1 00:00:02,960 --> 00:00:05,360 Speaker 1: Welcome to Stuff to Blow Your Mind production of My 2 00:00:05,480 --> 00:00:12,039 Speaker 1: Heart Radio. Hey you welcome to Stuff to Blow your Mind. 3 00:00:12,119 --> 00:00:15,960 Speaker 1: Listener mail This is Robert Lamb and this is Joe McCormick. 4 00:00:16,000 --> 00:00:18,040 Speaker 1: And it's Monday, the day of each week that we 5 00:00:18,079 --> 00:00:21,200 Speaker 1: read back some messages from the mail bag. If you 6 00:00:21,239 --> 00:00:23,279 Speaker 1: are a listener to Stuff to Blow your Mind and 7 00:00:23,360 --> 00:00:25,000 Speaker 1: you would like to get in touch with us and 8 00:00:25,040 --> 00:00:27,680 Speaker 1: maybe have your own message featured on one of these episodes, 9 00:00:28,040 --> 00:00:31,120 Speaker 1: you can write in at contact at stuff to Blow 10 00:00:31,200 --> 00:00:34,559 Speaker 1: your Mind dot com. Let's see, Rob Do you want 11 00:00:34,600 --> 00:00:38,120 Speaker 1: to kick us off with this message from Jenna about 12 00:00:38,560 --> 00:00:41,839 Speaker 1: objects hidden in walls? Yeah, this is a response to 13 00:00:41,880 --> 00:00:44,800 Speaker 1: an episode I did in October while you were on 14 00:00:44,920 --> 00:00:49,360 Speaker 1: parental leave. It was an interview with Brian Hoggard about 15 00:00:49,400 --> 00:00:52,960 Speaker 1: his book Magical House Protection The Archaeology of counter Witchcraft, 16 00:00:53,360 --> 00:00:56,960 Speaker 1: which is a fascinating topic about a lot of it 17 00:00:57,040 --> 00:01:00,880 Speaker 1: coming down to the the hiding of very as objects 18 00:01:01,600 --> 00:01:03,720 Speaker 1: like under the floorboards of an old house or in 19 00:01:03,760 --> 00:01:09,080 Speaker 1: the walls, oftentimes with some sort of a superstitious, supernatural 20 00:01:09,160 --> 00:01:15,400 Speaker 1: intent of of of confounding, capturing, or hurting the devil, 21 00:01:15,680 --> 00:01:18,759 Speaker 1: or some sort of dark entities that might potentially get 22 00:01:18,760 --> 00:01:22,759 Speaker 1: into your home and so uh we finally heard from 23 00:01:22,760 --> 00:01:26,840 Speaker 1: somebody who had some some personal history with this sort 24 00:01:26,880 --> 00:01:35,200 Speaker 1: of thing, generates in and says hello from Canada. I 25 00:01:35,200 --> 00:01:37,680 Speaker 1: have loved show dearly for many years. You're both such 26 00:01:37,720 --> 00:01:41,280 Speaker 1: exceptional curators of intrigue and knowledge. I am writing to 27 00:01:41,319 --> 00:01:44,080 Speaker 1: share a story relating to a show you had on 28 00:01:44,280 --> 00:01:47,640 Speaker 1: late last year with Brian Hoggard regarding items hidden in walls. 29 00:01:48,040 --> 00:01:50,080 Speaker 1: I'm sorry I am late on writing in on it, 30 00:01:50,160 --> 00:01:52,080 Speaker 1: but I think you will get a kick out of it. 31 00:01:52,840 --> 00:01:55,360 Speaker 1: I live in a small coastal town in the Great Lakes, 32 00:01:55,400 --> 00:01:57,880 Speaker 1: in an ancient family home that is at least one 33 00:01:58,240 --> 00:02:01,680 Speaker 1: and eighty years old and predate European settlements of the area. 34 00:02:02,040 --> 00:02:04,800 Speaker 1: I think it is the oldest structure in our county. 35 00:02:04,920 --> 00:02:07,680 Speaker 1: But the interesting house in question is a block over 36 00:02:07,800 --> 00:02:11,440 Speaker 1: from me, the house of my great grandparents. The past 37 00:02:11,440 --> 00:02:15,440 Speaker 1: two sets of folks who have owned it have discovered 38 00:02:15,520 --> 00:02:19,000 Speaker 1: quite a collection of objects in the walls during renovations. 39 00:02:19,440 --> 00:02:22,120 Speaker 1: A woman who conducts ghost walks in our local town 40 00:02:22,200 --> 00:02:24,840 Speaker 1: brought the items to my attention, but I didn't think 41 00:02:24,960 --> 00:02:27,320 Speaker 1: much of it at first, but she came in one 42 00:02:27,400 --> 00:02:30,200 Speaker 1: day with even more objects, and I began to realize 43 00:02:30,240 --> 00:02:34,480 Speaker 1: it was quite a curious situation. Indeed, within the walls 44 00:02:34,520 --> 00:02:39,320 Speaker 1: of the house were thirteen pairs or singles of children's shoes, 45 00:02:40,160 --> 00:02:44,960 Speaker 1: many bottles, some with materials inside, broken plate pieces, a 46 00:02:45,040 --> 00:02:50,359 Speaker 1: shark skin strap for blade sharpening, a worn down bootbrush, 47 00:02:50,680 --> 00:02:53,800 Speaker 1: an old meat fork, a rusty knife, an old spoon, 48 00:02:54,240 --> 00:02:57,840 Speaker 1: an old watch case with with a quote order of 49 00:02:58,000 --> 00:03:02,480 Speaker 1: Isabella the Catholic cigarettes silk within it, a children's primer 50 00:03:02,639 --> 00:03:05,919 Speaker 1: with many great uncle's names in it, a handsown night 51 00:03:06,000 --> 00:03:08,760 Speaker 1: shirt that was rolled up tight and nailed over, a 52 00:03:08,840 --> 00:03:12,600 Speaker 1: door to coral fossils, and a fragment of a muscle 53 00:03:12,720 --> 00:03:16,160 Speaker 1: shell from the local beach. An empty box of ted 54 00:03:16,240 --> 00:03:20,079 Speaker 1: Low's pussy willow powder, a paper heart with one large, 55 00:03:20,160 --> 00:03:24,560 Speaker 1: single exclamation mark on it, a pair of worn out suspenders, 56 00:03:24,600 --> 00:03:28,160 Speaker 1: a children's size beer mug, and some other broken and 57 00:03:28,240 --> 00:03:33,239 Speaker 1: rusty articles. Wow, that's a hall, quite a treasure trove. Yeah, 58 00:03:33,560 --> 00:03:36,840 Speaker 1: she continues, I'm sorry, I just had a vision of 59 00:03:37,240 --> 00:03:41,000 Speaker 1: a new genre of YouTube videos. It's wall unboxing videos. 60 00:03:42,440 --> 00:03:44,400 Speaker 1: I mean it sounds like it. I mean it is 61 00:03:44,400 --> 00:03:47,240 Speaker 1: good to going back to the discussion with with Brian. 62 00:03:47,320 --> 00:03:49,960 Speaker 1: I mean it is good to document these things anyway, 63 00:03:50,040 --> 00:03:52,880 Speaker 1: she continues. Both my great uncle's name and the reader 64 00:03:53,040 --> 00:03:56,000 Speaker 1: and the datable objects prove with certainties someone from my 65 00:03:56,040 --> 00:03:59,040 Speaker 1: family places the objects there. I also know my grandparents 66 00:03:59,080 --> 00:04:02,000 Speaker 1: built the home. Which one of them it was that 67 00:04:02,120 --> 00:04:05,720 Speaker 1: created the protective midden I do not know. My great 68 00:04:05,720 --> 00:04:09,000 Speaker 1: grandmother was a tiny woman of Scottish heritage, full of 69 00:04:09,080 --> 00:04:12,960 Speaker 1: them and spirit, who also read tea leaves. My grandfather 70 00:04:13,080 --> 00:04:16,840 Speaker 1: was a mate tugboat captain and fisherman. His father had 71 00:04:16,920 --> 00:04:21,120 Speaker 1: Matee ancestry, and his mother was English. I sometimes wonder 72 00:04:21,240 --> 00:04:23,640 Speaker 1: if the idea came from his mother's side of things, 73 00:04:23,680 --> 00:04:26,880 Speaker 1: both because she had English heritage, where it is common, 74 00:04:27,080 --> 00:04:29,920 Speaker 1: but also because of her family's story. She was raised 75 00:04:29,960 --> 00:04:32,200 Speaker 1: in the tiny old house I live in now because 76 00:04:32,200 --> 00:04:35,360 Speaker 1: of a very tragic circumstance. Her parents came over from 77 00:04:35,400 --> 00:04:38,000 Speaker 1: England in the eighteen fifties with five kids in tow 78 00:04:38,279 --> 00:04:40,279 Speaker 1: and one on the way who was born in Toronto. 79 00:04:40,320 --> 00:04:43,240 Speaker 1: After their arrival, the family made their way north to 80 00:04:43,279 --> 00:04:47,359 Speaker 1: the newly settled town of Southampton, Ontario. Shortly after their arrival, 81 00:04:47,680 --> 00:04:51,520 Speaker 1: they had my great great grandmother. A large stone tower 82 00:04:51,680 --> 00:04:54,920 Speaker 1: lighthouse was being built just offshore on the nearby island, 83 00:04:55,120 --> 00:04:58,479 Speaker 1: and her father fell from the scaffolding and died during construction. 84 00:04:59,080 --> 00:05:03,039 Speaker 1: My great great great grandmother was left widowed in a 85 00:05:03,120 --> 00:05:06,560 Speaker 1: remote new town with seven children. One of the local 86 00:05:06,600 --> 00:05:09,400 Speaker 1: maytee let her live in what is now my home 87 00:05:09,600 --> 00:05:12,479 Speaker 1: on his lot. She raised all seven kids here and 88 00:05:12,520 --> 00:05:16,520 Speaker 1: survived by taking the rich folks in rich folks laundry. 89 00:05:16,560 --> 00:05:19,000 Speaker 1: Where the town was built at the river mouth by 90 00:05:19,000 --> 00:05:21,800 Speaker 1: the shore was also a historic burial ground for the 91 00:05:21,920 --> 00:05:26,440 Speaker 1: local Anishinabak people's I'm sure some superstition and concern about 92 00:05:26,520 --> 00:05:29,760 Speaker 1: spirits impact on the family became a real worry for her, 93 00:05:30,080 --> 00:05:32,480 Speaker 1: and she may have passed the idea down to her 94 00:05:32,520 --> 00:05:35,480 Speaker 1: youngest daughter, who passed it on to my great grandfather. 95 00:05:35,720 --> 00:05:38,640 Speaker 1: My great grandparents also cared for my great grandfather's uncle, 96 00:05:39,000 --> 00:05:42,000 Speaker 1: another local captain in his older years, who also could 97 00:05:42,000 --> 00:05:44,120 Speaker 1: have taken part, who was one of the kids born 98 00:05:44,120 --> 00:05:47,000 Speaker 1: in England. He unfortunately suffered from dementia and wandered off 99 00:05:47,000 --> 00:05:49,400 Speaker 1: one night and drowned in the lake. I sometimes wonder 100 00:05:49,440 --> 00:05:52,200 Speaker 1: if the onset of dementia could have influenced his engagement 101 00:05:52,240 --> 00:05:54,719 Speaker 1: in such an activity. However, the practice came to be 102 00:05:54,800 --> 00:05:57,400 Speaker 1: I was reflecting upon its quaintness one evening, and then 103 00:05:57,440 --> 00:05:59,840 Speaker 1: looked around my tiny cottage to see how alive and 104 00:06:00,040 --> 00:06:03,000 Speaker 1: well protective magic still is in our family without me 105 00:06:03,120 --> 00:06:06,400 Speaker 1: realizing it. An old horseshoe has hung above the threshold 106 00:06:06,440 --> 00:06:08,680 Speaker 1: since my mother was a small girl. I had a 107 00:06:08,760 --> 00:06:11,680 Speaker 1: dream catcher my mother and and I made, hanging on 108 00:06:11,680 --> 00:06:16,640 Speaker 1: one wall, pearly everlasting. Hanging elsewhere from the ceilings, a 109 00:06:16,680 --> 00:06:21,640 Speaker 1: spiritually protective local native plant, a Dartmoor pixies likeness embossed 110 00:06:21,920 --> 00:06:25,000 Speaker 1: into a brass plate was hanging on another wall. Cedar 111 00:06:25,080 --> 00:06:28,760 Speaker 1: hung above every window. I guess culture is more ingrained 112 00:06:28,800 --> 00:06:31,400 Speaker 1: than we realized. How Anyway, I hope you enjoyed my 113 00:06:31,440 --> 00:06:36,719 Speaker 1: eccentric little story of life here in rural Canada. Kind regards, Jenna. Wow, 114 00:06:36,760 --> 00:06:39,520 Speaker 1: what a great message, Jenna. Indeed, I really appreciate it, 115 00:06:39,560 --> 00:06:42,280 Speaker 1: all the history here and bringing it back around not 116 00:06:42,360 --> 00:06:45,640 Speaker 1: only how our ancestors thought about these things, but how 117 00:06:46,080 --> 00:06:50,040 Speaker 1: we still can think about protecting our homes and supernatural 118 00:06:50,200 --> 00:06:53,760 Speaker 1: unseen threats and much the same way. So hearing about 119 00:06:53,800 --> 00:06:56,760 Speaker 1: this was a real treat. Thanks a lot. Yeah, and 120 00:06:56,839 --> 00:06:58,560 Speaker 1: for any of you wondering out there, I did I 121 00:06:58,600 --> 00:07:02,280 Speaker 1: did ask her, and yes, did send information about this 122 00:07:02,560 --> 00:07:05,120 Speaker 1: to Brian Hawkard because it's one of the things that 123 00:07:05,160 --> 00:07:07,320 Speaker 1: we we talked about in that interview. He's like, if 124 00:07:07,320 --> 00:07:11,120 Speaker 1: you find anything like this in your home, right in 125 00:07:11,200 --> 00:07:13,400 Speaker 1: and let him know about it, because part of his 126 00:07:13,560 --> 00:07:16,080 Speaker 1: work is an archaeologist, is keeping track of all of 127 00:07:16,120 --> 00:07:19,320 Speaker 1: this and seeing what's out there. Um. One of the 128 00:07:19,400 --> 00:07:22,880 Speaker 1: problems with the study of these artifacts is that a 129 00:07:22,960 --> 00:07:25,840 Speaker 1: lot of things went unreported for so long, and there 130 00:07:25,880 --> 00:07:27,440 Speaker 1: are a lot of things that may still be out there. 131 00:07:27,440 --> 00:07:30,800 Speaker 1: They're only uncovered in homes that are of course sufficiently old, 132 00:07:31,320 --> 00:07:33,560 Speaker 1: and then if there's some sort of a restoration and 133 00:07:33,600 --> 00:07:37,680 Speaker 1: effort going on there, Yeah, gonna unbox that wall. Yeah, 134 00:07:37,800 --> 00:07:39,200 Speaker 1: let's see rob Do you mind if I do this 135 00:07:39,240 --> 00:07:42,680 Speaker 1: message about our episodes on t from John. Oh, Yes, 136 00:07:42,760 --> 00:07:51,280 Speaker 1: let's have some tea. John says, Hello, Robert, Joe and 137 00:07:51,360 --> 00:07:54,080 Speaker 1: j J. I was so excited to see tea as 138 00:07:54,120 --> 00:07:56,800 Speaker 1: the topic in my feed. I've always hated the way 139 00:07:56,840 --> 00:07:58,760 Speaker 1: coffee makes me feel, but I find that a cup 140 00:07:58,760 --> 00:08:00,800 Speaker 1: of tea is just the right thing when I need 141 00:08:00,800 --> 00:08:03,880 Speaker 1: a nice, hot, pick me up. Joe, if coffee is 142 00:08:03,920 --> 00:08:06,560 Speaker 1: such a dangerous game for you you should give tea 143 00:08:06,560 --> 00:08:10,000 Speaker 1: a try. A few years ago, my partner's parents gave 144 00:08:10,040 --> 00:08:12,680 Speaker 1: me a six month subscription to a tea service that 145 00:08:12,800 --> 00:08:15,960 Speaker 1: mailed me several different types of tea every month. Pretty fun. 146 00:08:16,400 --> 00:08:20,400 Speaker 1: One time the package included something called yawpon. I hope 147 00:08:20,400 --> 00:08:22,960 Speaker 1: I'm saying that right? Why a U p O N? Rob, 148 00:08:22,960 --> 00:08:27,880 Speaker 1: do you know how to pronounce that? Yeah, yawpon. I've 149 00:08:27,880 --> 00:08:30,080 Speaker 1: never heard of it, but it's apparently the only source 150 00:08:30,120 --> 00:08:33,560 Speaker 1: of caffeine that grows naturally in North America, and it's 151 00:08:33,600 --> 00:08:36,720 Speaker 1: generally considered a weed. I can imagine that someday it 152 00:08:36,720 --> 00:08:39,640 Speaker 1: will be the cool in thing and every hipster coffee 153 00:08:39,640 --> 00:08:42,400 Speaker 1: shop will offer it. It was pretty tasty, but definitely 154 00:08:42,440 --> 00:08:45,320 Speaker 1: not the same as tea. As always, Thanks for the 155 00:08:45,360 --> 00:08:49,320 Speaker 1: hours of informative entertainment. Uh. And then John puts a 156 00:08:49,320 --> 00:08:53,120 Speaker 1: little uh note in, says high Renata and says ps. 157 00:08:53,160 --> 00:08:55,600 Speaker 1: I wrote in several years back after my mom had 158 00:08:55,640 --> 00:08:59,040 Speaker 1: a stroke, and in so doing I weirdly discovered that 159 00:08:59,080 --> 00:09:02,960 Speaker 1: my childhood friend Renata also listens to the podcast. Mom's 160 00:09:03,000 --> 00:09:06,520 Speaker 1: doing great out of assisted living, driving again, generally living 161 00:09:06,520 --> 00:09:08,559 Speaker 1: her best life. Just felt like I should give you 162 00:09:08,640 --> 00:09:10,880 Speaker 1: an update on that, since of the time of my 163 00:09:10,960 --> 00:09:14,920 Speaker 1: last communication, things were pretty dicey. Oh well, that's wonderful news, John, 164 00:09:14,960 --> 00:09:18,000 Speaker 1: and I'm happy to hear here about your mom. Absolutely 165 00:09:26,400 --> 00:09:28,800 Speaker 1: all right. We continue to hear from folks about our 166 00:09:28,840 --> 00:09:33,560 Speaker 1: Horror of Walkaway episodes, so let's say this one comes 167 00:09:33,559 --> 00:09:38,400 Speaker 1: to us from Eric. Eric writes, Greetings, gentlemen, I just 168 00:09:38,480 --> 00:09:40,800 Speaker 1: finished listening to the fourth part of your Horror of 169 00:09:40,840 --> 00:09:43,959 Speaker 1: Aakaway series, and Rob spoke about being able to at 170 00:09:44,040 --> 00:09:48,240 Speaker 1: least kind of relate to the feeling described by cassadastrophobia, 171 00:09:48,320 --> 00:09:50,400 Speaker 1: and I wanted to write in and say that I 172 00:09:50,559 --> 00:09:54,760 Speaker 1: do too. I'm with you in an appending kind of 173 00:09:54,800 --> 00:09:57,760 Speaker 1: to the sentiment, because what I experience has never been 174 00:09:57,840 --> 00:09:59,720 Speaker 1: significant or extreme enough that I would call it a 175 00:09:59,720 --> 00:10:02,959 Speaker 1: folk you. But I've always felt mildly uncomfortable under wide 176 00:10:03,040 --> 00:10:06,720 Speaker 1: cloudless skies. I felt this as long as I can remember, 177 00:10:06,960 --> 00:10:09,040 Speaker 1: but I grew up in New England, and so I 178 00:10:09,120 --> 00:10:11,719 Speaker 1: was rarely confronted with them and never gave it too 179 00:10:11,840 --> 00:10:15,360 Speaker 1: much thought. Now, however, I live in the American Southwest, 180 00:10:15,400 --> 00:10:18,120 Speaker 1: in the Sonoran Desert, and during much of the year, 181 00:10:18,280 --> 00:10:20,560 Speaker 1: days or even weeks can pass where I see not 182 00:10:20,640 --> 00:10:23,480 Speaker 1: a single cloud. I've lived here more than a decade, 183 00:10:23,720 --> 00:10:26,560 Speaker 1: and the unrelenting vault of blue, as I have taken 184 00:10:26,600 --> 00:10:29,680 Speaker 1: to referring to the sky under such circumstances, still never 185 00:10:29,760 --> 00:10:33,400 Speaker 1: fails to unnerve me, at least slightly. It is heartening 186 00:10:33,559 --> 00:10:35,480 Speaker 1: to me to know that at least I am not 187 00:10:35,559 --> 00:10:40,040 Speaker 1: alone in that. To talk about cassadastrophobia also put me 188 00:10:40,080 --> 00:10:41,920 Speaker 1: in mind of something that came up when I wrote 189 00:10:42,000 --> 00:10:43,800 Speaker 1: him once before a couple of years ago. It was 190 00:10:43,840 --> 00:10:46,920 Speaker 1: on the topic of religions almost always putting paradise above 191 00:10:47,360 --> 00:10:51,160 Speaker 1: and perdition below, and why that might be, which came 192 00:10:51,240 --> 00:10:54,520 Speaker 1: up briefly in your Sinkholes episode. I totally forgot about that. 193 00:10:55,080 --> 00:10:58,480 Speaker 1: Um you cants. You read my email where I gave 194 00:10:58,520 --> 00:11:00,800 Speaker 1: my own pet theory on an epic sort of listener mail, 195 00:11:00,880 --> 00:11:02,880 Speaker 1: and one of you, I'm afraid I no longer remember 196 00:11:02,880 --> 00:11:05,560 Speaker 1: which of you. It was, wondered about how a religion 197 00:11:05,640 --> 00:11:08,480 Speaker 1: might work that did the opposite with a heaven below 198 00:11:08,520 --> 00:11:11,679 Speaker 1: and a hell up above. Being a lifelong player of 199 00:11:11,760 --> 00:11:14,559 Speaker 1: Dungeons and Dragons and similar games, and also a bit 200 00:11:14,600 --> 00:11:17,319 Speaker 1: of a homebrewer, that sent me off on something of 201 00:11:17,360 --> 00:11:19,680 Speaker 1: a tangent I'm meant to write back and share the 202 00:11:19,720 --> 00:11:21,679 Speaker 1: results with you, but I got caught up in life 203 00:11:21,679 --> 00:11:25,160 Speaker 1: and forgot. Having been reminded of it by this episode, however, 204 00:11:25,200 --> 00:11:27,800 Speaker 1: I thought I would take the second opportunity and share 205 00:11:27,840 --> 00:11:30,359 Speaker 1: it with you now. I hope you find it amusing. 206 00:11:31,000 --> 00:11:34,280 Speaker 1: I imagined a culture of dwarves whose religion centered around 207 00:11:34,280 --> 00:11:37,880 Speaker 1: hard work and community contribution. They are taught that their 208 00:11:37,920 --> 00:11:41,040 Speaker 1: souls are by nature buoyant and light, and float away 209 00:11:41,120 --> 00:11:44,400 Speaker 1: from the body upon death, but that in the sky 210 00:11:44,559 --> 00:11:47,040 Speaker 1: there are terrible monsters from beyond the world who lurk, 211 00:11:47,320 --> 00:11:50,640 Speaker 1: unable to descend to the surface, but waiting to devour 212 00:11:51,080 --> 00:11:55,200 Speaker 1: any spirit who drifts into their reach. Hard work, however, 213 00:11:55,280 --> 00:11:58,120 Speaker 1: adds substance and weight to the soul, even as it 214 00:11:58,160 --> 00:12:00,800 Speaker 1: adds muscle and send you to the body. And so 215 00:12:00,880 --> 00:12:04,360 Speaker 1: each dwarf must labor all through their lives, working together 216 00:12:04,440 --> 00:12:06,480 Speaker 1: for the benefit of their community and life, so that 217 00:12:06,559 --> 00:12:09,360 Speaker 1: in death their souls might not float away to be consumed, 218 00:12:09,600 --> 00:12:12,439 Speaker 1: but instead descend to the deep vaults of the earth, 219 00:12:12,600 --> 00:12:16,360 Speaker 1: where they can join their honored ancestors who work wonders 220 00:12:16,400 --> 00:12:19,319 Speaker 1: in the mighty forges. Thank you, gentlemen, again for the 221 00:12:19,360 --> 00:12:21,760 Speaker 1: work you do and the fascinating insights you always have 222 00:12:21,840 --> 00:12:25,439 Speaker 1: to share. Keep it up, stay safe, and stay curious. Eric. 223 00:12:26,080 --> 00:12:30,200 Speaker 1: Oh what a gorgeous mythology. I love that, Eric, Yeah, yeah, 224 00:12:30,320 --> 00:12:34,280 Speaker 1: I I Next time I'm using a dwarf character or 225 00:12:34,320 --> 00:12:36,960 Speaker 1: doing some d MNG that involves dwarves, I may have 226 00:12:37,000 --> 00:12:39,640 Speaker 1: to borrow this a bit of homebrewing there, all right. 227 00:12:39,720 --> 00:12:44,200 Speaker 1: This next message is from Wayne, and this email raises 228 00:12:44,320 --> 00:12:47,200 Speaker 1: an issue that I didn't get into in the Horror 229 00:12:47,280 --> 00:12:51,160 Speaker 1: Vakawie episodes because of reasons I'll explain in a minute. 230 00:12:55,480 --> 00:12:59,000 Speaker 1: Wayne says, Hello, Robert and Joe. Thanks for a fascinating 231 00:12:59,040 --> 00:13:02,000 Speaker 1: series on horror. Kui. I had one comment on your 232 00:13:02,040 --> 00:13:06,600 Speaker 1: explanation of the vacuum of space. According to quantum mechanics, 233 00:13:06,600 --> 00:13:09,720 Speaker 1: which I don't pretend to understand, there can never really 234 00:13:09,800 --> 00:13:13,760 Speaker 1: be a complete vacuum because of the uncertainty principle. That is, 235 00:13:13,800 --> 00:13:16,840 Speaker 1: if you measure whether a particle is in a particular volume, 236 00:13:16,880 --> 00:13:19,800 Speaker 1: you will always get a probability rather than a definite 237 00:13:19,880 --> 00:13:22,480 Speaker 1: yes or no, and this will always have a non 238 00:13:22,600 --> 00:13:25,800 Speaker 1: zero value. An equivalent way to explain this is that 239 00:13:25,840 --> 00:13:29,400 Speaker 1: there is an energy pervading all space called vacuum energy 240 00:13:29,520 --> 00:13:32,720 Speaker 1: or zero point energy, which is the minimum level that 241 00:13:32,800 --> 00:13:36,440 Speaker 1: quantum mechanics will allow. This energy can manifest itself in 242 00:13:36,520 --> 00:13:40,600 Speaker 1: transient virtual particles that always pop in and out of existence. 243 00:13:40,960 --> 00:13:42,800 Speaker 1: There's a lot of evidence for this, such as the 244 00:13:42,840 --> 00:13:47,640 Speaker 1: Casimir force between two parallel plates. Fortunately no medicalorians are 245 00:13:47,679 --> 00:13:51,520 Speaker 1: involved now way, and I appreciate you raising this. I 246 00:13:51,559 --> 00:13:54,360 Speaker 1: actually ended up not getting into it in that series 247 00:13:54,679 --> 00:13:56,560 Speaker 1: I had wanted to, and then I guess we just 248 00:13:56,720 --> 00:14:00,079 Speaker 1: got past it. But one of the reasons I I 249 00:14:00,160 --> 00:14:02,319 Speaker 1: skipped over it at one point was that I've read 250 00:14:02,360 --> 00:14:07,600 Speaker 1: different interpretations of the vacuum energy virtual particle phenomenon, and 251 00:14:07,679 --> 00:14:11,800 Speaker 1: essentially I am not sure whether this the virtual particle 252 00:14:11,800 --> 00:14:16,080 Speaker 1: phenomenon is best understood as a literal event where particle 253 00:14:16,120 --> 00:14:20,520 Speaker 1: pairs actually do fluctuate into existence out of the vacuum, 254 00:14:20,640 --> 00:14:22,840 Speaker 1: or whether thinking about it that way, it is kind 255 00:14:22,880 --> 00:14:26,080 Speaker 1: of a misinterpretation based on the models we used to 256 00:14:26,160 --> 00:14:29,360 Speaker 1: understand the quantum mechanical properties of space. So that's one 257 00:14:29,360 --> 00:14:32,520 Speaker 1: where I think I personally don't understand the issue well enough. 258 00:14:32,640 --> 00:14:35,000 Speaker 1: Yet I think I ended up concluding I would need 259 00:14:35,040 --> 00:14:37,280 Speaker 1: to do at least a whole episodes worth of background 260 00:14:37,280 --> 00:14:39,720 Speaker 1: research to figure that out. So I left to acide 261 00:14:39,760 --> 00:14:42,160 Speaker 1: for the time. But maybe that's when we can come 262 00:14:42,200 --> 00:14:44,640 Speaker 1: back on in the future, perhaps with a physicist guest. 263 00:14:45,680 --> 00:14:48,200 Speaker 1: But of course I have read it characterized that way 264 00:14:48,240 --> 00:14:51,640 Speaker 1: the the idea of the virtual particles fluctuating into and 265 00:14:51,720 --> 00:14:55,400 Speaker 1: out of existence or into existence and annihilating one another usually, 266 00:14:55,880 --> 00:14:58,360 Speaker 1: So thank you for raising it. Uh, let's see, rob 267 00:14:58,400 --> 00:15:00,960 Speaker 1: did you want to do one of these weird house 268 00:15:01,000 --> 00:15:04,160 Speaker 1: cinema messages? All right, Yeah, let's see what we have here. 269 00:15:04,160 --> 00:15:07,520 Speaker 1: All right, this one comes to us from Dan. Dan says, hello, 270 00:15:07,600 --> 00:15:10,440 Speaker 1: Robin Joe. I'm listening to your weird House cinema episode 271 00:15:10,480 --> 00:15:14,200 Speaker 1: on Beauty and the Beast with regards to Fairytale Theater. 272 00:15:14,680 --> 00:15:16,240 Speaker 1: This was a show that I used to watch on 273 00:15:16,360 --> 00:15:18,960 Speaker 1: PBS when I was a child. I do remember one 274 00:15:19,040 --> 00:15:21,800 Speaker 1: episode that will be of interest to you, The Boy 275 00:15:21,880 --> 00:15:25,280 Speaker 1: who left home to find out about the Shivers. It 276 00:15:25,400 --> 00:15:30,320 Speaker 1: is a grim Brother's adaptation starring Peter McNichol, Christopher Lee, 277 00:15:30,840 --> 00:15:35,280 Speaker 1: David Warner, Frank Zappa as a mute hunchback like assistant, 278 00:15:35,480 --> 00:15:39,800 Speaker 1: and Vincent Price as the narrator. Dan, Well, that got 279 00:15:39,880 --> 00:15:43,080 Speaker 1: my attention, so I dug up some pictures from this episode. 280 00:15:43,280 --> 00:15:46,880 Speaker 1: Obviously I haven't seen it, but yes, yes, here is 281 00:15:47,000 --> 00:15:50,120 Speaker 1: Frank Zappa as a as an Egore type figure, and 282 00:15:50,200 --> 00:15:52,280 Speaker 1: one of the pictures I found he appears to be 283 00:15:52,400 --> 00:15:55,360 Speaker 1: disgustingly eating something that's kind of falling out of his 284 00:15:55,440 --> 00:15:59,440 Speaker 1: mouth and crumbles. But I see David Warner here with 285 00:15:59,640 --> 00:16:03,000 Speaker 1: long hair. He is staring down at Peter McNichol. And 286 00:16:03,200 --> 00:16:05,840 Speaker 1: this is when I guess Peter McNichol was I don't know, 287 00:16:05,880 --> 00:16:09,000 Speaker 1: maybe cast more as like the young hero type before 288 00:16:09,000 --> 00:16:13,040 Speaker 1: he was like Yan Ocean Ghostbusters too. He wasn't he 289 00:16:13,080 --> 00:16:16,520 Speaker 1: in like a Dragon Slaying movie? Oh goodness, I don't remember. 290 00:16:16,520 --> 00:16:18,920 Speaker 1: I mean, I guess he's mostly known like the biggest 291 00:16:18,960 --> 00:16:21,360 Speaker 1: things he's been in outside of Ghostbusters too, of course, 292 00:16:21,360 --> 00:16:24,440 Speaker 1: well what Alec McBeal, And he was in Sophie's Choice, 293 00:16:25,200 --> 00:16:26,920 Speaker 1: But I don't know about dragon stuff. I mean he's 294 00:16:26,960 --> 00:16:28,720 Speaker 1: been a lot of stuff. He's sent a fair amount 295 00:16:28,760 --> 00:16:32,520 Speaker 1: of of voice acting over the years as well. I 296 00:16:32,600 --> 00:16:36,920 Speaker 1: looked it up the Dragon Slayer nineteen one film. I've 297 00:16:36,960 --> 00:16:40,680 Speaker 1: never seen it, but I it apparently stars Peter McNichol 298 00:16:40,760 --> 00:16:43,120 Speaker 1: as I think he's like the young hero who has 299 00:16:43,160 --> 00:16:46,160 Speaker 1: to fight a dragon. Alright, well, yeah, I mean that's 300 00:16:46,280 --> 00:16:50,440 Speaker 1: that's the film. That's uh, that has a fair cult following, 301 00:16:50,520 --> 00:16:52,840 Speaker 1: do I think in large part to the dragon effects 302 00:16:52,840 --> 00:16:55,560 Speaker 1: in it all the way back to maybe we have 303 00:16:55,600 --> 00:16:58,160 Speaker 1: to check that one out someday. I'm weird House. Yeah, 304 00:16:58,160 --> 00:17:00,240 Speaker 1: it's got some fun cast connections in it, for sure. 305 00:17:00,800 --> 00:17:03,480 Speaker 1: I as for these, uh these stills though from from 306 00:17:03,480 --> 00:17:07,760 Speaker 1: this episode of Fairytale Theater. Yeah, this looks amazing. What 307 00:17:07,760 --> 00:17:12,200 Speaker 1: what a strange cast. It also looks very pleasingly low 308 00:17:12,240 --> 00:17:15,080 Speaker 1: budget like these are. This is not you know, deep 309 00:17:15,119 --> 00:17:18,360 Speaker 1: immersion sets that this looks like community theater. They've got 310 00:17:18,359 --> 00:17:23,719 Speaker 1: Frank Zappa wearing an it's kind of like a bathrobe. Okay. 311 00:17:23,720 --> 00:17:31,520 Speaker 1: This next message is from Lawrence. Lawrence says, Hi, Rob 312 00:17:31,520 --> 00:17:34,200 Speaker 1: and Joe, I really enjoyed your recent Weird House episode 313 00:17:34,240 --> 00:17:37,639 Speaker 1: on Beauty and the Beast. This was the hourrage hurts 314 00:17:37,680 --> 00:17:42,199 Speaker 1: one from the check film. Uh. Laurence says, I got 315 00:17:42,320 --> 00:17:46,160 Speaker 1: a chuckle picturing George C. Scott as the Beast and 316 00:17:46,320 --> 00:17:49,320 Speaker 1: found your descriptions of the seventy eight movie really lovely. 317 00:17:49,840 --> 00:17:52,400 Speaker 1: This got me thinking of all the ways surrealist writer 318 00:17:52,520 --> 00:17:56,480 Speaker 1: Angela Carter retold Beauty and the Beast. Her collection, The 319 00:17:56,520 --> 00:18:00,240 Speaker 1: Bloody Chamber features several direct retellings, as well as a 320 00:18:00,240 --> 00:18:04,240 Speaker 1: few inspired by tales. The book also has a Company 321 00:18:04,280 --> 00:18:07,680 Speaker 1: of Wolves. Carter did the script for the movie adaptation, 322 00:18:08,000 --> 00:18:10,080 Speaker 1: which is both a riff on Beauty and the Beast 323 00:18:10,160 --> 00:18:13,000 Speaker 1: as well as Little Red Riding Hood. Would you consider 324 00:18:13,040 --> 00:18:15,760 Speaker 1: doing Company of Wolves on Weird House? I'd give anything 325 00:18:15,760 --> 00:18:17,760 Speaker 1: to hear you guys described the scene where a wolf 326 00:18:17,920 --> 00:18:21,920 Speaker 1: comes out of a man's mouth. Lawrence. Oh, I haven't 327 00:18:22,000 --> 00:18:25,800 Speaker 1: seen this movie in years, but I remember loving it, 328 00:18:25,840 --> 00:18:29,919 Speaker 1: and yes, it it was mighty strange. Indeed, though I've 329 00:18:29,960 --> 00:18:32,520 Speaker 1: forgotten a lot of the detail about what happens in it. Yeah. 330 00:18:32,640 --> 00:18:36,600 Speaker 1: Like likewise, the only thing I really remember is the transformation. 331 00:18:36,880 --> 00:18:38,639 Speaker 1: I might have seen just parts of it when I 332 00:18:38,680 --> 00:18:40,720 Speaker 1: was younger. I don't know if I ever actually said 333 00:18:40,720 --> 00:18:42,520 Speaker 1: and watched the whole thing. But yeah, it's a Neil 334 00:18:42,600 --> 00:18:45,240 Speaker 1: Jordan's picture. It's got a great cast. David Warner's in there, 335 00:18:45,280 --> 00:18:49,359 Speaker 1: Angela Landsberry, Yeah, Brian Glover, that was some fun stuff 336 00:18:49,400 --> 00:18:51,760 Speaker 1: in there. Terence Stamp. I think it's one of those 337 00:18:51,760 --> 00:18:54,840 Speaker 1: movies that's like, who is this for like, some elements 338 00:18:54,920 --> 00:18:58,280 Speaker 1: feel like they're for kids, but it's also incredibly inappropriate 339 00:18:58,320 --> 00:19:02,080 Speaker 1: for children. Yeah, yeah, I think that we'll have to 340 00:19:02,080 --> 00:19:04,439 Speaker 1: put it on the list of potential films. Check it 341 00:19:04,440 --> 00:19:06,520 Speaker 1: out and see if it's if it's right for us. 342 00:19:07,280 --> 00:19:09,600 Speaker 1: All right, well, thanks everybody for writing in. Keep it 343 00:19:09,640 --> 00:19:12,119 Speaker 1: coming again. We read everything that comes in, even if 344 00:19:12,160 --> 00:19:15,480 Speaker 1: we don't have a chance to feature everything on Listener 345 00:19:15,520 --> 00:19:18,560 Speaker 1: Mail or or or respond in person to everything that 346 00:19:18,640 --> 00:19:21,479 Speaker 1: comes in. But uh yeah, if you have thoughts on 347 00:19:21,720 --> 00:19:25,560 Speaker 1: past episodes, present episodes, future episodes, episodes of Stuff to 348 00:19:25,560 --> 00:19:28,720 Speaker 1: Blow Your Mind, episodes of the Artifact or Monster Fact, 349 00:19:28,840 --> 00:19:32,080 Speaker 1: Weird House Cinema, other episodes of Listener Mail, it's all 350 00:19:32,119 --> 00:19:34,480 Speaker 1: fair game. Uh so, yeah, right in. We'd love to 351 00:19:34,520 --> 00:19:38,080 Speaker 1: hear from you huge thanks to our audio producer J J. Pauseway. 352 00:19:38,359 --> 00:19:40,240 Speaker 1: If you would like to get in touch with us 353 00:19:40,240 --> 00:19:42,720 Speaker 1: with feedback on this episode or any other, to suggest 354 00:19:42,720 --> 00:19:44,879 Speaker 1: a topic for the future, or just to say hello, 355 00:19:44,960 --> 00:19:48,040 Speaker 1: you can email us at contact at stuff to Blow 356 00:19:48,080 --> 00:19:57,760 Speaker 1: your Mind dot com. Stuff to Blow Your Mind is 357 00:19:57,760 --> 00:20:00,480 Speaker 1: a production of I Heart Radio. For more casts my 358 00:20:00,520 --> 00:20:03,480 Speaker 1: Heart Radio, visit the i Heart Radio app, Apple Podcasts, 359 00:20:03,560 --> 00:20:05,359 Speaker 1: or wherever you listen to your favorite shows,