1 00:00:01,160 --> 00:00:04,880 Speaker 1: Happy Wednesday and Happy Bombing with Eric Andrey May I 2 00:00:05,000 --> 00:00:07,680 Speaker 1: talk on the third person because my ego is out 3 00:00:07,680 --> 00:00:13,120 Speaker 1: of control. My podcast is called Bombing's where I talk 4 00:00:13,160 --> 00:00:17,079 Speaker 1: to friends, comedians, musicians and more creative types about being 5 00:00:17,160 --> 00:00:20,200 Speaker 1: humiliated on stage or at life, which is a very 6 00:00:20,200 --> 00:00:22,720 Speaker 1: sad thing for everyone involved. I got to talk to 7 00:00:22,800 --> 00:00:26,200 Speaker 1: talented record producer and songwriter Benny Blanco. He gives us 8 00:00:26,200 --> 00:00:28,319 Speaker 1: a glimpse of bombing in the music industry and his 9 00:00:28,400 --> 00:00:30,560 Speaker 1: personal tales of eating shit in front of an audience 10 00:00:30,600 --> 00:00:33,320 Speaker 1: and his fellow peers. As always, please subscribe to the 11 00:00:33,360 --> 00:00:35,760 Speaker 1: podcast to get new episodes every week rate of five 12 00:00:35,760 --> 00:00:38,120 Speaker 1: Stars and on an Apple Podcasts. Subscribe to Big Money 13 00:00:38,159 --> 00:00:41,960 Speaker 1: Players Diamond to get exclusive clips plus add free episodes weekly. 14 00:00:42,120 --> 00:00:42,920 Speaker 1: Let's get into. 15 00:00:42,760 --> 00:00:52,400 Speaker 2: It, Bombing Bombing with Eric and Andre. 16 00:00:52,560 --> 00:00:56,520 Speaker 1: Soo is your biggest bomb or some bombing stories? 17 00:00:56,800 --> 00:00:57,480 Speaker 3: I have so many? 18 00:00:57,560 --> 00:01:00,000 Speaker 1: Yeah, I know, you're like autopilot. 19 00:01:00,200 --> 00:01:03,600 Speaker 3: Okay, okay, okay, okay, a few one of them. It's 20 00:01:03,680 --> 00:01:07,080 Speaker 3: like I'm like eighteen years old. We're like on I'm 21 00:01:07,080 --> 00:01:09,360 Speaker 3: we're like performing for the first time. I'm like getting 22 00:01:09,360 --> 00:01:12,520 Speaker 3: like free drink. I'm getting blacked out every time because 23 00:01:12,640 --> 00:01:16,320 Speaker 3: I never had, like I've only had like like you 24 00:01:16,440 --> 00:01:19,960 Speaker 3: drink like out of someone's like your parents like liquor cabin. 25 00:01:20,040 --> 00:01:22,120 Speaker 3: It has like a quarter of a bottle of triple 26 00:01:22,160 --> 00:01:25,520 Speaker 3: Sex from like six years ago. Yeah, it's like disgusting. 27 00:01:25,760 --> 00:01:29,240 Speaker 3: You have like you guys Split one mad Dog, except 28 00:01:29,240 --> 00:01:35,920 Speaker 3: with like eight people special. It's fucking disgusting, disgusting. So 29 00:01:35,959 --> 00:01:40,040 Speaker 3: like finally I'm like getting alcohol. I'm playing with spank 30 00:01:40,160 --> 00:01:43,840 Speaker 3: Rock Amanda Blank. I'm at this like fader thing and 31 00:01:43,880 --> 00:01:46,800 Speaker 3: it's like this is so yeah, we're like the king. 32 00:01:46,880 --> 00:01:50,360 Speaker 1: Did you ever go to college? No, not a day. No, No. 33 00:01:50,440 --> 00:01:52,680 Speaker 3: I went to an audio engineering school for like four 34 00:01:52,720 --> 00:01:56,560 Speaker 3: months but dropped out, and ever since I'm the only 35 00:01:56,600 --> 00:01:59,200 Speaker 3: one of my everyone to college except me and my family. 36 00:01:59,480 --> 00:01:59,840 Speaker 2: Yeah. 37 00:02:00,080 --> 00:02:02,880 Speaker 3: So I'm like, so I remember, I'm I'm at the 38 00:02:02,920 --> 00:02:07,120 Speaker 3: show and I'm getting like fully blacked out, like like 39 00:02:07,120 --> 00:02:09,720 Speaker 3: like so drunk, and I remember I start djank and 40 00:02:09,800 --> 00:02:12,040 Speaker 3: I was like I didn't have like I didn't have 41 00:02:12,080 --> 00:02:14,799 Speaker 3: money like that, so I literally would bring I didn't 42 00:02:14,840 --> 00:02:18,079 Speaker 3: have a laptop, so I bring an iMac. 43 00:02:18,080 --> 00:02:24,200 Speaker 1: To the club, a big purple plastic like a huge iMac. 44 00:02:24,040 --> 00:02:26,040 Speaker 3: To the club, and I would like and I was 45 00:02:26,120 --> 00:02:28,840 Speaker 3: so bad. Yeah, it was crazy, and I was so 46 00:02:28,880 --> 00:02:31,080 Speaker 3: bad at djank and basically I'm with one of my 47 00:02:31,120 --> 00:02:33,560 Speaker 3: friends and we're like so hyped and we're like dancing 48 00:02:33,560 --> 00:02:36,880 Speaker 3: and stuff and basically like I accidentally turned the bpm 49 00:02:37,240 --> 00:02:39,160 Speaker 3: so like, for people who don't know what that is, like, 50 00:02:39,400 --> 00:02:43,440 Speaker 3: I made the song incredibly fast, like like one hundred 51 00:02:43,520 --> 00:02:45,880 Speaker 3: bpm Steward, So it was like so before it was 52 00:02:45,919 --> 00:02:49,799 Speaker 3: like and then was like and I was like and 53 00:02:49,800 --> 00:02:52,320 Speaker 3: and I couldn't stop it because my friend spilled a 54 00:02:52,440 --> 00:02:56,480 Speaker 3: drink all over the keyboard, the laptop or the fucking computer, 55 00:02:56,480 --> 00:03:00,000 Speaker 3: whatever the fuck it is. The so I'm so I'm 56 00:03:00,080 --> 00:03:04,079 Speaker 3: sitting there and it's so fast and like spank rock 57 00:03:04,160 --> 00:03:07,640 Speaker 3: here's like things, and they all just went along with 58 00:03:07,760 --> 00:03:11,280 Speaker 3: it so like and they like did it and nobody 59 00:03:11,320 --> 00:03:13,200 Speaker 3: even noticed, and they were so mad. 60 00:03:15,040 --> 00:03:16,360 Speaker 1: You were rapping and. 61 00:03:18,480 --> 00:03:20,640 Speaker 3: Then and they were rapping and it was like it 62 00:03:20,720 --> 00:03:22,880 Speaker 3: was during my DJ said, they like came out and 63 00:03:22,960 --> 00:03:25,880 Speaker 3: like did a special thing. Basically that night, I get 64 00:03:26,080 --> 00:03:31,240 Speaker 3: so wasted. I get so unbelievably wasted that they kicked 65 00:03:31,320 --> 00:03:35,760 Speaker 3: me out. Okay, what home, Sweet Home, it's called in 66 00:03:35,800 --> 00:03:39,080 Speaker 3: New York, you know, it's like near Christy Street. Yeah, 67 00:03:39,240 --> 00:03:40,600 Speaker 3: we have to like go down, yeah. 68 00:03:40,520 --> 00:03:42,480 Speaker 1: Yeah, yeah, yeah, I remember. That's fine. 69 00:03:42,560 --> 00:03:45,960 Speaker 3: Yeah, so we're I'm actually confusing two nights, this is 70 00:03:46,040 --> 00:03:51,760 Speaker 3: one one whatever. Who gives nobody it's the same somebody. 71 00:03:53,560 --> 00:03:55,400 Speaker 1: New York years ago. 72 00:03:56,840 --> 00:04:00,400 Speaker 3: It also could be the same night for this, it'll 73 00:04:00,400 --> 00:04:02,760 Speaker 3: be the same night. And I remember I I they 74 00:04:03,360 --> 00:04:05,760 Speaker 3: they actually, you know when someone's like, oh, they threw 75 00:04:05,800 --> 00:04:08,400 Speaker 3: me out of the bar, They actually picked me up 76 00:04:08,800 --> 00:04:11,360 Speaker 3: that I was so belligerent while I was ejing that 77 00:04:11,600 --> 00:04:15,200 Speaker 3: two men picked me up and they threw me into 78 00:04:15,360 --> 00:04:17,640 Speaker 3: guard And I remember at the time, I was getting 79 00:04:17,640 --> 00:04:21,240 Speaker 3: paid three hundred dollars, okay, and it's like the most 80 00:04:21,240 --> 00:04:23,640 Speaker 3: embarrassing thing. They throw me into garbage and then the 81 00:04:23,720 --> 00:04:27,280 Speaker 3: guy takes out not even like three like nights. He 82 00:04:27,400 --> 00:04:31,520 Speaker 3: crumpled three hundred dollar bills and throws them out, so 83 00:04:31,560 --> 00:04:33,080 Speaker 3: they throw them at me on the ground. 84 00:04:33,320 --> 00:04:35,719 Speaker 1: I'm black, Did you dude to deserve that? 85 00:04:36,320 --> 00:04:37,920 Speaker 3: I was probably being an idiot. 86 00:04:37,920 --> 00:04:38,640 Speaker 1: In what sense? 87 00:04:40,480 --> 00:04:43,200 Speaker 3: It was probably just so drunk, like spilling stuff, like 88 00:04:43,839 --> 00:04:46,320 Speaker 3: being an idiot. So I'm out there and I remember 89 00:04:46,360 --> 00:04:48,640 Speaker 3: like standing up and like looking at my friends and 90 00:04:48,640 --> 00:04:50,679 Speaker 3: they were out there and I was like, I hate you. 91 00:04:51,040 --> 00:04:53,200 Speaker 3: I was like, fuck you, and I like looked at 92 00:04:53,200 --> 00:04:55,599 Speaker 3: my I was like, I hate you, like and I 93 00:04:55,720 --> 00:04:58,279 Speaker 3: was just like I was just like, I gone off 94 00:04:58,320 --> 00:05:02,279 Speaker 3: the rails. I went full fully off the rails. 95 00:05:02,920 --> 00:05:06,120 Speaker 1: I was eighteen year old Penny. That was like that. 96 00:05:09,560 --> 00:05:13,800 Speaker 3: You're only yeah, but that's what you do when you're eighteen. Yeah. 97 00:05:15,120 --> 00:05:16,280 Speaker 3: Oh my god, I have so. 98 00:05:16,320 --> 00:05:18,119 Speaker 1: Many Okay, tell me some more bombing stories. 99 00:05:18,200 --> 00:05:21,200 Speaker 3: So okay, so first, this is like the opposite of 100 00:05:21,240 --> 00:05:24,640 Speaker 3: a bomb. Okay. I'm playing poker one night and like 101 00:05:25,000 --> 00:05:29,240 Speaker 3: my friend's mom puts me on her Instagram. Okay. Then 102 00:05:29,720 --> 00:05:32,279 Speaker 3: she calls me the next day and she's like, yo, 103 00:05:32,600 --> 00:05:36,559 Speaker 3: my son's best friend. You're his biggest influence in the world. 104 00:05:37,120 --> 00:05:40,880 Speaker 3: You have to let him come like intern for you. 105 00:05:41,240 --> 00:05:43,680 Speaker 3: I was like I don't need another intern, and they 106 00:05:43,680 --> 00:05:45,880 Speaker 3: were like whease, and I was like all right, fine. So, 107 00:05:46,000 --> 00:05:49,440 Speaker 3: like I meet this kid, this kid's fifteen years old, 108 00:05:49,560 --> 00:05:51,560 Speaker 3: and he's like, I got a intern for you, and 109 00:05:51,600 --> 00:05:53,800 Speaker 3: I'm like all right, Like he was just like a 110 00:05:53,839 --> 00:05:56,120 Speaker 3: sweet kid. I was like intern for me, and I 111 00:05:56,160 --> 00:05:59,080 Speaker 3: was like, all right, I'm in New York and I 112 00:05:59,200 --> 00:06:01,520 Speaker 3: was like, but I'm building a studio in La You 113 00:06:01,560 --> 00:06:03,920 Speaker 3: got to just build the studio and I'll be out 114 00:06:03,960 --> 00:06:06,520 Speaker 3: in like a few months. And then he was like 115 00:06:06,920 --> 00:06:08,880 Speaker 3: he was like all right, so did you give. 116 00:06:08,760 --> 00:06:09,359 Speaker 1: Up a budget? 117 00:06:10,160 --> 00:06:10,880 Speaker 3: We did the whole thing. 118 00:06:11,120 --> 00:06:13,480 Speaker 1: Oh okay, build it with your bare hand and your 119 00:06:13,520 --> 00:06:16,480 Speaker 1: own mind the chop. 120 00:06:17,080 --> 00:06:20,599 Speaker 3: So basically, this kid starts working for me, and then 121 00:06:20,720 --> 00:06:24,440 Speaker 3: like he eventually like is about to graduate high school 122 00:06:24,560 --> 00:06:26,600 Speaker 3: and like he's in like his last semester and I'm like, yo, 123 00:06:26,640 --> 00:06:28,640 Speaker 3: I'm going on the road with Ed Sheeran. Do you 124 00:06:28,680 --> 00:06:31,160 Speaker 3: want to come and like learn? And he's like yes. 125 00:06:31,240 --> 00:06:33,760 Speaker 3: And then like eventually I'm like he's in college and 126 00:06:33,800 --> 00:06:36,400 Speaker 3: I'm like, yo, we're going on tour with this person. 127 00:06:36,600 --> 00:06:38,320 Speaker 3: Do you want to come, like like see how it's 128 00:06:38,320 --> 00:06:40,120 Speaker 3: all done? Blah blah blah. And he's like working his 129 00:06:40,200 --> 00:06:43,719 Speaker 3: way up, never even tells me he makes music, and 130 00:06:43,760 --> 00:06:45,440 Speaker 3: then one day he like sits me down and he's 131 00:06:45,440 --> 00:06:48,960 Speaker 3: just like dude. When he's like nineteen, he's like, dude. 132 00:06:49,640 --> 00:06:52,919 Speaker 3: My therapist said, if I don't play you my music, 133 00:06:54,000 --> 00:06:56,640 Speaker 3: then like I just like eat, he won't work with 134 00:06:56,680 --> 00:06:59,000 Speaker 3: me anymore. And I was like, yeah, of course, man, 135 00:06:59,720 --> 00:07:06,000 Speaker 3: Like no, no, no, he played music. I'm like, yeah, no, 136 00:07:06,040 --> 00:07:09,640 Speaker 3: he plays me his music and it's bad. Yeah, okay, 137 00:07:09,960 --> 00:07:12,679 Speaker 3: but like I see something in the kid somehow. Fast 138 00:07:12,680 --> 00:07:15,400 Speaker 3: forward like a year or two, I sign him and 139 00:07:15,440 --> 00:07:20,000 Speaker 3: then he's the actual biggest producer in the world right now. 140 00:07:20,200 --> 00:07:22,320 Speaker 3: He literally just one Song of the Year at the Grammy's. 141 00:07:22,360 --> 00:07:24,360 Speaker 3: He's like the biggest producer in the world, and he's 142 00:07:24,640 --> 00:07:27,440 Speaker 3: he's been working with me since Blake. Yeah, Blake. Now, okay, 143 00:07:27,440 --> 00:07:29,960 Speaker 3: you want to hear a funny Blake story. That's a bomb. Okay, great, 144 00:07:30,120 --> 00:07:31,360 Speaker 3: this is a bomb of a story. 145 00:07:31,560 --> 00:07:34,200 Speaker 1: Wait, so you met Blake because your friend's mom was 146 00:07:34,240 --> 00:07:35,960 Speaker 1: just like, hey, I got to put you on my 147 00:07:36,080 --> 00:07:36,840 Speaker 1: Instagram and. 148 00:07:36,840 --> 00:07:38,440 Speaker 3: She just put me on Instagram in a poker game 149 00:07:38,480 --> 00:07:39,760 Speaker 3: and he was like, who the fuck is it? 150 00:07:39,840 --> 00:07:40,360 Speaker 1: How do you know? 151 00:07:40,440 --> 00:07:42,640 Speaker 3: Benny? Like he had no idea and it was just 152 00:07:42,720 --> 00:07:46,160 Speaker 3: like a random thing. Whoa Yeah, it was so random. 153 00:07:46,600 --> 00:07:50,200 Speaker 3: So okay, So okay, Blake, it's his first day. I'm like, 154 00:07:50,360 --> 00:07:52,440 Speaker 3: finally in LA. He's been working for me for like 155 00:07:52,480 --> 00:07:55,880 Speaker 3: eight months, hasn't done anything. He's like cleaning toilets. Everything, 156 00:07:55,880 --> 00:08:00,560 Speaker 3: his life sucks. Okay, he finally walks in. I'm in 157 00:08:00,720 --> 00:08:04,800 Speaker 3: La and I'm like, yo, we're going to a studio, Okay, 158 00:08:05,000 --> 00:08:07,520 Speaker 3: we're gonna work with the Weekend, and he was just like, 159 00:08:07,920 --> 00:08:10,600 Speaker 3: holy shit. He's like what the fuck. He's like, this 160 00:08:10,640 --> 00:08:13,280 Speaker 3: is what I've been waiting for. He's losing his mind. 161 00:08:13,720 --> 00:08:16,720 Speaker 3: So the Weekend comes in and I'm like, Blake, like 162 00:08:16,840 --> 00:08:19,200 Speaker 3: just be cool, and he's like, okay, cool. We're in 163 00:08:19,240 --> 00:08:22,480 Speaker 3: the session. Literally fifteen minutes into the session. We're in 164 00:08:22,480 --> 00:08:24,760 Speaker 3: a room like this small and we're like me in 165 00:08:24,800 --> 00:08:27,000 Speaker 3: the Weekend, are like going back and forth and we're 166 00:08:27,040 --> 00:08:29,720 Speaker 3: like singing stuff, we're playing beats, and all of a sudden, 167 00:08:29,760 --> 00:08:31,720 Speaker 3: he takes his phone out to try to take like 168 00:08:31,720 --> 00:08:35,920 Speaker 3: a sneak no and it goes like it goes, it flashes, 169 00:08:36,120 --> 00:08:39,400 Speaker 3: and he literally Blake doesn't know what to do, so 170 00:08:39,480 --> 00:08:42,640 Speaker 3: he goes like this. He goes and he throws his 171 00:08:42,760 --> 00:08:45,679 Speaker 3: phone and just like leaves the room and just like 172 00:08:46,040 --> 00:08:49,600 Speaker 3: doesn't know what to do. Like the Weekend doesn't notice, 173 00:08:49,760 --> 00:08:52,360 Speaker 3: and it's like all good, but he was so embarrassed 174 00:08:52,360 --> 00:08:53,800 Speaker 3: he left the room and did not come back for 175 00:08:53,840 --> 00:08:56,480 Speaker 3: the rest of the session. But Blake bomb. 176 00:09:00,120 --> 00:09:11,720 Speaker 2: Godre with Averic Codre. 177 00:09:12,200 --> 00:09:14,840 Speaker 3: Who's the worst, who's the one basically it's like the 178 00:09:14,880 --> 00:09:18,400 Speaker 3: first time I work with Diddy, and I'm like so excited. 179 00:09:18,720 --> 00:09:20,400 Speaker 3: I'm like, oh my god, this guy's like my hero. 180 00:09:20,760 --> 00:09:23,439 Speaker 3: Like it's like he's a full legend. And I get there. 181 00:09:23,559 --> 00:09:25,320 Speaker 3: He lives up to everything. He's like in the thing 182 00:09:25,400 --> 00:09:28,199 Speaker 3: he's getting like his haircut, he's directing a music video. 183 00:09:28,240 --> 00:09:30,560 Speaker 3: He's like someone's like doing stuff with his toes. Like 184 00:09:30,600 --> 00:09:32,520 Speaker 3: it's like all that stuff for Instagram and stuff is 185 00:09:32,520 --> 00:09:34,480 Speaker 3: so real. He's like he was like he was like 186 00:09:34,760 --> 00:09:36,760 Speaker 3: it was crazy. There was like somebody he had like 187 00:09:36,760 --> 00:09:39,240 Speaker 3: a bottle of champagne that he was like deciding whether 188 00:09:39,280 --> 00:09:41,280 Speaker 3: it was gonna be like the new logo, like so 189 00:09:41,400 --> 00:09:43,679 Speaker 3: many things are happening at once. And then he's like 190 00:09:43,720 --> 00:09:45,560 Speaker 3: I get in there and he's like you always like 191 00:09:45,840 --> 00:09:48,559 Speaker 3: you know, I just got back from fucking Paris, Like 192 00:09:48,800 --> 00:09:50,880 Speaker 3: I'm in France, I'm in all these different places, Like 193 00:09:50,960 --> 00:09:53,120 Speaker 3: I want to make that like fucking like disco shit, 194 00:09:53,240 --> 00:09:55,800 Speaker 3: Like the record's spinning and there's fucking cocaine and when 195 00:09:55,800 --> 00:09:57,319 Speaker 3: it comes to your turn, you just got to snort 196 00:09:57,360 --> 00:09:58,720 Speaker 3: it right up. He's like, I want to make that 197 00:09:58,760 --> 00:10:01,640 Speaker 3: good shit. And I was like, oh, oh, so like uh, 198 00:10:01,880 --> 00:10:03,760 Speaker 3: like what do you think like something like more like 199 00:10:03,880 --> 00:10:06,600 Speaker 3: daft punk or like craft work, and he's like looked 200 00:10:06,600 --> 00:10:06,800 Speaker 3: at me. 201 00:10:06,840 --> 00:10:07,720 Speaker 1: He was like they. 202 00:10:07,679 --> 00:10:10,199 Speaker 3: Shut the fuck up. And I was like, he was 203 00:10:10,200 --> 00:10:12,400 Speaker 3: like stop trying to confuse me. And I was like, oh, 204 00:10:12,720 --> 00:10:15,640 Speaker 3: I was like okay. I was like I'm sorry, and 205 00:10:15,679 --> 00:10:18,040 Speaker 3: then like and and then there was like two people. 206 00:10:18,040 --> 00:10:19,959 Speaker 3: I remember there was these people. There was like his 207 00:10:20,120 --> 00:10:22,880 Speaker 3: assistant and then someone else's assistant and they were like 208 00:10:23,120 --> 00:10:25,079 Speaker 3: and he was like, I bet you my assistants faster 209 00:10:25,160 --> 00:10:27,000 Speaker 3: than yours to like the other person. And then they 210 00:10:27,000 --> 00:10:29,680 Speaker 3: were like he was there was like and he like yeah, 211 00:10:29,720 --> 00:10:31,720 Speaker 3: and they were like both yelling for their assistant and 212 00:10:31,800 --> 00:10:34,840 Speaker 3: like did Jesus isn't actually came like later and he 213 00:10:34,960 --> 00:10:38,360 Speaker 3: was like you're fired, just like getting fired. 214 00:10:38,160 --> 00:10:38,360 Speaker 1: On this. 215 00:10:40,679 --> 00:10:42,720 Speaker 3: One time. I was like kind of used to have 216 00:10:42,800 --> 00:10:46,920 Speaker 3: this like warehouse. Okay, it's like insane warehouse. And we 217 00:10:47,000 --> 00:10:51,480 Speaker 3: like after church, his like uh Sunday services, which actually 218 00:10:51,480 --> 00:10:54,600 Speaker 3: were like incredible. They were so sick, like did you 219 00:10:54,600 --> 00:10:56,640 Speaker 3: ever go to one? No, they were they were amazing. 220 00:10:56,760 --> 00:10:58,760 Speaker 1: They were like allergic to religion. 221 00:10:59,080 --> 00:11:00,880 Speaker 3: No, it wasn't religion, it was just like sick. You 222 00:11:00,880 --> 00:11:03,040 Speaker 3: were watching like a Kanye show and it's like and 223 00:11:03,080 --> 00:11:05,760 Speaker 3: everything he did was like so amazing, Like he was 224 00:11:05,760 --> 00:11:09,240 Speaker 3: my hero growing up. So like we're like at one 225 00:11:09,320 --> 00:11:12,000 Speaker 3: of his things. I hope we don't lift this. This 226 00:11:12,000 --> 00:11:15,640 Speaker 3: one's so good. We were we were we went back 227 00:11:15,720 --> 00:11:18,119 Speaker 3: to like his like facility. We had like a factory, 228 00:11:18,480 --> 00:11:20,600 Speaker 3: and like you walked in and like we were like 229 00:11:21,200 --> 00:11:26,080 Speaker 3: with one of my friends and we were this story's crazy. 230 00:11:26,320 --> 00:11:27,040 Speaker 1: We were. 231 00:11:27,080 --> 00:11:30,640 Speaker 3: We're like, okay, so we walked into Kanye's factory and 232 00:11:30,679 --> 00:11:33,720 Speaker 3: we're like walking around and we walk into my friend's 233 00:11:33,720 --> 00:11:36,440 Speaker 3: like little studio and we're just like waiting for Kanye 234 00:11:36,480 --> 00:11:39,280 Speaker 3: to show up. And I like I walk into one 235 00:11:39,360 --> 00:11:42,520 Speaker 3: room and and it's like all of his like easy 236 00:11:42,520 --> 00:11:44,559 Speaker 3: stuff and all the samples, and it all like looks 237 00:11:44,559 --> 00:11:46,920 Speaker 3: so cool. It's all like set up in the coolest way. 238 00:11:46,960 --> 00:11:49,360 Speaker 3: There's like mood boards everywhere. I'm like this is amazing, 239 00:11:49,559 --> 00:11:51,880 Speaker 3: and I'm like touching all the fabrics. And then like 240 00:11:52,000 --> 00:11:55,120 Speaker 3: I walk into another room and it's like the coolest 241 00:11:55,559 --> 00:11:58,080 Speaker 3: room you've ever seen with just like with just like 242 00:11:58,280 --> 00:12:01,040 Speaker 3: shoes and like men and like a ab coats like 243 00:12:01,120 --> 00:12:05,280 Speaker 3: making shoes and that are like seventy and I'm like yeah. 244 00:12:05,280 --> 00:12:07,160 Speaker 3: I'm like I'm like holy shit. And then I go 245 00:12:07,200 --> 00:12:08,960 Speaker 3: into another room and there's like one of those like 246 00:12:09,000 --> 00:12:11,000 Speaker 3: big dry erase boards and this is a whole ago 247 00:12:11,120 --> 00:12:14,360 Speaker 3: and it says like how to make Kanye West a billionaire? 248 00:12:15,000 --> 00:12:17,160 Speaker 3: It was and it was like had like always like 249 00:12:17,200 --> 00:12:19,920 Speaker 3: a count information, like just everything on a thing. And 250 00:12:19,960 --> 00:12:22,120 Speaker 3: I was like, we're definitely not supposed to be in here, 251 00:12:22,200 --> 00:12:24,280 Speaker 3: and it had like like all these different ways to 252 00:12:24,280 --> 00:12:26,240 Speaker 3: make him like a billionaire, and I was like, oh shit. 253 00:12:26,440 --> 00:12:28,680 Speaker 3: So then we like walk out and we walk into 254 00:12:28,679 --> 00:12:32,199 Speaker 3: this other room and it's him and he's having like 255 00:12:32,240 --> 00:12:34,640 Speaker 3: a full meeting with like people, and he has a 256 00:12:34,679 --> 00:12:37,199 Speaker 3: screen that's bigger than this room. It's like this wrap 257 00:12:37,240 --> 00:12:39,839 Speaker 3: around screen. It's like twenty feet tall with like and 258 00:12:40,200 --> 00:12:42,200 Speaker 3: it has like a computer on it and they're like 259 00:12:42,360 --> 00:12:44,559 Speaker 3: looking at it like a website. And it has this 260 00:12:44,600 --> 00:12:46,520 Speaker 3: thing where you like press the clothes and like drag 261 00:12:46,600 --> 00:12:48,600 Speaker 3: them and then it's like a woman like in the 262 00:12:48,640 --> 00:12:51,000 Speaker 3: clothes and she's moving around and then like a man. 263 00:12:51,360 --> 00:12:53,880 Speaker 3: And I'm there with my girlfriend at the time, and 264 00:12:54,080 --> 00:12:56,520 Speaker 3: I remember I remember like Yea's in there, and we're 265 00:12:56,520 --> 00:12:58,400 Speaker 3: like it's like a few of us and we're like, oh, 266 00:12:58,480 --> 00:12:59,960 Speaker 3: I'm sorry, we didn't we didn't mean to come in, 267 00:13:00,120 --> 00:13:02,079 Speaker 3: and he's like, no, no, come in and we're like okay. 268 00:13:02,240 --> 00:13:04,719 Speaker 3: He's like and he's like my girl at the time. 269 00:13:04,760 --> 00:13:06,400 Speaker 3: He's like he's like, what do you think about these clothes? 270 00:13:06,440 --> 00:13:09,520 Speaker 3: And she's like, uh, She's like they're they're amazing, They're 271 00:13:09,559 --> 00:13:11,480 Speaker 3: so cool. And he's like, go press the button, go 272 00:13:11,600 --> 00:13:13,600 Speaker 3: like try it on. Like it like like you can 273 00:13:13,679 --> 00:13:15,280 Speaker 3: press a button and we'll make it all try on 274 00:13:15,600 --> 00:13:18,240 Speaker 3: and she was like okay, oh sick. So she like 275 00:13:18,360 --> 00:13:21,880 Speaker 3: goes up. It's the the screen is like three thirty 276 00:13:21,880 --> 00:13:26,680 Speaker 3: foot screens. It's insane, and she like goes to like 277 00:13:26,760 --> 00:13:28,480 Speaker 3: click one and you know how like if you like 278 00:13:28,760 --> 00:13:31,360 Speaker 3: swipe a mouse like down to the bottom of the screen, 279 00:13:31,440 --> 00:13:34,120 Speaker 3: like it like puts the computer in sleep mode. It 280 00:13:34,160 --> 00:13:37,640 Speaker 3: literally just goes like this goes sh and we're in 281 00:13:37,679 --> 00:13:41,440 Speaker 3: a room full of darkness with all these people and 282 00:13:41,480 --> 00:13:44,000 Speaker 3: we're like and she's like losing her mind. And then 283 00:13:44,080 --> 00:13:48,080 Speaker 3: like someone's like, hey, do you know the password, and like, uh, 284 00:13:48,760 --> 00:13:50,480 Speaker 3: Kinnie's like, oh, let me try and like types in. 285 00:13:50,520 --> 00:13:53,360 Speaker 3: It's like then it's like doesn't work, and then he 286 00:13:53,559 --> 00:13:56,200 Speaker 3: tries another one. It's like and it just like doesn't work. 287 00:13:56,320 --> 00:13:58,079 Speaker 3: And then like finally, like one of my friends just 288 00:13:58,120 --> 00:14:02,600 Speaker 3: writes like password in it. It's like no, everything shines 289 00:14:02,600 --> 00:14:05,600 Speaker 3: back up and he not hacked all and it was 290 00:14:05,600 --> 00:14:07,440 Speaker 3: like and then he like he goes like this she 291 00:14:07,720 --> 00:14:09,800 Speaker 3: like she like is still standing by the thing, and 292 00:14:09,840 --> 00:14:12,480 Speaker 3: he's like maybe maybe I'll do the next one. And 293 00:14:12,520 --> 00:14:14,320 Speaker 3: then he was just like she's had like a full 294 00:14:14,440 --> 00:14:15,040 Speaker 3: like walking. 295 00:14:15,559 --> 00:14:17,320 Speaker 1: That's like a moment. 296 00:14:17,600 --> 00:14:21,000 Speaker 3: That's like a bomb. Yeah, that's a bomb. That's a bomb. 297 00:14:21,080 --> 00:14:21,240 Speaker 2: You know. 298 00:14:21,400 --> 00:14:24,600 Speaker 3: My favorite is when when whenever like you're with someone 299 00:14:24,960 --> 00:14:27,600 Speaker 3: and like like one time I was I was with 300 00:14:27,640 --> 00:14:29,960 Speaker 3: my friend and we were like outside of a party 301 00:14:30,040 --> 00:14:32,520 Speaker 3: and we couldn't get into this party, and like do 302 00:14:32,560 --> 00:14:33,880 Speaker 3: you know how you have some of those friends that 303 00:14:33,920 --> 00:14:37,800 Speaker 3: are just like they're shameless, they'll do anything like and 304 00:14:37,840 --> 00:14:39,800 Speaker 3: we were like outside of this party, we weren't getting in. 305 00:14:39,840 --> 00:14:43,160 Speaker 3: This was like ten years ago. We're probably not gonna 306 00:14:43,160 --> 00:14:44,440 Speaker 3: be able to use his name, but we can use 307 00:14:44,440 --> 00:14:46,800 Speaker 3: this story. So he's like we're like outside of this 308 00:14:46,840 --> 00:14:48,640 Speaker 3: like New Year's party, and we're like there's no way 309 00:14:48,640 --> 00:14:51,680 Speaker 3: we're getting in. It's like watching like Brad Pitt walk 310 00:14:51,720 --> 00:14:54,240 Speaker 3: in like everyone's walking in, and then we have another 311 00:14:54,240 --> 00:14:57,400 Speaker 3: good story up a bomb. So we're watching like Brad 312 00:14:57,520 --> 00:15:01,800 Speaker 3: pit walk in and then uh, he literally sees Andy 313 00:15:01,840 --> 00:15:05,480 Speaker 3: Garcia walking by that the actor the big actor. Yeah, 314 00:15:05,560 --> 00:15:09,720 Speaker 3: you know, so we see like Andy garciam like, oh, 315 00:15:09,760 --> 00:15:12,440 Speaker 3: He's like, I'm good friends. He goes I'm friends with him, 316 00:15:12,640 --> 00:15:14,440 Speaker 3: and I go you're friends with Andy Garcia and he 317 00:15:14,480 --> 00:15:16,440 Speaker 3: goes yeah, and he goes up to him and he goes, 318 00:15:16,560 --> 00:15:18,480 Speaker 3: hey Andy, and and he goes like this. He's like 319 00:15:18,760 --> 00:15:21,720 Speaker 3: he's like remember me, and then he's like I said, 320 00:15:21,800 --> 00:15:25,000 Speaker 3: first of all, if you have to start a sentence, you're 321 00:15:25,040 --> 00:15:27,360 Speaker 3: not friends with that person. And then like and then 322 00:15:27,440 --> 00:15:30,040 Speaker 3: like he literally goes like it's like right in front 323 00:15:30,040 --> 00:15:31,880 Speaker 3: of the bouncer and he's like, remember we had like 324 00:15:31,960 --> 00:15:34,320 Speaker 3: dinner like two weeks ago. And then he's like you 325 00:15:34,320 --> 00:15:36,760 Speaker 3: remember like I was with like I was with no 326 00:15:36,840 --> 00:15:39,520 Speaker 3: One Gary. And then he was like yeah, and then 327 00:15:39,520 --> 00:15:42,000 Speaker 3: he was like could you help us get in? And 328 00:15:42,040 --> 00:15:44,080 Speaker 3: he's like he's like he's like a Mandy Garcia, what 329 00:15:44,160 --> 00:15:45,720 Speaker 3: am I gonna do? You think I'm gonna get you in? 330 00:15:45,840 --> 00:15:47,600 Speaker 3: I'll be able to get you in and then he's like, 331 00:15:47,640 --> 00:15:49,560 Speaker 3: he's like, come on, just try and then like he 332 00:15:49,640 --> 00:15:51,960 Speaker 3: just goes to the bouncer, he's like, you let these 333 00:15:51,960 --> 00:15:56,480 Speaker 3: guys in. And then guy's like, but so it wasn't 334 00:15:56,480 --> 00:15:59,880 Speaker 3: a bomb, but it was such a bomb. Yeah, it 335 00:15:59,920 --> 00:16:00,160 Speaker 3: was a. 336 00:16:00,120 --> 00:16:03,800 Speaker 1: Little bit about satisfying just much more satisfyed. 337 00:16:06,800 --> 00:16:20,000 Speaker 4: With aerdre with Aerdre, have you ever been beat up before? 338 00:16:20,000 --> 00:16:21,920 Speaker 4: You've ever been in a fight or been. 339 00:16:21,760 --> 00:16:25,400 Speaker 3: In so many? Yeah, that's not a bomb. 340 00:16:25,960 --> 00:16:28,360 Speaker 1: Yeah, it's like about failure. It's not about bombing. It's 341 00:16:28,400 --> 00:16:31,400 Speaker 1: just about the trials and tribulation of life. What's a 342 00:16:31,480 --> 00:16:32,280 Speaker 1: what's a trying? 343 00:16:32,320 --> 00:16:34,840 Speaker 3: I think of like the biggest failure. You're trying to 344 00:16:34,840 --> 00:16:35,760 Speaker 3: black those out. 345 00:16:35,920 --> 00:16:37,840 Speaker 1: Yeah, but it makes you likable, it makes you endearing. 346 00:16:37,960 --> 00:16:39,680 Speaker 1: I'm trying to I'm trying it makes you relatable. 347 00:16:39,880 --> 00:16:40,880 Speaker 3: I'm trying to think. 348 00:16:40,680 --> 00:16:42,160 Speaker 1: About, like when did you get beat up? 349 00:16:42,360 --> 00:16:42,480 Speaker 2: Oh? 350 00:16:42,520 --> 00:16:43,440 Speaker 3: My god? So many? 351 00:16:43,440 --> 00:16:44,040 Speaker 2: Why? 352 00:16:44,280 --> 00:16:45,280 Speaker 1: What what are you talking? 353 00:16:45,400 --> 00:16:45,600 Speaker 2: When? 354 00:16:45,760 --> 00:16:46,880 Speaker 1: Where what do. 355 00:16:46,880 --> 00:16:48,920 Speaker 3: You I used to go to freestyle battles. I would 356 00:16:48,920 --> 00:16:51,400 Speaker 3: just like win and then they just beat me up, Like. 357 00:16:51,960 --> 00:16:54,520 Speaker 1: I really like a guy like name one, like a 358 00:16:54,560 --> 00:16:56,320 Speaker 1: guy punched you in the face. Yeah. 359 00:16:56,320 --> 00:16:57,880 Speaker 3: I used to get beat up all the time. That's 360 00:16:57,920 --> 00:17:00,560 Speaker 3: not even a good bomb. Let me think as I'm good. 361 00:17:01,280 --> 00:17:03,600 Speaker 1: That's great. What are you talking about? You're sitting on gold. 362 00:17:04,040 --> 00:17:07,280 Speaker 1: You would go to freestyle rap battles and win. You're 363 00:17:07,320 --> 00:17:08,720 Speaker 1: great at freestyle rapping. 364 00:17:08,960 --> 00:17:11,520 Speaker 3: I mean I was. I don't think I'm great anymore. 365 00:17:11,680 --> 00:17:13,200 Speaker 1: Really, what would you rap a belt? 366 00:17:13,600 --> 00:17:16,280 Speaker 3: I don't I don't know. That was like thirteen, it 367 00:17:16,400 --> 00:17:18,440 Speaker 3: was thirty, it was twenty something years ago. 368 00:17:18,480 --> 00:17:20,960 Speaker 1: And then guys would beat you up when you won. 369 00:17:21,080 --> 00:17:23,199 Speaker 1: So you would go to a rap competition and be 370 00:17:23,240 --> 00:17:25,400 Speaker 1: like wrap out a rap, rap rap and then some. 371 00:17:26,840 --> 00:17:30,040 Speaker 3: I just pledged you just jump me when I left? 372 00:17:30,560 --> 00:17:30,840 Speaker 1: Really? 373 00:17:31,080 --> 00:17:31,280 Speaker 2: Yeah? 374 00:17:31,320 --> 00:17:33,800 Speaker 1: Who? I don't know the guy's name. 375 00:17:33,960 --> 00:17:34,200 Speaker 2: Why? 376 00:17:34,280 --> 00:17:36,360 Speaker 1: Why is this? Like you're like you couldn't care less? 377 00:17:36,440 --> 00:17:38,479 Speaker 1: Like this is like grocery food chopping. 378 00:17:38,480 --> 00:17:41,040 Speaker 3: This isn't good. This isn't good. This is a bad bomb. 379 00:17:41,119 --> 00:17:43,360 Speaker 1: This is what you gotta talk about failures. 380 00:17:43,440 --> 00:17:45,119 Speaker 3: No, no, I want like a good failure. 381 00:17:45,200 --> 00:17:46,600 Speaker 1: Let me think of like this is this thing? 382 00:17:47,160 --> 00:17:49,560 Speaker 3: No no, no, like like a like a big one, Oh, 383 00:17:49,640 --> 00:17:51,280 Speaker 3: like a big a better story. Yeah, let me let 384 00:17:51,280 --> 00:17:53,320 Speaker 3: me think of a big one. Okay, this is how 385 00:17:53,359 --> 00:17:55,320 Speaker 3: I got into that this is like my first thing 386 00:17:55,359 --> 00:17:57,960 Speaker 3: to get really into the music business, and it's like 387 00:17:58,280 --> 00:18:01,280 Speaker 3: a bomb. For like six months. Okay, I used to 388 00:18:01,359 --> 00:18:03,240 Speaker 3: do this thing where I would go on my Space 389 00:18:03,760 --> 00:18:07,199 Speaker 3: and I would direct message every single person in the 390 00:18:07,240 --> 00:18:10,760 Speaker 3: world like I could know and like just like be relentless. 391 00:18:11,040 --> 00:18:12,119 Speaker 3: And there was this guy. He was one of my 392 00:18:12,160 --> 00:18:20,280 Speaker 3: favorite producers. His name was Disco d Okay, and he 393 00:18:20,320 --> 00:18:23,120 Speaker 3: did like he created a type of music called ghetto tech. 394 00:18:23,160 --> 00:18:29,120 Speaker 3: It's like Detroit Yeah. So he's one of the yeah yeah, 395 00:18:29,119 --> 00:18:31,240 Speaker 3: those are all him so so basically. 396 00:18:30,880 --> 00:18:33,560 Speaker 1: It's so crazy. So like he just had like a 397 00:18:33,560 --> 00:18:34,320 Speaker 1: whole ghetto tech. 398 00:18:34,440 --> 00:18:36,200 Speaker 3: So he was like one of the creators of ghetto tech. 399 00:18:36,320 --> 00:18:38,520 Speaker 3: And then he also produced like amazing like some of 400 00:18:38,520 --> 00:18:41,040 Speaker 3: my favorite like fifty cent songs. Like he was like 401 00:18:41,240 --> 00:18:43,359 Speaker 3: he was the first person I ever met. He was 402 00:18:43,359 --> 00:18:45,359 Speaker 3: the first parton. He introduced me to spank Rock. He 403 00:18:45,440 --> 00:18:47,840 Speaker 3: was working with spank Crock, he was working with most 404 00:18:47,880 --> 00:18:49,400 Speaker 3: deaf he was working with. 405 00:18:49,640 --> 00:18:51,040 Speaker 1: He didn't know ghetto. 406 00:18:51,119 --> 00:18:52,359 Speaker 3: He was one of one of the guys. 407 00:18:52,359 --> 00:18:55,000 Speaker 1: There's like one of the Yeah. 408 00:18:55,040 --> 00:18:58,119 Speaker 3: So basically I used to d M him every day 409 00:18:58,240 --> 00:19:00,600 Speaker 3: and he would never answer, and then I all that 410 00:19:00,720 --> 00:19:06,000 Speaker 3: he had a studio time available, and I said, how 411 00:19:06,040 --> 00:19:08,239 Speaker 3: did you figure that out? I just saw he had 412 00:19:08,280 --> 00:19:11,959 Speaker 3: an ad on on his MySpace for studio time, and 413 00:19:12,000 --> 00:19:15,760 Speaker 3: I was like, hey, I want to book out the 414 00:19:15,800 --> 00:19:18,560 Speaker 3: studio for a day, and he was like, for sure, 415 00:19:18,680 --> 00:19:21,960 Speaker 3: come up here. So I came up. And when I 416 00:19:22,000 --> 00:19:25,040 Speaker 3: got to New York, I was living in Virginia at 417 00:19:25,080 --> 00:19:27,240 Speaker 3: the time. I drove up. When I got to New York, 418 00:19:28,200 --> 00:19:30,040 Speaker 3: I didn't drive. Me and my friends, which I dude, 419 00:19:30,040 --> 00:19:32,760 Speaker 3: we would do the craziest things. I didn't have anywhere 420 00:19:32,760 --> 00:19:35,119 Speaker 3: to stay, so we would go. I would go up 421 00:19:35,200 --> 00:19:37,840 Speaker 3: for meetings. These are yeah, this is the bomb shit. 422 00:19:38,040 --> 00:19:40,919 Speaker 3: I would go up for meetings every single weekend. And 423 00:19:40,960 --> 00:19:42,760 Speaker 3: I would go on a Friday and I would skip 424 00:19:42,800 --> 00:19:44,760 Speaker 3: some of school so I could get there in time 425 00:19:44,800 --> 00:19:48,400 Speaker 3: for like the last meeting. And after that, we didn't 426 00:19:48,400 --> 00:19:50,359 Speaker 3: have anywhere to stay. We didn't have any money, so 427 00:19:50,400 --> 00:19:53,119 Speaker 3: me and all my friends we would sleep in the 428 00:19:53,240 --> 00:19:56,719 Speaker 3: McDonald's in Times Square and we would take turn sleeping 429 00:19:56,720 --> 00:19:58,280 Speaker 3: and like one person would stay awake and then one 430 00:19:58,320 --> 00:20:02,320 Speaker 3: person would sleep. Yeah, And we used to just like, dude, 431 00:20:02,320 --> 00:20:05,399 Speaker 3: we used to sleep. We used to sleep in Hoboken 432 00:20:05,520 --> 00:20:08,679 Speaker 3: station because like the cops wouldn't come there, and like 433 00:20:08,680 --> 00:20:10,959 Speaker 3: we would all yeah, we'd sleep in a car and 434 00:20:11,000 --> 00:20:12,600 Speaker 3: like one person would stay awake and we would do 435 00:20:12,600 --> 00:20:14,000 Speaker 3: all the ship and it was me and like a 436 00:20:14,000 --> 00:20:17,640 Speaker 3: few of my friends. And sometimes like you'd go, I'd 437 00:20:17,680 --> 00:20:20,000 Speaker 3: go like all the way there and like the meeting, 438 00:20:20,040 --> 00:20:23,439 Speaker 3: they'd be like, ah, sorry, can't make it, like and 439 00:20:23,480 --> 00:20:25,360 Speaker 3: I'd be like, fuck, I drove all the way here. 440 00:20:25,400 --> 00:20:27,080 Speaker 3: So we'd have to like try to figure out something 441 00:20:27,119 --> 00:20:29,240 Speaker 3: we could do. But basically one of the times, I 442 00:20:29,359 --> 00:20:32,679 Speaker 3: like go in with Disco deep and I get there 443 00:20:32,720 --> 00:20:35,879 Speaker 3: and I'm like, dude, I don't want studio time. I 444 00:20:35,960 --> 00:20:38,720 Speaker 3: had to get through to you. I really think I 445 00:20:38,760 --> 00:20:40,879 Speaker 3: could be like the best producer in the world. I 446 00:20:40,920 --> 00:20:43,320 Speaker 3: think like you could help me, I think. And he 447 00:20:43,440 --> 00:20:46,280 Speaker 3: was so angry. He was like, you're wasting my fucking time. 448 00:20:46,520 --> 00:20:48,679 Speaker 3: And I was like, dude, please, I'll do anything. And 449 00:20:48,680 --> 00:20:52,920 Speaker 3: he said okay. He said, I literally am leaving tomorrow. 450 00:20:53,280 --> 00:20:55,480 Speaker 3: I'm gone for two days. If you can book my 451 00:20:55,600 --> 00:20:58,560 Speaker 3: studio for the two days you have a job, you 452 00:20:58,560 --> 00:21:01,720 Speaker 3: can be my intern. And I said, yeah, of course 453 00:21:01,720 --> 00:21:02,639 Speaker 3: I can book the studio. 454 00:21:02,800 --> 00:21:04,119 Speaker 1: It was like, no idea how to do no. 455 00:21:04,160 --> 00:21:06,320 Speaker 3: Dude, it was like six hundred dollars a day, so 456 00:21:06,400 --> 00:21:09,760 Speaker 3: I and we didn't have money. I called every person 457 00:21:09,840 --> 00:21:12,879 Speaker 3: I know and I was like, please, I'll pay you back. 458 00:21:13,119 --> 00:21:16,239 Speaker 3: I'll do anything, like and I had. I got it 459 00:21:16,240 --> 00:21:19,000 Speaker 3: booked somehow. I booked the studio the whole time, and 460 00:21:19,040 --> 00:21:20,560 Speaker 3: I put it on. I put in there was like 461 00:21:20,600 --> 00:21:22,359 Speaker 3: a few extra hours and I put in two hundred 462 00:21:22,359 --> 00:21:24,119 Speaker 3: of my own dollars and I had no money. Yeah, 463 00:21:24,160 --> 00:21:27,040 Speaker 3: like and he was like, all right, you did it. 464 00:21:27,080 --> 00:21:28,320 Speaker 3: He was like, i'll see you next weekend. 465 00:21:28,359 --> 00:21:30,080 Speaker 1: How did you Who did you book? How did you get? 466 00:21:30,160 --> 00:21:33,320 Speaker 3: Just any person I knew. I knew a few people 467 00:21:33,320 --> 00:21:36,560 Speaker 3: in New York. I knew like these like bad local rappers, 468 00:21:36,560 --> 00:21:38,160 Speaker 3: and I would be like, okay, you come for two 469 00:21:38,160 --> 00:21:40,000 Speaker 3: hours and then like I'd be like, dude, I'll give 470 00:21:40,000 --> 00:21:41,760 Speaker 3: you a deal, and I'd like and I just was 471 00:21:41,800 --> 00:21:45,560 Speaker 3: like I finagled. Like it was like I made like 472 00:21:45,720 --> 00:21:50,040 Speaker 3: I got like eleven hundred dollars or something in two days, 473 00:21:50,080 --> 00:21:52,040 Speaker 3: and I like, I did it by like everyone I 474 00:21:52,119 --> 00:21:54,320 Speaker 3: knew and like a few of my friends from Virginia. 475 00:21:54,359 --> 00:21:57,399 Speaker 3: I was like, dude, please just like I'll find a 476 00:21:57,400 --> 00:21:59,280 Speaker 3: way to get you back, like and I just made 477 00:21:59,320 --> 00:21:59,760 Speaker 3: it happen. 478 00:22:00,320 --> 00:22:02,119 Speaker 1: Was he like renting? I don't really understand. It was 479 00:22:02,160 --> 00:22:04,000 Speaker 1: just like it was just like you rent studio time, 480 00:22:04,080 --> 00:22:06,280 Speaker 1: like you can out of his studio, like you can 481 00:22:06,359 --> 00:22:07,400 Speaker 1: rent a hourly. 482 00:22:07,800 --> 00:22:08,840 Speaker 3: Have you ever been to a studio? 483 00:22:09,160 --> 00:22:09,240 Speaker 1: No? 484 00:22:09,800 --> 00:22:10,920 Speaker 3: Oh, you've never been to recordings? 485 00:22:10,960 --> 00:22:12,359 Speaker 1: I don't. I'm not in music. 486 00:22:12,440 --> 00:22:15,320 Speaker 3: Oh okay, So so like so quit when a graduate 487 00:22:15,320 --> 00:22:18,520 Speaker 3: when I was twenty so basically playing classical music. So 488 00:22:18,600 --> 00:22:24,439 Speaker 3: recording students, recording studios, ye are are rented hourly or 489 00:22:24,440 --> 00:22:27,240 Speaker 3: by the day, and it's just like a rate. It's 490 00:22:27,240 --> 00:22:28,760 Speaker 3: like a fixed rate. And he had a studio and 491 00:22:28,800 --> 00:22:30,520 Speaker 3: when he wasn't using it, he would rent it out. 492 00:22:30,760 --> 00:22:31,240 Speaker 1: Oh okay. 493 00:22:31,880 --> 00:22:34,400 Speaker 3: And I rented it the whole time, and he was like, great, 494 00:22:34,480 --> 00:22:36,560 Speaker 3: come back next weekend. I was like, I have no money. 495 00:22:36,560 --> 00:22:38,000 Speaker 3: How am I going to get back? And then he 496 00:22:38,080 --> 00:22:39,800 Speaker 3: was like you can stay. He was like, every time 497 00:22:39,840 --> 00:22:41,639 Speaker 3: you're in New York, you can stay at my place. 498 00:22:41,920 --> 00:22:43,159 Speaker 3: And I was like, okay, so at least I have 499 00:22:43,240 --> 00:22:47,480 Speaker 3: a place to stay now. The time I started doing that, sixteen, 500 00:22:47,560 --> 00:22:49,840 Speaker 3: I sixteen. About I started doing it, I would travel 501 00:22:49,880 --> 00:22:51,560 Speaker 3: back and forth every weekend sixteen. 502 00:22:52,800 --> 00:22:55,160 Speaker 1: How long of a drive is four and a half hours? 503 00:22:55,200 --> 00:22:57,800 Speaker 3: He tried. I used to take the fun Wa bus 504 00:22:57,880 --> 00:23:00,359 Speaker 3: Y Yeah, yeah, dude. He used to be twenty dollars 505 00:23:00,440 --> 00:23:00,960 Speaker 3: round trip. 506 00:23:01,040 --> 00:23:03,359 Speaker 1: Dude. It was like, oh, take it at three thirty am, 507 00:23:03,480 --> 00:23:05,840 Speaker 1: and it was like it was like four bucks it 508 00:23:05,880 --> 00:23:07,680 Speaker 1: was and they had like shrimp on the bottom of it. 509 00:23:08,560 --> 00:23:09,080 Speaker 1: Broke down. 510 00:23:09,720 --> 00:23:13,240 Speaker 3: Oh my god. Yeah, I was on one. It was insane. 511 00:23:13,520 --> 00:23:16,440 Speaker 3: It's it would like it would like sometimes it would 512 00:23:16,480 --> 00:23:19,320 Speaker 3: just smell like trash the time, and but it was 513 00:23:19,359 --> 00:23:21,160 Speaker 3: like it was like heaven to me. I loved it 514 00:23:21,240 --> 00:23:23,040 Speaker 3: and I would get back like just in time for. 515 00:23:23,040 --> 00:23:25,840 Speaker 1: You were just close enough to New York City to 516 00:23:26,000 --> 00:23:28,880 Speaker 1: like release, get to see it start entertainment. 517 00:23:28,920 --> 00:23:29,320 Speaker 3: I started. 518 00:23:29,359 --> 00:23:30,440 Speaker 1: Yeah, I think like I was going. 519 00:23:31,880 --> 00:23:33,560 Speaker 3: In Jersey, Yeah, in New York City. 520 00:23:33,680 --> 00:23:36,159 Speaker 1: That's smart that you were like in proximity. 521 00:23:36,320 --> 00:23:38,679 Speaker 3: Yeah, it was like it was just close enough. And 522 00:23:38,720 --> 00:23:40,080 Speaker 3: like so then when I would go, I. 523 00:23:40,119 --> 00:23:42,119 Speaker 1: Think that's half the battle, just being in the place 524 00:23:42,119 --> 00:23:43,280 Speaker 1: where it's happening, dude. 525 00:23:43,320 --> 00:23:47,800 Speaker 3: So it's so I remember one time I'm there, okay, 526 00:23:47,960 --> 00:23:51,160 Speaker 3: I'm I'm eighteen now, and he's like, yo, I got 527 00:23:51,160 --> 00:23:54,840 Speaker 3: some important sessions coming through. It was like t I 528 00:23:55,000 --> 00:23:57,560 Speaker 3: was there first, and then afterwards it was it was 529 00:23:58,000 --> 00:24:01,760 Speaker 3: it was spank Rock and he was like, I got 530 00:24:01,760 --> 00:24:05,480 Speaker 3: this guy coming in. He was like, whatever he wants. 531 00:24:05,520 --> 00:24:08,040 Speaker 3: You're his studio assistant. You're his bitch, you do whatever 532 00:24:08,080 --> 00:24:10,320 Speaker 3: he wants. I was like, okay. So, like it's in 533 00:24:10,359 --> 00:24:13,119 Speaker 3: Williamsburg the studio and it's like two thousand and six, 534 00:24:14,000 --> 00:24:18,400 Speaker 3: and he walks in and he's like, oh, I'm kind 535 00:24:18,400 --> 00:24:20,199 Speaker 3: of hungry, and he was like, can you order me 536 00:24:20,359 --> 00:24:21,840 Speaker 3: this thing? So I order him this thing from this 537 00:24:21,880 --> 00:24:24,480 Speaker 3: place called any Time. It's not even there anymore. So 538 00:24:24,640 --> 00:24:27,639 Speaker 3: like I'm in the session and I like bring him 539 00:24:27,640 --> 00:24:30,320 Speaker 3: his food and he's like, hey, what do you think 540 00:24:30,320 --> 00:24:32,119 Speaker 3: about this? And he like wraps a thing to me 541 00:24:32,200 --> 00:24:35,040 Speaker 3: it's bank Rock, and I'm like, oh man, that's so good. 542 00:24:35,359 --> 00:24:37,280 Speaker 3: And then like I'm working with him the next day. 543 00:24:37,320 --> 00:24:38,960 Speaker 3: The next day, same thing, bring him in his food 544 00:24:39,160 --> 00:24:42,280 Speaker 3: and he's like he's like hey, he's like what rhymes 545 00:24:42,320 --> 00:24:46,080 Speaker 3: with like telephone or something, And I was like, oh, maybe, 546 00:24:46,480 --> 00:24:49,960 Speaker 3: well maybe telephone. I was like teleophone. I was like 547 00:24:50,320 --> 00:24:55,160 Speaker 3: telephone a telephone. Telephone is such a hard one. So 548 00:24:55,160 --> 00:24:58,439 Speaker 3: so I like he like takes the line and then 549 00:24:58,480 --> 00:25:01,320 Speaker 3: we start like talking and like developing this like report. 550 00:25:01,560 --> 00:25:05,680 Speaker 1: But he was new too, he was he was cool. 551 00:25:05,720 --> 00:25:07,719 Speaker 3: He was like very cool, and it was like and 552 00:25:07,760 --> 00:25:09,760 Speaker 3: I didn't care. I only cared about cool shit because 553 00:25:09,760 --> 00:25:11,439 Speaker 3: I was like living in Williamsburg at the time. And 554 00:25:11,680 --> 00:25:14,040 Speaker 3: it's like, you know, this was like before Santi was 555 00:25:14,080 --> 00:25:16,520 Speaker 3: even a thing, Like we put her on her first, 556 00:25:16,600 --> 00:25:20,880 Speaker 3: like her first collaboration was with us, and I remember 557 00:25:21,119 --> 00:25:23,679 Speaker 3: like one night they were like, Yo, we're gonna go 558 00:25:23,720 --> 00:25:25,800 Speaker 3: back to the studio. I need you to prepare the studio. 559 00:25:26,200 --> 00:25:28,280 Speaker 3: So I took the train and the way that it 560 00:25:28,359 --> 00:25:30,960 Speaker 3: worked back then is like from where I lived, I 561 00:25:31,000 --> 00:25:32,479 Speaker 3: had to go all the way in the city then 562 00:25:32,560 --> 00:25:33,960 Speaker 3: all the way back to brook because I lived in 563 00:25:34,000 --> 00:25:36,320 Speaker 3: Brooklyn too, but there was no like connector because the 564 00:25:36,440 --> 00:25:38,920 Speaker 3: L train used to like not connect to anything. So 565 00:25:39,000 --> 00:25:40,760 Speaker 3: like I like went all the way in the city 566 00:25:40,800 --> 00:25:42,600 Speaker 3: all the way to his thing, and then he was like, actually, 567 00:25:42,720 --> 00:25:45,240 Speaker 3: I need you to bring this demo CD to me. 568 00:25:45,440 --> 00:25:47,399 Speaker 3: He's like I'm actually gonna be with Diddy, and I 569 00:25:47,440 --> 00:25:49,760 Speaker 3: was like fuck. So I had to go all the 570 00:25:49,800 --> 00:25:51,879 Speaker 3: way back then, all the way there, and he's like 571 00:25:52,000 --> 00:25:53,679 Speaker 3: and then he was like, we left, We're at the 572 00:25:53,680 --> 00:25:55,240 Speaker 3: next place. You got to meet this at the next place. 573 00:25:55,400 --> 00:25:56,679 Speaker 1: So I'm like, what the fuck this is? 574 00:25:56,800 --> 00:25:59,880 Speaker 3: This is this is disco d He's like, and I'm 575 00:25:59,880 --> 00:26:02,000 Speaker 3: like fuck. So I like go to the next place. 576 00:26:02,080 --> 00:26:03,639 Speaker 3: And then he's like gone from the next place and 577 00:26:03,680 --> 00:26:05,720 Speaker 3: he's like, dude, he's like meet us at the next place. 578 00:26:05,720 --> 00:26:08,159 Speaker 3: And I'm running in the rain with the CD and 579 00:26:08,200 --> 00:26:10,359 Speaker 3: I'm like and I finally get there and I'm like 580 00:26:11,440 --> 00:26:13,800 Speaker 3: and he's like, dude, we went to another place. Just 581 00:26:13,840 --> 00:26:19,440 Speaker 3: meet us back at the studio. I'm crushing. No, it's 582 00:26:19,480 --> 00:26:22,680 Speaker 3: just like I'm too and I'm like too slow because 583 00:26:22,680 --> 00:26:24,320 Speaker 3: I didn't have any money. So I was like fuck it. Yeah, 584 00:26:24,920 --> 00:26:25,960 Speaker 3: I was like I got it. I'm just going to 585 00:26:26,000 --> 00:26:27,720 Speaker 3: take a taxi for this last thing and I'll just 586 00:26:27,760 --> 00:26:30,000 Speaker 3: like eat less the next day. So I like take 587 00:26:30,040 --> 00:26:32,200 Speaker 3: the taxi. I get back, I'm like covered in rain 588 00:26:32,600 --> 00:26:36,320 Speaker 3: and it's like everyone's there. It's like most death is there. 589 00:26:36,960 --> 00:26:39,960 Speaker 3: You're locking every single person there. Everything is a race. 590 00:26:40,680 --> 00:26:43,399 Speaker 3: Everything is a race. I'm sitting there and there's like 591 00:26:43,720 --> 00:26:47,280 Speaker 3: models and artists and it's like it's crazy. It's like 592 00:26:47,320 --> 00:26:49,200 Speaker 3: this was like the first time where I like saw 593 00:26:49,320 --> 00:26:53,520 Speaker 3: like I'm like, whoa, yeah, and I'm sitting there and 594 00:26:53,680 --> 00:26:56,760 Speaker 3: I remember all the girls and everyone were just like, 595 00:26:56,800 --> 00:26:59,560 Speaker 3: oh my god, you're so wet, like like dry off 596 00:26:59,600 --> 00:27:02,640 Speaker 3: and and and spank Craft was like, oh man, it's 597 00:27:02,640 --> 00:27:05,240 Speaker 3: good to see you. Like and I'm like in heaven. 598 00:27:05,600 --> 00:27:09,800 Speaker 3: And then like the guy just humiliates me that disco deep, 599 00:27:10,600 --> 00:27:15,520 Speaker 3: just like full humiliate amiliation. First he was like, go 600 00:27:15,600 --> 00:27:18,640 Speaker 3: get us, go get us snacks. Okay, So I go downstairs, 601 00:27:18,960 --> 00:27:20,760 Speaker 3: I bring them back and it was like he was like, 602 00:27:20,840 --> 00:27:23,880 Speaker 3: that's the wrong one. And he opens up a bottle 603 00:27:23,960 --> 00:27:27,000 Speaker 3: of a bag of potato chips and pours him on 604 00:27:27,080 --> 00:27:32,080 Speaker 3: my head in front of everyone. And then like and 605 00:27:32,119 --> 00:27:34,520 Speaker 3: then I'm like and he was like and he was 606 00:27:34,600 --> 00:27:38,000 Speaker 3: like and I like finally like walk into the room 607 00:27:38,080 --> 00:27:40,960 Speaker 3: and stuff, and he's like, no, you're not allowed in 608 00:27:41,160 --> 00:27:42,760 Speaker 3: right now. He's like, you can't come in the room. 609 00:27:42,800 --> 00:27:47,280 Speaker 1: And like there's this little's kill samurai dude. 610 00:27:47,280 --> 00:27:49,800 Speaker 3: There's this little window and I just can look in 611 00:27:49,840 --> 00:27:51,720 Speaker 3: the studio and I see everyone in there like having 612 00:27:53,480 --> 00:27:55,760 Speaker 3: I'm like sitting outside. And then I remember the next 613 00:27:55,800 --> 00:27:58,439 Speaker 3: day I saw the next he was the best, but 614 00:27:58,520 --> 00:28:00,359 Speaker 3: he was, but he was he was trouble. And the 615 00:28:00,400 --> 00:28:03,800 Speaker 3: next day I came in and I remember he was like, 616 00:28:03,800 --> 00:28:05,840 Speaker 3: all right, play me your beats, because I think he 617 00:28:05,880 --> 00:28:08,240 Speaker 3: felt bad. He was like playing your beats and like 618 00:28:08,280 --> 00:28:12,440 Speaker 3: playing my beats. And he literally takes all the files 619 00:28:13,359 --> 00:28:15,720 Speaker 3: and deletes them. He at least my whole hard drive. 620 00:28:15,880 --> 00:28:18,640 Speaker 3: And he's like these suck. And he was like start again, 621 00:28:18,880 --> 00:28:22,240 Speaker 3: as a monster. And he goes start again, and then 622 00:28:22,640 --> 00:28:25,000 Speaker 3: and then another time, another time he took my hard 623 00:28:25,080 --> 00:28:27,840 Speaker 3: drive and he threw it out the window, and and 624 00:28:28,600 --> 00:28:32,040 Speaker 3: and and I was like crushed all these because Psycho, 625 00:28:32,560 --> 00:28:35,639 Speaker 3: I was crushed. And he would be like but he 626 00:28:35,640 --> 00:28:38,280 Speaker 3: would always tell me something. He'd be like, okay, this 627 00:28:38,320 --> 00:28:39,760 Speaker 3: is why I deleted all him. He was like, I 628 00:28:39,760 --> 00:28:41,440 Speaker 3: want you to watch me make a beat. And I 629 00:28:41,480 --> 00:28:43,480 Speaker 3: was like studying him because I was obsessed with this 630 00:28:43,520 --> 00:28:45,479 Speaker 3: guy was so far ahead of his time, and he 631 00:28:45,520 --> 00:28:47,760 Speaker 3: was so good at dealing with artists and so good 632 00:28:47,760 --> 00:28:47,880 Speaker 3: at it. 633 00:28:49,880 --> 00:28:52,520 Speaker 1: I learned everything. 634 00:28:52,680 --> 00:28:55,719 Speaker 3: I would never be who I am without knowing what 635 00:28:55,760 --> 00:28:58,120 Speaker 3: he did. Like really, if he was around for like 636 00:28:58,280 --> 00:29:00,560 Speaker 3: a little bit longer, he would have been like one 637 00:29:00,560 --> 00:29:03,800 Speaker 3: of the biggest producers. He was just like suicide. He 638 00:29:03,880 --> 00:29:05,760 Speaker 3: was he was he was like was too far ahead 639 00:29:05,760 --> 00:29:08,080 Speaker 3: of his time, but like and he like he like 640 00:29:08,200 --> 00:29:10,800 Speaker 3: it was it was really like karate kidship, but he 641 00:29:10,840 --> 00:29:13,680 Speaker 3: would like torture me like it was dude. 642 00:29:13,760 --> 00:29:16,480 Speaker 1: One time was he getting off on it? 643 00:29:16,520 --> 00:29:18,600 Speaker 3: I think he was just crazy. One time one time 644 00:29:18,600 --> 00:29:21,200 Speaker 3: I was literally they had like a session coming and 645 00:29:21,240 --> 00:29:23,480 Speaker 3: he wanted to have like a really big screen TV 646 00:29:23,680 --> 00:29:26,320 Speaker 3: for the session, like for the as the computer. And 647 00:29:26,360 --> 00:29:28,280 Speaker 3: I remember I was setting it up and he was 648 00:29:28,320 --> 00:29:31,280 Speaker 3: like faster and he had a bamboo stick and he 649 00:29:31,360 --> 00:29:32,320 Speaker 3: was hitting me with. 650 00:29:35,600 --> 00:29:36,440 Speaker 1: Putting it out. 651 00:29:36,840 --> 00:29:41,040 Speaker 3: I was like, you wanted bombs, here's my bombs. And 652 00:29:41,080 --> 00:29:43,360 Speaker 3: I was like and like I was just like crushed, 653 00:29:43,360 --> 00:29:45,560 Speaker 3: but like he would just give me these like nuggets 654 00:29:45,560 --> 00:29:49,760 Speaker 3: of gold like at all times, and like honestly, like 655 00:29:49,840 --> 00:29:52,000 Speaker 3: a lot of the people that I work with today 656 00:29:52,360 --> 00:29:54,520 Speaker 3: are people that I met through those times. So it's 657 00:29:54,560 --> 00:29:57,080 Speaker 3: like so it's like I don't know if this is 658 00:29:57,080 --> 00:29:58,880 Speaker 3: supposed to be one of those things, but it's like 659 00:29:58,960 --> 00:30:02,320 Speaker 3: all the ship you're taking and all this stuff you're 660 00:30:02,360 --> 00:30:05,920 Speaker 3: doing to build up your career and you think it's 661 00:30:05,960 --> 00:30:08,240 Speaker 3: not worth it, Like that stuff comes back, like I'm 662 00:30:08,280 --> 00:30:11,320 Speaker 3: working with these people. I'm working with people I literally 663 00:30:11,400 --> 00:30:16,280 Speaker 3: met seventeen years ago, seventeen eighteen years ago, and I 664 00:30:16,320 --> 00:30:18,320 Speaker 3: went through some shit, and it's like, dude, I went 665 00:30:18,360 --> 00:30:20,000 Speaker 3: through so much shit. You know how many times? Like 666 00:30:20,040 --> 00:30:22,960 Speaker 3: I didn't get credit, Like I like made a whole 667 00:30:22,960 --> 00:30:23,360 Speaker 3: song and. 668 00:30:23,320 --> 00:30:26,760 Speaker 1: Got no credit stolen from you? Oh my god, are 669 00:30:26,800 --> 00:30:30,520 Speaker 1: you fucking kidding me? Dude? Horrendous dude. 670 00:30:30,560 --> 00:30:33,040 Speaker 3: One time I had a number one song stolen front 671 00:30:33,160 --> 00:30:36,719 Speaker 3: no credit, one song, no credit, and I remember I 672 00:30:36,800 --> 00:30:39,400 Speaker 3: like went in I went into the manager of that 673 00:30:39,440 --> 00:30:42,959 Speaker 3: person's thing office and I was like and I was like, 674 00:30:43,400 --> 00:30:45,840 Speaker 3: they stole my song, and he was like, no, they didn't. 675 00:30:46,080 --> 00:30:47,880 Speaker 3: And then I opened up a laptop and I played 676 00:30:48,080 --> 00:30:50,240 Speaker 3: my version with a date stamp that was like before 677 00:30:50,280 --> 00:30:52,880 Speaker 3: the one they created. And then I remember like the 678 00:30:52,880 --> 00:30:55,480 Speaker 3: manager was like hold on. He like closed the door 679 00:30:55,560 --> 00:30:57,640 Speaker 3: and he was like, well, let's just talk about this. 680 00:30:58,000 --> 00:31:00,280 Speaker 3: And then I remember I called the person who stole 681 00:31:00,320 --> 00:31:02,520 Speaker 3: it from me and I was like, hey, man, you 682 00:31:02,520 --> 00:31:05,080 Speaker 3: you stole that thing like that was mine. I did that, 683 00:31:05,360 --> 00:31:08,440 Speaker 3: like I did that, and he said what are you 684 00:31:08,440 --> 00:31:10,800 Speaker 3: gonna do about it? And then he was like he 685 00:31:10,960 --> 00:31:14,000 Speaker 3: was like he goes I'll bury you in legal fees. 686 00:31:14,040 --> 00:31:15,840 Speaker 3: He goes, you don't have any money to fight this, 687 00:31:16,040 --> 00:31:19,640 Speaker 3: he goes, just just take this one. Just just just 688 00:31:19,760 --> 00:31:22,000 Speaker 3: like gave me like a virtual pat on the back. 689 00:31:22,080 --> 00:31:23,760 Speaker 3: He was like, you just take this one. You'll get 690 00:31:23,760 --> 00:31:27,360 Speaker 3: the next one. Like, oh my god, do you know 691 00:31:27,400 --> 00:31:30,320 Speaker 3: how many do you know how many times? 692 00:31:30,640 --> 00:31:30,800 Speaker 1: Yeah? 693 00:31:30,880 --> 00:31:33,520 Speaker 3: Yeah? But like but but all of those moments like 694 00:31:33,560 --> 00:31:35,480 Speaker 3: that's why I like when I signed kids like it 695 00:31:35,600 --> 00:31:38,280 Speaker 3: makes it gives me like so much pleasure to like 696 00:31:38,560 --> 00:31:41,320 Speaker 3: to like give these guys like fair deals and like and. 697 00:31:41,240 --> 00:31:44,040 Speaker 1: Like put potato chips in their hair. 698 00:31:44,720 --> 00:31:47,040 Speaker 3: No, no, but to like watch these dudes, Like I 699 00:31:47,080 --> 00:31:49,720 Speaker 3: have so many people that I signed that I watched them, Like, dude, 700 00:31:49,800 --> 00:31:50,280 Speaker 3: I have like a. 701 00:31:50,400 --> 00:31:52,880 Speaker 1: Well you're like you're like an abused child that gets 702 00:31:52,880 --> 00:31:53,800 Speaker 1: to like raise. 703 00:31:53,880 --> 00:31:57,200 Speaker 3: And I didn't yeah, and I didn't, like I didn't 704 00:31:57,240 --> 00:31:59,200 Speaker 3: do that. I like paid it forward. And it's like 705 00:31:59,480 --> 00:32:01,440 Speaker 3: it's so cool to like see that. So it's like 706 00:32:01,480 --> 00:32:04,360 Speaker 3: all these things that you have like when you're growing up, 707 00:32:04,760 --> 00:32:06,760 Speaker 3: they make you who you. 708 00:32:06,800 --> 00:32:09,040 Speaker 1: Are, right, Okay, but it is traumatic. 709 00:32:09,200 --> 00:32:12,360 Speaker 3: Oh my god, you have to you have to process that, kidding. 710 00:32:12,400 --> 00:32:14,960 Speaker 3: I have so much trauma, Like this thing could go. 711 00:32:16,080 --> 00:32:16,320 Speaker 1: Yeah. 712 00:32:16,400 --> 00:32:21,000 Speaker 3: Yeah, when when I was honestly like one, when when 713 00:32:21,040 --> 00:32:24,400 Speaker 3: I was like twenty something and I like start like 714 00:32:24,440 --> 00:32:26,800 Speaker 3: twenty one and I started getting like so much success 715 00:32:26,800 --> 00:32:28,720 Speaker 3: that started making money for the first time, I didn't 716 00:32:28,760 --> 00:32:31,600 Speaker 3: know what to do. I lost my mind. I lost 717 00:32:31,640 --> 00:32:34,640 Speaker 3: my crazy. I lost my mind. I like didn't leave 718 00:32:34,640 --> 00:32:36,960 Speaker 3: the house for like six months. I was like gore phobic, 719 00:32:37,240 --> 00:32:41,640 Speaker 3: Like I like, dude, I literally lost my mind and 720 00:32:41,760 --> 00:32:43,720 Speaker 3: I and I had to see. I had to see 721 00:32:43,760 --> 00:32:46,360 Speaker 3: Like I saw a therapist like three times a week, 722 00:32:46,400 --> 00:32:48,600 Speaker 3: and he like built me back and then like and 723 00:32:48,640 --> 00:32:50,080 Speaker 3: then I came back like better than. 724 00:32:49,960 --> 00:32:52,880 Speaker 1: Ever lost your mind doing drugs or lost just. 725 00:32:52,800 --> 00:32:55,120 Speaker 3: Like it was all too much. There's too much pressure, 726 00:32:55,160 --> 00:32:57,479 Speaker 3: too much driver, too much money, too much. Like I 727 00:32:57,560 --> 00:33:00,320 Speaker 3: just like didn't I didn't understand, Like I wasn't built 728 00:33:00,440 --> 00:33:01,840 Speaker 3: like that. I've never seen. 729 00:33:01,600 --> 00:33:04,640 Speaker 1: Any of this shit. Yea, I didn't know song stealing was, 730 00:33:04,720 --> 00:33:07,800 Speaker 1: so it goes right all that shit that's fucked up. Yeah, 731 00:33:07,840 --> 00:33:10,800 Speaker 1: and like because like joke thievery and comedy is so 732 00:33:11,200 --> 00:33:13,640 Speaker 1: taboo and all comics will snitch on you if you 733 00:33:13,680 --> 00:33:15,640 Speaker 1: steal a joke, Like comics are looking out for each 734 00:33:15,680 --> 00:33:19,480 Speaker 1: other with joke thievery comics are looking out for each 735 00:33:19,480 --> 00:33:19,840 Speaker 1: other with that. 736 00:33:19,880 --> 00:33:20,840 Speaker 3: You ever steal a joke? 737 00:33:21,440 --> 00:33:25,960 Speaker 1: Never, no, never, I have like one type of comedy. 738 00:33:26,280 --> 00:33:32,880 Speaker 1: My comedic creative choices are so idiosyncratic and specific. If 739 00:33:32,920 --> 00:33:35,040 Speaker 1: I even if I stole a joke, it wouldn't work. 740 00:33:35,480 --> 00:33:37,959 Speaker 1: I have like one I sing one song and I 741 00:33:38,000 --> 00:33:41,280 Speaker 1: say it, well, like there's only there's only one tempo, 742 00:33:41,440 --> 00:33:45,760 Speaker 1: one speed, one volume. You know, I only can do 743 00:33:45,800 --> 00:33:48,160 Speaker 1: one thing. So and even if like I had a 744 00:33:48,240 --> 00:33:50,880 Speaker 1: joke that was like similar to somebody else's joke and 745 00:33:50,960 --> 00:33:54,600 Speaker 1: like it was written from my it was purely written 746 00:33:54,600 --> 00:33:56,959 Speaker 1: for it never went on TV or anything. But just 747 00:33:56,960 --> 00:33:59,760 Speaker 1: somebody like suggested like oh no, Lucy kas a joking 748 00:33:59,800 --> 00:34:02,440 Speaker 1: that I never did it, yeah, and that I never 749 00:34:02,440 --> 00:34:04,160 Speaker 1: put it on Netflix. I never went on TV. Just 750 00:34:04,200 --> 00:34:06,520 Speaker 1: I like I did it at the Laughactory, and like 751 00:34:07,080 --> 00:34:09,640 Speaker 1: they would put comics on their website. Sometimes somebody who 752 00:34:09,680 --> 00:34:11,560 Speaker 1: was like in the comments was like, that reminds me 753 00:34:11,600 --> 00:34:13,200 Speaker 1: of this joke, And I was like, just the fact 754 00:34:13,239 --> 00:34:16,520 Speaker 1: that it reminds you of that joke, it's gone. It's 755 00:34:16,520 --> 00:34:17,400 Speaker 1: out of the repertoire. 756 00:34:17,760 --> 00:34:21,240 Speaker 3: Yeah, No, it's just like it's like but getting crushed 757 00:34:21,320 --> 00:34:24,120 Speaker 3: is like part of it. It's like it's all, it's 758 00:34:24,120 --> 00:34:25,040 Speaker 3: all like I don't know. 759 00:34:25,120 --> 00:34:26,440 Speaker 1: I just don't. I've known you for a while. I 760 00:34:26,440 --> 00:34:28,560 Speaker 1: didn't know any of that shit happened here. It's crazy. 761 00:34:28,640 --> 00:34:30,920 Speaker 3: Oh my god, I have so many where I'm just 762 00:34:31,000 --> 00:34:32,040 Speaker 3: like crushed. 763 00:34:32,120 --> 00:34:33,600 Speaker 1: The chips on the head is shitty. 764 00:34:33,920 --> 00:34:36,680 Speaker 3: Oh my god, I got, I got. When you're coming up, 765 00:34:36,719 --> 00:34:37,880 Speaker 3: you really get crushed. 766 00:34:37,880 --> 00:34:37,960 Speaker 2: Like. 767 00:34:38,120 --> 00:34:39,920 Speaker 1: The people that are successful are the people that just 768 00:34:39,920 --> 00:34:42,040 Speaker 1: willing to put up with all that crushing. Oh and 769 00:34:42,080 --> 00:34:43,680 Speaker 1: they don't get discouraged enough to quit. 770 00:34:43,840 --> 00:34:44,080 Speaker 2: Dude. 771 00:34:44,480 --> 00:34:46,359 Speaker 1: You just can't give up, dude, you keep going. 772 00:34:46,600 --> 00:34:49,880 Speaker 3: We would. We would stay in the studio for like 773 00:34:50,040 --> 00:34:52,759 Speaker 3: a week at a time. I would fall asleep. I 774 00:34:52,800 --> 00:34:56,080 Speaker 3: remember I was I was falling asleep at the computer 775 00:34:56,400 --> 00:34:59,440 Speaker 3: and and and like and like they were throwing at 776 00:34:59,480 --> 00:35:01,400 Speaker 3: me and they were like, you'd wake up. They're like, 777 00:35:01,400 --> 00:35:04,239 Speaker 3: we gotta keep going, and I was like, I was like, 778 00:35:04,239 --> 00:35:06,839 Speaker 3: like the dude. One time I had to go to 779 00:35:06,920 --> 00:35:11,320 Speaker 3: the hospital. I was so sick and exhausted and exhaustion 780 00:35:11,560 --> 00:35:14,000 Speaker 3: like the medical term. Again, Yeah, no, I had actual 781 00:35:14,320 --> 00:35:17,880 Speaker 3: I had like actual fatigue. And they had, dude, they 782 00:35:18,000 --> 00:35:20,640 Speaker 3: they had to like the people I was working with, 783 00:35:20,880 --> 00:35:23,960 Speaker 3: they had me on a on like a schedule and 784 00:35:24,000 --> 00:35:25,520 Speaker 3: like a thing that would ring and it would be 785 00:35:25,520 --> 00:35:27,160 Speaker 3: like you gotta go to bed now, Bennie, like to 786 00:35:27,200 --> 00:35:30,839 Speaker 3: get me like back to like life. Like dude, we 787 00:35:30,840 --> 00:35:34,080 Speaker 3: were working like I was working like like sixty hours straight. 788 00:35:34,280 --> 00:35:37,160 Speaker 3: But like that shit like makes you that ship. 789 00:35:37,080 --> 00:35:41,239 Speaker 1: Made totally totally absolutely. I was so broke when I 790 00:35:41,239 --> 00:35:43,520 Speaker 1: started doing comedy. I was homeless. I would sleep in 791 00:35:43,520 --> 00:35:46,160 Speaker 1: the park. There's a little park called Saint Barton's Park. 792 00:35:46,160 --> 00:35:48,320 Speaker 1: I would ask. I would go on stage at open mics, 793 00:35:48,560 --> 00:35:51,080 Speaker 1: do my set, try to make everybody laugh, and then 794 00:35:51,200 --> 00:35:54,000 Speaker 1: ask audience members if I could sleep over their house. 795 00:35:54,440 --> 00:35:56,480 Speaker 1: Did they say yeah? Sometimes I would. I would add 796 00:35:56,520 --> 00:35:58,239 Speaker 1: like tooth brushes all over the city. I would like 797 00:35:58,360 --> 00:36:01,160 Speaker 1: crash at different people's houses. I would sleep outside. 798 00:36:01,520 --> 00:36:02,000 Speaker 3: It's crazy. 799 00:36:02,040 --> 00:36:05,920 Speaker 1: I would eat like one dollar microwave Indian food for breakfast, lunch, 800 00:36:05,960 --> 00:36:08,120 Speaker 1: and dinner because there was the cheapest thing. 801 00:36:08,760 --> 00:36:09,560 Speaker 3: When you have the. 802 00:36:12,400 --> 00:36:15,839 Speaker 1: This is like this is like just just after. 803 00:36:16,360 --> 00:36:17,799 Speaker 3: You're just like taking it off. 804 00:36:18,360 --> 00:36:19,440 Speaker 1: I had like patchwork. 805 00:36:22,239 --> 00:36:25,760 Speaker 3: No, dude, it's like, dude, we're bombing, like like everyone's bombing. 806 00:36:25,880 --> 00:36:28,719 Speaker 1: First it doesn't end. Bombing doesn't really end constantly, it 807 00:36:28,719 --> 00:36:30,840 Speaker 1: doesn't end. Yeah, your failures will never. 808 00:36:30,800 --> 00:36:32,920 Speaker 3: End, you know how often? Like I feel like, but 809 00:36:32,960 --> 00:36:35,400 Speaker 3: nobody knows. Like everyone's just like, dude, you make like 810 00:36:35,480 --> 00:36:37,440 Speaker 3: every big song work. You know how many songs I have, 811 00:36:37,480 --> 00:36:40,120 Speaker 3: They're just like complete. And the crazy thing is I'll 812 00:36:40,160 --> 00:36:41,719 Speaker 3: be like I'll be like, this ship's gonna be the 813 00:36:41,760 --> 00:36:43,880 Speaker 3: fucking best ever, and that just like fails and I'm like, 814 00:36:43,880 --> 00:36:46,560 Speaker 3: oh well, yeah, I'm like stort again, this gonna be 815 00:36:46,600 --> 00:36:48,680 Speaker 3: the best, Like and I just like, I just like, 816 00:36:49,000 --> 00:36:51,439 Speaker 3: won't I refuse to quit? Yeah, I don't give a fuck. 817 00:36:51,880 --> 00:36:54,120 Speaker 3: I'll phil every day. I don't give two ships that 818 00:36:54,320 --> 00:36:57,239 Speaker 3: I care successful. I'm like I'm shameless than that. Like 819 00:36:57,280 --> 00:36:59,920 Speaker 3: I don't care about failure at all. Like it's like, 820 00:37:00,040 --> 00:37:01,839 Speaker 3: do you care about failure? Does it crush you? 821 00:37:01,960 --> 00:37:05,680 Speaker 1: I've had it crush me before when I go up. 822 00:37:05,840 --> 00:37:07,839 Speaker 1: I bombed on stage the other night doing stand up, 823 00:37:07,840 --> 00:37:10,600 Speaker 1: not last night but last week, and it used to 824 00:37:10,840 --> 00:37:15,080 Speaker 1: crush me. And now I just look at my jokes 825 00:37:15,160 --> 00:37:18,920 Speaker 1: like totally objectively. I'll just be like, all right, I'm 826 00:37:18,960 --> 00:37:20,680 Speaker 1: gonna do this, this, this, this, And I went up 827 00:37:20,719 --> 00:37:22,440 Speaker 1: on stage, and I had my notes with me, and 828 00:37:22,480 --> 00:37:23,800 Speaker 1: I was just like, but da da da dah. I 829 00:37:23,840 --> 00:37:25,560 Speaker 1: did one joke and went well. Then I was like, great, 830 00:37:25,600 --> 00:37:27,120 Speaker 1: that joke works. And then I was like blah blah 831 00:37:27,160 --> 00:37:30,320 Speaker 1: blah crickets and I was like that joke made work. 832 00:37:30,760 --> 00:37:32,880 Speaker 1: And then I was like, but da da da, Okay, 833 00:37:32,920 --> 00:37:35,520 Speaker 1: that joke still got some fucking gas in it. Now 834 00:37:35,560 --> 00:37:37,640 Speaker 1: it's like just objective, like I don't take it personally. 835 00:37:37,680 --> 00:37:39,640 Speaker 1: I'm just like uh huh huh. And then I'll go 836 00:37:39,719 --> 00:37:41,640 Speaker 1: back and I'll listen to the voice memo and I'll 837 00:37:41,680 --> 00:37:43,520 Speaker 1: be like, oh, yeah, I stuttered over that word, and 838 00:37:43,560 --> 00:37:45,759 Speaker 1: I was like, oh, that's too harsh for the audience's ears. 839 00:37:45,800 --> 00:37:48,719 Speaker 1: I should reorder that. I just look at it completely objectively. 840 00:37:48,800 --> 00:37:50,680 Speaker 3: What if you make like a movie and it just bombed, 841 00:37:50,719 --> 00:37:53,480 Speaker 3: soul crushing, shout soul crushing. 842 00:37:53,840 --> 00:37:55,840 Speaker 1: I've only made one movie and it did well, but 843 00:37:55,880 --> 00:37:57,919 Speaker 1: it didn't make any money. So I did it? Did 844 00:37:58,000 --> 00:38:00,000 Speaker 1: it bombed and did well simultaneously? 845 00:38:00,120 --> 00:38:02,160 Speaker 3: Do you read like reviews, Like if somebody said, like 846 00:38:02,160 --> 00:38:05,040 Speaker 3: a bad review about Eric Andre show, are you crushed? 847 00:38:05,440 --> 00:38:07,799 Speaker 1: What we did for Netflix? We took all the bad 848 00:38:07,840 --> 00:38:09,680 Speaker 1: reviews and we put it as part of the marketing. 849 00:38:09,800 --> 00:38:13,600 Speaker 1: So it's like, this movie's disgusting times, this movie's fucking 850 00:38:13,600 --> 00:38:15,920 Speaker 1: written by children New York But whatever, you know what 851 00:38:15,960 --> 00:38:20,080 Speaker 1: I mean? Sometimes yes, sometimes no. Sometimes I'll tell my publicists, like, 852 00:38:20,080 --> 00:38:21,120 Speaker 1: don't send me the bad reviews. 853 00:38:21,120 --> 00:38:23,960 Speaker 3: I'm not would your publicier send you the bad review 854 00:38:24,080 --> 00:38:25,800 Speaker 3: all the time? That's crazy. 855 00:38:26,400 --> 00:38:28,160 Speaker 1: He'll go, he'll go, and he has him in order. 856 00:38:28,160 --> 00:38:35,880 Speaker 1: It'll be like great, overwhelmingly great, good, medium, mixed, unfavorable, brutal. 857 00:38:36,480 --> 00:38:38,160 Speaker 1: They'll have them online and do you go. You go 858 00:38:38,400 --> 00:38:40,600 Speaker 1: right for the brute. Used to go right for the brutal. 859 00:38:40,840 --> 00:38:43,000 Speaker 1: Now I started protecting myself against that stuff early on. 860 00:38:43,120 --> 00:38:45,520 Speaker 1: It depends. It depends like when the when something first 861 00:38:45,600 --> 00:38:48,719 Speaker 1: comes out, that's when you're the most sensitive. And then 862 00:38:48,800 --> 00:38:51,160 Speaker 1: with time you can stomach the bad reviews. But sometimes 863 00:38:51,200 --> 00:38:53,480 Speaker 1: bad reviews are good for you. You want to look at, 864 00:38:53,560 --> 00:38:57,520 Speaker 1: like all the negative feedback and see where there's commonalities 865 00:38:57,960 --> 00:38:59,640 Speaker 1: and take that as a note, be like, you know what, 866 00:39:00,040 --> 00:39:03,520 Speaker 1: we shouldn't do a scene like that again. So it's 867 00:39:03,520 --> 00:39:06,360 Speaker 1: not all about it's not all about the best. The 868 00:39:06,520 --> 00:39:09,719 Speaker 1: best was The New York Times reviewer ripped us a 869 00:39:09,760 --> 00:39:12,439 Speaker 1: new asshole. That's tough because the Times you wanted times, 870 00:39:12,640 --> 00:39:15,640 Speaker 1: which good for bad trip. Then the New York Times 871 00:39:16,239 --> 00:39:19,480 Speaker 1: Sunday section came back for like whatever, the lifestyle or 872 00:39:19,520 --> 00:39:22,920 Speaker 1: whatever and gave us like the best review ever. So 873 00:39:23,040 --> 00:39:25,520 Speaker 1: it was like, oh, there's inner New York Times turmoil. 874 00:39:25,600 --> 00:39:27,560 Speaker 1: And it was like such a victory because it's like 875 00:39:28,120 --> 00:39:30,640 Speaker 1: the Sunday section they don't need to report on. It 876 00:39:30,800 --> 00:39:32,719 Speaker 1: wasn't like a movie reviewer. It was like just like 877 00:39:33,160 --> 00:39:35,840 Speaker 1: lifestyle and whatever the fuck, and he gave us a 878 00:39:36,000 --> 00:39:39,040 Speaker 1: fucking awesome review and it was such a fucking victory. 879 00:39:39,040 --> 00:39:42,040 Speaker 1: I was like, hell, yes, you want like the New 880 00:39:42,120 --> 00:39:43,840 Speaker 1: York Times. I don't even want that shit. That's a 881 00:39:43,840 --> 00:39:45,000 Speaker 1: shit your printing frame, you know. 882 00:39:45,400 --> 00:39:49,120 Speaker 3: Of course, my mom, like my mom actually thinks I 883 00:39:49,640 --> 00:39:51,440 Speaker 3: thought I was like nothing until I was like a 884 00:39:52,080 --> 00:39:57,200 Speaker 3: backup on s and now. One time, dude, one time, Oh, 885 00:39:57,320 --> 00:39:59,880 Speaker 3: actually I have a good one. One time I'm playing 886 00:40:01,080 --> 00:40:05,719 Speaker 3: a show and uh, we're on stage and it's front 887 00:40:05,760 --> 00:40:09,759 Speaker 3: of like twenty thousand people, okay, and it's with the 888 00:40:09,840 --> 00:40:13,319 Speaker 3: band and I'm they're all playing and I'm controlling all 889 00:40:13,400 --> 00:40:15,640 Speaker 3: of the music, so like so like you know, how 890 00:40:15,719 --> 00:40:18,680 Speaker 3: like people played a track and like and I am 891 00:40:18,680 --> 00:40:22,680 Speaker 3: in controlling the entire thing, and I have like a 892 00:40:22,840 --> 00:40:26,800 Speaker 3: real computer that's like it's like plugged dan and stuff, 893 00:40:27,000 --> 00:40:29,840 Speaker 3: and this guy is like playing a guitar. He's so 894 00:40:30,160 --> 00:40:33,880 Speaker 3: fucked up and he's like and he's like boo and 895 00:40:33,960 --> 00:40:38,480 Speaker 3: then knocks out my plug and the computer shuts out 896 00:40:38,520 --> 00:40:42,000 Speaker 3: and they're like just like because there's no track, and 897 00:40:42,040 --> 00:40:44,840 Speaker 3: then I'm like fuck and it's like we're completely empty. 898 00:40:45,200 --> 00:40:47,719 Speaker 3: And then I go to plug it back in and 899 00:40:47,800 --> 00:40:50,239 Speaker 3: we're we're at like a festival and it literally when 900 00:40:50,480 --> 00:40:51,640 Speaker 3: the computer turns on, it was like. 901 00:40:55,080 --> 00:40:55,440 Speaker 2: It was like. 902 00:40:57,080 --> 00:41:04,680 Speaker 3: Everyone was so sick when it happened, but it was like, 903 00:41:05,120 --> 00:41:09,040 Speaker 3: but yeah, it's like three oh three at the time, 904 00:41:09,400 --> 00:41:13,280 Speaker 3: it was at Warped tour headline, like just like fucked 905 00:41:13,360 --> 00:41:15,640 Speaker 3: we just fucked it off. Like it's just like yeah, 906 00:41:15,760 --> 00:41:18,319 Speaker 3: I'm just like, dude, we're getting like crushed every day 907 00:41:18,480 --> 00:41:21,600 Speaker 3: every day. His crush every day is just like a full, 908 00:41:22,160 --> 00:41:26,080 Speaker 3: a full like just melt down, just like I'm I'm 909 00:41:26,200 --> 00:41:28,800 Speaker 3: like melting down and having the time of my life 910 00:41:28,880 --> 00:41:31,640 Speaker 3: at all time. Like you know, when you look at 911 00:41:31,920 --> 00:41:33,560 Speaker 3: like in music, you got. 912 00:41:33,520 --> 00:41:35,480 Speaker 1: To lose, you gotta do it. You gotta try, try 913 00:41:35,520 --> 00:41:36,520 Speaker 1: and fail, don't. 914 00:41:36,320 --> 00:41:39,440 Speaker 3: Know, comedies like this, Like, but like I can, depending 915 00:41:39,520 --> 00:41:41,080 Speaker 3: on like a day, like I can like look at 916 00:41:41,080 --> 00:41:43,480 Speaker 3: myself and just be like, dude, this is the best 917 00:41:43,880 --> 00:41:46,400 Speaker 3: album like I've ever made, and then like the next day, 918 00:41:46,440 --> 00:41:48,239 Speaker 3: I can just be like this trash, like my career 919 00:41:48,320 --> 00:41:49,520 Speaker 3: is over totally, like and it's. 920 00:41:49,400 --> 00:41:50,840 Speaker 1: Just like I'll write a joke and I'll be like, 921 00:41:51,080 --> 00:41:53,399 Speaker 1: I'm a fucking genius. Yeah, I wrote the best joke 922 00:41:53,400 --> 00:41:56,080 Speaker 1: in the world, and then I will say it on 923 00:41:56,160 --> 00:41:59,040 Speaker 1: stage and it will bomb horribly. I'm like, I'm a 924 00:41:59,160 --> 00:42:05,319 Speaker 1: fucking ass. I'm a loser. This joke, Fuck this jokes. 925 00:42:05,320 --> 00:42:06,879 Speaker 1: I met up a fucking loser. Yeah. 926 00:42:06,920 --> 00:42:07,759 Speaker 3: What's your biggest bomb? 927 00:42:07,800 --> 00:42:09,799 Speaker 1: Have you said it on the pod a million times? 928 00:42:09,880 --> 00:42:10,080 Speaker 2: Yeah? 929 00:42:10,160 --> 00:42:12,360 Speaker 1: I like bombed opening up for Chris Rock. You know what, 930 00:42:12,560 --> 00:42:14,799 Speaker 1: there's so many bombs in the beginning, That's what I'm 931 00:42:14,800 --> 00:42:16,880 Speaker 1: saying that. It's like it's kind of like when you 932 00:42:16,960 --> 00:42:18,160 Speaker 1: were like, yeah, yeah, I got beat up at a 933 00:42:18,200 --> 00:42:20,320 Speaker 1: freestyle wrap. It's like, yeah, yeah, I got a bottle 934 00:42:20,360 --> 00:42:22,040 Speaker 1: thrown at me and a knife pull out him. I'm like, 935 00:42:22,719 --> 00:42:25,040 Speaker 1: it's kind of all a blur to me. It's like, yeah, 936 00:42:25,040 --> 00:42:26,600 Speaker 1: it's like another day at the office. 937 00:42:26,320 --> 00:42:29,120 Speaker 3: So you're just bombing at all times. 938 00:42:29,400 --> 00:42:32,279 Speaker 1: Ladies and gentlemen. Benny Blanco, Bye. 939 00:42:35,400 --> 00:42:36,440 Speaker 2: With aer Condred. 940 00:42:36,600 --> 00:42:39,120 Speaker 1: Bombing with Eric Andres brought to you by Will Ferrell's 941 00:42:39,120 --> 00:42:42,600 Speaker 1: Big Money Players Network and iHeart Podcast. Executive produced by 942 00:42:42,640 --> 00:42:46,240 Speaker 1: Han Sani Olivia Aguilar, edited and sound designed by Andy Harris, 943 00:42:46,360 --> 00:42:48,719 Speaker 1: and our art is by Dylan Vanderberg. If you want 944 00:42:48,719 --> 00:42:50,600 Speaker 1: to confess to your own bombing moments or give us 945 00:42:50,600 --> 00:42:52,560 Speaker 1: a shout out, go rate us five stars and drop 946 00:42:52,560 --> 00:42:54,799 Speaker 1: a review on your podcast app a choice right about 947 00:42:54,800 --> 00:42:57,480 Speaker 1: your own stories of bombing at life. And if you're 948 00:42:57,480 --> 00:42:59,759 Speaker 1: on Apple podcast, you could also subscribe a Big Money 949 00:42:59,760 --> 00:43:03,000 Speaker 1: Player diamond to get exclusive bonus content with every episode 950 00:43:03,040 --> 00:43:05,160 Speaker 1: and listen to all my episodes ad free. Hey Bye,