WEBVTT - Affion Crockett

0:00:02.680 --> 0:00:18.000
<v Speaker 1>Money. Well say, we are the authority and what's going

0:00:18.040 --> 0:00:20.040
<v Speaker 1>on with your boy Tank? This is the Army Money

0:00:20.079 --> 0:00:23.040
<v Speaker 1>podcast again. I'm take this is Valentine. We are the

0:00:23.079 --> 0:00:28.680
<v Speaker 1>authorities on R and B and in the building other

0:00:28.720 --> 0:00:35.840
<v Speaker 1>authorities and the truth don't don't act me. They're gonna

0:00:35.840 --> 0:00:38.120
<v Speaker 1>find out today. Let's go. My brother, a fan is

0:00:38.159 --> 0:00:43.840
<v Speaker 1>in the building man, and um, um, he's a he's

0:00:43.840 --> 0:00:46.200
<v Speaker 1>a family member, he's a friend. So this is nothing

0:00:46.200 --> 0:00:48.599
<v Speaker 1>about this will be formal. We'll try to give you

0:00:48.680 --> 0:00:52.880
<v Speaker 1>some formal information. Um. We can't promise you in between

0:00:52.920 --> 0:00:55.360
<v Speaker 1>all of the madness because it'll just take a turn

0:00:55.360 --> 0:00:57.160
<v Speaker 1>and you just never know where it's gonna go. We

0:00:57.200 --> 0:01:01.640
<v Speaker 1>want to start off right here, Come on, knees, talk

0:01:01.680 --> 0:01:10.640
<v Speaker 1>about it. First of all, man's a nice quatskay alright,

0:01:10.680 --> 0:01:12.880
<v Speaker 1>I do legs. I don't skip leg day. That's that's

0:01:12.880 --> 0:01:16.480
<v Speaker 1>what these shorts. These shorts are to promote, never skip

0:01:16.560 --> 0:01:18.640
<v Speaker 1>leg day. You want to give them a quatch? No

0:01:18.840 --> 0:01:21.800
<v Speaker 1>you probably don't. You well, okay, you partationship. I think

0:01:21.800 --> 0:01:24.520
<v Speaker 1>it's dope, man, because we also to tag onto that

0:01:24.600 --> 0:01:28.640
<v Speaker 1>the verses like I feel like what you what you

0:01:28.720 --> 0:01:35.760
<v Speaker 1>in spice do with versus it is I won't say

0:01:35.959 --> 0:01:41.440
<v Speaker 1>as important as versus, but it's pretty. It's it's pretty.

0:01:41.560 --> 0:01:46.319
<v Speaker 1>There's a necessity. There's a necessity especially right now because

0:01:46.400 --> 0:01:50.200
<v Speaker 1>as much as we all love the music, as we're

0:01:50.200 --> 0:01:54.280
<v Speaker 1>watching hilarious, there's always some funny and it's hilarious bro's

0:01:54.360 --> 0:01:57.440
<v Speaker 1>and and it gives you guys give up a place

0:01:57.520 --> 0:02:02.280
<v Speaker 1>to go after for commenting right right, like because people

0:02:02.280 --> 0:02:04.880
<v Speaker 1>want to kind of get their ship off still online

0:02:05.120 --> 0:02:08.120
<v Speaker 1>and I and it's funny because if you watch the verses,

0:02:08.720 --> 0:02:11.520
<v Speaker 1>it's all praise for the most part. Right you have

0:02:11.560 --> 0:02:14.200
<v Speaker 1>a couple of niggas in there. You gotta segnorance in there.

0:02:14.280 --> 0:02:16.320
<v Speaker 1>But see, this is the problem of where we are

0:02:16.360 --> 0:02:18.760
<v Speaker 1>as a society right now. It's like there are those

0:02:18.800 --> 0:02:22.240
<v Speaker 1>of us, including myself Tony Baker, like, well will joke

0:02:22.720 --> 0:02:25.560
<v Speaker 1>in the comments and other people be like, why you're

0:02:25.639 --> 0:02:28.760
<v Speaker 1>disrespecting the moment while y'all it's like, first of all,

0:02:29.040 --> 0:02:32.280
<v Speaker 1>we are here because we esteem these people period, Like

0:02:32.440 --> 0:02:35.040
<v Speaker 1>let's just call it what it is. But we're comedians.

0:02:35.880 --> 0:02:38.720
<v Speaker 1>We're not a comedian. I'll be in there saying exactly

0:02:38.760 --> 0:02:42.720
<v Speaker 1>like and I know black people are comedian. YEA. Our

0:02:42.760 --> 0:02:45.440
<v Speaker 1>culture as a as a whole week we say funny ship,

0:02:46.080 --> 0:02:48.120
<v Speaker 1>and we knew that the shoe was gonna come flying

0:02:48.120 --> 0:02:51.320
<v Speaker 1>off with Patty. We knew everyone had a pie joke,

0:02:51.520 --> 0:02:54.840
<v Speaker 1>you know what everybody had looking glad it's outfit old,

0:02:54.880 --> 0:02:57.680
<v Speaker 1>she got the church glitter on the sequences popping. You know,

0:02:57.760 --> 0:02:59.880
<v Speaker 1>niggas is gonna say ship. We we talk about the

0:03:00.040 --> 0:03:02.840
<v Speaker 1>Aunties who we love for sure, I mean for sure,

0:03:03.000 --> 0:03:08.160
<v Speaker 1>And I think you and Spice give more of a

0:03:08.200 --> 0:03:12.440
<v Speaker 1>safe place, a safer, safer place to you, just like

0:03:12.960 --> 0:03:16.040
<v Speaker 1>you know, even though versus supposed to be fun, and

0:03:16.200 --> 0:03:18.040
<v Speaker 1>sometimes it kind of gets a little serious, like you

0:03:18.040 --> 0:03:21.280
<v Speaker 1>said in the comment sections of like Man, like these

0:03:21.280 --> 0:03:22.919
<v Speaker 1>guys are comedians that you know what I mean, Like

0:03:22.960 --> 0:03:25.680
<v Speaker 1>everybody got a joke in Depending on the chemistry of

0:03:25.720 --> 0:03:28.680
<v Speaker 1>the of the people that's in the verses, sometimes they

0:03:28.800 --> 0:03:31.440
<v Speaker 1>too cool, and you know, it gets a little born

0:03:31.560 --> 0:03:33.320
<v Speaker 1>or it gets a little monotonous because they're trying to

0:03:33.360 --> 0:03:36.440
<v Speaker 1>outcool each other and that's not as entertaining, you know

0:03:36.440 --> 0:03:38.160
<v Speaker 1>what I mean. So you gotta have a little life

0:03:38.160 --> 0:03:41.120
<v Speaker 1>in there, and you know, not take yourself so seriously.

0:03:41.160 --> 0:03:45.800
<v Speaker 1>So we met a Spice just we we right after verses.

0:03:45.840 --> 0:03:48.720
<v Speaker 1>We turn it all the way up. The fact that

0:03:48.800 --> 0:03:51.760
<v Speaker 1>y'all got that type of chemistry working with each other

0:03:52.480 --> 0:03:56.880
<v Speaker 1>without knowing each other before. This is the craziest thing. Yeah,

0:03:57.320 --> 0:03:59.920
<v Speaker 1>you know what I mean, I still have never met

0:03:59.920 --> 0:04:06.280
<v Speaker 1>a person. Get the funk out of here. No, stay,

0:04:10.560 --> 0:04:13.280
<v Speaker 1>we never met a person though. I'm just a fan

0:04:13.400 --> 0:04:16.160
<v Speaker 1>of his comedy. I didn't even know he's a football

0:04:16.160 --> 0:04:18.320
<v Speaker 1>player before because I don't really follow football at that.

0:04:18.480 --> 0:04:22.280
<v Speaker 1>But it was like a professional ball Yeah, yeah, what

0:04:22.320 --> 0:04:25.279
<v Speaker 1>do you played form? He might have played for like

0:04:25.279 --> 0:04:27.240
<v Speaker 1>the Falcons or somebody like that, but like now, he

0:04:27.320 --> 0:04:30.159
<v Speaker 1>was like alignment. Because it's crazy that when I saw him,

0:04:30.400 --> 0:04:33.000
<v Speaker 1>when I saw him hitting the bag, he's like I

0:04:33.080 --> 0:04:34.479
<v Speaker 1>was like this. I was like, no, he can fight.

0:04:34.520 --> 0:04:36.680
<v Speaker 1>He got handed. I said, he can actually fight. That's

0:04:36.720 --> 0:04:38.440
<v Speaker 1>not like he not, No, no no, he got hands. Yeah,

0:04:38.560 --> 0:04:40.520
<v Speaker 1>taking this time he got here doing He's doing the

0:04:40.520 --> 0:04:42.800
<v Speaker 1>whole thing. I said, work. I said, Spice album was funny,

0:04:42.839 --> 0:04:44.920
<v Speaker 1>but he might suck you up like in real life,

0:04:45.440 --> 0:04:49.039
<v Speaker 1>in actual life, actual life. And he got the weight

0:04:49.080 --> 0:04:50.840
<v Speaker 1>and he's getting his way down, but he still got

0:04:50.880 --> 0:04:53.839
<v Speaker 1>them fat man bone. Yeah you know what I mean,

0:04:54.040 --> 0:04:56.920
<v Speaker 1>come across your chin so you've never met Spice out,

0:04:57.080 --> 0:05:01.359
<v Speaker 1>we've never met in person. Where is he at Detroit? Wow? Okay? Yeah,

0:05:01.600 --> 0:05:03.600
<v Speaker 1>So I just was already a fan. And you know

0:05:03.640 --> 0:05:07.320
<v Speaker 1>how it is with anything, whether it's uh like how

0:05:07.360 --> 0:05:10.400
<v Speaker 1>you and Jamie. When Jamie first discovered you, he was like,

0:05:10.480 --> 0:05:13.560
<v Speaker 1>this guy has something that's similar to my thing and

0:05:13.640 --> 0:05:16.320
<v Speaker 1>we need to work together. Right. You can see that

0:05:16.400 --> 0:05:19.640
<v Speaker 1>somebody has your rhythm and has your your DNA. So

0:05:19.720 --> 0:05:21.840
<v Speaker 1>that's when I saw him, and he was a fan

0:05:21.920 --> 0:05:25.280
<v Speaker 1>of mine too. We just automatically clicked. So it was

0:05:25.360 --> 0:05:27.960
<v Speaker 1>baby Face and Teddy Riley the first one. The first

0:05:28.000 --> 0:05:32.400
<v Speaker 1>one because it was so many it was too many

0:05:33.240 --> 0:05:38.159
<v Speaker 1>many bars in that ship. Yeah, I'm not only I

0:05:38.320 --> 0:05:45.440
<v Speaker 1>screamed you food. I scream I heard Teddy Riley wanted

0:05:45.440 --> 0:05:55.680
<v Speaker 1>to kick your baker. Yeah, he definitely, because Tony was

0:05:55.800 --> 0:06:00.919
<v Speaker 1>commenting and roasting the funk out of and said it

0:06:01.000 --> 0:06:05.840
<v Speaker 1>was like he issued a statement. He was like, man,

0:06:06.560 --> 0:06:08.440
<v Speaker 1>we do this thing. I'm a legend in this game,

0:06:08.480 --> 0:06:10.280
<v Speaker 1>and but you know they squashed it. They squashed it

0:06:10.279 --> 0:06:12.600
<v Speaker 1>the next day. Tony is a fan, so he's like, look,

0:06:12.640 --> 0:06:14.080
<v Speaker 1>I'm just being a comedian, but I don't want to

0:06:14.120 --> 0:06:20.320
<v Speaker 1>hurt one of my legends. But me and Spice, Yeah whatever,

0:06:21.360 --> 0:06:27.880
<v Speaker 1>y'all can get these hands. It looks you know, I

0:06:27.920 --> 0:06:31.279
<v Speaker 1>know Teddy got hands too because I know his seafood um.

0:06:31.360 --> 0:06:34.120
<v Speaker 1>He on that come ship too, But I don't know.

0:06:34.120 --> 0:06:35.880
<v Speaker 1>It's all on good fun. We ain't tripping on nobody

0:06:35.880 --> 0:06:44.280
<v Speaker 1>fight and Beady Riley. I loved that. That is one

0:06:44.279 --> 0:06:47.160
<v Speaker 1>of my mentors. I just felt like that would be

0:06:47.200 --> 0:06:49.120
<v Speaker 1>a great I just felt like that. I felt like

0:06:49.120 --> 0:06:52.760
<v Speaker 1>it'd be a great sound bite. It wasn't. God takes here,

0:06:53.200 --> 0:06:58.839
<v Speaker 1>Teddy Riley up, just memy to care and me and

0:06:58.920 --> 0:07:01.120
<v Speaker 1>Jay got to do with disclaim the thoughts and muses

0:07:03.160 --> 0:07:08.120
<v Speaker 1>tanks along. So yeah, man, like we get the pandemic

0:07:08.160 --> 0:07:11.840
<v Speaker 1>week for people who don't know right like you said,

0:07:11.840 --> 0:07:13.600
<v Speaker 1>you even just dropped the bars. Don't know you were

0:07:13.640 --> 0:07:15.840
<v Speaker 1>kung fu master dog. I'm not a master Let me

0:07:15.840 --> 0:07:18.960
<v Speaker 1>just look listen. In the hood, in the hood, no

0:07:19.080 --> 0:07:24.800
<v Speaker 1>high go any nigger with the shoes along, he'd be

0:07:24.840 --> 0:07:28.440
<v Speaker 1>kicking trees. He just walking for real. So in the

0:07:28.480 --> 0:07:29.760
<v Speaker 1>hood you come from backs. I don't care if you

0:07:29.760 --> 0:07:33.040
<v Speaker 1>took two lessons, like, man, did you come on, he's

0:07:33.080 --> 0:07:39.200
<v Speaker 1>on the bus. Yeah, I used to wear that school

0:07:39.640 --> 0:07:42.640
<v Speaker 1>no way but the buttons to school, No just to

0:07:42.720 --> 0:07:48.120
<v Speaker 1>school while living in Germany. What I was the I

0:07:48.280 --> 0:07:52.640
<v Speaker 1>was the Bruce Lee boy. He was over there in

0:07:52.680 --> 0:07:55.560
<v Speaker 1>the whole other country that the big white cups and yeah,

0:07:55.640 --> 0:07:59.200
<v Speaker 1>I don't were you walking were you walking through with

0:07:59.240 --> 0:08:04.960
<v Speaker 1>the hands? And this? Are you fully committed? You fully committed?

0:08:05.000 --> 0:08:06.800
<v Speaker 1>I mean I was always eight. You know, they knew

0:08:06.840 --> 0:08:10.480
<v Speaker 1>me as they just like he did. That's just eight different,

0:08:12.040 --> 0:08:14.000
<v Speaker 1>you know what I mean? What mind you? By the time,

0:08:14.160 --> 0:08:17.000
<v Speaker 1>he was already to me for like break dancing, and

0:08:17.040 --> 0:08:20.200
<v Speaker 1>so they knew I was, I was saying. But when

0:08:20.240 --> 0:08:24.400
<v Speaker 1>I got into my ship and I had the cuffs,

0:08:25.400 --> 0:08:29.640
<v Speaker 1>I was, you know. And everybody said, but why at school?

0:08:30.520 --> 0:08:36.840
<v Speaker 1>Why why not? For why you know what? His shirt

0:08:36.840 --> 0:08:42.000
<v Speaker 1>off everywhere? Why not? Why not if you could do

0:08:42.240 --> 0:08:46.320
<v Speaker 1>tell my wife that, hm, tell my wife that good luck?

0:08:46.880 --> 0:08:48.680
<v Speaker 1>Is it becoming a thing like why are you taking

0:08:48.679 --> 0:08:54.080
<v Speaker 1>your shirt? I'm gonna say not, you know what you

0:08:54.080 --> 0:08:57.600
<v Speaker 1>should do and just going forward? Should the question pop

0:08:57.679 --> 0:09:01.720
<v Speaker 1>up again? Why are you always taking your shirt off?

0:09:02.840 --> 0:09:12.920
<v Speaker 1>Just do this? Look at all this all that's got damn,

0:09:13.720 --> 0:09:17.080
<v Speaker 1>look at all this. Look at yourself it's a shirt

0:09:17.120 --> 0:09:20.439
<v Speaker 1>off money. It's a shirt off money. This is tit

0:09:20.640 --> 0:09:26.000
<v Speaker 1>is on display money. Huh your single, right, you goddamn right. Yeah,

0:09:26.040 --> 0:09:29.480
<v Speaker 1>he's gonna be too trying to ship. Man, be something,

0:09:29.600 --> 0:09:32.800
<v Speaker 1>has some cool partners to be single with. If it

0:09:32.920 --> 0:09:36.320
<v Speaker 1>all bad, I'm not gonna I can't get ticked out

0:09:36.360 --> 0:09:41.040
<v Speaker 1>of my house. Jay, let's start there. You can in California.

0:09:41.120 --> 0:09:46.240
<v Speaker 1>You can't. It's different out here. Man, We're in California, California, man,

0:09:46.559 --> 0:09:49.040
<v Speaker 1>that's why try to get the California. I know his wife.

0:09:49.120 --> 0:09:51.520
<v Speaker 1>He's a good friend. Zina. You know what. You're married.

0:09:52.280 --> 0:09:58.000
<v Speaker 1>Don't kick him out. R and B money. These views straight,

0:09:59.280 --> 0:10:07.720
<v Speaker 1>same thing that anybody I was remember. I remember the time, Hey,

0:10:07.760 --> 0:10:11.240
<v Speaker 1>I was getting ready to say, are shared? Okay, okay,

0:10:11.280 --> 0:10:14.439
<v Speaker 1>I jumped the gun with me and my good brother.

0:10:15.160 --> 0:10:19.120
<v Speaker 1>He's just shared. I'm not gonna pull the CPS APC

0:10:19.280 --> 0:10:21.560
<v Speaker 1>and throw throw it under the buck. We don't share

0:10:21.640 --> 0:10:26.280
<v Speaker 1>these and then be living if you an't got room

0:10:26.320 --> 0:10:32.160
<v Speaker 1>for me? So what is it all begin? Man? Yeah,

0:10:32.320 --> 0:10:34.720
<v Speaker 1>give us, give us a big break. It's a big

0:10:34.760 --> 0:10:38.400
<v Speaker 1>break for me. You should all begin in my living room.

0:10:38.440 --> 0:10:42.679
<v Speaker 1>As a kid um in Germany in Germany, baby sitting

0:10:42.679 --> 0:10:45.800
<v Speaker 1>my little sisters. They sleep and I'm left in the

0:10:45.800 --> 0:10:48.880
<v Speaker 1>living room watching TV. I just got consumed by that ship.

0:10:48.920 --> 0:10:51.840
<v Speaker 1>And that's back when they had full on campaigns on

0:10:51.880 --> 0:10:54.280
<v Speaker 1>TV saying don't let your kids watch so much TV,

0:10:54.520 --> 0:10:56.880
<v Speaker 1>like it was the whole thing, the idiot box and

0:10:56.920 --> 0:10:59.920
<v Speaker 1>maybe coming up with all these these phrases. But I

0:11:00.120 --> 0:11:02.080
<v Speaker 1>was getting charged from that ship. I was. I was

0:11:02.160 --> 0:11:04.800
<v Speaker 1>looking at TV a whole another way. It didn't mean

0:11:04.840 --> 0:11:08.360
<v Speaker 1>the same thing as everyone else. It wasn't mindless time

0:11:08.400 --> 0:11:12.319
<v Speaker 1>for me. I was looking at I was soaking all

0:11:12.320 --> 0:11:14.240
<v Speaker 1>that up. I was looking I was listening to dialogue,

0:11:14.240 --> 0:11:16.240
<v Speaker 1>I was listening to I was watching characters, I was

0:11:16.280 --> 0:11:21.880
<v Speaker 1>watching movement. So from that point to doing impressions and

0:11:21.960 --> 0:11:23.880
<v Speaker 1>you know, being able to mimic people I saw on TV.

0:11:24.360 --> 0:11:26.360
<v Speaker 1>I used to play music by ear, so that's when

0:11:26.400 --> 0:11:30.160
<v Speaker 1>my ear came from. To listen to somebody piano as

0:11:30.240 --> 0:11:32.400
<v Speaker 1>like a five girl. I hear, ship onto my little

0:11:32.440 --> 0:11:35.760
<v Speaker 1>castio and you have to play the melodies. But yeah,

0:11:35.760 --> 0:11:38.360
<v Speaker 1>that that translated into impressions. But the first big break

0:11:38.400 --> 0:11:41.320
<v Speaker 1>was Deaf comedy Jam. That was the one that got

0:11:41.360 --> 0:11:47.320
<v Speaker 1>me on television doing my thing. Yeah, it's by the Bug,

0:11:48.280 --> 0:11:54.160
<v Speaker 1>remember that. I remember that hosted by Jamie Foxx. I

0:11:54.200 --> 0:11:57.240
<v Speaker 1>did the season. It's called the All Star season. It

0:11:57.280 --> 0:11:59.160
<v Speaker 1>was the last season. It was in the original Theater

0:11:59.200 --> 0:12:02.599
<v Speaker 1>in New York and it was all Stars, so everybody

0:12:02.640 --> 0:12:05.120
<v Speaker 1>hosted one. This is after Martin left, you know, a

0:12:05.120 --> 0:12:08.400
<v Speaker 1>couple of seasons, after they had tried Joe Torre, Ricky

0:12:08.440 --> 0:12:13.480
<v Speaker 1>Smile not Ricky Ricky Harris um. Remember they were rotating

0:12:13.520 --> 0:12:16.120
<v Speaker 1>host I think that Delve Gibbons maybe, and that last

0:12:16.120 --> 0:12:19.240
<v Speaker 1>season they said let's bring everybody back, so Steve Harvey,

0:12:19.400 --> 0:12:22.520
<v Speaker 1>Chris Rod, Dave Chappelle, everybody was on their last Tiefer

0:12:22.559 --> 0:12:26.240
<v Speaker 1>even hosted the episode and the episode that Jamie hosted,

0:12:26.480 --> 0:12:29.320
<v Speaker 1>I was on it. So that was my crazy. That

0:12:29.400 --> 0:12:32.920
<v Speaker 1>was my introduction. Yeah, now that that's super dope, man.

0:12:32.960 --> 0:12:36.840
<v Speaker 1>So from from there though, when you when you get

0:12:36.880 --> 0:12:40.960
<v Speaker 1>to a place like the legendary death comedy jam right, yeah,

0:12:41.200 --> 0:12:44.559
<v Speaker 1>scared shitless, Like what like what are the thoughts though

0:12:44.600 --> 0:12:48.000
<v Speaker 1>before you going? Because people don't understand comedy in that

0:12:48.120 --> 0:12:51.200
<v Speaker 1>in that aspect, right, and you were doing you weren't

0:12:51.200 --> 0:12:55.480
<v Speaker 1>doing traditional comedy like he was dancing and ship and

0:12:55.520 --> 0:12:57.640
<v Speaker 1>you know what I'm saying it was mixed in. I've

0:12:57.679 --> 0:13:01.080
<v Speaker 1>always been a nonconformist. I never did what anyone else did.

0:13:01.480 --> 0:13:04.480
<v Speaker 1>Like when people was getting the hood, was getting tattoos

0:13:04.480 --> 0:13:07.040
<v Speaker 1>and earrings and smoking blunts and doing all that. Ship.

0:13:07.080 --> 0:13:09.640
<v Speaker 1>I just never wanted to do what everyone else did.

0:13:10.400 --> 0:13:12.680
<v Speaker 1>It made me different. For a while. I was the outcast.

0:13:12.760 --> 0:13:14.760
<v Speaker 1>I didn't get invited to every house party or whatever.

0:13:15.920 --> 0:13:17.719
<v Speaker 1>Just said, you had on the karate. What do you that?

0:13:17.760 --> 0:13:20.480
<v Speaker 1>You know? Whatever? Not every day. I mean when you

0:13:20.559 --> 0:13:25.440
<v Speaker 1>left Germany, you left, you left karate outfit in Germany. Uh,

0:13:25.559 --> 0:13:28.280
<v Speaker 1>you wanted an America too? No, I didn't do that.

0:13:28.920 --> 0:13:32.720
<v Speaker 1>I got back to the US. I was in Favane,

0:13:32.760 --> 0:13:37.280
<v Speaker 1>North Carolina. Oh black school. Oh yeah, I mean it

0:13:37.280 --> 0:13:41.040
<v Speaker 1>was niggas in Germany too. But the volume, yea, they

0:13:41.040 --> 0:13:44.400
<v Speaker 1>would have jumped you just for having the outfit. Well

0:13:44.440 --> 0:13:47.720
<v Speaker 1>let's just jump the karate. See what he got. Yeah,

0:13:47.800 --> 0:13:51.240
<v Speaker 1>let's see what lee Because they all had guns. That's

0:13:51.280 --> 0:13:53.280
<v Speaker 1>the other thing. Everybody had guns. When we see a

0:13:53.360 --> 0:13:55.560
<v Speaker 1>nigga with that on, it's kind of like, can I

0:13:55.600 --> 0:14:01.640
<v Speaker 1>beat him? Yes, it's the dog the black community, it's

0:14:01.679 --> 0:14:05.000
<v Speaker 1>the endless ship. We like danger. Just something about us.

0:14:05.080 --> 0:14:09.840
<v Speaker 1>We like we like excitement. Is that we like danger?

0:14:10.760 --> 0:14:14.000
<v Speaker 1>Or now we like it? We like it? You know

0:14:14.040 --> 0:14:15.880
<v Speaker 1>some wild niggas. I know some wild niggas. We know

0:14:16.000 --> 0:14:21.440
<v Speaker 1>some wild But is it is it bigger than us

0:14:21.640 --> 0:14:26.160
<v Speaker 1>liking it? Is it more so of it? The aggression

0:14:26.600 --> 0:14:31.600
<v Speaker 1>and the thirst for that thing? Is it innate in

0:14:31.720 --> 0:14:41.520
<v Speaker 1>us as a demographic? Are we from from a soldier standpoint?

0:14:41.560 --> 0:14:46.280
<v Speaker 1>From a tribal standpoint? Are we? Is that more naturally

0:14:46.440 --> 0:14:49.720
<v Speaker 1>our element? Like? Think about it, Like when something's going down,

0:14:50.960 --> 0:14:55.920
<v Speaker 1>we run to it. We're like, what's happening, especially when

0:14:55.920 --> 0:14:57.720
<v Speaker 1>we're in that element. Let's do when we're in it.

0:14:57.800 --> 0:14:59.440
<v Speaker 1>I had a conversation with somebody where I was telling

0:14:59.440 --> 0:15:03.760
<v Speaker 1>I was like, I was maybe maybe eleven twelve, and

0:15:04.680 --> 0:15:07.040
<v Speaker 1>we would hear gunshots. We would be trying to find

0:15:07.040 --> 0:15:11.560
<v Speaker 1>out word so we could go back and have all that. Man,

0:15:11.600 --> 0:15:15.040
<v Speaker 1>I said, Man, it was crazy, like dumbash in the

0:15:15.080 --> 0:15:18.640
<v Speaker 1>world as a grown man, and that I think of now, right,

0:15:18.680 --> 0:15:21.280
<v Speaker 1>But when I'm in that element, I'm eleven twelve years

0:15:21.280 --> 0:15:23.240
<v Speaker 1>old and that's just what we were. Damn their baby kids.

0:15:23.280 --> 0:15:28.840
<v Speaker 1>Pretty much we gravitated towards it the most ridiculous. It ever,

0:15:28.960 --> 0:15:32.800
<v Speaker 1>like I've been more scared from lesser things than that thing.

0:15:33.760 --> 0:15:35.440
<v Speaker 1>You know what I mean. Like if I feel like

0:15:35.480 --> 0:15:37.640
<v Speaker 1>somebody about to catch your ass woman, and I'm like, oh,

0:15:37.680 --> 0:15:39.360
<v Speaker 1>I don't want to do this today, you know what

0:15:39.360 --> 0:15:42.080
<v Speaker 1>I mean. I get nervous in that moment. But I've

0:15:42.120 --> 0:15:44.080
<v Speaker 1>had to do pull a shotgun on me. And I

0:15:44.120 --> 0:15:45.640
<v Speaker 1>just looked at this. I like, if you're gonna do it,

0:15:45.680 --> 0:15:49.640
<v Speaker 1>you're gonna do it right. And I wasn't scared. So

0:15:49.680 --> 0:15:51.760
<v Speaker 1>I don't know what that thing is. I guess the

0:15:52.120 --> 0:15:57.440
<v Speaker 1>more heightened the the circumstance, it is innate for us

0:15:57.520 --> 0:16:00.640
<v Speaker 1>to to rise to the occasion. So and then the

0:16:00.720 --> 0:16:03.480
<v Speaker 1>element that, like you said that we are raised in

0:16:04.920 --> 0:16:06.880
<v Speaker 1>a lot of it. It just is what it is.

0:16:06.920 --> 0:16:08.600
<v Speaker 1>Like you look out the windows, see who's doing it.

0:16:09.520 --> 0:16:13.800
<v Speaker 1>You get back to watching cartoons. That's it. It ain't

0:16:13.800 --> 0:16:16.520
<v Speaker 1>we gotta move, you know what I'm saying. Just don't

0:16:16.520 --> 0:16:20.560
<v Speaker 1>go up, Just don't go through. It's wild up there

0:16:20.640 --> 0:16:23.480
<v Speaker 1>right now, you know what I'm saying. Um, So you're

0:16:23.480 --> 0:16:30.720
<v Speaker 1>scared a lot of So you're scared shitless at and

0:16:30.760 --> 0:16:32.840
<v Speaker 1>you're done stand up. So you do you understand the

0:16:34.000 --> 0:16:36.160
<v Speaker 1>but imagine but see you've done stand up in a

0:16:36.160 --> 0:16:39.240
<v Speaker 1>different way, Like you're you're you're already successful in one

0:16:39.280 --> 0:16:42.480
<v Speaker 1>thing and you're not trying out another skill set. Right,

0:16:43.560 --> 0:16:46.960
<v Speaker 1>Imagine stand up is your only thing. You're fresh out

0:16:46.960 --> 0:16:50.040
<v Speaker 1>of school and you're now in a in a theater

0:16:51.040 --> 0:16:54.360
<v Speaker 1>where there's no like, no one's walking around with security guards.

0:16:54.360 --> 0:16:57.640
<v Speaker 1>Everyone's just kind of floating around. But it's every legend

0:16:57.680 --> 0:17:02.560
<v Speaker 1>that you've ever fucking admired, right, chilling on the second

0:17:02.600 --> 0:17:05.399
<v Speaker 1>level in the balcony, chilling behind the control booth on

0:17:05.440 --> 0:17:08.639
<v Speaker 1>the first floor, chilling backstage by the makeup artist. There's

0:17:08.720 --> 0:17:12.280
<v Speaker 1>Jay Anthony Brown, There's Jamie Fox, There's Cedric the entertainer.

0:17:12.640 --> 0:17:16.640
<v Speaker 1>There's Staying Laton, There's Russell Simmons. There's all these people

0:17:16.680 --> 0:17:20.960
<v Speaker 1>that can change your life, nigga. And I'm just like

0:17:24.960 --> 0:17:28.040
<v Speaker 1>anybody at that point, had you already kind of did

0:17:28.040 --> 0:17:31.199
<v Speaker 1>your rounds a little bit because how are how are

0:17:31.240 --> 0:17:34.520
<v Speaker 1>guys getting on death comedy? Bob Sumner, Bob Summer is

0:17:34.560 --> 0:17:38.120
<v Speaker 1>the guy I said that in every every interview. Bob

0:17:38.160 --> 0:17:41.040
<v Speaker 1>Summer is the talent scout. Who I mean, he was

0:17:41.119 --> 0:17:43.520
<v Speaker 1>more than a talent scout. He was like the glue.

0:17:43.960 --> 0:17:45.520
<v Speaker 1>He should have been a producer. I don't know if

0:17:45.520 --> 0:17:48.439
<v Speaker 1>he was or not, but he was Russell and stands

0:17:48.560 --> 0:17:52.480
<v Speaker 1>right handed. And he flew to every club, every club

0:17:53.160 --> 0:17:56.479
<v Speaker 1>that wasn't white, and they just trusted his word. If

0:17:56.480 --> 0:17:59.960
<v Speaker 1>he said you, he brought you, Bill Bellamy, Chris Tucker Burned,

0:18:00.280 --> 0:18:03.280
<v Speaker 1>he brought everyone to the table, like you can't fund

0:18:03.359 --> 0:18:07.120
<v Speaker 1>on his track record of going to find that talent.

0:18:07.240 --> 0:18:09.359
<v Speaker 1>And of course people had, you know, their mixed reviews

0:18:09.359 --> 0:18:12.640
<v Speaker 1>about him as a personality back then. But I understand it.

0:18:13.240 --> 0:18:16.960
<v Speaker 1>You're the gatekeeper to the biggest stand up comedy show

0:18:17.000 --> 0:18:19.840
<v Speaker 1>in the game. You're gonna be a little sauce that stuff.

0:18:20.400 --> 0:18:25.679
<v Speaker 1>It's all the time when whenever you a gatekeeper of anything,

0:18:26.320 --> 0:18:30.080
<v Speaker 1>the nigger that lets you in the club has that ship.

0:18:30.160 --> 0:18:33.240
<v Speaker 1>He got it on him and should a little. We

0:18:33.320 --> 0:18:35.880
<v Speaker 1>just want to have a good time, like why you,

0:18:37.840 --> 0:18:40.960
<v Speaker 1>why are you? You know what I'm saying, And don't

0:18:40.960 --> 0:18:45.320
<v Speaker 1>touch me. Don't your mind too, like just don't touch me,

0:18:45.320 --> 0:18:48.440
<v Speaker 1>like we got all the conversation, but the niggers always

0:18:48.440 --> 0:18:50.679
<v Speaker 1>want to do this. Yeah, can everybody just get back

0:18:50.680 --> 0:18:53.840
<v Speaker 1>a little bit because it's getting a little You're not

0:18:53.960 --> 0:18:57.480
<v Speaker 1>the fire Marshal and when I get in, it's twelve people.

0:18:58.200 --> 0:18:59.959
<v Speaker 1>Because you want to make a lot of crazy outside

0:19:00.000 --> 0:19:03.960
<v Speaker 1>brolet come on stop. But that gatekeeper dog, it's that's

0:19:04.000 --> 0:19:08.399
<v Speaker 1>a different type of responsibility. It's a different type. So

0:19:08.640 --> 0:19:10.119
<v Speaker 1>I get it. I get it. And he was getting

0:19:10.160 --> 0:19:12.560
<v Speaker 1>you know, people trying to bribe him. And when he

0:19:12.640 --> 0:19:14.439
<v Speaker 1>comes to city, they got hose for him. It's all

0:19:14.560 --> 0:19:18.760
<v Speaker 1>kind of ship man that he has to this ald

0:19:18.800 --> 0:19:20.440
<v Speaker 1>kind of ship that he has to manage. But he's

0:19:20.480 --> 0:19:23.760
<v Speaker 1>the guy. He's the guy that got everybody on that

0:19:23.840 --> 0:19:25.720
<v Speaker 1>ship on that joint. I mean, I'm sure there's some

0:19:25.760 --> 0:19:29.400
<v Speaker 1>cases that maybe they already knew somebody. You're walking into

0:19:29.400 --> 0:19:40.800
<v Speaker 1>a building. Yeah, nineties, just the golden era. This is

0:19:40.920 --> 0:19:47.160
<v Speaker 1>all of those things. All you see def jam artists,

0:19:47.240 --> 0:19:50.359
<v Speaker 1>you see Freddy Fox and you see fat Freddie just

0:19:50.520 --> 0:19:54.880
<v Speaker 1>chilling like it's a different it's a different time, and

0:19:54.920 --> 0:19:57.679
<v Speaker 1>it's it's the moment can change your life. So I'm

0:19:57.760 --> 0:20:00.640
<v Speaker 1>scared shitless and I'm you know, I go the night

0:20:00.680 --> 0:20:03.520
<v Speaker 1>before to watch some of the other tapings, and then

0:20:03.560 --> 0:20:07.720
<v Speaker 1>that night in my room, I didn't sleep. I'm in

0:20:07.760 --> 0:20:10.359
<v Speaker 1>front of the window overlooking New York City with a

0:20:10.520 --> 0:20:14.399
<v Speaker 1>fucking uh I don't know what the toothbrush or something

0:20:14.840 --> 0:20:18.520
<v Speaker 1>in my hand going over my set. I'm like Bernie mcinnum,

0:20:18.640 --> 0:20:21.080
<v Speaker 1>leave out the car. Then I'm doing my Bernie mac

0:20:21.080 --> 0:20:24.960
<v Speaker 1>ship ship. Don't do cartwheel, Oh I'm gonna do that.

0:20:24.960 --> 0:20:27.320
<v Speaker 1>I hate these names with a good times dance, the

0:20:27.320 --> 0:20:32.360
<v Speaker 1>good times po nigger I was. I was going over

0:20:32.359 --> 0:20:36.080
<v Speaker 1>the place, make sure the plays was there. But and

0:20:36.240 --> 0:20:43.520
<v Speaker 1>and this was my first lesson in don't um be flexible,

0:20:44.440 --> 0:20:46.680
<v Speaker 1>don't come out with a plan. And when the plan

0:20:46.800 --> 0:20:50.679
<v Speaker 1>goes awrye you don't know what to do because like

0:20:50.800 --> 0:20:53.520
<v Speaker 1>most young comedians, I'm trying to rely on music. My

0:20:53.560 --> 0:20:55.760
<v Speaker 1>big opener has to be to this song, Kick Kapre,

0:20:55.880 --> 0:20:58.000
<v Speaker 1>can you play this song? Come out? He plays the

0:20:58.000 --> 0:21:01.880
<v Speaker 1>wrong goddamn song. So I'm on live television saying, kid,

0:21:02.119 --> 0:21:04.000
<v Speaker 1>can you play the other song I told you to play?

0:21:05.000 --> 0:21:11.280
<v Speaker 1>And we're waiting a whole seven seconds and this is like,

0:21:11.800 --> 0:21:16.040
<v Speaker 1>it's also a new kid telling Kick, So it looks

0:21:16.080 --> 0:21:18.840
<v Speaker 1>like you don't It don't look like him at all.

0:21:19.520 --> 0:21:24.560
<v Speaker 1>But but in in retrospect, it was me. It don't

0:21:24.760 --> 0:21:27.000
<v Speaker 1>matter what this nigga play, I'm supposed to get out

0:21:27.000 --> 0:21:30.360
<v Speaker 1>there and get into it right, but I picked it up,

0:21:30.920 --> 0:21:34.199
<v Speaker 1>you know, the I found my groove and they was like,

0:21:34.240 --> 0:21:37.840
<v Speaker 1>oh he's creative, he's oh the good times playing. So

0:21:37.880 --> 0:21:40.800
<v Speaker 1>I was able to recover, but it was like never again,

0:21:41.320 --> 0:21:42.919
<v Speaker 1>now I'm coming out all right, Oh that ain't work.

0:21:43.000 --> 0:22:07.720
<v Speaker 1>Like I say, oh I did that one time. Where

0:22:07.800 --> 0:22:10.760
<v Speaker 1>was you at? I was probably the worst place to

0:22:10.800 --> 0:22:14.320
<v Speaker 1>do that. I was in uh Inglewood at the Savoy

0:22:17.240 --> 0:22:22.000
<v Speaker 1>Chris Spencer's thing. Yeah yeah, yeah, and you didn't You've

0:22:22.000 --> 0:22:28.399
<v Speaker 1>already sold out the Savoy music right, So plenty of

0:22:28.440 --> 0:22:31.520
<v Speaker 1>times like like like like people out on the street,

0:22:31.600 --> 0:22:35.679
<v Speaker 1>floods on the street, right, But that's but that's but

0:22:35.800 --> 0:22:39.280
<v Speaker 1>that was also the problem for me in that world. No,

0:22:39.800 --> 0:22:41.600
<v Speaker 1>the problem for me in that venue is as soon

0:22:41.600 --> 0:22:45.320
<v Speaker 1>as I walked on stage, it was like it was

0:22:45.400 --> 0:22:50.679
<v Speaker 1>like when you're gonna sing ship that. I was like,

0:22:50.720 --> 0:22:54.640
<v Speaker 1>I was like this hold on two mortels indeed saying

0:22:54.760 --> 0:22:58.360
<v Speaker 1>something they take off your shirt, and I was like,

0:22:58.840 --> 0:23:02.960
<v Speaker 1>I hate black people. I don't want to perform with people.

0:23:04.119 --> 0:23:08.359
<v Speaker 1>They won't let me be great. Just don't care what

0:23:09.680 --> 0:23:14.600
<v Speaker 1>the box hold on you the backflip guy. So the

0:23:14.600 --> 0:23:16.040
<v Speaker 1>intro was a little off. I was like, man, I

0:23:16.040 --> 0:23:17.639
<v Speaker 1>don't like the intro. I don't like your response. We're

0:23:17.640 --> 0:23:19.879
<v Speaker 1>gonna do this again. I'm gonna intro myself and I

0:23:19.880 --> 0:23:21.920
<v Speaker 1>tried to do to reintroduce myself, and I came saying

0:23:22.240 --> 0:23:32.440
<v Speaker 1>it was like alright, okay, al right. And my first

0:23:32.520 --> 0:23:35.520
<v Speaker 1>joke was aggressive and was one girls in the front like,

0:23:35.680 --> 0:23:39.359
<v Speaker 1>come on, tank, that don't do that. I like, right,

0:23:39.760 --> 0:23:42.440
<v Speaker 1>she's talking to you, she's talking to me, you know

0:23:42.440 --> 0:23:46.359
<v Speaker 1>what I'm saying. And so, yeah, I don't want to

0:23:46.400 --> 0:23:50.119
<v Speaker 1>do too much negative crowd work in Inglewood. I was like,

0:23:50.200 --> 0:23:52.760
<v Speaker 1>cause I don't know, get to your car. I don't know.

0:23:52.880 --> 0:23:55.359
<v Speaker 1>I gotta get to my car. I don't want to

0:23:55.359 --> 0:23:58.240
<v Speaker 1>start getting into the league. And you know what I'm saying,

0:23:58.240 --> 0:24:00.280
<v Speaker 1>the bad outfit. I don't want to start doing doing

0:24:00.320 --> 0:24:02.800
<v Speaker 1>comedy for free. I can't afford security, you know what

0:24:02.800 --> 0:24:05.959
<v Speaker 1>I'm saying. So I'm just out of here. So so

0:24:06.080 --> 0:24:09.480
<v Speaker 1>I didn't I didn't bomb. I just didn't do that.

0:24:09.640 --> 0:24:16.280
<v Speaker 1>Good listen, you know what I've been there. This is

0:24:16.359 --> 0:24:19.040
<v Speaker 1>when I knew he loved comedy though, because me and

0:24:19.119 --> 0:24:22.399
<v Speaker 1>him talk, right, we talked after We do that with

0:24:22.440 --> 0:24:26.000
<v Speaker 1>everything with music, whatever we own, movie ship and acting, whatever.

0:24:26.840 --> 0:24:29.919
<v Speaker 1>And I don't go to all the comedy stuff, right

0:24:29.920 --> 0:24:32.800
<v Speaker 1>because he sometimes I won't even know he just him me.

0:24:33.280 --> 0:24:35.280
<v Speaker 1>I just want to I just went up and such

0:24:35.320 --> 0:24:37.320
<v Speaker 1>and such. I'm like, not even heard that city before?

0:24:37.520 --> 0:24:40.439
<v Speaker 1>How did you get there? Right? But I knew he

0:24:40.480 --> 0:24:43.080
<v Speaker 1>was going up with as a boy, and I was like,

0:24:44.280 --> 0:24:46.200
<v Speaker 1>I gotta talk to him after this one, right because

0:24:46.200 --> 0:24:48.479
<v Speaker 1>I want to see you know what the vibe was

0:24:48.520 --> 0:24:51.040
<v Speaker 1>for him? And I could tell in his voice he

0:24:51.160 --> 0:24:55.000
<v Speaker 1>was like, fuck, ship didn't go the way I wanted

0:24:55.000 --> 0:24:58.000
<v Speaker 1>it to go. And I said, so what you gonna do?

0:24:59.359 --> 0:25:02.440
<v Speaker 1>I'm going back somewhere else tomorrow. He loved it. Yeah,

0:25:02.840 --> 0:25:06.119
<v Speaker 1>I love it because someone who did like because you know,

0:25:06.520 --> 0:25:08.760
<v Speaker 1>I looked at it like in his position of you've

0:25:08.840 --> 0:25:11.120
<v Speaker 1>established yourself in his in his music state, I mean

0:25:11.119 --> 0:25:14.080
<v Speaker 1>in music space. And like you said, as soon as

0:25:14.080 --> 0:25:15.600
<v Speaker 1>they introduce your name at this point, because you gott

0:25:15.640 --> 0:25:18.359
<v Speaker 1>hit records and people are fans of you, they're screaming

0:25:18.359 --> 0:25:21.280
<v Speaker 1>because they came to see you. Now you're going to

0:25:21.359 --> 0:25:24.000
<v Speaker 1>do something where they probably came to see somebody else

0:25:24.680 --> 0:25:28.000
<v Speaker 1>and you're just trying to learn. But then they still

0:25:28.040 --> 0:25:31.119
<v Speaker 1>have the you are such and such to us in

0:25:31.200 --> 0:25:34.160
<v Speaker 1>certain in certain places. So when he was just like,

0:25:34.240 --> 0:25:36.040
<v Speaker 1>oh no, no, I'm going back up, it's an ego

0:25:36.119 --> 0:25:39.480
<v Speaker 1>check for sure. Yeah. Yeah, I haven't had that happened

0:25:39.520 --> 0:25:44.240
<v Speaker 1>to me since for a Valley State homecoming in nine

0:25:44.359 --> 0:25:51.120
<v Speaker 1>in two thousand about your your first freaking yeah, yeah,

0:25:51.440 --> 0:25:54.439
<v Speaker 1>that's the last time that happened to me. And I

0:25:54.480 --> 0:25:56.919
<v Speaker 1>was standing up there like this, I really am started

0:25:56.960 --> 0:26:00.600
<v Speaker 1>at the beginning, I'm really, I'm really a baby, and

0:26:01.480 --> 0:26:05.240
<v Speaker 1>I said, this is awesome. Let's see, He's the great

0:26:05.280 --> 0:26:07.919
<v Speaker 1>thing about that is I don't know how great it is.

0:26:07.920 --> 0:26:11.000
<v Speaker 1>It just depends on how you built as a comedian.

0:26:11.000 --> 0:26:14.280
<v Speaker 1>You're going to have those shows. Comedy is not like

0:26:14.960 --> 0:26:17.560
<v Speaker 1>I mean, even musicians have this too, but comedy is

0:26:17.600 --> 0:26:22.280
<v Speaker 1>just you're gonna face whatever they're feeling that day. And

0:26:22.600 --> 0:26:24.879
<v Speaker 1>I've had hundreds of those kind of shows and the

0:26:24.920 --> 0:26:26.879
<v Speaker 1>only thing you could do it leaves you with that

0:26:26.920 --> 0:26:29.199
<v Speaker 1>blood in your mouth if you really about it, you

0:26:29.240 --> 0:26:33.639
<v Speaker 1>said the next crowd next stage, I hit, yeah, I

0:26:33.760 --> 0:26:37.520
<v Speaker 1>have to get it back. Yeah yeah. You in comedy,

0:26:37.560 --> 0:26:41.840
<v Speaker 1>you only feel as esteemed as that last show you did.

0:26:42.680 --> 0:26:45.199
<v Speaker 1>So it's gonna be either low or very high. Is

0:26:45.200 --> 0:26:47.680
<v Speaker 1>this something that would be considered to be a hit

0:26:47.720 --> 0:26:51.440
<v Speaker 1>record in comedy, right, Like that's something that because you

0:26:51.520 --> 0:26:54.280
<v Speaker 1>because that's the other thing you guys have to continue

0:26:54.600 --> 0:26:57.879
<v Speaker 1>to switch up, it would probably haven it would have

0:26:57.920 --> 0:26:59.800
<v Speaker 1>to be no, no, they don't. That's what I'm saying. Well,

0:26:59.800 --> 0:27:03.480
<v Speaker 1>what was that was that? This is that like, here's

0:27:03.480 --> 0:27:05.600
<v Speaker 1>what's crazy like and I want and I want to

0:27:05.640 --> 0:27:09.159
<v Speaker 1>get back to let you answer that question. You know,

0:27:09.560 --> 0:27:12.199
<v Speaker 1>being on the circuit for you know, almost two years now,

0:27:12.240 --> 0:27:14.280
<v Speaker 1>a short time that I've been on it is like

0:27:15.840 --> 0:27:18.439
<v Speaker 1>listen to the guys talk about how the bits that

0:27:18.480 --> 0:27:24.120
<v Speaker 1>they're doing they've been doing for like five seven, eight years,

0:27:25.119 --> 0:27:29.600
<v Speaker 1>And that was strange to me because we do a

0:27:29.600 --> 0:27:33.639
<v Speaker 1>new song every day and so I'm like, so you

0:27:33.720 --> 0:27:36.200
<v Speaker 1>got you're not you're not You're not writing nothing the

0:27:36.320 --> 0:27:38.879
<v Speaker 1>night before and now I've been trying to perfect this

0:27:39.119 --> 0:27:45.199
<v Speaker 1>for five years that same fifteen minutes, let's see, that

0:27:45.440 --> 0:27:47.320
<v Speaker 1>was strange to me. Like, I'm gonna let you, I'm

0:27:47.320 --> 0:27:49.439
<v Speaker 1>gonna let you elaborate all of it because how I

0:27:49.520 --> 0:27:56.240
<v Speaker 1>approach comedy is how I approach music. I'm thinking of

0:27:56.280 --> 0:27:59.920
<v Speaker 1>it in terms of a project. So I'm I'm bill

0:28:00.240 --> 0:28:07.000
<v Speaker 1>material to build into a project to record it, get

0:28:07.040 --> 0:28:10.800
<v Speaker 1>it to the people, and then get to the next

0:28:11.119 --> 0:28:14.600
<v Speaker 1>artistic piece. And I'm looking to do that in a

0:28:14.880 --> 0:28:18.719
<v Speaker 1>very short time, versus listening to other comedians who've been

0:28:18.720 --> 0:28:20.960
<v Speaker 1>on a certain way long than me talk about how

0:28:21.000 --> 0:28:24.040
<v Speaker 1>they've been working on the same bits for five, six,

0:28:24.119 --> 0:28:27.520
<v Speaker 1>seven years, and I don't know what's normal. So I'm

0:28:27.560 --> 0:28:29.040
<v Speaker 1>just kind of in the space where I'm just creating

0:28:29.080 --> 0:28:31.920
<v Speaker 1>my own normal or whatever works for me, Like, how

0:28:31.960 --> 0:28:33.760
<v Speaker 1>do you speak to that in terms of how you

0:28:33.800 --> 0:28:37.800
<v Speaker 1>build your content? And then going back to what is

0:28:37.840 --> 0:28:41.880
<v Speaker 1>a hit record in comedy? So similar to you, because

0:28:41.880 --> 0:28:47.840
<v Speaker 1>I come from music first and dance. We're always looking

0:28:47.840 --> 0:28:49.959
<v Speaker 1>to create a new movie move So when I started,

0:28:50.000 --> 0:28:53.600
<v Speaker 1>I was you. I would go to my open mic spot.

0:28:53.760 --> 0:28:56.000
<v Speaker 1>And this was in Charlotte, So open mic ain't like

0:28:56.120 --> 0:28:59.760
<v Speaker 1>in l A. It's one club at this time. It's

0:28:59.800 --> 0:29:03.520
<v Speaker 1>the hottest night in the town. It's Charlotte, so all

0:29:03.560 --> 0:29:07.040
<v Speaker 1>the hornets are there, all you know, pre panthers, it's

0:29:07.800 --> 0:29:15.960
<v Speaker 1>littlets dressed up. This is nine four, ninety five, ninety six,

0:29:16.440 --> 0:29:23.080
<v Speaker 1>ninety seven, right, it's the night like Anthony Mason be

0:29:23.200 --> 0:29:27.239
<v Speaker 1>up in that joint, like just different stars and then

0:29:27.320 --> 0:29:29.160
<v Speaker 1>all the stars from death gam is coming through there.

0:29:29.560 --> 0:29:31.920
<v Speaker 1>So that's the open mic you get to go on

0:29:32.160 --> 0:29:36.479
<v Speaker 1>before earthquake, more centric or you know what I mean.

0:29:37.640 --> 0:29:41.440
<v Speaker 1>And there was no look at my notes while I'm

0:29:41.480 --> 0:29:43.480
<v Speaker 1>doing No, No, you have to perform your ship, so

0:29:43.800 --> 0:29:46.080
<v Speaker 1>I would do. I was conscious of the fact that

0:29:46.120 --> 0:29:48.960
<v Speaker 1>I'm always back on this same stage as often as

0:29:49.040 --> 0:29:50.720
<v Speaker 1>I can be. I want to have a new five

0:29:50.800 --> 0:29:54.640
<v Speaker 1>to seven every time. That was my process, always having

0:29:54.680 --> 0:29:57.320
<v Speaker 1>new ship every notthing. You pull out something you know

0:29:58.400 --> 0:30:01.800
<v Speaker 1>your go to ship. But you I feel like when

0:30:01.840 --> 0:30:04.640
<v Speaker 1>you've got people that's doing the same joke for five

0:30:05.040 --> 0:30:09.760
<v Speaker 1>to eight years, that's to me, that's lazy. Because I

0:30:09.880 --> 0:30:11.960
<v Speaker 1>came back to stand up five years ago and the

0:30:12.000 --> 0:30:14.600
<v Speaker 1>standard special that I'm about to drop is the third

0:30:14.760 --> 0:30:20.320
<v Speaker 1>hour in that five years, right, I was I'm refining,

0:30:20.480 --> 0:30:23.760
<v Speaker 1>I'm recycling, you know, just make it fine tuning. Um.

0:30:24.320 --> 0:30:25.920
<v Speaker 1>And again I'm not saying I'm the best comedian. I'm

0:30:25.920 --> 0:30:28.200
<v Speaker 1>just saying what works for me. What I'm saying. UM,

0:30:29.400 --> 0:30:32.120
<v Speaker 1>But no, I understand what you're saying. Like, I think

0:30:32.200 --> 0:30:34.640
<v Speaker 1>you do have to dig and if you have something

0:30:34.800 --> 0:30:38.280
<v Speaker 1>that's that you know it was gold, you you should

0:30:38.360 --> 0:30:41.280
<v Speaker 1>work on it. I don't think it takes five years,

0:30:41.360 --> 0:30:43.480
<v Speaker 1>but that's me. I don't think it does either. But

0:30:43.960 --> 0:30:47.040
<v Speaker 1>we're also come from a space where this is what

0:30:47.160 --> 0:30:51.320
<v Speaker 1>I also be well, not even constantly being creative. The

0:30:51.480 --> 0:30:54.640
<v Speaker 1>comfort level of being creative in front of people mhm

0:30:55.400 --> 0:31:00.440
<v Speaker 1>is different for us coming from being performers before they

0:31:00.520 --> 0:31:06.000
<v Speaker 1>were comedians. So I'm okay with being creative on stage,

0:31:06.080 --> 0:31:09.120
<v Speaker 1>with writing something in my car or watching two guys

0:31:09.200 --> 0:31:10.600
<v Speaker 1>go before me and said, oh, I need to grab

0:31:10.680 --> 0:31:13.000
<v Speaker 1>some of that right there, and then going on stage

0:31:13.320 --> 0:31:16.280
<v Speaker 1>and just getting right to it because because I'm not

0:31:16.400 --> 0:31:20.240
<v Speaker 1>shaken by the proud the moment, I'm not. I'm not

0:31:20.320 --> 0:31:25.720
<v Speaker 1>shaken by that and growing in the space, I'm not shaken.

0:31:25.960 --> 0:31:30.080
<v Speaker 1>If they don't laugh at that one, unless you let's well,

0:31:31.440 --> 0:31:42.680
<v Speaker 1>my bad LEO is a different cold blood, no unity.

0:31:49.000 --> 0:31:51.360
<v Speaker 1>And I went up there. I went up there with

0:31:51.560 --> 0:31:54.600
<v Speaker 1>the worst outfit to go up there in. It was

0:31:54.680 --> 0:31:57.080
<v Speaker 1>like a floral pajamas, that kind of thing, you know

0:31:57.080 --> 0:31:59.440
<v Speaker 1>what I'm saying. It wasn't at the time, and I

0:31:59.560 --> 0:32:03.560
<v Speaker 1>can't when was that. But first of all, first of all, okay,

0:32:03.800 --> 0:32:07.680
<v Speaker 1>it was. It was a nice albums. Second of all,

0:32:07.880 --> 0:32:11.280
<v Speaker 1>you're gonna be able to all. Here's here's what happened though.

0:32:11.520 --> 0:32:13.400
<v Speaker 1>After I finished going and saying, I cannot think of

0:32:13.520 --> 0:32:17.560
<v Speaker 1>this guy's name a comedian, he's super dope. Uh. He

0:32:17.720 --> 0:32:23.200
<v Speaker 1>came on after me and his first seven minutes or

0:32:23.240 --> 0:32:26.480
<v Speaker 1>about me and my outfit, and I was sitting there.

0:32:29.400 --> 0:32:32.440
<v Speaker 1>So you didn't leave either, No, I stayed to endure.

0:32:33.320 --> 0:32:36.600
<v Speaker 1>I had to take it, and I laughed. His first

0:32:36.680 --> 0:32:42.480
<v Speaker 1>seven minutes were amazing about you, about me, he was like,

0:32:42.720 --> 0:32:44.320
<v Speaker 1>but he remember a little. He was like, He's like,

0:32:45.440 --> 0:32:47.160
<v Speaker 1>it's like Christmas is gonna call me down here to

0:32:47.640 --> 0:32:52.240
<v Speaker 1>to to to to do comedy in INGLESA. I'm not

0:32:52.280 --> 0:32:54.400
<v Speaker 1>coming all the way down. There's no way I'm coming down.

0:32:55.160 --> 0:32:57.280
<v Speaker 1>The Queenland needs you said, you know what, I'll come

0:32:57.360 --> 0:32:59.520
<v Speaker 1>down Inglewood, but I need a few things. I got

0:32:59.600 --> 0:33:01.120
<v Speaker 1>a few. This is don't way I come. Don't only

0:33:01.160 --> 0:33:03.040
<v Speaker 1>way I come down to Inglewood is if you get

0:33:03.120 --> 0:33:05.120
<v Speaker 1>Tank on stage and the two pieces of Jama said

0:33:05.280 --> 0:33:11.320
<v Speaker 1>doing coming like Nigga for seven minutes. I was like,

0:33:13.080 --> 0:33:22.040
<v Speaker 1>the giggles, it's expensive, don't the Christian Loubaton baby faces

0:33:22.080 --> 0:33:26.040
<v Speaker 1>behind me. He said that took courage. Wait baby Face

0:33:26.200 --> 0:33:31.480
<v Speaker 1>was there. You didn't tell me that. Why was baby Face?

0:33:31.800 --> 0:33:35.040
<v Speaker 1>It was something it was somebody's birthday or something that

0:33:35.120 --> 0:33:36.920
<v Speaker 1>he knew. So he was there. A few other people

0:33:36.960 --> 0:33:40.880
<v Speaker 1>were there and they were like, they're like, okay you wow.

0:33:42.040 --> 0:33:45.040
<v Speaker 1>Breathe was there. She went up, She went up and

0:33:45.080 --> 0:33:49.160
<v Speaker 1>did comment, She did a set herself, was fire watching her.

0:33:49.240 --> 0:33:51.160
<v Speaker 1>She killed it. But I came back and said she

0:33:51.280 --> 0:33:55.240
<v Speaker 1>was like, tap your knee, give me a knee. That's

0:33:55.280 --> 0:34:00.200
<v Speaker 1>like take your time in jerky. And that's what low

0:34:00.640 --> 0:34:05.680
<v Speaker 1>of of comedy, because whatever happens on that stage, you

0:34:05.880 --> 0:34:08.960
<v Speaker 1>have to use it. Yeah, if you're the host, if

0:34:09.000 --> 0:34:13.760
<v Speaker 1>you're next, all right, I've been. I've been to seven

0:34:13.800 --> 0:34:16.400
<v Speaker 1>minute nigger. Well I had to sit back and just

0:34:16.560 --> 0:34:19.320
<v Speaker 1>eat that and niggas coming on after me and just

0:34:19.520 --> 0:34:26.040
<v Speaker 1>roasting my bomb. And then I've been you know, like

0:34:26.120 --> 0:34:27.800
<v Speaker 1>you ain't had to do the thing like that. I

0:34:27.920 --> 0:34:32.160
<v Speaker 1>watched who was that? What's my guy? Actually? Larry Donna

0:34:32.280 --> 0:34:37.160
<v Speaker 1>Rowlins that problem. So I watched Donna, so hist him.

0:34:38.080 --> 0:34:42.080
<v Speaker 1>I bomb the guy that comes after me, No, non

0:34:42.160 --> 0:34:45.560
<v Speaker 1>tell that the guy that comes after me. I didn't bomb.

0:34:45.600 --> 0:34:47.920
<v Speaker 1>I just didn't do well. Bomb bro your mom. I

0:34:48.000 --> 0:34:50.120
<v Speaker 1>promised it wasn't a bomb because the guy after me bombed.

0:34:50.600 --> 0:34:53.319
<v Speaker 1>I'm pretty sure Christ mean, no, he didn't take your problem.

0:34:53.760 --> 0:34:58.040
<v Speaker 1>The guy after me bombed like it was bad. This

0:34:58.080 --> 0:35:00.239
<v Speaker 1>is the same name. Okay, guy after me, the guy

0:35:00.239 --> 0:35:03.120
<v Speaker 1>after him as the guy who came and gave me. Wait,

0:35:04.120 --> 0:35:07.200
<v Speaker 1>I said, the whole night, what you mean, it's what

0:35:07.280 --> 0:35:10.200
<v Speaker 1>it was? What's what it was? When you when you're

0:35:10.239 --> 0:35:12.080
<v Speaker 1>going home and you're get in your car right after

0:35:12.120 --> 0:35:14.319
<v Speaker 1>the bomb, you got too much time to think about

0:35:14.320 --> 0:35:19.240
<v Speaker 1>the bomb and so so and so and so Danielle

0:35:19.320 --> 0:35:21.279
<v Speaker 1>had to go after I cannot think of it now.

0:35:21.320 --> 0:35:23.880
<v Speaker 1>He's a monster. How you go with this guy? And

0:35:24.080 --> 0:35:30.560
<v Speaker 1>Danielle kind of like bombed And I was like, but

0:35:33.040 --> 0:35:35.320
<v Speaker 1>he didn't she been that on here? Now when he

0:35:35.360 --> 0:35:39.000
<v Speaker 1>sees he was drinking, he had been drinking, he don't know.

0:35:39.200 --> 0:35:41.120
<v Speaker 1>But then he came to me after the after the

0:35:41.160 --> 0:35:43.680
<v Speaker 1>show and was like, yeah, that's how this should go. Sometimes.

0:35:44.160 --> 0:35:45.800
<v Speaker 1>You know what I'm saying, Like, you gotta stay. I

0:35:45.920 --> 0:35:47.600
<v Speaker 1>like what you're doing too. I see what you're doing.

0:35:47.719 --> 0:35:49.560
<v Speaker 1>You know what I'm saying. You gotta stay on this ship, nigga.

0:35:49.680 --> 0:35:51.360
<v Speaker 1>And then you gotta the nigga was just giving me

0:35:51.480 --> 0:35:54.239
<v Speaker 1>like fifteen minutes full of bars. You know what I'm saying,

0:35:54.800 --> 0:35:56.320
<v Speaker 1>you need to and if you need my help, nigga,

0:35:56.400 --> 0:35:58.680
<v Speaker 1>you can get me. Nigga. I know what I know.

0:35:58.880 --> 0:36:00.960
<v Speaker 1>The ship you need, nig you you got some ship.

0:36:01.040 --> 0:36:02.759
<v Speaker 1>But I know she like and I was just taking

0:36:02.760 --> 0:36:04.760
<v Speaker 1>sessions and Lessen's from the niggers. That's why I stayed

0:36:05.560 --> 0:36:08.120
<v Speaker 1>so I could get the information. I wouldn't got be

0:36:08.200 --> 0:36:12.680
<v Speaker 1>on the four or five, right, you know you shot

0:36:12.719 --> 0:36:15.279
<v Speaker 1>two times in the air as I was pulling off,

0:36:16.640 --> 0:36:19.479
<v Speaker 1>y'all real quick, just real quick the club, real quick,

0:36:19.560 --> 0:36:22.080
<v Speaker 1>like you know, take you at the club man. But

0:36:22.760 --> 0:36:25.440
<v Speaker 1>seeing Danielle, but seeing him in a space where and

0:36:25.520 --> 0:36:27.719
<v Speaker 1>let me not say he kind of bombs. He was

0:36:27.880 --> 0:36:30.799
<v Speaker 1>literally just up there doing him and didn't give a fuck,

0:36:31.040 --> 0:36:34.359
<v Speaker 1>right like, he didn't give a fuck, Like he ran

0:36:34.440 --> 0:36:37.880
<v Speaker 1>one joke for like eight minutes. I've definitely sing just

0:36:38.760 --> 0:36:45.759
<v Speaker 1>beneath Me night. He just didn't. And I just that's

0:36:46.239 --> 0:36:48.759
<v Speaker 1>that's kind of what he was on. So to get

0:36:49.040 --> 0:36:51.680
<v Speaker 1>bars from him like that, and then I can't when

0:36:51.680 --> 0:36:53.160
<v Speaker 1>I remember my guy and tell you who he was,

0:36:53.239 --> 0:36:55.800
<v Speaker 1>to get bars from him, and and even breeze. He

0:36:55.960 --> 0:36:57.840
<v Speaker 1>was supportive. She's like this, she's gonna be gonna be

0:36:57.840 --> 0:37:00.759
<v Speaker 1>all right, don't be all right what you're doing, you

0:37:00.800 --> 0:37:02.600
<v Speaker 1>know what I'm saying. Like that was the first moment

0:37:02.719 --> 0:37:07.440
<v Speaker 1>of you know, kind of tasting that defeat and completely

0:37:07.560 --> 0:37:10.320
<v Speaker 1>understanding this is gonna be This is gonna be a

0:37:10.400 --> 0:37:13.640
<v Speaker 1>long row. This's gonna be a long process to getting

0:37:13.640 --> 0:37:17.760
<v Speaker 1>to the point to where not even you're just welcome,

0:37:17.880 --> 0:37:20.400
<v Speaker 1>more than welcome space, but that you're respected in the space,

0:37:20.840 --> 0:37:22.799
<v Speaker 1>you know what I'm saying. And so I said, well, ship,

0:37:22.920 --> 0:37:26.680
<v Speaker 1>let's get it. Yeah, let's work. It's all work what

0:37:26.719 --> 0:37:31.600
<v Speaker 1>I'm saying. So ain't There's another question I have? How

0:37:31.680 --> 0:37:35.799
<v Speaker 1>does it feel to be like the resident light skin

0:37:36.000 --> 0:37:41.200
<v Speaker 1>sub in the movies? How is it that is like

0:37:45.760 --> 0:37:52.680
<v Speaker 1>the quan like like how like when what have you done?

0:37:53.160 --> 0:37:57.279
<v Speaker 1>What have you done to become? You know what it is.

0:37:58.560 --> 0:38:00.920
<v Speaker 1>I'm not a threat to anybody. Okay, so they know

0:38:01.120 --> 0:38:03.800
<v Speaker 1>that I could play the funny the you know what

0:38:03.800 --> 0:38:07.719
<v Speaker 1>I mean, because I'm not. I'm not that guy that's

0:38:07.760 --> 0:38:09.399
<v Speaker 1>like at the club trying to be the light skin

0:38:09.480 --> 0:38:11.759
<v Speaker 1>hard nigger. You know what I'm saying. Um, I'm just

0:38:12.000 --> 0:38:16.040
<v Speaker 1>I'm not ever had corn rolls. No, It's always funny

0:38:16.040 --> 0:38:18.760
<v Speaker 1>to see the extra had dreads, but dread is difficult

0:38:19.600 --> 0:38:23.320
<v Speaker 1>with the corn rolls. It's like I've never been Tyler

0:38:23.360 --> 0:38:26.800
<v Speaker 1>Ferry corn rolls man. I hope you never had a Doults.

0:38:27.280 --> 0:38:35.120
<v Speaker 1>I've never had the latest front rolls. More. That's your

0:38:35.200 --> 0:38:41.680
<v Speaker 1>Morrow Moore package with the Mesh hero. You asked me

0:38:41.719 --> 0:38:46.520
<v Speaker 1>something about what islam? Oh yeah, ship we jumped yeah, um,

0:38:47.560 --> 0:38:50.960
<v Speaker 1>in in stand up or comedy in general general, think like,

0:38:51.000 --> 0:38:53.600
<v Speaker 1>what's equivalent to that? I think that's something you can

0:38:53.640 --> 0:38:56.719
<v Speaker 1>just like the movie, get put on and be because

0:38:56.760 --> 0:38:59.719
<v Speaker 1>if you become a movie star, yeah, now you're going

0:38:59.800 --> 0:39:03.000
<v Speaker 1>to a comedy club or you have a big standard. Yeah.

0:39:03.160 --> 0:39:05.800
<v Speaker 1>To me, that's that's the equivalent of that. Um. And

0:39:05.840 --> 0:39:09.160
<v Speaker 1>then you know, you know immediately how you've affected the

0:39:09.280 --> 0:39:12.200
<v Speaker 1>world when you're go on towards m hmm. Yeah, you

0:39:12.280 --> 0:39:15.120
<v Speaker 1>know exactly when they're showing up. Yeah, you're like, okay,

0:39:15.560 --> 0:39:18.719
<v Speaker 1>I made a I made a dent in this thing.

0:39:19.760 --> 0:39:23.560
<v Speaker 1>I get yeah, okay, so definitely definitely movie. So you're

0:39:23.600 --> 0:39:28.560
<v Speaker 1>being the lights resident thug, Like, how is that for you?

0:39:28.719 --> 0:39:30.840
<v Speaker 1>Is that? That's like I don't even think about it.

0:39:30.920 --> 0:39:32.759
<v Speaker 1>It's not until you said it that I'm like, I

0:39:32.880 --> 0:39:39.799
<v Speaker 1>do play a lot of funny thugs those different ship too,

0:39:40.640 --> 0:39:46.680
<v Speaker 1>but those are yeah, those are something sticks when you

0:39:46.760 --> 0:39:50.880
<v Speaker 1>do those characters. Because the interesting thing with all of

0:39:50.920 --> 0:39:54.120
<v Speaker 1>those characters, yes, the the one thing that connects him

0:39:54.160 --> 0:39:57.720
<v Speaker 1>is that, yes, the light skin thug right who who's

0:39:57.760 --> 0:40:02.840
<v Speaker 1>just overly thubbed out goofy right, But they're not the

0:40:03.040 --> 0:40:08.240
<v Speaker 1>same person like Ray Raid and the Kwan and Lester

0:40:08.440 --> 0:40:12.280
<v Speaker 1>are not the same person people, which is so interesting

0:40:12.360 --> 0:40:16.200
<v Speaker 1>to me because it's based around the same thing. And

0:40:16.320 --> 0:40:18.200
<v Speaker 1>that's that's that's a trip to me what people are.

0:40:18.440 --> 0:40:21.319
<v Speaker 1>Those characters are all from different places. But I think,

0:40:22.120 --> 0:40:25.320
<v Speaker 1>and this is a blessing, is I have a relatability

0:40:26.000 --> 0:40:28.920
<v Speaker 1>that thugs funk with. When the people in the street

0:40:30.360 --> 0:40:32.480
<v Speaker 1>see you and they and they say, Nigga, that ship

0:40:32.560 --> 0:40:35.680
<v Speaker 1>you're doing, that ship had me and my niggas rolling.

0:40:36.320 --> 0:40:39.839
<v Speaker 1>When the niggas is in your in your comedy wave,

0:40:42.880 --> 0:40:45.080
<v Speaker 1>the niggas fun with you. And again I thank God

0:40:45.160 --> 0:40:48.520
<v Speaker 1>for this because I love my people. To be loved

0:40:48.560 --> 0:40:52.000
<v Speaker 1>by the masses is great, but your people are gonna

0:40:52.080 --> 0:40:55.520
<v Speaker 1>ride with you the whole way. They're just gonna ride

0:40:55.560 --> 0:40:59.240
<v Speaker 1>with you. And so the characters have that through line.

0:40:59.680 --> 0:41:01.839
<v Speaker 1>It's think about Ray Ray that they're just like, yo,

0:41:01.960 --> 0:41:05.640
<v Speaker 1>this nigga is just we know he ain't a real gangster,

0:41:05.760 --> 0:41:07.480
<v Speaker 1>but it's something about him that's like a nigger. I

0:41:07.600 --> 0:41:11.640
<v Speaker 1>know about to say, because even as as as as

0:41:11.840 --> 0:41:15.000
<v Speaker 1>as crazy as you go with the character, there is

0:41:15.160 --> 0:41:27.920
<v Speaker 1>still somebody like that, mother who you are. We have

0:41:28.040 --> 0:41:33.840
<v Speaker 1>seen the thug they get flinched and the yeah we

0:41:34.040 --> 0:41:36.680
<v Speaker 1>said it absolutely, but yeah, it's a blessing to have

0:41:36.880 --> 0:41:42.120
<v Speaker 1>that that connectivity with the streets. So what is your

0:41:42.160 --> 0:41:45.839
<v Speaker 1>build as a comedian? Like? What is your like as

0:41:45.920 --> 0:41:51.520
<v Speaker 1>you scroll through um the teachings and the things that

0:41:51.680 --> 0:41:57.560
<v Speaker 1>you've um, the pieces that you've snatched from everywhere to

0:41:57.680 --> 0:42:01.080
<v Speaker 1>build you? What do you radiance? What are the ingredients?

0:42:01.120 --> 0:42:07.839
<v Speaker 1>What are the the Eddie Murphy, Martin Lawrence, All Things

0:42:07.960 --> 0:42:17.760
<v Speaker 1>Wins and Living Color and Robert Townsend, Wow, George Carlin. Um.

0:42:19.760 --> 0:42:22.799
<v Speaker 1>Like I said, All Things Wins includes Jim Carey for sure,

0:42:23.800 --> 0:42:25.520
<v Speaker 1>and that so is that we like the whole physical

0:42:26.200 --> 0:42:31.439
<v Speaker 1>comedy him and Martin, Him and Martin. My my wit,

0:42:32.560 --> 0:42:35.600
<v Speaker 1>the nigga wit that I call it is Eddie. Eddie

0:42:35.680 --> 0:42:39.120
<v Speaker 1>was the first guy that was nigga in the time

0:42:39.200 --> 0:42:45.320
<v Speaker 1>when niggas most he said, because they knew Brooke was

0:42:45.320 --> 0:42:49.000
<v Speaker 1>gonna get fucked that night. M hmm. He said that.

0:42:49.239 --> 0:42:52.600
<v Speaker 1>He said, they was nervous about me taking Brooks Shields

0:42:52.800 --> 0:42:55.360
<v Speaker 1>to the awards. They was cool with Mike doing it,

0:42:56.280 --> 0:42:58.839
<v Speaker 1>but when I was gonna do it, they knew Brooke

0:42:58.920 --> 0:43:10.000
<v Speaker 1>was gonna get So that's where I got my my

0:43:10.360 --> 0:43:15.320
<v Speaker 1>nigga funny Eddie. That's that's the beginning of it. And

0:43:15.440 --> 0:43:17.759
<v Speaker 1>then of course it's Bernie MC. There's Robin Harris, there's

0:43:18.280 --> 0:43:21.960
<v Speaker 1>you know, I study goats. Chris Rock is one of

0:43:22.000 --> 0:43:25.520
<v Speaker 1>my favorites when I'm on stage. I used the whole

0:43:25.560 --> 0:43:31.080
<v Speaker 1>stage because of Chris Rock. Hands and um, where's your

0:43:31.120 --> 0:43:36.120
<v Speaker 1>Who's your favorite stand up or comedian? Specifically my favorite

0:43:36.160 --> 0:43:39.839
<v Speaker 1>of all times Eddie? Like of all time, it's it's Eddie.

0:43:39.960 --> 0:43:42.640
<v Speaker 1>It's my favorite of all time. Anyone have a better

0:43:42.800 --> 0:43:46.880
<v Speaker 1>stand up than that? And you open this is your opinion?

0:43:46.880 --> 0:43:49.160
<v Speaker 1>I don't know. I mean because to me, no one,

0:43:49.320 --> 0:43:55.439
<v Speaker 1>no one but has two specials and he's launched into

0:43:55.640 --> 0:43:59.399
<v Speaker 1>forever start on. That's he's the goat. Yeah, it's hard

0:43:59.440 --> 0:44:01.120
<v Speaker 1>to it's hard to talk against that. You just gotta

0:44:01.360 --> 0:44:04.040
<v Speaker 1>leave that where it is. They don't have a bad one.

0:44:04.760 --> 0:44:07.799
<v Speaker 1>Like everybody got a questionable You gotta leave those there,

0:44:07.920 --> 0:44:09.920
<v Speaker 1>leave Eddie there, and they talk about everybody else. He

0:44:10.080 --> 0:44:13.560
<v Speaker 1>has two classics, classics, right, the guys that have done

0:44:13.600 --> 0:44:16.320
<v Speaker 1>more than him. You've done so many that you have

0:44:16.520 --> 0:44:19.480
<v Speaker 1>time to have a bad one. You have the volume

0:44:19.600 --> 0:44:22.439
<v Speaker 1>to have a bad one. Which I don't knock that either.

0:44:22.880 --> 0:44:26.560
<v Speaker 1>There's output in that. But this, man, some of the

0:44:26.600 --> 0:44:29.879
<v Speaker 1>most classic movies is Eddie. We're not even talking about

0:44:29.880 --> 0:44:42.640
<v Speaker 1>the standard speciallygraphy hours to America Oscar worthy material, Oscar worthy.

0:44:42.760 --> 0:44:52.839
<v Speaker 1>The clumps went into Oscar worthy? What was my other one? Uh? Listen,

0:44:53.360 --> 0:44:56.920
<v Speaker 1>come on, man, he is the goat. He is the goat.

0:44:57.280 --> 0:44:59.680
<v Speaker 1>There's no Oscar for comedy though, right there needs to

0:44:59.719 --> 0:45:04.040
<v Speaker 1>be somebody. I think they're gonna create it, and they

0:45:04.640 --> 0:45:08.600
<v Speaker 1>and they need to retro actively give Eddie Murphy ten

0:45:09.440 --> 0:45:13.399
<v Speaker 1>ten of them, you know, and let all niggas out

0:45:13.480 --> 0:45:16.359
<v Speaker 1>that got weed charges since it's legal, not that's coming.

0:45:16.680 --> 0:45:19.520
<v Speaker 1>That's that's the two active things I need to have.

0:45:20.160 --> 0:45:23.360
<v Speaker 1>But give Eddie his flowers and his motherfucking awards because

0:45:23.360 --> 0:45:25.879
<v Speaker 1>he's better than all of them, man, all the ones

0:45:25.920 --> 0:45:28.799
<v Speaker 1>that they try to well, he's the easy easy. He's

0:45:28.840 --> 0:45:32.960
<v Speaker 1>the prototype for everything that I think every comedian is hope.

0:45:32.960 --> 0:45:35.960
<v Speaker 1>Everyone damn come after him has tried to do it.

0:45:36.080 --> 0:45:40.279
<v Speaker 1>The only person to push that line, I think a

0:45:40.360 --> 0:45:46.640
<v Speaker 1>bit further Jamie fox Yeah, well he's another, He's another

0:45:46.960 --> 0:45:52.120
<v Speaker 1>one of those creatures. Jamie is an alien genius. Um,

0:45:53.120 --> 0:45:55.520
<v Speaker 1>he's one of my favorites, one of my favorites, but

0:45:55.560 --> 0:45:59.480
<v Speaker 1>again he's my number two. Come from it, right, he's

0:45:59.520 --> 0:46:03.200
<v Speaker 1>from that and what he's in a class by himself

0:46:03.480 --> 0:46:05.759
<v Speaker 1>because Jamie has been able to do and he's the

0:46:05.920 --> 0:46:08.959
<v Speaker 1>only one that has been able to do what even

0:46:09.280 --> 0:46:13.880
<v Speaker 1>Eddie wanted to do, and that is be a successful musician, artist,

0:46:14.360 --> 0:46:17.520
<v Speaker 1>at the top of every food chain. He has an

0:46:17.600 --> 0:46:22.960
<v Speaker 1>award he has, he has Oscar, Oscar, Grammy, Tony whatever

0:46:24.360 --> 0:46:30.919
<v Speaker 1>wouldn't be Ammy is Emmy, Oscar, Grammy and a bunch

0:46:30.960 --> 0:46:38.200
<v Speaker 1>of other stuff. Yeah. That And there's three people that

0:46:38.360 --> 0:46:43.880
<v Speaker 1>I say are the best storytellers, um, that I've ever heard.

0:46:44.840 --> 0:46:49.440
<v Speaker 1>Two I've been around, um Bill Cosby, Jamie Foxx and

0:46:49.520 --> 0:46:55.640
<v Speaker 1>Charlie Murphy. Storytelling impeccable Charlie Murphy. And I didn't know Tarlie,

0:46:56.239 --> 0:46:58.680
<v Speaker 1>think me Charlie Murphy. But watching him tell those stories

0:46:59.440 --> 0:47:03.960
<v Speaker 1>on the ship, hell shall that was that was history. Bro. Well,

0:47:04.040 --> 0:47:06.160
<v Speaker 1>I I'm here to tell you as a as a friend,

0:47:06.520 --> 0:47:11.160
<v Speaker 1>Charlie Murphy, that's just what he does. I've heard so

0:47:11.320 --> 0:47:14.000
<v Speaker 1>many stories that will never see the light of day

0:47:14.320 --> 0:47:24.600
<v Speaker 1>because it just show this motherfucking man that switch. You

0:47:24.680 --> 0:47:26.040
<v Speaker 1>know him, but to think is bad. It just snick

0:47:26.040 --> 0:47:31.200
<v Speaker 1>ahead of shower pipe underneath this he his hose with it.

0:47:33.040 --> 0:47:34.880
<v Speaker 1>What he had to sell a pipe on his jagget

0:47:35.080 --> 0:47:37.680
<v Speaker 1>and sucked his hose with it. Come, my dick, don't work.

0:47:38.560 --> 0:47:41.920
<v Speaker 1>But I love him, you know what I'm saying? No,

0:47:43.360 --> 0:47:50.680
<v Speaker 1>why just and and to that, like a guy like

0:47:50.800 --> 0:47:54.399
<v Speaker 1>Charlie Murphy, there could never be another one of him. Well,

0:47:54.880 --> 0:47:56.239
<v Speaker 1>but I'm about to speak on like a guy like

0:47:56.320 --> 0:48:04.200
<v Speaker 1>Charlie Murphy, a guy like um Um Bernie mack Um,

0:48:04.880 --> 0:48:10.880
<v Speaker 1>guys like that who have funny ship about him already

0:48:11.400 --> 0:48:16.160
<v Speaker 1>right right, right, right right, You're already funny without doing

0:48:16.360 --> 0:48:20.440
<v Speaker 1>comedy like you could just fun just funny guys. They

0:48:20.560 --> 0:48:22.200
<v Speaker 1>just look as soon as you look at Don Rob

0:48:22.520 --> 0:48:27.480
<v Speaker 1>like man. The reason why I said it couldn't be

0:48:27.480 --> 0:48:30.720
<v Speaker 1>another Charlie though, is because he had the cheat code.

0:48:32.239 --> 0:48:37.960
<v Speaker 1>Brother was the most famous, funniest on the planet, right,

0:48:38.040 --> 0:48:39.920
<v Speaker 1>and he got to just be a fly on the

0:48:40.120 --> 0:48:44.719
<v Speaker 1>wall and experienced all the things that Eddie kind of

0:48:44.800 --> 0:48:48.200
<v Speaker 1>couldn't because he's the start. But he wasn't even just

0:48:48.320 --> 0:48:52.239
<v Speaker 1>the homie. This is my brother, my brother. Yeah, I

0:48:52.320 --> 0:49:04.560
<v Speaker 1>got access. Yeah, I was Brooks too on everything, you

0:49:04.600 --> 0:49:07.480
<v Speaker 1>know what I'm saying. So it's like for him it

0:49:07.600 --> 0:49:10.360
<v Speaker 1>was different. That's why. That's why when they did the

0:49:10.440 --> 0:49:13.239
<v Speaker 1>Chappelle thing, it just it was so genius because it

0:49:13.400 --> 0:49:18.640
<v Speaker 1>was his access, yeah, like and the beauty and it

0:49:18.840 --> 0:49:22.279
<v Speaker 1>is that Charlie was his own thing. He was right,

0:49:22.440 --> 0:49:27.080
<v Speaker 1>he wasn't. But he's nothing like Eddie. Right, there's nothing

0:49:27.160 --> 0:49:29.759
<v Speaker 1>like each other, you know what I'm saying. And that's

0:49:29.800 --> 0:49:32.720
<v Speaker 1>what I also respect about the ways family them niggas

0:49:32.719 --> 0:49:40.520
<v Speaker 1>is all in terms of Collis Collis Comedics Family of

0:49:40.640 --> 0:49:57.799
<v Speaker 1>all time, the same way how Rizza had every one

0:49:57.880 --> 0:50:02.000
<v Speaker 1>of the Woods thing with their own label deep he

0:50:02.200 --> 0:50:07.239
<v Speaker 1>diversified it. I watched when I watched Marlon Winds in

0:50:07.400 --> 0:50:12.480
<v Speaker 1>this in the scary was the scary movie when when

0:50:13.440 --> 0:50:17.640
<v Speaker 1>he was in the bed by himself and he acted

0:50:17.680 --> 0:50:25.200
<v Speaker 1>out the ghosts raping him. Oh that I screamed when

0:50:25.239 --> 0:50:30.359
<v Speaker 1>I saw school, I screamed for about an hour time.

0:50:30.480 --> 0:50:32.520
<v Speaker 1>When you went to see that, you got it, I

0:50:32.600 --> 0:50:36.360
<v Speaker 1>was like, what is wrong with this? In the same movie,

0:50:36.719 --> 0:50:41.600
<v Speaker 1>heu a teddy bear like he was full on sweating

0:50:41.880 --> 0:50:48.560
<v Speaker 1>it's And then you got Damnon who was in cup

0:50:48.680 --> 0:50:54.680
<v Speaker 1>made up had funny parts in color colors like Who's

0:50:54.840 --> 0:51:01.760
<v Speaker 1>also one of the legendary like one of my Keenan

0:51:02.120 --> 0:51:10.640
<v Speaker 1>Keenan Ivory wins. He is literally saving your family. Looks

0:51:10.680 --> 0:51:16.000
<v Speaker 1>like right, he's nepotism done the right way. What him

0:51:16.040 --> 0:51:18.359
<v Speaker 1>and Joe Jackson at this point, I mean, I'm gonna

0:51:18.360 --> 0:51:20.600
<v Speaker 1>give it to Kean. I'm gonna get and I'm gonna

0:51:20.640 --> 0:51:22.520
<v Speaker 1>say why. I'm gonna say, I'm gonna give it to

0:51:22.640 --> 0:51:26.719
<v Speaker 1>Keenan because Keenan was the person who could who could

0:51:27.440 --> 0:51:34.120
<v Speaker 1>create the opportunities right, like Joe Jackson created the stars right.

0:51:34.200 --> 0:51:36.920
<v Speaker 1>But he wasn't. He wasn't Berry Gordy though, you know

0:51:37.000 --> 0:51:40.160
<v Speaker 1>what I'm saying. So Kenny Keenan Ivery Wains is Joe

0:51:40.239 --> 0:51:44.000
<v Speaker 1>Jackson and Berry Gordy all in one. Yeah, because the

0:51:44.239 --> 0:51:47.600
<v Speaker 1>way they all operate, Like whoever has a network TV show,

0:51:47.880 --> 0:51:54.840
<v Speaker 1>you're gonna see eight wins, period music, whatever, Uh, rotten

0:51:54.960 --> 0:51:59.800
<v Speaker 1>standing guests. Nobody's done it like them nobody If no,

0:52:00.040 --> 0:52:02.080
<v Speaker 1>you watching that and sees that there's a blueprint and

0:52:02.120 --> 0:52:04.959
<v Speaker 1>it's his brain child, it's from him a thousand percent.

0:52:06.040 --> 0:52:08.640
<v Speaker 1>That's that's incredible. And the fact that like I was,

0:52:08.760 --> 0:52:11.000
<v Speaker 1>I think I was watching it randomly, was it raw

0:52:11.200 --> 0:52:14.839
<v Speaker 1>or delirious that he wrote off raw him and um,

0:52:15.280 --> 0:52:18.560
<v Speaker 1>it's another it's Robert Towns and Robert Townsend. Um they

0:52:18.760 --> 0:52:22.400
<v Speaker 1>co wrote the sketch in the beginning. But I mean

0:52:22.560 --> 0:52:24.759
<v Speaker 1>being around Eddie at that time, you know we tag

0:52:24.920 --> 0:52:27.440
<v Speaker 1>each other joke. I'm sure that they had some you know,

0:52:27.600 --> 0:52:30.240
<v Speaker 1>some more input in name, but to see their names

0:52:30.280 --> 0:52:34.960
<v Speaker 1>on that was like on raw raw, Yeah, this is

0:52:35.080 --> 0:52:37.760
<v Speaker 1>and then not to mention Hollywood Shuffle, like that's Robert

0:52:37.800 --> 0:52:42.359
<v Speaker 1>Towns was in his bag and sketch show Man where

0:52:42.440 --> 0:52:46.080
<v Speaker 1>John Witherspoon came from, and a whole lot of other

0:52:46.600 --> 0:52:48.160
<v Speaker 1>David Allen Greer I think was on in a couple

0:52:48.200 --> 0:52:55.319
<v Speaker 1>of Monster Monster Monster. Yeah, we've been blessed man we've

0:52:55.320 --> 0:52:59.960
<v Speaker 1>been blessed. We were blessed because comedy or in terms

0:53:00.000 --> 0:53:01.960
<v Speaker 1>of the people I think who are getting on in

0:53:02.040 --> 0:53:06.640
<v Speaker 1>a comedic space today, it's different. It's different. That's actually

0:53:06.640 --> 0:53:08.920
<v Speaker 1>a segue into me wanting to know your thoughts on

0:53:09.000 --> 0:53:12.680
<v Speaker 1>insta comedy. I just I just had a panel discussion

0:53:12.680 --> 0:53:16.279
<v Speaker 1>today with about insta comedy, not insta comedy, but with

0:53:16.480 --> 0:53:18.520
<v Speaker 1>DC Young Fly. He and I want the same panel

0:53:19.040 --> 0:53:24.399
<v Speaker 1>And I always say it like this, Um, I don't

0:53:24.440 --> 0:53:27.880
<v Speaker 1>care what the platform or the era. There's good niggas

0:53:27.920 --> 0:53:31.800
<v Speaker 1>and there's garbage niggas, right, fair enough. So when it

0:53:31.840 --> 0:53:34.880
<v Speaker 1>comes to the insta social media and people like, ah,

0:53:35.000 --> 0:53:37.600
<v Speaker 1>that ain't real, that sh it. Ain't they cheating? It's

0:53:37.640 --> 0:53:41.120
<v Speaker 1>too simple. It's too they're not really doing uh, they

0:53:41.280 --> 0:53:45.200
<v Speaker 1>put in the time in the work. If that was

0:53:45.280 --> 0:53:49.840
<v Speaker 1>the mentality that was that prevailed, prevailed in the seventies,

0:53:50.080 --> 0:53:53.440
<v Speaker 1>we wouldn't have hip hop because all them bands, all

0:53:53.480 --> 0:53:56.680
<v Speaker 1>them seventies bands, that was music theory part of it,

0:53:56.800 --> 0:53:59.279
<v Speaker 1>and part of it wasn't their mentality though. No, But

0:53:59.360 --> 0:54:02.319
<v Speaker 1>what I'm saying, if if, if it would have succeeded

0:54:02.880 --> 0:54:05.960
<v Speaker 1>and they were able to shut down these niggas that's

0:54:06.000 --> 0:54:10.440
<v Speaker 1>taken out records and saying word yeah it's hippity hop.

0:54:10.719 --> 0:54:14.120
<v Speaker 1>They cheat it. We learned the instruments. How are you

0:54:14.120 --> 0:54:16.440
<v Speaker 1>gonna take my vinyl and you're gonna say some bullshit

0:54:16.600 --> 0:54:18.200
<v Speaker 1>over you know what I mean. It was a lot

0:54:18.239 --> 0:54:20.400
<v Speaker 1>of old g that was mad. They were mad. But

0:54:20.480 --> 0:54:22.480
<v Speaker 1>what I'm saying is I'm not gonna be that nigga.

0:54:23.320 --> 0:54:27.840
<v Speaker 1>Now that's overlooking the next wave of hip whatever it is,

0:54:28.120 --> 0:54:34.279
<v Speaker 1>whatever this social media ship is. Get involved. Do you

0:54:34.360 --> 0:54:37.520
<v Speaker 1>think you did that? You did get involved? Yeah, that's

0:54:37.520 --> 0:54:39.640
<v Speaker 1>my mentality. It's like, I'm just gonna I'm gona get involved.

0:54:39.760 --> 0:54:42.760
<v Speaker 1>But for me, when I when I got into comedy

0:54:44.080 --> 0:54:49.080
<v Speaker 1>during the insta comedy era, I didn't I didn't want

0:54:49.080 --> 0:54:53.800
<v Speaker 1>to be I didn't want to be instat funny. I

0:54:53.880 --> 0:54:56.560
<v Speaker 1>wanted to be able to go into a bar with

0:54:57.440 --> 0:55:04.120
<v Speaker 1>seven people and make them laugh, because that's that's how

0:55:04.200 --> 0:55:08.080
<v Speaker 1>the comedians that I appreciate got it. And so I

0:55:08.200 --> 0:55:11.800
<v Speaker 1>felt like there was there was a piece of that

0:55:11.960 --> 0:55:14.000
<v Speaker 1>foundation that I wanted to connect to, a step that

0:55:14.000 --> 0:55:17.520
<v Speaker 1>I didn't want to skip, just personally, just personally, you

0:55:17.600 --> 0:55:19.600
<v Speaker 1>know what I mean. I wanted to connect to that

0:55:20.239 --> 0:55:22.920
<v Speaker 1>for sure, because I just thought because that's because that's

0:55:23.000 --> 0:55:26.160
<v Speaker 1>that's that's how greatness was defined to me, because those

0:55:26.160 --> 0:55:27.879
<v Speaker 1>are the people that I grew up under. And I'm

0:55:27.880 --> 0:55:29.719
<v Speaker 1>not mad at the inst to funny. I get it,

0:55:31.040 --> 0:55:35.239
<v Speaker 1>and you're smart for taking adapting and running with it.

0:55:35.600 --> 0:55:40.360
<v Speaker 1>But here's the thing, as with music, right, the greatest

0:55:40.400 --> 0:55:44.719
<v Speaker 1>ones in hip hop come from music. Nah's dad was

0:55:44.760 --> 0:55:49.840
<v Speaker 1>a jazz musician. Rock him dad jazz musician, um Dr Dreide.

0:55:49.960 --> 0:55:54.320
<v Speaker 1>He plays like the ones that still want to go

0:55:54.520 --> 0:55:58.000
<v Speaker 1>learn the foundation of musical perfecting, the crack really perfecting.

0:55:58.040 --> 0:55:59.560
<v Speaker 1>They're the ones that's going to be around for a

0:55:59.680 --> 0:56:02.759
<v Speaker 1>long time and have been around for decades. So you

0:56:02.880 --> 0:56:05.640
<v Speaker 1>are cut from that claude. I am cut from that claude,

0:56:06.040 --> 0:56:10.080
<v Speaker 1>Like I'm not being We're not insta funny already. We

0:56:10.200 --> 0:56:12.880
<v Speaker 1>are already niggas that got the tools to get on

0:56:13.040 --> 0:56:17.080
<v Speaker 1>stage and perform. We know how to move a crowd, right,

0:56:17.520 --> 0:56:21.400
<v Speaker 1>We're just using Instagram as an extra platform add to

0:56:21.560 --> 0:56:24.840
<v Speaker 1>our arsenal. It's not all we have, you know what

0:56:24.880 --> 0:56:28.000
<v Speaker 1>I mean. But what I say about that is get involved,

0:56:28.080 --> 0:56:31.680
<v Speaker 1>Like get involved, don't shun it. Don't look at these

0:56:31.800 --> 0:56:33.759
<v Speaker 1>niggas that you think is not funny and they're on

0:56:33.880 --> 0:56:39.200
<v Speaker 1>Instagram doing comedy. Some of them niggas is hilarious. It's

0:56:39.280 --> 0:56:41.880
<v Speaker 1>up to them to want to take it. For me

0:56:42.040 --> 0:56:46.000
<v Speaker 1>as a consumer, are a fan even um, there are

0:56:46.040 --> 0:56:48.239
<v Speaker 1>certain pages that I just go to. I want to

0:56:48.320 --> 0:56:51.920
<v Speaker 1>see what the right what the new post of this

0:56:52.000 --> 0:56:54.040
<v Speaker 1>guy from a spice Adam to a highihday this to

0:56:54.120 --> 0:56:57.520
<v Speaker 1>a d C comedian though you know what I mean?

0:56:57.840 --> 0:56:59.680
<v Speaker 1>Or like when be Sa moaning and was doing all

0:56:59.719 --> 0:57:01.839
<v Speaker 1>of that, they skits and you know what I'm saying,

0:57:01.880 --> 0:57:06.920
<v Speaker 1>like the Desy Banks you having me hollering, Yeah, like

0:57:08.120 --> 0:57:11.759
<v Speaker 1>there's something to that and it's very important for us,

0:57:11.840 --> 0:57:14.960
<v Speaker 1>you know what I mean, Like I because and and

0:57:15.239 --> 0:57:17.560
<v Speaker 1>maybe I'm not a comedian so I wouldn't know, So

0:57:17.640 --> 0:57:21.800
<v Speaker 1>I ask you someone being able to get something off

0:57:21.920 --> 0:57:24.840
<v Speaker 1>like that in a minute seems harder to me because

0:57:24.920 --> 0:57:27.560
<v Speaker 1>it's not like they can really drag the joke out

0:57:27.640 --> 0:57:30.360
<v Speaker 1>and it's no you know, with the punchline type of thing.

0:57:30.440 --> 0:57:35.040
<v Speaker 1>It's more so like you can't edit. But making something

0:57:35.160 --> 0:57:39.400
<v Speaker 1>funny in a minute it's hard though. No it's not

0:57:39.560 --> 0:57:41.720
<v Speaker 1>because I think, but like this, I feel like it's better.

0:57:41.960 --> 0:57:44.400
<v Speaker 1>It's you can. You can. It's like it's like it's

0:57:44.440 --> 0:57:48.600
<v Speaker 1>like doing theater versus doing a TV show. Okay, you

0:57:48.640 --> 0:57:51.520
<v Speaker 1>can edit ed you on theater when you're doing theater.

0:57:51.720 --> 0:57:54.120
<v Speaker 1>Get off. You can't. You can't, you can't. Want and done.

0:57:55.360 --> 0:57:57.760
<v Speaker 1>You got your you got your lines right now. There

0:57:57.920 --> 0:58:00.560
<v Speaker 1>is no break character, there is no do over. You

0:58:00.640 --> 0:58:03.880
<v Speaker 1>get to curate that one minute that you're creating on Instagram.

0:58:04.080 --> 0:58:06.320
<v Speaker 1>You get I don't like that one Let me get

0:58:06.360 --> 0:58:08.680
<v Speaker 1>to this faster out there it is you get to

0:58:08.680 --> 0:58:11.560
<v Speaker 1>show people. Is that it? That? Ain't it what I

0:58:11.680 --> 0:58:16.440
<v Speaker 1>need to do? Okay? There's the editing process to getting

0:58:16.600 --> 0:58:20.080
<v Speaker 1>a good take for Instagram versus getting on that stage

0:58:20.960 --> 0:58:30.720
<v Speaker 1>at the laugh Factory for an Inglewood. Yeah. And that's

0:58:30.760 --> 0:58:35.080
<v Speaker 1>really it always boils down to you gotta know how

0:58:35.120 --> 0:58:37.200
<v Speaker 1>to do it all, you know what I mean. You

0:58:37.280 --> 0:58:39.920
<v Speaker 1>can't just be a sprinter. You gotta get some marathon

0:58:41.000 --> 0:58:43.600
<v Speaker 1>in your loan. You know. I can get on stage

0:58:43.640 --> 0:58:48.040
<v Speaker 1>for an hour twenty and be comfortable in that. I'm

0:58:48.160 --> 0:58:50.360
<v Speaker 1>endured for that hour. I know what that's like. I've

0:58:50.400 --> 0:58:55.240
<v Speaker 1>done back to back hours in in the same night. Right. Um,

0:58:55.480 --> 0:58:58.320
<v Speaker 1>I can get on and do a fifteen second reel

0:58:58.440 --> 0:59:02.360
<v Speaker 1>on I g get up, do a dance move or character,

0:59:02.640 --> 0:59:05.120
<v Speaker 1>or me and Spice can get on the improv for

0:59:05.160 --> 0:59:08.240
<v Speaker 1>a whole hour and a half, whatever it is. I'm

0:59:08.280 --> 0:59:12.040
<v Speaker 1>comfortable because I've taken the time to play in all

0:59:12.200 --> 0:59:16.800
<v Speaker 1>of those. You build your foundation in the joint. If

0:59:16.840 --> 0:59:20.080
<v Speaker 1>you limited to if you limited to this a minute

0:59:20.640 --> 0:59:23.560
<v Speaker 1>or fifteen seconds, and you talk about you want to

0:59:23.600 --> 0:59:25.600
<v Speaker 1>be a star and you want to expand, and you

0:59:25.640 --> 0:59:27.600
<v Speaker 1>ain't got none of the other training up under. You

0:59:29.280 --> 0:59:31.520
<v Speaker 1>don't pull up on leg day and try to squat

0:59:31.640 --> 0:59:36.680
<v Speaker 1>that goddamn three fifty or whatever is. Don't you god

0:59:36.840 --> 0:59:42.280
<v Speaker 1>damn get on stage somewhere. You're gonna headline an hour

0:59:43.480 --> 0:59:49.080
<v Speaker 1>from from from this you just just saw you there before. Okay, okay,

0:59:53.720 --> 0:59:56.080
<v Speaker 1>But I respect the nigga. Is that respected des I've

0:59:56.080 --> 0:59:58.880
<v Speaker 1>done shows with him. He's funny, but he's learning. He's

0:59:58.920 --> 1:00:03.000
<v Speaker 1>admittedly learning, DC young fly, that nigga got it, but

1:00:03.120 --> 1:00:07.000
<v Speaker 1>he's humble, he's still always studying and learning. I respect him,

1:00:07.040 --> 1:00:09.680
<v Speaker 1>young niggas that says, Let's say, I I know the

1:00:09.760 --> 1:00:12.600
<v Speaker 1>platform that came up on allowed me to get it

1:00:12.640 --> 1:00:16.320
<v Speaker 1>out faster, uh and sooner, But I gotta do the work.

1:00:16.360 --> 1:00:18.280
<v Speaker 1>I gotta I respect these old g s that I

1:00:18.320 --> 1:00:23.760
<v Speaker 1>don't want to, you know, cheapen the arena of Common.

1:00:23.880 --> 1:00:26.360
<v Speaker 1>And I thought it was really cool with Martin was

1:00:26.440 --> 1:00:29.480
<v Speaker 1>doing what he was doing with the youngs. I mean,

1:00:29.560 --> 1:00:31.640
<v Speaker 1>I guess it was like he was hosting, but he

1:00:31.680 --> 1:00:33.600
<v Speaker 1>had like the simone and a couple of other like

1:00:33.800 --> 1:00:37.120
<v Speaker 1>young you know what I mean. Because for somebody like Martin,

1:00:37.160 --> 1:00:39.440
<v Speaker 1>that ship, you know what I'm saying, So for him

1:00:39.520 --> 1:00:43.880
<v Speaker 1>to you know, introduce and that leveled up to my

1:00:43.920 --> 1:00:48.120
<v Speaker 1>standard special salute to the gun. It's in't that it

1:00:48.240 --> 1:00:52.480
<v Speaker 1>made the cut. I had to pay homage. Yeah, I

1:00:52.640 --> 1:00:55.240
<v Speaker 1>hate I had to pay homage. That's I mean, that's

1:00:55.280 --> 1:00:57.360
<v Speaker 1>one of my big heroes. So what is the next one?

1:00:57.400 --> 1:00:59.520
<v Speaker 1>In Roscoe Jenkins was back in the same building. Huh

1:01:00.720 --> 1:01:03.200
<v Speaker 1>what what is the next what is the next death

1:01:03.240 --> 1:01:07.360
<v Speaker 1>comedy jam moment? What do you mean for me? Or period?

1:01:07.480 --> 1:01:12.120
<v Speaker 1>But it is that possible. Here's here's the thing. It

1:01:12.360 --> 1:01:17.760
<v Speaker 1>is possible, I would say to a degree while and

1:01:17.880 --> 1:01:22.880
<v Speaker 1>that was that for me. M hm. Great. You get

1:01:24.480 --> 1:01:28.520
<v Speaker 1>a bunch of raw, hungry comedians together on the same stage,

1:01:29.520 --> 1:01:31.800
<v Speaker 1>especially when we first started. I mean, that's me, d

1:01:32.000 --> 1:01:36.800
<v Speaker 1>Ray Corey holcom Chat Williams, Williams, Williams, you know what

1:01:36.840 --> 1:01:41.600
<v Speaker 1>I'm saying, Like, that's now you have some dogs on that.

1:01:42.000 --> 1:01:44.520
<v Speaker 1>Yeah we was, we was them guys right and then

1:01:44.640 --> 1:01:48.600
<v Speaker 1>now Chico being Carlos Miller, DC Young Fly like them.

1:01:48.680 --> 1:01:53.800
<v Speaker 1>Niggas is animals. They really know their ship. Yeah I

1:01:53.880 --> 1:01:58.520
<v Speaker 1>saw hips. But to me, that is our this generation's

1:01:58.640 --> 1:02:00.920
<v Speaker 1>version of death comedy jam that has a longer span.

1:02:01.480 --> 1:02:02.760
<v Speaker 1>You know, people will be like, oh, it's not the

1:02:02.840 --> 1:02:06.040
<v Speaker 1>same anymore, what all of that? Where else are you

1:02:06.080 --> 1:02:10.400
<v Speaker 1>going to see a show with comedy and rap perfectly

1:02:10.480 --> 1:02:14.800
<v Speaker 1>fused together like Niggas is coming on, They're getting putting

1:02:14.800 --> 1:02:19.000
<v Speaker 1>their careers on snoopers, on their trading raps with comedians

1:02:20.280 --> 1:02:25.680
<v Speaker 1>pnb Rock whoever, like uh luke a fiasco, h vic Mensa,

1:02:26.560 --> 1:02:30.040
<v Speaker 1>Like it's for me, that's our version of deaf comedy

1:02:30.080 --> 1:02:33.160
<v Speaker 1>gam but there can always be another one. It's just

1:02:33.280 --> 1:02:38.600
<v Speaker 1>about the industry getting the funk out the way and

1:02:38.880 --> 1:02:41.200
<v Speaker 1>us saying all right now this We're not gonna keep

1:02:42.000 --> 1:02:44.160
<v Speaker 1>letting them tell us what's funny and what's not. We're

1:02:44.200 --> 1:02:46.760
<v Speaker 1>not gonna wait for the green light. It takes somebody

1:02:46.920 --> 1:02:50.960
<v Speaker 1>daring to say I'm going to create this created and

1:02:51.000 --> 1:02:52.440
<v Speaker 1>shoot it and then I you know, if I need

1:02:52.520 --> 1:02:55.920
<v Speaker 1>to partner with it, our partner period, So it can

1:02:56.000 --> 1:03:00.240
<v Speaker 1>be one. Yeah. Well, if we're not gonna keep you forever,

1:03:00.240 --> 1:03:01.800
<v Speaker 1>I mean, you're welcome to stay in. The guests from

1:03:02.320 --> 1:03:05.600
<v Speaker 1>UM appreciate you. Man J has a special segment of

1:03:05.680 --> 1:03:09.520
<v Speaker 1>this show that he likes to you know, likes to

1:03:09.600 --> 1:03:14.360
<v Speaker 1>call upon our guests to especially someone you know of

1:03:14.480 --> 1:03:18.200
<v Speaker 1>your travels well, travel well travel anything in Germany with

1:03:18.240 --> 1:03:22.840
<v Speaker 1>a karate suit on't I've done some things you've got

1:03:23.280 --> 1:03:26.720
<v Speaker 1>That's a different level. It's a different level of the

1:03:26.720 --> 1:03:30.360
<v Speaker 1>first person I ever met, like your real life karate kid. Yeah,

1:03:30.480 --> 1:03:34.960
<v Speaker 1>you bleed on inside him riding Man, I cannot fight.

1:03:35.120 --> 1:03:42.120
<v Speaker 1>Just let's just be clear, all right, all right? So yeah,

1:03:42.240 --> 1:03:44.160
<v Speaker 1>so of all your travels, man, so we have we

1:03:44.280 --> 1:03:47.440
<v Speaker 1>have a segment of the show. It's called sand No

1:03:47.640 --> 1:03:53.920
<v Speaker 1>Names and the story can either be funny are fucked up,

1:03:56.080 --> 1:04:00.360
<v Speaker 1>but you can't use the people name and can give

1:04:00.440 --> 1:04:02.000
<v Speaker 1>so you know what I mean, he gives some inklings

1:04:02.040 --> 1:04:03.720
<v Speaker 1>on who it might be by the way you tell

1:04:03.800 --> 1:04:05.800
<v Speaker 1>the story, So the people can be trying to figure

1:04:05.840 --> 1:04:10.200
<v Speaker 1>this sh it out, But you cannot say their name.

1:04:10.840 --> 1:04:12.480
<v Speaker 1>I ain't saying on that. I'm gonna just say this

1:04:12.680 --> 1:04:17.680
<v Speaker 1>right here. Mhmm. There's a nigga. If if I said

1:04:17.720 --> 1:04:20.840
<v Speaker 1>his name, I think y'all would run. But when I

1:04:20.920 --> 1:04:23.280
<v Speaker 1>describe him, y'all going to know exactly what what I'm

1:04:23.280 --> 1:04:28.840
<v Speaker 1>talking about. This is a guy who has his face

1:04:29.000 --> 1:04:36.280
<v Speaker 1>wrapped on vans and he always in a fantom. I've

1:04:36.320 --> 1:04:44.800
<v Speaker 1>seen the nigga have billboards around and he's got every

1:04:44.880 --> 1:04:48.520
<v Speaker 1>band danna from every culture and he wraps it in

1:04:48.600 --> 1:04:56.800
<v Speaker 1>the front like Aunt Jemima Paca, are you kidding? And

1:04:58.920 --> 1:05:03.280
<v Speaker 1>he's got photos with like Jack's. He's he's every fucking where,

1:05:03.880 --> 1:05:06.280
<v Speaker 1>and he gets out on the red carpet with the

1:05:07.720 --> 1:05:13.840
<v Speaker 1>adornments high waves, high waves, and the paths will be like,

1:05:14.000 --> 1:05:21.439
<v Speaker 1>what's amazing energy. It's amazing energy. Amazing energy knows every

1:05:22.080 --> 1:05:26.240
<v Speaker 1>I'm always happy to see it. To this day, I

1:05:26.320 --> 1:05:31.160
<v Speaker 1>don't know what the funk he goes. I've always heard

1:05:32.080 --> 1:05:36.360
<v Speaker 1>that he was an artist. I never heard of goddamn song,

1:05:39.240 --> 1:05:51.160
<v Speaker 1>but the freshest newest family Bentley Cooper, Hovercraft. I'm just

1:05:51.320 --> 1:05:56.320
<v Speaker 1>saying these names exist, and uh, I ain't saying no names.

1:05:56.960 --> 1:05:59.439
<v Speaker 1>But that's I don't know if you call that a story,

1:06:00.360 --> 1:06:03.600
<v Speaker 1>but this is this is your mind. It's been on

1:06:03.720 --> 1:06:09.120
<v Speaker 1>your mindorious one. It's great in this, in this, in

1:06:09.280 --> 1:06:12.720
<v Speaker 1>this town. The way you the way you just articulated,

1:06:12.800 --> 1:06:16.200
<v Speaker 1>that would probably be the way all of us would

1:06:16.200 --> 1:06:23.120
<v Speaker 1>have partiulated seating because you know who I'm talking about. Listen,

1:06:23.560 --> 1:06:28.680
<v Speaker 1>A lovely brother, I mean, spirit is amazing, a lovely brother.

1:06:29.080 --> 1:06:35.520
<v Speaker 1>He floats when he walks. It's always blessed, always, and

1:06:36.320 --> 1:06:42.320
<v Speaker 1>conversations always, always great energy. Not a bad thing in

1:06:42.440 --> 1:06:45.520
<v Speaker 1>the world can be said about it. There are only

1:06:45.680 --> 1:06:52.360
<v Speaker 1>questions that can be asked, What do you do? Who

1:06:52.400 --> 1:06:57.960
<v Speaker 1>do you know? Everybody I'm talking about? If Obama's in town,

1:06:59.280 --> 1:07:03.959
<v Speaker 1>he's gonna you right next to him. Yeah, I've seen

1:07:04.040 --> 1:07:07.720
<v Speaker 1>him in places that I just I couldn't get into him.

1:07:08.920 --> 1:07:16.520
<v Speaker 1>How who are you where? This is gonna be part

1:07:16.560 --> 1:07:24.000
<v Speaker 1>of our unsolved mysterious segment When he started deartelling, as

1:07:24.040 --> 1:07:28.360
<v Speaker 1>soon as she started, he was gone. As soon as

1:07:28.400 --> 1:07:31.600
<v Speaker 1>you started here, everybody, Hey, look I got one more.

1:07:31.640 --> 1:07:36.200
<v Speaker 1>I'm gonna yota one more, just one more. Because because

1:07:36.240 --> 1:07:39.040
<v Speaker 1>that wasn't a damn story, it was, though it is

1:07:40.000 --> 1:07:45.480
<v Speaker 1>because I have personal interactions with the guy great energy.

1:07:46.480 --> 1:07:49.840
<v Speaker 1>We've been in many parking lots and hands is moving.

1:07:50.840 --> 1:07:53.360
<v Speaker 1>It's always a parking lot because it's always a whip too,

1:07:53.400 --> 1:07:58.440
<v Speaker 1>though it's always an amazing whip, always standing outside the crap. Right,

1:08:01.160 --> 1:08:03.760
<v Speaker 1>there's always a plan. Let me get your number because

1:08:05.320 --> 1:08:09.080
<v Speaker 1>dot dot dot ellipsies. Right. So it was a story,

1:08:09.120 --> 1:08:13.120
<v Speaker 1>got damnit jay bounce. The other story. I think I

1:08:13.240 --> 1:08:14.840
<v Speaker 1>just said my old name, like I'm in trouble to

1:08:15.640 --> 1:08:29.080
<v Speaker 1>do the principal's office. But no, there's there's a I'm

1:08:29.080 --> 1:08:31.160
<v Speaker 1>not even gonna say the profession. But you're already gonna know.

1:08:33.200 --> 1:08:37.840
<v Speaker 1>There's there's a cat that you know showed. I call

1:08:37.880 --> 1:08:42.080
<v Speaker 1>it the shoulders is always moving, m and you know

1:08:42.760 --> 1:08:44.880
<v Speaker 1>I got the new you know gonna show you was

1:08:45.120 --> 1:08:47.479
<v Speaker 1>the Keynna put the key on the table while we're

1:08:47.520 --> 1:08:50.439
<v Speaker 1>just getting a burger. Yeah, put the lamb again. Man.

1:08:50.479 --> 1:08:58.200
<v Speaker 1>I already know ship always signaling for ship. And it's like,

1:08:58.479 --> 1:09:00.760
<v Speaker 1>all right, I know you I don't know getting it,

1:09:00.960 --> 1:09:08.640
<v Speaker 1>but are you getting it? Because I know niggas that

1:09:08.800 --> 1:09:14.000
<v Speaker 1>do what you do and ain't moving. The shoulders don't

1:09:14.040 --> 1:09:18.120
<v Speaker 1>move as much as yours do. But your shoulders be

1:09:20.840 --> 1:09:27.479
<v Speaker 1>mean saying right. So that's all I'm saying. I'm saying

1:09:27.520 --> 1:09:30.479
<v Speaker 1>on that. Man. If I say anymore, I'm gonna get

1:09:30.520 --> 1:09:36.280
<v Speaker 1>a text. Get a text. You have you have the

1:09:36.439 --> 1:09:44.040
<v Speaker 1>most different and peculiar. Ain't saying if I present scenario,

1:09:45.120 --> 1:09:50.600
<v Speaker 1>not even scenario, Ladies and Jeal, this has been the

1:09:50.760 --> 1:09:55.559
<v Speaker 1>everybody podcast. Brother a fan in the building, then thank

1:09:55.600 --> 1:09:59.120
<v Speaker 1>you for coming through and uh and rocking with your partners.

1:09:59.160 --> 1:10:01.639
<v Speaker 1>I'm I'm tanking about the same, Jay Valentine, but clearly

1:10:01.640 --> 1:10:04.559
<v Speaker 1>I'm not Ava had On. Um, this is my hair.

1:10:05.920 --> 1:10:07.560
<v Speaker 1>This is what I'm doing. We ain't out with me

1:10:07.640 --> 1:10:11.000
<v Speaker 1>for a little bit back three and a half ways,

1:10:11.080 --> 1:10:13.160
<v Speaker 1>you know what that's gone working around with the Valentine.

1:10:13.200 --> 1:10:15.519
<v Speaker 1>So I'm taking and this is Jay Valentine. We are

1:10:15.560 --> 1:10:18.679
<v Speaker 1>the authorities on the music. Spend on Your Money podcast

1:10:28.520 --> 1:10:35.160
<v Speaker 1>on Money R and B Money is a production of

1:10:35.200 --> 1:10:38.400
<v Speaker 1>the Black Effect podcast Network. For more podcasts from I

1:10:38.560 --> 1:10:42.200
<v Speaker 1>Heart Radio, visit the R Heart Radio app, Apple podcast,

1:10:42.360 --> 1:10:45.040
<v Speaker 1>or wherever you're listening to your favorite shows. Don't forget

1:10:45.080 --> 1:10:48.240
<v Speaker 1>to subscribe to and rate our show, and you can

1:10:48.280 --> 1:10:51.479
<v Speaker 1>connect with us on social media via at R and

1:10:51.560 --> 1:10:54.599
<v Speaker 1>b Money podcast, or at the Real Tank or at

1:10:54.680 --> 1:10:55.440
<v Speaker 1>J Valentine