WEBVTT - Tech News: Artists Versus Artificial Intelligence

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<v Speaker 1>Welcome to tech Stuff, a production from I Heart Radio.

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<v Speaker 1>Hey there, and welcome to tech Stuff. I'm your host,

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<v Speaker 1>Jonathan Strickland. I'm an executive producer with I Heart Radio

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<v Speaker 1>and how the tech area. It's time for the tech

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<v Speaker 1>news for Tuesday, January twenty twenty three, and let's start

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<v Speaker 1>off with cryptocurrency. Now, I'm sure most of y'all know

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<v Speaker 1>I'm pretty skeptical of crypto in general, and they've got

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<v Speaker 1>a lot of bones to pick with cryptocurrency. But I

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<v Speaker 1>also think it's only fair to report on when the

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<v Speaker 1>market gets some momentum in a positive direction. So Reuter's

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<v Speaker 1>reports that Bitcoin is up twenty six percent since the

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<v Speaker 1>beginning of this year and has climbed above the twenty

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<v Speaker 1>thousand dollars per coin mark for the first time in months.

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<v Speaker 1>Other crypto coins are also performing well, many of them

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<v Speaker 1>kind of you know, following bitcoins footsteps, and some so

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<v Speaker 1>called meme coins, which others would argue our trash coins,

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<v Speaker 1>are going absolutely bonkers. You're seeing like five thousand percent

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<v Speaker 1>increase in value for some of these. Now I should

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<v Speaker 1>add that these meme coins are usually worth like fractions

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<v Speaker 1>of a penny, so even a small amount of growth

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<v Speaker 1>ends up looking huge if you talk about percentage, right,

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<v Speaker 1>If it went from point zero zero zero zero zero

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<v Speaker 1>zero eight to point zero zero zero zero zero one zero,

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<v Speaker 1>that's a huge jump in percentage, but in actual money

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<v Speaker 1>it's not much at all. Right. Also, Reuters rightfully points

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<v Speaker 1>out that these meme coins tend to be even more

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<v Speaker 1>unstable than other types of crypto, and the value can

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<v Speaker 1>drop just as quickly as it can go up. See

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<v Speaker 1>also coin, which was all the rage for about a

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<v Speaker 1>month a couple of years ago before the bottom fell out.

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<v Speaker 1>Reuter's also cautions that this upturn may not sustain itself,

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<v Speaker 1>that the recent gains in cryptocurrency are probably connected to

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<v Speaker 1>an overall positive look at the global economy and people

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<v Speaker 1>making a bet that inflation is at least for the moment,

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<v Speaker 1>kind of done. Obviously, any big change could send values

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<v Speaker 1>down again, and as we all learned with Russia's invasion

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<v Speaker 1>of Ukraine, sometimes it's just an unpredictable global event that

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<v Speaker 1>can really have a huge impact on the economy. So

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<v Speaker 1>nothing is ever certain. The changes are not always predictable.

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<v Speaker 1>So I guess what I'm saying is crypto appears to

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<v Speaker 1>be recovering and I think I said last year that

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<v Speaker 1>I didn't believe that the setbacks we saw in late

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<v Speaker 1>two were the death knell for crypto in general. It

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<v Speaker 1>was just a real reckoning for crypto and blockchain and

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<v Speaker 1>related topics. So I suppose we're gonna have to keep

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<v Speaker 1>an eye on stuff like how governments are going to

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<v Speaker 1>treat the crypto exchange Binance, for example, to see where

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<v Speaker 1>crypto goes in because it's not out of the woods

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<v Speaker 1>right There are plenty of governments around the world that

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<v Speaker 1>are taking a more critical view of cryptocurrency and looking

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<v Speaker 1>at imposing regulations. So while we're seeing some improvement right now,

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<v Speaker 1>that could be just a short term gain. Uh it's

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<v Speaker 1>too early to say, but I don't know. Maybe we'll

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<v Speaker 1>see something kind of akin to what we saw in

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<v Speaker 1>where the value really went up dramatically in the early

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<v Speaker 1>part of the year. Now we've got several stories about AI,

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<v Speaker 1>and when I said I thought AI was going to

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<v Speaker 1>be a big topic in three I didn't necessarily mean

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<v Speaker 1>it would dominate headlines in mid January. Uh. I suspect

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<v Speaker 1>we're gonna see AI coverage calmed down a bit later

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<v Speaker 1>this year. Like I think it's always going to be

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<v Speaker 1>a big part of the news in three, but I

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<v Speaker 1>don't think it's going to be quite as dominant once

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<v Speaker 1>things kind of initially calmed down. Right at the moment,

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<v Speaker 1>it's sort of the scary new thing that has media

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<v Speaker 1>outlets jumping to cover, And I don't really think it's

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<v Speaker 1>it's necessarily that scary. It's just that's how it's being treated.

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<v Speaker 1>But first up, getting Images, which maintains a huge library

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<v Speaker 1>of stock photography and artwork that people can license to

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<v Speaker 1>use for their works, is suing the company Stability AI.

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<v Speaker 1>Getting images accuses Stability AI of scraping the library of

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<v Speaker 1>images in getting images, just in an effort to train

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<v Speaker 1>an art tool. An AI art tool called stable diffusion.

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<v Speaker 1>So quick explanation here. One discipline within artificial intelligence is

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<v Speaker 1>machine learn arning, or you might even argue that it's

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<v Speaker 1>adjacent artificial intelligence. The ven diagram has a lot of

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<v Speaker 1>overlap and machine intelligence, just like AI, can take lots

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<v Speaker 1>of different forms. But one common practice in machine learning

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<v Speaker 1>is to teach a computer model how to do whatever

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<v Speaker 1>it is the model that is supposed to do by

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<v Speaker 1>feeding the model lots and lots of information. For example,

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<v Speaker 1>let's say you wanted to teach an AI system to

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<v Speaker 1>recognize images of cats, well, you would want to feed

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<v Speaker 1>the model tens of thousands of pictures of kiddie cats.

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<v Speaker 1>But you would also want to feed lots of pictures

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<v Speaker 1>that have no cats in them at all to the

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<v Speaker 1>model so that it could tell the difference, and you

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<v Speaker 1>would continuously tweak the model so that it would get

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<v Speaker 1>better and better at distinguishing which images actually have cats

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<v Speaker 1>in them. Well, if you want an AI image generation

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<v Speaker 1>program that makes images that are actually, you know, recognizable

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<v Speaker 1>as the of stuff you prompted the a A model

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<v Speaker 1>to create, you have to feed it lots and lots

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<v Speaker 1>of images, right, otherwise you could just get these random

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<v Speaker 1>shapes and colors that don't look like anything, or that

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<v Speaker 1>look like really disturbing versions of whatever it was you

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<v Speaker 1>wanted to create. So Getty Images has a truly enormous

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<v Speaker 1>supply of photographs. They're stretched across decades. Some of them

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<v Speaker 1>are work for higher images, where photographers have set up,

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<v Speaker 1>you know, like scenes in a studio and they just

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<v Speaker 1>shoot tons and tons and tons of photographs and then

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<v Speaker 1>sell those photos to Getty Images. You get some pretty

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<v Speaker 1>wacky versions of that. If you've ever seen pictures of

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<v Speaker 1>a woman wearing a silvery body suit and a metallic

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<v Speaker 1>visor while she's holding an ear of corn. You know

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<v Speaker 1>what I'm talking about. And yes, that's a real stock image.

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<v Speaker 1>Most of you, I'm sure have seen it somewhere at

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<v Speaker 1>some point. Other images come from like paparazzi who take

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<v Speaker 1>pictures of clebrities and notable figures and then they license

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<v Speaker 1>or sell their photographs to Getty. And what Getty is

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<v Speaker 1>saying is that Stability AI used software to scrape Getty's

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<v Speaker 1>images and copy them without paying for them, without paying

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<v Speaker 1>a license for it, and using those images then to

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<v Speaker 1>train a I that will ultimately you be used to

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<v Speaker 1>create a competing product, right, a competing service, Like instead

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<v Speaker 1>of going to Getty Images to license a stock photograph

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<v Speaker 1>that represents whatever it is you want, you would go

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<v Speaker 1>to Stable Diffusion and have it generate an image based

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<v Speaker 1>on what you want. But Getty says, well, first of all,

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<v Speaker 1>you're using our images to train your computer to do this,

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<v Speaker 1>then you're going to introduce something that competes against our

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<v Speaker 1>own business. That's an unfair business practice. Now we're starting

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<v Speaker 1>to get into an area where the law is really

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<v Speaker 1>lagging behind. The law is not designed to deal with

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<v Speaker 1>this kind of intellectual property issue, so it does sound

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<v Speaker 1>like this method is creeping in on the violation of

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<v Speaker 1>intellectual property laws, or at least tiptoeing around them. But

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<v Speaker 1>without actual law or court precedents. With AI, it's a

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<v Speaker 1>gray area at best. But my guess is this year

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<v Speaker 1>is going to be one where we start to see

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<v Speaker 1>that gray turn into more black and white sooner rather

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<v Speaker 1>than later, because it is becoming oppressing and uh and

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<v Speaker 1>relevant issue. On a similar note, a group of artists

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<v Speaker 1>have joined to file a class action lawsuit against three companies,

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<v Speaker 1>dev and Art, mid Journey, and our buddy Stability AI

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<v Speaker 1>that we just talked about like Getty. These artists argue

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<v Speaker 1>that the companies have made illegal use of copyrighted works

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<v Speaker 1>in order to train their respective AI models to generate images.

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<v Speaker 1>Ours Technica has a great article about this, and they

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<v Speaker 1>site and AI analyst named Alex Champion Dard, who has

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<v Speaker 1>pointed out some potential problems with the lawsuit. For one,

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<v Speaker 1>the lawsuit states that quote, when used to produce images

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<v Speaker 1>from prompts by its users, stable diffusion uses the training

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<v Speaker 1>images to produce seemingly new images through a mathematical software process.

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<v Speaker 1>These quote unquote new images are based entirely on the

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<v Speaker 1>training images and are derivative works of the particular images

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<v Speaker 1>stable diffusion draws from when assembling a given output. Ultimately,

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<v Speaker 1>it is merely a complex collage tool end quote. So

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<v Speaker 1>they're they're really saying that there's nothing original in any

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<v Speaker 1>image that stable diffusion produces, that everything has come from

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<v Speaker 1>one element of one of the images in its massive

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<v Speaker 1>mound of training images. That's not really how genera to

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<v Speaker 1>AI works. The language says, the AI is just taking

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<v Speaker 1>this massive amount of content as a starting point and

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<v Speaker 1>then using that to create a new image, almost like, well,

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<v Speaker 1>let me take the nose from this one, and the

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<v Speaker 1>eyes from this one, and this smile and that hairstyle,

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<v Speaker 1>and then putting them all together to make the quote

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<v Speaker 1>unquote new image. But that's not actually how these models work.

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<v Speaker 1>It's an oversimplification. It's more akin to how a human

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<v Speaker 1>artist would study works made by other people before they

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<v Speaker 1>start producing their own work. They would not necessarily be

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<v Speaker 1>copying someone else's work directly. I mean, that could be

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<v Speaker 1>an exercise to see if you can master the same

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<v Speaker 1>techniques as some other artist. But if you're making your

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<v Speaker 1>own work. You're not trying to copy someone else's work. Instead,

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<v Speaker 1>you're using other people's work as sort of an inspirational

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<v Speaker 1>launching ground on how to proceed. That could include things

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<v Speaker 1>like a color palette, the brush technique, the perspective, all

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<v Speaker 1>these sorts of things. So that's a little bit closer

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<v Speaker 1>to what these AI models are doing. And Champion Dard

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<v Speaker 1>points out that the lawsuit could lead to nothing if

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<v Speaker 1>the defense is able to argue that what they're being

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<v Speaker 1>accused of doing is just not true. But then, as

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<v Speaker 1>I mentioned earlier, the real issue is that there isn't

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<v Speaker 1>law that outlines the parameters to which generative AI can

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<v Speaker 1>rely upon existing copyrighted works as training material. I mean, presumably,

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<v Speaker 1>if we're looking at the written word, most writers have

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<v Speaker 1>read a lot before they start writing. So as long

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<v Speaker 1>as a writer is not plagiarizing some other writer, would

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<v Speaker 1>you argue that a writer owes money to all the

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<v Speaker 1>authors that they themselves have read before they produce their

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<v Speaker 1>own work, Because surely by reading that influences your own style,

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<v Speaker 1>it influences your own sensibilities. So if we if we

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<v Speaker 1>take this to an extreme, you would say, ah, you

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<v Speaker 1>owe money to anyone who has influenced you in the

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<v Speaker 1>production of your own work. That's clearly not realistic or uh,

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<v Speaker 1>you know, reasonable. But when it comes to AI, it

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<v Speaker 1>gets a lot more tricky because you're literally using these

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<v Speaker 1>materials to train up the AI to make its own So, yeah,

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<v Speaker 1>we're gonna have to keep a close eye to see

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<v Speaker 1>how this develops throughout this year. We're gonna take a

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<v Speaker 1>quick break. When we come back, we'll talk about some

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<v Speaker 1>more tech news. We're back, and we're not done with

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<v Speaker 1>AI yet. Several news outlets have reported that the chat

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<v Speaker 1>GPT three point five system successfully passed sections of the

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<v Speaker 1>US Bar Exam. That's the exam that lawyers have to

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<v Speaker 1>pass here in the United States before they can law

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<v Speaker 1>your year or something. I understand that the Bar exam

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<v Speaker 1>is very challenging and that for lots of lawyers in

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<v Speaker 1>may take more than one attempt to pass the Bar exam. Now,

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<v Speaker 1>to be clear, chat GPT did not pass the full exam,

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<v Speaker 1>so it it it didn't pass it, and it is

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<v Speaker 1>certainly not currently allowed to practice law. Rather, it passed

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<v Speaker 1>sections on evidence and torts, and I was disappointed to

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<v Speaker 1>find out torts are not pastries filled with fruit m

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<v Speaker 1>raspberry tort The program fell short when it came to

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<v Speaker 1>taking the full exam. It scored fifty point three on

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<v Speaker 1>a test that sets a minimum passing grade of sixty

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<v Speaker 1>eight percent. And I don't think anyone is expecting the

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<v Speaker 1>US legal system to recognize AI lawyers in the near future,

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<v Speaker 1>but some of the field have already expressed concern about this,

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<v Speaker 1>and then others have said these tools could be really

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<v Speaker 1>useful as a way to augment human lawyers as they

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<v Speaker 1>go about their jobs. For example, this kind of a

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<v Speaker 1>chatbot might be able to generate a first draft aft

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<v Speaker 1>of deposition questions, but a lawyer would then subsequently go

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<v Speaker 1>through this draft and then refine it. So in other words,

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<v Speaker 1>the chat bot could do what we hear advocates say

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<v Speaker 1>AI is good for all the time. It can make

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<v Speaker 1>jobs easier and more efficient, but it doesn't actually replace

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<v Speaker 1>the human behind the job. Of course, for it to

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<v Speaker 1>do that, it has to work well enough to be

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<v Speaker 1>useful rather than distracting or counter productive. And as we've

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<v Speaker 1>seen with chat GPT, it's it's really impressive, but it's

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<v Speaker 1>not there yet, and AI powered chat bots are not

0:14:37.160 --> 0:14:41.000
<v Speaker 1>likely to disappear either. In fact, I'm sure we're gonna

0:14:41.040 --> 0:14:44.280
<v Speaker 1>hear a lot more about them. Microsoft just announced that

0:14:44.360 --> 0:14:48.520
<v Speaker 1>it is increasing access to chat GPT, making it generally

0:14:48.560 --> 0:14:51.880
<v Speaker 1>available to its customers. In an earlier news episode, I

0:14:51.920 --> 0:14:56.480
<v Speaker 1>mentioned how Microsoft is apparently planning a massive investment in

0:14:56.560 --> 0:15:01.240
<v Speaker 1>open Ai that's the startup behind chat g pt, and

0:15:01.440 --> 0:15:04.440
<v Speaker 1>effectively it would mean Microsoft would end up buying just

0:15:04.680 --> 0:15:10.760
<v Speaker 1>a scoch under ownership of the startup. Well, Microsoft has

0:15:10.800 --> 0:15:14.280
<v Speaker 1>not yet confirmed those reports. It has indicated that it

0:15:14.280 --> 0:15:17.280
<v Speaker 1>will let more Microsoft customers make use of chat GPT

0:15:17.440 --> 0:15:21.520
<v Speaker 1>tool via Microsoft Cloud Services. What this means in the

0:15:21.560 --> 0:15:25.040
<v Speaker 1>nearer and long term, I can't really say. I sure

0:15:25.080 --> 0:15:28.960
<v Speaker 1>do hope we'll see, uh that we do not get

0:15:29.000 --> 0:15:32.720
<v Speaker 1>an era of AI generated news and entertainment, because that

0:15:32.760 --> 0:15:34.760
<v Speaker 1>would be kind of the opposite of what we really

0:15:34.760 --> 0:15:37.440
<v Speaker 1>want AI to do, Like we wanted to augment but

0:15:37.520 --> 0:15:40.680
<v Speaker 1>not replace. So I don't want to see it doing

0:15:40.720 --> 0:15:43.400
<v Speaker 1>stuff like what we saw was c net, where we

0:15:43.520 --> 0:15:46.760
<v Speaker 1>just assigned AI these writing jobs and they churn out

0:15:47.560 --> 0:15:51.720
<v Speaker 1>low value articles. Um, I don't really want to see that.

0:15:51.800 --> 0:15:54.080
<v Speaker 1>I mean, obviously, what I want to see is high

0:15:54.120 --> 0:15:59.400
<v Speaker 1>value articles created by talented human writers. But yeah, it

0:15:59.440 --> 0:16:04.120
<v Speaker 1>would be pretty darn hard to be a professional creative

0:16:04.680 --> 0:16:08.280
<v Speaker 1>in a world where we accept the level of creative

0:16:08.280 --> 0:16:14.240
<v Speaker 1>output generated by a I as being desirable. Um, it's

0:16:14.320 --> 0:16:17.600
<v Speaker 1>very hard already to make your living as a creative

0:16:18.080 --> 0:16:20.120
<v Speaker 1>with all the competition that's out there. It would be

0:16:20.160 --> 0:16:23.840
<v Speaker 1>even more difficult if we say, yeah, this AI stuff,

0:16:23.840 --> 0:16:26.320
<v Speaker 1>it's not great, but it gets the job done, so

0:16:26.400 --> 0:16:28.680
<v Speaker 1>let's just go with it. That would make it even harder.

0:16:29.440 --> 0:16:32.240
<v Speaker 1>Musician Nick Cave knows what I'm talking about. A fan

0:16:32.400 --> 0:16:36.280
<v Speaker 1>sent him an AI generated song that mimicked the musician's style.

0:16:36.360 --> 0:16:39.200
<v Speaker 1>And for those of you not familiar with Nick Cave

0:16:39.720 --> 0:16:42.400
<v Speaker 1>of Nick Cave and the Bad Seeds fame, he wrote

0:16:42.440 --> 0:16:45.400
<v Speaker 1>the song Red Right Hand, which is featured heavily in

0:16:45.440 --> 0:16:48.080
<v Speaker 1>the Scream franchise. It's also in a lot of other media.

0:16:48.720 --> 0:16:53.560
<v Speaker 1>He's known for dark, gothic and often melodramatic ballads and

0:16:53.600 --> 0:16:57.080
<v Speaker 1>other style songs. And I recommend listening to him. Depending

0:16:57.120 --> 0:16:59.800
<v Speaker 1>upon your mood and the song you've picked, you'll either

0:17:00.040 --> 0:17:06.840
<v Speaker 1>find him really intriguing or very very silly, or perhaps both. Anyway,

0:17:06.920 --> 0:17:10.240
<v Speaker 1>Nick Cave very much did not like the AI generated piece.

0:17:10.280 --> 0:17:14.120
<v Speaker 1>He said, quote songs arise out of suffering, by which

0:17:14.160 --> 0:17:17.840
<v Speaker 1>I mean they are predicated upon the complex internal human

0:17:17.920 --> 0:17:21.320
<v Speaker 1>struggle of creation. And well, as far as I know,

0:17:21.880 --> 0:17:26.480
<v Speaker 1>algorithms don't feel end quote. He also said the song

0:17:26.600 --> 0:17:29.680
<v Speaker 1>was quote a grotesque mockery of what it is to

0:17:29.720 --> 0:17:33.199
<v Speaker 1>be human, and well, I don't much like it end quote.

0:17:33.600 --> 0:17:36.200
<v Speaker 1>And you know, I find it difficult to disagree with him.

0:17:36.240 --> 0:17:39.760
<v Speaker 1>I think it's pretty true. The song had lyrics like quote,

0:17:40.040 --> 0:17:42.360
<v Speaker 1>in the depths of the night, I hear a call,

0:17:42.680 --> 0:17:46.040
<v Speaker 1>a voice that echoes through the hall. It's a sirens

0:17:46.080 --> 0:17:48.879
<v Speaker 1>song that pulls me in, takes me to a place

0:17:49.040 --> 0:17:53.040
<v Speaker 1>where I can't begin end quote. It's not exactly meaningful.

0:17:53.520 --> 0:17:56.399
<v Speaker 1>I think I mentioned in an earlier news episode that

0:17:56.560 --> 0:17:59.600
<v Speaker 1>actually tried to have chat GPT create a high kup

0:18:00.040 --> 0:18:04.120
<v Speaker 1>and the program produced something that's superficially looked like a hiku,

0:18:04.560 --> 0:18:08.359
<v Speaker 1>but it lacked any poetic value, and further, it didn't

0:18:08.400 --> 0:18:12.960
<v Speaker 1>adhere to the structure of a hiku poem. And generally

0:18:13.000 --> 0:18:15.880
<v Speaker 1>that's what I found when I've used chat GPT. Honestly,

0:18:15.920 --> 0:18:18.200
<v Speaker 1>I find that a little surprising, Like I would think

0:18:18.240 --> 0:18:21.680
<v Speaker 1>the rules part would be something that a program would

0:18:21.680 --> 0:18:25.960
<v Speaker 1>be better at handling. Clearly that's not what chat GPT

0:18:26.119 --> 0:18:28.399
<v Speaker 1>was intended for, So I mean, I gotta cut it

0:18:28.480 --> 0:18:31.080
<v Speaker 1>some slack in that sense. But when it comes to

0:18:31.640 --> 0:18:34.880
<v Speaker 1>two works of art that have specific form and structure

0:18:34.920 --> 0:18:37.800
<v Speaker 1>that you're supposed to follow, I would think computer programs

0:18:37.840 --> 0:18:41.120
<v Speaker 1>would be better at doing that. It wouldn't necessarily mean

0:18:41.160 --> 0:18:43.960
<v Speaker 1>the stuff created would be any good, but it would

0:18:43.960 --> 0:18:47.600
<v Speaker 1>at least adhere to the rules of the art form. So,

0:18:47.640 --> 0:18:51.479
<v Speaker 1>for example, sonnets, that it would adhere to the number

0:18:51.680 --> 0:18:56.439
<v Speaker 1>of of versus and the uh the rhythm of them

0:18:56.560 --> 0:19:01.600
<v Speaker 1>and the rhyme scheme. But it doesn't. So oh yeah,

0:19:01.640 --> 0:19:03.679
<v Speaker 1>it's kind of surprising to me on that. But except

0:19:03.680 --> 0:19:05.760
<v Speaker 1>for the fact that I do know, chat gpt wasn't

0:19:05.800 --> 0:19:11.320
<v Speaker 1>exactly designed to be a sonnet producing machine. Uh but yeah, like,

0:19:11.720 --> 0:19:15.320
<v Speaker 1>we're not at the point where these programs are capable

0:19:15.520 --> 0:19:21.399
<v Speaker 1>of generating artistic content that has real merit to It

0:19:21.400 --> 0:19:24.000
<v Speaker 1>doesn't mean we won't get there, and doesn't mean that,

0:19:24.119 --> 0:19:28.600
<v Speaker 1>you know, it can't at least mimic the lower lower

0:19:28.680 --> 0:19:32.520
<v Speaker 1>forms of pop art. And I don't mean to dismiss

0:19:32.600 --> 0:19:34.760
<v Speaker 1>pop art because I love a lot of pop art,

0:19:35.480 --> 0:19:40.440
<v Speaker 1>but uh, it's hard to argue that certain popular songs

0:19:40.520 --> 0:19:47.880
<v Speaker 1>aren't trivial and simple when they very much are. But yeah,

0:19:47.920 --> 0:19:50.680
<v Speaker 1>I'm I'm with Nick Cave on this one. Okay, moving

0:19:50.720 --> 0:19:54.119
<v Speaker 1>away from AI, Meta is in the news again, and

0:19:54.160 --> 0:19:58.080
<v Speaker 1>for once, Meta is the one doing the suing. So

0:19:58.119 --> 0:20:01.320
<v Speaker 1>in this case, Meta is suing a company called Voyager Labs,

0:20:01.840 --> 0:20:05.240
<v Speaker 1>and Meta says that Voyager Labs created thirty eight thousand

0:20:05.320 --> 0:20:09.280
<v Speaker 1>fake accounts as part of an effort to scrape Facebook

0:20:09.359 --> 0:20:13.520
<v Speaker 1>and Instagram and other social networks of user data. So

0:20:13.760 --> 0:20:16.680
<v Speaker 1>Meta says that the effort pulled data from more than

0:20:16.760 --> 0:20:20.679
<v Speaker 1>half a million Facebook pages and Facebook groups, including stuff

0:20:20.720 --> 0:20:25.400
<v Speaker 1>like the posts people were putting onto Facebook, their photos,

0:20:25.520 --> 0:20:29.240
<v Speaker 1>their friends lists, and any other information that was set

0:20:29.280 --> 0:20:33.480
<v Speaker 1>to be publicly viewable. And well, people who may have

0:20:33.520 --> 0:20:36.280
<v Speaker 1>set their profiles so that only their friends can view it,

0:20:36.600 --> 0:20:39.000
<v Speaker 1>you have to remember they could still end up popping

0:20:39.119 --> 0:20:42.920
<v Speaker 1>up in other pages. So even if you are someone

0:20:42.960 --> 0:20:45.480
<v Speaker 1>who isn't on Facebook at all, some of your information

0:20:45.680 --> 0:20:48.399
<v Speaker 1>maybe up there just because some friends of yours shared

0:20:48.480 --> 0:20:52.160
<v Speaker 1>some stuff. So Voyager Labs is a company that's based

0:20:52.200 --> 0:20:55.640
<v Speaker 1>in Israel, and it describes itself as an AI powered

0:20:55.760 --> 0:21:01.840
<v Speaker 1>investigation company, and it mostly works with agencies like law

0:21:01.920 --> 0:21:07.240
<v Speaker 1>enforcement or military organizations, and one of those is apparently

0:21:07.280 --> 0:21:09.880
<v Speaker 1>the Los Angeles Police Department. But it's not just here

0:21:09.880 --> 0:21:12.000
<v Speaker 1>in the United States. It's all around the world that

0:21:12.080 --> 0:21:17.480
<v Speaker 1>this company does business. So Facebook has long maintained that

0:21:17.800 --> 0:21:22.560
<v Speaker 1>scraping its sites for data violates Facebook's policies that you

0:21:22.600 --> 0:21:25.960
<v Speaker 1>are not allowed to do that. You cannot create tools

0:21:26.000 --> 0:21:29.600
<v Speaker 1>that are meant to go across all of Facebook and

0:21:29.680 --> 0:21:32.560
<v Speaker 1>just pull down as much data as you possibly can.

0:21:33.200 --> 0:21:37.159
<v Speaker 1>Only Facebook is allowed to collect personal information on that

0:21:37.280 --> 0:21:41.480
<v Speaker 1>kind of scale and then exploit it. I guess what

0:21:41.520 --> 0:21:44.320
<v Speaker 1>I'm saying is I'm just grouchy. I hate all this

0:21:44.520 --> 0:21:47.600
<v Speaker 1>data collection stuff. It doesn't matter to me who ends

0:21:47.680 --> 0:21:51.720
<v Speaker 1>up using it. I just think it's a bad thing

0:21:51.760 --> 0:21:55.919
<v Speaker 1>that we've allowed to have happened in general. Uh Now, admittedly,

0:21:56.600 --> 0:22:00.199
<v Speaker 1>it is way more scary when the agency that's maying

0:22:00.359 --> 0:22:03.720
<v Speaker 1>use of this information is say, law enforcement or the military,

0:22:03.800 --> 0:22:08.400
<v Speaker 1>because we've got very long histories of those kinds of

0:22:08.520 --> 0:22:15.119
<v Speaker 1>institutions disproportionately harming specific populations. So I don't mean to

0:22:15.160 --> 0:22:19.240
<v Speaker 1>diminish this. It is definitely scarier that this is being

0:22:19.359 --> 0:22:24.280
<v Speaker 1>used in relation to things like law enforcement but in general,

0:22:24.640 --> 0:22:27.840
<v Speaker 1>I just think this massive amount of data collection and

0:22:27.920 --> 0:22:35.280
<v Speaker 1>analysis is inherently harmful, whether it's a law enforcement agency

0:22:35.320 --> 0:22:39.560
<v Speaker 1>that's relying upon it, or it's the platform itself like

0:22:39.680 --> 0:22:44.520
<v Speaker 1>Facebook or Instagram. Uh, it's just the older I get,

0:22:44.560 --> 0:22:47.119
<v Speaker 1>the less comfortable I am that we allowed this to

0:22:47.200 --> 0:22:50.520
<v Speaker 1>happen and that it has grown to the extent that

0:22:50.600 --> 0:22:55.160
<v Speaker 1>it has. Okay, I don't mean to be a fear mongerer.

0:22:55.440 --> 0:22:57.480
<v Speaker 1>Let's take another quick break. When we come back, we'll

0:22:57.480 --> 0:23:10.040
<v Speaker 1>have some other news stories to talk about. We're back

0:23:10.680 --> 0:23:14.359
<v Speaker 1>over in the UK, Parliament is drafting an amendment to

0:23:14.480 --> 0:23:17.560
<v Speaker 1>the Online Safety Bill. That's a bill that's intended to

0:23:17.960 --> 0:23:23.960
<v Speaker 1>mostly protect children against harmful content that is proliferated upon

0:23:24.000 --> 0:23:28.000
<v Speaker 1>the Internet, and this particular amendment is likely to have

0:23:28.160 --> 0:23:33.159
<v Speaker 1>tech executives sweating. So a group of lawmakers proposed an

0:23:33.200 --> 0:23:37.800
<v Speaker 1>amendment last year that would seek criminal charges against tech

0:23:37.880 --> 0:23:42.200
<v Speaker 1>executives who failed to protect children from harmful content on

0:23:42.400 --> 0:23:46.720
<v Speaker 1>their respective platforms. So, in other words, Mark Zuckerberg could

0:23:46.760 --> 0:23:53.000
<v Speaker 1>be held criminally responsible for allowing harmful material to perpetuate

0:23:53.080 --> 0:23:56.840
<v Speaker 1>on Facebook, and if if the court could show that

0:23:58.040 --> 0:24:01.280
<v Speaker 1>he didn't do enough to protect Chill Drin then he

0:24:01.320 --> 0:24:04.639
<v Speaker 1>could face criminal charges for that in the UK. So

0:24:05.240 --> 0:24:07.680
<v Speaker 1>this whole thing created kind of a lively debate within

0:24:07.760 --> 0:24:13.240
<v Speaker 1>Parliament between the desire to protect children, which is obviously important,

0:24:13.840 --> 0:24:18.480
<v Speaker 1>and protecting freedom of speech, which is also really important.

0:24:18.840 --> 0:24:21.320
<v Speaker 1>In fact, that's why we have these concepts like safe

0:24:21.359 --> 0:24:25.560
<v Speaker 1>Harbor on the Internet, where a platform is not responsible

0:24:25.600 --> 0:24:29.560
<v Speaker 1>necessarily for the content that its users post to that

0:24:29.640 --> 0:24:33.240
<v Speaker 1>platform because the platform didn't generate it. It's just it's

0:24:33.320 --> 0:24:39.520
<v Speaker 1>just a a place where people gather. So this had

0:24:39.600 --> 0:24:43.360
<v Speaker 1>kind of a struggle within Parliament, and ultimately the Prime

0:24:43.400 --> 0:24:47.399
<v Speaker 1>Minister of England has indicated that what they're gonna do

0:24:47.720 --> 0:24:50.240
<v Speaker 1>is they're going to create a similar amendment to the

0:24:50.280 --> 0:24:53.400
<v Speaker 1>proposed one that aims for the same goal, that will

0:24:53.480 --> 0:24:56.760
<v Speaker 1>hold tech executives responsible for a failure to protect children,

0:24:57.640 --> 0:25:00.639
<v Speaker 1>and that will then be drafted and a amended to

0:25:01.040 --> 0:25:05.960
<v Speaker 1>the Online Safety Bill. The original proposed amendment will be withdrawn.

0:25:07.160 --> 0:25:10.720
<v Speaker 1>I can't pretend to fully understand the political process here,

0:25:11.040 --> 0:25:13.080
<v Speaker 1>except that maybe the goal is to have a more

0:25:13.160 --> 0:25:16.879
<v Speaker 1>focused amendment put in place. Anyway, this would be a

0:25:16.920 --> 0:25:20.440
<v Speaker 1>really dramatic step if it does in fact go through,

0:25:20.520 --> 0:25:24.080
<v Speaker 1>which it seems like that's the case, and it should

0:25:24.080 --> 0:25:28.320
<v Speaker 1>really worry anyone who is a leader in a social

0:25:28.359 --> 0:25:31.840
<v Speaker 1>network because it could mean that they could potentially be

0:25:31.960 --> 0:25:34.920
<v Speaker 1>charged as a criminal in the UK in the future

0:25:35.000 --> 0:25:38.200
<v Speaker 1>if they failed to live up to the Online Safety

0:25:38.240 --> 0:25:42.720
<v Speaker 1>Bills requirements to protect children. And again I think protecting

0:25:42.800 --> 0:25:47.960
<v Speaker 1>children is absolutely critical. I I I have worried about

0:25:48.400 --> 0:25:56.159
<v Speaker 1>social networks effects on children, even beyond the really obvious stuff.

0:25:57.080 --> 0:25:59.840
<v Speaker 1>But yeah, this is a this is a dramatic step

0:26:00.119 --> 0:26:03.280
<v Speaker 1>and we'll have to see how it plays out. It

0:26:03.359 --> 0:26:07.679
<v Speaker 1>also points to the kind of precarious position that the

0:26:07.800 --> 0:26:12.239
<v Speaker 1>UK Prime Minister is in because his own party is

0:26:13.080 --> 0:26:17.120
<v Speaker 1>not fully united. So sometimes they're going to be cases

0:26:17.200 --> 0:26:20.440
<v Speaker 1>where they're going to be making some compromises that otherwise

0:26:20.440 --> 0:26:23.199
<v Speaker 1>they probably wouldn't if they had a united party behind them,

0:26:23.240 --> 0:26:27.720
<v Speaker 1>the Conservative Party in this case. So yeah, probably means

0:26:27.720 --> 0:26:31.040
<v Speaker 1>we're gonna see some more political drama over in the

0:26:31.119 --> 0:26:35.439
<v Speaker 1>UK this year. Next up, the Sony Walkman is coming

0:26:35.480 --> 0:26:38.720
<v Speaker 1>back sort of, so for those of you all too

0:26:38.720 --> 0:26:43.679
<v Speaker 1>young to remember, the original Walkman was a portable cassette player. Uh.

0:26:43.800 --> 0:26:46.920
<v Speaker 1>It really helped promote music cassettes as being able to

0:26:46.960 --> 0:26:49.360
<v Speaker 1>take your music on the go was a new thing

0:26:49.720 --> 0:26:52.720
<v Speaker 1>when the Walkman first debut back in nineteen seventy nine.

0:26:53.480 --> 0:26:56.560
<v Speaker 1>You know, remember we didn't have streaming services or MP

0:26:56.680 --> 0:26:59.919
<v Speaker 1>three's and such. Back then, we had cassettes that stored

0:27:00.119 --> 0:27:03.240
<v Speaker 1>music on magnetic tape that sometimes we get tangled up

0:27:03.400 --> 0:27:05.400
<v Speaker 1>and then you'd have to use a pencil to unwind

0:27:05.400 --> 0:27:07.399
<v Speaker 1>the tape. Then you'd have to untangle the tape, and

0:27:07.440 --> 0:27:09.200
<v Speaker 1>then you use the pencil to wind it back up again.

0:27:09.200 --> 0:27:14.000
<v Speaker 1>And we liked it anyway. The new Walkman models aren't

0:27:14.040 --> 0:27:17.840
<v Speaker 1>cassette players at all. Instead, they are digital media players,

0:27:18.240 --> 0:27:21.480
<v Speaker 1>kind of like a fancy version of an iPod, and

0:27:21.520 --> 0:27:25.360
<v Speaker 1>Sony is positioning them as being able to provide lossless

0:27:25.440 --> 0:27:30.080
<v Speaker 1>audio quality, meaning you get you know, ce D quality

0:27:30.200 --> 0:27:34.440
<v Speaker 1>audio out of these babies, instead of the super compressed

0:27:34.920 --> 0:27:36.919
<v Speaker 1>stuff that you would get if you were just listening

0:27:36.960 --> 0:27:41.520
<v Speaker 1>to your basic streaming service. Of course, this will depend

0:27:41.600 --> 0:27:43.840
<v Speaker 1>upon how the music was encoded in the first place.

0:27:43.880 --> 0:27:47.320
<v Speaker 1>It can't just magically make all music sound better. And

0:27:47.359 --> 0:27:49.800
<v Speaker 1>you might wonder, is this product going to do well?

0:27:49.880 --> 0:27:52.520
<v Speaker 1>Will it take off? Now? I'm a little skeptical. I

0:27:52.520 --> 0:27:56.640
<v Speaker 1>think most folks have proven that they value convenience more

0:27:56.760 --> 0:28:00.879
<v Speaker 1>than they do quality. I include myself in this category.

0:28:00.960 --> 0:28:03.920
<v Speaker 1>I mean, obviously we would all love our music to

0:28:04.000 --> 0:28:07.560
<v Speaker 1>sound as good as it possibly could. That I think

0:28:07.600 --> 0:28:11.080
<v Speaker 1>goes beyond question, Like we could all want that. But

0:28:12.359 --> 0:28:14.960
<v Speaker 1>if we're making a choice between that and being able

0:28:15.000 --> 0:28:18.880
<v Speaker 1>to have our music whenever and wherever we like, we're

0:28:18.920 --> 0:28:21.760
<v Speaker 1>probably gonna go with the second choice, unless you're an

0:28:21.760 --> 0:28:23.879
<v Speaker 1>audio file, in which case you might just be like,

0:28:23.960 --> 0:28:27.359
<v Speaker 1>I can't even I can't even stomach the thought of

0:28:27.520 --> 0:28:32.480
<v Speaker 1>listening to highly compressed audio. But uh, I don't know.

0:28:32.520 --> 0:28:34.640
<v Speaker 1>Maybe we're headed back to an age where people rely

0:28:34.760 --> 0:28:39.040
<v Speaker 1>on specific technologies to perform specific tasks. But it has

0:28:39.080 --> 0:28:42.280
<v Speaker 1>been years since I've carried a dedicated digital media player

0:28:42.440 --> 0:28:45.360
<v Speaker 1>because my phone can do all of that stuff. But

0:28:45.560 --> 0:28:47.920
<v Speaker 1>maybe we're seeing that trend take a turn. Maybe we're

0:28:47.920 --> 0:28:49.880
<v Speaker 1>going to head back to where people start to go

0:28:49.960 --> 0:28:54.320
<v Speaker 1>with more simple phones and they go to dedicated digital

0:28:54.400 --> 0:28:59.240
<v Speaker 1>media players and they separate out their tech. Again, that

0:28:59.280 --> 0:29:02.200
<v Speaker 1>would be weird to me, but I don't understand young

0:29:02.280 --> 0:29:05.120
<v Speaker 1>people anyway, So maybe this is what young people are doing.

0:29:05.600 --> 0:29:11.200
<v Speaker 1>I don't get out much. Finally, tomorrow officially marks the

0:29:11.240 --> 0:29:15.320
<v Speaker 1>point where Google will end Google Stadia service. Now, if

0:29:15.360 --> 0:29:18.720
<v Speaker 1>you're not familiar, Stadia is, and pretty soon I'll have

0:29:18.760 --> 0:29:23.440
<v Speaker 1>to say, was a cloud based streaming gaming platform with

0:29:23.520 --> 0:29:28.520
<v Speaker 1>a WiFi connected controller. So subscribers could purchase this game

0:29:28.560 --> 0:29:32.000
<v Speaker 1>controller and then using a compatible system like a television

0:29:32.000 --> 0:29:35.920
<v Speaker 1>that has Chrome cast capabilities, they could access a selection

0:29:36.160 --> 0:29:39.800
<v Speaker 1>of game titles. They could also purchase games to add

0:29:39.800 --> 0:29:42.640
<v Speaker 1>to their virtual library, and then they could access that

0:29:42.720 --> 0:29:46.440
<v Speaker 1>game at any time. But Stadia struggled and flailed around

0:29:46.480 --> 0:29:49.720
<v Speaker 1>a bit, and Google decided to pull the plug. However,

0:29:50.040 --> 0:29:52.200
<v Speaker 1>the company is doing some stuff to take a little

0:29:52.200 --> 0:29:54.640
<v Speaker 1>bit of the staying out. For one thing, Google says

0:29:54.680 --> 0:29:58.480
<v Speaker 1>it will release a quote self serve tool to enable

0:29:58.560 --> 0:30:02.280
<v Speaker 1>Bluetooth connections on your Stadia controller end quote. So at

0:30:02.360 --> 0:30:05.959
<v Speaker 1>least that means Stadia owners will be able to pair

0:30:06.000 --> 0:30:10.960
<v Speaker 1>their otherwise useless controllers with other systems such as a PC,

0:30:11.440 --> 0:30:14.960
<v Speaker 1>and use the Stadia controller as a standard wireless game

0:30:15.000 --> 0:30:18.040
<v Speaker 1>pad kind of device. This is a pretty big deal

0:30:18.120 --> 0:30:21.680
<v Speaker 1>because previously there are only two ways you could connect

0:30:21.960 --> 0:30:25.760
<v Speaker 1>the Stadia to something else. You could use a physical

0:30:25.880 --> 0:30:28.840
<v Speaker 1>USB cable, but you know a lot of folks hate

0:30:28.920 --> 0:30:32.440
<v Speaker 1>using wired controllers, so that was a non starter for

0:30:32.520 --> 0:30:36.720
<v Speaker 1>a lot of people, or you could use WiFi, but

0:30:37.880 --> 0:30:43.000
<v Speaker 1>nothing else uses WiFi as a connectivity standard for game controllers,

0:30:43.040 --> 0:30:47.440
<v Speaker 1>so unless you enable Bluetooth support, the controller just can't

0:30:47.440 --> 0:30:52.320
<v Speaker 1>connect wirelessly to other devices magically. Anyway, it's good to

0:30:52.360 --> 0:30:54.680
<v Speaker 1>hear that Google is at least making some efforts to

0:30:54.720 --> 0:30:58.840
<v Speaker 1>avoid Stadia controllers. Transitioning from that thing you never used

0:30:58.880 --> 0:31:03.040
<v Speaker 1>because you forgot about the nervis too e waste. It

0:31:03.440 --> 0:31:08.280
<v Speaker 1>extends the useful livelihood of the hardware, and that's important.

0:31:09.040 --> 0:31:12.640
<v Speaker 1>Also means that once that Bluetooth connectivity is enabled, I

0:31:12.640 --> 0:31:16.280
<v Speaker 1>can use my Google Stadia controller with my computer and

0:31:16.360 --> 0:31:20.640
<v Speaker 1>play games on it without having to, you know, use

0:31:20.680 --> 0:31:23.520
<v Speaker 1>an Xbox controller or something like that. So I'm all

0:31:23.560 --> 0:31:26.440
<v Speaker 1>for it. And that's it. That's the tech news I

0:31:26.480 --> 0:31:30.880
<v Speaker 1>have for you Tuesday, January three. If you have suggestions

0:31:30.880 --> 0:31:33.120
<v Speaker 1>for topics I should cover in future episodes of tech Stuff,

0:31:33.120 --> 0:31:35.360
<v Speaker 1>please reach out to me. You can download the I

0:31:35.480 --> 0:31:38.200
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0:31:38.240 --> 0:31:41.120
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0:31:41.240 --> 0:31:42.960
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0:31:43.000 --> 0:31:44.680
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0:31:44.720 --> 0:31:47.400
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<v Speaker 1>to Twitter and send me a message using to handle

0:31:50.360 --> 0:31:54.000
<v Speaker 1>tech Stuff hs W and I'll talk to you again

0:31:54.720 --> 0:32:04.080
<v Speaker 1>really soon. Text Stuff is an I heart Radio production.

0:32:04.320 --> 0:32:07.120
<v Speaker 1>For more podcasts from I Heart Radio, visit the i

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