WEBVTT - Scream with Joan Ford

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<v Speaker 1>On the beck Dol Cast, the questions asked if movies

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<v Speaker 1>have women in them, are all their discussions just boyfriends

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<v Speaker 1>and husbands, or do they have individualism the patriarchy? Zef

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<v Speaker 1>invest start changing it with the Bechdel Cast. Hello and

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<v Speaker 1>welcome to the Bechtel Cast. My name is Caitlin Dronte

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<v Speaker 1>Jamie Loftus, and we talk about the portrayal women in movie,

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<v Speaker 1>but mostly on this podcast. Actually that's maybe maybe it's

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<v Speaker 1>an even split at this point. Yeah. We're always texting

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<v Speaker 1>each other being like, hey, did you see this movie?

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<v Speaker 1>What you think? And usually I'm like I didn't see it,

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<v Speaker 1>and then you're like, okay, let's hang out. Yeah that's fun.

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<v Speaker 1>That's a nice little friendship. Yeah, it's really really wonderful.

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<v Speaker 1>That's good. Um, So we use the Bechdel Test, a

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<v Speaker 1>test evented by cartoonist Ales and Betel. So we use

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<v Speaker 1>the Bechtel dost is jumping off point to take a

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<v Speaker 1>look at some of your favorite movies. Our definition of

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<v Speaker 1>that is uh scene in a piece of media must

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<v Speaker 1>include two female identifying characters with names who talk about

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<v Speaker 1>something other than a man for more than two lines

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<v Speaker 1>of dialogue. I think it would be easy, you would think,

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<v Speaker 1>and yet you would be interesting is to like crunch

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<v Speaker 1>like one of those A FI lists or something, and

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<v Speaker 1>figure out how many of those movies actually uh it's

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<v Speaker 1>like or less. That seems reasonable. Yeah. I also there

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<v Speaker 1>was something someone tweeted us this morning. When then we'll

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<v Speaker 1>get into the episodic promise. But someone who just listened

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<v Speaker 1>to our bendit like Beckham episode, and they tweeted this

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<v Speaker 1>stray thought that's really been haunting me, which is like,

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<v Speaker 1>what a season to be haunted? Hated? Okay, but he

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<v Speaker 1>tweeted at us that he could think, off the top

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<v Speaker 1>of his head more sports movies that starred animals than

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<v Speaker 1>started human women. Yeah. I think we talked about that

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<v Speaker 1>in that episode. Maybe he's just quoting us, maybe we're geniuses.

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<v Speaker 1>But I was like, oh my god, he's so smart.

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<v Speaker 1>Maybe we're so smart, right, because we talked about like

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<v Speaker 1>air Bud and then various air Bud spin off. My

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<v Speaker 1>favorite m v P Most Valuable Primate, Yes, the Hockey movie.

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<v Speaker 1>I love that one. Oh god, you I mean you

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<v Speaker 1>say that and then you're like, but I do want

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<v Speaker 1>to see a monkey play a goalie. So I guess

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<v Speaker 1>we just need more movies with women and more movies

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<v Speaker 1>with animals and less movies with men. That's what I meant.

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<v Speaker 1>Yes anyways, and speaking of, you know, being horrified at

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<v Speaker 1>the representation of women in film, Yeah, yeah, where you

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<v Speaker 1>go with this? Let's go shopping is what I was

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<v Speaker 1>going to suggesting. So, yes, let us talk about the

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<v Speaker 1>movie we're here to talk about today, But first, why

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<v Speaker 1>don't we introduce our guests. She is a writer on

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<v Speaker 1>ThunderCats Roar on Cartoon Network, also a writer on Yapadaba

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<v Speaker 1>Dinosaurs on Boomerang, and performs regularly at U C b

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<v Speaker 1>l A. Joan Ford say next year, all those shows

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<v Speaker 1>will out next year. Yeah, so be on the lookout.

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<v Speaker 1>Don't stop looking out, never stop your TV two into

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<v Speaker 1>Cartoon Network, your day and your perch, your little crow's nest, Titanic,

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<v Speaker 1>keep your eyes on the horizon for new media. My

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<v Speaker 1>mom always used to say to me when I was younger,

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<v Speaker 1>to be alert and aware, which I think both applies

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<v Speaker 1>to you know specifically and only that, But she was

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<v Speaker 1>also like, you know, stay safe, be aware of your surroundings,

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<v Speaker 1>and be alert, which applies to horror movies too. Yeah,

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<v Speaker 1>you're like, you've got nineteen different Segways and loaded today.

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<v Speaker 1>There it's my segway of life. You're like Paul because

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<v Speaker 1>you love segways. Oh, because they should come up with

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<v Speaker 1>a new Paul Blart where he gets into birds. Oh god,

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<v Speaker 1>the Pratt Falls Paul Blart would do off a bird scooter.

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<v Speaker 1>I tell you not to encourage more movies starring Kevin James. Right,

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<v Speaker 1>although maybe it's time for like a female Paul Art.

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<v Speaker 1>Maybe it's time to gender gender swap. That franchise is. Yeah,

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<v Speaker 1>kind of unbelievable that we're the first person to think

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<v Speaker 1>of that. I feel like a high school that's already

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<v Speaker 1>was like a high school. There's YouTube video what if

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<v Speaker 1>PAULA Blart? And so wait, what's the movie today? Well,

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<v Speaker 1>speaking of strong female protagonists, we're talking about Scream, the

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<v Speaker 1>first one directed by Wes Anderson from nineteen nine six

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<v Speaker 1>No Wake. What did I say that Anderson is someone

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<v Speaker 1>has made that YouTube video Wes Anderson screen and a

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<v Speaker 1>lot of very center of frame murders. Yeah. I really

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<v Speaker 1>literally looking at the name Craven right in front of me,

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<v Speaker 1>and I still said West Anderson. Okay, to be fair,

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<v Speaker 1>it's a silly last name. Yeah, that a horror master

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<v Speaker 1>should be so Craven, that's it's yeah. There was already

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<v Speaker 1>a fake trailer of Paula Blart released where Melissa McCarthy,

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<v Speaker 1>you know, someone got there where the time McCarthy was

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<v Speaker 1>a pass if you can believe. Okay, so we're what

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<v Speaker 1>we are talking about is Scream, directed by Wes Craven. Craven, Joan,

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<v Speaker 1>what is your history your relationship with this movie? Oh

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<v Speaker 1>my gosh, well, um, are you talking about this? Because

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<v Speaker 1>I'm going to date myself. But I was very much

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<v Speaker 1>like the target audience for this movie when it came out.

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<v Speaker 1>I was this actually came out on the weekend of

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<v Speaker 1>my like sixteenth birthday. Okay, so can I take us

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<v Speaker 1>all back to like Winter? So I don't know if

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<v Speaker 1>like people realize this now, especially if they kind of

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<v Speaker 1>like came up like after the movie. But like it

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<v Speaker 1>wasn't just that like Scream was like not expect to

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<v Speaker 1>do well. It was like expected to like bomb, like

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<v Speaker 1>they buried that movie because that Winter, like it came

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<v Speaker 1>out the same weekend that like all these big Christmas

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<v Speaker 1>movies came out, like Mars Attacks and Jerry McGuire and

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<v Speaker 1>he was about how do America and like all those movies,

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<v Speaker 1>we're just gonna like bury scream. In fact, I remember

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<v Speaker 1>it didn't even come to like the main theater in

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<v Speaker 1>my town. It opened in the like three dollar cheap

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<v Speaker 1>theater because they just expected a bomb, and I was

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<v Speaker 1>like a big horr nerd and I was really excited

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<v Speaker 1>to see it. But like just I remember that like

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<v Speaker 1>it opening and no one really thinking now that and

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<v Speaker 1>then it kind of like slowly like picked up steam

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<v Speaker 1>to the point that it got screen. It got like

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<v Speaker 1>it got like moved over, eventually got moved over to

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<v Speaker 1>the big theater, and that like holiday break, moving into

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<v Speaker 1>that like first couple of weeks of January in school,

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<v Speaker 1>like it became this thing that everybody was talking about,

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<v Speaker 1>everybody was going to see, and like all of a

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<v Speaker 1>sudden it was cool to like be into horror and

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<v Speaker 1>like that was it was this very fun like communal

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<v Speaker 1>thing where like everybody like I want to see it

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<v Speaker 1>a couple of times in theaters, and like you would

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<v Speaker 1>always run into people you kind of knew. So yeah,

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<v Speaker 1>it was just like it was fun and it would

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<v Speaker 1>it made me feel like, oh, something I like is

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<v Speaker 1>cool now, because like I said, you know, I was

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<v Speaker 1>like a kid who grew up like reading fangoria and

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<v Speaker 1>like writing letters to like horror directors and so yeah,

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<v Speaker 1>it made me feel like it gave me a little

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<v Speaker 1>bit of a community, and like for the rest of

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<v Speaker 1>my high school I had like horror friends because of that.

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<v Speaker 1>Like I remember going to the Bride of Chucky with

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<v Speaker 1>the cool kids after that. Yeah, because the cool kids

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<v Speaker 1>were seeing Bride of screen made it okay, go see

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<v Speaker 1>Bride of Chucky excellent. I was also, yeah, like you were.

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<v Speaker 1>I was really surprised to see this movie came out

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<v Speaker 1>during the Christmas season, because you would think it would

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<v Speaker 1>be for sure in October at least. That's so you

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<v Speaker 1>can't kill Scream. You can't. And I would say, if

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<v Speaker 1>I was looking at and knew nothing about this movie,

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<v Speaker 1>and I hadn't already heard so many amazing things about it,

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<v Speaker 1>if I saw the Villain, I'd be like, probably this

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<v Speaker 1>movie sucks. If I saw it like the Mask, this

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<v Speaker 1>is this is a goof this is a goofy one.

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<v Speaker 1>But I've my history with this movie is of course

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<v Speaker 1>I watched it this morning, Yes, and before that, I

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<v Speaker 1>just I knew I loved Matthew Lillard and I was like,

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<v Speaker 1>let's roll the diet says Lillard's number one fan, because

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<v Speaker 1>I'll watch any Lillard joint and I will say spoilers

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<v Speaker 1>for everyone listening. I was still on Caitlin when I

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<v Speaker 1>hunt in today that you know, like, for me, it

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<v Speaker 1>seemed so clear because Lillard did not die right away

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<v Speaker 1>because he's such a DUFs that he was involved, because

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<v Speaker 1>when when it gets to be the forty five minute mark,

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<v Speaker 1>You're like, Lillard, what is he? So? Anyways, and and

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<v Speaker 1>Lillard and Nev Campbell were dating on the set of screen.

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<v Speaker 1>Wait what I know? I hate it too. I mean Lillard,

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<v Speaker 1>what a lucky guy. Yeah, what a what a reach?

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<v Speaker 1>But you know he went for it and it worked

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<v Speaker 1>out good for him. I guess, is this this that

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<v Speaker 1>the Courtney Cox and David or Cutt meet Onlieve? So yeah, wow,

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<v Speaker 1>this is a this is a hot set. Yeah, everyone's

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<v Speaker 1>fucking momentary. Yeah yeah. So my history with this movie

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<v Speaker 1>is I did not see any of the movies in

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<v Speaker 1>these Dream franchise until I think two thousand eleven before

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<v Speaker 1>the fourth one came out. So my friend j T,

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<v Speaker 1>friend of the cast Twilight episode is a big scream

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<v Speaker 1>head and he was like, look, we're gonna go see

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<v Speaker 1>Scream four and you have to prepare. So we like

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<v Speaker 1>sat down and had a little Scream marathon. So I

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<v Speaker 1>didn't watch any of them until then, and I was like,

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<v Speaker 1>these are fun, this is great. Uh. And then I

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<v Speaker 1>just rewatched all four again in preparation of this episode,

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<v Speaker 1>and I like these movies even more now. I'm like,

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<v Speaker 1>these are so freaking fun. They're so fun. Yeah, I'm

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<v Speaker 1>still stuff to talk about that. My first horror franchise

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<v Speaker 1>or slashy franchise that I really loved was Final Destination.

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<v Speaker 1>But I'm pretty sure Final Destination came out on the

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<v Speaker 1>success of movies Scream, right, that's post Scream. I think

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<v Speaker 1>that I want to say that was two thousand. Yeah,

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<v Speaker 1>so yeah, there's that whole wait. Like horror was really

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<v Speaker 1>kind of like dead as a genre before Scream, Like

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<v Speaker 1>there was this like after kind of like the early nineties,

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<v Speaker 1>Corror kind of went away after like the like Jason

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<v Speaker 1>Freddie Chucky Boom. Yeah, like everyone thought for it was dead,

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<v Speaker 1>even like Wes Craven was coming off of like a

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<v Speaker 1>string of flops. That's everyone's so surprised, and Scream hit

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<v Speaker 1>so big people were ready, yeah, ready for hor to

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<v Speaker 1>be reinvented. Did you see all the Harry I'm going

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<v Speaker 1>to just keep bringing up Matthew Lillard this whole thing.

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<v Speaker 1>Did you see the Matthew Lillard cameos and screams two

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<v Speaker 1>and four? I did see that on IMDb, Yes, I did.

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<v Speaker 1>I don't know about this. Where what? Where? Where do

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<v Speaker 1>I look to see Matthew Lard and screams to and

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<v Speaker 1>four crowd scenes? It seems like, Okay, he's just available

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<v Speaker 1>as the scream to the only thing that Matthew Lillard

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<v Speaker 1>did in the year seven. He played Guy at Party uncredited. Uh,

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<v Speaker 1>go forward a little bit to scream for Guy at

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<v Speaker 1>Stabathon uncredited. Okay, so you know he's now Lillard as

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<v Speaker 1>the only person I think in the world living solely

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<v Speaker 1>on a Scooby Doo based income. You know, I think,

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<v Speaker 1>you know he's just around. At the time, he was

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<v Speaker 1>good in um the Twin Peaks Revival. Actually yeah, I

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<v Speaker 1>was like, I'm feeling something from Matthew Liard. I don't

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<v Speaker 1>know if I like that I'm empathizing with him. That's

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<v Speaker 1>not good, right, That is something like maybe it's time

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<v Speaker 1>to go on vacation yeah, yeah, yeah, I remember when

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<v Speaker 1>he was on The Good Wife. I lost my mind. Anyways, right,

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<v Speaker 1>he was great. He is good. Okay, So now one

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<v Speaker 1>last thing I wanted to say is while it took

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<v Speaker 1>me a while to see the screen movies, I did

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<v Speaker 1>see all of the Scary movie movies. They were first. Yeah,

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<v Speaker 1>so the first Scary Movie is closely a parody of

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<v Speaker 1>the first screen movie. Uh. And I also rewatched like

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<v Speaker 1>the first half of that also to prepare for this episode,

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<v Speaker 1>just because see that, just in case something came up.

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<v Speaker 1>And it is the worst movie in the world. It's

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<v Speaker 1>like the jokes that it relies on are just a

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<v Speaker 1>series of the most problematic jokes in the world. It's

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<v Speaker 1>just it's trash. It's horrible. But I did see those

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<v Speaker 1>and most familiar with That's why I sort of watched

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<v Speaker 1>Scream before I actually saw a Scream. Yeah, you got

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<v Speaker 1>the narrative of Scream before you saw a Scream, because

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<v Speaker 1>it is like that is from just this generation of

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<v Speaker 1>parody movies where it's like, you don't build another story,

0:12:31.200 --> 0:12:33.240
<v Speaker 1>You're just like, let's tell the other story. This movie

0:12:33.280 --> 0:12:37.320
<v Speaker 1>already did, but with more homophobic jokes exactly. It's so

0:12:37.559 --> 0:12:40.400
<v Speaker 1>those movies are so bizarya because there's no there's no

0:12:40.480 --> 0:12:43.280
<v Speaker 1>attempt at commentary on anything. They're like, hey, look at,

0:12:43.480 --> 0:12:45.800
<v Speaker 1>look at, look at let's just beat up the woman

0:12:45.840 --> 0:12:49.079
<v Speaker 1>in every scene, and that's funny. What if they did

0:12:49.160 --> 0:12:51.320
<v Speaker 1>this in the movie, you like, what if the Juno

0:12:51.360 --> 0:12:54.040
<v Speaker 1>got eaten by Alvin and the chipmunkst Oh my god,

0:12:54.080 --> 0:12:57.120
<v Speaker 1>wait wait, I forget which one in one of those

0:12:57.160 --> 0:13:00.440
<v Speaker 1>movie movies. They're all a blur, but there's death like

0:13:00.840 --> 0:13:04.280
<v Speaker 1>one where Alvin and the Chipmunks turned into zombies because

0:13:04.320 --> 0:13:06.520
<v Speaker 1>it was probably are also around like dawn at the

0:13:06.559 --> 0:13:11.360
<v Speaker 1>dead time and they heed, you know, god, that's very late,

0:13:11.400 --> 0:13:14.680
<v Speaker 1>ots upsetting. There is a great video of Ellen Page

0:13:14.720 --> 0:13:17.800
<v Speaker 1>watching that scene and like losing her fucking mind. It's

0:13:17.920 --> 0:13:22.920
<v Speaker 1>very fun. So shall I do the recap? Yes? Okay,

0:13:22.960 --> 0:13:27.160
<v Speaker 1>so Scream. We opened on a teenager named Casey Becker

0:13:27.520 --> 0:13:32.719
<v Speaker 1>played by Drew Berry more middle part. Drew who was

0:13:32.760 --> 0:13:36.680
<v Speaker 1>originally going to play Sydney interesting but then sketching conflicts

0:13:36.679 --> 0:13:39.000
<v Speaker 1>didn't allow it think a smaller role. But I think

0:13:39.000 --> 0:13:41.920
<v Speaker 1>that was actually better for her. I agree, great, I

0:13:41.960 --> 0:13:43.480
<v Speaker 1>assumed when I saw that scene, I was like, oh,

0:13:43.480 --> 0:13:46.480
<v Speaker 1>they could only get Drew for three days. Yeah, yess.

0:13:46.760 --> 0:13:48.720
<v Speaker 1>She she liked was an early champion. In the script,

0:13:48.720 --> 0:13:51.240
<v Speaker 1>she wanted to do it. So she's at home, she's

0:13:51.240 --> 0:13:53.120
<v Speaker 1>getting ready to watch a scary movie and then she

0:13:53.120 --> 0:13:56.679
<v Speaker 1>gets a fun call from an unknown caller who is

0:13:56.720 --> 0:14:01.520
<v Speaker 1>asking her about scary movies, and so situation escalates. He's

0:14:01.559 --> 0:14:06.320
<v Speaker 1>like harassing her. This masked figure shows up and ends

0:14:06.400 --> 0:14:12.080
<v Speaker 1>up killing her and her boyfriend Steve Steve Jock Steve. Yeah,

0:14:12.280 --> 0:14:14.360
<v Speaker 1>he's a big guy, but not a big enoun not

0:14:14.400 --> 0:14:18.600
<v Speaker 1>big enough to not get murdered. Um. And then we

0:14:18.600 --> 0:14:22.240
<v Speaker 1>meet Sydney Prescott that is Nev Campbell's character, and she's

0:14:22.280 --> 0:14:24.720
<v Speaker 1>a classmate of Casey's. And then we meet a couple

0:14:24.720 --> 0:14:28.280
<v Speaker 1>of Sydney's friends. Among them are her boyfriend Billy played

0:14:28.280 --> 0:14:34.320
<v Speaker 1>by Skeet old Rich rears his little head again, keats

0:14:34.360 --> 0:14:38.320
<v Speaker 1>back on the cast. What was he in? H he

0:14:38.400 --> 0:14:41.200
<v Speaker 1>was in what we've done? Um? What the credit of

0:14:41.200 --> 0:14:44.720
<v Speaker 1>the craft? So that was our last Skeat discussion every October.

0:14:44.800 --> 0:14:52.000
<v Speaker 1>Skeet comes out. We meet her friend Tatum played by

0:14:52.200 --> 0:14:57.120
<v Speaker 1>Rose McGowan. Tatum's boyfriend stew which is Lillard, and then

0:14:57.160 --> 0:15:01.320
<v Speaker 1>their other friend Randy, news of k he's murderer, gets

0:15:01.400 --> 0:15:05.040
<v Speaker 1>spread around, and we also learned that Sydney's mom was

0:15:05.120 --> 0:15:09.200
<v Speaker 1>murdered a year earlier. Also, I know, I mean whatever,

0:15:09.400 --> 0:15:13.160
<v Speaker 1>Billy and Lillard did it. But in the first scene,

0:15:13.200 --> 0:15:17.640
<v Speaker 1>you're like, Lillard's not showing really any empathy towards anyone.

0:15:17.680 --> 0:15:21.400
<v Speaker 1>I'm like, it's two of the obvious choice. He was

0:15:21.440 --> 0:15:24.240
<v Speaker 1>onto him for a moment. One he was like, yeah, yeah,

0:15:24.280 --> 0:15:26.960
<v Speaker 1>I hooked up with that woman who just died brutally

0:15:26.960 --> 0:15:29.680
<v Speaker 1>a couple of times. I don't freaking care. And they're like,

0:15:29.680 --> 0:15:32.720
<v Speaker 1>what's your alibi? Dude? He's like, I was fucking It.

0:15:32.880 --> 0:15:37.360
<v Speaker 1>Was like, are you serious right now? Lillard? Such poor taste. Yeah,

0:15:38.080 --> 0:15:42.960
<v Speaker 1>murdered Lillard. Okay, So let me meet a compet, a

0:15:43.000 --> 0:15:47.960
<v Speaker 1>sheriff's deputy named Dewey played by David Arquette, and he's

0:15:48.000 --> 0:15:52.840
<v Speaker 1>also Tatum's brother. He's investigating. And then there's a nosey reporter,

0:15:53.120 --> 0:15:57.440
<v Speaker 1>Gail weathers Um that's Courtney Cox's character. She's trying to

0:15:57.480 --> 0:16:00.960
<v Speaker 1>get the scoop on this story. Somebody good outfit. This

0:16:01.040 --> 0:16:04.680
<v Speaker 1>has the best name characters, and like, like horror franchise,

0:16:04.680 --> 0:16:07.240
<v Speaker 1>I think I remember, It's like I will remember the

0:16:07.320 --> 0:16:10.760
<v Speaker 1>name Sydney Prescott, Gayl Weathers and like Cotton Weary to

0:16:10.880 --> 0:16:13.080
<v Speaker 1>like the Day I Die. They're just such great like

0:16:13.080 --> 0:16:17.040
<v Speaker 1>horror movie names. Weary is the most insane name, and

0:16:17.080 --> 0:16:19.720
<v Speaker 1>I just I love it. Also such an insane character,

0:16:20.360 --> 0:16:22.080
<v Speaker 1>but it's like you're supposed to care about this guy

0:16:22.360 --> 0:16:26.440
<v Speaker 1>you never see once in the actual movie. But he

0:16:26.520 --> 0:16:30.080
<v Speaker 1>plays a much more prominent role in Scream Too. Yes,

0:16:30.720 --> 0:16:33.840
<v Speaker 1>I was told skip to see three. Oh I disagree.

0:16:34.000 --> 0:16:37.280
<v Speaker 1>I think two is more fun than three. Wow, And

0:16:37.400 --> 0:16:40.880
<v Speaker 1>Scream four is also romp. So depends on where the

0:16:41.440 --> 0:16:43.680
<v Speaker 1>al right, it depends on where you stand. On jan

0:16:43.760 --> 0:16:47.120
<v Speaker 1>Silent Bob came. I mean, well I was able to

0:16:47.160 --> 0:16:51.960
<v Speaker 1>weather them into grassy, but they took over a season.

0:16:52.960 --> 0:16:55.320
<v Speaker 1>You did not know that. Oh it was a nightmare.

0:16:55.480 --> 0:16:57.880
<v Speaker 1>It was a nightmare. Apparently Kevin Smith wanted to direct

0:16:57.880 --> 0:16:59.760
<v Speaker 1>some episodes, but they're like, you can't because you're a Canadian.

0:16:59.760 --> 0:17:02.240
<v Speaker 1>He's like, okay, can I just like start an entire arc?

0:17:02.640 --> 0:17:04.560
<v Speaker 1>And they let him do that, right, And there's still

0:17:04.560 --> 0:17:08.080
<v Speaker 1>like all the teenage like they're still like girls struggling

0:17:08.320 --> 0:17:11.160
<v Speaker 1>like with their teen pregnancies. But also Jay and Silent

0:17:11.200 --> 0:17:16.840
<v Speaker 1>Bob are there. It's very weird. H Kevin Kevin, okay, Lord.

0:17:17.320 --> 0:17:20.840
<v Speaker 1>So then Sydney gets a call from the killer and

0:17:20.880 --> 0:17:26.680
<v Speaker 1>he is threatening her. Mr scream ms, Mr scream, And

0:17:26.920 --> 0:17:30.280
<v Speaker 1>a moment later, her boyfriend Billy shows up and a

0:17:30.280 --> 0:17:33.080
<v Speaker 1>cell phone drops out of his pocket. Oh. It's also

0:17:33.160 --> 0:17:36.480
<v Speaker 1>worth noting that Sydney is a virgin. She is dealing

0:17:36.680 --> 0:17:39.919
<v Speaker 1>with the grief and trauma of her mom dying. She

0:17:39.960 --> 0:17:43.879
<v Speaker 1>has an underpant's role. She has an underpant's role. Billy's like,

0:17:43.960 --> 0:17:46.760
<v Speaker 1>come on, do some sex stuff with me, and she's like, no,

0:17:46.920 --> 0:17:53.160
<v Speaker 1>you know about my rule and he's like okay. So

0:17:53.760 --> 0:17:57.080
<v Speaker 1>Billy shows up right after she gets this call and

0:17:57.200 --> 0:17:59.560
<v Speaker 1>a cellphone dropped out of his pocket, and it seems

0:17:59.600 --> 0:18:02.399
<v Speaker 1>like maybe he's the killer. So she's like, oh no,

0:18:02.680 --> 0:18:05.040
<v Speaker 1>and he gets arrested because this was a period of

0:18:05.040 --> 0:18:07.359
<v Speaker 1>time when you having a cell phone and a killer,

0:18:07.359 --> 0:18:09.320
<v Speaker 1>to having a cell phone was enough evidence to like

0:18:09.880 --> 0:18:14.320
<v Speaker 1>length like many people with cell phone, he must be

0:18:14.359 --> 0:18:17.760
<v Speaker 1>the killer. She turns on him so fast, like cell phone,

0:18:17.920 --> 0:18:21.400
<v Speaker 1>you're the murderer, right, And that that like kept me

0:18:21.920 --> 0:18:24.919
<v Speaker 1>off Billy's trail for a while. It's like she is

0:18:25.400 --> 0:18:28.960
<v Speaker 1>she is loyal to know she jumped into conclusion so fast.

0:18:29.359 --> 0:18:31.760
<v Speaker 1>Imagine being a danger of being like, no, arrest my

0:18:31.800 --> 0:18:35.520
<v Speaker 1>boyfriend for having a cell phone, except in this movie

0:18:35.520 --> 0:18:38.119
<v Speaker 1>they call them cellulars. It's just like you hear the

0:18:38.119 --> 0:18:41.280
<v Speaker 1>word cellular like eighteen different times to recall it a celly,

0:18:42.680 --> 0:18:47.240
<v Speaker 1>remember that call me? But I only have twelve minutes,

0:18:47.280 --> 0:18:50.200
<v Speaker 1>so make it great. God, yeah, you'd just be cut

0:18:50.200 --> 0:18:53.560
<v Speaker 1>off in the middle of a brilliant thought of your celly.

0:18:54.840 --> 0:18:58.120
<v Speaker 1>So Billy's in jail, but Sydney gets another call from

0:18:58.119 --> 0:19:02.200
<v Speaker 1>the killer, so it can't be Billie scream again. Mr

0:19:02.240 --> 0:19:05.480
<v Speaker 1>Screen calls and he's like, you got the wrong guy.

0:19:05.600 --> 0:19:09.720
<v Speaker 1>And then we learned Sydney had testified against this guy,

0:19:09.800 --> 0:19:14.240
<v Speaker 1>Cotton Weary, who was convicted of killing Sydney's mom. And

0:19:14.280 --> 0:19:17.680
<v Speaker 1>then Gayle snooping around. She's trying to get her story

0:19:18.280 --> 0:19:22.800
<v Speaker 1>um and sending her outfits hair outfits, lots of like

0:19:22.880 --> 0:19:26.560
<v Speaker 1>streaky like blonde highlights. The local news look is on

0:19:26.800 --> 0:19:30.320
<v Speaker 1>full display, and Sydney hates Gail for like exploiting her

0:19:30.359 --> 0:19:34.480
<v Speaker 1>mom's murder for a book deal, and you know Gail,

0:19:34.640 --> 0:19:37.879
<v Speaker 1>She's trying to get closer to Dewey to like get information,

0:19:38.119 --> 0:19:43.280
<v Speaker 1>and you know, they're they're like, you're cute. Also important

0:19:43.280 --> 0:19:45.320
<v Speaker 1>to note, I think, is that like she doesn't think

0:19:45.359 --> 0:19:49.320
<v Speaker 1>Cotton did it. She thinks he's been falsely identified. Yeah,

0:19:49.600 --> 0:19:52.680
<v Speaker 1>and Sydney said an innocent man to jail, right, which

0:19:52.800 --> 0:19:56.840
<v Speaker 1>we maybe have seen her did twice now, right, So

0:19:57.400 --> 0:20:00.840
<v Speaker 1>and maybe Gail's onto something. So then the principle of

0:20:00.840 --> 0:20:03.840
<v Speaker 1>their school gets murdered and people are speculating who the

0:20:03.920 --> 0:20:06.600
<v Speaker 1>killer might be. And Randy, their friend, is this like

0:20:06.680 --> 0:20:09.000
<v Speaker 1>horror movie buff and he's like, you know, okay, it's

0:20:09.000 --> 0:20:13.120
<v Speaker 1>got to be by the way, King, Jamie Kennedy. That's

0:20:13.200 --> 0:20:18.159
<v Speaker 1>Jamie Kennedy. Yes, how did I not know? If Lillard

0:20:18.200 --> 0:20:20.760
<v Speaker 1>weren't already in this movie, that would be my central focus.

0:20:21.160 --> 0:20:24.080
<v Speaker 1>But it is. It is Jamie Kennedy of of the

0:20:24.119 --> 0:20:29.359
<v Speaker 1>Experiment Um and your arch nemesis, my arch nemesis. Because

0:20:29.400 --> 0:20:32.320
<v Speaker 1>I'm going to marry into the Kennedy's and I'll be Jamie,

0:20:32.359 --> 0:20:36.600
<v Speaker 1>I'll be v Jamie Kennedy. So but yes, Jamie Kennedy. Okay,

0:20:36.760 --> 0:20:39.920
<v Speaker 1>he's good to know. Stars are out in this movie.

0:20:40.600 --> 0:20:43.240
<v Speaker 1>So then the police trace the calls that were made

0:20:43.400 --> 0:20:48.040
<v Speaker 1>from the killer to Sydney's dad's cellular and they can't

0:20:48.040 --> 0:20:50.520
<v Speaker 1>find him, so like, oh no, Sydney's dad is the killer.

0:20:51.320 --> 0:20:54.520
<v Speaker 1>And then stu throws a party, some people get killed,

0:20:54.560 --> 0:20:59.040
<v Speaker 1>including Tatum in the garage door in a very brutal scene.

0:20:59.240 --> 0:21:03.560
<v Speaker 1>Never go to Lillard's house. Also very strong garage door.

0:21:03.600 --> 0:21:05.880
<v Speaker 1>Like I feel like if I like every garage I've

0:21:05.880 --> 0:21:08.600
<v Speaker 1>ever seen, like breaks at like the drop of a

0:21:08.600 --> 0:21:10.520
<v Speaker 1>pin and it's just be able to lift a full

0:21:10.560 --> 0:21:14.159
<v Speaker 1>person like smash her head into. Also like my garage

0:21:14.200 --> 0:21:17.240
<v Speaker 1>door is a week but also has enough of a

0:21:17.320 --> 0:21:20.320
<v Speaker 1>sensor that it wouldn't it wouldn't it would just be like, oh,

0:21:21.400 --> 0:21:24.480
<v Speaker 1>it would start to slowly rise up. Yeah, a little

0:21:24.480 --> 0:21:26.239
<v Speaker 1>tidbit at that. I like, is that apparently I think

0:21:26.280 --> 0:21:28.439
<v Speaker 1>they did need a stunt double because like Rose McGowen

0:21:28.520 --> 0:21:31.040
<v Speaker 1>was actually been enough that she could get through the

0:21:31.800 --> 0:21:36.359
<v Speaker 1>doggy door. So the rest of the story, they're at

0:21:36.359 --> 0:21:39.720
<v Speaker 1>Stuice party, people are getting killed. Billy and Sydney finally

0:21:39.760 --> 0:21:42.840
<v Speaker 1>have sex and then afterwards she's like, wait a minute,

0:21:42.840 --> 0:21:45.119
<v Speaker 1>I think you still might be the killer and he's like,

0:21:45.160 --> 0:21:46.959
<v Speaker 1>what do I have to do to prove that I'm not?

0:21:47.040 --> 0:21:50.200
<v Speaker 1>And then he gets stabbed by the killer, and then

0:21:50.200 --> 0:21:54.439
<v Speaker 1>the killer is going after Sydney and the high level prank.

0:21:54.520 --> 0:21:56.760
<v Speaker 1>At this point, I'm like, you're getting stabbed over your

0:21:56.760 --> 0:22:02.040
<v Speaker 1>own weird because moments later we find out that it

0:22:02.119 --> 0:22:04.959
<v Speaker 1>was just you know, the blood that we see was

0:22:05.040 --> 0:22:09.840
<v Speaker 1>just corn syrup, the same as using Carrie, and he

0:22:10.119 --> 0:22:13.159
<v Speaker 1>is in on it. So the killers are revealed to

0:22:13.280 --> 0:22:18.159
<v Speaker 1>be Stu and Billy. Yeah, Lillard, I like, you know,

0:22:18.240 --> 0:22:22.240
<v Speaker 1>he's he never has narrative consequence, right, I was like,

0:22:22.240 --> 0:22:26.960
<v Speaker 1>probably they gave for him. Yeah, all right. So they're

0:22:27.040 --> 0:22:29.600
<v Speaker 1>like telling their whole plan and the whole you know,

0:22:29.680 --> 0:22:33.760
<v Speaker 1>backstory to Sydney and they're the ones who killed her mom.

0:22:33.800 --> 0:22:37.959
<v Speaker 1>It wasn't cotton weary after all right, and you know

0:22:38.040 --> 0:22:41.719
<v Speaker 1>they planned to kill her and frame her dad. But

0:22:41.760 --> 0:22:45.520
<v Speaker 1>then she's like, no, not on my watch, and she

0:22:45.840 --> 0:22:50.359
<v Speaker 1>throws a TV onto Stew's head, and then Gail comes

0:22:50.359 --> 0:22:55.440
<v Speaker 1>in and shoots Billy. Good Bye. Ski. Something that always

0:22:55.440 --> 0:22:57.520
<v Speaker 1>bothered me about the ending is that an important part

0:22:57.600 --> 0:23:00.400
<v Speaker 1>of Skeet and Lillard's plan is that they they're gonna

0:23:00.440 --> 0:23:03.240
<v Speaker 1>like stab each other to like mayself like them look

0:23:03.280 --> 0:23:05.439
<v Speaker 1>selves look like victims. But they do that in the

0:23:05.480 --> 0:23:07.399
<v Speaker 1>middle of the plan, and it's like wait until, like

0:23:07.440 --> 0:23:10.520
<v Speaker 1>you've gotten everything else done, then stab each other. Don't

0:23:10.520 --> 0:23:14.320
<v Speaker 1>do it? Like that's not step like two that step, Like, yeah,

0:23:15.880 --> 0:23:19.400
<v Speaker 1>they're not so bright. Yeah, if only they could do

0:23:19.440 --> 0:23:22.639
<v Speaker 1>a second pass at that. They should they should have

0:23:22.680 --> 0:23:24.679
<v Speaker 1>workshop de yeah, and they should have taken it to

0:23:24.800 --> 0:23:26.879
<v Speaker 1>they should have gone to a local jail, run it

0:23:26.920 --> 0:23:29.199
<v Speaker 1>by an actual murderer. Like, so, if you could do

0:23:29.240 --> 0:23:31.080
<v Speaker 1>it over and get away with it, what would you

0:23:31.119 --> 0:23:34.240
<v Speaker 1>do different? Yeah, because yeah, like most murders involved, you're

0:23:34.280 --> 0:23:38.800
<v Speaker 1>stabbing yourself, look like a victim. Do your homework. Yeah.

0:23:38.840 --> 0:23:41.080
<v Speaker 1>And then there's, you know, a running theme throughout the

0:23:41.080 --> 0:23:44.560
<v Speaker 1>movie because they're watching Halloween and the different things that

0:23:44.600 --> 0:23:48.200
<v Speaker 1>are happening in slasher movies are sort of informing what's Yeah.

0:23:48.400 --> 0:23:51.440
<v Speaker 1>So the two bad guys die at the end, Sydney

0:23:51.520 --> 0:23:57.159
<v Speaker 1>emerges triumphant, and that is the end of the movie.

0:23:57.320 --> 0:24:00.480
<v Speaker 1>So let's take a quick break and then we'll come

0:24:00.560 --> 0:24:07.960
<v Speaker 1>right back. All right, we're back. Yeah, I was waiting,

0:24:08.119 --> 0:24:10.280
<v Speaker 1>Sorry for the break took so long. I was waiting

0:24:10.320 --> 0:24:14.280
<v Speaker 1>for Matthew Lillard. He's my assistant now, yeah, and I

0:24:14.320 --> 0:24:16.560
<v Speaker 1>was waiting for him to bring me my soup, and

0:24:16.600 --> 0:24:18.960
<v Speaker 1>I was on the phone room He's screaming, Allard, where's

0:24:18.960 --> 0:24:22.560
<v Speaker 1>my soup. This is a joke that's just for me,

0:24:22.640 --> 0:24:27.520
<v Speaker 1>and I enjoy it anyways, Scream, welcome back, there we are. Yeah,

0:24:27.560 --> 0:24:31.360
<v Speaker 1>as we mentioned, this is like a super meta slasher

0:24:31.440 --> 0:24:34.520
<v Speaker 1>movie that spends a lot of time like calling attention

0:24:34.560 --> 0:24:38.479
<v Speaker 1>to the tropes of popular horror movies, and like the

0:24:38.560 --> 0:24:42.200
<v Speaker 1>characters of Scream keep alluding to the fact that their

0:24:42.240 --> 0:24:45.640
<v Speaker 1>situation is just like a horror movie, right, and then

0:24:45.840 --> 0:24:48.560
<v Speaker 1>like as the Scream sequels go, this happens more and

0:24:48.560 --> 0:24:51.200
<v Speaker 1>more they get even more meta. There's even more references.

0:24:51.440 --> 0:24:54.680
<v Speaker 1>They're making movies about the events of the first movie,

0:24:55.160 --> 0:24:57.080
<v Speaker 1>Like everybody from the first movie is brought on as

0:24:57.119 --> 0:25:01.520
<v Speaker 1>creative consultant. Yeah. There. It seems like in general, and

0:25:01.560 --> 0:25:05.360
<v Speaker 1>I'm not like a horror buff, I've seen just the basics.

0:25:05.640 --> 0:25:08.800
<v Speaker 1>It seems like it's a very self referential genre in general.

0:25:08.960 --> 0:25:12.520
<v Speaker 1>Where like this movie and we just recorded our Halloween

0:25:12.520 --> 0:25:17.240
<v Speaker 1>episode yesterday. This movie clearly pulls from Halloween very heavily.

0:25:17.640 --> 0:25:20.639
<v Speaker 1>But even in Halloween in the late seventies, they're watching

0:25:20.680 --> 0:25:23.720
<v Speaker 1>horror movies from like the forties and fifties. I don't know.

0:25:23.760 --> 0:25:25.879
<v Speaker 1>I mean, I think it helps to acknowledge that you

0:25:25.960 --> 0:25:28.879
<v Speaker 1>have horror movies taking place in a world where people

0:25:28.960 --> 0:25:33.000
<v Speaker 1>know horror movie conventions. And I don't know, I think

0:25:33.000 --> 0:25:36.480
<v Speaker 1>I especially liked it and Scream because there it's all

0:25:36.520 --> 0:25:39.520
<v Speaker 1>over the place, right. For example, one of the things

0:25:39.560 --> 0:25:42.000
<v Speaker 1>that happens is that the movie cause attention to different

0:25:42.040 --> 0:25:45.080
<v Speaker 1>like kind of frustrating choices of the characters will make

0:25:45.400 --> 0:25:49.040
<v Speaker 1>in horror movies where in the beginning, I think Sydney

0:25:49.080 --> 0:25:51.359
<v Speaker 1>is talking on the phone to the killer and she's like,

0:25:51.400 --> 0:25:53.600
<v Speaker 1>I don't watch scary movies. It's all the same thing.

0:25:53.720 --> 0:25:56.680
<v Speaker 1>Some stupid killer is talking a big breasted girl who

0:25:56.720 --> 0:25:58.879
<v Speaker 1>can't act, who is always running up the stairs when

0:25:58.920 --> 0:26:00.880
<v Speaker 1>she should be running out the front door, and then

0:26:00.920 --> 0:26:05.600
<v Speaker 1>moments later circumstances which she runs up the stairs. So

0:26:05.720 --> 0:26:08.679
<v Speaker 1>it's like clever, funny things like that that I enjoy.

0:26:08.960 --> 0:26:12.200
<v Speaker 1>And then like the Randy character, who is a horror buff,

0:26:12.400 --> 0:26:14.720
<v Speaker 1>is like always rattling off like these are the rules

0:26:14.760 --> 0:26:17.280
<v Speaker 1>like here the troupes like that. Even at the beginning,

0:26:17.440 --> 0:26:19.879
<v Speaker 1>I think, like Drew Barry Morris has that line about

0:26:20.160 --> 0:26:22.520
<v Speaker 1>you know, it's always they are always casting people who

0:26:22.520 --> 0:26:24.359
<v Speaker 1>are way too old for these parts, and the joke

0:26:24.480 --> 0:26:27.119
<v Speaker 1>is that Drew Barrymore is like way too old, but

0:26:27.160 --> 0:26:30.200
<v Speaker 1>there's only twenty one at the time. Yeah, like I

0:26:30.440 --> 0:26:32.679
<v Speaker 1>styled her to look older. Yeah, I think they, but

0:26:32.720 --> 0:26:34.760
<v Speaker 1>like it's like, god damn it, like Matthew Broderick got

0:26:34.760 --> 0:26:38.800
<v Speaker 1>to play Ferris Bueller on even twenty four. I don't think, like, yeah, yeah,

0:26:38.800 --> 0:26:41.800
<v Speaker 1>I mean it's weird because there's sometimes when movies are

0:26:42.119 --> 0:26:44.439
<v Speaker 1>too referential that rubs me the wrong way, and then

0:26:44.440 --> 0:26:49.440
<v Speaker 1>you get into like Shrek territory of like so referencing

0:26:49.560 --> 0:26:54.240
<v Speaker 1>that without the references there is no substance. But I

0:26:54.240 --> 0:26:56.320
<v Speaker 1>don't know, I don't think this movie toes that line

0:26:56.359 --> 0:26:58.679
<v Speaker 1>very well. Yeah, I find like a little distracting at

0:26:58.720 --> 0:27:02.080
<v Speaker 1>the beginning when it's like everybody's talking in movie metaphors.

0:27:02.119 --> 0:27:05.720
<v Speaker 1>It's like the cool boyfriend is like our relationships at

0:27:05.760 --> 0:27:07.960
<v Speaker 1>PG thirteen. I don't want to take it to like awe,

0:27:08.040 --> 0:27:10.920
<v Speaker 1>and it's like it's also he says our relationship was

0:27:10.960 --> 0:27:12.399
<v Speaker 1>an R and I want to take an n C seventeen.

0:27:12.440 --> 0:27:14.399
<v Speaker 1>But it's like, what's not happening in an R rated

0:27:14.440 --> 0:27:16.560
<v Speaker 1>movie that you that like I'm pretty sure you can

0:27:16.600 --> 0:27:18.399
<v Speaker 1>have sex an R rate and movie, right, And like,

0:27:18.440 --> 0:27:20.800
<v Speaker 1>I just want to do some freaky ship Like is

0:27:20.840 --> 0:27:23.919
<v Speaker 1>that what you're saying? Yeah, some like Italian museum fucking movie.

0:27:24.240 --> 0:27:26.200
<v Speaker 1>I can't. There is a movie with Italian movie where

0:27:26.400 --> 0:27:29.960
<v Speaker 1>n C seventeen where the museum I can't. It's called Oh,

0:27:30.119 --> 0:27:32.000
<v Speaker 1>I would like to know the name of that movie.

0:27:32.160 --> 0:27:34.520
<v Speaker 1>And then what he's like, oh, we can't. We now

0:27:34.560 --> 0:27:40.399
<v Speaker 1>it's like edited for CBS Tuesday at seven. I was like, whoa,

0:27:40.560 --> 0:27:42.919
<v Speaker 1>you're seventeen. And then at the end of the Campbell

0:27:43.040 --> 0:27:45.160
<v Speaker 1>is like, would you settle for a PG thirteen rating?

0:27:45.160 --> 0:27:46.800
<v Speaker 1>And he's like, what's that? And she flashes them and

0:27:46.800 --> 0:27:49.160
<v Speaker 1>it's like you can show breasts in a PG thirteen

0:27:49.200 --> 0:27:52.120
<v Speaker 1>movie that they're all over the place on their rate. Really,

0:27:52.119 --> 0:27:57.440
<v Speaker 1>you've never seen Titanic. That's that's like artful. Yeah, you

0:27:57.480 --> 0:27:59.960
<v Speaker 1>can get away over it if it's art oil painting, breasts,

0:28:03.440 --> 0:28:07.600
<v Speaker 1>so many rules. So in the movie there's direct references

0:28:07.640 --> 0:28:11.560
<v Speaker 1>to Halloween. For example, Drew Barrymore's character mentions that Halloween

0:28:11.600 --> 0:28:15.120
<v Speaker 1>is her favorite scary movie. Um, whenever the parents show

0:28:15.200 --> 0:28:18.480
<v Speaker 1>up to that house and they're finding that you know

0:28:18.560 --> 0:28:21.199
<v Speaker 1>something is amiss. Her dad is like, go to the

0:28:21.280 --> 0:28:24.160
<v Speaker 1>Mackenzie's house and call the police. That's the same family

0:28:24.359 --> 0:28:27.399
<v Speaker 1>that Laurie Strode and Halloween tells the kids to go to.

0:28:28.720 --> 0:28:32.760
<v Speaker 1>That's even Oh and then there's that scene where Skeet

0:28:32.800 --> 0:28:35.359
<v Speaker 1>and And and Nev Campbell are making out that Blue

0:28:35.359 --> 0:28:41.160
<v Speaker 1>Oyster Cult song from Halloween's playing too, and Billy's last

0:28:41.240 --> 0:28:43.840
<v Speaker 1>name is Loomis and Loomis is the last name of

0:28:43.880 --> 0:28:48.960
<v Speaker 1>the psychiatrist and Halloween that Tatum comments, this is just

0:28:49.000 --> 0:28:51.719
<v Speaker 1>like a West Carpenter film, which is the run Wes

0:28:51.800 --> 0:28:58.080
<v Speaker 1>Craven and Carpenter. What she meant was Wes Anderson, of course. Yeah.

0:28:58.120 --> 0:29:01.040
<v Speaker 1>And then later in the movie they are watching Halloween

0:29:01.160 --> 0:29:03.840
<v Speaker 1>and kind of picking apart the different trips. So I

0:29:03.960 --> 0:29:06.600
<v Speaker 1>just kind of wanted to do a little compare and

0:29:06.680 --> 0:29:10.280
<v Speaker 1>contrast of the two movies, especially because we just covered

0:29:10.280 --> 0:29:15.640
<v Speaker 1>Halloween a little exercise. So like in the Halloween episode,

0:29:15.720 --> 0:29:18.120
<v Speaker 1>we kind of broke down. Okay, here the women who

0:29:18.200 --> 0:29:21.480
<v Speaker 1>were being attacked and brutalized versus like not nearly as

0:29:21.520 --> 0:29:26.200
<v Speaker 1>many men. However, in Scream we see still a lot

0:29:26.240 --> 0:29:29.880
<v Speaker 1>of women get attacked and killed, but so do way

0:29:29.920 --> 0:29:32.200
<v Speaker 1>more men. I feel like, yeah, it's like more than

0:29:32.320 --> 0:29:35.400
<v Speaker 1>parody in that. Yeah, I was. It's it's about split

0:29:35.440 --> 0:29:39.480
<v Speaker 1>down the middle because we see Casey Becker get chased,

0:29:39.960 --> 0:29:44.000
<v Speaker 1>stabbed and then gutted, and then Steve, her boyfriend, also

0:29:44.240 --> 0:29:48.200
<v Speaker 1>is gutted. We see Sydney get attacked multiple times. We

0:29:48.440 --> 0:29:52.320
<v Speaker 1>see Tatum get killed by the garage door, but we

0:29:52.400 --> 0:29:55.920
<v Speaker 1>see Dewey he gets stabbed in the back toward the end,

0:29:56.360 --> 0:30:00.920
<v Speaker 1>Um Kenny, the camera guy, gets his throat slashed. Gail Weathers.

0:30:01.360 --> 0:30:03.240
<v Speaker 1>I don't does she even get attacked or is it

0:30:03.320 --> 0:30:06.600
<v Speaker 1>just that she crashes the van? She crashes and then

0:30:06.640 --> 0:30:09.920
<v Speaker 1>she I think she gets attacked towards the end when

0:30:09.960 --> 0:30:11.840
<v Speaker 1>she that first one where she has the safety on

0:30:11.880 --> 0:30:15.440
<v Speaker 1>the gun and he's like right and they hit her

0:30:15.480 --> 0:30:17.640
<v Speaker 1>and stuff. Yeah, I don't know if she ever gets stabbed,

0:30:17.680 --> 0:30:20.560
<v Speaker 1>but yeah she is. She gets you know, scuffed up

0:30:20.560 --> 0:30:26.920
<v Speaker 1>a bit. Randy gets shot, and then Stu and Billy

0:30:27.320 --> 0:30:29.760
<v Speaker 1>stab each other. But that's all part of the plan.

0:30:30.880 --> 0:30:36.240
<v Speaker 1>That's But so yeah, it's about and we can't leave

0:30:36.240 --> 0:30:40.280
<v Speaker 1>out principal Henry Binklair, right, So maybe even it's it's

0:30:40.320 --> 0:30:45.920
<v Speaker 1>more men getting what a treat I know he's in

0:30:46.000 --> 0:30:48.000
<v Speaker 1>and out. He was fun and now he's the principal.

0:30:48.920 --> 0:30:52.280
<v Speaker 1>And then about ten years later he pops up in

0:30:52.360 --> 0:30:57.400
<v Speaker 1>holes and you like what, Oh, yes, the Dad Stanley

0:30:57.520 --> 0:31:02.240
<v Speaker 1>Yellnet the third or something play Shining aboves Dad. So

0:31:02.320 --> 0:31:05.600
<v Speaker 1>good anyways. Um, But I would say, even though there

0:31:05.800 --> 0:31:11.160
<v Speaker 1>is more gender parody of people getting attacked and scream,

0:31:11.200 --> 0:31:13.920
<v Speaker 1>I would say, as far as on screen violence, the

0:31:14.040 --> 0:31:19.640
<v Speaker 1>attacks on women are more extended, they are more more brutal. Yeah,

0:31:20.000 --> 0:31:23.000
<v Speaker 1>because well even what you were just describing, like, yes,

0:31:23.080 --> 0:31:26.080
<v Speaker 1>David Arquette gets a knife to the back, but that's

0:31:26.120 --> 0:31:30.760
<v Speaker 1>not as bad as being squeezed, you know, like I mean.

0:31:30.840 --> 0:31:33.800
<v Speaker 1>And then the whole opening scene is Drew Barrymore's character

0:31:33.880 --> 0:31:38.480
<v Speaker 1>for a good five minutes is being verbally harassed, chased, stabbed,

0:31:38.640 --> 0:31:41.320
<v Speaker 1>dragged across the ground. Um. And then all we see

0:31:41.320 --> 0:31:44.400
<v Speaker 1>of the boyfriend is that he's tied up briefly, and

0:31:44.400 --> 0:31:46.960
<v Speaker 1>then it cuts to the aftermath of him being gutted.

0:31:47.120 --> 0:31:49.800
<v Speaker 1>So it's way more brutal when it's when it comes

0:31:49.840 --> 0:31:52.280
<v Speaker 1>to violence against women. And I bet if we're if

0:31:52.320 --> 0:31:55.720
<v Speaker 1>we're clocking how long. Yeah, Like you're saying, like those

0:31:55.720 --> 0:31:59.200
<v Speaker 1>scenes are way longer. Um, And it might be worth

0:31:59.240 --> 0:32:02.000
<v Speaker 1>noting the in that opening scene where we see the

0:32:02.040 --> 0:32:05.000
<v Speaker 1>boyfriend tied up and kind of like used as sort

0:32:05.040 --> 0:32:08.560
<v Speaker 1>of leverage or like usually it's a woman tied up

0:32:08.760 --> 0:32:12.560
<v Speaker 1>in an action movie or superhero movie. We got Steve

0:32:12.880 --> 0:32:22.360
<v Speaker 1>so but it's the line that drew He's he was like,

0:32:22.400 --> 0:32:25.680
<v Speaker 1>oh yeah, yeah, that that first scene. I mean, there's

0:32:25.680 --> 0:32:28.160
<v Speaker 1>so much to unpack in that first scene alone, where

0:32:28.720 --> 0:32:31.200
<v Speaker 1>it's one of those movies where, you know, because it

0:32:31.280 --> 0:32:36.240
<v Speaker 1>does come down to the last girl still essentially in

0:32:36.360 --> 0:32:38.720
<v Speaker 1>Sydney's you know, the last girl and we're just triumphant

0:32:38.720 --> 0:32:42.400
<v Speaker 1>whatever that trope, which which kind of like our guest

0:32:42.400 --> 0:32:44.280
<v Speaker 1>April Wolf was saying on the Halloween episode, there's a

0:32:44.320 --> 0:32:47.200
<v Speaker 1>lot of different ways to look at the last girl trope. Um,

0:32:47.280 --> 0:32:51.240
<v Speaker 1>but that is upheld in this movie. Uh but in

0:32:51.600 --> 0:32:54.680
<v Speaker 1>the first scene. There were moments in this movie where

0:32:54.680 --> 0:32:57.680
<v Speaker 1>it was hard for me to figure out. I don't

0:32:57.680 --> 0:33:00.200
<v Speaker 1>know like how the writing felt about some of That's

0:33:00.200 --> 0:33:03.200
<v Speaker 1>female characters that weren't Sydney, because a lot of them

0:33:03.240 --> 0:33:08.000
<v Speaker 1>come off as a little dumb, a little thrill. Yeah, yeah,

0:33:08.600 --> 0:33:10.880
<v Speaker 1>I do think there's some I don't know if if

0:33:10.960 --> 0:33:14.600
<v Speaker 1>Williamson like extends this to all his female characters. But

0:33:14.640 --> 0:33:18.640
<v Speaker 1>I think there is some fun or interesting like setting

0:33:18.720 --> 0:33:21.840
<v Speaker 1>up expectations that you would come to expect from having

0:33:21.880 --> 0:33:24.160
<v Speaker 1>watched a lot of horror movies that he kind of undercuts.

0:33:24.200 --> 0:33:26.920
<v Speaker 1>Like Gail Weathers is a percent set up as like

0:33:27.000 --> 0:33:30.080
<v Speaker 1>as a victim, like she's like fucking with our main character.

0:33:30.880 --> 0:33:32.760
<v Speaker 1>She's just like she kind of played as this like

0:33:33.000 --> 0:33:35.400
<v Speaker 1>snoopy like bitch who's just like getting in the way,

0:33:35.600 --> 0:33:38.280
<v Speaker 1>and like you kind of like expect her to get it.

0:33:38.640 --> 0:33:40.560
<v Speaker 1>And and I would say this is a movie where

0:33:40.920 --> 0:33:43.080
<v Speaker 1>I might say this is actually has two final girls,

0:33:43.080 --> 0:33:45.560
<v Speaker 1>because I think Gail kind of fits that at least

0:33:45.600 --> 0:33:47.440
<v Speaker 1>with her character. I don't know if i'd say that's

0:33:47.480 --> 0:33:49.480
<v Speaker 1>the same for like Tatum, but like for her, like

0:33:49.520 --> 0:33:51.480
<v Speaker 1>they're building up these expectations so they can kind of

0:33:51.480 --> 0:33:55.440
<v Speaker 1>like under custom for them. Yeah, the Gail character is

0:33:55.480 --> 0:34:00.080
<v Speaker 1>I mean, Gil and Sydney are both extremely smart and

0:34:00.080 --> 0:34:03.680
<v Speaker 1>and capable, and I mean the movie doesn't do like

0:34:03.720 --> 0:34:05.600
<v Speaker 1>you're saying, that doesn't the movie doesn't do that much

0:34:05.640 --> 0:34:09.200
<v Speaker 1>to undercut their abilities. Even when they're wrong. It's not

0:34:09.280 --> 0:34:12.120
<v Speaker 1>being positioned that they're stupid. It's just there's a lot

0:34:12.280 --> 0:34:14.880
<v Speaker 1>going on and there's a stabby plan that no one

0:34:14.920 --> 0:34:19.120
<v Speaker 1>could have guessed. Yeah, but but there are like Casey

0:34:19.160 --> 0:34:21.960
<v Speaker 1>and and Tatum are a little bit trickier in in

0:34:22.040 --> 0:34:24.000
<v Speaker 1>that way, which is, you know, I'm not even saying

0:34:24.040 --> 0:34:26.600
<v Speaker 1>every woman that appears on screen and every movie has

0:34:26.640 --> 0:34:29.799
<v Speaker 1>to be really smart. That is unrealistic and at some

0:34:29.840 --> 0:34:33.040
<v Speaker 1>point gets boring. But that that first scene is so

0:34:33.600 --> 0:34:37.919
<v Speaker 1>long and the like phone over the phone coercion, which

0:34:38.040 --> 0:34:40.200
<v Speaker 1>like was making me squirm a little bit of like

0:34:40.960 --> 0:34:43.000
<v Speaker 1>like don't tell him your home alone? What are you?

0:34:43.480 --> 0:34:46.160
<v Speaker 1>And then telling a story You're like, oh, I'm I'm

0:34:46.160 --> 0:34:48.320
<v Speaker 1>making popcorn and I'm going to watch a movie. Is

0:34:48.360 --> 0:34:52.040
<v Speaker 1>like what are you doing? And they're what I could

0:34:52.120 --> 0:34:56.239
<v Speaker 1>relate with in that scene is confusing Freddie Jason and

0:34:56.280 --> 0:34:58.680
<v Speaker 1>Michael Myers because I would That's I would have died

0:34:58.680 --> 0:35:02.680
<v Speaker 1>there too. Imagine just like failing a busfeed being murdered.

0:35:03.880 --> 0:35:06.000
<v Speaker 1>Movie trivia is like the one thing that I am

0:35:06.040 --> 0:35:07.680
<v Speaker 1>good at in my entire life, So I would have

0:35:07.680 --> 0:35:12.680
<v Speaker 1>been like boom boom boom. Yeah, I would. I would fail.

0:35:12.680 --> 0:35:17.160
<v Speaker 1>Although we did great at kill we won anyway. Anyway,

0:35:17.200 --> 0:35:25.440
<v Speaker 1>It's quick Bracken. Another thing when you if you're comparing

0:35:25.800 --> 0:35:30.640
<v Speaker 1>Halloween and Scream, for example, and Halloween, there are a

0:35:30.719 --> 0:35:34.280
<v Speaker 1>lot of women in the cast, but they weren't really

0:35:34.600 --> 0:35:38.200
<v Speaker 1>driving the narrative. They were basically just kind of reacting

0:35:38.280 --> 0:35:40.960
<v Speaker 1>to what the killer was doing, and their main goal

0:35:41.200 --> 0:35:44.800
<v Speaker 1>was survival essentially, and only one of them gets to

0:35:44.880 --> 0:35:47.760
<v Speaker 1>achieve that goal, which is Laurie Strode. And Scream, however,

0:35:48.040 --> 0:35:52.080
<v Speaker 1>there's a few elements that are introduced that allow female

0:35:52.160 --> 0:35:56.440
<v Speaker 1>characters to be more active. One, uh, the identity of

0:35:56.520 --> 0:35:59.279
<v Speaker 1>the killer as a mystery, unlike Halloween were like we

0:35:59.320 --> 0:36:01.600
<v Speaker 1>know right off the at that it's Michael Myers and

0:36:01.600 --> 0:36:05.840
<v Speaker 1>there's no ambiguity there. So in Scream, the women are

0:36:05.880 --> 0:36:08.640
<v Speaker 1>trying to figure out who the killer is, um mostly

0:36:09.160 --> 0:36:11.600
<v Speaker 1>Gail because she's you know, she's trying to like crack

0:36:11.680 --> 0:36:15.160
<v Speaker 1>the you know, get the scoop. But then also because

0:36:15.520 --> 0:36:19.640
<v Speaker 1>Sydney keeps being attacked and called and harassed by the

0:36:19.719 --> 0:36:22.759
<v Speaker 1>killer and she's like, what who is this? I? You know,

0:36:22.840 --> 0:36:26.560
<v Speaker 1>I want to know? And that Gail has alternative theories

0:36:26.560 --> 0:36:31.120
<v Speaker 1>of like she's really thought about she's positioned like you

0:36:31.120 --> 0:36:34.520
<v Speaker 1>you're Sajan is as like kind of a flighty local reporter.

0:36:34.640 --> 0:36:39.040
<v Speaker 1>But she's done some investigation and is good at her

0:36:39.120 --> 0:36:42.919
<v Speaker 1>job and seems to be getting closer than I mean,

0:36:43.360 --> 0:36:48.000
<v Speaker 1>unfortunately our girls, Sydney keeps kind of fumbling it until yeah,

0:36:48.120 --> 0:36:50.720
<v Speaker 1>until after she has sex with and then like the

0:36:50.719 --> 0:36:52.920
<v Speaker 1>then like the clues click after she said, which is

0:36:52.920 --> 0:36:58.719
<v Speaker 1>a killer, which is a really interesting subversion to the

0:36:58.760 --> 0:37:01.200
<v Speaker 1>tropes of slasher movie. That's because as soon as she

0:37:01.640 --> 0:37:04.960
<v Speaker 1>rather than you know, getting murdered, which is what usually

0:37:05.000 --> 0:37:07.480
<v Speaker 1>happens as soon as a girl has sex in a

0:37:07.520 --> 0:37:11.000
<v Speaker 1>horror movie. Yeah, like things fall into place for her.

0:37:11.560 --> 0:37:14.280
<v Speaker 1>It's an interesting I mean, that's that was a subversion

0:37:14.280 --> 0:37:17.920
<v Speaker 1>where when that happened, I was like huh, like yeah,

0:37:18.000 --> 0:37:21.640
<v Speaker 1>sometimes it just feels like they're like subversions without actually

0:37:21.680 --> 0:37:24.040
<v Speaker 1>thinking like what is the implication of this? It's just

0:37:24.080 --> 0:37:27.080
<v Speaker 1>like subverting it because I'm clever and I can do

0:37:27.120 --> 0:37:29.040
<v Speaker 1>that math of like, well this usually happens, then this

0:37:29.040 --> 0:37:31.120
<v Speaker 1>should happen. But it's like, what are we actually saying

0:37:31.160 --> 0:37:33.520
<v Speaker 1>with this? It's opposed to like doing it because I'm

0:37:33.560 --> 0:37:36.000
<v Speaker 1>a clever screenwriter, because I was like, is the implication

0:37:36.040 --> 0:37:38.480
<v Speaker 1>of that? Like okay, so now to be able to

0:37:38.480 --> 0:37:41.480
<v Speaker 1>solve crimes, you better be fucking like there. There's like

0:37:41.880 --> 0:37:43.600
<v Speaker 1>there's a lot of different ways, and I was like,

0:37:43.880 --> 0:37:46.520
<v Speaker 1>I don't know, like it was an interesting subversion and

0:37:46.760 --> 0:37:49.680
<v Speaker 1>it sounds like at this point that is not something

0:37:49.719 --> 0:37:52.040
<v Speaker 1>that would normally happen in a horror movie. Yeah, I

0:37:52.120 --> 0:37:55.759
<v Speaker 1>was like, what exactly was Williamson trying to say with

0:37:55.800 --> 0:37:58.600
<v Speaker 1>that one? Right? And um, like on this theme, I

0:37:58.800 --> 0:38:01.520
<v Speaker 1>even't started if I'm jumping end too soon, but I

0:38:01.560 --> 0:38:04.520
<v Speaker 1>mean I think okay, So like seeing this in theaters

0:38:04.560 --> 0:38:07.000
<v Speaker 1>in like nineties six, the moment that just like I've

0:38:07.080 --> 0:38:09.160
<v Speaker 1>rarely been in another theater where like an audience when

0:38:09.280 --> 0:38:11.480
<v Speaker 1>this crazy was when she's kind of like turned the

0:38:11.520 --> 0:38:13.279
<v Speaker 1>tables on, when Sydney has turned the tables on the

0:38:13.400 --> 0:38:15.839
<v Speaker 1>killer and she has that voice box and she's like

0:38:16.440 --> 0:38:19.520
<v Speaker 1>terrorizing them Like that is so like that is so

0:38:19.600 --> 0:38:23.160
<v Speaker 1>satisfying and so gratifying. Like the audience erupted when she

0:38:23.280 --> 0:38:25.720
<v Speaker 1>started started calling them, and it's like at that point

0:38:25.840 --> 0:38:29.120
<v Speaker 1>she's not just like the protactive protagonist. She is like

0:38:29.400 --> 0:38:34.880
<v Speaker 1>I don't know, give it's so good because we so

0:38:35.040 --> 0:38:38.160
<v Speaker 1>rarely see that because again, if we're comparing it to Halloween,

0:38:39.000 --> 0:38:42.479
<v Speaker 1>Lori Strow just kind of gets away by sheer luck.

0:38:42.840 --> 0:38:46.160
<v Speaker 1>At best, they're they're like defending themselves and like fighting

0:38:46.200 --> 0:38:50.080
<v Speaker 1>for their lives. They're not like actively going after the

0:38:50.120 --> 0:38:53.920
<v Speaker 1>people who have like terrorized in the whole movie, like

0:38:54.160 --> 0:38:55.880
<v Speaker 1>at least until that point, I think we've seen that

0:38:55.920 --> 0:38:58.200
<v Speaker 1>a little more. But Scream was kind of a little

0:38:58.200 --> 0:39:02.920
<v Speaker 1>bit of a invader and partic Yes, and in Halloween,

0:39:03.520 --> 0:39:05.439
<v Speaker 1>Dr Loomis has to come in and kind of save

0:39:05.560 --> 0:39:08.120
<v Speaker 1>the day by shooting Michael Myers, whereas in this movie

0:39:08.120 --> 0:39:11.040
<v Speaker 1>and Scream, Sydney kills one of the bad guys and

0:39:11.080 --> 0:39:13.240
<v Speaker 1>then Gail kills the other one. So it's two women

0:39:14.040 --> 0:39:18.239
<v Speaker 1>triumphing another. Like audience going nuts moment when she was

0:39:18.280 --> 0:39:23.160
<v Speaker 1>like safety is off that time, asshole like erupts. Yeah,

0:39:23.560 --> 0:39:26.080
<v Speaker 1>it's a good audience. It's a good audience movie. Like

0:39:26.080 --> 0:39:27.759
<v Speaker 1>you gotta see it with a crowd. I kind of

0:39:27.760 --> 0:39:30.560
<v Speaker 1>want I'm sure there's public screen because I've around this

0:39:30.600 --> 0:39:39.000
<v Speaker 1>time of the year. I kind of want to go group. Okay,

0:39:39.040 --> 0:39:42.520
<v Speaker 1>maybe we shouldn't. Yeah, well, we gotta take another quick break.

0:39:42.640 --> 0:39:45.120
<v Speaker 1>So let's take a break and figure out the plans

0:39:45.160 --> 0:39:52.719
<v Speaker 1>for that, and then we'll come right back going back

0:39:52.880 --> 0:39:56.960
<v Speaker 1>quickly to like the movie, calling attention to tropes, but

0:39:57.040 --> 0:40:01.960
<v Speaker 1>maybe not necessarily fully understanding the implications of what they're saying,

0:40:02.200 --> 0:40:04.360
<v Speaker 1>and kind of like not taking it far enough in

0:40:04.440 --> 0:40:07.960
<v Speaker 1>terms of commentary. For example, towards the end whenever like

0:40:08.400 --> 0:40:14.800
<v Speaker 1>Randy and the Gang are watching Halloween as Stew's house friends,

0:40:16.000 --> 0:40:19.359
<v Speaker 1>he's kind of, you know, going through the rules and

0:40:19.480 --> 0:40:22.120
<v Speaker 1>the tropes, and he's saying, he's like, Jamie Lee was

0:40:22.120 --> 0:40:24.720
<v Speaker 1>always the virgin in horror movies. That's why she always

0:40:24.719 --> 0:40:26.920
<v Speaker 1>outsmarted the killer and the big chasing at the end.

0:40:27.239 --> 0:40:30.560
<v Speaker 1>There's certain rules that one must abide by to successfully

0:40:30.600 --> 0:40:33.080
<v Speaker 1>survive a horror movie. For instance, Number one, you can

0:40:33.120 --> 0:40:35.959
<v Speaker 1>never have sex. Sex equals death. Number two, you can't

0:40:36.040 --> 0:40:39.239
<v Speaker 1>drink or do drugs. Number three never say I'll be

0:40:39.320 --> 0:40:42.719
<v Speaker 1>right back. Yeah, He's like he's monologueing out in this

0:40:42.840 --> 0:40:45.040
<v Speaker 1>Staies where there are a few parts of this movie

0:40:45.080 --> 0:40:48.400
<v Speaker 1>where I'm like, okay, like we're laying it on a

0:40:48.400 --> 0:40:53.200
<v Speaker 1>bit fit. Yeh. So he's calling attention to these tropes,

0:40:53.320 --> 0:40:56.200
<v Speaker 1>but I would argue that there's not a whole lot

0:40:56.280 --> 0:41:01.160
<v Speaker 1>of active commentary being made. Well, I mean kind of

0:41:01.200 --> 0:41:04.239
<v Speaker 1>like what we were just talking about it's like the

0:41:04.239 --> 0:41:06.640
<v Speaker 1>people gets to this's like no, but women have that

0:41:06.800 --> 0:41:12.400
<v Speaker 1>sex before, can escape alive and can have agency. I

0:41:12.480 --> 0:41:15.160
<v Speaker 1>don't know, I mean, I guess I was just thinking

0:41:15.200 --> 0:41:17.239
<v Speaker 1>about myself in high school and like, well, where does

0:41:17.280 --> 0:41:20.560
<v Speaker 1>that leave all the virgins? That used to be the

0:41:20.600 --> 0:41:22.880
<v Speaker 1>only thing we had was that we could live, and

0:41:23.960 --> 0:41:26.919
<v Speaker 1>now what we got to work with we got nothing? Yeah,

0:41:26.960 --> 0:41:29.600
<v Speaker 1>there's I mean in terms of I think this movie

0:41:29.840 --> 0:41:36.240
<v Speaker 1>came out at a time where starting to acknowledge media

0:41:36.400 --> 0:41:40.160
<v Speaker 1>tropes in text is becoming trendy, but not necessarily doing

0:41:40.239 --> 0:41:42.960
<v Speaker 1>much about it because this is like, you know, third

0:41:43.040 --> 0:41:48.360
<v Speaker 1>wave feminism time. This is squarely in the like girl power.

0:41:49.800 --> 0:41:55.040
<v Speaker 1>But as we see in this not very diverse movie

0:41:55.239 --> 0:41:59.160
<v Speaker 1>in terms of race or once again, women's body types,

0:41:59.760 --> 0:42:03.920
<v Speaker 1>it's like, Okay, there is some level of catharsis and

0:42:04.000 --> 0:42:07.759
<v Speaker 1>liberation for women, but only a very specific type of women, young,

0:42:08.160 --> 0:42:13.480
<v Speaker 1>conventionally attractive, white, straight women exactly. Uh. And that I

0:42:13.560 --> 0:42:16.399
<v Speaker 1>mean I think that that shows up in almost every

0:42:16.520 --> 0:42:20.320
<v Speaker 1>movie of this era of you also can be a

0:42:20.440 --> 0:42:24.800
<v Speaker 1>murderer if you look hot and played by the rules.

0:42:25.040 --> 0:42:29.719
<v Speaker 1>Like there. It's progressive for its time, but it's certainly not. Yeah,

0:42:29.960 --> 0:42:32.680
<v Speaker 1>and it's a little I would maybe a little disappointing

0:42:32.719 --> 0:42:34.719
<v Speaker 1>coming from Wes Craven because he had a string of

0:42:34.800 --> 0:42:37.839
<v Speaker 1>movies before that that are a little more like progressive.

0:42:38.239 --> 0:42:39.840
<v Speaker 1>The People Under the Stairs, I think, is one of

0:42:39.920 --> 0:42:44.120
<v Speaker 1>like just like familiar. It's so it's I mean, I'm

0:42:44.120 --> 0:42:45.839
<v Speaker 1>gonna say all this with a grain of salt because

0:42:45.840 --> 0:42:47.600
<v Speaker 1>I haven't watched any of these movies in like years,

0:42:47.760 --> 0:42:50.360
<v Speaker 1>but you know, People Under the Stairs is a horror

0:42:50.400 --> 0:42:54.920
<v Speaker 1>movie about like gentrification that puts a young black kid

0:42:55.000 --> 0:42:57.239
<v Speaker 1>at the at the center of the movie. Uh, and

0:42:57.320 --> 0:42:59.560
<v Speaker 1>it's so good and so freaky and like, um and

0:42:59.640 --> 0:43:01.800
<v Speaker 1>he actual I think he did a little more interesting

0:43:02.080 --> 0:43:04.880
<v Speaker 1>stuff with just the idea of like these meta narratives

0:43:04.960 --> 0:43:08.160
<v Speaker 1>a couple of years before with New Nightmare. Um, but

0:43:08.280 --> 0:43:10.239
<v Speaker 1>this is kind of all that stuff. I feel like

0:43:10.320 --> 0:43:12.080
<v Speaker 1>Scream was kind of like dealing with the same stuff

0:43:12.080 --> 0:43:14.000
<v Speaker 1>as a New Nightmare. I don't want to say dumbed down,

0:43:14.080 --> 0:43:18.360
<v Speaker 1>but like, you know, for a mass audi broader for

0:43:18.440 --> 0:43:22.440
<v Speaker 1>a broader audience. Right. And then the screenwriter, Kevin Williamson,

0:43:22.800 --> 0:43:25.480
<v Speaker 1>I mean kind of builds his his career on and

0:43:25.600 --> 0:43:27.960
<v Speaker 1>I love a lot of a lot of his work.

0:43:28.040 --> 0:43:30.040
<v Speaker 1>It's a lot to me where for what else is

0:43:30.040 --> 0:43:34.360
<v Speaker 1>he does? So he is the force behind Dawson's Creek.

0:43:34.480 --> 0:43:39.960
<v Speaker 1>Ever heard of the Vampire Diaries, Screams one, two, and four?

0:43:40.080 --> 0:43:42.600
<v Speaker 1>I know what you did last summer The Faculty, which

0:43:43.000 --> 0:43:44.920
<v Speaker 1>I think might be like The Faculty might be the

0:43:45.040 --> 0:43:48.400
<v Speaker 1>one movie from this wave of late nineties horror that

0:43:48.480 --> 0:43:51.120
<v Speaker 1>I actually like more than the screen. Really I love

0:43:51.160 --> 0:43:53.399
<v Speaker 1>The Faculty. Well, I've never seen the factor. I don't

0:43:53.400 --> 0:43:58.680
<v Speaker 1>think it is Elijah Wood, Josh Hart, Josh Hartnett, Yes,

0:43:59.120 --> 0:44:05.680
<v Speaker 1>Um being new Worth is in it. Stewart is okay.

0:44:06.520 --> 0:44:08.440
<v Speaker 1>But there is this through line even with like this

0:44:08.600 --> 0:44:13.719
<v Speaker 1>specific relatively progressive writer's work, where in a lot of

0:44:13.800 --> 0:44:17.200
<v Speaker 1>these and I'm pulling mainly from Dawson's Creek in early

0:44:17.280 --> 0:44:20.680
<v Speaker 1>Vampire Diaries, where there's a lot of well written female

0:44:20.920 --> 0:44:25.319
<v Speaker 1>characters that are making active choices, they're complicated, they have backstories.

0:44:25.880 --> 0:44:29.360
<v Speaker 1>But again, like in Scream, it's almost across all the

0:44:29.440 --> 0:44:32.080
<v Speaker 1>work we just mentioned a very specific type of what

0:44:33.239 --> 0:44:37.360
<v Speaker 1>that this agency is available to um Scream to comments

0:44:37.800 --> 0:44:42.680
<v Speaker 1>on the lack of diversity in horror movies to some extent,

0:44:43.400 --> 0:44:46.840
<v Speaker 1>Um and that movie seems to have have made like

0:44:46.880 --> 0:44:49.839
<v Speaker 1>a more conscious effort in terms of casting to cast

0:44:49.920 --> 0:44:52.239
<v Speaker 1>more people of color in the movie, but all of

0:44:52.320 --> 0:44:55.680
<v Speaker 1>those characters are in supporting roles, none of them are

0:44:55.719 --> 0:44:58.440
<v Speaker 1>really in the main cast. And then that effort to

0:44:58.719 --> 0:45:02.000
<v Speaker 1>be more inclusive in the sequels after that in Scream

0:45:02.120 --> 0:45:05.799
<v Speaker 1>three and four just doesn't happen again. I mean, as

0:45:05.800 --> 0:45:07.920
<v Speaker 1>I remember, Scream To just kind of opens with like

0:45:08.520 --> 0:45:12.160
<v Speaker 1>like the opening murder is um who it's Jada P.

0:45:12.400 --> 0:45:15.360
<v Speaker 1>Smith and her boyfriend. I forget who plays your boyfriends?

0:45:15.680 --> 0:45:18.920
<v Speaker 1>So do I add a screaming of stab, which is

0:45:19.000 --> 0:45:21.799
<v Speaker 1>the fake franchises in the Scream universe at the book.

0:45:22.120 --> 0:45:24.839
<v Speaker 1>You get it, but like that, you know, so it's it's, it's.

0:45:25.000 --> 0:45:27.080
<v Speaker 1>It does very much feel like they're it's like, Okay,

0:45:27.120 --> 0:45:29.840
<v Speaker 1>we paid lip service to this idea, we're acknowledging it.

0:45:29.920 --> 0:45:31.640
<v Speaker 1>Now let us get on and make the real movie.

0:45:32.040 --> 0:45:35.680
<v Speaker 1>Yeah right, yeah, yeah. It feels like certainly more could

0:45:35.800 --> 0:45:39.600
<v Speaker 1>have been done to acknowledge the lack of diversity in

0:45:40.280 --> 0:45:44.000
<v Speaker 1>horror movies, certainly in screen the first screame because that

0:45:44.040 --> 0:45:46.719
<v Speaker 1>does not happen at all, um, And then even when

0:45:46.800 --> 0:45:49.160
<v Speaker 1>Scream Too, when it does make an attempt it. It

0:45:49.320 --> 0:45:52.439
<v Speaker 1>kind of just isn't really enough, especially if you're doing

0:45:52.560 --> 0:45:56.600
<v Speaker 1>meta commentary about the horror genre. I mean, there is

0:45:56.880 --> 0:45:59.000
<v Speaker 1>like such a kind of, like going back as far

0:45:59.080 --> 0:46:01.480
<v Speaker 1>as like not a Living Dead, a rich history of

0:46:01.719 --> 0:46:05.480
<v Speaker 1>using horror as a template to talk about rays that

0:46:05.560 --> 0:46:08.719
<v Speaker 1>it almost feels negligent, like willfully negligent on the side

0:46:08.760 --> 0:46:10.400
<v Speaker 1>of the side of these of the people who are

0:46:10.440 --> 0:46:12.560
<v Speaker 1>making this metal horror film not to like bring that

0:46:12.640 --> 0:46:15.719
<v Speaker 1>into the conversation, like like even like going back as

0:46:15.760 --> 0:46:18.400
<v Speaker 1>far as like the Twilight Zone, you know, like horror

0:46:18.560 --> 0:46:20.320
<v Speaker 1>is a horse has always been used as kind of

0:46:20.360 --> 0:46:23.040
<v Speaker 1>a platform to talk about like more progressive things because

0:46:23.080 --> 0:46:24.840
<v Speaker 1>like people like Ron sid only know he said, you

0:46:24.880 --> 0:46:26.839
<v Speaker 1>could like to al rate talking about this stuff when

0:46:26.880 --> 0:46:29.680
<v Speaker 1>you bring spooky stuff into the mix. So I don't know,

0:46:30.120 --> 0:46:32.719
<v Speaker 1>it's frustrating. Yeah, this, I mean this whole a lot

0:46:32.800 --> 0:46:36.839
<v Speaker 1>a lot of like Clinton era movies for for whatever reason,

0:46:36.960 --> 0:46:40.720
<v Speaker 1>they are willing to acknowledge the problem, but then also

0:46:40.840 --> 0:46:43.640
<v Speaker 1>take little to no action to solve it, where it's like, Okay,

0:46:43.680 --> 0:46:45.399
<v Speaker 1>thank you for bringing it to our attention that you're

0:46:45.400 --> 0:46:47.880
<v Speaker 1>aware there's a lack of diversity, and then straight up

0:46:48.040 --> 0:46:52.839
<v Speaker 1>like show white people for three hours. It's just bizarre. Yeah,

0:46:52.920 --> 0:46:55.759
<v Speaker 1>this falls squarely in that span of years where that's

0:46:55.960 --> 0:46:58.520
<v Speaker 1>that's happening. It's like the first movie on this podcast

0:46:58.640 --> 0:47:01.520
<v Speaker 1>that we really started to unpack the kind of like

0:47:02.400 --> 0:47:08.719
<v Speaker 1>semi empty girl power message of the nineties is Spice World. Ironically,

0:47:09.280 --> 0:47:11.160
<v Speaker 1>you did that with a man the Meadhouse, right. Yes,

0:47:14.760 --> 0:47:19.160
<v Speaker 1>she's a biggest fan bet Um right, because that one

0:47:19.200 --> 0:47:22.920
<v Speaker 1>had just so much kind of like empty quote unquote

0:47:22.960 --> 0:47:25.680
<v Speaker 1>feminism where it's like you go, girl girl power, but

0:47:25.760 --> 0:47:30.480
<v Speaker 1>it was like corporate feminism and they's still, you know,

0:47:30.719 --> 0:47:34.719
<v Speaker 1>subscribe to a lot of the tropes that are regressive

0:47:35.000 --> 0:47:38.040
<v Speaker 1>toward women. And it became a buzz. It became like, yes,

0:47:38.080 --> 0:47:40.840
<v Speaker 1>a marketing strategy. It's like it's like a girl power

0:47:41.000 --> 0:47:43.719
<v Speaker 1>by a pink pullar right camera. And I think to

0:47:43.840 --> 0:47:48.200
<v Speaker 1>some extent there that is happening now too, And it's

0:47:48.239 --> 0:47:51.360
<v Speaker 1>like I try to be really like mindful of that

0:47:51.560 --> 0:47:53.960
<v Speaker 1>when i'm you know, just it's it's a weekend. I'm

0:47:54.040 --> 0:47:58.200
<v Speaker 1>strolling through let's say the Glendale Galleria my closest mom.

0:47:59.760 --> 0:48:03.080
<v Speaker 1>They're yeah, I love the Glenda Gallery, and it's just

0:48:03.160 --> 0:48:05.839
<v Speaker 1>a quick quit A couple of steps, and then you're

0:48:05.840 --> 0:48:08.919
<v Speaker 1>at the Americana and you're just at another great mall.

0:48:10.680 --> 0:48:15.040
<v Speaker 1>Park once got two malls, the mall, I love shopping.

0:48:15.680 --> 0:48:18.880
<v Speaker 1>I got shopping. I got these great French fries at

0:48:18.880 --> 0:48:22.920
<v Speaker 1>the Americana the other day, anyways, but walking through, like

0:48:23.600 --> 0:48:27.160
<v Speaker 1>you know, it's because it is such a precarious, strange

0:48:27.280 --> 0:48:30.759
<v Speaker 1>moment in time where we care about women's issues again,

0:48:30.800 --> 0:48:34.520
<v Speaker 1>but do we kind of thing. I think that's reflected

0:48:34.560 --> 0:48:37.239
<v Speaker 1>in marketing so much. We're like even walking through my

0:48:37.360 --> 0:48:39.839
<v Speaker 1>favorite mall the other day, my favorite in dorm hall

0:48:39.880 --> 0:48:45.279
<v Speaker 1>across the street from my favorite dormlly perfect perfectly love.

0:48:45.760 --> 0:48:50.680
<v Speaker 1>There's Apple stores at both ye. Anyways, there's something going

0:48:50.719 --> 0:48:53.799
<v Speaker 1>to I want to go to the mall. But there

0:48:54.000 --> 0:48:56.720
<v Speaker 1>is like a concentrated effort right now to play into

0:48:56.760 --> 0:48:59.719
<v Speaker 1>that especially, and where I find it especially sinister is

0:49:00.280 --> 0:49:04.799
<v Speaker 1>with empty messages about like body acceptance. There's this I'm

0:49:04.880 --> 0:49:07.480
<v Speaker 1>thinking of a campaign that Lush is doing right now

0:49:07.960 --> 0:49:11.920
<v Speaker 1>to sell soap, and it's like, hey, anybody type can

0:49:12.040 --> 0:49:14.640
<v Speaker 1>use our soap. You're like, yeah, no, ship, it's soap.

0:49:15.480 --> 0:49:19.120
<v Speaker 1>And then it's like me to the soap, and you're like, fuck,

0:49:19.239 --> 0:49:21.920
<v Speaker 1>you're me too, Like there. But then but then it's

0:49:21.960 --> 0:49:23.840
<v Speaker 1>like you go across the then you just like go

0:49:23.920 --> 0:49:26.359
<v Speaker 1>across them all to like Forever twenty one where they're

0:49:26.400 --> 0:49:29.040
<v Speaker 1>not selling Like those are the stores that like won't

0:49:29.120 --> 0:49:32.040
<v Speaker 1>sell clothes into like the extra large sizes because they

0:49:32.160 --> 0:49:35.960
<v Speaker 1>don't want like big women. Yeah. So it's like, yeah,

0:49:36.160 --> 0:49:38.799
<v Speaker 1>and you know, that's something ideal with a lot um,

0:49:39.560 --> 0:49:42.240
<v Speaker 1>But there's a lot of times where this girl power

0:49:42.280 --> 0:49:45.719
<v Speaker 1>messaging that's happening now feels a little shallow because you

0:49:45.760 --> 0:49:49.800
<v Speaker 1>don't see it extended to like, you know, extends everywhere.

0:49:50.080 --> 0:49:54.200
<v Speaker 1>It's pretty exclusionary still, right, and just like capitalizing on

0:49:54.280 --> 0:49:57.200
<v Speaker 1>a moment while doing nothing to actually support it. I

0:49:57.280 --> 0:49:59.920
<v Speaker 1>guess I'm just like, yeah, but everyone should check o

0:50:00.000 --> 0:50:03.120
<v Speaker 1>the Blundell Gallery a great food court, yeah, to like

0:50:03.160 --> 0:50:04.920
<v Speaker 1>and then there's a little side food card if you

0:50:04.960 --> 0:50:08.800
<v Speaker 1>go up there. Yeah, guys, take a weekend. It's just

0:50:09.040 --> 0:50:11.359
<v Speaker 1>one day at the gallery out, one day at the Americana.

0:50:11.920 --> 0:50:15.040
<v Speaker 1>You're it's you're just have a full weekend. Our friend,

0:50:15.200 --> 0:50:18.080
<v Speaker 1>our friend calls it was Jared called. Jared calls it

0:50:18.200 --> 0:50:22.160
<v Speaker 1>like the Paris of California. It's just the Americana. Is

0:50:22.760 --> 0:50:25.000
<v Speaker 1>hey can afford to go to Paris. Check out the Americana.

0:50:25.040 --> 0:50:28.520
<v Speaker 1>There's a water fountain in movie and it's already synked

0:50:28.600 --> 0:50:31.320
<v Speaker 1>up two songs from the Polar Express. Christmas starts early

0:50:32.080 --> 0:50:35.719
<v Speaker 1>at the Americana. Oh, they go way out of their way.

0:50:36.480 --> 0:50:38.719
<v Speaker 1>I saw when I was at the Americana. Sorry, one

0:50:38.760 --> 0:50:41.400
<v Speaker 1>more thing about the Americana. I was I was getting

0:50:41.400 --> 0:50:43.400
<v Speaker 1>my computer fixed on a Monday, so I was like, oh,

0:50:43.400 --> 0:50:45.799
<v Speaker 1>it's a quiet time in the Americana. There was an

0:50:45.880 --> 0:50:49.760
<v Speaker 1>old couple watching the water fountain display and like crying.

0:50:50.280 --> 0:50:52.000
<v Speaker 1>They thought it was like eleven in the morning. I

0:50:52.080 --> 0:50:54.719
<v Speaker 1>was like, guys, what are we doing here there? But

0:50:54.840 --> 0:50:58.640
<v Speaker 1>they were so moved were they by the Americana water displays.

0:50:58.719 --> 0:51:01.800
<v Speaker 1>They were both crying and hold hants. That's beautiful. I know,

0:51:03.200 --> 0:51:06.880
<v Speaker 1>like God, well, not to you know, derail this Glendelle

0:51:06.920 --> 0:51:10.520
<v Speaker 1>Galeria conversation, but kind of we're tying it back to

0:51:10.600 --> 0:51:12.520
<v Speaker 1>what we had been talking about in terms of like

0:51:12.640 --> 0:51:15.880
<v Speaker 1>the exclusionary you know, soap is for everybody type and

0:51:15.960 --> 0:51:19.279
<v Speaker 1>it's like, there is a moment where Courtney Cox fat

0:51:19.360 --> 0:51:23.160
<v Speaker 1>shames her camera guy. Other than that, I would say

0:51:23.239 --> 0:51:27.480
<v Speaker 1>there's not as much actively problematic stuff that happens in

0:51:27.560 --> 0:51:31.960
<v Speaker 1>this movie. Um O, mission, it's a mission. Yeah. And

0:51:32.080 --> 0:51:37.400
<v Speaker 1>then compare this to the Scream parody of scary movie that,

0:51:37.600 --> 0:51:42.560
<v Speaker 1>like I said, relies entirely on problematic jokes. So also

0:51:42.680 --> 0:51:47.120
<v Speaker 1>this movie was supposed to be called scary movie crazy. Also,

0:51:47.480 --> 0:51:49.279
<v Speaker 1>we would be remiss not to say, you know, it

0:51:49.440 --> 0:51:53.680
<v Speaker 1>is a Weinstein joint. Yes, it certainly is, and should

0:51:53.719 --> 0:51:56.200
<v Speaker 1>we I don't know how much it's worth talking about

0:51:56.239 --> 0:52:00.600
<v Speaker 1>to bring up Rose McGowan, who plays Tatum, that you know,

0:52:00.800 --> 0:52:05.600
<v Speaker 1>she's been very outspoken about the me Too movement, but

0:52:05.800 --> 0:52:09.879
<v Speaker 1>she also, you know, says some problematic things that are

0:52:10.040 --> 0:52:13.400
<v Speaker 1>fairly turfy at times. I think it's important to remember

0:52:13.560 --> 0:52:16.400
<v Speaker 1>there is no perfect advocate for a movement, and if

0:52:16.480 --> 0:52:20.640
<v Speaker 1>you're putting all your chips behind one specific advocate, probably

0:52:20.800 --> 0:52:23.920
<v Speaker 1>not smart thing to do for your chips. Find the movement,

0:52:24.040 --> 0:52:26.839
<v Speaker 1>not a specific person, but it is unfortunately I mean

0:52:27.120 --> 0:52:29.719
<v Speaker 1>there and and if I'm recalling correctly, I did a

0:52:29.800 --> 0:52:33.680
<v Speaker 1>little bit of a little little light goog on the subject,

0:52:34.200 --> 0:52:38.720
<v Speaker 1>and it appears that the issues with Weinstein and McGowan

0:52:38.800 --> 0:52:44.960
<v Speaker 1>happened after Scream in nineties seven. Interesting, just just the

0:52:45.040 --> 0:52:47.520
<v Speaker 1>thing I might be wrong but I don't think. I

0:52:47.640 --> 0:52:50.960
<v Speaker 1>think that just was those wave of like Dimension and

0:52:51.440 --> 0:52:54.120
<v Speaker 1>Mirror Max films that they weren't actively involved with. It's

0:52:54.160 --> 0:52:56.279
<v Speaker 1>just like their names were on everything. Although I do

0:52:56.440 --> 0:52:58.640
<v Speaker 1>know it was them who decided to change the name

0:52:58.719 --> 0:53:02.320
<v Speaker 1>from Scary Movie to screen. The only active participation I

0:53:02.440 --> 0:53:05.279
<v Speaker 1>know they have in the movie got it. I mean,

0:53:05.320 --> 0:53:07.160
<v Speaker 1>they still got money for it, so I'm not happy.

0:53:07.400 --> 0:53:12.359
<v Speaker 1>But also a weird, like weird Hollywood reporter story came

0:53:12.400 --> 0:53:15.200
<v Speaker 1>out as the me too movement was like starting this

0:53:15.360 --> 0:53:18.279
<v Speaker 1>time last year, and Skeet Ulridge for some reason took

0:53:18.320 --> 0:53:21.279
<v Speaker 1>it upon himself to be like, yeah, I also knew

0:53:21.320 --> 0:53:23.840
<v Speaker 1>Harvey one Steam was bad, And like, Skeet, can you

0:53:24.040 --> 0:53:26.880
<v Speaker 1>sit down for like a second. Don't they need you

0:53:27.120 --> 0:53:30.359
<v Speaker 1>on set over at Riverdale? Don't you need to play

0:53:30.440 --> 0:53:34.520
<v Speaker 1>some Fedora asshole? I don't you need to be brooding

0:53:34.560 --> 0:53:37.160
<v Speaker 1>in a jail cell somewhere, a fake jail cell. Not

0:53:37.800 --> 0:53:42.120
<v Speaker 1>I'm not advocating sending skates to real jail. Not yet.

0:53:43.160 --> 0:53:45.320
<v Speaker 1>Show us the receipts and we'll send Skeek to jail.

0:53:47.280 --> 0:53:52.120
<v Speaker 1>Does anyone have any final thoughts about Scream? I just

0:53:52.280 --> 0:53:58.000
<v Speaker 1>really enjoyed it. Yeah, there's blind spots, mostly biomission. But

0:53:58.160 --> 0:54:01.160
<v Speaker 1>I really liked it. Yeah, I love this movie, and

0:54:01.200 --> 0:54:02.719
<v Speaker 1>I came out it was a lot of fun to

0:54:02.880 --> 0:54:05.640
<v Speaker 1>revisit it. The one moment I've always loved in the

0:54:05.719 --> 0:54:08.000
<v Speaker 1>movie is when everyone at the party finds out the

0:54:08.000 --> 0:54:10.160
<v Speaker 1>Principles and murdered and they're like fuck yeah, and then

0:54:10.200 --> 0:54:12.839
<v Speaker 1>they like take off to I'm like, what is wrong

0:54:12.960 --> 0:54:16.680
<v Speaker 1>with these kids? These kids reaction to finding out people

0:54:17.520 --> 0:54:21.360
<v Speaker 1>are like they're so stoked. It's so they're a heartless.

0:54:21.440 --> 0:54:23.719
<v Speaker 1>I really want to I really want to see the

0:54:23.760 --> 0:54:26.319
<v Speaker 1>moment where they get to the like the football field,

0:54:26.360 --> 0:54:28.800
<v Speaker 1>to see like Principal Henry Winkler like strung up and

0:54:28.840 --> 0:54:31.279
<v Speaker 1>they just like the gravity of what they're actually doing

0:54:31.360 --> 0:54:33.120
<v Speaker 1>hits them and they're like right, and oh my god,

0:54:33.440 --> 0:54:36.000
<v Speaker 1>a person is dead. I thought this is just fun,

0:54:36.120 --> 0:54:38.480
<v Speaker 1>but a person Principle is dead. I mean he didn't

0:54:38.480 --> 0:54:44.400
<v Speaker 1>get along with him, but but he doesn't deserve it. Yeah, Jamie,

0:54:44.400 --> 0:54:47.680
<v Speaker 1>you mentioned this a bit on the Halloween episode where

0:54:48.120 --> 0:54:51.120
<v Speaker 1>in that movie and in this movie as well, it's

0:54:51.239 --> 0:54:57.320
<v Speaker 1>clear that the people who are displaying toxic masculinity and

0:54:58.040 --> 0:55:01.239
<v Speaker 1>you know, other negative quality these it's clear that they

0:55:01.320 --> 0:55:04.360
<v Speaker 1>are the bad guys because often we find in movies

0:55:04.800 --> 0:55:10.719
<v Speaker 1>where you know, the hero is also ripe with toxic masculinity,

0:55:10.800 --> 0:55:20.240
<v Speaker 1>but we're still raped. But um, because in different moments

0:55:20.440 --> 0:55:25.360
<v Speaker 1>of this movie, we see like Billy emotionally manipulating his

0:55:25.480 --> 0:55:28.919
<v Speaker 1>girlfriend by being like, you're still upset about your dead mom?

0:55:29.200 --> 0:55:32.160
<v Speaker 1>You fucking loser. Why don't you just have sex with

0:55:32.280 --> 0:55:35.200
<v Speaker 1>me already? God? And it's like, oh, okay, so you're

0:55:35.680 --> 0:55:39.399
<v Speaker 1>you know, abusive and in gaslighting and uh, and then

0:55:39.440 --> 0:55:42.200
<v Speaker 1>he ends up being the bad guys. So also those

0:55:42.239 --> 0:55:44.560
<v Speaker 1>when one last thing I wanted to say about Sydney

0:55:44.800 --> 0:55:50.120
<v Speaker 1>is that like kickstarting stuff with the brutal murder of

0:55:50.640 --> 0:55:52.440
<v Speaker 1>a woman, and I think they say rape as well.

0:55:52.960 --> 0:55:57.160
<v Speaker 1>There's issues of Sydney's mom that's in the report. The

0:55:57.239 --> 0:56:00.600
<v Speaker 1>report yes that I mean both was like a reference

0:56:00.640 --> 0:56:02.960
<v Speaker 1>to Halloween and just like, boy, we're killing a woman

0:56:03.000 --> 0:56:07.680
<v Speaker 1>to start the story. But you do see Sydney dealing

0:56:07.800 --> 0:56:10.280
<v Speaker 1>with that trauma in a way that at least seems

0:56:10.560 --> 0:56:14.040
<v Speaker 1>for this universe to be relatively honest, and it's not

0:56:14.280 --> 0:56:16.399
<v Speaker 1>the sort of story where it's like, oh, yeah, we're

0:56:16.440 --> 0:56:18.320
<v Speaker 1>just throwing this in there to get the story started

0:56:18.360 --> 0:56:21.280
<v Speaker 1>and it has no actual narrative impact on our main character.

0:56:21.480 --> 0:56:23.719
<v Speaker 1>So it's happy to see that. And I also, and

0:56:23.880 --> 0:56:25.919
<v Speaker 1>I mean regards to actually both of what you're saying,

0:56:26.280 --> 0:56:29.960
<v Speaker 1>especially like the display of understanding and display of toxic salinity.

0:56:30.200 --> 0:56:31.320
<v Speaker 1>I think a lot of that might have to do

0:56:31.360 --> 0:56:34.200
<v Speaker 1>with the fact that, like Williamson is a like queer writer,

0:56:34.440 --> 0:56:36.920
<v Speaker 1>so he's not he's not writing from the inside. He's

0:56:36.960 --> 0:56:39.359
<v Speaker 1>kind of writing from the outside a little bit when

0:56:39.400 --> 0:56:41.279
<v Speaker 1>he's dealing with character, and I think maybe he can

0:56:41.360 --> 0:56:44.680
<v Speaker 1>see them with a little less like hero worship than like, say,

0:56:44.880 --> 0:56:47.879
<v Speaker 1>a you know, someone who might see themselves in Billy

0:56:48.000 --> 0:56:51.399
<v Speaker 1>Loomis would right. And I would say overall, in terms

0:56:51.480 --> 0:56:54.640
<v Speaker 1>of like the character development of the you know, main

0:56:54.760 --> 0:56:58.760
<v Speaker 1>female characters we get to know, which is mostly Sydney

0:56:58.960 --> 0:57:02.840
<v Speaker 1>and Gail Weather, we don't know a whole ton about

0:57:02.920 --> 0:57:06.680
<v Speaker 1>them outside of how they relate to this specific story.

0:57:06.800 --> 0:57:09.080
<v Speaker 1>It's not like, you know, we're like, oh, and Sydney

0:57:09.800 --> 0:57:14.279
<v Speaker 1>loves chemistry and you know, stuff like that. But you know,

0:57:14.360 --> 0:57:19.680
<v Speaker 1>there's only so much you can accomplish. But it didn't

0:57:19.720 --> 0:57:22.280
<v Speaker 1>super bother me in this movie, because you know, this

0:57:22.400 --> 0:57:25.200
<v Speaker 1>movie has an agenda and Also, it's not like we

0:57:25.320 --> 0:57:27.640
<v Speaker 1>know that much more about the male characters either. There's

0:57:27.680 --> 0:57:30.600
<v Speaker 1>not like a massive imbalance, Like it's just the story

0:57:31.240 --> 0:57:33.800
<v Speaker 1>doesn't tell you much about the teenagers outside of their

0:57:33.840 --> 0:57:39.360
<v Speaker 1>sex lives. And they all love horror movies the insanely

0:57:39.440 --> 0:57:43.680
<v Speaker 1>specific knowledge. Yeah, well I like this movie. Yeah, it's

0:57:43.920 --> 0:57:46.520
<v Speaker 1>damn it. I want you to see the the other three.

0:57:47.120 --> 0:57:51.880
<v Speaker 1>Let's watch them together. Okay, Okay, Hey does this movie

0:57:51.920 --> 0:57:58.600
<v Speaker 1>pass the Bechdel test quite a few times between quite

0:57:58.640 --> 0:58:02.160
<v Speaker 1>a few different combinations of characters that passes. Between Sid

0:58:02.400 --> 0:58:07.120
<v Speaker 1>and Tatum early on, men get mentioned in this conversation,

0:58:07.560 --> 0:58:11.560
<v Speaker 1>but there are two line exchanges that pass. Whenever said's like, hey,

0:58:11.720 --> 0:58:14.360
<v Speaker 1>what's going on at our school? And she's like, oh,

0:58:14.520 --> 0:58:19.080
<v Speaker 1>some teens were killed that we know. There is scene

0:58:19.080 --> 0:58:22.480
<v Speaker 1>between Sydney and Gayl where the whole thing passes as

0:58:22.520 --> 0:58:24.640
<v Speaker 1>far as I could tell. Oh, and I think Tatum

0:58:24.680 --> 0:58:27.280
<v Speaker 1>is there too, where like she's like, get away from her,

0:58:27.360 --> 0:58:29.480
<v Speaker 1>don't ask questions. Is none of your damn business. Blah

0:58:29.520 --> 0:58:32.280
<v Speaker 1>blah blah. Yeah. So there's there's quite a few scenes

0:58:32.360 --> 0:58:36.360
<v Speaker 1>where the movie passes the Epectel tests. It's get impressively.

0:58:36.400 --> 0:58:39.840
<v Speaker 1>So yeah, and we've talked about this before. Of the

0:58:40.040 --> 0:58:43.200
<v Speaker 1>you know, a few horror movies, we've covered that so far,

0:58:43.280 --> 0:58:45.400
<v Speaker 1>it seems like all of them passed. And it's because

0:58:45.520 --> 0:58:49.600
<v Speaker 1>horror movies have to be populated by many women so

0:58:49.720 --> 0:58:52.120
<v Speaker 1>that they can get murdered. But before they get murdered,

0:58:52.160 --> 0:58:55.000
<v Speaker 1>they talked to each other. But Catch twenty two and

0:58:55.120 --> 0:58:58.080
<v Speaker 1>they and they usually have to talk because of what's

0:58:58.120 --> 0:58:59.720
<v Speaker 1>happened in the movie. They probably have to talk about

0:58:59.760 --> 0:59:03.520
<v Speaker 1>something aside an an, Hey, did you hear about our

0:59:03.800 --> 0:59:09.160
<v Speaker 1>our friend Sally getting murdered? She got I guess it's

0:59:09.200 --> 0:59:12.480
<v Speaker 1>all the Saw movies past the Fidel task, which is

0:59:12.560 --> 0:59:14.640
<v Speaker 1>just another period of the flawed metrics. What are we

0:59:14.680 --> 0:59:17.520
<v Speaker 1>going to do about these traps? So many traps. There

0:59:17.760 --> 0:59:21.400
<v Speaker 1>a lot of knives in this room. Christie, Christie, agree,

0:59:22.200 --> 0:59:24.920
<v Speaker 1>don't put your hand in that needle pile. Christopher Coops

0:59:25.000 --> 0:59:29.080
<v Speaker 1>might be passes. So let's write the movie on our

0:59:29.120 --> 0:59:32.040
<v Speaker 1>nipple scale, where we rate it zero to five nipples

0:59:32.040 --> 0:59:35.440
<v Speaker 1>based on its portrayal and representation of women. I'm going

0:59:35.480 --> 0:59:40.640
<v Speaker 1>to give this one. I would say a three. I

0:59:40.800 --> 0:59:46.080
<v Speaker 1>suppose I can go right yeah, because we see the

0:59:46.320 --> 0:59:50.160
<v Speaker 1>female characters being a bit more active and more motivated

0:59:50.240 --> 0:59:55.600
<v Speaker 1>than they are in typical slasher movies. We don't see

0:59:55.760 --> 0:59:58.919
<v Speaker 1>like the gratuitous nudity that we often see. We don't.

0:59:59.280 --> 1:00:02.640
<v Speaker 1>While it does still align with some of the tropes,

1:00:02.680 --> 1:00:05.160
<v Speaker 1>it also kind of redefines some of the troops and

1:00:05.280 --> 1:00:07.800
<v Speaker 1>it subverts some of them. So, you know, the whole

1:00:08.120 --> 1:00:11.160
<v Speaker 1>final girl has to be innocent virgin type is kind

1:00:11.160 --> 1:00:13.080
<v Speaker 1>of thrown out the window with this um they save

1:00:13.160 --> 1:00:17.240
<v Speaker 1>themselves at the end. There is parody between the number

1:00:17.480 --> 1:00:21.880
<v Speaker 1>of men versus women who get attacked. So I think

1:00:21.920 --> 1:00:25.600
<v Speaker 1>it handles things better than you know, the seventies and

1:00:25.720 --> 1:00:30.320
<v Speaker 1>eighties slasher flicks that audiences had gotten accustomed to up

1:00:30.360 --> 1:00:34.480
<v Speaker 1>until you know, the release of Scream. But as we

1:00:34.600 --> 1:00:39.400
<v Speaker 1>also pointed out, there is no diversity in terms of race,

1:00:39.560 --> 1:00:44.720
<v Speaker 1>in terms of identity and sexuality and body type and

1:00:45.000 --> 1:00:48.600
<v Speaker 1>all of that stuff. So it's still the story of young,

1:00:48.840 --> 1:00:53.880
<v Speaker 1>hot white women, which a character like Gail Weathers continues

1:00:53.960 --> 1:00:59.240
<v Speaker 1>to help sensationalize. And yeah, yeah, so it doesn't handle

1:00:59.320 --> 1:01:02.000
<v Speaker 1>everything the best that it could, but it's a step

1:01:02.160 --> 1:01:06.560
<v Speaker 1>certainly in a better direction for slasher movies. So yeah,

1:01:06.640 --> 1:01:10.880
<v Speaker 1>three nipples and I'm gonna give one to Sydney. I'm

1:01:10.880 --> 1:01:13.880
<v Speaker 1>going to give one to Gail, and I'm gonna throw

1:01:13.960 --> 1:01:19.400
<v Speaker 1>one to our pal Lillard. Lillard, Oh boy, I'm gonna

1:01:19.480 --> 1:01:22.280
<v Speaker 1>go for three as well. Um, we already discussed kind

1:01:22.320 --> 1:01:26.200
<v Speaker 1>of it's mostly progress on a surface level and that

1:01:26.400 --> 1:01:31.800
<v Speaker 1>it's hetero white movie. Inside of the world. Women have

1:01:32.000 --> 1:01:36.840
<v Speaker 1>more agency than most popular horror movies up toil this point,

1:01:36.960 --> 1:01:39.840
<v Speaker 1>and I'm sure seeing this movie in theaters was cathartic

1:01:39.920 --> 1:01:43.440
<v Speaker 1>for a lot of people. And it's just interesting to see, uh,

1:01:44.160 --> 1:01:47.760
<v Speaker 1>you know, in a horror movie two characters Gail and Sydney,

1:01:47.840 --> 1:01:52.080
<v Speaker 1>who are who don't just survive, They survive and they

1:01:52.600 --> 1:01:57.080
<v Speaker 1>thrive and they come together like I don't know if

1:01:57.200 --> 1:01:59.720
<v Speaker 1>like there's a lot going on, like theme wise, there's

1:01:59.720 --> 1:02:02.040
<v Speaker 1>a lot in Scream. But one of the things, one

1:02:02.080 --> 1:02:03.800
<v Speaker 1>of the light themes I took out of it is is, oh,

1:02:03.840 --> 1:02:06.400
<v Speaker 1>it is about how kind of media and society like

1:02:06.680 --> 1:02:09.160
<v Speaker 1>work to like keep women at odds with each other,

1:02:09.480 --> 1:02:11.160
<v Speaker 1>because like the whole movie, they're at odds with each other.

1:02:11.240 --> 1:02:13.280
<v Speaker 1>At the end, when she's like, how about this story

1:02:13.320 --> 1:02:17.080
<v Speaker 1>reporter like killed two assahole teenagers murderers, and and he's

1:02:17.120 --> 1:02:20.120
<v Speaker 1>like I like that story. Yeah, it's like we always say,

1:02:20.360 --> 1:02:23.560
<v Speaker 1>people trying to keep women fighting, so because if we

1:02:23.680 --> 1:02:26.680
<v Speaker 1>talk to each other then the scam is exposed. Uh

1:02:27.160 --> 1:02:30.400
<v Speaker 1>So so yeah, I mean there's most of this movie

1:02:30.600 --> 1:02:33.720
<v Speaker 1>is like terrific, and it's definitely paved the way for

1:02:34.200 --> 1:02:36.760
<v Speaker 1>even more progressive work to be made. Uh and a

1:02:36.840 --> 1:02:40.040
<v Speaker 1>bunch of weird not great work. So such a scary

1:02:40.120 --> 1:02:43.880
<v Speaker 1>movie and that whole franchise the cost of success. Yeah, anyway,

1:02:43.920 --> 1:02:46.360
<v Speaker 1>it's given it three nippies. Of course again, I tossed

1:02:46.440 --> 1:02:48.800
<v Speaker 1>one to Lillard, give him a full set where I'm

1:02:48.800 --> 1:02:52.160
<v Speaker 1>gonna kick one over to Casey because Drew Barrymore just

1:02:52.600 --> 1:02:55.800
<v Speaker 1>she belts it. Uh, And I'm gonna give my last

1:02:55.800 --> 1:03:01.400
<v Speaker 1>one again. I might just for like nostalgia and being

1:03:01.480 --> 1:03:04.080
<v Speaker 1>matter factor, Like I might bump it up to four

1:03:04.920 --> 1:03:08.200
<v Speaker 1>because I totally agree with everything you guys are saying. Um,

1:03:08.360 --> 1:03:10.600
<v Speaker 1>but I don't know they're just being there for that

1:03:10.720 --> 1:03:13.040
<v Speaker 1>movie at the time was released like in a giant

1:03:13.280 --> 1:03:16.640
<v Speaker 1>crowded audience, was like it did feel like something special,

1:03:16.680 --> 1:03:18.400
<v Speaker 1>and it did feel like something we were seeing something

1:03:18.880 --> 1:03:22.240
<v Speaker 1>like you know, progressive and cool and new and like

1:03:22.400 --> 1:03:25.640
<v Speaker 1>I'll never like forget that experience of scene of like

1:03:25.760 --> 1:03:28.240
<v Speaker 1>you know, feeling that catharsis the first time I saw

1:03:28.320 --> 1:03:31.320
<v Speaker 1>it in a theater, and you know, this is just me.

1:03:31.520 --> 1:03:33.600
<v Speaker 1>I feel like looking back on it with like remembering

1:03:33.680 --> 1:03:36.800
<v Speaker 1>like kind of what horror was before that and kind

1:03:36.840 --> 1:03:40.680
<v Speaker 1>of what Scream took it to. But I can't help it,

1:03:40.800 --> 1:03:43.480
<v Speaker 1>Like you know, it is a very special movie to

1:03:43.560 --> 1:03:46.520
<v Speaker 1>me for that, and I'm gonna give it. I'm gonna

1:03:46.520 --> 1:03:49.520
<v Speaker 1>give it one extra nipple for for for that reason,

1:03:50.520 --> 1:03:57.360
<v Speaker 1>would you Oh, Um, I'm gonna give obviously Gail, Obviously, Sydney. Um,

1:03:57.400 --> 1:03:59.840
<v Speaker 1>I'm gonna like also throw on to Tatum just for

1:04:00.040 --> 1:04:03.560
<v Speaker 1>that kick ass move where she like slams the freezer

1:04:03.680 --> 1:04:08.400
<v Speaker 1>door in Ghost Ghost Faces Face. Um, my last nipple

1:04:08.440 --> 1:04:11.520
<v Speaker 1>goes to Can I give it to Sydney Gail team

1:04:11.600 --> 1:04:15.680
<v Speaker 1>up at the end because I fucking love that mutual nip. Yeah,

1:04:16.160 --> 1:04:18.840
<v Speaker 1>you's get one extra half nip. Well better like next

1:04:18.880 --> 1:04:22.800
<v Speaker 1>time Jamie Kennedy knips for you. This time He's only

1:04:22.880 --> 1:04:25.840
<v Speaker 1>in so many movies in the screen too, So we

1:04:26.000 --> 1:04:28.440
<v Speaker 1>got to watch it. Think or maybe when you get

1:04:28.480 --> 1:04:33.280
<v Speaker 1>the Son of Mask. Oh, there's that's like twenty years

1:04:33.320 --> 1:04:36.120
<v Speaker 1>from now, we're really scraping for movies, like, all right,

1:04:36.280 --> 1:04:41.920
<v Speaker 1>here's the Here's the Son of a Mask. Yeah, just

1:04:42.000 --> 1:04:45.480
<v Speaker 1>wait twenty years, Jamie, and then and hopefully, you know,

1:04:45.600 --> 1:04:50.480
<v Speaker 1>you'll be alive and thriving and doing even more experiments. Well,

1:04:50.680 --> 1:04:52.840
<v Speaker 1>by that point, the two of us will be married

1:04:52.880 --> 1:04:55.680
<v Speaker 1>and it will be the Jamie Ken Jamie Kennedy Experiment

1:04:55.720 --> 1:05:02.560
<v Speaker 1>Experiment awesome show. Anyways, Well, Joan, thank you so much

1:05:02.680 --> 1:05:04.360
<v Speaker 1>for beank, you for having me. This is a lot

1:05:04.440 --> 1:05:08.280
<v Speaker 1>of fun. Yeah, I love going back to nineties living

1:05:08.480 --> 1:05:11.920
<v Speaker 1>my high school years. Awesome. Where can people find you online?

1:05:11.960 --> 1:05:13.640
<v Speaker 1>What would you like to plug? You can find me

1:05:13.720 --> 1:05:18.080
<v Speaker 1>on Twitter or Instagram as Joan Hailey Ford. Other than that,

1:05:18.240 --> 1:05:22.840
<v Speaker 1>I'm at UCB pretty frequently. And watch out for Yabadaba

1:05:22.880 --> 1:05:25.600
<v Speaker 1>dinosaurs and Thundercat's roar, and don't forget to be on

1:05:25.640 --> 1:05:30.920
<v Speaker 1>the lookout. Also be alert and aware for Paula Blark

1:05:30.960 --> 1:05:33.560
<v Speaker 1>Calin and I are gonna hit. We're gonna go to

1:05:33.600 --> 1:05:37.439
<v Speaker 1>a Starbucks right now and start get taking story notes. Yeah,

1:05:37.760 --> 1:05:42.760
<v Speaker 1>you could set it at the Americana. The twist is

1:05:42.840 --> 1:05:47.880
<v Speaker 1>it's an outdoormal. Yeah. World collidings. Oh, there's so much,

1:05:47.960 --> 1:05:50.200
<v Speaker 1>There's so many more. Threats. It's outside, it could rain.

1:05:50.720 --> 1:05:53.520
<v Speaker 1>Oh my god. Yeah, what's Paula going to do at

1:05:53.840 --> 1:05:56.280
<v Speaker 1>Oh god, We're gonna need a high budget. We're gonna

1:05:56.280 --> 1:05:57.840
<v Speaker 1>have to make that snow real. It could be a

1:05:57.880 --> 1:06:00.960
<v Speaker 1>oh yeah, it's a geo storm cross howe? Where is

1:06:01.040 --> 1:06:06.200
<v Speaker 1>that some some terroristism is causing a snowstorm in southern California? Oh?

1:06:06.360 --> 1:06:10.680
<v Speaker 1>I love this amazing well on one complete. Hey for

1:06:11.200 --> 1:06:13.880
<v Speaker 1>for great ideas like that, check us out on Twitter

1:06:14.160 --> 1:06:18.720
<v Speaker 1>and Instagram and Facebook at becktel Cast. You can write

1:06:18.760 --> 1:06:20.760
<v Speaker 1>and review us on iTunes. You can go to our

1:06:20.840 --> 1:06:24.120
<v Speaker 1>merch store, te public dot com slash the Bechtel Cast.

1:06:24.480 --> 1:06:27.920
<v Speaker 1>We've got all kinds of goodies and you've you've got

1:06:27.960 --> 1:06:31.880
<v Speaker 1>a few more days to get our Halloween Beetle Juice

1:06:33.200 --> 1:06:37.520
<v Speaker 1>allan sale this month. Are Feminist Icon Beetle Juice, Fun,

1:06:37.600 --> 1:06:40.840
<v Speaker 1>Ironic t Revenence the last year's episode, and you know,

1:06:40.960 --> 1:06:43.600
<v Speaker 1>are you on team wet Scalves? Are you on Team

1:06:43.720 --> 1:06:48.360
<v Speaker 1>dry Scouts? Likely failing T shirt design will only be

1:06:48.520 --> 1:06:51.840
<v Speaker 1>on sale for a few more days. Also, quick plug

1:06:51.920 --> 1:06:54.040
<v Speaker 1>about our East Coast tour that we're going to be

1:06:54.120 --> 1:06:57.200
<v Speaker 1>doing in early November, starting on November three, we're going

1:06:57.240 --> 1:07:00.600
<v Speaker 1>to be in Philadelphia, Pennsylvania. November earth, we're going to

1:07:00.680 --> 1:07:04.120
<v Speaker 1>be in Washington, d C. And November five, we're gonna

1:07:04.160 --> 1:07:05.720
<v Speaker 1>be in New York City. Is a part of the

1:07:05.760 --> 1:07:09.720
<v Speaker 1>New York Comedy Festival. For more details about the movies werecovering,

1:07:10.160 --> 1:07:12.800
<v Speaker 1>our guests, the venues will be at, and how to

1:07:12.880 --> 1:07:15.400
<v Speaker 1>get tickets, go to becktel Cast dot com and go

1:07:15.520 --> 1:07:18.400
<v Speaker 1>to our live appearances tab and all the information will

1:07:18.440 --> 1:07:21.680
<v Speaker 1>be there. You can also check our Twitter and Facebook

1:07:22.080 --> 1:07:24.760
<v Speaker 1>will be posting the links there, so if you live

1:07:25.000 --> 1:07:27.320
<v Speaker 1>in or near any of those cities, we hope to

1:07:27.360 --> 1:07:30.680
<v Speaker 1>see you there for our live shows. And finally, we've

1:07:30.720 --> 1:07:34.160
<v Speaker 1>got a Patreon a k a Matreon that gets you

1:07:34.320 --> 1:07:36.960
<v Speaker 1>to bonus episodes every single month and it's only five

1:07:37.000 --> 1:07:39.760
<v Speaker 1>dollars a month, So subscribe to that by going to

1:07:39.960 --> 1:07:46.520
<v Speaker 1>patreon dot com, slash becktel Cast and otherwise, Um, you scream,

1:07:46.600 --> 1:07:52.040
<v Speaker 1>I scream, We all scream for Screaream franchise. Yeah, okay bye,

1:07:52.320 --> 1:07:53.000
<v Speaker 1>let me bye by