1 00:00:01,080 --> 00:00:04,640 Speaker 1: Look man, oh I see you? Why why no one 2 00:00:04,720 --> 00:00:13,200 Speaker 1: look over there? How is that culture? Yes? Goodness? And 3 00:00:13,320 --> 00:00:16,840 Speaker 1: you know that there's gay culture happening all around us. 4 00:00:17,160 --> 00:00:20,680 Speaker 1: I would say that this is a big week for yeah, 5 00:00:20,800 --> 00:00:23,680 Speaker 1: gay sis, male culture. Now we're gonna let's expand, let's 6 00:00:23,680 --> 00:00:26,840 Speaker 1: open the umbrella. It's queer culture. Okay, you know what? 7 00:00:27,000 --> 00:00:28,920 Speaker 1: Are you trying to drag me for something gay and 8 00:00:29,000 --> 00:00:33,320 Speaker 1: not queer? I'm so tired. No that it's corona. No, no, 9 00:00:33,440 --> 00:00:36,440 Speaker 1: this is not me coming. You actually came for me 10 00:00:36,520 --> 00:00:39,840 Speaker 1: seconds since I was examining. I was examining, like who 11 00:00:39,920 --> 00:00:41,879 Speaker 1: is this song for? Because you know what, because this 12 00:00:41,920 --> 00:00:45,240 Speaker 1: is this roller coaster has begune. You want to listen 13 00:00:45,240 --> 00:00:47,760 Speaker 1: to something? Yeah, I want to listen. Yeah. I have 14 00:00:47,840 --> 00:00:50,120 Speaker 1: not seen a single straight person care about right on me, 15 00:00:50,360 --> 00:00:56,920 Speaker 1: A single hetero woman man in between. I cannot they 16 00:00:56,960 --> 00:00:59,600 Speaker 1: have not no one cares about this except the gay 17 00:00:59,600 --> 00:01:02,320 Speaker 1: men and my life. I have to break news to you. 18 00:01:03,320 --> 00:01:09,480 Speaker 1: I brought this to straight woman bred A Title and 19 00:01:09,680 --> 00:01:12,400 Speaker 1: also straight woman Blair Saki, and I saw them in 20 00:01:12,440 --> 00:01:15,840 Speaker 1: a social distancing capacity just the other night, and I 21 00:01:15,880 --> 00:01:18,199 Speaker 1: said to them, rain on me, what are the thoughts? 22 00:01:18,200 --> 00:01:20,760 Speaker 1: What are the Feelings and they said, we love it. It 23 00:01:20,680 --> 00:01:25,200 Speaker 1: It absolutely slams. It absolutely is a pop and they 24 00:01:25,200 --> 00:01:28,760 Speaker 1: said they've been streaming it absolutely and they said they've 25 00:01:28,800 --> 00:01:32,160 Speaker 1: been streaming it. Okay. So what I'm saying is I 26 00:01:32,200 --> 00:01:35,119 Speaker 1: actually think that this is bigger in the general sense 27 00:01:35,200 --> 00:01:37,240 Speaker 1: than we think. I think that US queers, you know, 28 00:01:37,760 --> 00:01:40,200 Speaker 1: we defeat ourselves when it comes to this music because 29 00:01:40,240 --> 00:01:43,679 Speaker 1: I think that, as we all see, I was coming 30 00:01:43,800 --> 00:01:48,800 Speaker 1: in Daisies, Daisies, Daisies, it's not necessarily number one, even 31 00:01:48,840 --> 00:01:50,920 Speaker 1: though it's one of the greatest songs I've ever heard 32 00:01:50,960 --> 00:01:53,880 Speaker 1: of my life. Thank you think. Daisies by Katy Perry 33 00:01:53,920 --> 00:02:00,400 Speaker 1: the new true flop single. It's not a flop flop. 34 00:02:00,520 --> 00:02:04,040 Speaker 1: I mean what happened there? She really like came back 35 00:02:04,080 --> 00:02:06,760 Speaker 1: with with a vengeance with never really over and then 36 00:02:06,840 --> 00:02:10,160 Speaker 1: like even um talk about something the Straits didn't care about, 37 00:02:10,200 --> 00:02:12,000 Speaker 1: the Straits didn't help us at all, was never really 38 00:02:12,040 --> 00:02:14,120 Speaker 1: over and that was a bop in a three quarters 39 00:02:14,320 --> 00:02:17,600 Speaker 1: small talk, and then Harley's in Hawaii, solid follow ups 40 00:02:17,680 --> 00:02:19,880 Speaker 1: and then nothing, she really dropped the ball after. It's 41 00:02:19,919 --> 00:02:22,880 Speaker 1: insane the disrespect that Katy Perry has shown, and it's 42 00:02:22,880 --> 00:02:27,359 Speaker 1: actually real culture number seven. It's insane the mass respect 43 00:02:27,720 --> 00:02:32,320 Speaker 1: that Katie Perry is shown because cover Me and Daisies 44 00:02:32,360 --> 00:02:36,000 Speaker 1: Daisies Daisies is h is a really good song. And 45 00:02:36,040 --> 00:02:38,680 Speaker 1: I like when Katie does a mid tempo moment. Yes, 46 00:02:39,040 --> 00:02:41,160 Speaker 1: we love when Katie does a mid tempo moment. He 47 00:02:41,320 --> 00:02:44,320 Speaker 1: put it on me up, put it on like there 48 00:02:44,480 --> 00:02:46,560 Speaker 1: was nothing wrong. Remember when I first thought that song 49 00:02:46,680 --> 00:02:53,360 Speaker 1: was about unprotected sex. But yes, this is famously midtp No, 50 00:02:53,520 --> 00:02:56,760 Speaker 1: that is a ballade. And this was a famous mistake 51 00:02:56,800 --> 00:02:59,200 Speaker 1: that bow and Yang made, and he rarely makes them, 52 00:02:59,200 --> 00:03:03,000 Speaker 1: and so their landmark when they happen. He said to me, 53 00:03:03,520 --> 00:03:07,160 Speaker 1: he put it in me and put it on like 54 00:03:07,280 --> 00:03:11,880 Speaker 1: there was nothing wrong. It didn't fit, it was right, 55 00:03:12,120 --> 00:03:14,639 Speaker 1: And I was like, and he said that song is 56 00:03:14,639 --> 00:03:17,080 Speaker 1: about sex, and I was like, no, it's about a 57 00:03:17,120 --> 00:03:21,320 Speaker 1: wedding ring. You absolute fool. Whould we put in prison 58 00:03:21,639 --> 00:03:26,680 Speaker 1: or jail? Immediately incarcerated. I was struggled um in English 59 00:03:26,720 --> 00:03:30,600 Speaker 1: classes in high school, and I think that was connection there. Um. 60 00:03:30,880 --> 00:03:33,840 Speaker 1: But English is famously bow and Yang's third language, despite 61 00:03:33,840 --> 00:03:36,520 Speaker 1: his absolute mastery of it. We should say Bow and 62 00:03:36,560 --> 00:03:38,480 Speaker 1: Yang is an absolute mastery of the English language and 63 00:03:38,480 --> 00:03:41,320 Speaker 1: that's actually a look number twenty two. Bow and Yang 64 00:03:41,360 --> 00:03:46,120 Speaker 1: has an absolute mastery of the English language. I think 65 00:03:46,560 --> 00:03:49,920 Speaker 1: I just couldn't do those kry lyrics. Couldn't. No, of 66 00:03:49,960 --> 00:03:52,680 Speaker 1: course I'm going to change things up, Like I'm clocking 67 00:03:52,720 --> 00:03:56,800 Speaker 1: myself really using like discuss my my word choices abhorrent 68 00:03:57,000 --> 00:03:58,560 Speaker 1: And there you go. I used a word that like, 69 00:03:58,760 --> 00:04:01,040 Speaker 1: that's fine to use the word up, aren't I know 70 00:04:01,120 --> 00:04:02,800 Speaker 1: what that is? Here's you want to know the t 71 00:04:03,040 --> 00:04:05,400 Speaker 1: I'm reading some books right now where like the authors 72 00:04:05,400 --> 00:04:07,960 Speaker 1: are really trying to like flex on their vote cab 73 00:04:07,960 --> 00:04:10,200 Speaker 1: and I'm like, oh wait, I hate this, and I 74 00:04:10,240 --> 00:04:11,640 Speaker 1: know that I do this all the time, and I 75 00:04:11,680 --> 00:04:14,000 Speaker 1: actually there's a little seed of self loathing in there 76 00:04:14,000 --> 00:04:15,720 Speaker 1: where I'm like, I don't like this part of myself, 77 00:04:15,760 --> 00:04:18,000 Speaker 1: this quality of myself. You know when it's like the 78 00:04:18,040 --> 00:04:22,039 Speaker 1: reason you hate someone, um is because like, like the 79 00:04:22,080 --> 00:04:25,200 Speaker 1: reasons you hate someone are reflective of the things that 80 00:04:25,240 --> 00:04:27,000 Speaker 1: you hope other people don't see in you. Do you 81 00:04:27,000 --> 00:04:29,400 Speaker 1: know what I'm saying. Okay, this is going deep, but 82 00:04:29,520 --> 00:04:32,880 Speaker 1: this is this is my whole relationship with like verbosity. 83 00:04:33,400 --> 00:04:35,280 Speaker 1: I hate it. I hate it, but it's it's fine 84 00:04:35,320 --> 00:04:37,400 Speaker 1: to say verbosity. We all know what that is. It's 85 00:04:37,440 --> 00:04:42,440 Speaker 1: when you say things like June, like June, I can't 86 00:04:42,440 --> 00:04:46,800 Speaker 1: do anything, Texas, you can't. I can't do nothing with this. 87 00:04:47,839 --> 00:04:51,160 Speaker 1: I can't do anything with this Cathexus. As much as 88 00:04:51,200 --> 00:04:53,520 Speaker 1: I want to, there's nothing I want more for myself 89 00:04:53,520 --> 00:04:55,880 Speaker 1: in my life and my future than to wake up 90 00:04:55,880 --> 00:04:58,880 Speaker 1: in the morning and say, today I'm actually gonna step 91 00:04:58,920 --> 00:05:00,680 Speaker 1: out into the world and probably what will happen as 92 00:05:00,680 --> 00:05:03,320 Speaker 1: I use the work effects us in a sentence confidently 93 00:05:03,600 --> 00:05:05,360 Speaker 1: and with the knowledge of the word. I don't have 94 00:05:05,480 --> 00:05:07,159 Speaker 1: that thought in the morning, though. I'm sorry. It just 95 00:05:07,240 --> 00:05:10,160 Speaker 1: happens because it comes naturally to you. Hunt well anyway. Um. 96 00:05:10,160 --> 00:05:12,400 Speaker 1: The other bit of sort of gay culture is the 97 00:05:12,400 --> 00:05:16,039 Speaker 1: Carly Rege Jepson B sides album I Mean God, No, 98 00:05:16,480 --> 00:05:22,480 Speaker 1: philop City Us God the word day before this Gaga 99 00:05:22,600 --> 00:05:25,440 Speaker 1: single Like she knew what she had to do and 100 00:05:25,480 --> 00:05:28,440 Speaker 1: she did not execute that that one. No, this is 101 00:05:28,480 --> 00:05:30,400 Speaker 1: the thing, This is the thing about Carly rage Jepson. 102 00:05:30,440 --> 00:05:33,920 Speaker 1: She is not someone who is like confected to eras 103 00:05:34,279 --> 00:05:37,159 Speaker 1: to like new looks, to like. She's not gonna like 104 00:05:37,320 --> 00:05:41,040 Speaker 1: go off on social media and like rant about feminism 105 00:05:41,320 --> 00:05:44,360 Speaker 1: like other other girls out there that did this week. 106 00:05:44,720 --> 00:05:47,279 Speaker 1: Like she's just like, here's a bunch of songs. Okay, 107 00:05:47,320 --> 00:05:50,719 Speaker 1: suddenly calling out Lana Carly Way Jepson. This is car Jepson. 108 00:05:50,720 --> 00:05:52,880 Speaker 1: Now she comes along every few years. She goes, here's 109 00:05:52,880 --> 00:05:55,279 Speaker 1: a batch of songs, hope you like him, dance I 110 00:05:55,320 --> 00:05:58,400 Speaker 1: Love you by and she disappears, and it's just there's 111 00:05:58,400 --> 00:06:01,839 Speaker 1: no like self serving purpose in it. It's just for 112 00:06:01,880 --> 00:06:04,120 Speaker 1: her fans. It's a little love letter every time, and 113 00:06:04,279 --> 00:06:06,159 Speaker 1: you have to love that well. You also have to 114 00:06:06,200 --> 00:06:08,880 Speaker 1: expect some quality. And on this one there's an area 115 00:06:08,960 --> 00:06:14,839 Speaker 1: hook song and then unfortunately it actually got rained all 116 00:06:14,920 --> 00:06:18,560 Speaker 1: over you would even say on by, rain On Me 117 00:06:19,040 --> 00:06:23,360 Speaker 1: by actually two amazing singers and their names are Lady 118 00:06:23,360 --> 00:06:26,000 Speaker 1: Gaga and Ariana Grande, and you should know their names. 119 00:06:26,520 --> 00:06:28,919 Speaker 1: And I think that here's the ranking of all the 120 00:06:28,960 --> 00:06:32,200 Speaker 1: songs that have come out. Rain On Me number one, 121 00:06:32,960 --> 00:06:37,919 Speaker 1: Daisies by Miss Katy Perry number two, the rerelease of Glitter. 122 00:06:38,760 --> 00:06:42,040 Speaker 1: You can't forget that Mariah rereleased Glitter on Spotify. That 123 00:06:43,120 --> 00:06:46,760 Speaker 1: you're gonna rate that after Daisies by Katy Perry, one 124 00:06:46,800 --> 00:06:50,880 Speaker 1: of the songs in history. Daisies is headed to the Grammys. 125 00:06:51,400 --> 00:06:54,279 Speaker 1: Daisies is finally gonna win Katy Perry that Grammy, which 126 00:06:54,320 --> 00:06:57,600 Speaker 1: she lacks. Oh, I can't wait for the being facetious, 127 00:06:57,640 --> 00:06:59,960 Speaker 1: you guys. Although I do like Daisies and I found 128 00:07:00,000 --> 00:07:02,960 Speaker 1: my stelf listening to it six or seven straight times 129 00:07:02,960 --> 00:07:06,359 Speaker 1: on a car ride home. Um, I can't wait for 130 00:07:06,360 --> 00:07:13,560 Speaker 1: the percent capacity Staples Center Grammys. I mean, it's true, 131 00:07:13,560 --> 00:07:15,520 Speaker 1: it's what's gonna happen. We need, we needed to happen 132 00:07:15,560 --> 00:07:18,680 Speaker 1: that way, Matt Or they'll do it outdoors in February 133 00:07:18,760 --> 00:07:20,600 Speaker 1: and in l A. I'd like I'd like to see that, 134 00:07:21,040 --> 00:07:23,559 Speaker 1: you know. Um, I would like to see something happen. 135 00:07:23,680 --> 00:07:26,480 Speaker 1: And you know who actually reminds me of a full stadium? 136 00:07:26,800 --> 00:07:29,440 Speaker 1: Our guest, Now, why do you say that? Why does 137 00:07:29,520 --> 00:07:32,640 Speaker 1: she remind you of the stadium. She reminds me of 138 00:07:32,680 --> 00:07:35,960 Speaker 1: a full stadium because she has the energy. She could 139 00:07:35,960 --> 00:07:38,960 Speaker 1: play arena, she can actually sell. Well, let me tell 140 00:07:39,000 --> 00:07:43,840 Speaker 1: you something. After after people see the new gig girl, 141 00:07:43,920 --> 00:07:46,040 Speaker 1: let me well, let's just say this, the socials are 142 00:07:46,120 --> 00:07:50,880 Speaker 1: certainly gonna jump the social and that's why we need 143 00:07:50,920 --> 00:07:53,600 Speaker 1: to we need to prepare this young girl because the 144 00:07:53,640 --> 00:07:56,400 Speaker 1: socials are about to jump the Diana is a hive 145 00:07:56,600 --> 00:08:00,600 Speaker 1: is gonna come for this party? Actually, I have to 146 00:08:00,640 --> 00:08:05,119 Speaker 1: say Queen Diana Silvers. Yes, and I really worshiped her 147 00:08:05,160 --> 00:08:09,720 Speaker 1: in book Smart and I watch and MA, don't forget Mam. 148 00:08:09,840 --> 00:08:11,840 Speaker 1: She was in Mam. I actually did not see mob 149 00:08:11,840 --> 00:08:16,280 Speaker 1: because I'm famously very afraid of that. No, it's really great. 150 00:08:16,360 --> 00:08:19,240 Speaker 1: Just smoke up, smoke a bowl and then watch. That's 151 00:08:19,280 --> 00:08:21,080 Speaker 1: what That's what I did before the hunt. I smoked 152 00:08:21,080 --> 00:08:22,920 Speaker 1: a ball before the hunt and then I almost threw 153 00:08:23,080 --> 00:08:25,240 Speaker 1: up three minutes then, because I was so scared, I 154 00:08:25,800 --> 00:08:29,120 Speaker 1: told Betty I watched it from the kitchen. From the kitchen, 155 00:08:29,200 --> 00:08:31,000 Speaker 1: Jared was sitting in the living room watching it, and 156 00:08:31,040 --> 00:08:33,520 Speaker 1: I was in the kitchen like ducking behind the cereals, 157 00:08:33,640 --> 00:08:37,600 Speaker 1: like trying to look like, yeah it was But where 158 00:08:37,640 --> 00:08:39,880 Speaker 1: were you during the kitchen fight scene? Spoiler alert, there's 159 00:08:39,880 --> 00:08:42,080 Speaker 1: a kitchen fight scene where you still actually had sat 160 00:08:42,080 --> 00:08:43,680 Speaker 1: down in front of the television for that because that 161 00:08:43,720 --> 00:08:45,560 Speaker 1: was gay culture at that point. I had to sit 162 00:08:45,600 --> 00:08:47,920 Speaker 1: for the gay culture. It's so good. That's such a 163 00:08:47,920 --> 00:08:49,600 Speaker 1: good front runner for the title of up you sit 164 00:08:49,640 --> 00:08:54,320 Speaker 1: for a gay um And let's let's just say that 165 00:08:54,320 --> 00:08:56,200 Speaker 1: flat out, and I think what we should actually do 166 00:08:56,240 --> 00:08:58,560 Speaker 1: at this time is we probably bring in the guests, 167 00:08:58,559 --> 00:09:02,200 Speaker 1: because the guests is about to truly pop off, and 168 00:09:02,200 --> 00:09:04,680 Speaker 1: we knew we had to Scooper and she's a return guest. 169 00:09:04,800 --> 00:09:07,040 Speaker 1: She's a return guest. She had done popped off before. 170 00:09:07,840 --> 00:09:11,680 Speaker 1: I'm sure popped off, but not in a list sort 171 00:09:11,720 --> 00:09:14,199 Speaker 1: of look over your shoulder at a bunch of cameramen 172 00:09:14,640 --> 00:09:17,800 Speaker 1: sort of way, where I when the Oscars are when there, 173 00:09:17,840 --> 00:09:22,520 Speaker 1: when the Emmys are held again in Oscar's Emmy's, we're 174 00:09:22,520 --> 00:09:24,440 Speaker 1: gonna be seeing this young girl on the red carpets 175 00:09:24,960 --> 00:09:27,600 Speaker 1: and they're gonna be saying, Tony, Tony, I can't wait 176 00:09:27,640 --> 00:09:29,360 Speaker 1: for this young girl to be on the red carpets 177 00:09:29,360 --> 00:09:31,320 Speaker 1: and for I'm gonna be I'm gonna be a pop 178 00:09:31,360 --> 00:09:33,400 Speaker 1: and I'm gonna I'm gonna say a little paparazzi and 179 00:09:33,440 --> 00:09:39,640 Speaker 1: paparazzo and and go Trondy, Trondy, Trondy Newman, Randy Trondy, Trondi. 180 00:09:39,760 --> 00:09:42,480 Speaker 1: Maybe that is the front runner title, Trondy Torondy, Trondi, 181 00:09:43,080 --> 00:09:46,680 Speaker 1: Tronday Newman. That's that's her Instagram handle, and I see 182 00:09:46,679 --> 00:09:54,880 Speaker 1: it number three, don't forget that. But I see the 183 00:09:54,960 --> 00:10:00,440 Speaker 1: handle and I smile. My zygomatic muscles engage. I smile, 184 00:10:00,600 --> 00:10:03,119 Speaker 1: and we're back to the vocab. We're back to verbosity. 185 00:10:03,160 --> 00:10:06,040 Speaker 1: But I smile when I think of a of the 186 00:10:06,080 --> 00:10:08,679 Speaker 1: handle be this person. She's a star. Okay, here, let's 187 00:10:08,679 --> 00:10:10,160 Speaker 1: go through the credits. We we have to get through 188 00:10:10,160 --> 00:10:14,720 Speaker 1: the credit Okay, okay, um wow, an icon co host 189 00:10:14,760 --> 00:10:16,880 Speaker 1: of you know is this racist? A sister pod of 190 00:10:16,880 --> 00:10:19,080 Speaker 1: ours that you could say friend of the friend of 191 00:10:19,080 --> 00:10:22,760 Speaker 1: the pod host with the truly truly truly perfect Andrew Te, 192 00:10:22,960 --> 00:10:27,160 Speaker 1: truly perfect comrade Andrew Te. And let's just say a 193 00:10:27,280 --> 00:10:32,560 Speaker 1: competitor on game show, like competitor deep he deeply lost. Yes, 194 00:10:33,120 --> 00:10:36,560 Speaker 1: but but actually he was joined by the woman who 195 00:10:36,559 --> 00:10:39,520 Speaker 1: gets it, who was our guests, who was It's perfect, 196 00:10:39,559 --> 00:10:42,200 Speaker 1: a perfect game show. This is a plug for game show, 197 00:10:42,360 --> 00:10:46,320 Speaker 1: but jillion dollar properties. She's a musician. She's a pop 198 00:10:46,320 --> 00:10:47,920 Speaker 1: star herself. That's why I said she would sell out 199 00:10:47,920 --> 00:10:52,439 Speaker 1: arenas touring younger to young girl who tours. And now 200 00:10:53,040 --> 00:10:56,040 Speaker 1: there's been a new gig and it's called Space Force, 201 00:10:56,240 --> 00:10:59,080 Speaker 1: and it's the new Netflix comedy show that actually stars 202 00:10:59,120 --> 00:11:02,440 Speaker 1: Steve Carrell. If you believe that one actually starts John Malkovich. 203 00:11:02,600 --> 00:11:04,079 Speaker 1: I think that's how you say his name. Have you 204 00:11:04,080 --> 00:11:06,120 Speaker 1: ever heard the name of Lisa Kudro Well, if you 205 00:11:06,120 --> 00:11:09,800 Speaker 1: haven't heard it, that's crazy. The second of all, she 206 00:11:09,920 --> 00:11:12,000 Speaker 1: also stars in it as well, and all stars in 207 00:11:12,000 --> 00:11:17,160 Speaker 1: Diana MS Diana, Miss Ben Schwartz, Miss Jimmy Oh Yang. 208 00:11:17,360 --> 00:11:19,920 Speaker 1: Can I say Ben Schwartz is kind of hot to me? Okay, 209 00:11:20,000 --> 00:11:22,920 Speaker 1: let's unpack this later. Let's unpack this later. But I'm 210 00:11:22,960 --> 00:11:25,080 Speaker 1: so excited our guest is here. She's a true icon 211 00:11:25,360 --> 00:11:27,040 Speaker 1: and I was gagged when I saw how big the 212 00:11:27,160 --> 00:11:28,840 Speaker 1: role is. And I actually have questions about the role 213 00:11:28,920 --> 00:11:31,079 Speaker 1: because I have I have some theories about the role. 214 00:11:31,240 --> 00:11:34,000 Speaker 1: Oh okay, let's let's dig into these theories. Everyone, welcome 215 00:11:34,040 --> 00:11:41,679 Speaker 1: into your ears towns. Truly, truly, the most gracious, beautiful 216 00:11:41,760 --> 00:11:45,960 Speaker 1: intro I could have asked for you, guys. Really, I know, 217 00:11:46,080 --> 00:11:47,960 Speaker 1: but it was just I know, but we we know 218 00:11:48,040 --> 00:11:50,920 Speaker 1: each other and it was just really is very sweet. 219 00:11:50,960 --> 00:11:54,080 Speaker 1: I'll never forget when you came out of Vancouver and 220 00:11:54,120 --> 00:12:00,760 Speaker 1: we said, Tawny tat Bleak Week for me. You took 221 00:12:00,800 --> 00:12:03,040 Speaker 1: me out. I got way too drunk. We talked trash 222 00:12:03,120 --> 00:12:08,800 Speaker 1: about every living person, and we actually scalded hot. And 223 00:12:08,800 --> 00:12:10,880 Speaker 1: we were saying, because we were in Vancouver famously not 224 00:12:10,920 --> 00:12:15,320 Speaker 1: really an industry city, sorry to Vancouver, actually famously an 225 00:12:15,360 --> 00:12:18,720 Speaker 1: industry city, I'm actually wrong about that a ton of 226 00:12:18,760 --> 00:12:21,760 Speaker 1: things there. In fact, we were all there doing entertainment 227 00:12:21,760 --> 00:12:24,920 Speaker 1: industry and we're all filming different things. Yeah, it was wild. 228 00:12:26,160 --> 00:12:29,880 Speaker 1: I'm l m a O f ing that was. I 229 00:12:29,880 --> 00:12:31,840 Speaker 1: will never forget that moment because it truly like, it 230 00:12:31,920 --> 00:12:34,360 Speaker 1: felt like it was out of like a hemmingway book, 231 00:12:34,600 --> 00:12:36,559 Speaker 1: Like we just ran into each other on the streets 232 00:12:36,640 --> 00:12:40,120 Speaker 1: and then got drunk at a bar together and talked 233 00:12:40,160 --> 00:12:42,320 Speaker 1: into the night. And we didn't even have like a 234 00:12:42,440 --> 00:12:44,679 Speaker 1: real plan because I was going in and you guys 235 00:12:44,720 --> 00:12:46,280 Speaker 1: were leaving, and we were kind of like, well, let's 236 00:12:46,280 --> 00:12:49,040 Speaker 1: see each other later, we're going to a bar. And 237 00:12:49,080 --> 00:12:50,800 Speaker 1: then the fact that it actually happened, I feel like 238 00:12:50,840 --> 00:12:55,480 Speaker 1: in l A, I would see you then in But 239 00:12:55,600 --> 00:12:57,240 Speaker 1: the fact that we were in like a sort of 240 00:12:57,360 --> 00:13:02,880 Speaker 1: lowly attended city, not a lot of industry things. Okay, Vancouver. 241 00:13:04,800 --> 00:13:10,520 Speaker 1: That bar we went to was so cute. Jf um wait, 242 00:13:10,600 --> 00:13:12,360 Speaker 1: that was such a cute place that you went to 243 00:13:12,440 --> 00:13:13,959 Speaker 1: and I love to send it a cute place and 244 00:13:14,040 --> 00:13:17,719 Speaker 1: drink a craft cocktail. I'll say that especially now. That's 245 00:13:17,720 --> 00:13:20,640 Speaker 1: a cool thing to say. Remember, Matt, I texted you 246 00:13:20,840 --> 00:13:24,080 Speaker 1: maybe one and one half years later, being this spring, 247 00:13:24,400 --> 00:13:27,040 Speaker 1: to say, Hey, I'm in Vancouver again. I'm very alone. 248 00:13:27,080 --> 00:13:29,559 Speaker 1: I've been here almost twenty days. Do you remember the 249 00:13:29,640 --> 00:13:31,880 Speaker 1: name of that bar? And you were like, girl, no, 250 00:13:32,480 --> 00:13:35,400 Speaker 1: can you imagine? I literally I almost thought of asking 251 00:13:35,440 --> 00:13:37,439 Speaker 1: you if you remembered, but I don't remember the name 252 00:13:37,440 --> 00:13:39,720 Speaker 1: of a single place that even, like even restaurants in 253 00:13:39,840 --> 00:13:42,719 Speaker 1: l A. I'm like, I love that place, forget it immediately. 254 00:13:42,960 --> 00:13:45,320 Speaker 1: What is it with these people who are like into 255 00:13:45,400 --> 00:13:47,760 Speaker 1: like who can speak in locations like I've never been 256 00:13:47,760 --> 00:13:49,920 Speaker 1: good at that either. I don't know places. People like, 257 00:13:50,000 --> 00:13:52,199 Speaker 1: what do you recommend? I'm like, I can't. I have 258 00:13:52,320 --> 00:13:53,720 Speaker 1: to be I have to look at a map that 259 00:13:53,760 --> 00:13:56,120 Speaker 1: I can zoom in and out of with my two fingers. 260 00:13:56,960 --> 00:14:02,079 Speaker 1: Restaurants I write them down, but I wouldn't. Sometimes I remember, 261 00:14:02,160 --> 00:14:03,839 Speaker 1: like if it really left an impression. But generally I 262 00:14:04,080 --> 00:14:06,800 Speaker 1: keep a little notes app of different cities, you know, 263 00:14:07,360 --> 00:14:08,640 Speaker 1: so that when my friends come to me, I can 264 00:14:08,679 --> 00:14:10,160 Speaker 1: be a no at all and be like, oh, you 265 00:14:10,240 --> 00:14:12,160 Speaker 1: have to try. The sun sare at whatever, and I 266 00:14:12,240 --> 00:14:17,920 Speaker 1: can be you. You have to try, then, sir, I 267 00:14:17,960 --> 00:14:20,280 Speaker 1: am so bad, Like my parents were. My parents were 268 00:14:20,320 --> 00:14:22,600 Speaker 1: coming to Los Angeles and I had not I had 269 00:14:22,640 --> 00:14:24,760 Speaker 1: lived here for months and I had I had no 270 00:14:24,880 --> 00:14:27,800 Speaker 1: idea where to take them. And luckily Jared, my boyfriend, 271 00:14:27,800 --> 00:14:29,840 Speaker 1: like is one of those people that's like I know 272 00:14:29,880 --> 00:14:32,120 Speaker 1: the names of restaurants. I know that I know the 273 00:14:32,200 --> 00:14:35,440 Speaker 1: names of activities. Yeah, it's just not a part of 274 00:14:35,440 --> 00:14:38,240 Speaker 1: my brain. Well, good for Jared. I want to say, wait, 275 00:14:38,240 --> 00:14:39,920 Speaker 1: where did you guys shoot Space for us? Because I 276 00:14:39,920 --> 00:14:42,160 Speaker 1: love that It's supposed to be Colorado, but there's too 277 00:14:42,200 --> 00:14:46,320 Speaker 1: many deciduous trees. There needs to be more pine already 278 00:14:46,400 --> 00:14:49,760 Speaker 1: dragging the program. I'm dragging space for perfect show. We 279 00:14:49,800 --> 00:14:52,800 Speaker 1: did shoot it in southern California, but it's funny. I 280 00:14:52,800 --> 00:14:54,960 Speaker 1: look at that ship too, because I'm very into nature, 281 00:14:55,040 --> 00:14:56,680 Speaker 1: and so I'm like, I know for a fact there's 282 00:14:56,720 --> 00:15:00,520 Speaker 1: no Joshua trees outside of southern California, but I don't 283 00:15:00,520 --> 00:15:02,600 Speaker 1: think a lot of people know that. Watch now, the 284 00:15:02,600 --> 00:15:04,280 Speaker 1: comments are going to be filled with filled with people 285 00:15:04,320 --> 00:15:07,120 Speaker 1: being like I knew, but isn't that just like Hollywood 286 00:15:07,160 --> 00:15:09,840 Speaker 1: movie magic, everything's filmed here and we say like this 287 00:15:09,920 --> 00:15:12,600 Speaker 1: is France and you're like, no, bitch, that's Barstow. No, 288 00:15:12,720 --> 00:15:15,200 Speaker 1: I get it. This was a moment for me as 289 00:15:15,240 --> 00:15:16,880 Speaker 1: a as a Colorado and where I was like, oh, 290 00:15:16,920 --> 00:15:20,800 Speaker 1: I can actually like see if there are any indicators 291 00:15:20,920 --> 00:15:22,600 Speaker 1: of the location, and the fact that there aren't, I'm 292 00:15:22,600 --> 00:15:24,000 Speaker 1: like Okay, now I'm gonna jump on this and be 293 00:15:24,040 --> 00:15:27,040 Speaker 1: like this is this is definitely like and somehow exterior 294 00:15:27,120 --> 00:15:30,000 Speaker 1: location in southern and so cal Yeah. I just this. 295 00:15:30,000 --> 00:15:32,360 Speaker 1: This was my one opportunity to be like, that's not Colorado, 296 00:15:32,840 --> 00:15:36,280 Speaker 1: because ever nothing ever takes place there, and you pounced 297 00:15:36,280 --> 00:15:38,680 Speaker 1: on me, and I did lay down and take it 298 00:15:38,720 --> 00:15:41,480 Speaker 1: because you are right. I mean, ultimately, ultimately, what could 299 00:15:41,480 --> 00:15:44,560 Speaker 1: you have said? I know, truly, like what get defensive 300 00:15:44,600 --> 00:15:46,920 Speaker 1: about some ship that's a lie. It's it's it's it's 301 00:15:46,920 --> 00:15:49,880 Speaker 1: just it wasn't shot in Denver, color It would have 302 00:15:49,920 --> 00:15:51,960 Speaker 1: been embarrassing for both of us because I would have 303 00:15:51,960 --> 00:15:53,760 Speaker 1: been like I would have had to coddle you into 304 00:15:53,800 --> 00:15:57,480 Speaker 1: like being like like being okay, well you just okay, 305 00:15:58,400 --> 00:16:00,720 Speaker 1: so sorry, yeah, yeah. You have then had to take 306 00:16:00,760 --> 00:16:03,800 Speaker 1: care of my erroneous feelings, because my feelings weren't would 307 00:16:03,800 --> 00:16:06,240 Speaker 1: not be welcome in that instance because they were wrong. Also, 308 00:16:06,400 --> 00:16:09,040 Speaker 1: the town itself is fake, right, there's no wild Horse. 309 00:16:09,040 --> 00:16:10,760 Speaker 1: I don't think there's a wild horse. I don't think that. 310 00:16:10,800 --> 00:16:12,680 Speaker 1: I think wild horse sounds like the most made up 311 00:16:12,760 --> 00:16:17,280 Speaker 1: name I've ever heard. That fact, it sounds explicitly like 312 00:16:17,320 --> 00:16:21,280 Speaker 1: an improv name. Wild Horses. Miss Greg Daniels don't know 313 00:16:21,360 --> 00:16:26,760 Speaker 1: shit about Colorado. He can't name a town. Not good. Um, 314 00:16:27,040 --> 00:16:29,880 Speaker 1: he can't actually a rule of culture at number thirty four, 315 00:16:30,360 --> 00:16:36,000 Speaker 1: Daniel Daniels, not good girl. Your part is big. It's 316 00:16:36,040 --> 00:16:39,480 Speaker 1: so good. It is big. Yeah. I had a friend 317 00:16:39,560 --> 00:16:43,120 Speaker 1: confused about why my name came earlier in the credits 318 00:16:43,200 --> 00:16:45,400 Speaker 1: than some of the other more famous people in the show. 319 00:16:45,720 --> 00:16:49,160 Speaker 1: Is a non industry friend. So he was like, hey, girl, 320 00:16:49,200 --> 00:16:53,520 Speaker 1: how come in the Trader they mentioned you before Lisa 321 00:16:53,560 --> 00:16:56,200 Speaker 1: Coudro and Jane Lynch. And I was like, very fair questions, 322 00:16:57,560 --> 00:17:00,920 Speaker 1: but to be real, like like I was watching it 323 00:17:00,920 --> 00:17:03,400 Speaker 1: and I'm like, oh, this is like a tawny vehicle. 324 00:17:04,160 --> 00:17:06,400 Speaker 1: She's on the damn billboard. No no, no, I mean 325 00:17:06,720 --> 00:17:09,440 Speaker 1: there's there's I guess technically like there's five or six 326 00:17:09,440 --> 00:17:10,920 Speaker 1: of us that are like the main main cast, but 327 00:17:10,960 --> 00:17:14,200 Speaker 1: there's so many recurring guests literally of like varying levels 328 00:17:14,240 --> 00:17:16,040 Speaker 1: of fame that I think it's just going to feel 329 00:17:16,080 --> 00:17:19,960 Speaker 1: like a firework, Like a firecracker has gone off and 330 00:17:20,119 --> 00:17:24,360 Speaker 1: every spark is a star. Very that. I mean, there's 331 00:17:24,400 --> 00:17:26,600 Speaker 1: like scenes where even like they'll just like cut to 332 00:17:26,800 --> 00:17:29,040 Speaker 1: a huge guest star and they'll be in it for 333 00:17:29,080 --> 00:17:31,280 Speaker 1: like four seconds and I'll be like, oh, that was 334 00:17:31,680 --> 00:17:33,720 Speaker 1: that was a scene with Jane Lynch where she spoke 335 00:17:33,800 --> 00:17:39,800 Speaker 1: twice and it was Jane lynn Thankfully she speaks twice 336 00:17:39,880 --> 00:17:42,919 Speaker 1: a lot of times throughout the season. Yeah, it is. 337 00:17:43,320 --> 00:17:45,680 Speaker 1: It is wild how it's like, Yeah, I mean there's 338 00:17:45,760 --> 00:17:47,760 Speaker 1: huge people in there. I guess because everybody wants to 339 00:17:47,760 --> 00:17:49,879 Speaker 1: work with Greg. I think very much of that, and 340 00:17:49,920 --> 00:17:52,080 Speaker 1: also Steve Krell and I actually have to say, I 341 00:17:52,160 --> 00:17:55,119 Speaker 1: have a theory. What's the theory. Yeah, let's let's talk 342 00:17:55,160 --> 00:17:59,800 Speaker 1: about the theory. Are you a love interest for Steve Krell? No? Wait, okay, 343 00:18:00,160 --> 00:18:02,800 Speaker 1: why do you? Why do you clutch your pearls? So 344 00:18:03,760 --> 00:18:06,080 Speaker 1: that is so funny to mean, no one's ever I 345 00:18:06,119 --> 00:18:08,960 Speaker 1: don't think anyone's ever thought that I don't know what 346 00:18:09,080 --> 00:18:12,160 Speaker 1: I thought that, but no one's asked me. Because we've 347 00:18:12,200 --> 00:18:14,240 Speaker 1: seen the first three episodes. You've gotten a little sneaky, 348 00:18:14,520 --> 00:18:18,320 Speaker 1: and thank you and thank you for because Netflix said 349 00:18:18,600 --> 00:18:21,600 Speaker 1: on behalf of Tommy Newsome, here is the episodes, and 350 00:18:21,640 --> 00:18:23,919 Speaker 1: so thank you for that. I was very excited for 351 00:18:23,960 --> 00:18:26,520 Speaker 1: that gift. Look, they said, who do you want to 352 00:18:26,520 --> 00:18:28,880 Speaker 1: send this to? And I was just like, I don't know, 353 00:18:28,920 --> 00:18:31,919 Speaker 1: everyone's stuck at home, send it to everyone asking me 354 00:18:32,200 --> 00:18:34,920 Speaker 1: thank you for including us in everyone? Oh yeah, of course. 355 00:18:35,160 --> 00:18:37,720 Speaker 1: But literally, I think I only sent it to queer 356 00:18:37,760 --> 00:18:40,840 Speaker 1: people in black women who cares about everyone else that 357 00:18:40,880 --> 00:18:44,400 Speaker 1: everyone else doesn't even know rain on me so allegedly. 358 00:18:44,680 --> 00:18:47,600 Speaker 1: So basically, here's here's the thing. The show is super 359 00:18:47,640 --> 00:18:50,000 Speaker 1: good and funny, and you have a very big part 360 00:18:50,040 --> 00:18:53,920 Speaker 1: and the reason why I thought you were the love interest. Well, 361 00:18:54,160 --> 00:18:57,439 Speaker 1: I don't want to give too much away now that 362 00:18:57,480 --> 00:18:59,800 Speaker 1: I'm now that I'm saying this, so I'll explain this 363 00:18:59,800 --> 00:19:02,159 Speaker 1: to you. Guys. Look, you can't get in trouble. I 364 00:19:02,160 --> 00:19:04,000 Speaker 1: can get in trouble for getting stuff away. But what 365 00:19:04,040 --> 00:19:06,240 Speaker 1: are they gonna do? I mean, they did explicitly saying 366 00:19:06,240 --> 00:19:08,479 Speaker 1: in the email don't give away this one thing, and 367 00:19:08,520 --> 00:19:12,920 Speaker 1: I'm scared of giving it away. Listen to an email. Honestly, 368 00:19:12,960 --> 00:19:15,600 Speaker 1: it was really Actually I put a lot of emotional 369 00:19:15,640 --> 00:19:19,119 Speaker 1: burden on me. Getting that email actually put a lot 370 00:19:19,119 --> 00:19:22,119 Speaker 1: of emotional burden on me because I had suddenly I 371 00:19:22,160 --> 00:19:27,520 Speaker 1: had many secrets. Um No. But anyway, suffice to say, 372 00:19:27,560 --> 00:19:31,960 Speaker 1: there's like an explicit mention of Steve Carrell possibly get 373 00:19:32,040 --> 00:19:34,879 Speaker 1: exploring a love interest, and then you're in the next scene. 374 00:19:35,640 --> 00:19:38,800 Speaker 1: Oh oh that's interesting, it's funny. I've seen these cuts 375 00:19:38,800 --> 00:19:41,040 Speaker 1: a lot, and I didn't put that together. Um No, 376 00:19:41,240 --> 00:19:45,000 Speaker 1: I can confidently say I am not, nor will I 377 00:19:45,040 --> 00:19:47,359 Speaker 1: ever be a love interest of Steve's. I think I 378 00:19:47,560 --> 00:19:50,200 Speaker 1: reacted like that because I like, I am blushing because 379 00:19:50,200 --> 00:19:53,760 Speaker 1: he's like, he's the man, and he's but you are 380 00:19:53,800 --> 00:19:58,840 Speaker 1: the girls on the show that it would be an 381 00:19:58,880 --> 00:20:02,440 Speaker 1: honor frankly, but no, actually they have they have better 382 00:20:02,480 --> 00:20:05,359 Speaker 1: things in store for him than than me. Um. Someone 383 00:20:05,400 --> 00:20:07,120 Speaker 1: on the internet, though, did think I was a love 384 00:20:07,160 --> 00:20:11,760 Speaker 1: interest of his daughter, Diana Silvers. So I guess I'm 385 00:20:11,800 --> 00:20:16,600 Speaker 1: just happy to be considered either much older or much 386 00:20:16,640 --> 00:20:19,119 Speaker 1: younger than I am. They just want to see you 387 00:20:20,320 --> 00:20:24,640 Speaker 1: want to see interesting. Can you talk about your role 388 00:20:24,640 --> 00:20:27,240 Speaker 1: in the show. In the show, yes I can, and 389 00:20:27,320 --> 00:20:29,879 Speaker 1: thank you for asking me to. Um, was really just 390 00:20:29,960 --> 00:20:32,280 Speaker 1: kind of floated around it. Yeah yeah, yeah, no, So 391 00:20:32,320 --> 00:20:37,199 Speaker 1: I play a helicopter pilot. It was very cool playing 392 00:20:37,200 --> 00:20:39,720 Speaker 1: a pilot. Um. One thing I nerded out about was 393 00:20:39,760 --> 00:20:45,560 Speaker 1: that my amazing second team person, Krista, she is training 394 00:20:45,600 --> 00:20:48,639 Speaker 1: to be a pilot. So and there's not like a 395 00:20:48,640 --> 00:20:52,440 Speaker 1: lot of like five eleven mixed black girls running around Hollywood. 396 00:20:52,480 --> 00:20:54,680 Speaker 1: So the fact that this woman is like she used 397 00:20:54,720 --> 00:20:56,760 Speaker 1: to be an actress, she's over it. She just wants 398 00:20:56,760 --> 00:20:59,040 Speaker 1: to get her pilot's license and take to the skies. 399 00:20:59,560 --> 00:21:01,880 Speaker 1: She was telling me shit about I mean, she doesn't 400 00:21:01,920 --> 00:21:04,879 Speaker 1: fly helicopters, but still like her expertise was very handy 401 00:21:04,920 --> 00:21:07,399 Speaker 1: on set and we became friends. Um, but I was 402 00:21:07,440 --> 00:21:10,159 Speaker 1: just like, yes, brown girls flying ship and pretending to 403 00:21:10,200 --> 00:21:16,960 Speaker 1: fly ship. Yes. Um, but yeah, I'm a helicopter pilot 404 00:21:17,000 --> 00:21:19,119 Speaker 1: who like transferred from the Air Force because she has 405 00:21:19,160 --> 00:21:21,160 Speaker 1: secret dreams in the Space Force. And then she gets 406 00:21:21,240 --> 00:21:24,800 Speaker 1: um the detail of transporting uh, the general around the 407 00:21:25,240 --> 00:21:28,800 Speaker 1: So it's it's it's your character's job to sort of 408 00:21:29,200 --> 00:21:33,480 Speaker 1: ferry around Steve Correll. Yes or yeah for the most part, 409 00:21:33,560 --> 00:21:36,280 Speaker 1: and then and then other things happen, but yeah, but no, 410 00:21:36,359 --> 00:21:38,320 Speaker 1: but they do become friends. Like I think what you 411 00:21:38,359 --> 00:21:40,840 Speaker 1: maybe saw was like a spark of like them opening 412 00:21:40,880 --> 00:21:42,560 Speaker 1: up with each other. I think we're kind of supposed 413 00:21:42,560 --> 00:21:46,639 Speaker 1: to foils a little bit, Sir, I am blushing so much. 414 00:21:47,320 --> 00:21:50,520 Speaker 1: There was chemistry, and that's the thing is, that's what 415 00:21:50,640 --> 00:21:54,760 Speaker 1: that's it's all coming for me, just loving him. I mean, look, 416 00:21:55,000 --> 00:21:58,920 Speaker 1: that's actually not how chemistry works, dear, how does chemistry work? 417 00:21:59,200 --> 00:22:04,560 Speaker 1: Explain it? Well, here's chemistry. Here's chemistry. It's two peopul 418 00:22:05,960 --> 00:22:10,080 Speaker 1: and when they look at each other, there is a kineticism. 419 00:22:10,119 --> 00:22:12,159 Speaker 1: And that's what you saw between Tony and t and 420 00:22:12,200 --> 00:22:14,280 Speaker 1: I felt that. And guess what. They weren't even looking 421 00:22:14,280 --> 00:22:15,879 Speaker 1: at each other in the scene. They were merely in 422 00:22:15,880 --> 00:22:19,400 Speaker 1: the same helicopter. They were facing the same way. They 423 00:22:19,400 --> 00:22:21,480 Speaker 1: were facing the same way, and a very artful shot. 424 00:22:21,560 --> 00:22:23,600 Speaker 1: Let's just say that, it's a very artful shot. I 425 00:22:23,600 --> 00:22:26,439 Speaker 1: actually really enjoy how like fast the show moves like, 426 00:22:26,480 --> 00:22:28,720 Speaker 1: it's like the sheet. The scenes are all super short. 427 00:22:28,880 --> 00:22:31,920 Speaker 1: And I will say this as a complimentary thing about 428 00:22:31,920 --> 00:22:35,000 Speaker 1: the show. It is very dumb like it is like 429 00:22:35,440 --> 00:22:37,439 Speaker 1: it is like there are some scenes where I'm like, 430 00:22:37,520 --> 00:22:40,440 Speaker 1: oh my god, Like the second episode there's this whole 431 00:22:40,440 --> 00:22:45,240 Speaker 1: thing with a chimp in space. It's it's perfect love. 432 00:22:45,440 --> 00:22:48,480 Speaker 1: Episode two is my favorite episode, maybe because of that. 433 00:22:48,560 --> 00:22:51,840 Speaker 1: It's just so silly but also so well done. I 434 00:22:51,840 --> 00:22:54,440 Speaker 1: feel like all the characters are just like perfectly in 435 00:22:54,480 --> 00:22:57,400 Speaker 1: their weird little groove. You so you saw one two 436 00:22:57,400 --> 00:23:00,480 Speaker 1: in three. Episode one was directed by Paul King, famously 437 00:23:00,600 --> 00:23:05,440 Speaker 1: of Paddington Fame Paddington Stands check out Paul King's uh, 438 00:23:05,560 --> 00:23:09,480 Speaker 1: you know, military work, and then episodes two and three 439 00:23:09,520 --> 00:23:12,520 Speaker 1: were directed by Tom Marshall, who I love because he 440 00:23:12,560 --> 00:23:17,000 Speaker 1: did the entire first season of Chewing Gum. Like, oh 441 00:23:17,040 --> 00:23:18,920 Speaker 1: my god, I thought it was so funny and the 442 00:23:18,920 --> 00:23:20,600 Speaker 1: way it moved. You mentioned it moving fast, and I 443 00:23:20,600 --> 00:23:22,320 Speaker 1: think a lot of that has to do with Tom's 444 00:23:22,320 --> 00:23:25,160 Speaker 1: directing style because he was real chill and chill and fly, 445 00:23:25,359 --> 00:23:27,280 Speaker 1: which is the way I like to go. Yeah, it's 446 00:23:27,320 --> 00:23:29,199 Speaker 1: like paced all the way up. It actually kind of 447 00:23:29,240 --> 00:23:32,439 Speaker 1: reminded me in this weird way. Maybe not directly, but 448 00:23:32,480 --> 00:23:34,600 Speaker 1: it did kind of remind me the whole vibe of 449 00:23:34,640 --> 00:23:39,240 Speaker 1: like Mars attacks not that broad, but like but broad 450 00:23:39,640 --> 00:23:41,199 Speaker 1: in a way that I liked, like where it was 451 00:23:41,240 --> 00:23:43,040 Speaker 1: kind of just like it was really moving and the 452 00:23:43,119 --> 00:23:46,320 Speaker 1: characters are like all Google loop like Ben Schwartz is 453 00:23:46,359 --> 00:23:52,159 Speaker 1: like insane cartoon an animated being. I love that, though 454 00:23:52,200 --> 00:23:54,560 Speaker 1: I always want to see more stuff like that. The 455 00:23:54,560 --> 00:23:58,639 Speaker 1: cartoonish man, cartoonish men like just well cartoonish man. And 456 00:23:58,680 --> 00:24:02,360 Speaker 1: also I love they really turned me on. I love 457 00:24:02,359 --> 00:24:07,280 Speaker 1: a man who's like I could draw him, and that's 458 00:24:07,280 --> 00:24:09,840 Speaker 1: what makes me want to fuck you could drop Ben, 459 00:24:10,800 --> 00:24:13,680 Speaker 1: I actually could. Um. But what I mean is like 460 00:24:13,840 --> 00:24:16,800 Speaker 1: I feel like we've moved away from that sort of 461 00:24:16,840 --> 00:24:20,520 Speaker 1: like big, fun, character driven comedy to more sort of 462 00:24:20,560 --> 00:24:24,199 Speaker 1: like intimate like like it's the famous SNL sketch of 463 00:24:24,240 --> 00:24:27,240 Speaker 1: like watch the oldest sister in the family touch every 464 00:24:27,240 --> 00:24:30,040 Speaker 1: book in the house in the rock is comedy. It's 465 00:24:30,359 --> 00:24:32,400 Speaker 1: you know what I mean, Like it's that's we don't 466 00:24:32,440 --> 00:24:34,760 Speaker 1: see as much of it anymore, and I really appreciate it. Well, 467 00:24:34,760 --> 00:24:37,080 Speaker 1: it's fun to see Steve like go back to that too. 468 00:24:37,080 --> 00:24:39,560 Speaker 1: I'm sure this is like what every press thing like 469 00:24:40,480 --> 00:24:44,040 Speaker 1: everything the literal opposite You guys are a dream really 470 00:24:44,040 --> 00:24:45,760 Speaker 1: Oh my god. Well but but we no one's remarked 471 00:24:45,800 --> 00:24:47,840 Speaker 1: on like Steve Correll is like sort of returning to 472 00:24:47,960 --> 00:24:51,359 Speaker 1: like playing like the type that he's that people used 473 00:24:51,359 --> 00:24:53,240 Speaker 1: to say you do, but you guys, you guys bring 474 00:24:53,240 --> 00:24:57,160 Speaker 1: the nuance. So see what we say is well, first 475 00:24:57,200 --> 00:25:02,080 Speaker 1: of all, his character was horny for you, and then 476 00:25:02,200 --> 00:25:05,240 Speaker 1: I scream and die and cover my face and shame, 477 00:25:05,800 --> 00:25:10,240 Speaker 1: but also excitement. I don't know, see me, what's going 478 00:25:10,240 --> 00:25:13,840 Speaker 1: on with your Star Trek show. It's happening. Yeah, it's happening. 479 00:25:13,840 --> 00:25:17,040 Speaker 1: Animation takes so long, so it's like on schedule and fine, 480 00:25:17,720 --> 00:25:21,040 Speaker 1: and I think everyone's like, but wait, did something happen 481 00:25:21,040 --> 00:25:23,440 Speaker 1: And it's like, nadag we did that like so long ago. Yeah. 482 00:25:23,440 --> 00:25:25,720 Speaker 1: I'm on Q Force, which is the Netflix animated show 483 00:25:25,760 --> 00:25:28,240 Speaker 1: that's coming out next year, and it's it's like we 484 00:25:28,280 --> 00:25:31,280 Speaker 1: worked on it um from December of last year to 485 00:25:31,640 --> 00:25:33,600 Speaker 1: literally just Friday was our last day and it's not 486 00:25:33,680 --> 00:25:35,840 Speaker 1: coming out for more than a year from now. You 487 00:25:35,840 --> 00:25:39,640 Speaker 1: guys time. Yeah, it takes so long to be able 488 00:25:39,680 --> 00:25:46,639 Speaker 1: to draw, you know, it's hard, you know, like getting 489 00:25:46,640 --> 00:25:49,160 Speaker 1: out your pencils and whatnot. I don't know how animation works, 490 00:25:49,240 --> 00:25:51,800 Speaker 1: especially because they're making you draw your own character, right. 491 00:25:51,880 --> 00:25:54,840 Speaker 1: I know it was rude of them, but you know 492 00:25:54,920 --> 00:25:57,239 Speaker 1: what they were like, you can come in, you can 493 00:25:57,280 --> 00:25:59,520 Speaker 1: drink all the licroid from the fridge you want. So 494 00:25:59,560 --> 00:26:01,320 Speaker 1: I was like, the this is a fair trade. What 495 00:26:01,440 --> 00:26:03,000 Speaker 1: kind of stuff did they give you? The color with 496 00:26:04,400 --> 00:26:07,600 Speaker 1: um mostly just makeup, old makeup. They asked me to 497 00:26:07,640 --> 00:26:13,640 Speaker 1: just smear around zact nice like bad stuff. Ben nine, 498 00:26:13,640 --> 00:26:19,880 Speaker 1: Ben nine. I don't know who's that night, Zach Zach Night? 499 00:26:20,440 --> 00:26:25,159 Speaker 1: You know that Night had a chicken franchise in the 500 00:26:25,240 --> 00:26:33,320 Speaker 1: Kansas City area from about see flaming hot chicken, lightly breaded, 501 00:26:33,480 --> 00:26:37,520 Speaker 1: juicilly flavored, which didn't work. If it's not good, don't 502 00:26:37,560 --> 00:26:39,720 Speaker 1: come back. That was their motto. And then no one 503 00:26:39,760 --> 00:26:41,639 Speaker 1: did and they yeah, and no one came back and 504 00:26:41,640 --> 00:26:44,919 Speaker 1: they were they were open for forty five minutes. I mean, okay, 505 00:26:44,960 --> 00:26:46,159 Speaker 1: this is but this is the thing though, like that 506 00:26:46,240 --> 00:26:49,600 Speaker 1: even with the animated stuff, no one knows no, I 507 00:26:49,600 --> 00:26:51,760 Speaker 1: mean whatever, this is not to like comment on, like 508 00:26:51,880 --> 00:26:54,639 Speaker 1: not to remind everybody about like our current predicament, but 509 00:26:54,720 --> 00:26:57,800 Speaker 1: like no one knows like how to do this quite yet. 510 00:26:58,040 --> 00:27:00,800 Speaker 1: Production was like I was recording like scratch audio for 511 00:27:00,840 --> 00:27:02,840 Speaker 1: a thing and I was like, you're you're not going 512 00:27:02,880 --> 00:27:05,000 Speaker 1: to use this, Like you can hear my fucking next 513 00:27:05,000 --> 00:27:09,679 Speaker 1: door neighbors screaming in the background. It's actually, maybe it 514 00:27:09,720 --> 00:27:12,600 Speaker 1: would be a fun addition to you. Never know, they 515 00:27:12,600 --> 00:27:14,280 Speaker 1: could always draw on that character in the back. They 516 00:27:14,280 --> 00:27:16,560 Speaker 1: can do amazing things with drawing an animation. They can 517 00:27:16,640 --> 00:27:19,760 Speaker 1: draw fun character in the back that's screaming and by 518 00:27:19,840 --> 00:27:22,120 Speaker 1: day you do mean me, like the actors are drawing. 519 00:27:24,040 --> 00:27:30,240 Speaker 1: That's actually a fun concept. Actually really is pitchet? I actually, 520 00:27:30,320 --> 00:27:32,560 Speaker 1: I actually I'm putting it out in the universe. Actors 521 00:27:32,600 --> 00:27:36,320 Speaker 1: animate themselves very good. It's like it will look bad, 522 00:27:36,400 --> 00:27:40,880 Speaker 1: but it will feel funny but not be funny, which 523 00:27:40,920 --> 00:27:43,280 Speaker 1: is sort of irrelevant. But you got to go to 524 00:27:43,320 --> 00:27:45,760 Speaker 1: comic con and stuff for everything, right, Yeah, I did 525 00:27:45,920 --> 00:27:47,840 Speaker 1: last year when there was a comic con, we went 526 00:27:47,880 --> 00:27:49,639 Speaker 1: to it. I think that's why it feels like so insane, 527 00:27:49,640 --> 00:27:51,719 Speaker 1: because it was that was almost a full last year 528 00:27:51,760 --> 00:27:53,840 Speaker 1: ago that we were like, here comes a show, and 529 00:27:53,880 --> 00:27:57,200 Speaker 1: then now it's a year later, the world has ended 530 00:27:57,720 --> 00:28:00,760 Speaker 1: kind of started up again. But over video chat now 531 00:28:00,800 --> 00:28:03,520 Speaker 1: everyone's like, is the show still happening, and it's like, yes, 532 00:28:03,640 --> 00:28:05,480 Speaker 1: it's just you know, I was talking to my producer 533 00:28:05,520 --> 00:28:07,720 Speaker 1: on it the other day and he was really frustrated 534 00:28:07,760 --> 00:28:09,560 Speaker 1: that there's all these articles I guess that are like 535 00:28:09,960 --> 00:28:14,040 Speaker 1: animation the only thing thriving during the pandemic. And he's like, no, 536 00:28:14,160 --> 00:28:18,920 Speaker 1: it's still hard. We still need people in the same room. Yeah, 537 00:28:19,000 --> 00:28:20,960 Speaker 1: It's like there's a certain energy when you're in the room, 538 00:28:21,000 --> 00:28:23,280 Speaker 1: and then when you're when you're trying to get on Zoom, 539 00:28:23,280 --> 00:28:24,920 Speaker 1: it is like, you know, you find you can find 540 00:28:24,920 --> 00:28:27,200 Speaker 1: the energy again, but it is it is hard you're 541 00:28:27,240 --> 00:28:29,720 Speaker 1: not in the room with other creative people. It's and 542 00:28:29,800 --> 00:28:32,000 Speaker 1: like how many even just podcasting, how many podcasts do 543 00:28:32,040 --> 00:28:34,080 Speaker 1: you guys do where like everyone's set up, everyone's a 544 00:28:34,119 --> 00:28:36,280 Speaker 1: pro whatever, But then all of a sudden they send 545 00:28:36,280 --> 00:28:38,160 Speaker 1: you their audio and they're like, oh, I guess my 546 00:28:38,200 --> 00:28:41,280 Speaker 1: computer crashed midway through. So you know, like the tech 547 00:28:41,320 --> 00:28:43,920 Speaker 1: of it is the tech of it all, I mean, 548 00:28:44,080 --> 00:28:47,240 Speaker 1: learning to do all this kind of stuff ourselves has 549 00:28:47,280 --> 00:28:50,560 Speaker 1: been a little it's it's been education. But now you 550 00:28:50,640 --> 00:28:54,120 Speaker 1: know for the future how to set up an audio 551 00:28:54,160 --> 00:28:59,240 Speaker 1: interface on Zoom, not the software app but the hardware. Um. 552 00:28:59,280 --> 00:29:01,640 Speaker 1: But that's like the only truly this is my demented 553 00:29:01,680 --> 00:29:04,120 Speaker 1: thought the only thing that's giving me hope or that's 554 00:29:04,120 --> 00:29:05,720 Speaker 1: like the light at the end of the tunnel for me, 555 00:29:05,840 --> 00:29:08,840 Speaker 1: is like okay, like a trades announcement, like all the 556 00:29:08,880 --> 00:29:11,320 Speaker 1: deals that are like being like put on like deadline 557 00:29:11,360 --> 00:29:13,400 Speaker 1: and variety, and like okay, So I guess we're all 558 00:29:13,400 --> 00:29:16,280 Speaker 1: sort of operating under the presumption that this will be 559 00:29:16,400 --> 00:29:18,920 Speaker 1: over very soon. I don't know, like, do you guys 560 00:29:18,920 --> 00:29:21,360 Speaker 1: have that feeling? Yeah, but only recently, right, because it 561 00:29:21,400 --> 00:29:24,479 Speaker 1: feels it felt like, you know, in early April, everyone 562 00:29:24,560 --> 00:29:28,760 Speaker 1: was like everything is maybe canceled also like maybe this 563 00:29:28,840 --> 00:29:30,920 Speaker 1: never existed, like it was like maybe we are in 564 00:29:30,960 --> 00:29:34,680 Speaker 1: a simulation. I'm so sorry to tell you. And then 565 00:29:34,960 --> 00:29:37,520 Speaker 1: only recently it feels like people have figured out because 566 00:29:37,560 --> 00:29:40,040 Speaker 1: even just like communicate, just like having a meeting like 567 00:29:40,080 --> 00:29:43,360 Speaker 1: this got instantly so much more normal within two or 568 00:29:43,400 --> 00:29:46,560 Speaker 1: three weeks. So yeah, maybe now people are like, okay, well, 569 00:29:46,640 --> 00:29:49,280 Speaker 1: let's start making some deals and pretending we're going to 570 00:29:49,360 --> 00:29:51,440 Speaker 1: make some ship. I don't know. I don't know how 571 00:29:51,480 --> 00:29:55,360 Speaker 1: you get onto a film set after this. I keep saying, 572 00:29:55,480 --> 00:29:57,760 Speaker 1: it's just like it's fourteen hours of people touching your 573 00:29:57,760 --> 00:30:03,160 Speaker 1: face and upper chest, Like what how I'm supposed to 574 00:30:03,160 --> 00:30:07,040 Speaker 1: shoot something in July and it'll be a very very 575 00:30:07,080 --> 00:30:10,640 Speaker 1: small set. So I guess everything is kind of just like, um, 576 00:30:10,680 --> 00:30:13,200 Speaker 1: it's like up to this certain project. But then I 577 00:30:13,240 --> 00:30:16,280 Speaker 1: heard this crazy ass rumor. And this is a rumor, readers, 578 00:30:16,360 --> 00:30:20,800 Speaker 1: and again we should say, last culture, this is not news. 579 00:30:20,880 --> 00:30:24,680 Speaker 1: It is, in fact the opposite of news. It's mostly garbage, 580 00:30:24,720 --> 00:30:28,440 Speaker 1: trash and wrong. But you know that. Um, I heard 581 00:30:28,440 --> 00:30:30,920 Speaker 1: there was going to be a vaccine in December. Okay, no, 582 00:30:31,120 --> 00:30:34,240 Speaker 1: don't what's not what? I don't know. I don't know 583 00:30:34,240 --> 00:30:36,920 Speaker 1: about that. I'm gonna have like Hollywood news. I thought 584 00:30:36,920 --> 00:30:39,680 Speaker 1: you're gonna be like, oh no, I have medical news. 585 00:30:39,720 --> 00:30:42,479 Speaker 1: I have fake medical news. That's what I have actually 586 00:30:42,480 --> 00:30:45,280 Speaker 1: to get. There might be I want like, oh you 587 00:30:45,280 --> 00:30:47,959 Speaker 1: know how Milacunas and Ashton Kutcher like made a wine, 588 00:30:48,200 --> 00:30:51,040 Speaker 1: Like they're also starting a production company where you film 589 00:30:51,040 --> 00:30:52,400 Speaker 1: it off from your hat, like I wanted news like 590 00:30:52,440 --> 00:30:54,800 Speaker 1: oh no, no, no no. I think Ashton Kutcher are 591 00:30:54,840 --> 00:30:58,960 Speaker 1: hard at work on a vaccine, the Cuna Kutcher vaccine. Honestly, 592 00:30:59,000 --> 00:31:01,080 Speaker 1: I would take it. I've made a marriage work for 593 00:31:01,120 --> 00:31:03,920 Speaker 1: this long. I would trust their backs. That's the title 594 00:31:03,960 --> 00:31:07,680 Speaker 1: of aunt Kutcher Vaccine the cunast Kutcher of Vaccine is 595 00:31:07,680 --> 00:31:09,600 Speaker 1: actually it's actually a front runner for the title of app. 596 00:31:09,640 --> 00:31:11,920 Speaker 1: And I hope that people think it's real. Um, and 597 00:31:11,960 --> 00:31:13,760 Speaker 1: it might be. My mom said, I think I think 598 00:31:13,760 --> 00:31:15,320 Speaker 1: my mom put a great the other day. You guys, 599 00:31:15,360 --> 00:31:17,680 Speaker 1: she goes to me, you know, there's so many brilliant 600 00:31:17,680 --> 00:31:20,240 Speaker 1: people in the world. We gotta get one soon. She's 601 00:31:20,280 --> 00:31:25,000 Speaker 1: not wrong, and I was like, you're actually dead ass right, Yeah, 602 00:31:26,120 --> 00:31:27,880 Speaker 1: there's so many brilliant people in the world. We gotta 603 00:31:27,880 --> 00:31:30,640 Speaker 1: get one soon. These children we've been pressuring and stressing 604 00:31:30,680 --> 00:31:32,440 Speaker 1: out for them to like get into their you know, 605 00:31:32,640 --> 00:31:35,080 Speaker 1: upper testing schools and whatnot. We've been doing that at 606 00:31:35,160 --> 00:31:39,040 Speaker 1: least fifteen. There's gonna be some little doogie houser somewhere 607 00:31:39,480 --> 00:31:41,640 Speaker 1: to get kids going to do it. I think it's 608 00:31:41,640 --> 00:31:44,680 Speaker 1: gonna be one of these children that has been that 609 00:31:44,760 --> 00:31:48,080 Speaker 1: has been pressured. It's gonna be one of these gifted 610 00:31:48,080 --> 00:31:50,760 Speaker 1: and talented children that's been pressured and tested into all 611 00:31:50,800 --> 00:31:53,440 Speaker 1: the schools and just like has full on you know, 612 00:31:53,480 --> 00:31:55,840 Speaker 1: tearing his hair out at age sixteen. But he's going 613 00:31:55,880 --> 00:32:00,240 Speaker 1: to figure it out. Talking yang no, no, no, honey, 614 00:32:00,320 --> 00:32:03,000 Speaker 1: were you were? You were you gifted and talented kid? 615 00:32:03,200 --> 00:32:05,760 Speaker 1: Okay I was? And so I am dragging myself. Yeah 616 00:32:05,840 --> 00:32:08,400 Speaker 1: I was. You were? You have the vibe of a 617 00:32:08,440 --> 00:32:11,040 Speaker 1: gifted and talented child. Well you all do wait do 618 00:32:11,360 --> 00:32:14,560 Speaker 1: you not? Are you kidding me? Do you? But Matt, Matt, 619 00:32:14,600 --> 00:32:16,240 Speaker 1: you could get away with being gifted and talented. But 620 00:32:16,280 --> 00:32:19,320 Speaker 1: you want to know my story? Um, I just I 621 00:32:19,480 --> 00:32:22,960 Speaker 1: just moved to the States in the fourth grade and 622 00:32:23,640 --> 00:32:25,760 Speaker 1: my English was bad, and so I did not qualify 623 00:32:25,840 --> 00:32:28,160 Speaker 1: to be in the gifted and talented classes in my 624 00:32:28,200 --> 00:32:31,520 Speaker 1: elementary school. But one day I had to like career 625 00:32:31,680 --> 00:32:33,840 Speaker 1: like a note or something to like one of the 626 00:32:33,920 --> 00:32:35,880 Speaker 1: kids who was in GT we called a g T. 627 00:32:36,480 --> 00:32:41,520 Speaker 1: And then I just walked into the classroom and the teacher, um, 628 00:32:41,720 --> 00:32:45,720 Speaker 1: miss Aaron, this like kookie lady was just like, hi, welcome, okay, 629 00:32:45,720 --> 00:32:47,360 Speaker 1: just take a seat anywhere and to and sit down 630 00:32:47,360 --> 00:32:50,520 Speaker 1: at the computers, and she assumed you were. She assumed 631 00:32:50,560 --> 00:32:53,440 Speaker 1: I was a GT. And I just was like cool, Okay, 632 00:32:53,440 --> 00:32:55,719 Speaker 1: that means like I get to play math blasters all 633 00:32:55,760 --> 00:32:57,880 Speaker 1: day and not have to sit with the other kids. 634 00:32:57,960 --> 00:33:00,760 Speaker 1: And I just stayed there and I kind of just 635 00:33:00,800 --> 00:33:04,320 Speaker 1: scammed my man into G two. Um maybe because for 636 00:33:04,440 --> 00:33:07,600 Speaker 1: like two years from fourth and fourth and fifth grade. Yeah, 637 00:33:07,800 --> 00:33:11,600 Speaker 1: so homegirl didn't check a roster for two years. Well, 638 00:33:11,640 --> 00:33:14,200 Speaker 1: she just like assumed that I was in the class, 639 00:33:14,200 --> 00:33:16,720 Speaker 1: and she like and then like, I don't know, six 640 00:33:16,760 --> 00:33:18,320 Speaker 1: weeks into the school years, she was like, oh I 641 00:33:18,360 --> 00:33:21,600 Speaker 1: forgot to add bowen On on my roster. This is 642 00:33:21,600 --> 00:33:27,960 Speaker 1: honestly this question. Yeah, this is honestly to speak on 643 00:33:28,000 --> 00:33:30,640 Speaker 1: behalf of Andrew to Tony, what is is it racist? 644 00:33:31,440 --> 00:33:33,280 Speaker 1: I will speak on behalf of Andrew. I guess it, 645 00:33:33,320 --> 00:33:36,280 Speaker 1: and I mean it speaks to that I never speak 646 00:33:36,280 --> 00:33:40,320 Speaker 1: on behalf. I wouldn't dare. Um. She I feel like 647 00:33:40,320 --> 00:33:43,080 Speaker 1: it's one of those model minority things. Obviously. It's like 648 00:33:43,640 --> 00:33:46,280 Speaker 1: you know, um, Asian people must be smart, they must 649 00:33:46,320 --> 00:33:48,720 Speaker 1: be good at math. Here's this smart, sweet Asian boy 650 00:33:48,760 --> 00:33:51,680 Speaker 1: who's been entrusted with bringing a note. He must also 651 00:33:51,800 --> 00:33:54,920 Speaker 1: be in this class. Um. Yeah, I mean I think 652 00:33:54,960 --> 00:33:57,280 Speaker 1: like if a little black kid walked in, I wonder 653 00:33:57,480 --> 00:33:59,280 Speaker 1: if she would have just been like, yes, please sit down, 654 00:33:59,400 --> 00:34:02,720 Speaker 1: or she had been how can I help you? Um, 655 00:34:02,760 --> 00:34:04,880 Speaker 1: what was the ethnicity of the teacher? Do you recall 656 00:34:05,240 --> 00:34:07,080 Speaker 1: she was white. But here's here's I mean, I don't 657 00:34:07,080 --> 00:34:09,719 Speaker 1: know if this is a useful texture. But the kid 658 00:34:09,719 --> 00:34:12,279 Speaker 1: that I was delivering the note two was black. That 659 00:34:12,360 --> 00:34:16,359 Speaker 1: doesn't matter, but it's interesting. So they did know black 660 00:34:16,400 --> 00:34:20,799 Speaker 1: people existed. Well no, well, no, I bring that up 661 00:34:20,800 --> 00:34:22,600 Speaker 1: because Tony was like, if it was a black kid 662 00:34:22,600 --> 00:34:24,239 Speaker 1: who walked in, like would would would would that have 663 00:34:24,239 --> 00:34:26,560 Speaker 1: been the same. But this was, like I remember, a 664 00:34:26,719 --> 00:34:30,360 Speaker 1: very interesting texture. No. Bones wanted to make sure I 665 00:34:30,440 --> 00:34:32,719 Speaker 1: knew there were black people in this town, and that 666 00:34:32,840 --> 00:34:35,319 Speaker 1: was helpful contact. And not only in the town but 667 00:34:35,360 --> 00:34:39,120 Speaker 1: in the class and so there that could have been me. 668 00:34:39,320 --> 00:34:41,719 Speaker 1: Can I tell my not gifted and talented story? And 669 00:34:41,840 --> 00:34:45,520 Speaker 1: what we called it in my school was Excel. It 670 00:34:45,600 --> 00:34:49,239 Speaker 1: was the XCEL program, so um the letters or the 671 00:34:49,239 --> 00:34:53,920 Speaker 1: word E x C E L that's what Microsoft program. 672 00:34:54,200 --> 00:34:59,480 Speaker 1: UM basically like the Microsoft program. So I had moved 673 00:34:59,480 --> 00:35:03,000 Speaker 1: from another school and it was third grade. I started 674 00:35:03,080 --> 00:35:05,719 Speaker 1: third grade in a new school and I took the 675 00:35:05,760 --> 00:35:10,000 Speaker 1: test and didn't get it by like two questions. And 676 00:35:10,080 --> 00:35:12,719 Speaker 1: my parents were like, but he wasn't learning the same 677 00:35:12,800 --> 00:35:15,279 Speaker 1: things as everyone else. He is gifted, we swear he is. 678 00:35:16,040 --> 00:35:18,839 Speaker 1: And they were like, no, absolutely not and so all 679 00:35:18,880 --> 00:35:21,160 Speaker 1: the girls that were in the Excel program, because for 680 00:35:21,200 --> 00:35:23,880 Speaker 1: some reason it was all girls, all made fun of 681 00:35:23,880 --> 00:35:26,080 Speaker 1: me and they were like, you're not gifted and talented. 682 00:35:26,440 --> 00:35:29,040 Speaker 1: And can you imagine just a bunch of girls coming 683 00:35:29,080 --> 00:35:31,080 Speaker 1: to you every day after they like would leave for 684 00:35:31,080 --> 00:35:34,840 Speaker 1: forty five minutes to like essentially go play on a computer. Like, yeah, 685 00:35:35,000 --> 00:35:37,319 Speaker 1: we had a really good time all being together us 686 00:35:37,360 --> 00:35:41,759 Speaker 1: people who are gifted and you aren't gifted. This it 687 00:35:41,920 --> 00:35:45,960 Speaker 1: did could They singled you out and came to you 688 00:35:46,040 --> 00:35:48,520 Speaker 1: every day and we're like, you're not with us. This 689 00:35:48,560 --> 00:35:51,920 Speaker 1: is what happened. Literally, I was. And this is the 690 00:35:51,960 --> 00:35:54,720 Speaker 1: weird thing. They had friends that were in the class 691 00:35:54,800 --> 00:35:57,560 Speaker 1: that also we're not gifted and talented, who would make 692 00:35:57,560 --> 00:35:59,440 Speaker 1: fun of me and be like, yeah, you're not gifted 693 00:36:00,080 --> 00:36:02,480 Speaker 1: just because they were friends with them. Holy ship. It 694 00:36:02,560 --> 00:36:05,879 Speaker 1: was really sick. You can't be gifted by proxy, That's 695 00:36:05,880 --> 00:36:07,719 Speaker 1: what I was saying to them. But but just it 696 00:36:07,840 --> 00:36:10,759 Speaker 1: was like a brick wall, Tony. I just couldn't get through. 697 00:36:12,080 --> 00:36:17,279 Speaker 1: It was really so in my school it was called 698 00:36:17,320 --> 00:36:21,239 Speaker 1: gate Gifted and Talented Education. They really elevated that and 699 00:36:21,440 --> 00:36:23,239 Speaker 1: so that they could make a full word for people 700 00:36:23,280 --> 00:36:27,360 Speaker 1: to say, um, but I think it's so insidious to 701 00:36:27,400 --> 00:36:29,760 Speaker 1: put the word gifted in these programs when this whole 702 00:36:29,800 --> 00:36:32,279 Speaker 1: fucking country is based on telling your kids that they're 703 00:36:32,320 --> 00:36:34,839 Speaker 1: special and that they're unique and everything. So to say 704 00:36:34,880 --> 00:36:37,439 Speaker 1: that some are actually gifted and some aren't, of course, 705 00:36:37,480 --> 00:36:39,680 Speaker 1: it's going to divide. It was ridiculous. It was just 706 00:36:39,719 --> 00:36:42,400 Speaker 1: an excuse to separate some kids from the other little 707 00:36:42,520 --> 00:36:44,600 Speaker 1: stupid reason. And I remember it gave me such a 708 00:36:44,640 --> 00:36:48,239 Speaker 1: complex and I was so distracted. Also, the word talented 709 00:36:48,400 --> 00:36:52,279 Speaker 1: just doesn't never really like never fit you know, it's 710 00:36:52,280 --> 00:36:56,319 Speaker 1: like talented intelligence. No, it actually doesn't because had they 711 00:36:56,360 --> 00:37:00,839 Speaker 1: heard me sing? Oh, had they heard had they heard 712 00:37:00,840 --> 00:37:08,120 Speaker 1: you sing and performed? Meanwhile, a fourth grader, a fourth 713 00:37:08,120 --> 00:37:09,640 Speaker 1: grader in the mid offs, would have been led to 714 00:37:09,640 --> 00:37:13,360 Speaker 1: believe that talent meant being good at zoom beanies. Bitch, No, 715 00:37:14,200 --> 00:37:17,719 Speaker 1: it means you can sing. That's that's what talent means. 716 00:37:17,719 --> 00:37:20,200 Speaker 1: Talent is singing and actually it's really cold time, but 717 00:37:20,239 --> 00:37:25,239 Speaker 1: one and three talent singing and that's that. On that 718 00:37:25,800 --> 00:37:30,839 Speaker 1: And gifted is understanding Excel spreadsheets on the on the computer. Yes, 719 00:37:31,120 --> 00:37:33,479 Speaker 1: that's what gifted. Also, here's a pitch for a name 720 00:37:33,560 --> 00:37:40,640 Speaker 1: of gifted and talented, gape, gifted and probably excellent oh GP, 721 00:37:41,000 --> 00:37:46,160 Speaker 1: gifted and probably excellent education. Those gaping kids. Oh my god, 722 00:37:46,560 --> 00:37:49,439 Speaker 1: that's not Let's not explore this any further. We're gonna 723 00:37:49,440 --> 00:37:51,720 Speaker 1: take a quick break. We're gonna be back with Tonny 724 00:37:51,840 --> 00:38:06,080 Speaker 1: News and we're back. We actually are back. Yeah, I 725 00:38:06,080 --> 00:38:09,600 Speaker 1: feel back. And one of the things that we would 726 00:38:09,680 --> 00:38:12,080 Speaker 1: ordinarily do here at this point in the pot is 727 00:38:12,120 --> 00:38:14,600 Speaker 1: we would ask you what culture made you say culture 728 00:38:14,680 --> 00:38:17,120 Speaker 1: was for you? And I'm reminded of your answer because 729 00:38:17,160 --> 00:38:20,280 Speaker 1: you actually provided me with one of the great highlights 730 00:38:20,320 --> 00:38:23,280 Speaker 1: of even doing this podcast, which is when we spontaneously 731 00:38:23,320 --> 00:38:29,000 Speaker 1: harmonized to Tricia Yearwood's walk Away Joe. That actually was 732 00:38:29,040 --> 00:38:31,120 Speaker 1: a huge moment for me. And I'm wondering if there's 733 00:38:31,160 --> 00:38:33,799 Speaker 1: any new culture that you can share with us that 734 00:38:33,880 --> 00:38:37,279 Speaker 1: might provoke similar moments, like what are you kind of? 735 00:38:37,880 --> 00:38:40,719 Speaker 1: You know, you heard us speak about the the incoming 736 00:38:40,960 --> 00:38:43,160 Speaker 1: queer and gay culture that is rain on me. We'd 737 00:38:43,160 --> 00:38:44,920 Speaker 1: love to hear your thoughts on that and all the culture. 738 00:38:45,080 --> 00:38:46,600 Speaker 1: I was trying to think back. I was like, what 739 00:38:46,640 --> 00:38:49,160 Speaker 1: was the culture? I said on the last episode, and 740 00:38:49,320 --> 00:38:52,280 Speaker 1: right before we started filming. I almost just said zooming. 741 00:38:52,320 --> 00:38:57,799 Speaker 1: I don't know. Oh. I came on this podcast a 742 00:38:57,880 --> 00:39:01,279 Speaker 1: whole black woman and said, Tricia here, that's what I did. 743 00:39:03,600 --> 00:39:06,640 Speaker 1: That's on me. Um. It was powerful, it was a statement. Um, 744 00:39:06,640 --> 00:39:10,480 Speaker 1: it was political. But what is wild to me is 745 00:39:10,520 --> 00:39:13,560 Speaker 1: that I feel like I changed. You know, I was 746 00:39:13,600 --> 00:39:15,200 Speaker 1: one of those weird kids that just did whatever my 747 00:39:15,239 --> 00:39:17,719 Speaker 1: mom did because I was an only child and I 748 00:39:17,760 --> 00:39:19,960 Speaker 1: was a nerd, and I just thought like my mom 749 00:39:20,040 --> 00:39:22,040 Speaker 1: was the coolest person. So when she was in Detricia, 750 00:39:22,080 --> 00:39:23,880 Speaker 1: I was in Detricia. But the thing that's been coming 751 00:39:24,080 --> 00:39:26,600 Speaker 1: up for me lately is a lot of Stevie wonder 752 00:39:26,640 --> 00:39:29,839 Speaker 1: because and I may have talked about this last time, 753 00:39:30,040 --> 00:39:32,160 Speaker 1: but also because his birthday just passed, and I was 754 00:39:32,200 --> 00:39:34,480 Speaker 1: reminded of this trip to the Motown Museum I took. 755 00:39:34,520 --> 00:39:36,600 Speaker 1: I've been to the Motown Museum four times. I love 756 00:39:36,640 --> 00:39:40,320 Speaker 1: it there. It's in Detroit, it's in the original Little House, 757 00:39:40,440 --> 00:39:43,400 Speaker 1: the Little Hits. The first time I went, I just 758 00:39:43,480 --> 00:39:46,719 Speaker 1: had this like transcendent experience. I was doing this bizarre 759 00:39:47,440 --> 00:39:52,320 Speaker 1: um overnight non union commercials when I still lived in Chicago, 760 00:39:52,680 --> 00:39:56,040 Speaker 1: and they flew me economy to Detroit and I was 761 00:39:56,080 --> 00:39:59,440 Speaker 1: like the height of luxury. Getting flew out to do 762 00:39:59,520 --> 00:40:03,240 Speaker 1: a a non union regional commercial um and we filmed 763 00:40:03,239 --> 00:40:05,680 Speaker 1: it overnight. So during the day, I was just this 764 00:40:05,760 --> 00:40:08,439 Speaker 1: like zombie person where the rest of the cast would 765 00:40:08,480 --> 00:40:10,120 Speaker 1: like go to sleep in order room service, but I 766 00:40:10,160 --> 00:40:12,920 Speaker 1: was like, I'm in Detroit. There's history here. So I 767 00:40:12,960 --> 00:40:15,080 Speaker 1: was just like wandering around taking pictures of my hand 768 00:40:15,400 --> 00:40:18,120 Speaker 1: and ship, like trying to soak in the city. So 769 00:40:18,160 --> 00:40:21,080 Speaker 1: I went to the Motown Museum and this woman told 770 00:40:21,120 --> 00:40:23,360 Speaker 1: me this beautiful story about Stevie Wonder when he was 771 00:40:23,360 --> 00:40:27,200 Speaker 1: eleven and how um Martha Reeves used to put a 772 00:40:27,320 --> 00:40:30,040 Speaker 1: dime on top of the candy machine and he'd run 773 00:40:30,120 --> 00:40:32,080 Speaker 1: over and like he would hear the sound of the 774 00:40:32,120 --> 00:40:33,640 Speaker 1: dime on top. It would be like when he was 775 00:40:33,640 --> 00:40:35,520 Speaker 1: annoying her because he would sit in the waiting room 776 00:40:35,680 --> 00:40:37,680 Speaker 1: waiting for a session to start playing the harmonical a 777 00:40:37,719 --> 00:40:42,439 Speaker 1: loud and Martha of the Vandolas receptionist at the time, 778 00:40:42,640 --> 00:40:44,960 Speaker 1: and so she'd be like, I gotta get this kid 779 00:40:45,040 --> 00:40:49,200 Speaker 1: to fucking shut up. I didn't know that receptionist at Motown. 780 00:40:49,280 --> 00:40:52,120 Speaker 1: Oh my god. Yeah, she worked off her studio time 781 00:40:52,160 --> 00:40:55,120 Speaker 1: that way. It's like sucking you see be up in 782 00:40:55,160 --> 00:41:01,480 Speaker 1: there right, Sorry, worse, No, it was, but yeah, so 783 00:41:01,520 --> 00:41:02,920 Speaker 1: she'd put a dime on top of the thing and 784 00:41:02,960 --> 00:41:05,840 Speaker 1: he'd know to like go and feel for his specific candy, 785 00:41:05,880 --> 00:41:07,520 Speaker 1: which was a baby ruth. It was always in the 786 00:41:07,560 --> 00:41:09,759 Speaker 1: same like slot and he pulled out anyway. So this 787 00:41:09,800 --> 00:41:12,000 Speaker 1: woman told us this story the first time I was there, 788 00:41:12,560 --> 00:41:14,760 Speaker 1: And at that museum, they have to take you around, 789 00:41:14,760 --> 00:41:16,279 Speaker 1: like you can't just wander it. It's like all a 790 00:41:16,320 --> 00:41:19,880 Speaker 1: guided tour. And then right after she started singing like 791 00:41:20,080 --> 00:41:22,080 Speaker 1: knocks Me off my feet or some Stevie Wonders song, 792 00:41:22,120 --> 00:41:25,319 Speaker 1: and I'm just alone, a shattered tired woman who had 793 00:41:25,360 --> 00:41:29,240 Speaker 1: been talking about regional vodka all night the night before 794 00:41:29,280 --> 00:41:32,080 Speaker 1: in an evening gown bought a Macy's and so I 795 00:41:32,120 --> 00:41:34,839 Speaker 1: just started weeping in front of all these German tourists. 796 00:41:35,960 --> 00:41:38,239 Speaker 1: It was so powerful. But I think that's because my 797 00:41:38,280 --> 00:41:40,400 Speaker 1: mom always played Stevie wonder and like it was the 798 00:41:40,440 --> 00:41:43,319 Speaker 1: first stuff that I like would learn to sing as 799 00:41:43,320 --> 00:41:49,600 Speaker 1: a kid because his voice was so melodic and and yeah, seventy. 800 00:41:49,640 --> 00:41:52,960 Speaker 1: He just turned seventy like last week, so he's that's 801 00:41:53,040 --> 00:41:54,960 Speaker 1: he's like one of those legends that's like getting up 802 00:41:55,000 --> 00:41:58,080 Speaker 1: there that. I feel like people need to be, you know, 803 00:41:58,680 --> 00:42:01,520 Speaker 1: asking them more questions, paying them more respect, Like like 804 00:42:01,800 --> 00:42:03,479 Speaker 1: I feel like someone needs to sit down with Tina 805 00:42:03,520 --> 00:42:05,399 Speaker 1: turn or wherever she is and be like, hey, let's 806 00:42:05,400 --> 00:42:07,919 Speaker 1: get let's get another long interview in the books here, 807 00:42:07,960 --> 00:42:11,040 Speaker 1: like not to like sound of any alarm bells about 808 00:42:11,040 --> 00:42:13,000 Speaker 1: anyone's health. I hate when people do that, Like I hate. 809 00:42:13,200 --> 00:42:15,160 Speaker 1: There's nothing more I hate than when everyone is like, 810 00:42:15,640 --> 00:42:23,759 Speaker 1: where's Betty White. I'm like leaving, She's somewhere someone Mitchell. Now, yeah, 811 00:42:23,800 --> 00:42:28,200 Speaker 1: oh that's another one. They always do it like literally, 812 00:42:28,239 --> 00:42:31,880 Speaker 1: I don't think so, honey. When people are like, I 813 00:42:31,920 --> 00:42:35,120 Speaker 1: think the celebrity death that will hurt me the most Mitchell, 814 00:42:35,760 --> 00:42:38,319 Speaker 1: it's like, don't predict a death. Maybe they'll never die. 815 00:42:38,400 --> 00:42:41,560 Speaker 1: Who knows, maybe they're aliens. Don't extrapolate your emotional response 816 00:42:41,600 --> 00:42:44,720 Speaker 1: about a specific person dying when there's still a line. 817 00:42:44,840 --> 00:42:47,960 Speaker 1: I forget who it was. Someone tweeted one time like, Okay, 818 00:42:48,000 --> 00:42:50,359 Speaker 1: what celebrity death in the future would upset you the most? 819 00:42:50,400 --> 00:42:54,359 Speaker 1: And I was like, this is literally insane. I don't 820 00:42:54,440 --> 00:42:56,520 Speaker 1: like this. I don't like this game of cards. I 821 00:42:56,560 --> 00:42:58,239 Speaker 1: don't like No, that's a game of cards. I don't 822 00:42:58,239 --> 00:43:00,360 Speaker 1: want to play. What happened to go Fish is actually 823 00:43:00,400 --> 00:43:07,440 Speaker 1: rural culture number forty six. It's not what what happened. 824 00:43:09,640 --> 00:43:14,600 Speaker 1: Almost I almost said what happened to old Fish? What happened? 825 00:43:16,440 --> 00:43:19,359 Speaker 1: Oh my god? Wow? From I feel like I jumped 826 00:43:19,400 --> 00:43:22,200 Speaker 1: in and made it weird, no perfect. The thing is like, 827 00:43:23,320 --> 00:43:25,759 Speaker 1: you know, us being so far apart, we actually have 828 00:43:26,040 --> 00:43:29,080 Speaker 1: lately been trying to do in sync stuff. And that's 829 00:43:29,120 --> 00:43:32,040 Speaker 1: actually from the challenge if you can believe with zoom. 830 00:43:32,320 --> 00:43:35,520 Speaker 1: I want to say that Stevie Wonder looked very good 831 00:43:35,560 --> 00:43:39,400 Speaker 1: at the sort of the big telethon thing that happened 832 00:43:39,400 --> 00:43:43,439 Speaker 1: at the beginning of Core looked very good, and I 833 00:43:43,440 --> 00:43:45,440 Speaker 1: I want to say, like, this is this It's so 834 00:43:45,440 --> 00:43:47,239 Speaker 1: funny you bring him up. I listened to songs in 835 00:43:47,239 --> 00:43:49,360 Speaker 1: the Key of Life like like a week ago, and 836 00:43:49,400 --> 00:43:52,680 Speaker 1: I was like, this is a fucking huge album. Huge. 837 00:43:52,920 --> 00:43:57,680 Speaker 1: It's a class huge, fully slaps. There are two weird 838 00:43:57,800 --> 00:44:00,680 Speaker 1: downers on it that I'm not shy out talking about 839 00:44:00,760 --> 00:44:06,160 Speaker 1: village ghetto land huge weird down huge weird baroque like 840 00:44:06,400 --> 00:44:11,239 Speaker 1: Harpsichord Sadness, a wig downer that we did not need 841 00:44:12,160 --> 00:44:14,520 Speaker 1: I'm impressed with his skill. He could have left it. 842 00:44:14,880 --> 00:44:18,560 Speaker 1: We didn't need it. Um. And then the one in 843 00:44:18,719 --> 00:44:22,160 Speaker 1: Spanish to me, the name is Escaping Half sings in 844 00:44:22,200 --> 00:44:31,279 Speaker 1: Spanish and know, um that is famous. It's actually not French, No, 845 00:44:31,480 --> 00:44:41,400 Speaker 1: it's they that one. I know it feels upbeaten positive, 846 00:44:41,800 --> 00:44:44,960 Speaker 1: but listen to it and imagine that someone crying is 847 00:44:45,000 --> 00:44:47,440 Speaker 1: singing and playing it and it fits too well. It 848 00:44:47,480 --> 00:44:51,279 Speaker 1: feels like a depressed, weird ballad where you're like you're 849 00:44:51,280 --> 00:44:53,000 Speaker 1: trying to pretend that you're cheered up anyway. So those 850 00:44:53,000 --> 00:44:55,640 Speaker 1: are the two downers on the album. Um, but otherwise 851 00:44:55,680 --> 00:44:58,000 Speaker 1: it's perfect. But you know, my favorite Stevie album is 852 00:44:58,440 --> 00:45:01,880 Speaker 1: is Hotter than July, and I would encourage you to 853 00:45:02,040 --> 00:45:06,080 Speaker 1: listen to the first five tracks, just like listen to 854 00:45:06,120 --> 00:45:08,200 Speaker 1: them even on Spotify. They do this because the first 855 00:45:08,239 --> 00:45:11,600 Speaker 1: two tracks they do this cool blend thing, which with 856 00:45:11,680 --> 00:45:15,520 Speaker 1: digital music isn't that impressive but huge. But back then 857 00:45:15,840 --> 00:45:17,680 Speaker 1: on vinyl, and so I have it on vinyl, and 858 00:45:17,680 --> 00:45:21,239 Speaker 1: when those tracks slam into each other like the perfect bpm, 859 00:45:21,239 --> 00:45:24,360 Speaker 1: and it just like changes the whole vibe, telling everyone 860 00:45:24,480 --> 00:45:26,840 Speaker 1: everyone go go seek it out. I gotta love a 861 00:45:26,880 --> 00:45:30,920 Speaker 1: culture tip and wait, I have to say something. I'm 862 00:45:30,920 --> 00:45:34,360 Speaker 1: really embarrassed that I thought my Shea Moore was Spanish. 863 00:45:34,520 --> 00:45:36,800 Speaker 1: It's okay. I had I even had two more seconds, 864 00:45:36,800 --> 00:45:38,759 Speaker 1: I would have known it was absolutely French. And I 865 00:45:38,840 --> 00:45:43,800 Speaker 1: want all the readers to know that it's okay. That's fine. No, 866 00:45:43,960 --> 00:45:46,160 Speaker 1: I know that everyone kind of skimmed up, skimmed over it, 867 00:45:46,200 --> 00:45:48,840 Speaker 1: but I just want to say I'm aware of it. Well. Well, 868 00:45:48,920 --> 00:45:50,799 Speaker 1: and I rudely called you out when I'm a guest 869 00:45:50,800 --> 00:45:53,040 Speaker 1: in your house. Actually, that's that was actually really important 870 00:45:53,080 --> 00:45:55,399 Speaker 1: because I learned and I grew, and actually in that moment, 871 00:45:55,440 --> 00:45:57,920 Speaker 1: I grew. That's nice that you can see that that 872 00:45:57,960 --> 00:46:01,680 Speaker 1: you're not like lashing out. That's good. That's that's growth, man, 873 00:46:01,760 --> 00:46:04,200 Speaker 1: that's actually growth. How has podcastings been going for you? 874 00:46:04,239 --> 00:46:06,239 Speaker 1: And Core? Are you guys still doing weekly weekly? Of 875 00:46:06,320 --> 00:46:08,359 Speaker 1: the of you are still, to God bless you both 876 00:46:08,360 --> 00:46:11,400 Speaker 1: doing weekly? Weekly? We're doing week Well? You know what's wild? 877 00:46:11,600 --> 00:46:14,240 Speaker 1: But um, I was supposed to be I was supposed 878 00:46:14,239 --> 00:46:17,719 Speaker 1: to be working and gone. And so we've stockpiled interviews 879 00:46:18,040 --> 00:46:20,840 Speaker 1: which now sound insane because we recorded them all in 880 00:46:21,080 --> 00:46:25,279 Speaker 1: January February, and everyone's just like, what's what's so great 881 00:46:25,280 --> 00:46:27,919 Speaker 1: about washing hands? Let's all lick each other, like all 882 00:46:27,920 --> 00:46:30,520 Speaker 1: the content I have to go through and edit just 883 00:46:30,560 --> 00:46:33,359 Speaker 1: the most most painful comments because I'm like, people don't 884 00:46:33,400 --> 00:46:36,279 Speaker 1: want to hear this right now, Like what you give it? 885 00:46:36,960 --> 00:46:39,000 Speaker 1: You give an example of something that you cut out. 886 00:46:39,080 --> 00:46:42,120 Speaker 1: Is that a fair question? Um? Yeah? I feel like 887 00:46:42,440 --> 00:46:44,520 Speaker 1: people were, oh, this is something I didn't cut out 888 00:46:44,560 --> 00:46:46,960 Speaker 1: because it was actually funny and it made me sound stupid. Normally, 889 00:46:46,960 --> 00:46:48,680 Speaker 1: I try only cut out ship that makes a guest 890 00:46:48,680 --> 00:46:50,480 Speaker 1: sound stupid because we don't want that. But me, I'm 891 00:46:50,520 --> 00:46:54,120 Speaker 1: like I earned that. Um. But I was talking about 892 00:46:54,400 --> 00:46:57,400 Speaker 1: staying home and watching Netflix all day, and I was 893 00:46:57,520 --> 00:47:01,359 Speaker 1: literally saying like, gosh, I just like don't get sick ever. 894 00:47:01,480 --> 00:47:02,880 Speaker 1: And I just missed like you know when you have 895 00:47:03,000 --> 00:47:05,799 Speaker 1: the flu and you just stay home and binge watch things. 896 00:47:06,080 --> 00:47:07,839 Speaker 1: And I got so many tweets that were just like, 897 00:47:10,320 --> 00:47:12,719 Speaker 1: I know, I know this is insane, but I thought 898 00:47:12,760 --> 00:47:14,840 Speaker 1: it was kind of funny. It's a benign remark it, 899 00:47:14,920 --> 00:47:19,400 Speaker 1: so you're not like wishing suffering on people. You're just 900 00:47:19,719 --> 00:47:23,400 Speaker 1: you just happen to make a you You remarked on 901 00:47:23,440 --> 00:47:27,239 Speaker 1: something that you can't possibly have like forecasted. I think 902 00:47:27,280 --> 00:47:31,040 Speaker 1: there were a few early pods where some guests and 903 00:47:31,160 --> 00:47:34,120 Speaker 1: maybe Andrew and I, I can't confirm or deny, were 904 00:47:34,160 --> 00:47:37,160 Speaker 1: a little too cavalier in like January, when like the 905 00:47:37,239 --> 00:47:40,120 Speaker 1: who was just starting to be like this virus might 906 00:47:40,200 --> 00:47:43,200 Speaker 1: move past China and people were canceling trips and we 907 00:47:43,200 --> 00:47:46,200 Speaker 1: were like, who the funk are these people canceling trips? 908 00:47:46,200 --> 00:47:49,000 Speaker 1: Everyone go about your business, and like, we sound like assholes, 909 00:47:49,040 --> 00:47:52,080 Speaker 1: so we cut that. I mean, I remember telling Matt, 910 00:47:52,080 --> 00:47:53,840 Speaker 1: and Matt called me out on like our first episode 911 00:47:53,840 --> 00:47:55,840 Speaker 1: over Zoom that we recorded just him and I. But 912 00:47:55,880 --> 00:47:58,600 Speaker 1: I remember telling Matt back in February, I was like, look, 913 00:47:58,640 --> 00:48:01,400 Speaker 1: there's this anti viral m de severe and it's going 914 00:48:01,440 --> 00:48:05,200 Speaker 1: to be fine. We're fine, And truly now I feel 915 00:48:05,239 --> 00:48:08,480 Speaker 1: like a total jackass. Bowen did describe it to me 916 00:48:08,520 --> 00:48:19,160 Speaker 1: at one point as just a bad flu that look, oh, 917 00:48:19,239 --> 00:48:22,520 Speaker 1: I like, I like this casual little mermaid pose. You Actually, 918 00:48:22,560 --> 00:48:24,319 Speaker 1: I have to tell all the readers every time you 919 00:48:24,360 --> 00:48:26,000 Speaker 1: hear me on any of these episodes, now know that 920 00:48:26,040 --> 00:48:29,520 Speaker 1: I'm doing it on my damn belly. Wouldn't you rather 921 00:48:29,600 --> 00:48:32,080 Speaker 1: be wrong early on in the thing and be like 922 00:48:32,160 --> 00:48:33,960 Speaker 1: I couldn't have known. That's insane. But now I have 923 00:48:34,000 --> 00:48:37,160 Speaker 1: since listened to experts, to people who like took it 924 00:48:37,200 --> 00:48:39,760 Speaker 1: seriously at first, and now they're like, wait a minute, 925 00:48:39,800 --> 00:48:43,239 Speaker 1: what if this is all a hoax? Well, I think 926 00:48:43,280 --> 00:48:45,959 Speaker 1: I actually can understand both sides, because, like I feel 927 00:48:46,000 --> 00:48:48,920 Speaker 1: like people being inside for so long they do get 928 00:48:48,960 --> 00:48:50,759 Speaker 1: so crazy. Where I did have a conversation with a 929 00:48:50,840 --> 00:48:54,640 Speaker 1: friend recently where they were like, they were like, tell me, 930 00:48:54,680 --> 00:48:56,439 Speaker 1: you don't think it's weird that it happened now during 931 00:48:56,480 --> 00:49:02,200 Speaker 1: the election, And I was like, I'm not ready to 932 00:49:02,320 --> 00:49:05,960 Speaker 1: do this one. It's such a traumatic thing that people 933 00:49:06,040 --> 00:49:07,759 Speaker 1: don't know how to process it, and we still don't, 934 00:49:07,800 --> 00:49:10,680 Speaker 1: and so of course we're gonna, like I don't know, 935 00:49:11,040 --> 00:49:13,960 Speaker 1: glom onto like a theory that like is wild, but 936 00:49:14,080 --> 00:49:17,880 Speaker 1: like I don't know, gives them some sort of explanation 937 00:49:17,920 --> 00:49:19,400 Speaker 1: as to why this is happening, like the whole like 938 00:49:19,440 --> 00:49:22,360 Speaker 1: the five G thing makes me laugh because well, the 939 00:49:22,360 --> 00:49:25,200 Speaker 1: five G thing it makes me laugh because we can 940 00:49:25,200 --> 00:49:27,400 Speaker 1: already comment on how ridiculous this is. So Sam j 941 00:49:27,520 --> 00:49:29,680 Speaker 1: and Gary Richardson wrote the sketch for us and now 942 00:49:29,719 --> 00:49:33,360 Speaker 1: where Ego goes um Chris read his face timing ego, 943 00:49:33,440 --> 00:49:36,160 Speaker 1: and I go hes, he just got released early from jail, 944 00:49:36,200 --> 00:49:38,160 Speaker 1: and he's like trying to like call up his old 945 00:49:38,360 --> 00:49:40,680 Speaker 1: his old hookups. And then it goes like I'm gonna 946 00:49:40,719 --> 00:49:43,120 Speaker 1: I'm gonna lay low because after the government shut down 947 00:49:43,120 --> 00:49:45,680 Speaker 1: outside because they five G stuff messed up and made 948 00:49:45,680 --> 00:49:51,239 Speaker 1: a pandemic. Just that a whole sequence of ideas and 949 00:49:51,320 --> 00:49:53,719 Speaker 1: concepts is so funny and ridiculous to me, Like I 950 00:49:53,760 --> 00:49:56,360 Speaker 1: don't know, I mean, I conspiracy theories are damaging and 951 00:49:56,400 --> 00:49:59,840 Speaker 1: corrosive and bad and it's net negative always. But like 952 00:50:00,920 --> 00:50:02,719 Speaker 1: all I can do right now is what's one that 953 00:50:02,800 --> 00:50:07,759 Speaker 1: you believe? Now? What's a conspiracy theory that you were 954 00:50:07,840 --> 00:50:10,839 Speaker 1: getting into it? I don't think I can say it. 955 00:50:11,120 --> 00:50:15,319 Speaker 1: Oh my god, we have to we have to cut 956 00:50:15,320 --> 00:50:17,879 Speaker 1: it out and I'll go to put that out. Okay, Well, okay, 957 00:50:17,920 --> 00:50:21,600 Speaker 1: well we can Okay, we can anything. We can bleep this, 958 00:50:21,680 --> 00:50:24,520 Speaker 1: we can bleep one. Am I about to say? I 959 00:50:24,520 --> 00:50:36,680 Speaker 1: think you guys wish you heard what readers. You shall 960 00:50:36,719 --> 00:50:38,560 Speaker 1: never know what Boone said, but it was it was 961 00:50:38,600 --> 00:50:40,520 Speaker 1: a doozy and it was quite juicy. Um, that was 962 00:50:40,520 --> 00:50:42,680 Speaker 1: the one that I believe. I don't even fully believe it, 963 00:50:42,680 --> 00:50:45,200 Speaker 1: but I'm like, it could have, it could have who knows. Yeah, 964 00:50:45,520 --> 00:50:49,040 Speaker 1: I believe that there have been a lot of major 965 00:50:49,280 --> 00:50:55,960 Speaker 1: pop culture events that were orchestrated by our intelligence committees. 966 00:50:56,560 --> 00:50:58,799 Speaker 1: And the reason I believe this is because I just 967 00:50:58,880 --> 00:51:02,600 Speaker 1: listened to a podcast called Wind of Change. Remember they 968 00:51:02,600 --> 00:51:06,359 Speaker 1: taught me that the CIA wrote that scorpions that came 969 00:51:06,360 --> 00:51:08,680 Speaker 1: out after the Berlin Wall fell down, And I'm not 970 00:51:08,680 --> 00:51:10,640 Speaker 1: gonna give any spoilers, but like it made me start 971 00:51:10,680 --> 00:51:13,080 Speaker 1: thinking about, like they delve enough into other things that 972 00:51:13,120 --> 00:51:16,759 Speaker 1: I'm like, there are a lot of very opportune you know, 973 00:51:16,880 --> 00:51:20,400 Speaker 1: because music and artists so galvanizing. And yes, of course 974 00:51:20,800 --> 00:51:23,080 Speaker 1: sometimes it's organic and it's right place in right time, 975 00:51:23,120 --> 00:51:25,399 Speaker 1: but some things were just too convenient. So I've gone 976 00:51:25,440 --> 00:51:26,799 Speaker 1: down a little bit of a rabbit hole with some 977 00:51:26,840 --> 00:51:31,000 Speaker 1: things that I'm too embarrassed specify, but I do believe 978 00:51:31,200 --> 00:51:33,320 Speaker 1: our government was like, hey, the way to get teens 979 00:51:33,360 --> 00:51:36,879 Speaker 1: on board with you know, western values is like rock 980 00:51:37,000 --> 00:51:41,520 Speaker 1: music or Netflix for one j k oh, my god, dang, 981 00:51:41,880 --> 00:51:44,720 Speaker 1: dang Window Change. I've heard about this podcast. It's supposed 982 00:51:44,719 --> 00:51:47,759 Speaker 1: to be really good. Um, I thought you were to say, 983 00:51:47,760 --> 00:51:50,759 Speaker 1: like Marilyn Monroe like was assassinated or something. But no, 984 00:51:51,040 --> 00:51:58,399 Speaker 1: that's yeah, of course by one or both or both 985 00:51:58,400 --> 00:52:01,719 Speaker 1: of those men. I mean she kind of had to 986 00:52:01,760 --> 00:52:04,160 Speaker 1: be right, Yeah, I mean, did you see there's like 987 00:52:04,200 --> 00:52:06,400 Speaker 1: a I didn't watch it yet, but there's a documentary 988 00:52:06,400 --> 00:52:09,799 Speaker 1: out about her. It's called like, um, Natalie Wood, What 989 00:52:10,000 --> 00:52:13,600 Speaker 1: Remains Behind. I haven't heard much about it, but I 990 00:52:13,640 --> 00:52:14,960 Speaker 1: saw that it was a thing, and I was kind 991 00:52:14,960 --> 00:52:17,239 Speaker 1: of fascinated. I just think that's such a sad like 992 00:52:17,360 --> 00:52:21,439 Speaker 1: six story that is so reeks of like, oh, yeah, 993 00:52:21,520 --> 00:52:24,960 Speaker 1: we just chose to believe the two very privileged white 994 00:52:25,120 --> 00:52:28,160 Speaker 1: rich men who were on the small boat with her 995 00:52:28,920 --> 00:52:32,319 Speaker 1: and only then and and like, I don't know, I 996 00:52:32,360 --> 00:52:37,319 Speaker 1: think it's as anything that happens on a boat where 997 00:52:37,400 --> 00:52:41,279 Speaker 1: like less people come back than went out. I'm like, 998 00:52:41,600 --> 00:52:44,880 Speaker 1: you are guilty. I don't care what this one whoever 999 00:52:44,960 --> 00:52:47,920 Speaker 1: comes back is guilty? Well, because well, what would they 1000 00:52:47,960 --> 00:52:51,799 Speaker 1: like us to ask the seas? How can we ask 1001 00:52:51,840 --> 00:52:57,200 Speaker 1: the CTV on the ocean? We actually could. I'm a Pisces, 1002 00:52:57,400 --> 00:53:00,399 Speaker 1: go out there and speak to the waters and share 1003 00:53:00,440 --> 00:53:03,279 Speaker 1: this in common. I'm also up Pisces, and you're a 1004 00:53:03,280 --> 00:53:12,600 Speaker 1: February birthday late you. You snuck right in that window 1005 00:53:12,640 --> 00:53:15,480 Speaker 1: before it shut with the birthdays? Didn't you? Good for you? 1006 00:53:15,640 --> 00:53:18,399 Speaker 1: Did you have a bash this year? Um? I did. 1007 00:53:18,440 --> 00:53:22,719 Speaker 1: I went to Marty Gross so I'm dead now. Yeah. 1008 00:53:22,760 --> 00:53:24,960 Speaker 1: I couldn't believe it. He really got it onto the wire. 1009 00:53:25,400 --> 00:53:29,480 Speaker 1: I mean it was insane. I had no concept of 1010 00:53:29,480 --> 00:53:31,480 Speaker 1: how bad things were going to get. Of course I 1011 00:53:31,480 --> 00:53:32,960 Speaker 1: would not have gone. And I went and I had 1012 00:53:32,960 --> 00:53:35,399 Speaker 1: an amazing time, and I was like I love this, 1013 00:53:35,400 --> 00:53:37,640 Speaker 1: this is great. And I flew back and I did 1014 00:53:37,680 --> 00:53:39,799 Speaker 1: get like a little weird sore throat that was like 1015 00:53:39,960 --> 00:53:43,360 Speaker 1: nothing to think about. And I just like, because everyone 1016 00:53:43,400 --> 00:53:44,759 Speaker 1: was starting to be like, hey, if you feel six 1017 00:53:44,840 --> 00:53:48,120 Speaker 1: day home, it never crossed my mind that I could 1018 00:53:48,120 --> 00:53:51,880 Speaker 1: have the thing. No, because I emailed my doctor and 1019 00:53:51,880 --> 00:53:53,520 Speaker 1: told her my symptoms and she was just like, I 1020 00:53:53,520 --> 00:53:56,799 Speaker 1: think you just got like tired from screaming and drinking martyros. 1021 00:53:58,040 --> 00:53:59,640 Speaker 1: And I was like, fair girl, I'm gonna lay down 1022 00:53:59,640 --> 00:54:01,200 Speaker 1: for a week. I love that you always when you 1023 00:54:01,320 --> 00:54:03,479 Speaker 1: whenever you tell your doctor like, hey, I'm concerned about 1024 00:54:03,480 --> 00:54:05,640 Speaker 1: this thing, and they're like, oh, probably you had sex 1025 00:54:05,680 --> 00:54:10,759 Speaker 1: too hard, stud stupid. I told my doctor once that 1026 00:54:10,840 --> 00:54:13,520 Speaker 1: I accidentally did math, and he was like, don't do 1027 00:54:13,560 --> 00:54:15,920 Speaker 1: that again. And I was like, okay, it's like, well, 1028 00:54:15,960 --> 00:54:18,880 Speaker 1: I did you know that Bowen accidentally did meth one? 1029 00:54:18,920 --> 00:54:22,120 Speaker 1: Then I've told this story. Actually one of the stories 1030 00:54:22,360 --> 00:54:25,200 Speaker 1: actually exists. It basically, I was just tricked into doing 1031 00:54:25,280 --> 00:54:28,840 Speaker 1: math by visiting Taiwanese businessman. That was it. That was it, 1032 00:54:28,960 --> 00:54:31,359 Speaker 1: and then I was during it was during a hook up. 1033 00:54:31,520 --> 00:54:34,080 Speaker 1: Congrats on your conquest. But I have a question. I'm 1034 00:54:34,160 --> 00:54:37,680 Speaker 1: unfamiliar with the method one does math. So what did 1035 00:54:37,760 --> 00:54:42,640 Speaker 1: you think it was? I actually the sectually work. It's 1036 00:54:42,640 --> 00:54:45,400 Speaker 1: a little dodgy for me. I didn't know like what 1037 00:54:45,680 --> 00:54:48,719 Speaker 1: I didn't know like what this drug use was or 1038 00:54:48,760 --> 00:54:50,560 Speaker 1: looked like. So I so like, I like, you did 1039 00:54:50,600 --> 00:54:53,560 Speaker 1: not know how people did math, like the means and 1040 00:54:53,600 --> 00:54:56,520 Speaker 1: the instrumentation around math. And so it was just like 1041 00:54:56,640 --> 00:54:59,480 Speaker 1: he he asked me, He asked me if I had poppers. 1042 00:54:59,480 --> 00:55:01,040 Speaker 1: I say no, And then he goes over and then 1043 00:55:01,040 --> 00:55:02,600 Speaker 1: he goes over to his duffle bag and pulls out 1044 00:55:02,600 --> 00:55:04,840 Speaker 1: like a glass pipe and then like a little like 1045 00:55:04,840 --> 00:55:06,640 Speaker 1: a little bag full of flakes and then he like 1046 00:55:06,719 --> 00:55:08,640 Speaker 1: loads the bulb and he's like here, smoke this. And 1047 00:55:08,640 --> 00:55:11,480 Speaker 1: I was like, okay, what is this? And there was 1048 00:55:11,480 --> 00:55:12,880 Speaker 1: a language be already was like, I don't know what 1049 00:55:12,920 --> 00:55:15,400 Speaker 1: you guys call this in English? And then I was like, 1050 00:55:15,640 --> 00:55:18,160 Speaker 1: so he of course smoked it. Well, I it is 1051 00:55:18,160 --> 00:55:20,960 Speaker 1: it opium and he goes what's that? And then I 1052 00:55:21,000 --> 00:55:23,160 Speaker 1: thought that would have been my first I felt racist 1053 00:55:23,160 --> 00:55:25,800 Speaker 1: for assuming that it was opium, and then I smoked 1054 00:55:25,800 --> 00:55:27,880 Speaker 1: it because I was like, well, it's probably fine. And 1055 00:55:27,920 --> 00:55:32,080 Speaker 1: then afterwards postcoit as he was like oh yeah. Basically 1056 00:55:32,080 --> 00:55:34,440 Speaker 1: he was like, people call it t Tina and I 1057 00:55:34,520 --> 00:55:37,239 Speaker 1: was like, oh Christina, and he was like, yes, Crystal, 1058 00:55:37,600 --> 00:55:39,600 Speaker 1: it was that. Matthew goes yes, oh, and I was 1059 00:55:39,680 --> 00:55:45,800 Speaker 1: he was like oh math and oh math math um. 1060 00:55:45,880 --> 00:55:47,320 Speaker 1: That actually makes sense to me that there was a 1061 00:55:47,400 --> 00:55:50,400 Speaker 1: language barrier. I probably would have thought it does a 1062 00:55:50,440 --> 00:55:52,719 Speaker 1: little bit. I would have thought, like, I feel like 1063 00:55:52,840 --> 00:55:56,160 Speaker 1: even such an idiot. With weed culture, sometimes they change 1064 00:55:56,520 --> 00:55:59,560 Speaker 1: the you know, sometimes it's a gas, sometimes it's a liquid. 1065 00:56:00,239 --> 00:56:04,040 Speaker 1: Is always constantly it changes states too many times that 1066 00:56:04,080 --> 00:56:05,960 Speaker 1: I don't know. So somebody could pull out a baggy 1067 00:56:06,000 --> 00:56:08,960 Speaker 1: of flakes and I'd be like marijuana flakes and I 1068 00:56:09,000 --> 00:56:11,120 Speaker 1: could be like, no, this is this is actually math. 1069 00:56:12,360 --> 00:56:17,320 Speaker 1: I mean, it's it's nice to have your like horizons 1070 00:56:17,360 --> 00:56:19,920 Speaker 1: broadened a little bit in terms of drugs, and then 1071 00:56:19,960 --> 00:56:25,920 Speaker 1: you're like, oh right, it's like it's still drugs actually ultimately, 1072 00:56:27,600 --> 00:56:30,759 Speaker 1: and that's actually the hard drug Los Angeles. Like I 1073 00:56:30,800 --> 00:56:33,799 Speaker 1: feel this is crazy, but this is just a thing 1074 00:56:33,840 --> 00:56:37,239 Speaker 1: I'll say without saying too much. But like when I 1075 00:56:37,280 --> 00:56:41,960 Speaker 1: was in New York, there was never any cocaine around. Ever, 1076 00:56:42,680 --> 00:56:45,560 Speaker 1: you come to l A, everyone has coke. Like I 1077 00:56:45,600 --> 00:56:48,400 Speaker 1: got to the barn, Everyone's like, I see cocaine everywhere. 1078 00:56:48,840 --> 00:56:50,960 Speaker 1: I think it's just a crowd thing that you're you're 1079 00:56:50,960 --> 00:56:52,840 Speaker 1: just running with a different crowd now, like there, of 1080 00:56:52,880 --> 00:56:58,160 Speaker 1: course New York has cocaine. I famously the New York 1081 00:56:58,200 --> 00:57:02,000 Speaker 1: has cocaine. We can verify that. Famously, New York has cocaine. 1082 00:57:03,160 --> 00:57:06,200 Speaker 1: I feel like I saw it a lot more in Chicago, 1083 00:57:06,520 --> 00:57:09,160 Speaker 1: but I think it was my lifestyle then I ever 1084 00:57:09,200 --> 00:57:11,680 Speaker 1: see in l A. I don't. I don't see it 1085 00:57:11,719 --> 00:57:13,560 Speaker 1: in l A. But it's because I was like working 1086 00:57:13,600 --> 00:57:16,280 Speaker 1: in bars and going to clubs. And I actually, just 1087 00:57:16,480 --> 00:57:19,320 Speaker 1: right before this, I had a zoom little birthday party 1088 00:57:19,400 --> 00:57:23,280 Speaker 1: hang with friends in Chicago who still they run clubs 1089 00:57:23,280 --> 00:57:25,520 Speaker 1: and they work in clubs and stuff, and all of 1090 00:57:25,520 --> 00:57:29,280 Speaker 1: them were just like so miserable and depressed, and it 1091 00:57:29,360 --> 00:57:30,720 Speaker 1: was like a birthday thing and I was like, what 1092 00:57:30,800 --> 00:57:32,480 Speaker 1: the fuss going on? And then finally like half of 1093 00:57:32,520 --> 00:57:34,240 Speaker 1: them got off in the last guy on was like 1094 00:57:34,760 --> 00:57:38,960 Speaker 1: we all did Molly last Why it was Sunday and 1095 00:57:39,000 --> 00:57:43,040 Speaker 1: you're trapped in your home. That sounds awful. Yeah, you 1096 00:57:43,080 --> 00:57:47,680 Speaker 1: would have be doing Molly on a zoom. I actually 1097 00:57:47,680 --> 00:57:53,200 Speaker 1: have to know. I'm looking at a little Molly. I 1098 00:57:53,240 --> 00:57:56,800 Speaker 1: did something else yesterday, which probably was like, oh, obviously 1099 00:57:56,800 --> 00:57:58,920 Speaker 1: you're in quarantine like this would never actually have it 1100 00:57:59,000 --> 00:58:04,360 Speaker 1: at a house, But like you know, I wasn't alone. 1101 00:58:04,480 --> 00:58:06,600 Speaker 1: I was with a couple other people that, like I, 1102 00:58:06,680 --> 00:58:11,840 Speaker 1: had been social distancing. We have you here, and here 1103 00:58:11,880 --> 00:58:15,160 Speaker 1: our engineers has already on the internet. Okay, well scrub scrub, 1104 00:58:16,640 --> 00:58:18,680 Speaker 1: so we have you here. And as you know, Netflix 1105 00:58:18,680 --> 00:58:21,000 Speaker 1: shows they're very popular, are they become very popular? And 1106 00:58:21,040 --> 00:58:23,800 Speaker 1: your socials are about to blow up? How do you feel? 1107 00:58:24,000 --> 00:58:27,680 Speaker 1: Oh god, I'm I don't want it. I already had 1108 00:58:27,720 --> 00:58:30,680 Speaker 1: my first I love I love a racist comment like 1109 00:58:30,720 --> 00:58:33,840 Speaker 1: this on my personal Insta and a person who follows 1110 00:58:33,880 --> 00:58:38,760 Speaker 1: me that just says you're black, and I'm like yeah, 1111 00:58:38,840 --> 00:58:41,400 Speaker 1: and then I I dove in of course, because I'm 1112 00:58:41,480 --> 00:58:43,320 Speaker 1: hungry for this, and I just went like, what's the 1113 00:58:43,360 --> 00:58:46,040 Speaker 1: point of this and the answer was you're not cute 1114 00:58:46,120 --> 00:58:48,120 Speaker 1: in space and I wanted to be like, well, first 1115 00:58:48,160 --> 00:58:49,960 Speaker 1: of all, bitch, the show ain't dropped. You haven't seen me. 1116 00:58:50,000 --> 00:58:53,720 Speaker 1: And second of all, you are also blocked. Now goody, 1117 00:58:54,080 --> 00:58:57,160 Speaker 1: but that's the thing. That's a beautiful thing. You can 1118 00:58:57,200 --> 00:59:01,120 Speaker 1: just good bye you. I'm about to start doing it 1119 00:59:01,160 --> 00:59:03,160 Speaker 1: more where I'm just like, I mean bo and I 1120 00:59:03,200 --> 00:59:05,160 Speaker 1: don't have to tell you. I can't imagine. Well, I'm 1121 00:59:05,200 --> 00:59:07,960 Speaker 1: just like, okay, well this I'm about to spoil my 1122 00:59:07,960 --> 00:59:09,520 Speaker 1: I don't think so, honey. But I posted a thing. 1123 00:59:09,600 --> 00:59:12,160 Speaker 1: I posted a hot take on Martin mcdonneh last night, 1124 00:59:12,160 --> 00:59:14,520 Speaker 1: and my stories wasn't really a hot take. But someone 1125 00:59:14,600 --> 00:59:17,320 Speaker 1: was like, you're entitled to your opinion, but you're wrong, 1126 00:59:17,680 --> 00:59:21,280 Speaker 1: and I was like, I'm gonna I was like, I 1127 00:59:21,280 --> 00:59:22,760 Speaker 1: I didn't do it, but I was like, I should 1128 00:59:22,760 --> 00:59:24,360 Speaker 1: just block your ass and you can go around and 1129 00:59:24,400 --> 00:59:26,640 Speaker 1: tell your friends that. Bow and Young blocked me over 1130 00:59:27,320 --> 00:59:30,520 Speaker 1: like a spar over d M s over Martin McDonough 1131 00:59:30,600 --> 00:59:34,400 Speaker 1: but like who like who cares? Fine? Anyway, Yeah, some 1132 00:59:34,560 --> 00:59:38,160 Speaker 1: Lieutenant of Innish more stands out here. That's the thing 1133 00:59:38,320 --> 00:59:42,280 Speaker 1: they love Lieutenant of Innish Moral. Yes, they love seven psychopaths. 1134 00:59:42,720 --> 00:59:46,080 Speaker 1: Do you go to space on the show? I can't. 1135 00:59:46,600 --> 00:59:49,960 Speaker 1: I can't tell you either way. Oh my god, that 1136 00:59:50,040 --> 00:59:53,880 Speaker 1: will be wow. So I guess what I'm asking is 1137 00:59:54,320 --> 00:59:56,320 Speaker 1: we can we can ask you an equal stuff like 1138 00:59:56,360 --> 00:59:58,760 Speaker 1: Sandra books, stuff like get a bunch of dots on 1139 00:59:58,840 --> 01:00:00,880 Speaker 1: your body and spin around and space. That would be 1140 01:00:00,920 --> 01:00:03,840 Speaker 1: so fun. I would love that. I don't know what 1141 01:00:03,920 --> 01:00:06,120 Speaker 1: I can wait you. I think you can ask me things, 1142 01:00:06,120 --> 01:00:08,000 Speaker 1: and I think I know what I can and can't say. 1143 01:00:08,040 --> 01:00:11,680 Speaker 1: But can we ask you? Does your character? Does Angela 1144 01:00:11,720 --> 01:00:13,960 Speaker 1: live or die? Does Angela die at the end of 1145 01:00:14,000 --> 01:00:16,520 Speaker 1: the season? You are you have to say, I can't 1146 01:00:16,560 --> 01:00:20,400 Speaker 1: tell you. Okay, Now at this moment, Angela is alive. 1147 01:00:20,480 --> 01:00:22,960 Speaker 1: She'd better be alive. Yeah, she should, she should be 1148 01:00:23,000 --> 01:00:27,880 Speaker 1: alive otherwise I have question. Um, but you know Angela 1149 01:00:27,880 --> 01:00:31,400 Speaker 1: and doors And I will say though that with the 1150 01:00:31,400 --> 01:00:35,000 Speaker 1: space thing, people should know this show doesn't take place 1151 01:00:35,080 --> 01:00:38,160 Speaker 1: in the race like it's on a military base. It's 1152 01:00:38,320 --> 01:00:41,920 Speaker 1: very like it's very fake Colorado, so they shouldn't be 1153 01:00:41,920 --> 01:00:45,560 Speaker 1: expecting like a a big space show despite that being 1154 01:00:45,560 --> 01:00:49,560 Speaker 1: in the t but it's based on Trump's Space Force. Yeah, 1155 01:00:49,600 --> 01:00:52,240 Speaker 1: it was literally I think Steve said like there was 1156 01:00:52,280 --> 01:00:54,920 Speaker 1: no idea. It was literally just him texting Greg being like, 1157 01:00:55,520 --> 01:00:57,880 Speaker 1: look at this, you know, space force idea. Wouldn't it 1158 01:00:57,880 --> 01:00:59,880 Speaker 1: be funny to write a show about that? So then 1159 01:01:00,840 --> 01:01:03,120 Speaker 1: what's wild? Is it? Stephen Gregg wrote the pilot, you know, 1160 01:01:03,160 --> 01:01:06,520 Speaker 1: two years before we got any news about the actual 1161 01:01:06,520 --> 01:01:08,920 Speaker 1: Space Force. So all of the things that they invented 1162 01:01:08,920 --> 01:01:12,680 Speaker 1: were just them like consulting military people and like trying 1163 01:01:12,720 --> 01:01:16,240 Speaker 1: to extrapolate on what the weird pitfalls might be. So 1164 01:01:16,280 --> 01:01:19,000 Speaker 1: all the stuff that's weirdly dovetailed and lined up, like 1165 01:01:19,240 --> 01:01:23,040 Speaker 1: with their logo coming out uniforms being wild. Like, it's 1166 01:01:23,080 --> 01:01:25,600 Speaker 1: been very eerie because I think the press has been 1167 01:01:25,680 --> 01:01:28,080 Speaker 1: kind of like, you guys are like directly ripping them off, right, 1168 01:01:28,080 --> 01:01:31,560 Speaker 1: and we're like, that's timing wise, that's not possible. But 1169 01:01:31,760 --> 01:01:34,640 Speaker 1: also it's very creepy. Yeah, that's insane. Also, I do 1170 01:01:34,720 --> 01:01:37,120 Speaker 1: think it's one of the more weird things that's come 1171 01:01:37,120 --> 01:01:40,000 Speaker 1: out of the administration is the idea of the Space Force. 1172 01:01:40,600 --> 01:01:43,080 Speaker 1: And then also like when in the show here like 1173 01:01:43,120 --> 01:01:46,160 Speaker 1: Steve Corrella first to become a space cadet. I was like, 1174 01:01:46,200 --> 01:01:48,560 Speaker 1: I think that's so funny, and like, honestly, what they'll 1175 01:01:48,560 --> 01:01:57,200 Speaker 1: be called probably yeah, and Sam space Spaceman angela perfect um, 1176 01:01:57,480 --> 01:01:59,240 Speaker 1: like you know, he says like the Air Force has 1177 01:01:59,240 --> 01:02:03,200 Speaker 1: the Airman all that. Um. Yeah, it's it's weird. It's 1178 01:02:03,240 --> 01:02:09,600 Speaker 1: also like, you know, the branch itself is in real life, 1179 01:02:09,640 --> 01:02:11,680 Speaker 1: I'm guessing, and in our show, like the branch itself 1180 01:02:11,760 --> 01:02:14,720 Speaker 1: is useful. It's just like the circumstances of its birth 1181 01:02:14,720 --> 01:02:16,880 Speaker 1: were so strange. But it's like, sure, yeah, we have 1182 01:02:16,920 --> 01:02:19,120 Speaker 1: satellites up there, that's delicate information. You probably want to 1183 01:02:19,120 --> 01:02:21,400 Speaker 1: protect that ship. Like it's all pretty common sense. I 1184 01:02:21,400 --> 01:02:23,200 Speaker 1: think it's just I think what's funny is that for 1185 01:02:23,240 --> 01:02:25,800 Speaker 1: the show, the packaging and the circumstances are what makes 1186 01:02:25,800 --> 01:02:29,000 Speaker 1: it kind of like super you know, bonkers. I just 1187 01:02:29,000 --> 01:02:31,560 Speaker 1: couldn't believe it was called Space Force, and then I 1188 01:02:31,640 --> 01:02:33,680 Speaker 1: was like, I guess what else will we call it? 1189 01:02:33,760 --> 01:02:36,960 Speaker 1: Like there's the Air Force, this is the Space Force, 1190 01:02:37,080 --> 01:02:42,240 Speaker 1: but it does sound like a Blackbuster film. Yeah, but 1191 01:02:42,400 --> 01:02:44,840 Speaker 1: the Coastguards like it's not a cheesy. Coast Guard is 1192 01:02:44,880 --> 01:02:48,920 Speaker 1: like kind of a classy name. They are the coast 1193 01:02:49,840 --> 01:02:51,560 Speaker 1: I mean, you know, yeah, like what what would we 1194 01:02:51,600 --> 01:02:54,400 Speaker 1: call it? That would be classier, like satellite guard, Satellite guard, 1195 01:02:54,760 --> 01:03:00,400 Speaker 1: satellite space space ops. No space ops, that's actually hot, oh, 1196 01:03:00,920 --> 01:03:04,440 Speaker 1: space operations, because you're just operating. You're just like making 1197 01:03:04,480 --> 01:03:08,400 Speaker 1: sure that like our satellites don't get compromised. I'm pretending 1198 01:03:08,440 --> 01:03:12,960 Speaker 1: like I know anything about, um, the armed forces. Sure, 1199 01:03:13,760 --> 01:03:17,240 Speaker 1: that's what I did for all of fall of So 1200 01:03:17,360 --> 01:03:20,320 Speaker 1: you now actually are the space expert for last cultures. 1201 01:03:20,360 --> 01:03:22,920 Speaker 1: Thus and so one thing I want to ask you 1202 01:03:23,000 --> 01:03:25,680 Speaker 1: about is what's going on with all the UFOs lately? 1203 01:03:26,560 --> 01:03:29,240 Speaker 1: Us somebody let them out? They were um, they were 1204 01:03:29,360 --> 01:03:31,760 Speaker 1: held and then somebody was like, let these go, let 1205 01:03:31,800 --> 01:03:37,880 Speaker 1: them out. But okay, t is that they are real? Bee? 1206 01:03:38,200 --> 01:03:40,040 Speaker 1: Do you believe in aliens? Oh? You mean the ones 1207 01:03:40,080 --> 01:03:41,960 Speaker 1: that the dude from Blink one d two got the 1208 01:03:42,040 --> 01:03:44,280 Speaker 1: NABE to admit we're real like a year ago. So 1209 01:03:44,560 --> 01:03:48,800 Speaker 1: that's some insane that is wild that what's his name? Tom? 1210 01:03:48,840 --> 01:03:52,360 Speaker 1: Oh my god, I'm pretty but he's the lead singer 1211 01:03:53,000 --> 01:04:00,880 Speaker 1: two and he's had this like citizens space watch Tom Delan. Okay, so, 1212 01:04:00,880 --> 01:04:02,800 Speaker 1: so this is a real like um sort of split 1213 01:04:03,080 --> 01:04:05,000 Speaker 1: sort of like um realities thing. If you want to 1214 01:04:05,040 --> 01:04:08,280 Speaker 1: believe the reader that um, we got straight to Tom 1215 01:04:08,280 --> 01:04:10,520 Speaker 1: delunge to follow me, and if you want to believe 1216 01:04:10,560 --> 01:04:14,920 Speaker 1: that we struggled for about forty seconds to find the name, 1217 01:04:15,000 --> 01:04:19,080 Speaker 1: follow Matt. This is the Truth Podcast. And if you'd 1218 01:04:19,080 --> 01:04:21,040 Speaker 1: like to jump into just you don't have to follow me, 1219 01:04:21,040 --> 01:04:22,600 Speaker 1: but if you would like to jump into my comments 1220 01:04:22,600 --> 01:04:25,120 Speaker 1: and just defend me from racists who don't think I'm 1221 01:04:25,120 --> 01:04:30,439 Speaker 1: cute in space, that would be great too. Honestly, they 1222 01:04:30,520 --> 01:04:32,240 Speaker 1: have no idea that they have no idea what they're 1223 01:04:32,240 --> 01:04:35,120 Speaker 1: even talking about. Because you looked so gorgeous flying the 1224 01:04:35,200 --> 01:04:39,240 Speaker 1: helicopter that even Steve Correll was like, let me absolutely 1225 01:04:39,280 --> 01:04:44,720 Speaker 1: get some of that. I love this. Such nonexistent heat 1226 01:04:44,760 --> 01:04:47,600 Speaker 1: you're trying to build here, I love it. It's an 1227 01:04:47,600 --> 01:04:49,680 Speaker 1: honor for me. I think he's so handy like and 1228 01:04:49,760 --> 01:04:52,680 Speaker 1: the nicest man in Hollywood, the nicest man in Hollywood. 1229 01:04:52,840 --> 01:04:56,520 Speaker 1: There's no there's no there's nothing to like, there's no 1230 01:04:56,800 --> 01:04:59,880 Speaker 1: tidbit of like anything juicy because he was so nice, 1231 01:05:00,160 --> 01:05:03,200 Speaker 1: so normal, so generous with his time he's also like, 1232 01:05:03,560 --> 01:05:07,439 Speaker 1: you know, he's got thirty million lines to every line 1233 01:05:07,440 --> 01:05:09,400 Speaker 1: of everyone else's. So he's the busiest person on sets. 1234 01:05:09,440 --> 01:05:11,840 Speaker 1: He's constantly like in his script, working on his stuff, 1235 01:05:11,880 --> 01:05:13,640 Speaker 1: working on the next scene. But you know how some 1236 01:05:13,760 --> 01:05:15,560 Speaker 1: actors are like that, and then like you feel like 1237 01:05:15,600 --> 01:05:17,520 Speaker 1: you have to tiptoe and you can't come up. You 1238 01:05:18,560 --> 01:05:20,840 Speaker 1: ask him sucking anything you're asking about Dr Pepper and 1239 01:05:20,880 --> 01:05:22,680 Speaker 1: he's like, yeah, hey, what do you need. He's the 1240 01:05:22,680 --> 01:05:26,800 Speaker 1: best you'd ever very professional. And my little short interaction 1241 01:05:26,840 --> 01:05:31,160 Speaker 1: with him, um, when you hosted two seasons ago last season, Um, 1242 01:05:31,200 --> 01:05:35,160 Speaker 1: just so so like, yeah, generous, approachable, like had no 1243 01:05:35,320 --> 01:05:38,320 Speaker 1: like airs about him. Great guy. I would like to 1244 01:05:38,400 --> 01:05:41,400 Speaker 1: meet him one day. What will you say to him? 1245 01:05:41,720 --> 01:05:44,680 Speaker 1: It sounds I would say to him that actually he 1246 01:05:44,720 --> 01:05:48,120 Speaker 1: worked with a close friend of mine, Um, Tanny Knewsome. 1247 01:05:48,440 --> 01:05:50,680 Speaker 1: I would say that, I'm actually very good friends with 1248 01:05:50,760 --> 01:05:53,919 Speaker 1: Tanny and she actually was on the show Space Force 1249 01:05:53,960 --> 01:05:56,120 Speaker 1: with you that you created. And he would probably say, 1250 01:05:56,520 --> 01:05:59,880 Speaker 1: I love Tanny. Tanny is amazing. She's so funny. You know, 1251 01:06:00,000 --> 01:06:03,040 Speaker 1: she improvised a few of those lines, and I said, well, 1252 01:06:03,120 --> 01:06:05,240 Speaker 1: I actually knew that she was an improviser. And this 1253 01:06:05,280 --> 01:06:07,959 Speaker 1: is a funny story, Steve. You know, one time I 1254 01:06:08,000 --> 01:06:11,040 Speaker 1: was asked to do a trapped him You've trapped in 1255 01:06:11,240 --> 01:06:14,160 Speaker 1: study so nice that he would listen. I said, you 1256 01:06:14,160 --> 01:06:16,520 Speaker 1: know one time, actually, Steve, that's interesting you say that 1257 01:06:16,520 --> 01:06:20,000 Speaker 1: about Tony doing improv because there was a time when 1258 01:06:20,040 --> 01:06:21,240 Speaker 1: I was doing a show in New York and I 1259 01:06:21,280 --> 01:06:23,000 Speaker 1: had no idea that Tony would be there. And not 1260 01:06:23,040 --> 01:06:24,720 Speaker 1: only was she there, but she was improvising in the 1261 01:06:24,720 --> 01:06:27,760 Speaker 1: show with me. Wow, based on a story that Steve. 1262 01:06:28,760 --> 01:06:31,160 Speaker 1: He's like, he's just looking at his watch. He's in 1263 01:06:31,200 --> 01:06:33,000 Speaker 1: the Gelson's. He's just like, thank you so much. I 1264 01:06:33,080 --> 01:06:34,960 Speaker 1: really have to I have to grab this mac and cheese. 1265 01:06:35,000 --> 01:06:37,439 Speaker 1: Here's the other question I have. Do you have any 1266 01:06:37,480 --> 01:06:42,800 Speaker 1: scenes with the legendary Lisa Coudrow. No, Oh my god, 1267 01:06:44,640 --> 01:06:46,960 Speaker 1: so you didn't get some. I love her so much. 1268 01:06:47,280 --> 01:06:49,040 Speaker 1: I did not even get to meet her by the 1269 01:06:49,280 --> 01:06:52,160 Speaker 1: end of By the time when they were mostly filming 1270 01:06:52,200 --> 01:06:54,800 Speaker 1: a lot of her stuff, they had to and sometimes 1271 01:06:54,880 --> 01:06:57,600 Speaker 1: three units a day going. So I would be filming 1272 01:06:57,640 --> 01:07:00,080 Speaker 1: in like the outer desert somewhere, and she'd be in 1273 01:07:00,320 --> 01:07:02,760 Speaker 1: Long Beach, and the hair and makeup ladies knew that 1274 01:07:02,800 --> 01:07:05,160 Speaker 1: I loved her, so occasionally they text me when I'd 1275 01:07:05,160 --> 01:07:07,240 Speaker 1: come to set and they'd be like, you just missed Lisa. 1276 01:07:08,360 --> 01:07:11,480 Speaker 1: If we get a season too, though, Yes, it was 1277 01:07:11,560 --> 01:07:13,800 Speaker 1: rude of them. They were gloating. Yeah, we look forward 1278 01:07:13,840 --> 01:07:16,880 Speaker 1: to some high drinks potentially in season two. Absolutely were 1279 01:07:16,880 --> 01:07:19,000 Speaker 1: you were you living out in the desert or you know, 1280 01:07:19,880 --> 01:07:23,360 Speaker 1: they got you a damn car and they drove you. No, 1281 01:07:23,440 --> 01:07:25,640 Speaker 1: I drove. I drove my damn self. But it was 1282 01:07:26,480 --> 01:07:29,120 Speaker 1: It was good though, because we had a bunch of 1283 01:07:29,160 --> 01:07:33,360 Speaker 1: different locations, so nothing ever felt too tedious because we 1284 01:07:33,360 --> 01:07:34,720 Speaker 1: weren't just like, oh my god, I'm going to Long 1285 01:07:34,760 --> 01:07:36,160 Speaker 1: Beach every day. Like some days we were like, oh, 1286 01:07:36,200 --> 01:07:39,800 Speaker 1: I'm going to Santa Clarita and Chatsworth and other glamorous 1287 01:07:39,880 --> 01:07:41,680 Speaker 1: local Santa Clarita is one actually one of the most 1288 01:07:41,680 --> 01:07:45,240 Speaker 1: glamorous places in the state of California. Chatsworth is one 1289 01:07:45,240 --> 01:07:47,320 Speaker 1: of the most amazing places to shoot if you get 1290 01:07:47,360 --> 01:07:51,240 Speaker 1: to be an actor. The sidewalks are wide, they are 1291 01:07:51,280 --> 01:07:53,880 Speaker 1: as wide as they are hot in chats That's what 1292 01:07:53,960 --> 01:07:57,480 Speaker 1: we love about Chatsworth. I'm asking you, I'm asking the 1293 01:07:57,520 --> 01:08:02,560 Speaker 1: dumbest questions. I'm like, did you get a card. No, No, 1294 01:08:02,720 --> 01:08:05,120 Speaker 1: I feel like I'm being very uneventful because I'm just 1295 01:08:05,160 --> 01:08:07,080 Speaker 1: like telling you that Steve corral was nice. It's like, 1296 01:08:07,120 --> 01:08:12,240 Speaker 1: it's so tell us how we was. Malcovich is so weird. 1297 01:08:12,280 --> 01:08:15,560 Speaker 1: He's perfect. He's perfect. I have a video on my 1298 01:08:15,640 --> 01:08:19,600 Speaker 1: phone of him showing me his color coded binder that 1299 01:08:19,680 --> 01:08:23,240 Speaker 1: he had color coded with scented highlighters and smelling each 1300 01:08:23,280 --> 01:08:28,920 Speaker 1: one and being like, this one is episode four. I 1301 01:08:29,040 --> 01:08:36,040 Speaker 1: used grape every yeah, literally so that he could like 1302 01:08:36,080 --> 01:08:38,880 Speaker 1: smell it and know like, okay, this page, this goes here, 1303 01:08:39,000 --> 01:08:45,040 Speaker 1: it's this is watermelow. My word, that's exactly what you want. 1304 01:08:45,160 --> 01:08:49,360 Speaker 1: He's a treasure. He also um immediately like he's just 1305 01:08:49,400 --> 01:08:51,680 Speaker 1: like a kid, so he immediately like wants to talk 1306 01:08:51,720 --> 01:08:53,519 Speaker 1: about new hip things. He needed to talk to me 1307 01:08:53,520 --> 01:08:55,800 Speaker 1: and Jimmy Oyang about K pop. He was like sending 1308 01:08:55,880 --> 01:09:02,080 Speaker 1: us YouTube videos adorable. No, first answer that question, is 1309 01:09:03,560 --> 01:09:05,760 Speaker 1: this racist? It was not at the time because it 1310 01:09:05,840 --> 01:09:09,240 Speaker 1: was germane to something in descript it, so at that 1311 01:09:09,280 --> 01:09:11,280 Speaker 1: moment in time, it was not. It was German at 1312 01:09:11,280 --> 01:09:14,160 Speaker 1: the time. I'm out here trying to cancel John Malkovich. 1313 01:09:14,400 --> 01:09:21,240 Speaker 1: By the way, please please don't do that. I mean, honestly, 1314 01:09:21,280 --> 01:09:23,680 Speaker 1: I think there's so many other people. I bet you 1315 01:09:23,720 --> 01:09:25,840 Speaker 1: could cancel half of the past and the show would 1316 01:09:25,880 --> 01:09:27,880 Speaker 1: still get watched and be survived. This is t We 1317 01:09:27,920 --> 01:09:30,320 Speaker 1: won't say his name, but I love the story that 1318 01:09:30,360 --> 01:09:32,760 Speaker 1: you told me about that one celebrity that could be 1319 01:09:32,800 --> 01:09:37,240 Speaker 1: canceled in an absolute what I don't know about. Let's 1320 01:09:37,280 --> 01:09:42,880 Speaker 1: just say we know a celebrity. It's it's told me 1321 01:09:42,920 --> 01:09:44,920 Speaker 1: at one time. Well, we'll talk about it off pod. 1322 01:09:45,439 --> 01:09:47,600 Speaker 1: But wow, there's a celebrity out there who is not 1323 01:09:47,640 --> 01:09:50,360 Speaker 1: even close to cancel, which if this came out, honey, 1324 01:09:50,439 --> 01:09:53,720 Speaker 1: he'd be run out of the damn hood. People love him. 1325 01:09:53,800 --> 01:09:56,560 Speaker 1: And again like I don't, I legitmately don't want this 1326 01:09:56,600 --> 01:09:59,639 Speaker 1: to come out only because I am. I don't want 1327 01:09:59,680 --> 01:10:03,360 Speaker 1: the roles yelling like I've done something wrong when really 1328 01:10:03,400 --> 01:10:05,640 Speaker 1: all I'd be doing is being like, hey, is this 1329 01:10:05,720 --> 01:10:10,120 Speaker 1: your king? This motherfucker said this, and people I cannot 1330 01:10:10,120 --> 01:10:14,240 Speaker 1: handle it. So it's actually like it's it's it behooves 1331 01:10:14,240 --> 01:10:16,240 Speaker 1: me to shut up about it. And thankfully, like you know, 1332 01:10:16,240 --> 01:10:19,200 Speaker 1: he didn't do anything violent, so I don't feel a responsibility, 1333 01:10:19,280 --> 01:10:21,320 Speaker 1: but I actually, truly, yeah, it was not it was 1334 01:10:21,320 --> 01:10:24,360 Speaker 1: not anything. No, there's no reason to cut it out 1335 01:10:24,360 --> 01:10:25,800 Speaker 1: because we're never none of us are ever going to 1336 01:10:25,840 --> 01:10:27,599 Speaker 1: say what it was. All we're saying is that there 1337 01:10:27,600 --> 01:10:30,360 Speaker 1: are people that you the readers stand now but see 1338 01:10:30,439 --> 01:10:32,559 Speaker 1: now that to socials are gonna blow up and they 1339 01:10:32,600 --> 01:10:35,000 Speaker 1: might listen to this damn episode and they're gonna fucking 1340 01:10:35,040 --> 01:10:38,680 Speaker 1: harass or for details. No, because that's actually it's a 1341 01:10:38,720 --> 01:10:41,400 Speaker 1: great point. Do you think that they will know? I 1342 01:10:41,439 --> 01:10:44,240 Speaker 1: have no idea. Bowen, tell me what happened to your socials? 1343 01:10:44,400 --> 01:10:49,439 Speaker 1: My socials? My socials? Gradually it was a gradual, gradual growth. Um, 1344 01:10:49,760 --> 01:10:52,960 Speaker 1: and now I'll get like a gosh, what's my split? 1345 01:10:53,000 --> 01:10:56,479 Speaker 1: It's like an seventy thirty split of like really nice 1346 01:10:57,479 --> 01:11:03,679 Speaker 1: messages to insanity and people like um, wanting feet picks 1347 01:11:03,720 --> 01:11:06,600 Speaker 1: and stuff, which I'm happy to give them. But just 1348 01:11:07,160 --> 01:11:10,040 Speaker 1: is different though. Netflix is different. Netflix is like a 1349 01:11:10,120 --> 01:11:12,600 Speaker 1: whole other level, like do you know do you know 1350 01:11:12,640 --> 01:11:15,720 Speaker 1: did you watch the show you you're talking about James 1351 01:11:15,800 --> 01:11:19,000 Speaker 1: James Scully on on you. He's a friend and his 1352 01:11:19,160 --> 01:11:22,439 Speaker 1: socials when boom boom boom explode because I think you 1353 01:11:22,720 --> 01:11:26,000 Speaker 1: is like huge, like you does like huge numbers and 1354 01:11:26,040 --> 01:11:28,720 Speaker 1: I think Space Force is going to do huge. I 1355 01:11:28,720 --> 01:11:33,160 Speaker 1: would be shocked if that was all over the front page, 1356 01:11:33,280 --> 01:11:34,840 Speaker 1: like you know that Netflix is rolling out as that 1357 01:11:34,880 --> 01:11:38,439 Speaker 1: quote unquote tent pole a tent pole. Yeah, I was 1358 01:11:38,439 --> 01:11:40,479 Speaker 1: gonna ask you about Jimmy Olliang. Did you I love Jimmy, 1359 01:11:41,000 --> 01:11:42,639 Speaker 1: You love Jimmy so much. Do you know him beforehand? 1360 01:11:42,880 --> 01:11:45,000 Speaker 1: I did? I knew him through Andrew actually through Andrew 1361 01:11:45,000 --> 01:11:48,240 Speaker 1: T my co host, and Threw um Jessica Gao a 1362 01:11:48,240 --> 01:11:51,400 Speaker 1: good friend of ours, so I kind of, um, I 1363 01:11:51,400 --> 01:11:52,840 Speaker 1: had met him twice and then I think he did 1364 01:11:52,840 --> 01:11:54,719 Speaker 1: the pod once, but I don't think we really remembered 1365 01:11:54,720 --> 01:11:56,360 Speaker 1: each other from that. I think I'm more remember to 1366 01:11:56,400 --> 01:11:59,360 Speaker 1: him as like Andrew and Deska's friend. Um. So it 1367 01:11:59,400 --> 01:12:02,000 Speaker 1: was kind of funny we had like a little just 1368 01:12:02,160 --> 01:12:05,640 Speaker 1: knowing someone when there's all those legends around you, just 1369 01:12:05,760 --> 01:12:08,000 Speaker 1: knowing someone who's kind of your age, you're just like, hey, 1370 01:12:08,000 --> 01:12:11,160 Speaker 1: man like me. Him and Ben were instantly kind of like, okay, 1371 01:12:11,240 --> 01:12:13,720 Speaker 1: we can kind of like you know, check in with 1372 01:12:13,760 --> 01:12:16,680 Speaker 1: each other. Yeah, and you've been a little bit just 1373 01:12:16,720 --> 01:12:19,760 Speaker 1: from comedy bang bang stuff and but again not well so. 1374 01:12:20,920 --> 01:12:23,640 Speaker 1: But yeah, we just made like a little comedy and 1375 01:12:23,640 --> 01:12:26,840 Speaker 1: then actually a little baby Diana Silvers. I've never had 1376 01:12:26,880 --> 01:12:30,920 Speaker 1: a little sister, but she's a little sick a little sister. Yeah. 1377 01:12:31,360 --> 01:12:34,080 Speaker 1: I love her. She's good on the show, too, very good. 1378 01:12:34,560 --> 01:12:37,720 Speaker 1: She's great, she's so I also selfishly was just so 1379 01:12:37,760 --> 01:12:41,800 Speaker 1: happy she's like tall, because I just sometimes I get 1380 01:12:41,840 --> 01:12:44,680 Speaker 1: on a set. I did an episode of Superstore, and 1381 01:12:44,720 --> 01:12:46,760 Speaker 1: I had like so many tweets and comments of people 1382 01:12:46,800 --> 01:12:49,040 Speaker 1: just being like, why are you so tall? How tall 1383 01:12:48,360 --> 01:12:54,600 Speaker 1: are you? Well? America Ferrera is only three. Too interesting. 1384 01:12:54,840 --> 01:12:58,800 Speaker 1: I didn't clock that when I was there. I'll never 1385 01:12:58,880 --> 01:13:03,000 Speaker 1: forget recently. In my not recently, this actually was fifteen 1386 01:13:03,080 --> 01:13:06,360 Speaker 1: years ago. We were watching The Traveling Pants and my 1387 01:13:06,439 --> 01:13:10,719 Speaker 1: dad says, it's the scene where American down she throws 1388 01:13:10,800 --> 01:13:13,120 Speaker 1: the brick in the house and like then he the 1389 01:13:13,520 --> 01:13:16,160 Speaker 1: Bradley before her father calls her, her white father who 1390 01:13:16,360 --> 01:13:18,720 Speaker 1: left left her and her mom like to have like 1391 01:13:18,760 --> 01:13:21,400 Speaker 1: a new white family like calls her and it's like 1392 01:13:21,400 --> 01:13:24,320 Speaker 1: when the hell and she's like breaks down and it's 1393 01:13:24,320 --> 01:13:28,840 Speaker 1: basically like you left us, like amazing, amazing, And my 1394 01:13:28,920 --> 01:13:34,759 Speaker 1: dad goes that actress is very strong. I would Happy 1395 01:13:34,760 --> 01:13:37,240 Speaker 1: birthday to rich By the way, your father. It's my 1396 01:13:37,320 --> 01:13:42,439 Speaker 1: dad's birthday today. Um. Today, today is to day. Um. 1397 01:13:42,520 --> 01:13:44,519 Speaker 1: And did he do a bunch of molly with friends? 1398 01:13:44,760 --> 01:13:47,240 Speaker 1: Like my friend? I think he might have just you know, 1399 01:13:48,240 --> 01:13:50,360 Speaker 1: drink one or nine Coors lights and called it a night. 1400 01:13:50,640 --> 01:13:56,439 Speaker 1: And then then he actually my microjost America Ferrera through 1401 01:13:56,479 --> 01:13:59,320 Speaker 1: the first brick at sister of the Traveling Pants, And 1402 01:13:59,320 --> 01:14:03,800 Speaker 1: that's actually real culture. The first at. Yeah, that's true, 1403 01:14:03,800 --> 01:14:11,720 Speaker 1: that's that's real cut through the first break she did. 1404 01:14:12,479 --> 01:14:15,160 Speaker 1: It was an important break. I've realized. I've never seen it. 1405 01:14:15,240 --> 01:14:19,760 Speaker 1: I've never seen some you're hanging out with your mom. 1406 01:14:19,800 --> 01:14:22,960 Speaker 1: Now you're poring with your mom. Um. My mother did move. 1407 01:14:23,360 --> 01:14:26,320 Speaker 1: She built her own trailer. She renovated her own trailer 1408 01:14:26,360 --> 01:14:28,920 Speaker 1: and did move it on to my property. Oh yeah, 1409 01:14:28,960 --> 01:14:31,400 Speaker 1: you told me about this. We couldn't record with you 1410 01:14:31,520 --> 01:14:37,000 Speaker 1: yesterday because you were building. I think I said, I 1411 01:14:37,000 --> 01:14:38,800 Speaker 1: believe this is going to be an all day thing. 1412 01:14:39,000 --> 01:14:43,639 Speaker 1: Is there another? And it was? It was it was yeah, yeah, yeah. 1413 01:14:43,800 --> 01:14:45,920 Speaker 1: But my mom she's very I mean I'm the same 1414 01:14:45,960 --> 01:14:48,639 Speaker 1: as her, were very like d I Y. So I 1415 01:14:48,680 --> 01:14:51,519 Speaker 1: have had this old vintage trailer that I've been renovating 1416 01:14:51,520 --> 01:14:54,000 Speaker 1: for like a year, like taking my time whatever. And 1417 01:14:54,040 --> 01:14:55,760 Speaker 1: my mom when all this hit, she was just like, 1418 01:14:55,840 --> 01:14:58,240 Speaker 1: I can't stay in the house anymore. She got like 1419 01:14:58,280 --> 01:15:01,600 Speaker 1: a five D trailer are towed to her from Craigslist 1420 01:15:01,800 --> 01:15:05,040 Speaker 1: and just started like painting and ripping everything out. And 1421 01:15:05,080 --> 01:15:07,800 Speaker 1: that was twelve days ago, and then she towed it 1422 01:15:07,840 --> 01:15:13,960 Speaker 1: down to my house and it is pristine. Okay. So 1423 01:15:14,000 --> 01:15:16,400 Speaker 1: then like, how far apart are you distance wise? I'm 1424 01:15:16,439 --> 01:15:19,200 Speaker 1: just just out of your like your trailers far away 1425 01:15:19,200 --> 01:15:21,360 Speaker 1: from her. So are you in a trailer? I'm so confused. 1426 01:15:22,360 --> 01:15:24,479 Speaker 1: I'm not a trailer. I have a home. Um, I 1427 01:15:24,560 --> 01:15:26,720 Speaker 1: have not that a trailer can't be at home. I 1428 01:15:26,760 --> 01:15:29,719 Speaker 1: have a brick and mortar home. And then um, because 1429 01:15:29,760 --> 01:15:32,000 Speaker 1: we we moved out of the city, so we're like rural, 1430 01:15:32,479 --> 01:15:34,360 Speaker 1: so we have like a ton of space. So she's 1431 01:15:34,439 --> 01:15:37,439 Speaker 1: like far away, She's hundreds of feet away, which is 1432 01:15:37,560 --> 01:15:41,559 Speaker 1: race Um yeah, and then you know we can mingle 1433 01:15:41,920 --> 01:15:44,280 Speaker 1: later maybe, But it was just because she didn't have 1434 01:15:44,280 --> 01:15:47,240 Speaker 1: anywhere to walk in her neighborhood and stuff. So the 1435 01:15:47,280 --> 01:15:49,200 Speaker 1: trail that sounds like such a good set up, though, 1436 01:15:49,520 --> 01:15:51,360 Speaker 1: it's like you're far enough from each other that it 1437 01:15:51,400 --> 01:15:54,920 Speaker 1: doesn't feel like they're like stacked on top of you. 1438 01:15:56,000 --> 01:15:58,519 Speaker 1: This is for anybody, not even parents or anybody. But 1439 01:15:58,520 --> 01:16:00,880 Speaker 1: it's like, I don't know, you run the resk of 1440 01:16:01,000 --> 01:16:03,040 Speaker 1: if you if you like invite someone into your pot 1441 01:16:03,120 --> 01:16:06,880 Speaker 1: or like they live with you. Um, then it just 1442 01:16:07,000 --> 01:16:09,439 Speaker 1: like becomes a bit encroaching. I don't know that that 1443 01:16:09,479 --> 01:16:12,840 Speaker 1: sounds great, yea, even when you have guests, you know, 1444 01:16:12,920 --> 01:16:14,920 Speaker 1: like I all my dream, especially when I was living 1445 01:16:14,920 --> 01:16:16,400 Speaker 1: in Chicago, was just like if I could just have 1446 01:16:16,439 --> 01:16:18,400 Speaker 1: a guest room, like a guest room would be amazing, 1447 01:16:18,560 --> 01:16:20,960 Speaker 1: like love having people over. But then I think I 1448 01:16:21,000 --> 01:16:23,519 Speaker 1: came to learn that Nate, my husband, and I are 1449 01:16:23,640 --> 01:16:26,360 Speaker 1: just we've just lived together and only with each other 1450 01:16:26,400 --> 01:16:29,320 Speaker 1: for too long, and so we are weird. And our 1451 01:16:29,360 --> 01:16:31,920 Speaker 1: houses like Swiss family Robinson. It's like, oh, actually you 1452 01:16:31,920 --> 01:16:33,720 Speaker 1: can't pull on that or the shelf will come down. 1453 01:16:33,840 --> 01:16:36,760 Speaker 1: So like to have guests over, I realized that the 1454 01:16:36,840 --> 01:16:40,920 Speaker 1: guest might be a little stressful. Now we're like, let's 1455 01:16:40,960 --> 01:16:43,960 Speaker 1: curate a space where they can be they can be elsewhere. 1456 01:16:44,479 --> 01:16:48,040 Speaker 1: So yeah, I want property, bitch, I just have to 1457 01:16:48,120 --> 01:16:52,000 Speaker 1: move to the middle of absolute nowhere. Um. So listen, 1458 01:16:52,439 --> 01:16:54,080 Speaker 1: what we have to do is take a very quick 1459 01:16:54,080 --> 01:16:56,519 Speaker 1: break and then when we come back, it's actually time 1460 01:16:56,800 --> 01:17:09,320 Speaker 1: for I don't think so yeah, and we're back and 1461 01:17:09,680 --> 01:17:13,000 Speaker 1: bone Yang. It's even though there's been so much to 1462 01:17:13,000 --> 01:17:15,559 Speaker 1: celebrate in the culture lately, and I think that you 1463 01:17:15,560 --> 01:17:17,720 Speaker 1: can agree, Tonny, there's been much to celebrate. I mean, 1464 01:17:17,760 --> 01:17:22,800 Speaker 1: there's the Incoming Space Force starring you and others. There's 1465 01:17:22,880 --> 01:17:25,720 Speaker 1: Rain on Me by Lady Gaga and Ariana Grande, two 1466 01:17:25,720 --> 01:17:28,439 Speaker 1: singers who decided to team up and share a song together. 1467 01:17:28,720 --> 01:17:31,519 Speaker 1: There's Dedicated Side B by Carla bay Jepson, a woman 1468 01:17:31,560 --> 01:17:33,920 Speaker 1: who I I don't think so honeyed at one point 1469 01:17:33,920 --> 01:17:35,599 Speaker 1: because I thought she was coming out with the disco altub. 1470 01:17:35,600 --> 01:17:39,120 Speaker 1: But now I've come back to stand she's still not 1471 01:17:39,200 --> 01:17:41,519 Speaker 1: done that what she said she would do. And there's 1472 01:17:41,520 --> 01:17:43,479 Speaker 1: of course the release of the Song of the Year 1473 01:17:43,640 --> 01:17:48,720 Speaker 1: Daisies by Katie Perry and um, I can't believe it, 1474 01:17:48,800 --> 01:17:51,599 Speaker 1: but it's actually gonna be time to actually take some 1475 01:17:51,640 --> 01:17:53,640 Speaker 1: things from the culture down. And this actually is a 1476 01:17:53,720 --> 01:17:56,840 Speaker 1: very topical thing I'm not gonna talk about. Okay, come on, 1477 01:17:56,880 --> 01:17:59,840 Speaker 1: I say you have something, I do I have something. Okay, 1478 01:17:59,840 --> 01:18:01,599 Speaker 1: this as Matt Rodgers, I don't think so honey. As 1479 01:18:01,640 --> 01:18:04,719 Speaker 1: time starts now, I don't think so honey. I'm running 1480 01:18:04,800 --> 01:18:08,320 Speaker 1: with a mask on. How About I try to breathe? 1481 01:18:08,640 --> 01:18:12,040 Speaker 1: How about that? How About it's hard enough to run 1482 01:18:12,520 --> 01:18:16,240 Speaker 1: when you smoke reefer, how I don't think so honey, 1483 01:18:16,240 --> 01:18:20,240 Speaker 1: it's very easy. How About I don't think so honey. 1484 01:18:20,520 --> 01:18:24,280 Speaker 1: Me actually ran today without a mask and then I 1485 01:18:24,280 --> 01:18:26,320 Speaker 1: had to turn around and come back because I got 1486 01:18:26,479 --> 01:18:31,519 Speaker 1: what a dirty look? I couldn't breathe. And then, actually, 1487 01:18:31,560 --> 01:18:33,719 Speaker 1: I don't think so honey that I did run because 1488 01:18:33,720 --> 01:18:35,960 Speaker 1: it ended up being really more of a brisk walk. 1489 01:18:36,600 --> 01:18:40,400 Speaker 1: Luckily that burns calories as well. But I don't think 1490 01:18:40,400 --> 01:18:43,360 Speaker 1: so honey, me starting to even begin a new in 1491 01:18:43,439 --> 01:18:46,080 Speaker 1: terms of running and exercise, which I am starting to 1492 01:18:46,120 --> 01:18:49,519 Speaker 1: try to do, thank you. If not with this mask 1493 01:18:49,560 --> 01:18:51,760 Speaker 1: on my face, not with has been down across my mouth. 1494 01:18:51,840 --> 01:18:54,360 Speaker 1: I cannot breathe. I am choking. I am breathing in 1495 01:18:54,400 --> 01:18:58,400 Speaker 1: the fabric. It is going down my throat. I don't think, 1496 01:18:58,439 --> 01:19:01,519 Speaker 1: so honey. I can't go on like this. When can 1497 01:19:01,560 --> 01:19:04,200 Speaker 1: I show my mouth again to the world? And that's 1498 01:19:04,240 --> 01:19:09,160 Speaker 1: one minute? Okay, this is huge and you that's powerful. 1499 01:19:09,200 --> 01:19:10,559 Speaker 1: Here's what I propose you do, you let you you 1500 01:19:10,640 --> 01:19:12,760 Speaker 1: do the mask? Is it ear loops? Is that what 1501 01:19:12,800 --> 01:19:15,360 Speaker 1: you're working with? Yes, But I also I haven't been down. 1502 01:19:15,439 --> 01:19:17,400 Speaker 1: And the thing is, I think the bandanna is more stylish, 1503 01:19:17,400 --> 01:19:19,280 Speaker 1: but it falls off easier. So yes, I've been using 1504 01:19:19,320 --> 01:19:20,720 Speaker 1: the mask with the ear loops. I think you do 1505 01:19:20,760 --> 01:19:22,960 Speaker 1: ear loops and you let it. You let it hang 1506 01:19:23,080 --> 01:19:26,679 Speaker 1: like a hammock on along your chin, your drawline when 1507 01:19:26,680 --> 01:19:30,920 Speaker 1: you're running, because if it's outdoors and running especially, the 1508 01:19:31,040 --> 01:19:35,200 Speaker 1: risk is apparently very low. Yeah, people have started to 1509 01:19:35,240 --> 01:19:38,160 Speaker 1: like get angry, like when when it comes up that 1510 01:19:38,200 --> 01:19:41,400 Speaker 1: people are maybe running without the masks, and let's just 1511 01:19:41,439 --> 01:19:43,120 Speaker 1: say this flat out. I will do what I have 1512 01:19:43,200 --> 01:19:45,559 Speaker 1: to do. And I literally did not run today without 1513 01:19:45,600 --> 01:19:47,640 Speaker 1: a mask. I stepped outside forgot it and then I 1514 01:19:47,680 --> 01:19:49,320 Speaker 1: was like, okay, let me go back inside. Just so 1515 01:19:49,439 --> 01:19:52,400 Speaker 1: we're clear readers, right, And I'm saying again lost cultures, 1516 01:19:52,439 --> 01:19:54,879 Speaker 1: this is not news. It's not a public health authority 1517 01:19:54,920 --> 01:19:58,200 Speaker 1: in any way. Rooms Medics a podcast for a pop 1518 01:19:58,240 --> 01:20:01,679 Speaker 1: culture in medical and medical rumors. That's true, Um, but 1519 01:20:01,840 --> 01:20:05,080 Speaker 1: the risk of transmission is very low outside for for 1520 01:20:05,080 --> 01:20:08,080 Speaker 1: for someone who's at the risk of you if you're 1521 01:20:08,160 --> 01:20:12,920 Speaker 1: positive transmitting the daisies to someone else as you're running outside, 1522 01:20:13,000 --> 01:20:15,160 Speaker 1: even with the mask off, is still very low. So 1523 01:20:15,280 --> 01:20:17,000 Speaker 1: I think what you should do is at least doing 1524 01:20:17,000 --> 01:20:21,080 Speaker 1: the safety theater of um having the mask dangle along 1525 01:20:21,120 --> 01:20:22,800 Speaker 1: your chin so that people can see that you have 1526 01:20:22,880 --> 01:20:24,439 Speaker 1: the mask ready to just pull up it at a 1527 01:20:24,479 --> 01:20:26,680 Speaker 1: moment you're right, so that people feel more safe. I 1528 01:20:26,720 --> 01:20:28,519 Speaker 1: get that. I want people to feel good. I just 1529 01:20:28,560 --> 01:20:30,240 Speaker 1: also want to be able to breathe. And and the 1530 01:20:30,280 --> 01:20:33,479 Speaker 1: fact of the matter is like in my apartment building 1531 01:20:33,520 --> 01:20:35,320 Speaker 1: there is a gym, but we're not allowed to use 1532 01:20:35,360 --> 01:20:38,920 Speaker 1: it anymore. And I just really I'm trying now that 1533 01:20:38,960 --> 01:20:40,920 Speaker 1: I'm not working as much, I'm trying to exercise more 1534 01:20:41,000 --> 01:20:45,200 Speaker 1: because Bone and I might be on camera at some 1535 01:20:45,240 --> 01:20:48,679 Speaker 1: point in this summer with our with the top popped, 1536 01:20:48,920 --> 01:20:50,559 Speaker 1: and I'm not trying to stand next to Jill Kim 1537 01:20:50,600 --> 01:20:52,760 Speaker 1: Booster like a damn fool. Oh I'm gonna look like 1538 01:20:52,800 --> 01:20:54,200 Speaker 1: a damn fool no matter what, next to him. So 1539 01:20:54,240 --> 01:20:58,200 Speaker 1: I'm just letting myself go, honey, no, take a Berry's 1540 01:20:58,200 --> 01:21:00,840 Speaker 1: class with me over zoom. They're very They're very, very hard. 1541 01:21:01,280 --> 01:21:03,479 Speaker 1: You can do a Berries over zoom. They're doing Berries 1542 01:21:03,479 --> 01:21:06,280 Speaker 1: over zoom. You can do anything. I've been doing an 1543 01:21:06,280 --> 01:21:10,439 Speaker 1: African dance fitness class. It's just these African ladies shaking 1544 01:21:10,439 --> 01:21:12,760 Speaker 1: it as good caliber. I get that. Yeah, I mean 1545 01:21:13,320 --> 01:21:17,360 Speaker 1: even like just dancing around to anything really will burn 1546 01:21:17,439 --> 01:21:20,640 Speaker 1: the cows. I've been doing like, um, even just screaming 1547 01:21:20,720 --> 01:21:24,280 Speaker 1: just stream, that's got to burn a quick I'll scream 1548 01:21:24,320 --> 01:21:27,360 Speaker 1: at my partner and um. One of the things I'm 1549 01:21:27,400 --> 01:21:29,559 Speaker 1: doing too is jumping. I'll do a real, real rotation. 1550 01:21:29,600 --> 01:21:34,599 Speaker 1: I'll do jumping. Jack's crunches, squats and push ups. Yeah. Right, 1551 01:21:34,640 --> 01:21:38,960 Speaker 1: that's amazing. That's great, That's very amazing. It's amazing. It's amazing. 1552 01:21:39,200 --> 01:21:42,760 Speaker 1: This Berries, this Barries. Instructor Austin Kay had us to 1553 01:21:42,800 --> 01:21:45,759 Speaker 1: do one hundred squats and I was like, you're a madman. 1554 01:21:46,120 --> 01:21:49,719 Speaker 1: I did them the next morning, could not walk, could 1555 01:21:49,720 --> 01:21:52,720 Speaker 1: not walk. But that squats are they'll get you. But 1556 01:21:52,760 --> 01:21:55,160 Speaker 1: I know that it helped. I know that it helped. Yeah, 1557 01:21:55,200 --> 01:21:58,240 Speaker 1: And there's nothing because he he did that and he said, 1558 01:21:58,360 --> 01:22:00,000 Speaker 1: I know you don't have nowhere to go to said, 1559 01:22:00,320 --> 01:22:02,479 Speaker 1: so you're gonna do these hundreds hundred squats and then 1560 01:22:02,479 --> 01:22:06,000 Speaker 1: you're gonna be on house arrest. Okay. The thing about 1561 01:22:06,040 --> 01:22:09,400 Speaker 1: squats is like, I never mind if squats hurt me, 1562 01:22:09,479 --> 01:22:12,559 Speaker 1: because there's nothing I like more than to know that 1563 01:22:12,640 --> 01:22:17,200 Speaker 1: my butt is getting better, like for me being in 1564 01:22:17,240 --> 01:22:19,960 Speaker 1: the gay community, and I'm gonna go to hold the 1565 01:22:20,040 --> 01:22:23,040 Speaker 1: mic with both hands. Your butt is very important in 1566 01:22:23,080 --> 01:22:27,519 Speaker 1: the gay community, and it's important to um, you know, 1567 01:22:28,040 --> 01:22:32,000 Speaker 1: use that butt of yours to men, because that's what 1568 01:22:32,040 --> 01:22:36,760 Speaker 1: they call peacocking. You know, yes, yes, absolutely similar for 1569 01:22:36,840 --> 01:22:40,040 Speaker 1: the black people, I can say, like people, we also 1570 01:22:40,120 --> 01:22:43,240 Speaker 1: enjoy a butt. Um, I have been blessed. I've never 1571 01:22:43,320 --> 01:22:46,639 Speaker 1: lacked for a butt. So now now that I live 1572 01:22:46,680 --> 01:22:49,280 Speaker 1: on a hill and just to leave my home, I 1573 01:22:49,360 --> 01:22:51,840 Speaker 1: have to work the butt. Now I have some favorite 1574 01:22:51,880 --> 01:22:54,960 Speaker 1: pants that you're not fake. This is the only time 1575 01:22:55,280 --> 01:22:57,439 Speaker 1: the butt has actually become too big, which normally I'm 1576 01:22:57,479 --> 01:22:59,120 Speaker 1: okay with because then it makes you look like you 1577 01:22:59,160 --> 01:23:02,200 Speaker 1: have a small way. But it's actually it's it's reached 1578 01:23:02,240 --> 01:23:05,759 Speaker 1: a threshold that my that my vintage genes cannot abide, 1579 01:23:05,800 --> 01:23:08,240 Speaker 1: and so I do need to reduce it. But you know, 1580 01:23:08,320 --> 01:23:11,080 Speaker 1: that just means that the genes never deserved you. Because 1581 01:23:11,120 --> 01:23:13,960 Speaker 1: if they don't deserve you, that you're not big butt, 1582 01:23:14,520 --> 01:23:17,559 Speaker 1: they definitely. I don't even know where I'm going with that. Well, 1583 01:23:17,720 --> 01:23:19,559 Speaker 1: I sense what you were going. I think that's one 1584 01:23:19,560 --> 01:23:21,080 Speaker 1: of the reasons idness New York so much is like 1585 01:23:21,080 --> 01:23:23,240 Speaker 1: you're always on the go, walking up damn steps, going 1586 01:23:23,280 --> 01:23:25,439 Speaker 1: on the subway, out the subway. Your booty is always 1587 01:23:25,479 --> 01:23:31,840 Speaker 1: getting a work out. Not anymore, darling, I'm not walking 1588 01:23:31,880 --> 01:23:34,160 Speaker 1: up and down. I kind of missed the subway. Might 1589 01:23:34,200 --> 01:23:40,240 Speaker 1: I might write it the subway. I might write write 1590 01:23:40,280 --> 01:23:45,240 Speaker 1: it my my funk around and ride the subway. People 1591 01:23:45,240 --> 01:23:48,760 Speaker 1: who have to write it every day are like, we 1592 01:23:48,840 --> 01:23:52,000 Speaker 1: might cut this out. A fun, fun potential title for 1593 01:23:52,040 --> 01:23:56,040 Speaker 1: this podcast episode might be medical rumors. No, it has 1594 01:23:56,120 --> 01:24:00,800 Speaker 1: to be. It has to culture vaccine. I'm waiting for it. 1595 01:24:01,280 --> 01:24:07,000 Speaker 1: He invented Twitter, he can invent a vaccine. Yes, come on, honestly, honestly. 1596 01:24:07,040 --> 01:24:10,280 Speaker 1: So here's actually the damn deal is it's Tawny's turn 1597 01:24:10,760 --> 01:24:15,439 Speaker 1: to do Oh wait, no, oh my god, Hello, we've 1598 01:24:15,479 --> 01:24:17,720 Speaker 1: been talking so much. I forgot about Miss Bow and 1599 01:24:17,800 --> 01:24:19,800 Speaker 1: Yang as a courtesy because we want to ramp up 1600 01:24:19,800 --> 01:24:23,080 Speaker 1: to the guess. Of course it's time. It was really 1601 01:24:23,240 --> 01:24:25,559 Speaker 1: just an error that I made, and I'm a human 1602 01:24:25,840 --> 01:24:29,400 Speaker 1: and there's no one can say that that I'm not okay, 1603 01:24:30,439 --> 01:24:33,519 Speaker 1: They're all the girls are admitting to knowing that Matt 1604 01:24:33,600 --> 01:24:37,639 Speaker 1: Rodgers is a human and he's capable of many errors. Um, 1605 01:24:38,000 --> 01:24:40,840 Speaker 1: all the girls. So Bowe Yang, what say you? I 1606 01:24:40,880 --> 01:24:43,759 Speaker 1: actually don't have my phone on. Okay, I'll time myself, 1607 01:24:44,400 --> 01:24:46,719 Speaker 1: but you can shout out the I will. I'm showing 1608 01:24:46,760 --> 01:24:50,080 Speaker 1: him out. Okay, here we go. This is Bowen Yang's 1609 01:24:50,120 --> 01:24:52,600 Speaker 1: I don't think so, honey. His time starts now. I 1610 01:24:52,600 --> 01:24:55,920 Speaker 1: don't think so, honey, Martin, make it done up, bitch, 1611 01:24:57,840 --> 01:25:03,960 Speaker 1: fat phobia, sexism, a racism, and still no apology? Why, 1612 01:25:04,560 --> 01:25:08,120 Speaker 1: Officer mcdonna, I think I misquoted the Billboards, didn't I? 1613 01:25:08,280 --> 01:25:14,920 Speaker 1: Why no? Why no? Why and why no apology? Officer mcdonnah. Damn, 1614 01:25:14,960 --> 01:25:17,040 Speaker 1: I fucking I fucking bungled that I was trying to 1615 01:25:17,120 --> 01:25:19,840 Speaker 1: quote three Billboards, which is which is a bad movie. 1616 01:25:19,880 --> 01:25:23,840 Speaker 1: Francis McDorman, I guess deserved the Oscar but and maybe 1617 01:25:23,840 --> 01:25:27,360 Speaker 1: even Sam Rockwell did. But you know, I just I 1618 01:25:27,400 --> 01:25:29,080 Speaker 1: saw him bruge last night. I was like, what a 1619 01:25:29,080 --> 01:25:31,439 Speaker 1: trash movie. I remember I remember enjoying the movie so 1620 01:25:31,560 --> 01:25:34,840 Speaker 1: much in my youth, But now I'm just like, it's crazy. 1621 01:25:34,920 --> 01:25:37,360 Speaker 1: It's a crazy movie. And what is this man's obsession 1622 01:25:37,400 --> 01:25:40,200 Speaker 1: with little people? He loves to like call little people 1623 01:25:40,240 --> 01:25:42,920 Speaker 1: midgets in his films, and I'm like, that's not a joke, 1624 01:25:43,000 --> 01:25:45,080 Speaker 1: and I hate that people are like his movies are 1625 01:25:45,120 --> 01:25:48,519 Speaker 1: black comedies. It's like, no, there's mary a damn joke. 1626 01:25:48,600 --> 01:25:51,479 Speaker 1: He just likes to call fat people fat and little 1627 01:25:51,479 --> 01:25:56,799 Speaker 1: people midgets. That's not funny. Bitch at learn a new trade. Okay, 1628 01:25:57,040 --> 01:26:01,240 Speaker 1: that's it. And I think it's actually important to say 1629 01:26:01,439 --> 01:26:06,000 Speaker 1: because you know, let's just say this a black comedy. 1630 01:26:06,479 --> 01:26:09,240 Speaker 1: You can't just call something that's mean a black comedy. 1631 01:26:09,360 --> 01:26:12,160 Speaker 1: That's what I'm saying. That's that's not It doesn't work 1632 01:26:12,240 --> 01:26:14,880 Speaker 1: like that. I I get that he's like trying to 1633 01:26:14,960 --> 01:26:18,960 Speaker 1: like right around like hyper masculine characters or something like 1634 01:26:19,040 --> 01:26:22,040 Speaker 1: Colin Farrell's character is supposed to be like unlikable and 1635 01:26:22,040 --> 01:26:24,519 Speaker 1: you're supposed to hate him because he because of his 1636 01:26:24,600 --> 01:26:27,840 Speaker 1: past and stuff. But it's like, I don't know, man, 1637 01:26:28,080 --> 01:26:30,439 Speaker 1: it's just one look at Martin McDonough and you're like, yeah, 1638 01:26:30,720 --> 01:26:33,320 Speaker 1: far away from these mothers, sure, and then you're also 1639 01:26:33,400 --> 01:26:36,360 Speaker 1: and then I'm also just like that's it. It's a 1640 01:26:36,479 --> 01:26:39,240 Speaker 1: crazily paced movie. Ray Finds isn't coming until the last 1641 01:26:39,280 --> 01:26:42,400 Speaker 1: twenty minutes. It's like this none of it like it's 1642 01:26:42,439 --> 01:26:45,880 Speaker 1: none of it like works on like any real, like 1643 01:26:47,240 --> 01:26:49,720 Speaker 1: entertainment level. Either. I'm just like, I don't know why 1644 01:26:49,800 --> 01:26:54,040 Speaker 1: people are fucking fingering themselves cross eyed to this man. Wow, 1645 01:26:54,280 --> 01:26:59,160 Speaker 1: to think of that image finger across side people fucking 1646 01:26:59,200 --> 01:27:02,400 Speaker 1: love Martin which dan how the same man, I know how, 1647 01:27:02,400 --> 01:27:04,680 Speaker 1: the same man who wrote like pillow Man, and like, 1648 01:27:04,760 --> 01:27:08,680 Speaker 1: you know, these these heralded plays that were like, you know, 1649 01:27:08,760 --> 01:27:11,040 Speaker 1: maybe now if we saw them we might be like okay, 1650 01:27:11,040 --> 01:27:12,800 Speaker 1: but like at the time they were, I don't know. 1651 01:27:12,800 --> 01:27:15,200 Speaker 1: They were pretty mind opening for me being a young 1652 01:27:15,240 --> 01:27:18,760 Speaker 1: theater kid watching them and yeah, and now, yeah I didn't. 1653 01:27:18,840 --> 01:27:21,000 Speaker 1: I didn't get it either. It wasn't my I will 1654 01:27:21,000 --> 01:27:24,240 Speaker 1: say that I haven't. I'm not familiar with his theatrical work, 1655 01:27:24,840 --> 01:27:26,599 Speaker 1: but he still had that same reputation in the nineties. 1656 01:27:26,600 --> 01:27:30,519 Speaker 1: It's like the bad boy theater dude, right, imagine imagine 1657 01:27:30,560 --> 01:27:34,519 Speaker 1: being the bad boy of theater. Yeah, I think that's 1658 01:27:34,600 --> 01:27:39,200 Speaker 1: John Malcolmus. Like I think he's the only actual legitimate 1659 01:27:39,200 --> 01:27:41,840 Speaker 1: bad way theater. Yeah. No, I guess thinking back, I'm 1660 01:27:41,840 --> 01:27:43,320 Speaker 1: sure Pillow Man, if I were to watch it now, 1661 01:27:43,360 --> 01:27:46,480 Speaker 1: it's like it's extremely inappropriate because it's like hyper sexualized 1662 01:27:46,520 --> 01:27:48,920 Speaker 1: and there's a kid involved. But it's at the time 1663 01:27:48,960 --> 01:27:50,559 Speaker 1: it felt like art. I don't know if that's my 1664 01:27:50,680 --> 01:27:53,840 Speaker 1: naive ta or like where people were how people were 1665 01:27:53,840 --> 01:27:57,760 Speaker 1: talking about irreverent comedies back then versus now. Whenever I 1666 01:27:57,800 --> 01:28:00,439 Speaker 1: see the word of reverent, I'm already like, is this 1667 01:28:00,520 --> 01:28:02,400 Speaker 1: actually a reverend or is that just like a code 1668 01:28:02,400 --> 01:28:05,200 Speaker 1: for you guys to be like they're gonna say nigger. Yeah, 1669 01:28:05,360 --> 01:28:08,000 Speaker 1: it's the first time I ever heard the word irreverent 1670 01:28:08,400 --> 01:28:11,680 Speaker 1: was when Jimmy Fallon was presenting Avenue Que at the 1671 01:28:11,720 --> 01:28:16,519 Speaker 1: Tony Awards, you know, and that is time. I'll give 1672 01:28:16,560 --> 01:28:20,519 Speaker 1: it to Avenue Q. I'll give it revenue Q. Did 1673 01:28:20,560 --> 01:28:25,360 Speaker 1: you call me a reverend? Yes, I would call the 1674 01:28:25,400 --> 01:28:28,360 Speaker 1: both of you highly reverend at the same time, though 1675 01:28:28,439 --> 01:28:31,720 Speaker 1: you are reverend. Reverend was what I won my oscar for. 1676 01:28:32,320 --> 01:28:35,560 Speaker 1: I didn't hide in a bear, I hit in a 1677 01:28:35,680 --> 01:28:41,800 Speaker 1: Seal's um. We are reverend because we we love to 1678 01:28:42,320 --> 01:28:46,880 Speaker 1: enthusiastically talk about things. That's true. Now here's one thing 1679 01:28:46,960 --> 01:28:51,320 Speaker 1: I revere whatever this, I don't think so, honey. Whatever 1680 01:28:51,520 --> 01:28:54,000 Speaker 1: to let me tell you whenever she comes up with 1681 01:28:54,040 --> 01:28:55,400 Speaker 1: and I don't think so, honey. You know she's going 1682 01:28:55,439 --> 01:28:59,679 Speaker 1: to roll absolutely through. We will genuine flex. And there's 1683 01:28:59,680 --> 01:29:06,400 Speaker 1: another word for you, verbos queen. And you know, well 1684 01:29:06,400 --> 01:29:08,599 Speaker 1: I do appreciate it. And by come up with one, 1685 01:29:08,880 --> 01:29:11,280 Speaker 1: you know I don't never prepare nothing. So you know 1686 01:29:11,360 --> 01:29:17,800 Speaker 1: I am going to ask, oh, okay, Matt, are you 1687 01:29:17,840 --> 01:29:20,519 Speaker 1: gonna pull it up? Maybe? Remember before when I said 1688 01:29:20,560 --> 01:29:22,680 Speaker 1: I did not have no phone? Are you gonna but wait? 1689 01:29:22,680 --> 01:29:25,000 Speaker 1: Where did we keep hold on? Okay, trouble. Here's what 1690 01:29:25,040 --> 01:29:27,760 Speaker 1: I'm gonna do. Literally, I'm doing the trouble right now. 1691 01:29:29,360 --> 01:29:34,000 Speaker 1: I am. I think I have it as an ever 1692 01:29:34,040 --> 01:29:38,600 Speaker 1: note somewhere. Let me see, Okay, I have one. Okay, Okay, 1693 01:29:39,520 --> 01:29:44,160 Speaker 1: Tawny newsome your I don't think so, honey. Topic is 1694 01:29:44,280 --> 01:29:52,760 Speaker 1: the singer the weekend and your time starts now, I 1695 01:29:52,800 --> 01:29:55,680 Speaker 1: don't think so, honey. The weekend? What are you doing 1696 01:29:55,840 --> 01:29:58,000 Speaker 1: taking vowels out of the end of your name like 1697 01:29:58,040 --> 01:30:05,240 Speaker 1: you're a dot um erat in Daily City? The weekend? 1698 01:30:05,400 --> 01:30:08,880 Speaker 1: What are you an app ford having a bad time 1699 01:30:08,960 --> 01:30:11,040 Speaker 1: with friends? You should have ditched a long time ago. 1700 01:30:11,880 --> 01:30:14,880 Speaker 1: I don't think so. The Weekend. I don't think so. 1701 01:30:15,120 --> 01:30:17,360 Speaker 1: With the fact that I used to get you confused 1702 01:30:17,400 --> 01:30:20,439 Speaker 1: with the x X. That maybe on me, but somehow 1703 01:30:20,479 --> 01:30:24,000 Speaker 1: it feels like your fault. They don't have enough letters either. 1704 01:30:24,240 --> 01:30:27,680 Speaker 1: The x X still really good music, though, I don't 1705 01:30:27,680 --> 01:30:31,719 Speaker 1: think so, Honey, the Weekend, because um, you confused people 1706 01:30:31,840 --> 01:30:34,320 Speaker 1: in my life about whether or not you were black 1707 01:30:34,479 --> 01:30:38,400 Speaker 1: music or white music. People didn't know if they were 1708 01:30:38,400 --> 01:30:41,160 Speaker 1: allowed to like you. White people didn't know, and I'm 1709 01:30:41,240 --> 01:30:43,000 Speaker 1: here to tell them that they can because you're a 1710 01:30:43,040 --> 01:30:48,360 Speaker 1: great musician. But I still don't approve of your limited 1711 01:30:48,640 --> 01:30:51,760 Speaker 1: vowels because I don't think spelling things wrong is cute. 1712 01:30:51,800 --> 01:31:02,120 Speaker 1: It breeds literacy takedown and she started with the building block. 1713 01:31:02,240 --> 01:31:07,040 Speaker 1: She said that artist does not have enough letters characters 1714 01:31:07,600 --> 01:31:09,400 Speaker 1: in his name, because if you really were to spell 1715 01:31:09,439 --> 01:31:10,920 Speaker 1: it right, I think we can all do this together. 1716 01:31:11,439 --> 01:31:23,400 Speaker 1: It would be T H space w K D And 1717 01:31:24,400 --> 01:31:30,240 Speaker 1: that totally the Weekend. It's like he said, four eases 1718 01:31:30,320 --> 01:31:32,120 Speaker 1: too much for a band, and he got rid of 1719 01:31:32,160 --> 01:31:34,040 Speaker 1: the last one. I gotta say my thing with The 1720 01:31:34,080 --> 01:31:36,040 Speaker 1: Weekend is I didn't like that fifty Shades a Gray 1721 01:31:36,120 --> 01:31:40,760 Speaker 1: song I earned it or whatever it was everywhere. I 1722 01:31:40,800 --> 01:31:42,439 Speaker 1: also like, I feel like he's one of those people 1723 01:31:42,479 --> 01:31:44,680 Speaker 1: that's like so famous. And because I don't also know 1724 01:31:44,760 --> 01:31:47,519 Speaker 1: the radio too much, I'm on Spotify often listening to 1725 01:31:47,640 --> 01:31:51,320 Speaker 1: my own things. UM like, I'm not really he's like 1726 01:31:51,360 --> 01:31:52,800 Speaker 1: one of the things that the kids like that I 1727 01:31:53,360 --> 01:31:55,800 Speaker 1: I don't. I don't know that when he when he 1728 01:31:55,920 --> 01:31:59,280 Speaker 1: first came up, it was eleven and he was just 1729 01:31:59,520 --> 01:32:02,960 Speaker 1: releasing shot on like SoundCloud, and it was like it 1730 01:32:03,120 --> 01:32:05,120 Speaker 1: was like a very cool thing to like know who 1731 01:32:05,160 --> 01:32:08,479 Speaker 1: the weekend was. And then he like went fully mainstream, 1732 01:32:08,520 --> 01:32:11,320 Speaker 1: which he is like free to do. But like you know, 1733 01:32:11,960 --> 01:32:14,400 Speaker 1: there's just there's just a shift that happens there. Um 1734 01:32:15,240 --> 01:32:18,519 Speaker 1: and and now he's and now he is who he 1735 01:32:18,640 --> 01:32:21,120 Speaker 1: is and he is like performing with the Bloody Nose, 1736 01:32:21,240 --> 01:32:25,000 Speaker 1: and it's kind of cool. I think it's pretty cool 1737 01:32:25,320 --> 01:32:29,360 Speaker 1: with the Bloody Nose. I missed that Canadian Canadian Queen, 1738 01:32:29,439 --> 01:32:32,880 Speaker 1: Canadian Queen. I'm glad you guys gave me that. When 1739 01:32:32,880 --> 01:32:34,880 Speaker 1: I feel like the last time, or maybe it was 1740 01:32:34,920 --> 01:32:37,479 Speaker 1: a live show or something, I feel like I had 1741 01:32:37,520 --> 01:32:41,400 Speaker 1: to go negative on like some beloved I don't know, 1742 01:32:41,479 --> 01:32:44,200 Speaker 1: I can't remember but I remember just being like, wasn't 1743 01:32:44,200 --> 01:32:47,639 Speaker 1: it like Selma Blair or something? It was like whenever 1744 01:32:47,760 --> 01:32:49,679 Speaker 1: we do alive. I don't think so Honies were truly 1745 01:32:49,720 --> 01:32:53,960 Speaker 1: cruel to the people that Princess Diana I still love. No, 1746 01:32:54,120 --> 01:32:56,680 Speaker 1: it's definitely. I mean, I love that you always go 1747 01:32:56,840 --> 01:33:01,080 Speaker 1: for the troubball have you ever not like you? You 1748 01:33:01,200 --> 01:33:04,679 Speaker 1: always go for the love that I love that I love. 1749 01:33:04,920 --> 01:33:08,280 Speaker 1: I love surprising um you guys. I love surprising my 1750 01:33:08,400 --> 01:33:12,960 Speaker 1: own mouth because it does feel like it feels like, 1751 01:33:13,080 --> 01:33:15,240 Speaker 1: you know, I could write something and hope it's funny, 1752 01:33:15,920 --> 01:33:19,000 Speaker 1: or I could make something up and if it's not funny, 1753 01:33:19,160 --> 01:33:22,320 Speaker 1: you're great. Me. I came up with mine about five 1754 01:33:22,320 --> 01:33:24,439 Speaker 1: minutes before I did it as well. And that's actually 1755 01:33:25,080 --> 01:33:28,200 Speaker 1: but you're a season pro. Yeah. We always say that. 1756 01:33:28,280 --> 01:33:30,760 Speaker 1: Bowen and I are like, if you actually lined up, 1757 01:33:30,800 --> 01:33:33,080 Speaker 1: everyone is really good. I don't think so honey, we're like, 1758 01:33:33,280 --> 01:33:35,920 Speaker 1: actually c plus, I don't think so yeah, we're not 1759 01:33:36,080 --> 01:33:39,120 Speaker 1: good at it? Untrue? Who do you? Who do you 1760 01:33:39,160 --> 01:33:42,559 Speaker 1: call your top five? Joel is very Booster is very good? 1761 01:33:43,560 --> 01:33:48,000 Speaker 1: Um who else? Annie Donley always brings the energy? Annie 1762 01:33:48,040 --> 01:33:52,559 Speaker 1: Donley always Michael Hartney's great it's fantastic. Else we've had 1763 01:33:52,600 --> 01:33:55,719 Speaker 1: some really good ones. We're missing some people, of course, 1764 01:33:57,439 --> 01:34:00,200 Speaker 1: but there's been some amazing trouble that that, and that 1765 01:34:00,240 --> 01:34:02,400 Speaker 1: you did the show in l A. There were some 1766 01:34:02,520 --> 01:34:06,040 Speaker 1: really good troubles at that time. I remember, I feel 1767 01:34:06,040 --> 01:34:08,720 Speaker 1: like Otsuko Katsuka had a really good one. I don't 1768 01:34:08,720 --> 01:34:10,760 Speaker 1: think she did a trouble though, but yeah, I just 1769 01:34:10,800 --> 01:34:12,360 Speaker 1: remember being blown away by a lot of people I 1770 01:34:12,439 --> 01:34:15,120 Speaker 1: hadn't seen performing that way before, even if i'd seen 1771 01:34:15,160 --> 01:34:17,320 Speaker 1: them do stand up. I remember being like, holy ship, 1772 01:34:18,280 --> 01:34:20,519 Speaker 1: we're just saying that we're bad at it. So yeah, 1773 01:34:20,600 --> 01:34:22,920 Speaker 1: I mean, and also like I actually was thinking today 1774 01:34:23,160 --> 01:34:26,160 Speaker 1: how much how bummed I am that we haven't been 1775 01:34:26,200 --> 01:34:28,320 Speaker 1: able to do and I don't think so honey live 1776 01:34:28,520 --> 01:34:30,760 Speaker 1: Like I feel it's starting to feel like it was 1777 01:34:30,840 --> 01:34:32,560 Speaker 1: an era, and I really don't want that to be 1778 01:34:32,640 --> 01:34:34,680 Speaker 1: the case. Now. We're going to bring it back as 1779 01:34:34,760 --> 01:34:38,360 Speaker 1: soon as it's cool to do. So. Um. I did 1780 01:34:38,400 --> 01:34:43,280 Speaker 1: a live show with Tony Newsom. I know, yeah that 1781 01:34:43,400 --> 01:34:45,920 Speaker 1: we still haven't released because our release schedule is so 1782 01:34:46,479 --> 01:34:49,320 Speaker 1: fucking complicated that episode doesn't come out. I guess I 1783 01:34:49,400 --> 01:34:52,640 Speaker 1: was wondering, Yeah, no, is that insane? It's it was 1784 01:34:52,680 --> 01:34:55,160 Speaker 1: like ten months ago was but you were so much fun. 1785 01:34:55,280 --> 01:34:57,479 Speaker 1: You were Matt came and joined me in Boston and 1786 01:34:58,040 --> 01:35:00,680 Speaker 1: we have a really lovely sweet head. Yeah, that was. 1787 01:35:00,960 --> 01:35:04,360 Speaker 1: It was like they were there to like engage a 1788 01:35:04,439 --> 01:35:08,400 Speaker 1: lot of tough kids. They really were. Sometimes I get 1789 01:35:09,000 --> 01:35:12,000 Speaker 1: sometimes I get audiences for those YE live shows that 1790 01:35:12,080 --> 01:35:14,599 Speaker 1: I'm like, oh, you're all smarter than me, and you're 1791 01:35:14,680 --> 01:35:19,080 Speaker 1: here to listen to me, and that is you're you 1792 01:35:19,120 --> 01:35:21,200 Speaker 1: should form a group where you list into each people. 1793 01:35:22,240 --> 01:35:24,840 Speaker 1: People listen to you because it's just compelling. Were we 1794 01:35:24,880 --> 01:35:27,000 Speaker 1: gonna say, Man, I was just gonna say, it's that 1795 01:35:27,120 --> 01:35:29,240 Speaker 1: moment where you're like, wait, hold on. Like sometimes I 1796 01:35:29,280 --> 01:35:31,200 Speaker 1: find myself doing like top backs for things like I 1797 01:35:31,280 --> 01:35:33,639 Speaker 1: get asked to do whatever, and like it's like, can 1798 01:35:33,680 --> 01:35:37,040 Speaker 1: you speak to like, uh, the existence of queer um, 1799 01:35:38,640 --> 01:35:41,559 Speaker 1: queer comedy, and and I'm always like, oh, you guys, 1800 01:35:41,640 --> 01:35:44,320 Speaker 1: I'm the dumbest person in the world. That's like why 1801 01:35:44,400 --> 01:35:46,639 Speaker 1: you even know me. Actually, if you walk it all 1802 01:35:46,640 --> 01:35:48,760 Speaker 1: the way back, so it's funny that you want to 1803 01:35:48,840 --> 01:35:52,160 Speaker 1: hear like what I think. If you walk it all 1804 01:35:52,200 --> 01:35:58,400 Speaker 1: the way back, that's why we That's why I feel 1805 01:35:58,400 --> 01:36:02,080 Speaker 1: like it's not germane to speaking of germane. Um, it's 1806 01:36:02,160 --> 01:36:06,080 Speaker 1: not like natural for improvisers, especially because it's like, oh, 1807 01:36:06,240 --> 01:36:08,200 Speaker 1: you know me and you like me, because I couldn't 1808 01:36:08,240 --> 01:36:12,880 Speaker 1: be bothered to write a thing down like that's That's 1809 01:36:12,920 --> 01:36:16,280 Speaker 1: what my whole career is, is me being like too 1810 01:36:16,439 --> 01:36:20,320 Speaker 1: lazy to make anything permanent. That's not giving yourself enough credit. No, 1811 01:36:20,520 --> 01:36:24,880 Speaker 1: that's actually not giving yourself enough credit because you are 1812 01:36:25,280 --> 01:36:29,680 Speaker 1: you are permanent, and you your socials are about to 1813 01:36:29,760 --> 01:36:38,800 Speaker 1: blow up and ultimately you're you have a huge part 1814 01:36:39,240 --> 01:36:41,400 Speaker 1: in Space Force, and I think it's going to get 1815 01:36:41,439 --> 01:36:43,760 Speaker 1: even bigger from this point. And you know more than 1816 01:36:43,800 --> 01:36:46,400 Speaker 1: I do. But what I think is that you've come 1817 01:36:46,439 --> 01:36:49,280 Speaker 1: to this podcast to lie, and I think that you've 1818 01:36:49,320 --> 01:36:52,360 Speaker 1: told many um on truth and I think that that 1819 01:36:52,600 --> 01:36:56,280 Speaker 1: you actually become the love interest of Steve Carrell, who 1820 01:36:56,560 --> 01:37:00,519 Speaker 1: famously has gotten hotter as he's gotten older. That's true. 1821 01:37:00,760 --> 01:37:04,360 Speaker 1: I think you've come here to lie. He looks great. Um, 1822 01:37:04,640 --> 01:37:07,920 Speaker 1: I'm so sorry. I guess. I guess I am the 1823 01:37:08,120 --> 01:37:11,680 Speaker 1: Cia plot that has infiltrated our pop and that was 1824 01:37:11,840 --> 01:37:14,439 Speaker 1: to come on here and speak erroneously about pop culture. 1825 01:37:14,520 --> 01:37:16,360 Speaker 1: So for that, I am sorry, but you've also caught me, 1826 01:37:16,400 --> 01:37:20,240 Speaker 1: so gonna have to think about that one. Um, next 1827 01:37:20,240 --> 01:37:23,360 Speaker 1: season two of Wind of Change is going to have 1828 01:37:23,400 --> 01:37:25,479 Speaker 1: to think about that one. Gonna have to think about 1829 01:37:25,680 --> 01:37:30,120 Speaker 1: that one to concern that we're gonna have to ruminate 1830 01:37:30,240 --> 01:37:34,080 Speaker 1: on that one. Oh my god. Okay, we're we're losing 1831 01:37:34,120 --> 01:37:38,400 Speaker 1: our minds here, so everyone, please please please what is 1832 01:37:38,439 --> 01:37:44,880 Speaker 1: it out? Friday? Friday? Friday? Just two days people from 1833 01:37:44,880 --> 01:37:46,960 Speaker 1: when this episode is released, you'll be able to see 1834 01:37:47,400 --> 01:37:52,720 Speaker 1: all the episodes of Space Force. And there are ten. Yes, 1835 01:37:54,160 --> 01:37:57,360 Speaker 1: you couldn't even tell me how many there were. You're like, well, 1836 01:37:57,520 --> 01:38:03,320 Speaker 1: let's just say this, there's sixty. Fun that would be 1837 01:38:03,479 --> 01:38:05,920 Speaker 1: very cool. No, it would. It took us long enough 1838 01:38:05,960 --> 01:38:08,960 Speaker 1: to make those tens. They did a very nice job, 1839 01:38:09,000 --> 01:38:10,639 Speaker 1: but it did take you very long. Well, I'm excited 1840 01:38:10,720 --> 01:38:13,599 Speaker 1: for you, are very excited. I hope we get more. 1841 01:38:13,760 --> 01:38:15,840 Speaker 1: Thank you. I'm excited to thank you guys so much 1842 01:38:15,840 --> 01:38:18,040 Speaker 1: for having me on. I also feel like a crazy person. 1843 01:38:18,400 --> 01:38:19,960 Speaker 1: Maybe it's the time of night. I don't know. Do 1844 01:38:20,040 --> 01:38:21,800 Speaker 1: we all just feel I think that I think that 1845 01:38:22,040 --> 01:38:25,160 Speaker 1: we are all just podcast vets, and I think that 1846 01:38:25,240 --> 01:38:27,560 Speaker 1: what happens when three podcasts vets get together. It's like 1847 01:38:27,840 --> 01:38:30,599 Speaker 1: no one's like like, we're all excited to be here, 1848 01:38:30,640 --> 01:38:34,320 Speaker 1: but we're not like I'm on a podcast today. It's 1849 01:38:34,400 --> 01:38:38,120 Speaker 1: kind of fun, you know, what will I say? What will? 1850 01:38:38,160 --> 01:38:40,679 Speaker 1: They asked? What will what we talk about? It's almost 1851 01:38:40,720 --> 01:38:44,479 Speaker 1: too comfortable. Oh no, one's like this about the podcast. 1852 01:38:44,920 --> 01:38:48,120 Speaker 1: Oh my god, I'm so excited that Matt and Bone 1853 01:38:48,200 --> 01:38:51,920 Speaker 1: asked me to get so many of those. We get 1854 01:38:52,200 --> 01:38:58,320 Speaker 1: so many of Oh my god. Yeah, I know. I 1855 01:38:58,439 --> 01:39:01,080 Speaker 1: do feel like because I do feel like this could 1856 01:39:01,120 --> 01:39:05,040 Speaker 1: just be a zooming that unfortunately someone is recording, so 1857 01:39:05,120 --> 01:39:07,599 Speaker 1: every now and then I do have to be like, oh, yes, 1858 01:39:07,880 --> 01:39:11,320 Speaker 1: a world also the show, you know, but in general, 1859 01:39:12,120 --> 01:39:14,200 Speaker 1: this does feel like we are just we were so 1860 01:39:14,439 --> 01:39:16,760 Speaker 1: dropped in that we've had more things that we said 1861 01:39:16,760 --> 01:39:19,080 Speaker 1: we have to cut that out than than we haven't many. 1862 01:39:20,680 --> 01:39:24,400 Speaker 1: So that actually, um, what we're gonna do is we're 1863 01:39:24,439 --> 01:39:26,200 Speaker 1: gonna wrap this one up in just a second with 1864 01:39:26,360 --> 01:39:28,960 Speaker 1: the song, but we're also gonna I think we're all 1865 01:39:28,960 --> 01:39:31,639 Speaker 1: are looking forward to not only Space Wars but also 1866 01:39:31,720 --> 01:39:37,040 Speaker 1: the kutcher Kunas VEX vaccine because it's alphabetical because K 1867 01:39:37,360 --> 01:39:39,920 Speaker 1: and K said it's K and also she was the 1868 01:39:40,000 --> 01:39:43,240 Speaker 1: lead physicist on the project. She was she thought of it. 1869 01:39:44,200 --> 01:39:45,720 Speaker 1: She was like, babe, you know what, we should do? 1870 01:39:45,800 --> 01:39:49,400 Speaker 1: A vaccine And he was like, oh, ship, babe. And 1871 01:39:49,479 --> 01:39:52,040 Speaker 1: then they basically were like, let's put let's board the 1872 01:39:52,200 --> 01:39:54,839 Speaker 1: kids there. For some reason, they don't call it a babysitter. 1873 01:39:54,880 --> 01:39:58,840 Speaker 1: They called boarded boards and they boarded their kids and 1874 01:39:59,280 --> 01:40:01,960 Speaker 1: they worked for hours on a vaccine and finally until 1875 01:40:02,000 --> 01:40:04,400 Speaker 1: they finally cooked one up in the kitchen. That's fun. 1876 01:40:04,479 --> 01:40:07,560 Speaker 1: It's fun that they did that. Yeah, it's fun that 1877 01:40:07,680 --> 01:40:10,120 Speaker 1: this is like their first big, like joint moment together 1878 01:40:10,280 --> 01:40:12,960 Speaker 1: since the time that they were on the Bachelorette together, Like, 1879 01:40:13,120 --> 01:40:16,360 Speaker 1: no one's really seen them out since, but they've had 1880 01:40:16,400 --> 01:40:20,559 Speaker 1: three collapse that seventies show The Bachelor and the Counas 1881 01:40:20,600 --> 01:40:22,880 Speaker 1: Kutcher vaccine. I can't wait. That's it's a good third 1882 01:40:22,920 --> 01:40:24,600 Speaker 1: one to sort of round out the well. First it 1883 01:40:24,680 --> 01:40:27,639 Speaker 1: was the right, right, right right, it was the wine, 1884 01:40:27,680 --> 01:40:29,680 Speaker 1: and then but the wine was really just the pre 1885 01:40:29,800 --> 01:40:32,240 Speaker 1: launch to the vaccine. We look forward to it all 1886 01:40:32,400 --> 01:40:34,280 Speaker 1: but mostly Space for Us, which is out on May 1887 01:40:34,360 --> 01:40:36,200 Speaker 1: twenty n Tony, thank you so much for being here. 1888 01:40:36,400 --> 01:40:38,960 Speaker 1: We love you, I love you guys, thank you for 1889 01:40:39,080 --> 01:40:42,800 Speaker 1: having her loved and actually we do and every episode 1890 01:40:43,040 --> 01:40:48,439 Speaker 1: with a song. Wait wait no, wait, hold on, we 1891 01:40:48,479 --> 01:40:55,439 Speaker 1: can't do either. One of those O God, the same 1892 01:40:59,640 --> 01:41:03,519 Speaker 1: sick the stong build their house. He told me that 1893 01:41:04,000 --> 01:41:13,519 Speaker 1: lazy they covering me, Dame going norma, trying to know 1894 01:41:13,800 --> 01:41:17,160 Speaker 1: me out. Took them six and stops and the pack 1895 01:41:17,240 --> 01:41:22,160 Speaker 1: of bagos, telling them I never had them changed me. 1896 01:41:22,520 --> 01:41:29,360 Speaker 1: So they come in daisies dasis to swop slops