WEBVTT - Sam Hook

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<v Speaker 1>R and B Money. We are.

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<v Speaker 2>Thank take about the child. We are the authorities on

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<v Speaker 2>ladies and gentlemen.

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<v Speaker 3>My name is Tank Valentine and this is the R

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<v Speaker 3>and B Money Podcast, the authority.

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<v Speaker 2>On all things R and B. No, no, look, you

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<v Speaker 2>have started.

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<v Speaker 1>We got song right.

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<v Speaker 3>That it's the highest level. I'm not gonna do along

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<v Speaker 3>that you today. I want to get bright to the ship.

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<v Speaker 3>Give it up for Sam Hook n the building.

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<v Speaker 1>You got a songwriter name, a songwriter name?

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<v Speaker 2>Did you name yourself? Sam Hook?

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<v Speaker 1>And we're starting off.

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<v Speaker 2>I'm starting there.

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<v Speaker 1>Yeah, let's get to it. So I was doing I

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<v Speaker 1>was in a singing group. We was like fifteen, sixteen

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<v Speaker 1>years old. He was in New York in South was

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<v Speaker 1>on park doing rap rap hooks for these like gangster niggas.

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<v Speaker 1>A nigganame facing a nigga named grim Face and Grim

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<v Speaker 1>so Grim was scarier to me.

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<v Speaker 2>It sounds like young.

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<v Speaker 1>I went in the booth because I'm sure that's Grim

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<v Speaker 1>Grim Reap. Yeah, I'm sure, sure. Yeah. I went in

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<v Speaker 1>the booth, came out and some was like, y'all Sam

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<v Speaker 1>cooked this nigga, Sam Hook. I looked at him. I

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<v Speaker 1>was like, I'm keeping that name and I'm blocking him

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<v Speaker 1>on everything, like thank God, like he gave himself, like

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<v Speaker 1>he's a he turned his life around. Today he's the

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<v Speaker 1>big homie still. But I always thought I would have

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<v Speaker 1>owed him some type of paper.

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<v Speaker 3>So him on some like on some comedy on some

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<v Speaker 3>comedy type. Ship was like, man, I knows he ain't

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<v Speaker 3>no Sam Cook, niggas Sam Hook.

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<v Speaker 2>Yeah, facts, he was like I heard it.

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<v Speaker 1>I was like, this is every name he gave you,

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<v Speaker 1>a cold name. Shout out to Grim.

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<v Speaker 2>Do you ever give out that?

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<v Speaker 1>Just just for check some not my credits read Samuel

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<v Speaker 1>sam Hook, Jehane.

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<v Speaker 2>Because it got expensive again.

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<v Speaker 1>I read that more than anything.

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<v Speaker 3>I was about to say, I leave with that. Hey ladies, Hey,

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<v Speaker 3>it's always that, Hey ladies, Samuel Jean, bitch, Samuel John.

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<v Speaker 3>Can I help you with anything that we got?

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<v Speaker 1>Like the fourth member of the fojis.

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<v Speaker 3>Here, Sam, Let's go back to New York man, let's

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<v Speaker 3>go back there.

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<v Speaker 2>We're going.

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<v Speaker 3>Let's go back to the beginning, before before the gangsters

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<v Speaker 3>held you hostage, before Grim held you hostage for hooks.

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<v Speaker 2>How did you.

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<v Speaker 3>Even get to a point where that was something that

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<v Speaker 3>you knew you could do or where you started My

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<v Speaker 3>older brother.

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<v Speaker 1>He wanted to sing, and to me still to this day,

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<v Speaker 1>it's my idol.

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<v Speaker 2>Yeah, so.

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<v Speaker 1>Legit. I see him in the mirror singing, practicing, how

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<v Speaker 1>he looks singing in church, and I wanted I wanted

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<v Speaker 1>he singing in high school. He's doing everything and he's

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<v Speaker 1>getting the girls for it. And to me, his snigger

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<v Speaker 1>was Michael Jordan. It's like he couldn't do no wrong.

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<v Speaker 1>So I wanted to be like him. I would go

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<v Speaker 1>to school and like sing to girls or you know,

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<v Speaker 1>stuff like that. And it started unfolding to where it

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<v Speaker 1>was like, I want to do this for myself.

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<v Speaker 2>But when did you know you had a voice? Did he?

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<v Speaker 2>Did he tell you.

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<v Speaker 1>I practiced on girls. I could sing to a girl,

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<v Speaker 1>and that was.

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<v Speaker 3>That if she if she gave you a certain reaction,

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<v Speaker 3>that mirror the reaction that your brother was getting, then

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<v Speaker 3>you knew you had a little bit.

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<v Speaker 1>It was quiet. Yeah, So it started young, started writing

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<v Speaker 1>poetry and if I needed a song and sing right

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<v Speaker 1>one and then you'd write one. Yeah, I didn't even

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<v Speaker 1>look at it like a songwright. Now I needed a

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<v Speaker 1>song to sing?

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<v Speaker 2>And what what grade is this that you're just writing?

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<v Speaker 1>Fifth grade?

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<v Speaker 2>So you needed a.

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<v Speaker 1>Song that I was with a crew, So we all

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<v Speaker 1>practiced together in fifth grade, Yeah, fifth, sixth seventh, y'all

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<v Speaker 1>was moving with an intention way too early. Yeah, no,

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<v Speaker 1>it's not way too early.

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<v Speaker 2>But you got to grade.

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<v Speaker 1>You have to find your advantages. Fifth grade, you have

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<v Speaker 1>to find your advantage.

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<v Speaker 2>I was fast, that was my advent. That was sure, girl,

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<v Speaker 2>how fast you want to race?

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<v Speaker 1>I don't know how that works for you. I think

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<v Speaker 1>you had to get in your talent show first to

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<v Speaker 1>really get to it. In fact, it's hard not to

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<v Speaker 1>ask y'all when y'all started. But this is my interview, right.

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<v Speaker 3>Yeah, this is well, I've always been doing this in

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<v Speaker 3>some form of fashion. I was in church achoired as

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<v Speaker 3>a baby, so that's that's what mine started.

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<v Speaker 1>So yeah, we are you know for me church as well?

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<v Speaker 3>Yeah yeah, But I think my question is, like in

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<v Speaker 3>fifth grade, right when you're saying, hey, we have a crew,

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<v Speaker 3>let's write these songs and all of these things, what

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<v Speaker 3>are the things or who are the people that you're

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<v Speaker 3>looking at to make you even desire to do that,

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<v Speaker 3>The things that are inspiring you to go in that direction.

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<v Speaker 1>It's whatever my brother liked, I liked if he loved

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<v Speaker 1>Brian McKnight, I love Roan McKnight. If he loved boy Man,

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<v Speaker 1>I love boys Man. That was a great artist too.

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<v Speaker 1>I don't think I ever found the passion for music

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<v Speaker 1>because it wasn't right, and that was my passion. It

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<v Speaker 1>was wanting to be like my brother. So I don't

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<v Speaker 1>think I ever found the passion for it until like later.

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<v Speaker 1>It was my way in. It was my language that

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<v Speaker 1>I could speak other than doing dumb shit that that

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<v Speaker 1>people respected.

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<v Speaker 2>What about high school do you do? You do you

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<v Speaker 2>find something.

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<v Speaker 3>That that that gives you a little bit more confidence

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<v Speaker 3>in terms of standing outside of your brother and believing

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<v Speaker 3>it's more you than high school.

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<v Speaker 1>I was a knucklehead, so it wasn't music. We would

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<v Speaker 1>practice it. So I was born in Brooklyn, raised in

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<v Speaker 1>Long Island. So my team we had it was four

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<v Speaker 1>of us. Team was called Gemini three Geminis, but we

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<v Speaker 1>lied into it. All four of us was and those

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<v Speaker 1>are my brothers still to this day. After school we

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<v Speaker 1>would go practice, go right. But then it was like

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<v Speaker 1>a whole other side of me just doing dumb shit.

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<v Speaker 1>So high school was mostly doing the dumb shit, practicing

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<v Speaker 1>in my group and then going out to Brooklyn and

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<v Speaker 1>doing like talent shows and shit like that.

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<v Speaker 2>Did you win any those sound shows?

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<v Speaker 1>Yeah, yep, we was like one twelve.

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<v Speaker 2>Is that money involved?

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<v Speaker 1>Short shit? Like yeah, three five hundred dollars type thing?

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<v Speaker 2>And what are your what are your parents thinking at

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<v Speaker 2>this time?

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<v Speaker 3>Are they are they seeing you and being like, oh,

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<v Speaker 3>this is special or are they just like, Okay, this

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<v Speaker 3>is just kind of his brother did it, He's gonna

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<v Speaker 3>do it. And I'm just asking because did your brother

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<v Speaker 3>ever do anything professionally?

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<v Speaker 1>He definitely started to okay okay, and then had a

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<v Speaker 1>baby and you know, turned into a farther money into business.

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<v Speaker 1>But my parents support wise, they didn't think it was

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<v Speaker 1>real until I moved out. So I moved out sixteen

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<v Speaker 1>years old and it was like I remember, oh, so

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<v Speaker 1>shout out to my nigga los So, a person I

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<v Speaker 1>grew up in church with in Brooklyn changed my life.

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<v Speaker 1>So he was one of the first people to believe

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<v Speaker 1>in me with his own pocket. That's your first investor,

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<v Speaker 1>first investor, first like promoter, first manager. That's my brother.

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<v Speaker 2>Yeah.

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<v Speaker 1>I owe him like crazy. So he lived in Jersey,

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<v Speaker 1>but we'd always travel to Brooklyn. We in Brooklyn all

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<v Speaker 1>the time for church, and so he started bringing me

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<v Speaker 1>out to Jersey. That's where I would meet like people

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<v Speaker 1>related to why cleft and I'm fifteen years old, sixteen

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<v Speaker 1>years old meeting everybody he knows in Jersey. He had

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<v Speaker 1>attended high school with jay Z's nephew colleague, who ended

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<v Speaker 1>up passing away, and colleague was starting a group called

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<v Speaker 1>G and B Getting Money Boys. Right, College's best Friends

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<v Speaker 1>was back in Brooklyn and the star Korean study Los

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<v Speaker 1>introduced me to Korean Star in study. So now I'm

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<v Speaker 1>in New York and I got a team in New

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<v Speaker 1>York and I don't got to travel out to Jersey

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<v Speaker 1>so much. I'm part of GMB sixteen years old. The

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<v Speaker 1>group was over by the end, and they have me

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<v Speaker 1>going to tom Square singing for girls, you know, sing

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<v Speaker 1>on the train like they would put me through practice

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<v Speaker 1>to be a singing artist development. And so I'd always

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<v Speaker 1>be in Brooklyn mccooran study, always being Brooklyn mccorean study

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<v Speaker 1>and college. Before he passed away, he got his girlfriend,

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<v Speaker 1>I'm not gonna say a name. He's got his girlfriend pregnant, right,

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<v Speaker 1>so while she was pregnant, Korean study who was like

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<v Speaker 1>god going to be the godfather. They'd always be with her,

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<v Speaker 1>taking care of her. So I show up and we

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<v Speaker 1>all became crew and it was like GMB. One day

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<v Speaker 1>we at Danielle's crab and a lady walks in and

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<v Speaker 1>I think I was sitting too close to Danieller. So

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<v Speaker 1>Danielle was full blown pregnant, so she ain't know what

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<v Speaker 1>Tommy was. She never seen me before, so she's like, yo,

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<v Speaker 1>who's this. I'm like, I'm saying, who are you right?

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<v Speaker 1>And she was like, I'm Annie on Annie to you,

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<v Speaker 1>So I didn't know what was going on. Who that was.

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<v Speaker 1>She had bags in the hand, she walked to the

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<v Speaker 1>back of the house. Cory Study is like, yo, bro,

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<v Speaker 1>that's that's that's whole sister. So that day we all

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<v Speaker 1>end up eating hot dogs I'm way too young, drinking

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<v Speaker 1>Heinnekens with chilling making jokes. I'll sing for Annie, and

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<v Speaker 1>we all like chilling right, Corey and Studied made me

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<v Speaker 1>sing for anybody that walked in. It could be somebody, grandmother,

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<v Speaker 1>they could be you know whoever. If they knew that person,

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<v Speaker 1>then I had the talent. They showed it. So at

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<v Speaker 1>the end of the night, Annie was like, yo, Dan yell,

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<v Speaker 1>I love him, invite him to the baby shop, and

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<v Speaker 1>so that baby shower. A few months later, I went

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<v Speaker 1>to the baby shower my parents. I got my parents

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<v Speaker 1>and get me like a family bible, you know, in

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<v Speaker 1>scripted with her name on it as a gift. I

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<v Speaker 1>went to the baby shower, and that's when I meet

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<v Speaker 1>everybody that initially keeps like like changing my life. So

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<v Speaker 1>it's all the It's Jay's nephews, mel Ro, It's uh

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<v Speaker 1>Tata's son, Spanky nephews, Ravel, like the whole squad like

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<v Speaker 1>and then they had my niggas JD. I wrote to me, Uh,

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<v Speaker 1>everybody was in the basement and so uh Korean study

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<v Speaker 1>like they always do. They was like Yo Sam sing

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<v Speaker 1>and I had three songs on no beats, right. I

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<v Speaker 1>had a song about weed, a song about shoes, and

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<v Speaker 1>a song for girls. Right this shit you like, Yeah,

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<v Speaker 1>the song about shoes. The main lyrics like I like them,

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<v Speaker 1>like I like my shoes clean, but never tats. And

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<v Speaker 1>so when I was seeing that ship, they.

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<v Speaker 2>Went crazy, Yeah I.

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<v Speaker 1>Like them like I like my shoes clean, but never

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<v Speaker 1>tied to loose. Right, So it was it was and

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<v Speaker 1>then the weeds so and they went crazy over I

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<v Speaker 1>started selling we like twelve years old, so everything that

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<v Speaker 1>I was singing about was really yeah. So they all

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<v Speaker 1>took a liking to me. We all chilling, we all

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<v Speaker 1>laugh and we in the basement. All the grown ups

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<v Speaker 1>is upstairs. It's like, yo, you want to be down

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<v Speaker 1>with NBH. I look at Core and study like we

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<v Speaker 1>GMB the niggas like Nigga say yes, And so I

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<v Speaker 1>said yes. And that was the last time I went

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<v Speaker 1>home to live with my parents. So it was eleventh

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<v Speaker 1>grade and I stayed in Jersey. I was already always

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<v Speaker 1>going out to Jersey the lowest crib and sleeping over

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<v Speaker 1>his mom, calling my mom like Yo, what's Sami doing

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<v Speaker 1>over here? Or just so you know Sammy's okay, you say,

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<v Speaker 1>if he's over here. But that time was that's the

0:11:45.360 --> 0:11:50.760
<v Speaker 1>last of it. And so I was sneak into mel

0:11:50.880 --> 0:11:53.040
<v Speaker 1>and Ral. They would sneak me into their crib and

0:11:53.120 --> 0:11:56.040
<v Speaker 1>have me inside the crib because I had nowhere to go,

0:11:56.520 --> 0:11:58.680
<v Speaker 1>Nigga out here homeless with like anouncer and a half

0:11:58.800 --> 0:12:01.760
<v Speaker 1>selling dubs. You see I'm saying, so I would just

0:12:01.800 --> 0:12:04.839
<v Speaker 1>make sense every time anybody see me, I'm helping I'm working,

0:12:04.880 --> 0:12:07.480
<v Speaker 1>I'm helping. I'm working. Los is helping me out. And

0:12:07.760 --> 0:12:09.360
<v Speaker 1>if I need to close, Los got me. If I

0:12:09.360 --> 0:12:11.840
<v Speaker 1>need the money, Lows got me. Loos would go to

0:12:11.880 --> 0:12:16.320
<v Speaker 1>work to support my dream. Yeah, that's my brother. And

0:12:16.400 --> 0:12:20.240
<v Speaker 1>so it took like two three months for on Mickey

0:12:20.280 --> 0:12:25.920
<v Speaker 1>now Uh Meli's mother uh to come downstairs. And I

0:12:25.960 --> 0:12:28.360
<v Speaker 1>wasn't making no sense. Now I'm lagging mad comfortable.

0:12:29.360 --> 0:12:30.120
<v Speaker 2>Now you up.

0:12:30.240 --> 0:12:34.280
<v Speaker 1>She looked look at in my face. She's like, Sam,

0:12:34.320 --> 0:12:36.199
<v Speaker 1>where do you live? I looked at her in her

0:12:36.200 --> 0:12:41.960
<v Speaker 1>crib and said here, So everybody starts dying laughing, and

0:12:42.080 --> 0:12:43.640
<v Speaker 1>she was like, nigga, how old are you? And I

0:12:43.640 --> 0:12:46.080
<v Speaker 1>told her my age. I'm like, I'm might be seventeen block.

0:12:46.440 --> 0:12:48.400
<v Speaker 1>It was like, you understand what we can get in

0:12:48.400 --> 0:12:51.199
<v Speaker 1>trouble black And then they found me, you're not going

0:12:51.200 --> 0:12:53.880
<v Speaker 1>to school at this point either. Now I'm waking going.

0:12:54.040 --> 0:12:56.319
<v Speaker 1>I'm waking up four and five am, taking the New

0:12:56.400 --> 0:13:00.760
<v Speaker 1>Jersey Transit to the Path Train to the UH or

0:13:00.800 --> 0:13:03.839
<v Speaker 1>the Path Train to UH Penn station in Manhattan, or

0:13:04.200 --> 0:13:06.880
<v Speaker 1>Jay Train all the way to Jamaica Q four or

0:13:06.920 --> 0:13:09.760
<v Speaker 1>the Dollar in to my neighborhood and going to school

0:13:10.320 --> 0:13:12.800
<v Speaker 1>and night school because I was left back in everything.

0:13:13.120 --> 0:13:16.720
<v Speaker 2>You're a hustle right now at sixteen.

0:13:17.120 --> 0:13:21.400
<v Speaker 1>Yeah, it's crazy. They found me a room to rent

0:13:21.840 --> 0:13:25.160
<v Speaker 1>at that age, and my man Boge, it was our barber,

0:13:26.520 --> 0:13:29.000
<v Speaker 1>his mother rented me a room for five point fifty

0:13:29.200 --> 0:13:31.800
<v Speaker 1>So sixteen years old, twenty years ago. This is when

0:13:31.840 --> 0:13:36.640
<v Speaker 1>my bills started. And uh saying he at the street

0:13:36.679 --> 0:13:40.240
<v Speaker 1>money that and lower. I'll never take him out the store. Yeah,

0:13:40.400 --> 0:13:42.800
<v Speaker 1>because I fucked my reup up, I'm good for that.

0:13:43.200 --> 0:13:47.960
<v Speaker 1>At that end, we've all yeah, I just had really

0:13:48.800 --> 0:13:56.600
<v Speaker 1>really forgiving big home. But man, this man makes sure

0:13:56.640 --> 0:13:59.400
<v Speaker 1>I can Yeah, I mean I could get back. Oh yeah,

0:14:00.080 --> 0:14:00.680
<v Speaker 1>looking it off.

0:14:01.800 --> 0:14:02.320
<v Speaker 2>That was it.

0:14:02.320 --> 0:14:05.079
<v Speaker 1>It was selling bud and relying on lootse and then

0:14:05.120 --> 0:14:07.959
<v Speaker 1>relying on the squad. Everybody took me in like yo,

0:14:08.080 --> 0:14:10.520
<v Speaker 1>they needed to because I'm the only one there without

0:14:11.360 --> 0:14:14.880
<v Speaker 1>so their mom say you had to go after that

0:14:14.960 --> 0:14:18.360
<v Speaker 1>day immediately, But that same day they that same day

0:14:18.400 --> 0:14:20.840
<v Speaker 1>somebody was like, I think Bow's mom is renting the

0:14:20.920 --> 0:14:23.520
<v Speaker 1>room and that was it, and I moved in over there.

0:14:24.160 --> 0:14:26.560
<v Speaker 3>How far was she from where you were already standing blocks?

0:14:26.760 --> 0:14:28.600
<v Speaker 3>Oh okay, got it, gotta got it.

0:14:28.800 --> 0:14:31.920
<v Speaker 1>Blocks for kids right, whole neighborhoods for us today, Like

0:14:31.920 --> 0:14:34.280
<v Speaker 1>I would never walk that today, but I was trooping.

0:14:34.320 --> 0:14:35.760
<v Speaker 1>I ain't learn how to drop since until I was

0:14:35.800 --> 0:14:37.920
<v Speaker 1>twenty four out here, but they made sure that you

0:14:38.000 --> 0:14:40.920
<v Speaker 1>stay close because yeah, I was true, I was true.

0:14:41.120 --> 0:14:43.080
<v Speaker 1>He's in the sky to make sure he's me and

0:14:43.160 --> 0:14:46.560
<v Speaker 1>rote to me. And there was a female artist who

0:14:47.000 --> 0:14:49.320
<v Speaker 1>after I got evicted from Boscript for not paying the rent,

0:14:49.760 --> 0:14:53.000
<v Speaker 1>her and the family, Alexis Kiki Ak. She and her

0:14:53.040 --> 0:14:55.600
<v Speaker 1>mom took me into their crib for like eight months.

0:14:55.800 --> 0:14:58.000
<v Speaker 1>My man Monty had my clothes on his porch the

0:14:58.000 --> 0:15:01.040
<v Speaker 1>whole eight months. Like I was getting taken care of

0:15:01.120 --> 0:15:05.440
<v Speaker 1>by my crew. That's incredible. And we would be in

0:15:05.480 --> 0:15:10.720
<v Speaker 1>the studio, we rinding, Oh everybody's kids though, yeah, everybody

0:15:10.800 --> 0:15:15.280
<v Speaker 1>is two thousand and six, eighteen years old. So I

0:15:15.320 --> 0:15:19.000
<v Speaker 1>turned seventeen there, turned eighteen there, and then mid eighteen

0:15:19.560 --> 0:15:21.920
<v Speaker 1>or before that. So like my first meeting in life

0:15:22.040 --> 0:15:24.280
<v Speaker 1>is the whole crew is like, yo, we're going up

0:15:24.320 --> 0:15:26.080
<v Speaker 1>to the whole script. We're gonna perform.

0:15:26.080 --> 0:15:26.360
<v Speaker 2>Fans.

0:15:26.680 --> 0:15:28.520
<v Speaker 1>They gave us like a day's notice. We all pulled

0:15:28.600 --> 0:15:31.760
<v Speaker 1>up before that. Hol's nephews would my space was lit

0:15:31.760 --> 0:15:34.160
<v Speaker 1>for us because whole nephews would get the rocker feller change.

0:15:34.200 --> 0:15:36.720
<v Speaker 1>We all be able to my Space picture it up

0:15:36.840 --> 0:15:39.880
<v Speaker 1>or do a performance with rock chains all. You couldn't

0:15:39.880 --> 0:15:42.240
<v Speaker 1>tell me I didn't have a contract nigga, especially in

0:15:42.240 --> 0:15:45.480
<v Speaker 1>my neighborhood niggas I was out. I was that nigga

0:15:46.040 --> 0:15:48.680
<v Speaker 1>and so. But the truth that was really happening is

0:15:48.720 --> 0:15:51.200
<v Speaker 1>we barred in these changs and were stunted. Yeah, but

0:15:51.800 --> 0:15:54.880
<v Speaker 1>first meeting was at whole script. So me wrote Timmy

0:15:54.960 --> 0:15:57.000
<v Speaker 1>Jay Dot, I don't want to leave nobody out, the

0:15:57.000 --> 0:15:59.720
<v Speaker 1>whole crew. We all we all went up there, We

0:15:59.760 --> 0:16:02.480
<v Speaker 1>all formed our songs. I only had one song recorded

0:16:02.520 --> 0:16:04.240
<v Speaker 1>that we played for him that day. And then I said,

0:16:04.240 --> 0:16:05.720
<v Speaker 1>they want me to sing a cappella. I sang now

0:16:05.720 --> 0:16:08.600
<v Speaker 1>a coppella and whole tap my ma and Manti like

0:16:09.720 --> 0:16:14.200
<v Speaker 1>he got it. And so that day was like inspirational,

0:16:14.240 --> 0:16:16.120
<v Speaker 1>but it was like Yo, at the end of the meeting,

0:16:16.240 --> 0:16:18.760
<v Speaker 1>it's not like we got signed. Hope said, y'all don't

0:16:18.760 --> 0:16:22.440
<v Speaker 1>do nobody no favors. He was like, so, don't think

0:16:22.440 --> 0:16:24.160
<v Speaker 1>you about to get a favorite. Let you name reach mine.

0:16:24.160 --> 0:16:29.160
<v Speaker 1>I throw your boone exact verbata and so I remember

0:16:29.240 --> 0:16:31.640
<v Speaker 1>being in there like one, I'm looking around like this

0:16:31.680 --> 0:16:34.880
<v Speaker 1>is what could happen if you really really grind. And

0:16:34.920 --> 0:16:37.200
<v Speaker 1>then two, I'm like, yo, where did this nigga? There

0:16:37.240 --> 0:16:39.840
<v Speaker 1>was a secret door that somebody who worked for him

0:16:39.840 --> 0:16:42.720
<v Speaker 1>came out of with pizza. It's like, we in this

0:16:42.840 --> 0:16:44.800
<v Speaker 1>room right now, and you didn't see a door some

0:16:44.920 --> 0:16:48.280
<v Speaker 1>way somebody came outside with pizza. And so I remember

0:16:48.400 --> 0:16:50.880
<v Speaker 1>just looking at it like, you know, being inspired, but

0:16:50.920 --> 0:16:53.520
<v Speaker 1>also saying being hungry, like yo, he said, let our

0:16:53.600 --> 0:16:57.160
<v Speaker 1>name reach his, you're gonna throw some bomb. And so

0:16:58.480 --> 0:17:00.560
<v Speaker 1>grind time for us. It was like, yo, it's time

0:17:00.600 --> 0:17:04.280
<v Speaker 1>for us to turn up. One, I'm outside like I'm

0:17:04.320 --> 0:17:07.320
<v Speaker 1>living in somebody's basement. It's not easy for me and

0:17:07.359 --> 0:17:11.040
<v Speaker 1>my parents. I love my parents to death because they

0:17:11.040 --> 0:17:14.320
<v Speaker 1>don't play that one spoil uh you know, one spoiled?

0:17:14.840 --> 0:17:17.480
<v Speaker 1>What do they say? One rotten apple and a bunch.

0:17:18.560 --> 0:17:20.879
<v Speaker 1>So at the time I would be against them. I

0:17:20.960 --> 0:17:22.880
<v Speaker 1>was like my dad's arch nemesis and everything you don't

0:17:22.880 --> 0:17:24.879
<v Speaker 1>want for a son if you're a pastor, you know,

0:17:25.080 --> 0:17:28.960
<v Speaker 1>or especially if you're past pastor. Today is my best friend.

0:17:29.520 --> 0:17:31.800
<v Speaker 1>But back then I was just arch nemesis, like I

0:17:31.880 --> 0:17:35.600
<v Speaker 1>was not the one, and so I wasn't going back there.

0:17:36.840 --> 0:17:39.920
<v Speaker 1>So it was like, yo, it's either up or or

0:17:39.960 --> 0:17:43.679
<v Speaker 1>like I I got nothing else to do college. I

0:17:43.720 --> 0:17:47.560
<v Speaker 1>never even thought about that shit. So we kept on grinding,

0:17:47.640 --> 0:17:50.879
<v Speaker 1>kept on grinding. The group started to like grow up

0:17:50.920 --> 0:17:53.400
<v Speaker 1>and grow out of being a group. So I moved

0:17:53.440 --> 0:17:56.760
<v Speaker 1>to Lower East Side, Manhattan, sixth Street and Avenue D.

0:17:57.400 --> 0:18:00.439
<v Speaker 1>We was renting a we were subletting, the cribbing the

0:18:00.440 --> 0:18:04.359
<v Speaker 1>projects right and my man, my brother's older my brother's

0:18:04.359 --> 0:18:06.520
<v Speaker 1>man's had me paying the whole rent, but he was

0:18:06.520 --> 0:18:08.959
<v Speaker 1>telling me that I was paying half. I'm not eighteen

0:18:09.040 --> 0:18:12.320
<v Speaker 1>years old. So when I found out, I was heeded.

0:18:12.600 --> 0:18:16.840
<v Speaker 1>So I take a Greathound out to Georgia and that's

0:18:16.880 --> 0:18:20.400
<v Speaker 1>my first time, second time going to Georgia to visit

0:18:20.440 --> 0:18:23.520
<v Speaker 1>my older brother. He was out in Augusta, Georgia. And

0:18:23.600 --> 0:18:26.400
<v Speaker 1>while I'm out there visiting my man, fifth a trive

0:18:26.480 --> 0:18:29.440
<v Speaker 1>who from high school moved to Atlanta. He was two

0:18:29.480 --> 0:18:32.640
<v Speaker 1>hours away in Atlanta from Augusta. He calls me, He's like, yo,

0:18:32.800 --> 0:18:35.920
<v Speaker 1>you gotta see Atlanta. And I've never been in atl before.

0:18:36.080 --> 0:18:36.840
<v Speaker 2>What year is this?

0:18:37.240 --> 0:18:42.919
<v Speaker 1>Two thousand and seven? Yeah, yeah, right, So into two

0:18:42.960 --> 0:18:45.560
<v Speaker 1>thousand and seven or something like that, he drives two

0:18:45.600 --> 0:18:47.720
<v Speaker 1>hours to pick me up. Me and this nigga is

0:18:47.760 --> 0:18:52.399
<v Speaker 1>like third grade sandbox and he had already found ways

0:18:52.440 --> 0:18:55.040
<v Speaker 1>to like he was today, he's killing it. He got

0:18:55.040 --> 0:18:57.680
<v Speaker 1>a company called Millie Murchers. All over Atlanta. He's doing

0:18:57.720 --> 0:19:01.000
<v Speaker 1>his thing. He was already en route to be in

0:19:01.040 --> 0:19:04.240
<v Speaker 1>one of the the illest hustlers like back then, you

0:19:04.280 --> 0:19:07.120
<v Speaker 1>know a g he had he was he'll hand out

0:19:07.119 --> 0:19:09.359
<v Speaker 1>all AG's fly. He had all accounts for all the

0:19:09.359 --> 0:19:12.720
<v Speaker 1>club's a g O H Jacob Yorick he was. So

0:19:12.800 --> 0:19:15.199
<v Speaker 1>he had a way already out there. So he's like,

0:19:15.200 --> 0:19:17.119
<v Speaker 1>I'm gonna show you. I'm gonna show you the A.

0:19:18.040 --> 0:19:21.000
<v Speaker 1>I'm competitive and ship. So when we two hours away

0:19:21.000 --> 0:19:22.920
<v Speaker 1>from Atlanta, I'm like, I think I want to show

0:19:23.000 --> 0:19:24.679
<v Speaker 1>him something too, Like I don't want him just to

0:19:24.680 --> 0:19:28.240
<v Speaker 1>stun on me. So I called at the time, you know,

0:19:28.440 --> 0:19:32.480
<v Speaker 1>Vaughn Vaughan Smith. I called Vaughan and he was my manager,

0:19:32.640 --> 0:19:35.720
<v Speaker 1>and I'm like, Yo, you know anybody in uh in

0:19:35.800 --> 0:19:38.919
<v Speaker 1>the A. He's like yo, gino, he's he's he's running.

0:19:39.119 --> 0:19:42.080
<v Speaker 1>He's uh the engineer for Neil go up there. I

0:19:42.080 --> 0:19:45.320
<v Speaker 1>had already been around Neil because you know, being around everybody.

0:19:45.359 --> 0:19:48.480
<v Speaker 1>I was around up Top and around those days is

0:19:48.480 --> 0:19:52.399
<v Speaker 1>when Neo got signed. So I called Gino. Gino already

0:19:52.480 --> 0:19:54.280
<v Speaker 1>knew him from from Brooklyn. He had a studio on

0:19:54.359 --> 0:19:57.720
<v Speaker 1>J Street. So I called Geno. I'm like, Yo, what

0:19:57.840 --> 0:20:00.040
<v Speaker 1>you doing? I'm about it being the A. So he

0:20:00.040 --> 0:20:02.920
<v Speaker 1>he tells me come up to Neo's studio. Everything travels

0:20:02.920 --> 0:20:05.520
<v Speaker 1>about to show me. It was like, nah, nigga, I

0:20:05.600 --> 0:20:08.199
<v Speaker 1>just beat you. I'm going to Neo shit right right.

0:20:08.240 --> 0:20:11.080
<v Speaker 1>So we go to Neo shit and and Gino's like,

0:20:13.800 --> 0:20:17.240
<v Speaker 1>Gino's like, Sam, you need to stay here. Second he

0:20:17.280 --> 0:20:20.720
<v Speaker 1>said it, I said, I am staying. I was already

0:20:20.760 --> 0:20:25.000
<v Speaker 1>getting double charged for the projacks up top. I don't

0:20:25.000 --> 0:20:27.359
<v Speaker 1>speak Spanish, and everybody in that neighborhood it's like I'm

0:20:27.400 --> 0:20:29.600
<v Speaker 1>trying to order eggs. Don't even know how to say nothing.

0:20:30.440 --> 0:20:32.280
<v Speaker 1>So it was like, your fucking I'm just stay out

0:20:32.280 --> 0:20:35.280
<v Speaker 1>there now. I know that I learned the hallway. I

0:20:35.320 --> 0:20:41.520
<v Speaker 1>tell you off camera, okay, so we get out there, Uh,

0:20:41.880 --> 0:20:46.520
<v Speaker 1>we tell you to stay yeah, And I said, fucking

0:20:46.560 --> 0:20:48.800
<v Speaker 1>I'm staying. So now when we leave there we seen

0:20:48.840 --> 0:20:51.600
<v Speaker 1>the plaques like it was only a year or two

0:20:51.760 --> 0:20:53.800
<v Speaker 1>later since Neil came out, and it was already a

0:20:53.800 --> 0:20:54.760
<v Speaker 1>hallway full of plaqus.

0:20:54.760 --> 0:20:55.800
<v Speaker 2>Oh yeah, Neil got cracking.

0:20:56.040 --> 0:20:58.639
<v Speaker 1>Yeah, if my man is in there, if you don't notice,

0:20:58.680 --> 0:21:01.280
<v Speaker 1>like every time somebody had something, I was ready to leave.

0:21:01.480 --> 0:21:05.480
<v Speaker 1>Know he's ready, no mad, Yeah, wherever I'm going, whatever

0:21:05.560 --> 0:21:07.600
<v Speaker 1>the opportunity is, because it's not like I got a

0:21:07.600 --> 0:21:11.520
<v Speaker 1>fullback plan. My fullback plan and my idea as to

0:21:11.560 --> 0:21:14.200
<v Speaker 1>how to ever get fed was pick up a pack

0:21:15.000 --> 0:21:17.159
<v Speaker 1>and so imagine what I would have been without this

0:21:17.240 --> 0:21:17.960
<v Speaker 1>talent guy game.

0:21:18.160 --> 0:21:18.720
<v Speaker 2>Yeah.

0:21:19.160 --> 0:21:23.040
<v Speaker 1>So I'm sitting down at Travs crib the first night

0:21:23.440 --> 0:21:25.200
<v Speaker 1>and he's renting a room in this big ass house.

0:21:25.240 --> 0:21:27.280
<v Speaker 1>I'm like, yo, TRAYV, you're doing it and this is

0:21:27.320 --> 0:21:30.320
<v Speaker 1>back when you could craiglist a roommate type thing. And

0:21:30.800 --> 0:21:32.760
<v Speaker 1>his roommate calls him out, the person he's renting from

0:21:32.800 --> 0:21:34.240
<v Speaker 1>Colls Mount and said, yo, I ain't tell you you

0:21:34.240 --> 0:21:36.800
<v Speaker 1>could have niggas up in the crib and the walls

0:21:36.840 --> 0:21:38.640
<v Speaker 1>paper things. So he probably thought because the doors closed,

0:21:38.640 --> 0:21:40.879
<v Speaker 1>I didn't hear it. So I heard it, and I

0:21:40.920 --> 0:21:43.560
<v Speaker 1>didn't want my nigga to be in any type of

0:21:43.600 --> 0:21:46.120
<v Speaker 1>pickle or just be slowing them up. I probably knew

0:21:46.119 --> 0:21:47.639
<v Speaker 1>a girl or two in that land. I call a

0:21:47.680 --> 0:21:50.160
<v Speaker 1>girl same night, she can't pick me up. The way

0:21:50.240 --> 0:21:52.159
<v Speaker 1>Travis tell the story is the next time he saw me,

0:21:52.160 --> 0:21:54.200
<v Speaker 1>it was a few days later. I already had an apartment.

0:21:55.240 --> 0:21:57.320
<v Speaker 1>The way it really happened, I called my dad, said,

0:21:57.359 --> 0:21:59.359
<v Speaker 1>your dad, I found an apartment for seven hundred and

0:21:59.359 --> 0:22:02.800
<v Speaker 1>ten dollars on seventeen p Street Street, Midtown. Mindre, I

0:22:02.840 --> 0:22:04.879
<v Speaker 1>didn't know what goes on at nighttime on them blocks

0:22:04.880 --> 0:22:08.480
<v Speaker 1>in Midtown. It gets crazy, so but fuck, it was

0:22:08.520 --> 0:22:12.800
<v Speaker 1>the cheapest thing I could find and moved in. The

0:22:12.800 --> 0:22:14.760
<v Speaker 1>only friend I had out there was my man Drave.

0:22:15.359 --> 0:22:19.840
<v Speaker 1>I had my man theon that left since high school.

0:22:19.960 --> 0:22:22.320
<v Speaker 1>He lived in like Beuford, far a little far away

0:22:22.640 --> 0:22:26.919
<v Speaker 1>as far that. I had a rocker where Snorkel that

0:22:27.000 --> 0:22:29.200
<v Speaker 1>my man Mail gave me and the inside they had

0:22:29.240 --> 0:22:31.000
<v Speaker 1>first I was sleeping at So I'm living in the

0:22:31.040 --> 0:22:34.200
<v Speaker 1>studio apartment. I don't have nothing but the eight hundred

0:22:34.240 --> 0:22:36.840
<v Speaker 1>dollars my dad gave me. I spent seventeen on moving in,

0:22:37.400 --> 0:22:38.840
<v Speaker 1>so I got ninety dollars.

0:22:39.240 --> 0:22:40.520
<v Speaker 2>You see what I'm saying, I do.

0:22:41.119 --> 0:22:43.879
<v Speaker 1>So the only thing I could think to do is

0:22:43.960 --> 0:22:48.160
<v Speaker 1>like look around, find a pack. So I'm back then.

0:22:48.200 --> 0:22:53.560
<v Speaker 1>You know, apartment buildings had what do they call it,

0:22:53.600 --> 0:22:56.160
<v Speaker 1>like business centers? Yeah, yeah, and if you lived there,

0:22:56.160 --> 0:22:59.840
<v Speaker 1>you could just so I'll be on my Space and

0:23:00.200 --> 0:23:02.920
<v Speaker 1>make sure that anybody, especially girls like they could see

0:23:02.920 --> 0:23:07.280
<v Speaker 1>that my MySpace picture had the Rockefeller chain, So I'll

0:23:07.359 --> 0:23:09.360
<v Speaker 1>just leave my shoulder over so they could always see.

0:23:09.800 --> 0:23:11.560
<v Speaker 1>And then so I've seen this one dude. I won't

0:23:11.560 --> 0:23:14.399
<v Speaker 1>say his name, but he was getting money in the

0:23:14.400 --> 0:23:17.080
<v Speaker 1>building and I keep seeing him. He ended up being

0:23:17.080 --> 0:23:20.680
<v Speaker 1>my plug. He put me on, and then he also

0:23:20.680 --> 0:23:22.680
<v Speaker 1>taught me how to do things beyond just the weed

0:23:22.720 --> 0:23:25.520
<v Speaker 1>that I was used to doing, like selling wise, and

0:23:25.560 --> 0:23:27.280
<v Speaker 1>he got me into a world. Now it's like I'm

0:23:27.280 --> 0:23:29.359
<v Speaker 1>getting chicken and I'm going to see Geno at the

0:23:29.359 --> 0:23:34.040
<v Speaker 1>studio and you know, and that went super sour. So

0:23:34.040 --> 0:23:37.879
<v Speaker 1>my main them that I brought up earlier. We sold

0:23:37.880 --> 0:23:41.680
<v Speaker 1>candy in like fourth grade. My man, my man's old

0:23:41.800 --> 0:23:47.280
<v Speaker 1>little sister, Tracy. She she dated the security guard at Walgreens.

0:23:47.280 --> 0:23:49.000
<v Speaker 1>We give him twenty dollars, he'll let us go. Still

0:23:49.040 --> 0:23:51.199
<v Speaker 1>old candy. We got to wake up early though he

0:23:51.240 --> 0:23:51.919
<v Speaker 1>was the night time.

0:23:52.280 --> 0:23:53.080
<v Speaker 2>To wake up earlier.

0:23:55.480 --> 0:23:57.879
<v Speaker 1>Fourth grade, we sold candy. We would go bag up

0:23:57.920 --> 0:24:01.000
<v Speaker 1>the candy into fifteen dollars bags, divvy it up, give

0:24:01.040 --> 0:24:03.280
<v Speaker 1>people bag, telling him to send us back, you know,

0:24:03.400 --> 0:24:08.159
<v Speaker 1>twelve dollars or ten dollars, you know. And so my

0:24:08.240 --> 0:24:10.239
<v Speaker 1>man Theon, his cousin out in London. He had an

0:24:10.280 --> 0:24:13.720
<v Speaker 1>og cousin out in London. So his cousin out London

0:24:13.720 --> 0:24:16.040
<v Speaker 1>got HI my cell phone back then when we was kids.

0:24:16.119 --> 0:24:18.919
<v Speaker 1>And the first day that Theon got to sell, his

0:24:18.960 --> 0:24:20.639
<v Speaker 1>cousin wanted to talk to me. He was like, Yo, bro,

0:24:21.160 --> 0:24:24.640
<v Speaker 1>I love how you're working with my little cousin. Yo,

0:24:24.720 --> 0:24:26.600
<v Speaker 1>you got him. You got him really out here like

0:24:26.880 --> 0:24:28.879
<v Speaker 1>getting money. Like I love what you're doing with him,

0:24:28.920 --> 0:24:32.200
<v Speaker 1>you know. And so I felt I knew he was

0:24:32.240 --> 0:24:36.399
<v Speaker 1>a gangst in London. I'm like infatuated with thugs at

0:24:36.440 --> 0:24:39.000
<v Speaker 1>this age. It was like my parents are super like

0:24:39.600 --> 0:24:42.560
<v Speaker 1>I was super sheltered. So in church, I loved the thugs.

0:24:42.600 --> 0:24:46.560
<v Speaker 1>In school, I loved this like my boy, yeah exactly exactly.

0:24:46.960 --> 0:24:50.520
<v Speaker 1>So I brought that up to say that we always

0:24:50.560 --> 0:24:52.440
<v Speaker 1>stayed in touch with him until the I moved to Atlanta.

0:24:52.600 --> 0:24:55.240
<v Speaker 1>So now that thea's I'm back in Georgia. Deanna took

0:24:55.240 --> 0:24:58.800
<v Speaker 1>a couch out of his mom's uh garage that she

0:24:58.880 --> 0:25:01.600
<v Speaker 1>wasn't using. That was my best. He brought me a

0:25:01.600 --> 0:25:04.440
<v Speaker 1>little TV, a little CD player and then I played

0:25:04.480 --> 0:25:06.720
<v Speaker 1>my BCDs on that and I was in the spot,

0:25:07.240 --> 0:25:09.119
<v Speaker 1>trapping my way out, just trying to stack right.

0:25:09.520 --> 0:25:09.720
<v Speaker 2>Yeah.

0:25:09.920 --> 0:25:14.600
<v Speaker 1>Period. And so my first trip to London is because

0:25:14.640 --> 0:25:16.320
<v Speaker 1>when I got when he put me back on with

0:25:16.359 --> 0:25:18.840
<v Speaker 1>you put me back on the phone because his cousin

0:25:18.880 --> 0:25:22.080
<v Speaker 1>was like, yo, how you how you even getting around?

0:25:22.240 --> 0:25:22.560
<v Speaker 2>Like yo?

0:25:22.680 --> 0:25:24.280
<v Speaker 1>I was mad proud to tell him I'm a road

0:25:24.280 --> 0:25:28.120
<v Speaker 1>star now trapping blah, really proud to tell him that.

0:25:28.520 --> 0:25:32.119
<v Speaker 1>He gets scared for me, and he's like saying, if

0:25:32.160 --> 0:25:37.120
<v Speaker 1>you're gonna do that, come out to London, right and

0:25:38.119 --> 0:25:39.680
<v Speaker 1>I'll teach you how to do it the right way

0:25:40.200 --> 0:25:43.159
<v Speaker 1>when I get out there, top boy. And I was

0:25:43.200 --> 0:25:46.040
<v Speaker 1>working out in London for three four weeks learning how

0:25:46.040 --> 0:25:48.399
<v Speaker 1>to be a top boy in London. And when he

0:25:48.440 --> 0:25:50.520
<v Speaker 1>sent me back, I got really nice with it in

0:25:50.520 --> 0:25:55.199
<v Speaker 1>Atlanta and so all this happens lo and behold my

0:25:55.240 --> 0:25:58.760
<v Speaker 1>plug and the robbing home of the finests. So now

0:25:59.119 --> 0:26:01.880
<v Speaker 1>you robbing me, I get better out of him than him.

0:26:02.119 --> 0:26:05.680
<v Speaker 1>He violates, and so now I got no plug, got

0:26:05.680 --> 0:26:07.800
<v Speaker 1>no money, and I'm shook because I'm not built for

0:26:07.920 --> 0:26:10.679
<v Speaker 1>no wild shit that I was going through. And you

0:26:10.720 --> 0:26:15.320
<v Speaker 1>were how old at this point, nineteen eighteen nineteen, and

0:26:15.359 --> 0:26:19.640
<v Speaker 1>so Gino keeps calling me to the studio. He keeps

0:26:19.640 --> 0:26:22.520
<v Speaker 1>calling me to the studio. My man, mister Tango's son

0:26:22.840 --> 0:26:27.240
<v Speaker 1>became like my brother, and so he starts bringing me

0:26:27.280 --> 0:26:29.000
<v Speaker 1>to the studio. One day they set up the meeting

0:26:29.080 --> 0:26:31.600
<v Speaker 1>because I'm fucking homeless at this time. I'm living in

0:26:32.080 --> 0:26:36.720
<v Speaker 1>I got evicted in Atlanta. Everything went shot, goes bad.

0:26:36.760 --> 0:26:37.200
<v Speaker 2>And so.

0:26:38.800 --> 0:26:41.080
<v Speaker 1>Mister and Gino set me up a meeting with Tango,

0:26:41.160 --> 0:26:45.720
<v Speaker 1>ne Yo's manager. When I just got there, you know,

0:26:45.800 --> 0:26:49.359
<v Speaker 1>a skier, a skier found he was playing some producers

0:26:49.400 --> 0:26:52.720
<v Speaker 1>that he had from Amsterdam. Tango looked him dead in

0:26:52.760 --> 0:26:56.360
<v Speaker 1>the eyes, thatt them niggas suck. And I'm sitting here

0:26:56.600 --> 0:26:59.480
<v Speaker 1>one I need to make it today because I'm I'm

0:26:59.520 --> 0:27:02.600
<v Speaker 1>sleeping in a vacant crib and the bluff with for

0:27:02.840 --> 0:27:06.879
<v Speaker 1>my boys. We turned the lights on, but it's vacant.

0:27:07.320 --> 0:27:09.240
<v Speaker 1>So I need to make it. I didn't know what

0:27:09.320 --> 0:27:11.159
<v Speaker 1>making it looks like and how fast it takes to

0:27:11.200 --> 0:27:15.240
<v Speaker 1>get it back. So and I'm scared because the way

0:27:15.240 --> 0:27:17.320
<v Speaker 1>Tango just spoke to this nigga, I never seen somebody

0:27:17.359 --> 0:27:21.440
<v Speaker 1>get violated like that. And so now my hands is

0:27:21.480 --> 0:27:24.679
<v Speaker 1>shaking and it's time to sing. He's like, Yo, you

0:27:24.760 --> 0:27:27.720
<v Speaker 1>got music. I didn't have nothing to play. So he's like, YO,

0:27:27.760 --> 0:27:31.200
<v Speaker 1>sing something I didn't realize. I never learned someone else's

0:27:31.240 --> 0:27:34.120
<v Speaker 1>song in my life. I could have sang you every

0:27:34.160 --> 0:27:37.080
<v Speaker 1>Day Struggle by fifth or by Biggie, but I couldn't

0:27:37.119 --> 0:27:40.560
<v Speaker 1>sing a whole song from anybody in music because you

0:27:40.560 --> 0:27:43.040
<v Speaker 1>were writing your own song. Yeah since fifth grade. Yeah,

0:27:43.200 --> 0:27:45.200
<v Speaker 1>so I said I got my own songs. I thought

0:27:45.200 --> 0:27:47.040
<v Speaker 1>I played the same way I'd always played it, sing

0:27:47.040 --> 0:27:50.040
<v Speaker 1>my own song and win. Not for a person who

0:27:50.080 --> 0:27:52.560
<v Speaker 1>manages the best songwriter in the world at that time.

0:27:53.560 --> 0:27:56.400
<v Speaker 1>My songs was and shit to what Neo was coming

0:27:56.400 --> 0:27:59.639
<v Speaker 1>out with. So I sing my voice shaking, I sound nuts.

0:28:00.080 --> 0:28:05.680
<v Speaker 1>Tango looks at me like this nigga sucks too, right,

0:28:06.359 --> 0:28:13.080
<v Speaker 1>and I know Tango, so I see, Yeah, it's exactly

0:28:13.119 --> 0:28:16.280
<v Speaker 1>how it is how you're gonna get it and and

0:28:16.320 --> 0:28:19.040
<v Speaker 1>I love him for no fluff facts. His son is

0:28:19.080 --> 0:28:24.439
<v Speaker 1>the exact same way you ain't. You ain't And you

0:28:24.480 --> 0:28:26.800
<v Speaker 1>could get react a certain type of way to it

0:28:27.040 --> 0:28:29.440
<v Speaker 1>until you realize that you rather find out the truth

0:28:29.520 --> 0:28:40.680
<v Speaker 1>now than let somebody watch the take time bombing, so

0:28:41.080 --> 0:28:44.960
<v Speaker 1>to save my ass, Geno, Right, Geno's like, but he

0:28:45.000 --> 0:28:49.000
<v Speaker 1>could write though. Tango's response, he looks a skinned like Yo.

0:28:49.640 --> 0:28:52.520
<v Speaker 1>Them producers suck, he sucks. Put them in the studio

0:28:52.560 --> 0:28:55.720
<v Speaker 1>if they exact words. Bro, I'm talking About'm getting like

0:28:56.680 --> 0:29:00.480
<v Speaker 1>I'm already broke, homeless nigga. And on top of that,

0:29:00.520 --> 0:29:02.680
<v Speaker 1>it's like I just heard that I sucked, and I

0:29:02.720 --> 0:29:05.000
<v Speaker 1>know I sucked. My voice was shaken even on this podcast.

0:29:05.040 --> 0:29:08.960
<v Speaker 1>I'm nervous. So I was finding out that the Spotlight's

0:29:09.000 --> 0:29:11.480
<v Speaker 1>not for me, okay, you know, but not knowing that's

0:29:11.480 --> 0:29:13.120
<v Speaker 1>what I was finding out. I was just always trying

0:29:13.120 --> 0:29:15.520
<v Speaker 1>to because you were you were being you were being

0:29:15.600 --> 0:29:19.000
<v Speaker 1>pushed pushed as an artist. Yeah, yeah, like that was

0:29:19.000 --> 0:29:23.360
<v Speaker 1>the only thing. Yeah, right, you know what I mean, Like, yeah, okay, yeah,

0:29:23.480 --> 0:29:25.920
<v Speaker 1>he completely just tore that down. It was quite for

0:29:26.000 --> 0:29:29.320
<v Speaker 1>that forever, right. Geno's like, nah, but he writes though,

0:29:29.400 --> 0:29:33.240
<v Speaker 1>which was to me a lie because it's I didn't

0:29:33.240 --> 0:29:35.640
<v Speaker 1>write for anybody else ever in my life. So he

0:29:36.080 --> 0:29:38.160
<v Speaker 1>said it in a way that implies that you were

0:29:38.240 --> 0:29:41.320
<v Speaker 1>right for someone else, period, and so that wasn't the fact.

0:29:41.520 --> 0:29:44.400
<v Speaker 1>But I looked at him like, yeah, double down like anything.

0:29:44.480 --> 0:29:46.400
<v Speaker 1>I don't care if it was mopped the studio, Yeah

0:29:46.480 --> 0:29:50.680
<v Speaker 1>that he mops. Yeah, I would did it. I needed

0:29:50.800 --> 0:29:51.880
<v Speaker 1>to stay right.

0:29:52.600 --> 0:29:52.960
<v Speaker 2>And so.

0:29:54.680 --> 0:29:57.640
<v Speaker 1>A Skier was already getting shit done. He was already scared.

0:29:57.760 --> 0:30:00.160
<v Speaker 1>But it's just those producers Tango wasn't fucking with or

0:30:00.200 --> 0:30:03.360
<v Speaker 1>Skier who's so hungry and taught me. He taught me

0:30:03.400 --> 0:30:04.920
<v Speaker 1>one of the dopest things. He was like saying, you

0:30:04.960 --> 0:30:06.920
<v Speaker 1>got to learn the kit. I was like, what's the kid?

0:30:06.960 --> 0:30:10.600
<v Speaker 1>He said, keep in touch. That's the kit for every

0:30:10.680 --> 0:30:14.640
<v Speaker 1>relationship that you find value in. When you when you're

0:30:14.680 --> 0:30:16.840
<v Speaker 1>saying by, think of the next time you're gonna follow up,

0:30:16.880 --> 0:30:18.800
<v Speaker 1>think of the intention for the next phone called you know,

0:30:18.960 --> 0:30:21.239
<v Speaker 1>or even state if it's a really important, state, this

0:30:21.280 --> 0:30:24.040
<v Speaker 1>is when we're gonna speak again. And that's helped me

0:30:24.120 --> 0:30:25.880
<v Speaker 1>a lot, even if I don't tell you when I'm

0:30:25.880 --> 0:30:27.280
<v Speaker 1>gonna reach out to you again. I can write it

0:30:27.320 --> 0:30:31.280
<v Speaker 1>down and keep my promise. So he comes up to

0:30:31.320 --> 0:30:34.240
<v Speaker 1>me hungry, like yo, and he fucked with his producers heavy.

0:30:34.840 --> 0:30:37.800
<v Speaker 1>He comes up to me, He's like, yo, if I

0:30:37.840 --> 0:30:39.440
<v Speaker 1>put you in the studio, how long would you stay?

0:30:40.560 --> 0:30:40.760
<v Speaker 2>Right?

0:30:40.840 --> 0:30:44.160
<v Speaker 1>I said, Yo, seventy two hours or something like that. Right,

0:30:45.760 --> 0:30:48.240
<v Speaker 1>this is grind. This is a different error when niggas

0:30:48.280 --> 0:30:51.160
<v Speaker 1>really grind. He calls an engineer and tells money to

0:30:51.200 --> 0:30:54.800
<v Speaker 1>seventy two hour session. Sit Mike track Guru Johnson. He's

0:30:54.840 --> 0:30:58.400
<v Speaker 1>today Chuck Harmony's partner and he was the engineer for Chuck.

0:30:58.960 --> 0:31:02.520
<v Speaker 1>He calls uh, track Guru Gruz, agrees to do it.

0:31:02.680 --> 0:31:04.959
<v Speaker 1>It's either forty eight hours or seventy two hours. Agrees

0:31:05.040 --> 0:31:07.720
<v Speaker 1>to do this session on the first call. So now

0:31:07.760 --> 0:31:10.560
<v Speaker 1>he drives me up how Old Military's studio and I'm

0:31:10.560 --> 0:31:14.640
<v Speaker 1>in his studio right, and me and track Guru in there.

0:31:14.640 --> 0:31:17.120
<v Speaker 1>He leaves us there with the BTCD from his guys.

0:31:17.680 --> 0:31:22.640
<v Speaker 1>And I remember in that session, me and Guru, I

0:31:22.680 --> 0:31:24.320
<v Speaker 1>was trying. I was trying to make phone calls and

0:31:24.360 --> 0:31:26.520
<v Speaker 1>see how far he was from a customer. I didn't

0:31:26.560 --> 0:31:28.440
<v Speaker 1>know how to drive, so I would I think I

0:31:28.520 --> 0:31:32.280
<v Speaker 1>asked him to bring me somewhere so I could sell

0:31:32.360 --> 0:31:34.400
<v Speaker 1>a fifty or something. I needed the money, and he

0:31:34.800 --> 0:31:37.280
<v Speaker 1>was like, yo, bro, you got this opportunity. You don't

0:31:37.320 --> 0:31:39.320
<v Speaker 1>need to be doing that. And he shit on me,

0:31:39.360 --> 0:31:41.800
<v Speaker 1>made me feel real small, and I was super New York,

0:31:41.880 --> 0:31:44.520
<v Speaker 1>super proud, super hard headed, and nobody could tell me nothing.

0:31:44.960 --> 0:31:47.600
<v Speaker 1>We bicker and I had to listen to him because

0:31:47.600 --> 0:31:49.200
<v Speaker 1>it's like, without you, I can't get a ride. So

0:31:49.240 --> 0:31:51.720
<v Speaker 1>you said, no, I got I'm gonna stay in the studio.

0:31:51.720 --> 0:31:54.320
<v Speaker 1>Shut up. And the way he was was like a

0:31:54.320 --> 0:31:56.040
<v Speaker 1>big brother for those two three days that was in

0:31:56.040 --> 0:31:59.160
<v Speaker 1>the studio. In my first songwriting session for writing for

0:31:59.200 --> 0:32:02.200
<v Speaker 1>other people, three songs of which one of them is

0:32:02.200 --> 0:32:06.400
<v Speaker 1>my first placement. So my first session, my first placement,

0:32:06.440 --> 0:32:08.080
<v Speaker 1>I was writing like my life depended on it, right,

0:32:09.080 --> 0:32:12.320
<v Speaker 1>So yeah, it's not like I got like a major

0:32:12.360 --> 0:32:15.000
<v Speaker 1>hit out of it, but that's the life changing thing.

0:32:15.280 --> 0:32:20.320
<v Speaker 1>So it's J. J. Holliday his second album, I land

0:32:20.360 --> 0:32:22.920
<v Speaker 1>a ballot on there called Forever Ain't Enough, Right, and

0:32:22.960 --> 0:32:24.840
<v Speaker 1>I wrote it about like my high school, like the

0:32:24.880 --> 0:32:27.040
<v Speaker 1>girl that I loved right after high school.

0:32:27.560 --> 0:32:28.120
<v Speaker 2>And so.

0:32:30.480 --> 0:32:32.600
<v Speaker 1>Legit, now it's like, yo, we got something to bring

0:32:32.640 --> 0:32:35.080
<v Speaker 1>up to tango. Tango was the way out. It's like

0:32:35.160 --> 0:32:37.920
<v Speaker 1>if I knew a way, it was the way in

0:32:37.920 --> 0:32:40.040
<v Speaker 1>front of me. Is like he was there. That's the

0:32:40.080 --> 0:32:45.240
<v Speaker 1>way a skier places the record. So I'm saying it backwards,

0:32:45.240 --> 0:32:47.200
<v Speaker 1>a Skia places the record on Jay Holiday. Now that

0:32:47.240 --> 0:32:49.280
<v Speaker 1>I got a placement, this is something tangos you want

0:32:49.280 --> 0:32:52.400
<v Speaker 1>to find. This is all happening super fast. Though it

0:32:52.600 --> 0:32:54.760
<v Speaker 1>sounds super fast, it probably took a month or two.

0:32:55.240 --> 0:32:58.920
<v Speaker 1>I mean, listen, there are people in this I was

0:32:59.240 --> 0:33:02.360
<v Speaker 1>having this conversation the other day. There are people that

0:33:03.120 --> 0:33:05.760
<v Speaker 1>still don't have a place, that have been writing songs

0:33:05.960 --> 0:33:08.600
<v Speaker 1>for years and years and years. So that's what I'm saying.

0:33:08.880 --> 0:33:12.440
<v Speaker 1>Oh yeah, my first session, Yeah, first session. A month

0:33:12.480 --> 0:33:17.920
<v Speaker 1>goes by, you get your first placement, Like that's that's God. Yes.

0:33:18.120 --> 0:33:18.560
<v Speaker 2>Yeah.

0:33:18.840 --> 0:33:22.400
<v Speaker 1>I was raised in the most God fearing family and

0:33:22.440 --> 0:33:26.640
<v Speaker 1>I did everything to go against what I taught at home.

0:33:27.000 --> 0:33:29.000
<v Speaker 1>And bro, when I tell you, every bullet that flew

0:33:29.040 --> 0:33:31.360
<v Speaker 1>since eighty eight never hit me, and we've been in

0:33:31.400 --> 0:33:34.600
<v Speaker 1>situations where it could have. At that time, I didn't

0:33:34.640 --> 0:33:37.520
<v Speaker 1>know how to respect God or love him correctly. I

0:33:37.520 --> 0:33:40.000
<v Speaker 1>would call him when I needed them. I was like

0:33:40.440 --> 0:33:43.080
<v Speaker 1>a bad kid with good credit. You know, he just

0:33:43.160 --> 0:33:45.040
<v Speaker 1>keep getting running up the credit line.

0:33:45.120 --> 0:33:45.480
<v Speaker 2>And so.

0:33:47.200 --> 0:33:50.520
<v Speaker 1>Tango ends up offering me a a management in a

0:33:50.560 --> 0:33:53.920
<v Speaker 1>publishing deal. I signed that shit blindfolded, like I'm off

0:33:53.960 --> 0:33:56.560
<v Speaker 1>the first record. The day I signed my deal, I'm

0:33:56.560 --> 0:34:02.280
<v Speaker 1>sitting at Tango's office. He's right across from I signed

0:34:02.280 --> 0:34:05.240
<v Speaker 1>that ship because this is something your signature you think

0:34:05.880 --> 0:34:08.520
<v Speaker 1>like this is you think you got background music or

0:34:08.520 --> 0:34:10.359
<v Speaker 1>some shit like that, Like, Yo, this is the day

0:34:10.640 --> 0:34:14.200
<v Speaker 1>you about to pursue the happiness. Clap up the street, listen.

0:34:14.320 --> 0:34:15.520
<v Speaker 1>I signed the deal. He looks at me, said, what

0:34:15.600 --> 0:34:16.640
<v Speaker 1>you think Balloon's gonna come out?

0:34:16.640 --> 0:34:16.879
<v Speaker 2>This s guy?

0:34:16.920 --> 0:34:21.279
<v Speaker 1>Get to work, nigga, and thank God for that. Got

0:34:21.360 --> 0:34:25.800
<v Speaker 1>to work. I got to work. Yeah, I got to work,

0:34:25.920 --> 0:34:28.960
<v Speaker 1>and I was sleep in the studio. Mister would let

0:34:28.960 --> 0:34:32.000
<v Speaker 1>me crash wherever he crashed, wherever I had to sleep.

0:34:32.120 --> 0:34:34.000
<v Speaker 1>I thought that I'd get a crib after that, but

0:34:34.040 --> 0:34:35.960
<v Speaker 1>it's like, yo, get to work, go earn. It's not

0:34:36.080 --> 0:34:38.840
<v Speaker 1>You're not coming in here to just take put something in.

0:34:39.080 --> 0:34:42.400
<v Speaker 1>And I got to see Neo Yo a few times.

0:34:42.400 --> 0:34:45.200
<v Speaker 1>When I was down Neo with I could call Neil

0:34:45.239 --> 0:34:46.719
<v Speaker 1>like bro I ain't eat yesterday. You think you hold

0:34:46.760 --> 0:34:48.680
<v Speaker 1>me down, Neil will be like, be right there, come

0:34:48.760 --> 0:34:50.239
<v Speaker 1>to the studio thinking about to give me two three

0:34:50.320 --> 0:34:57.040
<v Speaker 1>hundred drop five racks on me. Wow, shit, neo. Nobody

0:34:57.080 --> 0:34:58.680
<v Speaker 1>could say nothing to me about that guy, and a

0:34:58.680 --> 0:35:03.880
<v Speaker 1>few people about you guys, but legit a few times,

0:35:03.960 --> 0:35:06.759
<v Speaker 1>making sure you were straight. And then when I'd be like, yo,

0:35:07.239 --> 0:35:08.960
<v Speaker 1>how am I gonna pay you back? And when I'm

0:35:09.000 --> 0:35:11.200
<v Speaker 1>a god I got you one day back, he'd be like, Yo, bro,

0:35:11.280 --> 0:35:13.000
<v Speaker 1>be great. I didn't give you that as a debt.

0:35:13.360 --> 0:35:16.600
<v Speaker 1>I see it in you be great. So that's my brother.

0:35:18.200 --> 0:35:22.160
<v Speaker 1>So going through all these things, it's part knucklehead legit,

0:35:22.360 --> 0:35:24.680
<v Speaker 1>ungrateful for the family that I came from, and just

0:35:24.680 --> 0:35:28.279
<v Speaker 1>going against all these greens. I start grinding it out,

0:35:28.280 --> 0:35:31.640
<v Speaker 1>grinding it out for some reason or another. By two

0:35:31.680 --> 0:35:35.080
<v Speaker 1>thousand and eight, we get the whole team flies out

0:35:35.120 --> 0:35:38.319
<v Speaker 1>to New York to LA for the first time. So

0:35:38.360 --> 0:35:42.319
<v Speaker 1>I land in LA with meeting people. This is all

0:35:42.360 --> 0:35:44.600
<v Speaker 1>the traveling you've done at this point. You've only been

0:35:44.960 --> 0:35:48.560
<v Speaker 1>from New York to Georgia, New York, Jersey or Manhattan,

0:35:48.800 --> 0:35:51.719
<v Speaker 1>Georgia and now LA for the first trip. First trip,

0:35:52.280 --> 0:35:54.120
<v Speaker 1>so we're moving around, were moving around. We end up

0:35:54.120 --> 0:35:55.960
<v Speaker 1>staying there for like a month or two. And on

0:35:56.040 --> 0:36:02.200
<v Speaker 1>the last day of the first trip, I won't say

0:36:02.239 --> 0:36:04.440
<v Speaker 1>their names, but my two homies they both had a

0:36:04.480 --> 0:36:08.719
<v Speaker 1>crush on this this one girl, right, and they said,

0:36:08.719 --> 0:36:10.080
<v Speaker 1>you're about to call it to the studio. She had

0:36:10.080 --> 0:36:13.120
<v Speaker 1>an internship at Depth Jair and you know, you know

0:36:13.200 --> 0:36:14.920
<v Speaker 1>back then, you meet an intern in Depth Jay and

0:36:14.960 --> 0:36:17.560
<v Speaker 1>she in the building, you think it's lit. So she

0:36:17.600 --> 0:36:19.719
<v Speaker 1>comes to the studio. We work in a record plant

0:36:19.840 --> 0:36:22.359
<v Speaker 1>and she pulls up to the studio when I tell

0:36:22.400 --> 0:36:26.080
<v Speaker 1>you my competition, and then I just wasn't that nigga.

0:36:26.080 --> 0:36:27.920
<v Speaker 1>I was. I wasn't the best friend you could have

0:36:28.080 --> 0:36:29.920
<v Speaker 1>because I knew two of my niggas like the girl.

0:36:30.000 --> 0:36:37.520
<v Speaker 1>When I saw I said, okay, I got it. Yeah, facts,

0:36:37.800 --> 0:36:40.360
<v Speaker 1>So I've seen her and I caught her in the

0:36:40.400 --> 0:36:42.040
<v Speaker 1>whole way, you know, the bat the long hall way

0:36:42.080 --> 0:36:44.120
<v Speaker 1>to the back. I caught her in the whole way.

0:36:44.120 --> 0:36:45.719
<v Speaker 1>I smiled at it, and I just grabbed her phone,

0:36:45.719 --> 0:36:47.799
<v Speaker 1>put my number in it and said, text me. She

0:36:47.880 --> 0:36:49.920
<v Speaker 1>texted me, So now I'll go back in the room,

0:36:49.960 --> 0:36:55.120
<v Speaker 1>act like nothing ever happened. Super Snake vibes snake right.

0:36:55.400 --> 0:37:00.000
<v Speaker 1>So I'm texting, I'm like, yo, I leave tomorrow. Tomorrow's

0:37:00.480 --> 0:37:02.719
<v Speaker 1>like tonight's my last day. I need to speak to you.

0:37:02.800 --> 0:37:05.279
<v Speaker 1>Something in me wanted to notice girl that night, and

0:37:05.320 --> 0:37:07.840
<v Speaker 1>it wasn't about hitting or nothing like that. So I

0:37:07.880 --> 0:37:09.320
<v Speaker 1>was like, Yo, this was back then. I didn't know

0:37:09.360 --> 0:37:11.200
<v Speaker 1>how to drive. I said, this is what you're gonna do.

0:37:12.239 --> 0:37:14.960
<v Speaker 1>You said, hug. Everybody say if you leaving, I'm gonna

0:37:14.960 --> 0:37:17.799
<v Speaker 1>act like I know you're leaving too. In fifteen minutes,

0:37:17.800 --> 0:37:20.520
<v Speaker 1>I'm gonna meet you around the block right or Santa

0:37:20.560 --> 0:37:22.600
<v Speaker 1>Monic or whatever block that is by a record plan

0:37:23.200 --> 0:37:25.360
<v Speaker 1>and we gonna dip off and I just want to

0:37:25.360 --> 0:37:27.920
<v Speaker 1>talk to you. I didn't know her from scratch, but

0:37:28.040 --> 0:37:31.560
<v Speaker 1>something in me wanted her. So exactly what we did.

0:37:31.640 --> 0:37:34.200
<v Speaker 1>I duck off, acting like I had something to do. Yeah,

0:37:34.480 --> 0:37:37.560
<v Speaker 1>And she drove us to Luca Lake to it drove

0:37:37.640 --> 0:37:40.120
<v Speaker 1>me to to Luca Lake where I was staying. She

0:37:40.239 --> 0:37:42.200
<v Speaker 1>had so much respect for herself she wouldn't go up

0:37:42.239 --> 0:37:44.040
<v Speaker 1>to the spot, so I'm like, it's definitely not a

0:37:44.120 --> 0:37:47.160
<v Speaker 1>hit mission. We sat in front of the spot, in

0:37:47.160 --> 0:37:50.399
<v Speaker 1>front of her car and fell in love all night,

0:37:50.480 --> 0:37:54.440
<v Speaker 1>just talking. Now I'm pissed. I get back to Atlanta. Atlanta.

0:37:54.600 --> 0:37:58.719
<v Speaker 1>You know Neo's crew niggas. All you're getting is tough

0:37:58.760 --> 0:38:01.080
<v Speaker 1>truth all day. The niggas is treated you like yo.

0:38:01.880 --> 0:38:04.879
<v Speaker 1>You know, like yo, Sam, you know, get the shit

0:38:04.960 --> 0:38:07.680
<v Speaker 1>done or That'shit's not it. And then I got this

0:38:07.719 --> 0:38:09.960
<v Speaker 1>girl in LA that I'm caring about more than the music,

0:38:10.000 --> 0:38:12.279
<v Speaker 1>and the people give me an opportunity. I get back

0:38:12.320 --> 0:38:15.360
<v Speaker 1>to La Atlanta and I miss her like crazy. So

0:38:15.400 --> 0:38:18.399
<v Speaker 1>it spends eight months texting this girl, calling this girl,

0:38:18.480 --> 0:38:21.439
<v Speaker 1>texting this girl, calling this girl. I write a song

0:38:21.480 --> 0:38:25.800
<v Speaker 1>called Hustler for Kerry Hillshare and that gets me a

0:38:25.880 --> 0:38:28.880
<v Speaker 1>flight out to LA again. So to me, it was

0:38:28.920 --> 0:38:29.839
<v Speaker 1>just a way back to her.

0:38:30.160 --> 0:38:32.280
<v Speaker 2>Everything was all you see what I'm saying.

0:38:33.080 --> 0:38:36.040
<v Speaker 1>So they had me in hotels for a minute. Manny

0:38:36.080 --> 0:38:40.799
<v Speaker 1>and DJ. Those was the people who like Manny DJ Ethiopia.

0:38:41.320 --> 0:38:43.360
<v Speaker 1>Those were the people when I first landed as a

0:38:43.400 --> 0:38:46.400
<v Speaker 1>writer in off of like somebody else's time, like as

0:38:46.440 --> 0:38:48.879
<v Speaker 1>a writer on my own strength in LA. They took

0:38:48.920 --> 0:38:51.839
<v Speaker 1>me in bro and treated me like family. And so

0:38:51.880 --> 0:38:53.879
<v Speaker 1>they'd have me in hotels for like two three months

0:38:53.920 --> 0:38:56.040
<v Speaker 1>for the first time. So she would be with me

0:38:57.200 --> 0:39:00.840
<v Speaker 1>in all the hotels, and so it was like, Nigga,

0:39:01.200 --> 0:39:03.399
<v Speaker 1>we can't. There's not another budget we could put you over.

0:39:04.239 --> 0:39:06.920
<v Speaker 1>I'm gonna rap niggas budgets for some reason, like on

0:39:07.080 --> 0:39:09.759
<v Speaker 1>the hotel. So it's like, we can't do this, and

0:39:09.800 --> 0:39:13.000
<v Speaker 1>so Chuck Comedy let me sleep on the couch at

0:39:13.000 --> 0:39:15.279
<v Speaker 1>the studio for three weeks. I remember having forty two

0:39:15.360 --> 0:39:18.680
<v Speaker 1>dollars in my pocket, and it's like he knew I

0:39:18.800 --> 0:39:21.600
<v Speaker 1>was broke, but didn't treat me that way every time

0:39:21.640 --> 0:39:24.919
<v Speaker 1>he ate I ate dog. I had sixteen dollars left

0:39:24.960 --> 0:39:27.040
<v Speaker 1>after three weeks, and I came in there with forty

0:39:27.040 --> 0:39:30.080
<v Speaker 1>two dollars. So that's how much he took care of you.

0:39:31.280 --> 0:39:33.560
<v Speaker 1>So shout out to Chuck. That's smart. Like I got

0:39:33.600 --> 0:39:34.560
<v Speaker 1>so many people.

0:39:34.320 --> 0:39:37.520
<v Speaker 2>To think that, no, you have angels, brother.

0:39:37.600 --> 0:39:38.240
<v Speaker 1>It's crazy.

0:39:38.280 --> 0:39:38.480
<v Speaker 2>Bro.

0:39:39.880 --> 0:39:43.239
<v Speaker 1>So me and her finally get an apartment, and you

0:39:43.239 --> 0:39:45.359
<v Speaker 1>don't go back home. You don't go back to stay Bro.

0:39:47.640 --> 0:39:48.280
<v Speaker 1>I stayed.

0:39:49.840 --> 0:39:52.960
<v Speaker 2>I should be the name of your book. I stayed.

0:39:53.800 --> 0:39:58.000
<v Speaker 3>Just go through all the progression of where you never left.

0:39:58.680 --> 0:39:59.840
<v Speaker 2>This shit is great.

0:40:00.000 --> 0:40:02.720
<v Speaker 1>Whatever it's said on the move, you're on the move,

0:40:03.840 --> 0:40:06.480
<v Speaker 1>and I don't lose love from where I left either, right,

0:40:06.719 --> 0:40:07.719
<v Speaker 1>So everybody that.

0:40:08.960 --> 0:40:10.520
<v Speaker 2>You don't burn those bridges.

0:40:12.120 --> 0:40:15.160
<v Speaker 1>Even though we were learning these keywords in the wind,

0:40:15.920 --> 0:40:20.040
<v Speaker 1>like love, loyalty, respect, honor, we learned them the wrong way.

0:40:20.080 --> 0:40:22.759
<v Speaker 1>We learned them in the wind. When I switched my

0:40:22.800 --> 0:40:25.360
<v Speaker 1>life over start taking God seriously, those same still you

0:40:25.360 --> 0:40:29.000
<v Speaker 1>can learn them rooted now. I still love them, still

0:40:29.040 --> 0:40:30.920
<v Speaker 1>honored them. Made some people I may not be able

0:40:30.960 --> 0:40:33.759
<v Speaker 1>to see no more because our lifestyles are different, and

0:40:33.800 --> 0:40:37.200
<v Speaker 1>I've noticed things in myself that I can't risk being again.

0:40:38.280 --> 0:40:41.080
<v Speaker 1>But those words still stay in the same when when

0:40:41.080 --> 0:40:44.319
<v Speaker 1>I'm when I'm rooted. Yeah, so now you're in la

0:40:44.640 --> 0:40:51.120
<v Speaker 1>la something. Yeah, two or three probably have. I had

0:40:51.200 --> 0:40:55.319
<v Speaker 1>one with Neo on his album Okay Okay, and that's

0:40:56.400 --> 0:41:01.160
<v Speaker 1>you know, a lot of placements ago, but I land

0:41:01.239 --> 0:41:04.760
<v Speaker 1>here with that one song. Ethiopia shows Me Love, Carrie

0:41:04.800 --> 0:41:09.439
<v Speaker 1>shows Me Love, DJ and more Milly Manny. They showed

0:41:09.480 --> 0:41:12.600
<v Speaker 1>me love and they taking care of me as best

0:41:12.600 --> 0:41:17.359
<v Speaker 1>as they can. Now I'm back being a dickhead, like Yo,

0:41:17.520 --> 0:41:21.680
<v Speaker 1>money's low, what can I flip? My girlfriend won't deal

0:41:21.760 --> 0:41:25.719
<v Speaker 1>with somebody who traps. So we're arguing because in order

0:41:25.760 --> 0:41:27.600
<v Speaker 1>for me to stay with it. I'm looking at her

0:41:27.719 --> 0:41:28.719
<v Speaker 1>like I'm forgetting that.

0:41:28.800 --> 0:41:28.920
<v Speaker 2>Yo.

0:41:28.960 --> 0:41:30.640
<v Speaker 1>You could go get a job, you could go take

0:41:30.680 --> 0:41:32.960
<v Speaker 1>a class, you could go you know, you could go

0:41:33.040 --> 0:41:36.040
<v Speaker 1>bea You're reverting. I'm mad at her because she's not

0:41:36.120 --> 0:41:40.560
<v Speaker 1>letting me do yeah. Yeah, So we start arguing. I

0:41:40.719 --> 0:41:45.480
<v Speaker 1>land my first check in LA instead of saying yo,

0:41:45.840 --> 0:41:47.600
<v Speaker 1>me and her finally got it. The people who slept

0:41:47.640 --> 0:41:49.880
<v Speaker 1>on the couch together. I would go cheat on her

0:41:49.920 --> 0:41:51.879
<v Speaker 1>with girls who thought that little check would never run

0:41:51.920 --> 0:41:57.560
<v Speaker 1>out right, end up getting caught. Uh, we break up.

0:41:57.680 --> 0:42:00.719
<v Speaker 1>That's the short of it. And now I'm out here

0:42:01.040 --> 0:42:05.760
<v Speaker 1>dolely more connections whatever, and I gotta figure shit out myself.

0:42:05.840 --> 0:42:08.279
<v Speaker 1>So me and my old assistant we moved together right

0:42:08.719 --> 0:42:11.719
<v Speaker 1>in North Hollywood for a year. It's gotta be two

0:42:11.800 --> 0:42:17.680
<v Speaker 1>thousand and ten to eleven. And during that year, mars

0:42:18.280 --> 0:42:19.960
<v Speaker 1>from fifteen hundred to nothing, and I would work with

0:42:20.000 --> 0:42:23.320
<v Speaker 1>fifteen hundred en nothing in Englewood when it before the

0:42:23.360 --> 0:42:25.520
<v Speaker 1>studio was the building, before the building was the school,

0:42:26.280 --> 0:42:29.279
<v Speaker 1>like they were still the type of people they are today.

0:42:29.320 --> 0:42:33.160
<v Speaker 1>It's never switched. Big brothers and advisors and just good

0:42:33.200 --> 0:42:36.920
<v Speaker 1>hearted like people and talented so Mars calls me up.

0:42:36.960 --> 0:42:39.279
<v Speaker 1>I mean people that would literally give you the plug.

0:42:39.840 --> 0:42:42.320
<v Speaker 1>Mars calls me up and says, yo, pull up to

0:42:42.360 --> 0:42:44.880
<v Speaker 1>the studio. I'm working with Chuck. I didn't know who

0:42:44.960 --> 0:42:46.839
<v Speaker 1>Chuck was. I'm from the East, so if you say

0:42:46.920 --> 0:42:50.160
<v Speaker 1>chucks me, I have no idea who that is. Pull

0:42:50.239 --> 0:42:52.080
<v Speaker 1>up to the studio. My assistant drove me to the studio.

0:42:52.560 --> 0:42:55.000
<v Speaker 1>I get there, I'm wearing like a Mets jersey, the

0:42:55.080 --> 0:42:57.759
<v Speaker 1>blue joint and the Mets hat. And I walk in

0:42:57.840 --> 0:43:04.200
<v Speaker 1>there it's bloods everywhere. And mind you, I'm from New York.

0:43:04.520 --> 0:43:07.480
<v Speaker 1>I'm not a gangster, and I don't really like all

0:43:07.520 --> 0:43:10.719
<v Speaker 1>I knew about La was what I heard. So I'm like,

0:43:10.800 --> 0:43:14.640
<v Speaker 1>I'm out of pocket right now, you know. So Mars

0:43:14.719 --> 0:43:18.600
<v Speaker 1>introduces me to the game. Who is Chuck? And while

0:43:18.640 --> 0:43:24.759
<v Speaker 1>we're in the studio the first day, the way game

0:43:24.880 --> 0:43:26.960
<v Speaker 1>is very similar to like tango. So I was used

0:43:26.960 --> 0:43:29.200
<v Speaker 1>to the language where it's like cut and dry. Showed

0:43:29.200 --> 0:43:31.680
<v Speaker 1>me what you got, prove it kind of energy, and

0:43:32.120 --> 0:43:34.240
<v Speaker 1>by that time it's like I was already in sessions.

0:43:34.320 --> 0:43:36.319
<v Speaker 1>Mike Karen had me in so many sessions. He saw

0:43:36.360 --> 0:43:38.400
<v Speaker 1>something in me would put me in the studio like crazy,

0:43:38.880 --> 0:43:41.840
<v Speaker 1>forever grateful for it. And so by that time I

0:43:42.080 --> 0:43:44.759
<v Speaker 1>already been sparring for so long that I knew that

0:43:44.880 --> 0:43:49.680
<v Speaker 1>I could facts, especially in front of who dude. I

0:43:49.800 --> 0:43:52.960
<v Speaker 1>can't be on stage and do it, but that studio,

0:43:53.600 --> 0:43:55.800
<v Speaker 1>I know I could be in there and impress whoever's

0:43:55.800 --> 0:43:59.800
<v Speaker 1>in the room. So we start working. Chuck takes a

0:43:59.840 --> 0:44:03.120
<v Speaker 1>life making to me. Mars is always looking out making

0:44:03.160 --> 0:44:04.840
<v Speaker 1>sure that he calls me for this. I ended up

0:44:04.880 --> 0:44:07.719
<v Speaker 1>going to the studio niggas every single day for like

0:44:07.840 --> 0:44:10.080
<v Speaker 1>three four months. The niggas that I was so scared

0:44:10.120 --> 0:44:11.520
<v Speaker 1>of when I got there. I'm talking about niggas with

0:44:11.520 --> 0:44:13.880
<v Speaker 1>like tattoos on their forehead. I ain't understand the language.

0:44:13.920 --> 0:44:17.359
<v Speaker 1>It was like, Yo, these niggas is geez. After a while,

0:44:17.360 --> 0:44:22.120
<v Speaker 1>I'm sitting down with my man, uh, watching fucking SpongeBob

0:44:22.360 --> 0:44:27.040
<v Speaker 1>and laughing. Gangster is the same everywhere, And I'm the

0:44:27.080 --> 0:44:29.960
<v Speaker 1>little homie that always got big homie love. I think

0:44:30.040 --> 0:44:33.680
<v Speaker 1>God always positioned me to have really, really, really graceful

0:44:33.760 --> 0:44:41.399
<v Speaker 1>and uh like great teachers in my ogs. So meeting

0:44:41.440 --> 0:44:43.680
<v Speaker 1>the crew, they become my crew. I'm with them every day.

0:44:43.840 --> 0:44:46.640
<v Speaker 1>Thanks to Mars. I'm with them every day and Chuck

0:44:46.760 --> 0:44:48.560
<v Speaker 1>inviting me in like a little bro that he just

0:44:48.719 --> 0:44:50.160
<v Speaker 1>has to look out for for some reason. I'm on

0:44:50.280 --> 0:44:55.120
<v Speaker 1>all his mixtapes since we met. And then I get

0:44:55.160 --> 0:44:58.520
<v Speaker 1>comfortable like I always get, and I'm working with Mike

0:44:58.600 --> 0:45:01.160
<v Speaker 1>Caaren a lot. And back then it was like those

0:45:01.440 --> 0:45:05.400
<v Speaker 1>four line paramour kind of hooks where it's like or

0:45:05.560 --> 0:45:08.040
<v Speaker 1>like the could you believe that playing like those types

0:45:08.080 --> 0:45:10.840
<v Speaker 1>of hooks, them full line big Bruno type hooks was popping,

0:45:11.760 --> 0:45:13.600
<v Speaker 1>And so I had one that I was trying to

0:45:13.640 --> 0:45:16.280
<v Speaker 1>get on like Loope at Atlantic, but it wasn't placing.

0:45:17.400 --> 0:45:20.000
<v Speaker 1>And so Chuck was working on him the record and

0:45:20.080 --> 0:45:23.080
<v Speaker 1>everything was super gangster and I loved it, but it

0:45:23.200 --> 0:45:25.600
<v Speaker 1>was like, yo, but you know that these full line

0:45:25.640 --> 0:45:29.719
<v Speaker 1>hooks working right now? Yeah, So because I kind of

0:45:29.800 --> 0:45:33.080
<v Speaker 1>said it to him in the room, you know, I

0:45:33.080 --> 0:45:34.960
<v Speaker 1>should have probably pulled them aside, because I said, he

0:45:35.000 --> 0:45:36.400
<v Speaker 1>was like, nigga, what you talking about? So you got

0:45:36.440 --> 0:45:38.440
<v Speaker 1>one of those? And god, I had one. I pressed

0:45:38.440 --> 0:45:41.800
<v Speaker 1>play on pot of Golds for him and mind you

0:45:42.000 --> 0:45:44.319
<v Speaker 1>just like him And in the scope, they wasn't going

0:45:44.400 --> 0:45:47.040
<v Speaker 1>to release the record until they found the records released

0:45:47.840 --> 0:45:50.880
<v Speaker 1>and so that record I played in that song and

0:45:50.960 --> 0:45:52.560
<v Speaker 1>he wanted to go against it because he tested me

0:45:52.640 --> 0:45:55.560
<v Speaker 1>in front of everybody. He was like a couple of niggas,

0:45:55.640 --> 0:46:03.520
<v Speaker 1>like niggad ass hard. I was like Jeesus. So that

0:46:03.680 --> 0:46:06.480
<v Speaker 1>record within two or three days, he did his versus

0:46:06.520 --> 0:46:09.120
<v Speaker 1>two three days, he plays it for Jimmy Ivien. Jimmy

0:46:09.120 --> 0:46:13.480
<v Speaker 1>Ivien unlocks his budget, and then after that they had

0:46:13.560 --> 0:46:15.239
<v Speaker 1>Chris Brown on it a few days later. A month

0:46:15.360 --> 0:46:18.799
<v Speaker 1>later it was out. And the reason I love him

0:46:19.360 --> 0:46:21.440
<v Speaker 1>a lot of people work with a writer and you

0:46:21.600 --> 0:46:24.200
<v Speaker 1>kind of never hear them say thank you in public

0:46:24.960 --> 0:46:27.920
<v Speaker 1>or even in person. He would find cool ways to

0:46:27.960 --> 0:46:30.960
<v Speaker 1>pay me back, Like he'll go on his Twitter and

0:46:31.040 --> 0:46:33.279
<v Speaker 1>say yo shots to Sam Hooks. It's the hardest writer

0:46:33.920 --> 0:46:37.239
<v Speaker 1>and lo and behold. You know, I may not be

0:46:37.480 --> 0:46:39.759
<v Speaker 1>what I was doing before, but brown papers still look

0:46:39.800 --> 0:46:43.319
<v Speaker 1>good to me. So a whole bunch of people from

0:46:43.360 --> 0:46:46.439
<v Speaker 1>other countries will reach out, Can I get a hook?

0:46:46.480 --> 0:46:50.040
<v Speaker 1>Can I get it? I'm out here, Wilin Hooks left

0:46:50.120 --> 0:46:54.840
<v Speaker 1>and right. It really became what happens when a person

0:46:55.239 --> 0:46:58.000
<v Speaker 1>of you, guys like Stature, even what you're doing right now,

0:46:58.040 --> 0:47:00.760
<v Speaker 1>there's gonna be people who see this. They they believe

0:47:00.800 --> 0:47:03.239
<v Speaker 1>in the story, or they believe in my work at

0:47:03.280 --> 0:47:05.560
<v Speaker 1>their go my talent and they're gonna reach out. This

0:47:05.760 --> 0:47:08.319
<v Speaker 1>is love, bro, But it doesn't happen with mad people.

0:47:08.600 --> 0:47:13.799
<v Speaker 1>I've sold independently in major, put together three hundred fifty songs, bro, shit,

0:47:13.920 --> 0:47:18.920
<v Speaker 1>three fifty songs, yeah, independent in major. You know how

0:47:18.920 --> 0:47:22.560
<v Speaker 1>many niggas shot me out? Less than one percent of

0:47:22.640 --> 0:47:27.040
<v Speaker 1>that about one percent, it's like three or four niggas. Yeah,

0:47:27.480 --> 0:47:29.839
<v Speaker 1>that's crazy. That's crazy because you've worked with a lot

0:47:29.920 --> 0:47:32.799
<v Speaker 1>of people. Facts. It's not their fault. I'm not tight.

0:47:32.960 --> 0:47:33.680
<v Speaker 2>Yeah, but.

0:47:35.440 --> 0:47:37.120
<v Speaker 1>I don't see what they gotta go through. They gotta

0:47:37.280 --> 0:47:41.279
<v Speaker 1>it's too many people to remember. But when somebody has

0:47:41.360 --> 0:47:43.759
<v Speaker 1>it in them to do it, that's the part.

0:47:44.000 --> 0:47:44.160
<v Speaker 2>You know.

0:47:44.280 --> 0:47:47.080
<v Speaker 1>Writers don't get thank God for tan't go again. I

0:47:47.560 --> 0:47:49.680
<v Speaker 1>always got an upfront fee for record, unless it's my

0:47:49.760 --> 0:47:53.239
<v Speaker 1>brother asking for it. It's my first record. I got

0:47:53.320 --> 0:47:57.520
<v Speaker 1>a upfront fee. Yeah, so I knew how to ask

0:47:57.600 --> 0:47:59.239
<v Speaker 1>for it the way they they would ask for it.

0:47:59.360 --> 0:48:01.480
<v Speaker 1>I learned from these niggas how that make sure you

0:48:01.600 --> 0:48:04.880
<v Speaker 1>get your bag up front, and so I enjoyed getting

0:48:04.920 --> 0:48:09.160
<v Speaker 1>the indie bag because it paid. Now yeah, and guys

0:48:09.239 --> 0:48:11.120
<v Speaker 1>like Game Game put me in this video. That's that

0:48:11.320 --> 0:48:14.600
<v Speaker 1>that makes where I'm from be grateful for Game makes

0:48:14.680 --> 0:48:18.879
<v Speaker 1>where I'm from be proud of me. And these things

0:48:19.000 --> 0:48:21.279
<v Speaker 1>help when people are speaking about you when you're not there.

0:48:21.960 --> 0:48:23.320
<v Speaker 1>If you know me, you know, I'm not taking a

0:48:23.360 --> 0:48:25.960
<v Speaker 1>picture of myself and I don't know how to promote myself.

0:48:26.080 --> 0:48:28.040
<v Speaker 1>These ways is the only ways people can find out

0:48:28.040 --> 0:48:33.000
<v Speaker 1>about me good works and and love and respect. So

0:48:34.160 --> 0:48:37.839
<v Speaker 1>I'm always grateful to Chuck for that Pot of Gold

0:48:37.920 --> 0:48:40.840
<v Speaker 1>came out. It did well on that same album. I

0:48:40.880 --> 0:48:42.640
<v Speaker 1>think it's that same album Me and you Just See

0:48:42.680 --> 0:48:49.959
<v Speaker 1>No Evil with Kendrick and the next album. Yeah, yeah,

0:48:51.440 --> 0:48:55.080
<v Speaker 1>so is that I knew you before that though? Yeah,

0:48:55.640 --> 0:48:57.800
<v Speaker 1>I would probably be too scared around you, bro. When

0:48:57.800 --> 0:49:00.360
<v Speaker 1>I'm around greatness and like people that are up, like

0:49:00.440 --> 0:49:03.400
<v Speaker 1>looking up to and listening to, I go right back

0:49:03.440 --> 0:49:06.200
<v Speaker 1>to feeling like I'm a whole scrib is just mad scared.

0:49:06.320 --> 0:49:07.240
<v Speaker 2>You know what? I remember?

0:49:07.360 --> 0:49:09.279
<v Speaker 3>You know what I think because you did the demo right,

0:49:10.280 --> 0:49:13.400
<v Speaker 3>did you? Okay, so I didn't believe that was your voice.

0:49:13.920 --> 0:49:17.880
<v Speaker 3>Oh yeah, because the nigga don't sing like you talk. No, no,

0:49:18.680 --> 0:49:20.800
<v Speaker 3>not at all, not at all and I was like,

0:49:21.840 --> 0:49:24.280
<v Speaker 3>who's who's Michael Lesk voice?

0:49:28.719 --> 0:49:29.400
<v Speaker 2>I remember that.

0:49:29.600 --> 0:49:30.959
<v Speaker 1>Yeah, he has a higher pitch.

0:49:31.160 --> 0:49:33.680
<v Speaker 2>It's something it's up there.

0:49:34.719 --> 0:49:35.560
<v Speaker 1>Especially back then.

0:49:35.760 --> 0:49:36.000
<v Speaker 2>Yeah.

0:49:37.800 --> 0:49:40.920
<v Speaker 1>Yeah, that that was my first time, only time ever

0:49:41.000 --> 0:49:43.719
<v Speaker 1>working with Kendrick is with you. Me and you work

0:49:43.800 --> 0:49:46.000
<v Speaker 1>twice so far, now is it twice?

0:49:46.320 --> 0:49:46.520
<v Speaker 3>Yeah?

0:49:46.640 --> 0:49:52.640
<v Speaker 1>When we remix that's right. Yeah, yeah, I know you

0:49:52.719 --> 0:49:53.440
<v Speaker 1>know when I worked with you.

0:49:53.520 --> 0:49:54.480
<v Speaker 2>I remember.

0:49:57.400 --> 0:49:59.960
<v Speaker 1>Me and Jay Valentine maybe two thousand and nine to ten,

0:50:00.040 --> 0:50:03.600
<v Speaker 1>and we did it for you. Yes, yeah, it's for you.

0:50:03.719 --> 0:50:05.320
<v Speaker 2>What's for you? This is for you?

0:50:06.239 --> 0:50:10.320
<v Speaker 1>Uh, it's the it's the video where actually trying to

0:50:10.480 --> 0:50:13.080
<v Speaker 1>which I don't shoot videos ali enough. It's a black

0:50:13.120 --> 0:50:16.080
<v Speaker 1>and white video, which is crazy because the second black

0:50:16.120 --> 0:50:18.440
<v Speaker 1>and white video I did turned out to be thank

0:50:18.520 --> 0:50:20.880
<v Speaker 1>me for that at his spot? Remember.

0:50:21.440 --> 0:50:21.680
<v Speaker 2>Yeah?

0:50:22.560 --> 0:50:26.359
<v Speaker 1>Yeah, so yo, it's an honor. I'm a proud little

0:50:26.400 --> 0:50:29.440
<v Speaker 1>homie to have no Listen, bro, you've you've always answered

0:50:29.480 --> 0:50:32.239
<v Speaker 1>the call, You've always answered my call, and for us,

0:50:32.360 --> 0:50:34.480
<v Speaker 1>it's it's one of those things like like you were

0:50:34.480 --> 0:50:36.600
<v Speaker 1>saying even about with the podcast, this is my favorite

0:50:36.640 --> 0:50:39.279
<v Speaker 1>pot thank you bro, period. This is this is why

0:50:39.360 --> 0:50:41.759
<v Speaker 1>we we've done the podcast, right, because we want to

0:50:41.800 --> 0:50:45.680
<v Speaker 1>celebrate the real ones and the people whose stories don't

0:50:45.719 --> 0:50:47.840
<v Speaker 1>always get a spotlight on them. Yeah, you know what

0:50:47.880 --> 0:50:50.759
<v Speaker 1>I mean, Like it's and I think it's it's been

0:50:50.840 --> 0:50:54.200
<v Speaker 1>cool for us because we don't look at our podcast

0:50:54.360 --> 0:50:56.759
<v Speaker 1>as oh, we have to have such and such every week,

0:50:57.000 --> 0:50:59.160
<v Speaker 1>because that's not what's the most important thing to us.

0:50:59.680 --> 0:51:02.040
<v Speaker 1>Our thing is for people to learn the stories and learn,

0:51:02.600 --> 0:51:06.919
<v Speaker 1>you know, the journeys and the different ways that people

0:51:06.960 --> 0:51:11.160
<v Speaker 1>have gone about getting to their success, and just even

0:51:11.239 --> 0:51:13.640
<v Speaker 1>your story, Like I know a lot of it because

0:51:13.680 --> 0:51:16.560
<v Speaker 1>we really really friends in real life and we've said

0:51:16.640 --> 0:51:18.480
<v Speaker 1>and talked and you know what I mean, I know

0:51:19.360 --> 0:51:21.960
<v Speaker 1>your whole mindset of this shit. Like every time you

0:51:22.000 --> 0:51:23.200
<v Speaker 1>say and I had to get back to the pack,

0:51:23.280 --> 0:51:24.879
<v Speaker 1>I know that about you, you know what I'm saying.

0:51:24.960 --> 0:51:27.080
<v Speaker 2>So, but the.

0:51:28.160 --> 0:51:33.279
<v Speaker 1>Casual fan, our listener or viewer doesn't understand that, you know,

0:51:34.000 --> 0:51:36.359
<v Speaker 1>there are people who've had to because at this point

0:51:36.680 --> 0:51:40.200
<v Speaker 1>you have three or four songs out placements, the whole shit,

0:51:40.560 --> 0:51:44.400
<v Speaker 1>you're still looking for the pack at that point. Facts,

0:51:44.760 --> 0:51:49.319
<v Speaker 1>because this business there's just snow guarantees in it. It's

0:51:49.320 --> 0:51:53.160
<v Speaker 1>snow guarantees of when that next placement is coming. But

0:51:53.280 --> 0:51:55.600
<v Speaker 1>the one thing that I've noticed with you all the time,

0:51:55.680 --> 0:51:58.000
<v Speaker 1>and you kind of mentioned that you tapped on it

0:51:58.320 --> 0:52:01.600
<v Speaker 1>was like you said it, I got three hundred and

0:52:01.719 --> 0:52:08.120
<v Speaker 1>fifty records so independent and on majors. You figured out

0:52:08.160 --> 0:52:11.839
<v Speaker 1>how to get to the independent bag, which is very

0:52:11.960 --> 0:52:16.440
<v Speaker 1>very important, which a lot of major yeah, and a

0:52:16.520 --> 0:52:21.680
<v Speaker 1>lot of major label writers and producers they kind of, yeah,

0:52:21.680 --> 0:52:23.640
<v Speaker 1>I don't really do that because you know, my fee

0:52:23.800 --> 0:52:25.560
<v Speaker 1>is this, and you're like, no, no, no, no, no no,

0:52:25.920 --> 0:52:27.200
<v Speaker 1>this is my new pack.

0:52:28.719 --> 0:52:29.279
<v Speaker 2>Exactly.

0:52:29.680 --> 0:52:32.439
<v Speaker 1>And I respect that because it also kept your ass

0:52:32.440 --> 0:52:34.880
<v Speaker 1>from going to jail in fact, you know what I'm saying, like,

0:52:35.480 --> 0:52:38.680
<v Speaker 1>which a lot of guys they take a lot of

0:52:38.719 --> 0:52:42.040
<v Speaker 1>different chances getting back into the streets or getting too

0:52:42.040 --> 0:52:43.759
<v Speaker 1>the streets that they've never been a part of, don't

0:52:43.800 --> 0:52:47.040
<v Speaker 1>understand the streets, and now they fucked up instead of saying,

0:52:47.040 --> 0:52:51.719
<v Speaker 1>you know what, this can be my hustle. And like

0:52:51.800 --> 0:52:54.160
<v Speaker 1>I said, but I respect that. When I finally quit

0:52:54.480 --> 0:52:58.680
<v Speaker 1>doing like anything wrong for the bag, I realized how

0:52:59.000 --> 0:53:03.200
<v Speaker 1>hard it must be songwriters to get paper yeah. Because

0:53:03.520 --> 0:53:05.520
<v Speaker 1>it was mixed. So it felt really good for a

0:53:05.560 --> 0:53:08.200
<v Speaker 1>long period of time where it's like I know, we

0:53:08.239 --> 0:53:10.800
<v Speaker 1>could go to the bowling alley, rent thirty lanes, we

0:53:10.880 --> 0:53:14.839
<v Speaker 1>could do this, we could do that. But the one

0:53:14.880 --> 0:53:17.160
<v Speaker 1>thing that I'll say to anybody who's young and listening,

0:53:17.640 --> 0:53:21.040
<v Speaker 1>I don't glorify that shit at all. A life that

0:53:21.200 --> 0:53:24.440
<v Speaker 1>you can't put on a calendar, you're plugg don't have

0:53:24.520 --> 0:53:28.120
<v Speaker 1>a calendar or a schedule or structure. You know, you

0:53:28.280 --> 0:53:30.640
<v Speaker 1>on his time, so you could never be on your

0:53:30.640 --> 0:53:34.120
<v Speaker 1>own time. You're waiting here, you're waiting there. The things

0:53:34.160 --> 0:53:37.840
<v Speaker 1>that are most important in your life that on your calendar,

0:53:37.840 --> 0:53:40.719
<v Speaker 1>they shouldn't only be obligation. It's just fucking bills or

0:53:40.760 --> 0:53:43.839
<v Speaker 1>when to ride to work or doctor's appointments. You could

0:53:43.880 --> 0:53:47.359
<v Speaker 1>turn your life into a menu that you picked out

0:53:47.640 --> 0:53:51.640
<v Speaker 1>if you do things that are allowed onto your calendar.

0:53:52.000 --> 0:53:52.279
<v Speaker 3>And so.

0:53:54.000 --> 0:53:56.480
<v Speaker 1>I realized this. So all this time that I was

0:53:56.520 --> 0:53:58.279
<v Speaker 1>doing all that stuff and having all these friends and

0:53:58.440 --> 0:54:04.600
<v Speaker 1>having all that fun, one I'm definitely shunning because you

0:54:04.680 --> 0:54:06.920
<v Speaker 1>ever you ever smashed the wrong short, you wake up

0:54:06.920 --> 0:54:11.320
<v Speaker 1>the next day you feel like you can't pray. You

0:54:11.360 --> 0:54:15.040
<v Speaker 1>see what I'm saying. So and then two I'm like,

0:54:16.880 --> 0:54:20.640
<v Speaker 1>that's a married man, bro, Wow.

0:54:23.160 --> 0:54:25.560
<v Speaker 2>Night, forgive me yo.

0:54:25.719 --> 0:54:29.360
<v Speaker 1>My dad I never it was mad and titled, like

0:54:29.520 --> 0:54:32.600
<v Speaker 1>I never built a relationship with my family because they

0:54:32.640 --> 0:54:36.040
<v Speaker 1>could never know about my real day. So it's surface.

0:54:36.120 --> 0:54:39.919
<v Speaker 1>It's like how you doing good? How you doing good?

0:54:40.640 --> 0:54:43.320
<v Speaker 1>And so when I when I uh Lee and Roussell

0:54:43.760 --> 0:54:47.680
<v Speaker 1>when they passed away twenty eighteen. The things that when

0:54:47.719 --> 0:54:50.239
<v Speaker 1>you live a life that usually I'm never going to

0:54:50.280 --> 0:54:51.839
<v Speaker 1>say I was two feet in when you want foot

0:54:51.840 --> 0:54:54.520
<v Speaker 1>in one foot out. There's things that your big homie

0:54:54.560 --> 0:54:57.319
<v Speaker 1>could tell you when you was eleven years old and say, yo,

0:54:57.719 --> 0:54:59.840
<v Speaker 1>life no regrets. You'll live with no regrets. So you

0:55:00.000 --> 0:55:02.799
<v Speaker 1>go home and you practice that. What do you pick

0:55:02.880 --> 0:55:06.880
<v Speaker 1>up instead? Justification for all your bullshit? So everybody's memories

0:55:06.920 --> 0:55:11.600
<v Speaker 1>in your lifetime is just you justifying your bullshit. You

0:55:11.680 --> 0:55:13.680
<v Speaker 1>don't have no idea how they feel because you think

0:55:13.680 --> 0:55:17.120
<v Speaker 1>you're right all the time. And yo, things that caught

0:55:17.160 --> 0:55:19.120
<v Speaker 1>the short end of the stick in my lifetime from

0:55:19.239 --> 0:55:22.600
<v Speaker 1>zero to thirty years old was yo, I never had

0:55:22.640 --> 0:55:25.759
<v Speaker 1>a real relationship that I can be honest with my dad,

0:55:26.239 --> 0:55:29.359
<v Speaker 1>like whenever you like, if I can't tell you about

0:55:29.400 --> 0:55:33.000
<v Speaker 1>my whole day, I'm not being honest with you. So

0:55:33.080 --> 0:55:36.000
<v Speaker 1>when Lee and Rasseau passed away. Let me tell you something,

0:55:36.040 --> 0:55:38.800
<v Speaker 1>I probably never admitted it in person or to anybody

0:55:39.480 --> 0:55:45.080
<v Speaker 1>or in public when they passed away. Leah was my artist,

0:55:45.360 --> 0:55:49.160
<v Speaker 1>Rasu was business partner in with us for Leah. So

0:55:49.880 --> 0:55:51.879
<v Speaker 1>and mind you, that's my sister, that's my brother, that's

0:55:51.960 --> 0:55:56.200
<v Speaker 1>I love them. They had my house all week long.

0:55:56.719 --> 0:55:59.520
<v Speaker 1>You know, we're together bowling, we're together, karaoke together, drink

0:55:59.520 --> 0:56:02.040
<v Speaker 1>and we're got eating at my house all the time.

0:56:02.800 --> 0:56:06.480
<v Speaker 1>So when they passed away, I remember the text threat, right,

0:56:07.040 --> 0:56:10.160
<v Speaker 1>So I'm so quick to go public and say harpe

0:56:10.400 --> 0:56:12.440
<v Speaker 1>and I love you and I'm feeling it. But I

0:56:12.480 --> 0:56:13.920
<v Speaker 1>didn't know what I was feeling when I looked at

0:56:13.960 --> 0:56:19.080
<v Speaker 1>the text threat. It's me curving every time they asked

0:56:19.080 --> 0:56:21.520
<v Speaker 1>me for the last two three weeks or months, when

0:56:21.560 --> 0:56:25.000
<v Speaker 1>they would ask me to do something productive. Instead, I'm

0:56:25.040 --> 0:56:27.239
<v Speaker 1>looking at my text message that I made up to

0:56:27.360 --> 0:56:29.920
<v Speaker 1>make them say okay, so I can go chill with

0:56:30.000 --> 0:56:31.759
<v Speaker 1>a joint or chill with my niggas and do the

0:56:31.800 --> 0:56:35.920
<v Speaker 1>wrong thing. Right, I'm looking at how I was avoiding

0:56:36.040 --> 0:56:39.000
<v Speaker 1>them and giving them and thinking that I'm always going

0:56:39.040 --> 0:56:40.480
<v Speaker 1>to be able to round back and make it right.

0:56:41.920 --> 0:56:44.239
<v Speaker 1>You see what I'm saying, and I don't think I

0:56:44.320 --> 0:56:47.920
<v Speaker 1>ever felt true guilt until I realized how fake of

0:56:48.000 --> 0:56:50.600
<v Speaker 1>a nigga I was to them. It's like, if you

0:56:50.680 --> 0:56:52.879
<v Speaker 1>ever think, like right now, you can believe the person

0:56:52.920 --> 0:56:57.000
<v Speaker 1>I hand myself into you as but the surveillance is different.

0:56:58.239 --> 0:57:02.080
<v Speaker 1>Surveillance sees me weary and sees me scared. Surveillance sees

0:57:02.120 --> 0:57:05.400
<v Speaker 1>me panicked. That's spirit and adequate, you know, all the

0:57:05.520 --> 0:57:07.800
<v Speaker 1>things that people don't show when they want their perception

0:57:07.920 --> 0:57:10.800
<v Speaker 1>to be the true story. But so it's like I

0:57:10.880 --> 0:57:13.560
<v Speaker 1>started really feeling guilt, Like, what did God see this

0:57:13.719 --> 0:57:16.600
<v Speaker 1>whole time? He saw the way there, they saw me there,

0:57:17.240 --> 0:57:18.920
<v Speaker 1>you see what I'm saying, But how do you look

0:57:18.920 --> 0:57:23.040
<v Speaker 1>when no one's looking? I hated the answer. I hated

0:57:23.400 --> 0:57:26.600
<v Speaker 1>started really just doing mass self work. And once you

0:57:26.680 --> 0:57:28.640
<v Speaker 1>put that one string of guilt, you never felt it before.

0:57:29.160 --> 0:57:31.640
<v Speaker 1>I look at it like tabs, like all the open tabs,

0:57:31.680 --> 0:57:35.000
<v Speaker 1>thirty years of open tabs. It took a thousand days

0:57:35.040 --> 0:57:38.280
<v Speaker 1>to close. I spent twenty nineteen twenty twenty one by myself,

0:57:38.720 --> 0:57:40.760
<v Speaker 1>my engineer, and my assistant. Only two people I saw.

0:57:41.320 --> 0:57:44.840
<v Speaker 1>I was so buried in guilt and grudges. And grief.

0:57:45.120 --> 0:57:49.160
<v Speaker 1>I didn't know what how to handle, and I had

0:57:49.200 --> 0:57:52.760
<v Speaker 1>to do like a remorse. We'll do it called men's tour,

0:57:53.520 --> 0:57:56.959
<v Speaker 1>you know, and apology tour, like reaching out to people

0:57:57.040 --> 0:58:00.360
<v Speaker 1>and saying, oh, I finally realized what effects I could

0:58:00.400 --> 0:58:03.080
<v Speaker 1>have had on you. It's people that I'm like, yo,

0:58:04.720 --> 0:58:07.240
<v Speaker 1>let's go do a stick up. You see what I'm saying.

0:58:07.800 --> 0:58:10.000
<v Speaker 1>And we're fifteen, sixteen years old, we're doing stick ups.

0:58:10.040 --> 0:58:12.240
<v Speaker 1>We think it's funny, but one of them go get

0:58:12.280 --> 0:58:15.320
<v Speaker 1>locked up. It's not funny no more. And if he

0:58:15.480 --> 0:58:18.400
<v Speaker 1>learned from me and my guys, you got a whole

0:58:18.400 --> 0:58:29.880
<v Speaker 1>future that's different because of us, so different things that

0:58:30.040 --> 0:58:33.320
<v Speaker 1>was happening. It's like, ya, I saw that this. I'm

0:58:33.360 --> 0:58:36.520
<v Speaker 1>on the same story that Jesus Christ exists on, Michael

0:58:36.560 --> 0:58:40.400
<v Speaker 1>Jordan exists on, Michael Jackson exists on, Barack Obama, Will Smith,

0:58:40.480 --> 0:58:41.800
<v Speaker 1>all the people that I love and look up to,

0:58:42.360 --> 0:58:45.240
<v Speaker 1>And I got a character in the same story that

0:58:45.320 --> 0:58:47.600
<v Speaker 1>they're in. It never the story of history don't start over.

0:58:48.520 --> 0:58:50.240
<v Speaker 1>So I got a character, and this is what I

0:58:50.320 --> 0:58:53.880
<v Speaker 1>chose to do with it. I hated it, and so

0:58:54.000 --> 0:58:57.040
<v Speaker 1>I spent mad time doing like unlearning the conversation we

0:58:57.120 --> 0:59:00.280
<v Speaker 1>had at the crypt unlearning things, and I got I

0:59:00.360 --> 0:59:02.480
<v Speaker 1>fell in love with time. Like tank, if I ask

0:59:02.560 --> 0:59:04.440
<v Speaker 1>you how many hours there in the day, what you

0:59:04.560 --> 0:59:07.600
<v Speaker 1>wanna say? I don't know how many hours? If I

0:59:07.680 --> 0:59:09.320
<v Speaker 1>told you there was more than twenty four hours in

0:59:09.360 --> 0:59:12.920
<v Speaker 1>the day, would you believe me? Exactly? I believe that too.

0:59:13.160 --> 0:59:16.880
<v Speaker 1>I started unlocking that right now. If me and you

0:59:17.520 --> 0:59:22.560
<v Speaker 1>and Jay's on a Tuesday together, there's at least seventy

0:59:22.600 --> 0:59:26.320
<v Speaker 1>two hours on a Tuesday. And it's if this's seven

0:59:26.360 --> 0:59:29.040
<v Speaker 1>point nine billion people are counted for on planet Earth,

0:59:30.000 --> 0:59:35.760
<v Speaker 1>that's seven point nine billion time twenty four hours happening Tuesday.

0:59:36.840 --> 0:59:39.120
<v Speaker 1>And I'm like, yo, we've been all focused on self,

0:59:39.200 --> 0:59:41.280
<v Speaker 1>all focused on self. We can't even plan correctly. But

0:59:41.320 --> 0:59:43.920
<v Speaker 1>how do big companies plan? They planning man hours? How

0:59:43.960 --> 0:59:46.560
<v Speaker 1>do they break it down and how do they make sure?

0:59:46.760 --> 0:59:49.480
<v Speaker 1>Like and then I was so depressed going through so much,

0:59:49.520 --> 0:59:51.080
<v Speaker 1>I'm like, yo, if I felt like I was in

0:59:51.160 --> 0:59:53.000
<v Speaker 1>a jail selling God said, yo, what matters to you?

0:59:54.040 --> 0:59:57.160
<v Speaker 1>And my answer, if God is your CEO, You're gonna

0:59:57.160 --> 1:00:01.000
<v Speaker 1>be like you do you matter? And then I said

1:00:01.440 --> 1:00:05.000
<v Speaker 1>my family matters? And then I said my gift and

1:00:05.440 --> 1:00:08.200
<v Speaker 1>the effects it has on history. And so it's like

1:00:09.040 --> 1:00:12.000
<v Speaker 1>guys like, all right, cool, I'll let you out if

1:00:12.040 --> 1:00:15.160
<v Speaker 1>you prove that to be your routine, your calendar, your

1:00:15.240 --> 1:00:20.320
<v Speaker 1>checkoff system daily in chronological order. So you said I

1:00:20.400 --> 1:00:22.439
<v Speaker 1>come first, boom, I need to see me come first

1:00:22.560 --> 1:00:25.880
<v Speaker 1>from surveillance. So I need to see you pray on

1:00:25.920 --> 1:00:28.560
<v Speaker 1>your knees, pray out loud, read your Bible, write the

1:00:28.640 --> 1:00:30.600
<v Speaker 1>notes that you just learned, write the laws you found

1:00:30.720 --> 1:00:32.520
<v Speaker 1>in it, and promise me something that you're going to

1:00:32.560 --> 1:00:34.520
<v Speaker 1>do today from what you just read. I need to

1:00:34.560 --> 1:00:35.200
<v Speaker 1>see you.

1:00:35.440 --> 1:00:35.560
<v Speaker 2>Yo.

1:00:35.760 --> 1:00:38.240
<v Speaker 1>You don't got no relationship with your family. You think

1:00:38.280 --> 1:00:40.000
<v Speaker 1>you do because they love you and it's endless and

1:00:40.000 --> 1:00:44.360
<v Speaker 1>it's un you know, unconditional, But what does yours look like?

1:00:45.600 --> 1:00:47.480
<v Speaker 1>Have you ever gave them on conditional? Look? Do you

1:00:47.560 --> 1:00:50.520
<v Speaker 1>even know how? So I put my dad first. I

1:00:50.680 --> 1:00:52.680
<v Speaker 1>create a specially bro I put my dad first. On

1:00:52.760 --> 1:00:56.520
<v Speaker 1>the specialet. Put my first. It was God, what time

1:00:56.560 --> 1:00:58.840
<v Speaker 1>did you get here? Then it's pray. Then it's read

1:00:58.880 --> 1:01:01.440
<v Speaker 1>your Bible. Then it's what is your takeaway? Then it's

1:01:01.520 --> 1:01:04.240
<v Speaker 1>reach out to dad, reach out to mom, reach out

1:01:04.240 --> 1:01:06.040
<v Speaker 1>to my older brother Danny, my older sister, and that

1:01:06.400 --> 1:01:09.800
<v Speaker 1>my little brother Timmy my little brother Paul, nieces and nephews.

1:01:09.840 --> 1:01:12.600
<v Speaker 1>It says Wednesdays because I ain't got every day for

1:01:12.680 --> 1:01:16.480
<v Speaker 1>the youngest, but my siblings, my parents. You know, for

1:01:16.600 --> 1:01:18.920
<v Speaker 1>a thousand days I reached out to my father every

1:01:19.000 --> 1:01:22.000
<v Speaker 1>single day. Today, he's my best friend. I popped up

1:01:22.040 --> 1:01:23.960
<v Speaker 1>on this calendar. Five am for me is eight am

1:01:24.040 --> 1:01:25.200
<v Speaker 1>for him. So if you got to be at his

1:01:25.400 --> 1:01:27.800
<v Speaker 1>job and shout out to my pops. He's the first

1:01:27.840 --> 1:01:31.760
<v Speaker 1>Haitian funeral business owner in New York State history. But like,

1:01:32.080 --> 1:01:35.480
<v Speaker 1>if I call him before he gets there, first few days,

1:01:35.520 --> 1:01:38.680
<v Speaker 1>this is somebody who is used to expecting the worst

1:01:38.720 --> 1:01:41.240
<v Speaker 1>in me. But I realized, like yo, dust settles, it

1:01:41.320 --> 1:01:44.040
<v Speaker 1>turned into cement. So if you humble enough, you young enough,

1:01:44.440 --> 1:01:46.200
<v Speaker 1>you grab the chisel. You don't give up until it's

1:01:46.240 --> 1:01:49.160
<v Speaker 1>in the form you wanted in. You see what I'm saying.

1:01:49.200 --> 1:01:51.400
<v Speaker 1>So I chiseled away at my relationship with my pops.

1:01:51.440 --> 1:01:54.439
<v Speaker 1>I did not give up on him for a few days.

1:01:54.480 --> 1:01:56.200
<v Speaker 1>It was discouraging because I'm like, how you doing. He's like, well,

1:01:56.240 --> 1:01:58.560
<v Speaker 1>I sent me, like what you need?

1:01:59.200 --> 1:01:59.680
<v Speaker 2>What do you want?

1:02:01.040 --> 1:02:05.760
<v Speaker 1>Yeah, Pops is stern, but he's mad understanding, but I

1:02:05.880 --> 1:02:09.240
<v Speaker 1>also realized things like this, like how was your day

1:02:10.400 --> 1:02:13.360
<v Speaker 1>is a beautiful question to ask intentionally, a sucky question

1:02:13.480 --> 1:02:16.880
<v Speaker 1>to ask unintentionally. So how's your day? Good? Sucks? How

1:02:17.000 --> 1:02:17.560
<v Speaker 1>was your day? Not?

1:02:17.640 --> 1:02:18.040
<v Speaker 2>For real?

1:02:18.520 --> 1:02:20.520
<v Speaker 1>Tell me about your day? What was your favorite thing

1:02:20.520 --> 1:02:23.200
<v Speaker 1>you learned? What's the worst thing when you? I started

1:02:23.240 --> 1:02:25.320
<v Speaker 1>requiring him to speak to me? I made him talk

1:02:25.360 --> 1:02:28.800
<v Speaker 1>to me. Bro discouraged a few times and wanting to

1:02:28.880 --> 1:02:30.880
<v Speaker 1>drop it, but I'm like, Nah, something that in me says,

1:02:30.920 --> 1:02:31.360
<v Speaker 1>don't give up.

1:02:31.480 --> 1:02:31.880
<v Speaker 2>Keep doing it.

1:02:32.280 --> 1:02:35.400
<v Speaker 1>I call my pops every single day, by the day

1:02:35.480 --> 1:02:38.200
<v Speaker 1>nine hundred. So what happens to you when you look

1:02:38.240 --> 1:02:41.600
<v Speaker 1>through your days, find out what information is worth carrying,

1:02:41.640 --> 1:02:45.160
<v Speaker 1>what information is worth dropping? You're clearing your cash all

1:02:45.240 --> 1:02:47.280
<v Speaker 1>them open tabs. Like if nobody asked you how your

1:02:47.360 --> 1:02:49.640
<v Speaker 1>day was for thirty days, you might not even ask yourself.

1:02:49.920 --> 1:02:52.040
<v Speaker 1>So now you got thirty days open tabs, and your

1:02:52.080 --> 1:02:55.280
<v Speaker 1>buffer can just start tricking off. You see what I'm saying.

1:02:55.920 --> 1:02:58.280
<v Speaker 1>I was requiring my pops, we lived seventy years at

1:02:58.320 --> 1:03:02.000
<v Speaker 1>this point, to look through his days, and the first

1:03:02.040 --> 1:03:04.200
<v Speaker 1>time in his life somebody's requiring him to say this

1:03:04.320 --> 1:03:04.960
<v Speaker 1>is my favorite part.

1:03:05.000 --> 1:03:05.920
<v Speaker 2>This is what I could do better.

1:03:06.600 --> 1:03:08.120
<v Speaker 1>He got so used to doing it. One day, my

1:03:08.200 --> 1:03:10.560
<v Speaker 1>sister texts the family chat. She's like, Yo, something's wrong

1:03:10.600 --> 1:03:11.000
<v Speaker 1>with Poppy.

1:03:11.480 --> 1:03:11.640
<v Speaker 2>Right.

1:03:12.160 --> 1:03:15.240
<v Speaker 1>I'm like, what happened? I'm three thousand miles away. What happened?

1:03:15.240 --> 1:03:16.840
<v Speaker 1>She's like, Nah, nothing like that. But this guy just

1:03:16.880 --> 1:03:23.080
<v Speaker 1>asked me how my day was. Yeah, yo, but yo,

1:03:23.720 --> 1:03:26.560
<v Speaker 1>little things like Yo, what are your assets? Bro? Like

1:03:26.680 --> 1:03:30.640
<v Speaker 1>everybody want to talk paper or talk purchases. My biggest

1:03:30.680 --> 1:03:33.960
<v Speaker 1>asset is my relationship with God, my relationship with my family.

1:03:34.040 --> 1:03:36.160
<v Speaker 1>These two things I build on like their business I

1:03:36.280 --> 1:03:38.600
<v Speaker 1>check off. You've seen it. I showed it to you.

1:03:39.200 --> 1:03:42.760
<v Speaker 1>I checked these things off, like that's the start of

1:03:42.800 --> 1:03:45.040
<v Speaker 1>my day is business. I make sure that I could

1:03:45.120 --> 1:03:46.960
<v Speaker 1>check off that. I and then the days that I

1:03:47.040 --> 1:03:49.120
<v Speaker 1>slack and don't reach out to on this spreadsheet, I

1:03:49.120 --> 1:03:51.400
<v Speaker 1>could see, Yo, Sammy, you haven't checked on them for

1:03:51.480 --> 1:03:55.280
<v Speaker 1>three days. You're not watering your flowers. So these things,

1:03:55.320 --> 1:03:58.000
<v Speaker 1>to me is kind of became more important. And I

1:03:58.080 --> 1:04:01.800
<v Speaker 1>could tell that even having that type of structure, that

1:04:01.840 --> 1:04:04.400
<v Speaker 1>type of routine, changed my life and it leaked into

1:04:04.480 --> 1:04:07.160
<v Speaker 1>my business. Now I have because of how depressed I

1:04:07.320 --> 1:04:09.480
<v Speaker 1>was to get out of it. I leanked on god

1:04:09.640 --> 1:04:12.840
<v Speaker 1>lengthd on family, created routines, created structures, and I'm starting

1:04:12.880 --> 1:04:17.280
<v Speaker 1>to realize all things need structure. The reason the first

1:04:17.320 --> 1:04:19.320
<v Speaker 1>few times I invest in artists it don't work. One

1:04:19.360 --> 1:04:21.520
<v Speaker 1>I'm bad leader. Two I have no structure. Three I'm

1:04:21.520 --> 1:04:24.400
<v Speaker 1>trying to carry anything on my memory. I'm gonna shut down.

1:04:24.600 --> 1:04:27.480
<v Speaker 1>I'm gonna lose. You can't You're not a canvas for

1:04:27.560 --> 1:04:30.600
<v Speaker 1>success in that type of thing. And so I've been

1:04:30.920 --> 1:04:36.080
<v Speaker 1>in like these last I have every single day written out,

1:04:36.200 --> 1:04:39.600
<v Speaker 1>so my journal runs all my revenue streams today, and

1:04:39.760 --> 1:04:44.920
<v Speaker 1>I have one middle journal piece what we call central

1:04:44.960 --> 1:04:48.880
<v Speaker 1>information or new information log where every information that came

1:04:48.960 --> 1:04:53.480
<v Speaker 1>in from any direction, I put every log there and

1:04:53.600 --> 1:04:57.080
<v Speaker 1>two people share it. Right had operations and assystem So

1:04:57.400 --> 1:05:00.320
<v Speaker 1>when this is shared to that middle link, if it

1:05:00.400 --> 1:05:02.000
<v Speaker 1>took me ten hours to go through something, but I

1:05:02.040 --> 1:05:04.080
<v Speaker 1>got a team of five and it takes fifteen minutes

1:05:04.120 --> 1:05:06.360
<v Speaker 1>to explain you see what I'm saying. I'm not spending

1:05:06.400 --> 1:05:10.920
<v Speaker 1>fifteen thirty forty five you feel me, it's sixty on

1:05:11.640 --> 1:05:14.880
<v Speaker 1>telling nobody else. I could tell it to the middle

1:05:15.200 --> 1:05:18.120
<v Speaker 1>and they have a checkoff system for the company that

1:05:18.320 --> 1:05:21.720
<v Speaker 1>checks the middle moves every lock to the department, set department,

1:05:22.240 --> 1:05:24.680
<v Speaker 1>and I started just learning, like yo, this structural shit

1:05:24.760 --> 1:05:26.280
<v Speaker 1>really works. It gives us a lot of time. In

1:05:26.320 --> 1:05:30.200
<v Speaker 1>the day, I used to God gave me a big

1:05:30.320 --> 1:05:34.280
<v Speaker 1>crew with but I had no direction, no good leadership,

1:05:34.680 --> 1:05:37.400
<v Speaker 1>and I wasted time. So if my crew was ten

1:05:37.480 --> 1:05:40.120
<v Speaker 1>people willing to give eight hours, there was a few

1:05:41.040 --> 1:05:42.800
<v Speaker 1>days I could live in one day on a plan.

1:05:43.080 --> 1:05:45.280
<v Speaker 1>But I didn't see it like that. And now with

1:05:45.640 --> 1:05:48.560
<v Speaker 1>less people, you know, the people I'm blessed to have

1:05:48.760 --> 1:05:51.880
<v Speaker 1>with today, I take care of the time because with

1:05:52.480 --> 1:05:54.920
<v Speaker 1>like as an old to like lean Rossue, as an

1:05:54.920 --> 1:05:56.760
<v Speaker 1>old to the old partners that I wasn't a good

1:05:56.760 --> 1:05:59.000
<v Speaker 1>partner to, you know, as an old to the artist

1:05:59.080 --> 1:06:03.120
<v Speaker 1>that I over promising, then to deliver it to like today,

1:06:03.120 --> 1:06:07.000
<v Speaker 1>it's like everything is on the calendar, and if you're

1:06:07.000 --> 1:06:09.760
<v Speaker 1>talking to me and the wind, I'm gonna write down

1:06:10.120 --> 1:06:11.800
<v Speaker 1>what you just said to you at the it said

1:06:11.800 --> 1:06:13.200
<v Speaker 1>to me at the end of the conversation if there

1:06:13.280 --> 1:06:15.240
<v Speaker 1>was any importance in it, and texted to you so

1:06:15.320 --> 1:06:17.840
<v Speaker 1>there's a thread that I could copy and paste into

1:06:17.920 --> 1:06:19.840
<v Speaker 1>my system so my team can see what's going on.

1:06:20.040 --> 1:06:23.560
<v Speaker 1>Full transparency. I studied eight hundred numbers, and I'm like,

1:06:24.080 --> 1:06:25.880
<v Speaker 1>I call all eight hundred numbers in my phone and

1:06:25.920 --> 1:06:28.880
<v Speaker 1>I'm just studying, like asking why do they have their

1:06:28.920 --> 1:06:31.640
<v Speaker 1>people that work for them answer questions like this? And

1:06:31.880 --> 1:06:33.880
<v Speaker 1>the person who picks up the phone is like, how

1:06:33.920 --> 1:06:35.960
<v Speaker 1>can I help you? When you finish helping me, you

1:06:36.080 --> 1:06:38.880
<v Speaker 1>ask is there anything else I can do? Your business

1:06:39.000 --> 1:06:43.640
<v Speaker 1>is asking for more work at all fucking times, and me,

1:06:43.920 --> 1:06:45.880
<v Speaker 1>I get a bag. I don't need another bag now

1:06:45.920 --> 1:06:49.000
<v Speaker 1>I need to go stunt. Nah. Business has to be

1:06:49.080 --> 1:06:50.800
<v Speaker 1>up and running. There's somebody got to be at the

1:06:50.880 --> 1:06:54.760
<v Speaker 1>door asking for business, and so learning all these things,

1:06:54.880 --> 1:06:56.840
<v Speaker 1>and I could say I spent the last five six

1:06:56.960 --> 1:07:00.880
<v Speaker 1>years just unlocking coldes, writing protocols. Because you can't leave

1:07:00.920 --> 1:07:03.520
<v Speaker 1>your talents to your children. You can't leave your swag,

1:07:03.600 --> 1:07:08.520
<v Speaker 1>you can't leave your personality, but your protocol. You could

1:07:08.600 --> 1:07:13.280
<v Speaker 1>leave it completely short and give them a protocol to

1:07:13.480 --> 1:07:16.360
<v Speaker 1>anything we learned that hasn't been written here, aid it

1:07:16.440 --> 1:07:20.360
<v Speaker 1>in will be a college in fifty years. If not,

1:07:20.480 --> 1:07:22.840
<v Speaker 1>we'll be it will be a college. Nobody knows. All

1:07:22.880 --> 1:07:26.040
<v Speaker 1>of our children have access to protocol how tos whatnot?

1:07:26.040 --> 1:07:28.200
<v Speaker 1>And then teach them how to refine it, because as

1:07:28.280 --> 1:07:32.800
<v Speaker 1>time passes by, you can make it better. But I

1:07:32.880 --> 1:07:36.160
<v Speaker 1>felt like yo, I in order to take my l's

1:07:36.200 --> 1:07:38.320
<v Speaker 1>and turn them into things that I could be grateful for.

1:07:39.000 --> 1:07:41.000
<v Speaker 1>The biggest things I'm grateful for is learning how to

1:07:41.080 --> 1:07:44.400
<v Speaker 1>spend time with my family bro and how to to

1:07:45.040 --> 1:07:47.440
<v Speaker 1>to see the wrong and doing the wrong thing, and

1:07:47.640 --> 1:07:50.800
<v Speaker 1>how to be accountable and how to structure my day

1:07:50.800 --> 1:07:54.640
<v Speaker 1>to where the things that matter happened and all the

1:07:54.720 --> 1:07:57.880
<v Speaker 1>things I can't control don't bother me. And it helps

1:07:57.920 --> 1:07:59.720
<v Speaker 1>with your stress. It helps with the things that we

1:07:59.840 --> 1:08:02.080
<v Speaker 1>go through by making sure it's written out of you

1:08:02.240 --> 1:08:04.520
<v Speaker 1>and shared to a team that you trust. Like kings

1:08:04.560 --> 1:08:06.760
<v Speaker 1>and queens have a hand, they have a historian, they

1:08:06.800 --> 1:08:10.479
<v Speaker 1>got to somebody in every department. We're kind of thrown

1:08:10.520 --> 1:08:13.120
<v Speaker 1>into the world without even identifying the departments.

1:08:13.440 --> 1:08:14.080
<v Speaker 2>No structure.

1:08:14.240 --> 1:08:16.280
<v Speaker 1>Yeah, like you said, that's what it just comes down to.

1:08:16.760 --> 1:08:22.920
<v Speaker 1>And then moving into a business like music is probably

1:08:23.280 --> 1:08:25.640
<v Speaker 1>the least amount of structure you can possibly have in

1:08:25.760 --> 1:08:28.960
<v Speaker 1>any actual business. And that is why most of the

1:08:29.120 --> 1:08:32.760
<v Speaker 1>creatives get the you know, the bad end of the stick.

1:08:33.080 --> 1:08:36.720
<v Speaker 1>Facts they have. It's like they'll go against it and

1:08:37.120 --> 1:08:39.880
<v Speaker 1>their brain to explode, right if they got a caught

1:08:40.000 --> 1:08:44.400
<v Speaker 1>that it affects your creative right. And that's why to me,

1:08:44.520 --> 1:08:47.879
<v Speaker 1>you are also so important to this podcast and important

1:08:47.920 --> 1:08:51.080
<v Speaker 1>for you to come here to talk about the business

1:08:51.160 --> 1:08:54.760
<v Speaker 1>that you've set up while still being creative. Got you,

1:08:55.280 --> 1:08:56.920
<v Speaker 1>you know what I mean, because we try to. We

1:08:57.640 --> 1:09:01.160
<v Speaker 1>try to explain it at times too, just from what

1:09:01.280 --> 1:09:04.800
<v Speaker 1>we've done ourselves of becoming our own business and our

1:09:04.880 --> 1:09:08.120
<v Speaker 1>brand and building it out and still being creative, you

1:09:08.200 --> 1:09:11.000
<v Speaker 1>know what I mean. But I think a lot of

1:09:11.120 --> 1:09:16.240
<v Speaker 1>times it's kind of passable with Tank and I because

1:09:16.400 --> 1:09:19.320
<v Speaker 1>they're like, oh, well, you know, y'all just go saying

1:09:19.840 --> 1:09:21.320
<v Speaker 1>are you just going this? Or you could just go

1:09:21.439 --> 1:09:22.760
<v Speaker 1>and you just and it's just, you know what I mean,

1:09:22.800 --> 1:09:25.599
<v Speaker 1>it kind of gets written off to me. Maybe maybe

1:09:25.640 --> 1:09:27.519
<v Speaker 1>not to other people, but to me it does. It's like,

1:09:28.080 --> 1:09:31.600
<v Speaker 1>I don't think they fully understand the scope of what

1:09:31.720 --> 1:09:35.439
<v Speaker 1>we've had to do to literally be able to really

1:09:35.640 --> 1:09:38.880
<v Speaker 1>survive this thing and create a brand like R and

1:09:39.000 --> 1:09:42.760
<v Speaker 1>B money. This is not just off of talent. This

1:09:42.880 --> 1:09:45.560
<v Speaker 1>is you know, this is real you know, meetings of

1:09:45.640 --> 1:09:48.360
<v Speaker 1>the minds, you know what I mean. And you know

1:09:49.080 --> 1:09:53.080
<v Speaker 1>we haven't implemented a structure like you. But I'm paying

1:09:53.120 --> 1:09:57.639
<v Speaker 1>attention because that ship. Now we're going to ship. Those

1:09:57.800 --> 1:10:03.080
<v Speaker 1>things that you've done are really really important to you know,

1:10:03.600 --> 1:10:06.760
<v Speaker 1>to a business that holds no true structure. For real crier,

1:10:07.080 --> 1:10:10.840
<v Speaker 1>it's the biggest way to love is if I we're

1:10:10.880 --> 1:10:13.760
<v Speaker 1>all smart enough in this room, and some people outside

1:10:13.960 --> 1:10:16.559
<v Speaker 1>the room may not be. But if we're smart enough

1:10:16.640 --> 1:10:19.559
<v Speaker 1>to say, yo, oh, snap yo. I got five people

1:10:19.680 --> 1:10:21.680
<v Speaker 1>giving me eight hours a day, I'm doing more than

1:10:21.720 --> 1:10:24.680
<v Speaker 1>twenty four hours to towards the planet day. You know,

1:10:25.680 --> 1:10:29.040
<v Speaker 1>So say JP Morgan got three hundred thousand people giving

1:10:29.120 --> 1:10:33.720
<v Speaker 1>him roughly ten hours right a day for work inside

1:10:33.720 --> 1:10:36.400
<v Speaker 1>of his structure protocol places that he can find. That's

1:10:36.439 --> 1:10:38.640
<v Speaker 1>three million hours that he can find, a glitch on

1:10:38.720 --> 1:10:41.800
<v Speaker 1>where to reprimand a space on where to hire, or

1:10:42.680 --> 1:10:45.840
<v Speaker 1>a place to like something's done well. Time saved to

1:10:45.960 --> 1:10:50.200
<v Speaker 1>him and his structure to where to promote three million

1:10:50.280 --> 1:10:55.519
<v Speaker 1>hours eighty two hundred years a day he's living, but

1:10:57.000 --> 1:11:00.599
<v Speaker 1>three hundred thousand people have a place to stay, food

1:11:00.680 --> 1:11:03.040
<v Speaker 1>to eat, families, take people that didn't know what to

1:11:03.120 --> 1:11:07.680
<v Speaker 1>do with their time necessarily yet can like I want

1:11:07.720 --> 1:11:10.160
<v Speaker 1>to be one thousand hours by the time of forty.

1:11:10.360 --> 1:11:12.080
<v Speaker 1>I want to be ten thousand hours by the time

1:11:12.080 --> 1:11:12.639
<v Speaker 1>about fifty.

1:11:12.880 --> 1:11:13.320
<v Speaker 2>I love it.

1:11:13.880 --> 1:11:17.000
<v Speaker 1>Let's talk about these songs, gotcha, Let's talk about these songs.

1:11:17.439 --> 1:11:22.120
<v Speaker 1>We talked about the business side of it. So how

1:11:22.200 --> 1:11:25.559
<v Speaker 1>do you get to this space now? Because you're in LA,

1:11:26.600 --> 1:11:30.000
<v Speaker 1>you're writing these records and you know you got album

1:11:30.080 --> 1:11:33.280
<v Speaker 1>placements and you get your first single with Pottigo. Yeah,

1:11:33.320 --> 1:11:34.200
<v Speaker 1>that's your first single?

1:11:34.560 --> 1:11:34.880
<v Speaker 2>Correct?

1:11:35.640 --> 1:11:42.800
<v Speaker 1>How does that lead to Trays? No, there's probably a

1:11:42.840 --> 1:11:49.960
<v Speaker 1>few songs in between, but Trays nine Steel O'Brien from

1:11:50.080 --> 1:11:53.760
<v Speaker 1>Ridiculousness for listeners. My brother, one of the first friends

1:11:53.800 --> 1:11:59.160
<v Speaker 1>I made in La Legit like just would wanted to

1:11:59.240 --> 1:12:01.320
<v Speaker 1>bring me up to people, bring me the drama, bring

1:12:01.400 --> 1:12:03.920
<v Speaker 1>me to Rob, bring me to just to introduce me

1:12:04.040 --> 1:12:06.479
<v Speaker 1>and like, yo, keep like they like. He's like, yo,

1:12:06.600 --> 1:12:10.640
<v Speaker 1>keep saying I had a song called Smartphones that I

1:12:10.720 --> 1:12:14.080
<v Speaker 1>have writ and then it was circulating trying to get

1:12:14.120 --> 1:12:18.960
<v Speaker 1>placed and Steel logos and plays it for Trey. Doesn't

1:12:19.000 --> 1:12:20.840
<v Speaker 1>I didn't know he did. I get a d M

1:12:21.600 --> 1:12:27.160
<v Speaker 1>from Trey on Twitter. He's like, Yo, bro stel O

1:12:27.360 --> 1:12:30.720
<v Speaker 1>just played me the Smartphones record, Yo, I need to

1:12:30.760 --> 1:12:36.040
<v Speaker 1>cut this, y'all right, and so I called my older brother.

1:12:36.120 --> 1:12:37.920
<v Speaker 1>My older brother was in time for that. I think

1:12:37.960 --> 1:12:41.120
<v Speaker 1>we got him the stems immediately, and we went up

1:12:41.120 --> 1:12:45.320
<v Speaker 1>to his crib in the hills. And first thing Trey

1:12:45.400 --> 1:12:47.200
<v Speaker 1>does before we thought we was gonna go cut it

1:12:47.240 --> 1:12:48.840
<v Speaker 1>with him, he's like, Yo, pull up, I'm abowt to

1:12:48.880 --> 1:12:52.240
<v Speaker 1>cut it. When we get there, this shit's cut and

1:12:52.360 --> 1:12:56.600
<v Speaker 1>it's perfect, and I'm like, yes, thank you Jesus. He

1:12:56.680 --> 1:12:58.120
<v Speaker 1>plays it for me and my older brother, which is

1:12:58.200 --> 1:13:01.439
<v Speaker 1>a dope moment because that friend ship turned out to

1:13:01.520 --> 1:13:04.320
<v Speaker 1>be that, that relationship turned out to be a brotherhood

1:13:04.360 --> 1:13:07.760
<v Speaker 1>of a friendship that I never ever ever stopped being

1:13:07.800 --> 1:13:09.880
<v Speaker 1>grateful for. He the first person to give me eight

1:13:09.960 --> 1:13:11.120
<v Speaker 1>or nine songs on the album.

1:13:11.760 --> 1:13:13.240
<v Speaker 2>Hm. Shit, Yeah.

1:13:13.920 --> 1:13:16.600
<v Speaker 1>We hung out, We played two K we played basketball,

1:13:16.680 --> 1:13:19.800
<v Speaker 1>We chilled with girls. We chilled with the boys like

1:13:20.080 --> 1:13:22.760
<v Speaker 1>with my with the homies pause, we chilled with the

1:13:22.840 --> 1:13:26.320
<v Speaker 1>homies like but we was legit like always together his

1:13:26.479 --> 1:13:28.439
<v Speaker 1>crew and mind you, up until this point, I was

1:13:28.479 --> 1:13:32.360
<v Speaker 1>like lone wolf unless album chilling with all shorty and so,

1:13:32.640 --> 1:13:34.200
<v Speaker 1>or unless I'm with my crew that we do the

1:13:34.479 --> 1:13:38.200
<v Speaker 1>other thing with so to have a crew again because

1:13:39.000 --> 1:13:40.840
<v Speaker 1>Neo's team never stopped being family, but they was in

1:13:40.920 --> 1:13:45.160
<v Speaker 1>a you know. And so to have another crew again

1:13:45.200 --> 1:13:47.679
<v Speaker 1>of young niggas just like myself, knuckleheads just like myself,

1:13:47.720 --> 1:13:53.320
<v Speaker 1>it was like it was a blessing. So legit, we

1:13:53.400 --> 1:13:58.519
<v Speaker 1>start off with smartphones, the label loves ith. Trey cuts himself,

1:13:58.600 --> 1:14:00.479
<v Speaker 1>so it makes it easy. He could just pull up

1:14:00.479 --> 1:14:02.240
<v Speaker 1>to his crib studio. You could cut the whole album.

1:14:02.280 --> 1:14:04.160
<v Speaker 1>Were playing two K, listening to the beats, writing songs.

1:14:06.920 --> 1:14:09.200
<v Speaker 1>We did cake, we did you Ain't Shit, Yes, no,

1:14:09.320 --> 1:14:12.960
<v Speaker 1>maybe late night shit, mister still your girl, all playing

1:14:12.960 --> 1:14:16.560
<v Speaker 1>two K, my nigga, Yeah, I'm kyrie.

1:14:17.120 --> 1:14:17.280
<v Speaker 3>You know.

1:14:18.680 --> 1:14:18.880
<v Speaker 2>Yeah.

1:14:19.760 --> 1:14:23.439
<v Speaker 1>So the non record, Trey hits me. He's like, yo,

1:14:23.560 --> 1:14:26.240
<v Speaker 1>I got Musta coming to the studio. But we had

1:14:26.360 --> 1:14:28.479
<v Speaker 1>already known that we was going to go to the

1:14:28.600 --> 1:14:33.320
<v Speaker 1>jay Z show, right, So when we all get there,

1:14:33.400 --> 1:14:36.560
<v Speaker 1>Mustard was signed to Rock Nation, me and Trey was

1:14:36.560 --> 1:14:39.160
<v Speaker 1>already going, and so all of us had in mind

1:14:39.160 --> 1:14:42.320
<v Speaker 1>and like, yo, damn, we got this session today, but

1:14:42.439 --> 1:14:44.559
<v Speaker 1>we want to go see the whole show. Yeah, right,

1:14:44.800 --> 1:14:47.840
<v Speaker 1>So forty five minutes it took to write that song.

1:14:49.880 --> 1:14:52.000
<v Speaker 1>It was It wasn't ever a throwaway. We heard the

1:14:52.040 --> 1:14:53.759
<v Speaker 1>beat and it's just media. I think I went outside.

1:14:53.760 --> 1:14:56.000
<v Speaker 1>I used to smoke a lot, went outside, smoke, came

1:14:56.040 --> 1:14:57.639
<v Speaker 1>back in the studio and I was just joking around

1:14:57.640 --> 1:15:00.400
<v Speaker 1>when I heard the beating, like oh, Nona right, And

1:15:01.160 --> 1:15:03.719
<v Speaker 1>we just kept on playing around and tell the shit

1:15:04.520 --> 1:15:08.000
<v Speaker 1>like we had to get something done and wrote the

1:15:08.080 --> 1:15:10.599
<v Speaker 1>record and literally like twenty minutes, cut it in twenty minutes.

1:15:10.960 --> 1:15:14.280
<v Speaker 1>Final vocals is still from the first day and popped

1:15:14.280 --> 1:15:15.040
<v Speaker 1>out to the whole tour.

1:15:16.360 --> 1:15:17.439
<v Speaker 2>So what y'all?

1:15:17.560 --> 1:15:19.360
<v Speaker 1>Pretty much the demo turned into the record.

1:15:19.720 --> 1:15:19.960
<v Speaker 2>Yeah.

1:15:20.439 --> 1:15:23.080
<v Speaker 1>Trade is really good at cutting quick and cutting his

1:15:23.160 --> 1:15:25.760
<v Speaker 1>own vocals. I think the only thing we did later

1:15:26.000 --> 1:15:26.559
<v Speaker 1>was a bridge.

1:15:27.000 --> 1:15:27.280
<v Speaker 2>Okay.

1:15:28.439 --> 1:15:31.599
<v Speaker 1>I remember the text Thrad It was like yo yo,

1:15:31.840 --> 1:15:33.720
<v Speaker 1>I think I still have it said. He's like, yo, bro,

1:15:33.920 --> 1:15:35.960
<v Speaker 1>it's just a single. He tagged me and Mustard in

1:15:36.000 --> 1:15:38.400
<v Speaker 1>the text. Start were just like yo, let let's go.

1:15:39.040 --> 1:15:41.000
<v Speaker 1>I didn't know. I'm still I was still mad that

1:15:41.120 --> 1:15:42.960
<v Speaker 1>the smartphones wasn't taken off like I thought it was,

1:15:42.960 --> 1:15:44.640
<v Speaker 1>because that was the true story of my life, like

1:15:45.080 --> 1:15:46.400
<v Speaker 1>me getting caught got caught up.

1:15:46.560 --> 1:15:46.760
<v Speaker 4>Yeah.

1:15:47.560 --> 1:15:50.439
<v Speaker 1>So, but one thing you could say is like one

1:15:50.479 --> 1:15:52.200
<v Speaker 1>you tell gods your plans. You're gonna laugh. But the

1:15:52.320 --> 1:15:56.680
<v Speaker 1>two like y'all, you gotta uh sit in the car,

1:15:56.800 --> 1:15:59.120
<v Speaker 1>know who's driving, and don't join the weather. You could

1:15:59.160 --> 1:16:01.800
<v Speaker 1>drive through fire, drive through lightning, you could drive through rain,

1:16:01.840 --> 1:16:04.920
<v Speaker 1>you could drive through a sunny day. You're sitting while

1:16:04.920 --> 1:16:08.519
<v Speaker 1>he's driving. And so today I can look backwards and

1:16:08.560 --> 1:16:10.680
<v Speaker 1>appreciate that time way more than I did during it.

1:16:11.880 --> 1:16:15.080
<v Speaker 1>That time I was probably more focused on chicks, girls, women,

1:16:15.439 --> 1:16:18.439
<v Speaker 1>And it's kind of been kind of in your life.

1:16:19.320 --> 1:16:21.960
<v Speaker 1>It's always you know, it's an excuse to chill with

1:16:22.080 --> 1:16:26.240
<v Speaker 1>my day ones or an excuse to chill with girls.

1:16:27.560 --> 1:16:34.479
<v Speaker 1>Major distractions and for most of us, ration and motivation

1:16:34.760 --> 1:16:38.360
<v Speaker 1>to keep doing this stay. Yeah, they ones aren't distraction,

1:16:38.800 --> 1:16:42.200
<v Speaker 1>but the reason for it. So let's say, let's what

1:16:42.560 --> 1:16:46.080
<v Speaker 1>what causes our mistakes. You go down to yourself at

1:16:46.120 --> 1:16:47.679
<v Speaker 1>four years old. I don't know if you have anything

1:16:47.760 --> 1:16:51.160
<v Speaker 1>like me, but I didn't have. Jordan's right, I'm with you.

1:16:51.720 --> 1:16:55.759
<v Speaker 1>So I go to school with the thousands, some payless

1:16:55.840 --> 1:16:57.600
<v Speaker 1>or there was a store in Brooklyn called Bobby, So

1:16:57.680 --> 1:17:01.960
<v Speaker 1>I'm you don't want to bout it. You see that

1:17:02.040 --> 1:17:04.280
<v Speaker 1>Bobby's back, come in. You can start crying.

1:17:07.320 --> 1:17:07.799
<v Speaker 2>Milwaukee.

1:17:08.840 --> 1:17:11.519
<v Speaker 1>It was today. I'm really grateful for my parents for

1:17:11.640 --> 1:17:14.840
<v Speaker 1>not giving into their kids, telling them that you should

1:17:14.880 --> 1:17:16.760
<v Speaker 1>purchase this because everybody thinks it's cool. They gave us

1:17:16.800 --> 1:17:19.760
<v Speaker 1>what we needed. But back then, I'm like, what are

1:17:19.960 --> 1:17:22.320
<v Speaker 1>those You see what I'm saying. So you come home,

1:17:22.479 --> 1:17:24.600
<v Speaker 1>you go to school, church and family don't give you

1:17:25.080 --> 1:17:29.920
<v Speaker 1>emotions like desperation and adequacy, heartbreak, you know, or doubt.

1:17:30.600 --> 1:17:33.200
<v Speaker 1>They build you up. The church is reminded of a kingdom.

1:17:33.240 --> 1:17:36.000
<v Speaker 1>Of school's like a jail. So you go to the jail.

1:17:36.600 --> 1:17:39.559
<v Speaker 1>And now you go to jail and you're sitting in there.

1:17:39.680 --> 1:17:43.360
<v Speaker 1>There's thirty kids in the class. One baddy right, and

1:17:44.320 --> 1:17:46.840
<v Speaker 1>you look down like there's no way I'm not the

1:17:46.920 --> 1:17:49.360
<v Speaker 1>one who bags. So you got to walk home with

1:17:49.479 --> 1:17:54.439
<v Speaker 1>this desperation thing, you know, and it hurts a kid,

1:17:54.600 --> 1:17:58.640
<v Speaker 1>bro it does. You walk home with feeling less than

1:17:58.680 --> 1:18:00.559
<v Speaker 1>and you never thought you was less than until that day.

1:18:01.520 --> 1:18:03.160
<v Speaker 1>And your parents keep telling you like, you'll be happy

1:18:03.200 --> 1:18:05.080
<v Speaker 1>what you have. They try to make sure you remember

1:18:05.120 --> 1:18:07.240
<v Speaker 1>the facts, but you're not hearing it. When you got

1:18:07.320 --> 1:18:10.000
<v Speaker 1>to sit in that classroom that's just like general population

1:18:10.160 --> 1:18:16.439
<v Speaker 1>and you looking weak out there and so legit like

1:18:16.680 --> 1:18:18.559
<v Speaker 1>I could look back and then the reason I could

1:18:18.560 --> 1:18:21.800
<v Speaker 1>forgive myself and forgive all these all my guys, and

1:18:22.560 --> 1:18:25.080
<v Speaker 1>we're all good no matter what where we ended up,

1:18:26.800 --> 1:18:29.000
<v Speaker 1>you know, with children picking up emotions, and we're making

1:18:29.240 --> 1:18:32.800
<v Speaker 1>room friends in the in a in a room that

1:18:32.920 --> 1:18:36.800
<v Speaker 1>sponsors by a wrong emotion, friendships in a room that's

1:18:36.800 --> 1:18:38.800
<v Speaker 1>sponsored by a wrong emotions. So we if we all

1:18:38.880 --> 1:18:42.960
<v Speaker 1>have desperation in common, nobody gonna find desperation wrong. How's

1:18:43.000 --> 1:18:44.280
<v Speaker 1>it gonna feel when you got to take it out

1:18:44.280 --> 1:18:46.960
<v Speaker 1>of you? You might not agree with the people you

1:18:47.040 --> 1:18:52.040
<v Speaker 1>saw your whole life, so like it goes the same way,

1:18:52.120 --> 1:18:55.000
<v Speaker 1>so some of the me being distracted. It leads back

1:18:55.040 --> 1:18:57.280
<v Speaker 1>to just simple emotions that you walk home from school

1:18:57.280 --> 1:18:59.640
<v Speaker 1>with that shouldn't ever be your few. You can use

1:18:59.680 --> 1:19:02.400
<v Speaker 1>them like your fuel, like even impulse. You know a

1:19:02.479 --> 1:19:05.360
<v Speaker 1>lot of niggas get pats on the back of impulse,

1:19:05.439 --> 1:19:07.360
<v Speaker 1>but it got you here. They fuck with you, But

1:19:07.479 --> 1:19:11.679
<v Speaker 1>this impulse keep you here. No, So at some point

1:19:11.720 --> 1:19:14.240
<v Speaker 1>you got to take out the thing that once fueled

1:19:14.280 --> 1:19:19.280
<v Speaker 1>you and be fueled by something you can keep sustain. Yeah, yeah,

1:19:20.000 --> 1:19:24.519
<v Speaker 1>I agree and disagree with that, I think because the fuel,

1:19:25.760 --> 1:19:30.160
<v Speaker 1>whatever that is. It's different for each person, right, And

1:19:30.320 --> 1:19:34.120
<v Speaker 1>whatever that fuel is, you have to you gotta keep

1:19:34.240 --> 1:19:38.280
<v Speaker 1>that light, you gotta keep that gas going. That's the profit.

1:19:38.400 --> 1:19:41.000
<v Speaker 1>But are you getting away from feeling life? Do you

1:19:41.120 --> 1:19:44.920
<v Speaker 1>want if pain makes you write the best songs and

1:19:45.080 --> 1:19:47.400
<v Speaker 1>when you're happy you write trash? Do I want you

1:19:47.479 --> 1:19:49.960
<v Speaker 1>to be painful so we can make some chicken? Or

1:19:50.120 --> 1:19:51.479
<v Speaker 1>am I happy you can feel better?

1:19:51.800 --> 1:19:54.840
<v Speaker 3>Well? I think that in looking at it that way,

1:19:55.080 --> 1:19:56.840
<v Speaker 3>you can say it that way, but I think that

1:19:59.320 --> 1:20:01.320
<v Speaker 3>I think that what happens is this, and I love

1:20:01.400 --> 1:20:04.840
<v Speaker 3>that that you brought that line, is that it's not

1:20:05.000 --> 1:20:09.160
<v Speaker 3>necessarily that you write your best songs when you were

1:20:09.240 --> 1:20:12.280
<v Speaker 3>in pain. It was just there was just an overwhelming

1:20:12.360 --> 1:20:16.360
<v Speaker 3>connection to the pain that you were going through that connected.

1:20:17.439 --> 1:20:21.000
<v Speaker 3>It's just a difference in time. Right, So I'm writing

1:20:21.080 --> 1:20:26.040
<v Speaker 3>these sad songs. I'm a great I'm a great sad songwriter, right, great,

1:20:26.280 --> 1:20:30.800
<v Speaker 3>But I was like that sign no more. You know

1:20:30.840 --> 1:20:34.639
<v Speaker 3>what I'm saying, you can tap in. I'm not said,

1:20:34.720 --> 1:20:39.920
<v Speaker 3>but guess what I connected so great at that to

1:20:40.080 --> 1:20:45.519
<v Speaker 3>where when I wasn't going through it anymore, you almost

1:20:45.640 --> 1:20:50.000
<v Speaker 3>feel like you're not doing good work because sometimes the

1:20:50.080 --> 1:20:52.760
<v Speaker 3>response isn't the same. But that's that's based on the

1:20:52.840 --> 1:20:58.080
<v Speaker 3>demand that people have gotten used to. But I said, listen,

1:20:58.439 --> 1:21:02.040
<v Speaker 3>I'm going to keep this happy in this sex music

1:21:02.120 --> 1:21:05.040
<v Speaker 3>in your face until you understand that this is what

1:21:05.240 --> 1:21:11.280
<v Speaker 3>I'm on. That was work, But my best work is

1:21:11.439 --> 1:21:16.560
<v Speaker 3>all of my fucking works. It always is, and and

1:21:16.920 --> 1:21:20.680
<v Speaker 3>and so whether whether it's motivated, whether I'm being motivated

1:21:20.760 --> 1:21:25.400
<v Speaker 3>in the trench trying to survive, or whether I'm thriving

1:21:25.439 --> 1:21:26.960
<v Speaker 3>and I just feel like cooking up a.

1:21:27.000 --> 1:21:32.360
<v Speaker 1>Tune, motivation, that's a good thing. Desperation. You could be

1:21:32.560 --> 1:21:36.160
<v Speaker 1>down today, I could be below down. Desperation ain't gonna

1:21:36.200 --> 1:21:36.719
<v Speaker 1>hit my system.

1:21:37.439 --> 1:21:42.479
<v Speaker 3>But what I'm saying is that you've been able to

1:21:42.840 --> 1:21:49.360
<v Speaker 3>figure out your way in desperation. We all come from desperation.

1:21:50.120 --> 1:21:54.400
<v Speaker 1>I think it's is not repeatable, but I think I

1:21:54.479 --> 1:21:58.800
<v Speaker 1>think that fact of course, if we if we take

1:21:58.840 --> 1:22:04.360
<v Speaker 1>it into because art, Yeah, that's something that becomes a

1:22:04.479 --> 1:22:08.000
<v Speaker 1>blessing for creatives. The fact that you can write out

1:22:08.080 --> 1:22:13.479
<v Speaker 1>your pain therapy, the therapy for sure, and then the

1:22:13.680 --> 1:22:17.080
<v Speaker 1>ability to turn it into finances, to literally turn your

1:22:17.120 --> 1:22:20.760
<v Speaker 1>desperation into finance. Not desperate, but yeah, just your pain

1:22:21.600 --> 1:22:24.519
<v Speaker 1>into making some money. You know what I'm saying, You

1:22:24.600 --> 1:22:26.800
<v Speaker 1>think about I mean for me, I think about, you know,

1:22:28.280 --> 1:22:30.560
<v Speaker 1>being a writer on a record like how could you for?

1:22:30.680 --> 1:22:35.600
<v Speaker 1>Mario literally wrote that about young relationships I was in.

1:22:36.400 --> 1:22:38.520
<v Speaker 1>Did I exaggerate some shiit? Absolutely?

1:22:38.800 --> 1:22:40.040
<v Speaker 2>But did I feel a way?

1:22:40.520 --> 1:22:41.160
<v Speaker 1>Hell yeah?

1:22:41.640 --> 1:22:43.479
<v Speaker 4>And now I'm going to write a song about it

1:22:44.760 --> 1:22:46.920
<v Speaker 4>and feed my family for the rest of my life

1:22:46.960 --> 1:22:52.000
<v Speaker 4>off some dirty shit. I'm not angrateful, in no way

1:22:53.280 --> 1:22:54.000
<v Speaker 4>being ungrateful.

1:22:54.000 --> 1:22:56.479
<v Speaker 1>I just I just think, like within what we do

1:22:56.720 --> 1:23:00.120
<v Speaker 1>bro like that is just it's a it's a well

1:23:00.200 --> 1:23:02.320
<v Speaker 1>last thing to be able, like I said, to make

1:23:02.960 --> 1:23:06.720
<v Speaker 1>some money off of some pain that we've been through

1:23:06.880 --> 1:23:07.160
<v Speaker 1>and to.

1:23:07.240 --> 1:23:08.800
<v Speaker 2>Make it way and make a way.

1:23:09.520 --> 1:23:14.320
<v Speaker 1>I think it's relatable when I'm talking about this. It's

1:23:14.360 --> 1:23:17.519
<v Speaker 1>not about we get a yo. It's like that having

1:23:17.560 --> 1:23:19.960
<v Speaker 1>one foot in and one foot out of doing we

1:23:20.120 --> 1:23:22.280
<v Speaker 1>get to pull from that room full of people who

1:23:22.320 --> 1:23:24.400
<v Speaker 1>don't have the same talent and ways to make that

1:23:24.560 --> 1:23:27.280
<v Speaker 1>emotion turn into what we're able to make any emotion

1:23:27.400 --> 1:23:30.760
<v Speaker 1>turn into. And it's a sad thing to see. It's

1:23:30.800 --> 1:23:32.920
<v Speaker 1>like I don't want for my guys who don't do

1:23:33.080 --> 1:23:36.080
<v Speaker 1>music and don't have a place to express themselves that

1:23:36.200 --> 1:23:39.000
<v Speaker 1>could profit them to be feeled by these things. Yeah,

1:23:39.560 --> 1:23:41.080
<v Speaker 1>that's the only thing I was saying. It's like those

1:23:41.439 --> 1:23:44.439
<v Speaker 1>don't it's not it's not for us. We're supposed to have,

1:23:44.640 --> 1:23:46.920
<v Speaker 1>like faith, we're supposed to have like you know what

1:23:46.960 --> 1:23:50.439
<v Speaker 1>I'm saying, Happiness, peace, like the coolest things to feel.

1:23:50.960 --> 1:23:53.880
<v Speaker 1>Be your life's story. Like when you look backwards, you

1:23:53.920 --> 1:23:56.000
<v Speaker 1>can say I remember feeling peace throughout all of that.

1:23:56.560 --> 1:23:58.880
<v Speaker 1>It gets crazy no matter what, but I could look

1:23:58.960 --> 1:24:01.200
<v Speaker 1>back and say I felt this last five six years.

1:24:02.080 --> 1:24:04.400
<v Speaker 1>I felt happiness, you know, I felt still, I felt

1:24:04.880 --> 1:24:07.800
<v Speaker 1>I felt faithful ship that is worth it. I felt

1:24:07.880 --> 1:24:09.040
<v Speaker 1>inspired or inspiring.

1:24:09.160 --> 1:24:14.120
<v Speaker 2>I felt like that was that is that is? That

1:24:14.360 --> 1:24:16.360
<v Speaker 2>is your your path? Yeah?

1:24:16.479 --> 1:24:20.599
<v Speaker 3>Right, and and and aligning I guess to what your

1:24:20.640 --> 1:24:23.240
<v Speaker 3>purpose has always been, which is why you feel the

1:24:23.320 --> 1:24:27.000
<v Speaker 3>way you feel. You've always been missing or looking for something,

1:24:27.760 --> 1:24:30.600
<v Speaker 3>and so that piece that you feel now is in

1:24:30.680 --> 1:24:32.400
<v Speaker 3>a sense finding it straight.

1:24:32.240 --> 1:24:34.800
<v Speaker 1>Up right, you travel the whole world to find it's

1:24:34.880 --> 1:24:35.960
<v Speaker 1>your family you love the most.

1:24:37.400 --> 1:24:39.160
<v Speaker 3>But then you got the flip side of it where

1:24:39.200 --> 1:24:41.280
<v Speaker 3>you got you know what I'm saying, You got the

1:24:41.360 --> 1:24:44.200
<v Speaker 3>niggas and pay the fools like, yeah, I feel.

1:24:44.000 --> 1:24:52.719
<v Speaker 1>You, but I love this ship, my brother, right before

1:24:52.720 --> 1:24:53.080
<v Speaker 1>I got it.

1:24:53.240 --> 1:24:54.840
<v Speaker 2>I gotta do this ship.

1:24:55.320 --> 1:25:00.719
<v Speaker 1>They still they're still gonna love you completely throwing that ship.

1:25:02.680 --> 1:25:07.320
<v Speaker 3>But your purpose was different, your path was different, you

1:25:07.400 --> 1:25:09.800
<v Speaker 3>know what I mean? What your what what ended up

1:25:09.880 --> 1:25:12.880
<v Speaker 3>ultimately being your sustaining fuel.

1:25:13.800 --> 1:25:14.320
<v Speaker 2>Just different.

1:25:14.960 --> 1:25:15.640
<v Speaker 1>We we are.

1:25:16.439 --> 1:25:20.360
<v Speaker 3>We are different, no matter how much, no matter how

1:25:20.479 --> 1:25:25.400
<v Speaker 3>much streak we've encountered. Hm, we always find our way

1:25:25.479 --> 1:25:28.679
<v Speaker 3>back to this in some way shape.

1:25:29.120 --> 1:25:29.679
<v Speaker 2>That's a fact.

1:25:30.439 --> 1:25:33.879
<v Speaker 1>And this room turns into a hallway to where outside

1:25:33.920 --> 1:25:37.040
<v Speaker 1>of being legends in one field, there's other rooms in

1:25:37.040 --> 1:25:39.800
<v Speaker 1>the whole way. Now y'all got the best not even

1:25:39.920 --> 1:25:43.439
<v Speaker 1>R and B the best podcast out, you know what

1:25:43.479 --> 1:25:45.519
<v Speaker 1>I'm saying. And then there's more things and more things

1:25:45.600 --> 1:25:47.960
<v Speaker 1>and more things. The whole way turned into a fucking

1:25:48.040 --> 1:25:50.800
<v Speaker 1>mall and receive them all.

1:25:51.800 --> 1:25:52.240
<v Speaker 2>I think.

1:25:54.600 --> 1:25:59.960
<v Speaker 1>Airport straight up. I see it that way. I think

1:26:00.600 --> 1:26:03.040
<v Speaker 1>planning ourselves. My boy changed my life. He said, make

1:26:03.080 --> 1:26:05.000
<v Speaker 1>sure the next thing you do is planted, not buried.

1:26:05.720 --> 1:26:07.160
<v Speaker 1>And when he said that, I was like, man, I've

1:26:07.200 --> 1:26:11.559
<v Speaker 1>made mad buried decisions and it didn't grow. You gotta

1:26:11.560 --> 1:26:13.479
<v Speaker 1>think it's next, yo, yo, does this sound like something

1:26:13.640 --> 1:26:14.519
<v Speaker 1>I should be doing.

1:26:14.760 --> 1:26:16.080
<v Speaker 2>As a creative, as an artist?

1:26:16.320 --> 1:26:16.439
<v Speaker 5>Right?

1:26:17.479 --> 1:26:22.800
<v Speaker 3>As an artist? What would you say? Is I want

1:26:22.800 --> 1:26:25.479
<v Speaker 3>to your proudest moments? I say your proudest moment? I say,

1:26:25.520 --> 1:26:27.360
<v Speaker 3>what's one of your proudest moments?

1:26:27.560 --> 1:26:28.479
<v Speaker 1>Naked by Element.

1:26:31.000 --> 1:26:31.479
<v Speaker 2>We was in.

1:26:34.040 --> 1:26:37.320
<v Speaker 1>Encore and my younger brother was living out with me,

1:26:37.880 --> 1:26:40.320
<v Speaker 1>helping me build out and plan out this family business thing.

1:26:41.280 --> 1:26:45.799
<v Speaker 1>And he came to the studios, me him engineer Element,

1:26:47.000 --> 1:26:51.760
<v Speaker 1>and the whole day was just like it was a

1:26:51.800 --> 1:26:54.960
<v Speaker 1>dope thing. So in twenty fifteen, I set up something

1:26:55.000 --> 1:26:58.160
<v Speaker 1>called an FB opportunity list. When most people were starting

1:26:58.720 --> 1:27:01.600
<v Speaker 1>like at my level with a started creating like a

1:27:02.200 --> 1:27:04.800
<v Speaker 1>publishing company. Instead of doing a publishing company, I created

1:27:04.840 --> 1:27:08.000
<v Speaker 1>a process called a family business opportunity list. This is

1:27:08.040 --> 1:27:11.439
<v Speaker 1>where instead of owning, buying and owning a percentage of

1:27:11.520 --> 1:27:14.040
<v Speaker 1>your future, I would share an opportunity with you real time.

1:27:14.520 --> 1:27:16.880
<v Speaker 1>If I landed for you, I got you agreed saying

1:27:16.960 --> 1:27:19.599
<v Speaker 1>that if I share an opportunity landed on your behalf,

1:27:20.160 --> 1:27:23.120
<v Speaker 1>I get set percentage of up front and back end

1:27:23.200 --> 1:27:25.759
<v Speaker 1>of publishing. So I had by this time, I probably

1:27:25.760 --> 1:27:27.760
<v Speaker 1>had fifty sixty people on this list that I could

1:27:27.760 --> 1:27:30.439
<v Speaker 1>reach out to anytime I get an opportunity. So even

1:27:30.479 --> 1:27:32.160
<v Speaker 1>if I knew what producer would be there, I'd still

1:27:32.240 --> 1:27:33.800
<v Speaker 1>reach out to the people on that list, saying, Yo,

1:27:33.840 --> 1:27:35.800
<v Speaker 1>I'm going to work with this artist. Send it just

1:27:35.840 --> 1:27:39.160
<v Speaker 1>in case I'll leave her with it or whatever. So

1:27:39.600 --> 1:27:42.280
<v Speaker 1>in that day, I go up there with a bunch

1:27:42.320 --> 1:27:45.080
<v Speaker 1>of guitars because she signed to my boy must that

1:27:45.080 --> 1:27:47.360
<v Speaker 1>I would never be disrespectful and bring a beat to

1:27:47.439 --> 1:27:51.760
<v Speaker 1>a Mustard session, So I brought guitars, knowing that yo,

1:27:52.000 --> 1:27:54.240
<v Speaker 1>he could add around it if we ever choose to

1:27:54.320 --> 1:27:57.720
<v Speaker 1>do this. The guitars were from a young sixteen year

1:27:57.720 --> 1:28:00.439
<v Speaker 1>old producer named Omer Fetti, who, by two I was twenty,

1:28:00.520 --> 1:28:02.559
<v Speaker 1>was the biggest producer in the world at that time.

1:28:02.640 --> 1:28:04.920
<v Speaker 1>He was my little bro. He was in tenth grade

1:28:05.120 --> 1:28:09.280
<v Speaker 1>at Calabasas High School, and I brought his beat. So

1:28:10.160 --> 1:28:12.320
<v Speaker 1>she I think she had already written to all the

1:28:12.400 --> 1:28:17.040
<v Speaker 1>beats that were on the pack. Mustar's in London working

1:28:17.080 --> 1:28:19.840
<v Speaker 1>for Rihanna, So I text Monster like, YO, I didn't

1:28:19.840 --> 1:28:22.439
<v Speaker 1>want to violate that's my man, that's your program. I'm

1:28:22.439 --> 1:28:24.400
<v Speaker 1>gonna call you and ask you, YO, do you think

1:28:24.640 --> 1:28:26.800
<v Speaker 1>I could I got some guitars. We kind of stuck.

1:28:27.080 --> 1:28:31.479
<v Speaker 1>She already wrote everything there. He was busy. He's like, yo, yeah,

1:28:31.520 --> 1:28:33.519
<v Speaker 1>you could pull up the guitar joints. So I go

1:28:33.640 --> 1:28:36.880
<v Speaker 1>back in there. I have a conversation with Ella. I say, yo,

1:28:36.960 --> 1:28:40.080
<v Speaker 1>if all of your exes were in a room together,

1:28:40.600 --> 1:28:42.720
<v Speaker 1>what would they all agree that they don't like about you?

1:28:43.520 --> 1:28:45.400
<v Speaker 1>And she gave me a list. I started writing down

1:28:45.520 --> 1:28:47.960
<v Speaker 1>the list of all her answers. The song comes out.

1:28:48.040 --> 1:28:51.080
<v Speaker 1>Take away the big shirts, the tattoos, the sweatpants, the vans. Okay,

1:28:51.120 --> 1:28:52.800
<v Speaker 1>I don't wear no makeup, no person in my hands.

1:28:52.840 --> 1:28:55.040
<v Speaker 1>These are all her answers. My rest and bitch face

1:28:55.120 --> 1:28:56.680
<v Speaker 1>is mistaken for the mean girl. But what if I

1:28:56.720 --> 1:28:58.280
<v Speaker 1>told you there's nothing I want more in this world

1:28:58.320 --> 1:29:00.840
<v Speaker 1>and somebody who loves me naked? And I wrote the

1:29:00.920 --> 1:29:03.240
<v Speaker 1>whole song about in front of my little brother, so

1:29:03.320 --> 1:29:05.559
<v Speaker 1>he got to see me kind of maneuver. It wasn't

1:29:05.560 --> 1:29:07.360
<v Speaker 1>my first time working with Ella at that point. I

1:29:07.400 --> 1:29:11.599
<v Speaker 1>worked on every ep she had. But it was dope

1:29:11.640 --> 1:29:13.720
<v Speaker 1>to have my little baby brother moved out when he

1:29:13.840 --> 1:29:15.840
<v Speaker 1>was eight. You see what I'm saying. It was dope

1:29:15.880 --> 1:29:18.200
<v Speaker 1>to have my brother poorly with me and him in

1:29:18.280 --> 1:29:21.160
<v Speaker 1>the rooms, just witnessing it and sharing that time with me,

1:29:21.640 --> 1:29:26.040
<v Speaker 1>and she cuts it. She kills it for Christmas that year, right,

1:29:26.600 --> 1:29:29.120
<v Speaker 1>I didn't buy nobody know, my siblings no gifts.

1:29:29.840 --> 1:29:29.960
<v Speaker 3>Uh.

1:29:30.240 --> 1:29:33.800
<v Speaker 1>The reason it's my favorite placement is I gave them

1:29:33.920 --> 1:29:37.360
<v Speaker 1>a percentage of since I had my percentage of with

1:29:37.520 --> 1:29:40.880
<v Speaker 1>the producer that I brought in had and my my

1:29:41.000 --> 1:29:44.040
<v Speaker 1>percentage for writing the whole record, I have more than

1:29:44.160 --> 1:29:47.719
<v Speaker 1>enough to say to my siblings, Hey, his this percentage

1:29:47.800 --> 1:29:51.719
<v Speaker 1>to split. Uh. Now, if you go look at the credits,

1:29:51.880 --> 1:29:54.519
<v Speaker 1>all of my every one of my parents' kids got

1:29:54.600 --> 1:29:58.240
<v Speaker 1>a double platinum song that they're the right or yeah

1:29:59.439 --> 1:30:01.439
<v Speaker 1>that's that's I can't beat that one.

1:30:01.960 --> 1:30:08.040
<v Speaker 3>Yeah, mister Sam Hook, not to be confused, Sam Cook,

1:30:10.120 --> 1:30:13.720
<v Speaker 3>he could be in your time, your top five R

1:30:13.840 --> 1:30:15.479
<v Speaker 3>and B singers.

1:30:16.360 --> 1:30:23.400
<v Speaker 1>I made a list Brian McKnight anytime, anytime, Lauren.

1:30:23.160 --> 1:30:29.680
<v Speaker 5>Hell Yeah, yeah yeahs I'm on, Robert Beyonce, Yeah yeah,

1:30:29.760 --> 1:30:32.680
<v Speaker 5>come on, part of high Chris Brown, I mean, why not,

1:30:32.920 --> 1:30:33.240
<v Speaker 5>come on?

1:30:33.520 --> 1:30:33.760
<v Speaker 1>Come on?

1:30:34.479 --> 1:30:34.760
<v Speaker 2>All right?

1:30:34.840 --> 1:30:38.120
<v Speaker 1>Then I did another list called the Lightning Round.

1:30:39.439 --> 1:30:42.560
<v Speaker 2>Got Lightning introducing podcast.

1:30:43.840 --> 1:30:49.680
<v Speaker 1>Lightning Round, Sam Cook, Marvin Stevie Wonder Boys to man

1:30:49.840 --> 1:30:53.519
<v Speaker 1>Kim Berrell, it's impossible to do five ship.

1:30:54.160 --> 1:30:59.080
<v Speaker 2>You do what you want people do that. This is

1:30:59.120 --> 1:31:01.479
<v Speaker 2>how you distribute that publishing. I know what you're doing.

1:31:01.880 --> 1:31:06.479
<v Speaker 2>What you're doing. That was great. Top five R and

1:31:06.520 --> 1:31:07.200
<v Speaker 2>B songs.

1:31:07.840 --> 1:31:14.320
<v Speaker 1>Stevie Wonder if It's magic m Brian McKnight six, eight twelve. Yeah,

1:31:15.720 --> 1:31:20.160
<v Speaker 1>that one got me. Uh Lauren Hill's Education. I think

1:31:20.200 --> 1:31:25.360
<v Speaker 1>that's track thirteen on there. Chris Brown crawl Wow, and

1:31:25.680 --> 1:31:27.600
<v Speaker 1>obviously eliminate naked.

1:31:28.200 --> 1:31:33.960
<v Speaker 3>Great song fucking writing. Geez, you know, g you gotta

1:31:34.080 --> 1:31:35.200
<v Speaker 3>you got a lightning round for this.

1:31:37.080 --> 1:31:39.600
<v Speaker 1>Honestly, I know how you do your version of I

1:31:39.680 --> 1:31:43.360
<v Speaker 1>Can't Make You Love Me. It's a great sound, my brother.

1:31:43.720 --> 1:31:49.280
<v Speaker 2>Yeah, we have to other through that one. What long, long,

1:31:49.479 --> 1:31:50.000
<v Speaker 2>night long.

1:31:52.439 --> 1:31:54.839
<v Speaker 1>That's the work everybody know and they know the delivery.

1:31:54.920 --> 1:31:55.040
<v Speaker 2>Bro.

1:31:55.240 --> 1:31:59.880
<v Speaker 3>Yeah, my brother. Let's make a voltron. Let's make a

1:32:00.080 --> 1:32:02.840
<v Speaker 3>super R and B artists heard you, all right? Who

1:32:02.880 --> 1:32:05.240
<v Speaker 3>you gonna get the vocal from the performance style, from

1:32:05.320 --> 1:32:07.800
<v Speaker 3>the styling, the heart of the artists? And for you,

1:32:07.880 --> 1:32:10.280
<v Speaker 3>who's gonna write for this artist? Number one? Where you're

1:32:10.280 --> 1:32:11.639
<v Speaker 3>gonna get the vocal from one.

1:32:11.600 --> 1:32:16.880
<v Speaker 1>Vocal female male I'm gonna go Kells and Brandy put together.

1:32:17.240 --> 1:32:28.160
<v Speaker 3>Jesus Christ, that'd be crazy. That'd be nuts, Kells and

1:32:28.320 --> 1:32:29.679
<v Speaker 3>Brandy together nuts.

1:32:30.560 --> 1:32:36.840
<v Speaker 2>I like it. Oh, performance style.

1:32:38.640 --> 1:32:44.439
<v Speaker 1>Female male Beyonce Chris Brown put together. You said votron.

1:32:44.479 --> 1:32:45.040
<v Speaker 1>That's a votre?

1:32:52.120 --> 1:32:52.519
<v Speaker 2>Crazy?

1:32:52.880 --> 1:32:54.360
<v Speaker 1>Like what you like?

1:32:54.439 --> 1:32:58.719
<v Speaker 2>What are you doing? Styling the drip?

1:32:58.960 --> 1:33:05.120
<v Speaker 1>Rihanna Farrell, he got happy for real, R and B

1:33:05.840 --> 1:33:10.160
<v Speaker 1>and yeah, yeah you bang with.

1:33:10.160 --> 1:33:13.400
<v Speaker 2>That, right, you're cooking.

1:33:16.560 --> 1:33:26.879
<v Speaker 1>Passion of the artists, Marvin Gay Whitney, Yep, yep.

1:33:28.080 --> 1:33:29.240
<v Speaker 2>It might be the best.

1:33:31.560 --> 1:33:36.280
<v Speaker 1>Actually created my own little push call. Who's gonna write it?

1:33:36.640 --> 1:33:38.400
<v Speaker 2>That's what that's the last one you do that for?

1:33:39.040 --> 1:33:39.280
<v Speaker 1>For you?

1:33:39.479 --> 1:33:42.160
<v Speaker 2>Yes, I bet who's writing for the artists?

1:33:42.320 --> 1:33:47.080
<v Speaker 1>Myself? Neo poo Be, James farn Lroy Money Long, baby Face,

1:33:47.360 --> 1:33:52.479
<v Speaker 1>all in the same yoke. He's gonna do it. A

1:33:52.520 --> 1:33:55.960
<v Speaker 1>little honey in that room writing. Be happy to see it.

1:33:58.920 --> 1:34:01.800
<v Speaker 1>Oh you named monster? Also, who produce it?

1:34:02.280 --> 1:34:02.799
<v Speaker 2>Who produces?

1:34:02.920 --> 1:34:07.320
<v Speaker 1>Right? Mike Will made it? DJ Mustard, Oma Fetti d N,

1:34:08.080 --> 1:34:15.479
<v Speaker 1>DJ Camper. Yeah, go the album, take the artist.

1:34:16.640 --> 1:34:21.240
<v Speaker 3>That's a run, I'd say run, Yeah, Yeah, that's a

1:34:21.640 --> 1:34:27.559
<v Speaker 3>that's a Dionne Warwick twenty years of hit records run.

1:34:29.560 --> 1:34:34.720
<v Speaker 2>No, that's a that's a deity that you created. It's

1:34:34.720 --> 1:34:35.200
<v Speaker 2>a god.

1:34:36.760 --> 1:34:38.360
<v Speaker 1>I had a lot of time to practice. I watch

1:34:38.400 --> 1:34:48.440
<v Speaker 1>every episode, man like every time I'm watching my structure. Structure,

1:34:48.640 --> 1:34:49.240
<v Speaker 1>that structure.

1:34:49.400 --> 1:34:49.800
<v Speaker 2>I've said that.

1:34:49.920 --> 1:34:52.240
<v Speaker 1>That what I was about to tell you about the

1:34:52.280 --> 1:34:53.759
<v Speaker 1>best you had, the best structure.

1:34:54.800 --> 1:34:59.479
<v Speaker 3>You too much for you, You created structure. You're also ready.

1:34:59.560 --> 1:35:01.040
<v Speaker 3>You're ready for every motherfucking thing.

1:35:01.160 --> 1:35:01.679
<v Speaker 2>That's what true.

1:35:01.760 --> 1:35:05.559
<v Speaker 1>Nah No, but I'm faithful for everything. It might look ready,

1:35:05.640 --> 1:35:07.280
<v Speaker 1>but I'm not scared.

1:35:08.160 --> 1:35:09.200
<v Speaker 2>There's there's the difference.

1:35:10.320 --> 1:35:13.320
<v Speaker 1>Right now, we have the very important part of the show.

1:35:14.320 --> 1:35:16.720
<v Speaker 1>It's called I Ain't saying no names. We tell us

1:35:16.760 --> 1:35:20.800
<v Speaker 1>a story funny or fucked up? Are funny and fucked up?

1:35:21.720 --> 1:35:25.720
<v Speaker 1>In the times and the journeys Sam Hook? Maybe when

1:35:25.760 --> 1:35:30.160
<v Speaker 1>he was going to you know, collect the pack. No, Nope,

1:35:30.800 --> 1:35:33.840
<v Speaker 1>maybe when you was selling the track, selling the track.

1:35:35.520 --> 1:35:38.800
<v Speaker 1>The only rule to the game, you can't say no names.

1:35:39.160 --> 1:35:39.320
<v Speaker 2>Yeah.

1:35:39.360 --> 1:35:41.439
<v Speaker 1>This story ties into kind of what we was talking

1:35:41.439 --> 1:35:45.360
<v Speaker 1>about today, Not distractions, but things. Yeah, my distractions wanting

1:35:45.360 --> 1:35:48.880
<v Speaker 1>to impress people, wanting certain people to see me, and

1:35:49.080 --> 1:35:51.040
<v Speaker 1>wanting to chill with girls. This story has all of

1:35:51.120 --> 1:35:52.439
<v Speaker 1>that in it, mixed with.

1:35:52.560 --> 1:35:54.160
<v Speaker 2>How stupid I was.

1:35:55.040 --> 1:35:57.400
<v Speaker 1>So I fly to New York with at the time

1:35:57.479 --> 1:36:02.280
<v Speaker 1>of very popular video fiction, right, and I'm more hyped

1:36:02.320 --> 1:36:04.240
<v Speaker 1>to show her to my niggas than I am to

1:36:04.320 --> 1:36:04.960
<v Speaker 1>even hang with her.

1:36:05.439 --> 1:36:05.599
<v Speaker 2>Right.

1:36:06.520 --> 1:36:10.160
<v Speaker 1>So we laying I put on I g that that

1:36:10.240 --> 1:36:12.400
<v Speaker 1>I'm out there. So one of the biggest producers in

1:36:12.479 --> 1:36:14.360
<v Speaker 1>the last fifteen years reaches out to me when he

1:36:14.360 --> 1:36:16.160
<v Speaker 1>sees I'm in New York. He's also in New York.

1:36:16.920 --> 1:36:20.320
<v Speaker 1>He's like, yo, pull up to the studio. I said, nah, bro,

1:36:20.439 --> 1:36:22.840
<v Speaker 1>I can't. I got so and so in town. And

1:36:22.960 --> 1:36:23.920
<v Speaker 1>I try to stumn on him.

1:36:23.920 --> 1:36:24.840
<v Speaker 2>He's like what I was like?

1:36:24.920 --> 1:36:26.720
<v Speaker 1>Yeah, I was like, I'm about to go to this

1:36:26.840 --> 1:36:29.920
<v Speaker 1>part of time and show off. This is corny of me,

1:36:30.080 --> 1:36:31.479
<v Speaker 1>just so you know, I think this is corny today,

1:36:31.479 --> 1:36:31.880
<v Speaker 1>but this is how.

1:36:32.280 --> 1:36:33.160
<v Speaker 2>This is how it happened.

1:36:34.479 --> 1:36:37.680
<v Speaker 1>So I do that day one. Day two, I'm like, nah,

1:36:37.720 --> 1:36:39.080
<v Speaker 1>but you know, I got my niggas in Jersey. He

1:36:39.080 --> 1:36:40.960
<v Speaker 1>calls me again day two to pull up to the studio.

1:36:41.000 --> 1:36:42.679
<v Speaker 1>I'm like, but you know, I got my Jersey niggas.

1:36:42.680 --> 1:36:45.720
<v Speaker 1>I got to bring it there too. So day two

1:36:45.760 --> 1:36:49.800
<v Speaker 1>he the day three. I wake up and I'm like, hey,

1:36:49.920 --> 1:36:53.559
<v Speaker 1>so and so, Bro's gonna kill me if I don't

1:36:53.600 --> 1:36:56.639
<v Speaker 1>show up to the studio today. It's day three. I'm

1:36:56.680 --> 1:36:58.200
<v Speaker 1>not even gonna let him call me first. I'm gonna

1:36:58.200 --> 1:37:00.400
<v Speaker 1>call him tell him I'm on the way. So I

1:37:00.479 --> 1:37:02.120
<v Speaker 1>go up to the studio, the studio. Can I say

1:37:02.240 --> 1:37:02.920
<v Speaker 1>names of the studios?

1:37:03.560 --> 1:37:03.760
<v Speaker 2>Yeah?

1:37:04.080 --> 1:37:07.800
<v Speaker 1>So the studio was quiet in Manhattan. And when I

1:37:07.840 --> 1:37:10.040
<v Speaker 1>get off the elevator, so I go by myself. When

1:37:10.040 --> 1:37:12.479
<v Speaker 1>I get off the elevator, I see a bodyguard that

1:37:12.640 --> 1:37:16.800
<v Speaker 1>I'm sure I've seen in met or seen in tabloids

1:37:16.880 --> 1:37:19.560
<v Speaker 1>or scene. I know him from somewhere, but I'm not

1:37:19.640 --> 1:37:21.960
<v Speaker 1>putting one in one together. I'm more what's more in

1:37:22.040 --> 1:37:25.080
<v Speaker 1>my mind is feeling bad for the last two days

1:37:25.120 --> 1:37:28.200
<v Speaker 1>and not showing up for my dog, the producer. So

1:37:28.280 --> 1:37:30.799
<v Speaker 1>I go to the back room. All of his production

1:37:30.880 --> 1:37:33.160
<v Speaker 1>team is there. I'm like, yo, where's Bro. It's like

1:37:33.200 --> 1:37:35.040
<v Speaker 1>now he's in the main room. And so I go

1:37:35.120 --> 1:37:37.240
<v Speaker 1>in the main room. Mind you. Nobody tells me shit.

1:37:37.840 --> 1:37:40.160
<v Speaker 1>Walk in the room, I'm like, what's up there? Before

1:37:40.200 --> 1:37:41.639
<v Speaker 1>I put a g on the gull.

1:37:41.600 --> 1:37:43.160
<v Speaker 2>Right, I see.

1:37:45.760 --> 1:37:51.880
<v Speaker 1>Top two biggest artists of all time, just sitting on

1:37:51.960 --> 1:37:56.720
<v Speaker 1>the couch at least top two or top three, and

1:37:56.840 --> 1:37:58.360
<v Speaker 1>then the gug came out like good.

1:38:01.520 --> 1:38:01.880
<v Speaker 3>I was like.

1:38:04.400 --> 1:38:09.360
<v Speaker 1>Working on the last and then salt to the wound.

1:38:09.920 --> 1:38:12.600
<v Speaker 1>My man, the producer, he says, hey, yo, so and

1:38:12.760 --> 1:38:14.760
<v Speaker 1>so this is who I've been telling you about for

1:38:14.760 --> 1:38:20.679
<v Speaker 1>the last two days. I'm just like damn. Right next

1:38:20.760 --> 1:38:25.560
<v Speaker 1>to her was sitting was actually, uh the chairman of

1:38:25.680 --> 1:38:28.920
<v Speaker 1>the publishing company that I was at that you're signed to.

1:38:29.280 --> 1:38:34.680
<v Speaker 1>And he's just sitting there like dick right, and I

1:38:34.760 --> 1:38:37.800
<v Speaker 1>sit down. Just small, bro, I'm small, like I just

1:38:38.200 --> 1:38:42.600
<v Speaker 1>I fucking shrunk. And my man. So she gets in

1:38:42.680 --> 1:38:46.960
<v Speaker 1>the booth and she finishes the final vocals that they

1:38:47.000 --> 1:38:49.799
<v Speaker 1>had written in the last two days for a record

1:38:49.880 --> 1:38:55.519
<v Speaker 1>that probably lasted as long as fuck number one on

1:38:55.680 --> 1:38:58.080
<v Speaker 1>Billboard and then the next year it was on Super Bowl.

1:38:59.040 --> 1:39:01.920
<v Speaker 1>And so that's my my I ain't saying no names.

1:39:02.280 --> 1:39:03.400
<v Speaker 1>Uh story.

1:39:04.920 --> 1:39:05.160
<v Speaker 2>Yeah.

1:39:05.680 --> 1:39:08.599
<v Speaker 1>One, don't be a cornball and try to show off

1:39:08.640 --> 1:39:12.479
<v Speaker 1>girls see your niggas. Two when opportunity, cause you can't

1:39:12.520 --> 1:39:15.120
<v Speaker 1>let it be the truth about you, uh, that you

1:39:15.320 --> 1:39:19.360
<v Speaker 1>ignored the ship for a distraction, for something that meant nothing,

1:39:19.439 --> 1:39:22.160
<v Speaker 1>for something he wasn't even intentional about That's what I

1:39:22.240 --> 1:39:25.560
<v Speaker 1>take from it. But it's hilarious when I tell you who.

1:39:25.280 --> 1:39:28.880
<v Speaker 2>Was there and what happened. Oh man, yeah, fuck.

1:39:31.000 --> 1:39:34.519
<v Speaker 1>That's funny and fucked up, right, Man, it ain't that

1:39:34.680 --> 1:39:44.040
<v Speaker 1>funny us on some funny shit. God, that same person,

1:39:44.120 --> 1:39:48.320
<v Speaker 1>that same producer called me in on another mega artist,

1:39:48.400 --> 1:39:51.680
<v Speaker 1>and that time I fucking listened and I ended up

1:39:51.720 --> 1:39:54.760
<v Speaker 1>on too on the album that's probably like seven million

1:39:54.840 --> 1:39:55.400
<v Speaker 1>sold right now?

1:39:55.680 --> 1:39:56.920
<v Speaker 2>Yeah, good good?

1:39:57.160 --> 1:39:59.320
<v Speaker 1>But I could have been on both, if that makes

1:39:59.400 --> 1:40:06.479
<v Speaker 1>it feel better, can't I was a dick, straight Sam.

1:40:06.600 --> 1:40:09.559
<v Speaker 1>I hope there worth.

1:40:12.200 --> 1:40:13.800
<v Speaker 2>I hope you can still tap in with that.

1:40:13.840 --> 1:40:22.559
<v Speaker 1>From think I'm just outside. I retired that.

1:40:24.240 --> 1:40:25.880
<v Speaker 2>I'm not talking about you. She owed you that.

1:40:27.760 --> 1:40:32.200
<v Speaker 3>People keept you away from that, my God saying man,

1:40:32.280 --> 1:40:36.320
<v Speaker 3>you you you are a brother that goes without saying.

1:40:36.400 --> 1:40:41.880
<v Speaker 2>But your talent, your hustle speaks for yourself. Appreciate and

1:40:42.479 --> 1:40:43.720
<v Speaker 2>I think you know.

1:40:45.600 --> 1:40:48.280
<v Speaker 3>The beauty in this conversation man, and people getting to

1:40:49.520 --> 1:40:54.680
<v Speaker 3>know and understand more about your makeup. You know those

1:40:54.760 --> 1:40:57.280
<v Speaker 3>things you said at the end, you know, really finding

1:40:57.880 --> 1:41:04.320
<v Speaker 3>the value in that relationship with God and your family

1:41:05.120 --> 1:41:10.840
<v Speaker 3>like that, that that is a foundational That is a

1:41:10.920 --> 1:41:15.320
<v Speaker 3>foundational tool that if you don't if you don't have

1:41:15.600 --> 1:41:18.280
<v Speaker 3>something like that to hold on to, especially in this

1:41:18.360 --> 1:41:22.720
<v Speaker 3>place that we're in, you'll find yourself flailing in so

1:41:22.840 --> 1:41:23.839
<v Speaker 3>many different directions.

1:41:23.880 --> 1:41:24.040
<v Speaker 1>Man.

1:41:24.840 --> 1:41:27.000
<v Speaker 3>And you know, as we talk to the people who

1:41:27.040 --> 1:41:30.120
<v Speaker 3>are listening and the people who are aspiring and inspired

1:41:30.200 --> 1:41:34.479
<v Speaker 3>by you, I pray they really heard that, because that

1:41:34.640 --> 1:41:39.040
<v Speaker 3>was that was That's incredible. Yeah, that's incredible that that

1:41:39.479 --> 1:41:42.559
<v Speaker 3>that grid and that checklist and that being intentional about

1:41:43.040 --> 1:41:43.639
<v Speaker 3>your purpose.

1:41:43.760 --> 1:41:47.200
<v Speaker 2>Man. Can't beat that. Man, I appreciate you.

1:41:47.360 --> 1:41:50.160
<v Speaker 3>You can't beat that. So I appreciate that more than

1:41:50.160 --> 1:41:52.160
<v Speaker 3>anything about you. I know you're talented. I know you

1:41:52.240 --> 1:41:54.240
<v Speaker 3>can you can write, you can write a hit in

1:41:54.320 --> 1:41:54.920
<v Speaker 3>twelve minutes.

1:41:54.960 --> 1:41:56.960
<v Speaker 2>And I got all that. I got that.

1:41:57.560 --> 1:42:01.280
<v Speaker 3>But the intentionality, uh, in terms of your relationship with

1:42:01.360 --> 1:42:04.120
<v Speaker 3>the creator and your relationship with your family.

1:42:04.240 --> 1:42:04.880
<v Speaker 2>Man, that's the goal.

1:42:05.920 --> 1:42:07.439
<v Speaker 1>That's my biggest assets right there.

1:42:07.680 --> 1:42:09.200
<v Speaker 2>That's that's the biggest asset.

1:42:11.479 --> 1:42:14.760
<v Speaker 3>My name is Tank Man, I'm Valentine, and thank you,

1:42:15.560 --> 1:42:18.439
<v Speaker 3>thank you, thank you, thank you, thank you very much.

1:42:18.479 --> 1:42:20.080
<v Speaker 1>About to be some brown paper bags coming in.

1:42:21.280 --> 1:42:25.120
<v Speaker 3>I want some of them too. I'll take up back

1:42:28.560 --> 1:42:38.240
<v Speaker 3>we'll be on that opportunity. Sam My name is and

1:42:38.520 --> 1:42:41.200
<v Speaker 3>this is the Harmy Money Podcast, the authority on all

1:42:41.360 --> 1:42:44.200
<v Speaker 3>things R and B. And this has not only been

1:42:44.240 --> 1:42:47.439
<v Speaker 3>a lesson in music, this has been a lesson in life.

1:42:47.560 --> 1:42:49.120
<v Speaker 2>Man with our brother. This is Sam.

1:42:49.560 --> 1:42:53.559
<v Speaker 1>I appreciate you. Appreciate