Speaker 1: Bunch and also The Courtship of Eddie's Father, which is 1516 01:23:45,560 --> 01:23:48,439 Speaker 1: based on a popular early sixties movie, and his Paris 1517 01:23:48,479 --> 01:23:50,439 Speaker 1: decided that The Brady Bunch might be a better fit 1518 01:23:50,479 --> 01:23:52,479 Speaker 1: for him since he'd be around other kids. It was 1519 01:23:52,520 --> 01:23:55,160 Speaker 1: just one kid on the Courtship of Eddie's Father and 1520 01:23:55,280 --> 01:23:57,599 Speaker 1: he was the last of the nine regulars to be cast, 1521 01:23:57,840 --> 01:24:00,639 Speaker 1: and after accepting the role, he recalls being vote led 1522 01:24:00,720 --> 01:24:03,599 Speaker 1: into a room full of people and someone, most likely 1523 01:24:03,600 --> 01:24:08,519 Speaker 1: Sherwood Schwartz, said, Mike, this is your new family. Heavy. 1524 01:24:08,760 --> 01:24:10,320 Speaker 1: I didn't realize this. But he also went on to 1525 01:24:10,320 --> 01:24:13,080 Speaker 1: provide the voice of Oblio in the nineteen seventy one 1526 01:24:13,160 --> 01:24:17,400 Speaker 1: animated film The Point, based on the songs of Harry Nilson, 1527 01:24:17,680 --> 01:24:20,360 Speaker 1: which I love very much. I love that album. He 1528 01:24:20,360 --> 01:24:23,200 Speaker 1: also appeared in the nineteen seventy four blockbuster The Towering 1529 01:24:23,240 --> 01:24:27,880 Speaker 1: Inferno with Paul Newman, Steve McQueen O. J. Simpson making 1530 01:24:27,920 --> 01:24:32,040 Speaker 1: the connection between The Brady Bunch and Juan Degree, and 1531 01:24:32,200 --> 01:24:35,440 Speaker 1: also the nineteen seventies TV show The Secrets of Isis, 1532 01:24:36,120 --> 01:24:39,120 Speaker 1: which was not about what I thought it was about 1533 01:24:39,280 --> 01:24:45,320 Speaker 1: when I googled it. My favorite story about Mike Lukland's 1534 01:24:45,360 --> 01:24:47,640 Speaker 1: post Brady career is that when the network tried to 1535 01:24:47,640 --> 01:24:50,240 Speaker 1: get him back to appear in the mid seventies, Variety 1536 01:24:50,280 --> 01:24:53,759 Speaker 1: showed Disaster the Brady Bunch Hour more on that later, 1537 01:24:54,080 --> 01:24:56,519 Speaker 1: he asked for double the salary and hopes that he 1538 01:24:56,560 --> 01:25:00,680 Speaker 1: would be recast instead, they actually gave in, resulting in 1539 01:25:00,800 --> 01:25:04,040 Speaker 1: double the salaries for the entire gast, which probably made 1540 01:25:04,080 --> 01:25:06,880 Speaker 1: him very popular, but he was presumably not very happy 1541 01:25:06,920 --> 01:25:09,799 Speaker 1: about having to do the show. He's also a massive 1542 01:25:09,840 --> 01:25:12,720 Speaker 1: deadhead and reportedly saw The Grateful Dead in concert over 1543 01:25:12,760 --> 01:25:17,400 Speaker 1: one hundred times, and sadly, like several of his Brady compatriots, 1544 01:25:17,400 --> 01:25:20,599 Speaker 1: he struggled with substance abuse issues. In nineteen ninety seven, 1545 01:25:20,600 --> 01:25:24,080 Speaker 1: he received the DUI after rolling his car several times 1546 01:25:24,200 --> 01:25:27,320 Speaker 1: off the road, as blood alcohol level was three times 1547 01:25:27,320 --> 01:25:29,240 Speaker 1: over the legal limit in the state of Utah, where 1548 01:25:29,240 --> 01:25:32,040 Speaker 1: he was living at the time, and understandably, he cited 1549 01:25:32,040 --> 01:25:34,320 Speaker 1: this as a wake up call to stop drinking. He 1550 01:25:34,439 --> 01:25:36,840 Speaker 1: later said an interview with Oprah, the problem for me 1551 01:25:37,040 --> 01:25:39,880 Speaker 1: was I lived my childhood in my twenties. You should 1552 01:25:39,880 --> 01:25:41,880 Speaker 1: really try to live your childhood when you're a child, 1553 01:25:41,960 --> 01:25:43,960 Speaker 1: because if we do it when you're twenty six, it 1554 01:25:44,000 --> 01:25:47,040 Speaker 1: can be dangerous. And for a number of years he 1555 01:25:47,080 --> 01:25:50,320 Speaker 1: actually retired from the film industry altogether and made a 1556 01:25:50,360 --> 01:25:54,080 Speaker 1: living making concrete countertops, But in twenty twenty one he 1557 01:25:54,120 --> 01:25:56,639 Speaker 1: returned to the world of acting in the Lifetime Christmas 1558 01:25:56,760 --> 01:26:01,360 Speaker 1: movie Blending Christmas, alongside fellow bunch of stars Barry Williams 1559 01:26:01,400 --> 01:26:04,439 Speaker 1: who played Greg, Christopher Knight who played Peter, Susan Olsen 1560 01:26:04,439 --> 01:26:08,080 Speaker 1: who played Cindy, and Robbie Reist who played cousin Oliver 1561 01:26:08,200 --> 01:26:11,599 Speaker 1: who will get too later and another favorite story about 1562 01:26:11,640 --> 01:26:13,720 Speaker 1: Mike lukin Land is that in the two thousand made 1563 01:26:13,760 --> 01:26:17,479 Speaker 1: for TV movie Growing Up Brady, based on Barry Williams's memoir, 1564 01:26:17,920 --> 01:26:21,360 Speaker 1: Mike lucolun was played by his own son, Scott, which 1565 01:26:21,439 --> 01:26:24,160 Speaker 1: I think is cute. I tried to find a list 1566 01:26:24,200 --> 01:26:28,040 Speaker 1: of other famous people who were portrayed by their offspring 1567 01:26:28,120 --> 01:26:32,439 Speaker 1: in movies, and I stopped because this is twenty three 1568 01:26:32,439 --> 01:26:37,640 Speaker 1: pages long. We're going to take a quick break, but 1569 01:26:37,720 --> 01:26:40,200 Speaker 1: we'll be right back with more too much information in 1570 01:26:40,360 --> 01:26:54,200 Speaker 1: just a moment. And now we're going to talk about 1571 01:26:54,280 --> 01:26:58,360 Speaker 1: my favorite member of the Brady Bunch. Jan. I've always 1572 01:26:58,360 --> 01:27:01,559 Speaker 1: had a crush on Jan. In real life, I'm dating 1573 01:27:01,560 --> 01:27:04,559 Speaker 1: these sensitive middle child so maybe I always just had 1574 01:27:04,600 --> 01:27:07,880 Speaker 1: a type, just as the other corresponding siblings paired off, 1575 01:27:08,000 --> 01:27:11,240 Speaker 1: Eve Plumb and Christopher Knight had a brief romantic interlude, 1576 01:27:11,280 --> 01:27:13,720 Speaker 1: though I've seen two versions of it. One version is 1577 01:27:13,720 --> 01:27:15,600 Speaker 1: that they were making out on a prop car on 1578 01:27:15,640 --> 01:27:18,200 Speaker 1: a quiet corner of the Paramount backlot when a security 1579 01:27:18,200 --> 01:27:21,280 Speaker 1: guard came by and caught them, which left Eve Plumb mortified. 1580 01:27:21,840 --> 01:27:24,160 Speaker 1: And the more frequent version I've seen is that after 1581 01:27:24,200 --> 01:27:27,120 Speaker 1: the show was canceled in nineteen seventy four, she and 1582 01:27:27,160 --> 01:27:30,879 Speaker 1: Christopher Knight, who played Peter again the corresponding middle siblings, 1583 01:27:31,200 --> 01:27:35,360 Speaker 1: parked under the stars in his flatbed pickup truck with blankets, candles, 1584 01:27:35,360 --> 01:27:38,599 Speaker 1: and a six pack, only to be interrupted by cops 1585 01:27:38,640 --> 01:27:41,679 Speaker 1: because they were under age. Either way, in most versions, 1586 01:27:41,760 --> 01:27:44,960 Speaker 1: their moment was interrupted, tears resulted, and the magic was 1587 01:27:45,040 --> 01:27:47,879 Speaker 1: kind of over. And I don't think their relationship progressed 1588 01:27:47,920 --> 01:27:52,080 Speaker 1: for them. That. Arguably, the two most famous catchphrases linked 1589 01:27:52,080 --> 01:27:55,440 Speaker 1: with The Brady Bunch are associated with Jan first and foremost, 1590 01:27:55,800 --> 01:28:01,760 Speaker 1: and exasperated poudy, can you do it now? Marsha Marshall Marsha, Yeah, 1591 01:28:01,800 --> 01:28:04,160 Speaker 1: I remember it, but I mean not it happening? I 1592 01:28:04,200 --> 01:28:07,040 Speaker 1: remember this being like the thing about the show. Yeah, 1593 01:28:07,080 --> 01:28:10,439 Speaker 1: I forgot out, Sure Jan too? Well, Okay, well, starting 1594 01:28:10,439 --> 01:28:13,240 Speaker 1: with the Marsha Marsha Marsha. Surprisingly, given the enduring legacy 1595 01:28:13,240 --> 01:28:16,240 Speaker 1: of this phrase, it was only used once in the series, 1596 01:28:16,560 --> 01:28:19,120 Speaker 1: but it gained more popularity on Saturday Night Live when 1597 01:28:19,200 --> 01:28:22,519 Speaker 1: comedian Melanie Hutsall used the line and her impression of 1598 01:28:22,600 --> 01:28:24,920 Speaker 1: Jan for the show's Brady Bunch parody in the nineties. 1599 01:28:24,960 --> 01:28:27,200 Speaker 1: But as you said, the other line most commonly associated 1600 01:28:27,240 --> 01:28:29,800 Speaker 1: with The Brady Bunch to me at least is sure Jan, 1601 01:28:30,280 --> 01:28:33,880 Speaker 1: delivered with a withering side eye by Marsha. That might 1602 01:28:33,920 --> 01:28:35,960 Speaker 1: I guess we kind of Mandela affected it. That wasn't 1603 01:28:35,960 --> 01:28:38,000 Speaker 1: actually from the show at all, but from the Brady 1604 01:28:38,000 --> 01:28:43,120 Speaker 1: Bunch movies in the nineties, delivered by Christine Taylor as Marsha. 1605 01:28:43,400 --> 01:28:45,840 Speaker 1: Given the relationship between the characters on The Brady Bunch, 1606 01:28:45,880 --> 01:28:49,639 Speaker 1: it's perhaps not surprising that friction existed between Eve Plum 1607 01:28:49,720 --> 01:28:53,800 Speaker 1: and Marine McCormick in real life. Reportedly, it stretches back 1608 01:28:53,800 --> 01:28:56,720 Speaker 1: to their time on the show. This is interesting to me. 1609 01:28:56,880 --> 01:28:59,840 Speaker 1: Marine McCormick was originally tapped to play Jan but then 1610 01:29:00,040 --> 01:29:02,639 Speaker 1: Sherwood Schwartz adjusted the ages of the kids and made 1611 01:29:02,680 --> 01:29:04,920 Speaker 1: her the oldest, so maybe that got things off on 1612 01:29:04,960 --> 01:29:08,600 Speaker 1: a weird footing. An anonymous source told Radar Online in 1613 01:29:08,640 --> 01:29:12,479 Speaker 1: twenty ten, the problems between them go back decades. They've 1614 01:29:12,520 --> 01:29:14,719 Speaker 1: never liked each other, and there have been many events 1615 01:29:14,720 --> 01:29:17,559 Speaker 1: where Eva said I'm not doing it if Marine's doing it. 1616 01:29:18,400 --> 01:29:21,000 Speaker 1: Susan Olsen, their younger TV sister, echoed this in a 1617 01:29:21,080 --> 01:29:24,680 Speaker 1: twenty fifteen interview withnews dot com dot Au. They do 1618 01:29:24,800 --> 01:29:26,960 Speaker 1: not get along. She said, I think it's kind of 1619 01:29:27,000 --> 01:29:29,559 Speaker 1: petty from day one with these two have always been 1620 01:29:29,560 --> 01:29:31,200 Speaker 1: in the middle, and now it's at the point where 1621 01:29:31,200 --> 01:29:33,920 Speaker 1: there isn't even a desire to communicate through me. It's 1622 01:29:33,920 --> 01:29:36,080 Speaker 1: all really petty. But if you're feeling get hurt when 1623 01:29:36,080 --> 01:29:38,519 Speaker 1: you're really young, some people carry it with them or 1624 01:29:38,560 --> 01:29:42,040 Speaker 1: maybe to them. Moving on means moving away, But yeah, 1625 01:29:42,040 --> 01:29:45,280 Speaker 1: the origin of their feud remains murky. Some have speculated 1626 01:29:45,320 --> 01:29:48,800 Speaker 1: that it was something as simple as jealousy. Interestingly, given 1627 01:29:48,840 --> 01:29:52,599 Speaker 1: their reputations on the show, Marie McCormick, who's often portrayed 1628 01:29:52,640 --> 01:29:56,400 Speaker 1: as the glamorous older sister, has said an interviews that 1629 01:29:56,439 --> 01:29:59,479 Speaker 1: she always thought eve Plum was much more glamorous and 1630 01:29:59,479 --> 01:30:01,599 Speaker 1: pretty than her. So, yeah, it could have just been 1631 01:30:01,760 --> 01:30:05,360 Speaker 1: childhood jealousy at the time, But in recent years, there 1632 01:30:05,439 --> 01:30:08,240 Speaker 1: is reportedly another reason why eve Plum was pissed at 1633 01:30:08,280 --> 01:30:12,160 Speaker 1: Marie McCormick. For years, Marine insinuated in interviews that she 1634 01:30:12,280 --> 01:30:14,439 Speaker 1: and eve Plum had an affair on the set of 1635 01:30:14,439 --> 01:30:19,879 Speaker 1: the show, which it's just everybody, it's everybody. The earliest 1636 01:30:19,880 --> 01:30:21,679 Speaker 1: reference to this that I could find was a nineteen 1637 01:30:21,760 --> 01:30:24,160 Speaker 1: ninety seven interview that Marie McCormick gave to an LA 1638 01:30:24,240 --> 01:30:27,400 Speaker 1: area radio host saying that she developed a huge crush 1639 01:30:27,439 --> 01:30:29,920 Speaker 1: on eve during the time on the show, saying, quote, 1640 01:30:30,120 --> 01:30:34,000 Speaker 1: we had really good times together. Somehow this led DJ 1641 01:30:34,200 --> 01:30:37,960 Speaker 1: to unsuddenly ask whether they were quote Patty Cake close 1642 01:30:38,400 --> 01:30:43,439 Speaker 1: or Ellen Degenerous close. Oh that's okay, yeah, I know. 1643 01:30:44,320 --> 01:30:48,400 Speaker 1: Nineteen ninety seven, Marie McCormick reportedly replied, yeah, we kissed, 1644 01:30:48,960 --> 01:30:51,200 Speaker 1: and her rep clarified the next day that she meant 1645 01:30:51,280 --> 01:30:54,479 Speaker 1: kissed on the cheek. And then, prior to the release 1646 01:30:54,520 --> 01:30:57,160 Speaker 1: of Marines Memoir in two thousand and eight, a source 1647 01:30:57,280 --> 01:30:59,840 Speaker 1: in the National Inquirer claimed that she was going to 1648 01:31:00,000 --> 01:31:02,920 Speaker 1: admit to a full blown affair with eve in her book, 1649 01:31:03,200 --> 01:31:05,559 Speaker 1: which wasn't out yet at the time, And though the 1650 01:31:05,600 --> 01:31:09,080 Speaker 1: source of the rumor wasn't known, Marine apparently teased it 1651 01:31:09,120 --> 01:31:11,400 Speaker 1: in the press a lot more to drum up buzz 1652 01:31:11,479 --> 01:31:14,360 Speaker 1: for the book, and apparently she overdid it because the publisher, 1653 01:31:14,400 --> 01:31:17,479 Speaker 1: HarperCollins felt inclined to put out a statement verifying that 1654 01:31:17,520 --> 01:31:19,719 Speaker 1: there was no such story to be found in the book, 1655 01:31:19,960 --> 01:31:23,880 Speaker 1: but Marie McCormick apparently kept referencing it. Then, in two 1656 01:31:23,880 --> 01:31:27,240 Speaker 1: thousand and nine, a planned Brady Bunch fortieth anniversary union 1657 01:31:27,240 --> 01:31:31,160 Speaker 1: with Oprah Winfrey was canceled when eve Plum declined to attend, 1658 01:31:31,760 --> 01:31:33,840 Speaker 1: and it's pretty much accepted that this was because of 1659 01:31:33,880 --> 01:31:37,200 Speaker 1: the beef between her and Marine, and Marine wrote on 1660 01:31:37,320 --> 01:31:40,320 Speaker 1: fancast dot Com that quote, all of us said yes, 1661 01:31:40,360 --> 01:31:43,120 Speaker 1: except one person, eve Plum, who used to be my 1662 01:31:43,160 --> 01:31:46,320 Speaker 1: best friend, but now apparently once to distance herself from 1663 01:31:46,360 --> 01:31:49,439 Speaker 1: the show and most troubling from me. I have no 1664 01:31:49,560 --> 01:31:51,920 Speaker 1: idea why, unless she's mad at the joke I made 1665 01:31:51,960 --> 01:31:54,240 Speaker 1: a few years ago that we'd had a lesbian love affair. 1666 01:31:54,680 --> 01:31:57,240 Speaker 1: I made the crack to be funny and for shock value. 1667 01:31:57,600 --> 01:32:01,040 Speaker 1: I'm sorry if she took offense, and also she tried 1668 01:32:01,080 --> 01:32:03,080 Speaker 1: to laugh it off. During appearance on the Today's Show, 1669 01:32:03,120 --> 01:32:04,840 Speaker 1: she said I was having fun. It was something I 1670 01:32:04,880 --> 01:32:07,200 Speaker 1: was joking with, and she didn't take it that way. 1671 01:32:07,439 --> 01:32:09,639 Speaker 1: I've reached out to Eve. I've called her for years 1672 01:32:09,640 --> 01:32:11,960 Speaker 1: that I would never get a phone call back. Finally, 1673 01:32:12,000 --> 01:32:14,240 Speaker 1: after doing that for so long, I thought she'll call 1674 01:32:14,280 --> 01:32:17,800 Speaker 1: me once she wants to, and hopefully she will. After 1675 01:32:18,040 --> 01:32:20,080 Speaker 1: all this news of their feud and the press, Eve 1676 01:32:20,120 --> 01:32:23,240 Speaker 1: plumbs agent tried to downplay at all by saying, quote 1677 01:32:23,280 --> 01:32:25,719 Speaker 1: no one from Oprah Cole about any reunion. We haven't 1678 01:32:25,760 --> 01:32:30,639 Speaker 1: turned down anything. There is no feud. Susan Olsen aka 1679 01:32:30,720 --> 01:32:33,920 Speaker 1: Cindy called bs on this, telling Fox News in twenty 1680 01:32:33,960 --> 01:32:36,880 Speaker 1: sixteen that Eve was basically sick of Marine, implying that 1681 01:32:36,920 --> 01:32:39,439 Speaker 1: they'd had an affair. Whenever she had a project to 1682 01:32:39,479 --> 01:32:42,200 Speaker 1: push and wanted headlines. I don't like there to be 1683 01:32:42,240 --> 01:32:44,759 Speaker 1: a rift in the family, Susan said. I love them both, 1684 01:32:44,960 --> 01:32:47,200 Speaker 1: and this means whenever we get together for any project, 1685 01:32:47,240 --> 01:32:49,639 Speaker 1: there will only be one or the other of them. 1686 01:32:50,120 --> 01:32:52,559 Speaker 1: But I do understand Eve's point of view. She got 1687 01:32:52,560 --> 01:32:55,760 Speaker 1: tired of Marine gaining attention for herself by regurgitating the 1688 01:32:55,800 --> 01:33:01,120 Speaker 1: tiresome and false intinuations that they had a lesbian affair. However, 1689 01:33:01,320 --> 01:33:06,000 Speaker 1: even Marine aka Marsha and Jan reunited in twenty nineteen 1690 01:33:06,280 --> 01:33:09,720 Speaker 1: for the HGTV series A Very Brady Renovation, which we'll 1691 01:33:09,720 --> 01:33:12,559 Speaker 1: talk about a little later, during which they renovated the 1692 01:33:12,600 --> 01:33:15,439 Speaker 1: real life Brady Bunch House in Studio City to resemble 1693 01:33:15,520 --> 01:33:18,400 Speaker 1: the Brady. Interior was built on the Paramount sound stage, 1694 01:33:19,000 --> 01:33:21,679 Speaker 1: and during press for this show, one a trepid reporter 1695 01:33:21,760 --> 01:33:24,519 Speaker 1: asked Eve Plum if there had been a quote remedy 1696 01:33:24,600 --> 01:33:28,040 Speaker 1: to her alleged feud with Marine McCormick, and Eve responded 1697 01:33:28,080 --> 01:33:31,040 Speaker 1: with a laugh. People like to say things. There was 1698 01:33:31,080 --> 01:33:36,880 Speaker 1: no remedy needed, sure, Jan, and now for an Eve 1699 01:33:36,880 --> 01:33:39,200 Speaker 1: Plumb grab bag of random facts that I really can't 1700 01:33:39,200 --> 01:33:41,479 Speaker 1: fit anywhere else. Oh. We touched on this at the 1701 01:33:41,479 --> 01:33:43,840 Speaker 1: top of the episode. In nineteen seventy three, when she 1702 01:33:43,880 --> 01:33:46,000 Speaker 1: was still on The Brady Bunch, Eve Plumb audition for 1703 01:33:46,040 --> 01:33:48,519 Speaker 1: the part of Reagan in The Exorcist, later played by 1704 01:33:48,560 --> 01:33:51,960 Speaker 1: Linda Blair, which is I can't tell if it's just 1705 01:33:52,000 --> 01:33:55,160 Speaker 1: as weird or even weirder as Marie McCormick starring in 1706 01:33:55,240 --> 01:33:57,599 Speaker 1: Raiders of the Lost Arc. What are you thinking? What's 1707 01:33:57,600 --> 01:34:02,160 Speaker 1: weirder this one? Yeah? Yeah, seeing like Jan Brady's head 1708 01:34:02,240 --> 01:34:07,040 Speaker 1: spin from sixty degrees with por the crucifix thing. Yeah, 1709 01:34:07,040 --> 01:34:10,080 Speaker 1: oh yeah, yeah, yeah, I forgot about that. Yes, yes, yes, yeah, okay, 1710 01:34:10,080 --> 01:34:12,240 Speaker 1: good call, good call call cool cool cool, moving on, 1711 01:34:12,280 --> 01:34:15,479 Speaker 1: moving on, yeah, moving on. But yeah, Eve Plumb was 1712 01:34:15,520 --> 01:34:18,840 Speaker 1: clearly very ready for her stint on family television to 1713 01:34:18,920 --> 01:34:22,719 Speaker 1: be over. There's a possibly apocryphal story, but I really 1714 01:34:22,760 --> 01:34:25,120 Speaker 1: desperately want it to be true about her being asked 1715 01:34:25,120 --> 01:34:27,800 Speaker 1: to name her favorite episode of The Brady Bunch and 1716 01:34:27,960 --> 01:34:33,680 Speaker 1: her response the last one. Yeah. Eve Plum has a 1717 01:34:33,840 --> 01:34:36,800 Speaker 1: reputation of being the most over it and slightly bitter 1718 01:34:36,840 --> 01:34:39,760 Speaker 1: of all the Brady kids, and I think that reputation 1719 01:34:39,800 --> 01:34:41,479 Speaker 1: stems from the fact that she was the only one 1720 01:34:41,520 --> 01:34:44,719 Speaker 1: to decline to appear in the nineteen seventy six variety 1721 01:34:44,760 --> 01:34:47,680 Speaker 1: show spin off, The Brady Bunch Hour, which was a 1722 01:34:47,800 --> 01:34:51,439 Speaker 1: terrible idea and lasted just nine episodes. She was replaced 1723 01:34:51,479 --> 01:34:54,200 Speaker 1: by a woman named Jerry Rachel, who is forever more 1724 01:34:54,280 --> 01:34:58,360 Speaker 1: known as quote Fake Jan Brady Bunch circles. Fake Jan 1725 01:34:58,840 --> 01:35:00,840 Speaker 1: mentioned Fake Jane. You'll get a big response. I got 1726 01:35:00,880 --> 01:35:03,960 Speaker 1: a very big reaction. But all three of the Bradys 1727 01:35:03,960 --> 01:35:07,040 Speaker 1: sisters have bailed on one spinoff or another. Susan Olsen 1728 01:35:07,080 --> 01:35:09,200 Speaker 1: didn't appear in the nineteen eighty eight made for TV 1729 01:35:09,400 --> 01:35:12,400 Speaker 1: movie A Very Brady Christmas because shooting apparently took place 1730 01:35:12,479 --> 01:35:15,800 Speaker 1: during her honeymoon, which I kind of call bs on, 1731 01:35:15,960 --> 01:35:19,800 Speaker 1: but sure. Amaron McCormick declined to appear in the aforementioned 1732 01:35:19,840 --> 01:35:23,960 Speaker 1: short lived nineteen ninety dramedy series The Bradys. So every 1733 01:35:23,960 --> 01:35:26,439 Speaker 1: Brady's sister gets a pass. You get to skip one 1734 01:35:26,640 --> 01:35:32,400 Speaker 1: ill advised Brady spinoff series one apiece. But getting back 1735 01:35:32,400 --> 01:35:35,080 Speaker 1: to Jan, she was the most successful at shaking her 1736 01:35:35,080 --> 01:35:38,240 Speaker 1: goody two shoes Brady rep Just after graduating high school. 1737 01:35:38,240 --> 01:35:40,880 Speaker 1: In nineteen seventy six, she played a teen prostitute in 1738 01:35:41,040 --> 01:35:45,160 Speaker 1: Dawn Portrait of a Teenage runaway, and she apparently has 1739 01:35:45,240 --> 01:35:48,720 Speaker 1: quite the gift for real estate investing. In nineteen sixty nine, 1740 01:35:48,760 --> 01:35:51,439 Speaker 1: at the age of eleven, she purchased a Malibu beach 1741 01:35:51,520 --> 01:35:55,080 Speaker 1: bungalow for fifty five thousand dollars and she sold the 1742 01:35:55,120 --> 01:35:58,880 Speaker 1: house in twenty sixteen for three point nine million. That's 1743 01:35:58,880 --> 01:36:02,320 Speaker 1: pretty good. Yeah, I'm guessing that was purchased with her 1744 01:36:02,360 --> 01:36:05,599 Speaker 1: Brady Bunch bucks, but maybe not, because apparently they didn't 1745 01:36:05,640 --> 01:36:08,080 Speaker 1: earn that much on the show. Bar Williams said that 1746 01:36:08,120 --> 01:36:11,400 Speaker 1: the kids got paid a maximum of one one hundred 1747 01:36:11,439 --> 01:36:14,040 Speaker 1: and ten dollars a week during the show's run, and 1748 01:36:14,160 --> 01:36:16,200 Speaker 1: Susan Olsen said that they also had to pay for 1749 01:36:16,240 --> 01:36:19,120 Speaker 1: their own parking on the studio lot during the first season. 1750 01:36:19,640 --> 01:36:24,480 Speaker 1: That's raw, yeah, I know. And also the syndication contracts 1751 01:36:24,520 --> 01:36:27,559 Speaker 1: were garbage. So Brady Bunch Kids, we give you a 1752 01:36:27,680 --> 01:36:31,719 Speaker 1: C minus in the TMI School of Business. Well, onto 1753 01:36:31,760 --> 01:36:35,479 Speaker 1: the inanimate objects portion of the podcast. You will be 1754 01:36:36,160 --> 01:36:38,400 Speaker 1: sad to learn that the Brady Bunch House neither had 1755 01:36:38,400 --> 01:36:42,559 Speaker 1: a coke habit nor slept with its sibling or parent 1756 01:36:43,000 --> 01:36:46,559 Speaker 1: or parent, but the actual Brady House used for exterior 1757 01:36:46,600 --> 01:36:48,439 Speaker 1: shots there at the show is a charming little split 1758 01:36:48,520 --> 01:36:52,360 Speaker 1: level located in Studio City, California, gets great westward facing light. 1759 01:36:53,840 --> 01:36:55,880 Speaker 1: You know, we don't want to give out the address here, 1760 01:36:55,920 --> 01:37:00,560 Speaker 1: but you can find it. Supposedly. The fictitious address is 1761 01:37:00,800 --> 01:37:04,599 Speaker 1: four two two two Clinton Way. Show creator Sherwood Schwartz 1762 01:37:04,680 --> 01:37:06,720 Speaker 1: chose the home himself because he felt like it was 1763 01:37:06,760 --> 01:37:09,639 Speaker 1: the kind of stylish modern home that an architect, which 1764 01:37:09,680 --> 01:37:13,439 Speaker 1: is of course Mike Brady's, a fictional profession, would live in. 1765 01:37:13,880 --> 01:37:15,720 Speaker 1: He said, we didn't want it to be too affluent, 1766 01:37:15,920 --> 01:37:18,160 Speaker 1: We didn't want it to be too blue collar. There 1767 01:37:18,200 --> 01:37:20,800 Speaker 1: was only one problem. It was a split level, but 1768 01:37:20,960 --> 01:37:23,679 Speaker 1: the sets being built back at Paramount Studio Stage five 1769 01:37:23,760 --> 01:37:27,200 Speaker 1: were for a two story building. Ultimately, Hollywood set designers 1770 01:37:27,240 --> 01:37:29,719 Speaker 1: stuck a phony window onto the exterior of the real 1771 01:37:29,720 --> 01:37:32,360 Speaker 1: house to create the illusion that it was two stories, and, 1772 01:37:32,520 --> 01:37:34,360 Speaker 1: as is so often the case, the owners of the 1773 01:37:34,360 --> 01:37:38,320 Speaker 1: famous home found that the notoriety was somewhat annoying. A 1774 01:37:38,400 --> 01:37:40,639 Speaker 1: future owner built a fence around the yard to keep 1775 01:37:40,640 --> 01:37:42,880 Speaker 1: over zealous fans for peeking in at all hours of 1776 01:37:42,920 --> 01:37:45,040 Speaker 1: the day and night, and by the time production began 1777 01:37:45,080 --> 01:37:47,040 Speaker 1: on the two Brady Bunch movies in nine ninety five, 1778 01:37:47,400 --> 01:37:49,479 Speaker 1: the owners declined to give permission to shoot at the 1779 01:37:49,479 --> 01:37:52,799 Speaker 1: famous house, forcing producers to build a facade around another 1780 01:37:52,840 --> 01:37:56,479 Speaker 1: home with his similar yard. The interiors of the home 1781 01:37:56,520 --> 01:37:59,559 Speaker 1: on the Paramount lot were recycled for other shows, furniture 1782 01:37:59,560 --> 01:38:02,720 Speaker 1: and all once for the show Mission Impossible, twice on 1783 01:38:02,760 --> 01:38:06,280 Speaker 1: the detective series Mannix. It's so Weird you see Peter 1784 01:38:06,360 --> 01:38:08,759 Speaker 1: Graves a mission if Possible to strolling through the Brady's 1785 01:38:08,760 --> 01:38:12,640 Speaker 1: living room like it's totally normal. And Robert Reid had 1786 01:38:12,640 --> 01:38:14,800 Speaker 1: a recurrent guest role on Mannix. He played the part 1787 01:38:14,800 --> 01:38:18,960 Speaker 1: of Lieutenant Adam Tobias for twenty two episode Sadly we 1788 01:38:19,040 --> 01:38:23,759 Speaker 1: never got that Brady Bunch Mannix crossover series or Brady Bunch, 1789 01:38:24,080 --> 01:38:28,360 Speaker 1: Jake and the Fat Man. The home had some quirks 1790 01:38:28,400 --> 01:38:30,559 Speaker 1: to it, part for the course for a medium quality 1791 01:38:30,560 --> 01:38:33,240 Speaker 1: sitcom in the late sixties. The sliding glass door in 1792 01:38:33,240 --> 01:38:35,600 Speaker 1: the backyard, for example, had no glass in it to 1793 01:38:35,760 --> 01:38:39,400 Speaker 1: reduce any kind of reflective glare. In the episode where 1794 01:38:39,400 --> 01:38:41,479 Speaker 1: the kids break their mom's favorite base, there are a 1795 01:38:41,520 --> 01:38:44,120 Speaker 1: few quick shots that reveal the home has no ceiling, 1796 01:38:44,320 --> 01:38:47,800 Speaker 1: just studio lights. These are all airs that would seem 1797 01:38:47,880 --> 01:38:49,640 Speaker 1: less of a big deal before a freeze frame was 1798 01:38:49,680 --> 01:38:52,960 Speaker 1: such a thing. Perhaps most notably and famously, the Jack 1799 01:38:53,000 --> 01:38:55,639 Speaker 1: and Jill bathroom shared by the six Brady kids doesn't 1800 01:38:55,680 --> 01:38:58,759 Speaker 1: have a toilet, leading to the joke that the Brady 1801 01:38:58,840 --> 01:39:01,360 Speaker 1: kids were so wholesome they don't even go to the bathroom. 1802 01:39:01,840 --> 01:39:04,439 Speaker 1: This was not an oversight. Network standards of the time 1803 01:39:04,479 --> 01:39:07,040 Speaker 1: refused to allow a toilet bowl to be shown on 1804 01:39:07,080 --> 01:39:10,439 Speaker 1: TV before ten PM. Leave it to Beaver had gotten 1805 01:39:10,439 --> 01:39:12,519 Speaker 1: away with it for one episode nineteen fifty seven just 1806 01:39:12,520 --> 01:39:16,200 Speaker 1: by showing the tank portion and Eve Plumb later said 1807 01:39:16,280 --> 01:39:18,000 Speaker 1: at the time the idea was that it was just 1808 01:39:18,040 --> 01:39:21,200 Speaker 1: sort of tacky to be showing toilets on TV. Nowadays, 1809 01:39:21,240 --> 01:39:26,320 Speaker 1: everybody's on the toilet. Sure, jan when the Very Brady 1810 01:39:26,360 --> 01:39:29,639 Speaker 1: Renovation Show began, in which they renovated a real life 1811 01:39:29,640 --> 01:39:33,200 Speaker 1: house to look like the set of The Bradys, why 1812 01:39:34,240 --> 01:39:35,840 Speaker 1: I thought it was going to be to be used 1813 01:39:35,840 --> 01:39:38,320 Speaker 1: as well. First of all ratings, but I also assumed 1814 01:39:38,360 --> 01:39:40,639 Speaker 1: that they would turn it into a tourist trap or something. 1815 01:39:40,680 --> 01:39:42,920 Speaker 1: But apparently that has not happened yet. We'll talk more 1816 01:39:42,920 --> 01:39:45,519 Speaker 1: about that later. But I actually was looking into it 1817 01:39:45,520 --> 01:39:47,599 Speaker 1: because I would love to go toward the Brady's House. 1818 01:39:48,040 --> 01:39:51,360 Speaker 1: Of course you would anyway. In this show, the Brady 1819 01:39:51,400 --> 01:39:57,360 Speaker 1: Kids bathroom finally got a toilet, which you bet you 1820 01:39:57,520 --> 01:40:00,280 Speaker 1: never thought you'd say, I, nor would I. I've ever 1821 01:40:00,320 --> 01:40:02,080 Speaker 1: thought that I would say the phrase. And it was 1822 01:40:02,120 --> 01:40:06,080 Speaker 1: Marcia herself who christened it. I have to say I 1823 01:40:06,120 --> 01:40:09,479 Speaker 1: have used it now, she said, and it was good. 1824 01:40:10,160 --> 01:40:16,080 Speaker 1: Some I'm a god said yeah. Also at long last, 1825 01:40:16,160 --> 01:40:21,000 Speaker 1: Alice was given a bathroom in her maid's quarters onto 1826 01:40:21,040 --> 01:40:27,680 Speaker 1: another inanimate object in the show Cousin, Oh you you 1827 01:40:27,720 --> 01:40:32,400 Speaker 1: stopped watching this before? Was this aired sequentially? How would 1828 01:40:32,439 --> 01:40:35,879 Speaker 1: you have? What are you talking about? You never saw? Honestly, 1829 01:40:35,960 --> 01:40:38,519 Speaker 1: if I saw, if I started watching it and the 1830 01:40:38,560 --> 01:40:41,960 Speaker 1: Brady the older Brady boys had like curly hair, I 1831 01:40:42,040 --> 01:40:43,960 Speaker 1: tended to change the channel. I didn't like the later 1832 01:40:44,040 --> 01:40:47,360 Speaker 1: years on the Brady Bach because of the curly hair thing. Yeah, 1833 01:40:47,400 --> 01:40:48,880 Speaker 1: I just I don't know. It's like a later episodes 1834 01:40:48,880 --> 01:40:52,000 Speaker 1: of air alls shows are bad except breaking bad. Uh. 1835 01:40:53,400 --> 01:40:56,080 Speaker 1: Cousin Oliver has become something of a shorthand for character 1836 01:40:56,160 --> 01:40:59,080 Speaker 1: shoehorned into a TV show when it's on its last legs. 1837 01:41:00,320 --> 01:41:02,760 Speaker 1: In other words, Fresh Blood in a desperate attempt to 1838 01:41:02,840 --> 01:41:06,320 Speaker 1: boost ratings, sort of the human equivalent of the shark 1839 01:41:06,400 --> 01:41:10,000 Speaker 1: that Fonzie jumps over in Happy Days, giving rise to 1840 01:41:10,040 --> 01:41:13,920 Speaker 1: that phrase. How many different shows did they do this? On? 1841 01:41:14,880 --> 01:41:16,719 Speaker 1: Quite a few. They did it on The Partridge Family 1842 01:41:16,920 --> 01:41:20,040 Speaker 1: and later on Different Strokes When they cast Danny Cooksie, 1843 01:41:20,280 --> 01:41:23,040 Speaker 1: who is most familiar to me, as Bobby Budnick on 1844 01:41:23,080 --> 01:41:25,120 Speaker 1: Salute Your Shorts. I didn't know he had a life 1845 01:41:25,120 --> 01:41:27,120 Speaker 1: before Salute Your Shorts, or I knew he had a life. 1846 01:41:27,120 --> 01:41:29,080 Speaker 1: I knew he didn't. I knew he didn't wasn't grown 1847 01:41:29,080 --> 01:41:31,519 Speaker 1: on a Nickelodeon lab, But like I didn't know. All 1848 01:41:31,560 --> 01:41:34,040 Speaker 1: I could think of is Roy in The Simpsons. He 1849 01:41:34,200 --> 01:41:40,720 Speaker 1: laid a mister s yeah, hi BROI Leon from Curb 1850 01:41:40,760 --> 01:41:46,479 Speaker 1: Your Enthusiasm. Oh yeah, anyway, cousin Oliver was played by 1851 01:41:46,560 --> 01:41:49,760 Speaker 1: Robbie rist Was, and he was Carol Brady's nephew, came 1852 01:41:49,800 --> 01:41:51,320 Speaker 1: to live with the brady As while their parents were 1853 01:41:51,320 --> 01:41:53,920 Speaker 1: out of the country. On the surface, it made sense 1854 01:41:54,080 --> 01:41:56,320 Speaker 1: you introduced a new character to offset the fact that 1855 01:41:56,320 --> 01:41:58,800 Speaker 1: the cast were starting to age, but fans did not 1856 01:41:58,960 --> 01:42:02,719 Speaker 1: dig it. On Barry Williams blog The Greg Brady Project, 1857 01:42:04,600 --> 01:42:07,799 Speaker 1: I made me. I'm Barry Williams blog, The Greg Greg 1858 01:42:07,840 --> 01:42:11,080 Speaker 1: Brady Project. He responded to a fan question about how 1859 01:42:11,120 --> 01:42:14,360 Speaker 1: the cast received Robbie Rist into their midst. That was 1860 01:42:14,360 --> 01:42:16,200 Speaker 1: a hell of a tongue twister. Let's take that whole 1861 01:42:16,240 --> 01:42:20,320 Speaker 1: thing over again. I'm just adopting the like casey casum cadence. 1862 01:42:20,360 --> 01:42:24,759 Speaker 1: The longer this show came runs, Jordan's Son of a Bitch, 1863 01:42:27,000 --> 01:42:30,040 Speaker 1: Robbie came into a tough situation. The writers were floundering, 1864 01:42:30,120 --> 01:42:32,320 Speaker 1: and he introduced a very different type of humor into 1865 01:42:32,400 --> 01:42:34,960 Speaker 1: our show. Also, we had been together a long time 1866 01:42:35,000 --> 01:42:36,720 Speaker 1: and we really didn't have time to adjust to a 1867 01:42:36,760 --> 01:42:43,360 Speaker 1: new quote family member. His quote, it's not mine. I 1868 01:42:43,400 --> 01:42:46,280 Speaker 1: haven't had much contact with him, but I'm sure he 1869 01:42:46,439 --> 01:42:50,080 Speaker 1: is a nice guy, and I certainly wish him every success. 1870 01:42:52,240 --> 01:42:56,559 Speaker 1: I'm sure he's a nice guy. He was, after all, 1871 01:42:56,680 --> 01:42:59,479 Speaker 1: on the show for just six episodes before ABC killed 1872 01:42:59,479 --> 01:43:03,160 Speaker 1: it before sixth season, leading many to conclude that cousin 1873 01:43:03,200 --> 01:43:05,360 Speaker 1: Oliver was responsible for the death of the Brady Bunch. 1874 01:43:05,880 --> 01:43:09,120 Speaker 1: And then, in the second such instance of this pipeline, 1875 01:43:09,280 --> 01:43:11,920 Speaker 1: Robbie Risk joined The Mary Tyler Moore Show. In that 1876 01:43:12,000 --> 01:43:15,240 Speaker 1: show sixth season as Ted and Georgett's adopted son, David, 1877 01:43:15,640 --> 01:43:18,400 Speaker 1: and the show lasted just one season after that, leading 1878 01:43:18,400 --> 01:43:21,679 Speaker 1: some to accuse him of killing that show too. Thankfully, 1879 01:43:21,720 --> 01:43:24,240 Speaker 1: he has a good sense of humor about it. Years later, 1880 01:43:24,320 --> 01:43:26,080 Speaker 1: Risk appeared to members of the Brady Bunch cast on 1881 01:43:26,120 --> 01:43:29,479 Speaker 1: a special Brady Reunion charity episode of the game show 1882 01:43:29,479 --> 01:43:33,320 Speaker 1: The Weakest Link. Introducing himself, he joked, I hope I 1883 01:43:33,360 --> 01:43:35,800 Speaker 1: don't kill this show too. He ended up being the 1884 01:43:35,840 --> 01:43:38,680 Speaker 1: weakest Link of the episode and was eliminated by the 1885 01:43:38,680 --> 01:43:41,280 Speaker 1: other contestants. I guess they just didn't want a chance. 1886 01:43:42,439 --> 01:43:44,000 Speaker 1: And this brings us to a section of the show 1887 01:43:44,000 --> 01:43:47,400 Speaker 1: that I'll have to call a very Brady cancelation. It's 1888 01:43:47,439 --> 01:43:49,719 Speaker 1: important to note that The Brady Bunch was never really 1889 01:43:49,720 --> 01:43:52,840 Speaker 1: a massive hit during its initial run between September nineteen 1890 01:43:52,920 --> 01:43:56,120 Speaker 1: sixty nine and March nineteen seventy four. In fact, it 1891 01:43:56,120 --> 01:43:58,599 Speaker 1: never even cracked the top thirty in the Nielsen ratings, 1892 01:43:58,640 --> 01:44:01,080 Speaker 1: though it was popular enough that Hadnty Kissinger paid a 1893 01:44:01,160 --> 01:44:04,800 Speaker 1: visit to the set. Photos were taken and I love that. 1894 01:44:04,880 --> 01:44:07,240 Speaker 1: Please look it up. Yeah. And then of course they 1895 01:44:07,280 --> 01:44:09,760 Speaker 1: had guest stars like Joe Namath and Davy Jones. The 1896 01:44:09,840 --> 01:44:13,400 Speaker 1: latter of whom accompanied Marie McCormick tour prom which I love. 1897 01:44:14,200 --> 01:44:17,160 Speaker 1: According to An B. Davis, who played Alice and who 1898 01:44:17,240 --> 01:44:19,479 Speaker 1: later after The Brady Bunch went off the air, sold 1899 01:44:19,479 --> 01:44:22,800 Speaker 1: her home in la and joined the religious Commune in Colorado. 1900 01:44:23,360 --> 01:44:26,040 Speaker 1: The Brady Munch ratings were so low throughout its run 1901 01:44:26,120 --> 01:44:29,080 Speaker 1: that it was renewed for just thirteen episodes or half 1902 01:44:29,080 --> 01:44:31,719 Speaker 1: a season at a time, until the very last season. 1903 01:44:31,760 --> 01:44:33,759 Speaker 1: They couldn't get the network to commit to a full 1904 01:44:33,760 --> 01:44:37,360 Speaker 1: season until several years into its run. I love that 1905 01:44:38,400 --> 01:44:40,840 Speaker 1: kids love The Brady Bunch because it was generally told 1906 01:44:40,880 --> 01:44:43,439 Speaker 1: from a child's point of view, but adults never really 1907 01:44:43,479 --> 01:44:45,599 Speaker 1: connected with it, which is part of the reason why 1908 01:44:45,600 --> 01:44:48,320 Speaker 1: it didn't really thrive in prime time. And then when 1909 01:44:48,479 --> 01:44:51,840 Speaker 1: NBC put the edgy contemporary Sanford and Son opposite it, 1910 01:44:51,840 --> 01:44:53,640 Speaker 1: it just blew the Brady Bunch right out of the 1911 01:44:53,680 --> 01:44:57,240 Speaker 1: water and its ratings tanked. We discussed earlier how Sherwood 1912 01:44:57,240 --> 01:44:59,719 Speaker 1: Schwartz toured with the idea of killing off Mike Brady 1913 01:44:59,720 --> 01:45:02,200 Speaker 1: and and Carol go back to dating for a proposed 1914 01:45:02,240 --> 01:45:05,600 Speaker 1: sixth season. It's unclear how serious this was given just 1915 01:45:05,760 --> 01:45:08,760 Speaker 1: how much he hated working with Robert Reid. There's another story. 1916 01:45:08,880 --> 01:45:11,360 Speaker 1: He was going to recast Mike Brady and have Carol 1917 01:45:11,439 --> 01:45:14,559 Speaker 1: become pregnant with twins, a boy and a girl. But 1918 01:45:14,680 --> 01:45:16,800 Speaker 1: in any event, the show was not renewed for a 1919 01:45:16,880 --> 01:45:20,040 Speaker 1: sixth season, and the final episode aired on March eighth, 1920 01:45:20,120 --> 01:45:24,640 Speaker 1: nineteen seventy four, very unceremoniously. The show was a hit, 1921 01:45:24,680 --> 01:45:28,120 Speaker 1: though in syndication. Much like Star Trek. The reruns that 1922 01:45:28,120 --> 01:45:30,840 Speaker 1: started running in September nineteen seventy five were scheduled a 1923 01:45:30,960 --> 01:45:33,760 Speaker 1: late afternoon, just after kids got home from school, which 1924 01:45:33,800 --> 01:45:36,760 Speaker 1: made it hugely popular with young viewers and their families. 1925 01:45:36,960 --> 01:45:39,559 Speaker 1: In my nineteen seventy six reruns up, the Brady Bunch 1926 01:45:39,640 --> 01:45:43,559 Speaker 1: actually beat out the vice presidential debate in ratings, and 1927 01:45:43,680 --> 01:45:46,639 Speaker 1: at the time of its thirtieth anniversary in nineteen ninety nine, 1928 01:45:46,680 --> 01:45:49,280 Speaker 1: each of the one hundred and seventeen episodes was estimated 1929 01:45:49,280 --> 01:45:51,840 Speaker 1: to have aired more than one hundred thousand times around 1930 01:45:51,920 --> 01:45:55,519 Speaker 1: the world, and presumably that number has grown exponentially by 1931 01:45:55,520 --> 01:45:59,759 Speaker 1: the time of its fiftieth anniversary in twenty nineteen. Now 1932 01:46:00,320 --> 01:46:03,719 Speaker 1: we got to get to the very Brady spinoffs. There 1933 01:46:03,800 --> 01:46:07,479 Speaker 1: are just so many media properties that they parlayed this 1934 01:46:07,640 --> 01:46:11,400 Speaker 1: show into It's insane. Actually. First, before we get to 1935 01:46:11,439 --> 01:46:13,519 Speaker 1: the spinoffs, we have to talk about the very Brady 1936 01:46:13,640 --> 01:46:15,519 Speaker 1: music career, if you can call it that. In the 1937 01:46:15,560 --> 01:46:19,920 Speaker 1: early seventies, the Brady Bunch Kids released four LPs plus 1938 01:46:19,920 --> 01:46:23,600 Speaker 1: a Christopher Knight Marine McCormick Duets LP, which sounds like 1939 01:46:23,640 --> 01:46:27,400 Speaker 1: hell because Christopher McCormick. Because Christopher Knight was, by his 1940 01:46:27,439 --> 01:46:30,000 Speaker 1: own admission, the only member of the cast who truly 1941 01:46:30,000 --> 01:46:33,840 Speaker 1: could not sing. Each of the Brady Kids, except for Cindy, 1942 01:46:33,960 --> 01:46:37,719 Speaker 1: released solo singles, and they did versions of American Pie, 1943 01:46:38,080 --> 01:46:42,080 Speaker 1: the Bad Finger song, day After Day, Love Me Do Baby, 1944 01:46:42,080 --> 01:46:44,880 Speaker 1: I'm Ana Want You by Bread, Saturday in the Park 1945 01:46:44,960 --> 01:46:48,600 Speaker 1: by Chicago Summer Breeze by Seals and Crofts, and the 1946 01:46:48,680 --> 01:46:51,720 Speaker 1: Michael Jackson song Ben, the one about the rats, They 1947 01:46:51,880 --> 01:46:55,559 Speaker 1: one about the rat yep. I guess rads singular That 1948 01:46:55,640 --> 01:47:00,400 Speaker 1: was Wilbur was the one who had many rats, right, No, 1949 01:47:00,520 --> 01:47:04,360 Speaker 1: Wilbur from Charlotte's Webb No, No, the twin dueling rat 1950 01:47:04,400 --> 01:47:08,200 Speaker 1: movies of the seventies. I don't know Wilber. What's Wilber? Oh, 1951 01:47:08,280 --> 01:47:13,960 Speaker 1: Wilbur's a Willard? Sorry, Willard had many rats. Ben just 1952 01:47:14,000 --> 01:47:16,880 Speaker 1: had the one, okay, yeah right, yeah, do you have 1953 01:47:16,880 --> 01:47:19,599 Speaker 1: like anemonic for that, like I before you accept after see, 1954 01:47:21,040 --> 01:47:26,160 Speaker 1: Ben is just one, Willard is many more fun Yours 1955 01:47:26,240 --> 01:47:30,439 Speaker 1: is better. But yeah, if you want to ruin any 1956 01:47:30,439 --> 01:47:32,639 Speaker 1: of those classic songs for yourself, have had it, Brady 1957 01:47:32,640 --> 01:47:35,240 Speaker 1: Bunch those versions of them. But getting back to the 1958 01:47:35,400 --> 01:47:38,560 Speaker 1: televisual Realm, there was an animated series. Oh no, the 1959 01:47:38,760 --> 01:47:41,840 Speaker 1: men had an army of rodents, so technically they both 1960 01:47:41,880 --> 01:47:45,680 Speaker 1: have many many rats in the Okay, I'm sorry, yeah, 1961 01:47:45,800 --> 01:47:48,760 Speaker 1: can we fix you'll punch that in plus that the post. Yeah, 1962 01:47:48,760 --> 01:47:57,520 Speaker 1: you're so if you want to ruin it anything, they sorry, 1963 01:47:58,400 --> 01:48:01,719 Speaker 1: I just this is what boggles the mind. The poster 1964 01:48:01,840 --> 01:48:05,519 Speaker 1: for Ben actually sets well, yeah, it sure does, but 1965 01:48:05,560 --> 01:48:09,719 Speaker 1: it says where Willard ended Ben begins? Are they related? 1966 01:48:09,800 --> 01:48:14,400 Speaker 1: Oh it's a sequel. Just now learning this, Oh my god, 1967 01:48:15,240 --> 01:48:19,000 Speaker 1: I'm glad we got this down. Yeah wow, they made 1968 01:48:19,040 --> 01:48:22,559 Speaker 1: They put the on the Jackson's live album. God, Michael 1969 01:48:22,600 --> 01:48:26,760 Speaker 1: really loved that song. It's on the Jackson Live album. 1970 01:48:26,800 --> 01:48:28,960 Speaker 1: It's on his number ones. Well it was a number 1971 01:48:29,000 --> 01:48:32,960 Speaker 1: one hit, but yeah, that's a Michael Jackson's ones. It 1972 01:48:33,120 --> 01:48:36,120 Speaker 1: hit number one on the Globe is nominated for Best 1973 01:48:36,120 --> 01:48:40,840 Speaker 1: Original Song at the Oscars. I really genuinely didn't know 1974 01:48:40,880 --> 01:48:43,720 Speaker 1: that Ben was a sequel to Willard. I thought they were. 1975 01:48:43,880 --> 01:48:47,680 Speaker 1: It makes more sense that their franchise. Yeah, because oh, 1976 01:48:47,760 --> 01:48:50,320 Speaker 1: here's mnemonic for you. Ben is the name of the rat. 1977 01:48:50,400 --> 01:48:53,639 Speaker 1: Willard's the name of the guy. Okay, doesn't rhyme, but okay, 1978 01:48:53,960 --> 01:48:55,840 Speaker 1: now now I'll come back to it. I'll come back 1979 01:48:55,840 --> 01:49:00,320 Speaker 1: to it. Okay. Yeah, So if you want to know, 1980 01:49:00,400 --> 01:49:06,720 Speaker 1: it was produced by Bing Crosby's production company. Wait, really yeah, 1981 01:49:06,920 --> 01:49:11,559 Speaker 1: Bing Crosby Productions responsible for Ben for the Rat movies. Well, 1982 01:49:11,600 --> 01:49:14,280 Speaker 1: I don't know about Willard. You imagine him taking an 1983 01:49:14,280 --> 01:49:19,160 Speaker 1: ad out in trade papers like Ben By being No, 1984 01:49:19,320 --> 01:49:26,639 Speaker 1: that was the signature scent Ben by Bing. Oh god, okay, 1985 01:49:26,640 --> 01:49:29,640 Speaker 1: I'm sorry. He's died on the golf course, right. He 1986 01:49:29,720 --> 01:49:31,760 Speaker 1: was like, yeah, I gotta I got eighteen holes and 1987 01:49:31,840 --> 01:49:34,120 Speaker 1: like seventy six strokes. I think that's a personal best. 1988 01:49:34,400 --> 01:49:35,720 Speaker 1: Why do you think we take this over to the 1989 01:49:35,760 --> 01:49:37,680 Speaker 1: cabana and then he just like keeled over in the 1990 01:49:37,680 --> 01:49:40,360 Speaker 1: eighteenth green. Did not know that? I think? So? Yeah, 1991 01:49:40,360 --> 01:49:42,160 Speaker 1: it would have been better if a rat was involved. 1992 01:49:42,880 --> 01:49:46,760 Speaker 1: Who's to say. I think he's the one that like 1993 01:49:47,400 --> 01:49:50,520 Speaker 1: was like really bad to his kids, like mommy yauper, 1994 01:49:50,640 --> 01:49:55,639 Speaker 1: like yeah, whom, Yeah, that was the family guy joke. Right, 1995 01:49:55,800 --> 01:49:57,559 Speaker 1: you can beat your kids with a sack of sweet 1996 01:49:57,600 --> 01:50:01,880 Speaker 1: Valencia oranges and it won't be a bruise. This is 1997 01:50:01,880 --> 01:50:05,760 Speaker 1: a lot of friends you have. You Uh, you really 1998 01:50:05,840 --> 01:50:09,160 Speaker 1: nailed that. Crosby, who had a thirteen handicap, one with 1999 01:50:09,240 --> 01:50:12,920 Speaker 1: his partner by one stroke. At about six thirty pm, 2000 01:50:13,040 --> 01:50:15,920 Speaker 1: Crosby and his party headed back to the clubhouse. Crosby said, 2001 01:50:16,000 --> 01:50:18,200 Speaker 1: that was a great game of golf. Fellas, let's go 2002 01:50:18,280 --> 01:50:23,080 Speaker 1: have a Coca cola. These These were his last words. 2003 01:50:27,280 --> 01:50:31,160 Speaker 1: He collapsed and died twenty yards from the clubhouse entrance 2004 01:50:31,720 --> 01:50:34,400 Speaker 1: from a massive heart attack. I know my mid century 2005 01:50:35,240 --> 01:50:40,240 Speaker 1: Jesus Christ sor right, let's take this home. How many pages? Oh? 2006 01:50:40,360 --> 01:50:45,840 Speaker 1: Thank god? Almost done? Yeah? The rat the rat one 2007 01:50:45,960 --> 01:50:51,120 Speaker 1: was really bad, really bad. Uh maybe this show's furthest 2008 01:50:51,160 --> 01:50:56,320 Speaker 1: reach o ka, I'm keeping it. Just leave. It's it's 2009 01:50:56,320 --> 01:50:59,280 Speaker 1: like the you know the like oops, all berries or whatever. 2010 01:50:59,320 --> 01:51:09,360 Speaker 1: It's too much information, all tents, all rats. Back to 2011 01:51:09,400 --> 01:51:14,800 Speaker 1: the Brady Bunch televisual spinoffs. First off, we have the 2012 01:51:14,840 --> 01:51:18,040 Speaker 1: animated series The Brady Kids, which ran for two seasons 2013 01:51:18,080 --> 01:51:21,120 Speaker 1: between nineteen seventy two and nineteen seventy three, and this 2014 01:51:21,160 --> 01:51:23,559 Speaker 1: was the era when every primetime show had a Saturday 2015 01:51:23,640 --> 01:51:27,799 Speaker 1: morning cartoons series. The Partridge Family had possibly my favorite 2016 01:51:28,160 --> 01:51:31,559 Speaker 1: Partridge Family two thousand, two hundred a d which is 2017 01:51:31,560 --> 01:51:34,320 Speaker 1: like a Partridge Family jets In combo. In fact, I 2018 01:51:34,360 --> 01:51:36,200 Speaker 1: think it was actually slated to be some kind of 2019 01:51:36,200 --> 01:51:39,679 Speaker 1: a Jetson's project and the midway through they just switched 2020 01:51:39,680 --> 01:51:43,240 Speaker 1: to mid stream. There was also a Happy Days animated 2021 01:51:43,280 --> 01:51:46,519 Speaker 1: series called The Fawns and the Happy Days Gang. Yeah, 2022 01:51:46,560 --> 01:51:49,160 Speaker 1: all in all weird time for Saturday morning TV shows. 2023 01:51:49,560 --> 01:51:51,600 Speaker 1: But also in the mid seventies, not only was it 2024 01:51:51,640 --> 01:51:55,280 Speaker 1: a golden era for weird Saturday morning kids animated series, 2025 01:51:55,280 --> 01:51:58,920 Speaker 1: but it was also a golden era for variety TV programming. 2026 01:51:59,280 --> 01:52:03,080 Speaker 1: Which leads to nineteen seventy six is The Brady Bunch Hour, 2027 01:52:03,560 --> 01:52:07,040 Speaker 1: which is widely viewed as one of the worst programs 2028 01:52:07,040 --> 01:52:09,960 Speaker 1: in the history of the medium. The show is the 2029 01:52:09,960 --> 01:52:13,840 Speaker 1: branchild of Michael Eisner, a future Disney chief. Michael Eisner 2030 01:52:14,200 --> 01:52:17,280 Speaker 1: and Kick the idea to sit at Marty Croft, who 2031 01:52:17,320 --> 01:52:21,559 Speaker 1: were the Puppetier brothers who created these insane acidity children's 2032 01:52:21,600 --> 01:52:23,840 Speaker 1: programs like Land of the Lost and H and R 2033 01:52:23,920 --> 01:52:26,400 Speaker 1: Puff and Stuff, and the show The Brady Bunch Hour 2034 01:52:26,479 --> 01:52:28,280 Speaker 1: was meant to follow in the foot sets of shows 2035 01:52:28,280 --> 01:52:30,920 Speaker 1: like Sonny and Cher's Comedy Hour or Donnie and Marie, 2036 01:52:31,040 --> 01:52:34,320 Speaker 1: which was just a combination of skits, disco music numbers 2037 01:52:34,320 --> 01:52:37,280 Speaker 1: featuring the Bradys and guest stars like Vincent Price and 2038 01:52:37,360 --> 01:52:42,240 Speaker 1: Rip Taylor did not work out. There's even a book 2039 01:52:42,280 --> 01:52:45,280 Speaker 1: about the creation this misbegotten show called Love to Love 2040 01:52:45,360 --> 01:52:49,000 Speaker 1: You Bradies, which presumably takes his title from a Donna 2041 01:52:49,000 --> 01:52:51,800 Speaker 1: Summers song that they butchered. The bizarre story of the 2042 01:52:51,920 --> 01:52:55,320 Speaker 1: Brady Bunch Variety Hour, And so yeah, just the less 2043 01:52:55,360 --> 01:52:57,920 Speaker 1: said about it, the better. But I will say Robert 2044 01:52:57,960 --> 01:53:01,360 Speaker 1: Reid aka Mike Brady, the man who hated the entire 2045 01:53:01,400 --> 01:53:04,519 Speaker 1: Brady experience up to this point, had a wonderful time 2046 01:53:04,560 --> 01:53:07,400 Speaker 1: doing this show. He fancied himself a song and dance man, 2047 01:53:07,800 --> 01:53:10,760 Speaker 1: and if you watch clips from it, he's not very 2048 01:53:10,800 --> 01:53:14,559 Speaker 1: good at either, but he commits so much and there's 2049 01:53:14,600 --> 01:53:17,960 Speaker 1: just so much raw joy coming from this man. It's 2050 01:53:18,040 --> 01:53:22,160 Speaker 1: really really great. I love it so much. Ah. Then 2051 01:53:23,200 --> 01:53:26,439 Speaker 1: after this missbegotten Brady Bunch variety show in nineteen eighty one, 2052 01:53:26,720 --> 01:53:28,840 Speaker 1: there was a made for TV movie The Brady Girls 2053 01:53:28,880 --> 01:53:32,200 Speaker 1: Get Married, in which Marcia and jan have a joint wedding, 2054 01:53:32,320 --> 01:53:35,120 Speaker 1: which was notable as the final time that all nine 2055 01:53:35,160 --> 01:53:37,600 Speaker 1: members of the original Brady Bunch cast were on a 2056 01:53:38,000 --> 01:53:40,720 Speaker 1: We're in an on screen project together, and this was 2057 01:53:40,760 --> 01:53:44,280 Speaker 1: a backdoor pilot for a short lived Brady Bride sitcom 2058 01:53:44,320 --> 01:53:48,160 Speaker 1: that lasted just seven episodes. The two couples couldn't afford 2059 01:53:48,200 --> 01:53:50,760 Speaker 1: a house, which is very prescient, I must say, in 2060 01:53:50,800 --> 01:53:53,719 Speaker 1: twenty twenty three, and they decided to move in together. 2061 01:53:54,520 --> 01:53:57,439 Speaker 1: Marcia and her husband are more laid back and Jane 2062 01:53:57,479 --> 01:54:00,400 Speaker 1: and her husband are more uptight. I think that the 2063 01:54:00,439 --> 01:54:03,080 Speaker 1: odd couple meets the Brady Bunch, which is a better 2064 01:54:03,120 --> 01:54:06,960 Speaker 1: elevator pitch than it probably had. Sadly it did not 2065 01:54:07,080 --> 01:54:09,240 Speaker 1: work out. And then there was a nineteen eighty eight 2066 01:54:09,360 --> 01:54:12,880 Speaker 1: made for TV movie called A Very Brady Christmas minus 2067 01:54:12,920 --> 01:54:15,559 Speaker 1: Susan Olsen who's on her honeymoon, and that's where we 2068 01:54:15,600 --> 01:54:19,800 Speaker 1: start moving into the Brady drama d phase. I think 2069 01:54:19,800 --> 01:54:22,240 Speaker 1: this tape of TV movie was inspired by the show 2070 01:54:22,320 --> 01:54:26,800 Speaker 1: thirty something which grappled with baby boomers growing up in 2071 01:54:26,840 --> 01:54:29,880 Speaker 1: the eighties, and they were trying to go a similar 2072 01:54:29,960 --> 01:54:33,600 Speaker 1: route With the Brady bunch. Jan is separating from her husband, 2073 01:54:34,440 --> 01:54:37,040 Speaker 1: Bobby is dropping out of his graduate program to become 2074 01:54:37,040 --> 01:54:40,240 Speaker 1: a race car driver, and that ultimately leads to his 2075 01:54:40,360 --> 01:54:44,600 Speaker 1: car accident where he is paralyzed. Alice's relationship with Sam 2076 01:54:44,680 --> 01:54:47,320 Speaker 1: the Butcher is on the skids after he leaves her 2077 01:54:47,320 --> 01:54:51,440 Speaker 1: for another woman. All in all, just very sad Brady family. 2078 01:54:51,880 --> 01:54:54,560 Speaker 1: I like to quote the climax of a very Brady 2079 01:54:54,640 --> 01:54:57,360 Speaker 1: Christmas directly from the Wikipedia page because I can't say 2080 01:54:57,360 --> 01:55:00,760 Speaker 1: it any better myself. The family's Christmas dinner is disrupted 2081 01:55:00,760 --> 01:55:03,520 Speaker 1: when Mike Brady learns that a ruthless businessman that he 2082 01:55:03,600 --> 01:55:07,240 Speaker 1: designed a building for remember he's an architect, has cut corners, 2083 01:55:07,560 --> 01:55:12,200 Speaker 1: resulting in the building collapsing and trapping to security guards inside. 2084 01:55:12,800 --> 01:55:16,800 Speaker 1: Mike manages to free the trapped employees, but an aftershock 2085 01:55:16,960 --> 01:55:20,960 Speaker 1: results in Mike getting trapped in the rubble himself. In 2086 01:55:21,040 --> 01:55:24,160 Speaker 1: the end, Mike gets out of the debris after Carol 2087 01:55:24,240 --> 01:55:29,120 Speaker 1: and the entire family sings, ohcome all ye faithful to 2088 01:55:29,360 --> 01:55:32,480 Speaker 1: save him, to summon him I don't know. I mean, 2089 01:55:32,520 --> 01:55:34,840 Speaker 1: this is like the nuclear option of jumping the shark, 2090 01:55:35,680 --> 01:55:40,040 Speaker 1: collapsing building, summoning the body from the rubble with a 2091 01:55:40,120 --> 01:55:45,080 Speaker 1: Christmas song. It's everything, It's just everything. But yeah, this 2092 01:55:45,120 --> 01:55:48,080 Speaker 1: was the backdoor pilot for the Brady series that aired 2093 01:55:48,120 --> 01:55:51,880 Speaker 1: in nineteen ninety which we talked about earlier. Bobby becomes paralyzed, 2094 01:55:52,120 --> 01:55:54,879 Speaker 1: Marsha Brady played by another actress who wasn't Marie McCormick, 2095 01:55:54,920 --> 01:55:59,560 Speaker 1: struggles with alcoholism, giant bumber, realizing that America I didn't 2096 01:55:59,600 --> 01:56:02,000 Speaker 1: care to see the serious side of the Bradys. We 2097 01:56:02,080 --> 01:56:05,000 Speaker 1: got the satirical movie reboot in nineteen ninety five, with 2098 01:56:05,080 --> 01:56:08,560 Speaker 1: the sequel year later, the lesser known Brady Bunch in 2099 01:56:08,600 --> 01:56:11,160 Speaker 1: the White House made for TV movie that aired in 2100 01:56:11,200 --> 01:56:14,320 Speaker 1: two thousand and two, which I'd never heard of. I 2101 01:56:14,320 --> 01:56:16,480 Speaker 1: can't imagine that it did well post nine to eleven. 2102 01:56:16,480 --> 01:56:18,200 Speaker 1: It probably went the way of That's My Bush and 2103 01:56:18,360 --> 01:56:20,800 Speaker 1: just kind of got like buried because no one really 2104 01:56:20,800 --> 01:56:24,720 Speaker 1: wanted political humor in that era. And my favorite part 2105 01:56:24,760 --> 01:56:27,320 Speaker 1: about all these Brady movies was that the producers went 2106 01:56:27,400 --> 01:56:30,040 Speaker 1: to Florence Henderson to make a cameo and they offered 2107 01:56:30,080 --> 01:56:33,440 Speaker 1: her five grands, which was like the SNL skit of 2108 01:56:33,480 --> 01:56:36,400 Speaker 1: Lord Michael's offering the Beatles three thousand dollars to reunite 2109 01:56:36,400 --> 01:56:40,680 Speaker 1: on his show. She reportedly laughed in their faces, but 2110 01:56:40,800 --> 01:56:46,200 Speaker 1: then fans were clamoring free original og. Missus Brady cameo 2111 01:56:46,280 --> 01:56:48,720 Speaker 1: in these movies, so I guess the producers ponied up 2112 01:56:48,800 --> 01:56:51,960 Speaker 1: enough money and she made the cameo. In the early 2113 01:56:52,000 --> 01:56:54,560 Speaker 1: twenty tens, Vince Vaughan, of all people, was working with 2114 01:56:54,560 --> 01:56:57,839 Speaker 1: Sherwood Schwartz to reboot the Brady Bunch series, but Schwartz 2115 01:56:57,880 --> 01:57:00,840 Speaker 1: died in twenty eleven and this idea never came to 2116 01:57:00,880 --> 01:57:04,959 Speaker 1: fruition him and to date, the last true Brady reunion 2117 01:57:05,080 --> 01:57:08,720 Speaker 1: was twenty nineteens a Very Brady Renovation on HGTV, which 2118 01:57:08,720 --> 01:57:11,560 Speaker 1: we touched on earlier. The project began when the home 2119 01:57:11,680 --> 01:57:13,800 Speaker 1: used for the exteriors of the Brady House was put 2120 01:57:13,880 --> 01:57:16,360 Speaker 1: on the market in August twenty eighteen for the first 2121 01:57:16,360 --> 01:57:20,960 Speaker 1: time since nineteen seventy three. The asking price one point 2122 01:57:20,960 --> 01:57:25,120 Speaker 1: eight eight million, which given its history and the Airbnb potential, 2123 01:57:25,440 --> 01:57:28,520 Speaker 1: kind of seems like a bargain. A bidding war ensued 2124 01:57:28,600 --> 01:57:32,080 Speaker 1: with Lance Bass of in Sync among the interested buyers. 2125 01:57:32,240 --> 01:57:34,040 Speaker 1: We really should have asked them to do a guest 2126 01:57:34,040 --> 01:57:37,200 Speaker 1: segment on this show. I'm really pissed, damn it, because 2127 01:57:37,240 --> 01:57:40,080 Speaker 1: he's doing that. He's doing a couple of iHeart shows actually. 2128 01:57:40,400 --> 01:57:43,080 Speaker 1: But Lance said that he was quote heartbroken after he 2129 01:57:43,120 --> 01:57:46,520 Speaker 1: was outbid by HGTV, who picked up the property for 2130 01:57:46,600 --> 01:57:50,800 Speaker 1: almost twice the asking price three point five million. Can't 2131 01:57:50,840 --> 01:57:53,840 Speaker 1: be a corporation, my dude. I mean, he's had enough 2132 01:57:53,840 --> 01:57:55,560 Speaker 1: of his dreams come true. He went up to space 2133 01:57:55,600 --> 01:57:58,400 Speaker 1: and the Russians, didn't he go into the Russian space 2134 01:57:58,400 --> 01:58:01,960 Speaker 1: station or something? Yeah, I mean in outal So. Yeah, 2135 01:58:02,000 --> 01:58:05,360 Speaker 1: the Brady's, in conjunction with the HGTV people, did a 2136 01:58:05,360 --> 01:58:08,000 Speaker 1: gut renovation of this house to transform it into an 2137 01:58:08,040 --> 01:58:11,760 Speaker 1: almost identical replica of the interiors filmed on the Paramount 2138 01:58:11,800 --> 01:58:14,480 Speaker 1: sound stage in the late sixties and early seventies, complete 2139 01:58:14,520 --> 01:58:18,080 Speaker 1: with vintage furniture, wood paneling, rotary phones, the whole bit 2140 01:58:18,720 --> 01:58:21,800 Speaker 1: and the show, which sort of featured active help from 2141 01:58:21,800 --> 01:58:23,640 Speaker 1: the Brady kids. They probably just gave him like a 2142 01:58:23,680 --> 01:58:27,560 Speaker 1: hammer to swing or something. Premiered on September ninth, twenty nineteen, 2143 01:58:27,600 --> 01:58:31,120 Speaker 1: which was almost exactly fifty years after The Brady Bunch premiered, 2144 01:58:32,000 --> 01:58:34,080 Speaker 1: and I'd like to quote from a piece by Lindsay 2145 01:58:34,160 --> 01:58:37,840 Speaker 1: Parker that she wrote for Yahoo Entertainment. From the leaky 2146 01:58:37,920 --> 01:58:40,440 Speaker 1: clay pot that was once shattered by the Brady boys 2147 01:58:40,600 --> 01:58:44,280 Speaker 1: arrant basketball to the kitty carryall doll reclining on Cydey's bed, 2148 01:58:44,800 --> 01:58:47,760 Speaker 1: From the beaded hippie curtains and Greg's attic bachelor pad, 2149 01:58:48,040 --> 01:58:50,600 Speaker 1: to the vintage all of green appliances in the kitchen 2150 01:58:50,600 --> 01:58:52,880 Speaker 1: where Alice used to make her pork chops and apple 2151 01:58:52,920 --> 01:58:56,160 Speaker 1: sauce and pineapple upside down cake. From the long missing 2152 01:58:56,160 --> 01:58:59,920 Speaker 1: family pet tigers, Paisley curtains, wooden doghouse to the icon 2153 01:59:00,240 --> 01:59:06,080 Speaker 1: shag carpeted staircase. HGTV has spared absolutely no detail, spared 2154 01:59:06,160 --> 01:59:09,400 Speaker 1: no expense. Stepping through those blue doors and into the 2155 01:59:09,440 --> 01:59:13,000 Speaker 1: cobblestone walled entryway is like stepping into a groovy portal 2156 01:59:13,040 --> 01:59:16,480 Speaker 1: to nineteen sixty nine. However, there is one addition to 2157 01:59:16,520 --> 01:59:19,800 Speaker 1: the Brady Home that isn't true to the original. There's, finally, 2158 01:59:19,800 --> 01:59:23,560 Speaker 1: at long last, an actual running toilet in the Brady 2159 01:59:23,640 --> 01:59:27,760 Speaker 1: kids shared Jack and Jill bathroom. And you know what, folks, 2160 01:59:28,520 --> 01:59:31,520 Speaker 1: if that's not a fitting ending to this episode. I 2161 01:59:31,560 --> 01:59:34,400 Speaker 1: don't know what is That show set an HGTV record 2162 01:59:35,080 --> 01:59:40,040 Speaker 1: over twenty eight million total viewers. Oh, I'm sure what. 2163 01:59:40,360 --> 01:59:43,800 Speaker 1: People love the Brady Bunch. And you know what, getting 2164 01:59:43,800 --> 01:59:48,880 Speaker 1: a toilet in that house fifty year plot hole in 2165 01:59:48,960 --> 01:59:53,880 Speaker 1: a way that sums up the Brady Bunch. It's a kindler, gentler, 2166 01:59:54,280 --> 01:59:58,320 Speaker 1: warmer version of the past, one that never really existed. 2167 01:59:59,440 --> 02:00:02,880 Speaker 1: Nothing about the Brady Bunch represented a child's experience in 2168 02:00:02,920 --> 02:00:06,280 Speaker 1: the early seventies or ever. But it's the past the 2169 02:00:06,360 --> 02:00:10,320 Speaker 1: way we want to remember it, through rose colored glasses 2170 02:00:11,320 --> 02:00:14,440 Speaker 1: and with a toilet, And you know that's part of 2171 02:00:14,480 --> 02:00:17,200 Speaker 1: the Brady Bunch is enduring power. Watching The Brady Bunch 2172 02:00:17,240 --> 02:00:18,960 Speaker 1: as an adult, it reminds me of this line from 2173 02:00:19,040 --> 02:00:22,600 Speaker 1: Nick Hornby's book High Fidelity, in which his music snob 2174 02:00:22,680 --> 02:00:26,040 Speaker 1: main character wax as poetic about listening to something as 2175 02:00:26,240 --> 02:00:30,640 Speaker 1: horrifically mainstream as the Beatles. The Beatles, he says, belonged 2176 02:00:30,680 --> 02:00:33,360 Speaker 1: to him, having made its mark on him back when 2177 02:00:33,400 --> 02:00:35,960 Speaker 1: his life was small and contained enough for that to 2178 02:00:36,000 --> 02:00:40,320 Speaker 1: be possible. He says, the Beatles make me feel something. 2179 02:00:40,880 --> 02:00:44,760 Speaker 1: They won't make me feel anything bad. And I think 2180 02:00:44,760 --> 02:00:47,000 Speaker 1: that's what the Brady Bunch is for so many people, 2181 02:00:47,000 --> 02:00:49,360 Speaker 1: and I think that there's tremendous value in that. So 2182 02:00:49,480 --> 02:00:53,480 Speaker 1: for all the bad hair, implausible plot lines, and characters 2183 02:00:53,520 --> 02:00:57,240 Speaker 1: behaving in ways that bear absolutely no resemblance to reality whatsoever, 2184 02:00:58,240 --> 02:01:01,960 Speaker 1: I say God bless the Brady Bunch. Did I hit 2185 02:01:02,000 --> 02:01:04,000 Speaker 1: you with the heart? Did? That's a great kicker. I 2186 02:01:04,080 --> 02:01:07,480 Speaker 1: got nothing to add to that. Oh, well done? Yeah, man, folks, 2187 02:01:07,520 --> 02:01:10,520 Speaker 1: thank you for listening. This has been too much information. Oops, 2188 02:01:10,520 --> 02:01:16,240 Speaker 1: all digressions. I'm Alex Hegel and I'm Jordan Runtog. We'll 2189 02:01:16,280 --> 02:01:23,839 Speaker 1: catch you next time. Too Much Information was a production 2190 02:01:23,880 --> 02:01:27,360 Speaker 1: of iHeartRadio. The show's executive producers are Noel Brown and 2191 02:01:27,480 --> 02:01:31,280 Speaker 1: Jordan Runtalk. The show's supervising producer is Michael Alder June. 2192 02:01:31,520 --> 02:01:34,640 Speaker 1: The show was researched, written, and hosted by Jordan Runtog 2193 02:01:34,720 --> 02:01:37,760 Speaker 1: and Alex Heigel, with original music by Seth Applebaum. I'm 2194 02:01:37,760 --> 02:01:40,160 Speaker 1: a Ghost Funk Orchestra. If you like what you heard, 2195 02:01:40,240 --> 02:01:42,919 Speaker 1: please subscribe and leave us a review. For more podcasts 2196 02:01:42,960 --> 02:01:46,960 Speaker 1: on iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or wherever 2197 02:01:47,000 --> 02:02:00,800 Speaker 1: you listen to your favorite shows. Two,