1 00:00:03,400 --> 00:00:10,000 Speaker 1: Motherfucking mini episode mini episode, motherfucking mini. 2 00:00:09,840 --> 00:00:10,520 Speaker 2: Ever sel. 3 00:00:13,720 --> 00:00:19,759 Speaker 3: Uh Millie Millie, Millie, Millie, Millie Milli a Milli. Yep, 4 00:00:19,920 --> 00:00:23,320 Speaker 3: there it is there it is. Ladies and gentlemen, Welcome 5 00:00:23,400 --> 00:00:26,599 Speaker 3: to another phenomenal episode of My Mama Told. 6 00:00:26,480 --> 00:00:30,160 Speaker 2: Me, the podcast where we dive deep into the pockets 7 00:00:30,200 --> 00:00:32,159 Speaker 2: of black conspiracy theories. 8 00:00:32,080 --> 00:00:35,720 Speaker 3: And we finally worked to approve the theories that you 9 00:00:36,000 --> 00:00:41,720 Speaker 3: the listener have at home. This is a motherfucking mini episode. 10 00:00:42,440 --> 00:00:44,000 Speaker 2: We did it, you idiots. 11 00:00:44,640 --> 00:00:47,240 Speaker 3: We did it, dumb dumbs. We we we made it 12 00:00:47,320 --> 00:00:50,559 Speaker 3: a whole the way to Thursday where you hear your 13 00:00:50,680 --> 00:00:57,760 Speaker 3: opinions read out loud by David. You're yeah, goddamn. I 14 00:00:57,880 --> 00:00:59,640 Speaker 3: know you have our pictures on your wall. 15 00:01:00,080 --> 00:01:00,240 Speaker 1: I know. 16 00:01:00,880 --> 00:01:04,000 Speaker 3: I know every morning you wake up and you say, 17 00:01:04,240 --> 00:01:07,160 Speaker 3: you say, God bless God, bless my grandma. I hope 18 00:01:07,240 --> 00:01:09,600 Speaker 3: she gets better, and God bless Langston and David for 19 00:01:09,800 --> 00:01:10,600 Speaker 3: just existing. 20 00:01:11,000 --> 00:01:13,040 Speaker 2: I know that you talk about us at the water 21 00:01:13,200 --> 00:01:18,400 Speaker 2: cooler with your work, husband or work. Come on and listen. 22 00:01:18,480 --> 00:01:20,360 Speaker 3: They don't give a ship about us, but they listen 23 00:01:20,400 --> 00:01:22,640 Speaker 3: because they trying to fuck you exactly. 24 00:01:23,840 --> 00:01:25,480 Speaker 2: Know it's so funny. 25 00:01:29,920 --> 00:01:32,360 Speaker 3: Laughing, but he's trying to he's trying to smash. 26 00:01:32,640 --> 00:01:35,200 Speaker 2: Yeah, yeah, like you won't be weird. We should go 27 00:01:35,280 --> 00:01:38,479 Speaker 2: see the show in Chicago. I heard the coming. I'm 28 00:01:38,520 --> 00:01:39,960 Speaker 2: not trying to funk. I just want to take my 29 00:01:40,040 --> 00:01:42,720 Speaker 2: work wife out on the date. No, I think your 30 00:01:42,800 --> 00:01:43,840 Speaker 2: husband will be fine with it. 31 00:01:43,959 --> 00:01:53,640 Speaker 3: We've met, We've met entertainment at nighttime, baby, unless we're 32 00:01:53,640 --> 00:01:54,200 Speaker 3: in Montreal. 33 00:01:54,360 --> 00:01:58,000 Speaker 2: Yeah, then we're very daytime there. It's like eleven. 34 00:01:59,000 --> 00:02:01,880 Speaker 3: Yeah, arguably the daytime you can be. It's gonna be 35 00:02:01,920 --> 00:02:04,960 Speaker 3: in Canada, but everywhere else we're fucking nighttime and you 36 00:02:05,080 --> 00:02:10,440 Speaker 3: will respect that. But Canadians come out, you hosers. Yeah, don't, don't. 37 00:02:10,880 --> 00:02:14,160 Speaker 3: Don't fuck around, whether your hosers or moose men. We 38 00:02:14,200 --> 00:02:15,440 Speaker 3: don't give a ship show up. 39 00:02:15,800 --> 00:02:18,960 Speaker 2: We'll eat some French fries and gravy. We'll call you bud. 40 00:02:19,080 --> 00:02:19,799 Speaker 2: I know you like that. 41 00:02:20,320 --> 00:02:20,519 Speaker 1: Yeah. 42 00:02:25,040 --> 00:02:27,840 Speaker 3: Will pretend to be friendlier than we are, y'all. You 43 00:02:27,919 --> 00:02:29,919 Speaker 3: ain't that fucking friendly? Nobody is. 44 00:02:30,400 --> 00:02:31,400 Speaker 2: I'm so sick of it. 45 00:02:32,160 --> 00:02:35,080 Speaker 3: And yeah, they really be trying to pretend like, oh, 46 00:02:35,200 --> 00:02:37,919 Speaker 3: we're just good, wholesome, but you killed indigenous people the 47 00:02:38,040 --> 00:02:39,320 Speaker 3: same way Americas did. 48 00:02:39,840 --> 00:02:42,440 Speaker 2: You pretending to be you want to give them to 49 00:02:42,560 --> 00:02:44,440 Speaker 2: white families to like the eighties. 50 00:02:44,840 --> 00:02:48,800 Speaker 3: Bro, now for nothing, your your leader, your prime minute? 51 00:02:48,800 --> 00:02:50,440 Speaker 3: What was the prime minister. 52 00:02:51,800 --> 00:02:52,640 Speaker 2: Chosen? Man? 53 00:02:53,040 --> 00:02:58,880 Speaker 3: The handsome One't that motherfucker's warn blackface more than any 54 00:02:59,120 --> 00:03:07,320 Speaker 3: other nation leader, including Trump. Ain't Joe Biden, who I 55 00:03:07,880 --> 00:03:12,240 Speaker 3: believe has also worn blackface. At least he's eighty five 56 00:03:12,440 --> 00:03:14,280 Speaker 3: years old, he's worn black face. 57 00:03:14,480 --> 00:03:17,200 Speaker 2: There was one time, like a high school spirit day or. 58 00:03:17,240 --> 00:03:19,679 Speaker 3: So, come on, he put on black face. And I 59 00:03:19,800 --> 00:03:21,840 Speaker 3: don't think that he meant it malicious. I think he 60 00:03:21,960 --> 00:03:24,639 Speaker 3: dressed up like that dude Pea Knuckle who lived down 61 00:03:24,720 --> 00:03:27,480 Speaker 3: the street, and he was like, yeah, I'm Pea Knuckle 62 00:03:27,720 --> 00:03:38,960 Speaker 3: this week or whatever what it is, Daddy, look like, Joe, 63 00:03:39,080 --> 00:03:42,000 Speaker 3: you're so good Addy doing it again? Yeah? And he's like, hey, 64 00:03:48,480 --> 00:03:51,880 Speaker 3: but nobody's done it more than justin Trudeau. That motherfucker 65 00:03:52,000 --> 00:03:53,120 Speaker 3: wear a black face. 66 00:03:53,720 --> 00:03:55,960 Speaker 2: And just just to put my man Biden out, if 67 00:03:56,000 --> 00:03:58,320 Speaker 2: you give me eighty five years, I'll probably have done 68 00:03:58,360 --> 00:03:59,320 Speaker 2: black face at least once. 69 00:03:59,480 --> 00:04:02,480 Speaker 3: Well, come on, man, I'm not mad at him. No, 70 00:04:02,800 --> 00:04:04,080 Speaker 3: that's not gonna change my vote. 71 00:04:04,480 --> 00:04:05,440 Speaker 2: It was a different time. 72 00:04:06,040 --> 00:04:08,600 Speaker 3: Now do I want to vote for him again? I don't, 73 00:04:08,720 --> 00:04:12,520 Speaker 3: but I will. And subsequently, the blackface won't put me 74 00:04:12,600 --> 00:04:15,280 Speaker 3: off of it anymore than him being the oldest man 75 00:04:15,360 --> 00:04:15,960 Speaker 3: alive will. 76 00:04:16,279 --> 00:04:19,440 Speaker 2: And freedom isn't free. So in a democracy, sometimes you 77 00:04:19,520 --> 00:04:21,799 Speaker 2: gotta make difficult choices. 78 00:04:22,440 --> 00:04:24,680 Speaker 3: Sometimes your leaders got to wear a black face just 79 00:04:24,800 --> 00:04:27,320 Speaker 3: so you can keep your grocery stored normal. 80 00:04:27,760 --> 00:04:27,920 Speaker 1: You know. 81 00:04:28,560 --> 00:04:31,440 Speaker 2: That's it, y'all. I think we wrapped this up. 82 00:04:31,680 --> 00:04:34,800 Speaker 3: I've been David bo I'm Lang's increment. 83 00:04:37,839 --> 00:04:40,400 Speaker 2: We we do have an email to get We have 84 00:04:40,520 --> 00:04:41,040 Speaker 2: an email. 85 00:04:41,160 --> 00:04:44,000 Speaker 3: We got an email from a person named Dashaun. Deshaun 86 00:04:44,160 --> 00:04:48,120 Speaker 3: sent us an email called the title. The subject line 87 00:04:48,279 --> 00:04:53,800 Speaker 3: was conspiracy about my Angelou. Very very sort of vague 88 00:04:54,040 --> 00:04:57,239 Speaker 3: and a little it feels like we're going into something 89 00:04:57,279 --> 00:05:01,880 Speaker 3: a little scary when we do this. But yeah, Deshaun said, 90 00:05:01,920 --> 00:05:04,880 Speaker 3: Hey David in Langston. I put David first, because nobody 91 00:05:04,960 --> 00:05:05,400 Speaker 3: ever does. 92 00:05:05,960 --> 00:05:08,000 Speaker 2: Hell. Yeah, I appreciate you, thank you. 93 00:05:08,920 --> 00:05:12,080 Speaker 3: Yeah, now, let's not make that a trend everybody. I think, 94 00:05:15,640 --> 00:05:18,160 Speaker 3: let's keep our priorities straight. But yeah, let the man 95 00:05:18,320 --> 00:05:18,839 Speaker 3: feel good. 96 00:05:21,040 --> 00:05:22,599 Speaker 2: I don't think what I could get over here, you know. 97 00:05:24,600 --> 00:05:27,360 Speaker 3: But Deshaun said, I have a conspiracy. Me and my 98 00:05:27,600 --> 00:05:30,640 Speaker 3: lady were discussing after listening to an old episode where 99 00:05:30,680 --> 00:05:34,560 Speaker 3: y'all talked about the Maya Angelou Timbaland poem. Bory, were 100 00:05:34,600 --> 00:05:36,480 Speaker 3: you around for that, dude? Were you aware? 101 00:05:37,240 --> 00:05:41,200 Speaker 2: So talking about like the sneakers are like, uh. 102 00:05:42,600 --> 00:05:49,239 Speaker 3: You know the producer. Yeah, now, Maya Angela wasn't writing 103 00:05:49,279 --> 00:05:54,240 Speaker 3: any poems about the producer Timberland. But this there was 104 00:05:54,279 --> 00:05:59,960 Speaker 3: an episode where someone was suggesting that Timberland's were secret 105 00:06:00,040 --> 00:06:04,520 Speaker 3: really run by the KKK. And part of where that 106 00:06:04,800 --> 00:06:08,760 Speaker 3: came from in sort of researching, was discovering that there 107 00:06:09,040 --> 00:06:13,240 Speaker 3: was a poem that circulated in the early nineties, late 108 00:06:13,320 --> 00:06:17,840 Speaker 3: two thousands. I can't quite remember where someone pretended to 109 00:06:18,040 --> 00:06:24,240 Speaker 3: be Maya Angelou writing a poem suggesting about the KKK's 110 00:06:24,320 --> 00:06:29,960 Speaker 3: secret ties to the Timberland brand. Okay, and it was not, 111 00:06:30,160 --> 00:06:33,320 Speaker 3: in fact Maya Angelou and it was not a good poem. 112 00:06:33,520 --> 00:06:37,599 Speaker 2: But of course, also these cs are poor man, Yeah, 113 00:06:38,000 --> 00:06:39,040 Speaker 2: they got it like that. 114 00:06:39,880 --> 00:06:42,920 Speaker 3: They don't they don't have Timberland money. Timberlands are actually 115 00:06:43,000 --> 00:06:46,640 Speaker 3: pretty expensive boots, and they're they're not making very much 116 00:06:46,760 --> 00:06:47,960 Speaker 3: profit at this point. 117 00:06:48,160 --> 00:06:51,880 Speaker 2: It's expensive for the bad Timberlands. The roadtops, uh huh, 118 00:06:52,160 --> 00:06:53,599 Speaker 2: the uncircumcised. 119 00:06:58,360 --> 00:07:00,479 Speaker 3: Well, they all British Dick. 120 00:07:03,279 --> 00:07:06,440 Speaker 2: Oh Man, there's nothing worse than somebody with some off brand, 121 00:07:07,000 --> 00:07:09,400 Speaker 2: like with the tyms that aren't tims, Like you're just 122 00:07:09,520 --> 00:07:13,040 Speaker 2: like why, yeah, why didn't have to do Yeah? 123 00:07:13,680 --> 00:07:17,080 Speaker 3: No, it's it's similar, it's similar vibes to Team Jordan. 124 00:07:17,200 --> 00:07:20,360 Speaker 3: But it almost feels like you're you're almost in a 125 00:07:20,600 --> 00:07:23,680 Speaker 3: worst kind of dark because at least with Team Jordan's, 126 00:07:24,160 --> 00:07:27,520 Speaker 3: I know, you know what you have, and you just 127 00:07:27,680 --> 00:07:29,480 Speaker 3: got what you could get, you know what i mean, 128 00:07:29,640 --> 00:07:31,760 Speaker 3: Like your mom took you the foot locker. She was like, 129 00:07:31,880 --> 00:07:33,760 Speaker 3: I ain't got Jordan's money. And you were like, but 130 00:07:33,920 --> 00:07:36,920 Speaker 3: do you have these Jordans money, And she was like, yeah, 131 00:07:36,920 --> 00:07:39,440 Speaker 3: I could do that. I also now you're in Team 132 00:07:39,520 --> 00:07:41,880 Speaker 3: Jordan's and I also think, and this is gonna people 133 00:07:41,880 --> 00:07:42,600 Speaker 3: are gonna get mad at me. 134 00:07:42,840 --> 00:07:45,120 Speaker 2: I think there was a couple of years there where 135 00:07:45,160 --> 00:07:47,600 Speaker 2: Team Jordan's were completely acceptable there. 136 00:07:47,800 --> 00:07:51,120 Speaker 3: Before Team Jordans expanded all the way to like, uh 137 00:07:51,880 --> 00:07:54,760 Speaker 3: every member of the team Team Jordan's were pretty cool. 138 00:07:55,000 --> 00:07:57,680 Speaker 2: That's what I'm saying. There was there was a little 139 00:07:57,800 --> 00:08:00,680 Speaker 2: bit of time where it was okay, especially if you 140 00:08:00,800 --> 00:08:04,600 Speaker 2: also had the Jordan's shorts for a series of risk bands. 141 00:08:04,640 --> 00:08:07,040 Speaker 3: You can get away with that, yeah, yeah, Then then 142 00:08:07,200 --> 00:08:11,160 Speaker 3: Jordan's started like he gave it to like the third 143 00:08:11,240 --> 00:08:13,240 Speaker 3: guy off the bench, and he was like, you got 144 00:08:13,320 --> 00:08:15,880 Speaker 3: a sponsorship too, and it's like, oh man, he's on 145 00:08:15,960 --> 00:08:16,320 Speaker 3: the team. 146 00:08:16,680 --> 00:08:19,280 Speaker 2: I can't And I was like baseball players and You're like, 147 00:08:19,320 --> 00:08:19,640 Speaker 2: I don't know. 148 00:08:20,120 --> 00:08:23,680 Speaker 3: Yeah, It's like, I look, I'm a big fan of 149 00:08:24,160 --> 00:08:27,600 Speaker 3: Blake Griffin, but but him having a signature shoe that 150 00:08:27,800 --> 00:08:31,000 Speaker 3: is associated with Team Jordan doesn't feel correct. I think 151 00:08:31,040 --> 00:08:32,360 Speaker 3: I got to go in a different direction. 152 00:08:32,600 --> 00:08:34,800 Speaker 2: I feel like they had like Apollo Ono on there 153 00:08:34,840 --> 00:08:35,320 Speaker 2: for a while. 154 00:08:39,400 --> 00:08:47,040 Speaker 4: David West, Okay, okay, it's a solid big but okay, 155 00:08:47,840 --> 00:08:49,800 Speaker 4: I think we're doing a lot here. 156 00:08:49,920 --> 00:08:53,280 Speaker 2: Michael. Yeah, this feels like bad that I have to 157 00:08:53,360 --> 00:08:54,880 Speaker 2: wear these Theo rat lips but. 158 00:09:00,240 --> 00:09:05,480 Speaker 3: Catch me and nose Eric's knows this summer man. But anyway, 159 00:09:06,040 --> 00:09:09,280 Speaker 3: I think that is what Deshaun is referencing with the 160 00:09:09,400 --> 00:09:13,120 Speaker 3: Maya Angelou Timberland poem that said her mom told her 161 00:09:13,200 --> 00:09:17,439 Speaker 3: that Maya Angelou doesn't actually talk like that, but that 162 00:09:17,679 --> 00:09:20,680 Speaker 3: was her performance voice, and then she got too famous 163 00:09:20,760 --> 00:09:23,640 Speaker 3: and had to keep it up. For appearances, similar to 164 00:09:23,840 --> 00:09:26,640 Speaker 3: Stevie Wonder not being blind but having to maintain the 165 00:09:26,760 --> 00:09:29,920 Speaker 3: facade because he was so famous. The more we talked 166 00:09:29,920 --> 00:09:32,000 Speaker 3: about it, the more it made sense because ain't no 167 00:09:32,120 --> 00:09:35,240 Speaker 3: way Maya was using that voice in her younger years 168 00:09:35,280 --> 00:09:38,240 Speaker 3: as a sex worker. Loved the pod. Thanks for making 169 00:09:38,320 --> 00:09:40,120 Speaker 3: me laugh when I'm a bullshit, I don't want to 170 00:09:40,160 --> 00:09:40,760 Speaker 3: do DeShawn. 171 00:09:41,360 --> 00:09:43,800 Speaker 2: So what we have here is a Michael Blason paradox 172 00:09:43,920 --> 00:09:49,240 Speaker 2: on our hands. Oh, Olivia, edit that out. I'm actually 173 00:09:49,280 --> 00:09:50,640 Speaker 2: still trying to work in this business. 174 00:09:51,120 --> 00:09:54,360 Speaker 3: Now, you get on. Michael Blackson ain't gonna be the 175 00:09:55,559 --> 00:10:03,600 Speaker 3: he wasn't gonna let me. You'll never say this motherfucker 176 00:10:03,760 --> 00:10:07,320 Speaker 3: around around the Philadelphia area. 177 00:10:07,960 --> 00:10:09,679 Speaker 2: Try I didn't I suck out. 178 00:10:18,320 --> 00:10:20,959 Speaker 3: I do think that is a great way of framing this, 179 00:10:21,080 --> 00:10:23,080 Speaker 3: and maybe this should be the title of the episode, 180 00:10:23,120 --> 00:10:27,440 Speaker 3: as the Michael Blaxon paradox is. We are talking about 181 00:10:27,480 --> 00:10:30,679 Speaker 3: the possibility of which came first, the accent or the 182 00:10:31,800 --> 00:10:33,080 Speaker 3: identity the person. 183 00:10:33,400 --> 00:10:37,960 Speaker 2: And I mean, I I sort of hate I don't 184 00:10:37,960 --> 00:10:41,600 Speaker 2: want to besmirch my Angelou, but I do I get 185 00:10:42,240 --> 00:10:45,520 Speaker 2: where I kind of think I might be on board 186 00:10:45,559 --> 00:10:49,480 Speaker 2: with this one. It's a very specific speech pattern and 187 00:10:49,600 --> 00:10:54,480 Speaker 2: intonation that she's using that. And this is gonna sound 188 00:10:54,679 --> 00:10:58,200 Speaker 2: crazy that I don't think you're shared by many sex workers. 189 00:10:58,920 --> 00:11:03,719 Speaker 3: Yeah, and I think maybe for a good reason, right, Like, 190 00:11:04,400 --> 00:11:06,600 Speaker 3: and there's a lot of things I appreciate from hearing 191 00:11:06,679 --> 00:11:14,160 Speaker 3: my angelousia job. None of it's ever made me horny, 192 00:11:14,240 --> 00:11:14,800 Speaker 3: you know what I mean. 193 00:11:15,160 --> 00:11:15,680 Speaker 2: I'm never. 194 00:11:17,920 --> 00:11:20,880 Speaker 3: I've never once spelled horny or after hearing her talk. 195 00:11:21,320 --> 00:11:23,720 Speaker 2: Man, we have a lot of episodes where I feel 196 00:11:23,760 --> 00:11:26,719 Speaker 2: like we cross lines or whatever. Yeah, I think this 197 00:11:26,880 --> 00:11:27,560 Speaker 2: is a big one. 198 00:11:28,040 --> 00:11:30,120 Speaker 3: Do you think we're going too far by being like 199 00:11:30,240 --> 00:11:31,200 Speaker 3: my angelus, No. 200 00:11:31,240 --> 00:11:33,480 Speaker 2: We're telling the truth because it doesn't make me horny 201 00:11:33,559 --> 00:11:35,360 Speaker 2: as well, it's it makes it go inside. 202 00:11:35,840 --> 00:11:40,080 Speaker 3: Yeah, yeah, it is a full turtle scare turtle, that situation. 203 00:11:40,360 --> 00:11:42,360 Speaker 2: If you hear your voice and you think about your dick, 204 00:11:42,480 --> 00:11:48,040 Speaker 2: you are fucked up, like because yeah, it's and that's 205 00:11:48,120 --> 00:11:51,920 Speaker 2: probably speaking to it. Maybe that's probably why she adopted that, right, 206 00:11:52,000 --> 00:11:56,680 Speaker 2: It's like the most serious. It's a very serious because 207 00:11:56,760 --> 00:11:59,760 Speaker 2: like you can't imagine that, you can't imagine her saying 208 00:12:00,040 --> 00:12:02,480 Speaker 2: oh stuff, yeah, and and that. 209 00:12:02,840 --> 00:12:05,719 Speaker 3: To your point, that's not what she wants anymore. She 210 00:12:05,840 --> 00:12:08,319 Speaker 3: wants to be taken seriously. She wants to sort of 211 00:12:08,400 --> 00:12:11,520 Speaker 3: have her words be treated with a a level of 212 00:12:11,679 --> 00:12:15,360 Speaker 3: value and revelry. And and you can't get that if 213 00:12:15,440 --> 00:12:17,360 Speaker 3: you talk like one of them ladies on the one 214 00:12:17,440 --> 00:12:18,800 Speaker 3: eight hundred phone numbers. 215 00:12:19,080 --> 00:12:21,800 Speaker 2: What if though her like secret sexy voice was like great, 216 00:12:21,880 --> 00:12:24,480 Speaker 2: what if she just like talked like pinky in the bedroom. 217 00:12:27,120 --> 00:12:28,080 Speaker 2: It's pinky Okay. 218 00:12:29,200 --> 00:12:32,040 Speaker 3: I think she's okay. I think I think the Internet 219 00:12:32,160 --> 00:12:35,160 Speaker 3: is being pretty mean to her right now. They sort 220 00:12:35,200 --> 00:12:39,120 Speaker 3: of have uncovered a bunch of videos of her now 221 00:12:39,320 --> 00:12:43,719 Speaker 3: what like forty five or whatever, and larger than she was. 222 00:12:43,880 --> 00:12:46,280 Speaker 3: She's she's a bigger gal than she used to be, 223 00:12:46,800 --> 00:12:49,000 Speaker 3: and they're they're being pretty mean about it. But that 224 00:12:49,559 --> 00:12:50,560 Speaker 3: I think she did great? 225 00:12:50,720 --> 00:12:53,520 Speaker 2: Man? Did she? I mean, I don't think that's a debate. 226 00:12:54,120 --> 00:12:56,520 Speaker 3: She she really set the tone for a lot of 227 00:12:57,400 --> 00:13:00,120 Speaker 3: a lot of us out there who needed it. 228 00:13:00,200 --> 00:13:00,920 Speaker 2: When we needed it. 229 00:13:01,080 --> 00:13:06,840 Speaker 3: And and now she gets the rest so rich now, 230 00:13:06,960 --> 00:13:08,880 Speaker 3: g I don't think she's even that rich. I think 231 00:13:08,920 --> 00:13:11,240 Speaker 3: she'd be at like Planet Fitness with this ship, but. 232 00:13:12,160 --> 00:13:14,840 Speaker 2: That's just because she supports the culture. Don't do that fitness. 233 00:13:15,000 --> 00:13:17,840 Speaker 3: I think she stayed loyal to something, and I don't 234 00:13:17,920 --> 00:13:19,760 Speaker 3: I don't know what that something is, but I will 235 00:13:19,880 --> 00:13:22,719 Speaker 3: say I think Pinky's okay. I think she's doing good. 236 00:13:22,720 --> 00:13:23,480 Speaker 2: Shout out to Pinky. 237 00:13:23,679 --> 00:13:26,000 Speaker 3: Shout out to Pinky, and more importantly, shout out to 238 00:13:26,040 --> 00:13:29,920 Speaker 3: Maya Angelou. We don't mean to be disrespectful. No, we 239 00:13:30,040 --> 00:13:33,599 Speaker 3: do consider the possibility that your voice is maybe a 240 00:13:33,679 --> 00:13:35,319 Speaker 3: little put on up in heaven. 241 00:13:35,440 --> 00:13:36,920 Speaker 2: And I think that's okay. I think that's good. I 242 00:13:36,960 --> 00:13:39,120 Speaker 2: don't think there's anything wrong with that. 243 00:13:39,640 --> 00:13:42,280 Speaker 3: That was my feeling inside of this is that I 244 00:13:42,480 --> 00:13:46,760 Speaker 3: don't mind a showman. I think that that maybe some 245 00:13:46,960 --> 00:13:51,200 Speaker 3: of that is a necessary quality for making a great artist. 246 00:13:51,360 --> 00:13:55,079 Speaker 3: I don't know that DMX had to talk like that 247 00:13:56,120 --> 00:13:59,839 Speaker 3: all the time. I think I think some of that 248 00:14:00,920 --> 00:14:04,800 Speaker 3: was being like, well, my name is Earl, so I 249 00:14:04,960 --> 00:14:10,480 Speaker 3: gotta do something to really push this into a finished product, 250 00:14:10,559 --> 00:14:11,199 Speaker 3: do you know what I mean? 251 00:14:11,400 --> 00:14:14,760 Speaker 2: I think all rappers, I mean, we can't. Let's not 252 00:14:14,880 --> 00:14:17,359 Speaker 2: look to rappers for telling the truth in anything. 253 00:14:17,640 --> 00:14:21,240 Speaker 3: You know, And I I don't think you're gonna feel 254 00:14:21,240 --> 00:14:24,000 Speaker 3: as warmly about it as as I do. But Drake, 255 00:14:24,600 --> 00:14:27,400 Speaker 3: we listen to him change his voice all the time. 256 00:14:27,560 --> 00:14:31,720 Speaker 3: He pretty much. He's honest where he'll like pretend to 257 00:14:31,760 --> 00:14:34,400 Speaker 3: be Jamaican and then do an interview where he talks 258 00:14:34,600 --> 00:14:39,520 Speaker 3: like fucking Brian Seacrest and we just accept that, like, oh, 259 00:14:39,600 --> 00:14:42,320 Speaker 3: this that's what he does. He does both. 260 00:14:42,720 --> 00:14:46,960 Speaker 2: And also who hasn't amongst friends pretended to be Jamaican. 261 00:14:49,280 --> 00:14:51,360 Speaker 3: We just did it at the beginning of this episode. 262 00:14:51,520 --> 00:14:52,840 Speaker 2: I do it frequently. 263 00:14:58,840 --> 00:15:01,600 Speaker 3: Yeah, I think I think Drake is like, I don't 264 00:15:01,600 --> 00:15:04,320 Speaker 3: even talk like this. I watched an interview with him 265 00:15:04,320 --> 00:15:07,000 Speaker 3: where he said, I don't even be calling ladies bitches. 266 00:15:07,040 --> 00:15:09,120 Speaker 3: I don't use that word in my regular life. It's 267 00:15:09,200 --> 00:15:11,480 Speaker 3: just fun for my music, I you. 268 00:15:11,560 --> 00:15:14,280 Speaker 2: Know, And that's where we're at, and that's it's entertainment, 269 00:15:14,440 --> 00:15:17,000 Speaker 2: you know what I mean, it's entertainment. Well she was education. 270 00:15:17,360 --> 00:15:25,000 Speaker 2: I guess that's not fair, but she's it's very serious. Yeah. 271 00:15:25,040 --> 00:15:27,920 Speaker 2: I ultimately I think it's fine. If you're gonna let 272 00:15:28,000 --> 00:15:31,360 Speaker 2: Madonna go British after fifty years, we can let Mile 273 00:15:31,440 --> 00:15:32,880 Speaker 2: Angelou go whatever that was. 274 00:15:33,760 --> 00:15:36,880 Speaker 3: And I will say I and maybe this is my 275 00:15:37,080 --> 00:15:41,280 Speaker 3: own sort of like I guess bigotry or I'm being unfair. 276 00:15:41,520 --> 00:15:44,840 Speaker 3: I'm much less receiving of it from white people than 277 00:15:44,920 --> 00:15:48,040 Speaker 3: I am from black artists, you know what I mean. Like, 278 00:15:48,200 --> 00:15:50,720 Speaker 3: I don't like that Madonna pretended to be British. It 279 00:15:50,840 --> 00:15:54,720 Speaker 3: feels wrong to me, in part because she's adopting these 280 00:15:54,800 --> 00:15:57,800 Speaker 3: black babies and pretending to be British. It all just 281 00:15:57,920 --> 00:16:01,760 Speaker 3: feels like some sort of like like she's doing colonialism 282 00:16:02,080 --> 00:16:03,840 Speaker 3: cosplay in a way that I don't like. 283 00:16:04,560 --> 00:16:06,200 Speaker 2: It also kind of feels like it comes from a 284 00:16:06,240 --> 00:16:08,680 Speaker 2: place of like lack of lack of sense of self. 285 00:16:09,280 --> 00:16:12,360 Speaker 2: And you don't ever feel like Maya Angelou that was 286 00:16:13,000 --> 00:16:15,600 Speaker 2: you know what I'm saying. No part of her seemed 287 00:16:15,640 --> 00:16:19,360 Speaker 2: insecure about who she was or what her place was 288 00:16:19,400 --> 00:16:21,520 Speaker 2: in this world or anything like that. So it's like 289 00:16:21,600 --> 00:16:24,640 Speaker 2: it definitely doesn't feel like it comes from that. Whereas, yeah, 290 00:16:24,640 --> 00:16:27,120 Speaker 2: we didn't need to know that Maya Angelou was a 291 00:16:27,200 --> 00:16:32,080 Speaker 2: sex worker. She told us that exactly like she shared 292 00:16:32,160 --> 00:16:34,280 Speaker 2: that with us because that was part of her journey. 293 00:16:34,400 --> 00:16:36,600 Speaker 2: She wasn't pinky, it wasn't documented. 294 00:16:36,800 --> 00:16:40,680 Speaker 3: This was just a lady who survived through a thing 295 00:16:40,840 --> 00:16:42,320 Speaker 3: that she didn't want to do, and then at the 296 00:16:42,360 --> 00:16:44,080 Speaker 3: point that she was able to get out of it, 297 00:16:44,560 --> 00:16:48,640 Speaker 3: she had like the awareness to reflect on it and 298 00:16:48,800 --> 00:16:53,000 Speaker 3: share the value of what it helped create inside of her. 299 00:16:53,680 --> 00:16:56,080 Speaker 2: No, you're correct, But all I can do on an 300 00:16:56,120 --> 00:16:59,040 Speaker 2: now in my mind is imagine what the venn diagram 301 00:16:59,160 --> 00:17:05,399 Speaker 2: of may Angelou and well, like maybe they had a 302 00:17:05,440 --> 00:17:07,440 Speaker 2: lot more in common than you would think. 303 00:17:08,160 --> 00:17:10,960 Speaker 5: I do like the idea of an image where it's 304 00:17:11,119 --> 00:17:15,360 Speaker 5: just my Angelou tworking and Pinky toworking, and it's two 305 00:17:15,440 --> 00:17:19,600 Speaker 5: circles ven diagrammed dumb butt cheeks are the ven diagram. 306 00:17:19,240 --> 00:17:21,920 Speaker 2: You know what I mean? If some listener could make 307 00:17:22,040 --> 00:17:22,720 Speaker 2: that for us. 308 00:17:22,880 --> 00:17:25,760 Speaker 3: Yeah, so, and again I'll break it all down. We're 309 00:17:25,800 --> 00:17:28,040 Speaker 3: seeing butts from my Angelou. 310 00:17:28,240 --> 00:17:28,640 Speaker 2: Her face. 311 00:17:28,760 --> 00:17:31,240 Speaker 3: She's looking back at it, so you know it's my Angelou. 312 00:17:31,640 --> 00:17:34,200 Speaker 3: And then we're saying pinky. Of course she's looking back 313 00:17:34,240 --> 00:17:37,280 Speaker 3: at it as this traditional or would you look where 314 00:17:37,320 --> 00:17:39,800 Speaker 3: else would you look? And then one of the butt 315 00:17:39,920 --> 00:17:44,600 Speaker 3: cheeks is ven diagrammed in the middle, and and that 316 00:17:44,800 --> 00:17:47,080 Speaker 3: if you could go ahead and mock that up for 317 00:17:47,240 --> 00:17:48,960 Speaker 3: us asap, that that'd be huge. 318 00:17:49,400 --> 00:17:51,680 Speaker 2: This might be revolutionary. I don't know if the internet. 319 00:17:53,119 --> 00:17:57,600 Speaker 2: We're going to break the internet? Thought she did it? 320 00:17:58,040 --> 00:18:01,480 Speaker 3: Move over. Kim Kardashian a pro opriating things from black 321 00:18:01,520 --> 00:18:10,520 Speaker 3: women that we learned about later. This is real innovation. 322 00:18:10,800 --> 00:18:15,080 Speaker 3: This is real invention. You stupid as mean, bad lady. 323 00:18:15,640 --> 00:18:17,560 Speaker 2: I like it. I think that's I think that's a 324 00:18:17,560 --> 00:18:19,359 Speaker 2: good wrap up. I think we've covered all the ground 325 00:18:19,400 --> 00:18:21,600 Speaker 2: we can cover here right now. I think we did it. 326 00:18:21,880 --> 00:18:26,760 Speaker 3: This is, hopefully, Deshaun, everything you needed to feel satisfied. 327 00:18:26,880 --> 00:18:30,320 Speaker 3: We think it's true that the voice was probably put on, 328 00:18:30,480 --> 00:18:34,639 Speaker 3: but more importantly, that's perfectly okay. And what a great 329 00:18:34,840 --> 00:18:39,440 Speaker 3: choice for a put on voice from an exceptionally talented 330 00:18:40,040 --> 00:18:44,040 Speaker 3: life changing person. Hell yeah, we did it. 331 00:18:44,680 --> 00:18:45,119 Speaker 2: We did it. 332 00:18:45,400 --> 00:18:47,119 Speaker 3: Could you tell the people where they could find you? 333 00:18:47,240 --> 00:18:48,480 Speaker 3: What cool shit you have going on? 334 00:18:48,800 --> 00:18:51,800 Speaker 2: Cool guy jokes eighty seven on Instagram. I'm going out 335 00:18:51,840 --> 00:18:53,880 Speaker 2: on tour. You're gonna see all the dates up there 336 00:18:54,000 --> 00:18:57,840 Speaker 2: on the website. Come out, buy a ticket, see my hour. 337 00:18:58,160 --> 00:19:00,720 Speaker 2: Let me buy my kids shoes? Come on, man, this 338 00:19:00,880 --> 00:19:04,320 Speaker 2: kid is barefoot. Baby needs it. I just found out 339 00:19:04,320 --> 00:19:07,520 Speaker 2: about them a week ago. He's not happy about it, 340 00:19:07,600 --> 00:19:10,639 Speaker 2: but he's I'm not paying child support. 341 00:19:10,720 --> 00:19:10,840 Speaker 1: Them. 342 00:19:13,280 --> 00:19:15,399 Speaker 2: Shoes are a form of support, aren't you. 343 00:19:16,600 --> 00:19:20,639 Speaker 3: Come on, and what's more supportive than our shoes? As always, 344 00:19:20,720 --> 00:19:24,159 Speaker 3: you can follow me at Langston Kerman and I have 345 00:19:24,320 --> 00:19:27,720 Speaker 3: some some cool dates coming up, but more importantly, we 346 00:19:28,200 --> 00:19:31,159 Speaker 3: are going on tour with My mama told me. We 347 00:19:31,280 --> 00:19:33,840 Speaker 3: are going to be announcing it in a formal sense 348 00:19:34,080 --> 00:19:36,879 Speaker 3: very soon, and keep your eye out because we'll be 349 00:19:36,960 --> 00:19:39,560 Speaker 3: coming to a city near you. And if we ain't, 350 00:19:40,160 --> 00:19:43,760 Speaker 3: we ain't, but we'll figure it out someday, and we. 351 00:19:43,840 --> 00:19:45,960 Speaker 2: Might have some merch for that ass. We're gonna have 352 00:19:46,080 --> 00:19:46,480 Speaker 2: some merch. 353 00:19:46,760 --> 00:19:49,440 Speaker 3: What kind of merch still to be decided, but there's 354 00:19:49,440 --> 00:19:52,639 Speaker 3: gonna be some merch for purchase. And then, finally, if 355 00:19:52,680 --> 00:19:56,359 Speaker 3: you wanna follow the instagram my mama told me pod 356 00:19:57,000 --> 00:20:01,199 Speaker 3: on Instagram, we would love to get that account, as 357 00:20:01,800 --> 00:20:04,480 Speaker 3: the kids said in two thousand and eight. And then, 358 00:20:05,000 --> 00:20:07,520 Speaker 3: most importantly, if you want to send us your own drops, 359 00:20:07,560 --> 00:20:11,679 Speaker 3: your own conspiracy theories, if you want to come up 360 00:20:11,720 --> 00:20:15,800 Speaker 3: with other kinds of in diagrams of women twerking, send 361 00:20:15,840 --> 00:20:18,879 Speaker 3: it all to mymama Pod at gmail dot com. We 362 00:20:18,960 --> 00:20:22,720 Speaker 3: would love to hear from you. That's about it, bye, bitch. 363 00:20:23,280 --> 00:20:26,159 Speaker 4: I'd rather check myself before I wreck myself. 364 00:20:29,880 --> 00:20:41,200 Speaker 1: Motherfucking miniyea sol Mini episode, motherfucking Mini ever Sel, motherfucking 365 00:20:41,320 --> 00:20:47,480 Speaker 1: Mini ever Self Mini episode Wetherfucking Mini ever Sel