WEBVTT - From the Vault: Ghosts of the Wind and Rain

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<v Speaker 1>Hey, welcome to Stuff to Blow Your Mind. My name

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<v Speaker 1>is Robert Lamb and I'm Joe McCormick. And it's Saturday.

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<v Speaker 1>Time to go into the vault for an older episode

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<v Speaker 1>of the show. This one was called Ghosts of Wind

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<v Speaker 1>and Rain. I believe it was about weather oriented ghost

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<v Speaker 1>lore and and other creatures. This was originally published on October.

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<v Speaker 1>Let's let us Unleash the Storm. There's a storm coming.

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<v Speaker 1>Welcome to Stuff to Blow your Mind production of My

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<v Speaker 1>Heart Radio. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb and I'm Joe McCormick. And

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<v Speaker 1>Rob correct me if I'm wrong, but I think this

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<v Speaker 1>is finally the year that you've gotten full blown into

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<v Speaker 1>Rocky Ericson. Is that right? Uh? Yeah, yeah, I would guess. So, yeah,

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<v Speaker 1>I got. I listened to him a little in the past,

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<v Speaker 1>and in this year I got even more into it. Yeah, okay,

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<v Speaker 1>So Rocky has long been one of my favorite rock

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<v Speaker 1>and roll vampires, and one of the things I love

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<v Speaker 1>about Rocky Ericson Monster songs is how much they're about

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<v Speaker 1>the weather. Um. So you may remember the line from

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<v Speaker 1>his great, his great anthem, The Night of the Vampire

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<v Speaker 1>if it's raining and you're running, don't slip in mud,

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<v Speaker 1>because if you do, you'll slip in blood. I mean,

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<v Speaker 1>that's just logic, and there's a really infectious glee to

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<v Speaker 1>that kind of logic. But also I enjoyed the weather

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<v Speaker 1>weather represented in songs like the Wind and More, which

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<v Speaker 1>I know compares sort of the voice of Lucifer to

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<v Speaker 1>to the storm winds that are battering through the house. Yeah. Absolutely.

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<v Speaker 1>And And if anyone out there is not sure who

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<v Speaker 1>we're talking about, um, you should look up Rocky erricks

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<v Speaker 1>and who also was the other group like Man from

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<v Speaker 1>the late sixties early seventies based in I think Austin,

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<v Speaker 1>definitely out of Texas. Uh, fantastic psychedelic rock. But then

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<v Speaker 1>Rocky Ericson had had a long solo career after that

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<v Speaker 1>of all different kinds of music, you know, he he

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<v Speaker 1>um so some of the stuff he released, uh he

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<v Speaker 1>he had a lot of troubles with mental health and

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<v Speaker 1>at some points he was in psychiatric institutions. But even

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<v Speaker 1>in those periods would sort of make these little demos

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<v Speaker 1>of UH songs recorded it sounds like just on a

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<v Speaker 1>tape recorder that are very simple. But but strangely beautiful,

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<v Speaker 1>and then at other times he would make full blown,

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<v Speaker 1>uh monster rock and roll albums. There's one called Evil

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<v Speaker 1>One that's just fantastic, that's got a kind of Credence

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<v Speaker 1>Clearwater Revival style rock production. But all the songs are

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<v Speaker 1>about demons and ghosts and and fifties atomic age monster movies. Yeah,

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<v Speaker 1>and it's pretty hard stuff too, Like it's like it's

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<v Speaker 1>it's it's got a hard rock vibe that I think

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<v Speaker 1>might surprise some people. So it's I think was produced

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<v Speaker 1>by somebody from Credence. If never so, I think so. Yeah.

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<v Speaker 1>But but but but harder than Credence, Uh, in my opinion. Well,

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<v Speaker 1>all that is preamble to the fact that today we

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<v Speaker 1>wanted to talk about the intersection of ghosts and weather. Yeah,

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<v Speaker 1>and I have to stress that we absolutely won't be

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<v Speaker 1>able to cover everything here because there are just too

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<v Speaker 1>many storm monsters and storm deities out there storm related

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<v Speaker 1>ghosts and other creatures. But we're gonna be covering various

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<v Speaker 1>examples that seem related to some of the core ideas

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<v Speaker 1>that we were kicking around for this episode. And uh

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<v Speaker 1>and and really, the the central idea has to do

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<v Speaker 1>with a recent trip you went on. Oh yeah, so

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<v Speaker 1>I was recently in coastal South Carolina. Rob, have you

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<v Speaker 1>been to coastal South Carolina? I assume probably, oh yeah, yeah.

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<v Speaker 1>And and of course South Carolina placed with a lot

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<v Speaker 1>of ghosts, tons of ghosts everywhere you go there, Like

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<v Speaker 1>you can find a little local visitor center that's got

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<v Speaker 1>a local uh self published ghost author who's collected all

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<v Speaker 1>the lore and they've got it in a in a

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<v Speaker 1>book that the font of the book is usually times

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<v Speaker 1>New Roman, uh, but it's but it will have lots

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<v Speaker 1>of great, you know, local ghost stories in it. And

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<v Speaker 1>so there's one that I was reading about from a

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<v Speaker 1>particular place on the South Carolina coast, a little island

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<v Speaker 1>called Paul's Island. And so to explain this, so on

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<v Speaker 1>refer to an article that was published by Myrtle Beach Online.

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<v Speaker 1>So it's a local news article from the Myrtle Beach

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<v Speaker 1>area that's also coastal South Carolina by a writer named

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<v Speaker 1>Tyler Fleming. The article says it was last updated in

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<v Speaker 1>September nineteen. I'm not sure if that's when it was

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<v Speaker 1>originally published, but it's this local news article trying to

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<v Speaker 1>track down the origins of a bit of ghost lore

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<v Speaker 1>from this area of the South Carolina coastline, and specifically

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<v Speaker 1>this is the story of a being called the gray Man.

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<v Speaker 1>You know, I'd say it's used a lot, but I'm

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<v Speaker 1>still a sucker for for that formulation of a creature

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<v Speaker 1>name just the blank man, especially if whatever the word

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<v Speaker 1>in the middle is is a single syllable. Yeah, yeah, yeah,

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<v Speaker 1>like the Green Man, the tall Man. Yeah. So, according

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<v Speaker 1>to the legend, this is a spirit that wanders around

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<v Speaker 1>on the shore on and around this small island called

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<v Speaker 1>Poly's Island, South Carolina. Uh, usually appearing just before the

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<v Speaker 1>landfall of terrible storms as a translucent gray figure stalking

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<v Speaker 1>the beaches and boardwalks in a long cloak. Sometimes he's

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<v Speaker 1>literally described as dressed like a pirate. Uh. And one

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<v Speaker 1>one funny I think a little little justified accusation of

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<v Speaker 1>his identity is that he is black Beard. He is, Uh.

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<v Speaker 1>I don't know how you're supposed to say his last

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<v Speaker 1>name ed Edward Teach or Teach or Thatch, however it

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<v Speaker 1>is yeah yeah, with the with the burning brands in

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<v Speaker 1>his beard. Yeah. This this gets into an interesting area

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<v Speaker 1>that I would like about about ghosts of this nature

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<v Speaker 1>because uh, and this is all thoroughly non scientific, of course,

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<v Speaker 1>but we have this idea that you know, that something

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<v Speaker 1>bad happens and the ghost is like a lingering after

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<v Speaker 1>effect of that thing. Um. And then certainly there's also

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<v Speaker 1>this idea that a ghost, it's a Blackbeard's ghost or

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<v Speaker 1>just this mysterious gray man, would have potentially insider information

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<v Speaker 1>about what's going to happen. Maybe you know, they died

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<v Speaker 1>at sea and therefore they know the sea a little

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<v Speaker 1>better and they can they can warn us about things.

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<v Speaker 1>But then there's also an idea of the of of

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<v Speaker 1>hauntings as being uh, you know, things that work in

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<v Speaker 1>both directions and time, that they can be harbingers of

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<v Speaker 1>of the terrible events. Um. You know, perhaps they're even

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<v Speaker 1>attached to events that have yet to come. Well, yeah,

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<v Speaker 1>and that is exactly the case with the Gray Man.

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<v Speaker 1>So contrary to what you might assume about this spectral figure,

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<v Speaker 1>you know, crunching along through the sand, in the in

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<v Speaker 1>the in the storms and the wind, local legend usually

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<v Speaker 1>describes the gray Man as a nine or even a

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<v Speaker 1>helpful spirit, and the purpose of his hauntings is to

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<v Speaker 1>serve as a warning to people who live nearby that

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<v Speaker 1>the coming storm is going to be especially destructive. So

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<v Speaker 1>as a few examples of this, uh this belief among locals,

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<v Speaker 1>I was looking at a article in Southern Living by

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<v Speaker 1>Megan over Deep about this ghost legend, and it describes

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<v Speaker 1>how there were locals in in South Carolina who claimed

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<v Speaker 1>sightings of the gray Man just before Hurricane Hazel in

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<v Speaker 1>nineteen fifty four and Hurricane Hugo in nineteen eighty nine.

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<v Speaker 1>But as a more recent example, also this this article

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<v Speaker 1>embedded tweets like people tweeting grainy photos of alleged gray

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<v Speaker 1>Man sightings ahead of Hurricane Florence in ten. So Rob,

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<v Speaker 1>I've embedded one for you to look at here. Listeners,

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<v Speaker 1>you can go look up this article in Southern Living

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<v Speaker 1>if you want to find these tweets. But m this

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<v Speaker 1>one embeds a photo that is allegedly taken at boardwalk

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<v Speaker 1>that goes over the beach on Pouli's Island, and there

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<v Speaker 1>is I don't know, so it's a it's a very

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<v Speaker 1>grainy photograph. It's got a lot of what looks like

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<v Speaker 1>digital artifacts and pixelation in it, and then there's this

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<v Speaker 1>big sort of pale gray smudge in the middle. Of

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<v Speaker 1>it that looks, oh yeah, maybe like it could be

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<v Speaker 1>some kind of vertical object on the boardwalk. But some

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<v Speaker 1>people apparently looked at that and said, hey, it's the

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<v Speaker 1>gray Man. Well I have to point out that the

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<v Speaker 1>tweet that is shared in this article, uh, the tweeter

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<v Speaker 1>does have a blue check mark. So this is verified.

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<v Speaker 1>This is this is verified. It proof of the afterlife

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<v Speaker 1>confirmed as usual. Why decidings of the paranormal so strongly

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<v Speaker 1>favor low fidelity documentation. I think I'm not positive, but

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<v Speaker 1>this looks like it's from some kind of like uh uh,

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<v Speaker 1>stationary live camera that sort of documents, you know, foot

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<v Speaker 1>traffic on the beach. I think that you can tune

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<v Speaker 1>into and see what's going on there. I'm not positive

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<v Speaker 1>that's what it is, but I know there is stuff

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<v Speaker 1>like that around there, and so that that's what it

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<v Speaker 1>looks like to me, But it could be something else anyway. Yeah,

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<v Speaker 1>it's very grainy, it's got all you know, it's got

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<v Speaker 1>the pixelated artifacts in it, and I just want some

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<v Speaker 1>high definition gray Man, but I can't get it. Yeah,

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<v Speaker 1>I mean, obviously, I think that gets down to just

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<v Speaker 1>the fact that sightings occur when things are obscured and

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<v Speaker 1>uncertain They emerge out of uncertainty and uh and and

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<v Speaker 1>and and depleted the visual efficiency. That'll come back later

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<v Speaker 1>with something I want to get into in a minute.

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<v Speaker 1>So to quote from this article by Tyler Fleming here quote,

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<v Speaker 1>not only does he warn people, but he's also known

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<v Speaker 1>to protect their property from a storm. A woman in

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<v Speaker 1>nineteen fifty four claimed to see the Gray Man ahead

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<v Speaker 1>of the infamous Hurricane Hazel hitting the area. She said

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<v Speaker 1>not only was her house spared from the devastation, the

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<v Speaker 1>beach towels she left on her balcony were still hanging up.

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<v Speaker 1>So the ghost is like, oh, Madam, I I I

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<v Speaker 1>those those beach towels are just too beautiful. I can't

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<v Speaker 1>stand to see them swept into the store. I'll protect

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<v Speaker 1>your house, but what about all the people who died?

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<v Speaker 1>I mean, you shouldn't the ghost of priorities the people

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<v Speaker 1>instead of the beach towels. I've seen people, but these

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<v Speaker 1>beach towels, my god, they're beautiful. So this article in

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<v Speaker 1>Myrtle Beach Online goes on to list some of the

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<v Speaker 1>local speculation about the alleged origin of this ghost. It

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<v Speaker 1>does not mention black Beard that one might be a

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<v Speaker 1>kind of spurious allegation. Uh well, I mean, I think

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<v Speaker 1>all of these are probably just made up later legends.

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<v Speaker 1>But but trying to track down at least what are

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<v Speaker 1>the earliest of the legends. Um. So, the source that

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<v Speaker 1>the article sites on these is the Georgetown Museum. Georgetown

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<v Speaker 1>is a city near A. Pauli's Island. Um, And so

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<v Speaker 1>they've got to, I guess a museum that has some

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<v Speaker 1>stuff about this local legend. And one story, this, this

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<v Speaker 1>appears to be the dominant one, is about a man

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<v Speaker 1>who perished in the South Carolina low country in eighteen

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<v Speaker 1>twenty two. And the tale goes that this young man

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<v Speaker 1>had been traveling abroad for two years, and in September

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<v Speaker 1>of eighteen twenty two, he decided he wanted to come

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<v Speaker 1>home so he could see his fiancee uh back in

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<v Speaker 1>South Carolina and they could set a date for their wedding.

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<v Speaker 1>And he was apparently in such a hurry to get

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<v Speaker 1>back and see her face again that he took a

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<v Speaker 1>shortcut through the marsh and he ended up stuck in quicksand,

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<v Speaker 1>which spelled his doom and then his fiance she's grieving

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<v Speaker 1>over the fact that I guess. I don't know if

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<v Speaker 1>she found out that he died or if he just

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<v Speaker 1>never showed up, but she's grieving for some reason. And

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<v Speaker 1>she goes out walking along the shore and she's treading

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<v Speaker 1>through the sand, and while strolling alone on the beach,

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<v Speaker 1>she sees a dark silhouette. It's a it's the figure

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<v Speaker 1>of a man, and she realizes that it's the soul

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<v Speaker 1>of her would be husband who died in in the marsh.

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<v Speaker 1>And she's so troubled by this vision and others like it.

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<v Speaker 1>She has later that that her family decides to relocate inland.

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<v Speaker 1>They move away from that house, and the very next

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<v Speaker 1>day after they leave, a hurricane sweeps through, leaving a

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<v Speaker 1>path of destruction that would have killed them had they

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<v Speaker 1>not left. And it's apparently this legend that that could

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<v Speaker 1>give rise to this this common belief that the ghost

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<v Speaker 1>appears to people to warn them of storms. And as

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<v Speaker 1>a quick side note, I wanted to mention I love

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<v Speaker 1>that the story involves quicksand, which of course is one

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<v Speaker 1>of my favorite plot devices, but that does have an

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<v Speaker 1>environmental reality to it. You might not want to call

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<v Speaker 1>it quicksand, but the South Carolina low country, especially the marshes.

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<v Speaker 1>It's sort of like the mouth of the what they

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<v Speaker 1>could usually call the creeks, you know, the little uh

0:12:44.559 --> 0:12:48.319
<v Speaker 1>the tributaries of water that eventually drained out into the ocean. Um.

0:12:49.520 --> 0:12:53.760
<v Speaker 1>These areas will form this build up of fine sediment

0:12:54.040 --> 0:12:58.320
<v Speaker 1>that is known as pluff mud and uh So I

0:12:58.360 --> 0:13:01.520
<v Speaker 1>was reading at least one article from the I think

0:13:01.520 --> 0:13:03.720
<v Speaker 1>it was the Hilton Head area that was all about

0:13:04.280 --> 0:13:06.280
<v Speaker 1>the story of a lady who goes out walking in

0:13:06.320 --> 0:13:08.680
<v Speaker 1>the marsh for some reason and she ends up stuck

0:13:08.720 --> 0:13:11.640
<v Speaker 1>in the pluff mud. And she's there until like into

0:13:11.679 --> 0:13:14.400
<v Speaker 1>the evening, and they have to send rescuers and to

0:13:14.440 --> 0:13:17.800
<v Speaker 1>dig her out. Because you can very easily get stuck

0:13:17.800 --> 0:13:19.880
<v Speaker 1>in this stuff. You can sink into it. It's a

0:13:20.440 --> 0:13:22.960
<v Speaker 1>there are a lot of myths about quicksand and uh

0:13:23.040 --> 0:13:25.640
<v Speaker 1>and and things like it that you would like sink

0:13:25.679 --> 0:13:28.760
<v Speaker 1>down under your head and drown. That's usually not a

0:13:28.880 --> 0:13:31.800
<v Speaker 1>very common thing to happen, if it happens at all. Really,

0:13:31.920 --> 0:13:34.559
<v Speaker 1>I think the risk of of quicksand and even pluff

0:13:34.640 --> 0:13:37.120
<v Speaker 1>mud is just that you would get stuck in it

0:13:37.200 --> 0:13:40.280
<v Speaker 1>and have trouble getting yourself out. Yeah. I've certainly been

0:13:40.320 --> 0:13:44.080
<v Speaker 1>in I don't know if it constitutes pluf mud or

0:13:44.400 --> 0:13:46.160
<v Speaker 1>or if it's just you know, very wet sand. But

0:13:46.200 --> 0:13:48.400
<v Speaker 1>I've been in I've noticed some coastal situations where you

0:13:48.559 --> 0:13:52.320
<v Speaker 1>have a real, real bootsucker or sandal sucker of of

0:13:52.360 --> 0:13:54.920
<v Speaker 1>a situation, you know, where the sand is just the

0:13:55.000 --> 0:13:57.720
<v Speaker 1>right consistency that if you you step into it, you

0:13:57.840 --> 0:14:00.400
<v Speaker 1>might be pulling a bare foot back out. Yes, And

0:14:00.400 --> 0:14:04.160
<v Speaker 1>it's it's almost it's wonderful that it creates this um,

0:14:04.520 --> 0:14:07.560
<v Speaker 1>this almost untouchable terrain, because there are a lot of

0:14:07.559 --> 0:14:10.040
<v Speaker 1>areas around in the low country where you can, like

0:14:10.400 --> 0:14:12.240
<v Speaker 1>if there there will be a nature preserve and you

0:14:12.240 --> 0:14:14.319
<v Speaker 1>can take a board walk out over the marsh and

0:14:14.360 --> 0:14:16.840
<v Speaker 1>if you look down on it, I see all kinds

0:14:16.880 --> 0:14:19.040
<v Speaker 1>of life. You know, things are happening down in the

0:14:19.040 --> 0:14:21.680
<v Speaker 1>pluff mud. There may be these big colonies of oysters,

0:14:21.680 --> 0:14:23.960
<v Speaker 1>and you can see fiddler crabs popping up out of

0:14:24.000 --> 0:14:26.640
<v Speaker 1>holes and running around and all the birds hunting them.

0:14:27.520 --> 0:14:29.760
<v Speaker 1>But yeah, it's the kind of place where you wouldn't

0:14:29.760 --> 0:14:32.920
<v Speaker 1>really want to go down and venture yourself, at least

0:14:32.960 --> 0:14:36.160
<v Speaker 1>not without some special equipment, maybe like weight displacement boots

0:14:36.280 --> 0:14:39.920
<v Speaker 1>or something. Now apparently there's some alternatives for the origin

0:14:40.000 --> 0:14:43.520
<v Speaker 1>of the gray Man legend um uh. To quote again

0:14:43.560 --> 0:14:48.400
<v Speaker 1>from the Myrtle Beach Online article quote uh. Other theories

0:14:48.440 --> 0:14:51.040
<v Speaker 1>tell a different story. One still has a man returning

0:14:51.040 --> 0:14:54.520
<v Speaker 1>from c but this time his fiance decided to marry

0:14:54.640 --> 0:14:58.560
<v Speaker 1>his best friend instead. He throws himself into the wacam All.

0:14:58.720 --> 0:15:00.400
<v Speaker 1>This is the Wake Them All River, which is a

0:15:00.440 --> 0:15:03.760
<v Speaker 1>nearby river, and then later his fiance and friend do

0:15:03.840 --> 0:15:07.080
<v Speaker 1>the same. Other stories say he was an unknown sailor

0:15:07.120 --> 0:15:10.240
<v Speaker 1>who washed up on shore and died shortly after. Some

0:15:10.320 --> 0:15:13.920
<v Speaker 1>believe he is the original owner of Polly's Island, George Polly,

0:15:14.040 --> 0:15:21.920
<v Speaker 1>who lived there in the early seventeen hundreds. Thank you,

0:15:22.520 --> 0:15:26.400
<v Speaker 1>thank you. Now. Of course, this would be far from

0:15:26.440 --> 0:15:32.040
<v Speaker 1>the only legendary supernatural being associated with weather phenomena. You

0:15:32.080 --> 0:15:34.880
<v Speaker 1>know they're there are tons of ghosts and monsters and

0:15:34.920 --> 0:15:39.200
<v Speaker 1>creatures and gods that may not serve exactly this purpose,

0:15:39.200 --> 0:15:41.760
<v Speaker 1>saying like, hey, a storm's coming, but there in one

0:15:41.800 --> 0:15:46.640
<v Speaker 1>way or another associated specifically with storms or other transient

0:15:46.720 --> 0:15:50.160
<v Speaker 1>weather phenomena. And so while poking around on the subject,

0:15:50.240 --> 0:15:52.680
<v Speaker 1>I came across what I thought was an interesting and

0:15:52.760 --> 0:15:56.320
<v Speaker 1>kind of funny article. So this was on. This was

0:15:56.360 --> 0:15:59.680
<v Speaker 1>a weather news article by Michael Cune on ACU weather

0:15:59.760 --> 0:16:04.960
<v Speaker 1>Dot Calm with the headline quote ghost hunter colon thunderstorms

0:16:05.000 --> 0:16:08.080
<v Speaker 1>cause an increase in paranormal activity. Well, I mean, certainly,

0:16:08.120 --> 0:16:10.920
<v Speaker 1>if you've watched enough horror films and ghost movies, you

0:16:10.920 --> 0:16:12.320
<v Speaker 1>know that this is the case. You've got to have

0:16:12.320 --> 0:16:14.560
<v Speaker 1>a thunderstorm going in the background, right, I mean, it's

0:16:14.560 --> 0:16:17.360
<v Speaker 1>it's a classic of horror fiction. Right. So you could

0:16:17.440 --> 0:16:20.840
<v Speaker 1>argue about the the order of causality there, but uh, yeah,

0:16:20.880 --> 0:16:24.080
<v Speaker 1>you know you got the classic what's the bulward Lytton line?

0:16:24.240 --> 0:16:26.600
<v Speaker 1>It was a dark and stormy night, and then the

0:16:26.640 --> 0:16:31.800
<v Speaker 1>idea that it seems that stormy conditions have long inspired

0:16:32.560 --> 0:16:35.240
<v Speaker 1>Gothic modes of thought. I mean, you know, there's the

0:16:35.240 --> 0:16:39.560
<v Speaker 1>classic story of, Uh, how did Mary Wilston craft Shelley

0:16:39.760 --> 0:16:42.480
<v Speaker 1>come up with the idea for Frankenstein. It was during

0:16:42.520 --> 0:16:45.640
<v Speaker 1>that summer when when she and Byron and the whole

0:16:45.680 --> 0:16:48.400
<v Speaker 1>crew were sort of like stuck inside due to this

0:16:48.400 --> 0:16:50.480
<v Speaker 1>this dark and stormy summer sort of it was the

0:16:50.520 --> 0:16:53.360
<v Speaker 1>year without a summer, which, uh, in a weird twist

0:16:53.360 --> 0:16:56.600
<v Speaker 1>of fate, I think was likely due to volcanic activity

0:16:56.640 --> 0:16:59.400
<v Speaker 1>on the other side of the world. Um, that that

0:16:59.480 --> 0:17:01.440
<v Speaker 1>was the summer where she worked out the ideas for

0:17:01.480 --> 0:17:04.760
<v Speaker 1>the story that would become Frankenstein, sort of a foundational

0:17:04.840 --> 0:17:07.640
<v Speaker 1>text of modern horror. And so it's kind of hard

0:17:07.680 --> 0:17:09.639
<v Speaker 1>for me to believe that the dark and stormy summer

0:17:09.720 --> 0:17:12.280
<v Speaker 1>didn't in a way play a role in the formation

0:17:12.320 --> 0:17:15.679
<v Speaker 1>of that story in her mind. But um, but anyway,

0:17:15.760 --> 0:17:19.280
<v Speaker 1>so so this article about the paranormal activity in the thunderstorm.

0:17:19.320 --> 0:17:24.960
<v Speaker 1>So the article consults a paranormal enthusiast named Mark Keys,

0:17:25.000 --> 0:17:27.240
<v Speaker 1>who at the time of this article at least was

0:17:27.359 --> 0:17:31.720
<v Speaker 1>director of the Pennsylvania Paranormal Association. I looked him up

0:17:31.720 --> 0:17:33.600
<v Speaker 1>and it seems like he's featured on some kind of

0:17:33.680 --> 0:17:36.159
<v Speaker 1>some ghost hunter type TV shows. The one that was

0:17:36.680 --> 0:17:39.360
<v Speaker 1>I forget the name, is called like Paranormal nine one

0:17:39.400 --> 0:17:42.720
<v Speaker 1>one or something, And based on his quotes, I think,

0:17:43.040 --> 0:17:46.080
<v Speaker 1>I think this guy seems to uh take a sort

0:17:46.119 --> 0:17:50.640
<v Speaker 1>of ghost realist position, at least like he he uh

0:17:50.760 --> 0:17:53.000
<v Speaker 1>he cites, for example, the advice of a of a

0:17:53.080 --> 0:17:56.359
<v Speaker 1>spirit medium as if he believes this is likely to

0:17:56.400 --> 0:18:01.120
<v Speaker 1>contain information. And so do you think there are skeptical

0:18:01.200 --> 0:18:03.320
<v Speaker 1>ghost hunters who you call them they show up at

0:18:03.359 --> 0:18:05.320
<v Speaker 1>their door and you're like, hey, I think I've got

0:18:05.320 --> 0:18:07.359
<v Speaker 1>a hunting and their first thing as well. Look, first

0:18:07.359 --> 0:18:10.080
<v Speaker 1>of all, ghost aren't real well there and there could be.

0:18:10.119 --> 0:18:12.920
<v Speaker 1>There could be open minded but skeptical ghost hunters. I mean,

0:18:12.920 --> 0:18:15.399
<v Speaker 1>I don't know, Like I I feel like that's the

0:18:15.440 --> 0:18:17.359
<v Speaker 1>attitude I would try to take. I would say, you know,

0:18:17.400 --> 0:18:20.800
<v Speaker 1>I probably I think most ghost sightings are probably all

0:18:20.840 --> 0:18:24.280
<v Speaker 1>of them are not really a spectral beings from another play,

0:18:24.320 --> 0:18:28.120
<v Speaker 1>and they're probably something about the perception of the person experiencing.

0:18:28.280 --> 0:18:30.320
<v Speaker 1>But you don't know for sure. I mean you at

0:18:30.400 --> 0:18:32.160
<v Speaker 1>least look and see, you try to find some out.

0:18:32.400 --> 0:18:34.520
<v Speaker 1>I mean, it would be beneficial to have more people

0:18:34.560 --> 0:18:37.800
<v Speaker 1>in that in that mode where like they're an expert

0:18:37.800 --> 0:18:40.040
<v Speaker 1>you consult and they're like, okay, there are no said

0:18:40.040 --> 0:18:42.720
<v Speaker 1>there's there no ghosts, but here a list of things

0:18:42.800 --> 0:18:45.640
<v Speaker 1>that that could contribute to this this very real and

0:18:45.760 --> 0:18:48.760
<v Speaker 1>potentially frightening experience that you have. I'm sure there are

0:18:48.800 --> 0:18:51.560
<v Speaker 1>some people like that, but I guess I would assume

0:18:52.040 --> 0:18:53.399
<v Speaker 1>this may not be fair. I don't know, but I

0:18:53.400 --> 0:18:57.040
<v Speaker 1>would assume if you've got like TV shows, you're you're

0:18:57.080 --> 0:19:00.760
<v Speaker 1>probably at least at least for the cameras, meaning into

0:19:01.040 --> 0:19:06.000
<v Speaker 1>embracing the sort of ghost realist position. Yeah, nobody's watching.

0:19:06.040 --> 0:19:07.960
<v Speaker 1>I guess you could watch it. I could. I guess

0:19:07.960 --> 0:19:10.080
<v Speaker 1>I could imagine a ghost Hunter show with this kind

0:19:10.080 --> 0:19:12.840
<v Speaker 1>of a theme, like we're here to bust the ghosts,

0:19:12.960 --> 0:19:15.320
<v Speaker 1>but not only the ghost themselves, with the idea of

0:19:15.320 --> 0:19:17.439
<v Speaker 1>ghosts that that could be fine kind of a pin

0:19:17.520 --> 0:19:21.440
<v Speaker 1>and teller um, you know, kind of approach to it. Yeah, yeah,

0:19:21.440 --> 0:19:23.040
<v Speaker 1>sure right. I don't know, it could be done well,

0:19:23.119 --> 0:19:25.280
<v Speaker 1>Like I feel like like most things, you know, it

0:19:25.680 --> 0:19:28.240
<v Speaker 1>could be done well if it was done well. But

0:19:28.680 --> 0:19:30.880
<v Speaker 1>coming back to this article, the thing that really got

0:19:30.880 --> 0:19:32.760
<v Speaker 1>a hook in my brain about it and that I

0:19:32.840 --> 0:19:35.920
<v Speaker 1>thought was really interesting was that the article made an

0:19:35.920 --> 0:19:41.560
<v Speaker 1>attempt to posit a physical mechanism by which thunderstorms allow

0:19:41.640 --> 0:19:46.199
<v Speaker 1>ghosts to appear. And I think basically the implication is

0:19:46.320 --> 0:19:51.560
<v Speaker 1>that ghosts need to get charged up by lightning. It's

0:19:51.560 --> 0:19:53.719
<v Speaker 1>not said explicitly, but this does appear to be the

0:19:53.760 --> 0:19:57.239
<v Speaker 1>implication given by the guy sided in this article. So

0:19:57.560 --> 0:20:01.159
<v Speaker 1>to quote from the article, Some bel that apparitions or

0:20:01.200 --> 0:20:04.920
<v Speaker 1>spirits needs some source of energy to manifest their presence

0:20:04.960 --> 0:20:08.399
<v Speaker 1>into the physical plane. In order to communicate with the living.

0:20:08.920 --> 0:20:13.400
<v Speaker 1>This could include drawing energy from electrical circuits and even batteries.

0:20:14.080 --> 0:20:17.119
<v Speaker 1>And then this is quoting from Keys, if a spirit

0:20:17.200 --> 0:20:20.520
<v Speaker 1>is trying to manifest, that is, become physically visible, it

0:20:20.600 --> 0:20:23.720
<v Speaker 1>will pull energy out of the environment to do that.

0:20:24.200 --> 0:20:27.560
<v Speaker 1>This could include heat, as cold spots are commonly reported,

0:20:27.920 --> 0:20:30.560
<v Speaker 1>as well as in areas where haunting has been reported.

0:20:30.960 --> 0:20:33.679
<v Speaker 1>It seems to be shortly after a lightning storm that

0:20:33.720 --> 0:20:37.760
<v Speaker 1>they do notice an increase, he said. And then then

0:20:37.840 --> 0:20:39.959
<v Speaker 1>this is the part where Keys claims that his psychic

0:20:40.040 --> 0:20:42.840
<v Speaker 1>medium will back up the fact that after a thunderstorm

0:20:42.880 --> 0:20:47.000
<v Speaker 1>there is quote a lot more activity. Um. Now, you know,

0:20:47.040 --> 0:20:49.360
<v Speaker 1>as as I think, uh, we'll be clear if you've

0:20:49.400 --> 0:20:50.960
<v Speaker 1>listened to us for a while or even from our

0:20:51.000 --> 0:20:54.000
<v Speaker 1>earlier discussion, I would say we generally take a you know,

0:20:54.600 --> 0:20:59.720
<v Speaker 1>broadly open minded, but specifically skeptical position on the physical

0:20:59.840 --> 0:21:04.159
<v Speaker 1>reality of paranormal reports like this. So so while we're

0:21:04.200 --> 0:21:07.040
<v Speaker 1>not going to embrace the ghost realist position, I would

0:21:07.080 --> 0:21:11.440
<v Speaker 1>be potentially open to the claim from the the experience

0:21:11.480 --> 0:21:16.040
<v Speaker 1>of a paranormal investigator who says that thunderstorms are correlated

0:21:16.119 --> 0:21:20.199
<v Speaker 1>with increased reports of ghost sightings, poulter geist hauntings and

0:21:20.240 --> 0:21:22.640
<v Speaker 1>so forth. So I think that could well be true,

0:21:22.640 --> 0:21:25.080
<v Speaker 1>and that could well be informed by experience, because there

0:21:25.119 --> 0:21:27.960
<v Speaker 1>would be nothing supernatural in that. You just have to say, well, yeah,

0:21:28.320 --> 0:21:31.320
<v Speaker 1>people do say they get haunted more often after there's

0:21:31.359 --> 0:21:35.000
<v Speaker 1>been a storm or around the time of a storm. Um,

0:21:35.040 --> 0:21:37.119
<v Speaker 1>But I would tend to think that if this is true,

0:21:37.640 --> 0:21:41.120
<v Speaker 1>the mechanism would more likely be the thunderstorm somehow causes

0:21:41.160 --> 0:21:45.120
<v Speaker 1>the perception of ghosts and wandering spirits rather than literally

0:21:45.160 --> 0:21:47.439
<v Speaker 1>conjuring them. Yeah, I mean we have to remember that

0:21:47.480 --> 0:21:51.159
<v Speaker 1>what is what does lightning do? But but very briefly

0:21:51.280 --> 0:21:55.719
<v Speaker 1>illuminates the darkened world, um, and just a flash and

0:21:55.760 --> 0:21:57.919
<v Speaker 1>gives us a chance to sort of fill in in

0:21:58.240 --> 0:22:01.520
<v Speaker 1>the gaps there with whatever you might you know, expect

0:22:01.560 --> 0:22:04.160
<v Speaker 1>to be there in the storm. That's a really good point,

0:22:04.240 --> 0:22:07.400
<v Speaker 1>and it's further informed by some of the stuff that's

0:22:07.480 --> 0:22:09.640
<v Speaker 1>quoted in this article. Is like, what are the most

0:22:09.680 --> 0:22:13.680
<v Speaker 1>common things people report as evidence of hauntings in their homes?

0:22:14.119 --> 0:22:17.640
<v Speaker 1>According to this paranormal investigator. He says that, Okay, so

0:22:17.840 --> 0:22:20.399
<v Speaker 1>first of all, you've got I think, you know, visual

0:22:20.480 --> 0:22:24.600
<v Speaker 1>evidence such as people witnessing shadows and spectral human forms,

0:22:25.320 --> 0:22:28.160
<v Speaker 1>which I mean seems like the darkened sky, and then

0:22:28.320 --> 0:22:32.359
<v Speaker 1>like briefly illuminated flashes of lightning. That seems like, okay,

0:22:32.359 --> 0:22:36.000
<v Speaker 1>that's sort of perfect conditions to create illusory perceptions of

0:22:36.560 --> 0:22:40.919
<v Speaker 1>strangely shaped shadows and things like that. But then another

0:22:41.000 --> 0:22:43.040
<v Speaker 1>thing that it identifies, and this is something that I

0:22:43.080 --> 0:22:46.439
<v Speaker 1>think from my reading, is is a very common, UH

0:22:46.880 --> 0:22:52.040
<v Speaker 1>source of paranormal reports, what what I would call appliance phenomena. UM.

0:22:52.400 --> 0:22:56.040
<v Speaker 1>So the the article says, quote reports of lights flickering

0:22:56.080 --> 0:22:59.320
<v Speaker 1>and electronic equipment turning on and off on its own

0:22:59.680 --> 0:23:04.440
<v Speaker 1>even when unplugged is common. Other people report more physical activities,

0:23:04.480 --> 0:23:07.760
<v Speaker 1>such as doors opening or closing, lights or TVs turning

0:23:07.800 --> 0:23:10.480
<v Speaker 1>off by themselves. Believe it or not, we've had a

0:23:10.480 --> 0:23:13.960
<v Speaker 1>lot of reports of stereos radios turning themselves on when

0:23:14.000 --> 0:23:17.240
<v Speaker 1>they're not even plugged in, and so, you know, it's

0:23:17.240 --> 0:23:19.960
<v Speaker 1>hard to judge just from generalizations like this, but it's

0:23:20.000 --> 0:23:23.400
<v Speaker 1>funny to me how much like everything that was just listed,

0:23:23.440 --> 0:23:27.200
<v Speaker 1>except for the unplugged part UH is stuff that would

0:23:27.200 --> 0:23:31.159
<v Speaker 1>be pretty much perfectly explained by the physical effects of

0:23:31.160 --> 0:23:34.720
<v Speaker 1>a storm. So like doors opening and closing by themselves.

0:23:34.720 --> 0:23:37.360
<v Speaker 1>Of course, during a storm, you have wind and pressure

0:23:37.359 --> 0:23:39.920
<v Speaker 1>differentials that can blow a door one way or the other.

0:23:40.480 --> 0:23:44.480
<v Speaker 1>And then the appliance phenomena, that's the the anomalous activation

0:23:44.600 --> 0:23:48.160
<v Speaker 1>or deactivation of electrical appliances, which I know from personal

0:23:48.200 --> 0:23:50.600
<v Speaker 1>experience and probably most of you do as well, that

0:23:50.960 --> 0:23:53.560
<v Speaker 1>this can happen due to storms affecting the power grid

0:23:53.600 --> 0:23:56.240
<v Speaker 1>and the power lines leading to your house. And Rob,

0:23:56.240 --> 0:23:57.760
<v Speaker 1>I don't know if you've ever had this happen in

0:23:57.800 --> 0:24:00.800
<v Speaker 1>your house, but sometimes, like power supply issues during a

0:24:00.840 --> 0:24:03.919
<v Speaker 1>storm don't affect the entire house at once, you know,

0:24:04.040 --> 0:24:07.080
<v Speaker 1>so like you can have um uh, you can have

0:24:07.160 --> 0:24:09.440
<v Speaker 1>like a power outage where just everything goes out. We

0:24:09.520 --> 0:24:12.399
<v Speaker 1>usually recognize what that is, but we we occasionally have

0:24:12.440 --> 0:24:16.119
<v Speaker 1>stuff happen where, you know, like some parts of the

0:24:16.160 --> 0:24:20.760
<v Speaker 1>household kind of flash on and off and other things won't. Yeah, yeah, absolutely,

0:24:21.080 --> 0:24:23.639
<v Speaker 1>Now I think that would not explain issues where people

0:24:23.640 --> 0:24:26.800
<v Speaker 1>are claiming that appliances that are not plugged in start

0:24:27.080 --> 0:24:29.080
<v Speaker 1>turning on and stuff, Like a lot of the reports

0:24:29.080 --> 0:24:32.800
<v Speaker 1>emphasize these extra levels of implausibility. You know, the stereo

0:24:32.920 --> 0:24:37.040
<v Speaker 1>wasn't even plugged in and it started playing Whalen and uh,

0:24:37.480 --> 0:24:39.960
<v Speaker 1>I have no way of knowing this, but part of

0:24:40.000 --> 0:24:44.160
<v Speaker 1>me just kind of suspects that the appliance was unplugged.

0:24:44.200 --> 0:24:47.639
<v Speaker 1>Claim In particular, it seems like a like a just

0:24:47.680 --> 0:24:52.280
<v Speaker 1>a very likely exaggeration place to go, like maybe you

0:24:52.359 --> 0:24:57.280
<v Speaker 1>witness some apparently anomalous activation or deactivation of an appliance,

0:24:57.359 --> 0:25:01.639
<v Speaker 1>an electrical appliance, and it feels notable when you first

0:25:01.840 --> 0:25:05.720
<v Speaker 1>notice it, but then thinking back on it, uh, oh yeah,

0:25:05.800 --> 0:25:08.200
<v Speaker 1>sometimes things do just turn on and off. This kind

0:25:08.200 --> 0:25:10.520
<v Speaker 1>of needs some extra beef. And it's like, well, we're

0:25:10.520 --> 0:25:12.199
<v Speaker 1>we even sure it was plugged in. It might not

0:25:12.280 --> 0:25:14.480
<v Speaker 1>have even been plugged in. Yeah, I mean, we have

0:25:14.520 --> 0:25:16.359
<v Speaker 1>so many things plugged in these days. It's sometimes it's

0:25:16.359 --> 0:25:18.960
<v Speaker 1>hard to keep count of what's what's plugged in, what's unplugged.

0:25:18.960 --> 0:25:21.080
<v Speaker 1>And you got to unplug one thing and actually unplugged

0:25:21.080 --> 0:25:25.119
<v Speaker 1>the other. So plenty of room for misunderstanding and altered

0:25:25.160 --> 0:25:27.879
<v Speaker 1>memory there. Yeah. But so the other main fork of

0:25:27.920 --> 0:25:31.280
<v Speaker 1>the storm causation here on on the hauntings I would

0:25:31.280 --> 0:25:34.880
<v Speaker 1>think would tend to be um. The effects of storms

0:25:34.920 --> 0:25:39.040
<v Speaker 1>on human psychology is storms or even atmospheric conditions before

0:25:39.119 --> 0:25:41.960
<v Speaker 1>or after storms yeah, I mean this makes perfect sense.

0:25:42.000 --> 0:25:45.879
<v Speaker 1>You know, ghosts are often associated with darkness. Lightning again

0:25:46.000 --> 0:25:51.000
<v Speaker 1>momentarily illuminates the dark. And even if it's not nighttime. Uh,

0:25:51.080 --> 0:25:52.719
<v Speaker 1>you know, you have a storm roll in, what does

0:25:52.760 --> 0:25:55.119
<v Speaker 1>it do? It brings a certain level of darkness and

0:25:55.119 --> 0:25:59.000
<v Speaker 1>shadow with it, throwing the rain, uh, some booming thunder,

0:25:59.040 --> 0:26:01.960
<v Speaker 1>and you have just a cree the environment not just creepy.

0:26:02.040 --> 0:26:06.440
<v Speaker 1>But I'm thinking about the informational and sensory effects of storms.

0:26:06.440 --> 0:26:09.640
<v Speaker 1>Coming back to that grainy photo we were talking about earlier,

0:26:10.040 --> 0:26:15.080
<v Speaker 1>I would argue that stormy weather reduces the sensory resolution

0:26:15.160 --> 0:26:19.400
<v Speaker 1>of your environment. Um, So there's darkening due to cloud cover.

0:26:19.800 --> 0:26:23.960
<v Speaker 1>They're less light means less visual information or certainly less

0:26:23.960 --> 0:26:27.240
<v Speaker 1>certainty in your visual information. And then once you get

0:26:27.560 --> 0:26:32.280
<v Speaker 1>mist and rain, visibility is further reduced. And wind and

0:26:32.400 --> 0:26:36.440
<v Speaker 1>thunder and rain also reduced the auditory clarity of your environment.

0:26:36.560 --> 0:26:39.199
<v Speaker 1>So imagine, you know, turning up the volume on a

0:26:39.240 --> 0:26:43.879
<v Speaker 1>staticky radio channel. It's harder to discern the true signals

0:26:44.040 --> 0:26:47.959
<v Speaker 1>sound signals around you, and it's easier to mistakenly perceive

0:26:48.000 --> 0:26:50.480
<v Speaker 1>a signal within the noise. And I think this would

0:26:50.480 --> 0:26:52.359
<v Speaker 1>fit with what I said earlier about ghosts so often

0:26:52.400 --> 0:26:57.960
<v Speaker 1>appearing these days on low resolution film, video and audio recordings. Yeah,

0:26:58.040 --> 0:27:00.920
<v Speaker 1>if I'm not sure what I see, if I'm not

0:27:01.000 --> 0:27:05.480
<v Speaker 1>sure what is recorded in one form or another, then

0:27:05.560 --> 0:27:08.960
<v Speaker 1>that creates an opportunity to lean into some sort of

0:27:08.960 --> 0:27:12.119
<v Speaker 1>supernatural understanding of what it might be. Now, I was

0:27:12.160 --> 0:27:16.120
<v Speaker 1>trying to think about other things here where, um, could

0:27:16.200 --> 0:27:19.600
<v Speaker 1>could there be other sensations people get maybe when a

0:27:19.680 --> 0:27:24.119
<v Speaker 1>storm is approaching that puts them in an alternative, an

0:27:24.160 --> 0:27:27.560
<v Speaker 1>alternative state of mind, or has some detectable effect on

0:27:27.720 --> 0:27:32.480
<v Speaker 1>humans that could lead to paranormal experiences. Um, I'm not

0:27:32.720 --> 0:27:35.040
<v Speaker 1>convinced on this one, but there there are at least

0:27:35.080 --> 0:27:38.280
<v Speaker 1>some questions I would like to pose. Um. And So,

0:27:38.680 --> 0:27:40.680
<v Speaker 1>for example, one of the things I was thinking about

0:27:40.800 --> 0:27:45.639
<v Speaker 1>was barometric pressure. So we all live under atmospheric pressure

0:27:45.680 --> 0:27:49.000
<v Speaker 1>at sea level. Under normal conditions, you walk around with

0:27:49.080 --> 0:27:53.680
<v Speaker 1>about fourteen points seven pounds per square inch of atmosphere

0:27:53.880 --> 0:27:57.920
<v Speaker 1>pressing down on and around you. But we don't normally

0:27:57.960 --> 0:28:02.159
<v Speaker 1>perceive the weight of the atmosphere because were equalized to it. Uh.

0:28:02.200 --> 0:28:04.680
<v Speaker 1>And in fact, if a significant amount of that weight

0:28:04.680 --> 0:28:08.000
<v Speaker 1>were to be removed, we could probably notice it like

0:28:08.040 --> 0:28:10.480
<v Speaker 1>if you go high up enough, if you go to

0:28:10.520 --> 0:28:13.159
<v Speaker 1>a high altitude, you can feel a difference in the

0:28:13.200 --> 0:28:16.280
<v Speaker 1>reduced air pressure, obviously, because you know the higher up

0:28:16.320 --> 0:28:19.280
<v Speaker 1>you go, the less atmosphere there is two is above

0:28:19.359 --> 0:28:23.000
<v Speaker 1>you to press down. But air pressure at any surface

0:28:23.040 --> 0:28:27.639
<v Speaker 1>altitude is variable, so at sea level, changes in the weather,

0:28:27.800 --> 0:28:30.840
<v Speaker 1>changes of the heating of the Earth's surface can cause

0:28:30.960 --> 0:28:36.000
<v Speaker 1>imbalances in barometric pressure. So as you have a region

0:28:36.040 --> 0:28:39.240
<v Speaker 1>of the Earth's surface that gets hot, that hot air rises,

0:28:39.760 --> 0:28:42.040
<v Speaker 1>you can almost imagine it being sucked up into the

0:28:42.080 --> 0:28:45.920
<v Speaker 1>upper atmosphere by a giant vacuum. This forms a vacuum

0:28:45.920 --> 0:28:48.760
<v Speaker 1>below it. It forms a low pressure system. And when

0:28:48.800 --> 0:28:52.080
<v Speaker 1>you have a low pressure region, pressure is falling. That

0:28:52.120 --> 0:28:55.280
<v Speaker 1>means air from the surrounding regions of the Earth's surface

0:28:55.320 --> 0:28:59.200
<v Speaker 1>will flow into that area of falling pressure to compensate

0:28:59.640 --> 0:29:02.640
<v Speaker 1>and perceive this flow of air as wind. This is

0:29:02.680 --> 0:29:06.040
<v Speaker 1>what wind is uh. And then the rising warm air

0:29:06.080 --> 0:29:09.080
<v Speaker 1>in a low pressure system also carries with it water

0:29:09.160 --> 0:29:12.720
<v Speaker 1>vapor content, which condenses into clouds and eventually has to

0:29:12.760 --> 0:29:17.320
<v Speaker 1>fall back down as rain. So falling barometric pressure is

0:29:17.360 --> 0:29:20.040
<v Speaker 1>generally taken as a sign that storms are coming. If

0:29:20.040 --> 0:29:23.760
<v Speaker 1>your barometric pressure is going down and your wind speed

0:29:23.880 --> 0:29:26.480
<v Speaker 1>is increasing, you can be pretty sure there is a

0:29:26.520 --> 0:29:29.920
<v Speaker 1>storm headed your way. So that's generally factual. But I

0:29:29.920 --> 0:29:32.200
<v Speaker 1>guess what I was wondering about was, well, okay, so

0:29:32.320 --> 0:29:35.600
<v Speaker 1>do signs like that, Does low or falling barometric pressure

0:29:36.080 --> 0:29:39.560
<v Speaker 1>have any effect on humans that could lead to sort

0:29:39.600 --> 0:29:42.840
<v Speaker 1>of different states of mind or behavior? This one seems

0:29:42.920 --> 0:29:46.560
<v Speaker 1>uncertain to me. I'm not sure psychological studies have tracked

0:29:46.600 --> 0:29:50.400
<v Speaker 1>all kinds of effects of weather on mood, cognition, and behavior,

0:29:51.080 --> 0:29:52.800
<v Speaker 1>and it seems to me that while there have been

0:29:52.840 --> 0:29:56.760
<v Speaker 1>a few studies finding some effects of barometric pressure, if

0:29:56.800 --> 0:29:59.080
<v Speaker 1>those effects are sound, they appear to be a lot

0:29:59.160 --> 0:30:03.280
<v Speaker 1>more subtle than the stronger effects of factors like temperature.

0:30:04.320 --> 0:30:06.320
<v Speaker 1>But to cite just a couple at least of the

0:30:06.440 --> 0:30:10.560
<v Speaker 1>reported effects. For for one example, I was looking at

0:30:10.600 --> 0:30:13.120
<v Speaker 1>a study called a Warm Heart and a Clear Head,

0:30:13.200 --> 0:30:16.520
<v Speaker 1>The Contingent Effects of Whether on mood and Cognition. This

0:30:16.600 --> 0:30:20.360
<v Speaker 1>was published in Psychological Science in two thousand five. This

0:30:20.440 --> 0:30:22.840
<v Speaker 1>was a study of weather as a as a function

0:30:23.240 --> 0:30:27.640
<v Speaker 1>generally of seasonal changes, and and looking somewhat into questions

0:30:27.640 --> 0:30:31.320
<v Speaker 1>about seasonal effective disorder. But the authors here right in

0:30:31.360 --> 0:30:34.800
<v Speaker 1>their abstract quote in two correlational studies and an experiment

0:30:34.840 --> 0:30:39.520
<v Speaker 1>manipulating participants time outdoors pleasant weather, this would mean higher

0:30:39.560 --> 0:30:44.760
<v Speaker 1>temperature or higher barometric pressure was related to higher mood,

0:30:44.960 --> 0:30:49.120
<v Speaker 1>better memory, and broaden cognitive style during the spring. As

0:30:49.160 --> 0:30:53.080
<v Speaker 1>time spent outside increased, the same relationships between mood and

0:30:53.120 --> 0:30:55.640
<v Speaker 1>whether we're not observed during other times of year though,

0:30:56.120 --> 0:30:59.280
<v Speaker 1>and indeed, hotter weather was associated with lower mood in

0:30:59.320 --> 0:31:02.120
<v Speaker 1>the summer. Uh of course, obviously you know you can

0:31:02.160 --> 0:31:05.400
<v Speaker 1>have hot weather in the summer that is associated with

0:31:05.480 --> 0:31:08.760
<v Speaker 1>low pressure regions that lead up to to a storm.

0:31:08.800 --> 0:31:11.800
<v Speaker 1>And to further elucidate their findings that they're right in

0:31:11.840 --> 0:31:14.440
<v Speaker 1>their results section that quote. As in some of the

0:31:14.480 --> 0:31:17.120
<v Speaker 1>previous research, and they cite Clark and Watson in nine

0:31:17.880 --> 0:31:21.920
<v Speaker 1>and Watson in two thousand, neither temperature nor barometric pressure

0:31:22.000 --> 0:31:25.880
<v Speaker 1>was directly related to mood valance. However, the interactions of

0:31:25.960 --> 0:31:29.960
<v Speaker 1>time spin outside with temperature and with barometric pressure, we're

0:31:30.000 --> 0:31:33.640
<v Speaker 1>both significantly related to mood valence in the expected direction.

0:31:34.160 --> 0:31:37.680
<v Speaker 1>As time spin outside increase, the temperature, mood and pressure

0:31:37.720 --> 0:31:42.040
<v Speaker 1>mood relationships became more positive. So basically, if you have participants,

0:31:42.440 --> 0:31:44.200
<v Speaker 1>if you tell them they need to spend more than

0:31:44.240 --> 0:31:48.560
<v Speaker 1>thirty minutes outside. Higher temperatures and higher pressure are associated

0:31:48.600 --> 0:31:52.480
<v Speaker 1>with better moods and outcomes, um and uh and but

0:31:52.600 --> 0:31:56.320
<v Speaker 1>if you have people spend less than thirty minutes outside,

0:31:56.680 --> 0:31:59.880
<v Speaker 1>then the relationship is actually reversed. So like good weather

0:32:00.040 --> 0:32:03.080
<v Speaker 1>outside and having to stay indoors apparently has has a

0:32:03.120 --> 0:32:07.040
<v Speaker 1>negative effect on mood and cognition. In this finding, R Yeah,

0:32:07.040 --> 0:32:08.600
<v Speaker 1>I think most of us can relate to that. You know,

0:32:08.640 --> 0:32:10.880
<v Speaker 1>if you if it's a nice day outside, but it's

0:32:10.920 --> 0:32:13.520
<v Speaker 1>a day where you only get to experience that whilst

0:32:13.640 --> 0:32:16.840
<v Speaker 1>moving from one indoor environment to another, yeah, that's kind

0:32:16.840 --> 0:32:19.560
<v Speaker 1>of a bummer. But if you get to be outside

0:32:19.560 --> 0:32:21.320
<v Speaker 1>the whole day or a large portion of the day,

0:32:21.360 --> 0:32:24.600
<v Speaker 1>and that's great. But unfortunately, so while this did look

0:32:24.640 --> 0:32:28.760
<v Speaker 1>at barometric pressure as one of the things informing the

0:32:28.760 --> 0:32:31.640
<v Speaker 1>the weather states, it was looking at this combination of

0:32:31.640 --> 0:32:34.120
<v Speaker 1>temperature and barometric pressure. What they were really looking at

0:32:34.200 --> 0:32:37.520
<v Speaker 1>was like, what are the effects of good good you know,

0:32:37.560 --> 0:32:41.160
<v Speaker 1>so like high pressure, high temperature. Is there anything that

0:32:41.200 --> 0:32:43.160
<v Speaker 1>directly tests for no? No, no, what is it? What

0:32:43.280 --> 0:32:46.360
<v Speaker 1>is it about low pressure? Specifically? You know that state

0:32:46.400 --> 0:32:50.000
<v Speaker 1>when you would expect a storm to be heading your way. Uh.

0:32:50.040 --> 0:32:53.480
<v Speaker 1>There are some other findings that seem potentially more directly

0:32:53.560 --> 0:32:56.680
<v Speaker 1>informative on this question, but I also feel somewhat cautious

0:32:56.720 --> 0:33:00.920
<v Speaker 1>about them that they don't feel uh, super conclusion of. So,

0:33:01.000 --> 0:33:03.600
<v Speaker 1>for example, one study I came across was published in

0:33:03.640 --> 0:33:06.600
<v Speaker 1>the Canadian Journal of Psychiatry in two thousand three by

0:33:06.640 --> 0:33:11.920
<v Speaker 1>Thomas Shorey at All, and it looked at documented emergency

0:33:12.000 --> 0:33:16.280
<v Speaker 1>psychiatric visits to a city psychiatric emergency room in the

0:33:16.360 --> 0:33:21.400
<v Speaker 1>year ninet in a mid sized city, and they also

0:33:21.440 --> 0:33:24.880
<v Speaker 1>looked at city police department data and suicide data, and

0:33:25.280 --> 0:33:28.040
<v Speaker 1>what they found was, quote, the data suggests that total

0:33:28.120 --> 0:33:32.080
<v Speaker 1>numbers of acts of violence and emergency psychiatry visits are

0:33:32.160 --> 0:33:36.320
<v Speaker 1>significantly associated with low barometric pressure. But then they found

0:33:36.360 --> 0:33:41.040
<v Speaker 1>that psychiatric in patient admissions and suicides were not associated

0:33:41.080 --> 0:33:44.480
<v Speaker 1>with any of the weather variables they investigated. So that's

0:33:44.520 --> 0:33:47.960
<v Speaker 1>one of those things that's okay that that's a bird's

0:33:48.000 --> 0:33:51.680
<v Speaker 1>eye level observation of something that happened in one city

0:33:51.720 --> 0:33:54.320
<v Speaker 1>that might mirror it further investigation. But I don't think

0:33:54.320 --> 0:33:57.920
<v Speaker 1>we could say anything conclusive just based on that, um,

0:33:58.200 --> 0:34:01.080
<v Speaker 1>so I would be skeptical about drawing two many conclusions

0:34:01.160 --> 0:34:06.040
<v Speaker 1>from from ideas about the relationship between barometric pressure specifically

0:34:06.520 --> 0:34:10.719
<v Speaker 1>and psychology, but the conditions that precede a storm, both

0:34:10.719 --> 0:34:15.240
<v Speaker 1>the obvious and cognitively recognized conditions like clouds, darkening skies,

0:34:15.280 --> 0:34:20.600
<v Speaker 1>and thunder, and then perhaps some subconsciously perceived conditions like

0:34:20.719 --> 0:34:25.120
<v Speaker 1>dropping barometric pressure or increasing winds. I think it could

0:34:25.120 --> 0:34:27.640
<v Speaker 1>possibly give rise to a different state of mind when

0:34:27.640 --> 0:34:38.120
<v Speaker 1>a storm is approaching, certainly the cognitively recognized ones. Thank So,

0:34:38.160 --> 0:34:40.480
<v Speaker 1>I think these are all excellent ideas to keep in

0:34:40.560 --> 0:34:43.840
<v Speaker 1>mind as we proceed through the rest of the episode.

0:34:44.000 --> 0:34:46.600
<v Speaker 1>Where I thought we might just look at some various

0:34:46.680 --> 0:34:51.959
<v Speaker 1>ghosts and monsters and sometimes divine or partially divine figures

0:34:52.200 --> 0:34:55.960
<v Speaker 1>from around the world that have something to do with

0:34:55.960 --> 0:34:58.239
<v Speaker 1>with whether or in or at least in one in

0:34:58.320 --> 0:35:00.480
<v Speaker 1>one case, has nothing to do with what there but

0:35:00.640 --> 0:35:04.320
<v Speaker 1>gets into the idea of a ghost harbinger. So, um,

0:35:04.440 --> 0:35:05.680
<v Speaker 1>first of all, we'll go ahead and get the one

0:35:05.680 --> 0:35:07.360
<v Speaker 1>out of the way that doesn't really seem to have

0:35:07.400 --> 0:35:10.040
<v Speaker 1>anything to do with weather. Um. Well, actually, I guess

0:35:10.040 --> 0:35:13.520
<v Speaker 1>I have a couple of them here, and the first

0:35:13.560 --> 0:35:16.560
<v Speaker 1>one here is is her name the Hunter. Have you

0:35:16.600 --> 0:35:19.359
<v Speaker 1>heard of this particular ghost, not until you introduced him

0:35:19.360 --> 0:35:23.240
<v Speaker 1>to me. So this is apparently a ghostly phosphorescent mounted

0:35:23.320 --> 0:35:26.480
<v Speaker 1>hunter said to ride through the woods surrounding Windsor Castle

0:35:26.640 --> 0:35:29.919
<v Speaker 1>in the UK. He's covered in furs and his head

0:35:30.000 --> 0:35:33.120
<v Speaker 1>is obscured by the skull and antlers of a great stack.

0:35:33.760 --> 0:35:35.160
<v Speaker 1>Now when I when I heard about this, I had to,

0:35:35.160 --> 0:35:38.399
<v Speaker 1>of course look it up in in Carol Rose's encyclopedic

0:35:38.480 --> 0:35:42.239
<v Speaker 1>volumes on monsters and fairies and whatnot, and she makes

0:35:42.400 --> 0:35:46.160
<v Speaker 1>a possible connection here between this legend and older Celtic

0:35:46.480 --> 0:35:51.440
<v Speaker 1>beliefs in a particular horned fertility god whose name was

0:35:51.920 --> 0:35:55.080
<v Speaker 1>Sir nunus Um. That's c e r in you in

0:35:55.200 --> 0:35:58.200
<v Speaker 1>an Os. That's at least one modern spelling of it.

0:35:58.760 --> 0:36:01.880
<v Speaker 1>But this, uh, this particular their apparition was was referenced

0:36:01.880 --> 0:36:05.879
<v Speaker 1>by Shakespeare, and in the twentieth century at least has

0:36:05.920 --> 0:36:08.440
<v Speaker 1>come to be seen as a harbinger of disaster, not

0:36:08.560 --> 0:36:12.360
<v Speaker 1>of storms, but of economic and political disaster, which I

0:36:12.360 --> 0:36:15.960
<v Speaker 1>found interesting. So sightings of the Hunter here have been

0:36:16.000 --> 0:36:20.160
<v Speaker 1>attributed to the ninety one economic depression, the nineteen thirty

0:36:20.160 --> 0:36:23.640
<v Speaker 1>six abdication crisis, the nineteen thirty nine Declaration of War

0:36:24.040 --> 0:36:27.240
<v Speaker 1>and the nineteen fifty two death of George the sixth.

0:36:27.920 --> 0:36:30.920
<v Speaker 1>Another version I've read is that her name the Hunter

0:36:31.200 --> 0:36:34.640
<v Speaker 1>always appears when a monarch is close to death. Well,

0:36:34.719 --> 0:36:37.400
<v Speaker 1>this raises a question for me about a distinction we

0:36:37.440 --> 0:36:41.640
<v Speaker 1>could make about Harbinger deities, or maybe not deities. I

0:36:41.680 --> 0:36:43.480
<v Speaker 1>don't know if if her name here is a is

0:36:43.520 --> 0:36:46.640
<v Speaker 1>a god or just a creature being of some kind,

0:36:46.680 --> 0:36:51.760
<v Speaker 1>whatever you would call it. These Harbinger beings, you could

0:36:51.800 --> 0:36:54.560
<v Speaker 1>say that, okay, if they appear right before a disaster

0:36:54.680 --> 0:36:57.160
<v Speaker 1>of some kind, whether that's a hurricane or or an

0:36:57.160 --> 0:37:00.680
<v Speaker 1>economic depression or the death of a monarch, are appearing

0:37:01.360 --> 0:37:04.280
<v Speaker 1>in a benign spirit saying like, hey, i have divine

0:37:04.320 --> 0:37:07.120
<v Speaker 1>fore knowledge because I'm of the other plane. I'm not

0:37:07.200 --> 0:37:09.000
<v Speaker 1>of this world, so I'm not bound by time, and

0:37:09.040 --> 0:37:11.080
<v Speaker 1>I'm just giving you a warning, like I'm here to

0:37:11.160 --> 0:37:14.439
<v Speaker 1>let you know so you can prepare. Or are they

0:37:14.600 --> 0:37:19.120
<v Speaker 1>on the sort of uh, disastrous causation side is like,

0:37:19.440 --> 0:37:21.960
<v Speaker 1>you know, are they an ill omen is seeing them

0:37:22.719 --> 0:37:26.560
<v Speaker 1>in some way part of the causative structure of the

0:37:26.600 --> 0:37:30.120
<v Speaker 1>disaster that comes, or do they even directly bring it about?

0:37:30.239 --> 0:37:35.120
<v Speaker 1>By appearing. Yeah, yeah, you see various interpretations I guess

0:37:35.120 --> 0:37:38.640
<v Speaker 1>of what exactly is going on. Um, and and well

0:37:39.080 --> 0:37:43.239
<v Speaker 1>we'll keep discussing this. But another little tale that I

0:37:43.280 --> 0:37:46.799
<v Speaker 1>read this was in Roses book, referring to work by

0:37:46.880 --> 0:37:51.879
<v Speaker 1>folklore's Ruth Tongue. Um, it's a story Tongue rights of

0:37:51.920 --> 0:37:55.320
<v Speaker 1>the this tale that was circulating about three British youths

0:37:55.680 --> 0:37:57.880
<v Speaker 1>who are decked out in the teddy boy style of

0:37:57.920 --> 0:38:01.640
<v Speaker 1>the nineteen sixties with up if if you need a

0:38:01.719 --> 0:38:04.240
<v Speaker 1>visual of what that would look like. Uh, they were

0:38:04.280 --> 0:38:06.680
<v Speaker 1>they were, you know, up to I don't know if

0:38:06.680 --> 0:38:07.920
<v Speaker 1>they were up to no good, but they were. They

0:38:07.960 --> 0:38:09.680
<v Speaker 1>were out. They were hanging out in the woods and

0:38:09.719 --> 0:38:13.040
<v Speaker 1>what do they find? A horn? And um, I believe

0:38:13.080 --> 0:38:14.640
<v Speaker 1>the story goes that they're thinking, oh, well, there must

0:38:14.640 --> 0:38:16.920
<v Speaker 1>have been some sort of a film shoot going on here,

0:38:16.960 --> 0:38:19.479
<v Speaker 1>and they left a prop. Uh, we've got this horn,

0:38:19.520 --> 0:38:21.440
<v Speaker 1>let's go ahead and blow it. So they blow the

0:38:21.480 --> 0:38:25.960
<v Speaker 1>horn and then sure enough, the unseen spirit begins to

0:38:26.000 --> 0:38:29.440
<v Speaker 1>pursue them through the woods and you know, getting closer

0:38:29.480 --> 0:38:33.200
<v Speaker 1>and closer, and finally an arrow seems to fly uh

0:38:33.200 --> 0:38:35.359
<v Speaker 1>and slays one of them dead. But there's not a

0:38:35.400 --> 0:38:37.839
<v Speaker 1>single physical wound. It seems to have been some sort

0:38:37.880 --> 0:38:42.120
<v Speaker 1>of a ghost era. Uh so that's that's a that's

0:38:42.120 --> 0:38:44.799
<v Speaker 1>a fun little tale as well. And of course this

0:38:45.000 --> 0:38:49.000
<v Speaker 1>all relates back to other traditions of the wild hunt

0:38:49.080 --> 0:38:52.319
<v Speaker 1>myth of some sort of of a ghostly being or

0:38:52.440 --> 0:38:56.560
<v Speaker 1>beings sometimes in the company of of of hell hounds

0:38:57.080 --> 0:38:59.320
<v Speaker 1>that goes out on strange hunts in the night and

0:38:59.360 --> 0:39:01.680
<v Speaker 1>you don't want to on a foul of them. Something

0:39:01.760 --> 0:39:04.680
<v Speaker 1>is incongruous between that and the teddy boy thing. I'm

0:39:04.760 --> 0:39:07.160
<v Speaker 1>hung up on the teddy boy detail. Is this a

0:39:07.200 --> 0:39:10.799
<v Speaker 1>commentary on the teddy boy fashion trend or I think

0:39:10.880 --> 0:39:12.719
<v Speaker 1>it's just, you know, on the youth of the day.

0:39:12.960 --> 0:39:15.680
<v Speaker 1>So it's like whatever the youth. You can imagine various

0:39:16.320 --> 0:39:19.879
<v Speaker 1>youth fashion trends in Britain and h and then being

0:39:19.880 --> 0:39:22.080
<v Speaker 1>reflected in versions of this story. It makes it seem

0:39:22.160 --> 0:39:25.040
<v Speaker 1>very cinematic. I can imagine the cinematic version is so

0:39:25.040 --> 0:39:27.000
<v Speaker 1>if her name has a stag skull on top of

0:39:27.000 --> 0:39:29.440
<v Speaker 1>his head and you look up teddy boy hairstyles, I

0:39:29.440 --> 0:39:32.840
<v Speaker 1>mean you could see some certain basic shape and contour

0:39:33.000 --> 0:39:37.320
<v Speaker 1>similarities where their pompadours look kind of like stag skulls. Yeah, yeah,

0:39:37.520 --> 0:39:41.000
<v Speaker 1>I guess without horns. But now as far as his

0:39:41.040 --> 0:39:43.560
<v Speaker 1>ghostly harbingers go, I know some of you are probably

0:39:43.560 --> 0:39:46.080
<v Speaker 1>thinking of this. Um, this is more in the realm

0:39:46.080 --> 0:39:51.480
<v Speaker 1>of cryptids and and ufo ology. But um, there's the

0:39:51.480 --> 0:39:55.200
<v Speaker 1>the alleged supernatural harbinger of the Silver Bridge collapse of

0:39:55.320 --> 0:39:58.480
<v Speaker 1>nineteen sixty seven. There's the bridge that spanned the Ohio River.

0:39:59.239 --> 0:40:02.359
<v Speaker 1>The Mothman. Uh. They've been books and movies about this,

0:40:02.960 --> 0:40:05.840
<v Speaker 1>but the connection, the original connection between the collapse and

0:40:05.960 --> 0:40:08.399
<v Speaker 1>sightings of the Mothman, I'm to understand, are largely due

0:40:08.400 --> 0:40:12.359
<v Speaker 1>to the writings of ufo ologist John Keel. I think

0:40:12.360 --> 0:40:15.359
<v Speaker 1>this story is the inspiration behind the plot of that

0:40:15.520 --> 0:40:19.520
<v Speaker 1>Richard Gear movie The Mothman Prophecies, isn't it It is? Yeah,

0:40:20.120 --> 0:40:22.080
<v Speaker 1>I've never seen it, but I am familiar with you

0:40:22.120 --> 0:40:24.239
<v Speaker 1>know what, so we watched it a few years back.

0:40:24.280 --> 0:40:27.840
<v Speaker 1>We'd like to revisit, Uh, not just classic horror films,

0:40:27.880 --> 0:40:30.720
<v Speaker 1>but you know, Rachel and I sometimes watch like Fallen

0:40:30.760 --> 0:40:33.800
<v Speaker 1>by the Wayside, horror films that nobody really talks about anymore,

0:40:34.320 --> 0:40:35.920
<v Speaker 1>And so this one was what did this come out

0:40:35.920 --> 0:40:38.759
<v Speaker 1>in the early two thousands, or something. Um, I think

0:40:38.840 --> 0:40:41.520
<v Speaker 1>that sometime around then has Richard Gear and it's about

0:40:41.560 --> 0:40:45.200
<v Speaker 1>this whole situation, and you know what, I gotta says,

0:40:45.280 --> 0:40:48.160
<v Speaker 1>It's not perfect, but there it's got some good ghostly

0:40:48.200 --> 0:40:52.960
<v Speaker 1>atmosphere and it was actually pretty spooky, A pretty solid

0:40:52.960 --> 0:40:56.720
<v Speaker 1>thumbs up. Now, there are some other Harbinger spirits of note.

0:40:56.920 --> 0:41:00.200
<v Speaker 1>There's the Chirath, which is a harbinger spirit. It in

0:41:00.239 --> 0:41:04.080
<v Speaker 1>the folklore of whales. It's a bandshe like being that

0:41:04.200 --> 0:41:06.960
<v Speaker 1>whales and groans as she passes through the city streets

0:41:06.960 --> 0:41:11.560
<v Speaker 1>at night, warning of impending disaster, including epidemics, which of

0:41:11.600 --> 0:41:15.200
<v Speaker 1>course is interesting. And then, of course, speaking of there's

0:41:15.280 --> 0:41:18.400
<v Speaker 1>the Banshee of Irish legend that whales under the window

0:41:18.640 --> 0:41:22.160
<v Speaker 1>of a family member to portend that family member's death.

0:41:22.520 --> 0:41:24.160
<v Speaker 1>I guess this comes back to the question I brought

0:41:24.200 --> 0:41:26.120
<v Speaker 1>up a minute ago, because I think I've read about

0:41:26.120 --> 0:41:28.239
<v Speaker 1>this in the context of the band sheet before, where

0:41:28.600 --> 0:41:30.839
<v Speaker 1>it's not really clear to me whether the belief is

0:41:30.880 --> 0:41:33.160
<v Speaker 1>that the band she knows the death is going to

0:41:33.200 --> 0:41:36.120
<v Speaker 1>happen and is sort of informing the family of such

0:41:36.200 --> 0:41:38.759
<v Speaker 1>by their behavior, or whether or not it's intentional on

0:41:38.800 --> 0:41:41.480
<v Speaker 1>the Banshe's part the banshees letting them know, or the

0:41:41.480 --> 0:41:46.200
<v Speaker 1>bandshe's presence is somehow causing the death. Yeah, yeah, so

0:41:47.400 --> 0:41:51.440
<v Speaker 1>unanswerable questions about the strange doings of of weird creatures.

0:41:51.480 --> 0:41:52.759
<v Speaker 1>And I guess that's one of the reasons that makes

0:41:52.760 --> 0:41:54.520
<v Speaker 1>them weird in other world is you don't know what

0:41:54.600 --> 0:41:57.400
<v Speaker 1>their role in the whole scenario is. Uh, you know,

0:41:57.440 --> 0:41:59.319
<v Speaker 1>what are you doing here? Are you're feeding off of

0:41:59.360 --> 0:42:03.960
<v Speaker 1>the the of the misery of the bereavement, or are

0:42:04.000 --> 0:42:07.320
<v Speaker 1>you here as an agent of death? What exactly is

0:42:07.360 --> 0:42:09.200
<v Speaker 1>going on? Are you're trying to warn us or is

0:42:09.200 --> 0:42:13.040
<v Speaker 1>it something to be on any of these interpretations, they're

0:42:13.080 --> 0:42:16.359
<v Speaker 1>here on ghost business. That's all you know. Now, let's

0:42:16.400 --> 0:42:20.200
<v Speaker 1>get back into just ideas of storms and rain and

0:42:20.280 --> 0:42:25.280
<v Speaker 1>water and cataclysmic weather. So plenty of cultures have major

0:42:25.360 --> 0:42:30.080
<v Speaker 1>flood storm and cataclysm myths and and China is no exception. There's,

0:42:30.080 --> 0:42:32.600
<v Speaker 1>of course, the story of You the Great who overcomes

0:42:32.600 --> 0:42:36.359
<v Speaker 1>the day lose with drainage channels and earthwork. Uh. There's

0:42:36.360 --> 0:42:39.759
<v Speaker 1>also the Chinese flood myth concerning the water god Uh

0:42:39.800 --> 0:42:44.239
<v Speaker 1>Gong Gong Uh sometimes relegated as one of the four perils.

0:42:44.920 --> 0:42:47.440
<v Speaker 1>So this is a vast serpent with a human head

0:42:47.960 --> 0:42:52.080
<v Speaker 1>red hair, and Gong Gong is said to have caused

0:42:52.080 --> 0:42:56.320
<v Speaker 1>a great flood by bumping into Mount Bouzio, which caused

0:42:56.320 --> 0:43:00.120
<v Speaker 1>the sky pillar to collapse, resulting into cosmic disorder. You

0:43:00.200 --> 0:43:03.120
<v Speaker 1>end up having to have the goddess nuah Uh step

0:43:03.160 --> 0:43:07.280
<v Speaker 1>in repair the sky pillar in order to bring order

0:43:07.320 --> 0:43:10.360
<v Speaker 1>back out of chaos. And sometimes this myth and the

0:43:10.400 --> 0:43:13.560
<v Speaker 1>myth of You the Great are are linked together. And

0:43:13.560 --> 0:43:17.640
<v Speaker 1>then there's the myth of whole Ye the Archer. You

0:43:17.680 --> 0:43:20.359
<v Speaker 1>may remember him from his key row in the Myth

0:43:20.400 --> 0:43:23.320
<v Speaker 1>of the Surplus Sons, or his part in the lunar

0:43:23.360 --> 0:43:27.440
<v Speaker 1>myth of Changa and the Potion of Immortality. But to refresh.

0:43:27.520 --> 0:43:30.479
<v Speaker 1>During the time of the Ten Sons, Emperor Yau calls

0:43:30.560 --> 0:43:33.560
<v Speaker 1>upon Ye to shoot the nine Surplus Sons out of

0:43:33.560 --> 0:43:36.040
<v Speaker 1>the sky, and he does so, saving the earth from

0:43:36.200 --> 0:43:39.799
<v Speaker 1>fiery desolation. But the time of the Ten Sons is

0:43:39.840 --> 0:43:43.760
<v Speaker 1>also a period of great disruption, and many unnatural beings

0:43:43.880 --> 0:43:47.600
<v Speaker 1>roam free to commit great offenses against the gods, and

0:43:47.640 --> 0:43:50.520
<v Speaker 1>so Emperor Yao charges Ye with the destruction of these

0:43:50.560 --> 0:43:53.279
<v Speaker 1>monsters as well. He has to hunt them down and

0:43:53.360 --> 0:43:56.160
<v Speaker 1>slay them in order to protect the people. So is

0:43:56.160 --> 0:43:58.920
<v Speaker 1>this after the sun shoots down the nine surplus sons

0:43:59.040 --> 0:44:02.000
<v Speaker 1>and then goes to he has to clean up afterwards

0:44:02.000 --> 0:44:06.160
<v Speaker 1>with the monsters, right, yeah, yeah, because the cosmic disorder,

0:44:06.600 --> 0:44:08.239
<v Speaker 1>it kind of is You've left with the idea that

0:44:08.280 --> 0:44:11.160
<v Speaker 1>it kind of unleashed these beings or it created an

0:44:11.200 --> 0:44:13.839
<v Speaker 1>atmosphere in which they could thrive, and now they need

0:44:13.880 --> 0:44:18.120
<v Speaker 1>to be put back and check rounded up the loose ponies. Yeah. Now,

0:44:18.120 --> 0:44:22.439
<v Speaker 1>according to the translator's John Major at All in two

0:44:22.440 --> 0:44:25.799
<v Speaker 1>thousand tens the Hawaii non Z, a Guide to the

0:44:25.800 --> 0:44:30.319
<v Speaker 1>Theory and Practice of Government in early Han China, these monsters,

0:44:30.400 --> 0:44:35.239
<v Speaker 1>these monsters that that Ye has to has to hunt down. Um.

0:44:35.560 --> 0:44:38.560
<v Speaker 1>They pop up in various warring states and Han works

0:44:38.560 --> 0:44:42.279
<v Speaker 1>and seem to represent destructive forces of nature. One of

0:44:42.320 --> 0:44:44.840
<v Speaker 1>these monsters you'll learn about next week on The Monster

0:44:44.960 --> 0:44:48.680
<v Speaker 1>Factor or Wednesday Shorty episode UH. And that one I

0:44:48.680 --> 0:44:51.640
<v Speaker 1>think you can also make. There's also a strong evidence

0:44:51.680 --> 0:44:53.480
<v Speaker 1>to support the idea that it represents some sort of

0:44:53.560 --> 0:44:57.640
<v Speaker 1>natural disaster as well. But there's one uh in particular

0:44:57.680 --> 0:45:00.680
<v Speaker 1>that's very connected to the idea of storm, and that

0:45:00.800 --> 0:45:04.840
<v Speaker 1>is the wind bird daufing, So this literally means a

0:45:04.920 --> 0:45:08.799
<v Speaker 1>strong wind. Sometimes I see it translated as typhoon. It's

0:45:08.880 --> 0:45:12.640
<v Speaker 1>a giant, ferocious bird of prey that brings with its

0:45:12.680 --> 0:45:16.720
<v Speaker 1>strong winds whipped up by its mighty wings, so everywhere

0:45:16.719 --> 0:45:18.840
<v Speaker 1>it goes it brings destructive winds with it. So of

0:45:18.880 --> 0:45:20.640
<v Speaker 1>course he has to has to hunt it down, and

0:45:20.680 --> 0:45:23.440
<v Speaker 1>he uses the Interestingly enough, he basically just uses the

0:45:23.480 --> 0:45:27.439
<v Speaker 1>techniques that one would use in hunting birds, especially during

0:45:27.440 --> 0:45:30.560
<v Speaker 1>this time period. He attaches a cord to his arrow

0:45:30.880 --> 0:45:34.160
<v Speaker 1>and shoots the mighty bird out of the sky. He

0:45:34.239 --> 0:45:36.880
<v Speaker 1>holds the cord firmly so that he can, you know,

0:45:36.880 --> 0:45:38.239
<v Speaker 1>sort of keep track of it and kind of bring

0:45:38.239 --> 0:45:41.200
<v Speaker 1>it down, and then he follows that chord to the

0:45:41.280 --> 0:45:44.960
<v Speaker 1>site where he has grounded the mighty uh Daufing, and

0:45:45.000 --> 0:45:48.759
<v Speaker 1>then he cuts its head off with his sword. In

0:45:48.800 --> 0:45:52.719
<v Speaker 1>other tales, he also exacts revenge on the damaging river

0:45:52.840 --> 0:45:56.759
<v Speaker 1>god he Bow, who he blinded in one eye. And

0:45:56.800 --> 0:46:00.200
<v Speaker 1>then he also hunts down or seeks a vengeance the

0:46:00.200 --> 0:46:03.880
<v Speaker 1>wind god thing Bow, who he shot in the knee.

0:46:04.280 --> 0:46:06.560
<v Speaker 1>So you might be a win god on a chariot

0:46:06.560 --> 0:46:09.120
<v Speaker 1>pulled by dragons, or a or a god who actually

0:46:09.160 --> 0:46:11.600
<v Speaker 1>takes on the form of a dragon. But that doesn't

0:46:11.640 --> 0:46:13.759
<v Speaker 1>mean he doesn't have a receipt for you if you

0:46:13.840 --> 0:46:16.640
<v Speaker 1>caused a bunch of storm damage. So this raises a

0:46:16.680 --> 0:46:20.239
<v Speaker 1>thought for me. I'm thinking about, um, what are the

0:46:20.320 --> 0:46:26.359
<v Speaker 1>different influences that determine sort of what level the embodiment

0:46:26.480 --> 0:46:32.359
<v Speaker 1>of the storms uh represents within the pantheon, or maybe

0:46:32.400 --> 0:46:35.400
<v Speaker 1>not even the pantheon. These sort of the supernatural theater

0:46:36.239 --> 0:46:40.160
<v Speaker 1>of a mythological belief system, because I'm thinking about these

0:46:40.160 --> 0:46:44.040
<v Speaker 1>cases where you can have a specific monster or creature.

0:46:44.320 --> 0:46:48.680
<v Speaker 1>In this case, it is a ferocious monster being that

0:46:48.800 --> 0:46:51.440
<v Speaker 1>represents a kind of disorder. It is that it is

0:46:51.480 --> 0:46:53.640
<v Speaker 1>a pony that has gotten loose from a from a

0:46:54.160 --> 0:46:57.799
<v Speaker 1>unharmonious phase of the universe, and it has to be

0:46:57.880 --> 0:47:00.920
<v Speaker 1>slain and set right. So this is the embodiment of

0:47:00.960 --> 0:47:03.560
<v Speaker 1>storms in this one type of mythology. But you have

0:47:03.600 --> 0:47:07.960
<v Speaker 1>plenty of other mythologies where storms are not only part

0:47:08.120 --> 0:47:11.920
<v Speaker 1>of the natural divine order, but they are particularly the

0:47:12.000 --> 0:47:15.640
<v Speaker 1>power of the like most powerful god or the King

0:47:15.680 --> 0:47:18.520
<v Speaker 1>of the gods. Think of you know, the storm associations

0:47:18.920 --> 0:47:22.719
<v Speaker 1>with with Zeus or Jupiter, or the storm associations with

0:47:22.840 --> 0:47:24.839
<v Speaker 1>the some of the chief gods of the ancient Near

0:47:24.880 --> 0:47:28.879
<v Speaker 1>Eastern pantheons. Yeah, it's it's it's interesting to think about this. Yeah,

0:47:28.880 --> 0:47:32.320
<v Speaker 1>because you can there's a huge difference between the storm

0:47:32.360 --> 0:47:36.360
<v Speaker 1>that is caused by the high god or a particularly

0:47:36.400 --> 0:47:39.640
<v Speaker 1>powerful deity, one that is worshiped, and a storm caused

0:47:39.680 --> 0:47:43.840
<v Speaker 1>by various monsters that are rampaging. Uh. You know, things

0:47:43.880 --> 0:47:48.880
<v Speaker 1>that represent cosmic disalignment, um and uh. And you know

0:47:49.000 --> 0:47:52.040
<v Speaker 1>you can have ramifications based on how you view that.

0:47:52.080 --> 0:47:55.400
<v Speaker 1>But uh, it's it's interesting to think about, even in

0:47:55.400 --> 0:47:58.080
<v Speaker 1>our modern times, what do we do with hurricanes and

0:47:58.120 --> 0:48:00.879
<v Speaker 1>tropical storms. You know, we aim them and of course

0:48:00.920 --> 0:48:03.640
<v Speaker 1>they're they're very good reasons to name a storm, to

0:48:03.640 --> 0:48:06.080
<v Speaker 1>give it a human name. It it helps, uh in

0:48:06.120 --> 0:48:09.799
<v Speaker 1>communicating things about that storm and tracking them and making

0:48:09.800 --> 0:48:12.480
<v Speaker 1>sure that people are prepared for this particular storm and

0:48:12.560 --> 0:48:15.200
<v Speaker 1>not approaching it like you know, the last storm. You know,

0:48:15.280 --> 0:48:18.120
<v Speaker 1>each each hurricane that makes landfall is coming in a

0:48:18.160 --> 0:48:20.760
<v Speaker 1>difference in different intensities, and it's gonna infect a different

0:48:20.800 --> 0:48:23.839
<v Speaker 1>area in a different way. It does seem interesting that

0:48:24.040 --> 0:48:26.240
<v Speaker 1>I could be wrong about this, but my gut feeling

0:48:26.360 --> 0:48:30.080
<v Speaker 1>is that people have an easier time knowing which hurricane

0:48:30.120 --> 0:48:32.839
<v Speaker 1>you're talking about when they have names attached to them

0:48:32.880 --> 0:48:35.359
<v Speaker 1>than they would if you were just referencing it by

0:48:35.520 --> 0:48:38.640
<v Speaker 1>like a year or something. You know, yeah, yeah, the

0:48:39.040 --> 0:48:41.440
<v Speaker 1>storm of ninety seven or something. But if you if

0:48:41.480 --> 0:48:44.360
<v Speaker 1>you give it a human name, yeah, you're you're anthropomorphizing

0:48:44.400 --> 0:48:46.680
<v Speaker 1>it a little bit. Just you know, there's no way

0:48:46.719 --> 0:48:49.640
<v Speaker 1>around it. Uh, But people are going to remember it,

0:48:49.640 --> 0:48:51.360
<v Speaker 1>people are going to know it's coming. It seems to

0:48:51.360 --> 0:48:54.520
<v Speaker 1>me that, like when you say Andrew, that conjures up

0:48:54.560 --> 0:48:58.560
<v Speaker 1>like specific imagery that you recall from being associated with

0:48:58.600 --> 0:49:01.400
<v Speaker 1>that name. Verse is like if you were just to

0:49:01.440 --> 0:49:03.120
<v Speaker 1>say the year number. I don't know, maybe it would

0:49:03.120 --> 0:49:04.759
<v Speaker 1>be different if we were referred to it by years,

0:49:04.800 --> 0:49:13.200
<v Speaker 1>but that's my feeling on it. Thank now to move

0:49:13.239 --> 0:49:15.960
<v Speaker 1>elsewhere in the world. Another one that I ran across

0:49:16.400 --> 0:49:19.120
<v Speaker 1>the Blue Men of minch Uh. So. There are a

0:49:19.160 --> 0:49:21.640
<v Speaker 1>lot of mr Folk myths and legends out there that

0:49:21.760 --> 0:49:25.160
<v Speaker 1>involve the creatures having some degree of control over or

0:49:25.280 --> 0:49:28.520
<v Speaker 1>knowledge of weather and storms, and they're ultimately just too

0:49:28.600 --> 0:49:31.800
<v Speaker 1>numerous to go through. There's a lot of similarities between them,

0:49:31.840 --> 0:49:34.600
<v Speaker 1>but this one stood out to me. The mer people

0:49:34.920 --> 0:49:37.919
<v Speaker 1>were said this particular variety of people anyway, were said

0:49:37.920 --> 0:49:42.719
<v Speaker 1>to haunt the Minch passage of the Outer Hebrides off

0:49:42.760 --> 0:49:46.040
<v Speaker 1>of Scotland. Uh. This body of water is known in

0:49:46.160 --> 0:49:50.960
<v Speaker 1>Gaelic as uh thruth nap fear Gorma, the channel of

0:49:51.000 --> 0:49:54.720
<v Speaker 1>the blue Men. Uh. So this is also interesting Conserdaly,

0:49:54.760 --> 0:49:56.319
<v Speaker 1>we're talking about gray men, and here we are with

0:49:56.400 --> 0:49:59.640
<v Speaker 1>blue men. So they were said to look like normal humans,

0:49:59.680 --> 0:50:03.880
<v Speaker 1>except up with entirely blue skin and gray beards. And

0:50:03.880 --> 0:50:06.080
<v Speaker 1>it's a treacherous passage of water apparently. And so the

0:50:06.360 --> 0:50:08.880
<v Speaker 1>legend was that the blue men would rise up from

0:50:08.920 --> 0:50:11.680
<v Speaker 1>their deep caves and they would summon fierce storms against

0:50:11.680 --> 0:50:16.359
<v Speaker 1>trespassing human ships and wreck them. But wise captains knew

0:50:16.400 --> 0:50:20.759
<v Speaker 1>that the blue men loved rhyming contests, so they could

0:50:20.800 --> 0:50:24.239
<v Speaker 1>earn the ship's safety across the passage if they just

0:50:24.280 --> 0:50:29.080
<v Speaker 1>had some great rhymes up there at sleeves. Now. Carol

0:50:29.200 --> 0:50:31.919
<v Speaker 1>Rosen in her book she she shares that the myth

0:50:32.040 --> 0:50:35.799
<v Speaker 1>is thought to be based on Moorish slaves marooned by

0:50:36.120 --> 0:50:39.200
<v Speaker 1>Vikings in the area during the ninth century. And the

0:50:39.280 --> 0:50:44.120
<v Speaker 1>idea here is that, uh that these these individuals would

0:50:44.160 --> 0:50:49.720
<v Speaker 1>have worn long blue robes and gray blue veils. Huh.

0:50:49.840 --> 0:50:55.160
<v Speaker 1>And incidentally, the Tuareg people of of Saharan Africa, uh,

0:50:55.440 --> 0:50:58.680
<v Speaker 1>apparently do wear these fashions like these are the traditional

0:50:58.719 --> 0:51:01.920
<v Speaker 1>fashions of the tire people. Now do you know if

0:51:02.120 --> 0:51:05.000
<v Speaker 1>that's more of a kind of legendary explanation or is

0:51:05.080 --> 0:51:09.240
<v Speaker 1>that thought by any modern scholars to have any likely

0:51:09.280 --> 0:51:12.319
<v Speaker 1>explanatory power in the origin of the myth? Well, I

0:51:12.360 --> 0:51:15.319
<v Speaker 1>was looking into it a bit, and apparently Scottish folkloreist

0:51:15.360 --> 0:51:18.640
<v Speaker 1>Donald A. Mackenzie, who lived eighteen seventy three through nineteen

0:51:18.680 --> 0:51:22.319
<v Speaker 1>thirty six, it was kind of the the individual who

0:51:22.360 --> 0:51:27.239
<v Speaker 1>really popularized this hypothesis. And today I think there's some

0:51:27.320 --> 0:51:30.279
<v Speaker 1>individuals who think that the true origin might just be

0:51:30.400 --> 0:51:35.360
<v Speaker 1>accounts of the Tireg people, although the Saharan Africa that traveled, um,

0:51:35.400 --> 0:51:38.840
<v Speaker 1>you know, some sort of you know, communication of this idea,

0:51:38.920 --> 0:51:41.440
<v Speaker 1>maybe that you have some sort of a murfulk tradition

0:51:41.600 --> 0:51:44.799
<v Speaker 1>and you combine that with with uh, you know, some

0:51:44.880 --> 0:51:48.280
<v Speaker 1>sort of knowledge of Tareg people and what they wore.

0:51:49.000 --> 0:51:53.360
<v Speaker 1>Or if not the tire people, then perhaps um predecessors

0:51:53.400 --> 0:51:57.080
<v Speaker 1>to them that had similar fashions and similar uh you know,

0:51:57.239 --> 0:52:01.839
<v Speaker 1>dies and use. But another suggest explanation is that this

0:52:02.000 --> 0:52:04.799
<v Speaker 1>belief in the blue people, the blue men, and that

0:52:04.880 --> 0:52:09.279
<v Speaker 1>it refers in some fashion to tattooed pitts. Uh. These

0:52:09.320 --> 0:52:11.960
<v Speaker 1>were have been uh uh you know, people who were

0:52:12.040 --> 0:52:16.560
<v Speaker 1>known for their tattoos, uh. And that the Latin origin

0:52:16.600 --> 0:52:20.360
<v Speaker 1>of picks is painted people. I seem to recall this

0:52:20.480 --> 0:52:23.439
<v Speaker 1>from the Roman period at least some author talking about

0:52:23.440 --> 0:52:26.759
<v Speaker 1>the idea that there would be people in um. I

0:52:26.800 --> 0:52:28.440
<v Speaker 1>don't know what they called it at the time. It

0:52:28.520 --> 0:52:31.320
<v Speaker 1>was at Caledonia, you know, the area that is now Scotland,

0:52:31.360 --> 0:52:33.359
<v Speaker 1>you know, north of England, so you would have had

0:52:33.960 --> 0:52:36.040
<v Speaker 1>Roman Britain, and then at a certain point that you

0:52:36.040 --> 0:52:38.960
<v Speaker 1>have Hadrian's Wall, and then there are tribes that live

0:52:39.040 --> 0:52:41.719
<v Speaker 1>north of that that they regarded as very barbaric, and

0:52:41.760 --> 0:52:45.040
<v Speaker 1>I think they there's some reference there to these people

0:52:45.120 --> 0:52:49.000
<v Speaker 1>being painted in blue, or their warriors being painted in blue. Yeah.

0:52:49.160 --> 0:52:51.520
<v Speaker 1>So ultimately, you know, we don't we don't know exactly

0:52:51.840 --> 0:52:54.719
<v Speaker 1>what the blue men of min is referring to, or

0:52:54.760 --> 0:52:58.000
<v Speaker 1>what indeed what which what influences or what combination of

0:52:58.040 --> 0:53:01.279
<v Speaker 1>influences led to this tradition, but it was said they

0:53:01.280 --> 0:53:04.640
<v Speaker 1>can control the weather, so it's certainly worth mentioning here.

0:53:05.200 --> 0:53:07.280
<v Speaker 1>Now another one. I have to get into the realm

0:53:07.280 --> 0:53:10.319
<v Speaker 1>of yokai here for a bit um and. And I'm

0:53:10.400 --> 0:53:13.879
<v Speaker 1>especially excited to talk about this because I recently picked

0:53:13.960 --> 0:53:15.919
<v Speaker 1>up a fun little book to read with my son

0:53:16.000 --> 0:53:21.120
<v Speaker 1>titled Yokai Attacked the Japanese Monster Survival Guide. Um. This

0:53:21.200 --> 0:53:27.400
<v Speaker 1>is by Yoda and Alt and illustrated by by Tatsuya Marino.

0:53:27.640 --> 0:53:30.680
<v Speaker 1>And it's a fun little book with uh that that

0:53:30.800 --> 0:53:34.399
<v Speaker 1>has some wonderful illustrations but also some great information in it.

0:53:34.400 --> 0:53:38.160
<v Speaker 1>It's well cited and very informative and very fun for

0:53:38.280 --> 0:53:42.400
<v Speaker 1>young readers. Uh so. Uh. I was looking through that

0:53:42.440 --> 0:53:44.600
<v Speaker 1>and I was like, okay, I know there's some yokai

0:53:44.680 --> 0:53:47.640
<v Speaker 1>that relate to the weather or to the water, so

0:53:47.680 --> 0:53:50.480
<v Speaker 1>there's got to be something good in here. It on me. Well,

0:53:50.520 --> 0:53:54.200
<v Speaker 1>there's one by the name of Umi bo Zoo. Uh.

0:53:54.239 --> 0:53:57.680
<v Speaker 1>They're known as the Sea Monks, Japanese yokai said to

0:53:57.719 --> 0:54:02.799
<v Speaker 1>resemble great black bull black beings with glowing eyes emerging

0:54:02.840 --> 0:54:05.640
<v Speaker 1>from the water. Uh In. The black may or may

0:54:05.680 --> 0:54:07.799
<v Speaker 1>not be fur if you could touch it, depending on

0:54:07.880 --> 0:54:11.640
<v Speaker 1>the the account. Also depending on the account, they might

0:54:11.680 --> 0:54:14.719
<v Speaker 1>be vengeful ghosts of the sea. Uh. And in this

0:54:14.840 --> 0:54:18.239
<v Speaker 1>they have much in common with some Chinese ghost traditions

0:54:18.400 --> 0:54:23.200
<v Speaker 1>uh the boat's spirits or fun yura, which you'll find

0:54:23.440 --> 0:54:27.160
<v Speaker 1>illustrations off as well. But in anyway, the the umu

0:54:27.239 --> 0:54:29.640
<v Speaker 1>boz are said to rise from the surface of the

0:54:29.640 --> 0:54:32.719
<v Speaker 1>ocean even during the day. Even so, even if they're

0:54:32.840 --> 0:54:35.600
<v Speaker 1>there's there's nothing going on, you know, with darkness and storm,

0:54:35.840 --> 0:54:40.839
<v Speaker 1>but they bring with them atmospheric disturbances and storms. Um.

0:54:40.920 --> 0:54:43.160
<v Speaker 1>And of course this means that ultimately what they're trying

0:54:43.160 --> 0:54:47.200
<v Speaker 1>to do, of course, is they want to bring down vessels.

0:54:47.520 --> 0:54:50.680
<v Speaker 1>They want to cause your ship to sink, drag it

0:54:50.719 --> 0:54:53.640
<v Speaker 1>to the bottom of the ocean. And the smaller ones

0:54:53.680 --> 0:54:55.520
<v Speaker 1>you might be able to drive away, but the larger

0:54:55.520 --> 0:54:58.080
<v Speaker 1>ones are just too powerful. Okay. So this would be

0:54:58.120 --> 0:54:59.880
<v Speaker 1>more in line with the type of creature like the

0:55:00.040 --> 0:55:03.640
<v Speaker 1>in the bird from from Chinese legend that literally brings

0:55:03.760 --> 0:55:07.319
<v Speaker 1>the storm and weather disturbances by its own like it

0:55:07.400 --> 0:55:10.520
<v Speaker 1>directly causes them. Yeah, yeah, it would seem to be

0:55:10.600 --> 0:55:14.320
<v Speaker 1>the case. Um. And these are these are fun ideas

0:55:14.360 --> 0:55:16.040
<v Speaker 1>to get into as well, because first of all, the

0:55:16.080 --> 0:55:19.200
<v Speaker 1>idea of any kind of enormous being certainly, um. You

0:55:19.200 --> 0:55:22.759
<v Speaker 1>know this, this black creature emerging from the water. Uh,

0:55:22.840 --> 0:55:25.160
<v Speaker 1>it instantly makes us think of whales. And indeed, there

0:55:25.440 --> 0:55:30.640
<v Speaker 1>may be some connection there between between these legendary creatures

0:55:30.640 --> 0:55:34.279
<v Speaker 1>and whale sightings. And I also there's the possibility that

0:55:34.280 --> 0:55:37.560
<v Speaker 1>there's some sort of atmosphereic ghost lighting involved as well,

0:55:37.600 --> 0:55:41.200
<v Speaker 1>which is, you know, something worth remembering anytime you're dealing

0:55:41.239 --> 0:55:44.400
<v Speaker 1>with ghosts of the ocean. But one of the interesting

0:55:44.400 --> 0:55:46.960
<v Speaker 1>takes I was reading about the fun yuri that the

0:55:47.080 --> 0:55:50.000
<v Speaker 1>Chinese version of this the boat spirits uh, is that

0:55:50.040 --> 0:55:54.440
<v Speaker 1>they were sometimes attributed with ladling water into ships and

0:55:54.480 --> 0:55:57.879
<v Speaker 1>causing them to sink, or or just by their very

0:55:57.920 --> 0:56:01.360
<v Speaker 1>presence causing compasses not to work. But they were also

0:56:01.400 --> 0:56:05.319
<v Speaker 1>said to simply hold ships in place, and some have

0:56:05.440 --> 0:56:09.279
<v Speaker 1>theorized that this might occur due to dead water. So

0:56:09.360 --> 0:56:13.080
<v Speaker 1>this is a nautical phenomenon which UH you see take

0:56:13.080 --> 0:56:15.960
<v Speaker 1>at least a couple of different forms. UH. For instance,

0:56:16.000 --> 0:56:20.279
<v Speaker 1>you see it in in far northern um environments. You

0:56:20.320 --> 0:56:23.800
<v Speaker 1>see this situation where slow moving vessels can become stuck

0:56:24.120 --> 0:56:27.480
<v Speaker 1>due to a thin layer of fresh water spreading over

0:56:27.520 --> 0:56:32.840
<v Speaker 1>the sea from melting ice. UM. But then also you

0:56:32.960 --> 0:56:37.520
<v Speaker 1>see the situation with internal waves due to shallow brackish

0:56:37.560 --> 0:56:41.200
<v Speaker 1>water and the upper layer of the water column, making

0:56:41.239 --> 0:56:44.440
<v Speaker 1>it where if ship will feel stuck in the water,

0:56:45.000 --> 0:56:48.200
<v Speaker 1>as if something is holding it there. So it's been

0:56:48.760 --> 0:56:51.640
<v Speaker 1>hypothesized that this could be a possible one of the

0:56:51.680 --> 0:56:53.920
<v Speaker 1>possible reasons for this kind of myth, like something is

0:56:53.960 --> 0:56:56.120
<v Speaker 1>holding the ship in place. What is it? It must

0:56:56.120 --> 0:56:58.719
<v Speaker 1>be some sort of ghostly presence. Oh yeah, I think

0:56:59.280 --> 0:57:01.520
<v Speaker 1>the snake spirit. It might have been. In our episodes

0:57:01.560 --> 0:57:06.879
<v Speaker 1>about the sarcassom seaweed that we uh discussed other other

0:57:06.920 --> 0:57:10.239
<v Speaker 1>supernatural ideas about the dull drums and ways that your

0:57:10.280 --> 0:57:14.360
<v Speaker 1>ship can become stuck in water without a propelling wind. Yeah,

0:57:14.920 --> 0:57:17.200
<v Speaker 1>of course that's interesting too, right because because the the

0:57:17.280 --> 0:57:20.240
<v Speaker 1>idea of a terrible storm can be devastating to the

0:57:20.240 --> 0:57:23.760
<v Speaker 1>ship at sea, but also uh a complete absence of

0:57:23.800 --> 0:57:28.600
<v Speaker 1>weather can be equally disturbing. Yeah. Now here's another creature

0:57:28.600 --> 0:57:30.520
<v Speaker 1>that came up when I was looking around, and that's

0:57:30.640 --> 0:57:34.320
<v Speaker 1>uh Um the Alps an interesting lake monster at this

0:57:34.360 --> 0:57:37.400
<v Speaker 1>time from the folklore of Switzerland centered on the lake

0:57:37.640 --> 0:57:42.560
<v Speaker 1>um uh Sellsburg see near lucerne uh sidings are recorded

0:57:42.600 --> 0:57:46.320
<v Speaker 1>from eighty four through nine six. Kind of a bulky,

0:57:46.480 --> 0:57:51.200
<v Speaker 1>multi limbed dragon creature that may suddenly surface alongside boats

0:57:51.200 --> 0:57:55.600
<v Speaker 1>and scare people. Also may rage sheep herds at night

0:57:55.640 --> 0:57:59.600
<v Speaker 1>and leave disturbingly mutilated bodies in its wake. Um, but

0:57:59.640 --> 0:58:01.760
<v Speaker 1>there are arians in the water. Was said to foretell

0:58:01.840 --> 0:58:05.440
<v Speaker 1>a powerful storm. Um. And so I had to look

0:58:05.480 --> 0:58:07.680
<v Speaker 1>this wake up. I wasn't familiar with it. Uh. It's

0:58:07.720 --> 0:58:11.000
<v Speaker 1>also known as Seeley and it covers forty four acres

0:58:11.040 --> 0:58:15.680
<v Speaker 1>and reaches depths of thirty seven meters or one feet. Now,

0:58:15.680 --> 0:58:20.040
<v Speaker 1>in Irish mythology, you also have the Fomorians. Um. These

0:58:20.040 --> 0:58:22.760
<v Speaker 1>were said to be the original occupants of Ireland who

0:58:22.840 --> 0:58:26.440
<v Speaker 1>were defeated by the invading fur Bags and then transformed

0:58:26.440 --> 0:58:29.720
<v Speaker 1>into grotesque monsters or giants. And then of course the

0:58:29.760 --> 0:58:31.920
<v Speaker 1>to offend Dan and come along and they invade and

0:58:31.960 --> 0:58:34.360
<v Speaker 1>they defeat the defeat the fur Bags. And so the

0:58:34.400 --> 0:58:38.600
<v Speaker 1>Fomorians are sometimes attributed with power over weather, over storms,

0:58:38.840 --> 0:58:41.960
<v Speaker 1>as well as given the power to blight crops. Oh yeah,

0:58:42.000 --> 0:58:44.440
<v Speaker 1>we we We talked about Fomorians in the context of

0:58:44.880 --> 0:58:50.520
<v Speaker 1>Kuhlan or Kukullen. Yeah. Now, another interesting monster that is

0:58:50.880 --> 0:58:53.800
<v Speaker 1>that is definitely tied to the wind. At least in

0:58:53.840 --> 0:58:57.160
<v Speaker 1>its origins, are the Harpies. And I think harpies are

0:58:57.160 --> 0:59:00.480
<v Speaker 1>interesting because I think a lot of modern monster fans

0:59:00.880 --> 0:59:03.919
<v Speaker 1>probably think of of maybe two or three different things

0:59:03.960 --> 0:59:06.680
<v Speaker 1>when you imagine the harpy. First of all, they're Ray

0:59:06.720 --> 0:59:09.440
<v Speaker 1>Harry Housing's harpies from Jason and the Argonauts. Do you

0:59:09.440 --> 0:59:13.080
<v Speaker 1>remember these, Oh, yeah, these terrible blue women with the

0:59:13.160 --> 0:59:16.400
<v Speaker 1>with the large blue bat wings. Yeah, they have bat

0:59:16.440 --> 0:59:19.680
<v Speaker 1>like wings in uh, in Jason and the Argonauts. But

0:59:19.680 --> 0:59:23.720
<v Speaker 1>they're they're pretty creepy, very gargoyle esque. Um. Outside of

0:59:23.720 --> 0:59:28.040
<v Speaker 1>this tradition, they're they're pretty weak enemies and dungeons and dragons, uh,

0:59:28.360 --> 0:59:31.240
<v Speaker 1>not very impressive, but there's some cool illustrations of them.

0:59:31.640 --> 0:59:34.520
<v Speaker 1>And then of course there's the harpy in um the

0:59:35.120 --> 0:59:39.240
<v Speaker 1>last Unicorn, which is a terrifying and powerful creature that

0:59:39.600 --> 0:59:41.960
<v Speaker 1>is is pretty much the direct opposite of everything they

0:59:41.960 --> 0:59:45.320
<v Speaker 1>are in Dungeons and Dragons and so in. I think,

0:59:45.360 --> 0:59:47.640
<v Speaker 1>you know, generally, in our interpretation of the harpies, we

0:59:47.640 --> 0:59:51.960
<v Speaker 1>think of grotesque hybrids of vultures and women, sometimes with

0:59:52.080 --> 0:59:55.080
<v Speaker 1>the other influences thrown in. I've seen accunts where they

0:59:55.120 --> 0:59:59.080
<v Speaker 1>say that they have bare ears and in wait, bare ears,

0:59:59.440 --> 1:00:01.320
<v Speaker 1>bare ear, it's like the ears of a bear. I

1:00:01.360 --> 1:00:04.600
<v Speaker 1>can't even picture bare ears what a bear ears look like.

1:00:05.000 --> 1:00:06.760
<v Speaker 1>I don't. I mean, that's why I'm I think we

1:00:06.760 --> 1:00:09.440
<v Speaker 1>we often just just whittle it down to just uh,

1:00:09.720 --> 1:00:13.440
<v Speaker 1>you know, an old woman plus uh vulture, you know,

1:00:13.480 --> 1:00:15.480
<v Speaker 1>because you throw in these other influences. Yet, what does

1:00:15.480 --> 1:00:20.960
<v Speaker 1>it even mean? Okay, I just time barriers. They're little nubs.

1:00:21.000 --> 1:00:24.200
<v Speaker 1>I mean like barriers. Do not seem like especially notable

1:00:24.320 --> 1:00:27.400
<v Speaker 1>kinds of animal ears. Yeah, well maybe an admant more

1:00:28.040 --> 1:00:31.080
<v Speaker 1>during the time when when this was attributed to their

1:00:30.840 --> 1:00:34.800
<v Speaker 1>to their their these these monsters. That's such a funny choice.

1:00:34.840 --> 1:00:37.160
<v Speaker 1>I love it. Now. In Greek and Roman myth the

1:00:37.240 --> 1:00:39.680
<v Speaker 1>number of the harpies it it varies. There may be

1:00:39.760 --> 1:00:42.520
<v Speaker 1>as few as one or as many as five. And

1:00:42.640 --> 1:00:46.680
<v Speaker 1>in origin they are linked to traditions of wind spirits,

1:00:46.760 --> 1:00:49.080
<v Speaker 1>and we see that in the various names that have

1:00:49.120 --> 1:00:53.920
<v Speaker 1>been attributed to them. So in theogeny Hessiod rights quote

1:00:54.200 --> 1:00:57.840
<v Speaker 1>and Thomas wedded Electra the daughter of deep flowing ocean

1:00:58.280 --> 1:01:01.800
<v Speaker 1>and she bare him swift risks and the long haired

1:01:01.880 --> 1:01:06.880
<v Speaker 1>harpies a yell o storm, swift and nosepates swift flyer

1:01:07.320 --> 1:01:10.360
<v Speaker 1>who on their swift wings keep pace with the blasts

1:01:10.360 --> 1:01:13.840
<v Speaker 1>of the winds and the birds for quick as time

1:01:14.000 --> 1:01:18.120
<v Speaker 1>they dart along. By the way, Dungeons and Dragons gives

1:01:18.160 --> 1:01:21.920
<v Speaker 1>harpies a laughable forty foot flying speed. Come on, that

1:01:22.040 --> 1:01:26.000
<v Speaker 1>does not sound as fast as time? What is it? Okay?

1:01:26.000 --> 1:01:28.840
<v Speaker 1>So I don't know flying speeds usually what is fort Oh?

1:01:28.840 --> 1:01:31.479
<v Speaker 1>I think I've got a I think my character, who's

1:01:31.560 --> 1:01:33.760
<v Speaker 1>kind of a whimp, has a thirty foot walking speed.

1:01:33.880 --> 1:01:36.480
<v Speaker 1>Is that right? Yeah? Yeah, thirty foot walking walking is

1:01:36.520 --> 1:01:41.880
<v Speaker 1>like a general humanoid walking speed. So the harpie can

1:01:41.960 --> 1:01:45.760
<v Speaker 1>fly just a little further than a human being can walk.

1:01:46.400 --> 1:01:49.680
<v Speaker 1>Uh in Dungeons and Dragons, which is clearly this is

1:01:49.720 --> 1:01:52.440
<v Speaker 1>a creature that needs a needs a reboot. In the

1:01:52.440 --> 1:01:55.920
<v Speaker 1>Monster Manual, now A Homer also wrote of harpies, particularly

1:01:55.920 --> 1:02:00.160
<v Speaker 1>the harpy podar j which means a swift foot, and

1:02:00.200 --> 1:02:02.600
<v Speaker 1>this is said to be the mother of Balius and

1:02:02.760 --> 1:02:06.560
<v Speaker 1>xanthus the steeds of Achilles, And in a more general sense,

1:02:06.680 --> 1:02:09.880
<v Speaker 1>the harpy is a human bird hybrid. Of course, and

1:02:09.920 --> 1:02:12.560
<v Speaker 1>we see a lot of these and global myth cycles,

1:02:12.600 --> 1:02:14.840
<v Speaker 1>and it's often pointed out that this sort of particular

1:02:14.920 --> 1:02:18.240
<v Speaker 1>hybrid between humans and creatures of the air, it often

1:02:18.280 --> 1:02:20.760
<v Speaker 1>has some sort of connection between earth and sky, between

1:02:20.800 --> 1:02:24.560
<v Speaker 1>the world of mortals and the abode of the gods. Uh.

1:02:24.600 --> 1:02:27.960
<v Speaker 1>The harpy also specifically is often brought up as an

1:02:27.960 --> 1:02:31.920
<v Speaker 1>example of the monstrous feminine uh in in myth, making

1:02:32.040 --> 1:02:35.600
<v Speaker 1>so an imagined creature used to convey negative attitudes about

1:02:35.640 --> 1:02:38.400
<v Speaker 1>females and female bodies. Yeah. I think of it as

1:02:38.440 --> 1:02:41.800
<v Speaker 1>a kind of standard genre of misogynist comment to to

1:02:42.040 --> 1:02:46.600
<v Speaker 1>compare a woman that you don't like to a harpy. Yeah,

1:02:46.600 --> 1:02:49.520
<v Speaker 1>but it seems that in their original form, in their origins,

1:02:49.560 --> 1:02:53.240
<v Speaker 1>they were more like minor wind gods or or wind demons,

1:02:53.800 --> 1:02:57.160
<v Speaker 1>perhaps more in keeping with the furies who might descend

1:02:57.200 --> 1:03:00.160
<v Speaker 1>on a mortal at the behest of a god. By

1:03:00.200 --> 1:03:01.880
<v Speaker 1>the way, an interesting wrinkle on all of this, I

1:03:01.920 --> 1:03:05.600
<v Speaker 1>think we've discussed before is that the sirens, who we

1:03:05.680 --> 1:03:08.200
<v Speaker 1>often think of now, and this is represented in our

1:03:08.360 --> 1:03:10.320
<v Speaker 1>you think of mermaids, or you think of, you know,

1:03:10.400 --> 1:03:14.000
<v Speaker 1>beautiful veiled women emerging from the surf, but they were

1:03:14.040 --> 1:03:18.520
<v Speaker 1>originally bird female hybrids as well, and so ancient depictions

1:03:18.520 --> 1:03:20.640
<v Speaker 1>of what we might think of as harpies in the

1:03:20.640 --> 1:03:25.160
<v Speaker 1>modern sense, Uh, might have been sirens or in some cases, uh,

1:03:25.840 --> 1:03:28.760
<v Speaker 1>just we're something else, some other kind of bird human hybrid.

1:03:29.200 --> 1:03:32.720
<v Speaker 1>For instance, there is a tomb, the tomb of Xantha's

1:03:32.800 --> 1:03:35.640
<v Speaker 1>found uh and uh there's a carving from it, various

1:03:35.640 --> 1:03:36.960
<v Speaker 1>carvings from it, I think that you can find in

1:03:37.000 --> 1:03:40.000
<v Speaker 1>the British Museum, and it's it's been referred to for

1:03:40.040 --> 1:03:42.040
<v Speaker 1>a long time as the harpy tom. I mean, you

1:03:42.080 --> 1:03:46.400
<v Speaker 1>see this winged female figure. Though it's it's far from

1:03:46.440 --> 1:03:49.880
<v Speaker 1>certain that these were sirens, but they were probably not

1:03:50.040 --> 1:03:53.360
<v Speaker 1>harpies either. Uh. So I think it's still an open

1:03:53.440 --> 1:03:57.000
<v Speaker 1>question exactly what this particular being is supposed to be,

1:03:57.400 --> 1:04:00.120
<v Speaker 1>you know, bringing this back to the special poe and

1:04:00.240 --> 1:04:03.160
<v Speaker 1>see of weather mythology and weather monsters when it comes

1:04:03.200 --> 1:04:07.920
<v Speaker 1>to sailing and ocean going. This reminds me of a

1:04:07.960 --> 1:04:09.960
<v Speaker 1>few years ago I had a conversation with the author

1:04:10.040 --> 1:04:13.280
<v Speaker 1>Chet van Douser about his his books about the history

1:04:13.360 --> 1:04:18.120
<v Speaker 1>of depictions of monsters on maps and um and one

1:04:18.120 --> 1:04:19.800
<v Speaker 1>of the surprising things about that is if you had

1:04:19.840 --> 1:04:23.200
<v Speaker 1>to guess, okay, what are the most common types of

1:04:23.240 --> 1:04:27.160
<v Speaker 1>sea monsters, you would imagine depicted on a map. Uh,

1:04:27.440 --> 1:04:29.680
<v Speaker 1>you would probably guess what's some kind of like ocean

1:04:29.800 --> 1:04:33.640
<v Speaker 1>dragon type thing, or maybe the the kraken, or like

1:04:33.680 --> 1:04:36.919
<v Speaker 1>a snake like sea monster. No, by far, the most

1:04:36.920 --> 1:04:40.360
<v Speaker 1>common type of monster, at least depicted throughout the Western

1:04:40.440 --> 1:04:42.800
<v Speaker 1>history of maps, is the siren. If you're gonna have

1:04:42.880 --> 1:04:44.800
<v Speaker 1>one type of monster on there, it's going to be

1:04:44.800 --> 1:04:47.560
<v Speaker 1>a siren. And and do you remember if it was

1:04:47.640 --> 1:04:52.560
<v Speaker 1>the more mur folk style siren or the winged I'm

1:04:52.600 --> 1:04:54.920
<v Speaker 1>cautious to answer that because I'm not positive, but I

1:04:54.960 --> 1:04:59.240
<v Speaker 1>seem to recall representations both ways. Um, so I guess

1:04:59.280 --> 1:05:02.040
<v Speaker 1>the wing adverse Asian would probably be closer to this

1:05:02.120 --> 1:05:06.240
<v Speaker 1>association with weather events, Yeah, I would, I would think so. Yeah,

1:05:06.240 --> 1:05:11.240
<v Speaker 1>they and certainly the the the curious nature of winds

1:05:11.360 --> 1:05:13.800
<v Speaker 1>and winds at sea. And I guess that's where a

1:05:13.800 --> 1:05:16.200
<v Speaker 1>lot of this comes back to, like how how do

1:05:16.280 --> 1:05:19.200
<v Speaker 1>we today and how have people throughout history thought about

1:05:19.480 --> 1:05:24.960
<v Speaker 1>weather patterns, particularly destructive weather that seem out of the normal. Uh,

1:05:25.000 --> 1:05:28.320
<v Speaker 1>you know, that are unique and dangerous? How do we

1:05:28.360 --> 1:05:32.160
<v Speaker 1>think about those? Are those the work of strange creatures

1:05:32.200 --> 1:05:35.800
<v Speaker 1>that we can't quite understand? Are they cosmic? Anomalies. Might

1:05:35.800 --> 1:05:38.320
<v Speaker 1>there be some sort of magical being that would warn

1:05:38.360 --> 1:05:41.400
<v Speaker 1>us if these are occurring? Is there some hero that

1:05:41.440 --> 1:05:44.280
<v Speaker 1>could protect us from them, because they could slay these

1:05:44.320 --> 1:05:49.200
<v Speaker 1>monsters and return the world to to some sort of normality. Um, yeah,

1:05:49.280 --> 1:05:52.560
<v Speaker 1>it's it's fascinating to think about. I wonder about something else,

1:05:52.840 --> 1:05:56.160
<v Speaker 1>coming back to gray Man type sightings of you know,

1:05:56.240 --> 1:05:59.520
<v Speaker 1>the being that would warn you about about a coming storm.

1:05:59.560 --> 1:06:03.080
<v Speaker 1>I wonder to what extent legends like that could also

1:06:03.120 --> 1:06:05.600
<v Speaker 1>sort of be going the other way in terms of

1:06:05.600 --> 1:06:09.960
<v Speaker 1>our internal mental causation, meaning like how much of it

1:06:10.000 --> 1:06:13.920
<v Speaker 1>is based in People have some kind of experience, you know,

1:06:14.000 --> 1:06:16.240
<v Speaker 1>they see what they think is a is a spectral

1:06:16.320 --> 1:06:19.600
<v Speaker 1>figure or spirit of something or something, and they want

1:06:19.640 --> 1:06:22.440
<v Speaker 1>it to mean something. They don't want to just be

1:06:22.560 --> 1:06:25.439
<v Speaker 1>I saw something weird and there's no reason for it,

1:06:25.800 --> 1:06:29.560
<v Speaker 1>so they try to connect it to something significant. It's

1:06:29.600 --> 1:06:33.160
<v Speaker 1>trying to tell me X. This means why when we

1:06:33.240 --> 1:06:36.040
<v Speaker 1>have unusual experiences. I think it's very natural for us

1:06:36.080 --> 1:06:37.880
<v Speaker 1>to try to say no, no, no, that was not

1:06:37.960 --> 1:06:41.240
<v Speaker 1>just an unusual experience. It was an indication of something.

1:06:41.320 --> 1:06:44.880
<v Speaker 1>It was somehow informative, It meant something, and it seems

1:06:44.880 --> 1:06:47.960
<v Speaker 1>like possibly the single easiest place you could go to

1:06:48.120 --> 1:06:52.800
<v Speaker 1>there is connecting it to external environmental events like the weather. Yeah,

1:06:53.280 --> 1:06:54.960
<v Speaker 1>I mean, I think this is one reason there's so

1:06:55.160 --> 1:06:57.960
<v Speaker 1>much weather lore where people can say, oh, you can

1:06:58.000 --> 1:07:00.280
<v Speaker 1>tell the storm's coming when I don't know when cow

1:07:00.360 --> 1:07:03.000
<v Speaker 1>sits down at night, or something like. You know, there's

1:07:03.040 --> 1:07:07.000
<v Speaker 1>a million sayings like that, and it's because weather is

1:07:07.080 --> 1:07:10.760
<v Speaker 1>constantly changing. So there's just like constant opportunities for you

1:07:10.840 --> 1:07:13.960
<v Speaker 1>to observe one thing and then something happens with the

1:07:14.000 --> 1:07:16.560
<v Speaker 1>weather and you make a connection there. Yeah, And our

1:07:16.560 --> 1:07:18.960
<v Speaker 1>mind is constantly looking for those connections. We want to

1:07:18.960 --> 1:07:21.760
<v Speaker 1>make those connections, and often with whether the stakes are

1:07:21.840 --> 1:07:25.960
<v Speaker 1>are enormous, particularly when we're talking about highly destructive weather patterns.

1:07:26.000 --> 1:07:29.600
<v Speaker 1>So of course we're looking for some sort of connection

1:07:29.680 --> 1:07:33.360
<v Speaker 1>between the things we see in the world and what's

1:07:33.400 --> 1:07:37.000
<v Speaker 1>going on in the weather. And that includes, uh, things

1:07:37.040 --> 1:07:40.160
<v Speaker 1>we don't completely see, you know, or we we we

1:07:40.280 --> 1:07:44.480
<v Speaker 1>miss see, or we misinterpret or hallucinations and so forth,

1:07:44.720 --> 1:07:47.360
<v Speaker 1>and so yeah, I think that Uh. One I guess

1:07:47.400 --> 1:07:49.360
<v Speaker 1>one place I was going with that is that perhaps

1:07:49.400 --> 1:07:52.640
<v Speaker 1>that selective sort of meaning seeking whenever you have a

1:07:52.720 --> 1:07:57.120
<v Speaker 1>strange experience could lead to a form of selective reporting

1:07:57.280 --> 1:08:01.000
<v Speaker 1>that informs So, you know, somebody thinks they see something

1:08:01.040 --> 1:08:03.880
<v Speaker 1>weird in a photo or thinks they see something weird

1:08:03.920 --> 1:08:06.880
<v Speaker 1>on the beach, and then nothing happens the next day. Well,

1:08:06.920 --> 1:08:09.040
<v Speaker 1>maybe I don't know who they really tell about that.

1:08:09.080 --> 1:08:11.400
<v Speaker 1>But if the next day the hurricane hits and you

1:08:11.440 --> 1:08:15.400
<v Speaker 1>think you've discovered some kind of uh, informative correlation there,

1:08:15.440 --> 1:08:19.920
<v Speaker 1>you might be much more likely to tell everybody this story. Yeah,

1:08:19.960 --> 1:08:21.680
<v Speaker 1>and and if it's not, if not the weather, then

1:08:21.680 --> 1:08:24.200
<v Speaker 1>perhaps there's something else that occurs. You know, you see

1:08:24.200 --> 1:08:27.200
<v Speaker 1>something strange and then the next day a monarch dies

1:08:27.840 --> 1:08:31.679
<v Speaker 1>or yeah, storm occurs, or a family member grows sick.

1:08:32.040 --> 1:08:34.200
<v Speaker 1>Then you can make that connection. You'd be like, ah,

1:08:34.200 --> 1:08:36.559
<v Speaker 1>this is what that was about. It didn't happen for

1:08:36.600 --> 1:08:39.760
<v Speaker 1>no reason. It was a warning. It was a communication.

1:08:40.120 --> 1:08:42.160
<v Speaker 1>But yeah, it's funny because if you broughten it that

1:08:42.240 --> 1:08:44.880
<v Speaker 1>much to just like basically any significant event. I mean,

1:08:44.880 --> 1:08:47.600
<v Speaker 1>there's always something in the news, you know, it's like

1:08:47.680 --> 1:08:50.479
<v Speaker 1>something happens every day. Yeah, I mean stuff happens. It

1:08:50.520 --> 1:08:52.439
<v Speaker 1>seems to happen for no reason. And if that if

1:08:52.439 --> 1:08:54.439
<v Speaker 1>that's the case, you know, you have nothing, but if

1:08:54.439 --> 1:08:58.519
<v Speaker 1>you have ghosts, well then you have everything. Right. Very nice,

1:08:58.640 --> 1:09:00.479
<v Speaker 1>very nice to bring it back to Rocky Well, you

1:09:00.479 --> 1:09:02.120
<v Speaker 1>know they say the moon to the left is a

1:09:02.120 --> 1:09:03.840
<v Speaker 1>part of my thoughts, and a part of my thoughts

1:09:03.880 --> 1:09:06.760
<v Speaker 1>is a part of me is me? Uh So, so

1:09:06.960 --> 1:09:09.160
<v Speaker 1>maybe before our fangs get too long, we should cut

1:09:09.160 --> 1:09:12.479
<v Speaker 1>this episode off, all right, But of course we're going

1:09:12.520 --> 1:09:16.880
<v Speaker 1>to be discussing losts of ghostly and monstrous things for

1:09:16.920 --> 1:09:19.040
<v Speaker 1>the rest of this month, and it probably a little

1:09:19.080 --> 1:09:22.960
<v Speaker 1>bit beyond We're we're we're we're well into the season now,

1:09:23.560 --> 1:09:26.439
<v Speaker 1>so stay tuned. It should be fun. Uh. In the meantime,

1:09:26.479 --> 1:09:28.280
<v Speaker 1>if you want to listen to other episodes of Stuff

1:09:28.320 --> 1:09:30.799
<v Speaker 1>to Blow your mind, Her core episodes are on Tuesday

1:09:30.800 --> 1:09:34.360
<v Speaker 1>and Thursday, we have an artifact or a monster fact

1:09:34.479 --> 1:09:37.559
<v Speaker 1>on Wednesday. Monday is a listener mail. Friday is Weird

1:09:37.560 --> 1:09:40.400
<v Speaker 1>how Cinema. That's our time to just unwind and discuss

1:09:40.400 --> 1:09:42.280
<v Speaker 1>a weird film, and of course we have some very

1:09:42.320 --> 1:09:45.439
<v Speaker 1>spooky films to discuss this month as well. And then

1:09:45.479 --> 1:09:47.760
<v Speaker 1>on the weekend we do a vault episode, which is

1:09:47.800 --> 1:09:50.560
<v Speaker 1>of course a rerun from the previous year. I just

1:09:50.640 --> 1:09:53.160
<v Speaker 1>want to give a teaser that this week's episode of

1:09:53.200 --> 1:09:55.559
<v Speaker 1>Weird House Cinema I think is without a doubt, can

1:09:55.560 --> 1:09:59.320
<v Speaker 1>be our longest most epic episode of all time, and

1:09:59.520 --> 1:10:03.120
<v Speaker 1>uh may may remain that way because I don't know

1:10:03.160 --> 1:10:06.280
<v Speaker 1>if it can be outdone. I wonder if it's longer

1:10:06.280 --> 1:10:10.559
<v Speaker 1>than the movie itself. I think that at least once. Okay, yeah,

1:10:10.840 --> 1:10:13.960
<v Speaker 1>all right, we'll tune in to find out what that is. Huge.

1:10:14.000 --> 1:10:17.679
<v Speaker 1>Thanks as always to our wonderful audio producer Seth Nicholas Johnson.

1:10:17.800 --> 1:10:19.280
<v Speaker 1>If you would like to get in touch with us

1:10:19.280 --> 1:10:21.679
<v Speaker 1>with feedback on this episode or any other, to suggest

1:10:21.840 --> 1:10:23.760
<v Speaker 1>topic for the future, or just to say hello, you

1:10:23.760 --> 1:10:26.479
<v Speaker 1>can email us at contact at stuff to Blow your

1:10:26.520 --> 1:10:36.679
<v Speaker 1>Mind dot com. Stuff to Blow Your Mind is production

1:10:36.760 --> 1:10:39.479
<v Speaker 1>of I Heart Radio. For more podcasts for my heart Radio,

1:10:39.680 --> 1:10:42.559
<v Speaker 1>visit the iHeart Radio app, Apple Podcasts, or wherever you're

1:10:42.560 --> 1:11:02.240
<v Speaker 1>listening to your favorite shows. Four four ninbre numbers nine