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Speaker 1: New tour dates alert. All right, the official first show

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Speaker 1: of the Return of the Ghetto Legends Tour. It's gonna

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Speaker 1: be you're ready for this, Ready for this and make it.

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Speaker 1: That's that's your line. Seventeen Okay, July seventeenth, making at

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Speaker 1: the Coliseum. Go to the website right now for more information.

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Speaker 1: M hm you see where that was gonna do you

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Speaker 1: see what it was? I was with it. Get you

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Speaker 1: one lot as music. If you can spit, I'm with it.

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Speaker 1: That's the one you mean? You hear some on that. Yeah,

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Speaker 1: that's a little too beautiful. Oh you want to go

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Speaker 1: hardcore after gate? You know I did a woman of

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Speaker 1: my stature. You don't want to come romantic, motherfucker. That's

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Speaker 1: not like ship. But I would like to be like,

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Speaker 1: excuse me, miss lady. Don't need to be shady, but

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Speaker 1: would you like to get some lemonade? My name is

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Speaker 1: Lose and I came from Mississippi. Don't you worry about

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Speaker 1: the money, my girl, because I'm plenty page. She said,

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Speaker 1: what you do? I said, I'm independent. I do whatever

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Speaker 1: I want. I just want I spend it. She said

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Speaker 1: what I said? Huh? She said what I said? Watch

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Speaker 1: what I do, I said, I'm independent, like I said,

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Speaker 1: and look, I started coming off the top of the head.

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Speaker 1: And then I understood that she didn't really understand because

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Speaker 1: she hadn't ever came across a man like me, the

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Speaker 1: kind that you see on TV, the kind of ones

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Speaker 1: that the college boys want to be, like a magnificent

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Speaker 1: so outstanding. She never met a man that was so

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Speaker 1: demanding in my presence. She liked my essence, she liked

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Speaker 1: everything that I was displaying, but I wasn't playing. I'm

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Speaker 1: really on my grown man ship. And then I took

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Speaker 1: her to my house because I owned that. Yeah, and

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Speaker 1: that's a real life flex. But then she didn't even

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Speaker 1: know what had coming next. We might just have breakfasts something,

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Speaker 1: maybe brush or maybe just pack it up and go.

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Speaker 1: So where would they be drinking the winion punch for breakfleass?

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Speaker 1: I bought the bit your necklace, Hey, just the show

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Speaker 1: I could, because I know she never been. I was

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Speaker 1: at her neighborhood. And if I'm gonna treat up right,

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Speaker 1: you know, treat good, starting to get you started to

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Speaker 1: get it, yeah, and you know that's has to be

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Speaker 1: doing yea change your life right and birds, Yeah, I

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Speaker 1: know that place where they drink Hawaiian punch for breakfast.

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Speaker 1: They put it in the horse. Dude like, yeah, but

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Speaker 1: I'm keeping my mouth. Tell nobody all right. First of all,

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Speaker 1: before we even get into anything, Welcome to the trap.

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Speaker 1: Welcome to the track. It's only right that we gotta

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Speaker 1: bring in the trap right now. Look, let me stop

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Speaker 1: stop the music right quick, because it's only right that

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Speaker 1: we give you your proper introduction, you know, for the

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Speaker 1: people who may not know. Because not only did we

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Speaker 1: have a true legend sitting in the trap with us today,

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Speaker 1: we have an actress. Come on, we have a writer,

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Speaker 1: let's go. We have a creative mind. Come on, we

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Speaker 1: have someone who's been tintoes down in the comedy games.

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Speaker 1: Just before there was a comedy game. You feel me,

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Speaker 1: traveling all around the world, was in the number one

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Speaker 1: movie in America multiple times. You feel me, Ladies and gentlemen,

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Speaker 1: without further due, it's Louis and I want you to

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Speaker 1: get all your problems. I've had bless you working with

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Speaker 1: you throughout the years. And I know you've never claimed

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Speaker 1: no title of a queen of comedy, but you are

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Speaker 1: the definition of a queen of comedy. I don't disagree

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Speaker 1: with that. I never you know, I never put that

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Speaker 1: title on myself at all. Well, we see you as that.

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Speaker 1: Thank you, good, good, good, So welcome to the traplan.

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Speaker 1: You first trap I've been in. We appreciate it and

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Speaker 1: this know that, man, we have so much respect for

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Speaker 1: what you're doing, what you have done, and you know,

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Speaker 1: giving us a blueprint to follow in this comedy game,

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Speaker 1: which is crazy. And I want to take this time

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Speaker 1: to actually bow down and say that in the beginning,

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Speaker 1: when the Instagram phenomenon, comic actor phenomenon started, and when

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Speaker 1: people started to get really hot off Instagram and making

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Speaker 1: money and getting popular and sell it out and like

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Speaker 1: going fast after people who had put in the work,

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Speaker 1: I felt some type of way and I was like,

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Speaker 1: you know, funck, these motherfucker's ain't pay no dude, fuck

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Speaker 1: these bitches you know who they don't. We didn't made

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Speaker 1: our career out of likes and ship funk that our

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Speaker 1: social media was like that being funny, go see her?

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Speaker 1: That was that was my ship. But then I had

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Speaker 1: to bow down because the amount of time that it

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Speaker 1: takes to create your content, there's a real motherfucking job.

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Speaker 1: And doing this ship and having a vision when you

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Speaker 1: could be out fucking up somewhere is wonderful, amazing. So

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Speaker 1: I bowed down to all you motherfucking Instagram content creator.

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Speaker 1: If you can't beat them, join our mind ship going

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Speaker 1: nowhere right. Yeah, I just had an issue with the

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Speaker 1: word comic and the Instagram thing. I felt more like

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Speaker 1: you guys were more actors liberally, you know, and could

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Speaker 1: go into phenomenal acting career and some of y'all, you know,

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Speaker 1: you gotta admit y'all motherfucker's can create content. But then

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Speaker 1: our on stage sometimes it's a snore and some of

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Speaker 1: y'all motherfucker' isn't. That's just what it is. That's the game.

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Speaker 1: But the acting motherfucking game, the writing game, the producing game.

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Speaker 1: That's where y'all come in. And that's what you're doing

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Speaker 1: right now. You looked at the whole scope of the Internet.

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Speaker 1: It was like we didn't have no no platform like

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Speaker 1: this where comedians can come and just be comedians and

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Speaker 1: talk ship when you say ship, and not have to

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Speaker 1: worry about but none of that, Yeah, no sensational ship

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Speaker 1: of that. Gut damn people want to be click bait

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Speaker 1: and all that ship. We want to hear from the

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Speaker 1: people we want to hear from exactly. Yeah, thank you.

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Speaker 1: So that looks like, where are your comedy journey started?

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Speaker 1: How did you get introduced to the to the stage

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Speaker 1: and the microphone and things like that? Well, do you

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Speaker 1: want the short version or do you want the real version?

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Speaker 1: We got you got time to that, we got track,

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Speaker 1: we got juice and all type of a long okay, Well, um,

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Speaker 1: the short long version is. I was living in Long

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Speaker 1: Beach in a really nice apartment with a girlfriend of

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Speaker 1: mine who was my roommate, who was a hull professional

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Speaker 1: right right. She was a professional call girl. She was

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Speaker 1: British and she was black, and she sounded like shot

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Speaker 1: Day and looked like shot Day but taller and thicker.

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Speaker 1: She had all she had, you know, she had an accident.

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Speaker 1: She could easily, you know, just talk about something sing

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Speaker 1: that would come up into the gentleman's you know, and

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Speaker 1: wanted to keep talking with that, you know. She and

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Speaker 1: she had that maybe uh and all the ship. So

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Speaker 1: she's very popular. So she met this guy was a

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Speaker 1: comic and he started, you know, buying pussy from her.

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Speaker 1: But then he because when I started he was right right,

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Speaker 1: I'll tell you Canada, But but he was he was

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Speaker 1: buying he was buying pussy from her. But then they

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Speaker 1: started dating on the fill and he would be at

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Speaker 1: the crib and I'll be around and talking my ship.

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Speaker 1: And he told me, he said, um, you know, you

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Speaker 1: really funny this ship. You talk around here, he said,

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Speaker 1: I do a comedy night at this club called Miss

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Speaker 1: Wizz and Long Beach, which you have to be in

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Speaker 1: Triple O G to know about. Miss Wizzy ended up

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Speaker 1: burning down and like that. But that was back in

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Speaker 1: the day. He said, I do a comedy night in

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Speaker 1: Miss Wiz here in Long Beach, and if you ever

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Speaker 1: want to come through, I'll let you go on the

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Speaker 1: stage and minute you walk in, and I said, I

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Speaker 1: don't want to be no motherfucking comedian. I want to

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Speaker 1: sing background for Lutha. I used to do a lot

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Speaker 1: of drugs back in the day. That's what I thought

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Speaker 1: I could do whatever. Yeah, yeah, yeah, yeah, yeah, you

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Speaker 1: know I might have done it whatever anyway. So but

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Speaker 1: and I've never been a joke teller, but I do,

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Speaker 1: you know. I listened to Cosby and to Red Fox

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Speaker 1: and to um, you know, PHILP. Wilson and stuff like that,

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Speaker 1: and so I was more of a storyteller. I don't

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Speaker 1: really tell jokes. And those are the people that I

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Speaker 1: listened to and that I saw, and and and I

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Speaker 1: didn't have no comedy material to go down to this club,

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Speaker 1: but I didn't know a couple of things that had

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Speaker 1: happened to with that thought was funny. I said, Well,

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Speaker 1: one night we were sitting on the patio drinking mygards,

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Speaker 1: me and a couple of girls, and I said, let's

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Speaker 1: go down to this motherfucking clubs. He was just motherfucking

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Speaker 1: talking about He talked about he's gonna put me up

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Speaker 1: the minute I walk in. I'm gonna call this bluff.

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Speaker 1: Let's go. So we went down there and I walked in.

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Speaker 1: He's like you next, I'm so glad you showed up.

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Speaker 1: So I went upon the stage and I killed that

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Speaker 1: ship first time I ever took the ste And when

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Speaker 1: I got off stage, this guy came up with me.

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Speaker 1: He said, you know you're funny, little bit. I was like,

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Speaker 1: thank you, and he said, I got a room over

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Speaker 1: in the mirror part. You need to come fun with me.

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Speaker 1: He gave me his card. And so the first night

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Speaker 1: that I ever just stand up comedy, I met the

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Speaker 1: late great Robin Harris, and I felt like he was

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Speaker 1: passing up Aton to me literally because I got approve

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Speaker 1: of like that the first thing I ever did it.

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Speaker 1: So I went to Comedy Act Theater, which was another

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Speaker 1: popping place, you know, off Crimshaw back in the day,

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Speaker 1: and you know, everybody was in there just trying not

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Speaker 1: struggling the dls that Jamie's Bill bellamis that everybody. You know.

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Speaker 1: I was in there and I met like Dyell and

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Speaker 1: just gut started booking us together, and then you know,

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Speaker 1: ship started, and then all of a sudden, Comic View

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Speaker 1: came along. It was Comic View versus death Jam at

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Speaker 1: that time. You know, you you could do both, or

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Speaker 1: you could do one or the other, you know, and

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Speaker 1: if you did too much death Jam when it came

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Speaker 1: to acting, a lot of agents wouldn't funk with you

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Speaker 1: because they didn't know that you could be blue and

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Speaker 1: then not be blue. They just kind of go right

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Speaker 1: to you as you're being naughty and ship like this,

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Speaker 1: and they didn't want to funk with you. But anybody

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Speaker 1: knows that if you can do dirty, you can do

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Speaker 1: clean stupid. That ship just this is me to funk

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Speaker 1: all we could all be booked for the next church convention.

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Speaker 1: T D Jake's Jake's heck holler at us and that's

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Speaker 1: what we do. That's the beautiful part about being a comedian.

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Speaker 1: And they even getting that point being a professional comedian.

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Speaker 1: That's the difference. I think they only do that with

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Speaker 1: us though Black people. They have got know for a

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Speaker 1: fact that they do. Yeah, because they don't let them go.

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Speaker 1: Will I'll say the craziest ship And then the next thing,

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Speaker 1: they'd be on the children's show in to a white

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Speaker 1: comedy club and sat in the back and listen to

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Speaker 1: white comedians what they say, Yeah, you've ever done it?

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Speaker 1: And like the comedy store and ships like that, be

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Speaker 1: in the back of the white room and hear what

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Speaker 1: they say when they think niggas an't around, I'm gonna

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Speaker 1: put your mother's sucking as. They maybe say. It's a

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Speaker 1: ratchet ship, but their ship is racist and our ship

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Speaker 1: is funny. That's your girlfriends there. You shot. They want

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Speaker 1: to shock you and say something racings and we gotta

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Speaker 1: we gotta come. Every time I have just shot nobody,

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Speaker 1: they'd be since here, that's what that's what's shock here. Yeah,

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Speaker 1: they did, So what does this AUGI boy, what is that? Oh?

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Speaker 1: I'm like, are you doing? Casting? Spells up like a little.

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Speaker 1: I'm like, I'm like, what are we doing? You rolling

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Speaker 1: right here? And then you sit the blunts right here

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Speaker 1: as you rolling, And I don't smoke blunts. Do you

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Speaker 1: want to know why? Because I just do not understand

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Speaker 1: why you would taint wonderful, amazing marijuana with a nicotine

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Speaker 1: infested tobacco leaf. You don't know if you're getting high

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Speaker 1: off the tobacco, off the weed, why not use like

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Speaker 1: a rice paper or something really light like that, or

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Speaker 1: even a pipe and stop working with the great weed

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Speaker 1: with the ship. The tobacco is the devil getting well?

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Speaker 1: Are you know when you gotta grab to the back

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Speaker 1: because I smoked the regular cigarette though I was different.

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Speaker 1: What is my other ship? Well, whatever it is, it's

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Speaker 1: a beautiful combination. Yeah. I don't like them. You Yeah

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Speaker 1: you know a joint? Girl? Yeah? Joint? I don't want

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Speaker 1: to joint. Did you make any bud? What aff I

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Speaker 1: never said refer never? No, I'm not that mother fucking square.

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Speaker 1: You can have smoker refers. What is the reefer? What

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Speaker 1: if you could just find a bag of refer it

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Speaker 1: like an authentic bag, ain't it Probably ain't no more

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Speaker 1: refer come from gone f of all, an ounce used

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Speaker 1: to be what they would call and they used to

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Speaker 1: call it a lead. It was three fingers deep. That

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Speaker 1: was how you measured an ounce of weed. Back in

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Speaker 1: the day. They also didn't have the buzz like they

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Speaker 1: do now. Just weed has stems, seeds and mother say.

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Speaker 1: Then they had this other weed called tie stick that

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Speaker 1: was it tasted like motherfucking candy and it had a

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Speaker 1: little string. They used to go around it and it

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Speaker 1: was about a ship in the land. And then they

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Speaker 1: came out with the sessamia, which was the weed without

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Speaker 1: the seeds. Yeah, I don't yeah boneless on this. So

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Speaker 1: I have been through all of it. It's just all

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Speaker 1: great to me. I just hate trash weed, Like, don't

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Speaker 1: try to smoke trash weed. I'm from Arkansas and every

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Speaker 1: time I go back to my family union, I have

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Speaker 1: to bring my own weed. The weed is trash. You

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Speaker 1: have to trash. Yeah, I just say, trying to be boogie,

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Speaker 1: but I am about my lead. That's the one thing

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Speaker 1: you're allowed to be boot thank you. Yeah, I don't

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Speaker 1: play about that. That's dumb man as well. Smoke grass

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Speaker 1: as well. Smoke hate that. I'm not gonna smoke you

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Speaker 1: good ship, it's stupid. That's like chocolate tie Oh that

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Speaker 1: was a good old ship. Who remembers tie stick in

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Speaker 1: the building? Yeah? Yeah, Look you in one of my

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Speaker 1: favorite movies of all times? What is that? All right? Yes?

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Speaker 1: The gift to keep so killing that movie so hard.

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Speaker 1: It's really inappropriate, isn't it. That's why I went back

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Speaker 1: and tried to watch it. I'm in the motherfucker. I

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00:16:48,440 --> 00:16:50,160
Speaker 1: went back and tried to watch about a month ago.

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Speaker 1: I couldn't get TI medicine. I was like, oh my god,

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Speaker 1: that ship is so funny. Yeah, it's really hugely inappropriate

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Speaker 1: and on this fuck yea yeah, I know. So how

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00:17:03,680 --> 00:17:08,760
Speaker 1: did that? How did that come about? Regular way? I

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Speaker 1: had an audition, I had agents, bill, wasn't it I start?

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Speaker 1: I had I had an agent names Starwell, and Starwell

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Speaker 1: got me this audition and they wanted somebody to play

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Speaker 1: a hole. But I'm like, what am I don't know?

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Speaker 1: I could do it. That's a good look saying anytime

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Speaker 1: you come into something with some holes, it's gonna work. Well.

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Speaker 1: I played a hole many times, honey. Uh, And you

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Speaker 1: live with. So I'm telling you that's like your hose.

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Speaker 1: Are my friends back in Oakland, California? Holes was the

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Speaker 1: motherfucker movie star? Oh West mccarthur Boulevard. Let it be known,

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Speaker 1: we have to talk about holes when we get a chance.

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Speaker 1: I'm gonna talk about homes after I talk. Yeah, Hell yeah,

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Speaker 1: I like to land am already back to the fast

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Speaker 1: here we lose now and she putting up up on

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Speaker 1: game right now? Hell yeah, let's get back to the music.

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Speaker 1: Play me in play some playst You heard what she said,

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Speaker 1: she want to hear some pemper playing. Motherfucker um drew down.

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Speaker 1: Oh well, we're gonna put this online. They're gonna try

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Speaker 1: to do so you can. But you started, okay, come

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Speaker 1: back and came back to l A to move back

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Speaker 1: to Oakland, and came back to l A back, came

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Speaker 1: back to l A and stay so it didn't take

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Speaker 1: until the third time to move back. You know, you

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Speaker 1: know I would make it at the gate. You know,

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Speaker 1: as long as you were staying back and regroup, you're lucky.

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Speaker 1: If you can't go back to your hometown or to

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Speaker 1: your people and were you know, where's my morotherfucking joint.

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Speaker 1: I thought you thought, like a motherfucker, you've been sitting

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Speaker 1: there rolling blood, thought about me. I sat here and

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Speaker 1: said that I would like it's the end and hear

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Speaker 1: on this end. Okay, guys, come on, we got so star.

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Speaker 1: Well get you the audition, got me the audition. They

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Speaker 1: wanted somebody who could improvise and tell like some like

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Speaker 1: whole stories. They didn't want to write nothing. They wanted

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Speaker 1: somebody who can improvise. Oh, I didn't even have a car,

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Speaker 1: my home, girl, bill Eman, you might gave me a

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Speaker 1: ride to the audition. And I went in this room. Okay,

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Speaker 1: excuse me, everybody, just the moment. That's how you like

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Speaker 1: the Ladies Joint, and that's how lady sucks was whoa

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00:20:08,240 --> 00:20:17,240
Speaker 1: wait a minute, wait a minute. I heard that you

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00:20:17,320 --> 00:20:23,040
Speaker 1: weren't ready for the real. He wasn't ready for the real.

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Speaker 1: This call me off. God, suck me up with that one.

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00:20:26,480 --> 00:20:31,720
Speaker 1: So anyway, so I went in this room and there

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Speaker 1: was this guy who looked like a mad scientist who

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Speaker 1: turned out to read Larry Charles, who was the director.

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Speaker 1: And there was Sasha Baron Cohn, who I had never

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Speaker 1: seen a regular clothes only as Ali g but I

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00:20:43,760 --> 00:20:48,440
Speaker 1: didn't know that that was Ali g you know. So

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Speaker 1: then they I had to bring it back to life

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Speaker 1: that quick maybe you know, you know, at sometime he

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00:21:03,480 --> 00:21:08,120
Speaker 1: got to bring it back to back. So I went

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Speaker 1: into the room and the dude who was the director,

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Speaker 1: I did not know who he was. And he said,

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Speaker 1: I want you to pretend like you're at a fancy

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Speaker 1: dinner party and that your prostitute, and you want to

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00:21:20,560 --> 00:21:24,159
Speaker 1: tell a couple of stories about being out on the

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00:21:24,280 --> 00:21:29,400
Speaker 1: streets and being a prostitute. And I was like, all right,

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00:21:30,200 --> 00:21:33,840
Speaker 1: and so I just started improvising and said one time,

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Speaker 1: I was like, I was just this guy. I want

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00:21:35,760 --> 00:21:39,520
Speaker 1: to look my ass that And then at some point

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00:21:39,600 --> 00:21:43,760
Speaker 1: I took Sasha's hand. This before COVID, I took Sasha's hand.

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Speaker 1: I took his finger and I sucked it. Right now.

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Speaker 1: I don't know if they had anything to do with

328
00:21:51,160 --> 00:21:56,000
Speaker 1: me getting apart, but I got the part. That's how

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00:21:56,040 --> 00:21:59,280
Speaker 1: I got to ship. And I was saying, I was saying,

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00:22:01,280 --> 00:22:06,639
Speaker 1: and I'm sitting on Crimshaw West eight and then I

331
00:22:06,760 --> 00:22:09,480
Speaker 1: get an email to say, your ticket has been booked

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00:22:09,520 --> 00:22:13,600
Speaker 1: to book Arrestaurromania for tomorrow morning. You know, be ready

333
00:22:13,640 --> 00:22:15,960
Speaker 1: to seven am to call gonna pick you up, and

334
00:22:16,080 --> 00:22:22,119
Speaker 1: I'm like where, like what book or restaurro Babia, like

335
00:22:22,359 --> 00:22:24,320
Speaker 1: do I need a shot? What the first is going on?

336
00:22:24,560 --> 00:22:28,160
Speaker 1: I don't know. And that's where we shot the Kazakhstani seas.

337
00:22:28,200 --> 00:22:32,720
Speaker 1: What was the room? Madia my black ass and we're

338
00:22:32,840 --> 00:22:39,600
Speaker 1: like Racula and ship? You know? Where should I do

339
00:22:39,800 --> 00:22:42,920
Speaker 1: this at? Thank you? Baby? So was the next day

340
00:22:44,200 --> 00:22:46,560
Speaker 1: what they wanted you to fly out? They told you

341
00:22:46,600 --> 00:22:48,360
Speaker 1: where he was going in there. Yeah, so I don't

342
00:22:48,359 --> 00:22:53,800
Speaker 1: really remember much because I was so high. Yeah, but

343
00:22:53,920 --> 00:22:57,000
Speaker 1: it was like thirteen hours. We had to fly to somewhere,

344
00:22:57,600 --> 00:23:02,320
Speaker 1: then had to change somewhere and then go to ronn Ro. Man.

345
00:23:02,440 --> 00:23:11,480
Speaker 1: It was not prettier. About a week, a stinky as week. Damn. Yeah,

346
00:23:11,520 --> 00:23:15,600
Speaker 1: I ain't never been. It wasn't like I was in

347
00:23:15,680 --> 00:23:19,320
Speaker 1: Bucharest and state in the city. That's why our hotel was.

348
00:23:19,760 --> 00:23:26,480
Speaker 1: But we had to go to some little bread town

349
00:23:26,640 --> 00:23:31,960
Speaker 1: but no plummet and ship and weird motherfucker's everybody looked

350
00:23:32,000 --> 00:23:39,800
Speaker 1: like a sex offender. I was like, oh my god,

351
00:23:40,040 --> 00:23:42,960
Speaker 1: is this like for real? For real? You know? I

352
00:23:43,119 --> 00:23:45,159
Speaker 1: think they worked and they got a couple of some

353
00:23:45,800 --> 00:23:52,720
Speaker 1: computers and some sugar oil is something like that. I'm like,

354
00:23:52,840 --> 00:23:56,680
Speaker 1: what what yo? And then they made it one of

355
00:23:56,720 --> 00:24:00,320
Speaker 1: the greatest movies of all time. But this wild Ship,

356
00:24:01,000 --> 00:24:09,080
Speaker 1: it was nominated for Academy Award that you just dropped

357
00:24:09,119 --> 00:24:12,719
Speaker 1: the second one. You should have brought head. Well, they

358
00:24:12,720 --> 00:24:15,840
Speaker 1: were supposed to make me back and then COVID hit

359
00:24:16,800 --> 00:24:18,600
Speaker 1: and then they had to finish the movie so kind

360
00:24:18,600 --> 00:24:22,639
Speaker 1: of way that baby. But I didn't do the movie.

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00:24:23,520 --> 00:24:28,720
Speaker 1: I'm glad. I'm fine. I'm lying. I'm fine that I

362
00:24:28,840 --> 00:24:32,040
Speaker 1: didn't do the movie. Plus, they live because at the

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00:24:32,200 --> 00:24:36,320
Speaker 1: end of the first the real first boor rat here

364
00:24:36,320 --> 00:24:39,920
Speaker 1: and I got married after he couldn't get Pamela Anderson,

365
00:24:40,480 --> 00:24:42,640
Speaker 1: and he and I got married. We had two little

366
00:24:42,680 --> 00:24:45,120
Speaker 1: iteracial kids at our feet of the Department of Movie.

367
00:24:45,560 --> 00:24:48,240
Speaker 1: When they came back with this new one, he didn't

368
00:24:48,280 --> 00:24:50,680
Speaker 1: mention me at all, and he had a totally white

369
00:24:50,760 --> 00:24:56,360
Speaker 1: girl daughter. I like, this is in't correct because children,

370
00:24:56,720 --> 00:24:59,159
Speaker 1: So that I'm glad I didn't do the motherfucking second one.

371
00:24:59,240 --> 00:25:04,280
Speaker 1: And I'm glad I get the check too. And that's

372
00:25:04,280 --> 00:25:06,119
Speaker 1: how it's gonna that's how we can get in there.

373
00:25:06,240 --> 00:25:10,400
Speaker 1: We can show up as the grown kids. There we go, there,

374
00:25:10,440 --> 00:25:13,760
Speaker 1: we go, we're in there. You know what, somebody could

375
00:25:13,840 --> 00:25:18,520
Speaker 1: do that and show up inside and my children looking

376
00:25:18,600 --> 00:25:20,720
Speaker 1: at two motherfucker's who could you hear what I'm saying

377
00:25:21,640 --> 00:25:23,639
Speaker 1: that they could do a sequel, They could do it

378
00:25:23,720 --> 00:25:27,680
Speaker 1: where they're me and Sasha's kids. Girl, but we had

379
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Speaker 1: a boy and a girl. I think you can play

380
00:25:30,960 --> 00:25:42,960
Speaker 1: the girl I was. That was just too good. Yeah,

381
00:25:43,080 --> 00:25:53,040
Speaker 1: you would have been stupid not to take from our

382
00:25:53,160 --> 00:25:56,920
Speaker 1: side drop as I'm looking. That's that's something, baby, that's

383
00:25:57,040 --> 00:26:01,080
Speaker 1: that's I don't think. Well, you know you could, but

384
00:26:05,000 --> 00:26:07,639
Speaker 1: you've been killing it on the LAD interviews too. You

385
00:26:07,760 --> 00:26:09,840
Speaker 1: got a very interesting point of view on a lot

386
00:26:09,920 --> 00:26:14,600
Speaker 1: of ship. I had to have a very interesting court

387
00:26:14,640 --> 00:26:17,760
Speaker 1: of view to even continue to do LAD. After God

388
00:26:17,840 --> 00:26:20,280
Speaker 1: feel everybody was like fuck him and he said some

389
00:26:20,440 --> 00:26:23,399
Speaker 1: ship about fair kind and don't funk with LAD and

390
00:26:23,760 --> 00:26:31,560
Speaker 1: do I LAD and not using me? I am not

391
00:26:31,760 --> 00:26:35,600
Speaker 1: using him. The motherfucker got a platform just y'all like

392
00:26:35,800 --> 00:26:39,440
Speaker 1: y'all do. And if anybody wants to know what I

393
00:26:39,560 --> 00:26:42,920
Speaker 1: got to say about anything, I'm like, I'm glad to

394
00:26:43,040 --> 00:26:46,680
Speaker 1: tell you whatever the funk it is. You know what

395
00:26:46,760 --> 00:26:48,879
Speaker 1: I'm saying I didn't know. I did so many. I

396
00:26:48,960 --> 00:26:50,760
Speaker 1: had to back off now that I might work. I

397
00:26:50,840 --> 00:26:54,960
Speaker 1: did so many, even underground interviews during COVID with just

398
00:26:55,119 --> 00:26:57,480
Speaker 1: regular motherfucker's. But if you want to know what the

399
00:26:57,560 --> 00:27:00,040
Speaker 1: funk I got to say, I'm down with it. Like

400
00:27:00,160 --> 00:27:01,560
Speaker 1: I want to know what the funk I got to say,

401
00:27:01,600 --> 00:27:03,960
Speaker 1: You got a platform, so I'm down with it. Dropping

402
00:27:04,000 --> 00:27:09,760
Speaker 1: a little game on them, sucking g That's why, of course,

403
00:27:10,040 --> 00:27:13,640
Speaker 1: of course I do, because I care. I give a fuck.

404
00:27:14,440 --> 00:27:16,600
Speaker 1: What type of like if they was watching right now,

405
00:27:16,640 --> 00:27:18,560
Speaker 1: what type of advice would you give these young rich

406
00:27:18,680 --> 00:27:21,440
Speaker 1: niggas who get caught up with all this bullshit and

407
00:27:22,080 --> 00:27:24,400
Speaker 1: buying ship and ship like that. You know, the ship

408
00:27:24,520 --> 00:27:29,119
Speaker 1: that happens in the rap game. It's the ship that

409
00:27:29,280 --> 00:27:34,719
Speaker 1: goes with the lifestyle, the goofy ship. First of all,

410
00:27:34,760 --> 00:27:37,320
Speaker 1: I wouldn't give him no goddamn advice because they don't

411
00:27:37,320 --> 00:27:40,159
Speaker 1: want to hear nothing from me. They think they know

412
00:27:40,280 --> 00:27:43,119
Speaker 1: every motherfucker too, you feel me. They You can't tell

413
00:27:43,240 --> 00:27:46,199
Speaker 1: these motherfucker's nothing. If you could tell them something, they

414
00:27:46,200 --> 00:27:49,920
Speaker 1: would be listening. They're not listening. They're all about the money.

415
00:27:50,040 --> 00:27:55,280
Speaker 1: They have forgot about anything spiritual, anything cultural. You know,

416
00:27:55,480 --> 00:27:58,040
Speaker 1: every now and then, like if you have ten rappers,

417
00:27:58,200 --> 00:28:02,520
Speaker 1: maybe fine, maybe four of them are really consciously want

418
00:28:02,560 --> 00:28:04,800
Speaker 1: to do something for the community. And so other than that,

419
00:28:04,920 --> 00:28:09,080
Speaker 1: they bought into the bullshit about bitches and blame and

420
00:28:09,160 --> 00:28:11,800
Speaker 1: they don't nothing about real estate, there nothing about stock.

421
00:28:12,160 --> 00:28:14,240
Speaker 1: They got all white folks around them. They got no

422
00:28:14,320 --> 00:28:19,879
Speaker 1: motherfucking black people that you know, they don't out of Listen,

423
00:28:20,240 --> 00:28:21,960
Speaker 1: this ship is a trap, and this ship is the

424
00:28:22,040 --> 00:28:24,399
Speaker 1: motherfucking game. And the day you drink the cool lators,

425
00:28:24,440 --> 00:28:27,080
Speaker 1: the day you don't sucked up, you are not the ship.

426
00:28:27,240 --> 00:28:29,840
Speaker 1: They do not love you. This is all the motherfucking game.

427
00:28:29,920 --> 00:28:32,439
Speaker 1: It's all about numbers, and it's all about that paper.

428
00:28:32,760 --> 00:28:34,720
Speaker 1: And a minute that you don't make a motherfucking paper,

429
00:28:34,720 --> 00:28:36,560
Speaker 1: you will see how motherfuckering lord they are to you.

430
00:28:36,800 --> 00:28:38,800
Speaker 1: They do not give a funking. You need to remember

431
00:28:38,880 --> 00:28:42,720
Speaker 1: that and know that at all mother fucking time. This

432
00:28:42,840 --> 00:28:44,760
Speaker 1: has been to get what the funk you can get.

433
00:28:45,040 --> 00:28:46,400
Speaker 1: And if you got to get out, and if you

434
00:28:46,520 --> 00:28:48,680
Speaker 1: can't get out before they fucking drag you the funk

435
00:28:48,720 --> 00:28:51,040
Speaker 1: back down. Those these motherfucker's love to build you up

436
00:28:51,080 --> 00:28:53,040
Speaker 1: and drag you the funk back down. If you can

437
00:28:53,080 --> 00:28:54,840
Speaker 1: get the ship and you can get the funk out

438
00:28:54,920 --> 00:28:56,960
Speaker 1: and you win, and that's what that's all. Like I

439
00:28:57,000 --> 00:29:00,760
Speaker 1: have to say about that. You'll be talking, right, I

440
00:29:00,880 --> 00:29:02,960
Speaker 1: know you. I know you was gonna say some real

441
00:29:03,040 --> 00:29:07,960
Speaker 1: ship didn't make you didn't make your dick hard like

442
00:29:08,600 --> 00:29:12,480
Speaker 1: doing it. You're doing it intelligence to make a motherfucking

443
00:29:12,520 --> 00:29:15,800
Speaker 1: dick hard. Yeah, because let's forgetting that. You're a whole

444
00:29:15,920 --> 00:29:20,680
Speaker 1: lunch of rain model too. Now it's not sucking, you know,

445
00:29:20,960 --> 00:29:26,360
Speaker 1: rainbow no not no for real ship yeah, hand selected. Yeah,

446
00:29:26,440 --> 00:29:28,840
Speaker 1: that's that's what you know. Thank honest for that. Ye,

447
00:29:32,680 --> 00:29:36,400
Speaker 1: But motherfucker's is thirsty first of all, because you know me,

448
00:29:36,600 --> 00:29:40,000
Speaker 1: I'm just I'm just a chick. You know. I haven't

449
00:29:40,440 --> 00:29:45,720
Speaker 1: done the plastic surgery and I haven't the whole ship.

450
00:29:45,920 --> 00:29:49,040
Speaker 1: This is the ask, this is these titties, this is

451
00:29:49,120 --> 00:29:52,440
Speaker 1: the lingerie. Let's go, what the funk do you want

452
00:29:52,520 --> 00:29:55,400
Speaker 1: me to do? If h Honest says I can do it,

453
00:29:55,520 --> 00:29:57,400
Speaker 1: then I can do it. I don't give up. Fuck

454
00:29:57,800 --> 00:30:00,680
Speaker 1: what nobody else thinks that rihannest and I can do it,

455
00:30:01,040 --> 00:30:03,320
Speaker 1: thank god, damn. I can do it. But I want

456
00:30:03,400 --> 00:30:08,400
Speaker 1: to represent her ship. I'm gonna motherfucker my dick. If

457
00:30:08,440 --> 00:30:12,080
Speaker 1: you don't, you can swipe left, click off, and be gone.

458
00:30:13,400 --> 00:30:17,920
Speaker 1: And Rihanna pays the bag so that if she ever

459
00:30:18,080 --> 00:30:20,080
Speaker 1: needs a nigger with the dick hanging out the drawers,

460
00:30:21,120 --> 00:30:25,840
Speaker 1: she's got no lack of motherfucker's like that. You know that.

461
00:30:25,920 --> 00:30:29,360
Speaker 1: I've always said, the motherfucker's who wear their masks with

462
00:30:29,520 --> 00:30:33,000
Speaker 1: their nose out, it's like wearing your underwear with your

463
00:30:33,080 --> 00:30:38,320
Speaker 1: dick hanging out. It's ridiculous. It's ridiculous. Why are you

464
00:30:38,400 --> 00:30:41,440
Speaker 1: wearing your math with your nose out? Who you? Who?

465
00:30:41,480 --> 00:30:44,360
Speaker 1: Are you trying to impet? That's like where yours with

466
00:30:44,480 --> 00:30:50,920
Speaker 1: your dick hanging out? DJ? What say you? You better?

467
00:30:52,760 --> 00:30:55,320
Speaker 1: He don't know a lot of words. You don't need to.

468
00:30:57,080 --> 00:31:01,280
Speaker 1: You leave him to fucking I'm trying to gonna be school.

469
00:31:03,520 --> 00:31:10,320
Speaker 1: Don't fall, don't don't fall, don't look directly. I'm looking

470
00:31:10,360 --> 00:31:21,440
Speaker 1: at don't regularly. The first we gotta shoot the magic

471
00:31:22,520 --> 00:31:30,080
Speaker 1: stop stop. They'll make him stop, make him stop. Yea, yeah,

472
00:31:30,480 --> 00:31:40,800
Speaker 1: I see your prince tattoo. Yeah, didn't jump again. I'm

473
00:31:40,880 --> 00:31:48,880
Speaker 1: not gonna be wasted up. Yeah, the prince tattoo. You

474
00:31:48,960 --> 00:31:51,280
Speaker 1: know why I got this. First of all, I always

475
00:31:51,360 --> 00:31:54,600
Speaker 1: wanted to have one. Second of all, I wanted it

476
00:31:54,680 --> 00:31:58,000
Speaker 1: on my microphone hand. Third of all, Prince had a

477
00:31:58,080 --> 00:32:01,200
Speaker 1: band called The Revolution. I got this when we was

478
00:32:01,280 --> 00:32:04,720
Speaker 1: going through the George Floyd Revolution. I got this to

479
00:32:04,840 --> 00:32:08,040
Speaker 1: commemorate what the funk we went through and to honor prisk.

480
00:32:08,360 --> 00:32:11,840
Speaker 1: So that's why I got because the Revolution. How long

481
00:32:11,880 --> 00:32:14,640
Speaker 1: have you been wearing your nails like that? Well since

482
00:32:14,760 --> 00:32:18,680
Speaker 1: nineteen seventies seven, And I know that because that's when

483
00:32:18,720 --> 00:32:22,840
Speaker 1: I got u high school and my girlfriend was that

484
00:32:22,960 --> 00:32:25,480
Speaker 1: they were just starting to do nails and my girlfriend

485
00:32:25,560 --> 00:32:27,800
Speaker 1: was one of the first people that ever started trying

486
00:32:27,840 --> 00:32:31,440
Speaker 1: to do it. Van, that's a good chat as all that, Mimi,

487
00:32:31,520 --> 00:32:35,080
Speaker 1: where you asked and um, so she used to practice

488
00:32:35,160 --> 00:32:37,320
Speaker 1: on me. So I had nails. The only people I've

489
00:32:37,360 --> 00:32:41,360
Speaker 1: ever seen with nails before me was Diana Ross Share

490
00:32:41,560 --> 00:32:48,240
Speaker 1: and Glodine White and then it was me. That's crazy, yeah,

491
00:32:48,560 --> 00:32:56,920
Speaker 1: like history. Yeah, but I'm older than So that's why

492
00:33:00,520 --> 00:33:03,840
Speaker 1: you said the revolution. George Floyd. Last time I saw

493
00:33:03,920 --> 00:33:08,240
Speaker 1: you was at the laugh Factory outside during the whole

494
00:33:08,320 --> 00:33:12,840
Speaker 1: protest with the stuff lou Neo talk. Hello white people

495
00:33:12,920 --> 00:33:16,840
Speaker 1: listening and she cuts this lady out because she was

496
00:33:16,880 --> 00:33:21,520
Speaker 1: playing with them. You can tell it. The little devil sticks,

497
00:33:21,600 --> 00:33:24,640
Speaker 1: nid little white people with little trick sticks. You do

498
00:33:25,040 --> 00:33:28,600
Speaker 1: these little fucking balls, people get killed, you know, you

499
00:33:28,720 --> 00:33:31,400
Speaker 1: know back in the day, you should have to clock clock,

500
00:33:31,480 --> 00:33:34,720
Speaker 1: clock clock, clack those balls. And there was a crylic

501
00:33:34,840 --> 00:33:36,960
Speaker 1: This bitch had something she was swinging around and ship.

502
00:33:37,440 --> 00:33:40,760
Speaker 1: All the white people were sitting on the streets on

503
00:33:41,000 --> 00:33:44,520
Speaker 1: Sunset Boulevard in front of the Laugh Factory, and Jamie

504
00:33:44,600 --> 00:33:50,640
Speaker 1: Massada had blocked off some prime real estate on in

505
00:33:50,720 --> 00:33:53,800
Speaker 1: Hollywood the white folks was math and the motherfucker. But

506
00:33:53,920 --> 00:33:56,360
Speaker 1: he had to black block it all because what would

507
00:33:56,360 --> 00:33:59,320
Speaker 1: have stopped somebody from driving to and trying to kill

508
00:33:59,400 --> 00:34:05,720
Speaker 1: us all right, like they had been doing. So this

509
00:34:06,080 --> 00:34:09,880
Speaker 1: this I had, you know. First of all, me and

510
00:34:10,000 --> 00:34:16,120
Speaker 1: Chaka Khan got together after my operas Murder and our

511
00:34:16,239 --> 00:34:20,520
Speaker 1: Mother's Day. We the two of us went to a

512
00:34:20,640 --> 00:34:23,480
Speaker 1: park and had invited people on Instagram to come out

513
00:34:23,920 --> 00:34:29,160
Speaker 1: if your kids have passed away by gun violence, whether

514
00:34:29,320 --> 00:34:32,040
Speaker 1: we just street ship or the police. But so we

515
00:34:32,160 --> 00:34:36,439
Speaker 1: had a rally. Choco Khan is an old revolutionary bitch, y'all,

516
00:34:36,480 --> 00:34:40,879
Speaker 1: don't know she's not just Rufus or any of that ship.

517
00:34:41,560 --> 00:34:44,480
Speaker 1: So she was the one who said let's do it.

518
00:34:44,560 --> 00:34:50,720
Speaker 1: So we did that. So then after that, I wanted

519
00:34:50,760 --> 00:34:54,520
Speaker 1: to be active, but I wanted to be where I

520
00:34:55,600 --> 00:34:59,000
Speaker 1: would feel comfortable. I knew that I wasn't walking over

521
00:34:59,120 --> 00:35:02,200
Speaker 1: down Hollywood on the Bard. This is before my knee surgery.

522
00:35:02,440 --> 00:35:05,040
Speaker 1: I was like, funk that I can't do that, and

523
00:35:05,160 --> 00:35:07,400
Speaker 1: I was like, I'm not gonna be somewhere where I

524
00:35:07,440 --> 00:35:09,840
Speaker 1: don't feel comfortable. And then Jamie Masada said he was

525
00:35:09,880 --> 00:35:12,280
Speaker 1: gonna have the rallies in front of the Laugh Factory,

526
00:35:12,440 --> 00:35:15,479
Speaker 1: so I feel like that's home. I can do it there,

527
00:35:16,000 --> 00:35:18,239
Speaker 1: and we went and this was the first time in

528
00:35:18,480 --> 00:35:21,960
Speaker 1: my life that white folks was really motherfucking listening. We

529
00:35:22,120 --> 00:35:25,640
Speaker 1: had hundreds of white people sitting on the ground listening

530
00:35:25,719 --> 00:35:29,440
Speaker 1: to Nigga after Nigga, after Nigga, after Nigga, tell him

531
00:35:29,480 --> 00:35:32,200
Speaker 1: what the funk been happening with, how the funk we feel?

532
00:35:32,520 --> 00:35:34,440
Speaker 1: And for the first time, we felt listened to, and

533
00:35:34,520 --> 00:35:40,279
Speaker 1: we was there for that. Crazy Yeah. Now, every motherfucking

534
00:35:40,360 --> 00:35:42,880
Speaker 1: big celebrity that didn't come out to support that. As

535
00:35:42,920 --> 00:35:48,239
Speaker 1: a point, bitch in my motherfucking eyes, because why are

536
00:35:48,320 --> 00:35:52,200
Speaker 1: you just doing entertainment and you don't stand the funk up?

537
00:35:52,800 --> 00:35:55,800
Speaker 1: You know, standing the funk up? What are you scared

538
00:35:56,239 --> 00:35:59,680
Speaker 1: that your Jewish lawyer is gonna drop you with some ship?

539
00:35:59,800 --> 00:36:01,680
Speaker 1: Like what do you scare? Why you don't want to

540
00:36:01,680 --> 00:36:04,719
Speaker 1: get involved. I don't fucking get it. I don't get it.

541
00:36:05,320 --> 00:36:10,719
Speaker 1: I don't get it. That's real. I was there. I

542
00:36:10,840 --> 00:36:13,040
Speaker 1: had to be once I found out, and then it

543
00:36:13,200 --> 00:36:15,760
Speaker 1: was my fun after motherfucker like comedian comedie, but everybody

544
00:36:15,800 --> 00:36:18,120
Speaker 1: won the comedian some people would like activists in the

545
00:36:18,200 --> 00:36:22,040
Speaker 1: community saying you know what I'm saying, like, we wanted

546
00:36:22,160 --> 00:36:25,759
Speaker 1: to talk because we've never been listening to We had

547
00:36:25,920 --> 00:36:29,040
Speaker 1: all these motherfucker's attention. They were sitting in the street,

548
00:36:29,440 --> 00:36:32,880
Speaker 1: sitting in the hot street, the black paint not on

549
00:36:33,000 --> 00:36:38,040
Speaker 1: the side when you drive your car sunset. He was like, yeah,

550
00:36:38,440 --> 00:36:42,040
Speaker 1: sit there, motherfucker's and listen to Nigga after Nigga afternoon

551
00:36:42,280 --> 00:36:49,759
Speaker 1: afternoon because you know, Loki, we were laughing too. I

552
00:36:49,800 --> 00:36:52,520
Speaker 1: always saw that if you know, if you crack somebody

553
00:36:52,600 --> 00:36:54,799
Speaker 1: to here with that bullshit, you're gonna start a whole

554
00:36:54,840 --> 00:36:57,719
Speaker 1: that's right, and sit your motherfucking hell billy ass down

555
00:36:58,239 --> 00:37:00,359
Speaker 1: and shut the funk up. And that's where I said

556
00:37:00,400 --> 00:37:03,560
Speaker 1: to the girl, and then you're gonna really talk to me,

557
00:37:03,680 --> 00:37:06,480
Speaker 1: like that's the ship that got her in there, Like

558
00:37:08,400 --> 00:37:11,759
Speaker 1: she was like bullshit or some ship like that. But

559
00:37:11,920 --> 00:37:14,520
Speaker 1: she was saying bullshit. She was trying to explain. She

560
00:37:14,600 --> 00:37:16,759
Speaker 1: was like, no, what she was saying that white people

561
00:37:16,840 --> 00:37:21,080
Speaker 1: don't allow black people to at least they shut up.

562
00:37:23,800 --> 00:37:26,200
Speaker 1: I get you, sit down and shut up, shut the

563
00:37:26,239 --> 00:37:31,120
Speaker 1: sunk up. So we took advantage of that opportune to

564
00:37:31,880 --> 00:37:36,040
Speaker 1: talk and shout out to Jamie Missida for doing that.

565
00:37:36,400 --> 00:37:38,720
Speaker 1: He that was beautiful what y'all did for Paul Mooney

566
00:37:38,800 --> 00:37:45,479
Speaker 1: out there too. Yeah, he's gonna have an official we'll see.

567
00:37:45,760 --> 00:37:50,719
Speaker 1: I'll be there this Wednesday. Um, they're doing a thing

568
00:37:50,880 --> 00:37:55,200
Speaker 1: for him in Hollywood and we're gonna see who is

569
00:37:55,280 --> 00:37:57,560
Speaker 1: there who is not. I would be there to report

570
00:37:58,160 --> 00:38:00,680
Speaker 1: people of who's shuting the funk and who did not.

571
00:38:01,080 --> 00:38:04,360
Speaker 1: It's just supposed to be the official, you know, homegoing

572
00:38:04,480 --> 00:38:07,440
Speaker 1: goodbye for his entertainment of fins and stuff like that.

573
00:38:07,960 --> 00:38:11,879
Speaker 1: So that's gonna be Wednesday, and I will report later

574
00:38:12,360 --> 00:38:17,160
Speaker 1: on my Instagram at Lunell and l U E N

575
00:38:17,320 --> 00:38:20,520
Speaker 1: E l L. I will be snitching about who the

576
00:38:20,680 --> 00:38:24,360
Speaker 1: funk was there, who the funk was not to honor

577
00:38:25,120 --> 00:38:29,719
Speaker 1: one of my mentors and my friend pault Money. That's

578
00:38:29,760 --> 00:38:32,960
Speaker 1: what's up, man, just got coming up. Well, you know,

579
00:38:33,040 --> 00:38:35,279
Speaker 1: we got our names on the front of the comedy store,

580
00:38:35,320 --> 00:38:39,560
Speaker 1: you know, already on the front, I know, and they

581
00:38:39,640 --> 00:38:43,600
Speaker 1: need to be your name just a little yes mine,

582
00:38:43,840 --> 00:38:46,880
Speaker 1: And so it was Sed Riggs. And there's like a

583
00:38:47,000 --> 00:38:49,799
Speaker 1: lot of us black comics whose names wasn't up there.

584
00:38:51,680 --> 00:38:54,359
Speaker 1: I used to write my name on there with white out.

585
00:38:56,560 --> 00:38:59,400
Speaker 1: I did, and I don't have to know more because

586
00:38:59,440 --> 00:39:01,560
Speaker 1: it's up there. And when we when we when they

587
00:39:01,600 --> 00:39:05,040
Speaker 1: had the ceremony to let us know, I thought it

588
00:39:05,160 --> 00:39:06,759
Speaker 1: was just gonna be in the front, and they're gonna

589
00:39:06,840 --> 00:39:09,279
Speaker 1: take you know that black with our names, gonna put

590
00:39:09,280 --> 00:39:11,399
Speaker 1: it in the back, but our names on the front

591
00:39:11,480 --> 00:39:20,680
Speaker 1: on the sunset boy side. Congratulations. Yeah, yeah, you put

592
00:39:20,760 --> 00:39:24,719
Speaker 1: your time in, especially if you're from that city and

593
00:39:24,840 --> 00:39:28,200
Speaker 1: you've been putting it down in that city for a

594
00:39:28,520 --> 00:39:32,279
Speaker 1: good amount of time. But listen, Hollywood, don't give black

595
00:39:32,360 --> 00:39:35,680
Speaker 1: folks to credit they deserved. Listen, listen to this So

596
00:39:35,840 --> 00:39:40,200
Speaker 1: when we may emna tell you something. This is to

597
00:39:40,440 --> 00:39:44,560
Speaker 1: the people who hated on coming to America. I just

598
00:39:44,640 --> 00:39:47,040
Speaker 1: want to let you know that us who participated in

599
00:39:47,160 --> 00:39:49,719
Speaker 1: coming to America could give less than a fun And

600
00:39:49,760 --> 00:39:53,160
Speaker 1: I'm gonna tell you why. Every day we were going

601
00:39:53,280 --> 00:39:57,960
Speaker 1: to work with like John Amerson, you know, Vanessa Belle Callaway,

602
00:39:58,560 --> 00:40:03,000
Speaker 1: Sell buved Rick Ross, and you know people like this

603
00:40:04,360 --> 00:40:09,359
Speaker 1: Arsenio and Eddie number one number two. We were going

604
00:40:09,560 --> 00:40:14,760
Speaker 1: to Tyler Perrys studio every day and seeing sound stages

605
00:40:14,840 --> 00:40:18,720
Speaker 1: with I. C. Davis and Ruby d and Whippy Goldberg

606
00:40:18,960 --> 00:40:24,759
Speaker 1: and Holly Berry and Will Smith and Oprah Winfrey and

607
00:40:24,840 --> 00:40:27,600
Speaker 1: will Be Godberg. When if you think of all the

608
00:40:27,719 --> 00:40:33,440
Speaker 1: movies that they made for Hollywood and not Paramount Warner Brothers,

609
00:40:34,160 --> 00:40:40,080
Speaker 1: Sony nor Universal would even consider. They've never even thought

610
00:40:40,800 --> 00:40:43,360
Speaker 1: about putting any of them black people's name on a

611
00:40:43,440 --> 00:40:48,080
Speaker 1: fucking sound state. And Tyler paid on my successfully before

612
00:40:48,160 --> 00:40:53,280
Speaker 1: she died, she got to see that. So the pride

613
00:40:53,360 --> 00:40:56,520
Speaker 1: that we had and making that fucking film, we don't

614
00:40:56,560 --> 00:40:58,399
Speaker 1: give a funk with the numbers are We don't give

615
00:40:58,400 --> 00:41:00,520
Speaker 1: a funk. You can suck our day. We were so

616
00:41:00,719 --> 00:41:03,560
Speaker 1: happy and proud to be in that motherfucker you know

617
00:41:03,800 --> 00:41:06,920
Speaker 1: every day, we were proud every day. Plus Tyler on

618
00:41:07,080 --> 00:41:10,080
Speaker 1: that Confederate Army baseball white folks used to be that

619
00:41:10,200 --> 00:41:12,880
Speaker 1: plating on how to kill niggas. And he owns it

620
00:41:13,000 --> 00:41:15,319
Speaker 1: and it's bigger than Paramount and Sony and all that ship.

621
00:41:15,680 --> 00:41:17,640
Speaker 1: So you know, you'll give a funk about what the

622
00:41:17,719 --> 00:41:20,279
Speaker 1: funk you got to say? Were not right on my

623
00:41:20,400 --> 00:41:25,480
Speaker 1: motherfucking barad about talk your ship. That's the fact. Sometimes

624
00:41:25,480 --> 00:41:29,480
Speaker 1: you just gotta tell to suck your dick. Well, if

625
00:41:29,520 --> 00:41:35,200
Speaker 1: you're told to suck your dick America American her name

626
00:41:36,280 --> 00:41:41,120
Speaker 1: in the country. No, I mean physically, like who has

627
00:41:41,120 --> 00:41:45,760
Speaker 1: sucked your dick lately? These are things we don't discuss.

628
00:41:51,840 --> 00:41:55,040
Speaker 1: I don't do that. I don't get my big and

629
00:41:55,160 --> 00:42:04,160
Speaker 1: tell nothing. That's fine because I wanted sucking again. People.

630
00:42:04,440 --> 00:42:08,719
Speaker 1: You're telling people who sucking watch what ain't gonnead ain't

631
00:42:09,000 --> 00:42:12,759
Speaker 1: I told him just enough to kick your baby you by.

632
00:42:12,800 --> 00:42:15,279
Speaker 1: I'm gonna give you that, everybody. But that's what the

633
00:42:15,360 --> 00:42:19,520
Speaker 1: buses say. Oh my god, what do you get y'all?

634
00:42:21,360 --> 00:42:24,560
Speaker 1: It's okay to come out the football plan what ever?

635
00:42:26,560 --> 00:42:30,279
Speaker 1: Just came out. No, I don't do my dog like that?

636
00:42:30,680 --> 00:42:34,680
Speaker 1: Why do everybody with nobody want to say something? But

637
00:42:34,800 --> 00:42:36,920
Speaker 1: I don't want to people who go after me, No,

638
00:42:37,360 --> 00:42:39,480
Speaker 1: ain't the people. Man. I know my we didn't win,

639
00:42:39,560 --> 00:42:43,720
Speaker 1: and seeing some holes together. I don't mean I mean everything.

640
00:42:43,760 --> 00:42:46,839
Speaker 1: I know. Motherfucker's with ten kids like this suck. They're

641
00:42:46,840 --> 00:42:52,879
Speaker 1: go on the weekend. No, that's my brother. I don't

642
00:42:52,880 --> 00:42:56,840
Speaker 1: know where you are. That's my brother. Oh no, I

643
00:42:57,160 --> 00:43:00,520
Speaker 1: don't mean you. No, hell no, I'm saying and do

644
00:43:00,680 --> 00:43:05,640
Speaker 1: him like that. I knew it. Who was sneaking off?

645
00:43:07,239 --> 00:43:10,959
Speaker 1: Ain't never had no questions about I don't think you're gay.

646
00:43:11,080 --> 00:43:15,360
Speaker 1: I was bullshitting. My gay dog is strong. I'm not

647
00:43:15,440 --> 00:43:19,960
Speaker 1: gonna say nobody in here is. But you ain't sure.

648
00:43:24,960 --> 00:43:34,279
Speaker 1: Look around, look around around. I'm really sad though, that

649
00:43:34,440 --> 00:43:38,080
Speaker 1: we're not in front of your beautiful theater studio audience.

650
00:43:38,200 --> 00:43:41,000
Speaker 1: You know, I sit down. I gotta do what the

651
00:43:41,120 --> 00:43:43,759
Speaker 1: COVID edition and I would have loved to been in

652
00:43:43,840 --> 00:43:49,000
Speaker 1: the theater. You would do the lab show. Damn show

653
00:43:49,040 --> 00:43:53,680
Speaker 1: would have brought you over there. Well, I want for free,

654
00:43:53,960 --> 00:43:57,719
Speaker 1: but I'll do the girl. I'll do the garage for free,

655
00:43:57,800 --> 00:44:00,400
Speaker 1: but I want You're right, I don't. I don't get

656
00:44:00,480 --> 00:44:03,560
Speaker 1: the theater for feedbay, I wanted to. I wouldn't call

657
00:44:03,640 --> 00:44:13,640
Speaker 1: you for free, I would cash you out. Ain't that

658
00:44:13,719 --> 00:44:17,080
Speaker 1: a trip about and had to count? I just walked

659
00:44:17,160 --> 00:44:20,880
Speaker 1: up to your your little path and then once you

660
00:44:21,040 --> 00:44:25,680
Speaker 1: lift it up like that, I just walked right. I

661
00:44:25,760 --> 00:44:40,280
Speaker 1: love how you keep like you know what it forward.

662
00:44:41,080 --> 00:44:45,120
Speaker 1: I'm trying to hide it right here. Oh my bad

663
00:44:46,680 --> 00:44:50,440
Speaker 1: match is my tenant? You you stuned on me. I

664
00:44:50,520 --> 00:44:56,400
Speaker 1: knew where I was coming. I can't represent for everything.

665
00:44:56,560 --> 00:44:59,600
Speaker 1: Hitting like a motherfucker too, I know until that savage

666
00:45:00,040 --> 00:45:03,800
Speaker 1: would you like the rich brace listen bro leg it

667
00:45:04,040 --> 00:45:08,480
Speaker 1: rangs and got the nicklas and the chain stay my

668
00:45:08,520 --> 00:45:11,880
Speaker 1: shouldar w was some ship if I knew, but you

669
00:45:12,040 --> 00:45:15,600
Speaker 1: dressed down for me. I'm just I'm trapping right now.

670
00:45:15,719 --> 00:45:21,040
Speaker 1: I'm trapping tup. This is my trap jelly. Oh what

671
00:45:28,120 --> 00:45:34,200
Speaker 1: those podcasting motherfucker's who got your trap? Ain't doing ship like?

672
00:45:34,800 --> 00:45:40,239
Speaker 1: Where your trap about? Trap home about? He's scrugging where

673
00:45:40,280 --> 00:45:47,640
Speaker 1: you're trapping. Where you're trapping, right where you're trapped, Jerry,

674
00:45:50,040 --> 00:45:52,800
Speaker 1: give us some of your favorite rap songs of all times?

675
00:45:53,840 --> 00:45:56,400
Speaker 1: Because we were talking over camera. I know you hip

676
00:45:56,480 --> 00:45:59,960
Speaker 1: hop a lot. Always see you over there, fucking snoop.

677
00:46:02,120 --> 00:46:08,760
Speaker 1: I love Eric being rock cam paid in full type.

678
00:46:10,800 --> 00:46:13,040
Speaker 1: I used to let the mic smoke by now slimming

679
00:46:13,080 --> 00:46:21,319
Speaker 1: on the ground and make sure that it's broke. Damn um.

680
00:46:23,520 --> 00:46:29,960
Speaker 1: I love um heavy D any heavy D. That was smooth.

681
00:46:30,200 --> 00:46:38,080
Speaker 1: I love heavy D. I'm very tribe called quest like

682
00:46:38,320 --> 00:46:42,840
Speaker 1: you like it real Hi, I like it. I foxed

683
00:46:42,920 --> 00:46:46,960
Speaker 1: with you know gou now my fu with Wu tang

684
00:46:48,239 --> 00:46:52,640
Speaker 1: and then seven Chamber. Come on, I foxed with m

685
00:46:53,000 --> 00:46:59,440
Speaker 1: short of course, if you wanted to short with hammer, Hamma,

686
00:47:00,320 --> 00:47:02,200
Speaker 1: have about my daughter dance for the I'm a don't

687
00:47:03,560 --> 00:47:15,120
Speaker 1: guess ham which hammer? Which hammer? Era? Now hammer? Did

688
00:47:15,239 --> 00:47:20,480
Speaker 1: he walk around? Boy the taco bell commercial hammer Hamm.

689
00:47:20,520 --> 00:47:23,520
Speaker 1: I'm starving. Let's get some burgers burgers and that's out

690
00:47:23,640 --> 00:47:32,560
Speaker 1: the doll. I got some much better with mum, said

691
00:47:34,440 --> 00:47:44,520
Speaker 1: the girl. Now that's the way the hammer runs for

692
00:47:44,600 --> 00:47:50,960
Speaker 1: the border because the porter is in order. That was that.

693
00:47:51,239 --> 00:47:54,160
Speaker 1: Don't don't do that. Don't choose that ship was crazy

694
00:47:54,719 --> 00:47:57,239
Speaker 1: and I'm funk with forty and I funk with like

695
00:47:57,400 --> 00:48:06,799
Speaker 1: mc dre and um uh you know gosh pe ye.

696
00:48:06,920 --> 00:48:11,080
Speaker 1: I'm a good ship queen my chief. Come on, motherfuckerly

697
00:48:11,160 --> 00:48:17,360
Speaker 1: in the middle MC light, motherfucking will rocks her hand, okay,

698
00:48:18,560 --> 00:48:22,239
Speaker 1: and all that old school ship. That's me, the Houdini.

699
00:48:23,800 --> 00:48:27,520
Speaker 1: One love, one love. You know you're just the averagance,

700
00:48:27,640 --> 00:48:32,320
Speaker 1: one love, one love, one love. You're lucky just to

701
00:48:32,480 --> 00:48:43,000
Speaker 1: have this missing pizza ecstasy timeless because I'm out. You know,

702
00:48:43,160 --> 00:48:47,040
Speaker 1: I'm out. How do you know? Because I told you

703
00:48:47,200 --> 00:48:51,640
Speaker 1: so good, I'm out. That's name. Come on, man, some saint,

704
00:48:51,800 --> 00:48:54,480
Speaker 1: it's other say it's the shame that you would give

705
00:48:54,520 --> 00:49:01,120
Speaker 1: me your body before your name, Oh boy. And of

706
00:49:01,200 --> 00:49:04,399
Speaker 1: course run dmc n O l L and all that ship,

707
00:49:05,640 --> 00:49:14,320
Speaker 1: you know, because that motherfucking your baby doing it and

708
00:49:14,440 --> 00:49:17,400
Speaker 1: doing it and doing it well, doing it, doing it,

709
00:49:17,680 --> 00:49:21,560
Speaker 1: doing well, doing it, doing it, doing it well. I

710
00:49:21,719 --> 00:49:28,279
Speaker 1: represent clean shoes, raised out of Brooklyn. J Probably love you.

711
00:49:29,760 --> 00:49:34,320
Speaker 1: Uh we might each other. Yeah, his wife too. We

712
00:49:34,400 --> 00:49:41,000
Speaker 1: don't keep your bofoe, not like that. It's so lovable though, everybody. Yeah,

713
00:49:43,200 --> 00:49:45,239
Speaker 1: you have a great spirit, you know what I'm saying.

714
00:49:45,320 --> 00:49:47,600
Speaker 1: Every time we see you, you bring some great energy.

715
00:49:47,640 --> 00:49:50,239
Speaker 1: It don't matter what it's on. Well, that's probably why

716
00:49:50,280 --> 00:49:52,040
Speaker 1: I'm here, because I don't think that you got to

717
00:49:52,120 --> 00:49:55,239
Speaker 1: fucking like fake ass motherfucker's this is the really show

718
00:49:55,280 --> 00:49:57,359
Speaker 1: in America? Did you know that this is the number? Well,

719
00:49:57,600 --> 00:49:59,759
Speaker 1: you know, I have a YouTube show called elly Now,

720
00:50:00,400 --> 00:50:07,040
Speaker 1: but I'm saying that is the really show, one rating

721
00:50:07,120 --> 00:50:12,560
Speaker 1: show Black people between the ages? Have you check? Have

722
00:50:12,680 --> 00:50:15,960
Speaker 1: you checked my stats? Though you don't even know about

723
00:50:16,000 --> 00:50:19,120
Speaker 1: my show? That's a whole you know, I got lunatics?

724
00:50:19,200 --> 00:50:28,400
Speaker 1: What's your hattack? What's your people? Calls? Some Muslim? Because

725
00:50:28,440 --> 00:50:31,040
Speaker 1: we already accounting for the people who ain't gonna sunk

726
00:50:31,080 --> 00:50:35,640
Speaker 1: with us. Yeah, yeah we didn't. We didn't already took

727
00:50:35,719 --> 00:50:38,719
Speaker 1: them out. Yeah, we ain't even trying to poke with

728
00:50:38,840 --> 00:50:41,279
Speaker 1: the whole hundred. We know everybody don't like this man?

729
00:50:43,280 --> 00:50:48,960
Speaker 1: Do gonna play something? Rack? Click? You know what? Playing

730
00:50:49,040 --> 00:50:52,520
Speaker 1: huss and pemper. This is the second time sleep. All right,

731
00:50:52,560 --> 00:51:03,080
Speaker 1: we're gonna replace this nigger with Alexix pipp coming. What

732
00:51:03,160 --> 00:51:05,759
Speaker 1: do you want to hit? Some funky dope shit? I

733
00:51:05,800 --> 00:51:09,720
Speaker 1: want to back I love sugar freak. Got the damn

734
00:51:10,640 --> 00:51:13,279
Speaker 1: you said? I never hit a woman, No, but I'll

735
00:51:13,360 --> 00:51:16,160
Speaker 1: smack the ship out of a bitch while you bullish?

736
00:51:17,200 --> 00:51:20,680
Speaker 1: I said, what who is that sugar Free said Mitch,

737
00:51:20,719 --> 00:51:27,000
Speaker 1: why do we win? Why you all the morning? That's

738
00:51:27,040 --> 00:51:38,200
Speaker 1: shugar Freeze a monster. I love you than let you

739
00:51:38,320 --> 00:51:41,160
Speaker 1: breathe that's been an indoor smoke. Rather you get my

740
00:51:41,320 --> 00:51:46,920
Speaker 1: bitch old silver Mitch. If you look at me like that,

741
00:51:47,080 --> 00:51:55,080
Speaker 1: a gear hold something kid? Whoa yes, and it's so cool? Yeah?

742
00:51:55,080 --> 00:51:57,920
Speaker 1: I love shaking free. You got to be a hot

743
00:51:58,000 --> 00:52:04,520
Speaker 1: care motherfucking j to Dick, he's not as long as

744
00:52:04,520 --> 00:52:10,160
Speaker 1: she got some pussy with her as the throat living

745
00:52:10,200 --> 00:52:12,440
Speaker 1: the day. That can move me to be a sweet

746
00:52:12,480 --> 00:52:14,440
Speaker 1: taste in my mouth. But now I wan't ton a

747
00:52:14,520 --> 00:52:25,880
Speaker 1: motherfucking thatss out Yeah, bangle to Uh how we do

748
00:52:26,000 --> 00:52:31,480
Speaker 1: with it? Pomona? I left her to pass raging mouth

749
00:52:32,000 --> 00:52:44,880
Speaker 1: and got strom Jack ron Jack do he know? Have

750
00:52:45,000 --> 00:52:47,319
Speaker 1: you ever met him? It was on flight together man,

751
00:52:47,600 --> 00:52:50,520
Speaker 1: and then telling him, hell yeah, how did you react?

752
00:52:50,719 --> 00:52:52,560
Speaker 1: Was he nice? Hand? Man? I with him? Man? I

753
00:52:52,640 --> 00:52:55,960
Speaker 1: really appreciate camp sugar Free. I would have brought to

754
00:52:56,000 --> 00:52:59,520
Speaker 1: a track for sugar Man for a little hoe he

755
00:52:59,600 --> 00:53:03,279
Speaker 1: could have been. I probably would have hit the trash. Yeah,

756
00:53:03,280 --> 00:53:06,040
Speaker 1: I would have probably hit it right quick, right I did?

757
00:53:06,160 --> 00:53:08,800
Speaker 1: I did? I did home and open for two weeks,

758
00:53:09,080 --> 00:53:14,800
Speaker 1: two weeks. Yes, But then what happened was I got busted.

759
00:53:15,360 --> 00:53:17,480
Speaker 1: But in all the movies, I thought your pid was

760
00:53:17,480 --> 00:53:20,640
Speaker 1: supposed to come and get you out. But he did

761
00:53:20,760 --> 00:53:23,160
Speaker 1: not come and get me half. I bonded my own

762
00:53:23,200 --> 00:53:24,960
Speaker 1: stuff out because I had that much money in my

763
00:53:25,080 --> 00:53:27,520
Speaker 1: didn't I got out. I went back to the safe

764
00:53:27,560 --> 00:53:29,759
Speaker 1: house here laying in the bed with the white bed.

765
00:53:30,200 --> 00:53:32,600
Speaker 1: I took the dog, the gun, and the money out.

766
00:53:32,640 --> 00:53:35,280
Speaker 1: I've never seen the nag again. His name is Freddie.

767
00:53:36,360 --> 00:53:40,120
Speaker 1: Might be the ship. He might be there. He might

768
00:53:40,160 --> 00:53:42,719
Speaker 1: be the for His name is Freddie. He might be there,

769
00:53:42,880 --> 00:53:50,799
Speaker 1: don't Frederick. This is all this is. This is from

770
00:53:50,880 --> 00:53:53,399
Speaker 1: an upcoming movie. We do a little story tell she's

771
00:53:53,400 --> 00:53:56,279
Speaker 1: talking about Yeah, she's talking about the biopic that's in

772
00:53:56,400 --> 00:54:02,399
Speaker 1: the works. I'm not thinking, you know what you did?

773
00:54:02,920 --> 00:54:07,759
Speaker 1: You get me to make you bitch as there? No, No,

774
00:54:07,920 --> 00:54:11,400
Speaker 1: I got out money. He didn't even make no. No,

775
00:54:11,560 --> 00:54:13,279
Speaker 1: he was in bed with the white bitch. I'm like,

776
00:54:16,280 --> 00:54:21,040
Speaker 1: what the injury can be? Line bitch. I'm like, okay,

777
00:54:21,160 --> 00:54:24,560
Speaker 1: guess what watch this ditch. And I was damn swooped

778
00:54:24,600 --> 00:54:27,200
Speaker 1: to dupe out. I used to be a gangster bitch.

779
00:54:27,520 --> 00:54:29,479
Speaker 1: I got a bitch. I used to be a game

780
00:54:29,560 --> 00:54:32,560
Speaker 1: for bitch, a gangster bitch. I'm glad you gave him

781
00:54:32,560 --> 00:54:37,560
Speaker 1: Street up because the comedy game needed you. Yeah, I

782
00:54:37,600 --> 00:54:39,800
Speaker 1: did give him up. I was trying to think for

783
00:54:39,880 --> 00:54:43,640
Speaker 1: you though, what he looked for you for a little while. Freddy, Yes,

784
00:54:44,800 --> 00:54:48,640
Speaker 1: Freddy was looking around. You've seen Luke nell three that's

785
00:54:48,719 --> 00:54:54,960
Speaker 1: three pans. I was what they called an earner. I

786
00:54:55,200 --> 00:54:57,759
Speaker 1: wasn't earner. Now. You want to know when you make

787
00:54:57,840 --> 00:54:59,879
Speaker 1: the most money as a whole to me or when

788
00:55:00,000 --> 00:55:03,720
Speaker 1: you did was before motherfucker's go to work like seven

789
00:55:03,880 --> 00:55:05,560
Speaker 1: seven thirty in the morning and want to get their

790
00:55:05,640 --> 00:55:08,960
Speaker 1: dicks up right quick before they go hit the financial district.

791
00:55:09,320 --> 00:55:12,400
Speaker 1: Who got to get over early rue number one? And

792
00:55:12,440 --> 00:55:15,840
Speaker 1: the early bird gets the cash or the word okay

793
00:55:16,040 --> 00:55:17,919
Speaker 1: first you get the worrant first, then in the cash

794
00:55:19,239 --> 00:55:23,719
Speaker 1: and pay me. Damn you get right the main right here,

795
00:55:23,840 --> 00:55:26,200
Speaker 1: right now. First thing, you gotta gotta get up early.

796
00:55:27,880 --> 00:55:33,839
Speaker 1: Nobody likes a lazy nobody. Nobody bitch get to work.

797
00:55:36,280 --> 00:55:37,920
Speaker 1: See I used to be a bottom bit so I

798
00:55:37,960 --> 00:55:40,840
Speaker 1: can get to you bitch ass up and get on

799
00:55:40,960 --> 00:55:44,080
Speaker 1: that track bench qustion your teeth go get that money.

800
00:55:44,160 --> 00:55:52,560
Speaker 1: Fox smack, thank you, thank you. What does bast homes

801
00:55:52,640 --> 00:55:59,800
Speaker 1: on eat breakfast? They eat that track for breakfast? The

802
00:56:00,000 --> 00:56:04,239
Speaker 1: holiday invent. This is about my motherfucking cat. You know,

803
00:56:08,000 --> 00:56:09,920
Speaker 1: if a whole need breakfast, you don't want to make

804
00:56:10,000 --> 00:56:16,400
Speaker 1: no money, go eat a dick for breakfast. Et brush

805
00:56:16,480 --> 00:56:19,160
Speaker 1: your teeth with the dick with the money, Eat the dick,

806
00:56:19,280 --> 00:56:22,840
Speaker 1: brush your teeth with the money. I don't want to

807
00:56:22,840 --> 00:56:27,200
Speaker 1: give up all my game, guys, right now, it's enough.

808
00:56:27,640 --> 00:56:32,359
Speaker 1: The kids are watching what ain't you don't mean none

809
00:56:32,400 --> 00:56:34,600
Speaker 1: of this? Baby? Don't you go on to sleep like

810
00:56:34,760 --> 00:56:49,000
Speaker 1: goodbye and got nine? Take this leave? So do they

811
00:56:49,280 --> 00:56:56,480
Speaker 1: edit this? Or how long or how long is this

812
00:56:56,640 --> 00:57:01,080
Speaker 1: show go on? Whatever? You d get that? No, I'm

813
00:57:01,160 --> 00:57:03,520
Speaker 1: just no, no, no, that's what we're doing. The track

814
00:57:03,600 --> 00:57:07,000
Speaker 1: we didn't talk, Okay, that's fine. Love and enjoy. I

815
00:57:07,360 --> 00:57:11,640
Speaker 1: have only here outter love because they are not paying me.

816
00:57:13,160 --> 00:57:16,680
Speaker 1: I'm only but I rarely do ship without getting the money.

817
00:57:16,760 --> 00:57:18,680
Speaker 1: Right now, I would have been in a pandemic. I

818
00:57:18,760 --> 00:57:21,160
Speaker 1: got the years with somebody to make up for. I'm

819
00:57:21,200 --> 00:57:23,640
Speaker 1: not out here fucking around these streets. My toy is

820
00:57:23,680 --> 00:57:25,880
Speaker 1: called a fresh out of favorites. I ain't got no

821
00:57:25,960 --> 00:57:28,960
Speaker 1: favorites for now, motherfucker. But if I love you and

822
00:57:29,040 --> 00:57:31,560
Speaker 1: I funk with you, I'll be there. So here I am.

823
00:57:32,120 --> 00:57:38,840
Speaker 1: Let's go. What more could you ask? I could have

824
00:57:38,920 --> 00:57:43,640
Speaker 1: asked for some motherfucking Johnny foods. We didn't get you that. No,

825
00:57:43,880 --> 00:57:47,120
Speaker 1: you should have had that ship. We didn't know that, nigga.

826
00:57:47,160 --> 00:57:49,720
Speaker 1: All this we what's the funding side of business? Gonna sucker,

827
00:57:49,920 --> 00:57:54,560
Speaker 1: I damn lip stick off. I'm just saying you don't

828
00:57:54,560 --> 00:57:57,560
Speaker 1: have you don't have too many divas here. We didn't

829
00:57:57,600 --> 00:58:00,880
Speaker 1: get you. Whatever you want, I can get what my

830
00:58:01,000 --> 00:58:04,200
Speaker 1: motherfucking's out. Why are you? Why are you over here?

831
00:58:04,320 --> 00:58:07,080
Speaker 1: I can make it happen for it's already too late. Bab.

832
00:58:11,400 --> 00:58:16,160
Speaker 1: What's so DJ looking like Shaggy? That is Shaggy. It

833
00:58:16,360 --> 00:58:24,640
Speaker 1: wasn't him. It was say that, say that that Shaggy

834
00:58:24,840 --> 00:58:32,000
Speaker 1: wasn't me. Can you play that fun hey bo butt naked?

835
00:58:32,200 --> 00:58:41,160
Speaker 1: They get on the bed of hockey. I it's stupid, stupid,

836
00:58:41,200 --> 00:58:49,320
Speaker 1: you'll never give it what stupid? Turn it up? That's

837
00:58:49,360 --> 00:58:55,080
Speaker 1: what you like? Just right now? You know we'll look here.

838
00:58:56,800 --> 00:58:59,720
Speaker 1: We appreciate you coming through him. That's showing us a

839
00:58:59,720 --> 00:59:10,400
Speaker 1: love Neil, And that's exactly how it goes. Spokes. When

840
00:59:10,480 --> 00:59:13,920
Speaker 1: lou Nell come through the trap, we might around and

841
00:59:14,000 --> 00:59:20,360
Speaker 1: be listening to Shaggy Amen, reach out to shout out

842
00:59:20,400 --> 00:59:23,640
Speaker 1: to my dog Clayton English and shines my man Chicko

843
00:59:23,760 --> 00:59:29,800
Speaker 1: b clad get on legends talk coming soon. This has

844
00:59:29,880 --> 00:59:35,120
Speaker 1: been another eighty five self show production. Who nel pla

845
00:59:35,360 --> 00:59:41,880
Speaker 1: English the win, We're out of here. Turn it up,

846
00:59:42,560 --> 01:00:00,760
Speaker 1: tell up, it's a family union time trade table back up,

847
01:00:00,760 --> 01:00:03,360
Speaker 1: be long, We'll be under way shortly and thank you

848
01:00:03,480 --> 01:00:15,840
Speaker 1: for fine. He he yeah that was long too. We

849
01:00:15,920 --> 01:00:25,600
Speaker 1: can see it. Yeah, just say teddy Lee, Hey, y'all

850
01:00:25,640 --> 01:00:34,960
Speaker 1: going back down. If we just did right, man, we're

851
01:00:35,040 --> 01:00:37,320
Speaker 1: back in the game. Look we got a bunch of

852
01:00:37,560 --> 01:00:42,600
Speaker 1: too yea seven and seventeen. That's July seventeen win making. Yeah.

853
01:00:43,000 --> 01:00:46,320
Speaker 1: Then the twenty fourth of July were in Biloxi, Mississippi

854
01:00:46,400 --> 01:00:51,000
Speaker 1: at the Coast Coliseum. Then August seven when in Greenville,

855
01:00:51,160 --> 01:00:54,960
Speaker 1: bro which Greenville's Greenville at every state but which ever

856
01:00:55,080 --> 01:00:57,880
Speaker 1: won the Bonds of Corps Wellness Arena is the We

857
01:00:57,920 --> 01:01:00,240
Speaker 1: couldn't figure out how to say that. Only you know

858
01:01:00,320 --> 01:01:06,080
Speaker 1: if it's the same North Bres in Greenville, North Carolina. Janin, No,

859
01:01:06,200 --> 01:01:12,120
Speaker 1: it's not. It's Greenville, South Carolina. All right. Then on

860
01:01:12,240 --> 01:01:15,040
Speaker 1: the August the fourth team were in fed Bille at

861
01:01:15,080 --> 01:01:20,080
Speaker 1: the Crown Coliseum. Yeah. September eleven were in Jacksonville at

862
01:01:20,120 --> 01:01:23,040
Speaker 1: the Vice Star. That sounds like a hospital. Yeah, but

863
01:01:23,200 --> 01:01:25,240
Speaker 1: we were gonna kill it. No, so that's why we're

864
01:01:25,240 --> 01:01:28,640
Speaker 1: gonna be sounding like that. October onet wen in Seattle

865
01:01:28,800 --> 01:01:32,960
Speaker 1: at the WAMU Theater. Wam That sounded like well as

866
01:01:33,520 --> 01:01:37,440
Speaker 1: the Indian probably on the reservation. Okay, Wall moved. Then

867
01:01:37,560 --> 01:01:42,320
Speaker 1: ten two, we're in Sacramento at the Memorial Auditorium, Sacramento. Yes,

868
01:01:42,680 --> 01:01:49,480
Speaker 1: Sacramento things out there. You have been to Sacramento, but

869
01:01:49,600 --> 01:01:52,280
Speaker 1: we're about to go to Sagramento. What. Ten twenty nine

870
01:01:52,320 --> 01:01:56,640
Speaker 1: we're in Tallahassee Donald Tucker Civic Center. I thought that

871
01:01:56,760 --> 01:01:59,360
Speaker 1: said dumb. Yeah, that would have been dope. But we're

872
01:01:59,360 --> 01:02:01,280
Speaker 1: gonna be at the Donna tuck them. They probably got

873
01:02:01,360 --> 01:02:05,280
Speaker 1: a thumb. Du Yeah. Eleven five we're in North Charleston

874
01:02:05,440 --> 01:02:10,040
Speaker 1: at the North Charleston Coliseum. You know eleven five is November. Yeah,

875
01:02:10,280 --> 01:02:15,240
Speaker 1: but I can read. But enough about that. Charleston, South Carolina,

876
01:02:15,560 --> 01:02:22,800
Speaker 1: North North Charleston. That didn't say the state north Charleston. Yeah,

877
01:02:22,840 --> 01:02:25,440
Speaker 1: it's north of South Charleston, but it's a it's a

878
01:02:25,600 --> 01:02:31,840
Speaker 1: Charleston every state too. Eleven six, which is November to six,

879
01:02:32,000 --> 01:02:35,520
Speaker 1: we will be in Greensboro at the Greensboro Coliseumer. That's

880
01:02:35,840 --> 01:02:38,840
Speaker 1: that's definitely because you know, yeah, I'm like that manut

881
01:02:38,880 --> 01:02:40,880
Speaker 1: is waving now, you know what I mean? So all

882
01:02:40,920 --> 01:02:42,640
Speaker 1: they gotta do is go to the eighty five South

883
01:02:42,720 --> 01:02:45,400
Speaker 1: show dot com more information on New tol Days. That

884
01:02:45,440 --> 01:02:47,520
Speaker 1: mean we got smoke coming, y'all. We got yeah, we

885
01:02:47,600 --> 01:02:51,320
Speaker 1: can only drop these right now. These are block yeah,

886
01:02:52,800 --> 01:02:55,200
Speaker 1: going our way to your city right now. We stole

887
01:02:55,280 --> 01:02:59,280
Speaker 1: these scenes from Spirit and you know they'd be gonna

888
01:02:59,400 --> 01:03:02,480
Speaker 1: get them back. No, man, we're just being resourceful. Bro.

889
01:03:02,640 --> 01:03:07,840
Speaker 1: We fucking around and got this plane. Yeah, you're just

890
01:03:07,920 --> 01:03:12,560
Speaker 1: gonna go to sleep and seating on that bad We're

891
01:03:12,560 --> 01:03:15,440
Speaker 1: trying to get a Legends talk. Get get your tickets.

892
01:03:16,040 --> 01:03:18,040
Speaker 1: I hate it. I ain't get my seat. Got up.

893
01:03:20,080 --> 01:03:22,560
Speaker 1: I ever see the different color of the mine. It's

894
01:03:22,600 --> 01:03:27,640
Speaker 1: not even the same brand seat. Just get up. It's

895
01:03:27,720 --> 01:03:31,280
Speaker 1: him better we lay d c ain't here. He probably

896
01:03:31,320 --> 01:03:37,720
Speaker 1: on the rib side yeah, yeah, no, no, no, he

897
01:03:37,880 --> 01:03:40,040
Speaker 1: just he just caught it earlier flight. That's all that

898
01:03:40,280 --> 01:03:43,120
Speaker 1: made you and we're hand when your ship is we

899
01:03:43,200 --> 01:03:46,440
Speaker 1: should kill me. No, this is a good investment. Man. Look,

900
01:03:46,440 --> 01:03:48,400
Speaker 1: we gotta have people in the boy she mad bro.

901
01:03:48,480 --> 01:03:51,200
Speaker 1: We're gonna probably have to do another season of this shoe.

902
01:03:52,200 --> 01:03:58,000
Speaker 1: What's your one? And you know the one? Man? Y'all

903
01:03:58,000 --> 01:04:00,960
Speaker 1: get the tickets, all right. We gotta get some extra

904
01:04:01,040 --> 01:04:04,080
Speaker 1: seats for the plane. They don't left back. We got

905
01:04:04,200 --> 01:04:09,200
Speaker 1: no seatbelts, so you know, go to the website eighties

906
01:04:09,200 --> 01:04:12,240
Speaker 1: Body South Show dot com. Real brown with the sea blue.

907
01:04:13,320 --> 01:04:15,400
Speaker 1: Ain't no other ponds of that blows. You're just gonna

908
01:04:15,480 --> 01:04:21,480
Speaker 1: let that cross your waists like that. Yeah, y'all get

909
01:04:21,520 --> 01:04:26,560
Speaker 1: your tickets to the show. Please please look at our planes.

910
01:04:27,840 --> 01:04:45,360
Speaker 1: That's not plane. Help us broll? What the fun? Bron Hey,

911
01:04:45,440 --> 01:04:48,640
Speaker 1: what's up? Check this out? Everybody over here the eighty

912
01:04:48,680 --> 01:04:51,520
Speaker 1: five South Show. We believed that the Hawks about to

913
01:04:51,560 --> 01:04:54,360
Speaker 1: win the NBA Championship, So that's why we dropped our

914
01:04:55,320 --> 01:05:02,240
Speaker 1: commemorative tribute to the Atlanta Hawks eighty five South Show. Look, man,

915
01:05:02,320 --> 01:05:04,800
Speaker 1: big salute to the Hawks. Look, you can get temperson

916
01:05:04,880 --> 01:05:07,320
Speaker 1: off this exclusive merch if you just go to the

917
01:05:07,400 --> 01:05:10,960
Speaker 1: website and register with your email. We dropped these, they

918
01:05:11,080 --> 01:05:13,320
Speaker 1: sold out. We brought them back, so here they are.

919
01:05:13,600 --> 01:05:16,800
Speaker 1: Make sure you hit the website and order up these shirts. Man,

920
01:05:16,960 --> 01:05:19,040
Speaker 1: check this out. Hold on, let me get the promo code.

921
01:05:19,160 --> 01:05:22,840
Speaker 1: Hold on the website is eighty five pair of code

922
01:05:22,880 --> 01:05:28,840
Speaker 1: dot com. Um yep, do that. Just go down and

923
01:05:28,960 --> 01:05:31,240
Speaker 1: then you're straight from there. If you sign up, you

924
01:05:31,320 --> 01:05:35,760
Speaker 1: get tempersent off real ship. Look read it yourself, read it.

925
01:05:37,040 --> 01:05:38,600
Speaker 1: I'm gonna leave it there for a minute because I

926
01:05:38,640 --> 01:05:41,480
Speaker 1: know you read slow because you're probably sitting there right

927
01:05:41,560 --> 01:05:47,360
Speaker 1: nowing we dropped these. Yeah, it's on there. Sick of this, man,

928
01:05:47,960 --> 01:05:49,840
Speaker 1: go to the website if you want one of these,

929
01:05:50,280 --> 01:05:52,120
Speaker 1: and nobody forcing you to do nothing. I know that

930
01:05:52,240 --> 01:05:55,240
Speaker 1: people like we only got a few of them. Anyway,

931
01:05:55,320 --> 01:05:59,520
Speaker 1: These not for everybody. These are real. If you're not

932
01:05:59,680 --> 01:06:03,080
Speaker 1: want I understand just a limited run. That means it's

933
01:06:03,120 --> 01:06:07,840
Speaker 1: gonna be worth someone day because to the website. If

934
01:06:07,880 --> 01:06:10,120
Speaker 1: you want to stay up on the I got mine.

935
01:06:12,720 --> 01:06:15,200
Speaker 1: If you don't buy them, I just keep with you

936
01:06:15,280 --> 01:06:18,520
Speaker 1: know my ship. I got to mess this mote of me.

937
01:06:21,040 --> 01:06:22,680
Speaker 1: Chicken is ready. I'm out of him,