1 00:00:00,040 --> 00:00:02,639 Speaker 1: It was just so great to see everyone looks so good, 2 00:00:02,759 --> 00:00:14,200 Speaker 1: you know, the lack of high definition in thirty years. 3 00:00:14,840 --> 00:00:17,400 Speaker 2: Welcome to Daily Variety, your daily dose of news and 4 00:00:17,440 --> 00:00:21,800 Speaker 2: analysis for entertainment industry insiders. It's Wednesday, January twenty eighth, 5 00:00:21,840 --> 00:00:25,400 Speaker 2: twenty twenty six. I'm your host, Cynthia Littleton. I am 6 00:00:25,440 --> 00:00:28,760 Speaker 2: co editor in chief of Riety alongside Ramin Setuta. I'm 7 00:00:28,760 --> 00:00:31,520 Speaker 2: in LA He's in New York, and Variety has reporters 8 00:00:31,560 --> 00:00:35,360 Speaker 2: around the world covering the business of entertainment. In today's episode, 9 00:00:35,440 --> 00:00:38,479 Speaker 2: we'll hear snippets from the movers and shakers who stopped 10 00:00:38,520 --> 00:00:41,600 Speaker 2: in at the studio that Variety hosted during the Sundance 11 00:00:41,640 --> 00:00:45,040 Speaker 2: Film Festival this past week. It was presented by Audible. 12 00:00:45,280 --> 00:00:47,560 Speaker 2: I also had the pleasure of sitting down with music 13 00:00:47,640 --> 00:00:51,519 Speaker 2: legends Kim Gordon and Kathleen Hannah and director tam Ra Davis. 14 00:00:51,760 --> 00:00:54,160 Speaker 2: That was Kim, you heard in the cold open. The 15 00:00:54,240 --> 00:00:57,720 Speaker 2: trio were at Sundance for the premiere of Davis's documentary 16 00:00:57,880 --> 00:01:00,920 Speaker 2: The Best Summer, which chronicles a tour of Australia in 17 00:01:00,960 --> 00:01:04,440 Speaker 2: December nineteen ninety five and January nineteen ninety six that 18 00:01:04,520 --> 00:01:08,640 Speaker 2: featured Sonic Youth, Beastie Boys, Foo Fighters, and many more. 19 00:01:08,920 --> 00:01:11,080 Speaker 2: But before we get to all of that, here are 20 00:01:11,160 --> 00:01:13,440 Speaker 2: a few headlines just in this morning that you need 21 00:01:13,480 --> 00:01:16,880 Speaker 2: to know. Forty six million viewers watched the Seattle Seahawks 22 00:01:16,920 --> 00:01:20,600 Speaker 2: beat the La Rams to secure their Super Bowl spot. 23 00:01:20,840 --> 00:01:24,360 Speaker 2: This past Sunday. Viewership peaked at forty nine point six million, 24 00:01:24,440 --> 00:01:27,200 Speaker 2: according to Fox Sports. That was up four percent from 25 00:01:27,280 --> 00:01:31,360 Speaker 2: last year's NFC Championship game, but the AFC Championship game 26 00:01:31,400 --> 00:01:34,319 Speaker 2: earlier in the day was even higher. CBS Sports says 27 00:01:34,400 --> 00:01:36,840 Speaker 2: forty eight point six million viewers tuned in to see 28 00:01:36,880 --> 00:01:40,600 Speaker 2: the New England Patriots top the Denver Broncos. That game 29 00:01:40,640 --> 00:01:44,240 Speaker 2: peaked at an astounding fifty eight million viewers, and that 30 00:01:44,400 --> 00:01:47,440 Speaker 2: was up ten percent from last year's AFC Championship game. 31 00:01:47,680 --> 00:01:50,840 Speaker 2: Football's very hot year is the focus of Varieties cover 32 00:01:50,880 --> 00:01:53,800 Speaker 2: story This week. I wrote about the league's long term 33 00:01:53,840 --> 00:01:57,919 Speaker 2: image rehabilitation campaign and its outreach to women, people of color, 34 00:01:57,960 --> 00:02:01,240 Speaker 2: and international viewers. There was It's Joy Tuesday night in 35 00:02:01,320 --> 00:02:04,680 Speaker 2: Park City, the Sundance Film Festival delivered an old fashioned 36 00:02:04,680 --> 00:02:07,400 Speaker 2: all night bidding war that ended with a twenty four 37 00:02:07,520 --> 00:02:12,200 Speaker 2: nabbing Olivia Wilde's much buzzed about relationship comedy The Invite. 38 00:02:12,320 --> 00:02:14,560 Speaker 2: All of these stories and so much more can be 39 00:02:14,560 --> 00:02:21,440 Speaker 2: found on Variety dot com right now and now it's 40 00:02:21,440 --> 00:02:24,240 Speaker 2: time for conversations with industry leaders about news and trends 41 00:02:24,280 --> 00:02:27,520 Speaker 2: and show business. Today's format is a departure for Daily Variety. 42 00:02:27,800 --> 00:02:30,160 Speaker 2: We've cued up a rapid fire run of clips from 43 00:02:30,160 --> 00:02:33,640 Speaker 2: our Sundance studio. We had a parade of actors, directors, 44 00:02:33,639 --> 00:02:36,880 Speaker 2: writers and producers coming through our incredible space in the 45 00:02:36,880 --> 00:02:40,120 Speaker 2: heart of Main Street. We're grateful to Audible for sponsoring 46 00:02:40,160 --> 00:02:44,399 Speaker 2: these important conversations. Sundance takes place in the rarefied air 47 00:02:44,480 --> 00:02:47,520 Speaker 2: of Park City, Utah, a beautiful setting and a ritzy 48 00:02:47,560 --> 00:02:50,160 Speaker 2: ski resort town, but that doesn't mean it's immune to 49 00:02:50,200 --> 00:02:52,760 Speaker 2: the problems of the real world. This strife and division 50 00:02:52,800 --> 00:02:55,600 Speaker 2: in our country was evident by the incident in which 51 00:02:55,639 --> 00:02:59,360 Speaker 2: a Congressman from Florida, x While Alejandro Frost, was punched 52 00:02:59,360 --> 00:03:02,360 Speaker 2: in the face a private party thrown by Cia. The 53 00:03:02,440 --> 00:03:06,520 Speaker 2: drunken perpetrator, who was not invited to the party, reportedly 54 00:03:06,560 --> 00:03:09,959 Speaker 2: screamed racist remarks at Frost, who is of Puerto Rican 55 00:03:10,240 --> 00:03:14,280 Speaker 2: Haitian and Lebanese descent shameful, and then on Saturday, the 56 00:03:14,360 --> 00:03:17,360 Speaker 2: mood for many turned even more grim. News of the 57 00:03:17,360 --> 00:03:21,360 Speaker 2: fatal shooting of ICU nurse Alex Pretty by ice agents 58 00:03:21,360 --> 00:03:24,560 Speaker 2: in Minneapolis reached the mountain by midday, and it could 59 00:03:24,560 --> 00:03:27,160 Speaker 2: not be ignored in the heady environment that brings so 60 00:03:27,240 --> 00:03:30,280 Speaker 2: many filmmakers and creatives together. So here we go with 61 00:03:30,320 --> 00:03:34,160 Speaker 2: our first two clips, actors Natalie Portman and Zoey Deutsch 62 00:03:34,280 --> 00:03:37,720 Speaker 2: explaining why they wore no ice pins at Sundance while 63 00:03:37,720 --> 00:03:41,680 Speaker 2: promoting their movies. Portman was, therefore the galerist, Deutsch was 64 00:03:41,720 --> 00:03:44,720 Speaker 2: pitching Gail Daughtry and the celebrity sex pass. 65 00:03:45,800 --> 00:03:51,600 Speaker 3: Well, this is obviously such a joyful community celebrating film here, 66 00:03:51,680 --> 00:03:55,120 Speaker 3: and we're so excited to be showing the galerus here, 67 00:03:55,560 --> 00:03:58,600 Speaker 3: But we're also at a moment in our country's history 68 00:03:58,680 --> 00:04:05,400 Speaker 3: that is quite devastating, and I think it's really it's 69 00:04:05,440 --> 00:04:09,320 Speaker 3: impossible not to talk about what is happening right now 70 00:04:09,520 --> 00:04:14,360 Speaker 3: and the brutality of ice and how it has to 71 00:04:14,400 --> 00:04:19,360 Speaker 3: stop immediately, and also the beautiful community that Americans are 72 00:04:19,400 --> 00:04:22,000 Speaker 3: showing right now, showing up for each other, protecting each 73 00:04:22,040 --> 00:04:26,239 Speaker 3: other and fighting for their freedom. It's a bittersweet moment 74 00:04:26,360 --> 00:04:30,000 Speaker 3: to celebrate something we're so proud of on a backdrop 75 00:04:30,120 --> 00:04:32,160 Speaker 3: of our nation really in pain. 76 00:04:32,960 --> 00:04:35,279 Speaker 4: I just feel like, for me, it's impossible to not 77 00:04:35,520 --> 00:04:38,800 Speaker 4: be thinking about the state of our country and what's 78 00:04:38,880 --> 00:04:41,920 Speaker 4: going on and the brutality of ice. And I think 79 00:04:42,160 --> 00:04:45,240 Speaker 4: for me personally, I feel so proud to be an 80 00:04:45,240 --> 00:04:48,520 Speaker 4: American seeing the way communities and people are coming together 81 00:04:48,600 --> 00:04:50,839 Speaker 4: during this time. And I feel so ashamed at the 82 00:04:50,880 --> 00:04:53,960 Speaker 4: same time, obviously to be an American and see how 83 00:04:53,960 --> 00:04:56,560 Speaker 4: our government is handling things. But I just want to 84 00:04:56,600 --> 00:04:58,520 Speaker 4: stand with the amazing people of Minnesota. 85 00:04:58,600 --> 00:05:00,960 Speaker 2: Next up, the One and Only Jedi Appatow weighs in 86 00:05:01,080 --> 00:05:03,600 Speaker 2: on the general malaise that has set in in the 87 00:05:03,720 --> 00:05:06,400 Speaker 2: year since Donald Trump returned to the White House, and 88 00:05:06,480 --> 00:05:10,840 Speaker 2: author Solomon Rushti, who knows about the dangers of extremism firsthand, 89 00:05:11,160 --> 00:05:14,280 Speaker 2: explains why he's so sad to see America take this 90 00:05:14,440 --> 00:05:18,679 Speaker 2: sharp turn. Apatow was promoting his documentary Paralyzed by Hope, 91 00:05:18,760 --> 00:05:22,119 Speaker 2: the Maria Bamford Story. Rushti is the subject of Alex 92 00:05:22,200 --> 00:05:26,040 Speaker 2: Gibney's latest doc Knife, the Attempted Murder of Solomon Rushdi. 93 00:05:26,440 --> 00:05:28,560 Speaker 5: I'm not sure I can solve all the problems of 94 00:05:28,600 --> 00:05:31,240 Speaker 5: the world right now, but I think everybody has to 95 00:05:31,520 --> 00:05:35,719 Speaker 5: get involved and you know, wake up and you look 96 00:05:35,760 --> 00:05:39,279 Speaker 5: for ways to be positive and to stand up for 97 00:05:39,360 --> 00:05:42,159 Speaker 5: what this country is truly about, because what's happening is 98 00:05:42,520 --> 00:05:46,520 Speaker 5: completely heinous. It goes completely against all the values of 99 00:05:46,560 --> 00:05:49,000 Speaker 5: the country. And you know, there's a weird kind of 100 00:05:49,040 --> 00:05:52,200 Speaker 5: hypernormalization right now where like, hey, we're going skiing today, 101 00:05:52,279 --> 00:05:55,880 Speaker 5: So I guess Ice isn't terrorizing everybody. So I think 102 00:05:55,920 --> 00:05:58,760 Speaker 5: people just need to do something that Americans don't do 103 00:05:58,920 --> 00:06:01,680 Speaker 5: very often, which is think long term, get involved and 104 00:06:01,720 --> 00:06:03,640 Speaker 5: make sacrifices for the country. 105 00:06:03,720 --> 00:06:06,680 Speaker 6: There are all sorts of assaults of free speech right now, 106 00:06:06,839 --> 00:06:10,760 Speaker 6: and maybe this story helps people think about that, you know, 107 00:06:10,800 --> 00:06:15,760 Speaker 6: and understand how how valuable as his. But one of 108 00:06:15,800 --> 00:06:18,320 Speaker 6: the reasons why people like me came to live in 109 00:06:18,320 --> 00:06:22,800 Speaker 6: America was the First Amendment and its enormous emphasis on 110 00:06:23,839 --> 00:06:27,640 Speaker 6: freedom of expression. And to see that on the threat 111 00:06:27,880 --> 00:06:28,760 Speaker 6: is very depressing. 112 00:06:29,400 --> 00:06:31,960 Speaker 2: Now we lighten the tone a tiny bit. Rob Low, 113 00:06:32,040 --> 00:06:34,440 Speaker 2: who was there to pitch his latest film, The Musical, 114 00:06:34,760 --> 00:06:37,120 Speaker 2: weighs in on what needs to happen to keep more 115 00:06:37,160 --> 00:06:41,279 Speaker 2: film and TV production in Hollywood's backyard. Greg Araki, the 116 00:06:41,440 --> 00:06:45,200 Speaker 2: legendary DIY filmmaker, explains why he chose to use an 117 00:06:45,240 --> 00:06:48,560 Speaker 2: intimacy coordinator on his latest effort, I Want Your Sex. 118 00:06:48,960 --> 00:06:50,640 Speaker 7: I think the number one thing that they should do, 119 00:06:50,680 --> 00:06:53,000 Speaker 7: and this is going to sound incredibly self serving, but 120 00:06:53,080 --> 00:06:56,640 Speaker 7: a large part of the budget for tax credits is 121 00:06:56,760 --> 00:07:01,320 Speaker 7: the above the line, and all of these other territories 122 00:07:02,120 --> 00:07:05,599 Speaker 7: give you credit for the above the line, and LA doesn't. 123 00:07:05,839 --> 00:07:07,480 Speaker 7: Until they do that, they're never going to get any 124 00:07:07,480 --> 00:07:07,720 Speaker 7: of the. 125 00:07:07,680 --> 00:07:09,159 Speaker 6: Big, big shows back. 126 00:07:09,520 --> 00:07:12,440 Speaker 7: So that's the one thing I think, just without getting 127 00:07:12,440 --> 00:07:15,400 Speaker 7: to in the week on the mechanisms of it, would 128 00:07:15,400 --> 00:07:18,360 Speaker 7: be great. But it seems like it's getting better, but 129 00:07:18,400 --> 00:07:20,920 Speaker 7: it's a long way to go. And it's still criminal 130 00:07:21,280 --> 00:07:27,120 Speaker 7: that we've ceeded this entire industry to other states, other countries. 131 00:07:27,200 --> 00:07:28,000 Speaker 7: It's insane. 132 00:07:28,160 --> 00:07:30,920 Speaker 8: He did all these kind of exercises with the pass 133 00:07:30,920 --> 00:07:32,800 Speaker 8: where they sort of got in their own body and 134 00:07:32,880 --> 00:07:35,360 Speaker 8: sort of comfortable with each other, and it is great. 135 00:07:35,880 --> 00:07:37,160 Speaker 9: I've been doing sex scenes. 136 00:07:36,960 --> 00:07:40,680 Speaker 8: In my movies like Forever, and I'm super used to it, 137 00:07:40,720 --> 00:07:44,000 Speaker 8: and it's I know, it's so important that the set 138 00:07:44,080 --> 00:07:46,960 Speaker 8: feels safe, that it's obviously closed and that the actors 139 00:07:46,960 --> 00:07:49,440 Speaker 8: are as protected as they can be. But having that 140 00:07:49,520 --> 00:07:54,320 Speaker 8: extra person there who that's their job is terrific. You 141 00:07:54,360 --> 00:07:56,360 Speaker 8: WoT is great, But I've heard there's bad ones too 142 00:07:56,440 --> 00:07:59,440 Speaker 8: that make it more awkward and more terrible. So you know, 143 00:07:59,480 --> 00:08:01,600 Speaker 8: it's like it's like a DP or anybody. You got 144 00:08:01,720 --> 00:08:03,920 Speaker 8: to pick the right guy or girl. 145 00:08:04,200 --> 00:08:06,320 Speaker 2: Now we'll get a little perspective on how the indie 146 00:08:06,360 --> 00:08:09,760 Speaker 2: film business is changing amid the streaming media revolution and 147 00:08:09,840 --> 00:08:12,680 Speaker 2: the world of social media. Kieran and Shipka weighs in, 148 00:08:12,880 --> 00:08:16,280 Speaker 2: as does Nicholas Braun. Shipka the Moppet we fell for 149 00:08:16,440 --> 00:08:20,080 Speaker 2: as Sally Draper and Madman and Braun aka cousin Greg 150 00:08:20,120 --> 00:08:23,160 Speaker 2: from Succession. We're both there to talk up their comedy 151 00:08:23,480 --> 00:08:24,240 Speaker 2: The Shitheads. 152 00:08:24,360 --> 00:08:27,280 Speaker 10: Indie film converging with the Internet age is a very 153 00:08:27,280 --> 00:08:33,080 Speaker 10: interesting thing and it's fun to see people online freaking 154 00:08:33,080 --> 00:08:35,520 Speaker 10: out about a movie that was made in twenty one 155 00:08:35,600 --> 00:08:38,560 Speaker 10: days for a small budget. I feel like there's an 156 00:08:38,600 --> 00:08:40,440 Speaker 10: opportunity for indie films to be seen by more people 157 00:08:40,480 --> 00:08:42,559 Speaker 10: would still be indie films, and that's exciting to me. 158 00:08:42,920 --> 00:08:44,920 Speaker 10: That I feel like is that is cool that they 159 00:08:44,920 --> 00:08:47,719 Speaker 10: have a bigger reach, but can still see what they are. 160 00:08:48,080 --> 00:08:50,400 Speaker 11: Like all this content in our phones all the time 161 00:08:50,440 --> 00:08:55,439 Speaker 11: that's made, like you know, very quickly, it's you know, 162 00:08:55,600 --> 00:08:58,120 Speaker 11: it's people in their phones, or it's AI stuff that 163 00:08:58,160 --> 00:09:00,719 Speaker 11: you could throw together really quickly. There's like the immediacy 164 00:09:00,800 --> 00:09:02,840 Speaker 11: to like art and things that are not that they're 165 00:09:02,880 --> 00:09:05,720 Speaker 11: all bad, but they're created really quickly. So I think 166 00:09:05,760 --> 00:09:07,480 Speaker 11: that there's still a lot of demand for things that 167 00:09:07,520 --> 00:09:11,200 Speaker 11: are made that take fourteen years, that are made really deliberately. 168 00:09:11,400 --> 00:09:14,440 Speaker 11: They're made at the right time. People going, you know, 169 00:09:15,080 --> 00:09:18,360 Speaker 11: not taking big paychecks, people working for less than they 170 00:09:18,400 --> 00:09:20,280 Speaker 11: get paid on a TV show or something to make 171 00:09:20,320 --> 00:09:23,720 Speaker 11: something they're passionate about. That's a great story. 172 00:09:24,000 --> 00:09:27,040 Speaker 2: And now some very heavy but important thoughts from writer 173 00:09:27,160 --> 00:09:31,440 Speaker 2: director Daniel Kuwan about AI and its discontents. Kwan is 174 00:09:31,480 --> 00:09:34,120 Speaker 2: one half of the Daniels team, and he's a three 175 00:09:34,160 --> 00:09:37,920 Speaker 2: time Oscar winner for Everything Everywhere, All at Once. Quan 176 00:09:38,080 --> 00:09:41,240 Speaker 2: was at Sundance to promote the AI doc or How 177 00:09:41,360 --> 00:09:43,520 Speaker 2: I became an apocaloptimist. 178 00:09:43,760 --> 00:09:46,480 Speaker 9: Essentially, what I think is lost to the in the 179 00:09:46,520 --> 00:09:50,040 Speaker 9: general conversation is, look, whether you think this technology is 180 00:09:50,080 --> 00:09:52,480 Speaker 9: good or bad, where you think it's all hype. The 181 00:09:52,720 --> 00:09:54,240 Speaker 9: thing that I think we can all agree on is 182 00:09:54,240 --> 00:09:56,800 Speaker 9: that this technology is like fundamentally incompatible with our current 183 00:09:56,840 --> 00:10:00,640 Speaker 9: systems and their current institutions, and things are breaking right. Consensus, 184 00:10:00,640 --> 00:10:03,160 Speaker 9: truth and knowing what is real is breaking down. Our 185 00:10:03,240 --> 00:10:06,520 Speaker 9: education system wasn't built for these machines that could just 186 00:10:06,520 --> 00:10:08,600 Speaker 9: spit out and do the work for the kids as 187 00:10:08,679 --> 00:10:11,959 Speaker 9: filmmakers like a lot of work, especially when it comes 188 00:10:12,000 --> 00:10:15,920 Speaker 9: to like you know, voice actors and background extras and 189 00:10:15,960 --> 00:10:19,640 Speaker 9: like love that labor is already seeing like job loss. 190 00:10:19,920 --> 00:10:22,680 Speaker 9: Like it's just fundamentally incompatible and our systems aren't ready 191 00:10:22,679 --> 00:10:26,800 Speaker 9: for it. And the reason why the companies are deploying them, 192 00:10:27,120 --> 00:10:29,800 Speaker 9: in my opinion, sort of recklessly is because they're locked 193 00:10:29,800 --> 00:10:33,640 Speaker 9: in a geopolitical corporate race that is incentivizing them to 194 00:10:33,679 --> 00:10:36,000 Speaker 9: deploy this technology get as much as the market share 195 00:10:36,000 --> 00:10:40,080 Speaker 9: as possible. I think that the administration right now is 196 00:10:40,320 --> 00:10:43,920 Speaker 9: fully buying into the international arms race. Right now, our 197 00:10:43,960 --> 00:10:48,079 Speaker 9: current administration is basically removing all the red tape saying 198 00:10:48,080 --> 00:10:49,760 Speaker 9: we got to go, go go, we gotta beat China, 199 00:10:50,120 --> 00:10:52,080 Speaker 9: ignoring the fact that if you actually look to China, 200 00:10:52,120 --> 00:10:55,040 Speaker 9: you know, obviously very different countries very different perspectives on 201 00:10:55,080 --> 00:10:58,320 Speaker 9: how we interact with technology, but they are actually putting 202 00:10:58,360 --> 00:11:01,280 Speaker 9: in the work to make sure that the deployment of 203 00:11:01,280 --> 00:11:03,680 Speaker 9: this technology is safe in a way that we are not. 204 00:11:04,120 --> 00:11:06,600 Speaker 9: And if you look at the what happened with you know, 205 00:11:06,640 --> 00:11:09,079 Speaker 9: something like social media, right, social media, we race, race, 206 00:11:09,200 --> 00:11:11,960 Speaker 9: race to to you know, get the biggest market share 207 00:11:11,960 --> 00:11:15,679 Speaker 9: with social media. Meanwhile, China was actually regulating right, and 208 00:11:15,760 --> 00:11:18,320 Speaker 9: China actually found a way to put curfews on for 209 00:11:18,440 --> 00:11:21,680 Speaker 9: kids and actually made sure that the algorithms weren't just 210 00:11:21,840 --> 00:11:24,160 Speaker 9: a race to the bottom for you know, dopamine hits 211 00:11:24,160 --> 00:11:28,440 Speaker 9: and attention grabbing. So even though we technically beat them 212 00:11:28,480 --> 00:11:30,080 Speaker 9: when it comes to social media, at first, we got 213 00:11:30,080 --> 00:11:31,960 Speaker 9: there first, We did all this stuff. Look what it 214 00:11:32,000 --> 00:11:34,200 Speaker 9: did to our culture and to our society at large. 215 00:11:34,240 --> 00:11:37,079 Speaker 9: And so I feel like step one is we got 216 00:11:37,120 --> 00:11:37,920 Speaker 9: to reverse that. 217 00:11:38,120 --> 00:11:40,880 Speaker 2: And finally, here's a clip from my interview with two 218 00:11:41,000 --> 00:11:44,400 Speaker 2: amazing women, Kim Gordon, co founder of Sonic Youth and 219 00:11:44,480 --> 00:11:48,080 Speaker 2: Kathleen Hannah, leader of Bikini Kill and a feminist force 220 00:11:48,160 --> 00:11:51,000 Speaker 2: in punk rock for decades. We sat in the rec 221 00:11:51,080 --> 00:11:54,400 Speaker 2: room of a Park City condo complex. It was hilarious 222 00:11:54,400 --> 00:11:57,439 Speaker 2: watching other guests walk through the space. About one out 223 00:11:57,480 --> 00:11:59,560 Speaker 2: of every five people did a double tape when they 224 00:11:59,559 --> 00:12:02,400 Speaker 2: recognize it's Kim and Kathleen. It was a bucket list 225 00:12:02,480 --> 00:12:05,400 Speaker 2: interview for me. I wrote a two thousand word story 226 00:12:05,400 --> 00:12:07,520 Speaker 2: out of this interview, so please go check it out 227 00:12:07,559 --> 00:12:10,800 Speaker 2: on Variety dot com. Here Kim and Kathleen compare what 228 00:12:10,880 --> 00:12:13,480 Speaker 2: it takes to make it as a band then and now. 229 00:12:13,760 --> 00:12:18,520 Speaker 1: Young bands now are young musicians, Like nobody wants to 230 00:12:18,520 --> 00:12:22,199 Speaker 1: get in a van a tour endlessly or whatever. And 231 00:12:22,240 --> 00:12:26,520 Speaker 1: that's kind of what we used to do. And like 232 00:12:26,559 --> 00:12:29,719 Speaker 1: even when we'd go to like American bands would go 233 00:12:29,760 --> 00:12:33,880 Speaker 1: to England, Like it's different because like American bands had 234 00:12:34,280 --> 00:12:38,040 Speaker 1: more energy in a way because like America is such 235 00:12:38,080 --> 00:12:41,240 Speaker 1: a big country a tour, I like, you, yeah, you 236 00:12:41,240 --> 00:12:43,600 Speaker 1: you if you don't have access to be on the radio, 237 00:12:43,720 --> 00:12:46,280 Speaker 1: Like in England is like a small island that had 238 00:12:46,360 --> 00:12:49,840 Speaker 1: like three weekly music magazines and you know, like a 239 00:12:49,840 --> 00:12:53,079 Speaker 1: fish bowl or something. So I think that that's a 240 00:12:53,120 --> 00:12:58,120 Speaker 1: big difference. Like now it's people evolve musically differently, and 241 00:12:59,160 --> 00:13:03,720 Speaker 1: it's more you know, just attuneded what the technology is today. 242 00:13:03,880 --> 00:13:06,200 Speaker 12: They can't afford to tour like rent's too high, they can't. 243 00:13:06,960 --> 00:13:09,320 Speaker 12: It's just a different It's a world economically, it's a 244 00:13:09,320 --> 00:13:11,480 Speaker 12: different world in terms of how self conscious people are 245 00:13:11,559 --> 00:13:13,880 Speaker 12: about being a brand, like we didn't have that phrase. 246 00:13:18,480 --> 00:13:20,760 Speaker 2: As we close out today's episode, here's a few things 247 00:13:20,800 --> 00:13:23,800 Speaker 2: we're watching for. The Grammy Awards will air on Sunday. 248 00:13:24,200 --> 00:13:26,080 Speaker 2: Just like this was the last sun Dance to be 249 00:13:26,120 --> 00:13:28,560 Speaker 2: held in Park City, this will be the last Grammys 250 00:13:28,600 --> 00:13:31,640 Speaker 2: to air on CBS after more than fifty years. Somewhere, 251 00:13:31,760 --> 00:13:35,080 Speaker 2: Pierre Cosette is shaking his head. Hulu has set April 252 00:13:35,080 --> 00:13:37,760 Speaker 2: eighth as the premier date for The Testaments. That's the 253 00:13:37,800 --> 00:13:40,800 Speaker 2: prequel series to The Handmaid's Tale. What's the next move 254 00:13:40,840 --> 00:13:44,280 Speaker 2: for Paramount's Guide Aance and Warner Brothers Discovery David Ellison 255 00:13:44,320 --> 00:13:46,760 Speaker 2: seems to still think there's a chance that the Netflix 256 00:13:46,800 --> 00:13:51,080 Speaker 2: acquisition gets derailed by regulatory problems. My colleague Todd Spangler 257 00:13:51,160 --> 00:13:54,040 Speaker 2: has a good think piece looking at the potential scenarios 258 00:13:54,040 --> 00:13:56,920 Speaker 2: to play out before we go. Congrats to Darren Walker. 259 00:13:57,080 --> 00:14:00,280 Speaker 2: He's been named president and CEO of Anonymous Content. It's 260 00:14:00,320 --> 00:14:03,360 Speaker 2: an interesting choice to bring in someone from the nonprofit world. 261 00:14:03,600 --> 00:14:06,559 Speaker 2: Walker spent the past twelve years running the Ford Foundation, 262 00:14:06,920 --> 00:14:09,880 Speaker 2: where he made a massive impact on the arts. Thanks 263 00:14:09,920 --> 00:14:12,800 Speaker 2: for listening. This episode was written and reported by me 264 00:14:12,920 --> 00:14:16,880 Speaker 2: Cynthia Littleton, with contributions from the entire Variety team that 265 00:14:16,920 --> 00:14:21,120 Speaker 2: went to Sundance. Salute to that hard working crew. Stick's next, 266 00:14:21,160 --> 00:14:23,720 Speaker 2: Hey Picks. Please leave us a review at the podcast 267 00:14:23,760 --> 00:14:26,120 Speaker 2: platform of your choice, and please tune in tomorrow for 268 00:14:26,160 --> 00:14:29,040 Speaker 2: another episode of Daily Variety. And don't forget to tell 269 00:14:29,120 --> 00:14:32,120 Speaker 2: us what you think at podcasts at Variety dot com. 270 00:14:32,360 --> 00:14:32,720 Speaker 2: Thanks