WEBVTT - Why does everything need to grow? If something's good, keep it the same (A Year in the Life: Spring)

0:00:00.760 --> 0:00:03.080
<v Speaker 1>I am all in.

0:00:04.840 --> 0:00:14.560
<v Speaker 2>Oh, that's just you.

0:00:17.000 --> 0:00:20.640
<v Speaker 3>I am all in with Scott Patterson and iHeartRadio podcast.

0:00:20.800 --> 0:00:23.720
<v Speaker 1>Hey everybody, Scott Patterson. We are going to get started

0:00:23.760 --> 0:00:26.160
<v Speaker 1>now with part two of Spring.

0:00:26.560 --> 0:00:27.920
<v Speaker 2>Then we go back to therapy.

0:00:28.880 --> 0:00:31.159
<v Speaker 3>And I thought this was very mean of Emily to

0:00:31.200 --> 0:00:32.680
<v Speaker 3>call Luke her roommate.

0:00:33.320 --> 0:00:36.000
<v Speaker 4>But she is she wrong? Is she wrong?

0:00:36.360 --> 0:00:37.080
<v Speaker 1>He's not wrong?

0:00:37.240 --> 0:00:38.240
<v Speaker 4>Yeah, I don't think.

0:00:38.120 --> 0:00:40.160
<v Speaker 1>She makes a really good point.

0:00:40.520 --> 0:00:44.640
<v Speaker 4>Oh, you guys, they're totally like no, And I don't

0:00:44.680 --> 0:00:47.120
<v Speaker 4>see that at all. And this is coming from somebody

0:00:47.120 --> 0:00:50.720
<v Speaker 4>that's watching it for the first time. I'm in. I'm

0:00:50.720 --> 0:00:53.800
<v Speaker 4>watching these movies right now being like Luke and Laurla

0:00:54.280 --> 0:00:55.520
<v Speaker 4>they're not in a good spot.

0:00:55.760 --> 0:00:59.560
<v Speaker 3>Oh, that continues to be addressed. But I don't think

0:00:59.560 --> 0:01:00.360
<v Speaker 3>they're really mates.

0:01:01.000 --> 0:01:02.760
<v Speaker 4>I kind of do. I don't think she's wrong.

0:01:03.960 --> 0:01:05.560
<v Speaker 2>All right, fair, fair, fair.

0:01:06.880 --> 0:01:10.760
<v Speaker 1>So you're telling me from two thousand and seven to

0:01:10.840 --> 0:01:17.199
<v Speaker 1>twenty and sixteen, in nine years, these two the idyllic

0:01:18.440 --> 0:01:21.759
<v Speaker 1>couple are not married.

0:01:22.640 --> 0:01:26.760
<v Speaker 4>How How there's also no passion between them. There's no

0:01:26.880 --> 0:01:29.680
<v Speaker 4>chemistry or passion, there's nothing history.

0:01:29.720 --> 0:01:32.880
<v Speaker 2>In winter they were like there was some chemistry.

0:01:33.240 --> 0:01:37.080
<v Speaker 1>I thought there are no children, there's no there are

0:01:37.120 --> 0:01:38.479
<v Speaker 1>no rings, not.

0:01:38.680 --> 0:01:40.960
<v Speaker 4>Like the last episode of the series where they kiss

0:01:41.080 --> 0:01:43.199
<v Speaker 4>after the graduates.

0:01:42.800 --> 0:01:45.200
<v Speaker 2>Say, You're like, there's the fireworks.

0:01:45.240 --> 0:01:47.760
<v Speaker 4>There it is and coming to the movie so far,

0:01:47.880 --> 0:01:48.840
<v Speaker 4>I haven't How does.

0:01:48.680 --> 0:01:52.680
<v Speaker 1>The fire that burns that bright for that long not

0:01:52.840 --> 0:01:57.280
<v Speaker 1>produce children? Happiness?

0:01:57.720 --> 0:02:00.919
<v Speaker 2>Okay, purpose some people.

0:02:01.600 --> 0:02:04.760
<v Speaker 3>Some people don't want children.

0:02:05.000 --> 0:02:07.760
<v Speaker 1>I know that, but this is Gilmore girls. This is

0:02:07.840 --> 0:02:09.079
<v Speaker 1>like the iconic children.

0:02:09.160 --> 0:02:12.760
<v Speaker 3>I actually don't find it problematic that they don't actually try.

0:02:12.840 --> 0:02:15.799
<v Speaker 1>The fans are so pissed off. It's because of this.

0:02:17.680 --> 0:02:20.280
<v Speaker 1>It's because somebody is trying to be too clever and

0:02:20.360 --> 0:02:24.320
<v Speaker 1>too cute and messing around with characters that shouldn't be

0:02:24.360 --> 0:02:27.520
<v Speaker 1>messed around with. There are certain things that are iconic

0:02:27.600 --> 0:02:30.880
<v Speaker 1>that are created that somebody just did too much to

0:02:31.280 --> 0:02:34.560
<v Speaker 1>or not given them enough. And this we're staring at

0:02:34.560 --> 0:02:35.760
<v Speaker 1>her right in the face.

0:02:36.080 --> 0:02:38.880
<v Speaker 3>I don't disagree with you that they have kind of

0:02:38.919 --> 0:02:43.520
<v Speaker 3>painted Lorelai and Luke in a sort of way. But

0:02:43.560 --> 0:02:45.680
<v Speaker 3>it's not because they don't have children, and it's also

0:02:45.720 --> 0:02:48.200
<v Speaker 3>not because they haven't gotten married both of those things.

0:02:48.280 --> 0:02:54.520
<v Speaker 1>Amy, I'm not attacking people that have wonderful relationships, full

0:02:54.600 --> 0:02:55.800
<v Speaker 1>loving relationships.

0:02:56.120 --> 0:02:59.600
<v Speaker 3>You are upset that Luke and Lorelai are not married.

0:03:00.160 --> 0:03:05.000
<v Speaker 3>I'm not upset by I'm did Luke dirty? Yes, I

0:03:05.160 --> 0:03:08.200
<v Speaker 3>really do. I think that they did not make Luke

0:03:08.320 --> 0:03:10.760
<v Speaker 3>what he should have been. But I don't care that

0:03:10.800 --> 0:03:13.400
<v Speaker 3>they're not married. I'm I think it's kind of interesting

0:03:13.440 --> 0:03:15.320
<v Speaker 3>that they're not married, that they're together.

0:03:15.800 --> 0:03:19.040
<v Speaker 1>So, in terms of storytelling, explain the last nine years,

0:03:19.120 --> 0:03:21.560
<v Speaker 1>what happened to their relationship. It's not addressed at all

0:03:21.600 --> 0:03:24.880
<v Speaker 1>in this and now Laurel is addressing it, like, like,

0:03:25.040 --> 0:03:26.400
<v Speaker 1>what's the story behind it?

0:03:26.880 --> 0:03:27.160
<v Speaker 2>Fair?

0:03:27.200 --> 0:03:29.360
<v Speaker 4>I will say that, like I don't care that they're

0:03:29.360 --> 0:03:31.400
<v Speaker 4>not married or that they don't have I actually don't.

0:03:31.480 --> 0:03:33.400
<v Speaker 4>I like that they didn't have another kid. I like

0:03:33.440 --> 0:03:36.160
<v Speaker 4>that they each have their own kid, and Luke feels

0:03:36.200 --> 0:03:37.240
<v Speaker 4>that Rory is his own.

0:03:37.400 --> 0:03:37.920
<v Speaker 2>I love that.

0:03:38.640 --> 0:03:41.720
<v Speaker 4>What I don't love is that, like I wish that

0:03:41.800 --> 0:03:44.360
<v Speaker 4>they were not married, they have another kid, but they're

0:03:44.400 --> 0:03:47.960
<v Speaker 4>living their life together and I just don't feel that

0:03:48.600 --> 0:03:51.480
<v Speaker 4>life between them. Does that make sense? Like there's nothing

0:03:51.520 --> 0:03:56.200
<v Speaker 4>that's happened for them since the series ended.

0:03:56.160 --> 0:04:00.280
<v Speaker 1>Because Emily's right, Sorry, nobody's made a commitment, nobody's been

0:04:00.320 --> 0:04:01.400
<v Speaker 1>an adult, there's no.

0:04:01.320 --> 0:04:05.280
<v Speaker 3>Adduce I disagree in Winter when when Luke says, I

0:04:05.320 --> 0:04:06.120
<v Speaker 3>did pretty good.

0:04:06.440 --> 0:04:07.240
<v Speaker 2>I have a lot of fun.

0:04:07.280 --> 0:04:08.960
<v Speaker 1>I got terrible.

0:04:09.960 --> 0:04:10.800
<v Speaker 2>That was amazing.

0:04:11.040 --> 0:04:15.440
<v Speaker 1>You're citing that as an example of a great scene. Yes,

0:04:15.760 --> 0:04:18.039
<v Speaker 1>he did pretty good. He's giving up on his passion,

0:04:18.040 --> 0:04:19.080
<v Speaker 1>he's giving up on his.

0:04:19.240 --> 0:04:20.440
<v Speaker 2>What is giving up on?

0:04:20.640 --> 0:04:23.920
<v Speaker 3>He's not giving up on anything he wants this life.

0:04:24.240 --> 0:04:27.600
<v Speaker 2>Why are you so disappointed that Luke's just satisfied.

0:04:27.839 --> 0:04:29.800
<v Speaker 3>Look, I do think they did the character dirty.

0:04:29.880 --> 0:04:32.080
<v Speaker 2>I do. I thought the in vitro stuff was ridiculous.

0:04:32.120 --> 0:04:34.440
<v Speaker 3>I think the fact that he goes in the car

0:04:34.680 --> 0:04:36.120
<v Speaker 3>and goes looking.

0:04:35.880 --> 0:04:37.359
<v Speaker 2>At the real estate is crazy.

0:04:37.560 --> 0:04:41.200
<v Speaker 3>But I don't think Luke should be disappointed himself that

0:04:41.279 --> 0:04:42.880
<v Speaker 3>he's happy to be a small town guy.

0:04:43.279 --> 0:04:45.600
<v Speaker 4>Here's the thing I'll say. I think that scene where

0:04:45.600 --> 0:04:47.400
<v Speaker 4>he was like, I think I did pretty good. I

0:04:47.440 --> 0:04:49.920
<v Speaker 4>love that scene. But it was also prefaced by yeah,

0:04:49.920 --> 0:04:51.719
<v Speaker 4>we didn't have kids, Yeah I didn't do this, Yeah

0:04:51.720 --> 0:04:54.000
<v Speaker 4>I didn't do that. But I think I did pretty good. Right,

0:04:54.360 --> 0:04:58.600
<v Speaker 4>So it shows him settling quite frankly, it does. But

0:04:58.960 --> 0:05:01.400
<v Speaker 4>I did love them where he's so happy with what

0:05:01.520 --> 0:05:05.120
<v Speaker 4>he's got and where he's at. I do enjoy that,

0:05:06.920 --> 0:05:11.440
<v Speaker 4>but I do think that where we are now, however,

0:05:11.440 --> 0:05:15.279
<v Speaker 4>many years later, and in this spring episode where you

0:05:15.480 --> 0:05:18.680
<v Speaker 4>feel that there's a big disconnect between Luke and Laurli

0:05:19.000 --> 0:05:23.800
<v Speaker 4>and that they're both kind of won't want wah mm hmm.

0:05:24.680 --> 0:05:26.920
<v Speaker 4>And I think that's what you're picking up, Scott, that

0:05:26.960 --> 0:05:29.440
<v Speaker 4>they that there there should have been so much more

0:05:29.520 --> 0:05:32.680
<v Speaker 4>with them, and right now there's nothing there. I mean

0:05:33.000 --> 0:05:35.840
<v Speaker 4>nothing is a strong word, but there's no spice, there's

0:05:35.839 --> 0:05:40.159
<v Speaker 4>no chemistry, there's no look future ambitions, there's no goals

0:05:40.160 --> 0:05:43.800
<v Speaker 4>as a couple, like they're just taking, like you know,

0:05:44.000 --> 0:05:45.560
<v Speaker 4>just taking.

0:05:46.640 --> 0:05:48.680
<v Speaker 3>When do you have to get to stop having goals

0:05:48.760 --> 0:05:50.800
<v Speaker 3>and just sit on a rocking chair?

0:05:51.360 --> 0:05:53.359
<v Speaker 1>Not on a TV show if you want people to

0:05:53.400 --> 0:05:56.320
<v Speaker 1>watch it in life, it's okay on TV. You need

0:05:56.360 --> 0:05:59.240
<v Speaker 1>a story to move it forward. These people haven't grown

0:05:59.760 --> 0:06:03.160
<v Speaker 1>and fact, they've slid back, which is why she's exiting.

0:06:04.279 --> 0:06:06.400
<v Speaker 1>And this is the story you really want to tell

0:06:06.440 --> 0:06:10.360
<v Speaker 1>about these two people and do this to a fan.

0:06:11.440 --> 0:06:15.240
<v Speaker 3>I agree that the movies are lackluster. I'm not defending

0:06:15.240 --> 0:06:15.720
<v Speaker 3>that they aren't.

0:06:15.760 --> 0:06:19.360
<v Speaker 1>Kind of Okay, we're taught, we're look, we're not doing

0:06:19.400 --> 0:06:21.960
<v Speaker 1>macro stuff anymore. We're right here we're in the weeds.

0:06:22.440 --> 0:06:27.800
<v Speaker 1>We're micro analyzing this. We're now we're pointing to specific issues, Okay,

0:06:28.360 --> 0:06:34.440
<v Speaker 1>specific issues, characterizations, writing, why why did this happen? I'm

0:06:34.480 --> 0:06:36.760
<v Speaker 1>now a fan of this show. I'm a little better

0:06:36.920 --> 0:06:41.440
<v Speaker 1>educated now because I've seen the app I've seen it once. Okay,

0:06:41.480 --> 0:06:44.960
<v Speaker 1>so now I'm like hooked and I'm just like the fans.

0:06:45.000 --> 0:06:49.760
<v Speaker 1>Now I want to see it again. Okay, and this

0:06:50.320 --> 0:06:54.279
<v Speaker 1>episode is kicking my ass.

0:06:54.440 --> 0:06:56.040
<v Speaker 2>I think a lot of people agree with you.

0:06:58.960 --> 0:07:02.840
<v Speaker 1>But I also have more skin in the game because

0:07:02.880 --> 0:07:09.159
<v Speaker 1>I helped make this I helped create this character. Okay.

0:07:09.880 --> 0:07:13.480
<v Speaker 1>So for those of you out there listening to this,

0:07:13.640 --> 0:07:18.560
<v Speaker 1>who are who find this hard to listen to imagine

0:07:18.640 --> 0:07:22.680
<v Speaker 1>put yourself in my shoes all the time and effort

0:07:22.840 --> 0:07:25.120
<v Speaker 1>that it took me to get to a position to

0:07:25.120 --> 0:07:27.119
<v Speaker 1>get an offer, to be in a show this good,

0:07:28.000 --> 0:07:32.080
<v Speaker 1>and to play a character that's special. To watch what's

0:07:32.120 --> 0:07:33.880
<v Speaker 1>happening to him now is hard.

0:07:34.880 --> 0:07:35.560
<v Speaker 5>It's hard.

0:07:36.360 --> 0:07:39.480
<v Speaker 1>It's like watching you know, you know you've built a

0:07:39.560 --> 0:07:41.840
<v Speaker 1>taj mahal. Now they're making condos out of it that

0:07:42.000 --> 0:07:44.960
<v Speaker 1>you would be horrified, It would kill you to watch it.

0:07:45.080 --> 0:07:48.160
<v Speaker 1>That is what I am experiencing right now. So these

0:07:48.160 --> 0:07:49.400
<v Speaker 1>are the killer that I'm.

0:07:49.280 --> 0:07:52.240
<v Speaker 3>Asking completely corrected in.

0:07:52.160 --> 0:07:54.600
<v Speaker 1>The last nine years. What happened in the last nine years.

0:07:54.720 --> 0:07:56.800
<v Speaker 1>Why are these people at this place? Why is their

0:07:56.840 --> 0:08:00.800
<v Speaker 1>relationship sort of settled and kind of may so.

0:08:00.800 --> 0:08:04.200
<v Speaker 4>I have a question for you kids on this note.

0:08:04.440 --> 0:08:08.600
<v Speaker 1>Did you think it's a fairly important relationship in the show? Yeah?

0:08:08.600 --> 0:08:10.000
<v Speaker 1>It is. Why aren't they dealing?

0:08:10.080 --> 0:08:12.440
<v Speaker 4>So with this being said, did they tell you before

0:08:12.480 --> 0:08:15.800
<v Speaker 4>the movie started where they are at, like as as

0:08:15.840 --> 0:08:18.280
<v Speaker 4>an actor, where they like Luke and Laura are here.

0:08:18.400 --> 0:08:19.320
<v Speaker 2>This is how we're acting.

0:08:19.360 --> 0:08:22.480
<v Speaker 1>Not really, it's not really, not really, Scott.

0:08:22.520 --> 0:08:26.760
<v Speaker 3>We do understand because Danielle and I create shows. Also

0:08:27.560 --> 0:08:30.400
<v Speaker 3>imagine if we like we create shows and we give

0:08:30.440 --> 0:08:33.839
<v Speaker 3>our guidance right to people that don't listen to us,

0:08:34.240 --> 0:08:38.040
<v Speaker 3>and then the shows hit the bucket, right, and we're like, hey,

0:08:38.200 --> 0:08:40.840
<v Speaker 3>you probably should have listened to us. So I understand

0:08:40.880 --> 0:08:44.480
<v Speaker 3>that you know this character just like we know our shows, right,

0:08:44.720 --> 0:08:46.880
<v Speaker 3>And you go to whoever you go to and say,

0:08:47.559 --> 0:08:50.439
<v Speaker 3>you know, Luke's gonna know about what IVF is, and

0:08:50.520 --> 0:08:51.960
<v Speaker 3>Luke's not going to jump in the car with Emily

0:08:52.000 --> 0:08:53.360
<v Speaker 3>and go look at a bunch of real estate for

0:08:53.400 --> 0:08:56.440
<v Speaker 3>a diner expansion he doesn't want, and they don't listen

0:08:56.440 --> 0:09:00.960
<v Speaker 3>to you. We so get how frustrating that we so

0:09:01.080 --> 0:09:05.600
<v Speaker 3>get it. Now as a fan, do I think these

0:09:05.640 --> 0:09:10.440
<v Speaker 3>movies are terribly flawed? But I also think I'm so

0:09:10.520 --> 0:09:12.560
<v Speaker 3>happy to have them, and I also think there is

0:09:12.720 --> 0:09:15.160
<v Speaker 3>some good in them, right, And I.

0:09:15.800 --> 0:09:17.200
<v Speaker 2>Don't think that.

0:09:17.400 --> 0:09:21.840
<v Speaker 3>Look you get you're the character is now fifty, Lorealize

0:09:21.880 --> 0:09:22.640
<v Speaker 3>like forty.

0:09:22.840 --> 0:09:25.400
<v Speaker 2>I'm just gett you know, close, forty two whatever she is,

0:09:26.520 --> 0:09:28.280
<v Speaker 2>I'm fifty.

0:09:28.280 --> 0:09:30.680
<v Speaker 1>I don't watch it Louralize forty seven, forty eight.

0:09:32.360 --> 0:09:34.559
<v Speaker 4>Yeah, because thirty thirty two.

0:09:34.760 --> 0:09:36.679
<v Speaker 1>She's thirty two year two old.

0:09:36.800 --> 0:09:40.400
<v Speaker 3>Okay, sorry, okay, you're right. Sorry, So forty, Luke's about

0:09:40.400 --> 0:09:41.520
<v Speaker 3>what fifty something?

0:09:41.760 --> 0:09:42.280
<v Speaker 2>She's forty.

0:09:42.640 --> 0:09:44.840
<v Speaker 3>I'm fifty, and let me tell you, I'm starting to

0:09:44.880 --> 0:09:48.840
<v Speaker 3>have less and less goals of expansion and more and

0:09:48.880 --> 0:09:51.520
<v Speaker 3>more wanting to sit on my rock and porch, go

0:09:51.520 --> 0:09:53.800
<v Speaker 3>to a movie, stick my feet in the hot tub.

0:09:54.080 --> 0:09:57.959
<v Speaker 3>So I understand that for me, just for me, I'm

0:09:57.960 --> 0:10:01.559
<v Speaker 3>only saying myself, I don't think Luke and Lorlai have failed.

0:10:02.120 --> 0:10:05.400
<v Speaker 2>Yes, are they a little bit like seven year itchy? Maybe?

0:10:06.320 --> 0:10:12.440
<v Speaker 3>Maybe but like they're best friends, their companions. They are romantic.

0:10:12.480 --> 0:10:15.160
<v Speaker 3>We know they sleep together all the things. So I'm

0:10:15.200 --> 0:10:17.760
<v Speaker 3>not like this is a couple in distress, you know

0:10:17.800 --> 0:10:18.199
<v Speaker 3>what I mean.

0:10:18.920 --> 0:10:21.680
<v Speaker 1>I think I think they just don't want to give

0:10:21.720 --> 0:10:24.959
<v Speaker 1>these main characters a happy ending. They want to you know,

0:10:25.600 --> 0:10:30.520
<v Speaker 1>Lane and Zach got a happy ending. Children, uh, Suki

0:10:30.600 --> 0:10:34.800
<v Speaker 1>and Jackson happy ending, children, marriage, the whole thing. They

0:10:34.960 --> 0:10:36.680
<v Speaker 1>did a big wedding for everybody, you know, at least

0:10:36.679 --> 0:10:39.320
<v Speaker 1>they did weddings for them. I guess we should be

0:10:39.360 --> 0:10:44.920
<v Speaker 1>happy that's somebody, but right, I mean.

0:10:44.800 --> 0:10:46.640
<v Speaker 2>But you always think they're happy.

0:10:47.120 --> 0:10:50.040
<v Speaker 1>Rory's a mess, Laurel is a mess, Emily's a mess,

0:10:50.120 --> 0:10:51.840
<v Speaker 1>Luke's a mess. Everybody's a mess.

0:10:52.320 --> 0:10:55.600
<v Speaker 2>Look's not a mess. Luke's just ya. He's not a mess.

0:10:55.720 --> 0:10:59.280
<v Speaker 2>He is not He's he's just a little.

0:10:59.640 --> 0:11:01.760
<v Speaker 1>Around without a pair, if you know what I mean.

0:11:02.040 --> 0:11:06.400
<v Speaker 3>Well, yes, he's a little that. But Luke's not unhappy.

0:11:06.760 --> 0:11:11.239
<v Speaker 3>This is the difference. Lorla yes, is dealing with some unhappiness.

0:11:11.280 --> 0:11:14.040
<v Speaker 3>I'm sure some because of Rory, some because her relationship

0:11:14.120 --> 0:11:18.000
<v Speaker 3>is sort of blase, her challenges with her mother, Luke.

0:11:18.280 --> 0:11:20.960
<v Speaker 3>If you walked up to Luke in these movies and said,

0:11:21.000 --> 0:11:24.360
<v Speaker 3>are you happy, he'd be like, I'm really happy. He's

0:11:24.440 --> 0:11:30.560
<v Speaker 3>not unhappy, Yes he is, Oh, I disagree. Is really happy.

0:11:30.600 --> 0:11:33.040
<v Speaker 3>He's got he's got a great kid who's at mit.

0:11:33.559 --> 0:11:37.400
<v Speaker 3>He's got another kid, Rory. He's got the woman of

0:11:37.440 --> 0:11:40.200
<v Speaker 3>his dreams. He's got the diner. His sister's in a cult,

0:11:40.200 --> 0:11:43.200
<v Speaker 3>but that's okay. He's got money. Luke is happy because

0:11:43.280 --> 0:11:45.719
<v Speaker 3>Luke is a simple guy who likes he doesn't want

0:11:45.760 --> 0:11:46.679
<v Speaker 3>to leave Stars Hollow.

0:11:47.000 --> 0:11:48.720
<v Speaker 2>He's very happy there.

0:11:48.920 --> 0:11:52.840
<v Speaker 3>Like no one's going like, why isn't Gypsy franchised her?

0:11:52.960 --> 0:11:57.160
<v Speaker 3>You know, shop like because these people are happy and

0:11:57.200 --> 0:11:59.760
<v Speaker 3>Stars Hollow And to me, that's the message of this show.

0:12:00.280 --> 0:12:03.680
<v Speaker 3>One core message is we don't have to go to

0:12:03.720 --> 0:12:06.600
<v Speaker 3>the big slit. It's like, hey, we're here in this

0:12:06.640 --> 0:12:09.960
<v Speaker 3>little town and we love our fairs and we love

0:12:10.000 --> 0:12:12.800
<v Speaker 3>our little movie theater that shows old movies and made

0:12:12.840 --> 0:12:14.760
<v Speaker 3>up movies by Kirk, and I bring my hot dogs

0:12:14.760 --> 0:12:17.559
<v Speaker 3>in there, like I find happiness.

0:12:18.240 --> 0:12:20.840
<v Speaker 1>That I agree with you. And I think that's a

0:12:21.000 --> 0:12:23.920
<v Speaker 1>very very, very very good point that you have just made.

0:12:25.400 --> 0:12:31.400
<v Speaker 1>That the main character Stars Hollow forces this. This is

0:12:31.400 --> 0:12:34.080
<v Speaker 1>the reality of Star so that's all well and good.

0:12:34.120 --> 0:12:38.480
<v Speaker 1>I'm just saying from an aspirational point of view what

0:12:38.760 --> 0:12:42.320
<v Speaker 1>I wanted to see, and this how I wanted to

0:12:42.360 --> 0:12:45.920
<v Speaker 1>see this relationship with Laura Lai. Yeah, and my character

0:12:46.040 --> 0:12:49.720
<v Speaker 1>and her character grow over those I get that nine

0:12:49.800 --> 0:12:55.600
<v Speaker 1>years because I think that provides far more interesting material

0:12:56.120 --> 0:13:04.320
<v Speaker 1>it provides thematically. On this the tone of the show,

0:13:05.000 --> 0:13:09.400
<v Speaker 1>I think that it. I just think that stagnation and

0:13:09.880 --> 0:13:16.640
<v Speaker 1>negativity and how Daniel Daniel described it perfectly should never

0:13:16.760 --> 0:13:18.840
<v Speaker 1>be a part of this show. I agree with that

0:13:18.920 --> 0:13:21.800
<v Speaker 1>because that's not the show. That's not the spirit of it.

0:13:21.880 --> 0:13:25.600
<v Speaker 3>So in your mouth, but I think you see Luke

0:13:25.679 --> 0:13:28.720
<v Speaker 3>as the guy that's going to be the best husband,

0:13:29.000 --> 0:13:33.440
<v Speaker 3>the best partner, the best you know, businessman in starsall

0:13:34.040 --> 0:13:37.640
<v Speaker 3>you do see Luke as aspirational. I don't think he

0:13:37.679 --> 0:13:40.920
<v Speaker 3>needs to franchise to be aspirational. I agree with you

0:13:40.960 --> 0:13:44.440
<v Speaker 3>in the sense that like Loreli is not going to

0:13:44.480 --> 0:13:46.920
<v Speaker 3>be bored with Luke, Loreli is not going to be

0:13:47.040 --> 0:13:49.319
<v Speaker 3>questioning her relationship with Luke because.

0:13:49.120 --> 0:13:51.960
<v Speaker 2>Luke is too good for that.

0:13:52.440 --> 0:13:54.880
<v Speaker 3>And that is where I think you actually are frustrated

0:13:55.080 --> 0:13:56.640
<v Speaker 3>that you're seeing And again, I don't want to put

0:13:56.640 --> 0:13:58.840
<v Speaker 3>words in your mouth. But you're seeing Emily kind of

0:13:58.840 --> 0:14:01.800
<v Speaker 3>emasculate Luke, which she always has and always will. Fine,

0:14:01.960 --> 0:14:03.439
<v Speaker 3>but I think that Laura would be.

0:14:03.520 --> 0:14:05.040
<v Speaker 1>He doesn't have to allow it to happen.

0:14:05.920 --> 0:14:07.679
<v Speaker 2>I think he's just polite about it. I don't even

0:14:07.679 --> 0:14:09.560
<v Speaker 2>know if he question polite.

0:14:09.720 --> 0:14:12.080
<v Speaker 1>How is that polite? He's just dumb. Now he doesn't

0:14:12.080 --> 0:14:14.000
<v Speaker 1>even know how how to defend himself.

0:14:14.040 --> 0:14:18.839
<v Speaker 3>He's dumb and something disappointed that Laurai that Luke isn't

0:14:19.200 --> 0:14:23.160
<v Speaker 3>LOURAI will be like, I have the best relationship in town. No,

0:14:23.280 --> 0:14:27.080
<v Speaker 3>we're not roommates, we are soulmates.

0:14:27.120 --> 0:14:29.200
<v Speaker 2>Do you know what I'm saying? Like, it's not about

0:14:29.240 --> 0:14:29.960
<v Speaker 2>the ring.

0:14:29.800 --> 0:14:33.200
<v Speaker 3>Or the children, it's about that their relationship is a little.

0:14:35.120 --> 0:14:36.280
<v Speaker 2>And that doesn't track.

0:14:36.760 --> 0:14:39.640
<v Speaker 1>No, it doesn't. And now how do you think it

0:14:39.680 --> 0:14:43.600
<v Speaker 1>makes a fan bield fan base feel that now she's

0:14:44.080 --> 0:14:46.840
<v Speaker 1>getting in therapy at the end of this episode, you

0:14:46.840 --> 0:14:50.000
<v Speaker 1>know she's getting She's going to have a single one

0:14:50.000 --> 0:14:51.920
<v Speaker 1>on one session and she's going to talk about how

0:14:51.960 --> 0:14:53.840
<v Speaker 1>she's not happy in her relationship with Luke.

0:14:54.560 --> 0:14:56.640
<v Speaker 2>I think it's disappointing.

0:14:56.720 --> 0:14:59.360
<v Speaker 1>What can I still do for lauralized character? Now they're

0:14:59.400 --> 0:15:00.560
<v Speaker 1>deconstruct hook.

0:15:01.120 --> 0:15:03.120
<v Speaker 2>I don't know about that, because.

0:15:03.160 --> 0:15:04.640
<v Speaker 1>Let's dismantle this love.

0:15:05.680 --> 0:15:08.360
<v Speaker 3>Some people find it relatable. So I don't think it's

0:15:08.400 --> 0:15:11.640
<v Speaker 3>where I would see Luke and Laurlai. But many many

0:15:11.840 --> 0:15:14.400
<v Speaker 3>fifty year old women who've been with their person for

0:15:14.480 --> 0:15:17.880
<v Speaker 3>ten years or more or a little less, feel the

0:15:17.880 --> 0:15:21.320
<v Speaker 3>same way. I don't think ultimately, and again we're jumping ahead.

0:15:21.360 --> 0:15:24.600
<v Speaker 3>I don't think ultimately Laurai was questioning her relationship. She

0:15:24.760 --> 0:15:28.720
<v Speaker 3>was questioning who she is and herself, and so many

0:15:28.760 --> 0:15:31.840
<v Speaker 3>fifty year old women are going through that. And so

0:15:31.920 --> 0:15:34.280
<v Speaker 3>I'm sure and I don't know how old Amy is,

0:15:34.320 --> 0:15:35.920
<v Speaker 3>but she's probably a little bit older than me, so

0:15:36.040 --> 0:15:37.800
<v Speaker 3>maybe when she wrote this, she was right in that

0:15:37.880 --> 0:15:42.200
<v Speaker 3>same place. So it does track like I am so

0:15:42.560 --> 0:15:44.840
<v Speaker 3>kind of in that space too.

0:15:45.120 --> 0:15:46.880
<v Speaker 2>So I don't think it's wrecking Laura Lai.

0:15:47.400 --> 0:15:52.160
<v Speaker 3>I think she's just exploring and looktly, there are things

0:15:52.200 --> 0:15:56.280
<v Speaker 3>that I think are dumb I do, and these.

0:15:55.320 --> 0:15:58.080
<v Speaker 2>Movies are a little bit could have been better, right,

0:15:58.760 --> 0:16:02.440
<v Speaker 2>But I think that Hemp was there. I think that

0:16:02.200 --> 0:16:03.920
<v Speaker 2>is it is women.

0:16:03.680 --> 0:16:07.280
<v Speaker 3>In their fifties, late forties, fifties are doing so much

0:16:07.320 --> 0:16:09.800
<v Speaker 3>of what Loralai is doing, trying to work out.

0:16:09.640 --> 0:16:17.040
<v Speaker 1>Their their kids, the whole thing. I guess this is

0:16:17.280 --> 0:16:21.360
<v Speaker 1>really just now it's about exploring.

0:16:22.560 --> 0:16:23.240
<v Speaker 5>Her journey.

0:16:23.960 --> 0:16:26.320
<v Speaker 2>I would say, apart.

0:16:25.760 --> 0:16:30.640
<v Speaker 1>From any other character, this is really about Lorelei's journey

0:16:30.960 --> 0:16:34.400
<v Speaker 1>through life. Here we are, she's forty eight. This is

0:16:34.480 --> 0:16:36.640
<v Speaker 1>going to be her experience. These four episodes are going

0:16:36.640 --> 0:16:39.280
<v Speaker 1>to take us through her experience.

0:16:39.720 --> 0:16:42.080
<v Speaker 2>It's my argument for the whole series too.

0:16:42.280 --> 0:16:45.720
<v Speaker 3>I think at its core, ultimate right, yes, it was

0:16:45.760 --> 0:16:48.960
<v Speaker 3>Gilmore Girls, and Rory and Emily play huge part in that,

0:16:49.840 --> 0:16:52.720
<v Speaker 3>but I have always felt the show and these films

0:16:52.840 --> 0:16:56.200
<v Speaker 3>are always at their center about LORAAI.

0:16:56.520 --> 0:16:59.560
<v Speaker 1>You're proven correct because the one thing that I do

0:16:59.640 --> 0:17:07.439
<v Speaker 1>remember feeling really strange about, right was and I filmed

0:17:07.440 --> 0:17:09.639
<v Speaker 1>it and I remember it is that you know, the

0:17:10.240 --> 0:17:16.080
<v Speaker 1>the elopement. Okay, I thought that was very odd because

0:17:16.080 --> 0:17:19.200
<v Speaker 1>I was, well, we'll get to it, but that's I

0:17:19.240 --> 0:17:22.280
<v Speaker 1>won't go into detail. But the way that was shot

0:17:22.359 --> 0:17:26.119
<v Speaker 1>and what I was told to do after the wedding,

0:17:26.240 --> 0:17:28.280
<v Speaker 1>coming down the stairs and getting out of the shot,

0:17:30.119 --> 0:17:33.919
<v Speaker 1>and I was like, oh, we'll talk about that. I

0:17:33.920 --> 0:17:36.320
<v Speaker 1>thought I was in a different show. I think that's.

0:17:36.160 --> 0:17:40.080
<v Speaker 3>Correct because I think ultimately, look and I've always felt

0:17:40.080 --> 0:17:43.080
<v Speaker 3>this way because I'm fifty now, so I'm very close

0:17:43.119 --> 0:17:47.200
<v Speaker 3>in age to the age they are. When I watched

0:17:47.200 --> 0:17:50.360
<v Speaker 3>it the first time, I was very close to age

0:17:50.800 --> 0:17:55.800
<v Speaker 3>to lowerly then. So I have always just felt like

0:17:56.040 --> 0:18:00.240
<v Speaker 3>her and so yes with flaws, and I've always the

0:18:00.240 --> 0:18:03.080
<v Speaker 3>show was People always like it's about the relationship between

0:18:03.119 --> 0:18:04.840
<v Speaker 3>the two of them, and I've just know, I've always

0:18:04.880 --> 0:18:06.560
<v Speaker 3>felt this show was really Laura Laie.

0:18:06.880 --> 0:18:09.760
<v Speaker 1>Yep, that's why she had the number one by her name.

0:18:10.040 --> 0:18:14.800
<v Speaker 1>Alexis number two, correct, exactly, It's not anybody else's show.

0:18:23.640 --> 0:18:25.239
<v Speaker 3>At that end of this episode, which I know we've

0:18:25.240 --> 0:18:26.679
<v Speaker 3>still got a few more scenes to talk about, but

0:18:26.720 --> 0:18:29.119
<v Speaker 3>the end of the episode, it zooms in on Lauren

0:18:29.320 --> 0:18:31.840
<v Speaker 3>Laura Lai and you see in her face like.

0:18:33.359 --> 0:18:35.480
<v Speaker 2>Just questioning everything.

0:18:36.119 --> 0:18:39.160
<v Speaker 3>We have never acknowledged that she has empty nests in them.

0:18:39.520 --> 0:18:42.560
<v Speaker 3>Yes it's been eight years, but still in a sense

0:18:43.240 --> 0:18:47.200
<v Speaker 3>because of the time warp, she's dealing with empty nests syndrome.

0:18:47.320 --> 0:18:50.280
<v Speaker 3>She's dealing with her relationship stuff, she's lost her father.

0:18:50.680 --> 0:18:53.840
<v Speaker 3>So many people say you are one person before and

0:18:53.920 --> 0:18:55.560
<v Speaker 3>you can attest to this guy because I know this

0:18:55.680 --> 0:18:58.439
<v Speaker 3>is like the case for you. You are one person

0:18:58.480 --> 0:19:02.399
<v Speaker 3>before your parents leave you, and you are a totally

0:19:02.400 --> 0:19:04.520
<v Speaker 3>different person after, and you will never be that same

0:19:04.560 --> 0:19:07.040
<v Speaker 3>person again. So this is now that character is exploring

0:19:07.080 --> 0:19:07.760
<v Speaker 3>all these things.

0:19:07.800 --> 0:19:10.400
<v Speaker 1>I don't, well, what happens is you've become three times

0:19:10.440 --> 0:19:11.040
<v Speaker 1>as strong.

0:19:12.320 --> 0:19:13.840
<v Speaker 2>Wow, let us pray for.

0:19:13.840 --> 0:19:15.320
<v Speaker 1>That, because you know.

0:19:17.320 --> 0:19:18.160
<v Speaker 5>That's what happens.

0:19:20.080 --> 0:19:26.679
<v Speaker 3>I can like it makes me emotional because I relate

0:19:26.800 --> 0:19:30.000
<v Speaker 3>to her so much, and I agree in the little things.

0:19:30.040 --> 0:19:32.280
<v Speaker 3>I totally agree with you, Like they're making Luke kind

0:19:32.280 --> 0:19:36.520
<v Speaker 3>of dopey, right, but at the core I see her

0:19:36.520 --> 0:19:41.240
<v Speaker 3>in the therapy and it's like, Okay, that's me and

0:19:41.359 --> 0:19:44.560
<v Speaker 3>probably a lot of people listening. So anyway, I digress.

0:19:44.680 --> 0:19:46.040
<v Speaker 3>Let's go back to where we were at.

0:19:46.200 --> 0:19:48.399
<v Speaker 1>I don't know if you're going to establish characters and

0:19:48.400 --> 0:19:49.959
<v Speaker 1>you could write him this way, then own it and

0:19:50.040 --> 0:19:51.440
<v Speaker 1>continue to write him that way.

0:19:52.760 --> 0:19:54.679
<v Speaker 3>Yeah, it's you make a good point there, because it's

0:19:54.680 --> 0:19:57.160
<v Speaker 3>almost like so deep and gritty and what they're dealing with.

0:19:57.240 --> 0:19:58.919
<v Speaker 3>But then we have all these kind of like silly

0:19:58.960 --> 0:20:02.200
<v Speaker 3>antics like grabbing Luke and taking them to all these

0:20:02.200 --> 0:20:03.240
<v Speaker 3>like diners.

0:20:03.240 --> 0:20:06.359
<v Speaker 1>It's kind of yeah, right.

0:20:06.480 --> 0:20:09.320
<v Speaker 3>It's it's the biggest criticism of the Sex in the

0:20:09.359 --> 0:20:11.399
<v Speaker 3>City reboot is that it kind of lost some of

0:20:11.440 --> 0:20:14.840
<v Speaker 3>its humor and levity, but it's almost doing what they

0:20:14.880 --> 0:20:16.120
<v Speaker 3>really want to go dig.

0:20:15.960 --> 0:20:18.320
<v Speaker 2>Deep into these characters. But anyway, that's a different show.

0:20:18.440 --> 0:20:20.639
<v Speaker 1>So I think the only want to dig deep on

0:20:20.680 --> 0:20:21.399
<v Speaker 1>here is Laurai.

0:20:22.720 --> 0:20:24.000
<v Speaker 2>That's probably correct.

0:20:24.400 --> 0:20:27.280
<v Speaker 1>Probably I don't want to dig deep on anybody.

0:20:26.880 --> 0:20:29.760
<v Speaker 3>Else's why they make Rory such a carney, Like Rory

0:20:29.880 --> 0:20:33.040
<v Speaker 3>is a clown in these movies, like because we're not

0:20:33.240 --> 0:20:36.080
<v Speaker 3>digging deep into her, We're not really analyzing why is

0:20:36.119 --> 0:20:38.840
<v Speaker 3>she still with Logan and cheating on everybody? Why is

0:20:38.920 --> 0:20:41.960
<v Speaker 3>she floundering so much in her career? Why is she

0:20:42.080 --> 0:20:46.159
<v Speaker 3>dating this Pete Paul, you know hat guy that no

0:20:46.160 --> 0:20:48.920
<v Speaker 3>one can remember her name. Like, it's all just flowney,

0:20:49.240 --> 0:20:52.520
<v Speaker 3>whereas with Loralai there is some sort of gritty realism.

0:20:52.600 --> 0:20:56.080
<v Speaker 3>But anyway, we go back to New York and we

0:20:56.119 --> 0:20:59.560
<v Speaker 3>go to Doyle's apartment and I'm sorry, Paris is walk

0:20:59.640 --> 0:21:04.560
<v Speaker 3>up fifth five story, I mean, Pears is loaded, and

0:21:04.600 --> 0:21:05.440
<v Speaker 3>it's kind of dumb.

0:21:05.440 --> 0:21:05.680
<v Speaker 2>Again.

0:21:05.760 --> 0:21:08.240
<v Speaker 3>We get the bit about the nanny. I think you're like, oh,

0:21:08.240 --> 0:21:10.320
<v Speaker 3>I don't like the nanny, go up all the stairs

0:21:10.359 --> 0:21:11.000
<v Speaker 3>and it's just.

0:21:10.960 --> 0:21:14.520
<v Speaker 4>Like we do see Doyke or like, oh, the nanny's

0:21:14.520 --> 0:21:16.760
<v Speaker 4>not gonna want to come downstairs and then upstairs and

0:21:16.760 --> 0:21:19.119
<v Speaker 4>then take the kids to say and then Worry's like,

0:21:19.160 --> 0:21:21.440
<v Speaker 4>I'll go upstairs and take the kids to eat.

0:21:21.320 --> 0:21:24.719
<v Speaker 3>And right, although I do admit that if I do

0:21:24.800 --> 0:21:27.280
<v Speaker 3>I have a two story place, and if I leave

0:21:27.320 --> 0:21:31.000
<v Speaker 3>something upstairs, I'm hard pressed to go get that. I'm like,

0:21:31.320 --> 0:21:33.280
<v Speaker 3>oh God, and I don't like to go up there

0:21:33.280 --> 0:21:35.560
<v Speaker 3>because there's no bathroom up there, and I'm always like, oh,

0:21:35.560 --> 0:21:37.200
<v Speaker 3>I'm gonna have to go downstairs to.

0:21:37.119 --> 0:21:37.800
<v Speaker 2>Go to the bathroom.

0:21:37.920 --> 0:21:40.680
<v Speaker 3>So if I had five stories and I've got upstairs

0:21:40.720 --> 0:21:42.760
<v Speaker 3>and forgot my water from the kitchen, I would.

0:21:42.560 --> 0:21:44.640
<v Speaker 2>Be like, just hold my mouth.

0:21:44.800 --> 0:21:46.840
<v Speaker 3>So I'd hold my mouth under the sink, just like

0:21:47.040 --> 0:21:50.720
<v Speaker 3>I can't. Anyway, it was good to see Doyle.

0:21:52.840 --> 0:21:56.320
<v Speaker 4>Yeah, I'm bombed. They're getting a divorce. Me too, I'm bombed.

0:21:56.760 --> 0:21:58.200
<v Speaker 4>Hopefully that changes.

0:21:59.359 --> 0:22:01.119
<v Speaker 2>They should stay together personally.

0:22:01.200 --> 0:22:05.359
<v Speaker 3>But uh so we get that scene and then we

0:22:05.400 --> 0:22:07.840
<v Speaker 3>get Rory calling Logan and we see him in bed

0:22:07.960 --> 0:22:10.840
<v Speaker 3>with what we presume to be oh dead, but Lord

0:22:10.960 --> 0:22:12.040
<v Speaker 3>knows with Logan.

0:22:13.240 --> 0:22:15.760
<v Speaker 4>And she kind of he just answers it and just

0:22:15.960 --> 0:22:20.800
<v Speaker 4>is the whole time, and she knows that he's in

0:22:20.880 --> 0:22:25.840
<v Speaker 4>bed with somebody else, and she's just still yeaping in

0:22:25.920 --> 0:22:28.959
<v Speaker 4>a way and rambling and doing her thing. She's like, oh, sorry,

0:22:29.040 --> 0:22:31.200
<v Speaker 4>I know you got somebody there.

0:22:31.880 --> 0:22:36.320
<v Speaker 3>We addressed that once again Logan has no walls, and

0:22:36.359 --> 0:22:40.240
<v Speaker 3>that once again he's in a big studio, lofty flat

0:22:40.359 --> 0:22:42.000
<v Speaker 3>like he never has rooms.

0:22:42.040 --> 0:22:49.400
<v Speaker 2>This guy anyway, for Scott, he's exhausted. So uh, she.

0:22:49.440 --> 0:22:52.119
<v Speaker 1>Asked me, I've come to the realization that this is

0:22:52.200 --> 0:22:54.280
<v Speaker 1>just this is Laura LA's journey and I have nothing

0:22:54.359 --> 0:22:57.240
<v Speaker 1>left to say, so enjoy yourselves.

0:22:57.280 --> 0:23:00.600
<v Speaker 2>Please, you must chime in. So she stcham to put

0:23:00.640 --> 0:23:01.000
<v Speaker 2>the good.

0:23:01.240 --> 0:23:03.679
<v Speaker 1>It's a wonderful feeling realizing that you're just planked.

0:23:03.720 --> 0:23:08.360
<v Speaker 4>And I do feel like if we're talking about character,

0:23:08.760 --> 0:23:12.720
<v Speaker 4>just completely shut down. Rory asking Mitcham for the good word,

0:23:12.800 --> 0:23:13.320
<v Speaker 4>I was like.

0:23:15.000 --> 0:23:16.320
<v Speaker 2>It is just so bad.

0:23:16.560 --> 0:23:19.840
<v Speaker 1>It's hard to watch. It was painful to watch.

0:23:19.880 --> 0:23:23.440
<v Speaker 2>It's a mess in these we think if we feel.

0:23:23.160 --> 0:23:28.120
<v Speaker 4>Like Luke got his, you know what taking away from him,

0:23:28.200 --> 0:23:32.160
<v Speaker 4>like Rory has everything taken away from hers.

0:23:32.720 --> 0:23:43.440
<v Speaker 6>She has like gone down, down goes Frasier, down goes Frasier, yeah, man, and.

0:23:43.520 --> 0:23:44.000
<v Speaker 3>We go to it.

0:23:44.160 --> 0:23:46.960
<v Speaker 1>Bodies were hitting the canvas all all episode.

0:23:47.920 --> 0:23:49.960
<v Speaker 2>We go to Conde asked and.

0:23:51.359 --> 0:23:53.640
<v Speaker 3>They have She has this meeting with these two guys

0:23:53.640 --> 0:23:55.520
<v Speaker 3>and the lines story is just.

0:23:57.800 --> 0:24:03.640
<v Speaker 1>Oh bad, like does life messing with Rory? Just fancy

0:24:03.760 --> 0:24:08.840
<v Speaker 1>number one in their class at Yale and you pissed

0:24:08.840 --> 0:24:12.040
<v Speaker 1>it all away and we're just going to toy with you.

0:24:12.160 --> 0:24:12.400
<v Speaker 5>Now.

0:24:14.320 --> 0:24:17.080
<v Speaker 2>That's a waste of a meeting. And then we go to.

0:24:18.520 --> 0:24:21.280
<v Speaker 3>Therapy and this is where we realize Emily is not coming,

0:24:21.359 --> 0:24:25.600
<v Speaker 3>but Laura lia is going to stay. And we hear

0:24:26.600 --> 0:24:31.800
<v Speaker 3>a very sad story of Richard's passing. So that was upsetting,

0:24:31.840 --> 0:24:34.040
<v Speaker 3>but you know, she needed to kind of talk about it.

0:24:36.640 --> 0:24:38.920
<v Speaker 3>And then we learn a little bit why she isn't

0:24:38.920 --> 0:24:44.080
<v Speaker 3>married and if she's happy. Then we get to the

0:24:44.080 --> 0:24:46.760
<v Speaker 3>scene that's just so stupid where Emily just storms into

0:24:46.800 --> 0:24:48.679
<v Speaker 3>the diner and suddenly Luke's in the car going to

0:24:48.720 --> 0:24:54.040
<v Speaker 3>all these diners and it's just kind of ridiculous.

0:24:55.320 --> 0:24:57.040
<v Speaker 2>And there, yeah, and then we you know, we see

0:24:57.040 --> 0:24:57.480
<v Speaker 2>the diners.

0:24:57.480 --> 0:24:59.120
<v Speaker 3>Then we're in the car with the realtor and Luke's

0:24:59.119 --> 0:25:03.400
<v Speaker 3>and the on there, you know, talking over each other,

0:25:03.440 --> 0:25:05.399
<v Speaker 3>and we're going to do this, We're gonna let's make

0:25:05.400 --> 0:25:06.119
<v Speaker 3>an offer on this.

0:25:06.160 --> 0:25:07.920
<v Speaker 2>Well, no, we should do the second one. Oh, this one,

0:25:08.080 --> 0:25:08.520
<v Speaker 2>it's just.

0:25:09.080 --> 0:25:14.200
<v Speaker 1>Well, it's again using the character of Luke to inject

0:25:14.280 --> 0:25:18.880
<v Speaker 1>this poison into the relationship of Luke and Laurel. I

0:25:18.960 --> 0:25:23.119
<v Speaker 1>because what did Luke learn in that car ride was

0:25:23.160 --> 0:25:25.000
<v Speaker 1>that Laurel Eye lied to him?

0:25:25.280 --> 0:25:29.480
<v Speaker 3>Yes, correct, that's the red herring, right ooh, okay.

0:25:31.000 --> 0:25:34.480
<v Speaker 1>So that's going to be the you know, the seed,

0:25:34.520 --> 0:25:37.879
<v Speaker 1>that the seed of discontent.

0:25:40.720 --> 0:25:44.000
<v Speaker 2>So that is you know rough.

0:25:44.480 --> 0:25:49.160
<v Speaker 3>Then we're back at Paris's house and and Rory gets

0:25:49.160 --> 0:25:52.479
<v Speaker 3>the call from the lawyer with Naomi, and that is

0:25:52.560 --> 0:25:53.480
<v Speaker 3>just again done.

0:25:53.640 --> 0:25:56.480
<v Speaker 1>It was like, okay, did you see her in the

0:25:56.520 --> 0:26:02.240
<v Speaker 1>background chomping on searsticks. I finally laughed. I was laughing.

0:26:02.320 --> 0:26:04.840
<v Speaker 1>I just I rewound the scene a couple of times.

0:26:04.840 --> 0:26:06.120
<v Speaker 1>There she's in the background, lurking.

0:26:06.240 --> 0:26:08.120
<v Speaker 5>Tell her, tell her to the notes.

0:26:07.840 --> 0:26:10.639
<v Speaker 2>To right right, it's a it's a.

0:26:10.600 --> 0:26:14.600
<v Speaker 1>It's a house whatever I mean she does see. That's

0:26:14.760 --> 0:26:20.119
<v Speaker 1>drunken and kind of unhinged. That's how it's done. And

0:26:20.160 --> 0:26:23.280
<v Speaker 1>it's entertaining and it's fun and it's funny and it's energetic,

0:26:24.040 --> 0:26:27.760
<v Speaker 1>and it's just magnetic. I I love her. I think

0:26:27.840 --> 0:26:29.120
<v Speaker 1>she's just so good.

0:26:29.520 --> 0:26:30.119
<v Speaker 2>It's great.

0:26:30.200 --> 0:26:32.400
<v Speaker 3>But my whole thing is so now they're not even

0:26:32.440 --> 0:26:35.120
<v Speaker 3>writing this book and she's like firing Rory.

0:26:35.480 --> 0:26:36.680
<v Speaker 2>So this whole thing has been a waste.

0:26:38.920 --> 0:26:40.000
<v Speaker 1>Who wants to be in business?

0:26:40.040 --> 0:26:41.159
<v Speaker 3>I don't know who to blame.

0:26:41.720 --> 0:26:45.160
<v Speaker 1>Everybody's dumping on. Why shouldn't Naomi?

0:26:45.880 --> 0:26:48.639
<v Speaker 3>Sure, but Naomi is totally nuts. So now I've had

0:26:48.680 --> 0:26:51.439
<v Speaker 3>this whole thing. Now not in this instance is just

0:26:51.560 --> 0:26:52.240
<v Speaker 3>now worse off.

0:26:52.280 --> 0:26:53.960
<v Speaker 2>She just has nothing's ever.

0:26:54.080 --> 0:26:58.560
<v Speaker 1>You know, she's she's bad. Laurie's like, I mean, Rory's

0:26:58.600 --> 0:27:02.280
<v Speaker 1>like bad luck. At this point, everybody's dumping her. If

0:27:02.280 --> 0:27:05.200
<v Speaker 1>she was a stock, everybody'd be selling, you.

0:27:05.160 --> 0:27:10.600
<v Speaker 2>Know, literally all right, So I mean it's just so.

0:27:11.080 --> 0:27:11.480
<v Speaker 4>And then.

0:27:13.640 --> 0:27:17.639
<v Speaker 1>To find drive the sword right through the heart of

0:27:17.680 --> 0:27:21.520
<v Speaker 1>the character, I slept with a Wookie and I was like,

0:27:21.800 --> 0:27:23.040
<v Speaker 1>all right, so where it.

0:27:23.000 --> 0:27:26.960
<v Speaker 2>Didn't yet but that's coming.

0:27:27.000 --> 0:27:29.440
<v Speaker 3>And the almost the next scene practically.

0:27:31.200 --> 0:27:32.000
<v Speaker 2>No I know, I.

0:27:31.960 --> 0:27:36.639
<v Speaker 3>Feel calls Lorelai come to New York. She's gonna do

0:27:36.720 --> 0:27:41.560
<v Speaker 3>this story on spec whatever. Now we've got the most

0:27:41.640 --> 0:27:44.760
<v Speaker 3>boring story of all time, which I obviously think was

0:27:45.560 --> 0:27:50.639
<v Speaker 3>intentional the story about lines. So we've got the and

0:27:50.680 --> 0:27:53.960
<v Speaker 3>somehow Lorli keeps getting everything that she doesn't need to

0:27:53.960 --> 0:27:56.280
<v Speaker 3>wait in line, Like suddenly she's got the dessert, she's

0:27:56.280 --> 0:27:59.440
<v Speaker 3>got the sneakers. I'm just like, this is so awful,

0:28:00.080 --> 0:28:04.439
<v Speaker 3>falls asleep while interviewing the guy terrible. Then there's a

0:28:04.480 --> 0:28:06.560
<v Speaker 3>line that's just for nothing. It's just three guys eating

0:28:06.560 --> 0:28:07.120
<v Speaker 3>their salads.

0:28:07.119 --> 0:28:09.720
<v Speaker 1>I mean, it's just And this is where we get

0:28:09.720 --> 0:28:15.280
<v Speaker 1>to see my real life wife christ Wait, there is

0:28:15.400 --> 0:28:20.520
<v Speaker 1>she she's in. She's in the scene where Laurli comes

0:28:20.640 --> 0:28:23.760
<v Speaker 1>up and talks says you have mother, and she goes,

0:28:23.920 --> 0:28:26.080
<v Speaker 1>you have mother? You have mother and three kids, And

0:28:26.080 --> 0:28:28.880
<v Speaker 1>then my wife says something like, well did she shed

0:28:28.880 --> 0:28:30.520
<v Speaker 1>a line? I forgot the line? I wrote it down,

0:28:30.520 --> 0:28:31.200
<v Speaker 1>but I can't.

0:28:31.000 --> 0:28:33.439
<v Speaker 2>Find waitness she's not in the scene with May Whitman.

0:28:33.560 --> 0:28:35.440
<v Speaker 2>Is she okay?

0:28:35.480 --> 0:28:38.000
<v Speaker 3>So this is where we see May Whitman too, which

0:28:38.480 --> 0:28:42.200
<v Speaker 3>there is a very wink wink there because Rli kind

0:28:42.200 --> 0:28:44.560
<v Speaker 3>of chases after May Whitman for a second and gives

0:28:44.600 --> 0:28:47.440
<v Speaker 3>her like a crona or whatever the new crona is.

0:28:47.800 --> 0:28:50.560
<v Speaker 3>And the wink for people that don't know, is that

0:28:50.800 --> 0:28:56.120
<v Speaker 3>May Whitman is was Laura Lai's character's daughter on Parenthood,

0:28:56.760 --> 0:29:00.680
<v Speaker 3>so it's like her other daughter about to May Whitman,

0:29:00.680 --> 0:29:02.600
<v Speaker 3>who I think also just had a baby. But anyway,

0:29:02.760 --> 0:29:04.400
<v Speaker 3>so that's kind of what that is. So I think

0:29:04.480 --> 0:29:07.120
<v Speaker 3>Christine's in that scene. I'm gonna have to rewatch.

0:29:06.720 --> 0:29:08.960
<v Speaker 1>It, do you. She's the one with the dark hair

0:29:09.000 --> 0:29:11.200
<v Speaker 1>and the tan coat leather.

0:29:11.600 --> 0:29:14.160
<v Speaker 2>And did she do it because you were doing this?

0:29:14.920 --> 0:29:15.280
<v Speaker 5>Oh wait?

0:29:15.280 --> 0:29:17.680
<v Speaker 2>Okay, oh wait there she or did she?

0:29:18.040 --> 0:29:19.040
<v Speaker 1>They just offered it to her?

0:29:19.600 --> 0:29:20.240
<v Speaker 5>Yeah?

0:29:20.280 --> 0:29:22.120
<v Speaker 2>Oh that's so cute. Oh there she is.

0:29:22.240 --> 0:29:25.480
<v Speaker 3>Oh my gosh, she's so so cute.

0:29:25.920 --> 0:29:26.920
<v Speaker 2>She's just like her.

0:29:27.680 --> 0:29:29.440
<v Speaker 1>Oh yeah, no, he's fairy Like.

0:29:29.600 --> 0:29:31.440
<v Speaker 2>I don't love that hat on Lorelei.

0:29:31.560 --> 0:29:33.680
<v Speaker 3>In this scene, it's sort of that like, what do

0:29:33.680 --> 0:29:35.480
<v Speaker 3>you call that a newsboy cap?

0:29:36.600 --> 0:29:36.960
<v Speaker 2>I don't.

0:29:37.120 --> 0:29:48.760
<v Speaker 3>I do enjoy the fashion, which we can talk about later. Okay,

0:29:48.800 --> 0:29:50.720
<v Speaker 3>So then we have the boring line story, but we

0:29:50.800 --> 0:29:55.760
<v Speaker 3>do have the beautiful May Whitman and Christine and uh

0:29:55.840 --> 0:29:58.360
<v Speaker 3>then she comes back to the hotel and she very

0:29:58.440 --> 0:30:03.600
<v Speaker 3>quickly reveals she slept with a wookie, which I was like, ew.

0:30:04.360 --> 0:30:07.320
<v Speaker 4>Saw that to your mom, like right fresh after hooking

0:30:07.440 --> 0:30:09.680
<v Speaker 4>up with the Wookie. You're gonna walk in and be

0:30:09.760 --> 0:30:11.080
<v Speaker 4>like I hooked up with the Wookie.

0:30:11.600 --> 0:30:14.480
<v Speaker 1>I think that that was the most bizarre scene I

0:30:14.520 --> 0:30:17.480
<v Speaker 1>have ever witnessed between the two of them.

0:30:17.800 --> 0:30:21.440
<v Speaker 3>Yeah, it was not good, but it does open the

0:30:21.560 --> 0:30:24.760
<v Speaker 3>can of worms and she reveals about Logan, which Loralai,

0:30:25.040 --> 0:30:29.520
<v Speaker 3>I agree with you. Danielle like was way too dumbfounded. Oh,

0:30:29.680 --> 0:30:31.040
<v Speaker 3>like she would have known.

0:30:31.320 --> 0:30:34.000
<v Speaker 4>She would have known, she would have been like, I know,

0:30:34.280 --> 0:30:35.680
<v Speaker 4>I'm glad you finally told me.

0:30:36.040 --> 0:30:36.920
<v Speaker 2>Right exactly.

0:30:37.720 --> 0:30:40.160
<v Speaker 3>So anyway, Laurai says she should go to Sandy, says,

0:30:40.200 --> 0:30:42.360
<v Speaker 3>So then now we have the scene.

0:30:42.080 --> 0:30:45.400
<v Speaker 2>That I was like, this is so bothersome.

0:30:46.000 --> 0:30:49.120
<v Speaker 3>She goes to Sandy, says, and suddenly it's like Sandy

0:30:49.560 --> 0:30:51.080
<v Speaker 3>is interviewing her and doesn't even wander.

0:30:51.120 --> 0:30:52.680
<v Speaker 2>I mean, it was so weird. I was like.

0:30:55.280 --> 0:30:58.280
<v Speaker 3>Millennials though, or gen Z like what is this.

0:30:59.520 --> 0:31:02.920
<v Speaker 4>I also think like Rory just be came Walton and

0:31:02.960 --> 0:31:05.560
<v Speaker 4>being like, yeah, give me this job, which I understand

0:31:05.680 --> 0:31:09.320
<v Speaker 4>based off of all I understand that, but like if

0:31:09.320 --> 0:31:11.480
<v Speaker 4>somebody tells you give me an idea, you should be

0:31:11.480 --> 0:31:12.440
<v Speaker 4>able to give an idea.

0:31:13.640 --> 0:31:18.680
<v Speaker 1>Well, I think in that situation, no, I understood why

0:31:19.440 --> 0:31:24.080
<v Speaker 1>Rory froze up because she was not. She was led

0:31:24.160 --> 0:31:28.600
<v Speaker 1>down the Primrose Path only to have the rug pulled

0:31:28.600 --> 0:31:30.360
<v Speaker 1>out from under her by this way.

0:31:30.360 --> 0:31:32.880
<v Speaker 4>Why didn't you just say her life story, like you know,

0:31:32.960 --> 0:31:34.400
<v Speaker 4>I'm right now, I'm working on this.

0:31:34.600 --> 0:31:34.840
<v Speaker 5>You know.

0:31:35.160 --> 0:31:37.720
<v Speaker 1>She didn't because she didn't feel like she had to,

0:31:37.840 --> 0:31:40.520
<v Speaker 1>because this girl was offering her the job for so

0:31:40.720 --> 0:31:43.320
<v Speaker 1>long and was so desperate to have her on and

0:31:43.400 --> 0:31:45.360
<v Speaker 1>build her ego up to the point.

0:31:46.040 --> 0:31:47.320
<v Speaker 2>Daniel, I didn't.

0:31:47.360 --> 0:31:49.760
<v Speaker 1>I think I think it was completely unfair, and I

0:31:49.800 --> 0:31:52.120
<v Speaker 1>thought that girl was really smarmy about it.

0:31:52.520 --> 0:31:53.120
<v Speaker 2>I agree.

0:31:53.320 --> 0:31:56.680
<v Speaker 1>I was like, hey, you know, tell her right then

0:31:56.720 --> 0:31:59.960
<v Speaker 1>and there on the phone call when Laurie, when Roy

0:32:00.080 --> 0:32:03.040
<v Speaker 1>he gets in touch, say listen, you know we've reconsidered

0:32:03.840 --> 0:32:07.720
<v Speaker 1>the job. We're considering somebody in house, but come on

0:32:07.800 --> 0:32:09.880
<v Speaker 1>in and pitch me something. I mean, at least prepare

0:32:10.000 --> 0:32:11.080
<v Speaker 1>for it.

0:32:11.080 --> 0:32:13.120
<v Speaker 3>It would be like me calling Scott and going, let's

0:32:13.160 --> 0:32:16.040
<v Speaker 3>do a Gilmore Girls rewatch, and then when he shows

0:32:16.120 --> 0:32:18.600
<v Speaker 3>up to do the show, I'm like, so pitch me

0:32:18.600 --> 0:32:22.000
<v Speaker 3>some ideas and maybe it's like, what what are you

0:32:22.040 --> 0:32:24.040
<v Speaker 3>talking about?

0:32:22.640 --> 0:32:24.560
<v Speaker 1>You know.

0:32:26.280 --> 0:32:29.520
<v Speaker 3>Whatever, but so like she does have ten years eight

0:32:29.600 --> 0:32:34.160
<v Speaker 3>years experience now, like you're not really like, yes you are,

0:32:34.320 --> 0:32:36.960
<v Speaker 3>but like if you're pursuing someone that hard, you know

0:32:37.040 --> 0:32:39.320
<v Speaker 3>their work, you're offering them the job. I thought that

0:32:39.440 --> 0:32:41.680
<v Speaker 3>was kind of weird, but it was kind of I

0:32:41.720 --> 0:32:44.520
<v Speaker 3>thought it was a dig on sort of gen Z millennials,

0:32:44.600 --> 0:32:45.320
<v Speaker 3>like how they are.

0:32:46.840 --> 0:32:49.400
<v Speaker 1>I don't know, clearly Rory has not read the forty

0:32:49.440 --> 0:32:50.320
<v Speaker 1>eight Laws of Power.

0:32:51.280 --> 0:32:51.600
<v Speaker 6>I don't know.

0:32:51.600 --> 0:32:53.200
<v Speaker 4>I'm happy she didn't get the job. Is it just

0:32:53.280 --> 0:32:54.680
<v Speaker 4>me like I'm such a.

0:32:54.920 --> 0:32:57.280
<v Speaker 2>Right When she said she wasted the good dress or whatever?

0:32:57.320 --> 0:32:59.440
<v Speaker 3>This is the she talks about the dress.

0:32:59.640 --> 0:33:02.040
<v Speaker 4>She was like, I needed she needed to wear a

0:33:02.040 --> 0:33:03.040
<v Speaker 4>different dress for her.

0:33:05.320 --> 0:33:08.000
<v Speaker 3>And then she comes into the house and says, I'm

0:33:08.000 --> 0:33:09.840
<v Speaker 3>moving home, and that's where we're at.

0:33:09.920 --> 0:33:13.200
<v Speaker 4>But I think the really important thing is Lorelai's face.

0:33:13.240 --> 0:33:15.959
<v Speaker 4>When she said that, Lorelai was like concerned.

0:33:17.600 --> 0:33:18.240
<v Speaker 2>She should be.

0:33:18.680 --> 0:33:22.520
<v Speaker 4>I agree, but she I think, you know, she just

0:33:23.640 --> 0:33:24.520
<v Speaker 4>went to New York with her.

0:33:24.520 --> 0:33:27.920
<v Speaker 1>Daughter to this, I really really daughter hooked.

0:33:27.720 --> 0:33:30.600
<v Speaker 4>Up with a wookie and is a loser and then

0:33:31.000 --> 0:33:35.280
<v Speaker 4>is having an affair with her ex who is engaged,

0:33:35.680 --> 0:33:37.719
<v Speaker 4>and now she has to move home because she just

0:33:38.040 --> 0:33:40.080
<v Speaker 4>doesn't have anything going for her like.

0:33:40.680 --> 0:33:42.360
<v Speaker 5>Whoa, whoa.

0:33:42.400 --> 0:33:45.480
<v Speaker 1>So I'm going to point blank ask the fans, how

0:33:45.480 --> 0:33:48.520
<v Speaker 1>do you feel about this episode? Tell us chapter and

0:33:48.680 --> 0:33:53.320
<v Speaker 1>verse respond on our Instagram page, and we want to

0:33:53.360 --> 0:33:56.760
<v Speaker 1>know how you truly felt about this episode. I think

0:33:56.920 --> 0:34:00.080
<v Speaker 1>I have an inkling of what the majority are going

0:33:59.880 --> 0:34:03.160
<v Speaker 1>on to say. I just want to see the detail.

0:34:03.800 --> 0:34:07.840
<v Speaker 1>I want to see why you know it disappointed you

0:34:07.960 --> 0:34:10.840
<v Speaker 1>or why you thought it was an incredibly delightful journey.

0:34:11.200 --> 0:34:12.120
<v Speaker 4>Well would you rate this.

0:34:14.680 --> 0:34:23.440
<v Speaker 1>Me, Scott? I just a zero? Oh it's zero zero

0:34:23.520 --> 0:34:28.319
<v Speaker 1>garbage cans because I think they just think they I

0:34:28.360 --> 0:34:30.960
<v Speaker 1>think they trashed the show. I think they trashed these

0:34:31.040 --> 0:34:34.520
<v Speaker 1>characters to a point where they're in the garbage can.

0:34:34.920 --> 0:34:37.960
<v Speaker 1>And I hope, I hope the next two episodes can

0:34:38.040 --> 0:34:43.399
<v Speaker 1>get them out and get them cleaned up and rehabilitate them.

0:34:43.440 --> 0:34:44.560
<v Speaker 1>And I'm very curious.

0:34:46.080 --> 0:34:48.279
<v Speaker 3>What is that Tyra Banks thing Daniel where she's like,

0:34:48.320 --> 0:34:50.480
<v Speaker 3>I want to give it a zero, but I can't,

0:34:50.520 --> 0:34:51.560
<v Speaker 3>So I give it a one.

0:34:51.800 --> 0:34:53.680
<v Speaker 2>What was that? Do you remember that tire?

0:34:53.760 --> 0:34:54.200
<v Speaker 4>Banks?

0:34:54.560 --> 0:34:56.719
<v Speaker 3>Yeah, it's from Top Model. I think I don't know,

0:34:56.719 --> 0:34:58.600
<v Speaker 3>you know, the one I'm trying out. Somebody will know.

0:34:58.840 --> 0:34:59.880
<v Speaker 3>What do you give it.

0:35:01.640 --> 0:35:04.400
<v Speaker 4>I was, I was hovering around the sixes, and I'm

0:35:04.440 --> 0:35:05.799
<v Speaker 4>trying to figure out where in the.

0:35:05.800 --> 0:35:07.960
<v Speaker 2>Sixth I'm about with you, I'm about with you.

0:35:08.280 --> 0:35:12.560
<v Speaker 4>I think I'm landing on six point seven five.

0:35:12.680 --> 0:35:16.040
<v Speaker 1>Because again, go ahead, sorry.

0:35:15.600 --> 0:35:18.560
<v Speaker 4>Because again, like I you said it perfectly Amy Like

0:35:19.360 --> 0:35:22.360
<v Speaker 4>these movies, I have so much to pick on, especially

0:35:22.440 --> 0:35:23.560
<v Speaker 4>this one. I actually liked.

0:35:23.800 --> 0:35:25.760
<v Speaker 2>Winter a lot. Yeah, Winter Spring.

0:35:26.080 --> 0:35:29.799
<v Speaker 4>I'm like Spring is rubbing me the wrong way. But

0:35:29.880 --> 0:35:32.799
<v Speaker 4>I still am happy I have it, you know, I'm

0:35:32.800 --> 0:35:35.719
<v Speaker 4>still happy. That's how So I'm going to give it

0:35:35.760 --> 0:35:36.920
<v Speaker 4>six point seventy five.

0:35:38.360 --> 0:35:43.000
<v Speaker 1>Bookies, I'm gonna change my vote. I'm gonna I'm going

0:35:43.080 --> 0:35:46.360
<v Speaker 1>to give it. I'm going to give it four point

0:35:46.680 --> 0:35:57.320
<v Speaker 1>six five rating based on Greg Mitcham Huntsberger and nail me.

0:35:57.480 --> 0:35:58.960
<v Speaker 2>Did you give it? Scott? What'd you give it?

0:35:59.120 --> 0:36:02.920
<v Speaker 1>Zero points four point sixty five? Just based on Alex

0:36:03.040 --> 0:36:05.560
<v Speaker 1>Kingston and Greg Henry's performance.

0:36:05.640 --> 0:36:07.799
<v Speaker 4>Sixty five salary sticks there you go.

0:36:07.840 --> 0:36:13.600
<v Speaker 3>Oh yeah, I'm gonna give it six point nine lines

0:36:14.560 --> 0:36:14.920
<v Speaker 3>m hm.

0:36:15.520 --> 0:36:18.839
<v Speaker 2>Six point nine lines m hm. And we didn't.

0:36:18.880 --> 0:36:21.080
<v Speaker 3>We only got like a blip of Jackson. But whatever,

0:36:21.360 --> 0:36:23.640
<v Speaker 3>six point nine And I feel like I'm being generous,

0:36:23.800 --> 0:36:30.440
<v Speaker 3>really generous. I really Oh guys, Oh, my voice is

0:36:30.560 --> 0:36:34.080
<v Speaker 3>shot to shot to shoot from talking so much.

0:36:34.280 --> 0:36:37.879
<v Speaker 1>You did a fantastic job, Gallat and crew. A lot

0:36:37.880 --> 0:36:40.080
<v Speaker 1>of a lot of talking necessary.

0:36:40.280 --> 0:36:42.440
<v Speaker 2>Core crew though this was the O G crew.

0:36:43.320 --> 0:36:44.440
<v Speaker 1>Yeah that's right.

0:36:44.920 --> 0:36:45.640
<v Speaker 2>Yeah, that is true.

0:36:45.800 --> 0:36:48.480
<v Speaker 4>I will say San and Tara are doing a diary,

0:36:48.520 --> 0:36:52.920
<v Speaker 4>their own diary episode. Get into that. Yeah, don't worry,

0:36:53.000 --> 0:36:54.120
<v Speaker 4>you'll get their opinions.

0:36:54.520 --> 0:36:54.880
<v Speaker 3>Zams.

0:36:57.360 --> 0:37:02.160
<v Speaker 2>I read the notes. I was like, oh, the winter

0:37:02.280 --> 0:37:04.120
<v Speaker 2>spring summer.

0:37:04.080 --> 0:37:11.560
<v Speaker 1>Is next summer's next summer summer. All right, ladies, thank you.

0:37:11.680 --> 0:37:12.600
<v Speaker 2>I don't think it works.

0:37:14.280 --> 0:37:19.319
<v Speaker 3>No, no, no, yeah, besties, So even though we fight

0:37:19.400 --> 0:37:19.960
<v Speaker 3>it out.

0:37:20.600 --> 0:37:22.520
<v Speaker 1>Was that bad, did it get No?

0:37:22.600 --> 0:37:24.680
<v Speaker 2>I think it's warranted.

0:37:25.160 --> 0:37:25.640
<v Speaker 1>I agree.

0:37:25.920 --> 0:37:26.640
<v Speaker 2>I agree.

0:37:27.600 --> 0:37:30.560
<v Speaker 3>Everybody doesn't know that we're actually full besties like you have.

0:37:31.280 --> 0:37:35.440
<v Speaker 3>It's so hilarious because they think we're like like we

0:37:35.480 --> 0:37:37.600
<v Speaker 3>love each other, like you're my bestie?

0:37:37.640 --> 0:37:41.480
<v Speaker 1>Like what ye like brother and sister. I thought, I

0:37:41.520 --> 0:37:44.560
<v Speaker 1>feel like I grew up with Amy and Dan you know, well,

0:37:44.640 --> 0:37:47.040
<v Speaker 1>Danielle was like like just born when I was leaving

0:37:47.080 --> 0:37:47.600
<v Speaker 1>for college.

0:37:47.640 --> 0:37:49.960
<v Speaker 2>But I just think people it's like we don't only talk.

0:37:51.360 --> 0:37:55.279
<v Speaker 3>Like we we have like our text chains. That's just

0:37:55.360 --> 0:37:57.080
<v Speaker 3>like a love best and you should see what I

0:37:57.120 --> 0:38:00.200
<v Speaker 3>called Scott five minutes. I won't repeat it, but five

0:38:00.200 --> 0:38:02.120
<v Speaker 3>minutes before we're supposed to be on. I'm like, Daniel,

0:38:02.160 --> 0:38:04.160
<v Speaker 3>are gonna be a little late. We're dealing with some drama.

0:38:04.280 --> 0:38:05.640
<v Speaker 2>He's all, take your time, take your time.

0:38:07.560 --> 0:38:10.680
<v Speaker 1>Yeah, no, no, we're good.

0:38:10.680 --> 0:38:12.960
<v Speaker 3>But I like fighting it out because there's things you're

0:38:13.000 --> 0:38:15.439
<v Speaker 3>saying that I agree with, Like they are doing Luke

0:38:15.520 --> 0:38:17.400
<v Speaker 3>dirty and Rory worse.

0:38:19.000 --> 0:38:20.320
<v Speaker 5>I think they're doing everybody dirty.

0:38:20.400 --> 0:38:20.839
<v Speaker 2>I would have.

0:38:20.760 --> 0:38:26.200
<v Speaker 3>Preferred Rory thriving, really thriving, maybe still having the affair

0:38:26.280 --> 0:38:28.280
<v Speaker 3>with Logan, but thriving.

0:38:28.840 --> 0:38:33.120
<v Speaker 1>Why can't everybody thrive? Seriously, why can't everybody just thrive?

0:38:34.040 --> 0:38:35.320
<v Speaker 2>See see you in summer.

0:38:36.040 --> 0:38:39.080
<v Speaker 1>All right, So that's gonna do it. Thank you, ladies,

0:38:39.200 --> 0:38:44.160
<v Speaker 1>Daniel Romoamy Sugarman. We will be getting separate.

0:38:45.280 --> 0:38:45.680
<v Speaker 4>Diary.

0:38:45.920 --> 0:38:49.799
<v Speaker 1>He is from Tarasud and Susanne French. Much appreciated. Thanks

0:38:49.800 --> 0:38:53.960
<v Speaker 1>for hanging in with us. We are climbing, climbing up

0:38:54.000 --> 0:38:55.719
<v Speaker 1>the ratings chart because.

0:38:55.440 --> 0:38:58.320
<v Speaker 2>You guys, everybody, Yeah.

0:38:57.680 --> 0:39:01.480
<v Speaker 1>Thank you so much. We're cop into the you know,

0:39:02.040 --> 0:39:06.960
<v Speaker 1>into areas that three year old podcasts usually don't frequent,

0:39:08.040 --> 0:39:09.480
<v Speaker 1>but here we are and.

0:39:09.600 --> 0:39:11.719
<v Speaker 2>We're gonna go because they're gonna be like these people

0:39:11.760 --> 0:39:14.680
<v Speaker 2>are nuts, they're crazy.

0:39:15.040 --> 0:39:18.480
<v Speaker 1>Start anyway, best fans on the planet.

0:39:19.160 --> 0:39:20.839
<v Speaker 3>I know, I keep saying it, but stay tuned because

0:39:20.840 --> 0:39:24.200
<v Speaker 3>we've got no it's not gonna be over after the movies.

0:39:24.600 --> 0:39:27.320
<v Speaker 3>I actually think we're coming back strong, but we'll reveal

0:39:27.360 --> 0:39:32.320
<v Speaker 3>it when we get to Fall, of course, Fall Happy

0:39:32.360 --> 0:39:34.200
<v Speaker 3>Gilmour season everybody too, that's.

0:39:34.160 --> 0:39:37.960
<v Speaker 1>Right, and cards, keep those cards and letters coming. We

0:39:38.040 --> 0:39:40.680
<v Speaker 1>love you, we need you, we miss you, and uh

0:39:42.160 --> 0:39:44.640
<v Speaker 1>just remember we and I am all In.

0:39:45.719 --> 0:40:15.920
<v Speaker 5>Stay safe everyone, Hey, everybody, and

0:40:16.000 --> 0:40:19.560
<v Speaker 1>Don't forget Follow us on Instagram at I Am all

0:40:19.640 --> 0:40:34.880
<v Speaker 1>In podcast and email us at Gilmore at iHeartRadio dot com.