1 00:00:00,520 --> 00:00:04,040 Speaker 1: Well, Justice is here in the studio with us right now. 2 00:00:04,120 --> 00:00:07,560 Speaker 2: Say hello to them. This Barred and Xavier than you 3 00:00:07,560 --> 00:00:07,880 Speaker 2: can do. 4 00:00:08,039 --> 00:00:11,520 Speaker 1: Who a gentleman famous for a long time actually, But 5 00:00:11,560 --> 00:00:15,480 Speaker 1: congratulations on the Grammy win. Let me play a little 6 00:00:15,480 --> 00:00:16,880 Speaker 1: clip and I'll play the whole song in a second. 7 00:00:16,960 --> 00:00:21,400 Speaker 1: But you've heard this on Kiss Never Ended, Grammy winner 8 00:00:21,440 --> 00:00:25,000 Speaker 1: for Best Electronic Dance Records. I need to hang out 9 00:00:25,000 --> 00:00:28,120 Speaker 1: with guys like this. Guys like this they bring a 10 00:00:28,400 --> 00:00:33,640 Speaker 1: cool factor exactly. They bring up your cool factor. Gentlemen, 11 00:00:34,040 --> 00:00:36,879 Speaker 1: welcome to the studio. And one thing I noticed Gard 12 00:00:36,960 --> 00:00:39,640 Speaker 1: and Xavier was you did a Tom Cruise when you 13 00:00:39,680 --> 00:00:44,000 Speaker 1: walked in. You walked in and you shook everyone's hand 14 00:00:44,120 --> 00:00:45,239 Speaker 1: inside the room. 15 00:00:45,560 --> 00:00:47,840 Speaker 3: So is that how it's called. It's called the Tom Cruise. 16 00:00:49,800 --> 00:00:51,519 Speaker 1: Yeah, I mean it's a It's a very nice thing 17 00:00:51,560 --> 00:00:56,320 Speaker 1: to do to say hello to everybody. But as you 18 00:00:56,800 --> 00:01:00,760 Speaker 1: reflect on the last twenty years of your career, it 19 00:01:00,800 --> 00:01:03,800 Speaker 1: seems as if some of the more mainstream recognition is 20 00:01:03,840 --> 00:01:05,119 Speaker 1: happening now, right. 21 00:01:05,880 --> 00:01:08,399 Speaker 3: But can we keep talking at Tom Cruise because we 22 00:01:08,480 --> 00:01:08,840 Speaker 3: love it? 23 00:01:10,360 --> 00:01:11,960 Speaker 2: Mission impossible accompany now. 24 00:01:12,000 --> 00:01:14,559 Speaker 4: But what's crazy is that I think I've never seen 25 00:01:14,640 --> 00:01:15,600 Speaker 4: him in a bad movie. 26 00:01:15,720 --> 00:01:16,920 Speaker 3: Right, that's true. 27 00:01:17,240 --> 00:01:18,120 Speaker 2: No, it's true. 28 00:01:18,560 --> 00:01:20,520 Speaker 4: He knows how he did the icewear shirt. Well of 29 00:01:20,600 --> 00:01:23,039 Speaker 4: the world, even Mission impossibility is going to occur. 30 00:01:23,319 --> 00:01:30,200 Speaker 1: Yeah, it's a classic movie with Nicole Kidman and Tom 31 00:01:31,080 --> 00:01:34,759 Speaker 1: Ryan brings that movie up a lot, I do. It's 32 00:01:34,760 --> 00:01:37,120 Speaker 1: an after hours kind of movie though it is. 33 00:01:38,800 --> 00:01:40,319 Speaker 3: So sory. What what was the question? 34 00:01:41,600 --> 00:01:44,880 Speaker 1: It seems as if your your mainstream recognition is really 35 00:01:44,920 --> 00:01:46,800 Speaker 1: taking off now too, even though you've been doing this 36 00:01:46,880 --> 00:01:47,360 Speaker 1: a long time. 37 00:01:47,840 --> 00:01:50,680 Speaker 4: Yeah, it's it's I don't know if mainstream is the 38 00:01:50,960 --> 00:01:54,000 Speaker 4: is the right world, but but it's kind of uh, yeah, 39 00:01:54,080 --> 00:01:57,160 Speaker 4: we we still can't really fat on what's happening. And 40 00:01:57,440 --> 00:02:00,960 Speaker 4: at the same time, it's we are like so used 41 00:02:01,160 --> 00:02:06,520 Speaker 4: of things being very immediate and people expect like things 42 00:02:06,560 --> 00:02:09,040 Speaker 4: to blow up from the first single her first album, 43 00:02:09,800 --> 00:02:13,720 Speaker 4: and we find it kind of healthy that's happening after 44 00:02:13,919 --> 00:02:19,040 Speaker 4: like four albums and twenty years, and it's yeah, very nice. 45 00:02:19,080 --> 00:02:20,320 Speaker 4: We embrace it very much. 46 00:02:20,960 --> 00:02:23,359 Speaker 2: And Gus part, where are you originally from? 47 00:02:24,919 --> 00:02:31,359 Speaker 5: From Electric Light Orchestra City and where is that in 48 00:02:31,440 --> 00:02:35,760 Speaker 5: the suburb of Paris? Okay, I'm from Paris from both 49 00:02:35,800 --> 00:02:40,760 Speaker 5: of you, yes, well, both suburbanls we have. 50 00:02:40,800 --> 00:02:41,560 Speaker 2: Someone on the staff. 51 00:02:41,600 --> 00:02:43,920 Speaker 1: Actually, when we were talking about you coming in, got 52 00:02:44,000 --> 00:02:48,000 Speaker 1: very fanny about it, and that was a signmon who 53 00:02:48,040 --> 00:02:50,440 Speaker 1: works on our producing staff. He saw you, I think 54 00:02:50,520 --> 00:02:54,000 Speaker 1: twenty years ago where at the festival downtown Simon. 55 00:02:54,160 --> 00:02:55,760 Speaker 3: Yeah, I've seen you guys a few times. 56 00:02:56,040 --> 00:02:59,280 Speaker 2: It was the festival on the crossroads of downtown LA. 57 00:02:59,400 --> 00:03:02,680 Speaker 6: That was one. I can't even remember all the Coachella's, 58 00:03:02,720 --> 00:03:07,000 Speaker 6: but many Coachella's, they're all sort of a blur. But 59 00:03:07,440 --> 00:03:09,760 Speaker 6: you guys, you know, I've burned a lot of calories 60 00:03:10,280 --> 00:03:13,920 Speaker 6: shaking my booty to you guys, and I appreciate all 61 00:03:13,919 --> 00:03:16,320 Speaker 6: the music, you know. I appreciate everything you guys have 62 00:03:16,480 --> 00:03:18,320 Speaker 6: contributed to my life. 63 00:03:18,919 --> 00:03:20,000 Speaker 3: Thank human. Thanks. 64 00:03:21,040 --> 00:03:24,040 Speaker 7: Let me play a little clip of Justice with the Weekend. 65 00:03:29,080 --> 00:03:32,440 Speaker 7: It's up a Weekend's new album. So my question is 66 00:03:32,600 --> 00:03:33,480 Speaker 7: for you guys. 67 00:03:33,720 --> 00:03:38,280 Speaker 1: You always sort of we talk about trying to be bored, 68 00:03:38,320 --> 00:03:40,800 Speaker 1: We're like trying to be bored before everybody else. We're 69 00:03:40,800 --> 00:03:43,560 Speaker 1: always moving forward with something that's coming up, something new, 70 00:03:43,680 --> 00:03:46,040 Speaker 1: something next, something to talk about, something to do here 71 00:03:46,200 --> 00:03:48,480 Speaker 1: on this show and in life too. But how is 72 00:03:48,560 --> 00:03:52,560 Speaker 1: it for two decades you can stay ahead of what's 73 00:03:53,040 --> 00:03:55,560 Speaker 1: current and continue to push what's new? 74 00:03:56,720 --> 00:04:00,240 Speaker 4: Yeah, like, are we head or are we so late 75 00:04:00,960 --> 00:04:04,600 Speaker 4: that by systems of cycles we end up being ahead 76 00:04:04,640 --> 00:04:07,400 Speaker 4: once in a while. One thing we know for sure 77 00:04:07,480 --> 00:04:11,200 Speaker 4: is that about trends is that we the best way 78 00:04:11,240 --> 00:04:13,520 Speaker 4: to be old fashioned is maybe to try to be 79 00:04:14,000 --> 00:04:17,200 Speaker 4: to be trendy. And we are so slow in the 80 00:04:17,279 --> 00:04:20,160 Speaker 4: making that if we think, oh, that's cool, now, let's 81 00:04:20,200 --> 00:04:22,560 Speaker 4: do this, by the time we finished it three years later, 82 00:04:23,160 --> 00:04:25,279 Speaker 4: we already all knew it over. 83 00:04:25,720 --> 00:04:28,479 Speaker 2: Yeah, it's three years? Is that a project length? 84 00:04:29,240 --> 00:04:32,360 Speaker 4: We worked three years on this album and our previous 85 00:04:32,360 --> 00:04:35,840 Speaker 4: album was released eight years ago. So we're so slow 86 00:04:35,880 --> 00:04:39,080 Speaker 4: at making things that we we gave up on trends 87 00:04:39,160 --> 00:04:40,159 Speaker 4: like a long time ago. 88 00:04:40,760 --> 00:04:45,320 Speaker 1: Gosh, I am we are the antithesis of that. I 89 00:04:45,400 --> 00:04:48,360 Speaker 1: can't wait one minute for something. All right, let's get 90 00:04:48,440 --> 00:04:50,799 Speaker 1: to this track. We've been talking about so many requests 91 00:04:50,800 --> 00:04:54,480 Speaker 1: for this too. Justice Their Gramming winning songs partan exavier 92 00:04:54,520 --> 00:04:57,720 Speaker 1: are here in the studio from Paris, which we can 93 00:04:57,839 --> 00:05:00,560 Speaker 1: just dream about. And you talk about these being sort 94 00:05:00,560 --> 00:05:03,400 Speaker 1: of cinematic and a cinematic universe of their own. 95 00:05:03,800 --> 00:05:04,400 Speaker 2: Tell me about that. 96 00:05:06,200 --> 00:05:08,400 Speaker 5: Every time we make an album, we were trying to 97 00:05:09,480 --> 00:05:15,400 Speaker 5: structure it as some kind of at least a theater play, 98 00:05:15,520 --> 00:05:18,520 Speaker 5: maybe not a movie, but you know, something with an 99 00:05:18,560 --> 00:05:24,680 Speaker 5: introduction like then a plot twist, then resolution. 100 00:05:25,640 --> 00:05:26,640 Speaker 3: And because we are. 101 00:05:26,880 --> 00:05:30,400 Speaker 5: Very much attached to the format and to and and 102 00:05:30,560 --> 00:05:33,440 Speaker 5: we don't really we won't know how to make a 103 00:05:33,520 --> 00:05:37,480 Speaker 5: collection of singles and all the album tracks are as 104 00:05:37,560 --> 00:05:42,520 Speaker 5: equally important to us, and we definitely want to make 105 00:05:42,720 --> 00:05:47,279 Speaker 5: music that is as evocative as possible and not never 106 00:05:47,400 --> 00:05:49,120 Speaker 5: in the middle of the road. 107 00:05:50,200 --> 00:05:52,839 Speaker 1: And here is a track equally important as the others 108 00:05:52,960 --> 00:05:56,920 Speaker 1: right now, Never Enter Justice, Tame and Paula. It is 109 00:05:57,360 --> 00:05:59,960 Speaker 1: such a vibe. Never Entered Justice and Tame and Paula. 110 00:06:00,160 --> 00:06:02,760 Speaker 1: They're here with us in the studio right now, Gaspard 111 00:06:02,839 --> 00:06:05,440 Speaker 1: and Xavier. I mean that takes me through the sand 112 00:06:05,520 --> 00:06:08,320 Speaker 1: dunes of the desert to the galaxy of outer space. 113 00:06:08,400 --> 00:06:10,000 Speaker 2: That the sound of that. 114 00:06:10,320 --> 00:06:12,279 Speaker 1: Yes, I don't think I know you got a show 115 00:06:12,279 --> 00:06:14,800 Speaker 1: coming up in Santa Barbara. I don't think you can 116 00:06:15,160 --> 00:06:17,640 Speaker 1: see these guys and listen to these guys and feel 117 00:06:17,680 --> 00:06:19,240 Speaker 1: like there's a problem in the world. 118 00:06:19,800 --> 00:06:22,600 Speaker 4: That's necessari here. Yeah, it's amazing. 119 00:06:23,480 --> 00:06:26,120 Speaker 2: It is so hard to escape our own heads and 120 00:06:26,160 --> 00:06:26,960 Speaker 2: stress of life. 121 00:06:27,480 --> 00:06:31,040 Speaker 1: But when you listen to the style of the music 122 00:06:31,279 --> 00:06:34,440 Speaker 1: that you create and perform, it really does put all 123 00:06:34,480 --> 00:06:35,800 Speaker 1: that stuff on hold for a second. 124 00:06:36,320 --> 00:06:40,320 Speaker 4: Yeah, that's really like the reason why we make music. Ultimately, 125 00:06:40,440 --> 00:06:46,080 Speaker 4: it's just to create a ble of something not always nice, 126 00:06:46,120 --> 00:06:47,960 Speaker 4: but at least that's not a reality. 127 00:06:48,080 --> 00:06:51,520 Speaker 3: And a lot of people ask us if. 128 00:06:53,160 --> 00:06:56,159 Speaker 4: We are like the music we make, and the truth 129 00:06:56,320 --> 00:06:58,479 Speaker 4: is not, like, like we make everything so of our 130 00:06:58,560 --> 00:07:02,160 Speaker 4: music he's as defilt as possible from our lives and 131 00:07:02,360 --> 00:07:03,320 Speaker 4: our personalities. 132 00:07:03,560 --> 00:07:06,560 Speaker 3: If we have music like that sounds like us, it 133 00:07:06,600 --> 00:07:13,280 Speaker 3: would be like some sort of maybe boing not so 134 00:07:13,440 --> 00:07:14,680 Speaker 3: good for music or. 135 00:07:14,840 --> 00:07:18,200 Speaker 1: A bit sad, and you get into character when you 136 00:07:18,840 --> 00:07:21,080 Speaker 1: perform your music or record in the studio, you get 137 00:07:21,120 --> 00:07:22,280 Speaker 1: into a zone. 138 00:07:22,360 --> 00:07:25,520 Speaker 3: Yeah, totally, we don't. It's like this in real life. 139 00:07:26,520 --> 00:07:30,640 Speaker 1: Yeah, it looking like superstars, rock stars in here to 140 00:07:30,680 --> 00:07:33,040 Speaker 1: play the part. Yeah, you got to check out them 141 00:07:33,120 --> 00:07:35,240 Speaker 1: if you can. Santa Barbers the next show you can 142 00:07:35,440 --> 00:07:37,600 Speaker 1: see them at. But take a look online where they're 143 00:07:37,640 --> 00:07:39,760 Speaker 1: going to be. We doing it for a long time, 144 00:07:40,040 --> 00:07:43,160 Speaker 1: and I just there's very few things that can get 145 00:07:43,280 --> 00:07:45,559 Speaker 1: me from the voices in my head to stop talking. 146 00:07:45,600 --> 00:07:47,600 Speaker 2: And your music doesn't. We're grateful for that. 147 00:07:48,160 --> 00:07:50,120 Speaker 3: Won'tcome anytime, anytime. 148 00:07:50,840 --> 00:07:53,320 Speaker 1: Xavier and Gasparre from Justice, thank you so much for 149 00:07:53,360 --> 00:07:54,720 Speaker 1: coming in. We appreciate nice to meet you. 150 00:07:54,880 --> 00:07:56,320 Speaker 3: Thank you, Ryan inspiring us 151 00:07:58,480 --> 00:07:58,520 Speaker 5: Me