WEBVTT - Conversations About Cultural Cache

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<v Speaker 1>Watch up and welcome back to another episode of No

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<v Speaker 1>Sealer's podcast with your hosts Now fuck that with your

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<v Speaker 1>loaw glasses malone.

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<v Speaker 2>My check.

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<v Speaker 1>What's the deal done? What's the love of Santa Cruz?

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<v Speaker 1>I used to have a skateboard when I was younger.

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<v Speaker 1>There was a Santa Cruz skateboard.

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<v Speaker 2>Aw.

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<v Speaker 1>It's been a crazy twenty four hours, crazy twenty four hours.

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<v Speaker 1>Pete is on the plane, so we ain't popping out

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<v Speaker 1>on me today. It's just me and y'all. Today, it's

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<v Speaker 1>all me and y'all. It's me and y'all. And it's

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<v Speaker 1>been Like I said, it's been an event for roughly

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<v Speaker 1>forty eight hours since the last time I talked to y'all.

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<v Speaker 1>All kinds of stuff didn't happen. I had this interesting

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<v Speaker 1>conversation with academics courtesy of my homeboys, the community, the

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<v Speaker 1>community live stream. One petition gets poured back and a

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<v Speaker 1>lawsuit gets filed, phone calls being crazy.

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<v Speaker 2>I've just been hearing all kinds of stuff.

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<v Speaker 1>But instead of talking about all that gossip like everybody

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<v Speaker 1>else do. We'll see if I could work it into

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<v Speaker 1>the conversation. But again, the thing about this no siblings

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<v Speaker 1>live lunch Hour. It's not really like a gossip column.

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<v Speaker 1>Shout out to all of the other streams that kind

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<v Speaker 1>of used the opportunity like a gossip column. But I

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<v Speaker 1>don't really use my stream like that. My goal here

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<v Speaker 1>is to exchange ideas and hopefully light up some of

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<v Speaker 1>them dark hallways, and that's what we're gonna do.

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<v Speaker 2>So it's just me and y'all.

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<v Speaker 1>No Selings Live to Lunch Hour every Monday, Wednesday, and

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<v Speaker 1>Friday at noon specific standard time. Right here Digital soap Box.

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<v Speaker 1>Click that thumbs up button. Let everybody know you in

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<v Speaker 1>the house. I do this stream and support the No

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<v Speaker 1>Sellings podcast. That's my baby, just the fourth season. If

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<v Speaker 1>you look into the description below right there beneath me,

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<v Speaker 1>there's a link. If you're on YouTube the No Sellings Podcast.

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<v Speaker 1>You can listen to it on Apple Podcasts. iHeart podcasts

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<v Speaker 1>anywhere you get your podcasts. From the No Sellings Podcast,

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<v Speaker 1>executive produced by Charlomagne to God, the Black Effect Networking,

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<v Speaker 1>iHeart Shout out to everybody sitting at the lunch table whatever, Revenge, whatever, Virgo, Tony, Mike,

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<v Speaker 1>what up Fats, appreciate you moderating see deal. Jeremy mister

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<v Speaker 1>Green was happening. Cloak, what's the deal. So yeah, well

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<v Speaker 1>you gotta do that, revew Before we get into that.

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<v Speaker 1>The reason what what made me want to talk about

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<v Speaker 1>this idea of cultural cachet versus social currency is whatever, Squaz,

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<v Speaker 1>thank you for moderating my footheurt so I stayed at

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<v Speaker 1>the crib right now just to do the thing today.

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<v Speaker 1>The reason that the cultural cachet versus social currency is

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<v Speaker 1>important because Monday afternoon, a couple of my buddies, a

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<v Speaker 1>couple of people I've been doing since I first got

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<v Speaker 1>in this business, we do we do this group chat

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<v Speaker 1>thing once a month on the community podcast. That's problem

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<v Speaker 1>Jason Martin, you know what I'm saying. Jason Martin, the

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<v Speaker 1>homeboy manny a boy many who does the Age Boys

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<v Speaker 1>Community pun who fig Community World. You know, that's part

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<v Speaker 1>of his brainchild and ad same thing for him. I've

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<v Speaker 1>been knowing them dudes for twenty years, like we're friends.

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<v Speaker 1>So I said I would do the stream, would have

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<v Speaker 1>once a month, you know what I'm saying, just to

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<v Speaker 1>just to kind of you know, they wanted to make content,

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<v Speaker 1>you know what I mean. They want to do content

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<v Speaker 1>with me. I'm like, all right, I'm gonna do it

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<v Speaker 1>with the hummies. So I've been putting a lot of

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<v Speaker 1>pressure on ad you know what I'm saying, because I

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<v Speaker 1>feel like one thing people don't understand about being from

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<v Speaker 1>this West Coast, you gotta manage your relationships when it

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<v Speaker 1>comes to how people treat this culture out here, the

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<v Speaker 1>street urban culture that we call hip hop based on

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<v Speaker 1>the West. Everybody knows what it's about, you know what

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<v Speaker 1>I mean, They have a general consensus, but it's a

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<v Speaker 1>lot of people, to me that play with it. So

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<v Speaker 1>I always put pressure on the main stage of this

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<v Speaker 1>culture at that time to not let people or their

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<v Speaker 1>network play with it. Acting somebody who I've been you know,

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<v Speaker 1>supporting his content since he first came on the scene.

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<v Speaker 1>I mean, first person ever put me on the whole

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<v Speaker 1>Warren shot rack, you know, just a really that was

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<v Speaker 1>a really special time, and he did a really great

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<v Speaker 1>job with explaining to outsiders what was happening there, at

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<v Speaker 1>least from an outsider, and I had no idea, you

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<v Speaker 1>know what that what that movement was about, completely, like

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<v Speaker 1>I had even been there and I didn't quite know.

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<v Speaker 1>But I got a lot of more information because of academics,

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<v Speaker 1>and that's kind of how you established yourself. To make

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<v Speaker 1>a long story short, AD and Act are friends. So

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<v Speaker 1>I keep telling Ad. I'm like, hey, you need to

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<v Speaker 1>put pressure on academics. You know what I mean about

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<v Speaker 1>how you're talking about our culture out this motherfucker our

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<v Speaker 1>street urban coaching, like they can't play with it because

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<v Speaker 1>you know, if you don't know this, your reputation is

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<v Speaker 1>everything when it comes to coaching, your reputation is everything.

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<v Speaker 1>You know what I mean in this street urban lifestyle,

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<v Speaker 1>you know, living that life, yo, it's your credit, is

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<v Speaker 1>how you earned this respect.

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<v Speaker 2>Everything about it is what it is.

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<v Speaker 1>So I'm putting pressure on AD like AD cause you

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<v Speaker 1>need to make sure you check this food. Don't let

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<v Speaker 1>him be talking shit about the West like I don't

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<v Speaker 1>care about the battle between Dot and Drake. I don't

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<v Speaker 1>care about that, all that talking about the West Coast

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<v Speaker 1>and all yeah dah da dah and this that and

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<v Speaker 1>the third A.

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<v Speaker 2>He gotta stop that, cuse you need to get on cuz. Right.

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<v Speaker 2>So he used to always.

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<v Speaker 1>Say, well, I ain't tripping, it's just content. It's just content.

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<v Speaker 1>It's just content. I'm like, all that's cool, cud. But

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<v Speaker 1>like this hurts your brand, and people see they could

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<v Speaker 1>play with your street rm and culture this way, they

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<v Speaker 1>will tarnish it. I say, y'all keep letting it go

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<v Speaker 1>cuz he gonna go too far. Well, this was the

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<v Speaker 1>time you went to fur. We have all these you

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<v Speaker 1>know what I mean, crazy fires, you know what I

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<v Speaker 1>mean out here tons of people lost their house, were

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<v Speaker 1>talking about over five thousand homes lost.

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<v Speaker 2>You know what I'm saying. It was bad.

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<v Speaker 1>And he does a stream and they ask him about it,

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<v Speaker 1>and he says, he don't really give a fuck about la.

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<v Speaker 1>Fuck that ship hole. Everybody shit could burn up. Everybody

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<v Speaker 1>hit me, Everybody telling me that. So I'm like, I

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<v Speaker 1>ain't got nothing to say. So Ad in the group chat,

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<v Speaker 1>obviously we chopping it up. They said make glasses was right,

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<v Speaker 1>he told you so fast forward. Here we are with

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<v Speaker 1>the community, you know, our monthly group chat that we

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<v Speaker 1>do on the community. I'm telling Ady, you know, everybody's

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<v Speaker 1>telling him, like, man, you got to check your homeboy.

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<v Speaker 1>So he calls ACT. He calls academics on the phone.

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<v Speaker 1>Act picks up the phone. He calls ACT. ACT picks

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<v Speaker 1>up the phone. He says, uh, he's.

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<v Speaker 2>Asking him about it.

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<v Speaker 1>Act starts to explain to him his position on what

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<v Speaker 1>he was saying. Right, He started to explain that he

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<v Speaker 1>has a problem with the politics of the government so forth,

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<v Speaker 1>So you know so forth or so on. That don't

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<v Speaker 1>got nothing to do with what you said. You just

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<v Speaker 1>say you hope Gavin Newsoon house burn up. You just

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<v Speaker 1>say you hope Karen Bass house burning up. You just

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<v Speaker 1>talking about people in LA Right, So the homies talking

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<v Speaker 1>to him. I'm watching him kind of position the homies

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<v Speaker 1>into saying shit disrespectful about other people in street urban culture,

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<v Speaker 1>as if ACT was a representative of East Coach Street

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<v Speaker 1>urban culture. And that's not true. So I'm trying my

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<v Speaker 1>best not to stay in the middle of it. You

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<v Speaker 1>know what I'm saying. I'm like, I'm not because I don't.

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<v Speaker 1>I always said if I talk to ACT, I would

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<v Speaker 1>talk to Acting person because I don't want him to

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<v Speaker 1>say some stuff, you know what I mean, that I

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<v Speaker 1>don't like, and then I got to go through all

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<v Speaker 1>of the shit to get to him. I don't want

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<v Speaker 1>you know, if we got a problem, I don't want

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<v Speaker 1>you to know I'm coming for you, you know. I mean,

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<v Speaker 1>that's just how I see things. So I would rather

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<v Speaker 1>talk to that man in person, because I feel like

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<v Speaker 1>when people put these podcast mics in front of them

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<v Speaker 1>or they get on them streams, a lot of times

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<v Speaker 1>they just lose track of they and start talking crazy

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<v Speaker 1>because they just get out of hand. So I always said,

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<v Speaker 1>if I ever talked to Act, you know what I mean,

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<v Speaker 1>Like I would talk to cousin person, like either on

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<v Speaker 1>the phone, like it could be a cous could talk.

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<v Speaker 1>But I really wasn't trying to make no confident act

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<v Speaker 1>because it was like what he does is different than

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<v Speaker 1>what I do. That's the same thing with like making

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<v Speaker 1>the record with Drake. It didn't ever really make sense

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<v Speaker 1>to me because in real time, it's like it never

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<v Speaker 1>made sense to me because the kind of person I

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<v Speaker 1>am and the kind of person he is so so

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<v Speaker 1>important to be. Like, even before I understood it, I

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<v Speaker 1>was very careful with what I did with my reputation

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<v Speaker 1>and my brand on the street.

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<v Speaker 2>Shit. I wouldn't let people claim the set that wasn't

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<v Speaker 2>from the set.

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<v Speaker 1>I wouldn't let people do things like you kind of

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<v Speaker 1>have to like I needed to be authentic. I don't

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<v Speaker 1>care what it is as long as it's authentic, right,

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<v Speaker 1>same thing with Act, like again, like it's obviously I've

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<v Speaker 1>respected a ton of stuff Act is done in his

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<v Speaker 1>business and the stuff he covered when it came to culture,

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<v Speaker 1>but also in a conversation with me, I'm not trying

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<v Speaker 1>to make content even sitting right here talking to y'all,

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<v Speaker 1>because I'm not trying to make content. When I had

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<v Speaker 1>a homy trap which just popped in, I'm all my

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<v Speaker 1>comed fake in the faith, like I'm really trying to build,

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<v Speaker 1>like I always tell him about his community ADHD shout

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<v Speaker 1>out to the homeboys and homegirls over there. I'm like, man,

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<v Speaker 1>we could use this space to really rewrite the independent

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<v Speaker 1>record business. That's why I'm here to build, You feel

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<v Speaker 1>me with this shit, That's the only reason I'm here.

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<v Speaker 1>So I always said if I talked to Act, right,

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<v Speaker 1>I would talk to cousin person, Like, let me talk

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<v Speaker 1>to cousin person. Fuck the content, because I need to

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<v Speaker 1>really size up who am I dealing with? Like he

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<v Speaker 1>we got a couple mutual friends to Hommie Charlotte Mane

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<v Speaker 1>and Hommy Van So I'm not tripping cause it's like whatever.

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<v Speaker 1>But he talking to the home homies right, He talking

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<v Speaker 1>to the homies because he popping it with the hommies.

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<v Speaker 1>So I'm watching him kind of position himself in the conversation,

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<v Speaker 1>like trying to get them to talk about other people

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<v Speaker 1>regions and the homies is making their conscious so they

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<v Speaker 1>not taking it serious, so they just popping it with him.

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<v Speaker 2>I'm not with that. That ain't my thing, that's the

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<v Speaker 2>homies thing.

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<v Speaker 1>So finally, when I had enough, I say, hold up,

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<v Speaker 1>cause now I'm talking to him. Hey, bro, listen, fuck

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<v Speaker 1>all that. Like what you said about these people Raggedy Cut.

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<v Speaker 1>Don't talk about people around here like that, because you

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<v Speaker 1>really owe these people apology now cause these people He's like, well,

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<v Speaker 1>you know, if they feel offended, you know, my bad?

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<v Speaker 2>Cool? All right, Cool. So now he's talking to me

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<v Speaker 2>about other stuff.

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<v Speaker 1>So we have a really really good conversation outside of

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<v Speaker 1>you know, different parts of people trying to be clickbaities,

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<v Speaker 1>I mean whatever, but we have an an interesting dialogue

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<v Speaker 1>positioning about what's hip hop, about what I don't like,

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<v Speaker 1>what he doesn't like. It became a real conversation to

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<v Speaker 1>me that it wasn't good faith. I do think there

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<v Speaker 1>were times he was trying to rewrop the conversation, but

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<v Speaker 1>it was in good faith, and the conversation made me

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<v Speaker 1>kind of say, Okay, you know, I wouldn't mind talking

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<v Speaker 1>to him if he wanted to make content with me.

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<v Speaker 1>That got him into a space to where it's like

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<v Speaker 1>he was worthy of the dialogue for me. You know

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<v Speaker 1>what I'm saying As a person, long story, short conversation

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<v Speaker 1>wrapped up two three hours whatever. Everybody hit me, different,

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<v Speaker 1>people hit me to come on streams, radio shows, whatever.

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<v Speaker 2>Whatever.

0:12:38.600 --> 0:12:42.559
<v Speaker 1>The next day, somebody shaid, who the fuck is Glasses Malone?

0:12:42.920 --> 0:12:45.880
<v Speaker 1>And what gives him the right or what makes academic

0:12:45.960 --> 0:12:50.160
<v Speaker 1>think that he is worthy? Like why would academics talk

0:12:50.200 --> 0:12:54.720
<v Speaker 1>to him? And that became what I thought about between

0:12:54.800 --> 0:13:00.760
<v Speaker 1>yesterday and today. Now ever, since I did the work right,

0:13:00.800 --> 0:13:04.800
<v Speaker 1>I culturally I'm over the top because I lived all

0:13:04.800 --> 0:13:05.680
<v Speaker 1>the shit we talking about.

0:13:05.760 --> 0:13:07.679
<v Speaker 2>I got raised in it. I got raised from zero

0:13:07.760 --> 0:13:08.360
<v Speaker 2>to one hundred.

0:13:08.640 --> 0:13:11.600
<v Speaker 1>Like that means when I first started gang banging, I

0:13:11.760 --> 0:13:14.480
<v Speaker 1>wasn't the toughest person in the world. People could do

0:13:14.520 --> 0:13:16.360
<v Speaker 1>all kind of tricky stuff. By the time I came

0:13:16.360 --> 0:13:18.360
<v Speaker 1>out of gang banging, you couldn't even play with me.

0:13:18.720 --> 0:13:21.400
<v Speaker 1>So I kind of had the hard struggles. Culturally, I

0:13:21.480 --> 0:13:24.160
<v Speaker 1>lived the whole culture you know my mom died in prison.

0:13:24.640 --> 0:13:26.520
<v Speaker 2>You know what I'm saying. I lost everything in the fairs.

0:13:26.600 --> 0:13:29.840
<v Speaker 1>I used to say it like, I've lived the cultural experience, right,

0:13:29.880 --> 0:13:32.560
<v Speaker 1>I've been through it at the worst levels and I

0:13:32.640 --> 0:13:33.199
<v Speaker 1>survived it.

0:13:33.280 --> 0:13:35.320
<v Speaker 2>All that's of value.

0:13:36.080 --> 0:13:40.000
<v Speaker 1>So to this person, they were saying to me, why

0:13:40.040 --> 0:13:42.920
<v Speaker 1>would I even talk to him? And it hit me

0:13:43.280 --> 0:13:48.400
<v Speaker 1>to explain something, the difference between social currency and cultural

0:13:48.440 --> 0:13:53.920
<v Speaker 1>cachet shut out to Themie Sean Harris, thank you for

0:13:53.920 --> 0:13:56.360
<v Speaker 1>the fifty dollars. Jim Dandy, I'm gonna go get some

0:13:56.480 --> 0:13:58.720
<v Speaker 1>with that fifty dollars and I'm an eat it on

0:13:58.880 --> 0:13:59.880
<v Speaker 1>this stream, my boy.

0:14:00.000 --> 0:14:01.920
<v Speaker 2>Appreciate you for that, Sean much love. I'm glad you

0:14:01.920 --> 0:14:04.480
<v Speaker 2>at the lunch table. Uh.

0:14:04.920 --> 0:14:07.760
<v Speaker 1>Shout out to Mark Gears, big supporter of no selling,

0:14:07.800 --> 0:14:11.959
<v Speaker 1>somebody who's always encouraged me and Potton from the first

0:14:12.320 --> 0:14:13.360
<v Speaker 1>time I start potting.

0:14:13.440 --> 0:14:14.640
<v Speaker 2>I really appreciate you, Mark.

0:14:14.679 --> 0:14:16.520
<v Speaker 1>I know you know we don't talk about it, but

0:14:16.600 --> 0:14:17.920
<v Speaker 1>I've always saw your tweets.

0:14:17.920 --> 0:14:20.440
<v Speaker 2>We always dialogue on social media.

0:14:20.960 --> 0:14:22.760
<v Speaker 1>You know what I'm saying, I appreciate that five dollars

0:14:22.760 --> 0:14:25.520
<v Speaker 1>and all the supports through these four seasons and whatever else.

0:14:25.600 --> 0:14:28.240
<v Speaker 1>You supported in my career that I don't know. Shout

0:14:28.240 --> 0:14:30.960
<v Speaker 1>out to everybody who has supported everything you know what

0:14:30.960 --> 0:14:34.560
<v Speaker 1>I mean in my career and more gear five dollars.

0:14:34.600 --> 0:14:36.720
<v Speaker 1>I'm glad you was snoop sat dude down about what

0:14:36.760 --> 0:14:37.480
<v Speaker 1>he said about the fire.

0:14:37.600 --> 0:14:40.360
<v Speaker 2>Yeah that was just yeah, that was crazy. He just

0:14:40.440 --> 0:14:42.440
<v Speaker 2>wasn't thinking at all.

0:14:44.360 --> 0:14:44.840
<v Speaker 3>At all.

0:14:44.880 --> 0:14:45.080
<v Speaker 2>Man.

0:14:46.200 --> 0:14:47.360
<v Speaker 3>So let's get to it man.

0:14:48.400 --> 0:14:59.320
<v Speaker 1>So yeah, great point. So I always see your tweets, Squishy,

0:14:59.440 --> 0:15:02.880
<v Speaker 1>I was crazy. This is always see your tweets, squishy

0:15:03.040 --> 0:15:03.880
<v Speaker 1>Squishy said.

0:15:03.680 --> 0:15:05.320
<v Speaker 2>I don't see her tweets. You see minds. I don't

0:15:05.320 --> 0:15:06.920
<v Speaker 2>know how I miss your tweets, but I bet you

0:15:06.920 --> 0:15:07.800
<v Speaker 2>I won't miss him. Now.

0:15:08.200 --> 0:15:10.160
<v Speaker 1>I followed you and I have you on Selectors, so

0:15:10.160 --> 0:15:11.480
<v Speaker 1>whenever you tweet, I see it.

0:15:11.560 --> 0:15:12.320
<v Speaker 3>So don't do that.

0:15:13.040 --> 0:15:17.520
<v Speaker 1>But the point I'm saying, somebody like Act could be

0:15:17.760 --> 0:15:21.440
<v Speaker 1>really popular. Act is really popular. You know, we're talking

0:15:21.480 --> 0:15:25.160
<v Speaker 1>about tens of thousands of followers, if not hundreds of

0:15:25.240 --> 0:15:28.520
<v Speaker 1>thousands of followers. Yes, I mean for sure tens of

0:15:28.560 --> 0:15:31.920
<v Speaker 1>thousands of followers, people that follow all this content, that

0:15:32.040 --> 0:15:35.240
<v Speaker 1>follow his streams, that follow all of these things, like

0:15:35.360 --> 0:15:39.000
<v Speaker 1>he is extremely rich when it comes to social currency.

0:15:39.040 --> 0:15:44.480
<v Speaker 1>Like that means people talking about Act demand's polarity. It

0:15:44.600 --> 0:15:48.800
<v Speaker 1>demands attention, right, it demands you know, whether you like

0:15:48.880 --> 0:15:52.840
<v Speaker 1>it or not. He's a very polarizing person in today's space,

0:15:52.960 --> 0:15:54.280
<v Speaker 1>you know what I mean when it comes to social

0:15:54.320 --> 0:15:56.320
<v Speaker 1>media and different people talking about hip hop.

0:15:58.360 --> 0:16:00.080
<v Speaker 2>He is so.

0:16:01.600 --> 0:16:05.400
<v Speaker 1>Rich when it comes to currency, his name will generate

0:16:05.920 --> 0:16:10.360
<v Speaker 1>a level of polarity, like you're gonna get polar opposite opinions,

0:16:10.400 --> 0:16:13.160
<v Speaker 1>you know what I'm saying. And that is great. And

0:16:13.240 --> 0:16:15.840
<v Speaker 1>I mean again, it's somewhere. If it's not tens of thousands,

0:16:15.920 --> 0:16:18.920
<v Speaker 1>it's hundreds of thousands of people. I mean his streams

0:16:18.920 --> 0:16:23.160
<v Speaker 1>could do one hundred thousand, two hundred thousand, right, that's

0:16:23.360 --> 0:16:27.000
<v Speaker 1>how popular. That's how rich he is in social currency.

0:16:27.960 --> 0:16:31.119
<v Speaker 1>The difference with glasses alone, while I'm not as famous

0:16:31.360 --> 0:16:34.480
<v Speaker 1>or as popular as Act when it comes to this

0:16:34.560 --> 0:16:38.280
<v Speaker 1>thing called cultural cachet, like right, the ability and shout

0:16:38.280 --> 0:16:39.520
<v Speaker 1>out to the hommy that's from Twitter.

0:16:39.560 --> 0:16:41.760
<v Speaker 2>I don't his name ain't popping up. It's just a period.

0:16:43.880 --> 0:16:44.600
<v Speaker 2>For some reason.

0:16:44.640 --> 0:16:47.560
<v Speaker 1>For this year, the word culture is offensive. Even last year,

0:16:47.640 --> 0:16:50.320
<v Speaker 1>culture is offensive. And I get wide because the person

0:16:50.400 --> 0:16:54.000
<v Speaker 1>you enjoy the most in rap you know what I'm saying.

0:16:54.120 --> 0:16:57.360
<v Speaker 2>You're being told this person is not of said culture.

0:16:58.240 --> 0:16:59.800
<v Speaker 1>So I know that's an offensive thing, and I know

0:16:59.840 --> 0:17:02.720
<v Speaker 1>that bothers you, but he's not, And I get why,

0:17:02.800 --> 0:17:05.760
<v Speaker 1>you know what I'm saying. So this is why somebody

0:17:05.840 --> 0:17:09.000
<v Speaker 1>like Glasses Malone, right, who has one hundred thousand followers,

0:17:09.240 --> 0:17:12.120
<v Speaker 1>you know, and a couple hundred thousand dollars, can talk

0:17:12.160 --> 0:17:16.360
<v Speaker 1>to a person like Drake that has a couple million dollars.

0:17:16.040 --> 0:17:18.280
<v Speaker 2>Tens twenties, maybe one hundred million dollars.

0:17:18.680 --> 0:17:21.359
<v Speaker 1>But when I say something, it's just as effective and

0:17:21.400 --> 0:17:24.879
<v Speaker 1>it's just as powerful because what I have is dense

0:17:24.920 --> 0:17:28.720
<v Speaker 1>and potent is different. It's one thing when you're talking

0:17:28.720 --> 0:17:33.800
<v Speaker 1>about a thin level, a thin level of broth versus

0:17:33.880 --> 0:17:38.439
<v Speaker 1>somebody that's like the chicken itself. It's just a level.

0:17:38.720 --> 0:17:41.159
<v Speaker 1>And I think that's why y'all don't understand why certain

0:17:41.200 --> 0:17:44.160
<v Speaker 1>words and certain people can go further, like they may

0:17:44.240 --> 0:17:47.320
<v Speaker 1>not be that popular, like a Lord Jamar right, he

0:17:47.400 --> 0:17:49.679
<v Speaker 1>has cultural cachet.

0:17:49.960 --> 0:17:51.720
<v Speaker 2>He is wealthy in culture.

0:17:52.640 --> 0:17:56.280
<v Speaker 1>And because this whole hip hop premise is built off culture,

0:17:56.800 --> 0:17:59.800
<v Speaker 1>you feel me, the things that we say mean the most,

0:18:00.080 --> 0:18:01.800
<v Speaker 1>the more things we reveal.

0:18:02.160 --> 0:18:03.760
<v Speaker 2>Become even just as big.

0:18:05.160 --> 0:18:07.720
<v Speaker 1>So that's why somebody like act would have to talk

0:18:08.240 --> 0:18:10.440
<v Speaker 1>or he finds a reverence to even speak on me

0:18:10.640 --> 0:18:14.600
<v Speaker 1>or speak my name because it's like glasses while he's

0:18:14.600 --> 0:18:16.240
<v Speaker 1>not as popular as academics.

0:18:16.240 --> 0:18:16.720
<v Speaker 2>You know what I mean.

0:18:16.800 --> 0:18:20.840
<v Speaker 1>On the social media front is dense and cultural cachet.

0:18:23.840 --> 0:18:27.480
<v Speaker 1>When when it comes to this thing, it's just different.

0:18:27.600 --> 0:18:29.840
<v Speaker 1>You're gonna talk to me, I'm gonna know a lot more,

0:18:30.600 --> 0:18:32.480
<v Speaker 1>you know what I mean, People gonna respect my name.

0:18:33.640 --> 0:18:34.879
<v Speaker 2>It's just gonna be different.

0:18:35.359 --> 0:18:37.560
<v Speaker 1>That's just how it is because I have done what

0:18:37.640 --> 0:18:41.000
<v Speaker 1>I needed to do to experience this existence and live

0:18:41.080 --> 0:18:46.000
<v Speaker 1>my life, and that's everything in hip hop. A lot

0:18:46.000 --> 0:18:47.880
<v Speaker 1>of people, there are some people in hip hop who

0:18:47.920 --> 0:18:50.639
<v Speaker 1>really feel like money is what makes somebody.

0:18:51.080 --> 0:18:54.520
<v Speaker 2>You know all that person is rich. It don't.

0:18:55.720 --> 0:19:00.879
<v Speaker 4>It don't never did, never did. Man never asked you

0:19:00.880 --> 0:19:03.960
<v Speaker 4>can you can? You could be the popular you could be.

0:19:04.000 --> 0:19:05.680
<v Speaker 3>You know what I'm saying. You can drink yourself with

0:19:05.760 --> 0:19:06.840
<v Speaker 3>popularity right there.

0:19:06.880 --> 0:19:10.480
<v Speaker 4>But when it comes to when it comes to being

0:19:10.520 --> 0:19:13.200
<v Speaker 4>authentic and and being about you know what I'm saying,

0:19:13.640 --> 0:19:15.680
<v Speaker 4>what hip hop is? You know what I'm saying, That

0:19:16.000 --> 0:19:18.439
<v Speaker 4>isn't you ain't got to be the most popular person

0:19:18.520 --> 0:19:19.879
<v Speaker 4>or nothing like that. You know what I'm saying, You

0:19:19.880 --> 0:19:22.879
<v Speaker 4>ain't got to carry that right there. So but but

0:19:22.960 --> 0:19:24.520
<v Speaker 4>you have to. But in order to be that, you

0:19:24.520 --> 0:19:26.040
<v Speaker 4>have to carry the culture though. Man. You have to

0:19:26.080 --> 0:19:30.000
<v Speaker 4>know what it is though, too. And that ship is

0:19:30.040 --> 0:19:34.159
<v Speaker 4>similar to like a to like a I think like

0:19:34.200 --> 0:19:35.479
<v Speaker 4>a ball player, you know what I'm saying. Like when

0:19:35.520 --> 0:19:39.160
<v Speaker 4>you you got inside the NBA and you got skipping

0:19:39.240 --> 0:19:40.960
<v Speaker 4>them niggas that do they ship? And you got that,

0:19:41.040 --> 0:19:42.560
<v Speaker 4>you know what I'm saying inside of the bas when

0:19:42.600 --> 0:19:46.119
<v Speaker 4>you got you got Shock and Barkley sitting there talking

0:19:46.160 --> 0:19:49.040
<v Speaker 4>the ship. You're you're gonna look at them them expert

0:19:49.040 --> 0:19:52.200
<v Speaker 4>opinions right there a little bit more than you're gonna

0:19:52.200 --> 0:19:53.399
<v Speaker 4>look at you know what I'm saying. The way skipping

0:19:53.400 --> 0:19:55.160
<v Speaker 4>I'm gonna talk about the ship though, you know what I'm saying,

0:19:55.560 --> 0:19:58.160
<v Speaker 4>that's just because the way that should go though or.

0:19:59.160 --> 0:20:05.240
<v Speaker 1>Google Google defines cultural Cashet is a term that describes

0:20:05.320 --> 0:20:06.480
<v Speaker 1>the prestige or.

0:20:06.520 --> 0:20:08.320
<v Speaker 2>Quality of something cultural.

0:20:10.840 --> 0:20:14.040
<v Speaker 1>It can also refer to the approval or admiration that

0:20:14.080 --> 0:20:19.920
<v Speaker 1>people have for something or someone, but really the prestige

0:20:20.560 --> 0:20:23.880
<v Speaker 1>or quality of something cultural like I've been making these

0:20:23.920 --> 0:20:26.320
<v Speaker 1>new forms of records I've been telling trap about now

0:20:26.359 --> 0:20:28.919
<v Speaker 1>how I'm gonna start releasing them really soon, probably in

0:20:28.920 --> 0:20:30.320
<v Speaker 1>the next twenty one days.

0:20:33.359 --> 0:20:35.359
<v Speaker 2>I call it prestigious hip hop.

0:20:36.920 --> 0:20:39.320
<v Speaker 1>Like the thought of expensive came to my mind, the

0:20:39.359 --> 0:20:42.320
<v Speaker 1>thought of high brow came to my mind. But honestly,

0:20:42.359 --> 0:20:44.520
<v Speaker 1>I don't think hip hop can be low brow or

0:20:44.600 --> 0:20:46.760
<v Speaker 1>high brow. I always tell y'all, don't think hip hop

0:20:46.760 --> 0:20:49.920
<v Speaker 1>could be low vibrational or high vibrational because you cover

0:20:50.200 --> 0:20:52.800
<v Speaker 1>all parts of I know, I know, but I think

0:20:52.840 --> 0:20:56.600
<v Speaker 1>it shouldn't because cultural That's like imagine calling soul food,

0:20:57.280 --> 0:20:58.879
<v Speaker 1>you know, low vibrational food.

0:21:03.760 --> 0:21:07.560
<v Speaker 4>I get what you're saying, but you can you can

0:21:07.600 --> 0:21:11.360
<v Speaker 4>say some soul fool is gonna it's gonna it's good

0:21:11.400 --> 0:21:13.640
<v Speaker 4>for you, know what I'm saying, And some soul food

0:21:13.720 --> 0:21:18.000
<v Speaker 4>is gonna be what you mean also probably good for you. No,

0:21:18.080 --> 0:21:20.000
<v Speaker 4>soul fool's good for you.

0:21:19.800 --> 0:21:22.600
<v Speaker 1>Because remember, yeah, remember if you think about it, right,

0:21:22.640 --> 0:21:27.920
<v Speaker 1>it's it's it's food that's kind of making. Do you

0:21:27.960 --> 0:21:30.399
<v Speaker 1>know what I mean saying about believe in Like he

0:21:30.520 --> 0:21:32.919
<v Speaker 1>was giving the scraps and signed out of the scraps.

0:21:32.600 --> 0:21:34.160
<v Speaker 2>Like yeah, that's why.

0:21:34.160 --> 0:21:35.920
<v Speaker 1>That's why I always say, I don't say soul fool

0:21:36.000 --> 0:21:39.280
<v Speaker 1>is Black culture as much as it's American slave culture.

0:21:39.720 --> 0:21:42.240
<v Speaker 2>And it just happened to be ninety nine point nine

0:21:42.320 --> 0:21:46.520
<v Speaker 2>percent of American slaves with black people. But again, every

0:21:46.560 --> 0:21:47.840
<v Speaker 2>black person wasn't eating that.

0:21:48.000 --> 0:21:51.400
<v Speaker 1>But you know, I read this book by the Honorable

0:21:51.400 --> 0:21:54.280
<v Speaker 1>Elijah Muhammad, How They Need to Live, and he pretty.

0:21:54.080 --> 0:21:56.840
<v Speaker 2>Much trashes all soul food.

0:21:57.359 --> 0:22:00.080
<v Speaker 1>I mean, greens, how raggedy they are, and if you

0:22:00.080 --> 0:22:02.520
<v Speaker 1>think about it, it's true. I mean, like, why would

0:22:02.560 --> 0:22:05.240
<v Speaker 1>you have to cook a vegetable for hours to make

0:22:05.280 --> 0:22:05.720
<v Speaker 1>it tender?

0:22:05.760 --> 0:22:08.480
<v Speaker 2>That's just crazy. I mean, if you tried to cook

0:22:08.520 --> 0:22:12.159
<v Speaker 2>spinach for hours, it'd be mush. I mean, if you

0:22:12.240 --> 0:22:14.720
<v Speaker 2>try to cook any of that stuff for hours, it'd

0:22:14.720 --> 0:22:18.680
<v Speaker 2>be much so. Again, I don't like the term low

0:22:18.720 --> 0:22:20.560
<v Speaker 2>brown or high brown hip hop, and I think it

0:22:21.119 --> 0:22:26.280
<v Speaker 2>does a disservice to somebody that is not necessarily prolific

0:22:26.359 --> 0:22:29.760
<v Speaker 2>in English, the English language or English tricks you know

0:22:29.880 --> 0:22:33.720
<v Speaker 2>from dialogue, speaking like with or not with, but similes

0:22:33.720 --> 0:22:36.480
<v Speaker 2>and metaphors. It's like how we always talk about with Tupac,

0:22:36.520 --> 0:22:39.800
<v Speaker 2>where people don't understand what make tupac a great writers

0:22:39.880 --> 0:22:43.480
<v Speaker 2>because he understood the cultural cachet of the things he

0:22:43.520 --> 0:22:45.919
<v Speaker 2>was talking about, you know what I mean, And that's

0:22:45.960 --> 0:22:46.560
<v Speaker 2>what it is.

0:22:46.640 --> 0:22:46.840
<v Speaker 4>You know.

0:22:47.000 --> 0:22:49.439
<v Speaker 1>It's like people thinking hip hop is just rap lyrics,

0:22:49.800 --> 0:22:52.479
<v Speaker 1>like oh he raps good, and it's like, yeah, that

0:22:52.520 --> 0:22:56.560
<v Speaker 1>don't matter. Like I'm sure if Donald Trump sat down,

0:22:56.680 --> 0:22:59.320
<v Speaker 1>Donald Trump could probably strike a decent sixteen. But I

0:22:59.400 --> 0:23:01.240
<v Speaker 1>just don't know if if I would jump off the cliff

0:23:01.280 --> 0:23:02.560
<v Speaker 1>and make him hip hop.

0:23:04.040 --> 0:23:07.000
<v Speaker 4>What I'm saying, Yeah, I'm gonna say. I'm gonna say

0:23:07.720 --> 0:23:11.359
<v Speaker 4>Pop came with what you know. You know, I believe

0:23:11.400 --> 0:23:14.680
<v Speaker 4>in the low viborational, high viborational when it comes to music, though,

0:23:14.720 --> 0:23:17.520
<v Speaker 4>and I'm gonna say, like Pop did he doubled that

0:23:17.640 --> 0:23:19.040
<v Speaker 4>one in both? I feel like, but I hear what

0:23:19.040 --> 0:23:21.240
<v Speaker 4>you're saying though within it though, you know what I'm saying.

0:23:21.400 --> 0:23:22.920
<v Speaker 1>I mean, as far as far as when we start

0:23:22.960 --> 0:23:26.359
<v Speaker 1>talking about how other artists really play into the English language,

0:23:26.440 --> 0:23:30.560
<v Speaker 1>you know, the technique of punchlines, similes, metaphors. There are

0:23:30.680 --> 0:23:35.199
<v Speaker 1>some hip hop artists that really root themselves in that

0:23:35.320 --> 0:23:38.560
<v Speaker 1>part of it, right, I mean, that is there.

0:23:39.080 --> 0:23:44.560
<v Speaker 4>That's what my appreciation, that's what my appreciationers do.

0:23:44.520 --> 0:23:47.320
<v Speaker 1>That like that, Yeah, I stayed pride and enjoy cannabis.

0:23:47.359 --> 0:23:50.080
<v Speaker 1>That's cannabis, pride and joy.

0:23:50.359 --> 0:23:51.000
<v Speaker 2>You know what I mean.

0:23:51.160 --> 0:23:53.960
<v Speaker 1>Like, but then a year you take somebody like Tupac

0:23:54.000 --> 0:23:57.600
<v Speaker 1>who understands the earth, the street urban cultural experience that

0:23:57.680 --> 0:24:00.760
<v Speaker 1>most of the youth was going through, right, and then

0:24:00.840 --> 0:24:03.880
<v Speaker 1>they actually say it in the words, using the correct

0:24:04.200 --> 0:24:07.320
<v Speaker 1>dialogue to get the message across, and it's just as powerful,

0:24:07.359 --> 0:24:10.359
<v Speaker 1>if not more powerful than things that cannabis is saying,

0:24:11.160 --> 0:24:13.359
<v Speaker 1>you know what I'm saying. So it's like, that's why

0:24:13.880 --> 0:24:15.560
<v Speaker 1>when I was working on this style of records, I

0:24:15.600 --> 0:24:18.080
<v Speaker 1>wouldn't call it low brow or high brow, because it's

0:24:18.160 --> 0:24:21.720
<v Speaker 1>doing a disservice to what street urban culture is all about.

0:24:21.760 --> 0:24:22.320
<v Speaker 2>You know what I'm saying.

0:24:22.359 --> 0:24:25.280
<v Speaker 1>It's like, if you long as you convey this level

0:24:25.320 --> 0:24:28.359
<v Speaker 1>of street urban culture, you know what I mean? Because

0:24:28.400 --> 0:24:30.359
<v Speaker 1>even how we talk to each other trap sometimes we

0:24:30.400 --> 0:24:32.720
<v Speaker 1>don't got to be. We ain't in the fift We

0:24:32.720 --> 0:24:34.840
<v Speaker 1>ain't in the sixteen pages of the dictionary.

0:24:34.920 --> 0:24:35.400
<v Speaker 2>It could be.

0:24:35.800 --> 0:24:37.879
<v Speaker 1>You know, we get to have a conversation using about

0:24:37.880 --> 0:24:40.840
<v Speaker 1>twelve words, and the conversation is valuable.

0:24:42.000 --> 0:24:43.000
<v Speaker 2>Now it is unique.

0:24:43.040 --> 0:24:45.200
<v Speaker 1>If I start using a lot more colors to paint

0:24:45.200 --> 0:24:48.880
<v Speaker 1>the picture. But you gotta also appreciate the painting. They

0:24:48.920 --> 0:24:53.600
<v Speaker 1>got three colors. It might be rich, it might be dense.

0:24:53.640 --> 0:24:56.160
<v Speaker 1>It's the difference between like, like we was talking about

0:24:56.160 --> 0:24:58.720
<v Speaker 1>it the other day, Gucci Man and Killer Mike. Both

0:24:58.760 --> 0:25:02.359
<v Speaker 1>of them convey Southern street urban culture. One does it

0:25:02.400 --> 0:25:05.200
<v Speaker 1>with a different level of dialogue, you know, English dialect

0:25:05.240 --> 0:25:07.760
<v Speaker 1>and technical tricks. The other one do it with a

0:25:07.760 --> 0:25:12.160
<v Speaker 1>lot more feel, you know what I mean, feel extra annunciation,

0:25:12.920 --> 0:25:13.840
<v Speaker 1>you know, shout out.

0:25:13.760 --> 0:25:16.840
<v Speaker 2>To squishy Like Lucris is.

0:25:16.280 --> 0:25:20.520
<v Speaker 1>A really underrated master you know, of words when it

0:25:20.560 --> 0:25:24.280
<v Speaker 1>comes to the English language, including the cultural feel of

0:25:24.320 --> 0:25:28.720
<v Speaker 1>it all versus somebody like Tip. That is the feel

0:25:28.880 --> 0:25:31.160
<v Speaker 1>like he is nice, you know, it's with his nice.

0:25:31.200 --> 0:25:34.440
<v Speaker 1>His punchlines is decent. He's a more than proficient them, see.

0:25:34.480 --> 0:25:39.840
<v Speaker 1>But his feel as a Southern street urban act is unrivaled.

0:25:39.840 --> 0:25:42.600
<v Speaker 1>And that's why at one time we were all comfortable

0:25:42.680 --> 0:25:44.960
<v Speaker 1>with referencing him as the King of the South when

0:25:45.000 --> 0:25:50.480
<v Speaker 1>Lil Wayne is in the space, you know what I'm saying.

0:25:50.520 --> 0:25:53.120
<v Speaker 1>So I didn't like the term low brow high brow

0:25:53.240 --> 0:25:56.920
<v Speaker 1>because we reference in street urban culture artistically. I mean

0:25:57.359 --> 0:26:00.960
<v Speaker 1>do we say rap is low brow out and graffiti

0:26:01.040 --> 0:26:04.440
<v Speaker 1>is high brown, you know, like you know what I'm saying,

0:26:04.480 --> 0:26:08.000
<v Speaker 1>Like I didn't like that art? Yeah is that? And

0:26:08.000 --> 0:26:11.199
<v Speaker 1>that's the thing. No, such art like Doctor Seuss is

0:26:11.240 --> 0:26:16.600
<v Speaker 1>not low brow art. Like there's a genius in what

0:26:16.800 --> 0:26:21.359
<v Speaker 1>Doctor Seuss does. You know he made on right, you

0:26:21.400 --> 0:26:23.159
<v Speaker 1>know it's not the Bible.

0:26:24.280 --> 0:26:28.399
<v Speaker 4>But so you you play, you play Doctor stets up,

0:26:28.400 --> 0:26:30.800
<v Speaker 4>there's close up there with Shakespeare or anything like that.

0:26:30.800 --> 0:26:33.119
<v Speaker 1>Saying yeah, Doctor Seuss is as nice as Shakespeare to me,

0:26:34.200 --> 0:26:36.000
<v Speaker 1>and they do something completely different.

0:26:37.720 --> 0:26:41.320
<v Speaker 4>But see, but see I think I think that. But

0:26:41.440 --> 0:26:45.840
<v Speaker 4>then like that that goes into that the personal digesting

0:26:45.880 --> 0:26:47.560
<v Speaker 4>the art that you know what I'm saying, it's taking

0:26:47.600 --> 0:26:49.360
<v Speaker 4>it in, you know what I'm saying. You gotta meet

0:26:49.400 --> 0:26:51.040
<v Speaker 4>like you say you say had times, you gotta meet that.

0:26:51.119 --> 0:26:52.600
<v Speaker 4>You got to meet the listener where they at, you

0:26:52.600 --> 0:26:58.040
<v Speaker 4>know what I'm saying. Then, So, now, if if it's

0:26:58.040 --> 0:27:01.400
<v Speaker 4>gonna be trying people that ain't gonna want to head cannabis, rap,

0:27:01.520 --> 0:27:03.440
<v Speaker 4>rap with metaphors and symbolies.

0:27:03.040 --> 0:27:04.960
<v Speaker 1>And and there's certain people who are not going to

0:27:05.000 --> 0:27:07.720
<v Speaker 1>want to hear that version of that New York who

0:27:07.800 --> 0:27:10.480
<v Speaker 1>is a who was a who is a person that

0:27:10.600 --> 0:27:13.920
<v Speaker 1>just conveyed New York just a main MAINO got nice.

0:27:14.080 --> 0:27:21.760
<v Speaker 1>Let's say already, Oh no, Cat Cat cast is like energy,

0:27:21.920 --> 0:27:23.440
<v Speaker 1>he's New York energy.

0:27:23.640 --> 0:27:24.200
<v Speaker 2>You know what I mean?

0:27:24.359 --> 0:27:27.120
<v Speaker 1>And you can't tell me now you could say one

0:27:27.160 --> 0:27:30.840
<v Speaker 1>person is more proficient when using the English language, like

0:27:30.840 --> 0:27:33.760
<v Speaker 1>like a fabulous But both of them dudes feel like

0:27:33.800 --> 0:27:38.800
<v Speaker 1>Brooklyn to me, and they both accomplished the same goal

0:27:39.600 --> 0:27:44.280
<v Speaker 1>of making me feel the Brooklyn experience or the Brooklyn

0:27:44.560 --> 0:27:45.960
<v Speaker 1>relationship between people.

0:27:47.480 --> 0:27:49.240
<v Speaker 3>I think I'll be thinking like this.

0:27:49.280 --> 0:27:53.320
<v Speaker 4>It's always it's always separated the artists like that, like

0:27:53.359 --> 0:27:55.600
<v Speaker 4>you got you got all this, such as like Damn,

0:27:55.720 --> 0:27:59.119
<v Speaker 4>I put dmn X Tupac, I even put like a

0:27:59.160 --> 0:28:01.680
<v Speaker 4>person like gold in the box of a passionate rapper.

0:28:01.680 --> 0:28:03.320
<v Speaker 4>You know what I'm saying. They speak, they speak very

0:28:03.359 --> 0:28:05.920
<v Speaker 4>passionately with their music. Right then you're gonna feel, You're

0:28:05.920 --> 0:28:07.760
<v Speaker 4>gonna feel what they're saying, you know what I'm saying,

0:28:08.200 --> 0:28:09.960
<v Speaker 4>And they ain't gotta say too much, but you're gonna

0:28:09.960 --> 0:28:12.119
<v Speaker 4>feel it is that you wanna feel that ship. And

0:28:12.160 --> 0:28:14.359
<v Speaker 4>then you got the ones that you know what I'm saying,

0:28:15.080 --> 0:28:17.600
<v Speaker 4>like like you deliricism. I mean not to say they're

0:28:17.600 --> 0:28:19.800
<v Speaker 4>not lyrics though, but it's just the one that just

0:28:19.840 --> 0:28:23.040
<v Speaker 4>rely on a lot more, do a lot more with

0:28:23.119 --> 0:28:24.800
<v Speaker 4>the words and ship like that. You know what I'm saying.

0:28:25.000 --> 0:28:26.119
<v Speaker 4>It's a separation of it.

0:28:26.880 --> 0:28:32.720
<v Speaker 2>So I didn't like. I didn't like calling it low brown,

0:28:32.800 --> 0:28:33.160
<v Speaker 2>high brow.

0:28:33.280 --> 0:28:36.800
<v Speaker 1>So I used the term prestige, where it's a widespread

0:28:37.000 --> 0:28:41.440
<v Speaker 1>respect and admiration felt for something based off the perception

0:28:41.600 --> 0:28:42.360
<v Speaker 1>of quality.

0:28:43.880 --> 0:28:44.760
<v Speaker 2>That that's the term.

0:28:44.800 --> 0:28:48.400
<v Speaker 1>I think I've settled with prestigious hip hop, where it's like, yeah,

0:28:48.400 --> 0:28:50.480
<v Speaker 1>I'm not playing by the rules of all.

0:28:50.280 --> 0:28:51.800
<v Speaker 2>These old records, right.

0:28:51.840 --> 0:28:54.880
<v Speaker 1>And I was telling my homeboy shout out to Will Bronson,

0:28:54.920 --> 0:28:58.600
<v Speaker 1>who manages Kept in Chagron, Killer Mike's party. Getting Will

0:28:58.720 --> 0:29:00.720
<v Speaker 1>is from the Bay Area, used to an SMC the

0:29:00.800 --> 0:29:05.000
<v Speaker 1>independent label, brilliant mind. One of the sharpest motherfucker people

0:29:05.040 --> 0:29:06.560
<v Speaker 1>I know when it comes to this thing. And I

0:29:06.680 --> 0:29:09.400
<v Speaker 1>listen to everything he said. Seriously, Him and Stretch are

0:29:09.440 --> 0:29:12.200
<v Speaker 1>like probably like my muse when it comes to business

0:29:12.240 --> 0:29:14.320
<v Speaker 1>and how I see this game. You know that we

0:29:14.400 --> 0:29:22.080
<v Speaker 1>call monetizing hip hop all good. And to make a

0:29:22.080 --> 0:29:29.400
<v Speaker 1>long story short, he was asking me, how did I feel,

0:29:29.560 --> 0:29:31.200
<v Speaker 1>you know, He's like, you don't think you can make

0:29:31.240 --> 0:29:33.760
<v Speaker 1>this a little bit better of a record. And I'm like,

0:29:33.800 --> 0:29:37.240
<v Speaker 1>when we're saying that, we perceiving and chasing something that's

0:29:37.280 --> 0:29:40.640
<v Speaker 1>a little bit more what we would call digestible, or

0:29:40.680 --> 0:29:45.680
<v Speaker 1>some people say dumbing it down. I told him I

0:29:46.160 --> 0:29:51.000
<v Speaker 1>carry enough cultural cache right that I'm not trying to

0:29:51.080 --> 0:29:55.640
<v Speaker 1>dumb it down. I carry enough cultural cachet to where

0:29:55.720 --> 0:30:00.040
<v Speaker 1>somebody who don't have to, you know, someone who he

0:30:00.080 --> 0:30:05.200
<v Speaker 1>doesn't listen to this level of or this style of

0:30:05.320 --> 0:30:08.400
<v Speaker 1>hip hop right could still appreciate it just based off

0:30:08.400 --> 0:30:12.360
<v Speaker 1>of my cultural cachet, just based off of that. And

0:30:12.480 --> 0:30:18.200
<v Speaker 1>I genuinely believe even the person who prefers their culture,

0:30:18.640 --> 0:30:21.280
<v Speaker 1>they receive their culture a little simpler than what I'm

0:30:21.280 --> 0:30:23.840
<v Speaker 1>doing with words, will still receiving from me. And that's

0:30:23.840 --> 0:30:26.720
<v Speaker 1>what I'm able to bank home because I've just been stockpiling,

0:30:28.480 --> 0:30:32.040
<v Speaker 1>you know, culture like I've been, I've just been building

0:30:32.080 --> 0:30:36.280
<v Speaker 1>the cachet of how people see me culturally. Shout out

0:30:36.320 --> 0:30:38.400
<v Speaker 1>to somebody, make sure you put your name, bro, because

0:30:38.400 --> 0:30:40.479
<v Speaker 1>I don't know your name. How do we know if

0:30:40.520 --> 0:30:43.560
<v Speaker 1>it's a story, if story to person telling, we not

0:30:43.680 --> 0:30:45.680
<v Speaker 1>around twenty four to seven. We don't know what these

0:30:45.680 --> 0:30:47.000
<v Speaker 1>people did and didn't do.

0:30:47.160 --> 0:30:49.120
<v Speaker 2>I think that's in relative to something else.

0:30:51.280 --> 0:30:53.800
<v Speaker 1>A lot of creative expressions make believe, but it's different

0:30:53.800 --> 0:30:55.960
<v Speaker 1>if you start believing the story you're really telling.

0:30:56.000 --> 0:30:59.320
<v Speaker 2>It's true, that's true.

0:31:00.000 --> 0:31:02.720
<v Speaker 1>Shout out to Don much love, Don, Welcome to the

0:31:02.800 --> 0:31:05.960
<v Speaker 1>lunch table. People should only speak on things they actually live.

0:31:06.200 --> 0:31:12.800
<v Speaker 1>Experience is good, bad Land does valuable wisdom. If you

0:31:12.840 --> 0:31:14.960
<v Speaker 1>haven't lived it, then you shouldn't speak on it, because

0:31:14.960 --> 0:31:17.080
<v Speaker 1>then it's just a bunch of accusations.

0:31:17.320 --> 0:31:19.280
<v Speaker 2>You don't have to be famous to be a relevant,

0:31:19.320 --> 0:31:21.760
<v Speaker 2>talented artist. That's true.

0:31:22.440 --> 0:31:25.680
<v Speaker 1>That's true, And that is the difference between social currency

0:31:25.720 --> 0:31:30.680
<v Speaker 1>and cultural cachet. As far as how I see hip

0:31:30.720 --> 0:31:36.200
<v Speaker 1>hop like that, it's different, right, It's like, so every

0:31:36.360 --> 0:31:39.960
<v Speaker 1>artist to me doesn't have to have the experience of

0:31:40.000 --> 0:31:45.320
<v Speaker 1>what's happening in their community.

0:31:43.440 --> 0:31:43.840
<v Speaker 4>Right.

0:31:46.480 --> 0:31:49.800
<v Speaker 1>Like ice Cube wasn't going out of selling dope obviously

0:31:49.840 --> 0:31:52.040
<v Speaker 1>when he made My Summer Vacation. He was already a

0:31:52.120 --> 0:31:54.760
<v Speaker 1>more time platinum rapper that was probably a millionaire at

0:31:54.760 --> 0:32:01.240
<v Speaker 1>this point in its life. But long as he got

0:32:01.280 --> 0:32:05.720
<v Speaker 1>the experience right from people that's from out that section

0:32:05.960 --> 0:32:09.280
<v Speaker 1>or in that area right long as he got the

0:32:09.400 --> 0:32:11.640
<v Speaker 1>expression right in my summer vacation.

0:32:12.640 --> 0:32:16.120
<v Speaker 2>That's what hip hop should be. They should be.

0:32:16.120 --> 0:32:20.160
<v Speaker 1>Relaying the wisdom of the community, not just their own.

0:32:20.480 --> 0:32:23.120
<v Speaker 1>I always say this and shout out to Still because

0:32:23.160 --> 0:32:25.640
<v Speaker 1>Still used to give me shit about it. But hip

0:32:25.680 --> 0:32:28.520
<v Speaker 1>hop is the movement of we, not the movement of me.

0:32:31.520 --> 0:32:34.560
<v Speaker 1>We don't, you know, we've never cared about what's crazy

0:32:34.600 --> 0:32:37.040
<v Speaker 1>is when I was growing up listening to hip hop

0:32:37.160 --> 0:32:39.800
<v Speaker 1>or you know, any rap songs, I don't think I

0:32:39.840 --> 0:32:43.600
<v Speaker 1>ever cared if the people lived the story, you know.

0:32:43.640 --> 0:32:46.120
<v Speaker 1>I mean, I think that's a different, you know struggle,

0:32:47.320 --> 0:32:49.360
<v Speaker 1>Like I don't quite know if sugar Hill went to

0:32:49.440 --> 0:32:52.120
<v Speaker 1>their friend house and the food just wasn't no good,

0:32:51.760 --> 0:32:57.720
<v Speaker 1>the macaroni in a melow taste, like, well, I don't care.

0:32:58.280 --> 0:33:02.320
<v Speaker 1>Like that happens culture. That's what mattered to me. I

0:33:02.360 --> 0:33:04.680
<v Speaker 1>don't know if Mellie Meo walked out of his house

0:33:05.000 --> 0:33:09.040
<v Speaker 1>and it was broken glass everywhere and the stairways smelled

0:33:09.080 --> 0:33:12.400
<v Speaker 1>like piss, even though I'd imagine you it's true, but

0:33:12.600 --> 0:33:14.960
<v Speaker 1>it don't matter because I know that there's a place

0:33:15.040 --> 0:33:17.280
<v Speaker 1>in the Bronx that's just like that there's a place

0:33:17.320 --> 0:33:20.360
<v Speaker 1>in Wats like that. So hip hop is about speaking

0:33:21.200 --> 0:33:22.960
<v Speaker 1>for the culture, you know what I mean that you

0:33:23.040 --> 0:33:26.120
<v Speaker 1>grew up in. I don't know if Nas was out

0:33:26.480 --> 0:33:30.600
<v Speaker 1>all of this stuff he saw, you know what I'm saying, Like,

0:33:30.640 --> 0:33:33.560
<v Speaker 1>I don't. I don't think I really get into that.

0:33:33.720 --> 0:33:36.760
<v Speaker 1>I think your job as a hip hop artist like right,

0:33:36.800 --> 0:33:39.000
<v Speaker 1>as a like just like a being. I always say this, like,

0:33:39.040 --> 0:33:42.160
<v Speaker 1>as a hip hop artist, you're an elected delegate, like

0:33:42.280 --> 0:33:45.440
<v Speaker 1>you speak for your constituents. You speak for you know,

0:33:45.480 --> 0:33:49.080
<v Speaker 1>the public you represent. The lights might be on at

0:33:49.120 --> 0:33:50.880
<v Speaker 1>your house. You might got the best deal, but you

0:33:50.880 --> 0:33:55.040
<v Speaker 1>don't speak for that. The people who represent and maybe

0:33:55.320 --> 0:33:56.680
<v Speaker 1>you know, y'all might.

0:33:56.560 --> 0:33:58.720
<v Speaker 2>Be on the something. A shout out to the homegirl.

0:33:58.880 --> 0:33:59.560
<v Speaker 2>What was your name?

0:34:00.040 --> 0:34:01.240
<v Speaker 1>We go back and get her name, Shout out to

0:34:01.280 --> 0:34:04.600
<v Speaker 1>don because we might be on the something. Maybe if

0:34:04.840 --> 0:34:10.040
<v Speaker 1>some of these representatives and politics had to live in

0:34:10.080 --> 0:34:13.080
<v Speaker 1>the neighborhood, maybe they would represent it different. I'm not

0:34:13.200 --> 0:34:16.279
<v Speaker 1>mad at that. I'm not mad at the thought of

0:34:16.280 --> 0:34:19.200
<v Speaker 1>that because it is some you know, some white man

0:34:19.239 --> 0:34:23.719
<v Speaker 1>that lives in you know, Calabasas representing this district of Watts.

0:34:26.160 --> 0:34:31.520
<v Speaker 4>You know what I'm saying, like they come and visit there,

0:34:31.600 --> 0:34:33.720
<v Speaker 4>or they come and see what I'm saying, touch the pavement.

0:34:33.760 --> 0:34:35.439
<v Speaker 4>Though you know what I'm saying, they come and touch

0:34:35.480 --> 0:34:37.920
<v Speaker 4>the pavement, see whatever what I'm saying, see see what

0:34:37.920 --> 0:34:39.439
<v Speaker 4>the people is living like I think.

0:34:40.960 --> 0:34:44.880
<v Speaker 1>But then again we're saying the same thing. Shout out

0:34:44.920 --> 0:34:47.759
<v Speaker 1>to homie from Twitter again which I don't know his name.

0:34:47.800 --> 0:34:49.560
<v Speaker 2>He just won't give his name. It's just weird.

0:34:50.040 --> 0:34:52.760
<v Speaker 1>For example, Drake said Kendrick beats his wife. Where's the proof,

0:34:52.800 --> 0:34:56.200
<v Speaker 1>God said, Drake's a pedophile? Where's the proof? Pdf fil

0:34:56.280 --> 0:34:59.600
<v Speaker 1>where's the proof? People ran one, I'm assuming because it

0:34:59.640 --> 0:35:02.240
<v Speaker 1>sounds good of just using this as an example.

0:35:02.600 --> 0:35:06.840
<v Speaker 2>Nobody ran with neither one of those, like, that's just

0:35:06.920 --> 0:35:07.680
<v Speaker 2>a weird thing.

0:35:07.840 --> 0:35:10.480
<v Speaker 1>Like nobody do you think this would be the energy

0:35:10.560 --> 0:35:14.759
<v Speaker 1>if people thought that that man was like that? Do

0:35:14.840 --> 0:35:16.759
<v Speaker 1>you think we would exist in a space where he

0:35:16.800 --> 0:35:20.759
<v Speaker 1>could walk about the world anywhere in the world if

0:35:20.760 --> 0:35:26.000
<v Speaker 1>people genuinely thought this man was like in which world?

0:35:27.280 --> 0:35:31.280
<v Speaker 1>Nobody is gonna let nobody believes either thing. Nobody thinks

0:35:31.320 --> 0:35:35.040
<v Speaker 1>that Doc beats his wife. Nobody truly thinks or not

0:35:35.239 --> 0:35:37.879
<v Speaker 1>enough people think Drake would be a PDF foul. Bro,

0:35:38.000 --> 0:35:41.960
<v Speaker 1>that's just ridiculous, and that's what makes this lawsuit ridiculous.

0:35:42.360 --> 0:35:45.120
<v Speaker 1>Nobody thinks he's a You think you could just be followed.

0:35:45.200 --> 0:35:47.840
<v Speaker 1>You thought the court would hear you if they knew

0:35:47.920 --> 0:35:50.319
<v Speaker 1>that you was a PDF foul. You thought you could

0:35:50.360 --> 0:35:55.520
<v Speaker 1>put out one song? How many people? Okay, here's a question, Trap,

0:35:55.960 --> 0:35:59.160
<v Speaker 1>I'm not seeing biased, my boy. You being ridiculous. Don't

0:35:59.160 --> 0:36:02.640
<v Speaker 1>be silly. People don't like people, don't like people that

0:36:02.680 --> 0:36:05.520
<v Speaker 1>play with kids like they will kill you.

0:36:06.040 --> 0:36:08.879
<v Speaker 2>They beat them up on Twitter every day.

0:36:10.800 --> 0:36:13.880
<v Speaker 1>You gotta stop being silly, Like it's okay to be

0:36:13.880 --> 0:36:15.920
<v Speaker 1>a fan, but you don't gotta be a stand.

0:36:16.040 --> 0:36:16.239
<v Speaker 2>Bro.

0:36:17.000 --> 0:36:21.440
<v Speaker 1>If people said man was a PDF, there's not one person.

0:36:21.280 --> 0:36:26.600
<v Speaker 2>That would be okay with him walking around life. Trap.

0:36:26.680 --> 0:36:27.439
<v Speaker 2>Let me ask you a question.

0:36:27.719 --> 0:36:30.840
<v Speaker 1>If his fans saw a video with him and a

0:36:30.920 --> 0:36:34.000
<v Speaker 1>twelve year old girl, do you think he would have fans?

0:36:34.000 --> 0:36:34.520
<v Speaker 2>I don't care.

0:36:34.680 --> 0:36:39.160
<v Speaker 1>We have saw some despicable we have. We have saw some,

0:36:39.480 --> 0:36:43.080
<v Speaker 1>we have heard some. We've seen some crazy things culturally right,

0:36:43.280 --> 0:36:45.440
<v Speaker 1>some crazy things. No, I'm not accusing you of being

0:36:45.480 --> 0:36:49.680
<v Speaker 1>a stand I'm saying, don't be a stand. I've seen

0:36:49.719 --> 0:36:53.839
<v Speaker 1>some despicable things happening, right, and it is. He does

0:36:53.960 --> 0:36:57.080
<v Speaker 1>have a group of people that feel like his interests

0:36:57.080 --> 0:37:01.040
<v Speaker 1>are their interests. But do you think if he saw

0:37:01.080 --> 0:37:03.440
<v Speaker 1>a video with him with an eleven year old girl,

0:37:03.480 --> 0:37:07.760
<v Speaker 1>do you think he would still be okay with him?

0:37:07.920 --> 0:37:09.840
<v Speaker 4>He asked me to scrept the hell No, it's a

0:37:10.600 --> 0:37:13.400
<v Speaker 4>pack him up. But my thing with my thing with

0:37:13.480 --> 0:37:17.480
<v Speaker 4>the whole situation is the fact of these things wouldn't

0:37:17.520 --> 0:37:20.600
<v Speaker 4>be able to be said if it didn't seem like

0:37:20.640 --> 0:37:21.680
<v Speaker 4>that's what the fuck it was.

0:37:22.239 --> 0:37:23.960
<v Speaker 3>I'm gonna say this, ship, though, when you want to stay,

0:37:25.040 --> 0:37:25.600
<v Speaker 3>you want to stay.

0:37:25.800 --> 0:37:27.759
<v Speaker 4>You know what I'm saying telling the seventeen year old

0:37:27.760 --> 0:37:29.840
<v Speaker 4>girl that you're gonna get yourself locked up? Nigga, you

0:37:29.880 --> 0:37:34.320
<v Speaker 4>put yourself that situation right there, you know what I'm saying, situation.

0:37:34.360 --> 0:37:37.400
<v Speaker 1>Which makes to me, to me, which just does nothing

0:37:37.440 --> 0:37:41.200
<v Speaker 1>but make the punch line hit. It makes the punchline hit,

0:37:41.320 --> 0:37:43.960
<v Speaker 1>It makes the thing, It makes the scheme work. It

0:37:44.160 --> 0:37:47.560
<v Speaker 1>don't mean that we thinking that this dude is no

0:37:47.719 --> 0:37:48.560
<v Speaker 1>pdf file.

0:37:50.160 --> 0:37:55.080
<v Speaker 2>Ship Ship though, Ship, I'm not disagreeing.

0:37:54.880 --> 0:37:58.440
<v Speaker 1>But we don't think he's a pdf file, bro. This

0:37:58.440 --> 0:38:02.520
<v Speaker 1>wouldn't be a conversation. If we thought straight out think

0:38:02.560 --> 0:38:13.440
<v Speaker 1>about a trap like this would be discussion is again

0:38:13.560 --> 0:38:16.440
<v Speaker 1>it's like and that was another thing about that battle

0:38:16.480 --> 0:38:22.839
<v Speaker 1>that's pretty much been over for a year. Everything, Yeah,

0:38:23.200 --> 0:38:28.080
<v Speaker 1>everything about that battle was important because one god does

0:38:28.160 --> 0:38:31.880
<v Speaker 1>have more social currency in that battle. Flake is more popular,

0:38:33.040 --> 0:38:37.600
<v Speaker 1>Jake is more worldly known, but Dot is the face

0:38:38.000 --> 0:38:43.480
<v Speaker 1>of cultural cachet. He is the token centerpiece of everything

0:38:43.560 --> 0:38:48.080
<v Speaker 1>you could be by being genuinely and authentically street urban culture.

0:38:51.239 --> 0:38:54.400
<v Speaker 1>That's the difference. And again in in a in a

0:38:55.800 --> 0:38:58.400
<v Speaker 1>in an in an art space that this thing we

0:38:58.440 --> 0:39:02.040
<v Speaker 1>call hip hop is in an arts where it's built

0:39:02.080 --> 0:39:06.080
<v Speaker 1>on street urban culture. It doesn't matter who's the most

0:39:06.120 --> 0:39:09.360
<v Speaker 1>popular person shout out to push your t that's somebody

0:39:09.400 --> 0:39:11.960
<v Speaker 1>else who carries a ton of cultural cachet.

0:39:16.280 --> 0:39:17.160
<v Speaker 3>That's the fact.

0:39:18.120 --> 0:39:19.480
<v Speaker 2>Shout out to David Jones.

0:39:20.680 --> 0:39:23.240
<v Speaker 1>David Jones said the claim has more legs than any

0:39:23.400 --> 0:39:25.960
<v Speaker 1>of the stuff he said about Dot. That's why it hurts.

0:39:26.360 --> 0:39:29.960
<v Speaker 1>I don't even think it hurts him. I don't think

0:39:29.960 --> 0:39:32.760
<v Speaker 1>he lost his deal with Nike. Do you think Nike

0:39:33.040 --> 0:39:35.560
<v Speaker 1>would be in business with the PDF fil Do you

0:39:35.680 --> 0:39:39.799
<v Speaker 1>think any of these venues you think Australia would be

0:39:39.800 --> 0:39:42.560
<v Speaker 1>bullying like this is not about that.

0:39:45.880 --> 0:39:48.160
<v Speaker 4>But it was the artist job. It was his job

0:39:48.239 --> 0:39:50.120
<v Speaker 4>the paint a picture and make people believe that it

0:39:50.160 --> 0:39:51.319
<v Speaker 4>is about it.

0:39:51.400 --> 0:39:54.239
<v Speaker 2>Though, But he didn't have to. But he didn't know what.

0:39:55.719 --> 0:39:58.440
<v Speaker 4>When the battle started, right when we said, we said, Joe, listen,

0:39:58.640 --> 0:40:01.439
<v Speaker 4>the thing about a good battle with when the battle's over,

0:40:02.200 --> 0:40:04.120
<v Speaker 4>motherfucker's gonna walk away. Look at that looking at the

0:40:04.200 --> 0:40:06.520
<v Speaker 4>louser different. You know what I'm saying like that, And

0:40:06.560 --> 0:40:08.720
<v Speaker 4>that's what then happened right there. You know what I'm saying,

0:40:09.400 --> 0:40:11.600
<v Speaker 4>like like like the loser is gonna be looked that different.

0:40:11.719 --> 0:40:13.719
<v Speaker 4>And that's that happens in every battle, be that, every

0:40:13.760 --> 0:40:16.120
<v Speaker 4>hip hop, that's that happening. Like that happens, And that's

0:40:16.120 --> 0:40:16.879
<v Speaker 4>what happening right.

0:40:16.800 --> 0:40:18.359
<v Speaker 3>Now, you know what I'm saying.

0:40:18.640 --> 0:40:23.000
<v Speaker 4>So yeah, that's what's going on. I mean, it's just

0:40:24.160 --> 0:40:27.120
<v Speaker 4>I mean, listen, man, No, we didn't think. No, we

0:40:27.160 --> 0:40:30.080
<v Speaker 4>don't think that Drake got a dungeon full of full

0:40:30.080 --> 0:40:31.600
<v Speaker 4>of you know what I'm saying, little girl, now, we

0:40:31.600 --> 0:40:33.600
<v Speaker 4>don't think that right there. We don't think the embassy

0:40:33.760 --> 0:40:35.759
<v Speaker 4>the embassy, Yeah, you know what I'm saying, it's looking

0:40:35.840 --> 0:40:36.840
<v Speaker 4>kind of weird though.

0:40:38.000 --> 0:40:43.040
<v Speaker 1>But that's because a great artist can paint something and

0:40:43.280 --> 0:40:46.880
<v Speaker 1>enhance the vision, like enhance the look of it. Because

0:40:46.960 --> 0:40:49.279
<v Speaker 1>these things are happening in this space because he's on

0:40:49.400 --> 0:40:52.839
<v Speaker 1>stage saying this, or he got certain lyrics where he's

0:40:52.880 --> 0:40:54.000
<v Speaker 1>saying things.

0:40:53.719 --> 0:40:55.759
<v Speaker 2>That are a little bit more casual.

0:40:56.560 --> 0:41:01.040
<v Speaker 1>You can channel that if you're a you're talented artists,

0:41:01.640 --> 0:41:05.040
<v Speaker 1>you can challenge it, right, you can challenge it and

0:41:05.080 --> 0:41:07.880
<v Speaker 1>then put it into spaces that make your style and

0:41:07.920 --> 0:41:08.920
<v Speaker 1>your approach better.

0:41:11.320 --> 0:41:13.120
<v Speaker 2>Mm hm, you know what I'm saying.

0:41:13.680 --> 0:41:20.120
<v Speaker 1>And and and name honestly shout out to me and

0:41:20.200 --> 0:41:23.320
<v Speaker 1>west Cool. Drake is unreal when m this is black girls,

0:41:23.360 --> 0:41:25.960
<v Speaker 1>they saved him. Now Drake wanted to get saved because

0:41:26.000 --> 0:41:28.360
<v Speaker 1>he's not fully black. It's sad that this is in

0:41:28.440 --> 0:41:36.160
<v Speaker 1>disrespect only is okay for that he's fully black? You know, dude,

0:41:36.840 --> 0:41:41.800
<v Speaker 1>He's fully black. It's just crazy. Jahru was never the same.

0:41:42.000 --> 0:41:43.839
<v Speaker 1>But you know what I always say this in that

0:41:43.920 --> 0:41:51.040
<v Speaker 1>battle Ja Ru Okay again, Now I am not the

0:41:51.200 --> 0:41:53.279
<v Speaker 1>lesson in hip hop that Ja Ru is.

0:41:53.800 --> 0:41:54.640
<v Speaker 2>Let's start right here.

0:41:55.040 --> 0:41:59.880
<v Speaker 1>So then this is just my thought, right ju situation

0:42:00.080 --> 0:42:02.880
<v Speaker 1>shout out to shout out the South Side Queens and

0:42:02.960 --> 0:42:03.760
<v Speaker 1>that's no sign.

0:42:05.960 --> 0:42:06.240
<v Speaker 3>Forget.

0:42:06.239 --> 0:42:07.160
<v Speaker 2>That was the Batle North.

0:42:09.920 --> 0:42:13.680
<v Speaker 1>If I'm Joe right, you have to dish now because

0:42:13.680 --> 0:42:18.000
<v Speaker 1>if you ignore a wave, it may crush you by

0:42:18.040 --> 0:42:23.080
<v Speaker 1>the time the dish records come out. Right, by the

0:42:23.120 --> 0:42:25.239
<v Speaker 1>time the dish records come out, you know what I'm saying.

0:42:25.239 --> 0:42:28.800
<v Speaker 1>And back then it was different. It did take more time.

0:42:28.600 --> 0:42:30.560
<v Speaker 2>To get a dish record out, you.

0:42:30.480 --> 0:42:32.160
<v Speaker 1>Know what I mean, because you wanted to market it

0:42:32.160 --> 0:42:36.600
<v Speaker 1>as a part of your product. Remember, like, uhh, Jay

0:42:36.680 --> 0:42:39.080
<v Speaker 1>dropped Takeover. He previewed Takeover, but you.

0:42:39.040 --> 0:42:44.000
<v Speaker 4>Didn't hear I was I was there. I was there. Yeah,

0:42:44.040 --> 0:42:44.920
<v Speaker 4>tell me all that looks like?

0:42:44.960 --> 0:42:45.759
<v Speaker 2>What that looked like?

0:42:46.600 --> 0:42:49.080
<v Speaker 4>That ship was crazy, man, like that whole moment. That's

0:42:49.080 --> 0:42:50.719
<v Speaker 4>what Michael Jackson came out to and waved that the

0:42:50.719 --> 0:42:51.560
<v Speaker 4>crowd and all that ship.

0:42:53.239 --> 0:42:55.680
<v Speaker 1>Tell me how that moment was. Tell me how that

0:42:55.719 --> 0:42:57.560
<v Speaker 1>moment was.

0:42:57.280 --> 0:43:03.480
<v Speaker 4>What Michael Jackson when he gave you take So so

0:43:03.640 --> 0:43:06.120
<v Speaker 4>he debuted to takeover Ship. So he did the So

0:43:06.160 --> 0:43:07.960
<v Speaker 4>you remember he came out on the stage talking and

0:43:08.000 --> 0:43:10.719
<v Speaker 4>ship right there. So when he started performing, he only

0:43:10.719 --> 0:43:12.520
<v Speaker 4>did the Remember he only did product. He only did

0:43:12.520 --> 0:43:15.839
<v Speaker 4>the Prodigy versus at first. No, we don't know. Never,

0:43:16.760 --> 0:43:19.920
<v Speaker 4>we never heard. We never, we didn't know. We didn't

0:43:19.920 --> 0:43:22.040
<v Speaker 4>hear the Nines versus we heard the product. You heard

0:43:22.040 --> 0:43:25.759
<v Speaker 4>the Prodigy versus. So he wrapped, wrapped it, wrapped it

0:43:25.800 --> 0:43:27.960
<v Speaker 4>on the beat and everything. It was the first time

0:43:28.000 --> 0:43:31.959
<v Speaker 4>you heard takeover. First time you heard Takeover first that summer,

0:43:32.280 --> 0:43:33.919
<v Speaker 4>that summer jam. You know what I'm saying. He goes,

0:43:34.000 --> 0:43:38.040
<v Speaker 4>he goes, he does the whole. There's the whole. It

0:43:38.239 --> 0:43:40.320
<v Speaker 4>was a ballerina. I got the pictures. I see it,

0:43:40.360 --> 0:43:42.279
<v Speaker 4>and it's a whole. Rockefellow on the stage with him,

0:43:42.440 --> 0:43:44.640
<v Speaker 4>and they all pointed the screen. I got the pictures.

0:43:44.680 --> 0:43:49.080
<v Speaker 4>I've seen you putting the screen right. Put it the

0:43:49.120 --> 0:43:51.799
<v Speaker 4>summer you see produce on the Summer Jams screen with

0:43:51.840 --> 0:43:54.480
<v Speaker 4>the with with the fucking with the fucking dance outfit

0:43:54.560 --> 0:43:56.560
<v Speaker 4>on and all that ship doing the split biggas like

0:43:56.560 --> 0:43:57.560
<v Speaker 4>two different pictures of the ship.

0:43:57.640 --> 0:43:57.799
<v Speaker 2>Right.

0:43:58.120 --> 0:44:00.680
<v Speaker 4>So he goes back on the ship, though gets back

0:44:00.680 --> 0:44:04.080
<v Speaker 4>at him again that it is with the He goes

0:44:04.120 --> 0:44:06.000
<v Speaker 4>on to the rest of the person that goes ax

0:44:06.120 --> 0:44:07.480
<v Speaker 4>nons he don't want it with hole.

0:44:07.640 --> 0:44:10.040
<v Speaker 3>No, the whole crowd of ups, the whole crowd of

0:44:10.120 --> 0:44:11.640
<v Speaker 3>ups ax, nos.

0:44:11.320 --> 0:44:16.160
<v Speaker 4>He don't want it will hold now it stops whole

0:44:16.200 --> 0:44:21.880
<v Speaker 4>crowd of ups, crowd of screaming for about five minutes

0:44:21.920 --> 0:44:25.560
<v Speaker 4>off ship is many holes went crazy. Then they then

0:44:25.560 --> 0:44:27.440
<v Speaker 4>they exit the stage and mic come out. Then they

0:44:27.480 --> 0:44:31.720
<v Speaker 4>exit the stage. They exit the stage with the playing

0:44:32.400 --> 0:44:38.000
<v Speaker 4>we are the champions, We are the champ remember the

0:44:38.080 --> 0:44:40.360
<v Speaker 4>dame dash they have with everybody wanted to do it.

0:44:40.400 --> 0:44:42.480
<v Speaker 4>That's what they played the beat up and they exited

0:44:42.480 --> 0:44:44.040
<v Speaker 4>the stage with that ship right there though. Beat but

0:44:44.040 --> 0:44:46.000
<v Speaker 4>the ship was crazy, you know, so it was it

0:44:46.040 --> 0:44:48.719
<v Speaker 4>was it was. It was a moment that when we

0:44:48.760 --> 0:44:50.840
<v Speaker 4>was in the moment, you ain't you ain't really realized

0:44:50.840 --> 0:44:56.520
<v Speaker 4>that this ship it was just now yeah yeah yeah yeah,

0:44:56.840 --> 0:44:58.759
<v Speaker 4>I ain't even like like so so we ended up

0:44:58.760 --> 0:45:02.040
<v Speaker 4>hearing the we because we hit him going that. Nots

0:45:02.120 --> 0:45:04.959
<v Speaker 4>really heard him going that prodigy, you know what I'm saying.

0:45:05.000 --> 0:45:07.000
<v Speaker 4>But he heard him going that prodigy though like that.

0:45:07.160 --> 0:45:09.520
<v Speaker 4>But he ended it off with like axe nins, he don't.

0:45:09.320 --> 0:45:11.480
<v Speaker 2>Want it with whole no.

0:45:13.120 --> 0:45:16.120
<v Speaker 3>Crazy, it was crazy, that's what crazy.

0:45:16.160 --> 0:45:19.120
<v Speaker 1>So so long story short, he drops so he previews

0:45:19.120 --> 0:45:22.719
<v Speaker 1>it on Summer Damn stage. I understand nas drops the

0:45:22.760 --> 0:45:24.799
<v Speaker 1>song after that because he hears that he uses his

0:45:24.960 --> 0:45:29.640
<v Speaker 1>name like a freestyt yep and it doesn't quite hit hard,

0:45:29.760 --> 0:45:34.080
<v Speaker 1>but people heard it. And then Takeover drops obviously nine

0:45:34.120 --> 0:45:36.560
<v Speaker 1>to eleven, two thousand and one, which is this crazy

0:45:36.640 --> 0:45:39.960
<v Speaker 1>day in American history for me. Blueprint one, then the

0:45:40.000 --> 0:45:42.560
<v Speaker 1>Twin Towers, which I'm sorry, I'm so raggedy, but I'm

0:45:42.600 --> 0:45:45.640
<v Speaker 1>just a hip hop dude like that because that's like

0:45:46.040 --> 0:45:48.239
<v Speaker 1>my favorite jay Z album, one of my favorite top

0:45:48.280 --> 0:45:49.399
<v Speaker 1>three hip hop albums ever.

0:45:51.160 --> 0:45:56.400
<v Speaker 2>And then I hear Takeover, and remember Ether comes out

0:45:56.719 --> 0:45:58.120
<v Speaker 2>three months after.

0:46:00.480 --> 0:46:04.360
<v Speaker 4>Remembers actually came out, you know, actually came out on

0:46:04.440 --> 0:46:07.280
<v Speaker 4>jay z birthday. Yeah, three months.

0:46:10.200 --> 0:46:14.160
<v Speaker 1>Yeah, because he's he's finishing the album and preparing to

0:46:14.200 --> 0:46:17.759
<v Speaker 1>release the album. So I say that to same, right,

0:46:17.800 --> 0:46:19.839
<v Speaker 1>because remember Steve Madick came out that same time.

0:46:20.800 --> 0:46:21.400
<v Speaker 2>Mm hmm.

0:46:22.719 --> 0:46:26.920
<v Speaker 1>Yeah, yeah right, what I'm saying, Remember that's what I'm saying.

0:46:26.960 --> 0:46:31.319
<v Speaker 1>He had to back then, you just didn't throw away singles. Yeah,

0:46:31.680 --> 0:46:33.640
<v Speaker 1>how we do it now? How we got that battle

0:46:33.680 --> 0:46:36.360
<v Speaker 1>where you know they were you know, they were marketed

0:46:36.440 --> 0:46:38.960
<v Speaker 1>singles the highest level back and forth, you know, six

0:46:39.040 --> 0:46:40.319
<v Speaker 1>to seven songs.

0:46:40.000 --> 0:46:40.840
<v Speaker 2>Where the whole world.

0:46:41.160 --> 0:46:43.840
<v Speaker 1>It wasn't that easy to get a song into everybody's

0:46:43.880 --> 0:46:48.360
<v Speaker 1>hand at that point, you know what I'm saying. So

0:46:48.520 --> 0:46:51.160
<v Speaker 1>fast forward with Jah ruin fifty. When when fifty took

0:46:51.200 --> 0:46:55.960
<v Speaker 1>off on Jah remember Whangster kind of was like it

0:46:56.040 --> 0:46:57.920
<v Speaker 1>was kind of people felt it was about job, but

0:46:57.960 --> 0:47:01.279
<v Speaker 1>it wasn't quite Joe until back Down, you know what

0:47:01.280 --> 0:47:06.240
<v Speaker 1>I'm saying. Like, when back Down happened, everybody got their hands.

0:47:06.239 --> 0:47:08.640
<v Speaker 1>So however long it took Joah Rud to make the

0:47:08.719 --> 0:47:12.439
<v Speaker 1>album and then finished, would end up becoming not New York,

0:47:12.480 --> 0:47:15.439
<v Speaker 1>but the first clap Back. Remember, because they were still

0:47:15.440 --> 0:47:18.719
<v Speaker 1>trying to sell records with it. They wouldn't just they

0:47:18.719 --> 0:47:19.600
<v Speaker 1>wouldn't just drop.

0:47:20.960 --> 0:47:23.080
<v Speaker 2>Rightbody around so coming around that town too.

0:47:23.200 --> 0:47:26.000
<v Speaker 1>Know, that was that was the second album, the second album,

0:47:26.280 --> 0:47:28.480
<v Speaker 1>next one, first album at the battle was the one

0:47:28.480 --> 0:47:32.440
<v Speaker 1>with Clapback. Yeah, right, But it took time to make

0:47:32.480 --> 0:47:34.880
<v Speaker 1>the album and then the song and he dropped it

0:47:34.920 --> 0:47:37.799
<v Speaker 1>and it didn't clap Back didn't quite hit. And then

0:47:37.840 --> 0:47:40.719
<v Speaker 1>it took another year and then they made New York

0:47:40.920 --> 0:47:44.040
<v Speaker 1>and then the r Kelly song and New York actually hit,

0:47:44.120 --> 0:47:46.839
<v Speaker 1>but he missed with clap Back. If New York would

0:47:46.920 --> 0:47:49.640
<v Speaker 1>if it had been New York, right, you know what

0:47:49.640 --> 0:47:51.200
<v Speaker 1>I mean, If New York right.

0:47:51.200 --> 0:47:54.000
<v Speaker 2>Where clad Back was at, we might be talking about

0:47:54.000 --> 0:47:54.840
<v Speaker 2>this battle different.

0:47:57.880 --> 0:48:00.200
<v Speaker 4>We all know why that battle happened. Battle that like

0:48:00.239 --> 0:48:01.880
<v Speaker 4>that though, And know what I'm saying. I mean, I mean,

0:48:01.920 --> 0:48:04.000
<v Speaker 4>we know that fifty was doing. Fifty was on his ass.

0:48:04.040 --> 0:48:06.680
<v Speaker 4>Fifty was on it. Sure, mix Tate mix tape, Mix

0:48:06.760 --> 0:48:09.799
<v Speaker 4>tape mentioned his name. I'm saying like that. But then

0:48:09.840 --> 0:48:12.560
<v Speaker 4>them boys got them, them Alphabet boys came through those too,

0:48:12.600 --> 0:48:14.160
<v Speaker 4>And that's what I was.

0:48:14.120 --> 0:48:17.560
<v Speaker 1>Finna Sayah, that's to the point I was getting to

0:48:17.560 --> 0:48:19.920
<v Speaker 1>to the person that said Jahru's career was ended. Oh

0:48:19.920 --> 0:48:23.839
<v Speaker 1>the honey name brand name. The Feds came and screwed up.

0:48:23.840 --> 0:48:26.319
<v Speaker 1>They deal with death jam. When the fans came and

0:48:26.360 --> 0:48:29.439
<v Speaker 1>took Irving him to jail, it screwed up. They deal

0:48:29.480 --> 0:48:32.320
<v Speaker 1>with death jam. So they wasn't able to keep releasing music.

0:48:32.640 --> 0:48:35.280
<v Speaker 1>So it looks like his career was over. But after,

0:48:36.080 --> 0:48:38.560
<v Speaker 1>you know, fifty drop back down and get rich. Remember,

0:48:38.880 --> 0:48:40.920
<v Speaker 1>jah Ru has a couple of other platinum albums and

0:48:41.040 --> 0:48:43.440
<v Speaker 1>hit singles as long as he could put him out.

0:48:43.480 --> 0:48:45.520
<v Speaker 1>And then the last, the third project they put out

0:48:45.520 --> 0:48:47.480
<v Speaker 1>after that battle was the greatest hits that had no

0:48:47.600 --> 0:48:49.880
<v Speaker 1>marketing because Depth Jam had pulled the plug on the

0:48:49.880 --> 0:48:53.680
<v Speaker 1>program based around the FEDS. So even in this battle,

0:48:54.040 --> 0:48:59.040
<v Speaker 1>it wasn't like like all Drake had to do is

0:48:59.080 --> 0:49:01.359
<v Speaker 1>get back to the music. But again, this is where

0:49:01.400 --> 0:49:05.239
<v Speaker 1>social currency doesn't help you. Being popular doesn't help you.

0:49:05.280 --> 0:49:07.319
<v Speaker 1>It just means there's a million more people to make

0:49:07.400 --> 0:49:09.759
<v Speaker 1>jokes about you if you don't know how to lean

0:49:09.840 --> 0:49:13.719
<v Speaker 1>back into the culture that this thing is. And you

0:49:13.800 --> 0:49:17.600
<v Speaker 1>have a problem though, you have a problem with when

0:49:17.680 --> 0:49:21.120
<v Speaker 1>Dre and them dropped Dreda, you feel me, Easy was

0:49:21.160 --> 0:49:23.879
<v Speaker 1>on his heels. Easy got it back together, he had

0:49:23.880 --> 0:49:25.920
<v Speaker 1>his deal in place. He came right back with real

0:49:25.960 --> 0:49:26.920
<v Speaker 1>competen City Jeeves.

0:49:27.840 --> 0:49:29.319
<v Speaker 3>What was the time between that right there?

0:49:30.040 --> 0:49:36.640
<v Speaker 2>I think like four months? Yeah, because Dreda came out.

0:49:37.200 --> 0:49:42.680
<v Speaker 1>Dred came out in ninety two, like December, and Real

0:49:42.760 --> 0:49:48.400
<v Speaker 1>motherfucking Gee's came out ninety three.

0:49:49.960 --> 0:49:50.400
<v Speaker 2>August.

0:49:52.480 --> 0:49:55.400
<v Speaker 3>Yeah feel me? Yeah?

0:49:56.200 --> 0:50:01.560
<v Speaker 1>Yeah, So again we again we're looking at a battle

0:50:01.640 --> 0:50:05.040
<v Speaker 1>different today, it's different back then. Back then you you

0:50:05.120 --> 0:50:07.200
<v Speaker 1>really was trying to sell some records to go with.

0:50:08.920 --> 0:50:10.799
<v Speaker 2>The damn you know you.

0:50:10.920 --> 0:50:13.000
<v Speaker 4>Was Now that it was at your promo and promo

0:50:13.080 --> 0:50:15.400
<v Speaker 4>to like like definitely within still Madic. That was That's

0:50:15.520 --> 0:50:17.239
<v Speaker 4>that's why we ran and got steal Madic like that.

0:50:17.280 --> 0:50:19.919
<v Speaker 4>We wanted to hear that eighth thing. Yeah, we can't

0:50:19.960 --> 0:50:20.640
<v Speaker 4>wait that eighth.

0:50:20.880 --> 0:50:22.920
<v Speaker 2>Now, that was the first n CD. That was the

0:50:22.920 --> 0:50:24.239
<v Speaker 2>first Nazi ever bought.

0:50:24.560 --> 0:50:26.719
<v Speaker 1>Now that's not the first NAS song I ever liked,

0:50:27.280 --> 0:50:29.440
<v Speaker 1>but that was the first na CD I ever bought

0:50:29.640 --> 0:50:30.960
<v Speaker 1>because of the Battle.

0:50:32.239 --> 0:50:35.880
<v Speaker 2>Yeah, I remember. That's so impressed.

0:50:35.880 --> 0:50:39.400
<v Speaker 1>Was still madic, right, just like I've been sleeping on

0:50:39.440 --> 0:50:41.920
<v Speaker 1>this dude, like this is toute is tough. And then

0:50:41.960 --> 0:50:43.839
<v Speaker 1>I had to go back and I had to go

0:50:43.880 --> 0:50:46.560
<v Speaker 1>back and get obviously I went and bought what was

0:50:46.560 --> 0:50:47.480
<v Speaker 1>the three records before that?

0:50:47.520 --> 0:50:51.720
<v Speaker 2>Three albums before that, four albums. It was written Nazi.

0:50:51.840 --> 0:50:54.600
<v Speaker 4>It was written yeah, all Matic, all mad it was

0:50:54.640 --> 0:50:59.920
<v Speaker 4>three Battle, it was all Madic. It was written National Diamonds.

0:51:00.120 --> 0:51:02.279
<v Speaker 4>I am forelbum, I am, I Am, I Am.

0:51:02.719 --> 0:51:06.240
<v Speaker 2>So it's like I remember because I remember the National dominics.

0:51:06.320 --> 0:51:11.000
<v Speaker 2>The genuine song term y'all I ain't to me is

0:51:11.080 --> 0:51:15.360
<v Speaker 2>hard though, uci Wanley to me is hard though that

0:51:15.560 --> 0:51:18.040
<v Speaker 2>could be finest, but that's hard to me.

0:51:18.520 --> 0:51:23.000
<v Speaker 4>But I didn't like the the uh the timing man

0:51:23.080 --> 0:51:25.759
<v Speaker 4>that was timbling man, Timular did that, ship TONI did that,

0:51:25.920 --> 0:51:28.239
<v Speaker 4>did that same bullshit, the fucking l L with the

0:51:28.680 --> 0:51:30.759
<v Speaker 4>something like a phenomenon. He just trying to get him

0:51:30.760 --> 0:51:33.200
<v Speaker 4>something different, and he's trying to get into his record.

0:51:33.360 --> 0:51:35.840
<v Speaker 4>He wanted some big record. You can't get this business

0:51:35.880 --> 0:51:37.719
<v Speaker 4>and don't want no big records. Shout out to them

0:51:37.800 --> 0:51:39.560
<v Speaker 4>and Revince, thank you for being at the lunch table.

0:51:39.680 --> 0:51:42.600
<v Speaker 4>My boy always supported me. It's somebody we met having

0:51:42.600 --> 0:51:44.000
<v Speaker 4>age about hip hop.

0:51:44.120 --> 0:51:46.480
<v Speaker 1>And again, like most people that know me, I'll really

0:51:46.520 --> 0:51:48.960
<v Speaker 1>be trying to building a genuine space. Everything I speak

0:51:49.000 --> 0:51:51.879
<v Speaker 1>on I'm being genuine about it. It's never like there's

0:51:51.920 --> 0:51:55.120
<v Speaker 1>no malice. I don't have a disdain. Even in this

0:51:55.280 --> 0:51:58.359
<v Speaker 1>particular battle that we're talking about. That is my man,

0:51:58.440 --> 0:52:00.600
<v Speaker 1>but we call it. We still won't call us to spade.

0:52:00.640 --> 0:52:02.520
<v Speaker 1>It don't matter. I mean, we don't need to cheat.

0:52:02.880 --> 0:52:08.640
<v Speaker 1>He was built for the moment. Shout out to the homies, uh,

0:52:08.760 --> 0:52:12.120
<v Speaker 1>but shout out to revenge. Laughing my ass off man.

0:52:12.160 --> 0:52:14.120
<v Speaker 1>We talking about a guy we already knew wasn't built

0:52:14.200 --> 0:52:16.440
<v Speaker 1>like that, though, Bro, we knew Drake wasn't like that

0:52:16.560 --> 0:52:18.480
<v Speaker 1>from the jump. Now he in the courts and you're

0:52:18.520 --> 0:52:21.279
<v Speaker 1>looking at it through a non judicial lens. Of course,

0:52:21.360 --> 0:52:24.840
<v Speaker 1>don't necessarily always side with culture. More time than not

0:52:25.080 --> 0:52:29.120
<v Speaker 1>its anti culture. Yes, but I don't think we're talking

0:52:29.160 --> 0:52:31.600
<v Speaker 1>about that. I think I told y'all he wasn't like that,

0:52:31.719 --> 0:52:34.879
<v Speaker 1>but y'all thought he was like that, definitely. I told

0:52:34.960 --> 0:52:38.120
<v Speaker 1>y'all he wasn't like that. Y'all told me he was

0:52:38.200 --> 0:52:44.719
<v Speaker 1>like that, and I kept telling you, but I knew

0:52:44.760 --> 0:52:46.759
<v Speaker 1>he wasn't like that, And I told y'all he wasn't

0:52:46.880 --> 0:52:49.759
<v Speaker 1>like that. You feel me like y'all didn't know he

0:52:49.960 --> 0:52:52.800
<v Speaker 1>wasn't like that. I'm like, this guy is a you know,

0:52:53.000 --> 0:52:56.480
<v Speaker 1>as a regular guy, but it's not about that. And

0:52:56.719 --> 0:53:00.600
<v Speaker 1>even as from a lawsuit standpoint, I'm not a lawyer, bro.

0:53:00.760 --> 0:53:03.000
<v Speaker 1>So I just don't think it's gonna work out for him.

0:53:04.120 --> 0:53:07.840
<v Speaker 1>I think when you read through the lyrics, When you

0:53:07.960 --> 0:53:10.359
<v Speaker 1>read through the lyrics, you're not really gonna be able

0:53:10.360 --> 0:53:13.239
<v Speaker 1>to prove he said anything. The faming or defamat or

0:53:13.960 --> 0:53:18.000
<v Speaker 1>what's the word deflammatory about you, inflammatory about you, you're

0:53:18.080 --> 0:53:21.319
<v Speaker 1>not There's nothing he said specifically. If we read through

0:53:21.320 --> 0:53:25.600
<v Speaker 1>the lyrics of that song. Right now, right, let's let's

0:53:25.640 --> 0:53:26.799
<v Speaker 1>read through the lyrics.

0:53:26.480 --> 0:53:31.319
<v Speaker 3>Of not like us, We got some Time, We got got.

0:53:35.080 --> 0:53:37.720
<v Speaker 1>I want you to tell me, where is the actual

0:53:37.880 --> 0:53:41.839
<v Speaker 1>line that a judge is gonna say, Hey, he said

0:53:41.920 --> 0:53:42.520
<v Speaker 1>this about you.

0:53:45.920 --> 0:53:46.880
<v Speaker 2>This is so crazy.

0:53:47.200 --> 0:53:50.360
<v Speaker 1>I see dead people. Mustard on the beat, hole a

0:53:50.640 --> 0:53:53.600
<v Speaker 1>mustard on the beat. Ho de bot any rap nigga?

0:53:53.680 --> 0:53:56.759
<v Speaker 1>He a free throw man down, Call an ambulance, let

0:53:56.840 --> 0:54:00.239
<v Speaker 1>him breathe, bromella nigga to the cross. He walking around

0:54:00.280 --> 0:54:03.799
<v Speaker 1>like TEASO. What's up with these your bronie ass trying

0:54:03.800 --> 0:54:06.560
<v Speaker 1>to see Compton? The industry can hate me, fuck them

0:54:06.560 --> 0:54:09.040
<v Speaker 1>all and they Mama, how many ops you really got?

0:54:09.160 --> 0:54:11.880
<v Speaker 1>I mean, it's too many options. I'm finna pass on

0:54:11.960 --> 0:54:16.120
<v Speaker 1>his body. I'm John Stockings. Beat your ass and the

0:54:16.200 --> 0:54:18.880
<v Speaker 1>Bible of God watching that is such an ill line.

0:54:20.719 --> 0:54:26.719
<v Speaker 1>I know you're watching my string dot that's ill. Beat

0:54:26.760 --> 0:54:30.279
<v Speaker 1>your ass, the Bible of God watch it. Sometimes you

0:54:30.360 --> 0:54:33.440
<v Speaker 1>gotta pop out and show niggas certify boogey man. I'm

0:54:33.480 --> 0:54:35.960
<v Speaker 1>the one that have to skull with him, walk walking

0:54:36.080 --> 0:54:38.359
<v Speaker 1>down whole time. I know he got some hole on him,

0:54:39.080 --> 0:54:41.440
<v Speaker 1>got some hole in him. Hold on him X door

0:54:41.560 --> 0:54:44.799
<v Speaker 1>shit bully to flow on him. Say Drake, I hear

0:54:44.840 --> 0:54:47.279
<v Speaker 1>you like I'm young, You better not ever go to

0:54:47.360 --> 0:54:50.319
<v Speaker 1>sell block one to any bitch that talk to him

0:54:50.360 --> 0:54:52.319
<v Speaker 1>and there in love. Just make sure you had your

0:54:52.360 --> 0:54:56.120
<v Speaker 1>little sister from him. That's not gonna that's not gonna

0:54:56.160 --> 0:55:01.480
<v Speaker 1>be defamation in court. It's not a intent revenge. Intent

0:55:01.600 --> 0:55:07.799
<v Speaker 1>don't matter in this kind of suit. Yeah, like it's

0:55:07.880 --> 0:55:11.759
<v Speaker 1>it's that's not going to be enough revenge. You know

0:55:11.800 --> 0:55:16.160
<v Speaker 1>what I'm saying that that's not that's not going to work.

0:55:16.640 --> 0:55:21.919
<v Speaker 1>That's not going to work. Uh, that specific line, say Drake,

0:55:22.040 --> 0:55:24.239
<v Speaker 1>I hear you like I'm young, You better not ever

0:55:24.360 --> 0:55:27.000
<v Speaker 1>go to sell block one to any bitch that talk

0:55:27.080 --> 0:55:29.160
<v Speaker 1>to him and they in love. Just make sure you

0:55:29.280 --> 0:55:31.879
<v Speaker 1>had your little sister from him. That in no way

0:55:32.000 --> 0:55:35.600
<v Speaker 1>says he's a PDF foul. That's not going to work

0:55:35.640 --> 0:55:38.840
<v Speaker 1>as a defamation of character. They tell me, Chub's the

0:55:38.920 --> 0:55:41.320
<v Speaker 1>only one that gets your hand me downs and party

0:55:41.400 --> 0:55:44.200
<v Speaker 1>at the party, playing with his nose now and BAKA

0:55:44.280 --> 0:55:47.120
<v Speaker 1>got a weird case. Why is he around? Certify lover

0:55:47.239 --> 0:55:52.160
<v Speaker 1>boy certified pedophiles. Still, that's the closest you can do.

0:55:52.520 --> 0:55:56.160
<v Speaker 1>But again, he named three other people. That is how

0:55:56.239 --> 0:56:00.440
<v Speaker 1>court works. That's exactly how court works. That's it exactly

0:56:00.520 --> 0:56:03.120
<v Speaker 1>how court works. They're gonna look at the lyrics and say,

0:56:03.200 --> 0:56:06.480
<v Speaker 1>where is the where is the inflammatory lyrics about you?

0:56:07.680 --> 0:56:12.840
<v Speaker 1>That's how defamation work. That's how defamation work. It don't

0:56:12.880 --> 0:56:14.560
<v Speaker 1>work no any other way.

0:56:15.680 --> 0:56:19.399
<v Speaker 2>Wop wop wop wop wopp. Fuck him up, wop wop

0:56:19.560 --> 0:56:20.520
<v Speaker 2>wop wop wop.

0:56:20.600 --> 0:56:23.400
<v Speaker 1>I'm gonna do my stuff. Why are you trolling like

0:56:23.480 --> 0:56:26.239
<v Speaker 1>a bitch? Ain't you tired? Trying to strike a chord?

0:56:26.440 --> 0:56:28.840
<v Speaker 1>And it's probably a mining.

0:56:31.640 --> 0:56:32.319
<v Speaker 3>That was hard too.

0:56:34.960 --> 0:56:40.800
<v Speaker 2>Again, if Baka, even Baka Baka's got a why is

0:56:40.880 --> 0:56:41.440
<v Speaker 2>he around?

0:56:42.200 --> 0:56:45.720
<v Speaker 1>That's not saying he was convicted. That's not saying he's guilty.

0:56:46.280 --> 0:56:50.080
<v Speaker 1>It's saying he had a weird case. Why is he around? So, now,

0:56:50.239 --> 0:56:53.480
<v Speaker 1>if those guys were saying that, it'd be a different conversation.

0:56:54.719 --> 0:56:56.759
<v Speaker 3>That they used to that they'll use the do I

0:56:56.880 --> 0:57:01.640
<v Speaker 3>work for the for the single no said the artwork.

0:57:01.680 --> 0:57:04.640
<v Speaker 4>Sposta have been like as been like predident.

0:57:06.600 --> 0:57:08.560
<v Speaker 1>This is where this is where art and this is

0:57:08.600 --> 0:57:11.800
<v Speaker 1>where art can't impede on free speech. You think the

0:57:11.840 --> 0:57:14.800
<v Speaker 1>bag gonna let you disrespect pop nigga. I think that

0:57:14.960 --> 0:57:16.560
<v Speaker 1>Oakland Show gonna be your last stop.

0:57:16.680 --> 0:57:16.960
<v Speaker 3>Nigga.

0:57:18.160 --> 0:57:20.840
<v Speaker 1>The call foul. I don't know why you're still pretending.

0:57:21.320 --> 0:57:23.920
<v Speaker 1>What is the our bird niggas and bird bitches go

0:57:24.960 --> 0:57:28.320
<v Speaker 1>the audience not dumb. Shape the stories how you want, Hey, Drake,

0:57:28.400 --> 0:57:31.120
<v Speaker 1>They're not slow. Rabbit hole is still deep.

0:57:31.320 --> 0:57:32.840
<v Speaker 2>I can go further. Our promise.

0:57:32.920 --> 0:57:36.240
<v Speaker 1>Ain't that something? B rad stands for bitch and you malibus.

0:57:37.800 --> 0:57:41.360
<v Speaker 1>Ain't no law boy, you bad boy. Fetch gatorade or something.

0:57:41.720 --> 0:57:44.600
<v Speaker 1>It's two thousand and nine. I had this bitch jumping you.

0:57:44.760 --> 0:57:47.480
<v Speaker 1>Niggas can get a wedgie, be flipped over your boxers

0:57:47.560 --> 0:57:50.240
<v Speaker 1>with over your the other vaginal option.

0:57:50.800 --> 0:57:54.520
<v Speaker 2>Pussy. Niggas better straighten their posture, get famous.

0:57:54.600 --> 0:57:57.120
<v Speaker 1>All In Compton might write this for the doctor to

0:57:57.240 --> 0:58:01.160
<v Speaker 1>the popstar quick hiding fucking caption won't action, no accident.

0:58:01.280 --> 0:58:04.240
<v Speaker 2>I'm hands on. He fucked around, get polished, fucked on

0:58:04.320 --> 0:58:05.720
<v Speaker 2>Wayne girl while he was in jail.

0:58:05.800 --> 0:58:09.560
<v Speaker 1>That's conniven. Then get his face tatted like a bitch apologizing.

0:58:09.800 --> 0:58:13.000
<v Speaker 1>I'm glad he rose came home. Y'all didn't deserve him neither.

0:58:13.280 --> 0:58:15.959
<v Speaker 1>From a longer down the central nigga better not speak

0:58:16.000 --> 0:58:18.480
<v Speaker 1>on some ENAs and your homeboys need subpoenas.

0:58:18.760 --> 0:58:24.080
<v Speaker 2>Then predators moving flocks. Your homeboys need subpoenas. The predators

0:58:24.200 --> 0:58:27.800
<v Speaker 2>moving flocks. That name gotta be registered and placed on

0:58:27.840 --> 0:58:31.400
<v Speaker 2>neighborhood watch. I lean on you, niggas like another line

0:58:31.440 --> 0:58:34.280
<v Speaker 2>of rocks. All eyes on ge and I'm gonna send

0:58:34.320 --> 0:58:37.640
<v Speaker 2>it up to up top. Put the wrong label on me.

0:58:37.720 --> 0:58:40.480
<v Speaker 2>I'm gonna get him drop sweet chin music and I

0:58:40.600 --> 0:58:43.880
<v Speaker 2>won't pass the ox. How many stocks do I really have?

0:58:44.040 --> 0:58:48.360
<v Speaker 2>A stock? One? Two, three, four, five plus five? Devil

0:58:48.560 --> 0:58:51.919
<v Speaker 2>is a lie, He's a sixty nine god. Freaky ass.

0:58:52.080 --> 0:58:55.600
<v Speaker 1>Niggas need to stay they ass inside role ass something

0:58:55.680 --> 0:58:58.560
<v Speaker 1>like a fresh pack of Zy City is back up.

0:58:58.680 --> 0:59:02.560
<v Speaker 2>It's a musk we out. So he actually never in

0:59:02.920 --> 0:59:07.720
<v Speaker 2>the song couts him that, And what's crazy is he

0:59:07.880 --> 0:59:13.520
<v Speaker 2>only uses it twice in a song, zero chance.

0:59:16.280 --> 0:59:16.400
<v Speaker 4>Yea.

0:59:16.640 --> 0:59:19.360
<v Speaker 2>The fact that y'all keeps saying this is where to me,

0:59:19.520 --> 0:59:25.439
<v Speaker 2>because like, what are you talking about? What the fuck

0:59:25.520 --> 0:59:26.320
<v Speaker 2>is we talking about?

0:59:26.400 --> 0:59:26.440
<v Speaker 4>It?

0:59:26.520 --> 0:59:29.640
<v Speaker 1>Do come across Hella Biblical demo shout out to demo Radio.

0:59:30.000 --> 0:59:32.680
<v Speaker 1>He said, nigga reading scripture facts.

0:59:32.360 --> 0:59:37.720
<v Speaker 2>That's a fact. Helibiblical. I'm really proud to forgive me.

0:59:40.960 --> 0:59:41.680
<v Speaker 3>He went crazy.

0:59:43.040 --> 0:59:43.840
<v Speaker 2>I'm so proud.

0:59:45.280 --> 0:59:48.000
<v Speaker 1>I'm so proud of the impressed because this, this level

0:59:48.080 --> 0:59:54.360
<v Speaker 1>of craftsmanship, and this assault is dope. I am impressed,

0:59:54.440 --> 0:59:57.480
<v Speaker 1>Like he got me. All the other stuff is fired.

1:00:00.200 --> 1:00:03.000
<v Speaker 1>I shout out to X, shout out to excuse me.

1:00:03.240 --> 1:00:05.960
<v Speaker 1>What's your name, bro, I'm not know what if you'll

1:00:06.000 --> 1:00:09.120
<v Speaker 1>put your name dot. If Drake was fought, he would

1:00:09.120 --> 1:00:11.600
<v Speaker 1>have shoot over meet the Grahams. Kendrick lied about a lot.

1:00:12.120 --> 1:00:15.320
<v Speaker 1>Now we would have something to think about that. I

1:00:15.400 --> 1:00:19.480
<v Speaker 1>could take the case serious. I could be like, oh, yeah, well,

1:00:19.560 --> 1:00:21.280
<v Speaker 1>you know, he gonna have to prove it. I get

1:00:21.360 --> 1:00:24.760
<v Speaker 1>that his name's Todd. Shout out to Todd. Much left,

1:00:24.760 --> 1:00:25.919
<v Speaker 1>Welcome to the lunch table, Todd.

1:00:26.080 --> 1:00:26.680
<v Speaker 2>I agree.

1:00:27.280 --> 1:00:32.479
<v Speaker 1>Then I would be like, yes, yes, now that's the case.

1:00:32.880 --> 1:00:39.320
<v Speaker 1>This Let me finish. Once a kind of time, all

1:00:39.360 --> 1:00:42.360
<v Speaker 1>of us was in chains. Homie still doubled down, calling

1:00:42.480 --> 1:00:46.440
<v Speaker 1>us some slaves. Atlanta was the mecca building railroads and trains.

1:00:46.800 --> 1:00:48.720
<v Speaker 1>Been with me for a second. Let me put y'all

1:00:48.800 --> 1:00:51.760
<v Speaker 1>on game. The settlers through the town folk to make

1:00:51.840 --> 1:00:55.200
<v Speaker 1>the town, to make them richer. Fast forward twenty twenty four,

1:00:55.280 --> 1:00:58.000
<v Speaker 1>you got the same agendas. You run to Atlanta when

1:00:58.000 --> 1:00:59.960
<v Speaker 1>you need a check balance. Let me break it down

1:01:00.200 --> 1:01:03.640
<v Speaker 1>for you. This is the real nigga chi call future.

1:01:03.680 --> 1:01:06.840
<v Speaker 1>When you didn't see the club, little baby, help get

1:01:06.880 --> 1:01:10.240
<v Speaker 1>your lingo up. Twenty one, Yeah you fall street crib

1:01:10.640 --> 1:01:12.960
<v Speaker 1>thug made you feel like you a slime in your head.

1:01:13.560 --> 1:01:16.560
<v Speaker 1>Quable said you could be from north Side two chain.

1:01:16.680 --> 1:01:19.560
<v Speaker 1>Say you good, budd Eli. You run to Atlanta when

1:01:19.600 --> 1:01:21.800
<v Speaker 1>you need a full dot, when you need a few dollars.

1:01:22.200 --> 1:01:26.080
<v Speaker 1>Know you're not a colleague. You're a fucking colonizer. The

1:01:26.200 --> 1:01:28.600
<v Speaker 1>family matter and the truth of the matter, it was

1:01:28.680 --> 1:01:34.840
<v Speaker 1>God plans to show y'all the liar. Damn so again

1:01:35.480 --> 1:01:39.040
<v Speaker 1>the thought of your case that somebody that you would

1:01:39.080 --> 1:01:45.560
<v Speaker 1>have to say somebody defined you again that that's not

1:01:45.720 --> 1:01:48.400
<v Speaker 1>going to work. It's a form of advertisement. It's not

1:01:48.600 --> 1:01:51.160
<v Speaker 1>going to work. That's going to go on an advertisement.

1:01:51.240 --> 1:01:56.080
<v Speaker 1>Trust me, there is no proof of bots that's going

1:01:56.160 --> 1:01:58.960
<v Speaker 1>to go on advertisement. And the label won't have nothing

1:01:58.960 --> 1:02:03.400
<v Speaker 1>to do with that, y'all. Don't y'all not listening to

1:02:03.560 --> 1:02:07.600
<v Speaker 1>what I'm saying to you about these labels. They don't

1:02:07.840 --> 1:02:11.320
<v Speaker 1>have those type of services in house. They your job

1:02:11.400 --> 1:02:14.960
<v Speaker 1>is to go out and promote and market someone, right.

1:02:15.080 --> 1:02:19.280
<v Speaker 1>They hire different independent record promoters to actually go out

1:02:19.400 --> 1:02:21.200
<v Speaker 1>and attain play for artists.

1:02:21.560 --> 1:02:23.680
<v Speaker 2>So it still wouldn't be a case that they could

1:02:23.680 --> 1:02:27.680
<v Speaker 2>put on him. If that were the case, they won't

1:02:27.800 --> 1:02:31.120
<v Speaker 2>make the purchase that. It's never happened that way, Todd's

1:02:31.280 --> 1:02:32.520
<v Speaker 2>I'm telling you the truth. Todd.

1:02:32.680 --> 1:02:35.240
<v Speaker 1>Listen to me as somebody who's been in that system

1:02:35.640 --> 1:02:40.000
<v Speaker 1>for ten years of my life. Todd, for ten years

1:02:40.040 --> 1:02:42.160
<v Speaker 1>of my life, I've been in that system. I have

1:02:42.440 --> 1:02:46.880
<v Speaker 1>twelve records that came out in that system, twelve records.

1:02:47.640 --> 1:02:49.080
<v Speaker 1>Trust me when I tell you.

1:02:49.640 --> 1:02:51.200
<v Speaker 2>They do not have proof of that.

1:02:51.680 --> 1:02:54.920
<v Speaker 1>They will never be able to prove that in nowhere possible,

1:02:55.400 --> 1:02:59.080
<v Speaker 1>especially not with that company. I know that company, Todd,

1:02:59.400 --> 1:03:03.680
<v Speaker 1>I've I've been in that company years. I'll watch how

1:03:03.720 --> 1:03:06.440
<v Speaker 1>they do it. I got my budgets. So anything they do,

1:03:06.760 --> 1:03:09.800
<v Speaker 1>they outsource it. If they did something wrong, they would

1:03:09.800 --> 1:03:11.560
<v Speaker 1>out source it, and that means you would have to

1:03:11.600 --> 1:03:15.600
<v Speaker 1>sue that company. So even on this part right here,

1:03:16.160 --> 1:03:21.640
<v Speaker 1>there are two lines say Drake, I hear you like

1:03:21.720 --> 1:03:25.960
<v Speaker 1>I'm young. That is not going to win a defamation

1:03:26.080 --> 1:03:26.560
<v Speaker 1>of character.

1:03:26.640 --> 1:03:29.880
<v Speaker 2>Lawsuit. I'm really proud of how clean he did this too.

1:03:29.920 --> 1:03:32.040
<v Speaker 2>Trip Did you really trip off? How clean this is?

1:03:32.800 --> 1:03:34.480
<v Speaker 3>Yeah? That was that was crazy.

1:03:35.440 --> 1:03:39.400
<v Speaker 1>But it's not the case to revenge. To be fair, Glasses,

1:03:39.440 --> 1:03:41.520
<v Speaker 1>this has never happened before. We never had a case

1:03:41.640 --> 1:03:41.800
<v Speaker 1>like this.

1:03:41.960 --> 1:03:43.000
<v Speaker 2>This is different. It's not.

1:03:44.160 --> 1:03:47.520
<v Speaker 1>It's not because for somebody to say defamation of character,

1:03:48.000 --> 1:03:51.800
<v Speaker 1>like like Cardi b Swing people they said something about.

1:03:51.720 --> 1:03:56.520
<v Speaker 2>Her that that was supposedly facts like that, they said

1:03:56.560 --> 1:03:59.600
<v Speaker 2>something about her. They just say, hey, Cardi b A

1:04:01.560 --> 1:04:08.800
<v Speaker 2>she robbed like they said something specifically. Shout out to Todd.

1:04:09.080 --> 1:04:10.840
<v Speaker 2>He said, yeah, but we talking about a whole different

1:04:10.880 --> 1:04:13.240
<v Speaker 2>caliber artists. Bro no off, it's you, Glasses, because I

1:04:13.320 --> 1:04:18.440
<v Speaker 2>fuck with you super heavy. I've seen they budgets, both guys, Todd,

1:04:19.680 --> 1:04:21.960
<v Speaker 2>both guys one guy.

1:04:22.400 --> 1:04:25.160
<v Speaker 1>I know the person that ran THEY system. I actually

1:04:25.240 --> 1:04:28.040
<v Speaker 1>been a part of THEY system the whole time. Top

1:04:28.240 --> 1:04:31.040
<v Speaker 1>is really one of my closest friends and confidence in

1:04:31.120 --> 1:04:32.840
<v Speaker 1>his music business since I first started.

1:04:33.120 --> 1:04:35.640
<v Speaker 2>So I watched him develop his business model. He'll tell

1:04:35.640 --> 1:04:38.400
<v Speaker 2>you the same. I pretty much learned a million things

1:04:38.440 --> 1:04:40.400
<v Speaker 2>from him. We was learning at the same time. So

1:04:40.600 --> 1:04:44.040
<v Speaker 2>I saw his budgets and I saw Drake's budget because

1:04:44.040 --> 1:04:45.360
<v Speaker 2>I'm signing cash money records.

1:04:45.440 --> 1:04:48.680
<v Speaker 1>There's no different caliber artists. It's just bigger. It's just

1:04:48.760 --> 1:04:54.400
<v Speaker 1>bigger budgets. So again, he never called him that even

1:04:54.480 --> 1:04:57.040
<v Speaker 1>to say he insinuated. He's insinuating.

1:04:57.160 --> 1:05:01.680
<v Speaker 2>He's hanging with guys. So even those guys would have

1:05:01.720 --> 1:05:05.360
<v Speaker 2>to follow clean in the street guys, so they're not

1:05:06.480 --> 1:05:09.960
<v Speaker 2>This is crazy man. Again, say Drake, I hear you

1:05:10.080 --> 1:05:12.560
<v Speaker 2>like I'm young. That's not going to win in court.

1:05:13.240 --> 1:05:17.920
<v Speaker 2>I hear you like him like a bitch. Ain't you

1:05:18.080 --> 1:05:20.440
<v Speaker 2>tired trying to strike a chord? And it's probably a

1:05:20.760 --> 1:05:24.160
<v Speaker 2>minor that's actually a chord.

1:05:25.840 --> 1:05:28.080
<v Speaker 4>You know what I'm saying. That's a double mean But

1:05:28.600 --> 1:05:33.600
<v Speaker 4>he's actually talking about the court that he gets away

1:05:33.640 --> 1:05:34.160
<v Speaker 4>with that that.

1:05:34.720 --> 1:05:38.000
<v Speaker 2>I'm so impressed. I didn't it was dope, and I

1:05:38.040 --> 1:05:39.720
<v Speaker 2>knew it was dope, and I'm telling I'm telling him

1:05:39.720 --> 1:05:43.680
<v Speaker 2>it was dope. But this is slick slip.

1:05:44.520 --> 1:05:49.840
<v Speaker 3>He did it. He did it the first one more verse.

1:05:51.000 --> 1:05:51.440
<v Speaker 4>No, that was it.

1:05:51.560 --> 1:06:01.480
<v Speaker 2>Everything else is a bridge. No, all four versions. So again,

1:06:01.760 --> 1:06:08.320
<v Speaker 2>let me look, because.

1:06:09.840 --> 1:06:12.000
<v Speaker 1>Shoves the only one that gets your hand me down

1:06:12.440 --> 1:06:14.680
<v Speaker 1>and party at the party, playing with his nose now

1:06:15.080 --> 1:06:17.520
<v Speaker 1>and BAKA got a weird case. Why is he around

1:06:18.040 --> 1:06:23.800
<v Speaker 1>certify love a boy certified pedophiles. That is not going

1:06:23.880 --> 1:06:27.320
<v Speaker 1>to work for him. He is not going to win

1:06:27.960 --> 1:06:33.720
<v Speaker 1>this case. It's not about trying to get somebody to

1:06:33.840 --> 1:06:36.680
<v Speaker 1>understand rap bet. That's actually the point revenge shout out

1:06:36.720 --> 1:06:38.600
<v Speaker 1>to revenge. He brings up a good point. That's a

1:06:38.640 --> 1:06:40.800
<v Speaker 1>good argument. They still got to make the argument. So

1:06:40.920 --> 1:06:44.439
<v Speaker 1>trying to convince someone who doesn't understand rap Bee, that's

1:06:44.520 --> 1:06:48.240
<v Speaker 1>the point. You don't have to convince somebody. They're gonna

1:06:48.240 --> 1:06:51.760
<v Speaker 1>say what was said about you that defamed your character?

1:06:52.120 --> 1:06:57.720
<v Speaker 1>What was said about you? Everything was in your window, revenge.

1:06:58.000 --> 1:07:01.760
<v Speaker 1>Everything about what he's saying is in you window. Hey Drake,

1:07:02.120 --> 1:07:04.360
<v Speaker 1>I hear you like I'm young, does not say that

1:07:04.480 --> 1:07:05.400
<v Speaker 1>you are a PDF.

1:07:07.120 --> 1:07:08.960
<v Speaker 3>All they gotta do with that one, right there is

1:07:09.000 --> 1:07:10.520
<v Speaker 3>pull that motherfucking video up.

1:07:10.520 --> 1:07:14.400
<v Speaker 2>Though, where he's kissing a girl that's seventeen years old

1:07:14.480 --> 1:07:19.240
<v Speaker 2>to sixteen years said so again he and he even

1:07:19.400 --> 1:07:24.240
<v Speaker 2>said to her, hey, yes you can get me in trouble.

1:07:24.320 --> 1:07:26.000
<v Speaker 2>I like you, but you can get me in trouble.

1:07:28.080 --> 1:07:31.640
<v Speaker 2>So again, like this is not biased. I'm just thinking

1:07:31.920 --> 1:07:34.920
<v Speaker 2>because at first I was thinking to myself, like, man,

1:07:35.040 --> 1:07:37.880
<v Speaker 2>he worded this song well, shout out to Nick. He man,

1:07:38.000 --> 1:07:40.600
<v Speaker 2>he got me beat. This is hella good.

1:07:41.400 --> 1:07:41.640
<v Speaker 3>Fuck.

1:07:42.160 --> 1:07:43.760
<v Speaker 2>This is like good as some of the dudes I

1:07:43.800 --> 1:07:46.360
<v Speaker 2>grew up listening to. And I told him, I'm like, hey, bro,

1:07:46.680 --> 1:07:50.160
<v Speaker 2>this is really good. Like it's one thing to be

1:07:50.240 --> 1:07:52.720
<v Speaker 2>good for this era. It's another thing to be all

1:07:52.880 --> 1:07:59.280
<v Speaker 2>time great again. That would be another case, Todd. He said,

1:07:59.320 --> 1:08:02.600
<v Speaker 2>what happened if Meet the Grahams comes up in court,

1:08:02.840 --> 1:08:04.280
<v Speaker 2>that would be a different thing. Todd.

1:08:04.320 --> 1:08:05.720
<v Speaker 1>He would have to sue in for that song. But

1:08:05.800 --> 1:08:11.000
<v Speaker 1>he specifically referenced the song in the defamation lawsuit. So

1:08:11.160 --> 1:08:14.520
<v Speaker 1>then they have to work with these three lines. These

1:08:14.560 --> 1:08:17.920
<v Speaker 1>are the three lines, say Drake, I hear you like

1:08:18.000 --> 1:08:22.439
<v Speaker 1>I'm young, or they would have to work with him

1:08:22.520 --> 1:08:25.639
<v Speaker 1>talking about Chubb's party and Bakker saying he's a lover

1:08:25.760 --> 1:08:30.479
<v Speaker 1>boy and their pedophiles, or trying to strike a chord.

1:08:30.600 --> 1:08:35.200
<v Speaker 2>And it's probably a minor again, that is slim Pickens

1:08:35.280 --> 1:08:37.920
<v Speaker 2>to get a jury or a judge to convict on

1:08:38.120 --> 1:08:42.479
<v Speaker 2>defamation of character. Minus the rat battle. He really didn't

1:08:42.520 --> 1:08:47.479
<v Speaker 2>disimin a damn song like there is now. He didn't

1:08:47.479 --> 1:08:50.400
<v Speaker 2>say a lot of disrespectful things about him. In this song,

1:08:54.880 --> 1:08:59.360
<v Speaker 2>he just makes He's just he did this good.

1:09:00.680 --> 1:09:03.000
<v Speaker 4>He makes Drake walk away being looked that different after

1:09:03.080 --> 1:09:06.920
<v Speaker 4>the song is done, though, but hey, shout out to

1:09:07.040 --> 1:09:07.439
<v Speaker 4>Richard P.

1:09:08.160 --> 1:09:10.800
<v Speaker 2>Thomas, Hey, welcome to the Lush Table, Brothers, my first

1:09:10.880 --> 1:09:13.840
<v Speaker 2>time seeing you. Great point. I forgot about this.

1:09:15.000 --> 1:09:18.519
<v Speaker 1>There was a defamation case filed against Tupac in nineteen

1:09:18.600 --> 1:09:21.800
<v Speaker 1>ninety eight by Haitian Jack because against all Liddes, and

1:09:21.880 --> 1:09:24.519
<v Speaker 1>it was dismissed because Haitian Jack could not prove there

1:09:24.640 --> 1:09:28.479
<v Speaker 1>was injury to his ability to make money. So that

1:09:28.680 --> 1:09:31.840
<v Speaker 1>means this song would have had to interrupt it his

1:09:32.040 --> 1:09:34.400
<v Speaker 1>ability to make money. He would have to show deals

1:09:34.479 --> 1:09:37.960
<v Speaker 1>he lost. And I don't think that would be wise

1:09:38.080 --> 1:09:42.679
<v Speaker 1>for him to start presenting himself as a loser, because

1:09:42.720 --> 1:09:44.559
<v Speaker 1>whatever he's saying in court is gonna come out.

1:09:47.360 --> 1:09:48.439
<v Speaker 2>What did he lose?

1:09:48.920 --> 1:09:52.439
<v Speaker 1>Nothing has been advertised about him losing anything. He is

1:09:52.600 --> 1:09:56.160
<v Speaker 1>not going to win this case. Shout out to Todd again.

1:09:56.840 --> 1:09:59.759
<v Speaker 1>He got approved party getting high too. That's if party

1:09:59.840 --> 1:10:02.639
<v Speaker 1>was suing him, If party next door was suing him, yes,

1:10:02.720 --> 1:10:04.200
<v Speaker 1>he would have to prove that that could be a

1:10:04.280 --> 1:10:07.640
<v Speaker 1>defamation to character. But party wouldn't do that. Party is

1:10:07.680 --> 1:10:09.840
<v Speaker 1>from the streets to some degree, so he can't do that.

1:10:09.960 --> 1:10:14.920
<v Speaker 1>He's not Shout out to Roughie and TV. This is

1:10:14.960 --> 1:10:17.960
<v Speaker 1>why defamation case is so hard to prove. Drake has

1:10:18.040 --> 1:10:21.720
<v Speaker 1>to proved undeniable evidence for defamation and that is one

1:10:21.840 --> 1:10:27.320
<v Speaker 1>thing that that dude stuck without doing. Shout out to

1:10:27.400 --> 1:10:30.719
<v Speaker 1>Kevin who makes a very great point. Oop that's thrown

1:10:30.760 --> 1:10:33.360
<v Speaker 1>out too. He dropped eighteen songs last year, so that's

1:10:33.400 --> 1:10:37.880
<v Speaker 1>dead on a rival. He just went on Twitter Australia.

1:10:39.479 --> 1:10:39.839
<v Speaker 2>Again.

1:10:40.479 --> 1:10:43.040
<v Speaker 1>This is a tough case to prove. Again, I'm not

1:10:43.120 --> 1:10:45.280
<v Speaker 1>a lawyer. I'll try to get a lawyer on Friday's

1:10:45.280 --> 1:10:47.400
<v Speaker 1>stream to talk about it more. You know what, I'll

1:10:47.400 --> 1:10:50.439
<v Speaker 1>try to get that lawyer that uh that does that

1:10:50.520 --> 1:10:52.439
<v Speaker 1>stuff all the time, because I would like to see

1:10:53.080 --> 1:10:57.400
<v Speaker 1>the line. Shout out to Jeremy cole man, big supporter

1:10:57.520 --> 1:10:59.960
<v Speaker 1>on Twitter. Man, I appreciate all the support. Jeremy cole

1:11:00.200 --> 1:11:01.679
<v Speaker 1>You've been at the lunch table a couple of times.

1:11:01.680 --> 1:11:03.360
<v Speaker 1>I ain't got to welko, you eat what you want

1:11:03.400 --> 1:11:05.880
<v Speaker 1>at the table, bro. Drake is trying to say the

1:11:06.000 --> 1:11:07.919
<v Speaker 1>colonizer bars Anti Semitic.

1:11:08.280 --> 1:11:11.519
<v Speaker 3>I told you about that, about that. I heard about that,

1:11:11.760 --> 1:11:13.160
<v Speaker 3>and that's not gonna work.

1:11:13.000 --> 1:11:16.760
<v Speaker 1>Because Jewish people historically are not considered colonizers. That's a

1:11:16.840 --> 1:11:21.080
<v Speaker 1>line about white English people the Bible, I thought, in

1:11:21.120 --> 1:11:25.200
<v Speaker 1>the Bible line the Bible with God watching, I ain't even.

1:11:26.960 --> 1:11:27.240
<v Speaker 2>This is.

1:11:31.000 --> 1:11:33.160
<v Speaker 1>Look not the intern the lawyer he wrong too often

1:11:33.680 --> 1:11:36.800
<v Speaker 1>then in the lawyer funny, I like you though, Yeah,

1:11:36.800 --> 1:11:41.760
<v Speaker 1>all right, shout out the name brand who brings up

1:11:41.760 --> 1:11:44.439
<v Speaker 1>a good point. Drake sold out the tour right, that's

1:11:44.479 --> 1:11:51.679
<v Speaker 1>what they said, squishy crutch Field.

1:11:51.920 --> 1:11:56.040
<v Speaker 2>I told you it's Jewish shy coming out crying. It

1:11:56.240 --> 1:11:56.800
<v Speaker 2>never went in.

1:12:00.520 --> 1:12:03.080
<v Speaker 1>Shout out to the homie Nick, Thank you g from

1:12:03.080 --> 1:12:05.519
<v Speaker 1>all of us C West Coast. Yeah, man, that that

1:12:06.200 --> 1:12:10.760
<v Speaker 1>that academic thing was funny many Yeah, yeah.

1:12:12.360 --> 1:12:16.000
<v Speaker 4>I mean, like I told you, man, I had the

1:12:16.080 --> 1:12:18.160
<v Speaker 4>first the first clip I've seen with you, But that

1:12:18.320 --> 1:12:19.560
<v Speaker 4>was you told me to go to the community and

1:12:19.720 --> 1:12:21.880
<v Speaker 4>left the stream. We left the live last time. You

1:12:21.920 --> 1:12:24.320
<v Speaker 4>told me it was going over there. So the first

1:12:24.400 --> 1:12:25.519
<v Speaker 4>one somebody sent it to me.

1:12:25.760 --> 1:12:26.360
<v Speaker 3>He just sent it to me.

1:12:26.400 --> 1:12:28.800
<v Speaker 4>When you're talking about the culture, I don't even know

1:12:28.880 --> 1:12:32.040
<v Speaker 4>about the about getting the apology first I like and

1:12:32.080 --> 1:12:34.040
<v Speaker 4>I like the way you did that before we go

1:12:34.080 --> 1:12:34.800
<v Speaker 4>into this culture ship.

1:12:35.000 --> 1:12:36.320
<v Speaker 3>You better not apologize, bro.

1:12:37.000 --> 1:12:37.639
<v Speaker 2>Yeah, I mean.

1:12:40.200 --> 1:12:43.479
<v Speaker 3>The people that was insensitive and very insentive. Man that

1:12:43.720 --> 1:12:44.280
<v Speaker 3>was sucked up.

1:12:44.360 --> 1:12:47.680
<v Speaker 2>I was just raggedy and you my thing, my thing

1:12:47.760 --> 1:12:49.400
<v Speaker 2>with act is whatever.

1:12:49.479 --> 1:12:51.719
<v Speaker 1>Bro, But you still a brother, like you still gotta

1:12:51.800 --> 1:12:53.839
<v Speaker 1>have some kind of integrity when you carry yourself.

1:12:53.880 --> 1:12:54.000
<v Speaker 3>Bro.

1:12:54.160 --> 1:12:57.000
<v Speaker 1>I don't care about if you don't like no white politicians. Bro,

1:12:57.080 --> 1:12:58.280
<v Speaker 1>there's people that lost their career.

1:12:58.320 --> 1:12:58.439
<v Speaker 4>Bro.

1:12:59.080 --> 1:13:02.439
<v Speaker 2>Yeah, like very crazy man.

1:13:02.479 --> 1:13:03.680
<v Speaker 3>You don't just say that.

1:13:05.720 --> 1:13:07.960
<v Speaker 2>I really look at hip hop really honestly.

1:13:08.040 --> 1:13:08.160
<v Speaker 4>Bro.

1:13:08.280 --> 1:13:10.400
<v Speaker 1>If you participate or if you and this, you really

1:13:10.479 --> 1:13:13.160
<v Speaker 1>my little homie. Like I don't care what you think.

1:13:14.120 --> 1:13:15.880
<v Speaker 1>You really my little homie. And I ain't gonna let

1:13:15.920 --> 1:13:17.400
<v Speaker 1>you go out like no sucker and be doing no

1:13:17.520 --> 1:13:19.960
<v Speaker 1>sucker stuff. I tell Flock all the time that when

1:13:19.960 --> 1:13:21.880
<v Speaker 1>I talk to him, like they don't do no sucker stuff,

1:13:22.439 --> 1:13:24.280
<v Speaker 1>like make your content, make your money, but don't be

1:13:24.320 --> 1:13:24.719
<v Speaker 1>a sucker.

1:13:24.800 --> 1:13:24.960
<v Speaker 4>Man.

1:13:25.040 --> 1:13:27.800
<v Speaker 2>That ain't player, you feel me like, just be player?

1:13:27.920 --> 1:13:28.000
<v Speaker 4>Bro.

1:13:28.800 --> 1:13:32.240
<v Speaker 1>These dudes be having talent. They already really have talent,

1:13:35.760 --> 1:13:38.400
<v Speaker 1>you know what I'm saying. Everybody really have talent you

1:13:38.479 --> 1:13:40.040
<v Speaker 1>don't got to just be a jacket.

1:13:43.880 --> 1:13:47.040
<v Speaker 4>That was crazy when he said though he said that, man,

1:13:48.360 --> 1:13:50.120
<v Speaker 4>then he dry justify the ship though, So I ain't

1:13:50.160 --> 1:13:50.280
<v Speaker 4>like that.

1:13:50.479 --> 1:13:53.920
<v Speaker 1>You're talking about Gavin Newsome in California. You are a

1:13:54.000 --> 1:13:57.200
<v Speaker 1>brother talking to brothers. Don't start talking to us. And

1:13:57.280 --> 1:13:59.320
<v Speaker 1>then I realized people thought it was ignorant. I'm like, no,

1:13:59.760 --> 1:14:03.600
<v Speaker 1>we we're black in America, so we're not having that conversation.

1:14:04.200 --> 1:14:07.080
<v Speaker 1>This is a specific conversation. It's the way you treat people.

1:14:07.720 --> 1:14:10.120
<v Speaker 1>Like again, but they'd be that uncultured thing like that's

1:14:10.160 --> 1:14:13.640
<v Speaker 1>why we talking. Always say, experience is how people treat you.

1:14:14.200 --> 1:14:18.080
<v Speaker 1>Culture is how you treat each other. I mean, how

1:14:18.120 --> 1:14:23.479
<v Speaker 1>you treat people. But that's all I give.

1:14:23.800 --> 1:14:26.880
<v Speaker 4>Wait wait that no, no, no, no about the best

1:14:27.040 --> 1:14:30.000
<v Speaker 4>batch the song though in the long case, and let's

1:14:30.040 --> 1:14:31.920
<v Speaker 4>just get to it. Man, y'all know why the fuck

1:14:32.000 --> 1:14:35.080
<v Speaker 4>he doing this shit? Man, I'm gonna tell you right now.

1:14:36.800 --> 1:14:42.240
<v Speaker 4>After February ninth, he dropping his case last case.

1:14:42.560 --> 1:14:45.719
<v Speaker 2>That's all it is. That's all it is. He mentioned

1:14:45.760 --> 1:14:47.679
<v Speaker 2>it to you in the little case because the nigga

1:14:47.760 --> 1:14:49.760
<v Speaker 2>mentioned it in the case. The nigga said, let me

1:14:49.800 --> 1:14:51.920
<v Speaker 2>tell you what the Nigga said. He said, well, this

1:14:52.080 --> 1:14:53.120
<v Speaker 2>is in the TMZ article.

1:14:53.160 --> 1:14:55.599
<v Speaker 1>It's also Claire Drake's very mindful of what's going down

1:14:55.680 --> 1:14:56.840
<v Speaker 1>in New Orleans next month.

1:14:56.920 --> 1:15:00.160
<v Speaker 2>In the suit, he claims UMG was in on getting Kendrick.

1:15:00.040 --> 1:15:03.120
<v Speaker 1>Super Bowl halftime gig so the song could be performed

1:15:03.160 --> 1:15:05.120
<v Speaker 1>at the massive stage, which he calls one of the

1:15:05.200 --> 1:15:07.800
<v Speaker 1>most significant and view cultural events of the year.

1:15:09.680 --> 1:15:13.160
<v Speaker 2>But that's it, you know. I was talking to John.

1:15:13.200 --> 1:15:15.519
<v Speaker 1>Shout out to only John John from ADHD, the community,

1:15:15.760 --> 1:15:20.360
<v Speaker 1>the ADHD. Make sure y'all go download clubhouse, go jump

1:15:20.400 --> 1:15:22.800
<v Speaker 1>on on ADHD community. We sometimes do it on Twitter,

1:15:22.880 --> 1:15:25.000
<v Speaker 1>but great hip hop community to be a part of.

1:15:25.080 --> 1:15:29.560
<v Speaker 2>You learn a million things. We were talking about some

1:15:29.760 --> 1:15:34.800
<v Speaker 2>specific and he was saying something. I just lost my

1:15:34.920 --> 1:15:35.439
<v Speaker 2>train of thought.

1:15:35.960 --> 1:15:36.679
<v Speaker 3>Super Bowl.

1:15:39.000 --> 1:15:40.880
<v Speaker 4>Said, the super Bowl is gonna be at the super Bowl.

1:15:41.520 --> 1:15:43.240
<v Speaker 4>You read on the whistling, you read on what they

1:15:43.320 --> 1:15:47.560
<v Speaker 4>said about the about the culture, biggest culture.

1:15:47.320 --> 1:15:51.640
<v Speaker 1>Event, cultural event. Hommy just tagged me in something. Let

1:15:51.680 --> 1:15:54.439
<v Speaker 1>me see what happened, said UMG responded, let me see

1:15:54.439 --> 1:16:01.400
<v Speaker 1>what UMG said. Crime Universal Music was sponsor Drake's defamation

1:16:01.880 --> 1:16:05.640
<v Speaker 1>federal lawsuit. Not only are these claims untrue, but the

1:16:05.800 --> 1:16:08.120
<v Speaker 1>notion that we would seek to harm the reputation of

1:16:08.320 --> 1:16:11.160
<v Speaker 1>any artists, let alone Drake, is illogical.

1:16:11.520 --> 1:16:13.479
<v Speaker 2>We have invested massively in.

1:16:13.520 --> 1:16:16.639
<v Speaker 1>His music, and our employees around the world have worked

1:16:16.680 --> 1:16:20.080
<v Speaker 1>tirelessly for many years to help him achieve historic commercial

1:16:20.160 --> 1:16:24.799
<v Speaker 1>and personal financial success. Throughout his career, Drake has intentionally

1:16:24.920 --> 1:16:28.320
<v Speaker 1>and successfully used UMG to distribute his music and poetry,

1:16:28.840 --> 1:16:33.160
<v Speaker 1>to engage in conventionally outrageous back and forth rap battles

1:16:33.560 --> 1:16:36.519
<v Speaker 1>to express his feelings about other artists. He now seeks

1:16:36.560 --> 1:16:40.560
<v Speaker 1>to weaponize the legal process the silence and artists creative expression,

1:16:40.800 --> 1:16:43.240
<v Speaker 1>and to seek damages from U and G for distributing

1:16:43.320 --> 1:16:46.919
<v Speaker 1>that artist music. We have not and do not, engage

1:16:46.960 --> 1:16:51.560
<v Speaker 1>in defamation against any individual, the statement concludes. At the

1:16:51.680 --> 1:16:56.000
<v Speaker 1>same time, we will vigorously defend this litigation to protect

1:16:56.080 --> 1:16:58.719
<v Speaker 1>our people and our reputation, as well as any artists

1:16:58.720 --> 1:17:02.920
<v Speaker 1>who might directly or directly become a frivolous litigation target

1:17:03.240 --> 1:17:05.160
<v Speaker 1>for having done more than write a song.

1:17:05.920 --> 1:17:18.839
<v Speaker 2>Oh shit, oh shit, Oh yes serious.

1:17:19.200 --> 1:17:23.400
<v Speaker 4>Yeah, my lawyer is better than yours. Yeah, I was right,

1:17:24.479 --> 1:17:29.200
<v Speaker 4>My law than crazy, Like come on, bro, yeah, he

1:17:29.439 --> 1:17:31.800
<v Speaker 4>just down. He wants to battle people what the funk

1:17:31.800 --> 1:17:34.439
<v Speaker 4>we suposed to do? Bro One wants to battle people

1:17:34.520 --> 1:17:35.519
<v Speaker 4>say things about people.

1:17:35.439 --> 1:17:39.000
<v Speaker 2>Mother and then again if maybe if he does other

1:17:39.240 --> 1:17:41.599
<v Speaker 2>things like like shout out to Todd and he said

1:17:41.680 --> 1:17:44.800
<v Speaker 2>this record but not that record, that record is not

1:17:44.960 --> 1:17:47.120
<v Speaker 2>going to work like that.

1:17:47.400 --> 1:17:51.800
<v Speaker 1>Idea is ah Man shut out to the Skinny Day.

1:17:51.880 --> 1:17:54.000
<v Speaker 1>Thank you for ten dollars. Brother, that's my first time

1:17:54.040 --> 1:17:56.040
<v Speaker 1>seeing at the lunch table. For your first time, welcome man,

1:17:56.040 --> 1:17:58.760
<v Speaker 1>I appreciate you being here. Bro Glasses. Outside of his

1:17:59.200 --> 1:18:01.760
<v Speaker 1>great rap skin, I really believe Kendrick would be a

1:18:01.800 --> 1:18:04.519
<v Speaker 1>harder poumber for anybody because what can you say about him?

1:18:04.880 --> 1:18:07.519
<v Speaker 2>There isn't much up there about him, which is a plus.

1:18:08.160 --> 1:18:11.360
<v Speaker 3>But you was talking about how shoe size he could

1:18:11.439 --> 1:18:12.080
<v Speaker 3>say shit.

1:18:14.120 --> 1:18:15.760
<v Speaker 2>Battle rappen like.

1:18:15.840 --> 1:18:18.120
<v Speaker 1>I get it over the last couple of years or

1:18:18.240 --> 1:18:21.639
<v Speaker 1>few years, like if you think that's what battle rapping

1:18:21.760 --> 1:18:25.960
<v Speaker 1>is about. NAS didn't say anything special about jay Z

1:18:26.120 --> 1:18:26.760
<v Speaker 1>that we didn't know.

1:18:28.439 --> 1:18:29.960
<v Speaker 3>Look the jay Z a little bit different when it

1:18:30.080 --> 1:18:30.719
<v Speaker 3>was over, though.

1:18:31.040 --> 1:18:34.559
<v Speaker 1>Because a rap battle is a rap battle. It doesn't

1:18:34.640 --> 1:18:37.720
<v Speaker 1>matter if you have information that's not how Dot won

1:18:37.920 --> 1:18:41.080
<v Speaker 1>that battle. It's not he didn't have extra that album

1:18:41.160 --> 1:18:43.840
<v Speaker 1>don't have that song, don't have no extra information that

1:18:43.960 --> 1:18:47.799
<v Speaker 1>we didn't think about already. That song has no new information.

1:18:48.560 --> 1:18:51.880
<v Speaker 1>Did he mention one thing that nobody ever said before? No,

1:18:54.360 --> 1:18:56.679
<v Speaker 1>So it's not nothing a battle. You can win a battle.

1:18:58.439 --> 1:18:59.000
<v Speaker 2>It's not that.

1:18:59.560 --> 1:19:02.439
<v Speaker 1>Forgive me, I'm not saying. I'm saying that's not what

1:19:02.600 --> 1:19:05.759
<v Speaker 1>you need to win or lose A battle like battle

1:19:05.880 --> 1:19:08.160
<v Speaker 1>is all about approach. You know, if you listen to

1:19:08.400 --> 1:19:10.639
<v Speaker 1>the bridge is over, you know what I'm saying, Shout

1:19:10.680 --> 1:19:14.040
<v Speaker 1>out to Uh, Chris, shout out to the oghummy.

1:19:15.640 --> 1:19:17.200
<v Speaker 2>I don't know why I slip on my damn mine.

1:19:17.560 --> 1:19:24.080
<v Speaker 1>What's his name? Queens from the bridge is always about

1:19:26.120 --> 1:19:29.519
<v Speaker 1>Shan shout out to Ogmi, Shan to shann and Chris.

1:19:29.840 --> 1:19:33.200
<v Speaker 1>It wasn't about that when it's about Dre. When it

1:19:33.320 --> 1:19:37.160
<v Speaker 1>was LLL and Kumo D it wasn't about leaking information

1:19:37.800 --> 1:19:40.600
<v Speaker 1>uh snoop and easy, I mean Dre and easy. It

1:19:40.680 --> 1:19:42.760
<v Speaker 1>wasn't about that. Q versus n w A is not

1:19:42.840 --> 1:19:46.840
<v Speaker 1>about that, right, that's not like you like that's a.

1:19:49.400 --> 1:19:50.479
<v Speaker 2>Or where you do something.

1:19:50.520 --> 1:19:53.320
<v Speaker 1>But now you could win a battle just by being

1:19:54.400 --> 1:19:57.799
<v Speaker 1>better than somebody else. And what's better. It's just depending

1:19:57.840 --> 1:19:59.800
<v Speaker 1>on how you work the theme, the scheme of what

1:19:59.840 --> 1:20:00.320
<v Speaker 1>you doing.

1:20:01.920 --> 1:20:06.360
<v Speaker 4>Listen, man, I told you man, the loser always walks

1:20:06.360 --> 1:20:08.479
<v Speaker 4>away from the battle being looked a little looked at,

1:20:08.520 --> 1:20:09.360
<v Speaker 4>a little bit different.

1:20:09.920 --> 1:20:10.559
<v Speaker 3>You know what I'm saying.

1:20:11.080 --> 1:20:13.160
<v Speaker 4>It doesn't matter even if even if it's just because

1:20:13.160 --> 1:20:14.760
<v Speaker 4>you know what, the different because you ain't show up

1:20:14.760 --> 1:20:16.080
<v Speaker 4>to the battle. You know what I'm saying, Like that,

1:20:16.520 --> 1:20:17.640
<v Speaker 4>it's gonna happen though.

1:20:17.680 --> 1:20:20.840
<v Speaker 1>You know what I'm saying, shout out to Avenge man,

1:20:21.000 --> 1:20:23.160
<v Speaker 1>like it's hard because we're not supposed to be trusting

1:20:23.280 --> 1:20:24.240
<v Speaker 1>UMG Glasses.

1:20:24.320 --> 1:20:25.080
<v Speaker 2>That's not hip hop.

1:20:25.560 --> 1:20:25.880
<v Speaker 3>We're not.

1:20:26.920 --> 1:20:30.599
<v Speaker 1>If he was, if he was suing UMG because they

1:20:30.720 --> 1:20:32.959
<v Speaker 1>did something, if he said, hey, you guys didn't.

1:20:32.760 --> 1:20:35.880
<v Speaker 2>Promote my record, I wouldn't have nothing to say.

1:20:35.960 --> 1:20:37.840
<v Speaker 1>I'd be like, that's a bit weird for this time

1:20:37.880 --> 1:20:39.360
<v Speaker 1>and space to say all of a sudden, they not

1:20:39.439 --> 1:20:42.519
<v Speaker 1>prom on your record. But I wouldn't have any cultural

1:20:42.640 --> 1:20:45.720
<v Speaker 1>take about it. It'll be more like, well, that's what

1:20:45.800 --> 1:20:48.439
<v Speaker 1>you want to do with his business. But because that

1:20:48.840 --> 1:20:52.800
<v Speaker 1>song is at the center of it, that's why it's

1:20:52.880 --> 1:20:56.920
<v Speaker 1>not about UMG. It's about the song that UMG released,

1:20:56.920 --> 1:21:00.000
<v Speaker 1>which still makes it inherently about dot.

1:21:01.280 --> 1:21:04.439
<v Speaker 2>You like, you can't separate those two. He won't separate

1:21:04.520 --> 1:21:08.320
<v Speaker 2>those two. He won't separate him. He not saying, hey, umg,

1:21:08.760 --> 1:21:14.760
<v Speaker 2>you marketed music that defames me. He's saying, hey, this song, specifically,

1:21:16.439 --> 1:21:21.600
<v Speaker 2>this song, specifically, you are defaming me in.

1:21:23.280 --> 1:21:27.680
<v Speaker 1>So that's why it's a problem revenge. It's not about him,

1:21:27.880 --> 1:21:29.600
<v Speaker 1>just swing MG. If he said, hey, you know what,

1:21:29.720 --> 1:21:31.120
<v Speaker 1>I don't want to be with you guys, no more.

1:21:31.120 --> 1:21:31.599
<v Speaker 2>I had enough.

1:21:31.640 --> 1:21:35.400
<v Speaker 1>I don't like how you've been marketing my records. Cool man,

1:21:35.439 --> 1:21:38.720
<v Speaker 1>I'll be out of his business. I'll be like whatever, man,

1:21:38.760 --> 1:21:40.880
<v Speaker 1>I wouldn't even care that man. That's him and his

1:21:41.040 --> 1:21:42.200
<v Speaker 1>people if he don't like what.

1:21:42.240 --> 1:21:47.439
<v Speaker 2>They did for him. You can't say that, nah shout

1:21:47.479 --> 1:21:49.400
<v Speaker 2>out to revenge. Nah. Thatd just happens to be the

1:21:49.520 --> 1:21:51.640
<v Speaker 2>sore um gus and it's the best sort out there.

1:21:52.000 --> 1:21:53.800
<v Speaker 4>No no.

1:21:55.400 --> 1:21:58.560
<v Speaker 2>No no no no no no no no no no

1:21:58.720 --> 1:22:02.280
<v Speaker 2>no no stop would John say no no no no

1:22:02.520 --> 1:22:05.479
<v Speaker 2>no no no no no stop stop shop stop stop

1:22:05.520 --> 1:22:13.280
<v Speaker 2>stop stop stop No. It's the song. It's the song.

1:22:14.760 --> 1:22:17.080
<v Speaker 2>You can't deny. You can't say they use that song

1:22:17.160 --> 1:22:20.360
<v Speaker 2>as a sword, because it's a sword that was supposed

1:22:20.400 --> 1:22:21.080
<v Speaker 2>to be a sword.

1:22:23.680 --> 1:22:28.040
<v Speaker 1>You came bad that they marketed a song where you're

1:22:28.080 --> 1:22:30.360
<v Speaker 1>in a battle with somebody they are signed to the

1:22:30.400 --> 1:22:32.600
<v Speaker 1>same neighbor. If you was worried about them marketing a

1:22:32.720 --> 1:22:36.040
<v Speaker 1>song insulting you, why the hell would you battle somebody

1:22:36.160 --> 1:22:39.840
<v Speaker 1>under UMG? You you know how to anybody? How good

1:22:39.920 --> 1:22:43.040
<v Speaker 1>they are at marketing a song? Should they marketing all

1:22:43.120 --> 1:22:48.280
<v Speaker 1>your songs? So why the fuck would you? Why the

1:22:48.439 --> 1:22:52.200
<v Speaker 1>fuck would you think that they can't market songs? Lord

1:22:52.320 --> 1:22:55.160
<v Speaker 1>knows a good song. So again, if it if it

1:22:55.280 --> 1:22:58.600
<v Speaker 1>was UMG, bro, if it was in U, if it

1:22:58.720 --> 1:23:00.840
<v Speaker 1>was UMG. You know what I'm saying. He was showing

1:23:00.920 --> 1:23:03.680
<v Speaker 1>UMG about how they market his record, I wouldn't even

1:23:03.720 --> 1:23:05.639
<v Speaker 1>have much to say. I think it would be weird

1:23:06.640 --> 1:23:08.280
<v Speaker 1>that he was doing it right now after the battle,

1:23:08.280 --> 1:23:10.599
<v Speaker 1>But at least I really wouldn't have no say because

1:23:10.680 --> 1:23:12.919
<v Speaker 1>he's mentioning this song.

1:23:13.240 --> 1:23:16.800
<v Speaker 2>Like this is another weird thing. This is another weird thing.

1:23:17.000 --> 1:23:20.840
<v Speaker 2>This is the weirdest thing. As for how Not Like

1:23:21.080 --> 1:23:28.680
<v Speaker 2>Us put Drake in danger? Listen, listen, listen, listen, ask

1:23:28.760 --> 1:23:31.000
<v Speaker 2>for how not Like Us put.

1:23:30.960 --> 1:23:34.880
<v Speaker 1>Drake in danger? So he's saying this one song put

1:23:35.040 --> 1:23:39.920
<v Speaker 1>him in danger. He points out that since Kendrick dropped

1:23:39.960 --> 1:23:45.000
<v Speaker 1>the Megga hit, there have been multiple shootings at his

1:23:45.479 --> 1:23:49.760
<v Speaker 1>or near his Toronto mansion, one which ended with one

1:23:49.840 --> 1:23:55.559
<v Speaker 1>of his security guards getting shot. Revens, come on, man,

1:23:56.240 --> 1:23:57.160
<v Speaker 1>this is crazy.

1:24:03.720 --> 1:24:11.080
<v Speaker 2>This is crazy. This is crazy. You gotta at least

1:24:11.120 --> 1:24:14.840
<v Speaker 2>be like, oh, that's crazy, not like us put him

1:24:14.960 --> 1:24:19.280
<v Speaker 2>in danger. Geez, that's for sure. I've never heard a

1:24:19.400 --> 1:24:21.600
<v Speaker 2>dish record put another rapper.

1:24:23.760 --> 1:24:24.360
<v Speaker 4>In danger.

1:24:26.880 --> 1:24:27.760
<v Speaker 3>Shout out to Richard K.

1:24:27.920 --> 1:24:28.240
<v Speaker 2>Thomas.

1:24:28.960 --> 1:24:32.080
<v Speaker 1>Wasn't the Able shooting June fifth and Drake shooting July fifth?

1:24:32.120 --> 1:24:34.400
<v Speaker 1>We're not gonna talk about that that we're be incriminated.

1:24:34.600 --> 1:24:35.120
<v Speaker 2>We know why.

1:24:35.680 --> 1:24:38.559
<v Speaker 1>Everybody coachurally knows why the shooting happened. We know what's

1:24:38.560 --> 1:24:39.559
<v Speaker 1>going on in that shooting.

1:24:39.960 --> 1:24:40.679
<v Speaker 2>The court don't.

1:24:40.760 --> 1:24:43.360
<v Speaker 1>It's not our business to talk about it. But it

1:24:43.439 --> 1:24:45.559
<v Speaker 1>ain't no coincidence. It has nothing to do with the song.

1:24:46.200 --> 1:24:48.240
<v Speaker 1>We all know what happened. But yo, since he want

1:24:48.280 --> 1:24:51.559
<v Speaker 1>to play like that, Yo whatever. Shout out to Mumu.

1:24:51.640 --> 1:24:54.200
<v Speaker 1>I don't think people take enough account into the fact

1:24:54.240 --> 1:24:56.720
<v Speaker 1>that Kendrick is a better musician songmaker than Drake.

1:24:56.800 --> 1:25:01.679
<v Speaker 2>I'm not sure that's true. I don't know if that's true.

1:25:02.360 --> 1:25:05.200
<v Speaker 1>I think Drake is as great of a record maker

1:25:05.320 --> 1:25:07.400
<v Speaker 1>as anybody in the history of hip hop could be.

1:25:09.040 --> 1:25:14.080
<v Speaker 2>I think Drake is really a fantastic record maker. I

1:25:14.240 --> 1:25:18.400
<v Speaker 2>can't stress appreciate that. You appreciate that too, for he

1:25:18.640 --> 1:25:20.960
<v Speaker 2>is especially me because I had to really learn how

1:25:21.000 --> 1:25:22.760
<v Speaker 2>to make records. Shout out to Dot, who kind of

1:25:23.360 --> 1:25:26.000
<v Speaker 2>was early on making records. I wasn't early on making records.

1:25:26.040 --> 1:25:28.080
<v Speaker 2>I was just too busy out here fucking up.

1:25:28.360 --> 1:25:31.880
<v Speaker 1>While DoD was talking about Gloria and shit, fucking with Gloria,

1:25:32.320 --> 1:25:33.400
<v Speaker 1>I was fucking with Sherman.

1:25:36.439 --> 1:25:38.400
<v Speaker 2>He wrote that song about.

1:25:38.200 --> 1:25:41.240
<v Speaker 1>Gloria his pen growing up, and that I would have

1:25:41.360 --> 1:25:43.280
<v Speaker 1>to make minds about that bottle they used to hold

1:25:43.320 --> 1:25:47.200
<v Speaker 1>that Sherman, that PCP and new So he was way

1:25:47.200 --> 1:25:48.960
<v Speaker 1>ahead of me. Even Dot was way ahead of me

1:25:49.000 --> 1:25:51.559
<v Speaker 1>when it come to making records. He understood what records

1:25:51.640 --> 1:25:54.000
<v Speaker 1>were way before I did, and he got way better

1:25:54.080 --> 1:25:56.240
<v Speaker 1>at it to He's like God, right now, just hit

1:25:56.320 --> 1:25:59.280
<v Speaker 1>his peak. People don't believe this, but this is his peak. Now,

1:26:01.240 --> 1:26:03.240
<v Speaker 1>this is his peak. That shit he was doing before

1:26:03.360 --> 1:26:05.519
<v Speaker 1>is not his peak. He's spent his whole life to

1:26:05.600 --> 1:26:07.679
<v Speaker 1>make those out as a record maker.

1:26:07.800 --> 1:26:13.280
<v Speaker 2>This is his peak. He's gonna have four songs on here,

1:26:14.000 --> 1:26:15.320
<v Speaker 2>four songs.

1:26:15.080 --> 1:26:18.919
<v Speaker 1>On this projects that are top ten songs on Billboard

1:26:19.000 --> 1:26:23.000
<v Speaker 1>High one hundred, Like they're gonna keep circling back, like

1:26:23.400 --> 1:26:26.240
<v Speaker 1>they just getting work to radio now, like they streamed

1:26:26.640 --> 1:26:27.120
<v Speaker 1>top ten.

1:26:27.560 --> 1:26:31.240
<v Speaker 2>This four or five has streamed top ten. When they

1:26:31.360 --> 1:26:33.080
<v Speaker 2>get to work at the radio and they hit mainstream,

1:26:33.080 --> 1:26:34.639
<v Speaker 2>people don't realize his music has.

1:26:34.520 --> 1:26:37.639
<v Speaker 1>To hit mainstream, Like there's a group of people that's

1:26:37.680 --> 1:26:40.120
<v Speaker 1>aware of it in mainstream that just follow streaming. But

1:26:40.240 --> 1:26:42.439
<v Speaker 1>when them songs get to plan on radio, like how

1:26:42.439 --> 1:26:44.760
<v Speaker 1>they playing now, and they picking up on radio and

1:26:44.880 --> 1:26:47.760
<v Speaker 1>they go back to being in at top ten, number

1:26:47.840 --> 1:26:50.400
<v Speaker 1>one and two and three and five, and then he

1:26:50.479 --> 1:26:53.439
<v Speaker 1>do the super Bowl, this record is really gonna take off.

1:26:55.120 --> 1:26:58.280
<v Speaker 1>And it's because the records are amazing. This is the

1:26:58.400 --> 1:27:01.559
<v Speaker 1>pinnacle of him as a record maker. This is him

1:27:01.680 --> 1:27:04.400
<v Speaker 1>at his peak as a record maker, and.

1:27:07.200 --> 1:27:10.360
<v Speaker 2>He needs huh.

1:27:11.240 --> 1:27:12.800
<v Speaker 3>I think he I think he kind of reached that

1:27:13.880 --> 1:27:18.720
<v Speaker 3>that that level with damn though man was I think is.

1:27:18.720 --> 1:27:22.680
<v Speaker 1>When he first realized how to make records and keep

1:27:22.720 --> 1:27:25.640
<v Speaker 1>the message, I mean, how to how to get the

1:27:25.800 --> 1:27:28.519
<v Speaker 1>music to do the same thing the lyrics were because

1:27:28.520 --> 1:27:30.840
<v Speaker 1>I feel like on g I think I've talked about

1:27:30.880 --> 1:27:32.719
<v Speaker 1>this on Good Kid and to Pemple Butterfly.

1:27:33.200 --> 1:27:35.960
<v Speaker 2>It's way too much theme and not enough great records.

1:27:36.640 --> 1:27:41.040
<v Speaker 2>Mm hmm. Ton of thing, ton of thing done with dialogue,

1:27:41.200 --> 1:27:42.960
<v Speaker 2>A ton of thing done with dialogue. He did a

1:27:43.000 --> 1:27:44.320
<v Speaker 2>better job with to Pepper.

1:27:44.120 --> 1:27:47.200
<v Speaker 1>Butterfly, but then again, the records aren't as good as

1:27:47.320 --> 1:27:50.439
<v Speaker 1>Damn Damn is to me when he started like getting

1:27:50.479 --> 1:27:52.880
<v Speaker 1>the understanding of like, oh, this is how you make

1:27:53.000 --> 1:27:56.000
<v Speaker 1>records and still be able to keep his message alive.

1:27:56.800 --> 1:27:59.280
<v Speaker 1>Right you could take you know, somebody like Mike Will

1:27:59.360 --> 1:28:02.519
<v Speaker 1>and make humble like that's special, you know what I mean,

1:28:02.640 --> 1:28:04.440
<v Speaker 1>to pass a dop message.

1:28:04.160 --> 1:28:07.160
<v Speaker 2>On a record, on big record number one record.

1:28:07.600 --> 1:28:10.439
<v Speaker 1>But this right here, when I listen to it, every

1:28:10.560 --> 1:28:15.519
<v Speaker 1>hook is in place, every hook is in place, every

1:28:15.680 --> 1:28:19.200
<v Speaker 1>bridge is in place, music is in place everything, and

1:28:19.280 --> 1:28:22.000
<v Speaker 1>it's just jamming and it's culturally revealed.

1:28:23.960 --> 1:28:25.160
<v Speaker 3>Definitely, Definitely.

1:28:29.120 --> 1:28:32.519
<v Speaker 4>I mean I can see that because the because the

1:28:32.560 --> 1:28:36.160
<v Speaker 4>dude to prodlue slider ship though too. You know what

1:28:36.200 --> 1:28:36.920
<v Speaker 4>I'm saying, I think.

1:28:37.640 --> 1:28:40.880
<v Speaker 2>It's funny is what's funny is I think Jack, so somebody.

1:28:41.360 --> 1:28:43.720
<v Speaker 1>So when I looked at the number of producers, there's

1:28:43.760 --> 1:28:48.080
<v Speaker 1>somebody who's producing. Somebody's playing the bass, because I could

1:28:48.120 --> 1:28:50.439
<v Speaker 1>tell how the bass is. That's a really special base.

1:28:50.560 --> 1:28:52.519
<v Speaker 1>You know, the sounds that they're using, how they tune

1:28:52.560 --> 1:29:00.200
<v Speaker 1>that stuff on the base. Shout out to revenge, how

1:29:00.280 --> 1:29:02.360
<v Speaker 1>how the endgame might be the Super Bowl. And that's

1:29:02.400 --> 1:29:04.280
<v Speaker 1>it if he's just being petty. But it don't make

1:29:04.479 --> 1:29:07.920
<v Speaker 1>Drake really self destructed on purpose. I tweeted the lyric

1:29:08.640 --> 1:29:11.120
<v Speaker 1>that he said, shout out to Domie Kel. I took

1:29:11.160 --> 1:29:14.280
<v Speaker 1>it from Kelvin. I tagged him in the page because

1:29:14.560 --> 1:29:17.840
<v Speaker 1>I thought it was funny. But he said that he

1:29:18.000 --> 1:29:20.799
<v Speaker 1>said that in the lyric and the song do not disturb.

1:29:20.920 --> 1:29:23.320
<v Speaker 1>He said, I'd probably self destruct if I ever lose,

1:29:23.439 --> 1:29:24.120
<v Speaker 1>but I never do.

1:29:25.120 --> 1:29:25.559
<v Speaker 3>Mm hmm.

1:29:27.800 --> 1:29:33.920
<v Speaker 1>He said that, so he probably is self destructing. I

1:29:34.040 --> 1:29:40.360
<v Speaker 1>always thought shout out to mister w I always thought.

1:29:43.080 --> 1:29:43.600
<v Speaker 3>He said that.

1:29:44.800 --> 1:29:47.519
<v Speaker 1>I don't think he underestimated God as much as he

1:29:47.720 --> 1:29:52.880
<v Speaker 1>overestimated himself. You know what I'm saying. I think he's

1:29:53.120 --> 1:29:56.040
<v Speaker 1>more than capable of understanding what DOC can do. But

1:29:56.200 --> 1:29:59.080
<v Speaker 1>I think there I think there was confusion on his

1:29:59.240 --> 1:30:02.160
<v Speaker 1>behalf about the brand of who Kendrick really is versus

1:30:02.240 --> 1:30:06.439
<v Speaker 1>the brand that Kendrick is presenting and how much allows

1:30:06.560 --> 1:30:08.880
<v Speaker 1>him to be everything he wants to be at any time.

1:30:09.280 --> 1:30:10.920
<v Speaker 1>I think he thought he had him in a corner

1:30:10.960 --> 1:30:12.840
<v Speaker 1>where he had to be this person that was rapping

1:30:12.880 --> 1:30:17.200
<v Speaker 1>about revolutionary raps, when his audience they know more than

1:30:17.320 --> 1:30:17.760
<v Speaker 1>him than that.

1:30:17.960 --> 1:30:19.320
<v Speaker 2>They don't think what you know.

1:30:19.439 --> 1:30:21.479
<v Speaker 1>They don't think the surface level of his brand that

1:30:21.600 --> 1:30:24.639
<v Speaker 1>you think, so they can accept him making a party

1:30:24.760 --> 1:30:27.960
<v Speaker 1>song like not like Us, Like every real Kendrick fan

1:30:28.080 --> 1:30:30.919
<v Speaker 1>is going to like not Like Us because they understand

1:30:30.960 --> 1:30:35.000
<v Speaker 1>that that's in his wheelhouse now. His first level branding

1:30:35.080 --> 1:30:39.080
<v Speaker 1>makes him like he's you know, what's the Lady had.

1:30:38.960 --> 1:30:41.799
<v Speaker 2>The Underground Railroad Harry Tullman.

1:30:42.760 --> 1:30:46.839
<v Speaker 1>His branding comes across like Harriet Tubman. But the marketing

1:30:46.920 --> 1:30:49.160
<v Speaker 1>of who he is to his audience, they understand he's

1:30:49.200 --> 1:30:50.679
<v Speaker 1>a much more well rounded person.

1:30:50.760 --> 1:30:54.080
<v Speaker 2>From Compton. Shout out to mister W. Glasses. I disagree

1:30:54.120 --> 1:30:56.080
<v Speaker 2>with you because you can't fake real talent.

1:30:56.160 --> 1:30:58.519
<v Speaker 1>Drake can't touch on subjects that Doc can and the

1:30:58.600 --> 1:31:01.960
<v Speaker 1>way he delivers it, that's because their experiences are two

1:31:02.000 --> 1:31:02.639
<v Speaker 1>different things.

1:31:04.560 --> 1:31:06.840
<v Speaker 3>He's paying a different picture picture.

1:31:06.840 --> 1:31:10.639
<v Speaker 2>That's all that is nice, bro Uh, I mean even

1:31:10.720 --> 1:31:13.000
<v Speaker 2>Drake is nice. Drake is a really great record maker.

1:31:13.120 --> 1:31:15.479
<v Speaker 1>Like I'm telling you, trust me, Like I've been in

1:31:15.560 --> 1:31:17.920
<v Speaker 1>this business long enough and I know how tough it

1:31:18.000 --> 1:31:18.759
<v Speaker 1>is to make records.

1:31:19.160 --> 1:31:24.320
<v Speaker 2>He is very he's a great, fantastic and he's a

1:31:24.760 --> 1:31:25.439
<v Speaker 2>he's a more.

1:31:27.080 --> 1:31:32.960
<v Speaker 1>Shy that when you water him down, you walk down

1:31:33.040 --> 1:31:36.679
<v Speaker 1>the victory. Yeah, when you water when you water Drake down,

1:31:36.720 --> 1:31:39.360
<v Speaker 1>you water down the victory. And why it was so impressive,

1:31:39.760 --> 1:31:42.599
<v Speaker 1>so you shouldn't do that. Like he is that great

1:31:42.680 --> 1:31:45.400
<v Speaker 1>as an MC, he is that great as a record maker.

1:31:45.720 --> 1:31:49.679
<v Speaker 1>That's why this win is so monumental. It really showed

1:31:49.720 --> 1:31:52.679
<v Speaker 1>you how great that was as a record maker. Look,

1:31:52.760 --> 1:31:56.759
<v Speaker 1>he delivered on two number one records in the same battle.

1:31:57.120 --> 1:32:01.000
<v Speaker 1>That has never been done. So I think everybody realized

1:32:01.080 --> 1:32:03.040
<v Speaker 1>how And then he really doubled down on it with

1:32:03.120 --> 1:32:06.439
<v Speaker 1>GNX to show you how special of a record maker

1:32:06.520 --> 1:32:06.920
<v Speaker 1>he was.

1:32:07.680 --> 1:32:09.000
<v Speaker 2>You know what's so crazy about the dash?

1:32:09.040 --> 1:32:11.280
<v Speaker 4>I just realized this now, all he did all this

1:32:11.320 --> 1:32:14.960
<v Speaker 4>ship and I even mentioned him having ghostwriters. Yeah, he

1:32:15.000 --> 1:32:16.400
<v Speaker 4>didn't mentioned ghost writers at all.

1:32:16.479 --> 1:32:18.679
<v Speaker 1>No song he only mentioned he said, you said twenty

1:32:18.760 --> 1:32:20.680
<v Speaker 1>V one is one v twenty If I gotta, if

1:32:20.680 --> 1:32:22.200
<v Speaker 1>I gotta smoke niggas at right with you?

1:32:22.960 --> 1:32:27.920
<v Speaker 2>Yeah, that's it only time. Shout out to oldest. Thank

1:32:27.960 --> 1:32:28.880
<v Speaker 2>you for the ten dollars.

1:32:29.000 --> 1:32:31.760
<v Speaker 1>My only question is if Drake was so sensitive, why

1:32:31.800 --> 1:32:33.519
<v Speaker 1>would he get on the song or tell doctor talk

1:32:33.560 --> 1:32:34.880
<v Speaker 1>about him liking young girls and.

1:32:34.880 --> 1:32:37.720
<v Speaker 2>See about it. This case has no legs. Thank you

1:32:37.800 --> 1:32:41.680
<v Speaker 2>for the first time at the lunch table. But you

1:32:41.840 --> 1:32:46.320
<v Speaker 2>already hit hall of fame with that information that you

1:32:46.400 --> 1:32:50.439
<v Speaker 2>wanted him to say about that. I thought you gave

1:32:50.520 --> 1:32:53.960
<v Speaker 2>him the information. Shout out to kill that one. By

1:32:54.000 --> 1:32:55.600
<v Speaker 2>the way, I don't quite know, but man, thank you.

1:32:55.720 --> 1:32:58.320
<v Speaker 2>I enjoyed being authentic and I try to be as

1:32:58.400 --> 1:33:00.800
<v Speaker 2>honest as I can with y'all. But we finna get

1:33:00.800 --> 1:33:02.400
<v Speaker 2>out of here. We finished go y'all should go down

1:33:02.520 --> 1:33:05.639
<v Speaker 2>load Clubhouse right now, right now, once we hop off

1:33:05.640 --> 1:33:08.280
<v Speaker 2>the stream, download Clubhouse, subscribe to.

1:33:08.360 --> 1:33:12.639
<v Speaker 1>Eighty HD right now, join the house. Really great hip

1:33:12.680 --> 1:33:13.960
<v Speaker 1>hop conversations over there.

1:33:14.560 --> 1:33:14.960
<v Speaker 2>You feeling.

1:33:14.960 --> 1:33:17.720
<v Speaker 1>We had three thousand people come through here today, so

1:33:17.840 --> 1:33:19.840
<v Speaker 1>we cooking up. Shout out to everybody who popped in.

1:33:20.360 --> 1:33:23.240
<v Speaker 1>I will see you Friday at noon. Pacific Standard time

1:33:23.320 --> 1:33:25.439
<v Speaker 1>right here on Digital So I clicked that thumbs up

1:33:25.479 --> 1:33:27.800
<v Speaker 1>button for you to get up out of here and

1:33:28.600 --> 1:33:30.920
<v Speaker 1>after this, not only should you down to the Clubhouse

1:33:31.240 --> 1:33:33.720
<v Speaker 1>and join the eighty h D community for the best

1:33:33.800 --> 1:33:36.400
<v Speaker 1>hip hop discussions on the internet, period and social media.

1:33:38.080 --> 1:33:41.720
<v Speaker 1>The No Sellans podcast is right there below Apple podcasts

1:33:41.800 --> 1:33:44.240
<v Speaker 1>or Ieart podcasts, anyway you get your podcasts. The No

1:33:44.400 --> 1:33:47.800
<v Speaker 1>Sellings Podcast executive produced by the Charlotte Magne of God

1:33:48.320 --> 1:33:51.280
<v Speaker 1>Black Effect Now White Heart. My boy Crab said, you

1:33:51.360 --> 1:33:52.960
<v Speaker 1>want to be on your Friday craze. As long as

1:33:53.000 --> 1:33:54.720
<v Speaker 1>you got a mic in the interface, we'll get you

1:33:54.800 --> 1:33:55.439
<v Speaker 1>on your Friday and.

1:33:55.479 --> 1:33:57.639
<v Speaker 2>We'll do it like we do it on Clubhouse. We'll

1:33:57.680 --> 1:34:01.120
<v Speaker 2>bring Clubhouse to YouTube. Baby must love everybody. I see

1:34:01.200 --> 1:34:01.559
<v Speaker 2>y'all soon.

1:34:05.080 --> 1:34:07.679
<v Speaker 1>Good looking out for tuning in to the No Sellers podcast.

1:34:08.000 --> 1:34:10.760
<v Speaker 1>Please do us a favorite, subscribe, rate, comment, and share.

1:34:11.200 --> 1:34:13.559
<v Speaker 1>This episode was recorded right here on the West coast

1:34:13.640 --> 1:34:16.599
<v Speaker 1>of the USA. It produced about the Black Effect podcast

1:34:16.720 --> 1:34:18.240
<v Speaker 1>network and not Heard Radio.

1:34:18.840 --> 1:34:19.040
<v Speaker 3>Yeah