1 00:00:00,760 --> 00:00:03,080 Speaker 1: I am all in. 2 00:00:04,840 --> 00:00:14,560 Speaker 2: Oh, that's just you. 3 00:00:17,000 --> 00:00:20,640 Speaker 3: I am all in with Scott Patterson and iHeartRadio podcast. 4 00:00:20,800 --> 00:00:23,720 Speaker 1: Hey everybody, Scott Patterson. We are going to get started 5 00:00:23,760 --> 00:00:26,160 Speaker 1: now with part two of Spring. 6 00:00:26,560 --> 00:00:27,920 Speaker 2: Then we go back to therapy. 7 00:00:28,880 --> 00:00:31,159 Speaker 3: And I thought this was very mean of Emily to 8 00:00:31,200 --> 00:00:32,680 Speaker 3: call Luke her roommate. 9 00:00:33,320 --> 00:00:36,000 Speaker 4: But she is she wrong? Is she wrong? 10 00:00:36,360 --> 00:00:37,080 Speaker 1: He's not wrong? 11 00:00:37,240 --> 00:00:38,240 Speaker 4: Yeah, I don't think. 12 00:00:38,120 --> 00:00:40,160 Speaker 1: She makes a really good point. 13 00:00:40,520 --> 00:00:44,640 Speaker 4: Oh, you guys, they're totally like no, And I don't 14 00:00:44,680 --> 00:00:47,120 Speaker 4: see that at all. And this is coming from somebody 15 00:00:47,120 --> 00:00:50,720 Speaker 4: that's watching it for the first time. I'm in. I'm 16 00:00:50,720 --> 00:00:53,800 Speaker 4: watching these movies right now being like Luke and Laurla 17 00:00:54,280 --> 00:00:55,520 Speaker 4: they're not in a good spot. 18 00:00:55,760 --> 00:00:59,560 Speaker 3: Oh, that continues to be addressed. But I don't think 19 00:00:59,560 --> 00:01:00,360 Speaker 3: they're really mates. 20 00:01:01,000 --> 00:01:02,760 Speaker 4: I kind of do. I don't think she's wrong. 21 00:01:03,960 --> 00:01:05,560 Speaker 2: All right, fair, fair, fair. 22 00:01:06,880 --> 00:01:10,760 Speaker 1: So you're telling me from two thousand and seven to 23 00:01:10,840 --> 00:01:17,199 Speaker 1: twenty and sixteen, in nine years, these two the idyllic 24 00:01:18,440 --> 00:01:21,759 Speaker 1: couple are not married. 25 00:01:22,640 --> 00:01:26,760 Speaker 4: How How there's also no passion between them. There's no 26 00:01:26,880 --> 00:01:29,680 Speaker 4: chemistry or passion, there's nothing history. 27 00:01:29,720 --> 00:01:32,880 Speaker 2: In winter they were like there was some chemistry. 28 00:01:33,240 --> 00:01:37,080 Speaker 1: I thought there are no children, there's no there are 29 00:01:37,120 --> 00:01:38,479 Speaker 1: no rings, not. 30 00:01:38,680 --> 00:01:40,960 Speaker 4: Like the last episode of the series where they kiss 31 00:01:41,080 --> 00:01:43,199 Speaker 4: after the graduates. 32 00:01:42,800 --> 00:01:45,200 Speaker 2: Say, You're like, there's the fireworks. 33 00:01:45,240 --> 00:01:47,760 Speaker 4: There it is and coming to the movie so far, 34 00:01:47,880 --> 00:01:48,840 Speaker 4: I haven't How does. 35 00:01:48,680 --> 00:01:52,680 Speaker 1: The fire that burns that bright for that long not 36 00:01:52,840 --> 00:01:57,280 Speaker 1: produce children? Happiness? 37 00:01:57,720 --> 00:02:00,919 Speaker 2: Okay, purpose some people. 38 00:02:01,600 --> 00:02:04,760 Speaker 3: Some people don't want children. 39 00:02:05,000 --> 00:02:07,760 Speaker 1: I know that, but this is Gilmore girls. This is 40 00:02:07,840 --> 00:02:09,079 Speaker 1: like the iconic children. 41 00:02:09,160 --> 00:02:12,760 Speaker 3: I actually don't find it problematic that they don't actually try. 42 00:02:12,840 --> 00:02:15,799 Speaker 1: The fans are so pissed off. It's because of this. 43 00:02:17,680 --> 00:02:20,280 Speaker 1: It's because somebody is trying to be too clever and 44 00:02:20,360 --> 00:02:24,320 Speaker 1: too cute and messing around with characters that shouldn't be 45 00:02:24,360 --> 00:02:27,520 Speaker 1: messed around with. There are certain things that are iconic 46 00:02:27,600 --> 00:02:30,880 Speaker 1: that are created that somebody just did too much to 47 00:02:31,280 --> 00:02:34,560 Speaker 1: or not given them enough. And this we're staring at 48 00:02:34,560 --> 00:02:35,760 Speaker 1: her right in the face. 49 00:02:36,080 --> 00:02:38,880 Speaker 3: I don't disagree with you that they have kind of 50 00:02:38,919 --> 00:02:43,520 Speaker 3: painted Lorelai and Luke in a sort of way. But 51 00:02:43,560 --> 00:02:45,680 Speaker 3: it's not because they don't have children, and it's also 52 00:02:45,720 --> 00:02:48,200 Speaker 3: not because they haven't gotten married both of those things. 53 00:02:48,280 --> 00:02:54,520 Speaker 1: Amy, I'm not attacking people that have wonderful relationships, full 54 00:02:54,600 --> 00:02:55,800 Speaker 1: loving relationships. 55 00:02:56,120 --> 00:02:59,600 Speaker 3: You are upset that Luke and Lorelai are not married. 56 00:03:00,160 --> 00:03:05,000 Speaker 3: I'm not upset by I'm did Luke dirty? Yes, I 57 00:03:05,160 --> 00:03:08,200 Speaker 3: really do. I think that they did not make Luke 58 00:03:08,320 --> 00:03:10,760 Speaker 3: what he should have been. But I don't care that 59 00:03:10,800 --> 00:03:13,400 Speaker 3: they're not married. I'm I think it's kind of interesting 60 00:03:13,440 --> 00:03:15,320 Speaker 3: that they're not married, that they're together. 61 00:03:15,800 --> 00:03:19,040 Speaker 1: So, in terms of storytelling, explain the last nine years, 62 00:03:19,120 --> 00:03:21,560 Speaker 1: what happened to their relationship. It's not addressed at all 63 00:03:21,600 --> 00:03:24,880 Speaker 1: in this and now Laurel is addressing it, like, like, 64 00:03:25,040 --> 00:03:26,400 Speaker 1: what's the story behind it? 65 00:03:26,880 --> 00:03:27,160 Speaker 2: Fair? 66 00:03:27,200 --> 00:03:29,360 Speaker 4: I will say that, like I don't care that they're 67 00:03:29,360 --> 00:03:31,400 Speaker 4: not married or that they don't have I actually don't. 68 00:03:31,480 --> 00:03:33,400 Speaker 4: I like that they didn't have another kid. I like 69 00:03:33,440 --> 00:03:36,160 Speaker 4: that they each have their own kid, and Luke feels 70 00:03:36,200 --> 00:03:37,240 Speaker 4: that Rory is his own. 71 00:03:37,400 --> 00:03:37,920 Speaker 2: I love that. 72 00:03:38,640 --> 00:03:41,720 Speaker 4: What I don't love is that, like I wish that 73 00:03:41,800 --> 00:03:44,360 Speaker 4: they were not married, they have another kid, but they're 74 00:03:44,400 --> 00:03:47,960 Speaker 4: living their life together and I just don't feel that 75 00:03:48,600 --> 00:03:51,480 Speaker 4: life between them. Does that make sense? Like there's nothing 76 00:03:51,520 --> 00:03:56,200 Speaker 4: that's happened for them since the series ended. 77 00:03:56,160 --> 00:04:00,280 Speaker 1: Because Emily's right, Sorry, nobody's made a commitment, nobody's been 78 00:04:00,320 --> 00:04:01,400 Speaker 1: an adult, there's no. 79 00:04:01,320 --> 00:04:05,280 Speaker 3: Adduce I disagree in Winter when when Luke says, I 80 00:04:05,320 --> 00:04:06,120 Speaker 3: did pretty good. 81 00:04:06,440 --> 00:04:07,240 Speaker 2: I have a lot of fun. 82 00:04:07,280 --> 00:04:08,960 Speaker 1: I got terrible. 83 00:04:09,960 --> 00:04:10,800 Speaker 2: That was amazing. 84 00:04:11,040 --> 00:04:15,440 Speaker 1: You're citing that as an example of a great scene. Yes, 85 00:04:15,760 --> 00:04:18,039 Speaker 1: he did pretty good. He's giving up on his passion, 86 00:04:18,040 --> 00:04:19,080 Speaker 1: he's giving up on his. 87 00:04:19,240 --> 00:04:20,440 Speaker 2: What is giving up on? 88 00:04:20,640 --> 00:04:23,920 Speaker 3: He's not giving up on anything he wants this life. 89 00:04:24,240 --> 00:04:27,600 Speaker 2: Why are you so disappointed that Luke's just satisfied. 90 00:04:27,839 --> 00:04:29,800 Speaker 3: Look, I do think they did the character dirty. 91 00:04:29,880 --> 00:04:32,080 Speaker 2: I do. I thought the in vitro stuff was ridiculous. 92 00:04:32,120 --> 00:04:34,440 Speaker 3: I think the fact that he goes in the car 93 00:04:34,680 --> 00:04:36,120 Speaker 3: and goes looking. 94 00:04:35,880 --> 00:04:37,359 Speaker 2: At the real estate is crazy. 95 00:04:37,560 --> 00:04:41,200 Speaker 3: But I don't think Luke should be disappointed himself that 96 00:04:41,279 --> 00:04:42,880 Speaker 3: he's happy to be a small town guy. 97 00:04:43,279 --> 00:04:45,600 Speaker 4: Here's the thing I'll say. I think that scene where 98 00:04:45,600 --> 00:04:47,400 Speaker 4: he was like, I think I did pretty good. I 99 00:04:47,440 --> 00:04:49,920 Speaker 4: love that scene. But it was also prefaced by yeah, 100 00:04:49,920 --> 00:04:51,719 Speaker 4: we didn't have kids, Yeah I didn't do this, Yeah 101 00:04:51,720 --> 00:04:54,000 Speaker 4: I didn't do that. But I think I did pretty good. Right, 102 00:04:54,360 --> 00:04:58,600 Speaker 4: So it shows him settling quite frankly, it does. But 103 00:04:58,960 --> 00:05:01,400 Speaker 4: I did love them where he's so happy with what 104 00:05:01,520 --> 00:05:05,120 Speaker 4: he's got and where he's at. I do enjoy that, 105 00:05:06,920 --> 00:05:11,440 Speaker 4: but I do think that where we are now, however, 106 00:05:11,440 --> 00:05:15,279 Speaker 4: many years later, and in this spring episode where you 107 00:05:15,480 --> 00:05:18,680 Speaker 4: feel that there's a big disconnect between Luke and Laurli 108 00:05:19,000 --> 00:05:23,800 Speaker 4: and that they're both kind of won't want wah mm hmm. 109 00:05:24,680 --> 00:05:26,920 Speaker 4: And I think that's what you're picking up, Scott, that 110 00:05:26,960 --> 00:05:29,440 Speaker 4: they that there there should have been so much more 111 00:05:29,520 --> 00:05:32,680 Speaker 4: with them, and right now there's nothing there. I mean 112 00:05:33,000 --> 00:05:35,840 Speaker 4: nothing is a strong word, but there's no spice, there's 113 00:05:35,839 --> 00:05:40,159 Speaker 4: no chemistry, there's no look future ambitions, there's no goals 114 00:05:40,160 --> 00:05:43,800 Speaker 4: as a couple, like they're just taking, like you know, 115 00:05:44,000 --> 00:05:45,560 Speaker 4: just taking. 116 00:05:46,640 --> 00:05:48,680 Speaker 3: When do you have to get to stop having goals 117 00:05:48,760 --> 00:05:50,800 Speaker 3: and just sit on a rocking chair? 118 00:05:51,360 --> 00:05:53,359 Speaker 1: Not on a TV show if you want people to 119 00:05:53,400 --> 00:05:56,320 Speaker 1: watch it in life, it's okay on TV. You need 120 00:05:56,360 --> 00:05:59,240 Speaker 1: a story to move it forward. These people haven't grown 121 00:05:59,760 --> 00:06:03,160 Speaker 1: and fact, they've slid back, which is why she's exiting. 122 00:06:04,279 --> 00:06:06,400 Speaker 1: And this is the story you really want to tell 123 00:06:06,440 --> 00:06:10,360 Speaker 1: about these two people and do this to a fan. 124 00:06:11,440 --> 00:06:15,240 Speaker 3: I agree that the movies are lackluster. I'm not defending 125 00:06:15,240 --> 00:06:15,720 Speaker 3: that they aren't. 126 00:06:15,760 --> 00:06:19,360 Speaker 1: Kind of Okay, we're taught, we're look, we're not doing 127 00:06:19,400 --> 00:06:21,960 Speaker 1: macro stuff anymore. We're right here we're in the weeds. 128 00:06:22,440 --> 00:06:27,800 Speaker 1: We're micro analyzing this. We're now we're pointing to specific issues, Okay, 129 00:06:28,360 --> 00:06:34,440 Speaker 1: specific issues, characterizations, writing, why why did this happen? I'm 130 00:06:34,480 --> 00:06:36,760 Speaker 1: now a fan of this show. I'm a little better 131 00:06:36,920 --> 00:06:41,440 Speaker 1: educated now because I've seen the app I've seen it once. Okay, 132 00:06:41,480 --> 00:06:44,960 Speaker 1: so now I'm like hooked and I'm just like the fans. 133 00:06:45,000 --> 00:06:49,760 Speaker 1: Now I want to see it again. Okay, and this 134 00:06:50,320 --> 00:06:54,279 Speaker 1: episode is kicking my ass. 135 00:06:54,440 --> 00:06:56,040 Speaker 2: I think a lot of people agree with you. 136 00:06:58,960 --> 00:07:02,840 Speaker 1: But I also have more skin in the game because 137 00:07:02,880 --> 00:07:09,159 Speaker 1: I helped make this I helped create this character. Okay. 138 00:07:09,880 --> 00:07:13,480 Speaker 1: So for those of you out there listening to this, 139 00:07:13,640 --> 00:07:18,560 Speaker 1: who are who find this hard to listen to imagine 140 00:07:18,640 --> 00:07:22,680 Speaker 1: put yourself in my shoes all the time and effort 141 00:07:22,840 --> 00:07:25,120 Speaker 1: that it took me to get to a position to 142 00:07:25,120 --> 00:07:27,119 Speaker 1: get an offer, to be in a show this good, 143 00:07:28,000 --> 00:07:32,080 Speaker 1: and to play a character that's special. To watch what's 144 00:07:32,120 --> 00:07:33,880 Speaker 1: happening to him now is hard. 145 00:07:34,880 --> 00:07:35,560 Speaker 5: It's hard. 146 00:07:36,360 --> 00:07:39,480 Speaker 1: It's like watching you know, you know you've built a 147 00:07:39,560 --> 00:07:41,840 Speaker 1: taj mahal. Now they're making condos out of it that 148 00:07:42,000 --> 00:07:44,960 Speaker 1: you would be horrified, It would kill you to watch it. 149 00:07:45,080 --> 00:07:48,160 Speaker 1: That is what I am experiencing right now. So these 150 00:07:48,160 --> 00:07:49,400 Speaker 1: are the killer that I'm. 151 00:07:49,280 --> 00:07:52,240 Speaker 3: Asking completely corrected in. 152 00:07:52,160 --> 00:07:54,600 Speaker 1: The last nine years. What happened in the last nine years. 153 00:07:54,720 --> 00:07:56,800 Speaker 1: Why are these people at this place? Why is their 154 00:07:56,840 --> 00:08:00,800 Speaker 1: relationship sort of settled and kind of may so. 155 00:08:00,800 --> 00:08:04,200 Speaker 4: I have a question for you kids on this note. 156 00:08:04,440 --> 00:08:08,600 Speaker 1: Did you think it's a fairly important relationship in the show? Yeah? 157 00:08:08,600 --> 00:08:10,000 Speaker 1: It is. Why aren't they dealing? 158 00:08:10,080 --> 00:08:12,440 Speaker 4: So with this being said, did they tell you before 159 00:08:12,480 --> 00:08:15,800 Speaker 4: the movie started where they are at, like as as 160 00:08:15,840 --> 00:08:18,280 Speaker 4: an actor, where they like Luke and Laura are here. 161 00:08:18,400 --> 00:08:19,320 Speaker 2: This is how we're acting. 162 00:08:19,360 --> 00:08:22,480 Speaker 1: Not really, it's not really, not really, Scott. 163 00:08:22,520 --> 00:08:26,760 Speaker 3: We do understand because Danielle and I create shows. Also 164 00:08:27,560 --> 00:08:30,400 Speaker 3: imagine if we like we create shows and we give 165 00:08:30,440 --> 00:08:33,839 Speaker 3: our guidance right to people that don't listen to us, 166 00:08:34,240 --> 00:08:38,040 Speaker 3: and then the shows hit the bucket, right, and we're like, hey, 167 00:08:38,200 --> 00:08:40,840 Speaker 3: you probably should have listened to us. So I understand 168 00:08:40,880 --> 00:08:44,480 Speaker 3: that you know this character just like we know our shows, right, 169 00:08:44,720 --> 00:08:46,880 Speaker 3: And you go to whoever you go to and say, 170 00:08:47,559 --> 00:08:50,439 Speaker 3: you know, Luke's gonna know about what IVF is, and 171 00:08:50,520 --> 00:08:51,960 Speaker 3: Luke's not going to jump in the car with Emily 172 00:08:52,000 --> 00:08:53,360 Speaker 3: and go look at a bunch of real estate for 173 00:08:53,400 --> 00:08:56,440 Speaker 3: a diner expansion he doesn't want, and they don't listen 174 00:08:56,440 --> 00:09:00,960 Speaker 3: to you. We so get how frustrating that we so 175 00:09:01,080 --> 00:09:05,600 Speaker 3: get it. Now as a fan, do I think these 176 00:09:05,640 --> 00:09:10,440 Speaker 3: movies are terribly flawed? But I also think I'm so 177 00:09:10,520 --> 00:09:12,560 Speaker 3: happy to have them, and I also think there is 178 00:09:12,720 --> 00:09:15,160 Speaker 3: some good in them, right, And I. 179 00:09:15,800 --> 00:09:17,200 Speaker 2: Don't think that. 180 00:09:17,400 --> 00:09:21,840 Speaker 3: Look you get you're the character is now fifty, Lorealize 181 00:09:21,880 --> 00:09:22,640 Speaker 3: like forty. 182 00:09:22,840 --> 00:09:25,400 Speaker 2: I'm just gett you know, close, forty two whatever she is, 183 00:09:26,520 --> 00:09:28,280 Speaker 2: I'm fifty. 184 00:09:28,280 --> 00:09:30,680 Speaker 1: I don't watch it Louralize forty seven, forty eight. 185 00:09:32,360 --> 00:09:34,559 Speaker 4: Yeah, because thirty thirty two. 186 00:09:34,760 --> 00:09:36,679 Speaker 1: She's thirty two year two old. 187 00:09:36,800 --> 00:09:40,400 Speaker 3: Okay, sorry, okay, you're right. Sorry, So forty, Luke's about 188 00:09:40,400 --> 00:09:41,520 Speaker 3: what fifty something? 189 00:09:41,760 --> 00:09:42,280 Speaker 2: She's forty. 190 00:09:42,640 --> 00:09:44,840 Speaker 3: I'm fifty, and let me tell you, I'm starting to 191 00:09:44,880 --> 00:09:48,840 Speaker 3: have less and less goals of expansion and more and 192 00:09:48,880 --> 00:09:51,520 Speaker 3: more wanting to sit on my rock and porch, go 193 00:09:51,520 --> 00:09:53,800 Speaker 3: to a movie, stick my feet in the hot tub. 194 00:09:54,080 --> 00:09:57,959 Speaker 3: So I understand that for me, just for me, I'm 195 00:09:57,960 --> 00:10:01,559 Speaker 3: only saying myself, I don't think Luke and Lorlai have failed. 196 00:10:02,120 --> 00:10:05,400 Speaker 2: Yes, are they a little bit like seven year itchy? Maybe? 197 00:10:06,320 --> 00:10:12,440 Speaker 3: Maybe but like they're best friends, their companions. They are romantic. 198 00:10:12,480 --> 00:10:15,160 Speaker 3: We know they sleep together all the things. So I'm 199 00:10:15,200 --> 00:10:17,760 Speaker 3: not like this is a couple in distress, you know 200 00:10:17,800 --> 00:10:18,199 Speaker 3: what I mean. 201 00:10:18,920 --> 00:10:21,680 Speaker 1: I think I think they just don't want to give 202 00:10:21,720 --> 00:10:24,959 Speaker 1: these main characters a happy ending. They want to you know, 203 00:10:25,600 --> 00:10:30,520 Speaker 1: Lane and Zach got a happy ending. Children, uh, Suki 204 00:10:30,600 --> 00:10:34,800 Speaker 1: and Jackson happy ending, children, marriage, the whole thing. They 205 00:10:34,960 --> 00:10:36,680 Speaker 1: did a big wedding for everybody, you know, at least 206 00:10:36,679 --> 00:10:39,320 Speaker 1: they did weddings for them. I guess we should be 207 00:10:39,360 --> 00:10:44,920 Speaker 1: happy that's somebody, but right, I mean. 208 00:10:44,800 --> 00:10:46,640 Speaker 2: But you always think they're happy. 209 00:10:47,120 --> 00:10:50,040 Speaker 1: Rory's a mess, Laurel is a mess, Emily's a mess, 210 00:10:50,120 --> 00:10:51,840 Speaker 1: Luke's a mess. Everybody's a mess. 211 00:10:52,320 --> 00:10:55,600 Speaker 2: Look's not a mess. Luke's just ya. He's not a mess. 212 00:10:55,720 --> 00:10:59,280 Speaker 2: He is not He's he's just a little. 213 00:10:59,640 --> 00:11:01,760 Speaker 1: Around without a pair, if you know what I mean. 214 00:11:02,040 --> 00:11:06,400 Speaker 3: Well, yes, he's a little that. But Luke's not unhappy. 215 00:11:06,760 --> 00:11:11,239 Speaker 3: This is the difference. Lorla yes, is dealing with some unhappiness. 216 00:11:11,280 --> 00:11:14,040 Speaker 3: I'm sure some because of Rory, some because her relationship 217 00:11:14,120 --> 00:11:18,000 Speaker 3: is sort of blase, her challenges with her mother, Luke. 218 00:11:18,280 --> 00:11:20,960 Speaker 3: If you walked up to Luke in these movies and said, 219 00:11:21,000 --> 00:11:24,360 Speaker 3: are you happy, he'd be like, I'm really happy. He's 220 00:11:24,440 --> 00:11:30,560 Speaker 3: not unhappy, Yes he is, Oh, I disagree. Is really happy. 221 00:11:30,600 --> 00:11:33,040 Speaker 3: He's got he's got a great kid who's at mit. 222 00:11:33,559 --> 00:11:37,400 Speaker 3: He's got another kid, Rory. He's got the woman of 223 00:11:37,440 --> 00:11:40,200 Speaker 3: his dreams. He's got the diner. His sister's in a cult, 224 00:11:40,200 --> 00:11:43,200 Speaker 3: but that's okay. He's got money. Luke is happy because 225 00:11:43,280 --> 00:11:45,719 Speaker 3: Luke is a simple guy who likes he doesn't want 226 00:11:45,760 --> 00:11:46,679 Speaker 3: to leave Stars Hollow. 227 00:11:47,000 --> 00:11:48,720 Speaker 2: He's very happy there. 228 00:11:48,920 --> 00:11:52,840 Speaker 3: Like no one's going like, why isn't Gypsy franchised her? 229 00:11:52,960 --> 00:11:57,160 Speaker 3: You know, shop like because these people are happy and 230 00:11:57,200 --> 00:11:59,760 Speaker 3: Stars Hollow And to me, that's the message of this show. 231 00:12:00,280 --> 00:12:03,680 Speaker 3: One core message is we don't have to go to 232 00:12:03,720 --> 00:12:06,600 Speaker 3: the big slit. It's like, hey, we're here in this 233 00:12:06,640 --> 00:12:09,960 Speaker 3: little town and we love our fairs and we love 234 00:12:10,000 --> 00:12:12,800 Speaker 3: our little movie theater that shows old movies and made 235 00:12:12,840 --> 00:12:14,760 Speaker 3: up movies by Kirk, and I bring my hot dogs 236 00:12:14,760 --> 00:12:17,559 Speaker 3: in there, like I find happiness. 237 00:12:18,240 --> 00:12:20,840 Speaker 1: That I agree with you. And I think that's a 238 00:12:21,000 --> 00:12:23,920 Speaker 1: very very, very very good point that you have just made. 239 00:12:25,400 --> 00:12:31,400 Speaker 1: That the main character Stars Hollow forces this. This is 240 00:12:31,400 --> 00:12:34,080 Speaker 1: the reality of Star so that's all well and good. 241 00:12:34,120 --> 00:12:38,480 Speaker 1: I'm just saying from an aspirational point of view what 242 00:12:38,760 --> 00:12:42,320 Speaker 1: I wanted to see, and this how I wanted to 243 00:12:42,360 --> 00:12:45,920 Speaker 1: see this relationship with Laura Lai. Yeah, and my character 244 00:12:46,040 --> 00:12:49,720 Speaker 1: and her character grow over those I get that nine 245 00:12:49,800 --> 00:12:55,600 Speaker 1: years because I think that provides far more interesting material 246 00:12:56,120 --> 00:13:04,320 Speaker 1: it provides thematically. On this the tone of the show, 247 00:13:05,000 --> 00:13:09,400 Speaker 1: I think that it. I just think that stagnation and 248 00:13:09,880 --> 00:13:16,640 Speaker 1: negativity and how Daniel Daniel described it perfectly should never 249 00:13:16,760 --> 00:13:18,840 Speaker 1: be a part of this show. I agree with that 250 00:13:18,920 --> 00:13:21,800 Speaker 1: because that's not the show. That's not the spirit of it. 251 00:13:21,880 --> 00:13:25,600 Speaker 3: So in your mouth, but I think you see Luke 252 00:13:25,679 --> 00:13:28,720 Speaker 3: as the guy that's going to be the best husband, 253 00:13:29,000 --> 00:13:33,440 Speaker 3: the best partner, the best you know, businessman in starsall 254 00:13:34,040 --> 00:13:37,640 Speaker 3: you do see Luke as aspirational. I don't think he 255 00:13:37,679 --> 00:13:40,920 Speaker 3: needs to franchise to be aspirational. I agree with you 256 00:13:40,960 --> 00:13:44,440 Speaker 3: in the sense that like Loreli is not going to 257 00:13:44,480 --> 00:13:46,920 Speaker 3: be bored with Luke, Loreli is not going to be 258 00:13:47,040 --> 00:13:49,319 Speaker 3: questioning her relationship with Luke because. 259 00:13:49,120 --> 00:13:51,960 Speaker 2: Luke is too good for that. 260 00:13:52,440 --> 00:13:54,880 Speaker 3: And that is where I think you actually are frustrated 261 00:13:55,080 --> 00:13:56,640 Speaker 3: that you're seeing And again, I don't want to put 262 00:13:56,640 --> 00:13:58,840 Speaker 3: words in your mouth. But you're seeing Emily kind of 263 00:13:58,840 --> 00:14:01,800 Speaker 3: emasculate Luke, which she always has and always will. Fine, 264 00:14:01,960 --> 00:14:03,439 Speaker 3: but I think that Laura would be. 265 00:14:03,520 --> 00:14:05,040 Speaker 1: He doesn't have to allow it to happen. 266 00:14:05,920 --> 00:14:07,679 Speaker 2: I think he's just polite about it. I don't even 267 00:14:07,679 --> 00:14:09,560 Speaker 2: know if he question polite. 268 00:14:09,720 --> 00:14:12,080 Speaker 1: How is that polite? He's just dumb. Now he doesn't 269 00:14:12,080 --> 00:14:14,000 Speaker 1: even know how how to defend himself. 270 00:14:14,040 --> 00:14:18,839 Speaker 3: He's dumb and something disappointed that Laurai that Luke isn't 271 00:14:19,200 --> 00:14:23,160 Speaker 3: LOURAI will be like, I have the best relationship in town. No, 272 00:14:23,280 --> 00:14:27,080 Speaker 3: we're not roommates, we are soulmates. 273 00:14:27,120 --> 00:14:29,200 Speaker 2: Do you know what I'm saying? Like, it's not about 274 00:14:29,240 --> 00:14:29,960 Speaker 2: the ring. 275 00:14:29,800 --> 00:14:33,200 Speaker 3: Or the children, it's about that their relationship is a little. 276 00:14:35,120 --> 00:14:36,280 Speaker 2: And that doesn't track. 277 00:14:36,760 --> 00:14:39,640 Speaker 1: No, it doesn't. And now how do you think it 278 00:14:39,680 --> 00:14:43,600 Speaker 1: makes a fan bield fan base feel that now she's 279 00:14:44,080 --> 00:14:46,840 Speaker 1: getting in therapy at the end of this episode, you 280 00:14:46,840 --> 00:14:50,000 Speaker 1: know she's getting She's going to have a single one 281 00:14:50,000 --> 00:14:51,920 Speaker 1: on one session and she's going to talk about how 282 00:14:51,960 --> 00:14:53,840 Speaker 1: she's not happy in her relationship with Luke. 283 00:14:54,560 --> 00:14:56,640 Speaker 2: I think it's disappointing. 284 00:14:56,720 --> 00:14:59,360 Speaker 1: What can I still do for lauralized character? Now they're 285 00:14:59,400 --> 00:15:00,560 Speaker 1: deconstruct hook. 286 00:15:01,120 --> 00:15:03,120 Speaker 2: I don't know about that, because. 287 00:15:03,160 --> 00:15:04,640 Speaker 1: Let's dismantle this love. 288 00:15:05,680 --> 00:15:08,360 Speaker 3: Some people find it relatable. So I don't think it's 289 00:15:08,400 --> 00:15:11,640 Speaker 3: where I would see Luke and Laurlai. But many many 290 00:15:11,840 --> 00:15:14,400 Speaker 3: fifty year old women who've been with their person for 291 00:15:14,480 --> 00:15:17,880 Speaker 3: ten years or more or a little less, feel the 292 00:15:17,880 --> 00:15:21,320 Speaker 3: same way. I don't think ultimately, and again we're jumping ahead. 293 00:15:21,360 --> 00:15:24,600 Speaker 3: I don't think ultimately Laurai was questioning her relationship. She 294 00:15:24,760 --> 00:15:28,720 Speaker 3: was questioning who she is and herself, and so many 295 00:15:28,760 --> 00:15:31,840 Speaker 3: fifty year old women are going through that. And so 296 00:15:31,920 --> 00:15:34,280 Speaker 3: I'm sure and I don't know how old Amy is, 297 00:15:34,320 --> 00:15:35,920 Speaker 3: but she's probably a little bit older than me, so 298 00:15:36,040 --> 00:15:37,800 Speaker 3: maybe when she wrote this, she was right in that 299 00:15:37,880 --> 00:15:42,200 Speaker 3: same place. So it does track like I am so 300 00:15:42,560 --> 00:15:44,840 Speaker 3: kind of in that space too. 301 00:15:45,120 --> 00:15:46,880 Speaker 2: So I don't think it's wrecking Laura Lai. 302 00:15:47,400 --> 00:15:52,160 Speaker 3: I think she's just exploring and looktly, there are things 303 00:15:52,200 --> 00:15:56,280 Speaker 3: that I think are dumb I do, and these. 304 00:15:55,320 --> 00:15:58,080 Speaker 2: Movies are a little bit could have been better, right, 305 00:15:58,760 --> 00:16:02,440 Speaker 2: But I think that Hemp was there. I think that 306 00:16:02,200 --> 00:16:03,920 Speaker 2: is it is women. 307 00:16:03,680 --> 00:16:07,280 Speaker 3: In their fifties, late forties, fifties are doing so much 308 00:16:07,320 --> 00:16:09,800 Speaker 3: of what Loralai is doing, trying to work out. 309 00:16:09,640 --> 00:16:17,040 Speaker 1: Their their kids, the whole thing. I guess this is 310 00:16:17,280 --> 00:16:21,360 Speaker 1: really just now it's about exploring. 311 00:16:22,560 --> 00:16:23,240 Speaker 5: Her journey. 312 00:16:23,960 --> 00:16:26,320 Speaker 2: I would say, apart. 313 00:16:25,760 --> 00:16:30,640 Speaker 1: From any other character, this is really about Lorelei's journey 314 00:16:30,960 --> 00:16:34,400 Speaker 1: through life. Here we are, she's forty eight. This is 315 00:16:34,480 --> 00:16:36,640 Speaker 1: going to be her experience. These four episodes are going 316 00:16:36,640 --> 00:16:39,280 Speaker 1: to take us through her experience. 317 00:16:39,720 --> 00:16:42,080 Speaker 2: It's my argument for the whole series too. 318 00:16:42,280 --> 00:16:45,720 Speaker 3: I think at its core, ultimate right, yes, it was 319 00:16:45,760 --> 00:16:48,960 Speaker 3: Gilmore Girls, and Rory and Emily play huge part in that, 320 00:16:49,840 --> 00:16:52,720 Speaker 3: but I have always felt the show and these films 321 00:16:52,840 --> 00:16:56,200 Speaker 3: are always at their center about LORAAI. 322 00:16:56,520 --> 00:16:59,560 Speaker 1: You're proven correct because the one thing that I do 323 00:16:59,640 --> 00:17:07,439 Speaker 1: remember feeling really strange about, right was and I filmed 324 00:17:07,440 --> 00:17:09,639 Speaker 1: it and I remember it is that you know, the 325 00:17:10,240 --> 00:17:16,080 Speaker 1: the elopement. Okay, I thought that was very odd because 326 00:17:16,080 --> 00:17:19,200 Speaker 1: I was, well, we'll get to it, but that's I 327 00:17:19,240 --> 00:17:22,280 Speaker 1: won't go into detail. But the way that was shot 328 00:17:22,359 --> 00:17:26,119 Speaker 1: and what I was told to do after the wedding, 329 00:17:26,240 --> 00:17:28,280 Speaker 1: coming down the stairs and getting out of the shot, 330 00:17:30,119 --> 00:17:33,919 Speaker 1: and I was like, oh, we'll talk about that. I 331 00:17:33,920 --> 00:17:36,320 Speaker 1: thought I was in a different show. I think that's. 332 00:17:36,160 --> 00:17:40,080 Speaker 3: Correct because I think ultimately, look and I've always felt 333 00:17:40,080 --> 00:17:43,080 Speaker 3: this way because I'm fifty now, so I'm very close 334 00:17:43,119 --> 00:17:47,200 Speaker 3: in age to the age they are. When I watched 335 00:17:47,200 --> 00:17:50,360 Speaker 3: it the first time, I was very close to age 336 00:17:50,800 --> 00:17:55,800 Speaker 3: to lowerly then. So I have always just felt like 337 00:17:56,040 --> 00:18:00,240 Speaker 3: her and so yes with flaws, and I've always the 338 00:18:00,240 --> 00:18:03,080 Speaker 3: show was People always like it's about the relationship between 339 00:18:03,119 --> 00:18:04,840 Speaker 3: the two of them, and I've just know, I've always 340 00:18:04,880 --> 00:18:06,560 Speaker 3: felt this show was really Laura Laie. 341 00:18:06,880 --> 00:18:09,760 Speaker 1: Yep, that's why she had the number one by her name. 342 00:18:10,040 --> 00:18:14,800 Speaker 1: Alexis number two, correct, exactly, It's not anybody else's show. 343 00:18:23,640 --> 00:18:25,239 Speaker 3: At that end of this episode, which I know we've 344 00:18:25,240 --> 00:18:26,679 Speaker 3: still got a few more scenes to talk about, but 345 00:18:26,720 --> 00:18:29,119 Speaker 3: the end of the episode, it zooms in on Lauren 346 00:18:29,320 --> 00:18:31,840 Speaker 3: Laura Lai and you see in her face like. 347 00:18:33,359 --> 00:18:35,480 Speaker 2: Just questioning everything. 348 00:18:36,119 --> 00:18:39,160 Speaker 3: We have never acknowledged that she has empty nests in them. 349 00:18:39,520 --> 00:18:42,560 Speaker 3: Yes it's been eight years, but still in a sense 350 00:18:43,240 --> 00:18:47,200 Speaker 3: because of the time warp, she's dealing with empty nests syndrome. 351 00:18:47,320 --> 00:18:50,280 Speaker 3: She's dealing with her relationship stuff, she's lost her father. 352 00:18:50,680 --> 00:18:53,840 Speaker 3: So many people say you are one person before and 353 00:18:53,920 --> 00:18:55,560 Speaker 3: you can attest to this guy because I know this 354 00:18:55,680 --> 00:18:58,439 Speaker 3: is like the case for you. You are one person 355 00:18:58,480 --> 00:19:02,399 Speaker 3: before your parents leave you, and you are a totally 356 00:19:02,400 --> 00:19:04,520 Speaker 3: different person after, and you will never be that same 357 00:19:04,560 --> 00:19:07,040 Speaker 3: person again. So this is now that character is exploring 358 00:19:07,080 --> 00:19:07,760 Speaker 3: all these things. 359 00:19:07,800 --> 00:19:10,400 Speaker 1: I don't, well, what happens is you've become three times 360 00:19:10,440 --> 00:19:11,040 Speaker 1: as strong. 361 00:19:12,320 --> 00:19:13,840 Speaker 2: Wow, let us pray for. 362 00:19:13,840 --> 00:19:15,320 Speaker 1: That, because you know. 363 00:19:17,320 --> 00:19:18,160 Speaker 5: That's what happens. 364 00:19:20,080 --> 00:19:26,679 Speaker 3: I can like it makes me emotional because I relate 365 00:19:26,800 --> 00:19:30,000 Speaker 3: to her so much, and I agree in the little things. 366 00:19:30,040 --> 00:19:32,280 Speaker 3: I totally agree with you, Like they're making Luke kind 367 00:19:32,280 --> 00:19:36,520 Speaker 3: of dopey, right, but at the core I see her 368 00:19:36,520 --> 00:19:41,240 Speaker 3: in the therapy and it's like, Okay, that's me and 369 00:19:41,359 --> 00:19:44,560 Speaker 3: probably a lot of people listening. So anyway, I digress. 370 00:19:44,680 --> 00:19:46,040 Speaker 3: Let's go back to where we were at. 371 00:19:46,200 --> 00:19:48,399 Speaker 1: I don't know if you're going to establish characters and 372 00:19:48,400 --> 00:19:49,959 Speaker 1: you could write him this way, then own it and 373 00:19:50,040 --> 00:19:51,440 Speaker 1: continue to write him that way. 374 00:19:52,760 --> 00:19:54,679 Speaker 3: Yeah, it's you make a good point there, because it's 375 00:19:54,680 --> 00:19:57,160 Speaker 3: almost like so deep and gritty and what they're dealing with. 376 00:19:57,240 --> 00:19:58,919 Speaker 3: But then we have all these kind of like silly 377 00:19:58,960 --> 00:20:02,200 Speaker 3: antics like grabbing Luke and taking them to all these 378 00:20:02,200 --> 00:20:03,240 Speaker 3: like diners. 379 00:20:03,240 --> 00:20:06,359 Speaker 1: It's kind of yeah, right. 380 00:20:06,480 --> 00:20:09,320 Speaker 3: It's it's the biggest criticism of the Sex in the 381 00:20:09,359 --> 00:20:11,399 Speaker 3: City reboot is that it kind of lost some of 382 00:20:11,440 --> 00:20:14,840 Speaker 3: its humor and levity, but it's almost doing what they 383 00:20:14,880 --> 00:20:16,120 Speaker 3: really want to go dig. 384 00:20:15,960 --> 00:20:18,320 Speaker 2: Deep into these characters. But anyway, that's a different show. 385 00:20:18,440 --> 00:20:20,639 Speaker 1: So I think the only want to dig deep on 386 00:20:20,680 --> 00:20:21,399 Speaker 1: here is Laurai. 387 00:20:22,720 --> 00:20:24,000 Speaker 2: That's probably correct. 388 00:20:24,400 --> 00:20:27,280 Speaker 1: Probably I don't want to dig deep on anybody. 389 00:20:26,880 --> 00:20:29,760 Speaker 3: Else's why they make Rory such a carney, Like Rory 390 00:20:29,880 --> 00:20:33,040 Speaker 3: is a clown in these movies, like because we're not 391 00:20:33,240 --> 00:20:36,080 Speaker 3: digging deep into her, We're not really analyzing why is 392 00:20:36,119 --> 00:20:38,840 Speaker 3: she still with Logan and cheating on everybody? Why is 393 00:20:38,920 --> 00:20:41,960 Speaker 3: she floundering so much in her career? Why is she 394 00:20:42,080 --> 00:20:46,159 Speaker 3: dating this Pete Paul, you know hat guy that no 395 00:20:46,160 --> 00:20:48,920 Speaker 3: one can remember her name. Like, it's all just flowney, 396 00:20:49,240 --> 00:20:52,520 Speaker 3: whereas with Loralai there is some sort of gritty realism. 397 00:20:52,600 --> 00:20:56,080 Speaker 3: But anyway, we go back to New York and we 398 00:20:56,119 --> 00:20:59,560 Speaker 3: go to Doyle's apartment and I'm sorry, Paris is walk 399 00:20:59,640 --> 00:21:04,560 Speaker 3: up fifth five story, I mean, Pears is loaded, and 400 00:21:04,600 --> 00:21:05,440 Speaker 3: it's kind of dumb. 401 00:21:05,440 --> 00:21:05,680 Speaker 2: Again. 402 00:21:05,760 --> 00:21:08,240 Speaker 3: We get the bit about the nanny. I think you're like, oh, 403 00:21:08,240 --> 00:21:10,320 Speaker 3: I don't like the nanny, go up all the stairs 404 00:21:10,359 --> 00:21:11,000 Speaker 3: and it's just. 405 00:21:10,960 --> 00:21:14,520 Speaker 4: Like we do see Doyke or like, oh, the nanny's 406 00:21:14,520 --> 00:21:16,760 Speaker 4: not gonna want to come downstairs and then upstairs and 407 00:21:16,760 --> 00:21:19,119 Speaker 4: then take the kids to say and then Worry's like, 408 00:21:19,160 --> 00:21:21,440 Speaker 4: I'll go upstairs and take the kids to eat. 409 00:21:21,320 --> 00:21:24,719 Speaker 3: And right, although I do admit that if I do 410 00:21:24,800 --> 00:21:27,280 Speaker 3: I have a two story place, and if I leave 411 00:21:27,320 --> 00:21:31,000 Speaker 3: something upstairs, I'm hard pressed to go get that. I'm like, 412 00:21:31,320 --> 00:21:33,280 Speaker 3: oh God, and I don't like to go up there 413 00:21:33,280 --> 00:21:35,560 Speaker 3: because there's no bathroom up there, and I'm always like, oh, 414 00:21:35,560 --> 00:21:37,200 Speaker 3: I'm gonna have to go downstairs to. 415 00:21:37,119 --> 00:21:37,800 Speaker 2: Go to the bathroom. 416 00:21:37,920 --> 00:21:40,680 Speaker 3: So if I had five stories and I've got upstairs 417 00:21:40,720 --> 00:21:42,760 Speaker 3: and forgot my water from the kitchen, I would. 418 00:21:42,560 --> 00:21:44,640 Speaker 2: Be like, just hold my mouth. 419 00:21:44,800 --> 00:21:46,840 Speaker 3: So I'd hold my mouth under the sink, just like 420 00:21:47,040 --> 00:21:50,720 Speaker 3: I can't. Anyway, it was good to see Doyle. 421 00:21:52,840 --> 00:21:56,320 Speaker 4: Yeah, I'm bombed. They're getting a divorce. Me too, I'm bombed. 422 00:21:56,760 --> 00:21:58,200 Speaker 4: Hopefully that changes. 423 00:21:59,359 --> 00:22:01,119 Speaker 2: They should stay together personally. 424 00:22:01,200 --> 00:22:05,359 Speaker 3: But uh so we get that scene and then we 425 00:22:05,400 --> 00:22:07,840 Speaker 3: get Rory calling Logan and we see him in bed 426 00:22:07,960 --> 00:22:10,840 Speaker 3: with what we presume to be oh dead, but Lord 427 00:22:10,960 --> 00:22:12,040 Speaker 3: knows with Logan. 428 00:22:13,240 --> 00:22:15,760 Speaker 4: And she kind of he just answers it and just 429 00:22:15,960 --> 00:22:20,800 Speaker 4: is the whole time, and she knows that he's in 430 00:22:20,880 --> 00:22:25,840 Speaker 4: bed with somebody else, and she's just still yeaping in 431 00:22:25,920 --> 00:22:28,959 Speaker 4: a way and rambling and doing her thing. She's like, oh, sorry, 432 00:22:29,040 --> 00:22:31,200 Speaker 4: I know you got somebody there. 433 00:22:31,880 --> 00:22:36,320 Speaker 3: We addressed that once again Logan has no walls, and 434 00:22:36,359 --> 00:22:40,240 Speaker 3: that once again he's in a big studio, lofty flat 435 00:22:40,359 --> 00:22:42,000 Speaker 3: like he never has rooms. 436 00:22:42,040 --> 00:22:49,400 Speaker 2: This guy anyway, for Scott, he's exhausted. So uh, she. 437 00:22:49,440 --> 00:22:52,119 Speaker 1: Asked me, I've come to the realization that this is 438 00:22:52,200 --> 00:22:54,280 Speaker 1: just this is Laura LA's journey and I have nothing 439 00:22:54,359 --> 00:22:57,240 Speaker 1: left to say, so enjoy yourselves. 440 00:22:57,280 --> 00:23:00,600 Speaker 2: Please, you must chime in. So she stcham to put 441 00:23:00,640 --> 00:23:01,000 Speaker 2: the good. 442 00:23:01,240 --> 00:23:03,679 Speaker 1: It's a wonderful feeling realizing that you're just planked. 443 00:23:03,720 --> 00:23:08,360 Speaker 4: And I do feel like if we're talking about character, 444 00:23:08,760 --> 00:23:12,720 Speaker 4: just completely shut down. Rory asking Mitcham for the good word, 445 00:23:12,800 --> 00:23:13,320 Speaker 4: I was like. 446 00:23:15,000 --> 00:23:16,320 Speaker 2: It is just so bad. 447 00:23:16,560 --> 00:23:19,840 Speaker 1: It's hard to watch. It was painful to watch. 448 00:23:19,880 --> 00:23:23,440 Speaker 2: It's a mess in these we think if we feel. 449 00:23:23,160 --> 00:23:28,120 Speaker 4: Like Luke got his, you know what taking away from him, 450 00:23:28,200 --> 00:23:32,160 Speaker 4: like Rory has everything taken away from hers. 451 00:23:32,720 --> 00:23:43,440 Speaker 6: She has like gone down, down goes Frasier, down goes Frasier, yeah, man, and. 452 00:23:43,520 --> 00:23:44,000 Speaker 3: We go to it. 453 00:23:44,160 --> 00:23:46,960 Speaker 1: Bodies were hitting the canvas all all episode. 454 00:23:47,920 --> 00:23:49,960 Speaker 2: We go to Conde asked and. 455 00:23:51,359 --> 00:23:53,640 Speaker 3: They have She has this meeting with these two guys 456 00:23:53,640 --> 00:23:55,520 Speaker 3: and the lines story is just. 457 00:23:57,800 --> 00:24:03,640 Speaker 1: Oh bad, like does life messing with Rory? Just fancy 458 00:24:03,760 --> 00:24:08,840 Speaker 1: number one in their class at Yale and you pissed 459 00:24:08,840 --> 00:24:12,040 Speaker 1: it all away and we're just going to toy with you. 460 00:24:12,160 --> 00:24:12,400 Speaker 5: Now. 461 00:24:14,320 --> 00:24:17,080 Speaker 2: That's a waste of a meeting. And then we go to. 462 00:24:18,520 --> 00:24:21,280 Speaker 3: Therapy and this is where we realize Emily is not coming, 463 00:24:21,359 --> 00:24:25,600 Speaker 3: but Laura lia is going to stay. And we hear 464 00:24:26,600 --> 00:24:31,800 Speaker 3: a very sad story of Richard's passing. So that was upsetting, 465 00:24:31,840 --> 00:24:34,040 Speaker 3: but you know, she needed to kind of talk about it. 466 00:24:36,640 --> 00:24:38,920 Speaker 3: And then we learn a little bit why she isn't 467 00:24:38,920 --> 00:24:44,080 Speaker 3: married and if she's happy. Then we get to the 468 00:24:44,080 --> 00:24:46,760 Speaker 3: scene that's just so stupid where Emily just storms into 469 00:24:46,800 --> 00:24:48,679 Speaker 3: the diner and suddenly Luke's in the car going to 470 00:24:48,720 --> 00:24:54,040 Speaker 3: all these diners and it's just kind of ridiculous. 471 00:24:55,320 --> 00:24:57,040 Speaker 2: And there, yeah, and then we you know, we see 472 00:24:57,040 --> 00:24:57,480 Speaker 2: the diners. 473 00:24:57,480 --> 00:24:59,120 Speaker 3: Then we're in the car with the realtor and Luke's 474 00:24:59,119 --> 00:25:03,400 Speaker 3: and the on there, you know, talking over each other, 475 00:25:03,440 --> 00:25:05,399 Speaker 3: and we're going to do this, We're gonna let's make 476 00:25:05,400 --> 00:25:06,119 Speaker 3: an offer on this. 477 00:25:06,160 --> 00:25:07,920 Speaker 2: Well, no, we should do the second one. Oh, this one, 478 00:25:08,080 --> 00:25:08,520 Speaker 2: it's just. 479 00:25:09,080 --> 00:25:14,200 Speaker 1: Well, it's again using the character of Luke to inject 480 00:25:14,280 --> 00:25:18,880 Speaker 1: this poison into the relationship of Luke and Laurel. I 481 00:25:18,960 --> 00:25:23,119 Speaker 1: because what did Luke learn in that car ride was 482 00:25:23,160 --> 00:25:25,000 Speaker 1: that Laurel Eye lied to him? 483 00:25:25,280 --> 00:25:29,480 Speaker 3: Yes, correct, that's the red herring, right ooh, okay. 484 00:25:31,000 --> 00:25:34,480 Speaker 1: So that's going to be the you know, the seed, 485 00:25:34,520 --> 00:25:37,879 Speaker 1: that the seed of discontent. 486 00:25:40,720 --> 00:25:44,000 Speaker 2: So that is you know rough. 487 00:25:44,480 --> 00:25:49,160 Speaker 3: Then we're back at Paris's house and and Rory gets 488 00:25:49,160 --> 00:25:52,479 Speaker 3: the call from the lawyer with Naomi, and that is 489 00:25:52,560 --> 00:25:53,480 Speaker 3: just again done. 490 00:25:53,640 --> 00:25:56,480 Speaker 1: It was like, okay, did you see her in the 491 00:25:56,520 --> 00:26:02,240 Speaker 1: background chomping on searsticks. I finally laughed. I was laughing. 492 00:26:02,320 --> 00:26:04,840 Speaker 1: I just I rewound the scene a couple of times. 493 00:26:04,840 --> 00:26:06,120 Speaker 1: There she's in the background, lurking. 494 00:26:06,240 --> 00:26:08,120 Speaker 5: Tell her, tell her to the notes. 495 00:26:07,840 --> 00:26:10,639 Speaker 2: To right right, it's a it's a. 496 00:26:10,600 --> 00:26:14,600 Speaker 1: It's a house whatever I mean she does see. That's 497 00:26:14,760 --> 00:26:20,119 Speaker 1: drunken and kind of unhinged. That's how it's done. And 498 00:26:20,160 --> 00:26:23,280 Speaker 1: it's entertaining and it's fun and it's funny and it's energetic, 499 00:26:24,040 --> 00:26:27,760 Speaker 1: and it's just magnetic. I I love her. I think 500 00:26:27,840 --> 00:26:29,120 Speaker 1: she's just so good. 501 00:26:29,520 --> 00:26:30,119 Speaker 2: It's great. 502 00:26:30,200 --> 00:26:32,400 Speaker 3: But my whole thing is so now they're not even 503 00:26:32,440 --> 00:26:35,120 Speaker 3: writing this book and she's like firing Rory. 504 00:26:35,480 --> 00:26:36,680 Speaker 2: So this whole thing has been a waste. 505 00:26:38,920 --> 00:26:40,000 Speaker 1: Who wants to be in business? 506 00:26:40,040 --> 00:26:41,159 Speaker 3: I don't know who to blame. 507 00:26:41,720 --> 00:26:45,160 Speaker 1: Everybody's dumping on. Why shouldn't Naomi? 508 00:26:45,880 --> 00:26:48,639 Speaker 3: Sure, but Naomi is totally nuts. So now I've had 509 00:26:48,680 --> 00:26:51,439 Speaker 3: this whole thing. Now not in this instance is just 510 00:26:51,560 --> 00:26:52,240 Speaker 3: now worse off. 511 00:26:52,280 --> 00:26:53,960 Speaker 2: She just has nothing's ever. 512 00:26:54,080 --> 00:26:58,560 Speaker 1: You know, she's she's bad. Laurie's like, I mean, Rory's 513 00:26:58,600 --> 00:27:02,280 Speaker 1: like bad luck. At this point, everybody's dumping her. If 514 00:27:02,280 --> 00:27:05,200 Speaker 1: she was a stock, everybody'd be selling, you. 515 00:27:05,160 --> 00:27:10,600 Speaker 2: Know, literally all right, So I mean it's just so. 516 00:27:11,080 --> 00:27:11,480 Speaker 4: And then. 517 00:27:13,640 --> 00:27:17,639 Speaker 1: To find drive the sword right through the heart of 518 00:27:17,680 --> 00:27:21,520 Speaker 1: the character, I slept with a Wookie and I was like, 519 00:27:21,800 --> 00:27:23,040 Speaker 1: all right, so where it. 520 00:27:23,000 --> 00:27:26,960 Speaker 2: Didn't yet but that's coming. 521 00:27:27,000 --> 00:27:29,440 Speaker 3: And the almost the next scene practically. 522 00:27:31,200 --> 00:27:32,000 Speaker 2: No I know, I. 523 00:27:31,960 --> 00:27:36,639 Speaker 3: Feel calls Lorelai come to New York. She's gonna do 524 00:27:36,720 --> 00:27:41,560 Speaker 3: this story on spec whatever. Now we've got the most 525 00:27:41,640 --> 00:27:44,760 Speaker 3: boring story of all time, which I obviously think was 526 00:27:45,560 --> 00:27:50,639 Speaker 3: intentional the story about lines. So we've got the and 527 00:27:50,680 --> 00:27:53,960 Speaker 3: somehow Lorli keeps getting everything that she doesn't need to 528 00:27:53,960 --> 00:27:56,280 Speaker 3: wait in line, Like suddenly she's got the dessert, she's 529 00:27:56,280 --> 00:27:59,440 Speaker 3: got the sneakers. I'm just like, this is so awful, 530 00:28:00,080 --> 00:28:04,439 Speaker 3: falls asleep while interviewing the guy terrible. Then there's a 531 00:28:04,480 --> 00:28:06,560 Speaker 3: line that's just for nothing. It's just three guys eating 532 00:28:06,560 --> 00:28:07,120 Speaker 3: their salads. 533 00:28:07,119 --> 00:28:09,720 Speaker 1: I mean, it's just And this is where we get 534 00:28:09,720 --> 00:28:15,280 Speaker 1: to see my real life wife christ Wait, there is 535 00:28:15,400 --> 00:28:20,520 Speaker 1: she she's in. She's in the scene where Laurli comes 536 00:28:20,640 --> 00:28:23,760 Speaker 1: up and talks says you have mother, and she goes, 537 00:28:23,920 --> 00:28:26,080 Speaker 1: you have mother? You have mother and three kids, And 538 00:28:26,080 --> 00:28:28,880 Speaker 1: then my wife says something like, well did she shed 539 00:28:28,880 --> 00:28:30,520 Speaker 1: a line? I forgot the line? I wrote it down, 540 00:28:30,520 --> 00:28:31,200 Speaker 1: but I can't. 541 00:28:31,000 --> 00:28:33,439 Speaker 2: Find waitness she's not in the scene with May Whitman. 542 00:28:33,560 --> 00:28:35,440 Speaker 2: Is she okay? 543 00:28:35,480 --> 00:28:38,000 Speaker 3: So this is where we see May Whitman too, which 544 00:28:38,480 --> 00:28:42,200 Speaker 3: there is a very wink wink there because Rli kind 545 00:28:42,200 --> 00:28:44,560 Speaker 3: of chases after May Whitman for a second and gives 546 00:28:44,600 --> 00:28:47,440 Speaker 3: her like a crona or whatever the new crona is. 547 00:28:47,800 --> 00:28:50,560 Speaker 3: And the wink for people that don't know, is that 548 00:28:50,800 --> 00:28:56,120 Speaker 3: May Whitman is was Laura Lai's character's daughter on Parenthood, 549 00:28:56,760 --> 00:29:00,680 Speaker 3: so it's like her other daughter about to May Whitman, 550 00:29:00,680 --> 00:29:02,600 Speaker 3: who I think also just had a baby. But anyway, 551 00:29:02,760 --> 00:29:04,400 Speaker 3: so that's kind of what that is. So I think 552 00:29:04,480 --> 00:29:07,120 Speaker 3: Christine's in that scene. I'm gonna have to rewatch. 553 00:29:06,720 --> 00:29:08,960 Speaker 1: It, do you. She's the one with the dark hair 554 00:29:09,000 --> 00:29:11,200 Speaker 1: and the tan coat leather. 555 00:29:11,600 --> 00:29:14,160 Speaker 2: And did she do it because you were doing this? 556 00:29:14,920 --> 00:29:15,280 Speaker 5: Oh wait? 557 00:29:15,280 --> 00:29:17,680 Speaker 2: Okay, oh wait there she or did she? 558 00:29:18,040 --> 00:29:19,040 Speaker 1: They just offered it to her? 559 00:29:19,600 --> 00:29:20,240 Speaker 5: Yeah? 560 00:29:20,280 --> 00:29:22,120 Speaker 2: Oh that's so cute. Oh there she is. 561 00:29:22,240 --> 00:29:25,480 Speaker 3: Oh my gosh, she's so so cute. 562 00:29:25,920 --> 00:29:26,920 Speaker 2: She's just like her. 563 00:29:27,680 --> 00:29:29,440 Speaker 1: Oh yeah, no, he's fairy Like. 564 00:29:29,600 --> 00:29:31,440 Speaker 2: I don't love that hat on Lorelei. 565 00:29:31,560 --> 00:29:33,680 Speaker 3: In this scene, it's sort of that like, what do 566 00:29:33,680 --> 00:29:35,480 Speaker 3: you call that a newsboy cap? 567 00:29:36,600 --> 00:29:36,960 Speaker 2: I don't. 568 00:29:37,120 --> 00:29:48,760 Speaker 3: I do enjoy the fashion, which we can talk about later. Okay, 569 00:29:48,800 --> 00:29:50,720 Speaker 3: So then we have the boring line story, but we 570 00:29:50,800 --> 00:29:55,760 Speaker 3: do have the beautiful May Whitman and Christine and uh 571 00:29:55,840 --> 00:29:58,360 Speaker 3: then she comes back to the hotel and she very 572 00:29:58,440 --> 00:30:03,600 Speaker 3: quickly reveals she slept with a wookie, which I was like, ew. 573 00:30:04,360 --> 00:30:07,320 Speaker 4: Saw that to your mom, like right fresh after hooking 574 00:30:07,440 --> 00:30:09,680 Speaker 4: up with the Wookie. You're gonna walk in and be 575 00:30:09,760 --> 00:30:11,080 Speaker 4: like I hooked up with the Wookie. 576 00:30:11,600 --> 00:30:14,480 Speaker 1: I think that that was the most bizarre scene I 577 00:30:14,520 --> 00:30:17,480 Speaker 1: have ever witnessed between the two of them. 578 00:30:17,800 --> 00:30:21,440 Speaker 3: Yeah, it was not good, but it does open the 579 00:30:21,560 --> 00:30:24,760 Speaker 3: can of worms and she reveals about Logan, which Loralai, 580 00:30:25,040 --> 00:30:29,520 Speaker 3: I agree with you. Danielle like was way too dumbfounded. Oh, 581 00:30:29,680 --> 00:30:31,040 Speaker 3: like she would have known. 582 00:30:31,320 --> 00:30:34,000 Speaker 4: She would have known, she would have been like, I know, 583 00:30:34,280 --> 00:30:35,680 Speaker 4: I'm glad you finally told me. 584 00:30:36,040 --> 00:30:36,920 Speaker 2: Right exactly. 585 00:30:37,720 --> 00:30:40,160 Speaker 3: So anyway, Laurai says she should go to Sandy, says, 586 00:30:40,200 --> 00:30:42,360 Speaker 3: So then now we have the scene. 587 00:30:42,080 --> 00:30:45,400 Speaker 2: That I was like, this is so bothersome. 588 00:30:46,000 --> 00:30:49,120 Speaker 3: She goes to Sandy, says, and suddenly it's like Sandy 589 00:30:49,560 --> 00:30:51,080 Speaker 3: is interviewing her and doesn't even wander. 590 00:30:51,120 --> 00:30:52,680 Speaker 2: I mean, it was so weird. I was like. 591 00:30:55,280 --> 00:30:58,280 Speaker 3: Millennials though, or gen Z like what is this. 592 00:30:59,520 --> 00:31:02,920 Speaker 4: I also think like Rory just be came Walton and 593 00:31:02,960 --> 00:31:05,560 Speaker 4: being like, yeah, give me this job, which I understand 594 00:31:05,680 --> 00:31:09,320 Speaker 4: based off of all I understand that, but like if 595 00:31:09,320 --> 00:31:11,480 Speaker 4: somebody tells you give me an idea, you should be 596 00:31:11,480 --> 00:31:12,440 Speaker 4: able to give an idea. 597 00:31:13,640 --> 00:31:18,680 Speaker 1: Well, I think in that situation, no, I understood why 598 00:31:19,440 --> 00:31:24,080 Speaker 1: Rory froze up because she was not. She was led 599 00:31:24,160 --> 00:31:28,600 Speaker 1: down the Primrose Path only to have the rug pulled 600 00:31:28,600 --> 00:31:30,360 Speaker 1: out from under her by this way. 601 00:31:30,360 --> 00:31:32,880 Speaker 4: Why didn't you just say her life story, like you know, 602 00:31:32,960 --> 00:31:34,400 Speaker 4: I'm right now, I'm working on this. 603 00:31:34,600 --> 00:31:34,840 Speaker 5: You know. 604 00:31:35,160 --> 00:31:37,720 Speaker 1: She didn't because she didn't feel like she had to, 605 00:31:37,840 --> 00:31:40,520 Speaker 1: because this girl was offering her the job for so 606 00:31:40,720 --> 00:31:43,320 Speaker 1: long and was so desperate to have her on and 607 00:31:43,400 --> 00:31:45,360 Speaker 1: build her ego up to the point. 608 00:31:46,040 --> 00:31:47,320 Speaker 2: Daniel, I didn't. 609 00:31:47,360 --> 00:31:49,760 Speaker 1: I think I think it was completely unfair, and I 610 00:31:49,800 --> 00:31:52,120 Speaker 1: thought that girl was really smarmy about it. 611 00:31:52,520 --> 00:31:53,120 Speaker 2: I agree. 612 00:31:53,320 --> 00:31:56,680 Speaker 1: I was like, hey, you know, tell her right then 613 00:31:56,720 --> 00:31:59,960 Speaker 1: and there on the phone call when Laurie, when Roy 614 00:32:00,080 --> 00:32:03,040 Speaker 1: he gets in touch, say listen, you know we've reconsidered 615 00:32:03,840 --> 00:32:07,720 Speaker 1: the job. We're considering somebody in house, but come on 616 00:32:07,800 --> 00:32:09,880 Speaker 1: in and pitch me something. I mean, at least prepare 617 00:32:10,000 --> 00:32:11,080 Speaker 1: for it. 618 00:32:11,080 --> 00:32:13,120 Speaker 3: It would be like me calling Scott and going, let's 619 00:32:13,160 --> 00:32:16,040 Speaker 3: do a Gilmore Girls rewatch, and then when he shows 620 00:32:16,120 --> 00:32:18,600 Speaker 3: up to do the show, I'm like, so pitch me 621 00:32:18,600 --> 00:32:22,000 Speaker 3: some ideas and maybe it's like, what what are you 622 00:32:22,040 --> 00:32:24,040 Speaker 3: talking about? 623 00:32:22,640 --> 00:32:24,560 Speaker 1: You know. 624 00:32:26,280 --> 00:32:29,520 Speaker 3: Whatever, but so like she does have ten years eight 625 00:32:29,600 --> 00:32:34,160 Speaker 3: years experience now, like you're not really like, yes you are, 626 00:32:34,320 --> 00:32:36,960 Speaker 3: but like if you're pursuing someone that hard, you know 627 00:32:37,040 --> 00:32:39,320 Speaker 3: their work, you're offering them the job. I thought that 628 00:32:39,440 --> 00:32:41,680 Speaker 3: was kind of weird, but it was kind of I 629 00:32:41,720 --> 00:32:44,520 Speaker 3: thought it was a dig on sort of gen Z millennials, 630 00:32:44,600 --> 00:32:45,320 Speaker 3: like how they are. 631 00:32:46,840 --> 00:32:49,400 Speaker 1: I don't know, clearly Rory has not read the forty 632 00:32:49,440 --> 00:32:50,320 Speaker 1: eight Laws of Power. 633 00:32:51,280 --> 00:32:51,600 Speaker 6: I don't know. 634 00:32:51,600 --> 00:32:53,200 Speaker 4: I'm happy she didn't get the job. Is it just 635 00:32:53,280 --> 00:32:54,680 Speaker 4: me like I'm such a. 636 00:32:54,920 --> 00:32:57,280 Speaker 2: Right When she said she wasted the good dress or whatever? 637 00:32:57,320 --> 00:32:59,440 Speaker 3: This is the she talks about the dress. 638 00:32:59,640 --> 00:33:02,040 Speaker 4: She was like, I needed she needed to wear a 639 00:33:02,040 --> 00:33:03,040 Speaker 4: different dress for her. 640 00:33:05,320 --> 00:33:08,000 Speaker 3: And then she comes into the house and says, I'm 641 00:33:08,000 --> 00:33:09,840 Speaker 3: moving home, and that's where we're at. 642 00:33:09,920 --> 00:33:13,200 Speaker 4: But I think the really important thing is Lorelai's face. 643 00:33:13,240 --> 00:33:15,959 Speaker 4: When she said that, Lorelai was like concerned. 644 00:33:17,600 --> 00:33:18,240 Speaker 2: She should be. 645 00:33:18,680 --> 00:33:22,520 Speaker 4: I agree, but she I think, you know, she just 646 00:33:23,640 --> 00:33:24,520 Speaker 4: went to New York with her. 647 00:33:24,520 --> 00:33:27,920 Speaker 1: Daughter to this, I really really daughter hooked. 648 00:33:27,720 --> 00:33:30,600 Speaker 4: Up with a wookie and is a loser and then 649 00:33:31,000 --> 00:33:35,280 Speaker 4: is having an affair with her ex who is engaged, 650 00:33:35,680 --> 00:33:37,719 Speaker 4: and now she has to move home because she just 651 00:33:38,040 --> 00:33:40,080 Speaker 4: doesn't have anything going for her like. 652 00:33:40,680 --> 00:33:42,360 Speaker 5: Whoa, whoa. 653 00:33:42,400 --> 00:33:45,480 Speaker 1: So I'm going to point blank ask the fans, how 654 00:33:45,480 --> 00:33:48,520 Speaker 1: do you feel about this episode? Tell us chapter and 655 00:33:48,680 --> 00:33:53,320 Speaker 1: verse respond on our Instagram page, and we want to 656 00:33:53,360 --> 00:33:56,760 Speaker 1: know how you truly felt about this episode. I think 657 00:33:56,920 --> 00:34:00,080 Speaker 1: I have an inkling of what the majority are going 658 00:33:59,880 --> 00:34:03,160 Speaker 1: on to say. I just want to see the detail. 659 00:34:03,800 --> 00:34:07,840 Speaker 1: I want to see why you know it disappointed you 660 00:34:07,960 --> 00:34:10,840 Speaker 1: or why you thought it was an incredibly delightful journey. 661 00:34:11,200 --> 00:34:12,120 Speaker 4: Well would you rate this. 662 00:34:14,680 --> 00:34:23,440 Speaker 1: Me, Scott? I just a zero? Oh it's zero zero 663 00:34:23,520 --> 00:34:28,319 Speaker 1: garbage cans because I think they just think they I 664 00:34:28,360 --> 00:34:30,960 Speaker 1: think they trashed the show. I think they trashed these 665 00:34:31,040 --> 00:34:34,520 Speaker 1: characters to a point where they're in the garbage can. 666 00:34:34,920 --> 00:34:37,960 Speaker 1: And I hope, I hope the next two episodes can 667 00:34:38,040 --> 00:34:43,399 Speaker 1: get them out and get them cleaned up and rehabilitate them. 668 00:34:43,440 --> 00:34:44,560 Speaker 1: And I'm very curious. 669 00:34:46,080 --> 00:34:48,279 Speaker 3: What is that Tyra Banks thing Daniel where she's like, 670 00:34:48,320 --> 00:34:50,480 Speaker 3: I want to give it a zero, but I can't, 671 00:34:50,520 --> 00:34:51,560 Speaker 3: So I give it a one. 672 00:34:51,800 --> 00:34:53,680 Speaker 2: What was that? Do you remember that tire? 673 00:34:53,760 --> 00:34:54,200 Speaker 4: Banks? 674 00:34:54,560 --> 00:34:56,719 Speaker 3: Yeah, it's from Top Model. I think I don't know, 675 00:34:56,719 --> 00:34:58,600 Speaker 3: you know, the one I'm trying out. Somebody will know. 676 00:34:58,840 --> 00:34:59,880 Speaker 3: What do you give it. 677 00:35:01,640 --> 00:35:04,400 Speaker 4: I was, I was hovering around the sixes, and I'm 678 00:35:04,440 --> 00:35:05,799 Speaker 4: trying to figure out where in the. 679 00:35:05,800 --> 00:35:07,960 Speaker 2: Sixth I'm about with you, I'm about with you. 680 00:35:08,280 --> 00:35:12,560 Speaker 4: I think I'm landing on six point seven five. 681 00:35:12,680 --> 00:35:16,040 Speaker 1: Because again, go ahead, sorry. 682 00:35:15,600 --> 00:35:18,560 Speaker 4: Because again, like I you said it perfectly Amy Like 683 00:35:19,360 --> 00:35:22,360 Speaker 4: these movies, I have so much to pick on, especially 684 00:35:22,440 --> 00:35:23,560 Speaker 4: this one. I actually liked. 685 00:35:23,800 --> 00:35:25,760 Speaker 2: Winter a lot. Yeah, Winter Spring. 686 00:35:26,080 --> 00:35:29,799 Speaker 4: I'm like Spring is rubbing me the wrong way. But 687 00:35:29,880 --> 00:35:32,799 Speaker 4: I still am happy I have it, you know, I'm 688 00:35:32,800 --> 00:35:35,719 Speaker 4: still happy. That's how So I'm going to give it 689 00:35:35,760 --> 00:35:36,920 Speaker 4: six point seventy five. 690 00:35:38,360 --> 00:35:43,000 Speaker 1: Bookies, I'm gonna change my vote. I'm gonna I'm going 691 00:35:43,080 --> 00:35:46,360 Speaker 1: to give it. I'm going to give it four point 692 00:35:46,680 --> 00:35:57,320 Speaker 1: six five rating based on Greg Mitcham Huntsberger and nail me. 693 00:35:57,480 --> 00:35:58,960 Speaker 2: Did you give it? Scott? What'd you give it? 694 00:35:59,120 --> 00:36:02,920 Speaker 1: Zero points four point sixty five? Just based on Alex 695 00:36:03,040 --> 00:36:05,560 Speaker 1: Kingston and Greg Henry's performance. 696 00:36:05,640 --> 00:36:07,799 Speaker 4: Sixty five salary sticks there you go. 697 00:36:07,840 --> 00:36:13,600 Speaker 3: Oh yeah, I'm gonna give it six point nine lines 698 00:36:14,560 --> 00:36:14,920 Speaker 3: m hm. 699 00:36:15,520 --> 00:36:18,839 Speaker 2: Six point nine lines m hm. And we didn't. 700 00:36:18,880 --> 00:36:21,080 Speaker 3: We only got like a blip of Jackson. But whatever, 701 00:36:21,360 --> 00:36:23,640 Speaker 3: six point nine And I feel like I'm being generous, 702 00:36:23,800 --> 00:36:30,440 Speaker 3: really generous. I really Oh guys, Oh, my voice is 703 00:36:30,560 --> 00:36:34,080 Speaker 3: shot to shot to shoot from talking so much. 704 00:36:34,280 --> 00:36:37,879 Speaker 1: You did a fantastic job, Gallat and crew. A lot 705 00:36:37,880 --> 00:36:40,080 Speaker 1: of a lot of talking necessary. 706 00:36:40,280 --> 00:36:42,440 Speaker 2: Core crew though this was the O G crew. 707 00:36:43,320 --> 00:36:44,440 Speaker 1: Yeah that's right. 708 00:36:44,920 --> 00:36:45,640 Speaker 2: Yeah, that is true. 709 00:36:45,800 --> 00:36:48,480 Speaker 4: I will say San and Tara are doing a diary, 710 00:36:48,520 --> 00:36:52,920 Speaker 4: their own diary episode. Get into that. Yeah, don't worry, 711 00:36:53,000 --> 00:36:54,120 Speaker 4: you'll get their opinions. 712 00:36:54,520 --> 00:36:54,880 Speaker 3: Zams. 713 00:36:57,360 --> 00:37:02,160 Speaker 2: I read the notes. I was like, oh, the winter 714 00:37:02,280 --> 00:37:04,120 Speaker 2: spring summer. 715 00:37:04,080 --> 00:37:11,560 Speaker 1: Is next summer's next summer summer. All right, ladies, thank you. 716 00:37:11,680 --> 00:37:12,600 Speaker 2: I don't think it works. 717 00:37:14,280 --> 00:37:19,319 Speaker 3: No, no, no, yeah, besties, So even though we fight 718 00:37:19,400 --> 00:37:19,960 Speaker 3: it out. 719 00:37:20,600 --> 00:37:22,520 Speaker 1: Was that bad, did it get No? 720 00:37:22,600 --> 00:37:24,680 Speaker 2: I think it's warranted. 721 00:37:25,160 --> 00:37:25,640 Speaker 1: I agree. 722 00:37:25,920 --> 00:37:26,640 Speaker 2: I agree. 723 00:37:27,600 --> 00:37:30,560 Speaker 3: Everybody doesn't know that we're actually full besties like you have. 724 00:37:31,280 --> 00:37:35,440 Speaker 3: It's so hilarious because they think we're like like we 725 00:37:35,480 --> 00:37:37,600 Speaker 3: love each other, like you're my bestie? 726 00:37:37,640 --> 00:37:41,480 Speaker 1: Like what ye like brother and sister. I thought, I 727 00:37:41,520 --> 00:37:44,560 Speaker 1: feel like I grew up with Amy and Dan you know, well, 728 00:37:44,640 --> 00:37:47,040 Speaker 1: Danielle was like like just born when I was leaving 729 00:37:47,080 --> 00:37:47,600 Speaker 1: for college. 730 00:37:47,640 --> 00:37:49,960 Speaker 2: But I just think people it's like we don't only talk. 731 00:37:51,360 --> 00:37:55,279 Speaker 3: Like we we have like our text chains. That's just 732 00:37:55,360 --> 00:37:57,080 Speaker 3: like a love best and you should see what I 733 00:37:57,120 --> 00:38:00,200 Speaker 3: called Scott five minutes. I won't repeat it, but five 734 00:38:00,200 --> 00:38:02,120 Speaker 3: minutes before we're supposed to be on. I'm like, Daniel, 735 00:38:02,160 --> 00:38:04,160 Speaker 3: are gonna be a little late. We're dealing with some drama. 736 00:38:04,280 --> 00:38:05,640 Speaker 2: He's all, take your time, take your time. 737 00:38:07,560 --> 00:38:10,680 Speaker 1: Yeah, no, no, we're good. 738 00:38:10,680 --> 00:38:12,960 Speaker 3: But I like fighting it out because there's things you're 739 00:38:13,000 --> 00:38:15,439 Speaker 3: saying that I agree with, Like they are doing Luke 740 00:38:15,520 --> 00:38:17,400 Speaker 3: dirty and Rory worse. 741 00:38:19,000 --> 00:38:20,320 Speaker 5: I think they're doing everybody dirty. 742 00:38:20,400 --> 00:38:20,839 Speaker 2: I would have. 743 00:38:20,760 --> 00:38:26,200 Speaker 3: Preferred Rory thriving, really thriving, maybe still having the affair 744 00:38:26,280 --> 00:38:28,280 Speaker 3: with Logan, but thriving. 745 00:38:28,840 --> 00:38:33,120 Speaker 1: Why can't everybody thrive? Seriously, why can't everybody just thrive? 746 00:38:34,040 --> 00:38:35,320 Speaker 2: See see you in summer. 747 00:38:36,040 --> 00:38:39,080 Speaker 1: All right, So that's gonna do it. Thank you, ladies, 748 00:38:39,200 --> 00:38:44,160 Speaker 1: Daniel Romoamy Sugarman. We will be getting separate. 749 00:38:45,280 --> 00:38:45,680 Speaker 4: Diary. 750 00:38:45,920 --> 00:38:49,799 Speaker 1: He is from Tarasud and Susanne French. Much appreciated. Thanks 751 00:38:49,800 --> 00:38:53,960 Speaker 1: for hanging in with us. We are climbing, climbing up 752 00:38:54,000 --> 00:38:55,719 Speaker 1: the ratings chart because. 753 00:38:55,440 --> 00:38:58,320 Speaker 2: You guys, everybody, Yeah. 754 00:38:57,680 --> 00:39:01,480 Speaker 1: Thank you so much. We're cop into the you know, 755 00:39:02,040 --> 00:39:06,960 Speaker 1: into areas that three year old podcasts usually don't frequent, 756 00:39:08,040 --> 00:39:09,480 Speaker 1: but here we are and. 757 00:39:09,600 --> 00:39:11,719 Speaker 2: We're gonna go because they're gonna be like these people 758 00:39:11,760 --> 00:39:14,680 Speaker 2: are nuts, they're crazy. 759 00:39:15,040 --> 00:39:18,480 Speaker 1: Start anyway, best fans on the planet. 760 00:39:19,160 --> 00:39:20,839 Speaker 3: I know, I keep saying it, but stay tuned because 761 00:39:20,840 --> 00:39:24,200 Speaker 3: we've got no it's not gonna be over after the movies. 762 00:39:24,600 --> 00:39:27,320 Speaker 3: I actually think we're coming back strong, but we'll reveal 763 00:39:27,360 --> 00:39:32,320 Speaker 3: it when we get to Fall, of course, Fall Happy 764 00:39:32,360 --> 00:39:34,200 Speaker 3: Gilmour season everybody too, that's. 765 00:39:34,160 --> 00:39:37,960 Speaker 1: Right, and cards, keep those cards and letters coming. We 766 00:39:38,040 --> 00:39:40,680 Speaker 1: love you, we need you, we miss you, and uh 767 00:39:42,160 --> 00:39:44,640 Speaker 1: just remember we and I am all In. 768 00:39:45,719 --> 00:40:15,920 Speaker 5: Stay safe everyone, Hey, everybody, and 769 00:40:16,000 --> 00:40:19,560 Speaker 1: Don't forget Follow us on Instagram at I Am all 770 00:40:19,640 --> 00:40:34,880 Speaker 1: In podcast and email us at Gilmore at iHeartRadio dot com.