WEBVTT - The Waiting, Part 2

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, the production of

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<v Speaker 1>My Heart Radio. Hey you welcome to Stuff to Blow

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<v Speaker 1>your Mind. My name is Robert Lamb and I'm Joe McCormick,

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<v Speaker 1>and we're back with part two of our talk about

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<v Speaker 1>queuing and waiting in line. We've got lots more stuff

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<v Speaker 1>to get into today, a queuing psychology, the horror and

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<v Speaker 1>the anguish of cutting in line. It's going to be

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<v Speaker 1>a blast. But first we'd like to start with with

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<v Speaker 1>really a proper look at the British queue. Uh. This

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<v Speaker 1>is something that we even heard from listening, a listener

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<v Speaker 1>by the name of the about saying, hey, how come

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<v Speaker 1>you guys didn't talk more about about waiting in line

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<v Speaker 1>in merry old England. And so let's get into that

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<v Speaker 1>a bit. But before we do, I thought i'd just

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<v Speaker 1>thrown a quick quote from William Shakespeare quote I am

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<v Speaker 1>to wait, though waiting so be hell so be? Well,

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<v Speaker 1>what's soll um? It's from one of his sonnets. The

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<v Speaker 1>number is eluding me at the moment. Oh yeah, yeah,

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<v Speaker 1>son at fifty eight. Okay, let me suffer being at

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<v Speaker 1>your back. This is the abject one. Now to be sure,

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<v Speaker 1>he's not what he's not talking about waiting in line,

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<v Speaker 1>but I feel like it could apply to the modern

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<v Speaker 1>experience of waiting in line, because waiting in line so

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<v Speaker 1>be hell as well unless you make waiting in line

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<v Speaker 1>part of your identity, and then you can every time

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<v Speaker 1>you have to do it, you can get real excited

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<v Speaker 1>about how good at it you are. Yes, yes, uh,

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<v Speaker 1>And perhaps this is this is getting into the British

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<v Speaker 1>spirit of the thing. So in the previous episode I

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<v Speaker 1>briefly mentioned British criticisms of queuing as socialism. So I

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<v Speaker 1>thought I had to go and I thought I'd go

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<v Speaker 1>into this a bit more. Uh. Is it regards the

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<v Speaker 1>history of queuing in Britain, And I was looking at

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<v Speaker 1>an article titled Queuing Up in Post War Britain by

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<v Speaker 1>Joe Moran, published in twentieth Century British History, Volume sixteen

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<v Speaker 1>that came out in the year two thousand and five. Yeah,

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<v Speaker 1>I've read a number of things about queuing where where

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<v Speaker 1>this author, Joe Moran is cited, and he appears to

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<v Speaker 1>be kind of a historian of everyday life, which is

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<v Speaker 1>a field that I find a lot of interest in,

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<v Speaker 1>like um studying, not just like you know, the big

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<v Speaker 1>events of history, the wars and the political changes and

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<v Speaker 1>all that. But but what people had to do in

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<v Speaker 1>the little, less noted moments of day to day existence. Yeah,

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<v Speaker 1>a lot of times one of the big stuff is

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<v Speaker 1>going on, what are the little things? And oftentimes, and

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<v Speaker 1>this comes out in in this particular paper, you see

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<v Speaker 1>the larger events and the larger movements of the day,

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<v Speaker 1>you see it all filtering down to to the day

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<v Speaker 1>to day level, and in this case concerning waiting in

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<v Speaker 1>lines for things. So in the immediate post war period,

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<v Speaker 1>post World War Two, amid scarcity problems, you had queuing

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<v Speaker 1>and there was a sense of queuing as an absolute good.

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<v Speaker 1>It was the state. You know, you're you're doing your part.

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<v Speaker 1>It's important that we wait in line. It's important that

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<v Speaker 1>we work together and we socially organize in order to

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<v Speaker 1>make sure that we get what we needed in the scarcity. Yeah,

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<v Speaker 1>that's true. I mean, I think it really became part

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<v Speaker 1>of the British identity in the post World War two period.

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<v Speaker 1>But it was also a big part of the of

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<v Speaker 1>British sort of internal propaganda messaging during World War Two,

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<v Speaker 1>because there was a time when you know, you were

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<v Speaker 1>dealing with a lot of scarcity of goods within the

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<v Speaker 1>country as well, and there was a kind of national

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<v Speaker 1>messaging campaign that was like, hey, you know, do your part.

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<v Speaker 1>Good British citizens, they do their duty, they wait their

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<v Speaker 1>turn for things. You you display the British virtues of calmness, decency, fairness.

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<v Speaker 1>This is the British way. Yeah, it's like mine, name

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<v Speaker 1>the gap. It's just what you're supposed to do as

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<v Speaker 1>a as a proper British person. And you had a

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<v Speaker 1>number of authors of the day even commenting on this.

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<v Speaker 1>Author George Orwell wrote that a foreign visitor to Britain

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<v Speaker 1>would have been struck by the quote orderly behavior of

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<v Speaker 1>English crowds, the lack of pushing and quarreling, the willingness

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<v Speaker 1>to form cues. And then there's a famous George mis

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<v Speaker 1>quote from quote an Englishman, even if he is alone,

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<v Speaker 1>forms an orderly queue of one. Right, So sort of

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<v Speaker 1>writing it into the political identity or the national character

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<v Speaker 1>of of Great Britain. Right. So so for these authors

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<v Speaker 1>and many other commentators, quing behavior was sub political and

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<v Speaker 1>all about the greater good in a proper English fashion.

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<v Speaker 1>But queuing had been seen in a in a very

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<v Speaker 1>different light as well, not only as a sort of

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<v Speaker 1>creeping socialism, but as a byproduct of wartime scarcity that

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<v Speaker 1>damaged morale and impacted women more than men. Uh The

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<v Speaker 1>idea here being that the women would be the ones

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<v Speaker 1>going out during the day and waiting in lines for things.

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<v Speaker 1>And there were there were various voices talking about well

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<v Speaker 1>this this might be a detriment to their health as well,

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<v Speaker 1>like these women should not be standing in line for

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<v Speaker 1>long periods of time. Why do we have long lines?

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<v Speaker 1>So Marn rights that these cues, we have all these

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<v Speaker 1>other things going on to For instance, he writes that

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<v Speaker 1>these these cues were also a hotbed of anti semitism,

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<v Speaker 1>along with other resentments and accusations at other customers but

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<v Speaker 1>also against shopkeepers. Uh So, queuing, despite it being tied

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<v Speaker 1>in with these ideas of national pride and and necessity,

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<v Speaker 1>it was also highly unpopular and therefore rife for politicization.

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<v Speaker 1>So it became a divisive topic that politicians latched onto.

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<v Speaker 1>And this is where you get into the whole creeping

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<v Speaker 1>socialism thing. Yeah, it seems to me that queuing throughout

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<v Speaker 1>its history has often gotten charged up with political, social,

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<v Speaker 1>and moral baggage. Like people trying to use queuing or

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<v Speaker 1>aspects of queuing to make a point about some pet

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<v Speaker 1>issue they have. So you'll often see like politicians and

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<v Speaker 1>cultural critics um attacking queuing as symbolic of something they

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<v Speaker 1>believe to be nefarious. In some cases, like you could

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<v Speaker 1>have conservative politicians saying that it's somehow, somehow emblematic of

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<v Speaker 1>socialism or of government control. But there's another strain of

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<v Speaker 1>a similar type of thinking that I know I've encountered before.

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<v Speaker 1>I was trying to think of a really good specific

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<v Speaker 1>example to point too, and I couldn't, But I know

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<v Speaker 1>I've heard something like this from a general just kind

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<v Speaker 1>of anti conformity rant. You hear people say like schools

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<v Speaker 1>trying to teach you to conform. Man, they want to

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<v Speaker 1>turn you into sheep so that you can't think for yourself.

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<v Speaker 1>They want you to do what you're told and stand

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<v Speaker 1>in line and wait your turn. And to me, this

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<v Speaker 1>is such a tragic conflation of like unrelated issues. Obviously,

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<v Speaker 1>you know it's good to think for yourself and have

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<v Speaker 1>the courage to resist social pressure to conform to do

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<v Speaker 1>something wrong or immoral, But there's like nothing intelligent or

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<v Speaker 1>morally courageous about resisting waiting your turn for a service.

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<v Speaker 1>That's just being a jerk. Yeah, I agree. I mean

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<v Speaker 1>I don't think this is what um Pink Floyd's The

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<v Speaker 1>Wall was about. UM. So, if anyone out there wants

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<v Speaker 1>just a really nice kind of deep dive into all

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<v Speaker 1>of this, I do suggest that mern article. He goes

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<v Speaker 1>into wonderful detail, but ultimately he surmises that you see

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<v Speaker 1>the shift over time from queuing and as an example

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<v Speaker 1>of the best of proper Britishness, to a symbol of

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<v Speaker 1>the British disease UH, and then ultimately to a less

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<v Speaker 1>politicized reality that can be beneficial or harmful depending on

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<v Speaker 1>the circumstance. UM. I want to read a quote from

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<v Speaker 1>him that I think drives home this kind of dual

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<v Speaker 1>nature quote. People have been complaining about UH, the disintegration

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<v Speaker 1>of Q discipline for almost as long as they have

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<v Speaker 1>been lauding the que as the essence of British decency,

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<v Speaker 1>perhaps because the myth carries such symbolic weight that it

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<v Speaker 1>cannot be sustained by the necessarily messier reality. The notion

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<v Speaker 1>of cues as the embodiment of fairness and equality has

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<v Speaker 1>also existed alongside other discourses which have seen them as tedious,

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<v Speaker 1>unfair and inefficient. So yeah, it's it's like you said,

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<v Speaker 1>the lines, the cues, they kind of become whatever you

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<v Speaker 1>need them to be, depending on what your argument is

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<v Speaker 1>and what the particular example is that was actually reading

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<v Speaker 1>a BBC News article from a few years back that

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<v Speaker 1>quoted uh this historian Joe Moran extensively uh in talking

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<v Speaker 1>about these various ideas about ques over the years, and

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<v Speaker 1>he brings up this very thing about how like some

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<v Speaker 1>of the same types of figures that you would in

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<v Speaker 1>previous decades have seen complaining about queuing as as a

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<v Speaker 1>sign of something wrong with the national character, are now

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<v Speaker 1>often seen complaining about the the decline of queuing discipline,

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<v Speaker 1>saying like complaining about bus stops and people are so

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<v Speaker 1>disorderly getting onto buses now. But I think in the

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<v Speaker 1>article Moran makes the case that actually what's going on

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<v Speaker 1>probably is the difference between queuing areas that have well

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<v Speaker 1>organized infrastructure that allows people to know where and how

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<v Speaker 1>to line up, versus queuing areas where people are forced

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<v Speaker 1>to self organized without any clear organizing principle, like you know,

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<v Speaker 1>stanchions to stand between or something. Yeah. I mean, I

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<v Speaker 1>guess a lot of it probably comes down to it,

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<v Speaker 1>isn't there like a George Carlin debt about how fast

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<v Speaker 1>you're driving, and you know, it's like you either think

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<v Speaker 1>people are going too fast or too slow, but it's

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<v Speaker 1>based on whatever you are doing. So a lot of

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<v Speaker 1>this is going to come down to what is your

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<v Speaker 1>experience right now? Standing in line? Is the line tedious?

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<v Speaker 1>Is the line along well? And then perhaps you're inclined

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<v Speaker 1>to apply that to queues and lines in general or

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<v Speaker 1>order in general. You know, like I could see where

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<v Speaker 1>one awful queuing experience could almost make you an anarchist

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<v Speaker 1>at least for you know, a couple of hours before

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<v Speaker 1>you calm down. But see, the funny thing is, I

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<v Speaker 1>think an anarchist should be especially in love with queuing

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<v Speaker 1>because queuing is a self organizing principle by which people

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<v Speaker 1>order access to things. So if you're an anarchist, queuing

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<v Speaker 1>should be like that. That should be like your go

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<v Speaker 1>to example of like how how you get things done

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<v Speaker 1>without top down control? Right? Yeah, yeah, unless you want

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<v Speaker 1>to say they are making you stand in line. This

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<v Speaker 1>is top down control. Uh, you know, in practice, because

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<v Speaker 1>there's the sign telling you to do it. Oh yeah,

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<v Speaker 1>I guess that's another very creation on what I was

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<v Speaker 1>talking about a minute ago. That like attitude that like, oh,

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<v Speaker 1>standing in line and waiting your turn is like that's

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<v Speaker 1>a you know, wake up sheep all kind of thing.

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<v Speaker 1>You're you're being a sheep by doing that. Um, that's

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<v Speaker 1>just like confusing that because there is social pressure to

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<v Speaker 1>do some things that are stupid and bad. Therefore anything

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<v Speaker 1>there is social pressure to do is stupid and bad. Yeah, when,

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<v Speaker 1>in fact, I just want to reiterate again, if you

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<v Speaker 1>are being a jerk about the line, you're the problem.

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<v Speaker 1>It's not everybody else. Now, one thing to keep in

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<v Speaker 1>mind about queuing is that for many of us, this

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<v Speaker 1>is just simply how we grew up. You know, we're

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<v Speaker 1>taught very early on, often in school the importance of

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<v Speaker 1>forming lines, Like that's how that's how you get your lunch. Well,

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<v Speaker 1>at lunchtime, right, is you form up into a line,

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<v Speaker 1>maybe two lines, You make your way down the hall

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<v Speaker 1>and you you you go through the cafeteria and you

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<v Speaker 1>collect your food, and there's an order to all of this.

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<v Speaker 1>And and frankly, like I think back on it, and

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<v Speaker 1>I can't imagine it going another way. Uh, but I

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<v Speaker 1>haven't really thought about this before. But this is a

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<v Speaker 1>you know, this is not going to be the case

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<v Speaker 1>with everybody. You're not gonna necessarily have been indoctrinated into

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<v Speaker 1>queuing and line forming early on in life. And I

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<v Speaker 1>was reading about this in an interesting article by David

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<v Speaker 1>Charosha title Teaching, Queuing Culture and Early Childhood from twenty nineteen,

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<v Speaker 1>dealing specifically with queuing in Indonesia. Basically, they write that

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<v Speaker 1>while Indonesians are generally considered to be a very polite society,

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<v Speaker 1>there generally isn't a queuing culture. Quote. Indonesians will only

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<v Speaker 1>queue if they are forced into the system, for example,

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<v Speaker 1>queuing at the bank with the ticketing system. And the

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<v Speaker 1>author goes on to point out that early indoctrination into

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<v Speaker 1>queuing culture is necessary for it to take hold, and

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<v Speaker 1>it has to be passed down generation to generation. So um,

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<v Speaker 1>I thought I thought it was interesting. I never I

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<v Speaker 1>don't think I've really seen that pointed out so much

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<v Speaker 1>to me, you know, I'm part of this just kind

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<v Speaker 1>of like growing up in a in a queuing culture,

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<v Speaker 1>you just kind of assume that this is this is

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<v Speaker 1>the kind of of of order that is in stilled

0:12:00.640 --> 0:12:03.400
<v Speaker 1>in in you at at an early age. Yeah, And

0:12:03.400 --> 0:12:06.880
<v Speaker 1>it'd be interesting to see what aspects in particular of

0:12:07.000 --> 0:12:10.920
<v Speaker 1>queuing culture are the ones that you know, you gain

0:12:11.120 --> 0:12:13.360
<v Speaker 1>that you learn in young childhood, and which are the

0:12:13.360 --> 0:12:16.800
<v Speaker 1>ones that are dependent on the individual circumstances you come across.

0:12:17.360 --> 0:12:20.880
<v Speaker 1>I don't know, but I would guess that that there

0:12:20.920 --> 0:12:24.120
<v Speaker 1>are certain kind of broad principles, like say, the incorporation

0:12:24.200 --> 0:12:28.199
<v Speaker 1>of the first and first out principle um that probably

0:12:28.320 --> 0:12:31.920
<v Speaker 1>depend on early learning and uh, and that there are

0:12:31.960 --> 0:12:35.359
<v Speaker 1>other things such as like how lines are physically organized,

0:12:35.480 --> 0:12:38.560
<v Speaker 1>or like how exceptions to the rule are handled that

0:12:38.720 --> 0:12:43.120
<v Speaker 1>might be more dependent on individual local circumstances. If that

0:12:43.160 --> 0:12:46.199
<v Speaker 1>makes any sense. Yeah, Like, wouldn't it be interesting if

0:12:46.240 --> 0:12:49.040
<v Speaker 1>we if we went really went elementary school and all

0:12:49.040 --> 0:12:51.800
<v Speaker 1>of our self organizing lines and we all put ourselves

0:12:51.840 --> 0:12:55.360
<v Speaker 1>in alphabetical order whenever we're you know, trying to get

0:12:55.360 --> 0:12:58.920
<v Speaker 1>that you know, croissant sandwich or whatever in line, then

0:12:58.920 --> 0:13:01.320
<v Speaker 1>there just be a rush everybody to name their children

0:13:01.440 --> 0:13:04.160
<v Speaker 1>things that start with like four a's. Yeah, well we're

0:13:04.200 --> 0:13:06.960
<v Speaker 1>gonna go by last name. What elementary school did you

0:13:07.000 --> 0:13:09.880
<v Speaker 1>go to? Oh? Well, then that just establishes like a

0:13:10.440 --> 0:13:15.920
<v Speaker 1>generational aristocracy of the people at the top of the alphabet. Now, um.

0:13:16.200 --> 0:13:18.160
<v Speaker 1>One thing to keep in mind about this, uh, this

0:13:18.200 --> 0:13:20.600
<v Speaker 1>example from Indonesia and this this author's work, is that

0:13:20.800 --> 0:13:22.360
<v Speaker 1>you know, when when we're talking about this, we're generally

0:13:22.440 --> 0:13:25.040
<v Speaker 1>dealing in in you know, generalities, we're dealing and if

0:13:25.040 --> 0:13:27.840
<v Speaker 1>you say, like, how how are English people at standing

0:13:27.840 --> 0:13:30.560
<v Speaker 1>in line? Well, you know that's a very broad statement

0:13:30.600 --> 0:13:35.280
<v Speaker 1>to make. But there's there's still some interesting insight to

0:13:35.320 --> 0:13:38.520
<v Speaker 1>be had from looking at some of these generalities that

0:13:38.559 --> 0:13:41.920
<v Speaker 1>have been pointed out by authors, um about queuing cultures

0:13:42.000 --> 0:13:43.920
<v Speaker 1>or the lack of a queuing culture. And I was

0:13:43.960 --> 0:13:47.800
<v Speaker 1>looking at one titled A Global Guide to Queuing Philosophies

0:13:47.840 --> 0:13:51.719
<v Speaker 1>from Wimbledon to Salpallo uh. And this was on Courts

0:13:51.720 --> 0:13:54.880
<v Speaker 1>by an author by the name of Rosie Spinks, with

0:13:55.040 --> 0:13:58.560
<v Speaker 1>the tidbits about the various cultures are added by different

0:13:58.559 --> 0:14:03.600
<v Speaker 1>reporters who have experience with the sighted countries. So I

0:14:03.640 --> 0:14:06.760
<v Speaker 1>recommend reading the whole article. And I assume again these

0:14:06.760 --> 0:14:09.800
<v Speaker 1>are all generalities and subject to the problems of being

0:14:09.880 --> 0:14:13.440
<v Speaker 1>very general about queuing cultures. But I thought I might

0:14:13.520 --> 0:14:15.720
<v Speaker 1>run through them and just give you like the quick

0:14:15.840 --> 0:14:19.160
<v Speaker 1>just couple of words summarizations on them. So let's start

0:14:19.160 --> 0:14:22.480
<v Speaker 1>with England. England good at queuing, okay, not not really

0:14:22.480 --> 0:14:26.240
<v Speaker 1>a surprise. Germany, the article says, not as good as

0:14:26.240 --> 0:14:30.800
<v Speaker 1>you might expect. Mexico, this was interesting, good, but you

0:14:30.840 --> 0:14:33.680
<v Speaker 1>have this added element of heat. A lot of the times,

0:14:33.800 --> 0:14:36.200
<v Speaker 1>if you're dealing with really intense son they say that

0:14:36.280 --> 0:14:39.640
<v Speaker 1>you're gonna end up with special rules and expectations coming

0:14:39.680 --> 0:14:42.400
<v Speaker 1>into play, like did you bring a fan to the line?

0:14:42.440 --> 0:14:44.280
<v Speaker 1>That sort of thing, and are you the only one

0:14:44.400 --> 0:14:47.600
<v Speaker 1>in the line with a fan? So that's interesting you

0:14:47.680 --> 0:14:51.520
<v Speaker 1>think about environment and all of this. Now with mainland China,

0:14:51.760 --> 0:14:55.400
<v Speaker 1>they point out that their start generational differences. For older generations,

0:14:55.720 --> 0:15:00.000
<v Speaker 1>it works in spirit, but reality favors the bold. So um,

0:15:01.280 --> 0:15:03.720
<v Speaker 1>if there's a chance to cut line, perhaps someone will,

0:15:03.960 --> 0:15:06.840
<v Speaker 1>but younger generations will be more likely to cue and

0:15:06.880 --> 0:15:10.360
<v Speaker 1>are not concerned about being quote last in line. I've

0:15:10.400 --> 0:15:13.240
<v Speaker 1>actually read that in the past couple of decades there

0:15:13.240 --> 0:15:16.200
<v Speaker 1>have been like a lot of public messaging campaigns in

0:15:16.320 --> 0:15:19.240
<v Speaker 1>China having to do with queuing as like a sort

0:15:19.280 --> 0:15:23.000
<v Speaker 1>of part of your civic duty. Specifically, I remember reading

0:15:23.040 --> 0:15:25.160
<v Speaker 1>about some of these campaigns in the lead up to

0:15:25.200 --> 0:15:29.040
<v Speaker 1>the Beijing Olympics in two thousand eight. Yeah. Now I

0:15:29.040 --> 0:15:32.400
<v Speaker 1>should also point out, um, you know there there you

0:15:32.480 --> 0:15:34.960
<v Speaker 1>also have areas like Hong Kong where there is a

0:15:35.000 --> 0:15:37.560
<v Speaker 1>strong queuing culture, and perhaps part of that is the

0:15:37.600 --> 0:15:41.360
<v Speaker 1>British influence. Um, India, there's a queuing culture, but according

0:15:41.400 --> 0:15:43.680
<v Speaker 1>to this article, it's it tends to be a compact

0:15:43.720 --> 0:15:46.920
<v Speaker 1>queuing culture. So uh and maybe that's just has to

0:15:46.920 --> 0:15:50.640
<v Speaker 1>do with with major centers of population and the necessity

0:15:50.680 --> 0:15:53.280
<v Speaker 1>of forming lines that are going to be maybe you know,

0:15:53.320 --> 0:15:57.560
<v Speaker 1>have a little less space in them. America, the United States,

0:15:57.920 --> 0:16:00.280
<v Speaker 1>they say queuing is everywhere, but the exact rule rules

0:16:00.360 --> 0:16:03.120
<v Speaker 1>vary depending on where you are, which I think that

0:16:03.320 --> 0:16:06.720
<v Speaker 1>you know, vaguely matches up with my experience. Yeah, i'd

0:16:06.760 --> 0:16:10.840
<v Speaker 1>say so. Yeah. Malaysia cues form but easily break into disarray.

0:16:11.640 --> 0:16:14.760
<v Speaker 1>Poland they say there is a queuing culture with older

0:16:14.800 --> 0:16:17.440
<v Speaker 1>generations having lived in a time of long lines, so

0:16:17.640 --> 0:16:20.400
<v Speaker 1>you're gonna have, you know, varying attitudes towards what lines

0:16:20.440 --> 0:16:25.120
<v Speaker 1>are and what they mean. Italy, the author points, I

0:16:25.120 --> 0:16:27.720
<v Speaker 1>had never heard this before, but they this. The author

0:16:27.800 --> 0:16:31.240
<v Speaker 1>says that Italians sometimes talk about being bad at queuing,

0:16:31.520 --> 0:16:34.600
<v Speaker 1>but they're actually not that bad at queuing. I cannot

0:16:34.600 --> 0:16:37.480
<v Speaker 1>speak to this. I've never been to Italy, uh. But

0:16:38.240 --> 0:16:39.760
<v Speaker 1>with all of these I'd love to hear from anyone

0:16:39.760 --> 0:16:42.760
<v Speaker 1>out there who has direct connections, uh to to any

0:16:42.800 --> 0:16:45.000
<v Speaker 1>of these cultures or has traveled there. Perhaps you can

0:16:45.000 --> 0:16:47.600
<v Speaker 1>shed a little more light on some of these ideas.

0:16:48.240 --> 0:16:52.360
<v Speaker 1>UM Brazil pretty solid queueing culture in major cities. South Africa,

0:16:52.440 --> 0:16:56.640
<v Speaker 1>strong queuing culture. This was an interesting Thailand strong queuing culture,

0:16:56.880 --> 0:17:01.000
<v Speaker 1>but with some interesting extra rules. So they UM an

0:17:01.000 --> 0:17:04.280
<v Speaker 1>author by the name of Adam Passik who shares a

0:17:04.320 --> 0:17:08.800
<v Speaker 1>photo of people who have deposited their shoes and books

0:17:09.520 --> 0:17:12.320
<v Speaker 1>on on the floor to signify their place in line

0:17:12.760 --> 0:17:15.680
<v Speaker 1>while they wait for an office to open. So it's

0:17:15.760 --> 0:17:18.160
<v Speaker 1>kind of it is. It is very smart. It gives

0:17:18.200 --> 0:17:21.040
<v Speaker 1>you a chance to sit down, but you just place

0:17:21.119 --> 0:17:23.240
<v Speaker 1>your shoes or I think in one case it looks

0:17:23.240 --> 0:17:26.199
<v Speaker 1>like a book or a folder. Uh, yeah, it's mostly

0:17:26.240 --> 0:17:29.760
<v Speaker 1>shoes in this photo, because if I remember correctly, there

0:17:29.760 --> 0:17:32.480
<v Speaker 1>are some taboos in Thailand against the placing of books

0:17:32.520 --> 0:17:34.480
<v Speaker 1>on the ground, So I'm not even sure that's a

0:17:34.520 --> 0:17:38.320
<v Speaker 1>book in that photo. But anyway, it's mostly shoes. But

0:17:38.359 --> 0:17:40.040
<v Speaker 1>it also kind of looks like the people that were

0:17:40.040 --> 0:17:43.439
<v Speaker 1>in line have evaporated and vanished and left only their

0:17:43.440 --> 0:17:48.760
<v Speaker 1>shoes behind. That's the rapture at the Bangkok DMV. Yeah

0:17:48.960 --> 0:17:51.960
<v Speaker 1>kind of uh. In this article they say that in

0:17:52.000 --> 0:17:55.520
<v Speaker 1>the Philippines it seems like queuing culture is highly influenced

0:17:55.520 --> 0:18:00.000
<v Speaker 1>by social standing. And in Nigeria you have a queuing culture,

0:18:00.320 --> 0:18:03.920
<v Speaker 1>but some people may choose to sit or hang out nearby,

0:18:04.640 --> 0:18:07.280
<v Speaker 1>you know, instead of standing in line the whole time,

0:18:07.440 --> 0:18:10.760
<v Speaker 1>and have someone who is standing in line, uh, physically

0:18:10.920 --> 0:18:13.560
<v Speaker 1>to hold their spot for them. So lines can be

0:18:13.600 --> 0:18:16.120
<v Speaker 1>deceiving when you first arrived, do you find out who

0:18:16.160 --> 0:18:18.600
<v Speaker 1>all is actually waiting? In a way, this makes sense

0:18:18.720 --> 0:18:20.800
<v Speaker 1>right if you have, especially say the line is is

0:18:20.800 --> 0:18:23.520
<v Speaker 1>out in the sign or something, and you have, you know,

0:18:23.520 --> 0:18:26.240
<v Speaker 1>an elderly person that doesn't want to stand in the

0:18:26.240 --> 0:18:27.760
<v Speaker 1>whole time, you get somebody to hold their place, that

0:18:27.880 --> 0:18:32.320
<v Speaker 1>sort of thing. Sure. Yeah, this raises a question of, um,

0:18:32.400 --> 0:18:36.320
<v Speaker 1>what do you consider, like what counts as strict adherents

0:18:36.359 --> 0:18:39.960
<v Speaker 1>to queuing culture. Does it count as strict adherence to

0:18:40.000 --> 0:18:43.240
<v Speaker 1>queuing culture if you're just doing it in the abstract

0:18:43.359 --> 0:18:47.760
<v Speaker 1>meaning there's strong enforcement of an organized first and first

0:18:47.800 --> 0:18:52.600
<v Speaker 1>out principle, or does it also entail physical ordering of

0:18:52.680 --> 0:18:55.159
<v Speaker 1>your of your body in terms of the first and

0:18:55.240 --> 0:18:58.119
<v Speaker 1>first out principle? You know what I mean? Yeah? Yeah?

0:18:58.320 --> 0:19:00.800
<v Speaker 1>For example, another type of very ation on this one

0:19:00.840 --> 0:19:03.200
<v Speaker 1>that sounds like it adheres to the first in, first

0:19:03.240 --> 0:19:07.000
<v Speaker 1>outqueuing principle in the abstract of like how the waiting

0:19:07.160 --> 0:19:10.600
<v Speaker 1>system functions but doesn't take the form of a single

0:19:10.680 --> 0:19:14.199
<v Speaker 1>file line. Uh. This example is that. Uh. And I

0:19:14.280 --> 0:19:16.960
<v Speaker 1>was reading about this in an article for the BBC

0:19:17.080 --> 0:19:20.360
<v Speaker 1>by David Robson about how in Spain and in some

0:19:20.440 --> 0:19:24.639
<v Speaker 1>Spanish speaking countries, a common alternative to physically standing in

0:19:24.720 --> 0:19:29.119
<v Speaker 1>line is the kines ultimo principle, so that that you

0:19:29.160 --> 0:19:33.119
<v Speaker 1>would go into say a cafe, where various people are

0:19:33.160 --> 0:19:36.520
<v Speaker 1>waiting for service, and instead of standing in line, you

0:19:36.600 --> 0:19:40.960
<v Speaker 1>ask kins ultimo, who is last, and then that person indicates, yeah,

0:19:41.000 --> 0:19:43.320
<v Speaker 1>I'm the last person in line, and so you know

0:19:43.480 --> 0:19:46.800
<v Speaker 1>that that person is now the person who you go after,

0:19:47.240 --> 0:19:49.240
<v Speaker 1>and they know the person ahead of them, and the

0:19:49.240 --> 0:19:52.320
<v Speaker 1>person ahead of them knows the person ahead of them,

0:19:52.400 --> 0:19:55.000
<v Speaker 1>and so everybody will still go in order, being just

0:19:55.080 --> 0:19:57.439
<v Speaker 1>kind of hang out and wait for the person you

0:19:57.480 --> 0:19:59.760
<v Speaker 1>know who is ahead of you to get their service

0:19:59.840 --> 0:20:03.119
<v Speaker 1>and then you're next. So interesting to me and that

0:20:03.240 --> 0:20:06.600
<v Speaker 1>it's still functionally a single file, first in, first out queue,

0:20:06.600 --> 0:20:08.760
<v Speaker 1>but without the physical line, kind of like what you

0:20:08.760 --> 0:20:12.680
<v Speaker 1>were describing people might do in Nigeria. Yeah, I will

0:20:12.720 --> 0:20:16.040
<v Speaker 1>say from my own experience, I find it particularly confusing

0:20:16.080 --> 0:20:18.879
<v Speaker 1>when you have two different queuing systems going on at

0:20:18.880 --> 0:20:20.200
<v Speaker 1>the same time. I don't know if you've ever had

0:20:20.200 --> 0:20:22.879
<v Speaker 1>this experience, Like if you you show up somewhere and

0:20:22.960 --> 0:20:25.760
<v Speaker 1>there is some sort of there they're they're doing both

0:20:26.440 --> 0:20:29.480
<v Speaker 1>pre arranged appointments and walk in at the same time.

0:20:30.160 --> 0:20:32.560
<v Speaker 1>Because then it creates confusion. It's like, well, who is next?

0:20:32.600 --> 0:20:34.359
<v Speaker 1>Is that the person who is scheduled for this time

0:20:34.800 --> 0:20:36.560
<v Speaker 1>or the person who is ahead of me in the

0:20:36.560 --> 0:20:40.360
<v Speaker 1>physical line? You know, it creates this ambiguity, uh that

0:20:40.480 --> 0:20:43.280
<v Speaker 1>it does not seem good for the whole waiting experience. Well,

0:20:43.320 --> 0:20:45.640
<v Speaker 1>it's funny that you bring up ambiguity, because I wanted

0:20:45.680 --> 0:20:48.840
<v Speaker 1>to get into the concept of the dangers of ambiguity

0:20:49.000 --> 0:20:51.920
<v Speaker 1>with reference to cutting in line. So are you ready

0:20:51.960 --> 0:20:54.520
<v Speaker 1>to talk about cutting in line? Rob Let's talk about cutting?

0:21:00.760 --> 0:21:03.640
<v Speaker 1>So I started off by thinking about the question, Okay,

0:21:03.800 --> 0:21:06.840
<v Speaker 1>what do you actually do if somebody cuts in front

0:21:06.840 --> 0:21:10.480
<v Speaker 1>of you in line? And in thinking about this, I

0:21:10.520 --> 0:21:15.320
<v Speaker 1>was struck by how rarely that has actually happened in

0:21:15.400 --> 0:21:18.520
<v Speaker 1>my life, Like, it is such a rare occurrence that

0:21:18.640 --> 0:21:22.000
<v Speaker 1>I struggle to think of specific examples that that come

0:21:22.040 --> 0:21:24.240
<v Speaker 1>to mind. I guess when it has happened, it hasn't

0:21:24.600 --> 0:21:28.919
<v Speaker 1>registered as something immensely important to me, um but it.

0:21:29.480 --> 0:21:33.200
<v Speaker 1>But it's also just so rare uh. And I think

0:21:33.240 --> 0:21:36.320
<v Speaker 1>in my experience what it is is that it's very

0:21:36.480 --> 0:21:39.800
<v Speaker 1>rare for someone to blatantly cut in front of me

0:21:40.080 --> 0:21:43.159
<v Speaker 1>in a situation where the rules of the line are clear.

0:21:43.880 --> 0:21:47.600
<v Speaker 1>I think the issue with perceived line cutting arises much

0:21:47.600 --> 0:21:51.879
<v Speaker 1>more often in situations where there's some kind of ambiguity

0:21:51.920 --> 0:21:56.240
<v Speaker 1>in the system of ordering access. And here's my example. Okay,

0:21:56.640 --> 0:21:59.520
<v Speaker 1>you're at a restaurant and there's a long wait and

0:21:59.560 --> 0:22:02.199
<v Speaker 1>so be uh. You and the person you're there with

0:22:02.320 --> 0:22:03.920
<v Speaker 1>you decide you want to try to get a seat

0:22:03.960 --> 0:22:06.399
<v Speaker 1>at the bar because the bar is first come, first serve.

0:22:07.080 --> 0:22:09.399
<v Speaker 1>And you see there's another couple that's sitting at the

0:22:09.440 --> 0:22:11.199
<v Speaker 1>bar and they're about to get up and leave, so

0:22:11.280 --> 0:22:14.600
<v Speaker 1>you position yourself to grab their seats when when they

0:22:14.640 --> 0:22:18.040
<v Speaker 1>get up and you're standing there waiting and waiting and waiting,

0:22:18.040 --> 0:22:21.080
<v Speaker 1>and then finally they get up, but then somebody jumps

0:22:21.119 --> 0:22:23.280
<v Speaker 1>in right in front of you and grabs the chairs.

0:22:24.080 --> 0:22:26.439
<v Speaker 1>What do you do? Like this is difficult because the

0:22:26.520 --> 0:22:29.760
<v Speaker 1>rules are ambiguous, Like you could go and try to

0:22:29.800 --> 0:22:32.639
<v Speaker 1>protest and say, hey, actually we were already waiting on

0:22:32.680 --> 0:22:35.520
<v Speaker 1>those seats and you just got here, but that person

0:22:35.560 --> 0:22:37.560
<v Speaker 1>could say, well, I didn't see you, and I got

0:22:37.560 --> 0:22:40.760
<v Speaker 1>the seats first and their first come, first serve, and

0:22:40.760 --> 0:22:43.320
<v Speaker 1>and in a situation like this, there's no clear way

0:22:43.320 --> 0:22:46.240
<v Speaker 1>of resolving it, like you can't appeal to a rule book.

0:22:46.720 --> 0:22:49.119
<v Speaker 1>So usually what it just means is the seats go

0:22:49.240 --> 0:22:52.600
<v Speaker 1>to whoever is more selfish, unreasonable and willing to make

0:22:52.640 --> 0:22:55.640
<v Speaker 1>a scene. Yeah, this is true, and but I totally

0:22:55.680 --> 0:22:58.160
<v Speaker 1>agree with you. Like the moments where I have seen

0:22:58.320 --> 0:23:02.680
<v Speaker 1>something like line kind occurring, they tend to be situations

0:23:02.800 --> 0:23:05.840
<v Speaker 1>where there is this ambiguity, like it line formation, Like

0:23:05.880 --> 0:23:08.880
<v Speaker 1>to say, a bunch of people showing up to say, well,

0:23:08.920 --> 0:23:11.119
<v Speaker 1>I think an example that that I think that I

0:23:11.160 --> 0:23:14.439
<v Speaker 1>can easily draw on was going to a mass vaccination site,

0:23:14.920 --> 0:23:19.439
<v Speaker 1>um where you had a really well maintained line system

0:23:19.440 --> 0:23:22.320
<v Speaker 1>and queuing system. But what do you do when you

0:23:22.320 --> 0:23:24.719
<v Speaker 1>haven't arrived at the queue yet? And uh, and what

0:23:24.720 --> 0:23:26.960
<v Speaker 1>do you see when you you see other people going

0:23:27.040 --> 0:23:29.520
<v Speaker 1>towards that spot? You know, I like, I know that

0:23:29.560 --> 0:23:31.720
<v Speaker 1>I'm walking at a you know, click faster than a

0:23:31.720 --> 0:23:35.000
<v Speaker 1>lot of people. I'm just gonna get there first. You know.

0:23:35.080 --> 0:23:38.359
<v Speaker 1>It doesn't mean that I'm cutting in front of them likewise,

0:23:38.359 --> 0:23:40.399
<v Speaker 1>but I could see where people might think that it's like, oh, well,

0:23:40.440 --> 0:23:42.840
<v Speaker 1>he's really making a bee line to get in line there.

0:23:42.880 --> 0:23:46.040
<v Speaker 1>But we're talking about just starts with the crowd assembling

0:23:46.280 --> 0:23:48.880
<v Speaker 1>and in forming the line right when it's not clear

0:23:48.920 --> 0:23:51.280
<v Speaker 1>what the boundaries of the line are yet, Like is

0:23:51.359 --> 0:23:53.479
<v Speaker 1>this the line now or does it only count as

0:23:53.480 --> 0:23:56.640
<v Speaker 1>the line once we get over there? Right? Another case

0:23:56.680 --> 0:23:59.880
<v Speaker 1>would be really long lines that they kind of break

0:24:00.000 --> 0:24:02.240
<v Speaker 1>down at places, like maybe there's a period in the

0:24:02.280 --> 0:24:05.560
<v Speaker 1>line where things move really fastly, really really swiftly, and

0:24:05.640 --> 0:24:07.760
<v Speaker 1>not everybody's moving at the same speed. I've seen that

0:24:08.200 --> 0:24:10.680
<v Speaker 1>create a situation well where some people just walk faster

0:24:10.760 --> 0:24:12.840
<v Speaker 1>and they're going to be ahead. But is it cutting?

0:24:12.880 --> 0:24:14.359
<v Speaker 1>Is it not it gets up kind of being this

0:24:14.440 --> 0:24:17.240
<v Speaker 1>gray area, or it can be depending on how the

0:24:17.800 --> 0:24:20.480
<v Speaker 1>queue is maintained. I think another big example of this

0:24:20.560 --> 0:24:24.359
<v Speaker 1>kind of ambiguous space with with access to things comes

0:24:24.359 --> 0:24:28.920
<v Speaker 1>with like parking spaces. Uh, you know somebody, somebody cuts

0:24:28.920 --> 0:24:30.760
<v Speaker 1>in front of you to get a parking space that

0:24:30.800 --> 0:24:33.200
<v Speaker 1>you're waiting to turn into, but you know you were

0:24:33.200 --> 0:24:35.600
<v Speaker 1>blocked because the person was backing out of it or something,

0:24:36.000 --> 0:24:38.800
<v Speaker 1>and and in those cases people can get really mad.

0:24:38.840 --> 0:24:40.960
<v Speaker 1>But I guess you do have to admit, well, there's

0:24:41.000 --> 0:24:44.080
<v Speaker 1>just like there's not an established rule book here, and

0:24:44.240 --> 0:24:46.840
<v Speaker 1>especially if like a person didn't see you waiting, I

0:24:46.880 --> 0:24:50.479
<v Speaker 1>don't know what can you do? Well, here's one okay,

0:24:50.520 --> 0:24:53.879
<v Speaker 1>when someone is holding a place in line for someone else,

0:24:55.359 --> 0:24:58.239
<v Speaker 1>I find I sometimes like to to to think, like, well,

0:24:58.280 --> 0:25:01.920
<v Speaker 1>what is the cut off line for not offending somebody?

0:25:02.160 --> 0:25:04.240
<v Speaker 1>Because I would offer be the case where like I'll

0:25:04.240 --> 0:25:06.520
<v Speaker 1>hold a place in line while my wife and my

0:25:06.560 --> 0:25:09.040
<v Speaker 1>son go and do something else, you know, because a

0:25:09.040 --> 0:25:11.119
<v Speaker 1>little kid's not gonna want to stand in line, so

0:25:11.119 --> 0:25:12.720
<v Speaker 1>maybe they'll go look at a fountain or something, and

0:25:12.760 --> 0:25:15.120
<v Speaker 1>then they come back. And so people might think, oh,

0:25:15.160 --> 0:25:16.840
<v Speaker 1>I just thought I had one person ahead of me.

0:25:17.160 --> 0:25:19.320
<v Speaker 1>I thought one order of ice cream was ahead of

0:25:19.359 --> 0:25:21.840
<v Speaker 1>even know, but it's three orders. So at what point

0:25:21.840 --> 0:25:25.080
<v Speaker 1>does it become just too much like you have, say

0:25:25.440 --> 0:25:29.800
<v Speaker 1>three family members come back, four, five, seven? Or is it?

0:25:29.920 --> 0:25:31.439
<v Speaker 1>Or if it? What if it's clear that it's not

0:25:31.520 --> 0:25:35.600
<v Speaker 1>family members but just friends, then does it become potentially irritating?

0:25:36.080 --> 0:25:37.800
<v Speaker 1>Or what if it what if it appears to be

0:25:37.840 --> 0:25:40.159
<v Speaker 1>people who who know each other but we did not

0:25:40.320 --> 0:25:44.520
<v Speaker 1>arrive there together. Yeah, yeah, yeah, totally. Um So, I

0:25:44.560 --> 0:25:47.520
<v Speaker 1>think it's it's obvious that a lot of conflict about

0:25:47.560 --> 0:25:51.639
<v Speaker 1>line cutting arises in situations where there's a lack of

0:25:51.680 --> 0:25:55.160
<v Speaker 1>clarity about the norms for organizing access or when there's

0:25:55.200 --> 0:25:59.120
<v Speaker 1>a lack of clarity about how to handle exceptions. Um So,

0:25:59.320 --> 0:26:01.480
<v Speaker 1>I mean this lee to me to believe that if

0:26:01.600 --> 0:26:03.880
<v Speaker 1>I don't know, if you're designing some kind of system

0:26:04.000 --> 0:26:06.720
<v Speaker 1>and you want people to have the most satisfaction with

0:26:06.800 --> 0:26:10.560
<v Speaker 1>their line waiting process, I would say tend tend towards

0:26:10.640 --> 0:26:14.800
<v Speaker 1>really clear rules for how the line works. Is people

0:26:14.840 --> 0:26:18.159
<v Speaker 1>really do get get mad in these ambiguous situations when

0:26:18.200 --> 0:26:21.200
<v Speaker 1>they don't go their way. But anyway, coming back to

0:26:21.240 --> 0:26:24.480
<v Speaker 1>the idea of cutting, Okay, So all of these ambiguities aside.

0:26:25.080 --> 0:26:28.760
<v Speaker 1>What if somebody just actually cut right in front of

0:26:28.760 --> 0:26:32.639
<v Speaker 1>you in a normally organized line, just clear and blatantly,

0:26:32.760 --> 0:26:35.400
<v Speaker 1>they just get in front of you. What would you do.

0:26:35.960 --> 0:26:38.600
<v Speaker 1>I'm interested in your answer, But maybe first we should

0:26:38.680 --> 0:26:40.480
<v Speaker 1>look at a look at a study about this and

0:26:40.520 --> 0:26:43.560
<v Speaker 1>then come back to it. So the famous American psychologist

0:26:43.560 --> 0:26:46.800
<v Speaker 1>Stanley Milgram, you know, he's best known for his controversial

0:26:46.840 --> 0:26:50.680
<v Speaker 1>experiments in the nineteen sixties on the suspension of personal

0:26:50.720 --> 0:26:53.960
<v Speaker 1>morality and obedience to authority. You know, his uh, his

0:26:54.040 --> 0:26:58.920
<v Speaker 1>famous experiments where he would have experiment ers uh pretend

0:26:59.000 --> 0:27:02.919
<v Speaker 1>to be receiving electric shocks from the test subject in

0:27:02.960 --> 0:27:05.720
<v Speaker 1>response to like failed answers on a on a quiz

0:27:05.840 --> 0:27:08.760
<v Speaker 1>or something, uh, and have an authoritative guy there in

0:27:08.800 --> 0:27:11.080
<v Speaker 1>a lab code telling them to keep doing it even

0:27:11.119 --> 0:27:13.239
<v Speaker 1>though the person complained that they were in pain and

0:27:13.280 --> 0:27:16.520
<v Speaker 1>all that. Um. And so that that's his most famous

0:27:16.520 --> 0:27:19.120
<v Speaker 1>work and most controversial. There are a lot of questions

0:27:19.119 --> 0:27:21.720
<v Speaker 1>about what kind of conclusions people should actually draw from

0:27:21.720 --> 0:27:23.760
<v Speaker 1>those studies and the ethics of them and so forth.

0:27:23.800 --> 0:27:28.240
<v Speaker 1>But later in his career, in the nineteen eighties, Milgram

0:27:28.280 --> 0:27:31.960
<v Speaker 1>actually carried out experiments to test people's reactions to line

0:27:32.000 --> 0:27:36.320
<v Speaker 1>cutting scenarios, which seems somehow suitably perverse, sort of like

0:27:36.440 --> 0:27:40.040
<v Speaker 1>in line with the previous experiments, right. Uh So these

0:27:40.080 --> 0:27:43.840
<v Speaker 1>were published in UH in an article called Response to

0:27:44.000 --> 0:27:47.159
<v Speaker 1>Intrusion into Waiting Lines in the Journal of Personality and

0:27:47.200 --> 0:27:51.200
<v Speaker 1>Social Psychology in nineteen eighty six, and it was by Milgram,

0:27:51.800 --> 0:27:55.959
<v Speaker 1>Hillary J. Liberty, Raymond Toledo, and Joyce Wackenhut and uh.

0:27:56.000 --> 0:27:59.199
<v Speaker 1>In this article, they quote explored the relationship between the

0:27:59.280 --> 0:28:02.040
<v Speaker 1>spatial can figuration of the queue, which is viewed as

0:28:02.040 --> 0:28:06.520
<v Speaker 1>a social system susceptible to experimental analysis, and the means

0:28:06.560 --> 0:28:11.840
<v Speaker 1>by which its integrity is defended. Confederates intruded themselves into

0:28:11.920 --> 0:28:15.600
<v Speaker 1>a hundred and twenty nine naturally occurring waiting lines, and

0:28:15.680 --> 0:28:19.040
<v Speaker 1>the defensive reactions of the queers were noted. Wait, so

0:28:19.119 --> 0:28:21.920
<v Speaker 1>he just he just sent people out to mess with

0:28:22.240 --> 0:28:24.840
<v Speaker 1>folks waiting in line to cut in line. Yeah, he said, Well,

0:28:24.880 --> 0:28:28.160
<v Speaker 1>there were multiple So sometimes there would be multiple confederates,

0:28:28.200 --> 0:28:30.679
<v Speaker 1>there were different experimental set up. Sometimes some of the

0:28:30.840 --> 0:28:34.119
<v Speaker 1>experimenters were actually in the line, sometimes they weren't. Sometimes

0:28:34.119 --> 0:28:37.120
<v Speaker 1>they just have one cut in a line. I'll describe

0:28:37.119 --> 0:28:40.320
<v Speaker 1>a few of the specifics here, but the general idea

0:28:40.360 --> 0:28:44.600
<v Speaker 1>here is that Milgram sent out the experimenters into various

0:28:44.680 --> 0:28:47.880
<v Speaker 1>natural queuing areas in New York, for example, lines in

0:28:47.960 --> 0:28:52.280
<v Speaker 1>train stations, and I think also in betting parlors, which

0:28:52.280 --> 0:28:56.200
<v Speaker 1>sounds especially um And then they would just have them

0:28:56.240 --> 0:28:59.560
<v Speaker 1>cut right into the line. They would cut in after

0:28:59.640 --> 0:29:03.200
<v Speaker 1>the third person in line and before the fourth without

0:29:03.240 --> 0:29:06.320
<v Speaker 1>giving an excuse. I think sometimes they would just say, quote,

0:29:06.560 --> 0:29:09.640
<v Speaker 1>excuse me, I would like to get in here. And

0:29:09.800 --> 0:29:12.600
<v Speaker 1>people did not like this at all. They recorded all

0:29:12.680 --> 0:29:17.120
<v Speaker 1>kinds of reactions. There were hostile glares, shouting telling people

0:29:17.160 --> 0:29:19.920
<v Speaker 1>to get to the back. About ten percent of the time,

0:29:20.080 --> 0:29:23.840
<v Speaker 1>other people in line physically reacted like pulling or shoving

0:29:23.880 --> 0:29:26.680
<v Speaker 1>the violator out of the line. Uh, it's about one

0:29:26.720 --> 0:29:30.880
<v Speaker 1>in ten cases. Uh. And yet also a substantial number

0:29:30.880 --> 0:29:32.840
<v Speaker 1>of the line cutters got away with it. I don't

0:29:32.840 --> 0:29:34.800
<v Speaker 1>know what the number on that was overall, but it

0:29:34.920 --> 0:29:37.080
<v Speaker 1>was like it wasn't a tiny minority like it may

0:29:37.120 --> 0:29:39.440
<v Speaker 1>have even been in a majority of cases the person

0:29:39.480 --> 0:29:41.880
<v Speaker 1>cut in and just got to stay there. Well. Yeah,

0:29:41.880 --> 0:29:43.280
<v Speaker 1>I mean, it seems like there's so many things to

0:29:43.320 --> 0:29:45.800
<v Speaker 1>take into account if this were to happen. I mean,

0:29:45.800 --> 0:29:48.000
<v Speaker 1>on one level, I have to think about with what

0:29:48.080 --> 0:29:50.520
<v Speaker 1>confidence they're doing it right. And you know, since you

0:29:50.560 --> 0:29:53.440
<v Speaker 1>have a system in place, then if someone is treating

0:29:53.480 --> 0:29:56.560
<v Speaker 1>themselves like an exception, I feel like for my part

0:29:56.600 --> 0:29:59.080
<v Speaker 1>of one of the things I might consider is, well,

0:29:59.120 --> 0:30:01.280
<v Speaker 1>maybe they're supposed to cut in line, you know, like

0:30:01.320 --> 0:30:04.239
<v Speaker 1>maybe they have a reason, maybe they work here and

0:30:04.280 --> 0:30:06.440
<v Speaker 1>they need to just check with the teller real quick.

0:30:06.680 --> 0:30:09.240
<v Speaker 1>Or perhaps they're and a thought like maybe they're undercover

0:30:09.280 --> 0:30:11.160
<v Speaker 1>cop or something, and they're just like, you know, this

0:30:11.240 --> 0:30:13.960
<v Speaker 1>is maybe not related to the rest of the clientele.

0:30:14.320 --> 0:30:16.080
<v Speaker 1>This is really important. I want to come back to

0:30:16.120 --> 0:30:18.280
<v Speaker 1>that in just a minute, because I think you're onto something.

0:30:18.520 --> 0:30:20.320
<v Speaker 1>But then the other thing, and this is you know,

0:30:20.360 --> 0:30:23.160
<v Speaker 1>brought up you brought up the physical um interaction, the

0:30:23.200 --> 0:30:26.160
<v Speaker 1>idea of someone grabbing them and pulling them back like

0:30:26.280 --> 0:30:29.280
<v Speaker 1>that's that feels like a huge step to take because

0:30:29.280 --> 0:30:32.080
<v Speaker 1>you're you're laying hands on somebody, You're you're bringing its

0:30:32.240 --> 0:30:35.880
<v Speaker 1>escalating to a level that could have dire consequences for

0:30:35.880 --> 0:30:39.560
<v Speaker 1>for numerous people in the scenario. And so you know,

0:30:40.120 --> 0:30:43.160
<v Speaker 1>if even if I realize that the person who just

0:30:43.280 --> 0:30:45.760
<v Speaker 1>intentionally cut in line in front of me, you know,

0:30:45.840 --> 0:30:48.720
<v Speaker 1>has no rightful excuse to do it. I would have

0:30:48.760 --> 0:30:50.760
<v Speaker 1>to think, well, do I want to get involved with

0:30:50.800 --> 0:30:52.720
<v Speaker 1>this any further, Like, it sucks that they cut in

0:30:52.760 --> 0:30:55.160
<v Speaker 1>front of me, but it would suck more if I

0:30:55.160 --> 0:30:59.000
<v Speaker 1>got into an argument or even a physical confrontation with them. Yeah,

0:30:59.000 --> 0:31:01.240
<v Speaker 1>I mean, it's funny how the norms go both ways.

0:31:01.240 --> 0:31:03.200
<v Speaker 1>I mean, I would say, do not ever just cut

0:31:03.200 --> 0:31:07.000
<v Speaker 1>in line. That is unbelievably rude. But if somebody cuts

0:31:07.000 --> 0:31:08.920
<v Speaker 1>in line in front of you, you do not need

0:31:08.960 --> 0:31:11.320
<v Speaker 1>to escalate this to the level of violence. You know,

0:31:11.400 --> 0:31:13.560
<v Speaker 1>you don't put your hands on them. You also don't

0:31:13.560 --> 0:31:16.440
<v Speaker 1>need to call the cops. I mean you might if

0:31:16.440 --> 0:31:18.600
<v Speaker 1>it's a really important situation, you might try to get

0:31:18.640 --> 0:31:21.080
<v Speaker 1>the stores manager or whatever it is. But this is

0:31:21.120 --> 0:31:25.800
<v Speaker 1>not a situation that merits escalation to a physical altercation. Plus,

0:31:25.920 --> 0:31:28.600
<v Speaker 1>I'm not the kind of person who just breaks into

0:31:28.640 --> 0:31:32.080
<v Speaker 1>conversation with strangers anyway. And if I do, I need

0:31:32.280 --> 0:31:34.800
<v Speaker 1>a pretty good idea that this is going to be pleasant, Like, oh,

0:31:34.840 --> 0:31:37.320
<v Speaker 1>they're wearing a T shirt with a band I like

0:31:37.440 --> 0:31:39.120
<v Speaker 1>or a movie I like on it. This is a

0:31:39.160 --> 0:31:41.880
<v Speaker 1>good sign that we have. We can have a pleasant

0:31:41.880 --> 0:31:44.760
<v Speaker 1>interaction for a few seconds. But if if the whole

0:31:44.800 --> 0:31:47.800
<v Speaker 1>relationship has been has started with them cutting in line

0:31:47.800 --> 0:31:50.120
<v Speaker 1>in front of me and seeming to do so intentionally,

0:31:50.400 --> 0:31:53.440
<v Speaker 1>then this, this relationship is going nowhere. Oh. I mean,

0:31:53.480 --> 0:31:56.400
<v Speaker 1>that's another thing is you might assume that like if

0:31:56.440 --> 0:32:00.239
<v Speaker 1>someone were too cut in front of you accidentally and

0:32:00.280 --> 0:32:02.600
<v Speaker 1>you think, oh, this person might be totally reasonable if

0:32:02.600 --> 0:32:05.320
<v Speaker 1>you just let them know, hey, actually the line starts

0:32:05.320 --> 0:32:08.000
<v Speaker 1>back there. That would be a different thing than somebody

0:32:08.040 --> 0:32:11.120
<v Speaker 1>blatantly just jumping in in front of the fourth person

0:32:11.160 --> 0:32:13.080
<v Speaker 1>in line and saying I need to get in here.

0:32:13.680 --> 0:32:16.520
<v Speaker 1>At that point, I think, okay, this person there's something

0:32:16.520 --> 0:32:19.680
<v Speaker 1>wrong with them. This person is very unreasonable, and you

0:32:19.760 --> 0:32:22.120
<v Speaker 1>probably just don't want to get into it with them.

0:32:22.160 --> 0:32:23.680
<v Speaker 1>But on the other hand, if they seem to have

0:32:23.680 --> 0:32:25.720
<v Speaker 1>done it accidentally, they are a couple of ways that

0:32:25.760 --> 0:32:27.560
<v Speaker 1>could play too, because it might be well, maybe this

0:32:27.640 --> 0:32:31.440
<v Speaker 1>person is I don't know, less aware of their surroundings.

0:32:31.440 --> 0:32:34.040
<v Speaker 1>There could be some underlying circumstance, or they're just having

0:32:34.040 --> 0:32:38.200
<v Speaker 1>an extremely distracting day, uh you know who knows. And

0:32:38.240 --> 0:32:41.000
<v Speaker 1>then and then also I mean, maybe maybe they need

0:32:41.000 --> 0:32:43.760
<v Speaker 1>this win maybe they I don't want to be the

0:32:43.800 --> 0:32:46.200
<v Speaker 1>person to to break it to them that actually the

0:32:46.240 --> 0:32:50.360
<v Speaker 1>line starts back there, because now we're having a negative interaction, right,

0:32:50.760 --> 0:32:52.520
<v Speaker 1>And I think a lot of people in the scenario

0:32:52.840 --> 0:32:55.960
<v Speaker 1>actually behaved just like we're talking about. Like, like I said,

0:32:56.000 --> 0:32:58.880
<v Speaker 1>a lot of people gave sort of hostile looks, but

0:32:58.960 --> 0:33:01.680
<v Speaker 1>ultimately didn't do anything, like didn't try to shout at

0:33:01.720 --> 0:33:04.960
<v Speaker 1>the person or remove them from the line physically. Part

0:33:05.000 --> 0:33:07.200
<v Speaker 1>of it also may come down to the bystander effect.

0:33:07.280 --> 0:33:11.200
<v Speaker 1>I'm guessing where there are multiple people behind you, somebody

0:33:11.280 --> 0:33:14.280
<v Speaker 1>needs to to boo this man for cutting, But I'm

0:33:14.320 --> 0:33:15.959
<v Speaker 1>not going to be the one to boo him. Surely

0:33:16.200 --> 0:33:18.360
<v Speaker 1>one of these people behind me will be the booer.

0:33:18.680 --> 0:33:22.680
<v Speaker 1>So one of the findings of this experiment was that people,

0:33:22.920 --> 0:33:26.480
<v Speaker 1>due to some extent, look to other people in line

0:33:26.600 --> 0:33:29.720
<v Speaker 1>for queues as to whether and how the rules of

0:33:29.760 --> 0:33:33.360
<v Speaker 1>the line should be enforced. That was discovered by they

0:33:33.400 --> 0:33:37.440
<v Speaker 1>found that if they put experiment ers in the line,

0:33:37.560 --> 0:33:39.920
<v Speaker 1>So now the actors in this experiment or not just

0:33:39.960 --> 0:33:42.320
<v Speaker 1>the line cutter, but also some other people who have

0:33:42.400 --> 0:33:44.920
<v Speaker 1>just been following the rules and waiting in line ahead

0:33:44.920 --> 0:33:48.960
<v Speaker 1>of time. Uh, and they have, those people do nothing

0:33:49.120 --> 0:33:52.720
<v Speaker 1>in response to an intrusion in the line. Other line

0:33:52.760 --> 0:33:55.840
<v Speaker 1>standards are more likely to just let the cutter skate

0:33:55.880 --> 0:33:58.640
<v Speaker 1>by and do nothing. Also that so that they were

0:33:58.640 --> 0:34:01.800
<v Speaker 1>showing to some extent, if there are other people around

0:34:01.840 --> 0:34:05.320
<v Speaker 1>and they don't react, you're less likely to react. I

0:34:05.320 --> 0:34:08.360
<v Speaker 1>don't know if that necessarily counts as exactly the bystander effect.

0:34:08.400 --> 0:34:10.799
<v Speaker 1>I mean, there's clearly I think there's some overlap with

0:34:10.840 --> 0:34:16.000
<v Speaker 1>the bystander effect, but that people don't always know intuitively

0:34:16.080 --> 0:34:19.719
<v Speaker 1>or don't trust their own instincts about how norms should

0:34:19.760 --> 0:34:22.480
<v Speaker 1>be enforced. And so when you see somebody do something

0:34:22.520 --> 0:34:26.239
<v Speaker 1>that looks like a violation of norms, probably the first

0:34:26.239 --> 0:34:28.000
<v Speaker 1>thing you do is look around and see how other

0:34:28.040 --> 0:34:30.719
<v Speaker 1>people are reacting, Like are they starting to yell at

0:34:30.719 --> 0:34:33.759
<v Speaker 1>this guy? And if they do, then you might join in,

0:34:33.880 --> 0:34:36.160
<v Speaker 1>But if not, you might just assume like, well, I

0:34:36.160 --> 0:34:38.560
<v Speaker 1>don't know, I mean, I don't know what's going on. Well,

0:34:38.560 --> 0:34:41.600
<v Speaker 1>we're talking about like public outreach and public campaigns, So

0:34:41.719 --> 0:34:43.600
<v Speaker 1>you can imagine one that is, you know, like mine

0:34:43.680 --> 0:34:46.360
<v Speaker 1>the gap, you know, wait in line and honor the

0:34:46.400 --> 0:34:49.040
<v Speaker 1>cue or whatever it happens to be. But unless you

0:34:49.120 --> 0:34:52.319
<v Speaker 1>have a specific bit of propaganda that's saying like if

0:34:52.320 --> 0:34:55.960
<v Speaker 1>you see somebody cutting in line, boo that man ruin

0:34:56.040 --> 0:34:59.440
<v Speaker 1>in a chorus of booze, and you know, and unless

0:34:59.480 --> 0:35:01.239
<v Speaker 1>there's some sort of messaging like that, you just don't

0:35:01.239 --> 0:35:04.560
<v Speaker 1>know how to respond, right, So clearly, clearly we have

0:35:04.600 --> 0:35:07.760
<v Speaker 1>a strong inclination to take our cues from other people

0:35:07.880 --> 0:35:11.520
<v Speaker 1>in a in an informal uh system of social norms,

0:35:11.560 --> 0:35:14.439
<v Speaker 1>like a self organized line. But then there's some other

0:35:14.760 --> 0:35:17.400
<v Speaker 1>things they found too in the Milgram experiment. Perhaps no

0:35:17.520 --> 0:35:21.440
<v Speaker 1>surprise here, but people behind the point of intrusion were

0:35:21.520 --> 0:35:23.960
<v Speaker 1>much more likely to put up some kind of resistance

0:35:24.000 --> 0:35:27.280
<v Speaker 1>than people ahead of the point of intrusion. So clearly

0:35:27.320 --> 0:35:29.719
<v Speaker 1>there is some element of self interest at work. The

0:35:30.000 --> 0:35:33.319
<v Speaker 1>people ahead of the intrusion were more likely to you know,

0:35:33.440 --> 0:35:37.720
<v Speaker 1>just feeling maybe that's maybe none of my business. Also,

0:35:37.840 --> 0:35:41.280
<v Speaker 1>perhaps not surprising, resistance was greater when there were two

0:35:41.400 --> 0:35:43.799
<v Speaker 1>line cutters than when there was one. So if two

0:35:43.800 --> 0:35:46.640
<v Speaker 1>people are kitten in there after the third person, you're

0:35:46.719 --> 0:35:49.880
<v Speaker 1>really more likely to get people yelling at you. Yeah,

0:35:50.000 --> 0:35:53.040
<v Speaker 1>because you know what you're talking about two people that

0:35:53.040 --> 0:35:56.279
<v Speaker 1>are together or two people just independently. Actually, I don't

0:35:56.280 --> 0:35:58.839
<v Speaker 1>know what all the permutations they did on on that

0:35:58.880 --> 0:36:00.560
<v Speaker 1>part where I mean, I think what it was was

0:36:00.600 --> 0:36:03.880
<v Speaker 1>the two were entering the line at the same time. Okay,

0:36:03.920 --> 0:36:05.200
<v Speaker 1>I mean I could see it would I could see

0:36:05.200 --> 0:36:07.919
<v Speaker 1>where I would escalate things either way because either these

0:36:08.000 --> 0:36:10.000
<v Speaker 1>two people were cutting in front of front of me

0:36:10.040 --> 0:36:13.480
<v Speaker 1>and they're together and they're like working together to corrupt

0:36:13.520 --> 0:36:15.800
<v Speaker 1>the line system, or if it's just two random people,

0:36:15.840 --> 0:36:18.560
<v Speaker 1>it's like, what are we doing here? We suddenly there's

0:36:18.600 --> 0:36:21.160
<v Speaker 1>just there's just people showing up and just jumping in line,

0:36:21.280 --> 0:36:24.759
<v Speaker 1>cats and dogs, you know. Yeah, um, I want to

0:36:24.760 --> 0:36:27.759
<v Speaker 1>read another thing from their findings, Milgram at all right.

0:36:27.840 --> 0:36:31.280
<v Speaker 1>Quote results suggested that the underlying structure of the queue

0:36:31.719 --> 0:36:36.160
<v Speaker 1>is composed of replicated segments, and the defense of the

0:36:36.239 --> 0:36:40.080
<v Speaker 1>queue is local rather than systemic. And I like that

0:36:40.160 --> 0:36:43.440
<v Speaker 1>because they essentially found that, you know, sort of parts

0:36:43.480 --> 0:36:46.080
<v Speaker 1>of the line each have their own local militia to

0:36:46.200 --> 0:36:49.160
<v Speaker 1>defend that part of the line. You may be less

0:36:49.200 --> 0:36:52.560
<v Speaker 1>concerned about violations to the order of the line that

0:36:52.640 --> 0:36:56.000
<v Speaker 1>happened farther away from where you are in it. Like,

0:36:56.040 --> 0:36:57.560
<v Speaker 1>if you're the back of the line and it's a

0:36:57.600 --> 0:36:59.960
<v Speaker 1>fairly long line, you really don't have much for room

0:37:00.080 --> 0:37:03.520
<v Speaker 1>complain about people cutting at the very front. Perhaps no, maybe,

0:37:03.880 --> 0:37:08.319
<v Speaker 1>Now there's a follow up in nine by Schmidt at All.

0:37:08.400 --> 0:37:11.200
<v Speaker 1>It was a paper called Intrusions into Waiting Lines? Does

0:37:11.239 --> 0:37:14.960
<v Speaker 1>the Q constitute a social system? This was also in

0:37:15.000 --> 0:37:18.040
<v Speaker 1>the Journal of Personality and Social Psychology ninety two by

0:37:18.120 --> 0:37:22.760
<v Speaker 1>Burned H. Schmidt, Laurette Dubai, and uh France la Clerk,

0:37:23.640 --> 0:37:26.400
<v Speaker 1>and they tested quote whether a waiting line should be

0:37:26.480 --> 0:37:30.280
<v Speaker 1>viewed as a social system with norms, roles, and obligations

0:37:30.280 --> 0:37:33.239
<v Speaker 1>for cures, or whether behavior in a queue can be

0:37:33.320 --> 0:37:39.400
<v Speaker 1>explained solely by individuals personal interest and cost versus benefit calculations.

0:37:40.000 --> 0:37:42.040
<v Speaker 1>So does that question make sense? Is a line just

0:37:42.160 --> 0:37:44.600
<v Speaker 1>a bunch of people who are each trying to get

0:37:45.000 --> 0:37:49.080
<v Speaker 1>as little waiting time for themselves as possible, or is

0:37:49.120 --> 0:37:52.160
<v Speaker 1>it more like a society that has some like understood

0:37:52.239 --> 0:37:56.480
<v Speaker 1>rules that people will try to enforce. However, however it

0:37:56.640 --> 0:37:59.719
<v Speaker 1>affects their own personal waiting time. Yeah, that that that

0:37:59.760 --> 0:38:02.960
<v Speaker 1>makes sense. And what the authors here found is they said, Yeah,

0:38:03.000 --> 0:38:06.080
<v Speaker 1>it really looks like like lines are more like social

0:38:06.120 --> 0:38:08.840
<v Speaker 1>systems with norms and rules, more like a sort of

0:38:08.880 --> 0:38:12.359
<v Speaker 1>mini society than just a you know, a pure like

0:38:12.600 --> 0:38:15.560
<v Speaker 1>efficiency maximizing game where people are trying to get out

0:38:15.600 --> 0:38:18.320
<v Speaker 1>on their own as fast as possible. And one example

0:38:18.360 --> 0:38:21.239
<v Speaker 1>they gave of this is that people in line will

0:38:21.920 --> 0:38:26.560
<v Speaker 1>will quite significantly make a distinction between a quote legitimate

0:38:26.680 --> 0:38:30.480
<v Speaker 1>intrusion into the order of the line and an illegitimate one,

0:38:30.680 --> 0:38:34.120
<v Speaker 1>even if the weight is the same length. So if

0:38:34.120 --> 0:38:37.600
<v Speaker 1>you have somebody coming in who gives some explanation, that's like,

0:38:37.640 --> 0:38:39.800
<v Speaker 1>you know, they're a service provider and they have to

0:38:39.840 --> 0:38:41.400
<v Speaker 1>get in in front of you in line to do

0:38:41.520 --> 0:38:44.920
<v Speaker 1>something here in the line. People understand these exceptions and

0:38:44.960 --> 0:38:48.040
<v Speaker 1>incorporate them just fine, even if it means waiting an

0:38:48.080 --> 0:38:51.680
<v Speaker 1>additional amount, uh the same amount that they would wait

0:38:51.719 --> 0:38:54.960
<v Speaker 1>if somebody made some kind of illegitimate intrusion into the

0:38:55.040 --> 0:38:58.440
<v Speaker 1>order of the line. So people are like understanding reasons

0:38:58.520 --> 0:39:01.359
<v Speaker 1>for things, and they're acting out norms based on those

0:39:01.400 --> 0:39:04.200
<v Speaker 1>reasons rather than just trying to get out as fast

0:39:04.239 --> 0:39:06.960
<v Speaker 1>as they can no matter what. How is this not

0:39:07.560 --> 0:39:11.239
<v Speaker 1>like a nineteen eighties Stephen King short story, because I

0:39:11.239 --> 0:39:13.640
<v Speaker 1>can think of multiple works that he did, where be

0:39:13.719 --> 0:39:16.360
<v Speaker 1>it like The Mist or The Dome where you have

0:39:16.400 --> 0:39:19.279
<v Speaker 1>a system where people are put into a certain situation,

0:39:19.760 --> 0:39:23.040
<v Speaker 1>and then like a social order, he emerges out of

0:39:23.080 --> 0:39:26.239
<v Speaker 1>the that predicament. I could see an entire at least

0:39:26.280 --> 0:39:28.840
<v Speaker 1>a short story, really bad one though usually it's a

0:39:28.840 --> 0:39:32.720
<v Speaker 1>bad one. But but yeah, just waiting in line, especially

0:39:32.760 --> 0:39:34.840
<v Speaker 1>if you there's some mystery as to what you're waiting

0:39:34.840 --> 0:39:38.960
<v Speaker 1>in line for. And that's that's perfect stuff for for

0:39:39.040 --> 0:39:41.919
<v Speaker 1>some sort of especially in nineteen eighties theres Kings short

0:39:41.960 --> 0:39:44.399
<v Speaker 1>story You can't have a healthy line without a Mrs

0:39:44.400 --> 0:39:50.080
<v Speaker 1>Carmody inciting the line against cure number four. Um, okay,

0:39:50.400 --> 0:39:53.680
<v Speaker 1>but oh another thing that I thought was interesting, So

0:39:53.719 --> 0:39:56.200
<v Speaker 1>as to the rules that people play within a line.

0:39:56.200 --> 0:39:58.840
<v Speaker 1>You might think, okay, a line is homogeneous. Everybody in

0:39:58.880 --> 0:40:01.120
<v Speaker 1>the line is basically waiting, you know, they're all doing

0:40:01.120 --> 0:40:04.279
<v Speaker 1>the same thing, but they're actually In this study, they

0:40:04.280 --> 0:40:07.840
<v Speaker 1>found there seems to be an implicit special role for

0:40:07.920 --> 0:40:12.680
<v Speaker 1>the person directly following the intruder in dictating the overall

0:40:12.760 --> 0:40:16.200
<v Speaker 1>response of people in line. Quote, the cure right behind

0:40:16.239 --> 0:40:20.080
<v Speaker 1>the intrusion point has a special obligation to respond to

0:40:20.160 --> 0:40:22.960
<v Speaker 1>the intrusion. Is this ring true to you? Yeah, I

0:40:23.000 --> 0:40:24.680
<v Speaker 1>mean I guess. So it kind of comes down to

0:40:25.800 --> 0:40:29.200
<v Speaker 1>the individual versus the group, Like if the individual is

0:40:29.239 --> 0:40:33.279
<v Speaker 1>not offended, then it's then perhaps the group has less

0:40:33.360 --> 0:40:35.839
<v Speaker 1>room to be offended. Maybe, I mean I would think

0:40:35.880 --> 0:40:38.800
<v Speaker 1>that Again, it probably comes down to people looking for cues.

0:40:38.840 --> 0:40:41.359
<v Speaker 1>People don't know how to react to something, and they're

0:40:41.400 --> 0:40:44.719
<v Speaker 1>looking for cueues to get from other people. And it

0:40:44.760 --> 0:40:46.920
<v Speaker 1>seems like the most natural place they would look for

0:40:46.960 --> 0:40:49.640
<v Speaker 1>that queue is what is the person right behind the

0:40:49.680 --> 0:40:53.440
<v Speaker 1>intrusion doing, and that that person would have a lot

0:40:53.480 --> 0:40:56.720
<v Speaker 1>of influence socially over your idea of what the correct

0:40:56.800 --> 0:41:00.040
<v Speaker 1>kind of response is. Yeah, I mean also depending in

0:41:00.080 --> 0:41:04.120
<v Speaker 1>the queuing culture, perhaps that person who just joined the line,

0:41:04.160 --> 0:41:06.680
<v Speaker 1>maybe maybe they were taking a bathroom break or something,

0:41:06.760 --> 0:41:08.960
<v Speaker 1>or maybe you know, they were they were holding a

0:41:09.000 --> 0:41:10.880
<v Speaker 1>spot for them, or maybe there were shoes on the

0:41:10.880 --> 0:41:13.280
<v Speaker 1>ground and I just didn't notice it, you know anything.

0:41:13.560 --> 0:41:16.279
<v Speaker 1>These things could be Uh, it could be part of

0:41:16.280 --> 0:41:18.640
<v Speaker 1>the equation. Yeah, I think that makes sense too, because

0:41:18.680 --> 0:41:21.080
<v Speaker 1>you might assume that the person right there in the

0:41:21.120 --> 0:41:24.120
<v Speaker 1>line has some kind of information that you don't. Yeah, well,

0:41:24.120 --> 0:41:26.759
<v Speaker 1>maybe they're together. Maybe maybe maybe it's two people that

0:41:26.800 --> 0:41:29.680
<v Speaker 1>are going to see the movie together and one just

0:41:29.719 --> 0:41:31.960
<v Speaker 1>had to go buy some popcorn. Or something. How offended

0:41:32.000 --> 0:41:34.840
<v Speaker 1>can I be that now they're there are two people

0:41:34.960 --> 0:41:38.080
<v Speaker 1>where there was one before. But this does bring me

0:41:38.120 --> 0:41:41.120
<v Speaker 1>back to the question of what counts as a legitimate

0:41:41.239 --> 0:41:44.640
<v Speaker 1>excuse in cutting in line? Right, Like, if so you're

0:41:44.640 --> 0:41:48.280
<v Speaker 1>waiting in line of the grocery store or you know whatever,

0:41:48.320 --> 0:41:50.080
<v Speaker 1>a service point. You know, you're trying to check out

0:41:50.080 --> 0:41:52.920
<v Speaker 1>at a store, and somebody comes up to you and says, hey,

0:41:52.960 --> 0:41:55.200
<v Speaker 1>can I get in front of you in line? Because

0:41:55.719 --> 0:41:59.920
<v Speaker 1>and you know, they say something, what kinds of excuse

0:42:00.120 --> 0:42:02.799
<v Speaker 1>is are legitimate to you? And would make you say

0:42:02.840 --> 0:42:06.560
<v Speaker 1>like yeah, okay, And what are the other mitigating circumstances

0:42:06.600 --> 0:42:10.360
<v Speaker 1>that would affect that well? I I think of lines

0:42:10.400 --> 0:42:14.200
<v Speaker 1>that have formed to use a toilet as being a

0:42:14.200 --> 0:42:18.239
<v Speaker 1>great example of this, because there there's a biological um

0:42:18.480 --> 0:42:21.320
<v Speaker 1>factor here that cannot be ignored, and you're going to

0:42:21.400 --> 0:42:23.920
<v Speaker 1>have room for age also to play into it. So

0:42:24.120 --> 0:42:27.040
<v Speaker 1>if it's like a young child that's doing the PP dance,

0:42:27.600 --> 0:42:30.000
<v Speaker 1>you know you're gonna nobody wants to be responsible for

0:42:30.120 --> 0:42:33.479
<v Speaker 1>a child paying their pants, So you would say, yes,

0:42:33.520 --> 0:42:36.080
<v Speaker 1>please go go ahead of me, take both of you,

0:42:36.120 --> 0:42:38.719
<v Speaker 1>take this child ahead of me, and go use the facilities,

0:42:39.239 --> 0:42:41.839
<v Speaker 1>or if somebody were to explain it to themselves to

0:42:41.840 --> 0:42:44.920
<v Speaker 1>to to you and be like, hey, I am about

0:42:45.200 --> 0:42:49.080
<v Speaker 1>to just have a terrible incident occur. Uh, you can

0:42:49.120 --> 0:42:51.239
<v Speaker 1>spare us both this if you just let me in

0:42:51.320 --> 0:42:53.319
<v Speaker 1>front of you, then you would be like, yes, by

0:42:53.320 --> 0:42:56.239
<v Speaker 1>all means, I am not having an emergency. If you're

0:42:56.239 --> 0:42:58.919
<v Speaker 1>having an emergency, you should definitely go ahead of me. Yes.

0:42:59.040 --> 0:43:02.000
<v Speaker 1>That's interesting because I was just thinking about how my

0:43:02.120 --> 0:43:04.360
<v Speaker 1>reaction to somebody asking to get in front of me

0:43:04.400 --> 0:43:06.440
<v Speaker 1>on line in line might actually have more to do

0:43:06.520 --> 0:43:09.200
<v Speaker 1>with what's going on with me than what's going on

0:43:09.280 --> 0:43:12.960
<v Speaker 1>with them. Like I, I would tend to think I

0:43:12.960 --> 0:43:14.960
<v Speaker 1>would be happy to let people in front of me

0:43:15.080 --> 0:43:19.760
<v Speaker 1>for something basically, no matter what their excuses in most cases,

0:43:19.880 --> 0:43:23.120
<v Speaker 1>if I'm not in some kind of dire situation myself.

0:43:24.200 --> 0:43:26.480
<v Speaker 1>But if I'm in some kind of dire situation where

0:43:26.480 --> 0:43:28.080
<v Speaker 1>like I've got to get out of here right now,

0:43:28.320 --> 0:43:30.120
<v Speaker 1>you know, I've got to get this done, and that

0:43:30.120 --> 0:43:32.680
<v Speaker 1>that would be the thing that would make me reject them,

0:43:32.719 --> 0:43:35.719
<v Speaker 1>not the question of what their actual excuses, because in

0:43:35.760 --> 0:43:38.000
<v Speaker 1>most cases, if I'm checking out at a store or something,

0:43:38.040 --> 0:43:41.120
<v Speaker 1>it's like, well, if fine, I don't care. Yeah. The

0:43:41.160 --> 0:43:43.200
<v Speaker 1>more I think about it, though, I think that something

0:43:43.320 --> 0:43:47.040
<v Speaker 1>like explosive diarrhea is always an excuse to get to

0:43:47.120 --> 0:43:48.880
<v Speaker 1>the front of the line. I'm having trouble coming up

0:43:48.920 --> 0:43:52.480
<v Speaker 1>with a single case where someone would say, excuse me,

0:43:52.520 --> 0:43:54.560
<v Speaker 1>can I cut in front of you? I'm about to

0:43:54.600 --> 0:43:57.919
<v Speaker 1>have explosive diarrhea a case where I would say, no,

0:43:58.080 --> 0:44:00.360
<v Speaker 1>absolutely not. But if it's like a mine for the

0:44:00.400 --> 0:44:03.000
<v Speaker 1>hot dog stand, well then they need to they need

0:44:03.000 --> 0:44:04.360
<v Speaker 1>to pick up lunch. But then they need to go

0:44:04.440 --> 0:44:06.359
<v Speaker 1>somewhere else. Yeah, okay, But I don't know. I guess

0:44:06.400 --> 0:44:09.239
<v Speaker 1>in some cases I might be like, look, i'll talk

0:44:09.239 --> 0:44:12.400
<v Speaker 1>to the line, Um, you go use the bathroom. We

0:44:12.440 --> 0:44:15.520
<v Speaker 1>will find a space for you. Um when you get back.

0:44:15.600 --> 0:44:17.560
<v Speaker 1>I don't know. I mean, I guess that's a situation

0:44:17.600 --> 0:44:21.000
<v Speaker 1>where the social order of the line has to provide

0:44:24.920 --> 0:44:28.480
<v Speaker 1>thank thank you, thank you. So concerning the idea of

0:44:28.520 --> 0:44:31.359
<v Speaker 1>a legitimate excuse for line cutting, I wanted to refer

0:44:31.440 --> 0:44:34.640
<v Speaker 1>to a classic study in the social psychology of queuing.

0:44:34.719 --> 0:44:38.839
<v Speaker 1>This widely cited and pretty interesting. Uh this one this

0:44:38.920 --> 0:44:42.520
<v Speaker 1>time is from the Harvard psychologist Ellen Langer. It was

0:44:42.560 --> 0:44:47.200
<v Speaker 1>actually by Langer, Blank and Channawitz, published in nineteen eight

0:44:47.800 --> 0:44:52.799
<v Speaker 1>called the Mindlessness of ostensibly thoughtful action the Role of

0:44:52.920 --> 0:44:56.839
<v Speaker 1>placebic information and Interpersonal Interaction. Again, this was in the

0:44:56.920 --> 0:45:00.719
<v Speaker 1>Journal of Personality and Social Psychology. And I found a

0:45:00.719 --> 0:45:04.280
<v Speaker 1>good summary of of this whole study in another paper

0:45:04.360 --> 0:45:07.400
<v Speaker 1>by A. Kleinberg at All in two thousand eighteen, and

0:45:07.440 --> 0:45:10.040
<v Speaker 1>so this is the Kleinberg at All summary of the

0:45:10.080 --> 0:45:13.440
<v Speaker 1>study here. Langer at All in nineteen seventy eight asked

0:45:13.480 --> 0:45:17.000
<v Speaker 1>subjects in their study to make some copies. Just as

0:45:17.000 --> 0:45:19.400
<v Speaker 1>they were about to do so, a confederate asked to

0:45:19.520 --> 0:45:22.560
<v Speaker 1>jump in front of them. In some cases, the confederate

0:45:22.600 --> 0:45:25.440
<v Speaker 1>gave no reason at all, quote excuse me, I have

0:45:25.600 --> 0:45:29.240
<v Speaker 1>five pages? May I use the xerox machine? In others,

0:45:29.280 --> 0:45:33.000
<v Speaker 1>a reason was given, quote excuse me, I have five pages.

0:45:33.360 --> 0:45:36.480
<v Speaker 1>May I use the xerox machine because I'm in a rush.

0:45:36.880 --> 0:45:40.160
<v Speaker 1>The third condition had the veneer of a reason, but

0:45:40.239 --> 0:45:44.840
<v Speaker 1>it actually had no informational content. Quote excuse me, I

0:45:44.880 --> 0:45:47.959
<v Speaker 1>have five pages. May I use the xerox machine because

0:45:48.000 --> 0:45:52.440
<v Speaker 1>I have to make copies. People complied at similar rates

0:45:52.480 --> 0:45:56.960
<v Speaker 1>to both the actual reason and the pseudo reason percent

0:45:57.040 --> 0:46:02.080
<v Speaker 1>and ninety three percent, respectively. For six with no reason.

0:46:02.719 --> 0:46:06.080
<v Speaker 1>What explains this finding? People see a situation they have

0:46:06.200 --> 0:46:09.960
<v Speaker 1>seen before and their automatic response kicks in to avoid

0:46:10.000 --> 0:46:13.840
<v Speaker 1>the effort of processing the rest of this setting. Consistent

0:46:13.880 --> 0:46:16.439
<v Speaker 1>with this view, when the costs of complying go up

0:46:17.040 --> 0:46:20.280
<v Speaker 1>when the Confederate wants to copy twenty pages, not just five,

0:46:20.719 --> 0:46:23.440
<v Speaker 1>compliance to the pseudo reason is similar to what it

0:46:23.520 --> 0:46:27.480
<v Speaker 1>is in the no reason condition. Um So, I thought

0:46:27.560 --> 0:46:29.680
<v Speaker 1>this was really funny when I first read it, that

0:46:29.680 --> 0:46:32.600
<v Speaker 1>that people are just as likely. I mean, it's equal

0:46:32.680 --> 0:46:35.480
<v Speaker 1>numbers to let you cut in front of them as

0:46:35.480 --> 0:46:38.680
<v Speaker 1>long as you say because something, even if the because

0:46:38.800 --> 0:46:41.720
<v Speaker 1>statement is utterly inane, I may I use the xerox

0:46:41.760 --> 0:46:45.759
<v Speaker 1>machine because I have to make copies, right, unless you

0:46:45.840 --> 0:46:50.000
<v Speaker 1>have a stronger because yeah, then we know, what's the point,

0:46:50.040 --> 0:46:51.840
<v Speaker 1>You're just gonna be like, oh okay, yeah, you have

0:46:51.880 --> 0:46:54.400
<v Speaker 1>an exception you should go first. So I guess this

0:46:54.480 --> 0:46:56.640
<v Speaker 1>is this one is actually a little bit less about

0:46:56.680 --> 0:47:00.439
<v Speaker 1>queuing and more about how we uh whether and how

0:47:00.480 --> 0:47:03.680
<v Speaker 1>we incorporate information in making decisions at the spur of

0:47:03.719 --> 0:47:07.000
<v Speaker 1>the moment. But I like how when you think about this,

0:47:07.000 --> 0:47:10.440
<v Speaker 1>this could I think be applied to other scenarios. Where

0:47:10.440 --> 0:47:13.080
<v Speaker 1>where people have some excuse they want to get ahead,

0:47:13.480 --> 0:47:16.240
<v Speaker 1>and as long as they appear to have an excuse,

0:47:16.360 --> 0:47:19.279
<v Speaker 1>even if it's not really an excuse at all, you'd

0:47:19.360 --> 0:47:22.080
<v Speaker 1>just be like, yeah, okay, what I don't care, Yeah,

0:47:22.120 --> 0:47:24.959
<v Speaker 1>I think something. I was thinking about this. Thinking about

0:47:25.000 --> 0:47:27.960
<v Speaker 1>it in relation to traffic, It's kind of like if

0:47:28.200 --> 0:47:31.640
<v Speaker 1>you're in the fast lane and you were going let's

0:47:31.640 --> 0:47:34.080
<v Speaker 1>say you're already going five to ten miles over the

0:47:34.080 --> 0:47:37.360
<v Speaker 1>speed limit anyway, Okay, you're pretty going, going pretty fast,

0:47:37.360 --> 0:47:40.239
<v Speaker 1>you qualify as fast, but then somebody comes up behind

0:47:40.239 --> 0:47:44.680
<v Speaker 1>you and they're going really fast. Now, sometimes this will

0:47:44.840 --> 0:47:47.600
<v Speaker 1>um inflate the ego a bit, and you may think

0:47:47.840 --> 0:47:50.040
<v Speaker 1>I am already going fast enough. I will not get

0:47:50.040 --> 0:47:52.120
<v Speaker 1>into the slow lane because then I will be stuck

0:47:52.120 --> 0:47:55.960
<v Speaker 1>behind the tractor trailer rig for the next mile or two. No,

0:47:56.200 --> 0:47:58.759
<v Speaker 1>I am staying here. And you may ride behind me

0:47:58.800 --> 0:48:02.200
<v Speaker 1>and um and ride you know, dangerously close to my

0:48:02.239 --> 0:48:05.680
<v Speaker 1>bumper and uh occasionally flash your lights, but I will

0:48:05.680 --> 0:48:08.120
<v Speaker 1>not move. Uh. That's one way to go about it.

0:48:08.160 --> 0:48:11.680
<v Speaker 1>But then for my part, and sometimes my mind entertains

0:48:11.719 --> 0:48:14.799
<v Speaker 1>that sort of thing. But other times I'll read more

0:48:14.840 --> 0:48:19.560
<v Speaker 1>reasonably think this person is driving maybe a little dangerously,

0:48:19.960 --> 0:48:21.960
<v Speaker 1>and I would rather that person be in front of

0:48:21.960 --> 0:48:24.960
<v Speaker 1>me than behind me, and I should just let them go,

0:48:25.640 --> 0:48:27.960
<v Speaker 1>even if it is going to inconvenience me a little bit.

0:48:28.000 --> 0:48:30.319
<v Speaker 1>When I'm stuck behind a tractor trailer rig and I

0:48:30.400 --> 0:48:32.839
<v Speaker 1>kind of feel like that would be the case with

0:48:32.920 --> 0:48:34.880
<v Speaker 1>somebody who really wanted to get in front of me

0:48:35.440 --> 0:48:38.120
<v Speaker 1>at say the Xerox machine. Do I really want that

0:48:38.160 --> 0:48:41.440
<v Speaker 1>person behind me looking over my shoulder, like waiting on me,

0:48:41.560 --> 0:48:43.520
<v Speaker 1>like that's gonna especially if I don't really know how

0:48:43.560 --> 0:48:46.040
<v Speaker 1>to use the machine and go. I want to I

0:48:46.080 --> 0:48:48.880
<v Speaker 1>want to have a calmer experience with a Xerox machine. Right.

0:48:48.960 --> 0:48:52.040
<v Speaker 1>The awkwardness of having this person looking over your shoulder

0:48:52.160 --> 0:48:55.040
<v Speaker 1>and and trying to get out behind you maybe like

0:48:55.560 --> 0:48:58.120
<v Speaker 1>factored in at a higher cost in your brain than

0:48:58.160 --> 0:49:01.359
<v Speaker 1>the time cost of just letting them go. Yeah, and

0:49:01.400 --> 0:49:04.640
<v Speaker 1>it's just five copies, So what's the harm? Right now?

0:49:04.960 --> 0:49:08.239
<v Speaker 1>All of this this is partially because I just watched this,

0:49:08.280 --> 0:49:09.680
<v Speaker 1>and I think you just watched this as well, But

0:49:09.719 --> 0:49:14.520
<v Speaker 1>the the the excellent sketch comedy series. You should leave

0:49:14.560 --> 0:49:16.640
<v Speaker 1>with Tim Robinson. I think you should leave. I think

0:49:16.680 --> 0:49:18.360
<v Speaker 1>you should leave. Yes, I think you should leave with

0:49:18.400 --> 0:49:23.440
<v Speaker 1>Tim Robinson. Um. So many of those sketches are situations

0:49:23.440 --> 0:49:25.840
<v Speaker 1>where there's some sort of like a weird, awkward social

0:49:25.880 --> 0:49:29.880
<v Speaker 1>interaction and one side or the other is vastly overreacting

0:49:30.360 --> 0:49:33.040
<v Speaker 1>to what's occurring. And I feel like you could you

0:49:33.040 --> 0:49:37.520
<v Speaker 1>could basically adapt this Xerox machine sketch uh without even

0:49:37.560 --> 0:49:40.760
<v Speaker 1>altering it much into a very entertaining Tim Robinson sketch

0:49:41.120 --> 0:49:47.400
<v Speaker 1>because I have to make copies. Yeah, I didn't think

0:49:47.400 --> 0:49:50.719
<v Speaker 1>about this, but so many of the Tim Robinson sketches

0:49:50.840 --> 0:49:54.319
<v Speaker 1>are about situations where there's some kind of ambiguity in

0:49:54.360 --> 0:49:58.319
<v Speaker 1>the rules and someone exploits that ambiguity to a ludicrous

0:49:58.440 --> 0:50:02.640
<v Speaker 1>degree and then has a monstress overreaction to people's reaction

0:50:02.719 --> 0:50:08.319
<v Speaker 1>to their exploitation. Uh, Like the nachos scene from the

0:50:08.360 --> 0:50:11.080
<v Speaker 1>first season where she has did you come over here?

0:50:11.160 --> 0:50:13.719
<v Speaker 1>And and to tell him to ask me not to

0:50:13.760 --> 0:50:20.439
<v Speaker 1>eat the fully loaded nachos and he's just saying as yeah.

0:50:20.560 --> 0:50:23.560
<v Speaker 1>Or there's a there's a second season sketch where the

0:50:23.680 --> 0:50:28.000
<v Speaker 1>professor that the three four students are having dinner with uh,

0:50:28.280 --> 0:50:30.440
<v Speaker 1>he wants to eat what the other person ordered. So

0:50:30.520 --> 0:50:33.560
<v Speaker 1>you know, there's this whole this pushing of the boundaries,

0:50:33.600 --> 0:50:36.600
<v Speaker 1>like it's joking. Yeah, I'm just joking. And then ultimately

0:50:36.640 --> 0:50:37.680
<v Speaker 1>can I have a bite of that? And he has

0:50:37.680 --> 0:50:39.239
<v Speaker 1>a bite it, and then he's like, I'm gonna keep

0:50:39.239 --> 0:50:43.239
<v Speaker 1>I'm gonna eat. I'm just joking. Though he eats it,

0:50:43.360 --> 0:50:47.319
<v Speaker 1>but he was just joking. Oh that's good stuff. Now,

0:50:47.360 --> 0:50:51.760
<v Speaker 1>I will advise you know, the Tim Robinson Um comedy series,

0:50:51.760 --> 0:50:54.000
<v Speaker 1>I think you should leave. It is not for for everyone,

0:50:54.840 --> 0:50:58.200
<v Speaker 1>it is not for all ages, and it is sketch

0:50:58.239 --> 0:51:01.520
<v Speaker 1>comedy in general, I guess is you can be wildly uneven. Uh,

0:51:01.520 --> 0:51:04.160
<v Speaker 1>and I definitely find that show to be wildly uneven. Um.

0:51:04.680 --> 0:51:09.759
<v Speaker 1>It's like some sketches are are ingenious in their stupidity,

0:51:09.840 --> 0:51:12.279
<v Speaker 1>and some I just I feel like I just to

0:51:12.600 --> 0:51:14.759
<v Speaker 1>just totally blow past me and I don't understand what

0:51:15.280 --> 0:51:18.440
<v Speaker 1>the point was. Um, But you know, again, that's part

0:51:18.480 --> 0:51:21.480
<v Speaker 1>of sketch. I think in the first season some sketches

0:51:21.560 --> 0:51:24.160
<v Speaker 1>that just totally blew past me the first time really

0:51:24.200 --> 0:51:27.520
<v Speaker 1>grew on me in subsequent viewings. That's yeah, I think

0:51:27.520 --> 0:51:31.160
<v Speaker 1>it's kind of a masterpiece of well. Yeah, sometimes like

0:51:31.200 --> 0:51:34.919
<v Speaker 1>the non like something that's really nonsensical if it's repeated enough,

0:51:34.960 --> 0:51:38.399
<v Speaker 1>it takes on an order and since uh and so

0:51:38.800 --> 0:51:41.319
<v Speaker 1>there are certainly examples of that in the show where yeah,

0:51:41.360 --> 0:51:44.879
<v Speaker 1>you tell one bad joke or or one weird but

0:51:44.960 --> 0:51:48.520
<v Speaker 1>maybe not particularly funny joke, Well, okay, then nobody laughs.

0:51:48.520 --> 0:51:50.319
<v Speaker 1>But if you keep doing it, if you just keep

0:51:50.400 --> 0:51:53.239
<v Speaker 1>doing it, and you just ramp up the intensity, then

0:51:53.280 --> 0:51:55.920
<v Speaker 1>you can get somewhere and uh and it can work brilliantly.

0:51:56.200 --> 0:51:59.080
<v Speaker 1>It's definitely one of the greatest original to Netflix things

0:51:59.400 --> 0:52:03.239
<v Speaker 1>up there. The Dark Crystal. For me, I'm sad we're

0:52:03.280 --> 0:52:05.120
<v Speaker 1>never going to get more of but glad we got

0:52:05.200 --> 0:52:07.600
<v Speaker 1>there and there might be more of it. Um. Oh really,

0:52:07.640 --> 0:52:08.960
<v Speaker 1>I thought that they had said that there was going

0:52:09.040 --> 0:52:10.359
<v Speaker 1>to be no more. Well, there's not gonna be any

0:52:10.360 --> 0:52:13.279
<v Speaker 1>more of it on Netflix, but I think that the

0:52:13.560 --> 0:52:17.200
<v Speaker 1>Giminson Company has has has or is looking into ways

0:52:17.200 --> 0:52:21.000
<v Speaker 1>to continue the story. So who knows what will that be? Wonderful?

0:52:21.400 --> 0:52:23.239
<v Speaker 1>I believe I have not been, but I believe the

0:52:23.440 --> 0:52:26.880
<v Speaker 1>Atlanta's own Center for Puptry Arts currently has an exhibit,

0:52:27.360 --> 0:52:31.120
<v Speaker 1>an updated Dark Crystal exhibit using pieces from the TV series.

0:52:31.320 --> 0:52:33.600
<v Speaker 1>Oh wow, I'm gonna check that out. I'd seen their

0:52:33.640 --> 0:52:37.359
<v Speaker 1>other Dark Crystal exhibit, which was which is great. Yeah, yeah,

0:52:37.400 --> 0:52:39.560
<v Speaker 1>this is kind of a part two of that nice

0:52:39.840 --> 0:52:41.800
<v Speaker 1>All right, Well, we've we've we've drifted away from the

0:52:42.040 --> 0:52:45.239
<v Speaker 1>topic at hand here, but we're going to return to

0:52:45.320 --> 0:52:48.080
<v Speaker 1>the line in a third episode. We have more stuff

0:52:48.120 --> 0:52:50.799
<v Speaker 1>to talk about, uh, not only waiting in line, but

0:52:50.840 --> 0:52:52.960
<v Speaker 1>just sort of waiting in general, like how does it,

0:52:53.160 --> 0:52:54.960
<v Speaker 1>how does it affect us? How does it affect our

0:52:55.040 --> 0:52:57.960
<v Speaker 1>moods and our perception of time. We're gonna get into

0:52:58.040 --> 0:53:00.839
<v Speaker 1>that and more in the next step episode of Stuff

0:53:00.880 --> 0:53:03.080
<v Speaker 1>to Blow Your Mind. In the meantime, would of course

0:53:03.120 --> 0:53:04.839
<v Speaker 1>love to hear from everyone out there, and we've been

0:53:04.880 --> 0:53:07.359
<v Speaker 1>hearing some great stuff from folks about waiting in line.

0:53:07.400 --> 0:53:10.200
<v Speaker 1>So keep it coming. And if you want to listen

0:53:10.239 --> 0:53:13.400
<v Speaker 1>to our show, you can find core episodes on Tuesdays

0:53:13.400 --> 0:53:15.320
<v Speaker 1>and Thursdays, and the Stuff to Blow your Mind podcast

0:53:15.400 --> 0:53:19.799
<v Speaker 1>feed artifacts usually come out on Wednesday's Listener Mail on

0:53:19.840 --> 0:53:22.680
<v Speaker 1>Monday's Weird House Cineam on Friday, that's our time to

0:53:22.760 --> 0:53:25.279
<v Speaker 1>set aside most of the science and just talk about

0:53:25.280 --> 0:53:26.799
<v Speaker 1>a weird film, and then we have a rerun on

0:53:26.840 --> 0:53:29.800
<v Speaker 1>the weekend. Huge thanks as always to our excellent audio

0:53:29.840 --> 0:53:32.680
<v Speaker 1>producer Seth Nicholas Johnson. If you would like to get

0:53:32.719 --> 0:53:34.880
<v Speaker 1>in touch with us with feedback on this episode or

0:53:34.880 --> 0:53:37.120
<v Speaker 1>any other, to suggest a topic for the future, just

0:53:37.160 --> 0:53:39.960
<v Speaker 1>to say hello, you can email us at contact at

0:53:40.000 --> 0:53:49.919
<v Speaker 1>stuff to Blow your Mind dot com. Stuff to Blow

0:53:49.920 --> 0:53:52.480
<v Speaker 1>Your Mind is production of I Heart Radio. For more

0:53:52.520 --> 0:53:55.120
<v Speaker 1>podcasts for My heart Radio, visit the iHeart Radio app,

0:53:55.280 --> 0:54:00.319
<v Speaker 1>Apple Podcasts, or wherever you're listening to your favorite shows.

0:54:00.000 --> 0:54:10.520
<v Speaker 1>The point four point four