WEBVTT - La Bruja del Desierto

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<v Speaker 1>Twelve Ghosts is a production of I Heeart three D

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<v Speaker 1>audio and grim and mild from Aaron Banky headphones recommended

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<v Speaker 1>listener discretion advised. In the bleak midwinter, frosty wind may

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<v Speaker 1>moan earth stood hard as iron, water like a stone.

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<v Speaker 1>Snow had fallen, Snow on snow, snow on snow in

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<v Speaker 1>the bleak midwinter long ago. Uh right, you look quite surprised, Annabelle.

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<v Speaker 1>But you don't know how you ended up in these

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<v Speaker 1>woods so very far from home. I was confused. I

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<v Speaker 1>could have been hit on the head and wandered into

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<v Speaker 1>the night. I could be dreaming. It could be the wine.

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<v Speaker 1>The wine does not exist except in our heads. And

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<v Speaker 1>to be quite frank, our heads don't exist, at least

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<v Speaker 1>not in the way you're accustomed to them existing. Though

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<v Speaker 1>that doesn't mean they aren't real. But I expect you're

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<v Speaker 1>not up for a metaphysical debate at this late hour,

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<v Speaker 1>especially since suddenly learning that you're in fact very much

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<v Speaker 1>not corporeal in the classical sense. I don't believe it.

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<v Speaker 1>There's very little of existence that we haven't hung our

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<v Speaker 1>metaphors over. Frank consense and mer used for worship and

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<v Speaker 1>funerary practices going as far back as written history. Given

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<v Speaker 1>as gifts in the Nativity story precious and rare. Yes,

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<v Speaker 1>a good gift on its own. But of course we

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<v Speaker 1>add our layers of allegory to the action. Gold for

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<v Speaker 1>a king, frank consense symbolized worship, may're to symbolize the

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<v Speaker 1>sacred act of dying for another. We offer the sense

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<v Speaker 1>up to the gods and hope that they will be

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<v Speaker 1>pleased and have mercy on us. I just like the smell,

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<v Speaker 1>of course people attach meaning to it. It's deep, heavy, mystical.

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<v Speaker 1>All that to say, there are more things in heaven

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<v Speaker 1>and earth ratio than are dreamt of in your philosophy.

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<v Speaker 1>We should be expecting our next guest at any moment. Oh,

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<v Speaker 1>who will it be? Welcome, my dear, coming from the cold.

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<v Speaker 1>My goodness, you're freezing. Come. We poured wine for you.

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<v Speaker 1>That would be very nice. Thank you. Where am I

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<v Speaker 1>at the end of things? Now you're safe in a

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<v Speaker 1>place of rest. Sit. I'm dead right. Nothing gets post you,

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<v Speaker 1>does it. I'm not surprised. I thought i'd come in

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<v Speaker 1>them all away. Did you tell me what happened? So

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<v Speaker 1>this is the original story or at least the way

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<v Speaker 1>they told us when we were kids. And the thing

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<v Speaker 1>you have to understand is Mexican ship changes. It's different,

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<v Speaker 1>like a whole different story, depending on where you lived

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<v Speaker 1>or who told it to you. There's no one version

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<v Speaker 1>of anything. And what I learned after everything that happened

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<v Speaker 1>is it doesn't matter ghost monsters, whatever you were told,

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<v Speaker 1>whatever you believe, they will find you. So the version

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<v Speaker 1>I was told growing up and West they has in

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<v Speaker 1>the late eighties, the version of my grandma told us

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<v Speaker 1>leading up to Christmas Eve. She say, be careful on

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<v Speaker 1>Christmas morning, Mi huh, because Santa Claus and your mother

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<v Speaker 1>and father will give you all the presents they can,

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<v Speaker 1>but you might not get everything you want. And if

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<v Speaker 1>you grow boss, if you complain la brue Halo, she'll

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<v Speaker 1>snatch you up and drag you away to the desert

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<v Speaker 1>and she'll fill your mouth with sand so no one

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<v Speaker 1>will hear you gry no more. And then she just

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<v Speaker 1>kiss us and put us to bed, just like that.

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<v Speaker 1>It's messed up, but it worked because my family was poor,

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<v Speaker 1>so our presents every year were scraps, total shit. But

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<v Speaker 1>did I say one word about it? Get La Bruja

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<v Speaker 1>into the house to take me away. You better believe

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<v Speaker 1>I sat there with a big, fake gass grin on

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<v Speaker 1>my face and said thank you loud and fled looking

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<v Speaker 1>over my shoulder, playing with some dollar store barbie knuckle

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<v Speaker 1>called Pretty Patty or whatever. Oh you bet, I pretended

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<v Speaker 1>to love that ship. As I got older, it became

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<v Speaker 1>clear La the Desert, which was just our version of

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<v Speaker 1>the Boogeyman, something to scare kids into behaving, and we

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<v Speaker 1>already had so many of those, a random spirits and saints.

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<v Speaker 1>Between Bruhia and and being Catholic, we spent like half

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<v Speaker 1>of our childhood lighting candles and cracking eggs under the bed,

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<v Speaker 1>dealing with my Lojo, inviting the priest over to bless

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<v Speaker 1>the corners of the house. Ghost everywhere, and who cares.

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<v Speaker 1>It's all make believe, right, but it's not. It shows

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<v Speaker 1>up smelling of roses and rips, lives to pieces after

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<v Speaker 1>what happened. I've tried to learn about her, but it's

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<v Speaker 1>hard with all the different stories out there, the version

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<v Speaker 1>of my brother Joaquin and I. The one most kids

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<v Speaker 1>heard is that her son pitched a fit on Christmas

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<v Speaker 1>morning because he didn't get what he'd wanted, and he

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<v Speaker 1>ran away, and she ran off into the desert to

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<v Speaker 1>find him and died out there. In some versions, she

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<v Speaker 1>learns to cast spells. Some kids heard she asked the

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<v Speaker 1>Blue for help, and the magic turns on her. Sometimes

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<v Speaker 1>she gets you because she thinks you're her son. Sometimes

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<v Speaker 1>she's doing it as revenged for all mothers everywhere. Whichever

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<v Speaker 1>story you believe, the one can instant is in the end,

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<v Speaker 1>when you break your mother's heart, La Bruja is there

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<v Speaker 1>to take you away. I'll be real. The story of

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<v Speaker 1>La brue how was always hard for me because I

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<v Speaker 1>didn't have the best relationship with my mom. We got

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<v Speaker 1>on okay, but it was cold. I always felt like

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<v Speaker 1>she was stuck in between, Like she grew up with

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<v Speaker 1>this idea of what a good little Mexicana girl was

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<v Speaker 1>supposed to be, how we were supposed to act, but

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<v Speaker 1>by the time I came up, it wasn't a thing anymore.

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<v Speaker 1>I didn't want it anyway. She even straight up asked

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<v Speaker 1>me when I was a little girl if I wanted

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<v Speaker 1>a quintana, and I told her, Nah, I wanted a

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<v Speaker 1>car instead. She tried and share my little brother were unit,

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<v Speaker 1>but that wasn't us. I know now that that's on

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<v Speaker 1>me that I should have been there for my mom.

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<v Speaker 1>After my dad died, I was just mad all the time.

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<v Speaker 1>I wanted him back. It was hard enough before he

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<v Speaker 1>died because we were dirt poor, I mean a literal

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<v Speaker 1>dirt middle of nowhere West. They has just all we

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<v Speaker 1>knew was these tiny little houses with window a C

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<v Speaker 1>units fighting for their lives in a highway and desert

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<v Speaker 1>and nothing's fucking brown everywhere you look, nowhere to go.

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<v Speaker 1>But my dad made the most of it. My dad

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<v Speaker 1>was the best, and he wasn't even showy about it

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<v Speaker 1>or anything. He didn't need to show out, spill a

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<v Speaker 1>million words to you, talk over you. He just kept

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<v Speaker 1>to himself. So when he did something small like put

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<v Speaker 1>a hand on your shoulder, it felt like you were

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<v Speaker 1>getting approval straight from God and the Holy Ghost themselves.

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<v Speaker 1>Mm hmm. My mom and I just didn't get each other.

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<v Speaker 1>But my dad, that ship was locked down. I was

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<v Speaker 1>Daddy's girl. He loved us so much. Traveled all the

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<v Speaker 1>way to Fort winn to work in some unaired conditioned

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<v Speaker 1>factory six days a week just to put food on

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<v Speaker 1>the table. And by the time he got home. He

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<v Speaker 1>was so tired. He just sit in his good chair

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<v Speaker 1>and smiled when we came running to him. I think

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<v Speaker 1>he might have been embarrassed about not speaking English too good,

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<v Speaker 1>but they decided not to speak Spanish in the house

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<v Speaker 1>so we could grow upo aut Real Americans or whatever,

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<v Speaker 1>so he stuck to it. He'd use little Spanglish words

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<v Speaker 1>that felt okay, like me, hed I told you to

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<v Speaker 1>leave until your mother and ship like that. But that

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<v Speaker 1>was it. I remember everything. Joaquin didn't. He was too young,

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<v Speaker 1>but I was almost eleven when it happened. I remember

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<v Speaker 1>everybody all panicked after the phone rang, my mother rushing

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<v Speaker 1>out to the hospital. They never told me exactly what

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<v Speaker 1>the machine did to him, but the casket was closed,

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<v Speaker 1>and for years, anytime his name came up, my aunts

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<v Speaker 1>would cross themselves and say, Santiago. That was my dad's name, Santiago, Boba, Santiago,

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<v Speaker 1>and then they shake their head. After that, my grandma

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<v Speaker 1>moved in with us to take care of my brother

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<v Speaker 1>and I, while my mom started pulling morning and lunch shifts.

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<v Speaker 1>At this dinner off, I tend closer to the base.

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<v Speaker 1>My mom never dated, as far as I knew, I

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<v Speaker 1>could tell she was lonely all the time. The family

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<v Speaker 1>martyr just go into work and being with us, talking

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<v Speaker 1>to the pictures on my dad she kept on the table.

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<v Speaker 1>So all these years passed, and now I'm fourteen, and

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<v Speaker 1>that's when my mom comes home with ed I never

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<v Speaker 1>met anybody like Edgar before. Tall and clean and skinny.

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<v Speaker 1>Everybody I knew lived rough, but Edgar looked like he'd

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<v Speaker 1>never been outside. I thought maybe he was Spanish at first.

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<v Speaker 1>When he came around, she was always calling him my

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<v Speaker 1>friend Edgar. But I knew better, and he seemed real nice.

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<v Speaker 1>But I couldn't help but give him a hard time.

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<v Speaker 1>Mostly it was small stuff. He'd take his shoes off

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<v Speaker 1>when he came over, so I'd filled them with bugs

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<v Speaker 1>and rocks and stuff. He tried to play catch with us,

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<v Speaker 1>but I just throw the football as hard as I

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<v Speaker 1>could at his head. And he never made a joke

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<v Speaker 1>about me not throwing like a girl. But I kept

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<v Speaker 1>wishing he would so I can go off on him

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<v Speaker 1>like I did when he sat in my dad's chair.

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<v Speaker 1>Weird thing was every time I did something like that,

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<v Speaker 1>I catched the smell of roses on the wind. Here,

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<v Speaker 1>this pleasant little rattle like castanets or shells clicking against

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<v Speaker 1>each other. It felt like a reward. Maybe want to

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<v Speaker 1>keep doing it. Joaquin wasn't about that. He loved his

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<v Speaker 1>new buddy, Edgar, loved having somebody to play with, loved

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<v Speaker 1>getting taken to do stuff because my mom had always

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<v Speaker 1>been too tired and my grandma had too much to

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<v Speaker 1>do around the house. I don't think he understood what

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<v Speaker 1>Edgar was doing there, but he liked having somebody new.

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<v Speaker 1>So about a year has gone by since we met Edgar,

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<v Speaker 1>and I'm getting used to him being around. And now

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<v Speaker 1>it's Christmas Eve, which was usually when Mayawata would be

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<v Speaker 1>telling thing us about La Blue Jab But we're too

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<v Speaker 1>old for all that now, and Edgar's there, which feels

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<v Speaker 1>a little weird. But we do dinner and we play

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<v Speaker 1>Notteia with beans on the cards and all that. And

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<v Speaker 1>later Edgar takes me outside and he tells me, Amiliana,

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<v Speaker 1>I know this is your house and I care about

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<v Speaker 1>your mother, but I could never replace your father, and

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<v Speaker 1>I would never try. I know what he meant to you,

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<v Speaker 1>and I promise you I will honor his memory no

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<v Speaker 1>matter what happens. And we shook hands and just like

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<v Speaker 1>that we were cool. So now it's Christmas Day. We

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<v Speaker 1>wake up early and it's just like every year, pretty patty,

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<v Speaker 1>thank you, socks and pencils, thank you. And then Edgar

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<v Speaker 1>rose up and all of us, even my mom, looked surprised.

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<v Speaker 1>We didn't think we were going to see Edgar today,

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<v Speaker 1>but here he comes, stressed on nice and he gave

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<v Speaker 1>is my Boilah a big hug, and he's all excited

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<v Speaker 1>to see everybody and gives me and my brother these

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<v Speaker 1>huge gifts. And mine, I told him a few weeks

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<v Speaker 1>earlier how I wanted to learn skateboard. So mine is

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<v Speaker 1>this sweet deck with the trucks all high and everything

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<v Speaker 1>pink helmet, but I'm not mad about it. And my

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<v Speaker 1>brother he gets this big hot wheels track with Ramsey ol,

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<v Speaker 1>so he immediately starts opening it. And then Edgar goes

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<v Speaker 1>one more present and he moves in front of my

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<v Speaker 1>mom and he gets down on one knee and he

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<v Speaker 1>starts in. I know it's only been a year, but

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<v Speaker 1>ever since the day I met you at the dinner,

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<v Speaker 1>I've blah blah blah blah, and at this point I

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<v Speaker 1>don't hear nothing, just ringing in my ear, just just noise,

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<v Speaker 1>and I can feel my heart and my adrenaline and

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<v Speaker 1>starts to go, looking at my mom smiling. She's starting

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<v Speaker 1>to cry, while Edgar pulls out this tiny box and

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<v Speaker 1>starts to open it, and and just as I'm about

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<v Speaker 1>to say something, there's this big crash, and we all

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<v Speaker 1>turned to look because Joaquin has thrown his present against

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<v Speaker 1>the wall as hard as he can, before anybody can

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<v Speaker 1>do anything. He's screaming, no, no, no, you're not my father,

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<v Speaker 1>You're not my father, and and we're stunned. I've never

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<v Speaker 1>seen this kid yelled once in his life, but he's

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<v Speaker 1>hollering and stomping his foot and trying to grab the

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<v Speaker 1>ring away, and Edgar's up now keeping the box out

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<v Speaker 1>of rage, trying to laugh it off. But but now

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<v Speaker 1>Hawkin is crying, and he runs to my grandma, while

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<v Speaker 1>Edgar says, I told you, I told you this was

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<v Speaker 1>a bad idea, and he goes to leave, and my

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<v Speaker 1>mom chases him outside, all this yelling, my brother hauling

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<v Speaker 1>with my grandma trying to console him, and I could

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<v Speaker 1>smell his roses, and I feel like I'm gonna pa

0:17:00.120 --> 0:17:03.880
<v Speaker 1>us out. We hear Edgar drive off, and and my

0:17:03.920 --> 0:17:07.960
<v Speaker 1>mom comes in, guns blazing, yelling at Joaquin, what got

0:17:08.000 --> 0:17:12.280
<v Speaker 1>into you? What are you thinking? Those cassinettes? The clicking

0:17:12.680 --> 0:17:16.240
<v Speaker 1>growing louder, and my head And she spins around to

0:17:16.320 --> 0:17:18.960
<v Speaker 1>where I am and points her finger in my face

0:17:19.000 --> 0:17:23.639
<v Speaker 1>and say, you you're the one who did this. You

0:17:23.960 --> 0:17:28.640
<v Speaker 1>poison his mind. And she goes running into her room

0:17:28.800 --> 0:17:34.280
<v Speaker 1>and crying, with my grandma chasing after her. I'm left

0:17:34.280 --> 0:17:38.600
<v Speaker 1>there with Joaquin, and I'm like, why did you do that?

0:17:39.680 --> 0:17:43.840
<v Speaker 1>And guy's a good guy. He's crying and saying I

0:17:43.880 --> 0:17:46.800
<v Speaker 1>don't know, I don't know, and and we're both crying

0:17:46.840 --> 0:17:50.640
<v Speaker 1>at this point, and I'm so worked up I don't

0:17:50.640 --> 0:17:54.520
<v Speaker 1>even notice. The ground underneath us is shaking. Now there's

0:17:54.880 --> 0:17:59.080
<v Speaker 1>a rumbling, this huge sound all around us, and all

0:17:59.119 --> 0:18:02.840
<v Speaker 1>the light bulbs and how's explode all at once. Then

0:18:02.880 --> 0:18:06.000
<v Speaker 1>the wall, the one facing away from the street into

0:18:06.040 --> 0:18:09.959
<v Speaker 1>the desert, rips away. It's it's ten o'clock in the morning,

0:18:10.000 --> 0:18:15.000
<v Speaker 1>but the sun it's completely gone, clouded over, this sandstorm

0:18:15.080 --> 0:18:19.120
<v Speaker 1>whirling all around us. Walking yells for me. I don't

0:18:19.160 --> 0:18:21.320
<v Speaker 1>know what's happening. I don't have time to pray, I

0:18:21.320 --> 0:18:24.080
<v Speaker 1>don't have time to cry. I just think about my

0:18:24.160 --> 0:18:26.359
<v Speaker 1>mother and how I wish she would come back and

0:18:26.560 --> 0:18:35.240
<v Speaker 1>save us. She doesn't save us. Instead, something I can't say,

0:18:35.359 --> 0:18:38.680
<v Speaker 1>snatches up walking and drags him into the desert. I

0:18:38.800 --> 0:18:42.160
<v Speaker 1>go chasing after them. It's not hard. All I can

0:18:42.200 --> 0:18:45.320
<v Speaker 1>hear is the sound of my baby brother screaming like

0:18:45.440 --> 0:18:48.919
<v Speaker 1>he'd never scream in his life. After a while, I

0:18:48.960 --> 0:18:52.520
<v Speaker 1>can hear they've gone up over this ridge. And when

0:18:52.560 --> 0:18:55.880
<v Speaker 1>I'm finally able to climb down and I find them

0:18:55.880 --> 0:19:04.200
<v Speaker 1>in the clearing, there she is and all her glory.

0:19:04.720 --> 0:19:08.639
<v Speaker 1>She's more horrible than I could have possibly imagined when

0:19:08.720 --> 0:19:12.160
<v Speaker 1>we were told the stories. I've always pictured like an

0:19:12.160 --> 0:19:17.240
<v Speaker 1>old lady, gray hair, long fingernails, and she is that.

0:19:18.080 --> 0:19:27.159
<v Speaker 1>But then there's a smell, the roses putred, rotting, overwhelming everything,

0:19:27.280 --> 0:19:33.000
<v Speaker 1>making me gag. Ears filled with the rattling the cassinets

0:19:33.320 --> 0:19:39.359
<v Speaker 1>chattering NonStop, piercing into my bones. And she's floating, commanding

0:19:39.440 --> 0:19:45.280
<v Speaker 1>everything around her, her big white eyes glowing with no pupils.

0:19:46.359 --> 0:19:49.600
<v Speaker 1>And then I saw him floating there in the circle

0:19:49.680 --> 0:19:57.520
<v Speaker 1>near Joaquin. It was my father, but it wasn't him.

0:19:57.600 --> 0:19:59.679
<v Speaker 1>It wasn't a ghost, like the way they look so

0:20:00.040 --> 0:20:03.760
<v Speaker 1>nice and clean in the movies. He looked like my father,

0:20:03.920 --> 0:20:10.160
<v Speaker 1>but he wasn't complete, all these pieces of him missing

0:20:10.880 --> 0:20:15.960
<v Speaker 1>his head. I knew it was him, but his head.

0:20:17.400 --> 0:20:22.360
<v Speaker 1>I heard his voice loud for the first time, feeling

0:20:22.560 --> 0:20:30.359
<v Speaker 1>the whole night sky walking me hole. I told you,

0:20:30.480 --> 0:20:38.160
<v Speaker 1>always be a good boy, always mine your mother. It's

0:20:38.160 --> 0:20:46.080
<v Speaker 1>a goody. You did what you could, and now you

0:20:46.240 --> 0:20:53.919
<v Speaker 1>can leave with us over here in the sun forever.

0:20:57.560 --> 0:21:01.320
<v Speaker 1>The ground began to rumble again, and the earth underneath

0:21:01.359 --> 0:21:04.879
<v Speaker 1>Labruja opened up for them to descend. I cried out, no,

0:21:05.320 --> 0:21:10.200
<v Speaker 1>take me, it was me, It was me. La Bruja

0:21:10.400 --> 0:21:13.560
<v Speaker 1>in an instant, was face to face with me, still

0:21:13.600 --> 0:21:17.879
<v Speaker 1>holding my brother up. She bared her teeth and his back,

0:21:19.520 --> 0:21:22.119
<v Speaker 1>and these were the only words she spoke the whole time.

0:21:32.000 --> 0:21:36.800
<v Speaker 1>And just like that, Walking and my father and La

0:21:36.880 --> 0:21:41.440
<v Speaker 1>Bruja disappeared into the earth, and the sand washed over

0:21:41.480 --> 0:21:45.720
<v Speaker 1>everything like it had never happened, Like it was just

0:21:45.760 --> 0:21:55.280
<v Speaker 1>as God had left it. I ended up in Virginia,

0:21:56.280 --> 0:22:00.359
<v Speaker 1>lots of mountains, trees, about as far away you can

0:22:00.400 --> 0:22:02.919
<v Speaker 1>get from the desert without falling off into the ocean.

0:22:04.240 --> 0:22:07.959
<v Speaker 1>You get used to the cold, he told everybody. Walking

0:22:08.119 --> 0:22:11.879
<v Speaker 1>ran away from home and they believed us. The police

0:22:11.920 --> 0:22:15.400
<v Speaker 1>barely looked for him. Then we left, and as far

0:22:15.440 --> 0:22:17.800
<v Speaker 1>as I could tell, nobody missed us when we were gone.

0:22:19.760 --> 0:22:24.359
<v Speaker 1>My grandma died shortly after that. Then we lost my

0:22:24.440 --> 0:22:29.760
<v Speaker 1>mom a few years. Hugo. Cancer sucks. I've got kids

0:22:29.760 --> 0:22:33.840
<v Speaker 1>of my own, now, boy and a girl. She's starting

0:22:33.840 --> 0:22:38.760
<v Speaker 1>fourth grade this year. It's crazy. I haven't told anybody

0:22:39.440 --> 0:22:45.480
<v Speaker 1>would happened, not even my husband. I just hold it in,

0:22:45.600 --> 0:22:51.399
<v Speaker 1>you know, keep it here. Nobody else needs it. I

0:22:51.440 --> 0:22:54.440
<v Speaker 1>feel like if I started talking about it, I never stopped.

0:22:55.359 --> 0:22:59.600
<v Speaker 1>I just keep screaming. She can't do that. They take

0:22:59.640 --> 0:23:02.520
<v Speaker 1>you away, and I can't let them take me away.

0:23:03.520 --> 0:23:05.680
<v Speaker 1>My mom has been dead for years, and I'm still

0:23:05.720 --> 0:23:08.520
<v Speaker 1>afraid to cross her, still afraid I might break her heart.

0:23:08.840 --> 0:23:12.960
<v Speaker 1>Wherever she is. I'm afraid of whoever is watching from

0:23:13.000 --> 0:23:19.520
<v Speaker 1>whatever distance, those white hot eyes. So I'm I'm good

0:23:19.520 --> 0:23:23.160
<v Speaker 1>to everybody. I'm afraid not to be, because I've got

0:23:23.160 --> 0:23:25.920
<v Speaker 1>to protect the people around me. I light my candles,

0:23:26.760 --> 0:23:31.680
<v Speaker 1>I look over my shoulder. I'm so tired. It's too much,

0:23:32.600 --> 0:23:39.240
<v Speaker 1>it's too much to bear. But then I suppose that

0:23:39.240 --> 0:23:45.280
<v Speaker 1>doesn't matter. Now, now that I'm here. I'm so tired

0:23:46.520 --> 0:23:53.280
<v Speaker 1>of the worry. La brush can't get you anymore. Would

0:23:53.320 --> 0:24:02.400
<v Speaker 1>you like to sleep? Yes, very much. This key belongs

0:24:02.480 --> 0:24:06.159
<v Speaker 1>to a door up those stairs, fourth on the left.

0:24:06.920 --> 0:24:14.639
<v Speaker 1>You'll find everything you need there. Rest now, Thank you.

0:24:24.160 --> 0:24:27.359
<v Speaker 1>I saw something in your face as you listen to

0:24:27.400 --> 0:24:31.199
<v Speaker 1>her story. Just now, What do you mean? What do

0:24:31.240 --> 0:24:35.200
<v Speaker 1>you think you saw? I'm not sure. If I were

0:24:35.240 --> 0:24:42.879
<v Speaker 1>to guess, I would call it a recognition, Something struck

0:24:42.920 --> 0:24:49.800
<v Speaker 1>a chord. There was something that felt familiar to me. Well,

0:24:50.720 --> 0:24:54.080
<v Speaker 1>perhaps you'll get it out of you before the night end. Yeah,

0:24:54.920 --> 0:25:01.200
<v Speaker 1>everything eventually comes to light here here at the end

0:25:01.240 --> 0:25:21.199
<v Speaker 1>of things. Twelve Ghosts starring Malcolm McDowell as the Innkeeper

0:25:21.480 --> 0:25:25.640
<v Speaker 1>and Gina Rikiki as Annabelle. Episode four, La Bruja del

0:25:25.680 --> 0:25:30.639
<v Speaker 1>Dasierto written by Chris Alonso with additional writing by Nicholas Takowski,

0:25:31.200 --> 0:25:35.400
<v Speaker 1>Editing by Chris Childs and Stephen Perez. Featuring Laura Lorreina

0:25:35.480 --> 0:25:41.080
<v Speaker 1>Morales as Ameliana. Directed by Nicolas Takowski, Original score and

0:25:41.160 --> 0:25:46.560
<v Speaker 1>sound design by Chris Childs. Executive producers Aaron Mankey, Matt Frederick,

0:25:46.680 --> 0:25:52.840
<v Speaker 1>Alexander Williams, and Nicholas Takowski. Supervising producer Josh Stain, Producers

0:25:52.920 --> 0:25:57.240
<v Speaker 1>Chris Childs and Stephen Perez. Casting by Sunday Bowling c

0:25:57.480 --> 0:26:00.320
<v Speaker 1>s A and Meg Mormon c s A. Per aduction

0:26:00.359 --> 0:26:04.880
<v Speaker 1>coordinator Wayna Calderon. Recorded at Lantern Audio in Atlanta, Georgia,

0:26:05.240 --> 0:26:10.400
<v Speaker 1>engineered by Chris Gardner Aeros Sound and Recording in Ojai, California,

0:26:10.840 --> 0:26:14.879
<v Speaker 1>engineered by Ken Arrows. Twelve Ghosts was created by Nicholas

0:26:14.960 --> 0:26:17.679
<v Speaker 1>Takowski and is a production of I Heeart three D

0:26:17.760 --> 0:26:20.840
<v Speaker 1>Audio and Grim and Mild from Aaron Manky. Learn more

0:26:20.880 --> 0:26:23.600
<v Speaker 1>about the show at Grim and Mild dot com and

0:26:23.640 --> 0:26:26.080
<v Speaker 1>find more podcasts from my heart Radio by visiting the

0:26:26.119 --> 0:26:29.400
<v Speaker 1>i Heart Radio app, Apple Podcasts, or wherever you listen

0:26:29.480 --> 0:26:30.439
<v Speaker 1>to your favorite shows.