WEBVTT - 113: California Writ

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<v Speaker 1>Hey, everyone. We recorded this episode you're about to hear

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<v Speaker 1>more than a week ago, but we wanted to take

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<v Speaker 1>a week to pause our regularly scheduled programming in order

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<v Speaker 1>to honor the lives of George Floyd, Brianna Taylor, as

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<v Speaker 1>well as the countless other black lives that have been

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<v Speaker 1>taken by police in America throughout its history. We stand

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<v Speaker 1>firmly with Black Lives Matter here at Night Call, and

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<v Speaker 1>we absolutely condemned the acts of violence that we've witnessed

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<v Speaker 1>that had been carried out by a militarized police force

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<v Speaker 1>during the protests. At Night Call, we talk about our

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<v Speaker 1>dystopian reality, strange days and lonely nights. With that as

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<v Speaker 1>our mission, it would be really avoidant of us to

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<v Speaker 1>ignore the movement for change happening across the country, as

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<v Speaker 1>well as the rampant police brutality and mismanagement we've seen

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<v Speaker 1>it come up against. As our friends Bobby finger in

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<v Speaker 1>Lindsay Webbert, who Weekly pointed out last week, our platforms

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<v Speaker 1>are a privilege, and staying silent on issues like police

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<v Speaker 1>brutality and racism isn't on an option. We're putting a

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<v Speaker 1>lot of thought into the best way to use the

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<v Speaker 1>Night Call platform as we continue to release episodes during

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<v Speaker 1>a very uncertain time. As always, we want to hear

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<v Speaker 1>from our listeners about what's going on on and off

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<v Speaker 1>the air. Please keep emailing us at Night Call Podcasts

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<v Speaker 1>at gmail dot com if you have any feedback, if

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<v Speaker 1>there's anything you would like to hear us talk about

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<v Speaker 1>on the show, anything comforting you want us to cover,

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<v Speaker 1>And if this week's conversation about gambling in California Split

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<v Speaker 1>is not your your cup of tea right now, we

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<v Speaker 1>completely understand attention is a finite resource and we totally

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<v Speaker 1>support you taking yours wherever you need to right now.

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<v Speaker 1>So with all that in mind, thank you so much

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<v Speaker 1>for your support and understanding during our brief hiatus and

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<v Speaker 1>now our discussion on gambling California Split, and as always,

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<v Speaker 1>your night Calls. It's one fourteen am at the California

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<v Speaker 1>Club and you're listening tonight Call Hello, and welcome Tonight Call,

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<v Speaker 1>a call in show for our dystopian reality. I am

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<v Speaker 1>your host, Molly Lambert, and with me, as always, are

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<v Speaker 1>Test Lynch and Emily O'sheia. We are officially out of

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<v Speaker 1>y to May and are starting our new theme month

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<v Speaker 1>ramble and gamble in June, we survived. Why to May,

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<v Speaker 1>nothing happened, Everything happened. Yeah, Yeah, I feel did we

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<v Speaker 1>conjure more end of the world with our May month?

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<v Speaker 1>Probably it's always our fault. It was our fault, for sure.

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<v Speaker 1>I think we should blame ourselves. Yeah, we know, it's

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<v Speaker 1>been a really rough week and there's just been you know,

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<v Speaker 1>even somehow there's each week keeps topping itself with horrible news.

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<v Speaker 1>This week is definitely no exception. And you know, we

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<v Speaker 1>just want to say fuk the police, and we stand

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<v Speaker 1>with everybody in Minneapolis, and we want to do a

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<v Speaker 1>little bit of escapism still for you for our listeners.

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<v Speaker 1>So but we just want to know that we're thinking

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<v Speaker 1>of everybody be out there. So yeah, yeah, And if

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<v Speaker 1>escapism is not what you want right now, we also

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<v Speaker 1>totally understand. Yes, we will be here at nightcall talking

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<v Speaker 1>about gambling all month, but don't be afraid to call

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<v Speaker 1>in about other subjects UM or you know, vent vent

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<v Speaker 1>personal feelings about UM being under quarantine during the civil

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<v Speaker 1>rights crisis. Yeah, and also if you want to write

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<v Speaker 1>in with stuff like that or give us a call, Um,

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<v Speaker 1>we always honor people's anonymity if they want, so, just

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<v Speaker 1>let us know if you would like to be anonymous.

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<v Speaker 1>But we're we're here to lend an ear and uh yeah,

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<v Speaker 1>we're we're sending support to everybody out there. It's uh,

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<v Speaker 1>it's it's hard to talk about gambling right now, but

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<v Speaker 1>we will anyway. So we are doing a whole month

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<v Speaker 1>on gambling casinos Vegas and other gambling cities. And I

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<v Speaker 1>feel like we're going to talk about a lot about

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<v Speaker 1>the American dream this month, ye like much like Spring

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<v Speaker 1>Break month. Also, I just feel like we might solve

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<v Speaker 1>the conundrum of the American dream over the next five weeks.

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<v Speaker 1>So just you know, be ready for You're welcome. My

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<v Speaker 1>father always says that Las Vegas should be the capital

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<v Speaker 1>of the United States of America. Oh yeah, no, I Um,

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<v Speaker 1>I was telling you guys, I went through a phase

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<v Speaker 1>of being wanting to be a kind of like self

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<v Speaker 1>taught scholar of Vegas history because I was trying to

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<v Speaker 1>write something about Vegas when I was in college. And um,

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<v Speaker 1>I think there's a book by a former l a

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<v Speaker 1>weekly columnis who's name I'm totally blanking on, but it's

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<v Speaker 1>called the Most Honest City in the world. And uh,

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<v Speaker 1>because it's the only one that doesn't lie about what

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<v Speaker 1>it insane crock America is it just it's all out

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<v Speaker 1>there on the surface. That's why it's the capital. Yep Um.

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<v Speaker 1>There's some really good Las Vegas books. There's a book

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<v Speaker 1>called The Green Felt Junk All that's like an original

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<v Speaker 1>like forties or fifties, like on the floor it must

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<v Speaker 1>be whenever Las Vegas was was actually founded, but it's

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<v Speaker 1>a in the casinos. In the world of casinos, Las

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<v Speaker 1>Vegas was founded long before the fifties. Yeah, Las Vegas

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<v Speaker 1>was a little like you know, watering town for it's insane.

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<v Speaker 1>The origins of Vegas World, We'll we'll get into that

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<v Speaker 1>more later. We're going to do a whole episode about

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<v Speaker 1>a Vegas specific episode, History of Vegas episode. But I

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<v Speaker 1>have a quick gambling question for you guys as we

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<v Speaker 1>begin our journey. What is the most you have ever

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<v Speaker 1>lost or one gamble? Oh no, not that much. It

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<v Speaker 1>always I mean, I've never had that much money to

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<v Speaker 1>put down Camblane. Yes, And if I have money, I

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<v Speaker 1>like to hold onto it. I have a very strict

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<v Speaker 1>twenty limit with gambling that I have observed. Always after

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<v Speaker 1>I had a U I watched a friend go and

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<v Speaker 1>have like a whole gambling addiction over the course of

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<v Speaker 1>twenty four hours in a casino. Yeah, it was just

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<v Speaker 1>really I was like, okay, twenty dollar limit for the

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<v Speaker 1>rest of my life. But I did win two bucks once.

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<v Speaker 1>I won like three fifty ones at Morongo Casinos, which

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<v Speaker 1>was like very exciting for me. But I think I

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<v Speaker 1>lost the most actually the most recent time I gambled,

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<v Speaker 1>which was in Atlantic City with the Blank Check Boys,

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<v Speaker 1>and I mean I was maybe just It was also

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<v Speaker 1>the first time I live I did live poker um,

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<v Speaker 1>which will definitely get into this week more, but uh it.

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<v Speaker 1>And there was something about the extra high of that

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<v Speaker 1>that I think just inspired me to just keep pouring

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<v Speaker 1>money into because I was like, this is fun, this

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<v Speaker 1>is fun. I'm every fun. And then it was like,

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<v Speaker 1>oh ship, I've lost like two order bucks um, which

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<v Speaker 1>is like against such small potatoes for like big time gamblers.

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<v Speaker 1>I'm sure everybody's like rolling their eyes at us who

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<v Speaker 1>gamble at all, but like for me, that was a

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<v Speaker 1>lot of funny. Um. I really want to play pachinko.

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<v Speaker 1>I feel like that would be, um the thing that

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<v Speaker 1>would make me give all my money away to a

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<v Speaker 1>machine because I love pinball, sure, and when I don't

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<v Speaker 1>love that, like I would rather give all my quarters

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<v Speaker 1>to a pinball machine and then pay for the experience

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<v Speaker 1>of playing pinball then just for a slot machine, because

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<v Speaker 1>it's like not that fun to do a slot machine.

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<v Speaker 1>The last time I went to Las Vegas, I definitely

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<v Speaker 1>lost the most I ever have, but it was probably

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<v Speaker 1>still about like a hundred bucks, maybe like sixty bucks

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<v Speaker 1>on one game of poker because I was like betting

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<v Speaker 1>only really low stakes things. Was that I was doing

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<v Speaker 1>the whole time, and what I've always done is just

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<v Speaker 1>like the really cheap slots, and so I was like, Okay,

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<v Speaker 1>I'm gonna do one expensive game. I like watch the

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<v Speaker 1>blackjack table for a while and I was like, uh,

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<v Speaker 1>maybe I'll just go do a machine. So I did

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<v Speaker 1>like an expensive poker machine and just lost immediately. Machines

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<v Speaker 1>it's just like no bad vibes. I don't know if

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<v Speaker 1>they just like use bad luck for me. That The

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<v Speaker 1>thing is also like being a gambler, even if you're

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<v Speaker 1>not superstitious, will bring out your inner superstitious freak. Yeah,

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<v Speaker 1>I was trying to like lean into it. More because

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<v Speaker 1>I was like, I'm in Las Vegas, I should like

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<v Speaker 1>gamble and have a drink because I'm not a big drinker,

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<v Speaker 1>you know. So I got a tequila Sunrise and it

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<v Speaker 1>was amazing and uh yeah, but then I was like,

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<v Speaker 1>it doesn't feel good to lose money. It is not fun.

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<v Speaker 1>It's not fun at all. Money. Do you guys have

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<v Speaker 1>favorite games or I like black jack? Black Jack is

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<v Speaker 1>like the perfect length for my attention span. Yeah, pokers

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<v Speaker 1>too long. I I won the two fifty dollars on

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<v Speaker 1>it was like a single slot game. It was like,

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<v Speaker 1>you know, just within five minutes at the slots. And

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<v Speaker 1>then I was like I love slots, and I was like,

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<v Speaker 1>don't press my luck. But um as for gambling at home,

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<v Speaker 1>which one can do now, maybe should not. But I

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<v Speaker 1>got in the habit of getting either like a regular

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<v Speaker 1>lottery ticket or a scratcher, Like I limit myself to

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<v Speaker 1>one a week, but I still feel like so gross

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<v Speaker 1>about it. Somehow remember this coming out at one point

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<v Speaker 1>and I was just like, oh, we have to talk

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<v Speaker 1>about this. I had a brief brief scratchers period for

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<v Speaker 1>like one summer where I only get one at a time,

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<v Speaker 1>and I only get one a week, but it still

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<v Speaker 1>feels really like yucky somehow. But I remember when I

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<v Speaker 1>was a kid, for my birthday, my grandmother and aunt

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<v Speaker 1>would give me like five scratchers, and I would just

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<v Speaker 1>sit down and be like, wow, it's so crazy. They're

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<v Speaker 1>either giving you zero dollars or they're giving you like

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<v Speaker 1>millions of dollars, and usually they give you just enough

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<v Speaker 1>to buy another ticket. This is my experience. If you'd

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<v Speaker 1>buy like a three dollar ticket, you're gonna win it,

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<v Speaker 1>usually at least three dollars on it, and it's just

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<v Speaker 1>like do you want to go in and do it?

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<v Speaker 1>You're just going to get another one? Like my kid

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<v Speaker 1>and his friend I got a scratcher that I was

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<v Speaker 1>I told them that they could like have the money

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<v Speaker 1>from and I think it was like I don't know,

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<v Speaker 1>like twenty five bucks or something, and they donated it

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<v Speaker 1>to charity, and then I felt so bad. I was like, Okay, great,

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<v Speaker 1>but like now I have to give you that money also,

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<v Speaker 1>like I'm matching you, because that's not in the spirit

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<v Speaker 1>of a scratcher. If you're supposed to pour it back

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<v Speaker 1>into the game, no good causes forget it. Um. I

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<v Speaker 1>had a really quick thing to mention though that I

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<v Speaker 1>thought was super interesting and we don't have to get

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<v Speaker 1>into it that much. But um, it's just very bizarre

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<v Speaker 1>that there is a restless leg syndrome and parkinson Parkinson's

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<v Speaker 1>medication called Rickquip. And then there's a few others that

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<v Speaker 1>have different brand names, UM their dopamine agon is, and

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<v Speaker 1>they actually can cause compulsive gambling disorders. It's a side

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<v Speaker 1>effect of the drug. UM, So there have been My

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<v Speaker 1>mom actually brought it to my attention. I was like,

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<v Speaker 1>we're doing gambling month and she was like, oh, you

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<v Speaker 1>have to just mention because if you look into it,

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<v Speaker 1>it's super crazy. It's like an overnight shift when you

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<v Speaker 1>start taking the medication. These people be um, super addicted

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<v Speaker 1>to gambling. And then there was one woman who I

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<v Speaker 1>read about she stopped and then a week later was like,

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<v Speaker 1>I can't believe I was ever gambling. What the fuck? Um?

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<v Speaker 1>And it works because there it's basically like the dopamine receptor,

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<v Speaker 1>I think it's called the D three receptor causes like

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<v Speaker 1>motor problems like tremors um and it also is like

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<v Speaker 1>a dopamine center, so the dopamine agones can inhibit the

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<v Speaker 1>tremors by mimicking dopamine in the brain, but they're like

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<v Speaker 1>fiddling with the D three receptor, which is also the

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<v Speaker 1>reward system, so they make it a much more intensely

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<v Speaker 1>pleasurable experience. Um, when you're winning it gambling, if you're

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<v Speaker 1>having great sex, if you're eating delicious food or whatever,

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<v Speaker 1>so you become like physically incapable of quitting what you're doing.

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<v Speaker 1>Why isn't this like a big black market drug? Like

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<v Speaker 1>why aren't the kids doing this? I know they aren't. Yeah,

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<v Speaker 1>Like it sounds like such a sci fi movie president

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<v Speaker 1>at a premise, like it's a drug that just makes

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<v Speaker 1>everything that already feels good feel even better because everybody's

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<v Speaker 1>just like worn out their pleasure receptors and and just

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<v Speaker 1>eats more and more and more. Um. Well, yeah, it's

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<v Speaker 1>also a great screenplay idea, somebody free idea. I just

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<v Speaker 1>gave one atom, always given out free ideas. There's something

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<v Speaker 1>sort of like this in a series of cyberpunk novels

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<v Speaker 1>that are fake authored by William Shatner. Oh my God,

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<v Speaker 1>that I looked up recently because there was a joke

0:12:29.160 --> 0:12:31.840
<v Speaker 1>about them on The Simpsons on an old Simpsons What

0:12:31.880 --> 0:12:34.439
<v Speaker 1>are they called Tech War is a science fiction novel

0:12:34.440 --> 0:12:38.359
<v Speaker 1>written by William Shatner and uncredited science fiction author Ron Goulart.

0:12:38.679 --> 0:12:41.480
<v Speaker 1>It was first published by G. P. Putnam Sons in October.

0:12:42.679 --> 0:12:46.440
<v Speaker 1>It has nine in the series, spawning a comic book

0:12:46.480 --> 0:12:48.880
<v Speaker 1>and TV series, video game, in a TV movie. It's

0:12:48.920 --> 0:12:51.040
<v Speaker 1>called tech War, and tech is spelled t e K,

0:12:51.480 --> 0:12:55.680
<v Speaker 1>and tech is the drug spice in the Dune universe.

0:12:55.720 --> 0:12:58.480
<v Speaker 1>It's like and it's set in the twenty second century.

0:12:58.800 --> 0:13:02.559
<v Speaker 1>A former cop who is framed for dealing tech. Oh yeah,

0:13:02.640 --> 0:13:11.120
<v Speaker 1>YOI okay, will Ever in the mood. Yeah, it just thought.

0:13:11.200 --> 0:13:15.600
<v Speaker 1>I thought something about the like fiftieth generation photocopied version

0:13:15.600 --> 0:13:18.439
<v Speaker 1>of a cyberpunk novel was funny. I think the thing

0:13:18.480 --> 0:13:21.600
<v Speaker 1>about the dopamine and the thing about you know, test

0:13:21.679 --> 0:13:24.319
<v Speaker 1>your friend who kind of went through an entire arc

0:13:24.840 --> 0:13:28.240
<v Speaker 1>over you know, twenty four hours at a at a casino.

0:13:29.200 --> 0:13:33.080
<v Speaker 1>There is some way in which gambling just feels like

0:13:33.200 --> 0:13:38.040
<v Speaker 1>this microcosm again of just like the experience of living

0:13:38.080 --> 0:13:41.760
<v Speaker 1>in capitalism. It's like a way to do it all once, uh,

0:13:42.000 --> 0:13:44.120
<v Speaker 1>in a really intense way and in a short amount

0:13:44.160 --> 0:13:48.760
<v Speaker 1>of time, like do do the It's it's capitalism concentrate um,

0:13:49.200 --> 0:13:52.880
<v Speaker 1>and and the fact that it is uh, you know,

0:13:53.000 --> 0:13:58.360
<v Speaker 1>completely arbitrary and um, it doesn't really have anything. It's

0:13:58.400 --> 0:14:03.080
<v Speaker 1>it's not a meritocracy. I gambling is not necessarily a meritocracy.

0:14:03.240 --> 0:14:06.800
<v Speaker 1>There's some skill involved in some games, but not not overall.

0:14:07.360 --> 0:14:12.160
<v Speaker 1>And uh and yet people still will pour their lives

0:14:12.200 --> 0:14:16.640
<v Speaker 1>into it and often destroy their lives um because it

0:14:16.760 --> 0:14:19.960
<v Speaker 1>still feels like there's still this like kind of hope

0:14:19.960 --> 0:14:24.520
<v Speaker 1>and optimism at the base of every Every chance is

0:14:24.560 --> 0:14:27.640
<v Speaker 1>another chance to make back that money and more, which

0:14:27.680 --> 0:14:31.000
<v Speaker 1>is also yeah, what capitalism is all about. Draw your

0:14:31.000 --> 0:14:34.680
<v Speaker 1>money away, it'll come back to you. Yeah, I mean,

0:14:35.080 --> 0:14:37.920
<v Speaker 1>it's also it can be. It's the kind of thing

0:14:37.920 --> 0:14:40.880
<v Speaker 1>where it's like if people are along for the ride

0:14:40.920 --> 0:14:44.400
<v Speaker 1>and then someone gets really sucked in and starts to

0:14:44.520 --> 0:14:48.480
<v Speaker 1>show obvious signs of like struggling within it, it's a

0:14:48.560 --> 0:14:51.120
<v Speaker 1>very weird thing to see, how like you try to

0:14:51.240 --> 0:14:53.200
<v Speaker 1>take people along for the ride. And we'll be talking

0:14:53.240 --> 0:14:55.840
<v Speaker 1>about that later when we talk about California split. But

0:14:55.880 --> 0:14:57.960
<v Speaker 1>I mean, it's like this kind of thing where you

0:14:58.000 --> 0:15:01.200
<v Speaker 1>want to experience it with someone but by nature, like

0:15:01.280 --> 0:15:03.680
<v Speaker 1>this is an experience where you're going to be in

0:15:03.720 --> 0:15:08.200
<v Speaker 1>opposite emotional places. At least, it's not a like collective experience,

0:15:08.240 --> 0:15:10.240
<v Speaker 1>I guess in the way that you would hope it

0:15:10.280 --> 0:15:13.520
<v Speaker 1>would be. Um. Yeah, with my friend, she was walking

0:15:13.560 --> 0:15:17.000
<v Speaker 1>around at one point like whispering to like, you know,

0:15:17.080 --> 0:15:20.080
<v Speaker 1>the superstition and the kind of like feeling like you're

0:15:20.120 --> 0:15:23.320
<v Speaker 1>communing with like the whole casino. It was just really

0:15:23.360 --> 0:15:27.640
<v Speaker 1>scary to see. Uh, I don't know. It haunts me still.

0:15:27.800 --> 0:15:30.480
<v Speaker 1>And also I just also watched that Simpsons episode where

0:15:30.520 --> 0:15:32.960
<v Speaker 1>Marge becomes a gambling addict where they open a casino

0:15:34.920 --> 0:15:38.080
<v Speaker 1>and Marge goes through the whole cycle of gambling addiction.

0:15:38.240 --> 0:15:41.200
<v Speaker 1>Great episode, great March episode. Well should we take a

0:15:41.320 --> 0:15:44.280
<v Speaker 1>night call. Let's just do it. We got a bunch

0:15:44.360 --> 0:15:47.800
<v Speaker 1>and again. Send us your night calls night emails one

0:15:47.800 --> 0:15:50.960
<v Speaker 1>to four oh four six Night Night Call Podcast at

0:15:51.000 --> 0:15:53.760
<v Speaker 1>gmail dot com. Tell us your gambling stories, tell us

0:15:53.800 --> 0:16:00.200
<v Speaker 1>your vagus conspiracies. UH, give us everything you got about, uh,

0:16:00.560 --> 0:16:05.600
<v Speaker 1>the wonderful world of losing money for sport, for fun

0:16:05.640 --> 0:16:08.680
<v Speaker 1>and pleasure. We're going to take a quick break and

0:16:08.760 --> 0:16:11.080
<v Speaker 1>when we come back, we're going to take a night call.

0:16:24.880 --> 0:16:27.600
<v Speaker 1>So you gonna take this call from Haze. Sure, yeah,

0:16:27.640 --> 0:16:29.440
<v Speaker 1>let's do it. Let's do it, and I'd call this.

0:16:30.720 --> 0:16:32.520
<v Speaker 1>I just signed up for the Patreon I saw that

0:16:32.560 --> 0:16:35.840
<v Speaker 1>you were doing gambling episode. This is a very quick

0:16:36.160 --> 0:16:39.880
<v Speaker 1>gambling story. I used to work at a job where

0:16:40.120 --> 0:16:45.560
<v Speaker 1>we would get cut really early every day for some reason. Uh,

0:16:45.880 --> 0:16:48.760
<v Speaker 1>usually around like one or two pm, and like three

0:16:48.800 --> 0:16:51.160
<v Speaker 1>times a week, a lot of people from the job

0:16:51.200 --> 0:16:54.840
<v Speaker 1>and I would go to uh Commerce Casino because the

0:16:54.840 --> 0:16:58.160
<v Speaker 1>traffic was light in the afternoon. This is the big

0:16:58.200 --> 0:17:01.920
<v Speaker 1>casino by the to held the huge outlet mall down

0:17:01.960 --> 0:17:07.600
<v Speaker 1>the five in Commerce obviously UH. And every time we went,

0:17:07.880 --> 0:17:10.480
<v Speaker 1>maybe almost every time, but like pretty much every time

0:17:11.280 --> 0:17:17.680
<v Speaker 1>we went, Kato Kalin was there. That's all. I love

0:17:17.760 --> 0:17:21.520
<v Speaker 1>this night call. Thank you, great call from his friend

0:17:21.520 --> 0:17:25.679
<v Speaker 1>of the pod uh from Hollywood Handbook and also the

0:17:25.840 --> 0:17:29.080
<v Speaker 1>l a podcast which I just went on a bonus episode.

0:17:29.119 --> 0:17:33.880
<v Speaker 1>There's to talk about Magnolia. Check out both check him out.

0:17:34.320 --> 0:17:38.000
<v Speaker 1>UM Commerce Casino is the bleakest and that is why

0:17:38.040 --> 0:17:42.879
<v Speaker 1>it is the truest casino. Have you been? No? But

0:17:42.960 --> 0:17:46.400
<v Speaker 1>I love it. But how do you know you love it?

0:17:46.840 --> 0:17:50.919
<v Speaker 1>Because everyone I know who goes there, like only has

0:17:50.960 --> 0:17:54.479
<v Speaker 1>incredibly dark stories about it um and it was a

0:17:54.520 --> 0:17:59.280
<v Speaker 1>major plot point on True Detective season two. Right. Oh, yes,

0:17:59.320 --> 0:18:02.200
<v Speaker 1>of course I'm obsessed with like the City of Commerce

0:18:02.240 --> 0:18:04.480
<v Speaker 1>in the City of Industry because their names are the

0:18:04.520 --> 0:18:08.760
<v Speaker 1>fucking City of Commerce and Industry. Yeah, I mean I'm

0:18:08.760 --> 0:18:11.680
<v Speaker 1>obsessed at the Citadel. Yeah. I just heard a news

0:18:11.680 --> 0:18:15.800
<v Speaker 1>story yesterday about how they are reopening the Citadels. Such

0:18:15.840 --> 0:18:19.439
<v Speaker 1>a bad idea. Do you guys have a favorite Southern

0:18:19.440 --> 0:18:24.639
<v Speaker 1>California Greater Los Angeles area casino or because I have

0:18:24.760 --> 0:18:28.160
<v Speaker 1>never really been to any other than Morongo, which I've

0:18:28.200 --> 0:18:32.480
<v Speaker 1>been to multiple times. Um. I ate at the restaurant

0:18:32.520 --> 0:18:35.359
<v Speaker 1>at the top of Morongo when I won that money there,

0:18:35.440 --> 0:18:37.720
<v Speaker 1>because I was like, what high rollers, We're gonna get

0:18:37.760 --> 0:18:43.200
<v Speaker 1>us stake at Morongo Casino. No, I mean not really.

0:18:43.400 --> 0:18:47.720
<v Speaker 1>I've done more video gambling in New Orleans where they

0:18:47.760 --> 0:18:51.960
<v Speaker 1>have it everywhere, but I haven't been to the Hustler casino.

0:18:52.400 --> 0:18:55.400
<v Speaker 1>I have not been to Hollywood Circle. I would love

0:18:55.440 --> 0:18:57.840
<v Speaker 1>to go to Hollywood Park. I used to work by

0:18:58.119 --> 0:19:01.439
<v Speaker 1>Hollywood Park and my coworkers and I we kind of

0:19:01.480 --> 0:19:03.440
<v Speaker 1>had a similar thing where we got off work early

0:19:03.440 --> 0:19:05.719
<v Speaker 1>because we were on this East Coast time schedule. So

0:19:05.720 --> 0:19:07.480
<v Speaker 1>we would always be off at like three, and it

0:19:07.560 --> 0:19:09.040
<v Speaker 1>was always this idea like We're going to go to

0:19:09.119 --> 0:19:12.000
<v Speaker 1>the racetrack one of these days, and then never did it.

0:19:12.080 --> 0:19:14.639
<v Speaker 1>I would still like to go. Yeah, I love Hollywood

0:19:14.680 --> 0:19:17.600
<v Speaker 1>Park again, just like as a place that there were

0:19:17.640 --> 0:19:21.400
<v Speaker 1>ads for that. I was like, oh, seems glamorous not

0:19:21.480 --> 0:19:23.960
<v Speaker 1>to be a horrible person in a skuld but I

0:19:24.280 --> 0:19:26.760
<v Speaker 1>mean not, I'm I'm being a good person, but I'm

0:19:26.760 --> 0:19:32.119
<v Speaker 1>being a horrible skuld. Well yeah, as a friend of ponies,

0:19:32.359 --> 0:19:35.480
<v Speaker 1>I can't deal with the racing like I can. I cannot.

0:19:35.920 --> 0:19:38.560
<v Speaker 1>It makes me It's it just feels like it's so

0:19:38.720 --> 0:19:42.080
<v Speaker 1>cruel and like unnecessed. And I keep being like, couldn't

0:19:42.080 --> 0:19:44.879
<v Speaker 1>we have as much fun with like a snail race

0:19:45.200 --> 0:19:49.320
<v Speaker 1>and they just crawling? Can't we can't we just like

0:19:49.760 --> 0:19:53.240
<v Speaker 1>invertebrates and like maybe also we take better care of that.

0:19:53.359 --> 0:19:57.560
<v Speaker 1>There's a turtle race and Marvista exactly. The turtle race

0:19:57.680 --> 0:20:01.280
<v Speaker 1>is horrible. Yeah, I know, turtle race all animal racist

0:20:01.520 --> 0:20:04.000
<v Speaker 1>that like, listen, we I think we need to maybe

0:20:04.040 --> 0:20:07.520
<v Speaker 1>have like a like a may Back music type tag

0:20:07.560 --> 0:20:10.240
<v Speaker 1>over all of rambling gamble in June. That's like this

0:20:10.400 --> 0:20:13.480
<v Speaker 1>ship is evil. Like everything we're talking about is evil.

0:20:14.160 --> 0:20:21.680
<v Speaker 1>Uh except scratchers. Uh yeah, I mean sure they fund

0:20:21.720 --> 0:20:25.400
<v Speaker 1>our schools or whatever, but that shouldn't be that is autem.

0:20:27.000 --> 0:20:29.639
<v Speaker 1>It's all the trap. I think. Also, Hollywood Park is

0:20:29.680 --> 0:20:32.800
<v Speaker 1>one of those things where, like the idea of it

0:20:32.840 --> 0:20:35.280
<v Speaker 1>was fun, but I'm sure if we had gone there,

0:20:35.359 --> 0:20:38.679
<v Speaker 1>we would have been like, this is so depressing. Totally. Yeah,

0:20:38.720 --> 0:20:41.320
<v Speaker 1>I mean that's the thing. We'll talk about this more

0:20:41.480 --> 0:20:45.160
<v Speaker 1>later later in the California split section of the episode.

0:20:45.200 --> 0:20:47.800
<v Speaker 1>But I think a lot of a lot of gambling,

0:20:47.880 --> 0:20:51.080
<v Speaker 1>even even if you're in some places in Vegas, but

0:20:51.200 --> 0:20:54.200
<v Speaker 1>like especially if you're gambling outside of like a resort town,

0:20:55.080 --> 0:20:57.840
<v Speaker 1>the veil comes down pretty quickly and you see it

0:20:57.880 --> 0:21:00.280
<v Speaker 1>for what it is, and you know, but you see

0:21:00.280 --> 0:21:02.639
<v Speaker 1>it for what it is if you're not addicted to gambling,

0:21:03.280 --> 0:21:06.600
<v Speaker 1>you know, like if you're outside of that bubble, then

0:21:06.680 --> 0:21:09.760
<v Speaker 1>the depressing factor becomes apparent pretty quickly. Like if you're

0:21:09.800 --> 0:21:13.240
<v Speaker 1>on a reservation casino in Washington State or something like that's,

0:21:14.440 --> 0:21:16.840
<v Speaker 1>you know, it's a different scene. It's not going to

0:21:16.920 --> 0:21:19.680
<v Speaker 1>Vegas with your girlfriends and having fun and playing slots

0:21:19.720 --> 0:21:22.880
<v Speaker 1>and getting free drinks. It's like a very different vibe. Well,

0:21:22.960 --> 0:21:26.400
<v Speaker 1>speaking of that, we actually have a night call about

0:21:26.480 --> 0:21:30.320
<v Speaker 1>a pretty bummer of a trip that someone took to

0:21:30.960 --> 0:21:35.040
<v Speaker 1>the Silver Legacy Casino. Should we take that? Yes, my

0:21:35.119 --> 0:21:39.480
<v Speaker 1>name's Utah. I've never listened to your podcasts. I just

0:21:39.560 --> 0:21:43.240
<v Speaker 1>kind of stumbled into Twitter drunk in the middle of

0:21:43.240 --> 0:21:46.800
<v Speaker 1>the night a couple of months ago and somehow came

0:21:46.840 --> 0:21:51.119
<v Speaker 1>across this. But my story is basically that a friend

0:21:51.119 --> 0:21:56.760
<v Speaker 1>of mine who lives in Oakland, UM, came down to

0:21:56.880 --> 0:22:00.680
<v Speaker 1>l A. And we drove from l A to Wyoming

0:22:00.760 --> 0:22:02.920
<v Speaker 1>and on the way spent the night and we know

0:22:04.280 --> 0:22:08.040
<v Speaker 1>and stay at the Silver Legacy Casino, in which I've

0:22:08.080 --> 0:22:11.359
<v Speaker 1>gone back too since then. And it's just the most

0:22:11.400 --> 0:22:13.760
<v Speaker 1>horrible casino you've ever seen in your life. The middle

0:22:13.800 --> 0:22:19.600
<v Speaker 1>of it is a gigantic like Neon electrified oil rig

0:22:20.640 --> 0:22:24.560
<v Speaker 1>that is the most terrifying thing you've ever seen. On

0:22:24.640 --> 0:22:27.199
<v Speaker 1>top of it was just completely dead the way you

0:22:27.240 --> 0:22:31.080
<v Speaker 1>want a horrible casino to be. Uh. And we spent

0:22:31.160 --> 0:22:35.159
<v Speaker 1>all night gambling getting wasted, uh, and then woke up

0:22:35.200 --> 0:22:40.000
<v Speaker 1>the next day, um, and we're walking out of the

0:22:40.040 --> 0:22:45.119
<v Speaker 1>hotel with our bags that are you know, of course

0:22:45.200 --> 0:22:48.159
<v Speaker 1>filled the drugs because we're on our way to go

0:22:48.280 --> 0:22:53.760
<v Speaker 1>see a once in a lifetime it clicks in Wyoming, Um,

0:22:53.840 --> 0:22:57.480
<v Speaker 1>and it happens to be the day that Trump is

0:22:57.520 --> 0:23:01.600
<v Speaker 1>having a rally or something in Reno, and there's two

0:23:01.640 --> 0:23:06.080
<v Speaker 1>cops just posted up by the elevators. When you come

0:23:06.119 --> 0:23:11.080
<v Speaker 1>out of your room with drug dogs, I guess you're

0:23:11.080 --> 0:23:13.960
<v Speaker 1>looking for bombs, probably not really looking for drugs. But

0:23:14.080 --> 0:23:18.760
<v Speaker 1>we were so hungover and paranoid that we both walked

0:23:18.800 --> 0:23:22.080
<v Speaker 1>out of there like we were two by fours or something,

0:23:22.200 --> 0:23:26.320
<v Speaker 1>just so stiff. Uh. And then we got out and

0:23:26.400 --> 0:23:31.320
<v Speaker 1>I just remember like completely having one of those hangover

0:23:31.440 --> 0:23:36.119
<v Speaker 1>panic attacks, trying to drive the car out of Reno

0:23:36.320 --> 0:23:40.720
<v Speaker 1>and just like feeling the weight of Reno creeping up

0:23:41.359 --> 0:23:46.520
<v Speaker 1>on me. Uh. Needs to say it was It was

0:23:46.560 --> 0:23:49.800
<v Speaker 1>a good time. I don't have any any more details

0:23:49.800 --> 0:23:51.679
<v Speaker 1>about the Silver Legacy because it was kind of a

0:23:51.720 --> 0:23:56.639
<v Speaker 1>blur and it was only that one night. Um. But

0:23:56.760 --> 0:23:59.479
<v Speaker 1>the eclipse was amazing. It was one of my favorite

0:23:59.480 --> 0:24:04.200
<v Speaker 1>trips I've taken. And I guess I'm gonna listen to

0:24:04.240 --> 0:24:07.879
<v Speaker 1>your podcast tonight. All right, thanks a lot by what

0:24:07.960 --> 0:24:12.560
<v Speaker 1>a ride? D you tah? You listen to our podcast?

0:24:12.800 --> 0:24:16.840
<v Speaker 1>We love you clearly. That was one of the best

0:24:16.880 --> 0:24:20.720
<v Speaker 1>calls we've ever gotten. Yeah. I I heard that call

0:24:20.800 --> 0:24:22.280
<v Speaker 1>and I was like, I'm going to force them to

0:24:22.320 --> 0:24:24.720
<v Speaker 1>listen to this call, whether they because he there were

0:24:24.720 --> 0:24:28.000
<v Speaker 1>a couple versions. One of them had more details, but

0:24:28.119 --> 0:24:30.480
<v Speaker 1>the they you know you talk kept getting cut off,

0:24:30.480 --> 0:24:33.720
<v Speaker 1>So this was the one that he he suggested. I used, Uh, Yeah,

0:24:33.960 --> 0:24:36.359
<v Speaker 1>isn't that like pretty much gambling in a nutshell? Like

0:24:36.400 --> 0:24:39.440
<v Speaker 1>all of that is a feeling that's so easily identifiable

0:24:39.560 --> 0:24:43.240
<v Speaker 1>with Yeah, I mean, like I think that there's this

0:24:43.359 --> 0:24:45.639
<v Speaker 1>thing that's like like because of fear and loathing and

0:24:45.680 --> 0:24:47.800
<v Speaker 1>stuff and Hunter as Thompson, where it's just like, oh,

0:24:47.880 --> 0:24:50.800
<v Speaker 1>if you go and you like are having a weird

0:24:50.920 --> 0:24:53.840
<v Speaker 1>paranoid feeling where you feel like you're the outsider, weirdo

0:24:54.119 --> 0:24:56.440
<v Speaker 1>and in the gambling town and the cops are all

0:24:56.480 --> 0:24:58.320
<v Speaker 1>after you and they're going to find your drugs or

0:24:58.320 --> 0:25:01.520
<v Speaker 1>whatever that you're like doing some sort of all version

0:25:01.720 --> 0:25:04.560
<v Speaker 1>of it. But like, no, it's like the universal feeling

0:25:04.680 --> 0:25:09.280
<v Speaker 1>of PS and Yeah, it's like everybody knows that I'm

0:25:09.320 --> 0:25:11.240
<v Speaker 1>a bad person and I'm going to get arrested for

0:25:11.280 --> 0:25:13.800
<v Speaker 1>something I don't even know what it is. I found

0:25:13.840 --> 0:25:16.520
<v Speaker 1>out at some point that the reason Hunter S. Thompson

0:25:16.680 --> 0:25:19.119
<v Speaker 1>was in Las Vegas other than just because it's like

0:25:19.160 --> 0:25:21.280
<v Speaker 1>the one place you can get a magazine to pay

0:25:21.320 --> 0:25:25.160
<v Speaker 1>to send you because casinos will calm things for them,

0:25:25.359 --> 0:25:29.119
<v Speaker 1>is that they were paranoid because he was going with

0:25:29.200 --> 0:25:34.520
<v Speaker 1>Oscar Zeta Acosta who was covering the Chicano Moratorium in

0:25:34.560 --> 0:25:37.439
<v Speaker 1>Los Angeles and thought he was being wire tapped by

0:25:37.480 --> 0:25:41.480
<v Speaker 1>the l A p D. Because he probably was, and uh,

0:25:41.680 --> 0:25:45.080
<v Speaker 1>Hunters Thompson was writing something about it for Rolling Stone

0:25:45.320 --> 0:25:47.719
<v Speaker 1>but was like, let's go to Las Vegas. I'm supposed

0:25:47.720 --> 0:25:50.680
<v Speaker 1>to cover this car race. We can go to Vegas

0:25:50.720 --> 0:25:54.399
<v Speaker 1>and then they won't be tapping us in our hotel room.

0:25:54.440 --> 0:25:56.919
<v Speaker 1>So that's why they went in the first place. So

0:25:56.960 --> 0:26:00.399
<v Speaker 1>it's like they were paranoid for a super legitimate reason

0:26:00.720 --> 0:26:03.600
<v Speaker 1>and also free trip out of town. It's funny to

0:26:03.680 --> 0:26:05.520
<v Speaker 1>think that there was a time you could like stop

0:26:05.560 --> 0:26:08.440
<v Speaker 1>being tracked if you just stopped answering your phone at

0:26:08.720 --> 0:26:13.119
<v Speaker 1>home on your landline. Oh my god, um, now I

0:26:13.840 --> 0:26:17.520
<v Speaker 1>I love I love this call. Also because it speaks

0:26:17.560 --> 0:26:21.040
<v Speaker 1>to the weird. Um, there's some sort of suspension of

0:26:21.040 --> 0:26:25.560
<v Speaker 1>politics that happens in a casino, and then when it does,

0:26:25.680 --> 0:26:27.960
<v Speaker 1>weird's head. It feels like getting splashed in the face

0:26:28.000 --> 0:26:30.840
<v Speaker 1>with cold water and like you could be, you know,

0:26:30.960 --> 0:26:34.080
<v Speaker 1>just getting wasted and gambling some shitty casino and rino

0:26:34.160 --> 0:26:36.159
<v Speaker 1>and then realize, like everybody y're around is like a

0:26:36.160 --> 0:26:40.200
<v Speaker 1>Trump supporter. You're like, oh god, it's very body snatchers. Yeah.

0:26:40.760 --> 0:26:42.439
<v Speaker 1>I feel like I've had that happen a couple of

0:26:42.480 --> 0:26:44.800
<v Speaker 1>times in Florida, where I was like having an amazing

0:26:44.800 --> 0:26:47.200
<v Speaker 1>time in Florida and then I just like looked around

0:26:47.280 --> 0:26:50.080
<v Speaker 1>at some bumper stickers and got totally freaked out. Yeah,

0:26:50.280 --> 0:26:53.080
<v Speaker 1>you see that, you put on the glasses. But as

0:26:53.080 --> 0:26:56.960
<v Speaker 1>you said, like you see that in Los Angeles too. Everywhere.

0:26:57.600 --> 0:27:00.159
<v Speaker 1>Also when you when you start to go to like

0:27:00.280 --> 0:27:03.760
<v Speaker 1>San Diego, which you're like, my neighbor is San Diego

0:27:03.880 --> 0:27:06.119
<v Speaker 1>the neighbor of l A. And then you're like, oh, okay,

0:27:06.119 --> 0:27:09.720
<v Speaker 1>I'm like surrounded by people whose views I found disgusting

0:27:09.760 --> 0:27:13.680
<v Speaker 1>and horror. No, Southern California has a bad energy, yeah,

0:27:13.960 --> 0:27:18.359
<v Speaker 1>but so does America. So America. I've never been to

0:27:18.400 --> 0:27:21.159
<v Speaker 1>Atlantic City, but I've always super wanted to go, and

0:27:21.160 --> 0:27:23.360
<v Speaker 1>everyone's like why would you want to go? It's so depressing,

0:27:23.400 --> 0:27:24.960
<v Speaker 1>And I'm like, well, that's why I want to go.

0:27:25.160 --> 0:27:28.879
<v Speaker 1>It just seems really interesting. Yeah, it's like the first

0:27:29.040 --> 0:27:32.879
<v Speaker 1>Las Vegas that was then abandoned when they invented second

0:27:32.960 --> 0:27:37.080
<v Speaker 1>Las Vegas. Yeah, it's uh. I didn't even really see

0:27:37.240 --> 0:27:40.200
<v Speaker 1>Atlantic City when I went there because we were staying

0:27:40.240 --> 0:27:43.679
<v Speaker 1>at the Borgata, which is like the nice place in

0:27:43.880 --> 0:27:46.320
<v Speaker 1>Atlantic City. But it's like the nice place because it's

0:27:46.359 --> 0:27:48.400
<v Speaker 1>really far from the boardwalk, Like you have to get

0:27:48.400 --> 0:27:50.399
<v Speaker 1>in a car to go to the boardwalk, which is

0:27:50.400 --> 0:27:53.159
<v Speaker 1>like what I would want to see if I went there. Um,

0:27:53.400 --> 0:27:56.320
<v Speaker 1>And everybody in our in our group was just like,

0:27:57.080 --> 0:27:59.399
<v Speaker 1>it's not really worth it. Let's just not go. And

0:27:59.400 --> 0:28:02.639
<v Speaker 1>I was like, I'd like to see it though, but

0:28:02.800 --> 0:28:07.200
<v Speaker 1>I think that I think it's just not fun. From

0:28:07.200 --> 0:28:09.639
<v Speaker 1>from what I understand, you're like as part of my

0:28:09.760 --> 0:28:15.520
<v Speaker 1>Boardwalk Empire completionist sightseeing toy. I'm like a super fan. Definitely.

0:28:16.160 --> 0:28:18.160
<v Speaker 1>Do you guys remember at the Emmys when they saying

0:28:18.520 --> 0:28:22.920
<v Speaker 1>get Nucky when they get Lucky parody that was about

0:28:23.040 --> 0:28:27.520
<v Speaker 1>Nuckie from My God Nuckie Thompson just flashing back to

0:28:27.640 --> 0:28:34.879
<v Speaker 1>the before world just to get Nu Nucky did it

0:28:34.920 --> 0:28:37.000
<v Speaker 1>all for the neck. One of those times my soul

0:28:37.119 --> 0:28:38.719
<v Speaker 1>left my body and I was like, this is what

0:28:38.760 --> 0:28:41.680
<v Speaker 1>prestige television is. This is a little bit like the Casino.

0:28:41.840 --> 0:28:45.480
<v Speaker 1>It's like at its heart, it's still a little bit

0:28:45.520 --> 0:28:49.000
<v Speaker 1>of like Michigan Jay Frog. All TV as Michigan Jay Frog.

0:28:49.960 --> 0:28:52.520
<v Speaker 1>All the celebrities are Michigan Jay Frog. Now they're all

0:28:52.560 --> 0:28:56.720
<v Speaker 1>just like, look at me, love me, because they're all

0:28:56.720 --> 0:28:59.440
<v Speaker 1>trapped in their homes and they're like starved for attention.

0:29:00.000 --> 0:29:01.640
<v Speaker 1>They don't know how to do anything. Like the Inner

0:29:01.680 --> 0:29:07.080
<v Speaker 1>Theater kid comes out. Um oy, Yeah, we're all doing

0:29:07.080 --> 0:29:09.960
<v Speaker 1>our own Vegas residencies from home. Now. Um well, we're

0:29:09.960 --> 0:29:12.280
<v Speaker 1>gonna take a break real quick, and when we come back,

0:29:12.320 --> 0:29:28.000
<v Speaker 1>we're going to talk about California Split. Welcome back to

0:29:28.080 --> 0:29:32.880
<v Speaker 1>Night Call. We are kicking off Rambling Gambling June with

0:29:33.800 --> 0:29:37.080
<v Speaker 1>what I apparently, according to Wikipedia, is considered one of

0:29:37.160 --> 0:29:40.720
<v Speaker 1>the greatest gambling movies of all time. I had. I

0:29:40.800 --> 0:29:43.400
<v Speaker 1>just thought it was like a good movie. I didn't

0:29:43.400 --> 0:29:45.840
<v Speaker 1>know that it was so revered in that way. In fact,

0:29:45.920 --> 0:29:48.680
<v Speaker 1>it wasn't even available to watch for so long, so

0:29:48.720 --> 0:29:52.280
<v Speaker 1>I feel like it's a Little Hidden But anyway, rambling gambling,

0:29:54.400 --> 0:29:57.440
<v Speaker 1>California Split, then I need somebody for Robert Almond movie.

0:29:57.520 --> 0:30:00.320
<v Speaker 1>We all watched it this week. It's below of I

0:30:00.320 --> 0:30:02.600
<v Speaker 1>feel like it's having kind of a resurgence recently. I

0:30:02.600 --> 0:30:05.320
<v Speaker 1>think because it's on maybe because it's on Amazon. Now

0:30:05.760 --> 0:30:09.200
<v Speaker 1>I wouldn't know about such things. Um, I watched a

0:30:09.240 --> 0:30:13.960
<v Speaker 1>bootleg because it felt in the spirit. Have you guys

0:30:13.960 --> 0:30:16.640
<v Speaker 1>seen it before? Yeah, yeah, I've actually seen this one

0:30:16.680 --> 0:30:19.480
<v Speaker 1>a lot of times. Um. They showed at the New

0:30:19.520 --> 0:30:23.200
<v Speaker 1>Beverley a lot. So yeah, there's a print that's that

0:30:23.280 --> 0:30:26.880
<v Speaker 1>floats around l A. I saw it. Um. I saw

0:30:26.880 --> 0:30:29.960
<v Speaker 1>it at Sinnaspia actually like a long time ago, like

0:30:30.440 --> 0:30:32.920
<v Speaker 1>thirteen years ago or something like it was like two

0:30:33.000 --> 0:30:35.280
<v Speaker 1>thousand seven or something. And I think that was the

0:30:35.280 --> 0:30:38.240
<v Speaker 1>time when they you couldn't really get it. It didn't

0:30:38.560 --> 0:30:41.560
<v Speaker 1>exists on DVD or what you know. I guess it

0:30:41.600 --> 0:30:44.080
<v Speaker 1>was still DVD era, so it was kind of hard

0:30:44.080 --> 0:30:46.880
<v Speaker 1>to see. And you know, I've been like I've all

0:30:47.000 --> 0:30:50.320
<v Speaker 1>been fans since high school basically, so I was just like, oh,

0:30:50.360 --> 0:30:52.160
<v Speaker 1>I haven't seen this one, and this was like one

0:30:52.240 --> 0:30:54.600
<v Speaker 1>of the rare opportunities to see it and Um. I

0:30:54.640 --> 0:30:58.000
<v Speaker 1>loved it, and it kind of kicked off my obsession

0:30:58.040 --> 0:31:01.880
<v Speaker 1>with Elliott Gould. Um And I warned, I warned tests

0:31:01.880 --> 0:31:04.160
<v Speaker 1>in Molly, I'm gonna be like extremely horny on me

0:31:04.200 --> 0:31:08.680
<v Speaker 1>and talking about cold. Molly is a Gould fan as well. Yeah.

0:31:08.720 --> 0:31:13.280
<v Speaker 1>I thought that was just the basic normal human response

0:31:13.280 --> 0:31:16.960
<v Speaker 1>to Elliott Gold was sorry, guys, but then we found

0:31:16.960 --> 0:31:19.400
<v Speaker 1>out that tests we do not have a quorum, but

0:31:19.520 --> 0:31:21.760
<v Speaker 1>that makes it more fun to talk about. I was

0:31:21.800 --> 0:31:23.720
<v Speaker 1>more confused because I was like, oh, you're a George

0:31:23.720 --> 0:31:28.880
<v Speaker 1>Siegel lady, and you were like both of them. I mean, look,

0:31:29.200 --> 0:31:31.400
<v Speaker 1>my main issue with Elliot Gold is that his his

0:31:31.600 --> 0:31:35.720
<v Speaker 1>reputation precedes him, and his reputation is that he's a dick,

0:31:35.920 --> 0:31:38.720
<v Speaker 1>and so it it. I had that in my head

0:31:39.280 --> 0:31:41.479
<v Speaker 1>from like before I had ever seen a movie he

0:31:41.600 --> 0:31:46.360
<v Speaker 1>was in and had to have great prejudice against him. Uh.

0:31:46.400 --> 0:31:48.840
<v Speaker 1>And it's you know, he just has that energy where

0:31:48.880 --> 0:31:50.960
<v Speaker 1>you're like, he's just gonna talk over you, which is

0:31:51.000 --> 0:31:55.800
<v Speaker 1>probably accentuated by the A track. Uh yeah, where I'm

0:31:55.800 --> 0:31:57.800
<v Speaker 1>just like I don't think i'd get a word in edgewise,

0:31:57.840 --> 0:32:00.120
<v Speaker 1>and he does a lot of tangents, Like right before

0:32:00.120 --> 0:32:02.080
<v Speaker 1>we recorded. I read all of these interviews with him,

0:32:02.080 --> 0:32:04.520
<v Speaker 1>and almost every interviewer is like, so well, yott cool,

0:32:04.640 --> 0:32:07.360
<v Speaker 1>like pretty difficult to interview because he just like likes

0:32:07.400 --> 0:32:09.560
<v Speaker 1>to do a lot of like non sequiturs and long

0:32:09.640 --> 0:32:12.560
<v Speaker 1>kind of okay again, like a dream interview. Though. I

0:32:12.600 --> 0:32:17.040
<v Speaker 1>feel like if somebody who keeps talking and I'm like yes, yeah,

0:32:17.160 --> 0:32:23.120
<v Speaker 1>and I'm like, tests I am your friend, but you're not.

0:32:24.000 --> 0:32:26.760
<v Speaker 1>I mean maybe I'm like a little bit of misinterest

0:32:26.840 --> 0:32:30.920
<v Speaker 1>about this. I love the talkie talkiness. It's so it's

0:32:30.960 --> 0:32:33.720
<v Speaker 1>so endearing to me. I find it like so charming.

0:32:34.040 --> 0:32:37.440
<v Speaker 1>There's a Debritannin book that that she's a linguist that

0:32:37.520 --> 0:32:40.080
<v Speaker 1>came out where she talked about how the over talking

0:32:40.440 --> 0:32:44.360
<v Speaker 1>in the New York Jewish culture, uh, but also like

0:32:44.440 --> 0:32:48.160
<v Speaker 1>a lot of ethnic cultures. It's like it's not rude,

0:32:48.400 --> 0:32:51.920
<v Speaker 1>it's signals comfort. It signals that you're comfortable enough around

0:32:51.960 --> 0:32:53.920
<v Speaker 1>each other to just sort of talk over each other

0:32:53.960 --> 0:32:58.200
<v Speaker 1>and know that everyone's listening. Yeah, yeah, how I justify

0:32:58.240 --> 0:33:00.240
<v Speaker 1>it to myself anyway, when I'm talking over all of

0:33:00.280 --> 0:33:02.440
<v Speaker 1>you all of the time, I would I wouldn't mind

0:33:02.480 --> 0:33:05.600
<v Speaker 1>if I were myself an over talker. I I feel

0:33:05.600 --> 0:33:10.720
<v Speaker 1>like bound by the rules of waiting my turn polite.

0:33:10.960 --> 0:33:14.400
<v Speaker 1>Others would disagree, but I feel like it's it's a

0:33:14.840 --> 0:33:20.040
<v Speaker 1>it's a like macho, like yammering energy that I'm so

0:33:20.160 --> 0:33:26.640
<v Speaker 1>not into, but not much. It's the seventies like neuroses macho,

0:33:26.760 --> 0:33:28.880
<v Speaker 1>if it's any kind of macho, which is just like

0:33:29.080 --> 0:33:31.800
<v Speaker 1>I am a jangling bunch of nerves and I have

0:33:31.880 --> 0:33:34.320
<v Speaker 1>to keep talking or else I'm going to implode, which

0:33:34.360 --> 0:33:37.040
<v Speaker 1>I feel like is like both charming to me and

0:33:37.080 --> 0:33:40.000
<v Speaker 1>also very I feel very sympathetic to it, so I'm

0:33:40.040 --> 0:33:42.560
<v Speaker 1>just like, oh, you're kind of like me. Yeah, maybe

0:33:42.600 --> 0:33:44.560
<v Speaker 1>this is the fight club thing again. I'm just like,

0:33:44.640 --> 0:33:47.640
<v Speaker 1>I only relate to these characters. I don't in any

0:33:47.640 --> 0:33:50.240
<v Speaker 1>way I think of them as like, like dudes. I'm

0:33:50.280 --> 0:33:53.000
<v Speaker 1>just like, it's us, it's it's you. Well, I wish

0:33:53.040 --> 0:33:56.200
<v Speaker 1>I could identify with George Siegel. Having Elliott Gould does

0:33:56.280 --> 0:33:59.120
<v Speaker 1>not not an option for myself, but he's too depressing,

0:33:59.600 --> 0:34:03.280
<v Speaker 1>and I find his He makes insincere expressions with his face,

0:34:04.760 --> 0:34:09.680
<v Speaker 1>otherwise known as acting. I guess, but like I was like,

0:34:09.800 --> 0:34:11.880
<v Speaker 1>I was like, I don't have anyone to cling to,

0:34:12.120 --> 0:34:16.000
<v Speaker 1>so I decided to attach myself to Ann Prentice is

0:34:16.160 --> 0:34:19.480
<v Speaker 1>character Barbara, which, as I think Elliott Gould points out,

0:34:19.520 --> 0:34:21.760
<v Speaker 1>or maybe it's George's eagle. There are so many Barbaras

0:34:21.760 --> 0:34:26.000
<v Speaker 1>in this movie. She's one Barbara. Everyone's named Barbara. Um.

0:34:26.160 --> 0:34:29.800
<v Speaker 1>She's so great too, She's awesome. The sister of Paul

0:34:30.320 --> 0:34:32.799
<v Speaker 1>Paul Apprentice. I was like, wait, we're in where the

0:34:32.840 --> 0:34:34.640
<v Speaker 1>boys are, and then I was like, no, it's it's

0:34:34.680 --> 0:34:37.240
<v Speaker 1>Paula Prentiss younger sister. But they have the same face.

0:34:39.000 --> 0:34:42.600
<v Speaker 1>I love that whole subplot with the girls, um, who

0:34:42.680 --> 0:34:47.480
<v Speaker 1>are sex workers of some kind, um, seemingly going on

0:34:47.520 --> 0:34:51.799
<v Speaker 1>dinner dates with dudes, um, because again it's like it's

0:34:51.840 --> 0:34:56.600
<v Speaker 1>treated very respectfully in a way that you wouldn't necessarily

0:34:56.640 --> 0:35:01.480
<v Speaker 1>expect from this movie. It's like, don't know, everyone's so

0:35:01.480 --> 0:35:06.960
<v Speaker 1>so interesting, everyone's multidimensional wells. I haven't seen Nashville. Um,

0:35:07.040 --> 0:35:09.640
<v Speaker 1>Nashville is going to be next up in my Altmand

0:35:09.719 --> 0:35:16.000
<v Speaker 1>Journey of Its Worth it. Do you like any Altman movies?

0:35:16.520 --> 0:35:19.440
<v Speaker 1>You know? I really didn't like mccab and Mrs Miller,

0:35:19.480 --> 0:35:22.040
<v Speaker 1>and I kind of clocked out after that. Really you

0:35:22.040 --> 0:35:24.640
<v Speaker 1>don't like McCabe and Mrs Miller, I know, and I

0:35:24.680 --> 0:35:27.040
<v Speaker 1>don't really talk about it because that's what everyone says,

0:35:27.160 --> 0:35:30.680
<v Speaker 1>but I don't. There was also it was very trendy

0:35:30.760 --> 0:35:33.680
<v Speaker 1>to like all the seventies, all movies in Los Angeles

0:35:33.760 --> 0:35:35.839
<v Speaker 1>and in the two thousands, which is also I think

0:35:35.840 --> 0:35:38.439
<v Speaker 1>why they were showing California Split all the time, because

0:35:38.440 --> 0:35:40.520
<v Speaker 1>because there was a big vogue for The Long Goodbye,

0:35:40.600 --> 0:35:43.920
<v Speaker 1>which is a great movie. I first watched that with

0:35:44.120 --> 0:35:49.080
<v Speaker 1>Possible overrated that movie. Yeah, but I also think Altman.

0:35:49.840 --> 0:35:53.120
<v Speaker 1>Altman is one of my favorite directors for sure, because yeah,

0:35:53.160 --> 0:35:56.000
<v Speaker 1>he can do any genre in a way that's interesting.

0:35:56.280 --> 0:35:59.480
<v Speaker 1>And yeah, if you don't like the over talking in

0:35:59.520 --> 0:36:02.560
<v Speaker 1>the eight track, it might not be that. Yeah, the

0:36:02.680 --> 0:36:06.000
<v Speaker 1>hrack thing is so it's so funny to have because

0:36:06.040 --> 0:36:08.320
<v Speaker 1>this is the first movie to use it that wasn't

0:36:08.360 --> 0:36:12.640
<v Speaker 1>a cinema scope movie. Because they created that technology that

0:36:12.719 --> 0:36:16.719
<v Speaker 1>surround sound technology for cinema scope and then they're like, well,

0:36:16.760 --> 0:36:19.719
<v Speaker 1>we could also just do it for like a non spectacle.

0:36:19.719 --> 0:36:23.200
<v Speaker 1>I wrote a paper about it in college. Mavie sound

0:36:23.239 --> 0:36:25.440
<v Speaker 1>design of this movie, because I think it is like

0:36:25.480 --> 0:36:28.840
<v Speaker 1>the best sound design movie. I brought up Uncut Gems

0:36:28.880 --> 0:36:31.759
<v Speaker 1>because I think Uncut Gems is another gambling movie that

0:36:31.880 --> 0:36:34.240
<v Speaker 1>used the sound design really well to sort of convey

0:36:34.360 --> 0:36:38.960
<v Speaker 1>that just like never never a moment of downtime in

0:36:39.000 --> 0:36:42.520
<v Speaker 1>that in your brain. I listened to it on headphones

0:36:42.800 --> 0:36:46.279
<v Speaker 1>this time, and it was a great experience. I listened

0:36:46.280 --> 0:36:48.399
<v Speaker 1>to it on these headphones that I weared right now

0:36:49.880 --> 0:36:52.440
<v Speaker 1>because I also had to like kind of do some chores,

0:36:52.480 --> 0:36:54.160
<v Speaker 1>so I had it up on the kitchen counter while

0:36:54.200 --> 0:36:55.759
<v Speaker 1>I have my headphones on, and it was like I

0:36:55.760 --> 0:36:58.480
<v Speaker 1>could just feel that I could feel myself in a

0:36:58.520 --> 0:37:03.120
<v Speaker 1>smoky bar even as I was washing dishes, like um, yeah,

0:37:03.160 --> 0:37:07.600
<v Speaker 1>and the extras are all really interesting looking people, real

0:37:07.719 --> 0:37:11.960
<v Speaker 1>looking people. So I think it's funny that most Vegas

0:37:12.000 --> 0:37:15.440
<v Speaker 1>movies are glamorous. Most gambling movies tend to be glamorous.

0:37:15.640 --> 0:37:19.319
<v Speaker 1>Uh maybe also because they get free, you know, the

0:37:19.320 --> 0:37:21.759
<v Speaker 1>ability to shoot in casinos if they make the casinos

0:37:21.800 --> 0:37:26.440
<v Speaker 1>look cool and fun. But most yeah, most casino movies

0:37:26.480 --> 0:37:30.120
<v Speaker 1>are like propaganda for casinos and for trips to places

0:37:30.160 --> 0:37:33.000
<v Speaker 1>where you can gamble, and they aren't. Aren't all the

0:37:33.040 --> 0:37:35.040
<v Speaker 1>extras I'm sorry to interp but aren't all the extras

0:37:35.040 --> 0:37:38.080
<v Speaker 1>in this movie or or a large portion of them

0:37:38.120 --> 0:37:41.799
<v Speaker 1>from a gambling addiction support groups synanon or signing on

0:37:42.520 --> 0:37:44.600
<v Speaker 1>s Y and Yeah, I thought, I mean that was great,

0:37:44.640 --> 0:37:46.839
<v Speaker 1>like in terms of like the texture of just like

0:37:47.280 --> 0:37:51.120
<v Speaker 1>you know, having these like faces being featured like there.

0:37:51.200 --> 0:37:53.719
<v Speaker 1>I really did like enjoy this movie more than I

0:37:53.760 --> 0:37:56.400
<v Speaker 1>thought I would. It's just that I didn't want to

0:37:56.400 --> 0:38:01.080
<v Speaker 1>hook up with either protagonists. Let's just make clear, because

0:38:01.120 --> 0:38:03.440
<v Speaker 1>I do. I mean it's visually it's like so beautiful.

0:38:03.719 --> 0:38:06.040
<v Speaker 1>The over talking is more just like you're also not

0:38:06.239 --> 0:38:10.200
<v Speaker 1>as spontaneous, like like gambling trip kind of person. I

0:38:10.239 --> 0:38:14.600
<v Speaker 1>feel like that's like your worst nightmare, spontaneous anything to

0:38:14.680 --> 0:38:17.360
<v Speaker 1>be honest with. Once we're done, once we have a vaccine,

0:38:17.440 --> 0:38:20.719
<v Speaker 1>Please anybody to invite me on a spontaneous gambling trip.

0:38:20.760 --> 0:38:24.279
<v Speaker 1>I'm almost always down. Emily and I had a really

0:38:24.320 --> 0:38:27.719
<v Speaker 1>good time in Las Vegas that wasn't even spontaneous. That

0:38:27.800 --> 0:38:31.840
<v Speaker 1>was that was planned, like above the board trip to

0:38:31.920 --> 0:38:34.359
<v Speaker 1>Vegas I've ever taken in my life. Like, but I

0:38:34.400 --> 0:38:36.839
<v Speaker 1>think I do think about it often about like when

0:38:36.880 --> 0:38:39.799
<v Speaker 1>the party bus pulled up and your friend had got

0:38:39.800 --> 0:38:44.680
<v Speaker 1>it in this party bus that you loved now the

0:38:44.840 --> 0:38:48.919
<v Speaker 1>joy of a child, Yeah, I had I had fun.

0:38:49.000 --> 0:38:53.040
<v Speaker 1>When I went to Vegas. I view it through the

0:38:53.120 --> 0:38:55.640
<v Speaker 1>lens of like maybe it was darker than I was

0:38:55.680 --> 0:38:58.400
<v Speaker 1>aware of while I was there. Really hated it the

0:38:58.400 --> 0:39:00.359
<v Speaker 1>first time I went, because I was a kid. We

0:39:00.400 --> 0:39:04.000
<v Speaker 1>went for a Grateful Dead concert, um, and it was

0:39:04.040 --> 0:39:06.919
<v Speaker 1>an outdoor concert and it was just like absurdly hot.

0:39:06.960 --> 0:39:09.200
<v Speaker 1>It was like a hundred and fifteen degrees the whole time,

0:39:09.320 --> 0:39:12.359
<v Speaker 1>you know, So I was like, why would anyone come here?

0:39:13.239 --> 0:39:15.880
<v Speaker 1>And I couldn't go in any of the casinos or anything.

0:39:16.239 --> 0:39:19.279
<v Speaker 1>We stayed at like a kind of regular, non themed one,

0:39:20.120 --> 0:39:22.400
<v Speaker 1>and I think my parents attitude just kind of rubbed

0:39:22.440 --> 0:39:26.439
<v Speaker 1>off on me of like Vegas is not cool, you know. Um.

0:39:26.480 --> 0:39:30.399
<v Speaker 1>But then I went back for the Avian Awards and

0:39:31.320 --> 0:39:34.239
<v Speaker 1>fell in love, I guess. I. I also, I really

0:39:34.320 --> 0:39:36.800
<v Speaker 1>don't like the drugs that you take to enjoy Vegas.

0:39:36.880 --> 0:39:43.400
<v Speaker 1>I like, I don't think we should talk about learning

0:39:43.440 --> 0:39:45.880
<v Speaker 1>from Las Vegas at some point, which is the book

0:39:45.920 --> 0:39:49.440
<v Speaker 1>written by an architect couple that was like the first

0:39:49.480 --> 0:39:53.600
<v Speaker 1>scholarly book about Las Vegas and sort of like putting

0:39:53.600 --> 0:39:57.000
<v Speaker 1>it up front that every building is just a big advertisement. Sure.

0:39:58.560 --> 0:40:00.360
<v Speaker 1>Back to the movie Real Cook, I kind wanted to

0:40:00.400 --> 0:40:04.040
<v Speaker 1>talk about it, and uh, and like the gambling Buddy

0:40:04.120 --> 0:40:08.319
<v Speaker 1>Buddy movie in general, because like Fight Club and other

0:40:08.560 --> 0:40:10.960
<v Speaker 1>films we discussed, it's like such a it's such a

0:40:10.960 --> 0:40:13.880
<v Speaker 1>male romance in such an almost explicit way, and like

0:40:13.920 --> 0:40:16.719
<v Speaker 1>even in the beginning of this film, it's they're they're

0:40:16.719 --> 0:40:19.040
<v Speaker 1>even like joking about it, like they're just like when

0:40:19.040 --> 0:40:22.280
<v Speaker 1>they're rubbing shaving, they can create on each other's chest,

0:40:22.320 --> 0:40:25.439
<v Speaker 1>and it's like it's like very sweet. It's not it's

0:40:25.480 --> 0:40:27.799
<v Speaker 1>not like no homo at all, just like so we

0:40:27.840 --> 0:40:30.480
<v Speaker 1>have to take care of each other. And seventies and

0:40:30.560 --> 0:40:33.920
<v Speaker 1>eighties buddy comedies, even when they do have gay panic stuff,

0:40:33.960 --> 0:40:36.400
<v Speaker 1>it's just like such a far cry from the Hangover,

0:40:36.680 --> 0:40:41.320
<v Speaker 1>you know, like every two thousand's movie was just male

0:40:41.480 --> 0:40:43.880
<v Speaker 1>gay panic I feel like, and none of it aged

0:40:43.880 --> 0:40:46.399
<v Speaker 1>well at all at this age so well because it's

0:40:46.440 --> 0:40:49.360
<v Speaker 1>so tender, and it reminded me of like in planes, trains,

0:40:49.360 --> 0:40:52.279
<v Speaker 1>and automobiles when they wake up cuddling each other and

0:40:52.320 --> 0:40:54.879
<v Speaker 1>it's like they don't play it immediately for disgust. It's

0:40:54.920 --> 0:40:58.160
<v Speaker 1>like they they commit to cuddling each other, which is

0:40:58.200 --> 0:41:01.840
<v Speaker 1>what makes it funny and good. There's just this tension

0:41:01.960 --> 0:41:06.400
<v Speaker 1>I think. I also recently watched Mississippi Grind, the the

0:41:06.800 --> 0:41:11.600
<v Speaker 1>Boden inflect film with its uh another one of my crushes,

0:41:12.000 --> 0:41:15.920
<v Speaker 1>Ben Mendelssohn and Ryan Reynolds. The best cast Ryan Reynolds

0:41:16.000 --> 0:41:19.160
<v Speaker 1>performance ever. Not a Ryan Reynolds fan, but Ryan Reynolds

0:41:19.200 --> 0:41:22.359
<v Speaker 1>basically plays the Elliott Gold character in it, and he's

0:41:22.400 --> 0:41:25.600
<v Speaker 1>like kind of the slimy con man guy who's just

0:41:25.640 --> 0:41:30.320
<v Speaker 1>like playing the most depressing casinos in the Midwest. Umld

0:41:30.920 --> 0:41:34.520
<v Speaker 1>is good at playing villains. Yeah, he's actually like he's

0:41:34.560 --> 0:41:38.239
<v Speaker 1>amazing and adventure land when we played. When he lets

0:41:38.280 --> 0:41:41.239
<v Speaker 1>himself play sleazy and not be the good guy, I

0:41:41.280 --> 0:41:43.640
<v Speaker 1>feel like he can be very good, very good. Yeah,

0:41:43.840 --> 0:41:45.839
<v Speaker 1>I mean I would recommend watching it. It's also got

0:41:45.880 --> 0:41:49.240
<v Speaker 1>that energy and and that kind of that first act

0:41:49.320 --> 0:41:53.280
<v Speaker 1>thing in a Buddy gambling movie where because of the world,

0:41:53.360 --> 0:41:56.080
<v Speaker 1>because of the milieu and the kind of scuzziness of it,

0:41:57.120 --> 0:42:00.239
<v Speaker 1>there's this like kind of huge suspense over like can

0:42:00.320 --> 0:42:02.360
<v Speaker 1>I trust this person? This person is being nice to

0:42:02.400 --> 0:42:04.200
<v Speaker 1>me and like wants to spend time with me and

0:42:04.239 --> 0:42:07.759
<v Speaker 1>seems excited to be around me, And is this just

0:42:07.800 --> 0:42:09.920
<v Speaker 1>because they like me or like are they going to

0:42:10.040 --> 0:42:14.000
<v Speaker 1>stab me in the parking lot? And and then when

0:42:14.000 --> 0:42:16.040
<v Speaker 1>it ends up being like, no, we really have this

0:42:16.080 --> 0:42:18.800
<v Speaker 1>connection in this bond, then it's just like, oh my god,

0:42:18.880 --> 0:42:20.880
<v Speaker 1>like it's the most important thing in the world. And

0:42:20.920 --> 0:42:23.120
<v Speaker 1>that's as much of a high I think in a

0:42:23.200 --> 0:42:26.799
<v Speaker 1>good kind of gambling movie, like the relationships are just

0:42:26.880 --> 0:42:30.480
<v Speaker 1>as much of the high as the gambling, and buddy

0:42:30.560 --> 0:42:34.680
<v Speaker 1>comedies are probably like the best romance as we get,

0:42:34.800 --> 0:42:39.640
<v Speaker 1>you know, in American movies, right, because romances are weird.

0:42:39.760 --> 0:42:41.560
<v Speaker 1>I think it's also a great because, like like I

0:42:41.600 --> 0:42:44.719
<v Speaker 1>was saying earlier, you know, I do think that gambling

0:42:44.800 --> 0:42:46.880
<v Speaker 1>is the kind of thing where like any kind of

0:42:47.200 --> 0:42:49.799
<v Speaker 1>connection you have with someone is going to be transitory,

0:42:49.880 --> 0:42:52.120
<v Speaker 1>Like it's not you can't really like be in the

0:42:52.160 --> 0:42:55.080
<v Speaker 1>same emotional state as someone else in a game of chance.

0:42:55.120 --> 0:42:58.120
<v Speaker 1>So so having when you buddy up with somebody it's

0:42:58.560 --> 0:43:01.720
<v Speaker 1>kind of inevitably going to fall apart, which is something

0:43:01.760 --> 0:43:04.600
<v Speaker 1>that happens in this movie. And you know, it's it's

0:43:04.760 --> 0:43:06.680
<v Speaker 1>kind of thrilling because it's like a law of affair

0:43:06.680 --> 0:43:10.239
<v Speaker 1>that you know is going to end. I like shared madness. Yes,

0:43:10.440 --> 0:43:12.600
<v Speaker 1>you know, I was talking about this on summer. My

0:43:12.719 --> 0:43:15.600
<v Speaker 1>other summer house Quarantine, because I'm watching melrose Place, which

0:43:15.640 --> 0:43:18.840
<v Speaker 1>deals a lot in like two crazy people getting together

0:43:18.920 --> 0:43:22.240
<v Speaker 1>and then just like planning something. And I'm always like, oh,

0:43:22.360 --> 0:43:27.680
<v Speaker 1>what could be more romantic? Natural born killers? You know, Yeah,

0:43:27.719 --> 0:43:29.879
<v Speaker 1>why lose your mind on your own? You can lose

0:43:29.880 --> 0:43:32.200
<v Speaker 1>it with somebody who loves and it's just like us

0:43:32.239 --> 0:43:38.359
<v Speaker 1>against the world. Um, you're reinforcing each other's craziness. That's

0:43:38.360 --> 0:43:42.680
<v Speaker 1>the most romantic thing is reinforcing each other's craziness, being

0:43:42.719 --> 0:43:46.359
<v Speaker 1>like they don't understand but I do. Yeah. And then

0:43:46.400 --> 0:43:49.640
<v Speaker 1>there's and and then because you're like you're playing with

0:43:49.760 --> 0:43:57.320
<v Speaker 1>such a kind of unpredictable set of psyches and uh psychology,

0:43:57.320 --> 0:44:00.120
<v Speaker 1>psychological realities, it's like then you have that beat like

0:44:00.200 --> 0:44:04.160
<v Speaker 1>when um, when Elliot Gould leaves and disappears and then

0:44:04.200 --> 0:44:07.920
<v Speaker 1>comes back from from Mexico and George Chagall is like

0:44:08.160 --> 0:44:12.080
<v Speaker 1>so mad because it's like the fight club thing. It's like,

0:44:12.120 --> 0:44:15.560
<v Speaker 1>why did you do something without me? Like we are friends?

0:44:16.200 --> 0:44:20.799
<v Speaker 1>We are are yeah, and the and the reason why

0:44:21.160 --> 0:44:25.320
<v Speaker 1>is because Elliott Gould had a dream and George's character

0:44:25.400 --> 0:44:27.640
<v Speaker 1>wasn't in it, so he thought he would jinx him

0:44:28.239 --> 0:44:31.000
<v Speaker 1>which I mean, that's like one of the best little

0:44:31.080 --> 0:44:35.120
<v Speaker 1>subtle turns in a relationship is just that moment where

0:44:35.160 --> 0:44:37.040
<v Speaker 1>where he's like, I can't have you in the room,

0:44:37.160 --> 0:44:39.200
<v Speaker 1>like when they're when they're in Reno and they're playing

0:44:39.200 --> 0:44:42.200
<v Speaker 1>the Big Game and George Chagall is like, I can't

0:44:42.239 --> 0:44:44.160
<v Speaker 1>have you in the room here, and just that little

0:44:44.200 --> 0:44:47.080
<v Speaker 1>it's not a big emotional statement or anything. It's just like,

0:44:47.600 --> 0:44:50.360
<v Speaker 1>I think you should leave. And then that's sort of

0:44:50.440 --> 0:44:53.640
<v Speaker 1>this the schism, this like you know, that can't be

0:44:53.760 --> 0:44:56.440
<v Speaker 1>mended because you can't have the high highs without the

0:44:56.520 --> 0:45:00.360
<v Speaker 1>low lows. You get you get the high, the high,

0:45:00.520 --> 0:45:04.319
<v Speaker 1>the super crazy like all of your dopamine flooding out

0:45:04.320 --> 0:45:08.120
<v Speaker 1>at once um in exchange for something which is like

0:45:08.200 --> 0:45:12.960
<v Speaker 1>feeling like a complete garbage person after that, Yeah, but

0:45:13.040 --> 0:45:17.040
<v Speaker 1>everyone forgets there's that part in the like I feel

0:45:17.040 --> 0:45:19.840
<v Speaker 1>like the sentiment that that reigns over the whole film

0:45:20.080 --> 0:45:22.880
<v Speaker 1>is like I think I forget who's at the I

0:45:22.880 --> 0:45:25.360
<v Speaker 1>think it's when jer skills at the bar and there's

0:45:25.440 --> 0:45:27.640
<v Speaker 1>like the sex worker that's at the bar who's just

0:45:27.719 --> 0:45:31.480
<v Speaker 1>like being a real pill and annoying everybody there. And

0:45:31.520 --> 0:45:34.440
<v Speaker 1>then you know, eventually just starts talking to herself. It's

0:45:34.480 --> 0:45:38.160
<v Speaker 1>just like, what am I doing here? That's just like

0:45:38.200 --> 0:45:42.080
<v Speaker 1>how everybody in the movie feels. It's just like what

0:45:41.840 --> 0:45:44.200
<v Speaker 1>what were do you in here? Like come on? Yeah,

0:45:44.280 --> 0:45:46.200
<v Speaker 1>you feel like the movie could zoom in on any

0:45:46.239 --> 0:45:48.919
<v Speaker 1>of these people and tell an interesting story about them,

0:45:49.120 --> 0:45:52.560
<v Speaker 1>which is like that Sopranos quality where you're just like,

0:45:52.640 --> 0:45:55.319
<v Speaker 1>this whole world is so interesting that anyone in this

0:45:55.360 --> 0:45:58.319
<v Speaker 1>world would be an interesting movie to me. The one

0:45:58.360 --> 0:46:00.520
<v Speaker 1>thing I still don't quite understand from it, and it

0:46:00.560 --> 0:46:03.200
<v Speaker 1>feels like the the one like kind of capital P

0:46:03.400 --> 0:46:06.759
<v Speaker 1>problematic part of this film is the whole thing with

0:46:06.880 --> 0:46:11.720
<v Speaker 1>the women and their friend who's like the cross stresser. Yeah, Helen,

0:46:11.960 --> 0:46:14.920
<v Speaker 1>what was that it was? It's a very confusing scene

0:46:15.000 --> 0:46:17.440
<v Speaker 1>because there's not that much set up and you are

0:46:17.480 --> 0:46:20.000
<v Speaker 1>kind of dropped into the middle of it. They are

0:46:20.640 --> 0:46:23.880
<v Speaker 1>sex workers and he's paying them to pretend he's a woman.

0:46:24.760 --> 0:46:28.799
<v Speaker 1>Oh is that? And that's yeah? Oh I did not.

0:46:28.920 --> 0:46:31.560
<v Speaker 1>That's what kind of never gathered this. That's what's so

0:46:31.600 --> 0:46:35.080
<v Speaker 1>sweet about it. And then when they break in as

0:46:35.120 --> 0:46:38.880
<v Speaker 1>the cops, they pretend that they just think he's like

0:46:38.920 --> 0:46:42.719
<v Speaker 1>an older woman and and he's so happy that he's

0:46:42.719 --> 0:46:46.560
<v Speaker 1>passing right. It's actually like I just love that whole thing.

0:46:46.680 --> 0:46:49.719
<v Speaker 1>It's like, you know, what's up with you? You know

0:46:49.840 --> 0:46:54.600
<v Speaker 1>you beautiful older lady, like so wonderful where Yeah you

0:46:54.600 --> 0:46:58.600
<v Speaker 1>smell Shalimar? Is that Shalimar? Like? I love it? And

0:46:58.680 --> 0:47:02.120
<v Speaker 1>she yeah? And the and the cross Chester doesn't realize

0:47:02.160 --> 0:47:05.319
<v Speaker 1>that that is that they're not real cops. But it

0:47:05.360 --> 0:47:07.120
<v Speaker 1>does like break up the party so they can hang

0:47:07.120 --> 0:47:10.279
<v Speaker 1>out with them, so everybody wins. That is great. I

0:47:10.280 --> 0:47:12.239
<v Speaker 1>I was very because it's my first time seeing it too.

0:47:12.280 --> 0:47:14.480
<v Speaker 1>I was like, how am I supposed to feel about this?

0:47:14.560 --> 0:47:17.759
<v Speaker 1>Like there's a number of possible like ways that this

0:47:17.840 --> 0:47:21.120
<v Speaker 1>could be presented, And I like missed a line of

0:47:21.239 --> 0:47:25.200
<v Speaker 1>dialogue and was like, what is it bad? It's accepting? Yeah,

0:47:25.680 --> 0:47:27.680
<v Speaker 1>yeah yeah, I mean I didn't get like a hateful

0:47:27.800 --> 0:47:30.160
<v Speaker 1>vibe from it, just like what's happening here? It just

0:47:30.200 --> 0:47:34.480
<v Speaker 1>seems strange. Yeah. But I think also this movie has

0:47:34.840 --> 0:47:38.040
<v Speaker 1>it's not a downer ending as much as you would expect.

0:47:38.080 --> 0:47:39.960
<v Speaker 1>I mean it's like they do end up breaking up,

0:47:40.000 --> 0:47:42.200
<v Speaker 1>that's like the downer, but they had to bring in

0:47:42.280 --> 0:47:46.480
<v Speaker 1>a bunch of money before they break up, kind of

0:47:46.520 --> 0:47:49.920
<v Speaker 1>like the eclipse story. You're like, oh, yeah, you got

0:47:49.960 --> 0:47:51.680
<v Speaker 1>to see the eclipse at the end, and it was

0:47:51.719 --> 0:47:55.439
<v Speaker 1>all you got, the hot streak you were dreaming of

0:47:55.800 --> 0:47:59.759
<v Speaker 1>And you can't keep following this guy around. Take your

0:48:00.160 --> 0:48:03.760
<v Speaker 1>thousand dollars and go home. And the memories, the sweet

0:48:03.840 --> 0:48:09.279
<v Speaker 1>memories you always have Reno. My friend Jamie grew up

0:48:09.280 --> 0:48:11.719
<v Speaker 1>in Reno, and it's definitely going to leave us a call.

0:48:12.320 --> 0:48:14.400
<v Speaker 1>Maybe we'll even have her on to talk about Reno.

0:48:14.640 --> 0:48:17.600
<v Speaker 1>But never been to Reno. Oh, it's fascinating. She worked

0:48:17.600 --> 0:48:20.360
<v Speaker 1>in a casino before she was old enough to drink

0:48:20.680 --> 0:48:23.960
<v Speaker 1>because they employ all the local teens to work at

0:48:23.960 --> 0:48:26.840
<v Speaker 1>the casines. This is this is the thing I was

0:48:26.880 --> 0:48:29.560
<v Speaker 1>gonna the thing I was working on writing in college

0:48:29.640 --> 0:48:34.080
<v Speaker 1>was like about what like, you know, teen teen waitressistant stuff.

0:48:34.760 --> 0:48:37.960
<v Speaker 1>I like working at casino in high school and just like, yeah,

0:48:38.120 --> 0:48:41.920
<v Speaker 1>so yeah, we hope everybody checks out. Californy to Split

0:48:42.280 --> 0:48:46.600
<v Speaker 1>Great Great Quarantine viewing. Highly recommend it. Go on an

0:48:46.600 --> 0:48:49.560
<v Speaker 1>almond binge. I think it's good. I think it's good

0:48:49.680 --> 0:48:54.080
<v Speaker 1>lockdown viewing. And it's ah nothing, nothing hits too hard

0:48:54.320 --> 0:48:56.880
<v Speaker 1>with the Almond. It's kind of like a nice vibe

0:48:56.960 --> 0:48:59.719
<v Speaker 1>that you can just ride UM and the movies also

0:48:59.800 --> 0:49:03.279
<v Speaker 1>are great UM. Today's show notes will also include some

0:49:03.360 --> 0:49:06.480
<v Speaker 1>links to bail donation sites and other organizations that are

0:49:06.480 --> 0:49:09.680
<v Speaker 1>working hard across America to ship funding from the police

0:49:09.760 --> 0:49:14.040
<v Speaker 1>to community based and peaceful or alternatives. And for our

0:49:14.080 --> 0:49:16.319
<v Speaker 1>fellow Los Angeles residents, we urge you to read up

0:49:16.320 --> 0:49:18.840
<v Speaker 1>on the People's budget and let your elected officials know

0:49:19.080 --> 0:49:20.960
<v Speaker 1>that the funds currently slated go to the l a

0:49:21.040 --> 0:49:24.080
<v Speaker 1>p D would be better applied to schools, mental health services,

0:49:24.239 --> 0:49:27.440
<v Speaker 1>and supportive housing for our own house population. Thank you

0:49:27.520 --> 0:49:29.600
<v Speaker 1>so much for listening this week, and as we said

0:49:29.600 --> 0:49:31.319
<v Speaker 1>at the top of the show, we'll be back soon.

0:49:31.680 --> 0:49:33.719
<v Speaker 1>In the meantime, please check the show notes for a

0:49:33.760 --> 0:49:36.320
<v Speaker 1>list of organizations that you can donate to your support,

0:49:36.400 --> 0:49:38.680
<v Speaker 1>and please be sure to do your own homework as well.

0:49:38.719 --> 0:50:00.160
<v Speaker 1>As the funding needs are changing every day. The