WEBVTT - Eric Ripert

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<v Speaker 1>You're listening to Ruthie's Table four in partnership with Montclair

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<v Speaker 1>over the last few days. When I tell people we're

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<v Speaker 1>doing a podcast with Eric Repair, their face is light up.

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<v Speaker 1>At the River Cafe, we spend our days making ravioli

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<v Speaker 1>with Ricotta viielenchi anti, pannacotta with grappa. But when we

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<v Speaker 1>as chefs come together, we talk about French food. The bouliebss,

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<v Speaker 1>the palm d'au finoise, the tartetans. Eric Cooke's French food

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<v Speaker 1>were inspired by Italian but maybe we're not so different.

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<v Speaker 1>He's been the chef at Bernadine, his Mission and three

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<v Speaker 1>star Fish and Seafood restaurant for more than thirty years.

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<v Speaker 1>I'm ahead by four years, having cooked at The River

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<v Speaker 1>Cafe since nineteen eighty seven and a profession that is

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<v Speaker 1>ever changing and always challenging. Eric is an inspiration, a mentor,

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<v Speaker 1>and someone we look up to today. I'm here in

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<v Speaker 1>New York with him talking about us living in different cities,

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<v Speaker 1>cooking the food of different countries. But you know what,

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<v Speaker 1>we're pretty much the same, two chefs with much to share.

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<v Speaker 2>Thank you, thank you so much for being here, and

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<v Speaker 2>thank you for this great introduction.

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<v Speaker 1>No, that's true. So I thought it would be disrespectful

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<v Speaker 1>for the great chef to read a recipe from the

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<v Speaker 1>River Cafe. So I would like you to read it

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<v Speaker 1>yourself of one of your recipes, and we chose the

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<v Speaker 1>few soup. I'm going to start with a quote from you, Eric. Yes,

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<v Speaker 1>and you wrote in this book, think about your favorite dish.

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<v Speaker 1>For many of us, it's something we ate in childhood,

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<v Speaker 1>whose deliciousness lies in how uncomplicated it is. For me,

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<v Speaker 1>it's a simple fish soup made by my grandmother. This

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<v Speaker 1>is the most rewarding way to approach cooking, using culinary

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<v Speaker 1>knowledge to achieve simplicity.

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<v Speaker 2>Yes, I have very vivid memories of grandma doing the

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<v Speaker 2>fish soup youtail.

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<v Speaker 1>Oh, for sure, tell me about your grandma.

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<v Speaker 2>So I had two grandmothers, one was Italian, one from Provence,

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<v Speaker 2>and they both made fish soup by the way, of course,

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<v Speaker 2>But my favorite memory is the one from the Italian grandmother.

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<v Speaker 2>Because on the weekend, the family would gather together, like

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<v Speaker 2>all the uncles and cousins and my grandfather and grandma

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<v Speaker 2>and so on, and they would go fishing and scuba

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<v Speaker 2>diving and catching whatever they would catch. And then my

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<v Speaker 2>grandmother was in charge of the lunch. She would make

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<v Speaker 2>the table for twenty people, twenty five people. She would

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<v Speaker 2>prepare a lot of things, salads and appetizer, but she

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<v Speaker 2>would prepare for the fish soup. So whatever fish was

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<v Speaker 2>coming back, it will be cleaned very quickly, and then

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<v Speaker 2>she would make the fish soup. They're own side and

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<v Speaker 2>we will eat that fish soup. I don't know an

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<v Speaker 2>hour later or two hours lad that was cooked under

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<v Speaker 2>the trees overlooking them. Yes, no, close to antibet between

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<v Speaker 2>auntiebe and and can.

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<v Speaker 1>Okay, well, do you want to read the recipe and

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<v Speaker 1>we can talk more about so we're going to talk

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<v Speaker 1>about So.

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<v Speaker 2>For the fish soup, we use a quark cup of

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<v Speaker 2>extra vaginallyve oil, one medium onion thinly sliced, half a

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<v Speaker 2>bulb of fennel trimmed and thinly slice as well, four

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<v Speaker 2>cloves of garlic chopped, one teaspoon of saffron thread, three

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<v Speaker 2>cups of can whole tomato with their juice, a corek

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<v Speaker 2>cup of perno one bay leave, two pounds of egg

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<v Speaker 2>chile skin cut into chunks. Or you can ask a

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<v Speaker 2>fishmonger for Lian white fish scraps potentially finds the salt

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<v Speaker 2>and freshly grinded black pepper. And then in a large,

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<v Speaker 2>heavy bottom pot, you eat the extravaginallyve oil over medium heat.

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<v Speaker 2>You add the onions, the fennel, the garlic, and you

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<v Speaker 2>sote for five minutes. You steer in the saffron and

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<v Speaker 2>cook until the vegetables are soften and translucent, which takes

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<v Speaker 2>about five minutes. Again, then you crush the tomatoes with

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<v Speaker 2>a fork. You add them to the pot along with

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<v Speaker 2>perno and the bay leaf. Then you season the fish

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<v Speaker 2>with sea salt and white paper and add it to

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<v Speaker 2>the pot. You add enough water to cover the fish

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<v Speaker 2>by about one inch. You bring it to seamur and

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<v Speaker 2>you cook for twenty five minutes. Then you remove from

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<v Speaker 2>the heat and you let stand for five minutes. You

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<v Speaker 2>remove the bay leaf, and then you strain the broth,

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<v Speaker 2>throw a colander into a pot. You pure the fish

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<v Speaker 2>and vegetables badgies ah.

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<v Speaker 1>You put them yeah in.

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<v Speaker 2>A food meal and whisked the purrey back into the broth.

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<v Speaker 2>And then you season with sea salt and white pepper,

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<v Speaker 2>and then you divide into among warm bowls. So that's

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<v Speaker 2>the recipe of the book inspired by Grandma Grama. Was

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<v Speaker 2>not using egg, she was using whatever she was she

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<v Speaker 2>was having.

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<v Speaker 1>And you said she made this every week? Did she

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<v Speaker 1>always make this version of it?

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<v Speaker 2>Was very similar to this, and she would improvise a

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<v Speaker 2>lot as well, you know, I mean for the book,

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<v Speaker 2>we had to say half a cup, quarter of a cup.

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<v Speaker 2>She was not measuring. She was like, okay, give me

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<v Speaker 2>the garlic, let's feel it and let's drop it. And

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<v Speaker 2>the same thing with the onions. It was very instinctive.

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<v Speaker 2>She didn't have to really follow a recipe.

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<v Speaker 1>And did she inspire you to cook? Then she was

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<v Speaker 1>the person that made you want to be a chef.

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<v Speaker 2>My two grandmothers inspired me a lot, and my mother

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<v Speaker 2>was an amazing, amazing chef.

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<v Speaker 1>Tell me because it was interesting, always say that in

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<v Speaker 1>all these interviews that we've done.

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<v Speaker 2>The grandmother, the Italian one, was cooking very Italian soul food.

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<v Speaker 2>She was cooking like great Italian, Northern Italian food, and

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<v Speaker 2>I loved it. And then my grandmother from Provence was

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<v Speaker 2>doing the same with proven sal food as well, which

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<v Speaker 2>is a little bit similar than Northern Italian, but as

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<v Speaker 2>some sortle differences.

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<v Speaker 1>I did the drive quite recently from Santa marc Rita

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<v Speaker 1>to Genoa to Nice and suddenly you were in Italy

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<v Speaker 1>and now you're in France, and you know, the farinata

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<v Speaker 1>which they do in Italy is the Italian version of

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<v Speaker 1>the socca, So yeah, which is in Nice. And what

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<v Speaker 1>else do they cook?

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<v Speaker 2>Like my grandmother in Provence, she was from the region

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<v Speaker 2>of Avignon, so in Avignon they're not close to the sea,

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<v Speaker 2>they are obviously inland, and she would do like a

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<v Speaker 2>baby leg of lamb roasted. And then my grandmother, the

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<v Speaker 2>Italian grandmother, wouldn't do that, but she would do She

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<v Speaker 2>would do alsobuco, for instance. My grandmother in Provence would

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<v Speaker 2>do a cocoveraine. My grandmother in Italy didn't know what

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<v Speaker 2>cocoveraine was. And those were subtle differences, but they were important.

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<v Speaker 2>My mother was obsessed with the chefs from Nouvelle cuisine

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<v Speaker 2>at the time, so the Michelle Gerard, the Paul Booquz

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<v Speaker 2>that generation. And at home she was cooking lunch and dinner,

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<v Speaker 2>those elaborate meals with appetizer, main course, cheese which she

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<v Speaker 2>didn't cook, and dessert that were different from lunch to

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<v Speaker 2>dinner on a different pattern. Of tablecloth, different china. It

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<v Speaker 2>was unbelievable.

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<v Speaker 1>Would she be cooking for She.

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<v Speaker 2>Was cooking for myself, stepfather and my sister when when

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<v Speaker 2>she was old enough to be at the table with us,

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<v Speaker 2>because she's much younger than me.

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<v Speaker 1>She did this every day, every day.

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<v Speaker 2>She would Well, she was a business lady, so she

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<v Speaker 2>was in the fashion industry. She was importing the brand

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<v Speaker 2>Courage for Spain, Spain and underground. Yes, and so she

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<v Speaker 2>was very busy with the business. But she would wake

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<v Speaker 2>up at five am to prepare the meal and then

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<v Speaker 2>she she would finish whatever needs to be finished, all

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<v Speaker 2>the little details during lunchtime, and then same thing at night.

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<v Speaker 2>And sometimes after the dinner she would start to cook

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<v Speaker 2>for the like the desserts. Like if she was doing

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<v Speaker 2>I don't know a baba room, she would start to

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<v Speaker 2>let the baba do you know rise and so on. Yes,

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<v Speaker 2>I mean it was amazing.

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<v Speaker 1>She would have liked to have done that as a career.

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<v Speaker 2>No, no, she was she wanted. She wanted to do

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<v Speaker 2>it because for the art of doing it, for the

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<v Speaker 2>love of doing it, and she wanted to feed the family.

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<v Speaker 1>So you had this incredible life of having food that

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<v Speaker 1>was cared. You know, it was a priority in her

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<v Speaker 1>day and your stepfather.

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<v Speaker 2>And different styles too. Did you ever cook with her

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<v Speaker 2>with my mom later in life, because on the beginning,

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<v Speaker 2>they allow me to watch and eat anything I wanted,

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<v Speaker 2>but they really didn't want me to touch anything. They

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<v Speaker 2>were like, you're going to mess up the kitchen, don't

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<v Speaker 2>touch it. So I was eating, and just before I

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<v Speaker 2>went to culinary school, my mom started to allow me

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<v Speaker 2>to help her in the kitchen.

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<v Speaker 1>She sounds amazing and she's still cooking.

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<v Speaker 2>She cooks for herself, and she sent me pictures sometimes

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<v Speaker 2>and I'm like, oh my god, this is amazing. Like

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<v Speaker 2>the other day she did the dog comfee and then

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<v Speaker 2>you know, she hasked, I don't know what you call it,

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<v Speaker 2>those little for the for the bone, those little.

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<v Speaker 1>White white things, yeah yeah, those white yeah. Yeah.

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<v Speaker 2>So she still have those kind of details, and I'm like,

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<v Speaker 2>oh my god, how can you do that?

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<v Speaker 1>How do you look back at the food of the

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<v Speaker 1>nouvelle cuisine. What do you think when you when you

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<v Speaker 1>think of that food.

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<v Speaker 2>Well, as you know, nouvelle cuisine at one point became

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<v Speaker 2>really a bad world, and it became a caricature.

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<v Speaker 1>Of big plates and food, and.

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<v Speaker 2>I always have this image of like three string beans

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<v Speaker 2>parallel to each other. But novelle cuisine on the beginning

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<v Speaker 2>was a revolution. We were coming out of the era

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<v Speaker 2>of escoffi. It was a different mindset where the sauce

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<v Speaker 2>was not hiding anymore the flavors, but the sauce was

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<v Speaker 2>enhancing the star of the plate, which was whatever protein,

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<v Speaker 2>mostly or vegetable you decide. And also it was the

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<v Speaker 2>first time that chefs were playing their food. Until then,

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<v Speaker 2>the food was on platters and the waiters were serving

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<v Speaker 2>the food or the clients were serving themselves from the platter.

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<v Speaker 2>But the first chef to say I'm planning my food

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<v Speaker 2>in my plate was the drug Row.

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<v Speaker 1>So you grew up in a house where food was

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<v Speaker 1>a priority, where your mother cooked, your grandmother's cooked. Tell

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<v Speaker 1>us when about your journey to becoming a chef, from

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<v Speaker 1>being a child that wasn't allowed in the kitchen to

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<v Speaker 1>being I think a fifteen year old that started cooking.

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<v Speaker 1>What happened at fifteen when you decided to be well.

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<v Speaker 2>At fifteen, I cannot go to school any longer because

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<v Speaker 2>my grades are so bad. So I ended up in

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<v Speaker 2>the principal office with mom and is explaining to her

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<v Speaker 2>that I have to find out what they call a

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<v Speaker 2>vocational school or a career. That's nineteen eighty and I

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<v Speaker 2>look sad, but I'm really happy because I want to

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<v Speaker 2>go to culinary school. So the principal promised to my

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<v Speaker 2>mother that he would do everything possible to send me

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<v Speaker 2>to a culinary school. And he had a friend who

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<v Speaker 2>was a principal in Perpignon, and I was accepted. I

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<v Speaker 2>don't know how, but I was accepted in culinary school.

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<v Speaker 2>And then I was a very good student there.

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<v Speaker 1>That's the thing, if you find what you love it.

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<v Speaker 2>I really loved everything about the restaurant industry. I was

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<v Speaker 2>the first year. We were waders and cooks. We were

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<v Speaker 2>learning both and we had some classes of a knowlogy,

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<v Speaker 2>which is about the wine. And I was having a

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<v Speaker 2>blast and my grades were excellent. In matth I was

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<v Speaker 2>still a bit weak, but I was putting a lot

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<v Speaker 2>of efforts. I was good in Spanish because I live

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<v Speaker 2>in Adora, so I would I could speak Spanish and French.

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<v Speaker 2>I didn't speak English at the time. And in the

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<v Speaker 2>kitchen I was a little bit bored because we were

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<v Speaker 2>learning old fashioned recipes from Escoffia basically, so I was

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<v Speaker 2>a bit bored, but I knew I was learning the basics,

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<v Speaker 2>so I was very diligent about listening to what the

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<v Speaker 2>directions were from the teachers, and my grades were great

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<v Speaker 2>on the first year. On the second year, same thing.

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<v Speaker 2>At my exam, which was after two years, I had

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<v Speaker 2>to do a gulash and a rice pilaf with Langostin's

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<v Speaker 2>in a source nin two yer and I did a

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<v Speaker 2>good job because I graduated with honors. And then I

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<v Speaker 2>was like, this is the beginning. I mean, I knew

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<v Speaker 2>it was the beginning. I wanted to be the chef

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<v Speaker 2>that I am today. I wanted to be in a

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<v Speaker 2>restaurant that has a big kitchen with a lot of equipment,

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<v Speaker 2>with a lot of cooks, a lot of waters, a

0:14:07.200 --> 0:14:11.520
<v Speaker 2>lot of a great team, beautiful china, and a great

0:14:11.559 --> 0:14:15.080
<v Speaker 2>wine cellar and everything else. And that was my dream.

0:14:15.200 --> 0:14:19.080
<v Speaker 2>So at seventeen years old, I write a letter to

0:14:19.160 --> 0:14:22.680
<v Speaker 2>the eighteen three star Micheline restaurant in France, because I

0:14:22.760 --> 0:14:27.360
<v Speaker 2>was eighteen at the time, and nobody answered nobody. So

0:14:27.960 --> 0:14:30.560
<v Speaker 2>then at one point I go back and I write

0:14:30.560 --> 0:14:35.640
<v Speaker 2>to the two stars and then Maxims sent me a

0:14:35.760 --> 0:14:38.720
<v Speaker 2>letter saying we don't have a spot for you, and

0:14:38.760 --> 0:14:42.680
<v Speaker 2>that's my only letter. And then three months later I

0:14:42.720 --> 0:14:45.840
<v Speaker 2>received a letter from Latyo Darjan and at the time

0:14:45.880 --> 0:14:48.600
<v Speaker 2>there were three stars, of course, and they were celebrating

0:14:48.640 --> 0:14:53.320
<v Speaker 2>in nineteen eighty two their four hundred year anniversary. Anyway,

0:14:53.400 --> 0:14:56.560
<v Speaker 2>I ended up at seventeen years old in Lato Darjon

0:14:56.680 --> 0:15:01.080
<v Speaker 2>in Paris. After reading that letter, I call them and

0:15:01.120 --> 0:15:03.960
<v Speaker 2>I said, you know, Americ Repair and I received your letter,

0:15:04.160 --> 0:15:07.280
<v Speaker 2>and when when do you need me? And they said

0:15:07.320 --> 0:15:11.000
<v Speaker 2>we need you tomorrow, And well tomorrow it's going to

0:15:11.080 --> 0:15:14.640
<v Speaker 2>be tough. But three days later I was with my

0:15:14.640 --> 0:15:15.760
<v Speaker 2>suitcase in Paris.

0:15:15.920 --> 0:15:16.840
<v Speaker 1>Where did you stay?

0:15:18.400 --> 0:15:22.240
<v Speaker 2>In a tiny hotel? And then I find finally a place.

0:15:22.280 --> 0:15:24.120
<v Speaker 2>It took a couple of months to find a place.

0:15:25.160 --> 0:15:30.000
<v Speaker 2>It was very very seventeen in a kitchen like that.

0:15:30.200 --> 0:15:32.520
<v Speaker 1>Yeah, you know, what was the culture of the kitchen?

0:15:32.560 --> 0:15:33.240
<v Speaker 1>What was it like?

0:15:34.360 --> 0:15:39.040
<v Speaker 2>Very old fashioned? A lot of abuse, veriable abuse, physical abuse,

0:15:39.800 --> 0:15:43.000
<v Speaker 2>And that was the culture in those kitchens at that time.

0:15:43.320 --> 0:15:46.280
<v Speaker 2>And and also I have to say I was the

0:15:46.320 --> 0:15:49.480
<v Speaker 2>youngest in the kitchen and I was not necessarily the best,

0:15:50.160 --> 0:15:52.600
<v Speaker 2>and they were they were patients, but at the same

0:15:52.640 --> 0:15:56.640
<v Speaker 2>time they were very abusive and and as you probably

0:15:57.200 --> 0:16:01.760
<v Speaker 2>know in France, it was a philosophy behind it. First

0:16:01.760 --> 0:16:04.800
<v Speaker 2>of all, it made no sense to me, but they

0:16:04.840 --> 0:16:08.640
<v Speaker 2>wanted to break you psychologically and rebuilt you as a champion,

0:16:08.720 --> 0:16:11.680
<v Speaker 2>which is ridiculous. I think it was more an excuse

0:16:12.320 --> 0:16:16.440
<v Speaker 2>to let the chef be abusive and I have those

0:16:16.600 --> 0:16:24.040
<v Speaker 2>tantrums and be aggressive. And someone who's angry is it's

0:16:24.080 --> 0:16:26.840
<v Speaker 2>not someone who's It's not a quality to be angry.

0:16:26.880 --> 0:16:29.520
<v Speaker 2>Let's put it this way. So I learned. I learned

0:16:29.520 --> 0:16:30.080
<v Speaker 2>the hard way.

0:16:30.880 --> 0:16:32.080
<v Speaker 1>Do you think you've up?

0:16:32.160 --> 0:16:36.400
<v Speaker 2>Ever, No, I never thought of giving up. I was

0:16:36.680 --> 0:16:42.960
<v Speaker 2>obviously at times down and not happy, but my vision

0:16:43.000 --> 0:16:46.320
<v Speaker 2>of becoming the chef that I became was never compromised.

0:16:47.400 --> 0:16:49.480
<v Speaker 1>The ambition kept you, kept you going.

0:16:49.800 --> 0:16:54.320
<v Speaker 2>It was, yes, but the ambition was not about being

0:16:54.400 --> 0:16:58.520
<v Speaker 2>number one, being radied, or being The ambition was to

0:16:58.680 --> 0:17:02.560
<v Speaker 2>cook great food and create an amazing experience. And it

0:17:02.640 --> 0:17:09.919
<v Speaker 2>has always been my vision all my life.

0:17:12.920 --> 0:17:15.440
<v Speaker 1>Did you know the River Cafe has a shop. It's

0:17:15.480 --> 0:17:18.840
<v Speaker 1>full of our favorite foods and designs. We have cookbooks

0:17:18.840 --> 0:17:22.680
<v Speaker 1>and then in Napkins Kitchen were chout bags with our signatures,

0:17:22.720 --> 0:17:26.359
<v Speaker 1>glasses from Venice, chocolates from Terurin. You can find us

0:17:26.440 --> 0:17:29.159
<v Speaker 1>right next door to the River Cafe in London or

0:17:29.240 --> 0:17:37.840
<v Speaker 1>online at shop the River Cafe dot co UK. From

0:17:37.880 --> 0:17:39.680
<v Speaker 1>Tour de Jean, how long did you stay there?

0:17:40.080 --> 0:17:43.280
<v Speaker 2>To Darjent, I didn't stay too long. I stayed about

0:17:43.400 --> 0:17:46.440
<v Speaker 2>a year and a half. And then the chef called

0:17:46.480 --> 0:17:49.919
<v Speaker 2>me in his office and said I heard that you

0:17:49.960 --> 0:17:52.600
<v Speaker 2>want to move, and you because you want to change,

0:17:52.640 --> 0:17:54.760
<v Speaker 2>And he said I will tell you when you're leaving.

0:17:55.800 --> 0:17:59.200
<v Speaker 2>And I said, yes, chef, of course. And a month

0:17:59.320 --> 0:18:02.760
<v Speaker 2>later he said, go to this place, it's called sham

0:18:03.680 --> 0:18:06.960
<v Speaker 2>Ask for the chef. His name is Joel Robischow, and

0:18:08.440 --> 0:18:12.879
<v Speaker 2>he's waiting for you. I'm basically like eighteen and a

0:18:12.880 --> 0:18:16.760
<v Speaker 2>half nineteen and I go there. I have no idea

0:18:16.800 --> 0:18:19.440
<v Speaker 2>where I'm going. And I met with Joel Robbie Schan

0:18:20.720 --> 0:18:25.520
<v Speaker 2>very sweet man, very kind man, great contacts. And then

0:18:25.560 --> 0:18:28.920
<v Speaker 2>he's telling me that I'm starting in a month from now.

0:18:29.880 --> 0:18:32.920
<v Speaker 1>And was the culture in that kitchen the same? Was

0:18:33.440 --> 0:18:34.159
<v Speaker 1>it abusive?

0:18:34.240 --> 0:18:39.520
<v Speaker 2>And Robbie Shaw was not violent physically or it didn't

0:18:39.800 --> 0:18:41.360
<v Speaker 2>didn't want violence in his kitchen?

0:18:41.760 --> 0:18:43.800
<v Speaker 1>Was there violence? Actually physical violence.

0:18:43.880 --> 0:18:50.320
<v Speaker 2>Yes, chefs were kicking you in the shoulders. Sometimes it

0:18:50.520 --> 0:18:55.639
<v Speaker 2>was some physical battles in the coolers or in a

0:18:55.680 --> 0:19:00.280
<v Speaker 2>staircase or things like that. It was definitely, but Robbie

0:19:00.280 --> 0:19:02.639
<v Speaker 2>Sewan it was very different. It didn't want that. He

0:19:02.760 --> 0:19:06.440
<v Speaker 2>was not a screamer, but it was very, very difficult,

0:19:07.160 --> 0:19:13.680
<v Speaker 2>and it was a painful experience with him as well,

0:19:13.720 --> 0:19:18.200
<v Speaker 2>because he was so demanding on himself and so demanding

0:19:18.240 --> 0:19:21.359
<v Speaker 2>on the team. He was never happy and every day

0:19:21.600 --> 0:19:25.520
<v Speaker 2>was coming and every day he had some negative comments

0:19:25.960 --> 0:19:32.520
<v Speaker 2>every day, but not necessarily articulating what was wrong, just

0:19:32.560 --> 0:19:35.959
<v Speaker 2>like a frustration about it. And I don't know if

0:19:36.000 --> 0:19:39.440
<v Speaker 2>you ever heard that, but he was looking at every

0:19:39.480 --> 0:19:42.159
<v Speaker 2>plate coming back in the kitchen, and when something was

0:19:42.240 --> 0:19:46.159
<v Speaker 2>left in a plate, even a tiny, tiny bite, it

0:19:46.320 --> 0:19:47.040
<v Speaker 2>was a disaster.

0:19:47.920 --> 0:19:48.960
<v Speaker 1>How long did you stay that?

0:19:49.240 --> 0:19:52.040
<v Speaker 2>So I did a year and something and then I

0:19:52.080 --> 0:19:55.399
<v Speaker 2>went to do my military duties, so I was of

0:19:55.480 --> 0:19:59.760
<v Speaker 2>course sent to the kitchen. Were yes, But on my

0:20:00.040 --> 0:20:04.280
<v Speaker 2>first day in the kitchen was Calamari American. I was like, hey,

0:20:04.280 --> 0:20:08.240
<v Speaker 2>this is cool. And then the Calamaria American was basically

0:20:08.359 --> 0:20:13.240
<v Speaker 2>frozen calamari with a beshamele ketchup and brandy. And then

0:20:14.359 --> 0:20:17.760
<v Speaker 2>at night they were doing spaghetti with something and they

0:20:17.800 --> 0:20:24.160
<v Speaker 2>managed to burn the spaghettis in the water. The heat

0:20:24.240 --> 0:20:27.679
<v Speaker 2>was coming from underneath. They dumped the spaghetti's the stock

0:20:28.560 --> 0:20:32.840
<v Speaker 2>to the bottom of the pot where it was in

0:20:33.160 --> 0:20:37.280
<v Speaker 2>Castel Sarazen, which is in the south of southwest of France,

0:20:38.080 --> 0:20:40.159
<v Speaker 2>near to Lose. So anyway, I went to see the

0:20:40.200 --> 0:20:42.720
<v Speaker 2>general and I said to him, I don't mind to

0:20:42.760 --> 0:20:46.040
<v Speaker 2>do my military duties, but please get me out of

0:20:46.080 --> 0:20:48.920
<v Speaker 2>this kitchen because I'm going to be depressed. And he

0:20:49.040 --> 0:20:50.360
<v Speaker 2>laughed at me and he said, I'm going to send

0:20:50.359 --> 0:20:53.879
<v Speaker 2>you to the commandos. You're going to learn. And I

0:20:53.960 --> 0:20:59.280
<v Speaker 2>was skinny like this, like I was like looking at

0:20:59.359 --> 0:21:02.080
<v Speaker 2>him like, you know, I can't do that, and he

0:21:02.200 --> 0:21:04.200
<v Speaker 2>laughed and he said, you want to be my waiter.

0:21:05.200 --> 0:21:06.879
<v Speaker 2>I said, yeah, I would love to be your waider.

0:21:07.119 --> 0:21:10.159
<v Speaker 2>He said okay, and I became For the rest of

0:21:10.200 --> 0:21:13.520
<v Speaker 2>my stay in the militaries the waiters of the general.

0:21:14.440 --> 0:21:18.119
<v Speaker 2>I served the food. I didn't cook. And then on

0:21:18.280 --> 0:21:21.600
<v Speaker 2>my last day I receive a call and I thought

0:21:21.600 --> 0:21:24.440
<v Speaker 2>it was a joke, and they called me and they said,

0:21:24.520 --> 0:21:27.800
<v Speaker 2>you have a call. It's Joel Robbie Shan calling you.

0:21:29.000 --> 0:21:32.679
<v Speaker 2>I'm like that a joke, it's not possible. And I

0:21:32.760 --> 0:21:34.879
<v Speaker 2>look and it's a number I call and it seemed

0:21:35.840 --> 0:21:37.480
<v Speaker 2>and he's like, oh, thank you for calling me back.

0:21:37.640 --> 0:21:40.920
<v Speaker 2>I heard that you've done with the military duties. I

0:21:40.920 --> 0:21:43.400
<v Speaker 2>would like for you to come back, and I would

0:21:43.400 --> 0:21:48.520
<v Speaker 2>look for you to be the chef person and Jamin

0:21:49.720 --> 0:21:53.280
<v Speaker 2>and what do you think. At the time, I had

0:21:53.280 --> 0:21:56.879
<v Speaker 2>a girlfriend, many things were happening in my life. I

0:21:56.920 --> 0:21:59.520
<v Speaker 2>was not really excited to go back to Paris, and

0:21:59.560 --> 0:22:01.320
<v Speaker 2>I said, can I think about it? And he said, yes,

0:22:01.359 --> 0:22:02.840
<v Speaker 2>of course, you have thirty seconds.

0:22:02.920 --> 0:22:04.920
<v Speaker 1>Yes.

0:22:05.440 --> 0:22:08.800
<v Speaker 2>I was like, yes, chef. And I went back to

0:22:08.840 --> 0:22:13.600
<v Speaker 2>Paris then and I did two something years again with

0:22:13.680 --> 0:22:16.200
<v Speaker 2>him in the fish in charge of the fish station.

0:22:16.880 --> 0:22:18.960
<v Speaker 1>Well, let's go back to coming here. How did you

0:22:19.080 --> 0:22:21.119
<v Speaker 1>end up in So I went.

0:22:21.000 --> 0:22:23.200
<v Speaker 2>To see Joel Robischan and I said, you know, we'd

0:22:23.200 --> 0:22:26.199
<v Speaker 2>like to travel the world and can you help me?

0:22:27.080 --> 0:22:29.840
<v Speaker 2>And he sent me to the water Reghatt Hotel in Washington,

0:22:29.920 --> 0:22:33.520
<v Speaker 2>d C. And I worked with Jean Repalladin, who was

0:22:33.520 --> 0:22:35.040
<v Speaker 2>an extremely talented chef.

0:22:35.560 --> 0:22:37.720
<v Speaker 1>And what was the culture like the culture in the

0:22:37.800 --> 0:22:38.560
<v Speaker 1>kitchen was.

0:22:39.320 --> 0:22:46.720
<v Speaker 2>In Washington, dis very relaxed, small team. Jean Repaaladin was

0:22:46.960 --> 0:22:50.119
<v Speaker 2>very creative. I was happy because for me it was

0:22:50.119 --> 0:22:54.440
<v Speaker 2>a different experience. I learned very classic food at Lato Darjean.

0:22:54.760 --> 0:22:58.320
<v Speaker 2>Then I learned rigor and techniques with Joel Robi Schan

0:22:58.480 --> 0:23:00.760
<v Speaker 2>and then with Jehan Repaada. I had a lot of

0:23:02.119 --> 0:23:04.240
<v Speaker 2>inspiration from him to be creative.

0:23:05.280 --> 0:23:07.920
<v Speaker 1>But I think with that, you know, I think with cooking,

0:23:08.040 --> 0:23:10.360
<v Speaker 1>if you have the breaker first, then you can have

0:23:10.400 --> 0:23:14.840
<v Speaker 1>the kind of maybe relaxed after well to not have

0:23:14.920 --> 0:23:15.879
<v Speaker 1>that background and.

0:23:15.880 --> 0:23:16.760
<v Speaker 2>Now you have to start.

0:23:16.960 --> 0:23:17.640
<v Speaker 1>You have to start.

0:23:17.720 --> 0:23:20.040
<v Speaker 2>You have to start with the basis and the bigger

0:23:20.600 --> 0:23:23.960
<v Speaker 2>and then you can start to be creative. And then

0:23:23.960 --> 0:23:26.480
<v Speaker 2>you have to learn how to manage also a team people.

0:23:27.080 --> 0:23:29.960
<v Speaker 2>And that was gilberlo cause in le Bernardin. When I

0:23:30.040 --> 0:23:35.840
<v Speaker 2>joined in nineteen ninety one, I was twenty four years old,

0:23:36.560 --> 0:23:40.320
<v Speaker 2>and he said to me, look, I want someone to

0:23:40.440 --> 0:23:43.919
<v Speaker 2>take care of my kitchen, and if you respect the

0:23:43.960 --> 0:23:48.439
<v Speaker 2>philosophy of le Bernardin, which is the fish is the

0:23:48.480 --> 0:23:51.240
<v Speaker 2>star of the plate, then you can do whatever you

0:23:51.280 --> 0:23:54.000
<v Speaker 2>want here and I will support you. And I had

0:23:54.000 --> 0:23:56.400
<v Speaker 2>this support until he passed away in nineteen ninety four.

0:23:56.840 --> 0:24:00.720
<v Speaker 2>Then I became partner with my gillocouse his sister, and

0:24:01.119 --> 0:24:02.879
<v Speaker 2>the rest is story history.

0:24:03.200 --> 0:24:05.520
<v Speaker 1>I think it would be interesting to talk about the

0:24:05.520 --> 0:24:10.920
<v Speaker 1>culture of the restaurants that were, you know, existing, the bullying,

0:24:11.080 --> 0:24:15.520
<v Speaker 1>the anger, the tantrums, the physical abuse, you know. I

0:24:15.720 --> 0:24:18.840
<v Speaker 1>always say that I once had a young woman chef

0:24:18.880 --> 0:24:23.000
<v Speaker 1>come to the River Cafe and she was describing her

0:24:23.040 --> 0:24:26.120
<v Speaker 1>experience in another kitchen and she said that the chef

0:24:26.160 --> 0:24:28.879
<v Speaker 1>had stood over her she was getting souflets out of

0:24:28.880 --> 0:24:30.720
<v Speaker 1>the oven, and he said, you know, this frying pan

0:24:30.840 --> 0:24:34.160
<v Speaker 1>is in my hand, and if those tuflets are not perfect,

0:24:34.200 --> 0:24:36.800
<v Speaker 1>it'll be on your head. And I said, you know

0:24:37.160 --> 0:24:39.120
<v Speaker 1>what you should have done is put the soufles back

0:24:39.160 --> 0:24:42.679
<v Speaker 1>in the oven, got up, walked out and gone to

0:24:42.720 --> 0:24:46.560
<v Speaker 1>the police. The police because that kind of threat is

0:24:46.600 --> 0:24:49.480
<v Speaker 1>illegal and it should be illegal, and you cannot do that.

0:24:50.040 --> 0:24:53.159
<v Speaker 1>And I think that the fact that that's this was

0:24:53.400 --> 0:24:57.600
<v Speaker 1>probably twenty years ago. But I think it's very interesting

0:24:57.640 --> 0:25:00.080
<v Speaker 1>how our profession, which was based on a kind of

0:25:00.200 --> 0:25:03.879
<v Speaker 1>terror of teaching three people through fear rather than hope,

0:25:04.440 --> 0:25:08.400
<v Speaker 1>has hope change. I mean in your restaurant, it has

0:25:08.480 --> 0:25:11.440
<v Speaker 1>at my restaurant, my friend's restaurants. You know, in London,

0:25:12.240 --> 0:25:16.119
<v Speaker 1>we don't tolerate that. And also we have an open kitchen,

0:25:16.200 --> 0:25:18.440
<v Speaker 1>so you can't do that. We have an open kitchen

0:25:18.600 --> 0:25:20.880
<v Speaker 1>which does not allow anyone to share.

0:25:21.040 --> 0:25:23.960
<v Speaker 2>Of course, well you can always have people who are

0:25:26.119 --> 0:25:28.400
<v Speaker 2>vicious and find a way to do it in the back.

0:25:29.359 --> 0:25:36.440
<v Speaker 2>But in America I find a kitchens in general very civilized. Here,

0:25:36.560 --> 0:25:42.080
<v Speaker 2>I definitely have I do not promote any misbehavior. I

0:25:42.119 --> 0:25:47.600
<v Speaker 2>have zero tolerance. And if you misbehave and it's not

0:25:47.680 --> 0:25:51.199
<v Speaker 2>a big mistake, we give you one more chance, and

0:25:51.280 --> 0:25:54.840
<v Speaker 2>then you're not working with us any longer. You have

0:25:54.880 --> 0:25:57.920
<v Speaker 2>to be It doesn't matter if your genius or first

0:25:57.920 --> 0:26:00.600
<v Speaker 2>of all, it's no genius is but matter if you

0:26:00.640 --> 0:26:02.800
<v Speaker 2>are excellent or not excellent. You have to be a

0:26:02.840 --> 0:26:05.919
<v Speaker 2>team player. You have to work with others, and you

0:26:06.000 --> 0:26:09.960
<v Speaker 2>have to be polite and kind and grateful and motivated

0:26:10.200 --> 0:26:15.639
<v Speaker 2>and hard working and passionate, and then you belong to

0:26:15.680 --> 0:26:19.040
<v Speaker 2>the team. But we have zero to leerents from his behavior.

0:26:19.480 --> 0:26:19.720
<v Speaker 1>Zero.

0:26:20.320 --> 0:26:21.800
<v Speaker 2>It's totally unacceptable.

0:26:22.160 --> 0:26:26.560
<v Speaker 1>Well, I know that food here is so respected and

0:26:26.640 --> 0:26:33.000
<v Speaker 1>so deliciousness. I think you're coming from you, and I

0:26:33.040 --> 0:26:36.440
<v Speaker 1>think that the interesting thing I think is that food

0:26:36.480 --> 0:26:38.960
<v Speaker 1>is in fashion. People always say to me, you know,

0:26:39.040 --> 0:26:40.879
<v Speaker 1>what do you think is a new food trend? Or

0:26:40.880 --> 0:26:42.879
<v Speaker 1>what are people going to be cooking? And what are

0:26:42.920 --> 0:26:46.120
<v Speaker 1>people eating? And it doesn't really interest me very much.

0:26:46.200 --> 0:26:48.640
<v Speaker 1>But the fashion is a food. It's what we're all

0:26:48.680 --> 0:26:52.560
<v Speaker 1>trying to do, to work harder, to do what we

0:26:52.600 --> 0:26:55.720
<v Speaker 1>do better, and we're thinking about sustainability all the time.

0:26:56.200 --> 0:26:59.560
<v Speaker 2>Sustainability is very important. I mean, I don't care about

0:27:00.080 --> 0:27:05.840
<v Speaker 2>trends at all. The cooking at Lebernarda is it's based

0:27:05.880 --> 0:27:12.560
<v Speaker 2>on personal experiences. I travel quite a bit in my

0:27:12.640 --> 0:27:18.040
<v Speaker 2>life in many I mean basically all the continents, and

0:27:18.119 --> 0:27:20.280
<v Speaker 2>depending where I go, I come back and I have

0:27:20.359 --> 0:27:25.400
<v Speaker 2>a lot of ideas and I discover new flavor, new techniques,

0:27:25.480 --> 0:27:29.359
<v Speaker 2>new ingredients, and then we integrate it into the style

0:27:29.400 --> 0:27:32.960
<v Speaker 2>of Le Bernardin And I work very closely with the

0:27:32.960 --> 0:27:37.720
<v Speaker 2>Soo chefs as well. They also travel during the vacation

0:27:37.920 --> 0:27:42.399
<v Speaker 2>and they go to many places and it's a collaboration

0:27:42.560 --> 0:27:47.879
<v Speaker 2>in between us inspired by what we love and what

0:27:47.920 --> 0:27:50.680
<v Speaker 2>we see, but we don't think about trends at all.

0:27:51.480 --> 0:27:55.280
<v Speaker 1>Did you travel lot to Asia? Did you Japan? Of Japan?

0:27:55.520 --> 0:27:59.160
<v Speaker 2>Japanese for me was a revelation when I went there.

0:28:00.080 --> 0:28:03.679
<v Speaker 2>Not why in every aspect of the culture of Japan,

0:28:04.600 --> 0:28:09.000
<v Speaker 2>the search for perfection knowing that you will never achieve

0:28:09.080 --> 0:28:15.159
<v Speaker 2>perfection that is not motivated by business, which means money.

0:28:16.240 --> 0:28:21.600
<v Speaker 2>It's very refreshing for a restaurrator from New York that

0:28:23.080 --> 0:28:30.680
<v Speaker 2>they have respect for the ingredients. That is incredible. And

0:28:30.800 --> 0:28:34.280
<v Speaker 2>in the nineties I was in Peru before it became fashionable.

0:28:35.440 --> 0:28:39.800
<v Speaker 2>It was again very influential on us for quite some

0:28:39.880 --> 0:28:43.600
<v Speaker 2>time to understand the culture of the savic and the marine,

0:28:43.640 --> 0:28:44.640
<v Speaker 2>edit fish and so on.

0:28:45.440 --> 0:28:47.560
<v Speaker 1>You have one restaurant, so.

0:28:47.480 --> 0:28:50.320
<v Speaker 2>We have Le Bernardin and then we have another restaurant

0:28:50.480 --> 0:28:55.440
<v Speaker 2>in the Cannan Islands called Blue Bio rec Repair, and

0:28:55.480 --> 0:28:58.880
<v Speaker 2>we work with an hotel called the Red Carleton, which

0:28:58.920 --> 0:29:03.280
<v Speaker 2>is famous. Yeah, chain of hotels. The team comes here

0:29:03.360 --> 0:29:06.280
<v Speaker 2>gets trained by us, or we go there and train them.

0:29:06.320 --> 0:29:08.440
<v Speaker 2>I go there twice a year and the rest of

0:29:08.480 --> 0:29:09.720
<v Speaker 2>the time I have at Lebanadere.

0:29:09.760 --> 0:29:11.360
<v Speaker 1>Do you find it challenging? Fish wise?

0:29:11.960 --> 0:29:15.000
<v Speaker 2>In cam An Island, we use local fish mostly what

0:29:15.200 --> 0:29:24.640
<v Speaker 2>is it? Grouper, snapper, spiny lobsters, shream, mai mahi wahu.

0:29:25.200 --> 0:29:26.560
<v Speaker 2>I mean it's a lot of species.

0:29:26.600 --> 0:29:29.120
<v Speaker 1>That's a local Oh yeah, it's.

0:29:29.000 --> 0:29:31.040
<v Speaker 2>Like from the local fishermen. Yes.

0:29:35.240 --> 0:29:38.480
<v Speaker 3>If you like listening to Ruthy's Table for would you

0:29:38.640 --> 0:29:42.680
<v Speaker 3>please make sure to rate and review the podcast on

0:29:42.720 --> 0:29:47.720
<v Speaker 3>the iHeartRadio app, Apple Podcasts, Spotify, o, wherever you get

0:29:47.720 --> 0:29:48.840
<v Speaker 3>your podcasts.

0:29:49.320 --> 0:29:56.840
<v Speaker 1>Thank you. You were saying that people now are eating out.

0:29:57.160 --> 0:29:59.600
<v Speaker 1>You can't get a reservation in a restaurant in New York.

0:30:00.160 --> 0:30:03.840
<v Speaker 1>Maybe it's post pandemic, but I do think restaurants have

0:30:03.920 --> 0:30:07.280
<v Speaker 1>shown us how important restaurants are to culture, to a city,

0:30:07.400 --> 0:30:11.600
<v Speaker 1>to people. I once had to go to my granddaughter's

0:30:11.640 --> 0:30:14.160
<v Speaker 1>school and I said, why do we go to restaurants?

0:30:14.200 --> 0:30:16.080
<v Speaker 1>You know, we go to restaurants. Why do we go

0:30:16.240 --> 0:30:18.760
<v Speaker 1>When child raised their hand and said, we go to

0:30:18.760 --> 0:30:20.760
<v Speaker 1>restaurants for a birthday, we go to a restaurant. When

0:30:20.760 --> 0:30:23.320
<v Speaker 1>my grandparents come to town, we go to restaurants. When

0:30:23.880 --> 0:30:27.120
<v Speaker 1>my granddaughter raised her we go to restaurants when there's

0:30:27.120 --> 0:30:30.880
<v Speaker 1>nothing at the fridge. And I thought that was It

0:30:30.960 --> 0:30:34.160
<v Speaker 1>is interesting why people go to restaurants and why they

0:30:34.200 --> 0:30:36.680
<v Speaker 1>are important to us. Why do you think they are?

0:30:37.680 --> 0:30:43.000
<v Speaker 2>Well, New York is a big city, like London, it's

0:30:43.000 --> 0:30:45.600
<v Speaker 2>a lot of people visiting from all over the world.

0:30:46.080 --> 0:30:50.160
<v Speaker 2>It's a lot of New Yorkers who are going out,

0:30:50.520 --> 0:30:55.480
<v Speaker 2>and we cater to many people who seek a different experience.

0:30:56.840 --> 0:31:00.160
<v Speaker 2>I think our mission is to deliver the experience the

0:31:00.240 --> 0:31:07.680
<v Speaker 2>clients is seeking without necessarily asking, but just understanding what's happening.

0:31:07.720 --> 0:31:10.880
<v Speaker 2>And it's easy to understand what the clients want. If

0:31:10.880 --> 0:31:13.960
<v Speaker 2>you see a bunch of businessmen and they're very intense

0:31:14.000 --> 0:31:16.760
<v Speaker 2>and they're sharing paper at the table, you know they

0:31:16.760 --> 0:31:19.440
<v Speaker 2>are in business. If you see a couple and they

0:31:19.480 --> 0:31:23.720
<v Speaker 2>all achiev and kissing, and you know, it's like it's

0:31:24.480 --> 0:31:28.320
<v Speaker 2>not the same experience as the businessman. And then if

0:31:28.360 --> 0:31:32.720
<v Speaker 2>you see someone taking pictures of the food, or if

0:31:32.720 --> 0:31:35.360
<v Speaker 2>I go to the dining room looking at me, following me,

0:31:35.560 --> 0:31:39.280
<v Speaker 2>and you know it's someone very interested by our industry

0:31:39.480 --> 0:31:45.680
<v Speaker 2>and those experience. We have to basically adapt to the

0:31:45.720 --> 0:31:48.920
<v Speaker 2>client and have flexibility and make sure that when they

0:31:49.000 --> 0:31:52.680
<v Speaker 2>leave they're very happy, they have a smile in their face.

0:31:53.120 --> 0:31:55.280
<v Speaker 1>Do you stand on the past? Do you see every

0:31:55.320 --> 0:31:57.320
<v Speaker 1>plate that goes out?

0:31:57.440 --> 0:31:59.480
<v Speaker 2>I do, and not only I stay on the past,

0:31:59.480 --> 0:32:04.280
<v Speaker 2>but I also work in the kitchen and I taste

0:32:04.320 --> 0:32:07.240
<v Speaker 2>a lot that one on me but we have testing

0:32:07.280 --> 0:32:11.080
<v Speaker 2>spoons made of corn starch that you can use. The

0:32:11.200 --> 0:32:16.280
<v Speaker 2>very inexpensive and of course it's recyclable. It's not like plastic,

0:32:16.640 --> 0:32:20.280
<v Speaker 2>and you can taste and throw the spoon if you wish,

0:32:20.320 --> 0:32:22.840
<v Speaker 2>because we don't want to double deep obviously, and I

0:32:22.840 --> 0:32:25.200
<v Speaker 2>don't want the cooks also to carry.

0:32:25.680 --> 0:32:27.960
<v Speaker 1>I hate that when I put that in the back.

0:32:28.440 --> 0:32:30.600
<v Speaker 2>Disgusting, and to put it in the pot with water,

0:32:31.080 --> 0:32:35.040
<v Speaker 2>it's like no. So we have those those testing spoons,

0:32:35.360 --> 0:32:37.680
<v Speaker 2>and I taste a lot of the thing. I have

0:32:37.720 --> 0:32:39.920
<v Speaker 2>only one meal a day and the rest is testing.

0:32:40.160 --> 0:32:45.240
<v Speaker 2>You test before before we before service and during services.

0:32:45.360 --> 0:32:48.280
<v Speaker 1>Yeah, it's interesting, I find, you know, I was thinking

0:32:48.280 --> 0:32:50.800
<v Speaker 1>if I could. It's how you give the feedback. I

0:32:50.800 --> 0:32:54.240
<v Speaker 1>don't know about very much smaller restaurant. When I go

0:32:54.320 --> 0:32:56.880
<v Speaker 1>to eat there and I have something that I don't

0:32:57.320 --> 0:33:00.200
<v Speaker 1>I think is up to what it should be. It's

0:33:00.200 --> 0:33:02.400
<v Speaker 1>always for me it's a conundrum because do you tell

0:33:02.480 --> 0:33:05.560
<v Speaker 1>them you know then and there? Do you go and say,

0:33:05.680 --> 0:33:08.000
<v Speaker 1>you know, they're so expected, our chefs, you know, they

0:33:08.000 --> 0:33:09.840
<v Speaker 1>want to know what I thought, Did I enjoy it?

0:33:10.120 --> 0:33:13.560
<v Speaker 1>And if I say, well, actually, you know, the spinach

0:33:13.600 --> 0:33:16.640
<v Speaker 1>had too much salt or the sea bears was grilled

0:33:16.680 --> 0:33:19.400
<v Speaker 1>too long. Not the greatest thing to do at the

0:33:19.440 --> 0:33:20.840
<v Speaker 1>end of the evening. If I do it in the

0:33:20.840 --> 0:33:22.240
<v Speaker 1>morning and I go and I say, that was a

0:33:22.280 --> 0:33:23.840
<v Speaker 1>great meal. Then I come in in the morning and

0:33:23.880 --> 0:33:26.400
<v Speaker 1>I say, actually, you know what, what I had last night,

0:33:26.800 --> 0:33:29.280
<v Speaker 1>that's not a good time. It's how you how you

0:33:29.320 --> 0:33:31.640
<v Speaker 1>can feedback. The best thing is when you're working that

0:33:31.720 --> 0:33:34.000
<v Speaker 1>I'm there, and so at the moment when you taste it,

0:33:34.040 --> 0:33:36.880
<v Speaker 1>you say, actually, no, no, no, we're not doing this.

0:33:37.040 --> 0:33:38.840
<v Speaker 1>So we're not doing that. How are you? Because they

0:33:38.960 --> 0:33:40.960
<v Speaker 1>care so much our chefs, don't they They.

0:33:41.800 --> 0:33:44.080
<v Speaker 2>Nobody is happy to do about job now. I don't

0:33:44.120 --> 0:33:47.760
<v Speaker 2>think so. But what we do first of all, when

0:33:47.800 --> 0:33:50.760
<v Speaker 2>we arrived, when I say, weez the two chefs and

0:33:50.800 --> 0:33:53.840
<v Speaker 2>the shifts that they have, and then that they are

0:33:53.880 --> 0:33:58.280
<v Speaker 2>controlling the kitchen. When we arrived, it's always before lunch,

0:33:58.840 --> 0:34:01.239
<v Speaker 2>at least half hour before for the lunch, and we

0:34:01.280 --> 0:34:04.320
<v Speaker 2>taeste all the preparations of the kitchen, all the mission,

0:34:04.360 --> 0:34:07.680
<v Speaker 2>plus all the sauce. We have about four different, fourly

0:34:07.760 --> 0:34:12.680
<v Speaker 2>different sauce, and we test and we commend before we

0:34:12.719 --> 0:34:15.080
<v Speaker 2>test the sauce, and we test everything in the kitchen.

0:34:16.120 --> 0:34:22.920
<v Speaker 2>We caliber our palette. So we buy some industrial Swiss

0:34:23.000 --> 0:34:28.560
<v Speaker 2>cheese that is not really good, but it's perfect in seasoning.

0:34:28.840 --> 0:34:32.600
<v Speaker 2>It's neither to salty, neither to blend.

0:34:32.800 --> 0:34:35.680
<v Speaker 1>It's like very neutral neutralizes you.

0:34:36.480 --> 0:34:39.279
<v Speaker 2>So no, when you test it, sometimes you may find

0:34:39.320 --> 0:34:42.960
<v Speaker 2>it salty, which means your taest birds are very sensitive

0:34:43.360 --> 0:34:46.839
<v Speaker 2>to salt. Sometimes you may find it very bland, and

0:34:46.920 --> 0:34:50.719
<v Speaker 2>you know your your test birds are dull. So therefore

0:34:51.200 --> 0:34:53.759
<v Speaker 2>you know more or less where you stand. And then

0:34:53.760 --> 0:34:56.440
<v Speaker 2>we test the sauce and we give it made it

0:34:56.800 --> 0:34:59.839
<v Speaker 2>feedback to the socier, and when we test the ves

0:35:00.080 --> 0:35:03.360
<v Speaker 2>balls and everything else, we give immediate feedbacks to them.

0:35:04.080 --> 0:35:08.440
<v Speaker 2>I'm very direct. Whatever is right is right, whatever is

0:35:08.480 --> 0:35:12.080
<v Speaker 2>wrong is wrong. But I'm very articulating my criticism. If

0:35:12.080 --> 0:35:15.360
<v Speaker 2>I have to, I explain to them why I believe

0:35:15.400 --> 0:35:19.160
<v Speaker 2>it's not it's not right. What does What happened during

0:35:19.160 --> 0:35:23.359
<v Speaker 2>the process. Maybe the source was cooked too long and

0:35:23.400 --> 0:35:26.400
<v Speaker 2>then we lost the vibrancy that we're supposed to see

0:35:26.760 --> 0:35:30.160
<v Speaker 2>in that source. And so I'm very detail oriented in

0:35:30.760 --> 0:35:33.359
<v Speaker 2>my positive or negative criticism.

0:35:33.360 --> 0:35:35.600
<v Speaker 1>We have to be, because otherwise we're selling out food

0:35:35.640 --> 0:35:38.120
<v Speaker 1>that is not or we cannot do that, I said

0:35:38.120 --> 0:35:40.120
<v Speaker 1>to them the other day. You know, my obligation is

0:35:40.160 --> 0:35:43.960
<v Speaker 1>to you to give you a good working environment, to

0:35:43.960 --> 0:35:45.919
<v Speaker 1>give you a beautiful kitchen, to give you a view,

0:35:46.120 --> 0:35:51.120
<v Speaker 1>to give you the equipment that is working. But also

0:35:51.320 --> 0:35:54.400
<v Speaker 1>our obligation is to the person who's eating the food,

0:35:54.440 --> 0:35:57.920
<v Speaker 1>who's coming in tonight. It may have saved up to

0:35:58.000 --> 0:36:01.440
<v Speaker 1>be able to come here. Option we're celebrating a birthday,

0:36:01.480 --> 0:36:03.919
<v Speaker 1>we're just we're just coming for me and we want

0:36:03.960 --> 0:36:06.480
<v Speaker 1>to express what we do. How often do you change

0:36:06.520 --> 0:36:07.239
<v Speaker 1>the menu.

0:36:07.960 --> 0:36:12.279
<v Speaker 2>When we have a good idea, Well, you know, of

0:36:12.320 --> 0:36:17.080
<v Speaker 2>course it's it's very inspired by the season. But it's

0:36:17.120 --> 0:36:20.720
<v Speaker 2>true that when we we always challenge ourselves to renew

0:36:21.360 --> 0:36:23.840
<v Speaker 2>our menu as much as we can, and we print

0:36:23.960 --> 0:36:26.839
<v Speaker 2>the menu in house, so it gives us a lot

0:36:26.840 --> 0:36:30.440
<v Speaker 2>of freedom to say, okay, today we change it. We

0:36:30.480 --> 0:36:32.879
<v Speaker 2>have we have two good ideas, we're going to change

0:36:32.880 --> 0:36:38.400
<v Speaker 2>the menu and and we'll see what happens in a

0:36:38.440 --> 0:36:43.520
<v Speaker 2>couple of weeks. We never have specials, and we always

0:36:43.600 --> 0:36:47.840
<v Speaker 2>make sure that when we create new dishes, we push

0:36:47.880 --> 0:36:51.239
<v Speaker 2>the envelope and take time before we decide it goes

0:36:51.239 --> 0:36:54.399
<v Speaker 2>on the menu, because sometimes the first impression is that

0:36:54.800 --> 0:36:57.319
<v Speaker 2>is that, oh, yeah, that's good, and then you tell

0:36:58.000 --> 0:37:03.000
<v Speaker 2>actually something was missing and it's work that goes into

0:37:03.040 --> 0:37:04.520
<v Speaker 2>the process and it takes time.

0:37:04.920 --> 0:37:07.680
<v Speaker 1>And with fish, because you're such a fish based restaurant,

0:37:07.719 --> 0:37:09.920
<v Speaker 1>do you you know, do they call up and say,

0:37:09.960 --> 0:37:12.120
<v Speaker 1>we have no turbot today, we have no sea bass,

0:37:12.239 --> 0:37:14.279
<v Speaker 1>or the sea bass isn't good enough to sell you,

0:37:14.400 --> 0:37:16.960
<v Speaker 1>or is it pretty dependable?

0:37:17.680 --> 0:37:21.920
<v Speaker 2>No, when the weather is rough, I mean, especially in

0:37:21.960 --> 0:37:25.879
<v Speaker 2>the north East coast of America is where we buy

0:37:25.880 --> 0:37:29.640
<v Speaker 2>our fish. Mostly, like eighty percent of the seafood that

0:37:29.680 --> 0:37:33.040
<v Speaker 2>we serve is local. When I say local is not

0:37:33.120 --> 0:37:37.960
<v Speaker 2>New York City. It's main from Carolinas to Canada, or

0:37:38.000 --> 0:37:41.279
<v Speaker 2>even like Florida to Canada. But when the weather is

0:37:41.360 --> 0:37:45.800
<v Speaker 2>very rough, we have to change. We cannot buy something

0:37:45.880 --> 0:37:48.720
<v Speaker 2>that is not on a market or some old fish.

0:37:48.920 --> 0:37:51.200
<v Speaker 1>And if there's a day when you don't have what

0:37:51.239 --> 0:37:54.319
<v Speaker 1>you want or you're feeling that you might need some

0:37:54.480 --> 0:37:57.880
<v Speaker 1>comfort and you look for the food. But what would

0:37:57.880 --> 0:37:59.839
<v Speaker 1>you turn to in terms of a food that might

0:37:59.880 --> 0:38:01.000
<v Speaker 1>be view comfort.

0:38:04.160 --> 0:38:09.719
<v Speaker 2>Well, if I really want comfort, I do it on

0:38:09.760 --> 0:38:14.359
<v Speaker 2>the weekend, and I cook the food for yourself. I

0:38:14.400 --> 0:38:18.320
<v Speaker 2>cook for the family and myself. I like to share.

0:38:18.520 --> 0:38:22.279
<v Speaker 2>I don't you know. I will never see myself having

0:38:22.280 --> 0:38:24.880
<v Speaker 2>a bottle of wine or a glass of wine and

0:38:24.920 --> 0:38:28.520
<v Speaker 2>then eating and not not being surrounded by friends and family.

0:38:29.239 --> 0:38:32.240
<v Speaker 2>And I do that on the weekend because the weekend

0:38:32.360 --> 0:38:35.520
<v Speaker 2>for me, the weekends have sacred and since I'm the

0:38:35.640 --> 0:38:38.040
<v Speaker 2>only guy with white hair in the kitchen, I'm allowed

0:38:38.040 --> 0:38:41.480
<v Speaker 2>to take my Salurdays and Sundays and be with the family.

0:38:42.640 --> 0:38:45.480
<v Speaker 2>And therefore I take my weekends. I stay in New

0:38:45.560 --> 0:38:48.799
<v Speaker 2>York or I have a country house, but we go

0:38:48.840 --> 0:38:52.000
<v Speaker 2>out one night to be pampered and to have an experience,

0:38:52.200 --> 0:38:58.080
<v Speaker 2>and then the second day I'm cooking and I have

0:38:58.200 --> 0:39:00.640
<v Speaker 2>so much fun. You know. It's like a way to

0:39:00.760 --> 0:39:06.839
<v Speaker 2>completely disconnect from the world, from the reality that we

0:39:07.640 --> 0:39:12.760
<v Speaker 2>perceive the round us. And I'm not being a blast.

0:39:13.280 --> 0:39:15.520
<v Speaker 1>I'm so happy you are. Thank you so much.

0:39:15.640 --> 0:39:16.000
<v Speaker 2>Thank you.

0:39:16.320 --> 0:39:18.759
<v Speaker 1>Lots of love dots all love to you too. Thank you,

0:39:23.600 --> 0:39:27.080
<v Speaker 1>Thank you for listening to Ruthie's Table four in partnership

0:39:27.120 --> 0:39:27.840
<v Speaker 1>with Montclair.

0:39:36.640 --> 0:39:40.280
<v Speaker 4>Ruthie's Table four is produced by Atamei Studios for iHeartRadio.

0:39:40.640 --> 0:39:44.040
<v Speaker 4>It's hosted by Ruthie Rogers and it's produced by William Lensky.

0:39:44.840 --> 0:39:47.960
<v Speaker 4>This episode was edited by Julia Johnson and mixed by

0:39:48.040 --> 0:39:53.120
<v Speaker 4>Nigel Appleton. Our executive producers are Fai Stewart and Zad Rogers.

0:39:53.640 --> 0:39:57.080
<v Speaker 4>Our production manager is Caitlin Paramore and our production coordinator

0:39:57.200 --> 0:40:00.080
<v Speaker 4>is Bella Selini. Thank you to everyone at the of

0:40:00.120 --> 0:40:02.400
<v Speaker 4>A Cafe for your help in making this episode.

0:40:03.239 --> 0:40:10.640
<v Speaker 3>Mmm mmmmmmmmmmmmmmmmm

0:40:13.239 --> 0:40:13.439
<v Speaker 1>Hmm