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Speaker 1: I Am all In. Oh, I Am all in with

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Speaker 1: Scott Patterson and I Heart Radio podcast. All right, everybody, Hey,

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Speaker 1: it's Scott Patterson and this is the I Am All

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Speaker 1: In Podcast from my Heart Radio and one eleven Productions.

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Speaker 1: And that was what a finale. That's it Season one over?

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Speaker 1: How did we get there so fast? I know? Right?

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Speaker 1: And wasn't Scout fantastic as a nine year old actress?

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Speaker 1: Good gosh, she was. That was cute that her first

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Speaker 1: appearance she was. It was really cute. It was really cute.

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Speaker 1: Riley's got something for us the rundown maybe, huh. This

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Speaker 1: is episode twenty one, Love Daisies and Troubadours, Air date

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Speaker 1: May tenth, two thousand one. Laura liam X sent sparks

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Speaker 1: flying as they re established their relationship hip, while Luke

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Speaker 1: and Rachel find their flame fizzling out. Rory finally has

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Speaker 1: the first conversation with Deans since their breakup. There was

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Speaker 1: a lot of a lot of a literation there for

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Speaker 1: fly anxious anchors. She sells seashells, but anxious anchors placed

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Speaker 1: in powerful posts. What's that from? What's that? Reference? Nice listen?

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Speaker 1: Riley's a superstar now, you know, she's she's turning it out.

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Speaker 1: Oh you wait, we have a little treat for you.

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Speaker 1: We do, we do? Do you have a little trade

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Speaker 1: for me? Is it really a trade or is it

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Speaker 1: a bombshell? What are you gonna do? You're gonna lay

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Speaker 1: an egg on me? What's happening? You'll see? Riley? Are

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Speaker 1: you enjoying your superstar status? Now? I mean you're you're

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Speaker 1: you're like famous? Now, what's going on? I you know,

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Speaker 1: I think about it late at night when I'm trying

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Speaker 1: to fall asleep. But you know, I'm really enjoying it.

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Speaker 1: And it's it's a thrill. It's exhilarating. Did you say

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Speaker 1: it in a French accent? It's three exhilarating. That's rush.

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Speaker 1: Oh my god, Okay, m to talk about I want

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Speaker 1: to talk about this. I love your superstardom. So you're

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Speaker 1: getting stopped in the street. Now, you give an autograph,

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Speaker 1: You're getting tables at McDonald's again, what's going on? What's happening?

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Speaker 1: I am? But only when I'm here, trash? Can you

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Speaker 1: say that line? Don't bring the uh so here? We are?

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Speaker 1: End of season one, Episode one. Season one, we only

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Speaker 1: did twenty one episodes. I guess I guess, I guess

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Speaker 1: that's not the usual twenty two that we did. But

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Speaker 1: that's why it's a hundred and fifty it's a hundred

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Speaker 1: and fifty three episodes that d feels it feels like

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Speaker 1: it's just flown by. It really was not to be cliche,

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Speaker 1: but it's like, we're already done season one? What would

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Speaker 1: be you're like overall take on season one? I mean,

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Speaker 1: we'll break down this specific episode, but what's your You

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Speaker 1: know this is your first time really seeing season one?

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Speaker 1: What do you think? I just think it has laid

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Speaker 1: the groundwork here. I'm not just a screen a little bit, um,

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Speaker 1: It's laid the groundwork for I assume what is to come, uh,

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Speaker 1: far more deep and uh even if it's possible more

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Speaker 1: intriguing narratives and storylines and and scenes to be displayed

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Speaker 1: before us, I mean it's uh, I gotta tell you. Look,

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Speaker 1: this final episode there was a lot that rubbed me

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Speaker 1: the wrong one No way, I'm so interested to hear

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Speaker 1: because I like every minute of it. Tell me right now, God,

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Speaker 1: it's just like I'm back in the Max Medina thing

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Speaker 1: where it's um and it's just their banter and all

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Speaker 1: that and I and I and I, I mean, I'm

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Speaker 1: almost glad to see No. Here's here's what I want

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Speaker 1: to say. I thought the breakup with Rachel, Rachel leaving

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Speaker 1: was a little clumsy. I mean, there could have been

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Speaker 1: more of a conversation. I mean, there's I mean if

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Speaker 1: it was so deep and meaningful to Luke um, and

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Speaker 1: it was so deep and meaningful to to to Rachel

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Speaker 1: even come back, you know, I'm thinking, gosh, this is

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Speaker 1: again here we are missing a scene. Here's some character

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Speaker 1: development that we're missing. And it was just like he

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Speaker 1: walks in the diner and he's been hammering away at

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Speaker 1: Laurelized place, you know, fixing her roof, fixing her porch

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Speaker 1: and all that stuff railings, and then she's got her

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Speaker 1: bags packed and see Luke by in a couple of

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Speaker 1: minutes and like, white, don't you know it's like I

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Speaker 1: agree to a very quick It was like it was

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Speaker 1: like somebody had to get her out of there real quick,

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Speaker 1: Like we've only got three minutes for this breakup. Hit

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Speaker 1: the road, girl. I don't know, because you are you know,

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Speaker 1: Luke is so prominent in this episode own, but as

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Speaker 1: the audience as a whole, after year one, is really

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Speaker 1: that invested in Luke to warrant the writers to to

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Speaker 1: to have the writers to justify a whole scene with

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Speaker 1: Rachel sort of getting you know, you know, really getting

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Speaker 1: into the into the emotional life of what they had

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Speaker 1: been putting each other through, you know what I mean?

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Speaker 1: It kind of kind of needed that, Yeah, because I

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Speaker 1: feel like my gut and you'll know better than I,

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Speaker 1: but was that there's so much in that episode that

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Speaker 1: that was literally the amount of time they had to

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Speaker 1: get rid of her because the scene with you and Max,

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Speaker 1: to me was so much more important, like the verbal

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Speaker 1: sparring and like round one, here we go, and it

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Speaker 1: was like I loved that scene so much. Yeah, I

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Speaker 1: actually forgot that Rachel was gone. I almost didn't care.

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Speaker 1: I was like, this is where I needed to be. Yeah.

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Speaker 1: Maybe that's why they didn't write that scene for us

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Speaker 1: to do, because maybe they felt people didn't care that

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Speaker 1: much about the Luke and Rachel thing and let's just

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Speaker 1: let's just get her going. The important part of the

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Speaker 1: scene with Rachel and you correct me if I'm wrong,

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Speaker 1: it was not the breakup with Rachel was that she's

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Speaker 1: calling you out that about Lorala like, yeah, there is

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Speaker 1: a girl who came between us. Yeah, maybe it didn't

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Speaker 1: need a whole scene. Maybe it was just so Obviously

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Speaker 1: I could have watched more of the breakup for sure,

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Speaker 1: But what I needed I definitely got, which was her

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Speaker 1: right and she was right. She wasn't wrong. She nailed

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Speaker 1: me right between the eyes, and I was speechless. Right,

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Speaker 1: she nailed me. Doesn't have any emotion with the breakup,

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Speaker 1: which is maybe why it felt so abrupt to She

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Speaker 1: just is like, put the dishes away, put the coffee away,

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Speaker 1: diner's clothes, here's my bags, peace out, dude, Like what, well,

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Speaker 1: I think you know, I think she was kicking herself.

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Speaker 1: She had enough time while I was away repairing Loreal

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Speaker 1: Eyed house to to realize and to kick herself and

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Speaker 1: to feel any tinge of regret um that she'd blown it.

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Speaker 1: She you know, her moment had passed and she'd left

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Speaker 1: me too many times before. The trust was gone. Obviously

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Speaker 1: I'm with another gal in my heart, So there you go.

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Speaker 1: You know, the opportunity, let me tell you, is not

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Speaker 1: a lengthy visitor see that in this episode two, because

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Speaker 1: it's like it wasn't as painful for me that Luke

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Speaker 1: isn't with Laurea La it's more now, like really, come on,

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Speaker 1: come on, yeah, you want them, you want them to

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Speaker 1: get to it. But listen they Max sends a thousand

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Speaker 1: daisies and what are you gonna do? How do you?

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Speaker 1: How do you compete? That's a pretty iconic Gilmore image.

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Speaker 1: So were you familiar with it? Yeah, yeah, it's it's

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Speaker 1: it's It is a very iconic image. And was was

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Speaker 1: Laura La giving Luke a daisy at the diner being

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Speaker 1: you know, a little? I mean, I don't know. It

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Speaker 1: was like here, take that and go bury. Everyone gets

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Speaker 1: a day. I didn't remember that. But I'm not just everyone.

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Speaker 1: I'm the guy that was a little and you're in

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Speaker 1: love with me? How are you giving me a daisy?

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Speaker 1: You know? Everybody listening had some excellent theories on why

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Speaker 1: the coffee tasted different. Oh, there was one I read

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Speaker 1: about Rachel that's why it tastes Maybe Rachel was making

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Speaker 1: the coffee, and I what would Luke do that would

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Speaker 1: he get that loose with his uh with his protocols

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Speaker 1: there that's a brilliant theory. So I'd love to hear

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Speaker 1: what they think the meaning of the daisy to Luke

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Speaker 1: was because that was it was not necessary, so they

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Speaker 1: obviously wrote it in for a reason. I'm gonna taste

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Speaker 1: my coffee and it's always great. Scott's drinking his coffee

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Speaker 1: right now. I've been cutting my fingers. I got slashed

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Speaker 1: open the last night. You slash your finger on coffee

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Speaker 1: or just no, no, no, no. My son is becoming

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Speaker 1: a ninja do some sparring. Actually not just like a

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Speaker 1: Maximudina verbal. He's seven years old. He's fierce. You wouldn't

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Speaker 1: believe it. He's watching he's watching Shaolin Monks. I'm like, uh, no,

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Speaker 1: he is not aware he's seen little clips. I think

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Speaker 1: my wife has shown him and he goes, oh, that's

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Speaker 1: is that, daddy. That's gonna be pretty cool when he

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Speaker 1: when he sees it. I know he doesn't four years

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Speaker 1: like ten twelve feels good anyway, Um, but I'm really interested.

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Speaker 1: I felt about that Daisy move because it was weird.

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Speaker 1: It was weird. It almost bordered on disrespect. I don't know.

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Speaker 1: I mean, was she so out of her head and

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Speaker 1: uh and swept up in the moment that she just

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Speaker 1: forgotten just a race sat running when a running and

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Speaker 1: Lorela are running towards you other because they're finally like

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Speaker 1: so happy. That was quite a kiss, by the way,

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Speaker 1: with the truck with Dean and Rory, that was Yeah,

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Speaker 1: he basically ate her hit. I mean, what do you like, dude,

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Speaker 1: go for it in the parking lot of the private school,

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Speaker 1: just just devour her face. Was creepy because I was

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Speaker 1: kind of like, alright, I mean it was like it

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Speaker 1: was like, go get him, Chicago boy. Yeah, you know,

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Speaker 1: but it's like, hey, wait a minute, that's uh, that's Rory.

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Speaker 1: Go Moore there, you better let's have a little more.

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Speaker 1: I mean, I guess obviously he was directed to display

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Speaker 1: some real passion um and he did. He took the

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Speaker 1: direction and he proceeded to eat her. Michael Murray played

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Speaker 1: that scene so well too, because he was sad, devastated, disappointed, flailing,

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Speaker 1: isn't he that poor guy just flailing, just doesn't know

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Speaker 1: what to do. He's like he's like Adam moves, he

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Speaker 1: tries the old school stuff doesn't work, like get out

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Speaker 1: of here. I would never do its like, but I'll

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Speaker 1: take your books. I mean, he's definitely know it's poor

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Speaker 1: Rory too, because the girls are being so mean to

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Speaker 1: her when she doesn't even want to go to the PJ.

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Speaker 1: Harvey concert. It's just like Tristan's always getting Rory into

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Speaker 1: a mess. But how about that song? How about that song?

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Speaker 1: That p. J. Harvey song that came on one line,

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Speaker 1: it's the name of the song that came on when

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Speaker 1: he starts eating her him. It was just like, Wow,

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Speaker 1: I listened to that song five times last night. I

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Speaker 1: thought the truck was weirdly placed, Like why is the

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Speaker 1: truck so close to the school. That was like, that's

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Speaker 1: a little weird pulled right up, you know, it's like

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Speaker 1: we're security this guy. You know, he could have a

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Speaker 1: bomb on you think a teacher would be like excuse me,

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Speaker 1: you too, Like you don't do that on campus at Chiltern.

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Speaker 1: That's a billion dollars worth the kids in there. Man,

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Speaker 1: you gotta protect him. You can't just let you know, Dean,

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Speaker 1: that was definitely shot for like so we could get

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Speaker 1: everything in the shot right exactly. He pulled up in

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Speaker 1: the truck. Wasn't a student. I don't think weird. Oh

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Speaker 1: my god, there's so much. I thought there would be

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Speaker 1: some reaction when she said listen, you dope, because you're idiot.

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Speaker 1: I love you. I thought somebody. I thought the school

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Speaker 1: would stop and turning around and go like like the

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Speaker 1: scratch on the record earth well, and only Tristan is watching.

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Speaker 1: I kept looking at the other kids, and they're just like,

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Speaker 1: hum dumb, dumb, Like whatever turned in our classroom? And

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Speaker 1: these two? Who's this odd guy? This this this poorly

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Speaker 1: clothed odd guy with his like there is no way

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Speaker 1: that every student wouldn't be like staring at that. It's

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Speaker 1: not a BMW, it's not a Mercedes, it's not a Rolls.

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Speaker 1: Who's the freak school and the leather jacket? Come on,

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Speaker 1: everyone staring there is look at it? It's right before

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Speaker 1: you Like, what's Rory doing? Please? I got back together though.

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Speaker 1: How do you feel about that? Um? Yeah, yeah, I

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Speaker 1: think it's I think as long as Rory's happy, I'm happy.

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Speaker 1: She was. She was ecstatic and she you know, we

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Speaker 1: had to get through another and listen, I'm gonna take

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Speaker 1: some heat for this, but you know that we had

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Speaker 1: to get through a couple more uh Lane and Rory scenes.

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Speaker 1: Do you not? Are you not loving there that? I'm not.

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Speaker 1: It's just but I understand the role, the functionality of

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Speaker 1: the character and why those scenes need to be there

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Speaker 1: and you feel better to me because I know they're

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Speaker 1: getting predictable and repetitive for me. You know, this is

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Speaker 1: what girls do. We talk about the same thing over

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Speaker 1: and over and over again. And I don't want to

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Speaker 1: be like women and men. Men don't do that, they

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Speaker 1: don't want to talk about the same topic and girls

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Speaker 1: do it. Oh that's okay, that's not true. That is

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Speaker 1: not true. That's not true. But no, no, no, it's

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Speaker 1: like that guy. That guy that does that, that's the

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Speaker 1: crazy guy that you want to get away from. I

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Speaker 1: had an experience with a guy like that at one

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Speaker 1: time in my life, and I had to end the

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Speaker 1: friendship because I didn't want to hear about her anymore.

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Speaker 1: About some girl. Dude, It was no he was Look,

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Speaker 1: we were friends. He was dating a girl. She they

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Speaker 1: were together, they lived together, and then you know, he

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Speaker 1: got I don't know, they broke up, and she took

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Speaker 1: up and with a younger guy, and she did it

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Speaker 1: pretty quick, and he stalked him and he was freaking

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Speaker 1: out and he was telling me about it. And he

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Speaker 1: told me about the stalking and I said, ah, you

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Speaker 1: can't do that, you gotta stop doing that. I find

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Speaker 1: the lane where he seems very enjoyable, pleasant, But I

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Speaker 1: can understand where you're like this redundant moving along. You too.

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Speaker 1: Enough of the banter to me? I like it. It's

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Speaker 1: too you know what it is to me? You know

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Speaker 1: what bothers me a little bit about it doesn't bother

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Speaker 1: me a lot. I love Keiko, and I love the

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Speaker 1: character and all that, but it's also Rory centric and

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Speaker 1: what's happening with Rory And I'm here and I'm your

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Speaker 1: supporting friend and I'm subserveying all the time, and we're

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Speaker 1: going to talk about your stuff every time we're together,

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Speaker 1: and there's like there's nothing coming back for her, and

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Speaker 1: it's just now it's like here, we know those of

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Speaker 1: us that have seen it many a time that that

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Speaker 1: does change. But very fair comment up till now, especially late,

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Speaker 1: because Lane has been helping through the Dean thing. You know,

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Speaker 1: I thought it was big when we learned that Rory

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Speaker 1: is going to go into into Doss Market, and you're like,

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Speaker 1: what's gonna happen? So it's like she Lane, we need

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Speaker 1: Lane to help with these sort of pivotal moments. But no,

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Speaker 1: there's of course so and she deserves a gold Medal

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Speaker 1: for friendship, for being there, you know, and just like

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Speaker 1: getting whipped around getting dumped as a friend and you're studying.

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Speaker 1: I yeah, absolutely, but it's like another here we go.

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Speaker 1: We will take a break. Scout Taylor Compton is here.

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Speaker 1: She's here, So we're gonna talk to Scout when we

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Speaker 1: come back. We'll be right back after these works, Huri, everybody. Uh,

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Speaker 1: We're going to bring in another very special guest. Her

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Speaker 1: name is Scout Taylor Compton. She played dean sister in

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Speaker 1: a couple episodes. We're gonna bring her and talk to her.

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Speaker 1: There she is. How are you, Scout? Welcome to the show.

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Speaker 1: Thanks for coming on a long time. No see man,

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Speaker 1: you know what how old were you when when you

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Speaker 1: were on the show. Oh go, when I first started,

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Speaker 1: I think I was like I think I was like

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Speaker 1: nine or two. Oh my goodness, really, oh my god?

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Speaker 1: Yeah does that? Does that? Just like I don't know

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Speaker 1: me like now that I deal with like kids that

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Speaker 1: are grown up, it just makes me feel so you

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Speaker 1: just made me feel really ancient in a good way,

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Speaker 1: in a good way. So funny. So let's get into this.

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Speaker 1: I mean, well, people know who you are. We're going

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Speaker 1: to do a We're gonna do an intro a little

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Speaker 1: bit later because there's so much to talk about with

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Speaker 1: you with your the resume that you have built up.

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Speaker 1: But let's just get ready too. So you have the

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Speaker 1: guest rolls on E. R. Frasier at a very young age. Okay,

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Speaker 1: so how did you get the role of Clara on

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Speaker 1: Gilmore Girls? Tell us about that. I mean the typical

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Speaker 1: audition process. Um. I I went in and saw Amy

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Speaker 1: and a couple of the other producers, and you know,

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Speaker 1: we just had to cry. That was it. We had

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Speaker 1: to come in and cry. And I pretty much got it,

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Speaker 1: like really fast. I remember I auditioned and I think

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Speaker 1: I heard the same day, but I think I was

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Speaker 1: the oldest one there. They were a lot of like younger,

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Speaker 1: younger kids, so I just figured I was like, I'm

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Speaker 1: probably gonna get it. We're gonna go to this one

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Speaker 1: a little bit younger. But then when I got it,

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Speaker 1: I was like so stoked. It was such an exciting,

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Speaker 1: uh thing for me to do. What season was it

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Speaker 1: when you got it? Was the first season. It was

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Speaker 1: the first season, but it was already out there and

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Speaker 1: it was a hit and people knew about everybody was

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Speaker 1: talking about it. My mom loved it, like you know,

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Speaker 1: all my my family loved it, knew about it, so

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Speaker 1: they wanted me to get it for sure. Um So

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Speaker 1: you were Dean's little sister and uh, Clara, And what

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Speaker 1: was it like to play a little sister? Figured do

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Speaker 1: you have other siblings in real life? Um? So? I

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Speaker 1: I was raising as an only kid, So this just

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Speaker 1: didn't Yeah, this, this whole thing didn't you know, occur

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Speaker 1: to me like, Oh, it's annoying, little sister. Your siblings

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Speaker 1: don't like each other, you fight all the time. Um.

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Speaker 1: But I definitely got that sense because I feel like

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Speaker 1: I was like, so I looked up to Jared and

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Speaker 1: I just was like, wanted to hang out with them

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Speaker 1: all the time. And I think you too. I think

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Speaker 1: every time I saw especially the guys, every time I

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Speaker 1: saw the guys are just like I wanted to like

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Speaker 1: hang out with you guys. Do we did we hang out?

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Speaker 1: Did we hang out on set? Oh? You don't remember,

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Speaker 1: do you remember? Well? My mom was never My mom

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Speaker 1: was super shy, so she never really hung around. So

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Speaker 1: it's like me and the school teacher kind of thing.

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Speaker 1: Now I remember that now, Yeah, I remember I had

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Speaker 1: um I don't know what they're called, but you would

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Speaker 1: like flick the stick. It was like a you'd have

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Speaker 1: to balance a stick in between two and you could

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Speaker 1: flip them in the air and all this stuff. And

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Speaker 1: I remember it wasn't the first season. I think it

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Speaker 1: was like the third where we where it was like, um,

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Speaker 1: I'll just remember the horses. The horses were on set.

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Speaker 1: It was like this big, like huge scene, and I

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Speaker 1: remember you and I were playing in front of Laurlized

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Speaker 1: house and they had fake snow everywhere, and I remember

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Speaker 1: you could like toss it really high and I was

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Speaker 1: so envious. Wow. Wow, memories, memories. So how would you

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Speaker 1: describe the character of Clara? You know, I feel like

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Speaker 1: Clara came in just to kind of like add some spice,

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Speaker 1: to annoy any sort of character. I went from Rory,

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Speaker 1: then I went to Laurela, and then I went to Dean,

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Speaker 1: and then I went to you know, Jesz. So it's

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Speaker 1: just like Clara was like that person that everyone was

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Speaker 1: just like, get off of me, go away. So the

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Speaker 1: first time we see is when you answer the door

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Speaker 1: for Rory. Do you remember about that first day on set?

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Speaker 1: Was that like, yeah, so I remember I remember coming

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Speaker 1: on set and and you know, showing up to Warner

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Speaker 1: Brothers all there and like that whole community was like

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Speaker 1: formed in front of your eyes. And it was the

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Speaker 1: first time, you know, my little eyes had ever seen

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Speaker 1: something like that. So I was very excited about that. Um.

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Speaker 1: But I mean, working you know, along alongside you know,

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Speaker 1: likes of she was awesome and she was so sweet

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Speaker 1: to work with. She was um she I remember the

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Speaker 1: one thing I remember about her is that she would

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Speaker 1: always be in her little chair and then she would

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Speaker 1: always be reading something. She's always reading a book, and

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Speaker 1: I remember that. Um. But yeah, it was such as

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Speaker 1: such a nice, nice scene to film. You know, I

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Speaker 1: just had to cry, right right. Were you nervous at

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Speaker 1: first day? Were a little nervous, Yeah, really nervous. But

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Speaker 1: I mean everybody was so welcomely on that set. I

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Speaker 1: think that was so that was what's so great about

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Speaker 1: you know the gem girl said, is everyone was so cool? Man? Yeah,

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Speaker 1: we were. We we all got along, you know, we

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Speaker 1: we all I think we shared this, uh you know,

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Speaker 1: we all shared in this struggle to get on the

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Speaker 1: lines right at that at that speed. So we were

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Speaker 1: all we were kind of all in the same boat.

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Speaker 1: You know, it's like, are we gonna we'll we'll get

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Speaker 1: through this, We'll get through the stay. But there's so

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Speaker 1: many bloopers of you guys, just like not a lot.

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Speaker 1: We didn't didn't screw up the lines very much. Good

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Speaker 1: for you. I'm just kidding. I'm kidding. There's there's quite

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00:22:05,280 --> 00:22:09,119
Speaker 1: a blooper real, um you know, we we got that

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Speaker 1: church laughter many many times where and I wish and

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Speaker 1: I hope and I wish and hope they have those

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Speaker 1: bloopers because those are the funniest ones where you're just

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Speaker 1: you can't do it anymore, and in the most serious

383
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Speaker 1: moments at three am or two am, you just start

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Speaker 1: you break down, your your mind breaks down and you

385
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Speaker 1: just start laughing and everybody starts laughing, and every you

386
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Speaker 1: cannot recover. I'm so curious because the speed is such

387
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Speaker 1: like an iconic thing to the show. Was that something

388
00:22:37,080 --> 00:22:40,000
Speaker 1: that you kind of like picked up on or no?

389
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Speaker 1: That was That was the one note we got from

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Speaker 1: every single director was faster. It was always faster. Yeah,

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Speaker 1: it didn't, it didn't, It didn't matter how fast you

392
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Speaker 1: thought you did it. That was the note. Um, so

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Speaker 1: tell us about Okay, here's here's a fan question. This

394
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Speaker 1: is from Iris from Houston. She wants to know what

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Speaker 1: is your favorite memory of your experience on Gilmore Girls.

396
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Speaker 1: Your overall favorite memory. Um, I think probably all the

397
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Speaker 1: memories that I think no one else remembers because I

398
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Speaker 1: was I was like a little kid and playing with you.

399
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Speaker 1: And then, um, I remember Sean Gun. I was making

400
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Speaker 1: him do cart wheels one time with me, and I

401
00:23:23,119 --> 00:23:26,880
Speaker 1: think Dean joined in on that too. Um. I think

402
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Speaker 1: like just getting everybody because I was just such a

403
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Speaker 1: bubboy kid and I was just like trying to get

404
00:23:32,320 --> 00:23:36,119
Speaker 1: everybody to play with me constantly, and everyone did. I

405
00:23:36,400 --> 00:23:41,119
Speaker 1: have like the you know, all those memories I remember, Um,

406
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Speaker 1: Sean and I, it just it like clicked. We just

407
00:23:43,840 --> 00:23:46,960
Speaker 1: did a con together not too long ago, and I

408
00:23:47,080 --> 00:23:49,680
Speaker 1: knew that I had someone playing with me, like doing

409
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Speaker 1: car roles and stuff like that, but I don't remember

410
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Speaker 1: who it was. And then when I saw Sean, we

411
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Speaker 1: put two two together of Gilmore Girls that we both

412
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Speaker 1: were on the show together at the same episodes, and

413
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Speaker 1: we did you know, And I was like, oh my god,

414
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Speaker 1: you were the one who I were what I was

415
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Speaker 1: playing with? It He's like, oh my god, that was you.

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Speaker 1: It was like this aha moment, like old old person brain,

417
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Speaker 1: just like remembering all these memories. Yeah, I think that. Well,

418
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Speaker 1: what was it like working with Jared? Did you guys

419
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Speaker 1: click right away? Yeah? We did. Jared's so. Jared's such

420
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Speaker 1: a special human, he really is. He made me feel

421
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Speaker 1: like I was actually like his sister, you know. He

422
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Speaker 1: made me feel like very welcomed and and he knows

423
00:24:36,080 --> 00:24:37,840
Speaker 1: how to you know, he knew how to work with

424
00:24:38,200 --> 00:24:42,080
Speaker 1: younger people. Um. I almost worked on Supernatural with him,

425
00:24:42,119 --> 00:24:45,520
Speaker 1: which would have been really cool reunion. Um, but that

426
00:24:45,560 --> 00:24:48,680
Speaker 1: didn't happen. But yeah, it's he was such a good

427
00:24:48,680 --> 00:24:51,960
Speaker 1: guy to work with, really good. As much as I'd

428
00:24:52,000 --> 00:24:55,960
Speaker 1: like to say I was team I was probably team

429
00:24:56,040 --> 00:24:57,959
Speaker 1: Jeff because I had a big crush on Mila at

430
00:24:58,000 --> 00:25:01,520
Speaker 1: the time. Oh you're of the one, oh, I said,

431
00:25:01,640 --> 00:25:03,760
Speaker 1: because I couldn't figure out who it was because nobody

432
00:25:03,800 --> 00:25:07,440
Speaker 1: really likes him. Yeah, that was you. Okay, now we

433
00:25:07,560 --> 00:25:12,640
Speaker 1: know what were you? What team were you? I'm sure

434
00:25:12,680 --> 00:25:15,159
Speaker 1: you've said it so many times. Well, I was always

435
00:25:15,240 --> 00:25:18,040
Speaker 1: Jess and then I said team when when when Jared

436
00:25:18,160 --> 00:25:22,240
Speaker 1: came out with this campaign? Uh, because he suffers from

437
00:25:22,240 --> 00:25:24,800
Speaker 1: a little depression, and he was helping other people that

438
00:25:24,920 --> 00:25:27,240
Speaker 1: suffered from depression when he came out with that, you

439
00:25:27,280 --> 00:25:31,360
Speaker 1: know that that very thoughtful, uh and very effective campaign

440
00:25:31,480 --> 00:25:33,760
Speaker 1: to help other people. That then I sort of became

441
00:25:34,119 --> 00:25:36,639
Speaker 1: in two thousand and fifteen, I at a t X,

442
00:25:36,720 --> 00:25:40,560
Speaker 1: I I said I was team Jess. I mean team Dean. Sorry, okay,

443
00:25:40,600 --> 00:25:42,560
Speaker 1: because I just I just wanted him to feel a

444
00:25:42,600 --> 00:25:44,679
Speaker 1: little better that, you know, he had my support, not

445
00:25:44,760 --> 00:25:50,680
Speaker 1: that it really mattered to him. Okay, So enough why

446
00:25:50,760 --> 00:25:53,280
Speaker 1: I I was always team Luke, So there you go.

447
00:25:53,760 --> 00:25:55,600
Speaker 1: I was always rotten for that. And I was always

448
00:25:55,640 --> 00:25:57,639
Speaker 1: team Clara too. I was always like, you know that

449
00:25:57,800 --> 00:26:02,400
Speaker 1: that's the best sister you're gonna have there you Oh,

450
00:26:02,480 --> 00:26:05,800
Speaker 1: you were in that town meeting this first episode. Yeah,

451
00:26:05,880 --> 00:26:09,639
Speaker 1: the first episode, and we were there all day and

452
00:26:09,680 --> 00:26:12,119
Speaker 1: all night. Yeah. It was terrible, right, Well, that was

453
00:26:12,200 --> 00:26:13,640
Speaker 1: one of the days that we were doing the court

454
00:26:13,680 --> 00:26:16,280
Speaker 1: wheels because I was so bored out of my mind.

455
00:26:17,160 --> 00:26:19,760
Speaker 1: Thank god you were there. That was probably the one

456
00:26:19,840 --> 00:26:22,960
Speaker 1: day we enjoyed. You're not doing the town meetings. Not

457
00:26:23,040 --> 00:26:25,000
Speaker 1: to complaining, but it's like it was like hot, it

458
00:26:25,800 --> 00:26:29,440
Speaker 1: was all yeah, it's always hot. Why was it? Because

459
00:26:29,440 --> 00:26:33,280
Speaker 1: everybody every tent you're inside a tent, did they have

460
00:26:33,440 --> 00:26:36,280
Speaker 1: They had like a couple of fans, couple you remember,

461
00:26:36,680 --> 00:26:41,200
Speaker 1: they did their best. They did their best, the huge

462
00:26:41,280 --> 00:26:46,040
Speaker 1: yellow tubes. Yeah, we all have to pile out, pile

463
00:26:46,119 --> 00:26:50,400
Speaker 1: back in. It's August, it's a hundred and ten, you're

464
00:26:50,440 --> 00:26:53,600
Speaker 1: in winter clothing, you're sweating your brains out. You know,

465
00:26:55,640 --> 00:26:58,679
Speaker 1: it's still it's still compared to what the people do

466
00:26:58,760 --> 00:27:01,480
Speaker 1: for jobs. Was it was a cake walk, you know

467
00:27:01,520 --> 00:27:04,399
Speaker 1: what I mean? I never talked in a town meeting.

468
00:27:04,560 --> 00:27:07,840
Speaker 1: You never did. I just mind, were just reactions, just

469
00:27:08,000 --> 00:27:11,679
Speaker 1: reacting to everybody what they were saying. Nine years old

470
00:27:11,920 --> 00:27:16,200
Speaker 1: on a set like that all day, and you really

471
00:27:16,240 --> 00:27:18,840
Speaker 1: wanted to do that since you were, you know, even

472
00:27:18,960 --> 00:27:21,520
Speaker 1: younger than nine years old. It's like, what, how did

473
00:27:21,560 --> 00:27:24,280
Speaker 1: you fall in love with acting? Well, you know, I

474
00:27:24,359 --> 00:27:28,560
Speaker 1: was such a bubbly, talkative like kid, and and my

475
00:27:28,640 --> 00:27:32,080
Speaker 1: dad's corner and he was a mortician. So I grew

476
00:27:32,160 --> 00:27:33,800
Speaker 1: up in that world and I didn't really have a

477
00:27:33,800 --> 00:27:37,400
Speaker 1: lot of friends. So like, nobody wanted to come over

478
00:27:37,440 --> 00:27:43,080
Speaker 1: to my house. I don't know why, but so I

479
00:27:40,680 --> 00:27:46,080
Speaker 1: did take to you that I didn't know that. That's

480
00:27:46,119 --> 00:27:54,000
Speaker 1: really funny. Let's move on to another fan question. This

481
00:27:54,080 --> 00:28:00,159
Speaker 1: is from Joanne and Little Rock. She wants to know, uh,

482
00:28:01,119 --> 00:28:03,119
Speaker 1: she actually wants to know what you think about the

483
00:28:03,160 --> 00:28:06,879
Speaker 1: way Max Medina proposed to Laurel. I. Do you have

484
00:28:06,920 --> 00:28:11,280
Speaker 1: any thoughts on that? Oh? In that episode? Well, my

485
00:28:11,480 --> 00:28:15,960
Speaker 1: thing was, I was pissed because you had just left

486
00:28:16,000 --> 00:28:20,000
Speaker 1: the house and that that altercation between you guys, and

487
00:28:20,040 --> 00:28:23,520
Speaker 1: then you left your toolbox just to kind of like

488
00:28:23,680 --> 00:28:27,080
Speaker 1: leave your stamp at the house. So obviously, like my

489
00:28:27,200 --> 00:28:30,359
Speaker 1: heart was like, no, no, don't say it, don't say it.

490
00:28:31,080 --> 00:28:35,280
Speaker 1: What I thought it was really good. It was beautiful,

491
00:28:35,520 --> 00:28:37,959
Speaker 1: Like I mean, any girl to show up at their

492
00:28:38,000 --> 00:28:43,200
Speaker 1: workplace and it's it was covered and beautiful yellow flower.

493
00:28:44,200 --> 00:28:46,840
Speaker 1: I was like, Luke, come on, like stepping her game here,

494
00:28:46,960 --> 00:28:51,600
Speaker 1: Come on, he's got the hair, he's got the flower things. Yeah,

495
00:28:51,640 --> 00:28:53,680
Speaker 1: but he didn't have the edge, you know what I'm saying.

496
00:28:55,600 --> 00:29:00,680
Speaker 1: Be a bored of that really quick? The bad boy

497
00:29:00,720 --> 00:29:04,360
Speaker 1: good boy for syndrome, you know, yeah, you gotta have both.

498
00:29:04,400 --> 00:29:07,240
Speaker 1: I guess there's more, there's more fighting, but it's the

499
00:29:07,320 --> 00:29:11,280
Speaker 1: relationships last longer. Yeah, because you're on, you're on a

500
00:29:11,400 --> 00:29:19,080
Speaker 1: roller coaster at um. Alright, So Margaret from New York

501
00:29:19,200 --> 00:29:23,760
Speaker 1: City has a question, do you think it was wise

502
00:29:23,960 --> 00:29:29,160
Speaker 1: of Rachel to leave after seeing how Luke was towards Laurel.

503
00:29:29,200 --> 00:29:31,560
Speaker 1: I okay, well, let's just like, let's put it. Let's

504
00:29:31,560 --> 00:29:34,160
Speaker 1: put it down here, girl, Okay, real quick. It's my

505
00:29:34,360 --> 00:29:38,600
Speaker 1: guy was spending the majority of a time with another woman,

506
00:29:38,760 --> 00:29:41,360
Speaker 1: whether he's like working on our house or whatever, and

507
00:29:41,440 --> 00:29:44,800
Speaker 1: not spending any time with me. Come on, man, like,

508
00:29:44,920 --> 00:29:49,960
Speaker 1: you know something's up. Look good? Yeah, it doesn't look good.

509
00:29:50,040 --> 00:29:53,120
Speaker 1: And I think that's a big thing for a woman

510
00:29:53,160 --> 00:29:56,760
Speaker 1: to be like, Hey, I love you, but I'm gonna

511
00:29:56,920 --> 00:29:59,280
Speaker 1: I'm gonna step aside because I can tell that something's

512
00:29:59,320 --> 00:30:07,800
Speaker 1: brewing here. I didn't trust her. Luke didn't trust her anymore. Yeah,

513
00:30:08,000 --> 00:30:13,000
Speaker 1: I think I think Luke had moved on as he

514
00:30:13,240 --> 00:30:17,920
Speaker 1: fell deeper in love with Laureli, because clearly he's obsessed

515
00:30:17,960 --> 00:30:21,960
Speaker 1: with Laureli from from the first episode, and he's pining

516
00:30:22,080 --> 00:30:26,240
Speaker 1: for her, and then this people in the town talk

517
00:30:26,280 --> 00:30:28,720
Speaker 1: about Rachel Laurel. I didn't even know about Rachel. She

518
00:30:28,720 --> 00:30:30,440
Speaker 1: looked like a supermodel. He was still love you. So

519
00:30:30,560 --> 00:30:35,080
Speaker 1: devastated doesn't mean he's devastated, now, you know what I mean.

520
00:30:35,120 --> 00:30:38,080
Speaker 1: But now that she's back, and it's like, I think

521
00:30:38,200 --> 00:30:43,160
Speaker 1: Laurela is misinterpreting his feelings towards Rachel, and I think

522
00:30:43,160 --> 00:30:45,080
Speaker 1: it's just sort of a knee jerk kind of a

523
00:30:45,160 --> 00:30:48,760
Speaker 1: thing where he feels obligated to maybe given another chance,

524
00:30:48,760 --> 00:30:51,600
Speaker 1: but his heart isn't into it with Rachel because he's

525
00:30:51,600 --> 00:30:54,160
Speaker 1: thinking about Laurela and that was doomed to fail. She'd

526
00:30:54,160 --> 00:30:56,560
Speaker 1: burned him too many times, too much scar tissue, wasn't

527
00:30:56,560 --> 00:30:59,920
Speaker 1: gonna do it. Uh, it's like somebody else moved in bed.

528
00:31:00,960 --> 00:31:03,160
Speaker 1: There's this other girl, she's spectacular, and she does that.

529
00:31:03,280 --> 00:31:06,280
Speaker 1: She's not going to leave me. Yeah, that's kind of

530
00:31:06,320 --> 00:31:10,920
Speaker 1: like the thing too. It's like you comfortable with even

531
00:31:10,920 --> 00:31:14,160
Speaker 1: though you you realize that you're you're not in it anymore.

532
00:31:14,680 --> 00:31:17,200
Speaker 1: You don't know how to like let go of that

533
00:31:17,280 --> 00:31:21,040
Speaker 1: thing that you're just like not good for you. It's over,

534
00:31:21,200 --> 00:31:24,760
Speaker 1: it ended, trust me, you know my past. It's taken

535
00:31:24,800 --> 00:31:28,560
Speaker 1: me a long time, way longer to leave a relationship

536
00:31:28,560 --> 00:31:32,120
Speaker 1: that I know is like not when I'm checked out. Um,

537
00:31:32,160 --> 00:31:36,520
Speaker 1: just because it's comfortable. Yeah, that's what happens. A little

538
00:31:36,520 --> 00:31:39,240
Speaker 1: thing called life, little thing called life? The way sometimes

539
00:31:41,760 --> 00:31:44,280
Speaker 1: you want to do a little rapid fire. We haven't

540
00:31:44,280 --> 00:31:46,320
Speaker 1: done rapid fire in a couple of weeks, but we're

541
00:31:46,320 --> 00:31:49,200
Speaker 1: gonna do it with you. Okay. What is that? Oh?

542
00:31:49,360 --> 00:31:52,320
Speaker 1: You're gonna have to answer these questions very rapidly. Okay,

543
00:31:52,480 --> 00:31:54,520
Speaker 1: I'm just gonna fire them at you. All Right, here

544
00:31:54,520 --> 00:31:56,840
Speaker 1: we go. How do you take your coffee? I don't

545
00:31:56,880 --> 00:32:00,960
Speaker 1: drink coffee. You can smell? Can you smell snow? No? Can? Yet?

546
00:32:01,520 --> 00:32:03,600
Speaker 1: We already know the answer. This are your team Logan

547
00:32:03,680 --> 00:32:07,640
Speaker 1: Team Jess or Dean? Team Jess on the Weekend's team

548
00:32:07,760 --> 00:32:10,480
Speaker 1: Logan on the weekday? Who's the daddy? Like anybody really cares?

549
00:32:11,480 --> 00:32:14,320
Speaker 1: Who's the daddy? Like anybody really care? I put that

550
00:32:14,480 --> 00:32:20,960
Speaker 1: version in Who's Who's the daddy? Dean? The best memory

551
00:32:21,000 --> 00:32:23,680
Speaker 1: of Gilmore girls already answered that? But go ahead? Yes, yes,

552
00:32:24,080 --> 00:32:29,000
Speaker 1: another one another one another doing cartwheels with Shawn and no, no,

553
00:32:29,160 --> 00:32:34,720
Speaker 1: doing would games with me? One word to describe Gilmore girls?

554
00:32:35,120 --> 00:32:39,400
Speaker 1: Are you? Are you familiar with creepy clown pillow? No? Okay,

555
00:32:39,440 --> 00:32:41,160
Speaker 1: good either? U was I and I don't want to

556
00:32:41,160 --> 00:32:45,280
Speaker 1: talk about it? What is that? It's yes, It's a

557
00:32:45,320 --> 00:32:49,800
Speaker 1: pillow that appears in in Loyalized living room and every

558
00:32:49,800 --> 00:32:53,480
Speaker 1: single episode and we're tasked to find it in every

559
00:32:53,520 --> 00:32:57,840
Speaker 1: single episode. I wonder who has that pillow? Is a

560
00:32:57,880 --> 00:33:01,280
Speaker 1: real gun, but whoever does? I mean, they're in for

561
00:33:02,680 --> 00:33:07,880
Speaker 1: big dollars at the next Gilmore auction, I'll tell you that. Um,

562
00:33:07,920 --> 00:33:14,160
Speaker 1: I want to talk about your Your singer led dabbled

563
00:33:14,160 --> 00:33:19,880
Speaker 1: to that. Well, I'm mostly a drummer, right, I played drums? Really? Yeah?

564
00:33:20,320 --> 00:33:23,280
Speaker 1: You played instrument? Re starting a band? Uh? Yeah, no,

565
00:33:23,560 --> 00:33:27,360
Speaker 1: I've had many bands like guitar and piano, but mostly guitar. Yeah.

566
00:33:28,320 --> 00:33:31,320
Speaker 1: Oh that's awesome. Oh that's right. Um. I did this

567
00:33:31,360 --> 00:33:35,959
Speaker 1: movie called The Runaways. Do you know that band? And I, um,

568
00:33:36,600 --> 00:33:38,840
Speaker 1: I'm I'm a drummer, like everything has to be moving.

569
00:33:38,960 --> 00:33:44,040
Speaker 1: But I played I played Lida Ford, so I had

570
00:33:44,080 --> 00:33:48,280
Speaker 1: to learn guitar. My little hands is don't don't really

571
00:33:48,280 --> 00:33:52,040
Speaker 1: do guitar very well. Over heyre, that was that was

572
00:33:52,120 --> 00:33:54,880
Speaker 1: definitely really really hard, but that was really cool. I'm

573
00:33:54,920 --> 00:33:57,120
Speaker 1: good at drummer. Are you? I mean, rate yourself? Are you?

574
00:33:57,160 --> 00:34:00,000
Speaker 1: Are you top notch? Yeah? I'm pretty good, pretty good.

575
00:34:00,520 --> 00:34:02,040
Speaker 1: I mean I feel like if I would have stuck

576
00:34:02,080 --> 00:34:04,840
Speaker 1: with it. I probably could have, like, you know, maybe

577
00:34:04,840 --> 00:34:07,040
Speaker 1: he did like a little a little band tour or

578
00:34:07,040 --> 00:34:10,680
Speaker 1: something like you choose, you choose. You want a band career,

579
00:34:10,719 --> 00:34:12,800
Speaker 1: do you want to acting? Oh yeah, you gotta choose.

580
00:34:12,840 --> 00:34:15,600
Speaker 1: You can't have both. I mean you can, but it's like,

581
00:34:15,760 --> 00:34:17,719
Speaker 1: you know, you gotta start early and you gotta go

582
00:34:17,760 --> 00:34:20,080
Speaker 1: on the road. It's a whole deal. It's a whole deal.

583
00:34:20,760 --> 00:34:23,359
Speaker 1: I've dated, you know, in my younger years. I've dated

584
00:34:23,400 --> 00:34:26,040
Speaker 1: a lot of musicians, and I saw that life that

585
00:34:26,440 --> 00:34:31,680
Speaker 1: I'm a grandma. I'm like like that life. I just

586
00:34:31,880 --> 00:34:35,200
Speaker 1: I can barely if I'm out later It's like I'm

587
00:34:35,239 --> 00:34:37,560
Speaker 1: out until like sunrise, you know what I'm saying. So

588
00:34:37,680 --> 00:34:40,319
Speaker 1: I couldn't do that like over and over and over.

589
00:34:41,080 --> 00:34:46,080
Speaker 1: That's that's a grind, that whole world grind. Remake of

590
00:34:46,160 --> 00:34:53,160
Speaker 1: Halloween two thousand and nine Did you work with? Did

591
00:34:53,160 --> 00:34:56,799
Speaker 1: you work with? Jamie Lee Curtis? So we did the

592
00:34:56,880 --> 00:34:59,800
Speaker 1: first one in seven, we did the second one to

593
00:34:59,880 --> 00:35:05,360
Speaker 1: the were the remakes with Rob Zombie, who directed I played,

594
00:35:05,960 --> 00:35:09,319
Speaker 1: who Jamie Lee Curtis plays. Oh my gosh, you were

595
00:35:09,360 --> 00:35:15,800
Speaker 1: the Jamie Lee Curtis. That is fantastic for those two movies. Yeah,

596
00:35:16,200 --> 00:35:18,600
Speaker 1: it's pretty cool. It's a cool experience, and I mean,

597
00:35:18,840 --> 00:35:22,000
Speaker 1: I'm very thankful for the experience. And I don't know who.

598
00:35:22,120 --> 00:35:25,360
Speaker 1: If you know who Rob Zolbie is, he's he's one

599
00:35:25,400 --> 00:35:28,600
Speaker 1: of the greatest guys to work with. And I mean,

600
00:35:28,760 --> 00:35:31,640
Speaker 1: if you want to hand on director, he's your guy.

601
00:35:31,960 --> 00:35:34,520
Speaker 1: Like I'd show up to set at like you know,

602
00:35:34,600 --> 00:35:39,640
Speaker 1: usually actors are there before and everybody you know, and

603
00:35:39,640 --> 00:35:42,239
Speaker 1: and he would be up there, like getting my makeup done,

604
00:35:42,280 --> 00:35:45,200
Speaker 1: and he'd be on set like spray paint and some

605
00:35:45,200 --> 00:35:47,120
Speaker 1: some stuff. And I'm like, what are you doing here? Man?

606
00:35:47,400 --> 00:35:54,000
Speaker 1: It's like I'm making here. The set looks good. So

607
00:35:54,080 --> 00:35:57,920
Speaker 1: he's he's really rad. He was cool. Talk about a

608
00:35:58,040 --> 00:36:02,240
Speaker 1: rock back exactly. I mean talk about extreme rock and roller.

609
00:36:03,000 --> 00:36:06,520
Speaker 1: Oh yeah. His shows, he's he's the most the most

610
00:36:06,520 --> 00:36:08,680
Speaker 1: person I've seen in concert of Doeing like ten or

611
00:36:08,680 --> 00:36:11,440
Speaker 1: eleven times, and he puts on a great, great show.

612
00:36:12,040 --> 00:36:13,839
Speaker 1: Even if you don't like his music, go to one

613
00:36:13,840 --> 00:36:16,160
Speaker 1: of his ships. I go to a lot of shows.

614
00:36:16,200 --> 00:36:18,120
Speaker 1: I love. I love all kinds of you know, we

615
00:36:18,239 --> 00:36:21,360
Speaker 1: just had degrees on before you and I'm gonna go

616
00:36:21,400 --> 00:36:22,879
Speaker 1: to one of their shows. I don't care. I mean,

617
00:36:22,880 --> 00:36:24,920
Speaker 1: I was never into boy bands. It's not my thing.

618
00:36:24,960 --> 00:36:27,960
Speaker 1: It was I'm like late sixties, early seventies classic rock.

619
00:36:28,040 --> 00:36:32,160
Speaker 1: You know. That's how I got uh sleepovers. That's so

620
00:36:32,440 --> 00:36:37,400
Speaker 1: Raven charmed the core Princess Diaries to the Royal Engagement

621
00:36:37,440 --> 00:36:41,480
Speaker 1: sky High. Yeah. Wow. So you worked with Ann Is

622
00:36:41,520 --> 00:36:46,000
Speaker 1: that Anne Hathaway and in Princess Diaries? Yeah? What was

623
00:36:46,080 --> 00:36:49,120
Speaker 1: that like? Yeah? So I did a lot of them.

624
00:36:49,560 --> 00:36:51,560
Speaker 1: I did a lot of like the voice stuff. So

625
00:36:51,760 --> 00:36:54,759
Speaker 1: I met her once um in like the A d

626
00:36:54,960 --> 00:36:56,759
Speaker 1: R session, But I didn't do any of like the

627
00:36:56,840 --> 00:36:58,880
Speaker 1: live camera stuff. I did a lot of like the

628
00:36:59,000 --> 00:37:02,520
Speaker 1: voice stuff behind the scenes. I had like a lot

629
00:37:02,560 --> 00:37:06,600
Speaker 1: of kids in there, and I pretty much played almost

630
00:37:06,600 --> 00:37:10,720
Speaker 1: all of them. It's funny. I was like recording lines

631
00:37:10,760 --> 00:37:14,440
Speaker 1: for like a lot of the little kid characters. It's like, okay,

632
00:37:15,640 --> 00:37:18,399
Speaker 1: it's so interesting. It really is a world of snow nuts.

633
00:37:18,680 --> 00:37:22,360
Speaker 1: All right, we gotta wrap. I'm sad. I like talking

634
00:37:22,400 --> 00:37:24,359
Speaker 1: to you. We can talk. You're gonna come back, and

635
00:37:24,360 --> 00:37:27,920
Speaker 1: you come back. I would love at some point, yes,

636
00:37:28,120 --> 00:37:32,080
Speaker 1: like next episode you're in, We'll have you back. Uh,

637
00:37:32,160 --> 00:37:34,160
Speaker 1: We're gonna go to a concert. You're gonna take me

638
00:37:34,200 --> 00:37:37,840
Speaker 1: to Rob Zombie. Yes, and so I can, so I

639
00:37:37,880 --> 00:37:41,600
Speaker 1: can rock again. I'm tired of waiting for a Oasis

640
00:37:41,640 --> 00:37:43,160
Speaker 1: to get back together. I don't think it's gonna happen,

641
00:37:43,160 --> 00:37:46,960
Speaker 1: so I'm not never gonna rock. You can rock at

642
00:37:47,000 --> 00:37:54,680
Speaker 1: other places we got you, don't wait, don't wait till them. Okay, listen,

643
00:37:54,719 --> 00:37:56,640
Speaker 1: Thanks for your time. This was a lot of fun.

644
00:37:57,400 --> 00:37:59,440
Speaker 1: I love to have you back, and we'll get into

645
00:37:59,480 --> 00:38:01,759
Speaker 1: your other two and some music stuff and it'll be

646
00:38:01,760 --> 00:38:06,960
Speaker 1: a lot of fun. Alright, Scout, great seeing you again

647
00:38:07,480 --> 00:38:11,600
Speaker 1: and all the best. We'll talk to you soon. Okay,

648
00:38:11,600 --> 00:38:23,360
Speaker 1: thank you, bye a bye. Amy. What's the big announcement? Okay, everybody,

649
00:38:23,520 --> 00:38:27,800
Speaker 1: we are doing our first I am all in Friends

650
00:38:27,960 --> 00:38:32,680
Speaker 1: Giving Live virtual podcast, and we want you to join.

651
00:38:32,960 --> 00:38:36,200
Speaker 1: So not only will you see Scott's beautiful face, but

652
00:38:36,280 --> 00:38:40,359
Speaker 1: we will be on camera, will have guests. It's gonna

653
00:38:40,400 --> 00:38:44,879
Speaker 1: be amazing. All your favorite Gilmour stars will be with us,

654
00:38:45,400 --> 00:38:48,160
Speaker 1: and it's gonna be benefiting two amazing charities that are

655
00:38:48,200 --> 00:38:54,719
Speaker 1: near and deared Scott's heart. So st alright, are you

656
00:38:55,480 --> 00:38:58,839
Speaker 1: all in? Everybody's everybody all in? I can't hear you.

657
00:38:58,960 --> 00:39:02,520
Speaker 1: It's an I Am All in Friends giving live virtual

658
00:39:02,640 --> 00:39:06,719
Speaker 1: podcast with me and all of my special guests from

659
00:39:06,719 --> 00:39:10,840
Speaker 1: Stars Hollow. This is benefiting, by the way, a charity

660
00:39:10,920 --> 00:39:13,480
Speaker 1: that's near and dear to my heart. St. Jude's Children

661
00:39:13,600 --> 00:39:18,960
Speaker 1: Research Hospital and also Baby to Baby General Mission fifteen

662
00:39:19,000 --> 00:39:21,359
Speaker 1: dollars v I P includes Q and A with me

663
00:39:21,440 --> 00:39:25,080
Speaker 1: and the guest twenty five dollars. Uh. You can celebrate

664
00:39:25,120 --> 00:39:27,640
Speaker 1: with me and my fellow Stars Hollow friends for the

665
00:39:27,760 --> 00:39:33,560
Speaker 1: ultimate holiday Celebration Thursday, Everybody Free Thursday for Thursday November

666
00:39:33,680 --> 00:39:40,120
Speaker 1: eleven pm Eastern, five pm Pacific, And I'm gonna reveal

667
00:39:40,160 --> 00:39:43,120
Speaker 1: our first special guest. It's going to be ready, drum,

668
00:39:43,160 --> 00:39:46,560
Speaker 1: will give me a little drum all over there. I'll

669
00:39:46,600 --> 00:39:50,160
Speaker 1: do it. It sounds like a cat. I sound like

670
00:39:50,200 --> 00:39:53,239
Speaker 1: a cat that's purring. It's going to be and what

671
00:39:53,320 --> 00:39:56,719
Speaker 1: an appropriate sound effect for this special guest. It's going

672
00:39:56,760 --> 00:40:00,960
Speaker 1: to be Emily Corona, Mrs Kim is going to join us.

673
00:40:01,360 --> 00:40:05,879
Speaker 1: We will name other special guests. We will reveal them

674
00:40:05,880 --> 00:40:08,920
Speaker 1: in time, but please join us. We're gonna have a

675
00:40:08,920 --> 00:40:10,480
Speaker 1: heck of a good time. We're going to raise some

676
00:40:10,520 --> 00:40:14,920
Speaker 1: money for some good causes. All right, can't wait November eleven,

677
00:40:15,600 --> 00:40:19,640
Speaker 1: five pm Pacific, eight pm Eastern, and we'll put the

678
00:40:19,680 --> 00:40:23,800
Speaker 1: info on our Instagram, We'll put it on all our socials.

679
00:40:24,040 --> 00:40:28,960
Speaker 1: There's more. Oh can't stand this, Danielle. Danielle Romo, ladies

680
00:40:28,960 --> 00:40:32,600
Speaker 1: and gentlemen. She just she came off the yacht to

681
00:40:33,200 --> 00:40:38,240
Speaker 1: grace us. How's how's the yacht? Yeah? Because you weren't here, Danielle,

682
00:40:38,280 --> 00:40:42,520
Speaker 1: you were a coming back from Catalin. Let me tell

683
00:40:42,560 --> 00:40:45,239
Speaker 1: you what do you have for us? You got some

684
00:40:45,280 --> 00:40:49,480
Speaker 1: exciting news. We have another exciting announcement. And the exciting

685
00:40:49,480 --> 00:40:59,200
Speaker 1: announcement is we officially have merged. No yes, So we

686
00:40:59,320 --> 00:41:02,640
Speaker 1: have a really cool I'm all in mug and a

687
00:41:02,800 --> 00:41:05,880
Speaker 1: hat so you can drink your coffee while listening to

688
00:41:05,920 --> 00:41:09,480
Speaker 1: this podcast and wearing your hat, and we will do

689
00:41:09,520 --> 00:41:13,080
Speaker 1: it right alongside you. How do they get tickets to

690
00:41:13,160 --> 00:41:15,480
Speaker 1: the virtual event and how do they get the merch? Okay,

691
00:41:15,520 --> 00:41:18,040
Speaker 1: so they get tickets to the virtual event, there's two websites.

692
00:41:18,280 --> 00:41:21,640
Speaker 1: Tickets for the virtual event is looped live dot com.

693
00:41:21,680 --> 00:41:23,600
Speaker 1: And if you want to get some merch, it's my

694
00:41:23,719 --> 00:41:26,560
Speaker 1: fan threads dot com and we will put it um.

695
00:41:26,680 --> 00:41:28,920
Speaker 1: We'll put both things in our bio on our Instagram,

696
00:41:28,960 --> 00:41:31,360
Speaker 1: so feel free just to check it out there. I

697
00:41:31,400 --> 00:41:34,759
Speaker 1: gotta tell you, those hats look so cool. I mean

698
00:41:34,800 --> 00:41:37,879
Speaker 1: it really does. They look like, uh, the Kennedy's would

699
00:41:37,920 --> 00:41:40,719
Speaker 1: wear them on their sailing boats back in the sixth There.

700
00:41:40,760 --> 00:41:44,760
Speaker 1: There's they're so great. They're they're they're just fantastic looking.

701
00:41:44,760 --> 00:41:49,040
Speaker 1: Their aged little aged looking. They're just so so so

702
00:41:49,080 --> 00:41:53,160
Speaker 1: appropriate for the show. And the mugs you that mug.

703
00:41:53,680 --> 00:41:55,480
Speaker 1: Let me tell you something I couldn't when you sent

704
00:41:55,560 --> 00:41:57,600
Speaker 1: me the mug, the mock up of the mug, I

705
00:41:57,600 --> 00:42:00,520
Speaker 1: couldn't stop looking at it. I was it was just

706
00:42:00,560 --> 00:42:05,480
Speaker 1: like mesmerized by that mug. You know, you're gonna send

707
00:42:05,480 --> 00:42:08,520
Speaker 1: me a mug because I want that mug to to

708
00:42:08,680 --> 00:42:12,000
Speaker 1: You're gonna send me too. Yeah, we'll deducted from your check.

709
00:42:12,080 --> 00:42:17,640
Speaker 1: Thank you. The first proposal was incredibly lame. When they

710
00:42:17,640 --> 00:42:22,440
Speaker 1: were fighting after you left. Yeah, she had a great point.

711
00:42:22,760 --> 00:42:25,000
Speaker 1: That is not how that's that's not how you do it.

712
00:42:25,040 --> 00:42:28,359
Speaker 1: But that's that shows how desperate he was. Yeah, but

713
00:42:28,360 --> 00:42:30,440
Speaker 1: it also showed how much he loved her, you know,

714
00:42:30,600 --> 00:42:35,080
Speaker 1: and um, yeah I do believe that. Look he's going

715
00:42:35,640 --> 00:42:38,120
Speaker 1: he's going all in, right, you can't follow him for that.

716
00:42:38,840 --> 00:42:40,799
Speaker 1: I do believe that you're right. He does love her.

717
00:42:40,840 --> 00:42:45,600
Speaker 1: It's a little desperate, it's a little screwy, m hmm,

718
00:42:45,760 --> 00:42:48,200
Speaker 1: but he really likes her. What's not to like? She's

719
00:42:48,200 --> 00:42:53,840
Speaker 1: so freaking Yeah, I am listen, he's making his play.

720
00:42:54,040 --> 00:42:57,840
Speaker 1: It's gonna fall short from what I know, what I've heard,

721
00:42:57,880 --> 00:43:04,120
Speaker 1: what I and hoping for. But yeah, no, I look,

722
00:43:04,160 --> 00:43:08,080
Speaker 1: I enjoy watching him. He's a terrific actor and he's

723
00:43:08,400 --> 00:43:11,279
Speaker 1: he's easy to believe. And I liked the two of

724
00:43:11,320 --> 00:43:14,040
Speaker 1: them together. Uh, you know, I had I had some

725
00:43:14,080 --> 00:43:17,080
Speaker 1: issues with it. Now I relaxed a little bit. I

726
00:43:17,160 --> 00:43:21,040
Speaker 1: accepted it, and it's it's it's a necessary tool to

727
00:43:21,280 --> 00:43:25,160
Speaker 1: use that the writer's uh go to the toolbox for

728
00:43:25,400 --> 00:43:29,759
Speaker 1: is to create these types of characters. I can't say

729
00:43:29,760 --> 00:43:36,000
Speaker 1: goodbye to my toolbox, and I did. I left it there. Yeah,

730
00:43:36,080 --> 00:43:39,560
Speaker 1: and that was intentional, obvious, like you're gonna come home

731
00:43:39,680 --> 00:43:42,560
Speaker 1: with her thinking you're gonna get to third base or

732
00:43:42,680 --> 00:43:46,200
Speaker 1: home hit a home run, and you're gonna see my toolbox. Yeah,

733
00:43:47,360 --> 00:43:51,279
Speaker 1: keep that in mind. That entire scene is probably one

734
00:43:51,280 --> 00:43:56,400
Speaker 1: of my favorites of the whole season. Well, I mean, yeah,

735
00:43:56,560 --> 00:43:59,799
Speaker 1: you're harsh critic on yourself. It was that is a

736
00:43:59,800 --> 00:44:02,080
Speaker 1: good and scene, and I thought it was really telling

737
00:44:02,120 --> 00:44:05,040
Speaker 1: that the toolbox gets left and that she says bye

738
00:44:05,080 --> 00:44:08,160
Speaker 1: bye burt as are out the door, and it's like

739
00:44:08,840 --> 00:44:10,960
Speaker 1: that just had a lot more meaning to me too,

740
00:44:11,600 --> 00:44:15,160
Speaker 1: Like like the daisy that she gives Luke, the toolbox

741
00:44:15,320 --> 00:44:17,640
Speaker 1: had had a lot of meaning. Marking. I don't know

742
00:44:17,680 --> 00:44:20,600
Speaker 1: if it was marking your territory or what. You know,

743
00:44:20,640 --> 00:44:23,919
Speaker 1: it was interesting for me about that scene. It's it's

744
00:44:24,000 --> 00:44:27,440
Speaker 1: really about for me what Laurel like didn't say in

745
00:44:27,480 --> 00:44:31,000
Speaker 1: that scene, the way she let that go on, Because

746
00:44:31,040 --> 00:44:33,560
Speaker 1: I think in a real world situation, who's going to

747
00:44:33,719 --> 00:44:37,480
Speaker 1: let that conversation go on that long? Right? So she

748
00:44:37,600 --> 00:44:41,400
Speaker 1: was so she was enjoying that. Who wouldn't Who wouldn't

749
00:44:41,440 --> 00:44:47,520
Speaker 1: want two cuties fighting over them? Like I would be like, oh,

750
00:44:47,760 --> 00:44:50,919
Speaker 1: let's go. You know why, because she likes that Luke

751
00:44:51,000 --> 00:44:54,440
Speaker 1: likes her. She's so like there's nothing between us, you know,

752
00:44:54,480 --> 00:44:57,839
Speaker 1: we're just friends, but she likes him, so she likes

753
00:44:57,880 --> 00:45:00,200
Speaker 1: that he likes her. But it's such a Laurel I

754
00:45:00,320 --> 00:45:03,600
Speaker 1: move right to to cut somebody off and go up. Okay,

755
00:45:03,640 --> 00:45:05,640
Speaker 1: getting a little awkward here. I mean, see you, here's

756
00:45:05,640 --> 00:45:09,400
Speaker 1: your by bike. But yeah, she didn't do that, did she.

757
00:45:09,400 --> 00:45:14,360
Speaker 1: She let me go, She let me mark. My territory

758
00:45:14,560 --> 00:45:16,799
Speaker 1: doesn't care that you break into the house, doesn't care

759
00:45:16,800 --> 00:45:19,080
Speaker 1: that you're on the deck at five in the morning.

760
00:45:19,640 --> 00:45:22,200
Speaker 1: Like she only cares because you woke her up. Like

761
00:45:22,239 --> 00:45:25,279
Speaker 1: she doesn't. She did. She did go off on me.

762
00:45:25,360 --> 00:45:27,800
Speaker 1: She was only because you woke her up, not because

763
00:45:27,840 --> 00:45:32,440
Speaker 1: you were there. Say you know, I felt like in

764
00:45:32,480 --> 00:45:35,960
Speaker 1: this episode they really had Luke take a big leap forward,

765
00:45:36,280 --> 00:45:39,160
Speaker 1: like we all know what's happening now. Boom, you're gonna

766
00:45:39,160 --> 00:45:43,360
Speaker 1: be at her house all the time. I fixed things

767
00:45:43,400 --> 00:45:49,920
Speaker 1: around here a lot. Yeah, don't screw around, pal. I

768
00:45:49,960 --> 00:45:53,160
Speaker 1: got a toolbox. It's really big. I mean, I don't

769
00:45:53,160 --> 00:45:54,920
Speaker 1: want to get ahead of ourselves, but like, I'm just

770
00:45:54,920 --> 00:45:58,040
Speaker 1: gonna do it now. My favorite line is, doesn't matter

771
00:45:58,080 --> 00:46:03,720
Speaker 1: what time it is, I'll be around. It's like, okay,

772
00:46:04,920 --> 00:46:06,719
Speaker 1: I need everybody to give an answer with this, because

773
00:46:06,719 --> 00:46:09,920
Speaker 1: I know what I think of that scene in the hallway,

774
00:46:10,120 --> 00:46:13,279
Speaker 1: those two Max and Luke are going at it. Who

775
00:46:13,320 --> 00:46:18,560
Speaker 1: won who won? That little boom boom boom Laurela. See,

776
00:46:18,560 --> 00:46:23,920
Speaker 1: I think it was you. I thought, Um, you know,

777
00:46:24,000 --> 00:46:28,840
Speaker 1: I think he won because he it put a real

778
00:46:28,960 --> 00:46:32,960
Speaker 1: seat of doubt in Max's mind as to what the

779
00:46:33,000 --> 00:46:36,000
Speaker 1: heck is going on here. You know, it's not like

780
00:46:36,080 --> 00:46:38,880
Speaker 1: he It's like he was caught up in a situation

781
00:46:38,920 --> 00:46:42,680
Speaker 1: where he found himself in this you know, this tennis match,

782
00:46:42,760 --> 00:46:46,000
Speaker 1: this verbal sparring match with this guy he doesn't even know,

783
00:46:46,080 --> 00:46:47,799
Speaker 1: and he's heard about a little bit and it's like

784
00:46:47,960 --> 00:46:52,200
Speaker 1: what is So you know that helped too, you know,

785
00:46:52,400 --> 00:46:54,320
Speaker 1: put the seat at doubt in his mind and start

786
00:46:54,400 --> 00:46:57,000
Speaker 1: questioning her and what are her motives and how does

787
00:46:57,040 --> 00:47:01,160
Speaker 1: she really feel about me? And um, yeah she You know,

788
00:47:01,280 --> 00:47:04,040
Speaker 1: anybody would have stepped in and and just said okay,

789
00:47:04,160 --> 00:47:06,040
Speaker 1: that's it, bye bye, but you know she let him

790
00:47:06,080 --> 00:47:11,880
Speaker 1: go on. And now you know that is what is called. Um,

791
00:47:11,920 --> 00:47:14,959
Speaker 1: it's not only marking your territory, but I'm actually sabotaging,

792
00:47:15,400 --> 00:47:19,520
Speaker 1: like willfully sabotaging their relationships right in front of their faces.

793
00:47:20,239 --> 00:47:23,480
Speaker 1: That's accurate. Yeah, and I think Max is going to

794
00:47:23,560 --> 00:47:29,439
Speaker 1: begin to wonder what Rachel already figured out. Yeah, h yeah,

795
00:47:29,440 --> 00:47:32,000
Speaker 1: He's gonna be packing his bags to going to the station,

796
00:47:34,080 --> 00:47:41,479
Speaker 1: right or your little thousand days is because I'm gonna

797
00:47:41,520 --> 00:47:44,719
Speaker 1: take mine and I'm gonna who has to admit to

798
00:47:44,760 --> 00:47:51,680
Speaker 1: herself m hm hmm, I better figure this out. Yeah,

799
00:47:52,320 --> 00:47:54,879
Speaker 1: And obviously Louke went rushing over there to tell her

800
00:47:55,200 --> 00:48:00,319
Speaker 1: that that Rachel left, right, he was being for a

801
00:48:00,320 --> 00:48:02,160
Speaker 1: slightly different outcome, which is why you were a little

802
00:48:02,160 --> 00:48:04,960
Speaker 1: bit fired up for that. I think so from boom

803
00:48:04,960 --> 00:48:07,600
Speaker 1: boom boxing match. Yeah, I think he was coming over

804
00:48:07,640 --> 00:48:11,960
Speaker 1: to you know, sort of move it into the first

805
00:48:12,000 --> 00:48:14,279
Speaker 1: act of the rest of his life, his shot as

806
00:48:14,320 --> 00:48:21,920
Speaker 1: the kids say, and yet again, you know he he's

807
00:48:21,960 --> 00:48:26,239
Speaker 1: like Mrs Kim level interruption is Max right, and he's

808
00:48:26,280 --> 00:48:30,120
Speaker 1: about to you know, maybe seal the deal and get

809
00:48:30,160 --> 00:48:33,280
Speaker 1: another date, or get a date or or just maybe

810
00:48:33,280 --> 00:48:35,880
Speaker 1: just you know, who knows what would have happened in

811
00:48:35,960 --> 00:48:39,400
Speaker 1: that magical evening. And then Max is they're coming for

812
00:48:39,480 --> 00:48:44,960
Speaker 1: a date. Yeah. It's interesting sort of season one finale

813
00:48:45,080 --> 00:48:48,480
Speaker 1: cliffhanger because it's not so much a cliffhanger as we

814
00:48:48,920 --> 00:48:52,080
Speaker 1: have lowre l engaged ish she hasn't given her answer.

815
00:48:52,480 --> 00:48:56,719
Speaker 1: Rachel left, Dean and Rory are back together, so we

816
00:48:56,880 --> 00:49:01,320
Speaker 1: have all these like important things that we're going to

817
00:49:01,400 --> 00:49:03,879
Speaker 1: start to dig into I'm sure, but we weren't really

818
00:49:03,960 --> 00:49:08,520
Speaker 1: left hanging too much. Mm hmm. Now the thing that

819
00:49:08,600 --> 00:49:12,239
Speaker 1: has me baffled somewhat. Maybe baffled's not the right word.

820
00:49:12,320 --> 00:49:15,600
Speaker 1: But now here we are back again, you know, getting

821
00:49:15,600 --> 00:49:17,719
Speaker 1: off the hallway thing with Max, and look, I think

822
00:49:17,719 --> 00:49:20,800
Speaker 1: we've we've rode dead horse and put it away with

823
00:49:21,040 --> 00:49:26,959
Speaker 1: but uh uh, but let's go back to Paris. Now,

824
00:49:27,400 --> 00:49:29,600
Speaker 1: Paris is back to square one. It's like she was

825
00:49:29,760 --> 00:49:32,719
Speaker 1: looking for an excused to hate her again, and it's

826
00:49:32,760 --> 00:49:36,040
Speaker 1: all jealousy over Tristan and all that and appreciate Harvey tickets. Well,

827
00:49:36,080 --> 00:49:38,640
Speaker 1: it's all about free company episode because you're like, hey,

828
00:49:38,680 --> 00:49:41,480
Speaker 1: this is just a misunderstanding, and Rory's trying to explain it,

829
00:49:41,560 --> 00:49:43,840
Speaker 1: but Pears isn't listening. It's like Rory's not going to

830
00:49:43,880 --> 00:49:47,640
Speaker 1: the concert with that dude. Rory was being so open

831
00:49:47,719 --> 00:49:51,440
Speaker 1: and honest and generally concerned to and trying to preserve

832
00:49:51,480 --> 00:49:55,040
Speaker 1: their friendship. I found that very touching and very revealing

833
00:49:55,080 --> 00:49:57,360
Speaker 1: of her character being so open and honest to somebody

834
00:49:57,360 --> 00:50:00,400
Speaker 1: who was being so incredibly hostile and stupid. And I

835
00:50:00,480 --> 00:50:03,160
Speaker 1: like the other girls ganging up on Rory. I don't

836
00:50:03,200 --> 00:50:06,600
Speaker 1: like that yeah, yeah, it seems a little in congress.

837
00:50:06,640 --> 00:50:10,760
Speaker 1: I don't know, um, but yeah, I guess for dramatic purposes.

838
00:50:10,800 --> 00:50:14,560
Speaker 1: Here we are, we're back square one with the parents, right,

839
00:50:14,640 --> 00:50:16,960
Speaker 1: We're left with that mess. But but I mean it's

840
00:50:17,000 --> 00:50:18,879
Speaker 1: now it's like, you know, now, it's to the point

841
00:50:18,960 --> 00:50:22,239
Speaker 1: where she's on you know, she's she's the editor of

842
00:50:22,280 --> 00:50:24,400
Speaker 1: the school paper and she's gonna screw Roy up, and

843
00:50:24,440 --> 00:50:25,880
Speaker 1: she's not going to give her the job. She's not

844
00:50:25,880 --> 00:50:27,759
Speaker 1: going to give her the writing assignment. She's not gonna

845
00:50:27,800 --> 00:50:30,760
Speaker 1: do this, She's not gonna do that. It's just like, Wow,

846
00:50:30,760 --> 00:50:34,000
Speaker 1: it's very team girl because it's like it's not Rory's

847
00:50:34,000 --> 00:50:36,920
Speaker 1: fault that Tristan likes Rory and Rory is not going

848
00:50:37,000 --> 00:50:41,560
Speaker 1: for it but is still pissed, and it's just like, yeah, yeah,

849
00:50:41,239 --> 00:50:44,040
Speaker 1: I don't know how you go from Rory being so

850
00:50:44,080 --> 00:50:48,960
Speaker 1: sweet and so supportive on helping parents prepare for her

851
00:50:49,000 --> 00:50:54,200
Speaker 1: first date with Tristan and actually uh making the first

852
00:50:54,280 --> 00:50:59,160
Speaker 1: date happen to going you know it just it doesn't

853
00:50:59,160 --> 00:51:02,000
Speaker 1: say it's does and say good things about parents. She's jealous.

854
00:51:02,000 --> 00:51:06,040
Speaker 1: She gets really jealous and comes at it fears parents

855
00:51:06,080 --> 00:51:10,120
Speaker 1: needs some character building experiences. You know, she doesn't seem

856
00:51:10,160 --> 00:51:16,040
Speaker 1: to learn from her her teachable moments in her life.

857
00:51:16,120 --> 00:51:18,839
Speaker 1: Thus far as we have seen she she reverts back

858
00:51:18,880 --> 00:51:25,080
Speaker 1: to the mean, which is literally being very mean. U jesus. Yeah,

859
00:51:25,520 --> 00:51:29,480
Speaker 1: just it took me by surprise, and I glad for it.

860
00:51:29,520 --> 00:51:31,880
Speaker 1: Don't get me wrong. As a fan and watcher of

861
00:51:31,920 --> 00:51:34,879
Speaker 1: the show. Now, I'm eager to see what transpires with

862
00:51:35,680 --> 00:51:42,239
Speaker 1: with Paris and her little team of Newells. But yeah,

863
00:51:42,280 --> 00:51:45,719
Speaker 1: we've got a lot coming. Yeah, but it's almost at

864
00:51:45,719 --> 00:51:47,560
Speaker 1: the point where it's like Rory just needs to move

865
00:51:47,600 --> 00:51:51,279
Speaker 1: on and like, I don't know, not get out of

866
00:51:51,320 --> 00:51:52,919
Speaker 1: the school, transfer out of the school. But these people

867
00:51:52,920 --> 00:51:56,480
Speaker 1: are crazy after her. It's like that when they're after her,

868
00:51:56,719 --> 00:52:00,800
Speaker 1: it's like it's really done with this bleep like st Yeah,

869
00:52:00,840 --> 00:52:05,040
Speaker 1: it's like like but it's I don't know, makes for

870
00:52:05,080 --> 00:52:13,880
Speaker 1: good TV? I guess. Yeah, Riley, it's your big moment.

871
00:52:14,360 --> 00:52:19,000
Speaker 1: You have two minutes and thirty All right, this is

872
00:52:19,120 --> 00:52:21,360
Speaker 1: Riley and this is your pop culture. So first we

873
00:52:21,440 --> 00:52:23,880
Speaker 1: have Laura. Lie wakes up and there's banging on the

874
00:52:23,920 --> 00:52:26,439
Speaker 1: house and Lord Lie says, the freaking Blue Man group

875
00:52:26,480 --> 00:52:28,759
Speaker 1: is outside our house. The Three Men were inspired by

876
00:52:28,760 --> 00:52:30,759
Speaker 1: a French painter and artists, which is why they chose

877
00:52:30,800 --> 00:52:33,200
Speaker 1: the color blue. The show used about twenty eight trays

878
00:52:33,200 --> 00:52:34,839
Speaker 1: of blue makeup a week, and it takes the group

879
00:52:34,880 --> 00:52:36,799
Speaker 1: about an hour to get ready for a ninety minute show.

880
00:52:37,880 --> 00:52:40,879
Speaker 1: So we have a pop culture reference to Margot Kidder. Yeah,

881
00:52:40,880 --> 00:52:43,279
Speaker 1: this one is interesting, Scott. I wanted your take, Riley.

882
00:52:43,600 --> 00:52:46,640
Speaker 1: We did not feel that. Rory says, no, my insane mother,

883
00:52:46,800 --> 00:52:50,600
Speaker 1: Margot Kidder Gilmore woke me up. So here's our thought.

884
00:52:51,880 --> 00:52:57,040
Speaker 1: Twenty years later. There's a couple references that land badly

885
00:52:57,760 --> 00:53:01,400
Speaker 1: because you know, for people I don't know, Margot Kitder

886
00:53:01,480 --> 00:53:05,400
Speaker 1: was Lois Lane and Superman and she suffered from mental illness,

887
00:53:05,680 --> 00:53:09,440
Speaker 1: and we and the joke ish sort of mocks that.

888
00:53:09,880 --> 00:53:12,880
Speaker 1: So you know, we didn't want to act like we

889
00:53:12,920 --> 00:53:15,000
Speaker 1: didn't hear it. We wanted to talk about it and

890
00:53:15,040 --> 00:53:17,319
Speaker 1: say there's a there's a few of those where they

891
00:53:17,440 --> 00:53:20,640
Speaker 1: just don't work twenty years later, and we don't want

892
00:53:20,640 --> 00:53:24,280
Speaker 1: to perpetuated or keep it going. It's like that joke

893
00:53:24,480 --> 00:53:30,480
Speaker 1: wasn't okay. Okay. But I also I think there's license

894
00:53:30,560 --> 00:53:36,440
Speaker 1: there because you know, fans I guess how and I

895
00:53:36,520 --> 00:53:38,480
Speaker 1: do too, and I'm a fan of things. You have

896
00:53:38,520 --> 00:53:43,560
Speaker 1: a hard time, you know, keeping the public perception in

897
00:53:43,640 --> 00:53:47,600
Speaker 1: the private reality, uh, from skewing each other. You know.

898
00:53:48,920 --> 00:53:51,759
Speaker 1: It's you know, it's hard to differentiate. And when somebody,

899
00:53:52,600 --> 00:53:54,520
Speaker 1: you know, when somebody establishes a character and then they

900
00:53:54,560 --> 00:53:56,440
Speaker 1: act out in real life that way, it's hard to

901
00:53:56,480 --> 00:54:00,279
Speaker 1: really kind of forgive it. It's it's it's almost like

902
00:54:00,440 --> 00:54:03,000
Speaker 1: I remember Ann Haitch went off the deep end at

903
00:54:03,000 --> 00:54:06,280
Speaker 1: one to her and the whole thing, right and and

904
00:54:06,280 --> 00:54:10,080
Speaker 1: and it's like people get very confused about that kind

905
00:54:10,080 --> 00:54:12,480
Speaker 1: of thing. And I remember the Margot kid or stuff,

906
00:54:12,520 --> 00:54:14,799
Speaker 1: and it's just like she had she'd been out of

907
00:54:14,800 --> 00:54:16,960
Speaker 1: the public eye for a long time, right, and she

908
00:54:17,000 --> 00:54:19,880
Speaker 1: hadn't been and she'd been working maybe and some stuff.

909
00:54:19,880 --> 00:54:21,839
Speaker 1: That Superman was always going to be the top things

910
00:54:21,840 --> 00:54:26,240
Speaker 1: she'd ever done her you know, her crowning achievement in film.

911
00:54:26,239 --> 00:54:28,560
Speaker 1: And she was terrific, I mean just terrific in that role.

912
00:54:28,719 --> 00:54:31,200
Speaker 1: Terrific actress. You could see the chops, you could see

913
00:54:31,200 --> 00:54:35,200
Speaker 1: the dedication, um, and they have something like that happened.

914
00:54:35,239 --> 00:54:38,080
Speaker 1: It's just very unfortunate. But it's hard when the press,

915
00:54:38,120 --> 00:54:40,440
Speaker 1: I don't you know, you can't blame her. The press really,

916
00:54:40,680 --> 00:54:43,879
Speaker 1: you know, once the clicks and they want the readership

917
00:54:43,960 --> 00:54:45,759
Speaker 1: and all that, so they're going to take advantage of

918
00:54:45,800 --> 00:54:47,640
Speaker 1: that need to make a great point. It's like, that's

919
00:54:47,640 --> 00:54:50,319
Speaker 1: why we didn't want to just not talk about it.

920
00:54:50,400 --> 00:54:53,399
Speaker 1: We wanted to acknowledge it and see what the fans think,

921
00:54:53,480 --> 00:54:57,520
Speaker 1: what everybody thinks, like about some of those that maybe

922
00:54:57,680 --> 00:55:02,319
Speaker 1: don't work as well. Or Now, how would you like,

923
00:55:02,440 --> 00:55:04,640
Speaker 1: you know, if you know, if you're suffering from an episode,

924
00:55:04,640 --> 00:55:07,000
Speaker 1: how would you like that plastered all over the headline? Right?

925
00:55:07,680 --> 00:55:10,600
Speaker 1: I mean it's hard enough dealing with mental illness, right,

926
00:55:10,640 --> 00:55:13,840
Speaker 1: and then and then you've got to deal with this, uh,

927
00:55:14,040 --> 00:55:16,799
Speaker 1: I mean what she went through? Laura I asked Luke

928
00:55:16,800 --> 00:55:18,640
Speaker 1: who the guy was out that owned the body shop

929
00:55:18,640 --> 00:55:21,279
Speaker 1: in town, and Laura La says, no, the Dick Tracy guy. So.

930
00:55:21,360 --> 00:55:23,760
Speaker 1: Dick Tracy is a fictional police detective and American comic

931
00:55:23,760 --> 00:55:27,520
Speaker 1: strip Dick Tracy created. Dick Tracy had an iconic look

932
00:55:27,520 --> 00:55:29,360
Speaker 1: of a long yellow coat and a hat red and

933
00:55:29,400 --> 00:55:32,200
Speaker 1: black striped tie in a black suit. Warren Beatty started

934
00:55:32,200 --> 00:55:37,200
Speaker 1: as Dick Tracy. In the film adaptation, Rory says, the

935
00:55:37,280 --> 00:55:39,640
Speaker 1: old Rory is staging a comeback, Lane says, may be

936
00:55:39,719 --> 00:55:43,720
Speaker 1: more successful than Peter Frampton's. He was previous. Peter Frampton

937
00:55:43,800 --> 00:55:47,040
Speaker 1: was previously associated with the band's Humble Pie in the Herd.

938
00:55:47,239 --> 00:55:49,680
Speaker 1: He had a huge hit called Baby I Love Your Way.

939
00:55:49,880 --> 00:55:52,000
Speaker 1: He tried in the eighties to make a comeback and

940
00:55:52,000 --> 00:55:54,640
Speaker 1: it was deemed unsuccessful. And he attended high school with

941
00:55:54,719 --> 00:55:59,000
Speaker 1: David Bowie. Yes he did. Peter Frampton's father ran that

942
00:55:59,080 --> 00:56:01,960
Speaker 1: high school, that special creative high school for Harley creative

943
00:56:02,200 --> 00:56:06,640
Speaker 1: kids and outside London. That was Peter Frampton's dad who

944
00:56:06,719 --> 00:56:09,520
Speaker 1: was the head minister, even the owner of that place.

945
00:56:09,800 --> 00:56:11,840
Speaker 1: And Bowie went there, you know, that's what they were friends.

946
00:56:12,200 --> 00:56:14,279
Speaker 1: Lane swears she has never seen Dean with another girl

947
00:56:14,280 --> 00:56:16,360
Speaker 1: at school. Rory says, you swear on the life of

948
00:56:16,360 --> 00:56:18,760
Speaker 1: the lead singer of Blur. So Blur is an English

949
00:56:18,840 --> 00:56:22,200
Speaker 1: rock band formed in London. Blur his rivals with the

950
00:56:22,239 --> 00:56:25,919
Speaker 1: other English band Oasis. Remember Damon's daughter, Missy was named

951
00:56:25,920 --> 00:56:29,880
Speaker 1: after the rapper Missy Elliott and bassist bassist Alex James

952
00:56:29,920 --> 00:56:33,920
Speaker 1: had a second career as a cheesemaker the British Press,

953
00:56:33,960 --> 00:56:38,520
Speaker 1: which is fantastic. I mean, they're they're, they're tabloid stuff

954
00:56:38,600 --> 00:56:42,319
Speaker 1: is just so juicy, it's so great. Um, you know

955
00:56:42,400 --> 00:56:46,480
Speaker 1: they really they made those two bands. Um, you know

956
00:56:46,560 --> 00:56:49,640
Speaker 1: it was it was a rivalry to end all rivalries.

957
00:56:49,760 --> 00:56:52,600
Speaker 1: One was like this blue collar guys from Manchester an

958
00:56:52,640 --> 00:56:55,279
Speaker 1: oasis and then you had the suburban kids with the

959
00:56:55,440 --> 00:56:58,839
Speaker 1: educated kids with their with their love songs and all

960
00:56:58,880 --> 00:57:01,919
Speaker 1: that stuff, and and you know they would out sell

961
00:57:02,000 --> 00:57:04,719
Speaker 1: each other, the singles would break records. But you know,

962
00:57:04,840 --> 00:57:06,960
Speaker 1: nobody hit it like Oas has hit it with those

963
00:57:06,960 --> 00:57:09,800
Speaker 1: two albums in the beginning or the three albums. Nobody

964
00:57:09,920 --> 00:57:13,880
Speaker 1: has done that, And um, it was it was you know,

965
00:57:13,920 --> 00:57:16,920
Speaker 1: it was to both of their advantages that the press

966
00:57:16,960 --> 00:57:19,600
Speaker 1: really took up that rivalry and made it something that

967
00:57:19,640 --> 00:57:22,880
Speaker 1: it it didn't need to be, but it just was.

968
00:57:24,120 --> 00:57:27,480
Speaker 1: We've mentioned previously in the episode talking about p J. Harvey.

969
00:57:27,720 --> 00:57:30,160
Speaker 1: Tristan offers Rory tickets to see p J. Harvey, and

970
00:57:30,160 --> 00:57:32,680
Speaker 1: Tristan says, you're a p J. Harvey fan, right, so.

971
00:57:32,800 --> 00:57:37,080
Speaker 1: Polly Gene Harvey is an English singer, songwriter and musician.

972
00:57:37,120 --> 00:57:39,000
Speaker 1: She holds a degree in sculpture and had her work

973
00:57:39,000 --> 00:57:41,720
Speaker 1: exhibited in several galleries in the UK. Her song The

974
00:57:41,760 --> 00:57:43,880
Speaker 1: Desperate Kingdom of Love was used as a title for

975
00:57:43,920 --> 00:57:48,160
Speaker 1: season two, episode one of One Tree Hill. Louise and

976
00:57:48,200 --> 00:57:50,640
Speaker 1: Madeline are talking in the hallway after Rory asked for

977
00:57:50,680 --> 00:57:53,200
Speaker 1: her notes, and Madelan says, Okay, So I've decided that

978
00:57:53,240 --> 00:57:55,960
Speaker 1: I'm completely into Judy Garland. She was the Courtney Love

979
00:57:56,000 --> 00:57:57,840
Speaker 1: of her day. So I can tell you facts about

980
00:57:57,880 --> 00:57:59,840
Speaker 1: Judy Garland and I can tell you facts about Corney Love.

981
00:58:00,080 --> 00:58:02,680
Speaker 1: We're kind of still deciphering what the connection is between

982
00:58:02,720 --> 00:58:04,480
Speaker 1: the two. We both we know that they both had

983
00:58:04,480 --> 00:58:07,720
Speaker 1: Stubb substance abuse problems in Hollywood. What else can the

984
00:58:07,760 --> 00:58:11,280
Speaker 1: connection be? Um? So we all know Judy Garland from

985
00:58:11,280 --> 00:58:13,400
Speaker 1: the Wizard of Oz. She's also the mother of Laura

986
00:58:13,480 --> 00:58:17,880
Speaker 1: Left and Liza Minelli. And Courtney Love married Kurt Cobain

987
00:58:17,960 --> 00:58:20,720
Speaker 1: in nWo and had a daughter named Francis that same year.

988
00:58:22,120 --> 00:58:24,160
Speaker 1: I still don't totally get the reference, but I'm going

989
00:58:24,200 --> 00:58:27,960
Speaker 1: to truss somebody. We're going to have to do some Yeah,

990
00:58:28,240 --> 00:58:31,080
Speaker 1: I want to make that connection, Lane says, I so

991
00:58:31,200 --> 00:58:33,360
Speaker 1: encourage this. I love you, But you've been Moby Dope

992
00:58:33,360 --> 00:58:35,760
Speaker 1: and about twelve other melancholy Dwarves for the past five weeks.

993
00:58:35,760 --> 00:58:37,720
Speaker 1: And I missed the old Roy when talking about talking

994
00:58:37,720 --> 00:58:40,280
Speaker 1: to Dean again, So snow White. In the Seven Dwarves

995
00:58:41,000 --> 00:58:46,760
Speaker 1: seven American animated musical fantasy film, there are actually seven Dwarves, Grumpy, Dope, doc, Happy, Bashful, Sneezy,

996
00:58:46,800 --> 00:58:49,680
Speaker 1: and Sleepy. The only one that Langat actually right was Dope.

997
00:58:50,080 --> 00:58:52,320
Speaker 1: Disney created the sound of the floor creaking with Dope's

998
00:58:52,320 --> 00:58:55,680
Speaker 1: footsteps by bending an empty leather wallet back and forth,

999
00:58:56,000 --> 00:58:58,280
Speaker 1: and snow White is said to be the youngest Disney

1000
00:58:58,280 --> 00:59:01,920
Speaker 1: princess at the age fourteen. Kiss just that much creepier

1001
00:59:01,920 --> 00:59:08,920
Speaker 1: though it does. Bashful Lane is going on and on

1002
00:59:08,960 --> 00:59:12,160
Speaker 1: about a story about Janie Fertman at school. Lane says,

1003
00:59:12,520 --> 00:59:14,919
Speaker 1: I couldn't believe it. I almost went full Matrix on her.

1004
00:59:15,200 --> 00:59:19,320
Speaker 1: The Matrix Is five film starring Kiana Reeves, Laurence Fishburne,

1005
00:59:19,400 --> 00:59:21,960
Speaker 1: and Carrie Ann Moss. Will Smith said no to the

1006
00:59:22,040 --> 00:59:24,520
Speaker 1: role of Neo so that he could make the film

1007
00:59:24,600 --> 00:59:27,560
Speaker 1: Wild Wild West. The lead actors trained every day for

1008
00:59:27,600 --> 00:59:29,440
Speaker 1: four months in order to pull off the fight scenes,

1009
00:59:29,600 --> 00:59:31,960
Speaker 1: and Kiana Reeves is said to be the nicest person alive.

1010
00:59:32,040 --> 00:59:35,040
Speaker 1: He chose to give a huge chunk totaling a reported

1011
00:59:35,080 --> 00:59:37,200
Speaker 1: Sony five million of his earnings from the matrix to

1012
00:59:37,440 --> 00:59:39,680
Speaker 1: the special effects guys and the people behind the scenes

1013
00:59:39,720 --> 00:59:42,120
Speaker 1: whom he felt deserved it more. And that's it for

1014
00:59:42,160 --> 00:59:45,720
Speaker 1: your pop culture. Did I make in time? M I

1015
00:59:45,720 --> 00:59:48,080
Speaker 1: don't think so. I think we may. We guaranteed that

1016
00:59:48,120 --> 00:59:49,360
Speaker 1: you weren't going to make it in two and a

1017
00:59:49,440 --> 00:59:53,680
Speaker 1: half minutes, so we could dock your pay because it's

1018
00:59:53,720 --> 00:59:56,600
Speaker 1: in your contract. Even though you're a superstar. You get

1019
00:59:56,640 --> 01:00:01,240
Speaker 1: more money now per episode. But we sabotage Jay. We

1020
01:00:01,320 --> 01:00:07,200
Speaker 1: screwed ye. Oh my gosh, good stuff. Season one not

1021
01:00:07,280 --> 01:00:12,080
Speaker 1: bad season one. Get your tickets to Friends Giving Listen, guys. Uh,

1022
01:00:12,400 --> 01:00:16,480
Speaker 1: you can tell we're a successful podcast because I got

1023
01:00:16,520 --> 01:00:19,360
Speaker 1: the poster in the bad got a new poster. That's

1024
01:00:19,360 --> 01:00:24,920
Speaker 1: a huge this week. You don't understand what an investment

1025
01:00:25,000 --> 01:00:27,640
Speaker 1: that is for I heart to get that thing made

1026
01:00:27,680 --> 01:00:30,480
Speaker 1: and get it over to me. I mean six dollars

1027
01:00:30,480 --> 01:00:35,880
Speaker 1: we got. I'm worth it. I always knew I was

1028
01:00:35,920 --> 01:00:37,840
Speaker 1: worth about thirty six bucks. That was my dad. It

1029
01:00:37,920 --> 01:00:42,240
Speaker 1: told me. That's a good episode. By the way, they

1030
01:00:42,240 --> 01:00:46,200
Speaker 1: did not disappoint in that finale. They did not that

1031
01:00:46,200 --> 01:00:50,520
Speaker 1: that was what you call it. Kapper um. Well, next week, well,

1032
01:00:50,600 --> 01:00:53,600
Speaker 1: we'll see you next week. Everybody dropping a bonus episode

1033
01:00:53,640 --> 01:00:57,840
Speaker 1: this week, so we are Should I announce that? No,

1034
01:00:58,960 --> 01:01:01,920
Speaker 1: we are dropping a bonut people. You just did that.

1035
01:01:02,320 --> 01:01:04,439
Speaker 1: I don't need to announce it when you just lean

1036
01:01:04,520 --> 01:01:07,160
Speaker 1: into your microshone so casually and say we're dropping a

1037
01:01:07,200 --> 01:01:12,320
Speaker 1: bonus episode. Was set up for me. Oh wait, I

1038
01:01:12,360 --> 01:01:14,000
Speaker 1: already did my favorite line, but you guys need to

1039
01:01:14,000 --> 01:01:16,040
Speaker 1: do your Sorry, Oh, what was your favorite line? What

1040
01:01:16,120 --> 01:01:19,040
Speaker 1: was your favorite line? Go ahead, Riley? My favorite line

1041
01:01:19,120 --> 01:01:22,120
Speaker 1: was from Claire and she said the girl scout scared me.

1042
01:01:25,720 --> 01:01:30,160
Speaker 1: Danielle Romo fresh offer yacht? What what was your favorite line?

1043
01:01:30,520 --> 01:01:34,280
Speaker 1: Fresh off my yacht? Um? Just because Amy's favorite line

1044
01:01:34,360 --> 01:01:36,520
Speaker 1: is the same one as mine, I will choose a backup.

1045
01:01:36,880 --> 01:01:39,440
Speaker 1: My backup is from Rory when she says, because I

1046
01:01:39,520 --> 01:01:45,440
Speaker 1: love you, you idiot. To mine was doesn't matter what

1047
01:01:45,560 --> 01:01:50,959
Speaker 1: time it is, I'll be around. M hmm oom luke

1048
01:01:51,200 --> 01:01:58,360
Speaker 1: boom boom um. My favorite line again. And I don't

1049
01:01:58,480 --> 01:02:03,240
Speaker 1: mean to lean so Michelle, but it's just I just

1050
01:02:03,400 --> 01:02:09,600
Speaker 1: the brilliance of that character. Um, I love the the line. Uh,

1051
01:02:09,640 --> 01:02:11,400
Speaker 1: And it was off screen. It was towards the end

1052
01:02:11,440 --> 01:02:15,440
Speaker 1: of that scene when he was having that fight with Kirk,

1053
01:02:15,560 --> 01:02:20,200
Speaker 1: which was epic, and he kept throwing. Kirk kept saying

1054
01:02:20,200 --> 01:02:23,400
Speaker 1: through the scene, I just do what I'm told. Uh,

1055
01:02:23,440 --> 01:02:26,680
Speaker 1: and Yannique would say, I mean, Michelle would say, say

1056
01:02:26,720 --> 01:02:28,400
Speaker 1: that one more time and I will punch you in

1057
01:02:28,440 --> 01:02:32,120
Speaker 1: the nose. Out of that episode was excellent. I think

1058
01:02:32,160 --> 01:02:34,280
Speaker 1: they all were. I kind of agree, there's not really

1059
01:02:34,280 --> 01:02:36,959
Speaker 1: a dead in the hole now, there isn't. There really isn't.

1060
01:02:37,000 --> 01:02:41,280
Speaker 1: I mean, they're all just got stronger and stronger and stronger. Wow,

1061
01:02:41,680 --> 01:02:44,000
Speaker 1: was I was? I really on that show. I just

1062
01:02:44,120 --> 01:02:47,800
Speaker 1: I can't believe. I know, I know, I got so lucky.

1063
01:02:48,080 --> 01:02:49,920
Speaker 1: Not that you not that you don't believe it, but

1064
01:02:49,960 --> 01:02:52,240
Speaker 1: it is so interesting, and you know, I thought about

1065
01:02:52,240 --> 01:02:55,320
Speaker 1: it with ninety degrees last week. It's like, Wow, to

1066
01:02:55,400 --> 01:02:58,480
Speaker 1: be a part of something so iconic, you can't really

1067
01:02:58,480 --> 01:03:02,120
Speaker 1: put it into words. Scott, congratulations on season one. Thank

1068
01:03:02,160 --> 01:03:04,720
Speaker 1: you guys. You were great. What a ball club? We

1069
01:03:04,800 --> 01:03:06,880
Speaker 1: got a ball club here season We got through season

1070
01:03:06,920 --> 01:03:10,960
Speaker 1: one and all our annoyingness we're here. It's just it's

1071
01:03:10,960 --> 01:03:13,240
Speaker 1: just it's just really, I mean, we're going to continue

1072
01:03:13,280 --> 01:03:16,600
Speaker 1: to annoy everyone all the time, seven every podcast, every

1073
01:03:16,840 --> 01:03:19,919
Speaker 1: chance we get one too, sometimes three times a week.

1074
01:03:20,000 --> 01:03:22,480
Speaker 1: I was sitting on my couch in my media room

1075
01:03:22,560 --> 01:03:24,400
Speaker 1: and I picked up a phone and I called the

1076
01:03:24,400 --> 01:03:28,720
Speaker 1: sugar Man and here we are rapping season will look

1077
01:03:28,720 --> 01:03:31,880
Speaker 1: at us now, Oh my god, see you next week. Wait,

1078
01:03:31,920 --> 01:03:38,800
Speaker 1: what's the riley? What's the first episode of season two? Sadie, Sadie, Sadie.

1079
01:03:37,560 --> 01:04:12,200
Speaker 1: See you guys, have a good one. See you next week. Hey, everybody,

1080
01:04:12,200 --> 01:04:15,520
Speaker 1: and don't forget Follow us on Instagram at I Am

1081
01:04:15,600 --> 01:04:20,080
Speaker 1: all In podcast and Emailie at Gilmore at I Heart

1082
01:04:20,200 --> 01:04:23,320
Speaker 1: radio dot com. Oh you Gilmore fans. If you're looking

1083
01:04:23,360 --> 01:04:25,120
Speaker 1: for the best cup of coffee in the world, go

1084
01:04:25,200 --> 01:04:28,960
Speaker 1: to my website for my company scott ep dot com,

1085
01:04:29,080 --> 01:04:31,240
Speaker 1: s C O T T y P dot com, scott

1086
01:04:31,240 --> 01:04:42,000
Speaker 1: ep dot com Grade one Specialty Coffee. Ye