1
00:00:00,080 --> 00:00:03,440
Speaker 1: First of all, you don't know me. We all about

2
00:00:03,440 --> 00:00:04,600
Speaker 1: that high school drama.

3
00:00:04,640 --> 00:00:08,119
Speaker 2: Girl Drama Girl, all about them high school queens.

4
00:00:08,160 --> 00:00:10,360
Speaker 1: We'll take you for a ride, and our comic girl

5
00:00:11,119 --> 00:00:14,400
Speaker 1: shared for the right teams Drama Queens treatise my girl

6
00:00:14,520 --> 00:00:17,040
Speaker 1: of girl fashion, but your tough girl, you could sit

7
00:00:17,120 --> 00:00:20,920
Speaker 1: with us Girl Drama, Queens Drama, Queise Drama, Queens Drama,

8
00:00:20,960 --> 00:00:25,439
Speaker 1: drahn M Queens Drama Queens.

9
00:00:26,239 --> 00:00:31,200
Speaker 2: Hello, friends, I am so amped about today's episode, not

10
00:00:31,280 --> 00:00:34,720
Speaker 2: only because it was such a special one for my

11
00:00:34,880 --> 00:00:37,599
Speaker 2: character's journey, but because we have one of our favorite

12
00:00:37,640 --> 00:00:39,040
Speaker 2: guests on the podcast.

13
00:00:39,479 --> 00:00:42,159
Speaker 3: Hi Austin, Hi, how are you?

14
00:00:42,200 --> 00:00:42,879
Speaker 4: Thanks for having me.

15
00:00:42,960 --> 00:00:44,720
Speaker 2: I'm so glad to see you, Bud. How are you doing.

16
00:00:46,040 --> 00:00:46,720
Speaker 4: I'm very good.

17
00:00:46,760 --> 00:00:50,160
Speaker 5: Life is Life is treating me well, very happy, and

18
00:00:51,080 --> 00:00:53,319
Speaker 5: I'm always happy to come back and do one of.

19
00:00:53,240 --> 00:00:54,840
Speaker 4: These with you guys and see you guys and talk

20
00:00:54,840 --> 00:00:55,520
Speaker 4: about the show.

21
00:00:55,520 --> 00:00:59,240
Speaker 2: I know it's so fun. Rob is here, but had

22
00:00:59,280 --> 00:01:03,080
Speaker 2: to run a stairs to do a dad thing. But

23
00:01:03,600 --> 00:01:06,440
Speaker 2: I think we should just get started. Will you tell

24
00:01:06,480 --> 00:01:09,360
Speaker 2: the people what episode we're watching? Will you read our

25
00:01:09,400 --> 00:01:11,360
Speaker 2: synopsis for US.

26
00:01:11,200 --> 00:01:15,040
Speaker 5: Okay, Season eight, Episode thirteen, The other half of me

27
00:01:15,160 --> 00:01:17,240
Speaker 5: air date February first, twenty eleven.

28
00:01:17,640 --> 00:01:19,080
Speaker 4: Brooke and Julian's wedding days.

29
00:01:19,120 --> 00:01:23,199
Speaker 5: Finally here, dreams become reality, secrets are revealed, and wedding

30
00:01:23,200 --> 00:01:24,400
Speaker 5: hookups are inevitable.

31
00:01:25,200 --> 00:01:28,560
Speaker 4: Rector is Greg Prange. The writer is John A. Norris.

32
00:01:29,680 --> 00:01:30,480
Speaker 2: It's time.

33
00:01:32,520 --> 00:01:38,880
Speaker 3: Let's get into it. Hi Rob, Hi, Hello, I've had

34
00:01:38,920 --> 00:01:43,240
Speaker 3: to attend to abe small toddler emergency. But guess what

35
00:01:44,200 --> 00:01:44,920
Speaker 3: put the fire out?

36
00:01:44,920 --> 00:01:45,600
Speaker 2: For sure did?

37
00:01:46,520 --> 00:01:50,279
Speaker 3: Let's get into a great episode. I loved this sweet

38
00:01:50,280 --> 00:01:51,400
Speaker 3: opener with young Brook.

39
00:01:51,960 --> 00:01:53,840
Speaker 2: I forgot about it, you guys.

40
00:01:54,040 --> 00:01:56,960
Speaker 4: It's so good, like it's like a film.

41
00:01:57,120 --> 00:01:59,320
Speaker 2: It is, and it's such a crazy thing because as

42
00:01:59,360 --> 00:02:01,080
Speaker 2: soon as it starts, I was like, oh my god,

43
00:02:01,680 --> 00:02:04,080
Speaker 2: hiding on the porch because the parents are fighting. Oh

44
00:02:04,120 --> 00:02:06,200
Speaker 2: my god, oh in the veil. And it's like it

45
00:02:06,280 --> 00:02:09,800
Speaker 2: made me remember this whole chunk of the story that

46
00:02:09,919 --> 00:02:13,160
Speaker 2: for some reason, I had just forgotten about until watching

47
00:02:13,200 --> 00:02:14,560
Speaker 2: the episode jogged my memory.

48
00:02:14,600 --> 00:02:18,040
Speaker 5: I loved that device in the like classic car and

49
00:02:18,080 --> 00:02:21,280
Speaker 5: the bride and the groom by themselves. It's so romantic

50
00:02:21,440 --> 00:02:24,440
Speaker 5: and it's like, oh, like what a great core memory

51
00:02:24,520 --> 00:02:25,160
Speaker 5: like that's.

52
00:02:26,639 --> 00:02:28,280
Speaker 4: It was beautiful, beautifully done.

53
00:02:28,600 --> 00:02:32,679
Speaker 3: Have we ever met Brook's dad, not, did we ever

54
00:02:32,680 --> 00:02:33,240
Speaker 3: put a face?

55
00:02:33,400 --> 00:02:37,520
Speaker 2: Not to this point. Eventually you do, but at this

56
00:02:37,680 --> 00:02:40,120
Speaker 2: point he's still sort of this mystery person.

57
00:02:40,800 --> 00:02:42,720
Speaker 3: Oh when do we meet your dads?

58
00:02:43,000 --> 00:02:46,360
Speaker 2: We meet him in season nine or is it later

59
00:02:46,440 --> 00:02:47,640
Speaker 2: in this season? I don't know.

60
00:02:47,919 --> 00:02:50,840
Speaker 4: I don't remember that. My timeline's worried with that.

61
00:02:51,320 --> 00:02:56,080
Speaker 2: Yeah, but it was a cool device because not only

62
00:02:56,120 --> 00:02:58,280
Speaker 2: do you see how the sort of fairy tale of

63
00:02:58,320 --> 00:03:02,840
Speaker 2: the wedding and the thing is so instrumental, you know,

64
00:03:02,919 --> 00:03:06,239
Speaker 2: in society and for little girls, but you see why

65
00:03:07,360 --> 00:03:13,560
Speaker 2: this idea means so much to Brook, because it's it's

66
00:03:13,600 --> 00:03:17,200
Speaker 2: sort of paralleled, like she's having one experience on one

67
00:03:17,240 --> 00:03:20,000
Speaker 2: side of the door while listening to her parents screaming

68
00:03:20,040 --> 00:03:23,920
Speaker 2: on the other, and it's I don't know, you get

69
00:03:23,919 --> 00:03:26,520
Speaker 2: that this little girl wanted the fairy tale. She wanted

70
00:03:27,080 --> 00:03:30,480
Speaker 2: to be rescued. She wanted a happy ending, not the

71
00:03:30,600 --> 00:03:35,080
Speaker 2: ending that she grew up in her house watching. And

72
00:03:35,200 --> 00:03:37,760
Speaker 2: it was cool to I think, to.

73
00:03:37,840 --> 00:03:40,320
Speaker 4: See that in the programming you get from your parents.

74
00:03:40,640 --> 00:03:43,360
Speaker 5: Yeah, which is what comes up later when you say

75
00:03:43,440 --> 00:03:47,560
Speaker 5: to Victoria and you remember what you told me. No,

76
00:03:47,680 --> 00:03:52,640
Speaker 5: it's like, what an interesting genesis moment or not. You know,

77
00:03:53,240 --> 00:03:57,200
Speaker 5: what's the word the inception? Yeah, like to see that

78
00:03:57,480 --> 00:03:59,960
Speaker 5: seed sprout in you at a young age and like, yeah,

79
00:04:00,880 --> 00:04:04,440
Speaker 5: beauty of this versus my reality with my example.

80
00:04:06,280 --> 00:04:08,280
Speaker 2: Yeah, it's really good. And then I love that it

81
00:04:09,280 --> 00:04:11,600
Speaker 2: in the same way that we're having this experience with

82
00:04:11,720 --> 00:04:16,360
Speaker 2: Brooke as a child, we have the juxtaposition, and then

83
00:04:16,360 --> 00:04:19,400
Speaker 2: the humor is that Julian as a grown man, is

84
00:04:19,960 --> 00:04:22,920
Speaker 2: waking up in a house being like what is happening?

85
00:04:23,000 --> 00:04:27,440
Speaker 2: Because he's essentially a kid, you know, he's a guest

86
00:04:27,680 --> 00:04:30,520
Speaker 2: in Jamie's house and Jamie's bunny is on his chest,

87
00:04:30,520 --> 00:04:34,080
Speaker 2: and he's just like, what is this? And it's a

88
00:04:34,120 --> 00:04:38,480
Speaker 2: really funny way to flip it and stay on themes.

89
00:04:38,560 --> 00:04:42,520
Speaker 3: I didn't realize you were at their house. I just

90
00:04:42,560 --> 00:04:45,120
Speaker 3: thought maybe Jamie, because of course you can't see Brooke

91
00:04:45,200 --> 00:04:49,080
Speaker 3: that day. I will say this, there are very few

92
00:04:49,120 --> 00:04:52,839
Speaker 3: people in this world who can pull off the under

93
00:04:52,960 --> 00:04:55,520
Speaker 3: the chin's camera ang. I was thinking the same thing,

94
00:04:55,640 --> 00:04:58,599
Speaker 3: Austin Nichols. You are one of the few people who

95
00:04:58,800 --> 00:05:02,880
Speaker 3: can look handsome having a camera pointed directly under their.

96
00:05:02,760 --> 00:05:04,880
Speaker 4: I appreciate that, but even I was like, what the heck?

97
00:05:04,920 --> 00:05:05,480
Speaker 4: Are they doing?

98
00:05:05,720 --> 00:05:08,000
Speaker 5: And then also I noticed in this episode I had

99
00:05:08,040 --> 00:05:11,400
Speaker 5: like there was facial hair, but the line was weird.

100
00:05:11,880 --> 00:05:14,120
Speaker 5: And then like, no, at a bad angle at the

101
00:05:14,120 --> 00:05:16,279
Speaker 5: beard looks like it's up on your face, or like

102
00:05:16,320 --> 00:05:17,320
Speaker 5: there's a line high.

103
00:05:18,160 --> 00:05:19,200
Speaker 2: That's so funny.

104
00:05:19,640 --> 00:05:23,160
Speaker 3: You had obviously just gotten a haircut prior to shooting

105
00:05:23,480 --> 00:05:26,919
Speaker 3: the wedding scenes, because it didn't look like its usual self.

106
00:05:26,960 --> 00:05:27,640
Speaker 3: It was a bit short.

107
00:05:27,760 --> 00:05:28,880
Speaker 2: Well you shaved.

108
00:05:29,160 --> 00:05:30,000
Speaker 4: Well, here's the thing.

109
00:05:30,600 --> 00:05:35,040
Speaker 5: The shaving thing was my idea and I probably shouldn't

110
00:05:35,040 --> 00:05:35,520
Speaker 5: have done it.

111
00:05:35,520 --> 00:05:37,679
Speaker 4: It was actually cut. It came from the right place.

112
00:05:37,680 --> 00:05:42,359
Speaker 5: It was like I'm getting married, and you know, I

113
00:05:42,400 --> 00:05:44,599
Speaker 5: think I pitched it, and I said, you know, I

114
00:05:44,600 --> 00:05:47,640
Speaker 5: think it's like a respect thing to the parents and

115
00:05:47,720 --> 00:05:50,440
Speaker 5: for photographs and for blah blah blah. Like a lot

116
00:05:50,440 --> 00:05:53,880
Speaker 5: of older people think that facial hair is still you

117
00:05:53,880 --> 00:05:58,039
Speaker 5: know a little it's associated with negative things. And so

118
00:05:58,080 --> 00:06:00,159
Speaker 5: it came from that place. It was like for the

119
00:06:00,200 --> 00:06:03,520
Speaker 5: old people, for our parents, for photos, blah blah blah.

120
00:06:03,560 --> 00:06:06,839
Speaker 5: But it ended up just looking weird to me because

121
00:06:06,880 --> 00:06:10,840
Speaker 5: he's never shaved once for the show. And then you know,

122
00:06:10,880 --> 00:06:12,760
Speaker 5: I hate to get into any stuff, but my hair

123
00:06:12,839 --> 00:06:14,880
Speaker 5: was weird. At the time, I was like, what was

124
00:06:15,040 --> 00:06:15,640
Speaker 5: going on?

125
00:06:19,040 --> 00:06:21,440
Speaker 3: But here's why I think it worked, Because I like

126
00:06:21,560 --> 00:06:25,719
Speaker 3: you when like when you are walking up to skills

127
00:06:25,760 --> 00:06:29,320
Speaker 3: in Chase in the outside the church. Yeah, it's weird

128
00:06:29,360 --> 00:06:31,560
Speaker 3: because I didn't even realize the fact you were clean shaven,

129
00:06:31,640 --> 00:06:33,760
Speaker 3: but your hair is like a little too short, so

130
00:06:33,800 --> 00:06:36,000
Speaker 3: it looks odd And I thought, but you know why

131
00:06:36,040 --> 00:06:40,599
Speaker 3: that works is because I buy that Julian is excited

132
00:06:40,640 --> 00:06:43,280
Speaker 3: about his wedding day and he wants to like look

133
00:06:43,360 --> 00:06:46,280
Speaker 3: his best, So I buy that he got a haircut

134
00:06:46,360 --> 00:06:48,880
Speaker 3: like not a week before, but like a day before

135
00:06:48,920 --> 00:06:51,480
Speaker 3: his wedding. Yeah, and they maybe just went a little

136
00:06:51,480 --> 00:06:52,000
Speaker 3: bit too short.

137
00:06:52,279 --> 00:06:53,120
Speaker 4: Good that makes you.

138
00:06:53,080 --> 00:06:57,200
Speaker 2: Feel Yeah, no, I I did. I totally know what

139
00:06:57,240 --> 00:06:59,560
Speaker 2: you mean, because it's weird to look at yourself and

140
00:06:59,600 --> 00:07:04,080
Speaker 2: not feel like you look like yourself. But it did.

141
00:07:04,680 --> 00:07:07,680
Speaker 2: It gave you this kind of sheen of earnestness, and

142
00:07:07,800 --> 00:07:09,960
Speaker 2: it did make you look a little bit like a

143
00:07:10,000 --> 00:07:12,920
Speaker 2: little boy. And I mean that in the sweetest way.

144
00:07:13,440 --> 00:07:16,480
Speaker 2: Like watching you stand up there, and you know, watching

145
00:07:16,560 --> 00:07:19,600
Speaker 2: Julian looking at Paul and Sylvia and when they're fighting

146
00:07:19,640 --> 00:07:25,960
Speaker 2: over him. It plays into the dynamic of the children

147
00:07:26,000 --> 00:07:30,160
Speaker 2: we were and the adults we've grown into, and I

148
00:07:30,440 --> 00:07:32,440
Speaker 2: don't know, I think it worked now.

149
00:07:32,480 --> 00:07:33,200
Speaker 4: I'm glad to hear that.

150
00:07:33,240 --> 00:07:36,760
Speaker 5: I also I skew dark quickly and can be I

151
00:07:36,760 --> 00:07:38,480
Speaker 5: play a lot of scoundrels, like I play a lot

152
00:07:38,480 --> 00:07:42,000
Speaker 5: of sort of like fun bad guys. So I think

153
00:07:42,080 --> 00:07:45,400
Speaker 5: sometimes I when I'm playing something like Julian or Julian

154
00:07:45,440 --> 00:07:47,920
Speaker 5: in the wedding scene, I'm conscious of that.

155
00:07:47,960 --> 00:07:48,880
Speaker 4: And wanting to.

156
00:07:51,240 --> 00:07:54,280
Speaker 5: Tamp down some of if there's any darkness, and try

157
00:07:54,280 --> 00:07:54,960
Speaker 5: to make him more.

158
00:07:55,400 --> 00:07:56,000
Speaker 2: Yeah.

159
00:07:56,160 --> 00:07:58,119
Speaker 4: I don't know what the word is safe.

160
00:07:58,560 --> 00:08:01,640
Speaker 3: I skew scoundrel is my favorite sentence of the week.

161
00:08:03,720 --> 00:08:06,040
Speaker 2: I love that so much. You know what else I liked?

162
00:08:06,080 --> 00:08:09,880
Speaker 2: I liked the beat of Julian, Nathan and Jamie at

163
00:08:09,880 --> 00:08:15,320
Speaker 2: the river court, and especially because you walk up and

164
00:08:15,360 --> 00:08:17,640
Speaker 2: to your point, you've been such a good sport about

165
00:08:18,200 --> 00:08:22,360
Speaker 2: Julian's quirks and the weird physical comedy, and then for

166
00:08:22,440 --> 00:08:24,360
Speaker 2: Nathan to toss you a ball and be like, you

167
00:08:24,440 --> 00:08:25,880
Speaker 2: gotta take a shot if you're on the court and

168
00:08:25,920 --> 00:08:28,000
Speaker 2: you just sink a three and walk away, I.

169
00:08:27,920 --> 00:08:29,560
Speaker 3: Was like, we love to see me.

170
00:08:30,400 --> 00:08:32,320
Speaker 5: I actually, in reference to what we were talking about

171
00:08:32,320 --> 00:08:34,400
Speaker 5: earlier with some of the nerdy stuff with the high

172
00:08:34,440 --> 00:08:39,280
Speaker 5: five or flowers or butterflies, that moment may be landed

173
00:08:39,800 --> 00:08:41,959
Speaker 5: so well because of the earlier stuff.

174
00:08:42,200 --> 00:08:44,679
Speaker 4: Yeah, it's the shot and he goes in close up

175
00:08:44,760 --> 00:08:46,120
Speaker 4: like maybe it's my lucky day.

176
00:08:46,559 --> 00:08:49,680
Speaker 5: And I was like, Oh, it's such a great moment.

177
00:08:49,920 --> 00:08:51,880
Speaker 2: It's so sweet.

178
00:08:52,320 --> 00:08:54,720
Speaker 3: It was the it was the payoff of when the

179
00:08:54,760 --> 00:08:58,520
Speaker 3: good guy finally gets the girl, like getting to see

180
00:08:58,640 --> 00:09:01,120
Speaker 3: Julian just swish a three on the first track. Because

181
00:09:01,120 --> 00:09:03,679
Speaker 3: as soon as they Nathan passed you the ball, I

182
00:09:03,720 --> 00:09:06,679
Speaker 3: was like, come on, no, don't let this be another

183
00:09:06,760 --> 00:09:09,160
Speaker 3: thing where like he air balls on his wedding day

184
00:09:09,160 --> 00:09:09,760
Speaker 3: and gets dark.

185
00:09:09,800 --> 00:09:11,080
Speaker 5: I thought I was going to miss it, and I

186
00:09:11,080 --> 00:09:13,160
Speaker 5: even shot the scene, and I'm watching the show thinking

187
00:09:13,200 --> 00:09:14,600
Speaker 5: I'm gonna miss and there's gonna be a joke.

188
00:09:15,400 --> 00:09:20,320
Speaker 2: Yeah no, but it was so good and for you

189
00:09:20,400 --> 00:09:23,920
Speaker 2: to be in that moment, you're so earnest, you're clearly

190
00:09:24,080 --> 00:09:29,720
Speaker 2: so happy, and it's this very sweet It's just such

191
00:09:29,720 --> 00:09:32,640
Speaker 2: a sweet scene with these three dudes. And then I

192
00:09:32,720 --> 00:09:37,800
Speaker 2: love that the humor continues to run because Nathan tells

193
00:09:37,920 --> 00:09:40,120
Speaker 2: Jamie he's got to give a speech and you realize

194
00:09:40,200 --> 00:09:44,080
Speaker 2: Haley hasn't told him because they're competing, and it is

195
00:09:44,240 --> 00:09:47,920
Speaker 2: just the funniest gag to then see Jamie show up

196
00:09:47,920 --> 00:09:49,840
Speaker 2: with the letter you give him to give to me

197
00:09:50,360 --> 00:09:52,840
Speaker 2: and she's like, oh, your dad told you about the speech, Diddy.

198
00:09:54,160 --> 00:09:58,120
Speaker 5: The competitive n's great a mom and in someone that

199
00:09:58,200 --> 00:09:59,840
Speaker 5: younger son that's that young is hilarious.

200
00:10:00,200 --> 00:10:04,120
Speaker 2: It's really really funny, and it's unexpected because we're used

201
00:10:04,120 --> 00:10:06,800
Speaker 2: to the Dan Scott Nathan Scott dynamic of like the

202
00:10:06,920 --> 00:10:09,880
Speaker 2: dad really pushing the kid, and then here you have

203
00:10:10,040 --> 00:10:13,960
Speaker 2: like tutor girl ribbing her kid over a speech and

204
00:10:14,000 --> 00:10:16,079
Speaker 2: being like, what are you going to write about? Are

205
00:10:16,120 --> 00:10:19,720
Speaker 2: you going to quote literature? Like it's just really really funny.

206
00:10:22,280 --> 00:10:27,240
Speaker 3: I loved you committing to the silly Molly Ringwold dance,

207
00:10:27,240 --> 00:10:29,440
Speaker 3: sof you get a gold star for that. You leaned

208
00:10:29,440 --> 00:10:30,240
Speaker 3: into it, thank you.

209
00:10:31,440 --> 00:10:34,480
Speaker 2: It was it's a long runner, but that was the

210
00:10:34,520 --> 00:10:36,760
Speaker 2: thing I remember when we did it, you know, the

211
00:10:37,080 --> 00:10:41,280
Speaker 2: Senior and I did Austin in season six and they

212
00:10:41,400 --> 00:10:44,800
Speaker 2: literally brought the movie in. I mean, granted, I've seen

213
00:10:44,840 --> 00:10:47,280
Speaker 2: The Breakfast Club ten thousand times, it's one of my favorites,

214
00:10:47,320 --> 00:10:49,480
Speaker 2: but they were like we want you to do a

215
00:10:49,600 --> 00:10:54,560
Speaker 2: version of this eighties dance and do it badly. And

216
00:10:54,640 --> 00:10:57,720
Speaker 2: I was like, oh, man, I guess we're just doing this.

217
00:10:58,559 --> 00:11:02,160
Speaker 2: And then, you know, three years later, call it.

218
00:11:02,160 --> 00:11:03,320
Speaker 4: Right back great.

219
00:11:03,720 --> 00:11:06,400
Speaker 5: And I got to admit when I watched it today,

220
00:11:06,960 --> 00:11:09,040
Speaker 5: you know, she opens the CD and she pulls it

221
00:11:09,040 --> 00:11:11,640
Speaker 5: out and then she does the dance, and it made

222
00:11:11,679 --> 00:11:16,120
Speaker 5: me emotional. I was like, there's something cool about There's

223
00:11:16,160 --> 00:11:17,160
Speaker 5: something really good.

224
00:11:16,960 --> 00:11:19,600
Speaker 4: In that writing. And that's this is what's amazing about television,

225
00:11:20,240 --> 00:11:20,520
Speaker 4: is it.

226
00:11:20,679 --> 00:11:22,599
Speaker 5: You know, a couple of years later, a couple of

227
00:11:22,640 --> 00:11:27,040
Speaker 5: seasons later, you bring out a moment of where some

228
00:11:27,240 --> 00:11:28,880
Speaker 5: you know, two people fell for each other.

229
00:11:30,000 --> 00:11:33,760
Speaker 4: Is often this way. It's just really really satisfying.

230
00:11:34,040 --> 00:11:36,720
Speaker 2: Yeah. Well, and I think that's one of the reasons

231
00:11:36,760 --> 00:11:39,400
Speaker 2: we love making TV, right, Like, don't get me wrong,

232
00:11:39,480 --> 00:11:41,360
Speaker 2: I love to go make a movie. I love the

233
00:11:41,400 --> 00:11:45,080
Speaker 2: summer camp experience of it. I love you know that

234
00:11:45,120 --> 00:11:48,199
Speaker 2: it takes forever to get a movie greenlit and then

235
00:11:48,200 --> 00:11:50,880
Speaker 2: suddenly you go do it and in three weeks or

236
00:11:50,920 --> 00:11:56,280
Speaker 2: six weeks it's over. But man, the long payoff in

237
00:11:56,480 --> 00:12:01,000
Speaker 2: TV when we get to develop these characters. Yeah, three

238
00:12:01,120 --> 00:12:05,520
Speaker 2: years later, called back to something and it hits for everybody,

239
00:12:05,559 --> 00:12:09,000
Speaker 2: even the actors who did it. That's really I think

240
00:12:09,000 --> 00:12:10,600
Speaker 2: that's one of the coolest parts of our job.

241
00:12:11,760 --> 00:12:15,439
Speaker 4: One long long form like there's nothing like it.

242
00:12:16,080 --> 00:12:30,960
Speaker 3: Yeah, speaking of nothing like it, I'm gonna go ahead

243
00:12:30,960 --> 00:12:34,480
Speaker 3: and just give you my honorable mention right now. Antwantana,

244
00:12:34,559 --> 00:12:40,160
Speaker 3: But he came back just red hot. He was so

245
00:12:40,960 --> 00:12:42,760
Speaker 3: damn funny in this episode.

246
00:12:42,800 --> 00:12:46,520
Speaker 5: Man, that commitment, the idea of someone committing so hard

247
00:12:46,559 --> 00:12:47,400
Speaker 5: to this security.

248
00:12:47,400 --> 00:12:50,360
Speaker 4: I mean, it's just I was cracking up. I loved

249
00:12:50,360 --> 00:12:52,360
Speaker 4: it so much. Way to go, Angeline.

250
00:12:52,200 --> 00:12:55,920
Speaker 2: And him being so committed to it, you know, basically

251
00:12:55,960 --> 00:12:58,800
Speaker 2: saying we're not ushers, we're security. He does. He does

252
00:12:58,840 --> 00:13:02,280
Speaker 2: it all heightened, and he is able to make fun

253
00:13:02,360 --> 00:13:05,920
Speaker 2: of some of the absurdity of a nine year long drama,

254
00:13:06,360 --> 00:13:10,439
Speaker 2: being like no psychos, no stalkers, no kidnappings, no nannies,

255
00:13:10,480 --> 00:13:13,760
Speaker 2: Like he pokes fun at us, so everyone's in on

256
00:13:13,840 --> 00:13:16,640
Speaker 2: the joke. And then what I didn't see coming I

257
00:13:16,679 --> 00:13:19,960
Speaker 2: also didn't remember this is that the slutty wedding sex

258
00:13:20,040 --> 00:13:23,280
Speaker 2: runner turns out to be happening in the limo and

259
00:13:23,320 --> 00:13:25,760
Speaker 2: he's like, I also decorated the truck just in case,

260
00:13:26,240 --> 00:13:27,720
Speaker 2: just in case it got just in case, the limo

261
00:13:27,760 --> 00:13:29,719
Speaker 2: got stolen and got driven off a bridge, Go take

262
00:13:29,760 --> 00:13:33,560
Speaker 2: you the other car, and then you and I have

263
00:13:33,720 --> 00:13:38,080
Speaker 2: the exact callback to the couple in the classic car

264
00:13:38,480 --> 00:13:40,400
Speaker 2: driving down the street in front of a little brook

265
00:13:40,480 --> 00:13:44,199
Speaker 2: And it's like, man, they just really tied all these

266
00:13:44,240 --> 00:13:48,840
Speaker 2: things together, where like the funniest jokes led to the

267
00:13:48,880 --> 00:13:51,360
Speaker 2: sweetest moments over and over and over again, and I

268
00:13:51,440 --> 00:13:54,800
Speaker 2: didn't see some of them coming. And just like, hats

269
00:13:54,800 --> 00:13:58,439
Speaker 2: off to Johnny Norris. He wrote such a good script and.

270
00:13:58,400 --> 00:14:02,040
Speaker 3: It's so nice to that they like there was redemption

271
00:14:02,240 --> 00:14:05,640
Speaker 3: for skills behavior. It wasn't just like, yeah, he's being

272
00:14:05,679 --> 00:14:08,080
Speaker 3: silly and over the top. It's like, no, he actually

273
00:14:08,160 --> 00:14:10,440
Speaker 3: kind of saved the day at the end and then

274
00:14:10,480 --> 00:14:12,520
Speaker 3: to your point, so if it also allowed for the

275
00:14:14,000 --> 00:14:18,160
Speaker 3: similarity to young Brooks, you know experience at the top

276
00:14:18,200 --> 00:14:21,160
Speaker 3: of the episode, and he was just funny. It was

277
00:14:21,200 --> 00:14:26,240
Speaker 3: also great to see he and Lee and Steven together

278
00:14:26,360 --> 00:14:30,040
Speaker 3: are a really good trio. Yeah, all all of their

279
00:14:30,080 --> 00:14:33,240
Speaker 3: stuff was just so fun. Man, Like I love that

280
00:14:33,240 --> 00:14:34,720
Speaker 3: there's a cooler full of milk.

281
00:14:35,320 --> 00:14:36,800
Speaker 4: Yeah.

282
00:14:36,600 --> 00:14:39,960
Speaker 5: Yeah, the court jesters and Shakespeare, you know, there's this

283
00:14:40,080 --> 00:14:43,640
Speaker 5: like Rosencrantz and Guildenstern or you know, these guys on.

284
00:14:43,600 --> 00:14:47,160
Speaker 4: The side just crack just cracking me up throughout. It's

285
00:14:47,200 --> 00:14:48,520
Speaker 4: really really well done.

286
00:14:48,880 --> 00:14:51,640
Speaker 3: It was nice to see, Uh, is this the first

287
00:14:51,640 --> 00:14:56,000
Speaker 3: time we've seen Alex and Quinn like their friendship? Because

288
00:14:56,040 --> 00:14:56,800
Speaker 3: it was great.

289
00:14:56,920 --> 00:15:00,120
Speaker 2: I love their budding friendship. It started last week in

290
00:15:00,240 --> 00:15:06,560
Speaker 2: the bachelorette party, and it's so nice, especially to get

291
00:15:06,640 --> 00:15:12,400
Speaker 2: to see Alex have a dynamic with another woman, because

292
00:15:12,440 --> 00:15:15,280
Speaker 2: it's not flirtation, it's not all of the sort of

293
00:15:15,360 --> 00:15:20,200
Speaker 2: obvious hot girl doing sexy whatever with the guys. You

294
00:15:20,240 --> 00:15:23,640
Speaker 2: get to see this sort of really human side of

295
00:15:23,640 --> 00:15:27,120
Speaker 2: her and hear what she's going through, and I just

296
00:15:27,120 --> 00:15:32,680
Speaker 2: think it's so refreshing. And Janna is so she's so

297
00:15:32,880 --> 00:15:37,600
Speaker 2: emotionally tender about all this stuff, and it's really nice

298
00:15:37,640 --> 00:15:38,680
Speaker 2: to see the two of them.

299
00:15:39,520 --> 00:15:42,840
Speaker 3: Yeah, it was great. I've said this before, but I

300
00:15:42,880 --> 00:15:46,320
Speaker 3: don't think Alex would have been nearly as successful in

301
00:15:46,360 --> 00:15:49,720
Speaker 3: the hands of a different actor, because if you can't

302
00:15:49,840 --> 00:15:56,240
Speaker 3: land that vulnerable sincerity, I just it doesn't it doesn't

303
00:15:56,280 --> 00:15:59,120
Speaker 3: give you the same luxury of going so big with

304
00:15:59,200 --> 00:16:03,920
Speaker 3: everything else, Like it's those moments that kind of ground everything, like.

305
00:16:04,040 --> 00:16:04,920
Speaker 4: Her early days.

306
00:16:05,080 --> 00:16:08,640
Speaker 5: She's so easy to hate a character like that, and

307
00:16:08,680 --> 00:16:12,280
Speaker 5: then suddenly she'll be so raw and vulnerable and you

308
00:16:12,800 --> 00:16:14,800
Speaker 5: just immediately go, oh, oh my god, this is a

309
00:16:14,840 --> 00:16:15,760
Speaker 5: human being who has.

310
00:16:15,840 --> 00:16:16,560
Speaker 4: Stuff going on.

311
00:16:17,040 --> 00:16:22,120
Speaker 2: Yeah, and she's able to really seesaw in those moments,

312
00:16:22,600 --> 00:16:24,720
Speaker 2: like when Quinn asks her if she can keep a

313
00:16:24,800 --> 00:16:28,160
Speaker 2: secret and Alex goes on a tangent about this one

314
00:16:28,200 --> 00:16:30,600
Speaker 2: time she told her friend Kimmy she'd keep a secret

315
00:16:30,640 --> 00:16:32,400
Speaker 2: and then forgot and then told four people and one

316
00:16:32,440 --> 00:16:37,360
Speaker 2: of them was Kimmy. Like, it is so silly and funny,

317
00:16:37,400 --> 00:16:41,160
Speaker 2: and it's such a nice way to break up a

318
00:16:41,240 --> 00:16:45,440
Speaker 2: moment that Quinn is having with something really heavy and dark.

319
00:16:46,040 --> 00:16:48,120
Speaker 2: And I think it's part of why I'm having such

320
00:16:48,120 --> 00:16:51,640
Speaker 2: a good time as a viewer watching them together, because

321
00:16:53,120 --> 00:16:55,800
Speaker 2: in a way, it's like, you know, we talked about

322
00:16:55,800 --> 00:17:00,200
Speaker 2: how Quinn was brought in to be, you know, to

323
00:17:00,200 --> 00:17:04,200
Speaker 2: fill the kind of Lucas void like this very you know, emotional,

324
00:17:04,440 --> 00:17:10,160
Speaker 2: artistic person, and getting to see her also be silly

325
00:17:10,600 --> 00:17:13,399
Speaker 2: is really fun and it gives me like early Lucas

326
00:17:13,440 --> 00:17:17,800
Speaker 2: and Haley dynamics almost watching Quinn and Alex now and

327
00:17:17,880 --> 00:17:18,400
Speaker 2: I love it.

328
00:17:19,640 --> 00:17:21,680
Speaker 5: Also, it's funny because the last time I was on

329
00:17:22,160 --> 00:17:24,880
Speaker 5: you guys, we were watching a bunch of beautifulomen fight

330
00:17:24,920 --> 00:17:28,400
Speaker 5: in a swimming pool. Yeah, and they were having here

331
00:17:28,880 --> 00:17:32,040
Speaker 5: and it's nice to see two women like take care

332
00:17:32,080 --> 00:17:34,800
Speaker 5: of each other and you know, yeah.

333
00:17:34,960 --> 00:17:37,600
Speaker 3: Yeah, because we caught glimpses of this side of Alex

334
00:17:38,880 --> 00:17:41,560
Speaker 3: in scenes with Julian. But then the problem was it

335
00:17:41,560 --> 00:17:44,040
Speaker 3: would always just have a tendency to revert back to

336
00:17:44,119 --> 00:17:46,879
Speaker 3: some sort of like sexual nature, you know. And with

337
00:17:47,119 --> 00:17:50,840
Speaker 3: Millie there was opportunities for vulner ear. There was moments

338
00:17:50,880 --> 00:17:53,159
Speaker 3: of vulnerability, but then it would go back to that

339
00:17:53,320 --> 00:17:55,880
Speaker 3: like what's up, bitch, hey, bitch, like it would kind

340
00:17:55,920 --> 00:17:58,880
Speaker 3: of go back to the surface. With Quinn, though there

341
00:17:58,960 --> 00:18:02,000
Speaker 3: is neither of those. Yeah, So it's just nice. And

342
00:18:02,040 --> 00:18:04,200
Speaker 3: I like that she was self aware enough to go

343
00:18:04,480 --> 00:18:06,359
Speaker 3: because listen, when someone wants to tell a secret, I

344
00:18:06,400 --> 00:18:09,520
Speaker 3: think the general instinct is to be like, yeah, tell me.

345
00:18:10,119 --> 00:18:12,600
Speaker 3: I love that she was self aware and honest enough

346
00:18:12,680 --> 00:18:15,359
Speaker 3: to go, I'm actually the last person you should tell.

347
00:18:15,760 --> 00:18:19,120
Speaker 3: Here's why that was so endearing.

348
00:18:19,160 --> 00:18:23,000
Speaker 2: Man's so cute and funny. And then what I love

349
00:18:23,200 --> 00:18:27,480
Speaker 2: is because they're having this really endearing budding friendship. When

350
00:18:27,600 --> 00:18:30,760
Speaker 2: Millie turns out to already be tipsy from the good

351
00:18:30,800 --> 00:18:33,840
Speaker 2: blue drink from the new bartender, and she sits down

352
00:18:34,520 --> 00:18:36,639
Speaker 2: and says, well, maybe Chase and me are going to

353
00:18:36,680 --> 00:18:39,240
Speaker 2: have the slutty wedding sex and looks at them, and

354
00:18:39,960 --> 00:18:42,520
Speaker 2: you know, Chantelle looks at Lisa like, what are you doing?

355
00:18:42,960 --> 00:18:45,879
Speaker 2: And Jannel looks so shocked, and Lisa goes, did I

356
00:18:45,920 --> 00:18:46,680
Speaker 2: say that out loud?

357
00:18:47,840 --> 00:18:50,679
Speaker 3: It's just like, you don't. I don't know.

358
00:18:50,760 --> 00:18:54,600
Speaker 2: It's like everybody's not doing the thing you're expecting their

359
00:18:54,720 --> 00:18:59,879
Speaker 2: character to do, and it's just hilarious and exactly the

360
00:19:00,240 --> 00:19:03,960
Speaker 2: you chose endearing, And I'm having so much fun watching

361
00:19:04,000 --> 00:19:07,280
Speaker 2: everybody in the dynamic. Can I say one thing though,

362
00:19:07,320 --> 00:19:10,200
Speaker 2: that I actually thought was ridiculous? And I get why,

363
00:19:11,400 --> 00:19:15,840
Speaker 2: but it's impossible, I know, to have one hundred people

364
00:19:15,960 --> 00:19:18,960
Speaker 2: dancing at a wedding and have any kind of continuity

365
00:19:19,080 --> 00:19:23,400
Speaker 2: when you're filming these scenes. But the fact that nobody

366
00:19:23,520 --> 00:19:27,359
Speaker 2: dances at the wedding except me and you and then

367
00:19:27,480 --> 00:19:30,120
Speaker 2: us and the parents drives me nuts.

368
00:19:30,480 --> 00:19:32,399
Speaker 4: Yeah, where's the party? Where's the dance party?

369
00:19:32,680 --> 00:19:33,840
Speaker 3: Where is the rager?

370
00:19:34,000 --> 00:19:36,600
Speaker 2: Like Brooke and Julian are gonna throw a rager and

371
00:19:36,640 --> 00:19:38,800
Speaker 2: you never see it because it would have been a

372
00:19:38,840 --> 00:19:43,000
Speaker 2: continuity nightmare. But it's like a thing that sticks out

373
00:19:43,000 --> 00:19:44,159
Speaker 2: to me like a sore thumb.

374
00:19:44,560 --> 00:19:48,200
Speaker 3: Okay, the one, yes, I agree with that, I have

375
00:19:48,280 --> 00:19:50,320
Speaker 3: one I bumped on as well. Okay, And it was

376
00:19:50,880 --> 00:19:55,640
Speaker 3: towards the end of the reception. It's a room full

377
00:19:55,640 --> 00:19:58,119
Speaker 3: of giant banquet tables as you do at a wedding,

378
00:19:58,359 --> 00:20:02,520
Speaker 3: and then there's one rain them four top that Alex

379
00:20:02,640 --> 00:20:05,359
Speaker 3: is sitting out by herself like it's the reject table

380
00:20:06,440 --> 00:20:08,159
Speaker 3: to then, of course, give a space for Quinn to

381
00:20:08,200 --> 00:20:09,440
Speaker 3: come and have a heart to heart with her. But

382
00:20:09,480 --> 00:20:11,359
Speaker 3: I'm like, get the hell out of here. There has

383
00:20:11,480 --> 00:20:14,200
Speaker 3: never been a fore top at a web reception.

384
00:20:14,560 --> 00:20:17,879
Speaker 5: No, that is so funny that that was in a

385
00:20:17,920 --> 00:20:20,800
Speaker 5: production meeting, Like how can we visually just make her

386
00:20:20,840 --> 00:20:22,480
Speaker 5: look so sad and alone?

387
00:20:23,240 --> 00:20:23,400
Speaker 3: Yes?

388
00:20:24,200 --> 00:20:25,640
Speaker 4: Reality and yeah.

389
00:20:25,680 --> 00:20:28,240
Speaker 3: Yeah, like we can't trust the actor to convey she's

390
00:20:28,280 --> 00:20:31,720
Speaker 3: lonely and sad, so let's put her at a small

391
00:20:31,760 --> 00:20:34,200
Speaker 3: table by herself. Well, I want to address the dance

392
00:20:34,240 --> 00:20:37,919
Speaker 3: part thing, because that's that's my one one of my

393
00:20:38,000 --> 00:20:43,439
Speaker 3: issues with television sometimes is time and money and and

394
00:20:43,640 --> 00:20:48,159
Speaker 3: just getting getting the script right like when when you can.

395
00:20:48,200 --> 00:20:51,400
Speaker 4: It's easier in a movie, but there are shows.

396
00:20:51,040 --> 00:20:54,439
Speaker 5: That where there is a little bit more freedom, Like

397
00:20:54,520 --> 00:20:57,159
Speaker 5: say it, Greg Prange was like, we're just going to

398
00:20:57,240 --> 00:21:00,119
Speaker 5: shoot some dancing, Like we might cut together Am and

399
00:21:00,119 --> 00:21:01,600
Speaker 5: TAJ and throw a song on it and it would

400
00:21:01,640 --> 00:21:04,000
Speaker 5: be so awesome. But in TV that's really hard to

401
00:21:04,040 --> 00:21:06,520
Speaker 5: do and get permission to do, even if you're great,

402
00:21:06,960 --> 00:21:10,560
Speaker 5: you know, like because what it's eight days of shooting

403
00:21:11,000 --> 00:21:12,600
Speaker 5: and we got to get all this stuff and then

404
00:21:12,600 --> 00:21:16,440
Speaker 5: get out of there. And you know, that's one thing

405
00:21:17,359 --> 00:21:21,480
Speaker 5: like I've tried to remember now, like when I just

406
00:21:21,480 --> 00:21:26,280
Speaker 5: made my movie, it's like, don't get so like myopic

407
00:21:26,520 --> 00:21:31,080
Speaker 5: about this script and what's on the page and our opportunities.

408
00:21:31,119 --> 00:21:33,920
Speaker 5: Even if like it's in the moment and you go, hey,

409
00:21:34,040 --> 00:21:38,440
Speaker 5: just roll and then sixty people just dance for literally

410
00:21:38,480 --> 00:21:43,000
Speaker 5: twenty seconds. Yeah, it doesn't take a long time, and

411
00:21:43,119 --> 00:21:44,960
Speaker 5: with a few cuts that could become something, you know

412
00:21:45,000 --> 00:21:45,400
Speaker 5: what I mean.

413
00:21:45,480 --> 00:21:46,960
Speaker 4: Like that's such a.

414
00:21:46,920 --> 00:21:49,159
Speaker 5: TV thing where there's not a lot of room for

415
00:21:49,400 --> 00:21:51,919
Speaker 5: especially you know, like networking, traditional networky stuff.

416
00:21:52,040 --> 00:21:55,760
Speaker 4: There's not a lot of room for improvisation or an

417
00:21:55,840 --> 00:21:57,920
Speaker 4: idea popping out at the last second.

418
00:21:57,920 --> 00:22:00,520
Speaker 3: And going back to the the Alex of the So,

419
00:22:00,560 --> 00:22:05,080
Speaker 3: the last time we saw Alex and Chase interact, it

420
00:22:05,119 --> 00:22:07,480
Speaker 3: was that scene a trick in the stock room, after

421
00:22:07,520 --> 00:22:10,159
Speaker 3: like Alex and Mia have bonded and it seems that

422
00:22:10,160 --> 00:22:13,120
Speaker 3: they're both just going to like give up on Chase. Yeah,

423
00:22:13,280 --> 00:22:16,960
Speaker 3: Alex follows him into the stock room and then kisses

424
00:22:17,040 --> 00:22:19,160
Speaker 3: him and is like, hey, I'm still into you, by

425
00:22:19,200 --> 00:22:22,880
Speaker 3: the way, and then we've never nothing ever came of

426
00:22:22,880 --> 00:22:26,439
Speaker 3: that though, No odd right, I mean, I'm not missing anything,

427
00:22:26,480 --> 00:22:27,240
Speaker 3: am I?

428
00:22:27,240 --> 00:22:29,040
Speaker 2: I don't think so there's.

429
00:22:28,840 --> 00:22:31,560
Speaker 3: Been no discussion. We never saw Alex talk about it,

430
00:22:31,600 --> 00:22:33,240
Speaker 3: we never saw Chase talking. It just seemed to me

431
00:22:33,320 --> 00:22:35,639
Speaker 3: like that was about to be the beginning of something.

432
00:22:35,800 --> 00:22:35,960
Speaker 4: Well.

433
00:22:36,000 --> 00:22:38,960
Speaker 2: And we've also remember we've had this big gap what

434
00:22:39,040 --> 00:22:40,720
Speaker 2: did we say, it was like a month or six

435
00:22:40,760 --> 00:22:44,479
Speaker 2: weeks or something from the Storm Night where Quinn almost

436
00:22:44,640 --> 00:22:48,720
Speaker 2: dies again where Brooke dies for two and a half minutes.

437
00:22:49,000 --> 00:22:52,240
Speaker 2: Thank God for Julian. Also Austin, we talked about like

438
00:22:52,240 --> 00:22:54,879
Speaker 2: one of our honorable mentions in that episode was absolutely

439
00:22:54,960 --> 00:22:56,919
Speaker 2: you hulking me out of the water. We were like,

440
00:22:56,920 --> 00:22:59,200
Speaker 2: oh my god, anyone ever looked more like a hero.

441
00:23:01,200 --> 00:23:05,439
Speaker 2: But like the we don't want to dwell in the

442
00:23:05,520 --> 00:23:07,960
Speaker 2: scary and so we're going to do a time jump,

443
00:23:08,040 --> 00:23:11,920
Speaker 2: do the bachelorette party. There's all these things that fall

444
00:23:11,960 --> 00:23:15,119
Speaker 2: through the cracks where you're like, wait a second, I

445
00:23:15,200 --> 00:23:17,120
Speaker 2: get that we didn't want to stay in the sads,

446
00:23:17,320 --> 00:23:21,720
Speaker 2: but also in this gap, we've lost We've lost the

447
00:23:21,760 --> 00:23:25,119
Speaker 2: follow up to some pretty big story points. Because even

448
00:23:25,160 --> 00:23:28,959
Speaker 2: when this episode started and Alex was saying to Quinn

449
00:23:28,960 --> 00:23:31,480
Speaker 2: when they were getting set up, oh, well, you know,

450
00:23:31,600 --> 00:23:33,480
Speaker 2: Chase is going with Mia and she's like, yeah, just

451
00:23:33,520 --> 00:23:37,200
Speaker 2: as friends, I'm like, wait, but since when and why

452
00:23:37,200 --> 00:23:39,760
Speaker 2: would they do that? Like what was the impetus for

453
00:23:39,840 --> 00:23:44,520
Speaker 2: them deciding to go on a platonic date to Brooke

454
00:23:44,560 --> 00:23:47,600
Speaker 2: and Julian's wedding And we have no reason?

455
00:23:48,000 --> 00:23:50,440
Speaker 3: Yeah, I think that was just a casualty of an

456
00:23:50,560 --> 00:23:53,600
Speaker 3: ensemble cast and forty minutes of content, you know. Yeah,

457
00:23:53,640 --> 00:23:57,239
Speaker 3: it's just they can't service everything. One couple that did

458
00:23:57,320 --> 00:24:01,440
Speaker 3: get at the moment they deserved was Mouth and Millie.

459
00:24:01,880 --> 00:24:05,439
Speaker 3: When Skills is about to not let Million and then

460
00:24:05,520 --> 00:24:09,119
Speaker 3: Mouth goes, not, she's my girlfriend. She can come in.

461
00:24:09,200 --> 00:24:12,080
Speaker 3: I was like, it's about time we make it official again.

462
00:24:12,160 --> 00:24:13,760
Speaker 3: You guys, yes, freaking cuties.

463
00:24:15,480 --> 00:24:18,560
Speaker 2: They are so sweet. I also love Alex being like, well,

464
00:24:18,600 --> 00:24:20,560
Speaker 2: why don't you go find Melvin and get it on,

465
00:24:20,640 --> 00:24:25,879
Speaker 2: Like she still doesn't know Mouth's name. A couple of

466
00:24:25,920 --> 00:24:28,640
Speaker 2: things that I thought were so great, Oh my god,

467
00:24:28,680 --> 00:24:33,040
Speaker 2: Carol Cutshaw and the wardrobe department. Crushed for Daphne. She

468
00:24:33,200 --> 00:24:36,199
Speaker 2: looked like a Chanelle model straight off the runway. She

469
00:24:36,240 --> 00:24:40,960
Speaker 2: gave me that like nineties runway Claudia Schiffer energy. I

470
00:24:41,040 --> 00:24:45,040
Speaker 2: was obsessed with her and one of the things that

471
00:24:45,040 --> 00:24:47,879
Speaker 2: stood out to me as being so genius. And I

472
00:24:47,920 --> 00:24:50,119
Speaker 2: know we touched on a little bit, but I'm curious

473
00:24:50,119 --> 00:24:55,359
Speaker 2: what you remember is Austin, you being sandwiched between Sharon

474
00:24:55,400 --> 00:25:00,719
Speaker 2: Lawrence and Gregory Harrison bickering at each other. Yep, and

475
00:25:00,760 --> 00:25:02,919
Speaker 2: then you take charge, You save Quinn. The whole thing

476
00:25:03,000 --> 00:25:04,920
Speaker 2: is so awkward and you just shut it down.

477
00:25:05,600 --> 00:25:08,080
Speaker 4: I loved that scene for a couple of reasons.

478
00:25:08,200 --> 00:25:12,159
Speaker 5: One is because they're so funny and they're the center

479
00:25:12,200 --> 00:25:15,119
Speaker 5: of that scene, and two because I didn't really have

480
00:25:15,160 --> 00:25:17,560
Speaker 5: to do anything. I'm just sitting there watching a tennis match.

481
00:25:17,600 --> 00:25:18,520
Speaker 4: It's so fun.

482
00:25:18,880 --> 00:25:21,480
Speaker 5: But anytime I got to work with Sharon or Gregory

483
00:25:21,600 --> 00:25:25,480
Speaker 5: was always so fun. They were such like just pros,

484
00:25:25,640 --> 00:25:28,879
Speaker 5: and you know, they've just been at it forever and

485
00:25:29,000 --> 00:25:32,240
Speaker 5: so many cool movies and shows. And felt so lucky

486
00:25:32,240 --> 00:25:34,359
Speaker 5: to have them play my parents. And what a treat

487
00:25:35,600 --> 00:25:38,040
Speaker 5: when we're saying our vows and she's crying. I laughed

488
00:25:38,040 --> 00:25:40,040
Speaker 5: out loud when he hands her the clean.

489
00:25:39,920 --> 00:25:41,760
Speaker 3: Next Yes, I wrote that down too.

490
00:25:42,119 --> 00:25:42,600
Speaker 4: So good.

491
00:25:43,160 --> 00:25:45,919
Speaker 2: It's really nice that little shift between them. And it

492
00:25:46,000 --> 00:25:52,280
Speaker 2: was also so sweet to see the parents all crying. Yeah,

493
00:25:52,480 --> 00:25:56,119
Speaker 2: because we've all had such drama with our parental characters

494
00:25:56,760 --> 00:25:59,280
Speaker 2: and it's so adorable that there was just not a

495
00:25:59,359 --> 00:26:01,120
Speaker 2: dry eye. And I loved it.

496
00:26:01,800 --> 00:26:05,240
Speaker 3: I loved Victoria. I like that we're getting back to

497
00:26:05,760 --> 00:26:07,879
Speaker 3: the Victoria Brook dynamic we had at the start of

498
00:26:07,920 --> 00:26:12,399
Speaker 3: the season, with her showing up with the with the

499
00:26:12,480 --> 00:26:15,800
Speaker 3: veil that you caught as a little girl that she

500
00:26:15,840 --> 00:26:17,639
Speaker 3: had kept all these years. I thought that was awesome.

501
00:26:17,680 --> 00:26:21,160
Speaker 3: And then you know, at first, when your dad wasn't

502
00:26:21,240 --> 00:26:23,320
Speaker 3: or Brook's dad wasn't showing up, and you know, she

503
00:26:23,400 --> 00:26:25,240
Speaker 3: kind of makes her a comment like I wouldn't hold

504
00:26:25,280 --> 00:26:27,320
Speaker 3: your breath or something. I was like, ah, come on,

505
00:26:27,480 --> 00:26:29,440
Speaker 3: like be supportive of your kid. You know, you don't

506
00:26:29,440 --> 00:26:32,080
Speaker 3: need to like toss a dig. And but then when

507
00:26:32,119 --> 00:26:35,040
Speaker 3: she walked back in and was like, I'm so sorry,

508
00:26:35,119 --> 00:26:36,639
Speaker 3: you know, and then you I think, Brook says something

509
00:26:36,640 --> 00:26:38,480
Speaker 3: effective like what are we going to do? And she says,

510
00:26:38,600 --> 00:26:41,520
Speaker 3: We're gonna do what we've always done, and she walks

511
00:26:41,520 --> 00:26:43,879
Speaker 3: you down the aisle. And then later when it's the

512
00:26:43,920 --> 00:26:46,639
Speaker 3: father daughter dance, Paul dances with me.

513
00:26:46,800 --> 00:26:47,320
Speaker 2: Yeah.

514
00:26:47,880 --> 00:26:50,920
Speaker 3: Sweet, I just I liked to see these faulted parents

515
00:26:51,040 --> 00:26:54,280
Speaker 3: really stepping up and showing up for their kids today.

516
00:26:54,720 --> 00:26:59,960
Speaker 2: And I loved that Paul said, well, you're my daughter now. Yeah, vulnerable.

517
00:27:00,119 --> 00:27:04,720
Speaker 2: We shared about what he looks back on that he's missed,

518
00:27:04,760 --> 00:27:10,320
Speaker 2: that he regrets, because it's such a nice it's a

519
00:27:10,400 --> 00:27:13,120
Speaker 2: nice callback again to that fight that Brooke and Paul

520
00:27:13,240 --> 00:27:17,040
Speaker 2: had years ago where she tells him, like, your kid

521
00:27:17,160 --> 00:27:20,600
Speaker 2: misses you. He holds onto this one memory because it's

522
00:27:20,600 --> 00:27:23,879
Speaker 2: all he's got, and in a way he's able to

523
00:27:23,960 --> 00:27:27,919
Speaker 2: say without saying that what she called him out on

524
00:27:28,520 --> 00:27:30,879
Speaker 2: shifted his behavior and now he can be there for

525
00:27:30,960 --> 00:27:34,679
Speaker 2: her too. It's so touching and just.

526
00:27:35,040 --> 00:27:37,639
Speaker 3: It's it's vulnerable as well, because he could have just

527
00:27:37,720 --> 00:27:39,679
Speaker 3: been a hero in that moment. He could have just

528
00:27:39,680 --> 00:27:44,520
Speaker 3: said the cool line, but instead he was he was

529
00:27:44,600 --> 00:27:50,639
Speaker 3: sort of like he was kind of like minings his

530
00:27:50,800 --> 00:27:54,040
Speaker 3: past mistakes to help humanize her dad and help brook

531
00:27:54,119 --> 00:27:57,800
Speaker 3: understand the situation, which was just a generous thing to do.

532
00:27:58,200 --> 00:28:00,880
Speaker 3: It wasn't necessary, it didn't make him look any better,

533
00:28:00,920 --> 00:28:03,080
Speaker 3: but like, I just love that he was willing to

534
00:28:03,200 --> 00:28:07,159
Speaker 3: like be a peer, not like the flow, like the

535
00:28:07,160 --> 00:28:09,879
Speaker 3: flawless parent. He was like, yeah, man, I've actually screwed

536
00:28:09,920 --> 00:28:13,080
Speaker 3: up a ton, so you know, it was just it

537
00:28:13,119 --> 00:28:14,919
Speaker 3: was a class. It was a good move. You know,

538
00:28:15,000 --> 00:28:19,240
Speaker 3: it was integrity, which is sort of Brooks strike zone.

539
00:28:19,840 --> 00:28:25,600
Speaker 3: The whole listens trains Marry Me. I mean that's got

540
00:28:25,600 --> 00:28:29,440
Speaker 3: to be like top three all time wedding songs, right,

541
00:28:29,000 --> 00:28:32,480
Speaker 3: It's gotta be, because as soon as that song came on,

542
00:28:32,560 --> 00:28:35,679
Speaker 3: I'm like, well I'm done. And then that whole montage

543
00:28:35,760 --> 00:28:40,240
Speaker 3: walking down the aisle was dumb cute. I said this

544
00:28:40,280 --> 00:28:41,800
Speaker 3: in the Q and A, but like, I have never

545
00:28:41,840 --> 00:28:44,080
Speaker 3: seen any of your stuff from season six, so I

546
00:28:44,240 --> 00:28:47,640
Speaker 3: was thrilled to get to see stuff. Also shout out

547
00:28:47,640 --> 00:28:50,160
Speaker 3: to Austin's high haircut in the back of his hair

548
00:28:50,920 --> 00:28:52,720
Speaker 3: that I had heard about on this podcast but never

549
00:28:52,760 --> 00:28:57,200
Speaker 3: seen until this flashback. But it was all so sweet

550
00:28:57,400 --> 00:29:02,040
Speaker 3: and so effective. And then you guys just did such

551
00:29:02,040 --> 00:29:06,200
Speaker 3: a good job with keeping everything like nothing felt reached for.

552
00:29:06,400 --> 00:29:09,360
Speaker 3: It was all honest, which is all I ever really

553
00:29:09,360 --> 00:29:11,200
Speaker 3: want to see, you know. It just felt like it

554
00:29:11,240 --> 00:29:15,720
Speaker 3: was grounded, It was sincere, and it was so fun

555
00:29:15,760 --> 00:29:16,280
Speaker 3: to watch.

556
00:29:17,000 --> 00:29:20,760
Speaker 5: Yeah, the token thing with Jamie the little haf I

557
00:29:20,920 --> 00:29:22,680
Speaker 5: was kind of like, you know, in the beginning with

558
00:29:22,720 --> 00:29:26,800
Speaker 5: the rabbit, I was kind of like, this feels it

559
00:29:26,840 --> 00:29:29,840
Speaker 5: feels like it was a little half ass or something.

560
00:29:29,840 --> 00:29:33,000
Speaker 5: But then when I'm standing at the altar and I

561
00:29:33,040 --> 00:29:36,200
Speaker 5: handed to him and I say, I found my other half.

562
00:29:36,480 --> 00:29:39,720
Speaker 4: It just worked. He made me cry, And I'm like,

563
00:29:39,760 --> 00:29:40,240
Speaker 4: why am I.

564
00:29:40,200 --> 00:29:43,440
Speaker 5: Being critical of the first scene when that ship works

565
00:29:43,880 --> 00:29:45,760
Speaker 5: and when he handed him the token, he said he's

566
00:29:45,800 --> 00:29:46,960
Speaker 5: looking at his bride at the end.

567
00:29:46,840 --> 00:29:50,240
Speaker 4: Of the other end of the the church. It's I

568
00:29:50,440 --> 00:29:51,880
Speaker 4: got emotional to it. It's so good.

569
00:29:51,920 --> 00:29:55,920
Speaker 5: It was such a good little little story about you know,

570
00:29:56,280 --> 00:29:59,200
Speaker 5: a little keepsake that reminds you of, you know, this

571
00:29:59,240 --> 00:30:00,520
Speaker 5: thing you hope for the future.

572
00:30:00,560 --> 00:30:01,720
Speaker 4: It was really really beautiful.

573
00:30:02,080 --> 00:30:04,800
Speaker 3: I liked that. I mean, I know, it's one thing

574
00:30:04,800 --> 00:30:06,680
Speaker 3: to be the actor who's reading it and then preparing

575
00:30:06,680 --> 00:30:08,440
Speaker 3: for how you're going to sell it, But as just

576
00:30:08,520 --> 00:30:10,680
Speaker 3: the viewer I was. I was on board from the

577
00:30:10,760 --> 00:30:11,240
Speaker 3: jump with it.

578
00:30:11,360 --> 00:30:13,920
Speaker 4: Okay, good, I like it too. It worked in the end.

579
00:30:13,960 --> 00:30:16,120
Speaker 5: It was only the beginning that it was throwing you,

580
00:30:16,160 --> 00:30:17,600
Speaker 5: but that was probably just because I was the guy

581
00:30:17,640 --> 00:30:18,440
Speaker 5: who had to do it.

582
00:30:18,800 --> 00:30:23,840
Speaker 3: Yes, I loved that they took a moment to have

583
00:30:23,920 --> 00:30:28,400
Speaker 3: fun at Chase's expense and have the Chase clone bartender

584
00:30:29,160 --> 00:30:31,920
Speaker 3: who even did the finger guns and served a blue drink.

585
00:30:31,960 --> 00:30:33,480
Speaker 3: But of course it's like the same way that we

586
00:30:33,560 --> 00:30:37,800
Speaker 3: emasculate the show attempted to emasculate Julian. I like the

587
00:30:37,800 --> 00:30:41,720
Speaker 3: way that it just straight up insulted Chase. And also

588
00:30:41,880 --> 00:30:42,720
Speaker 3: it works.

589
00:30:42,960 --> 00:30:46,360
Speaker 5: This drink has just followed him through the years, and

590
00:30:46,400 --> 00:30:49,040
Speaker 5: it's just I mean, I wonder if there's another runner

591
00:30:49,480 --> 00:30:52,920
Speaker 5: through the show that's as used as much as that one.

592
00:30:53,600 --> 00:30:54,760
Speaker 4: That drink is everywhere.

593
00:30:55,000 --> 00:30:57,600
Speaker 3: Oh it still goes because I don't think there's a scene.

594
00:30:57,960 --> 00:31:00,240
Speaker 3: I don't know if it's happened yet actually, but I

595
00:31:00,280 --> 00:31:02,160
Speaker 3: know for a fact if it hasn't. There's a scene

596
00:31:02,200 --> 00:31:06,600
Speaker 3: coming up where we're at trick and I think Nathan

597
00:31:06,720 --> 00:31:09,479
Speaker 3: goes up first and has a sip of it and

598
00:31:09,520 --> 00:31:13,400
Speaker 3: he slaps Chase and walks away, and then moments later

599
00:31:13,480 --> 00:31:16,120
Speaker 3: Chase comes up. Excuse me, Clay comes up and has

600
00:31:16,160 --> 00:31:20,880
Speaker 3: a sip and also slaps Chase. I mean he that dude,

601
00:31:20,920 --> 00:31:25,240
Speaker 3: he gets drug through the mud over that drink. Tell me,

602
00:31:26,040 --> 00:31:30,320
Speaker 3: how did you feel about Chase and Mia hooking up

603
00:31:30,520 --> 00:31:36,520
Speaker 3: in the back of the wedding Limo amazing. I was

604
00:31:36,640 --> 00:31:37,680
Speaker 3: not expecting that.

605
00:31:38,320 --> 00:31:42,640
Speaker 5: I would say, Look, you know, the bride may feel differently,

606
00:31:42,960 --> 00:31:45,680
Speaker 5: but I'm trying to decide if I should share a

607
00:31:45,720 --> 00:31:46,280
Speaker 5: story here.

608
00:31:46,280 --> 00:31:47,600
Speaker 3: Or not share it.

609
00:31:47,920 --> 00:31:51,160
Speaker 5: There was a time, many many, many, many moons ago

610
00:31:51,360 --> 00:31:56,280
Speaker 5: where I made something happen on the premises at a wedding,

611
00:31:57,080 --> 00:32:00,320
Speaker 5: and why I talk to other people about it, and

612
00:32:00,960 --> 00:32:03,120
Speaker 5: it's a thing people like it happens.

613
00:32:03,600 --> 00:32:04,480
Speaker 3: It is a thing thing.

614
00:32:04,480 --> 00:32:05,960
Speaker 5: I mean, I'm not saying it happens every wedding, but

615
00:32:06,360 --> 00:32:09,840
Speaker 5: I think it's a thing that happens, and I think

616
00:32:09,880 --> 00:32:13,840
Speaker 5: it's kind of fun and silly and cute, and of course,

617
00:32:13,920 --> 00:32:15,920
Speaker 5: you know, you get the like ooze and the gross

618
00:32:15,920 --> 00:32:18,840
Speaker 5: and all that, but I think if it's you know,

619
00:32:19,000 --> 00:32:21,360
Speaker 5: if it's done right, I think it's kind of funny

620
00:32:21,360 --> 00:32:21,920
Speaker 5: and adorable.

621
00:32:34,600 --> 00:32:38,760
Speaker 3: Okay. Can I ask was it inside or outside this

622
00:32:38,960 --> 00:32:43,760
Speaker 3: Dallian Severe, I'll never tell. Oh, dang, you know, I

623
00:32:43,800 --> 00:32:45,920
Speaker 3: love that you're a gentleman most of the time, but

624
00:32:46,040 --> 00:32:49,120
Speaker 3: right now it's really grinding my gears. You know what.

625
00:32:49,160 --> 00:32:49,400
Speaker 4: I know.

626
00:32:49,400 --> 00:32:52,640
Speaker 5: What I wanted to address was I've been deep in

627
00:32:52,720 --> 00:32:55,840
Speaker 5: it with my movie with music and trying to get songs,

628
00:32:56,400 --> 00:32:59,960
Speaker 5: and when I watched television, I I can't believe how

629
00:33:00,120 --> 00:33:03,120
Speaker 5: much money is spent. And this song you mentioned was

630
00:33:03,240 --> 00:33:06,040
Speaker 5: the Train song. And then Don't You Forget About Me,

631
00:33:06,240 --> 00:33:09,800
Speaker 5: which is you know, fster hit song. I'm sitting here

632
00:33:09,800 --> 00:33:13,000
Speaker 5: going that's forty grand, that's sixty grand, that's twenty grand.

633
00:33:13,120 --> 00:33:15,800
Speaker 4: Ye like, I'm going, holy crap. How does the show

634
00:33:15,880 --> 00:33:17,040
Speaker 4: pay for these? Every week?

635
00:33:17,160 --> 00:33:19,480
Speaker 3: I got paid in craft services. That's how they used

636
00:33:19,480 --> 00:33:23,000
Speaker 3: my salary for good tunes. And listen, if it's going

637
00:33:23,040 --> 00:33:26,920
Speaker 3: to be simple Minds and Train, I'm okay with it

638
00:33:26,960 --> 00:33:30,280
Speaker 3: for this episode. I'll get paid in fun Yan. We

639
00:33:30,320 --> 00:33:34,480
Speaker 3: loved it well. You two were so good in this episode.

640
00:33:34,520 --> 00:33:36,880
Speaker 3: You always are. You know, I've been saying since I

641
00:33:36,880 --> 00:33:40,880
Speaker 3: started this that I became a big, brilliant stand So

642
00:33:41,000 --> 00:33:43,760
Speaker 3: it was really nice to see, especially after what we've

643
00:33:43,800 --> 00:33:47,520
Speaker 3: been through this season. It's just been so heavy that

644
00:33:47,640 --> 00:33:51,840
Speaker 3: the Bachelorette party episode was the palate cleanser we all needed,

645
00:33:51,960 --> 00:33:56,200
Speaker 3: and then this just warm feels. There was no cat

646
00:33:56,240 --> 00:33:59,320
Speaker 3: stuck in a tree. It was just a beautiful wedding

647
00:33:59,360 --> 00:34:02,120
Speaker 3: with people that we like. It was great and you

648
00:34:02,160 --> 00:34:03,560
Speaker 3: two did such an awesome job.

649
00:34:03,760 --> 00:34:04,680
Speaker 4: Thank you, thank you.

650
00:34:05,160 --> 00:34:09,520
Speaker 2: It was really I wrote down and it's gonna maybe

651
00:34:09,520 --> 00:34:14,480
Speaker 2: seem a little bit silly, but watching this, it really

652
00:34:14,560 --> 00:34:19,000
Speaker 2: felt like I was I'm watching people I know get

653
00:34:19,040 --> 00:34:23,279
Speaker 2: what they want, you know, Like it genuinely felt like

654
00:34:24,040 --> 00:34:28,040
Speaker 2: such a happy thing for some people who deserved it

655
00:34:28,080 --> 00:34:31,040
Speaker 2: and needed it. And it's like, it's an interesting thing

656
00:34:31,120 --> 00:34:35,840
Speaker 2: to feel that sort of connection to, you know, characters

657
00:34:35,880 --> 00:34:38,239
Speaker 2: that we made up because they're not real people, but

658
00:34:38,760 --> 00:34:41,360
Speaker 2: we played them for so long that they almost feel

659
00:34:41,400 --> 00:34:45,560
Speaker 2: like they are. And it was I don't know, it

660
00:34:45,640 --> 00:34:47,719
Speaker 2: was just nice to see this. To your point, Rob,

661
00:34:47,760 --> 00:34:51,719
Speaker 2: it was nice to see some warmth and some happiness

662
00:34:51,880 --> 00:34:56,440
Speaker 2: and some levity after all the very intense drama and

663
00:34:56,560 --> 00:34:59,960
Speaker 2: violence of the season. Yeah, it was sweet.

664
00:35:00,120 --> 00:35:05,360
Speaker 3: Also shout out to Joy's pregnancy glow, which was very

665
00:35:05,400 --> 00:35:08,040
Speaker 3: real in this episode, the scene where she comes into

666
00:35:08,160 --> 00:35:11,239
Speaker 3: the bridle room. Yeah, when it's just the two of you,

667
00:35:11,719 --> 00:35:13,919
Speaker 3: I pause and I was like, oh my god, look

668
00:35:13,960 --> 00:35:16,120
Speaker 3: at the glow on Joy Man.

669
00:35:16,920 --> 00:35:19,960
Speaker 2: And the hair is so good, and I mean the

670
00:35:20,120 --> 00:35:23,239
Speaker 2: dress they put her in was so great, and I

671
00:35:23,280 --> 00:35:26,879
Speaker 2: even loved, you know, looking back on it, obviously because

672
00:35:26,960 --> 00:35:31,080
Speaker 2: Joy was pregnant with Maria. Like even the throwaway joke

673
00:35:31,160 --> 00:35:34,400
Speaker 2: she makes in the morning when she has like gorgeous

674
00:35:34,400 --> 00:35:36,120
Speaker 2: BedHead and she's like, I join you, but I don't

675
00:35:36,120 --> 00:35:38,480
Speaker 2: want to go into labor on your wedding day. Like

676
00:35:39,040 --> 00:35:43,800
Speaker 2: the whole thing works. It's so funny, and she looks

677
00:35:43,880 --> 00:35:46,600
Speaker 2: so beautiful. And she was such a trooper. I mean,

678
00:35:46,680 --> 00:35:50,399
Speaker 2: those were long days and she hung out and was like,

679
00:35:50,880 --> 00:35:51,799
Speaker 2: I'm minute to win it.

680
00:35:52,640 --> 00:35:54,239
Speaker 4: How many months do we think she wasn't then?

681
00:35:54,600 --> 00:35:56,200
Speaker 2: Oh gosh, I can't remember.

682
00:35:57,360 --> 00:35:59,160
Speaker 5: Maybe I don't know if she was mad at me.

683
00:35:59,760 --> 00:36:01,200
Speaker 5: But did you give birth during the season?

684
00:36:01,719 --> 00:36:06,360
Speaker 2: She did? Yeah, that's right, Yeah far away. Yeah, she

685
00:36:06,400 --> 00:36:08,359
Speaker 2: was pretty close. She was probably, I mean she had

686
00:36:08,360 --> 00:36:11,600
Speaker 2: to be like seven or eight once at this point,

687
00:36:12,040 --> 00:36:14,640
Speaker 2: because I remember, and we talked about this, that when

688
00:36:14,719 --> 00:36:19,759
Speaker 2: Haley has lydia, Joy gave birth in the middle of

689
00:36:19,800 --> 00:36:23,600
Speaker 2: that episode when we were filming and then had to

690
00:36:23,680 --> 00:36:25,920
Speaker 2: come back and pick up those scenes and was like,

691
00:36:26,040 --> 00:36:28,120
Speaker 2: absolutely not. There's no way I can pretend to give

692
00:36:28,120 --> 00:36:30,200
Speaker 2: birth on camera now that I've just done it, Like,

693
00:36:30,280 --> 00:36:34,680
Speaker 2: this is fucked up. I can't. And so I don't

694
00:36:34,719 --> 00:36:37,440
Speaker 2: remember what episode that is, but it's I think it's

695
00:36:37,480 --> 00:36:38,160
Speaker 2: pretty close.

696
00:36:39,360 --> 00:36:40,120
Speaker 4: I forgot about that.

697
00:36:40,960 --> 00:36:46,520
Speaker 2: Yeah, And something I loved too that they did, And

698
00:36:46,880 --> 00:36:51,120
Speaker 2: what a great call of Greg is when Joy's giving

699
00:36:51,160 --> 00:36:54,560
Speaker 2: Haley's speech that is so funny and sweet and lovely.

700
00:36:56,040 --> 00:36:59,359
Speaker 2: She said to me, she says, looking at me, it

701
00:36:59,400 --> 00:37:01,439
Speaker 2: was in the eye, and I did this to her

702
00:37:02,440 --> 00:37:04,520
Speaker 2: at the table, and then she did it back to me,

703
00:37:06,120 --> 00:37:08,880
Speaker 2: and Greg was like, I love that. Do it again,

704
00:37:09,560 --> 00:37:14,640
Speaker 2: and he very smartly cut it in the opposite order,

705
00:37:15,200 --> 00:37:19,879
Speaker 2: so you know, she says it and then does the thing,

706
00:37:19,920 --> 00:37:21,680
Speaker 2: and then you cut to me and I do the thing,

707
00:37:22,040 --> 00:37:24,120
Speaker 2: and it was this really sweet moment. I don't know

708
00:37:24,120 --> 00:37:26,640
Speaker 2: why Joy and I were so deadlocked on each other,

709
00:37:27,440 --> 00:37:30,799
Speaker 2: and yes, it's about Brooke and Haley, but it was

710
00:37:30,840 --> 00:37:34,319
Speaker 2: also so clearly about us, and we just had this

711
00:37:34,400 --> 00:37:37,439
Speaker 2: moment and we did this thing, and then I'll never

712
00:37:37,480 --> 00:37:39,279
Speaker 2: forget Greg running in and being like, do it again,

713
00:37:39,360 --> 00:37:39,759
Speaker 2: do it again?

714
00:37:39,800 --> 00:37:40,120
Speaker 3: I love it.

715
00:37:40,160 --> 00:37:42,160
Speaker 2: I love it, And it made the show. And now

716
00:37:42,160 --> 00:37:44,040
Speaker 2: it's a thing that people like, like you're saying with

717
00:37:44,040 --> 00:37:46,480
Speaker 2: your high five Austin, Like people will do that to

718
00:37:46,560 --> 00:37:49,520
Speaker 2: us at conventions and stuff, and it's you never know

719
00:37:49,600 --> 00:37:50,319
Speaker 2: what's going to hit.

720
00:37:50,640 --> 00:37:52,920
Speaker 5: Also, why smart guy, and so you could direct her

721
00:37:52,920 --> 00:37:55,040
Speaker 5: because when you see those little things that happen, you

722
00:37:55,120 --> 00:37:57,360
Speaker 5: got to grab them and it's lightning in a bottle

723
00:37:57,400 --> 00:38:00,200
Speaker 5: and like, yeah, those are the things that make something

724
00:38:00,360 --> 00:38:02,839
Speaker 5: unique and special and good for him.

725
00:38:03,120 --> 00:38:06,560
Speaker 3: I remember I have a little behind the scenes moment

726
00:38:06,600 --> 00:38:09,560
Speaker 3: that I remember from doing this episode when we were

727
00:38:09,640 --> 00:38:11,960
Speaker 3: all you know, anytime you get the whole cast together,

728
00:38:12,040 --> 00:38:14,920
Speaker 3: it's problems because we're like kids who have never been

729
00:38:14,960 --> 00:38:16,680
Speaker 3: allowed to sit next to each other in class, and

730
00:38:16,719 --> 00:38:18,520
Speaker 3: now on the field trip, we're all in the same bus.

731
00:38:18,600 --> 00:38:19,400
Speaker 2: Right, it's a disaster.

732
00:38:19,560 --> 00:38:24,560
Speaker 3: And so it was me, Colletti, James Antoine like all

733
00:38:24,600 --> 00:38:27,279
Speaker 3: sitting in a pocket, right, And I'll never forget you

734
00:38:27,280 --> 00:38:30,279
Speaker 3: guys were up up on the altar, so we must

735
00:38:30,320 --> 00:38:32,200
Speaker 3: have been doing some sort of establisher or something, but

736
00:38:32,239 --> 00:38:33,920
Speaker 3: like we were getting close to you. I mean we

737
00:38:33,960 --> 00:38:36,080
Speaker 3: must have been shooting like over you onto us, because

738
00:38:36,120 --> 00:38:40,399
Speaker 3: I remember you guys were actually performing and one of

739
00:38:40,480 --> 00:38:46,760
Speaker 3: the group I believe, I believe Antoine started to doze.

740
00:38:47,760 --> 00:38:49,120
Speaker 3: Not because of you, guys, it was just, you know,

741
00:38:49,160 --> 00:38:51,040
Speaker 3: a long day. Whatever, it's Antoine, you know, it's just funny.

742
00:38:51,160 --> 00:38:54,200
Speaker 3: He starts to dose and we started laughing and then

743
00:38:54,280 --> 00:38:58,320
Speaker 3: we got quite literally church giggles, and I remember feeling

744
00:38:58,320 --> 00:38:59,920
Speaker 3: so bad because at one point, so if you turned

745
00:39:00,080 --> 00:39:04,560
Speaker 3: on and you were like, guys, like we were totally

746
00:39:05,200 --> 00:39:06,880
Speaker 3: not helping the situation. And it was one of those

747
00:39:06,880 --> 00:39:09,120
Speaker 3: ones that was like, I am trying to be here

748
00:39:09,160 --> 00:39:12,440
Speaker 3: for you, but unfortunately the giggles have taken over. And

749
00:39:12,800 --> 00:39:14,560
Speaker 3: then it's like, you know it is, I stop it,

750
00:39:14,600 --> 00:39:17,160
Speaker 3: but then I hear James snickering and it starts again.

751
00:39:17,360 --> 00:39:22,960
Speaker 2: We love Antoine, but when anyone starts snoring while you're rolling,

752
00:39:23,239 --> 00:39:27,360
Speaker 2: it's really hard to not lose it. And to your point,

753
00:39:27,400 --> 00:39:29,239
Speaker 2: it was such a long day and the reason it

754
00:39:29,280 --> 00:39:30,920
Speaker 2: was hard for us up there is because we had

755
00:39:30,920 --> 00:39:34,160
Speaker 2: one camera doing coverage in a tight shot and a

756
00:39:34,239 --> 00:39:39,160
Speaker 2: camera at a perpendicular angle shooting a two shot of

757
00:39:39,280 --> 00:39:41,799
Speaker 2: us with you guys all in the background. So we

758
00:39:41,800 --> 00:39:44,879
Speaker 2: were doing a wide shot which is totally inconsequential at

759
00:39:44,880 --> 00:39:47,239
Speaker 2: the same time as we were doing our coverage, and

760
00:39:47,280 --> 00:39:51,040
Speaker 2: it was like please to please please, Yeah, And it

761
00:39:51,080 --> 00:39:51,560
Speaker 2: was hard.

762
00:39:52,000 --> 00:39:54,360
Speaker 3: Also, it was towards the end of the day, and

763
00:39:54,400 --> 00:39:58,319
Speaker 3: this is arguably the most important shot of your two

764
00:39:58,400 --> 00:40:01,920
Speaker 3: characters so far. It's so important. So it's tough. It's

765
00:40:01,920 --> 00:40:04,520
Speaker 3: already the end of the day. Energy's waning, and then

766
00:40:04,560 --> 00:40:07,120
Speaker 3: you have the peanut gallery. You hear a faint snoring

767
00:40:07,200 --> 00:40:10,839
Speaker 3: and then a bunch of grown man children giggling about it. Yeah.

768
00:40:10,880 --> 00:40:13,200
Speaker 3: I mean the fact again that you pulled off that

769
00:40:13,239 --> 00:40:14,840
Speaker 3: scene so well, kudos to the two of you. But

770
00:40:14,880 --> 00:40:16,640
Speaker 3: I will never forget that moment where it was like

771
00:40:16,680 --> 00:40:18,440
Speaker 3: so if it was like you were the mom going

772
00:40:18,520 --> 00:40:19,680
Speaker 3: like you better.

773
00:40:19,400 --> 00:40:23,200
Speaker 2: Pull your together at the similar exit people are watching,

774
00:40:23,400 --> 00:40:24,919
Speaker 2: I will not have you behaved this way.

775
00:40:24,960 --> 00:40:27,000
Speaker 3: But I remember you turning around being like guys and

776
00:40:27,120 --> 00:40:29,719
Speaker 3: just feeling like fudge, I'm blowing this.

777
00:40:30,400 --> 00:40:30,600
Speaker 4: See.

778
00:40:30,640 --> 00:40:32,520
Speaker 5: That would have been a great little thing, like at

779
00:40:32,560 --> 00:40:35,280
Speaker 5: the beginning of the episode, Clay like admits to somebody

780
00:40:35,280 --> 00:40:37,920
Speaker 5: that he has like a church giggle problem, like a

781
00:40:37,960 --> 00:40:38,520
Speaker 5: real issue.

782
00:40:39,920 --> 00:40:42,000
Speaker 3: That would have felt very Clay as well.

783
00:40:42,000 --> 00:40:43,320
Speaker 4: Hold it in the whole show.

784
00:40:43,920 --> 00:40:44,680
Speaker 2: It would have been great.

785
00:40:44,840 --> 00:40:49,759
Speaker 3: Speaking of Clay, I liked that when Quinn admits to

786
00:40:50,680 --> 00:40:55,480
Speaker 3: stocking Katie that he'd just let her off the hook. Yeah,

787
00:40:55,520 --> 00:40:58,600
Speaker 3: I'm glad that it's because we haven't even really we

788
00:40:58,640 --> 00:41:00,600
Speaker 3: hadn't had a chance to see them like what their

789
00:41:00,600 --> 00:41:03,560
Speaker 3: process was of her telling him about that, any of that.

790
00:41:03,640 --> 00:41:06,439
Speaker 3: But I just appreciate the fact that it's like they've

791
00:41:06,440 --> 00:41:09,040
Speaker 3: been through hell and he's like, I'm glad you're okay.

792
00:41:09,160 --> 00:41:13,000
Speaker 2: Yeah, well cool, you know what. It's such a lovely

793
00:41:14,000 --> 00:41:18,200
Speaker 2: apology scene, and it's nice that we get to it

794
00:41:18,239 --> 00:41:21,040
Speaker 2: because it's serious with some humor, as we said earlier,

795
00:41:21,200 --> 00:41:24,239
Speaker 2: with Quinn and Alex, especially Alex being like, yeah, you

796
00:41:24,239 --> 00:41:26,520
Speaker 2: better tell him because there's a chance I might, like

797
00:41:26,719 --> 00:41:30,879
Speaker 2: there's levity. And then when you guys sit together, you're

798
00:41:31,000 --> 00:41:36,279
Speaker 2: both so dropped in, you're so vulnerable. Chantelle looks so

799
00:41:36,480 --> 00:41:41,240
Speaker 2: afraid to tell you this thing, and when she does,

800
00:41:41,440 --> 00:41:45,600
Speaker 2: and you ask why. I loved that they didn't give

801
00:41:45,640 --> 00:41:49,680
Speaker 2: her some big justified whatever she just said. I don't know,

802
00:41:51,480 --> 00:41:57,200
Speaker 2: and it was so honest, and you two basically got

803
00:41:57,239 --> 00:41:59,799
Speaker 2: to sit with each other and look at each other

804
00:41:59,840 --> 00:42:03,400
Speaker 2: and admit that, yeah, you don't always know what you're doing,

805
00:42:03,800 --> 00:42:07,279
Speaker 2: but you love each other and it's so refreshing.

806
00:42:07,719 --> 00:42:10,680
Speaker 3: Yeah, there's a good amount of grace there to just

807
00:42:10,760 --> 00:42:15,040
Speaker 3: go yeah, okay. Like to me, it was another one

808
00:42:15,040 --> 00:42:18,880
Speaker 3: of going like, oh, yeah, that's your person, not raking

809
00:42:18,880 --> 00:42:20,960
Speaker 3: you over the coals. It's not a whole big thing.

810
00:42:21,000 --> 00:42:26,440
Speaker 3: It's like, yeah, we both almost died, so let's just okay, Yeah,

811
00:42:26,680 --> 00:42:29,080
Speaker 3: lesson learned, Let's move on. Yeah.

812
00:42:29,360 --> 00:42:31,880
Speaker 2: I loved it. I thought you guys were beautiful. What

813
00:42:31,960 --> 00:42:35,239
Speaker 2: are we? Oh? I have a shout out something that

814
00:42:35,320 --> 00:42:39,680
Speaker 2: I love? And you know, we got we got to

815
00:42:39,760 --> 00:42:44,640
Speaker 2: really craft Brooke and Julian's valves, which I thought we crushed.

816
00:42:45,560 --> 00:42:48,640
Speaker 2: And I loved that we managed to get some humor

817
00:42:48,760 --> 00:42:51,759
Speaker 2: in our scene. In so many of these scenes, like

818
00:42:51,800 --> 00:42:55,160
Speaker 2: we've been talking about throughout the episode, I love the

819
00:42:55,239 --> 00:42:58,160
Speaker 2: moment where we're in the truck and you call me

820
00:42:58,200 --> 00:43:00,640
Speaker 2: missus Baker and I just call you miss Davis and

821
00:43:00,680 --> 00:43:04,520
Speaker 2: we both laugh. It's like it's such a perfect button

822
00:43:04,800 --> 00:43:06,960
Speaker 2: for Brooke to be like cute.

823
00:43:07,040 --> 00:43:10,960
Speaker 4: Also, you it's so exactly who you are, who Brooke is.

824
00:43:11,760 --> 00:43:12,439
Speaker 4: It's so good.

825
00:43:13,000 --> 00:43:14,960
Speaker 2: I loved it. It was so sweet.

826
00:43:27,480 --> 00:43:31,680
Speaker 3: We got a question from Lisa. She asks, besides Brook's

827
00:43:31,719 --> 00:43:34,480
Speaker 3: father not showing up, there wasn't a dramatic storyline for

828
00:43:34,520 --> 00:43:37,279
Speaker 3: this wedding. If you got to choose something dramatic to

829
00:43:37,280 --> 00:43:40,359
Speaker 3: happen at their wedding, what would you want that storyline

830
00:43:40,400 --> 00:43:40,600
Speaker 3: to be.

831
00:43:41,280 --> 00:43:48,200
Speaker 2: Oh, oh, it's a good question, but I almost My

832
00:43:48,320 --> 00:43:50,840
Speaker 2: immediate reaction is no, I don't want anything dramatic to

833
00:43:50,840 --> 00:43:54,600
Speaker 2: happen at the wedding because that skills whole storyline is

834
00:43:54,680 --> 00:43:55,400
Speaker 2: preventing it.

835
00:43:55,880 --> 00:43:59,040
Speaker 3: Yeah. My first thought was, like the catering gets goofed up,

836
00:43:59,239 --> 00:44:02,240
Speaker 3: like it has to be something you can live without,

837
00:44:02,360 --> 00:44:03,920
Speaker 3: you know, yeah.

838
00:44:03,719 --> 00:44:06,279
Speaker 5: Like if the cold Feet thing has been done so

839
00:44:06,320 --> 00:44:09,400
Speaker 5: many millions of times, and you know, if I like

840
00:44:09,520 --> 00:44:12,400
Speaker 5: Brooke and Julian having a successful, great wedding, but if

841
00:44:12,440 --> 00:44:15,239
Speaker 5: there was something going awry behind the scenes, and then

842
00:44:15,239 --> 00:44:17,360
Speaker 5: somebody else was the hero that fixed it.

843
00:44:17,440 --> 00:44:20,200
Speaker 2: That would have been fun. Like if you and I

844
00:44:20,239 --> 00:44:22,759
Speaker 2: never knew about it, but something was happening in the

845
00:44:22,800 --> 00:44:26,560
Speaker 2: background and one of our characters was on this sort

846
00:44:26,560 --> 00:44:28,320
Speaker 2: of wild goose chase to fix it, and then the

847
00:44:28,360 --> 00:44:30,439
Speaker 2: wedding goes off without a hitch. That would have been cute.

848
00:44:30,480 --> 00:44:35,040
Speaker 5: Maybe Antoine did actually Hills actually did stop the event.

849
00:44:35,320 --> 00:44:38,359
Speaker 3: That was yes, yeah, if it wasn't just the truck,

850
00:44:38,400 --> 00:44:41,480
Speaker 3: there actually was eminent danger that he took care of

851
00:44:41,520 --> 00:44:42,879
Speaker 3: and told no one, go one.

852
00:44:42,920 --> 00:44:45,360
Speaker 4: He's a silent hero. He walks back into the church.

853
00:44:46,200 --> 00:44:47,200
Speaker 4: Oh that would be gold.

854
00:44:47,800 --> 00:44:50,319
Speaker 2: That would have been nice. Okay, yes, yes to that.

855
00:44:51,640 --> 00:44:56,520
Speaker 3: Honorable mentions definitely Antwine. Mm hmmm same.

856
00:44:57,000 --> 00:44:59,640
Speaker 2: Yeah. I'm also going to give an honorable mention to

857
00:44:59,800 --> 00:45:05,160
Speaker 2: le Goldstein's bouquet catch because her flying through the air

858
00:45:05,239 --> 00:45:09,000
Speaker 2: into that still shot from Quinn's camera and then the

859
00:45:09,040 --> 00:45:14,439
Speaker 2: bouquet coming up into frame just absolute physical comedy. Gold.

860
00:45:15,640 --> 00:45:18,000
Speaker 5: Also to the little girl who played young Brook. I

861
00:45:18,520 --> 00:45:21,520
Speaker 5: just loved that moment and she did such a great job.

862
00:45:21,560 --> 00:45:23,880
Speaker 5: And you often wonder like where are they now and

863
00:45:24,000 --> 00:45:24,759
Speaker 5: who is she now?

864
00:45:24,840 --> 00:45:29,239
Speaker 2: You know, Yeah, that would be fun to know, so well.

865
00:45:29,239 --> 00:45:34,400
Speaker 3: Shout out to you a young girl to be Jojo Siwa.

866
00:45:35,040 --> 00:45:39,120
Speaker 2: Could you imagine, Oh my gosh.

867
00:45:37,800 --> 00:45:38,840
Speaker 3: Oh should we spin a wheel?

868
00:45:38,920 --> 00:45:39,600
Speaker 2: Let's do it?

869
00:45:40,120 --> 00:45:42,320
Speaker 3: What does that mean you're about to find out Austin.

870
00:45:42,800 --> 00:45:48,719
Speaker 2: Most likely to like in the yearbook get Ready superlative time.

871
00:45:50,400 --> 00:45:54,920
Speaker 3: Most likely to make friends with a stranger on vacation for.

872
00:45:54,960 --> 00:45:58,160
Speaker 2: The whole cast character and castmate.

873
00:45:58,760 --> 00:46:02,239
Speaker 5: Yeah, I mean I want to say Clay, but no, no, no, no,

874
00:46:02,280 --> 00:46:03,480
Speaker 5: that's more rob than Clay.

875
00:46:03,960 --> 00:46:09,360
Speaker 3: I'd say Julian. Really, Julian, You're see he's so open yeh, yeah, interesting,

876
00:46:09,920 --> 00:46:12,360
Speaker 3: I would say Julian, and then I would agree me.

877
00:46:12,600 --> 00:46:14,040
Speaker 4: Yeah, I'm into it.

878
00:46:14,080 --> 00:46:15,040
Speaker 3: How about you, guys?

879
00:46:15,360 --> 00:46:18,760
Speaker 2: I think you're both correct. It feels like a unanimous vote.

880
00:46:18,800 --> 00:46:22,040
Speaker 4: We'll take the win, Robin, I will take make down

881
00:46:22,120 --> 00:46:23,120
Speaker 4: the author.

882
00:46:25,480 --> 00:46:29,320
Speaker 3: I'm gonna write so much more Julian Clay fan fiction.

883
00:46:29,320 --> 00:46:33,840
Speaker 3: What would our couple name be? Would it be Julie Lay? Wait, no, Clay,

884
00:46:34,360 --> 00:46:42,280
Speaker 3: Cullian Lulian Clulian Oh Colulian. Oh you heard it first listeners.

885
00:46:42,480 --> 00:46:43,200
Speaker 2: I like it.

886
00:46:43,320 --> 00:46:45,840
Speaker 3: Well, I'll try it out both ways. I'll put it

887
00:46:45,840 --> 00:46:47,520
Speaker 3: in all of my fiction both ways, and we'll see

888
00:46:47,520 --> 00:46:50,600
Speaker 3: which one sounds the best. Well, that wraps it up.

889
00:46:51,320 --> 00:46:55,480
Speaker 3: Next episode, we got season eight, episode fourteen, Holding out

890
00:46:55,480 --> 00:46:58,799
Speaker 3: for a Hero, Austin, It's always so good to see

891
00:46:58,800 --> 00:47:00,560
Speaker 3: you and talk with you buddy the best.

892
00:47:00,840 --> 00:47:03,000
Speaker 4: I love you, guys, it's so fun. I miss you.

893
00:47:03,440 --> 00:47:05,400
Speaker 2: We love you, we miss you. We can't wait to

894
00:47:05,440 --> 00:47:10,680
Speaker 2: see your movie. Thank you okay, I fam Hey, thanks

895
00:47:10,680 --> 00:47:13,120
Speaker 2: for listening. Don't forget to leave us a review. You

896
00:47:13,120 --> 00:47:16,279
Speaker 2: can also follow us on Instagram at Drama Queens O

897
00:47:16,440 --> 00:47:20,600
Speaker 2: t H or email us at Drama Queens at iHeartRadio

898
00:47:20,719 --> 00:47:22,760
Speaker 2: dot com. See you next time.

899
00:47:23,960 --> 00:47:27,360
Speaker 1: We all about that high school drama Girl Drama Girl,

900
00:47:27,440 --> 00:47:28,160
Speaker 1: all about.

901
00:47:27,920 --> 00:47:29,600
Speaker 4: Them high school queens Forever.

902
00:47:29,920 --> 00:47:32,080
Speaker 2: We'll take you for a ride and our comic girl

903
00:47:32,840 --> 00:47:36,520
Speaker 2: sharing for the right teams Drama, Queens, up

904
00:47:36,560 --> 00:47:38,960
Speaker 1: Girl fashion with your tough girl, you could sit with

905
00:47:39,080 --> 00:47:43,000
Speaker 1: us Girl Drama Queens, Drama, Queens Drama, Queens Drama, Drama,

906
00:47:43,080 --> 00:47:45,040
Speaker 1: Queens Drama, Queens