WEBVTT - The Melrose Minute (S1 EP 19)

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<v Speaker 1>Still the Place with Laura Layton, Courtney Thorn Smith.

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<v Speaker 2>And daphnews Aniga and iHeartRadio podcast.

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<v Speaker 3>All right, welcome back to Still the Place.

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<v Speaker 4>It's our Melrose minute.

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<v Speaker 3>And we had lots of stuff going on in the

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<v Speaker 3>last couple of weeks. Of course, in our previous episode

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<v Speaker 3>we had a recap, and we also are still dealing

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<v Speaker 3>with the la fires and lots of stuff going on,

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<v Speaker 3>and we are happy to have more opportunity to talk

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<v Speaker 3>to each other.

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<v Speaker 5>And with you all about all.

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<v Speaker 3>The things that come up that we just don't have

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<v Speaker 3>time to do in our regular episodes.

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<v Speaker 1>Just energyic really quick. Josee Bissett is with us, so.

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<v Speaker 4>For p Hello, we have just.

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<v Speaker 2>So I have a story that I just want to

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<v Speaker 2>jump in first and tell because it's so funny. I

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<v Speaker 2>have this reaction about Sydney coming and like taking over

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<v Speaker 2>Jane's life, and you know, you just want Jane.

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<v Speaker 4>It's so easy to say no, like I would never

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<v Speaker 4>let her do all that. It's so insane that she

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<v Speaker 4>I know that you don't have a choice, because those

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<v Speaker 4>are the lines. During the shooting of the show.

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<v Speaker 2>My sister shows up to my house from across the

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<v Speaker 2>country in her car.

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<v Speaker 4>That she came with a girlfriend.

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<v Speaker 2>I remembered this as I was watching this, I went,

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<v Speaker 2>wait a second, he shows up at my house.

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<v Speaker 4>She I'm like, oh, how long are you staying for?

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<v Speaker 1>Oh?

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<v Speaker 4>Just a little bit. So she and her friend show

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<v Speaker 4>up with a car packed with stuff. The friend leaves,

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<v Speaker 4>the sister doesn't.

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<v Speaker 2>The next thing I know, she's like moved into my

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<v Speaker 2>guest room. The next thing I know, she's taking acting classes.

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<v Speaker 4>And not only that, and I'm like, okay, I gotta

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<v Speaker 4>go to work. She's taking an acting class with a

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<v Speaker 4>friend of mine. And then the topper is I get

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<v Speaker 4>her apart on Melroe's Blaze. No way, my sister.

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<v Speaker 2>In real life came over, lived with me, took an

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<v Speaker 2>acting class with my friend, and got onto my show.

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<v Speaker 2>And I went and tracked it down this morning. She

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<v Speaker 2>plays a ticket agent at the airport. It's season two,

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<v Speaker 2>and it's when Billy's like running to get a plane,

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<v Speaker 2>probably to go find Alison.

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<v Speaker 4>But it's season two when she comes up and there's

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<v Speaker 4>Jennifer and I'm just like, I did it. It's so

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<v Speaker 4>easy to let it happen, is my point?

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<v Speaker 2>Right, crazy, It's so easy, like it just happens and

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<v Speaker 2>she was just like before you know, she has headshots,

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<v Speaker 2>and then she's she did another little indie movie, and

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<v Speaker 2>then I think a year later she was like, I'm

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<v Speaker 2>done with this.

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<v Speaker 4>This is ridiculous too, you know.

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<v Speaker 2>Just and I remember when she left and she went

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<v Speaker 2>back to her life on the East Coast, and I thought,

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<v Speaker 2>I wish I could do that because I had the

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<v Speaker 2>buck I had that I'm doing this for better for worse.

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<v Speaker 4>And she left and like, has a fantastic life. That's

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<v Speaker 4>all she took.

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<v Speaker 3>I'm just saying, really, yea, that's just so crazy because

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<v Speaker 3>I know that you're like, you're close with your sister,

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<v Speaker 3>like you guys, you know, you guys are close and stuff.

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<v Speaker 3>But just that you were having this exact parallel storyline

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<v Speaker 3>actually so weird in your life is so bizarre.

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<v Speaker 2>Didn't remember it, but it might encourage her to come

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<v Speaker 2>back out and give it another ghost. Anyone else had

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<v Speaker 2>that with friends or family lived with them, because I've

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<v Speaker 2>had that a.

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<v Speaker 6>Lot for I have never had anyone do that, and

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<v Speaker 6>I would never do that to someone like I just yeah,

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<v Speaker 6>I don't even like people just randomly showing up at

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<v Speaker 6>my door, like I just like, well, they just give me.

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<v Speaker 4>Heads up, that's it?

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<v Speaker 6>Like what if I'm I don't.

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<v Speaker 4>Know, I just I don't know.

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<v Speaker 1>Yeah, well, my sister and I were living together when

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<v Speaker 1>during this part of Mar's Place, we lived together in

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<v Speaker 1>an apartment in West la On, Massachusetts. Yeah, so I

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<v Speaker 1>was living with her, but she worked. Actually this, I

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<v Speaker 1>never made this connection. She worked in advertising.

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<v Speaker 4>Huh, well.

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<v Speaker 1>Together thirty years later.

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<v Speaker 6>Weird? Is it?

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<v Speaker 1>My sister worked in advertising at Disney while I was

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<v Speaker 1>doing this. I don't I can't imagine I even ever

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<v Speaker 1>asked her about her job because I didn't even connect.

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<v Speaker 4>She had technical advice on the show at D and D.

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<v Speaker 1>I don't think we did. But you know, look I

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<v Speaker 1>didn't do a lot of actual advertising, right, Alison worked

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<v Speaker 1>at the desk and dates apparently that's but that's so funny.

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<v Speaker 3>She wasn't trying to steal your life. She was stealing

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<v Speaker 3>your character's life, or maybe your character.

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<v Speaker 4>I was stealing her life.

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<v Speaker 1>I was playing her on TV.

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<v Speaker 3>So funny, bizarre. Well, I know, Josie, you have a

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<v Speaker 3>sister that you're really close with.

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<v Speaker 5>I have a sister that I'm really close with.

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<v Speaker 3>I remember that was part of our relationship, Like that

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<v Speaker 3>was what we talked about is like having a sister

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<v Speaker 3>like you from certain sister things that you have. Of course,

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<v Speaker 3>you know, we have to obviously tell this particular sisterhood story.

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<v Speaker 6>Right right, How what's your age gap you and your sister?

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<v Speaker 5>My sister's old I am the younger sister.

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<v Speaker 4>Okay, bye?

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<v Speaker 5>How much three and a half years?

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<v Speaker 3>And you know, I've always felt like with siblings, like

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<v Speaker 3>I don't know how you guys feel, but like I

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<v Speaker 3>think it's sort of a classic theme, like you got

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<v Speaker 3>to pick a lane, you know, if you have a

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<v Speaker 3>sibling that is older than you and they've already kind

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<v Speaker 3>of chosen their lane, I think so often you pick

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<v Speaker 3>a very different lanes, Like I'm not gonna I can't

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<v Speaker 3>try to compete with that. I can't do that or

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<v Speaker 3>be that this person's already doing that, you know.

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<v Speaker 5>And so I think sort of the like.

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<v Speaker 3>That was sort of how I see my relationship with

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<v Speaker 3>my sisters. Like my sister was, you know, a certain way,

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<v Speaker 3>and I just kind of went a different path than

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<v Speaker 3>you know, I felt like she'd already grounded herself in.

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<v Speaker 4>But if it's a passion of yours, do you divert?

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<v Speaker 3>You know, That's what we see with with Jane and

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<v Speaker 3>Sidney is like, you know, is is Sidney really passionate

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<v Speaker 3>about this or what is that? Because normally I think

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<v Speaker 3>people are like you'll find that siblings are very very different,

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<v Speaker 3>or if you have more than one kid, your kids

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<v Speaker 3>are vastly different. You know, the one kid is this

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<v Speaker 3>way and another is that way. One is art, he

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<v Speaker 3>want is sport whatever.

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<v Speaker 1>Yeah, I mean, think about Elizabeth and Andrew Shoe right,

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<v Speaker 1>Like like Lisa had this great, big, amazing career, Andrew

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<v Speaker 1>does a couple of auditions, gets Melroe's place and does

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<v Speaker 1>a great job but wonderful, and then he was just

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<v Speaker 1>like I'm done. Yeah, right, like she went on to

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<v Speaker 1>win an oscar like it's her passion. For him, it

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<v Speaker 1>was I'm doing this. But his passion is really politics

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<v Speaker 1>and changing the world. Like we're so glad he's out

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<v Speaker 1>there doing what he's doing, trying to change the world.

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<v Speaker 1>But it's also another similar thing there. He just happened

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<v Speaker 1>to stumble into the post place, right.

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<v Speaker 4>No, he didn't happen. Remember the whole story told she

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<v Speaker 4>brought him in, She brought him.

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<v Speaker 3>He wasn't seeking it is I think what Courtney's trying

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<v Speaker 3>to say that he wasn't seeking it necessarily.

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<v Speaker 6>Yeah.

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<v Speaker 1>No, he was a soccer player and he thought, well

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<v Speaker 1>that would be fun and he happens to be and

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<v Speaker 1>charming and were great for him. But afterwards he didn't

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<v Speaker 1>he didn't want to keep going.

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<v Speaker 6>You know what.

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<v Speaker 1>Then he started to do something and he really that's

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<v Speaker 1>where the heart.

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<v Speaker 6>Is, right.

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<v Speaker 4>But she brought him into that.

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<v Speaker 2>I remember the whole story of him saying, we were

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<v Speaker 2>on a red car bit and I says Jess to

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<v Speaker 2>do and then she called him in Africa, get your

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<v Speaker 2>ass to Hollywood.

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<v Speaker 4>I'm gonna you know what I mean. So, but yeah,

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<v Speaker 4>it wasn't his passion so interesting?

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<v Speaker 6>So Elizabeth suggested him for Melrose.

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<v Speaker 4>I think it was for something else.

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<v Speaker 5>Oh okay, okay, and somebody said, is your brother and actor?

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<v Speaker 1>I wonder if somebody saw him and went, hey, yeah, yeah.

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<v Speaker 4>He would be a good billy.

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<v Speaker 1>Yeah hello, Well I think he did something else before Melrose.

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<v Speaker 4>Oh he did?

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<v Speaker 1>Okay, did we haven't he told the whole story. We

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<v Speaker 1>can just go okay, we listened to that episode.

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<v Speaker 2>What about the Randa and Terrence thing, that thing of

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<v Speaker 2>you're with someone he's concerned about appearances and stature.

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<v Speaker 4>And all of this, and you're not.

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<v Speaker 2>And he lies on her behalf and wants her to

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<v Speaker 2>see because it makes him look better if she's a

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<v Speaker 2>ballerina or whatever in between dance companies and something.

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<v Speaker 4>And I mean Courtney kind of called it out as

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<v Speaker 4>she was reading it that it was he was so controlling.

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<v Speaker 2>You know, it's like you see, you see potential, like

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<v Speaker 2>I want you to be.

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<v Speaker 4>I am in the rondo position.

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<v Speaker 2>Would have totally fit in and gone along, maybe lied

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<v Speaker 2>by a mission and then just wanted to fit in.

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<v Speaker 4>I would have wanted to.

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<v Speaker 2>Fit into what this guy that I really liked be period,

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<v Speaker 2>end the story until it was and I have I

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<v Speaker 2>have totally done that. I mean I wrote an article

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<v Speaker 2>on Oprah Magazine about it. You know, one day I'm

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<v Speaker 2>beating a guy who goes plays polo and goes to

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<v Speaker 2>see Mozart down at the Dorothy Chandler and then we

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<v Speaker 2>broke up, and then I'm like on meeting a guy

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<v Speaker 2>with a Harley and then I get my own Harley

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<v Speaker 2>and the Dead.

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<v Speaker 1>So I think that's really common for young women. I

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<v Speaker 1>feel the same way you did. I would have been

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<v Speaker 1>intimidated and felt less than now I would feel like, oh,

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<v Speaker 1>you're different, we don't have the same interests. Okay, Yeah,

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<v Speaker 1>it would have been bored. I would have been born

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<v Speaker 1>and I would have said, Okay, this is boring for me.

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<v Speaker 1>I want to go laugh with some other people. But

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<v Speaker 1>I think right, it would have personalized. It told the

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<v Speaker 1>story about how they were better. I was worse. I

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<v Speaker 1>should be that, right, we were so vulnerable to them.

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<v Speaker 6>Yeah, age of maturity helps, right, Yeah, I.

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<v Speaker 1>Was thinking that too when you were talking Jose about

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<v Speaker 1>different choices you would have made. And what came up

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<v Speaker 1>for me when I was watching the show this morning

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<v Speaker 1>before this was we were different then, Like I'm looking

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<v Speaker 1>at it, going, I should have made a different choice.

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<v Speaker 1>But I'm going, well, that's what my voice was then,

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<v Speaker 1>Like my voice is deepened, I've become more grounded, I've

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<v Speaker 1>become more authentic because all of that stuff has fallen

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<v Speaker 1>away in layers. So that probably was as authentic and

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<v Speaker 1>honest as I could be. Like, it's not fair to say, oh,

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<v Speaker 1>I should have been more honest, Like that's probably as

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<v Speaker 1>much of myself as I had access to.

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<v Speaker 6>That.

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<v Speaker 1>That was we were in our early twenties. We were babies.

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<v Speaker 1>I think you were twenty one jos like.

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<v Speaker 6>I was twenty one.

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<v Speaker 1>Yeah, yeah, we were babies.

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<v Speaker 4>And Laura was a little bit older. They're playing her

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<v Speaker 4>younger sister. I love that.

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<v Speaker 1>I love that play atwelve you totally sold it, you guys,

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<v Speaker 1>but you weren't much older.

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<v Speaker 5>No, just a couple of years older.

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<v Speaker 1>Right now, it's nothing at that time, now it's nothing

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<v Speaker 1>two old years older.

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<v Speaker 3>It seemed like a lot anymore. And it wasn't just

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<v Speaker 3>like the comparison, like I was older than she was,

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<v Speaker 3>but I was also needing to play older than or

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<v Speaker 3>younger than I was in real life, Like if I

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<v Speaker 3>was twenty three years old and I needed to play

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<v Speaker 3>eighteen or nineteen, I was like, ooh, that's that's a right.

0:10:20.480 --> 0:10:22.280
<v Speaker 3>You know, that seems like such a big gap and

0:10:22.320 --> 0:10:25.200
<v Speaker 3>I need to really sell that difference.

0:10:25.520 --> 0:10:27.400
<v Speaker 4>And you did, Yeah you did.

0:10:27.440 --> 0:10:29.240
<v Speaker 5>I mean I feel like I went down to like what,

0:10:29.920 --> 0:10:31.320
<v Speaker 5>like you know, twelve.

0:10:32.760 --> 0:10:34.240
<v Speaker 6>The hair half a paf down.

0:10:34.360 --> 0:10:34.959
<v Speaker 1>It was great.

0:10:35.200 --> 0:10:35.800
<v Speaker 4>This well no, no.

0:10:35.840 --> 0:10:38.480
<v Speaker 1>No, but you're an emot you were an emotionally immature

0:10:38.520 --> 0:10:40.959
<v Speaker 1>eighteen year old. I really and I'm not just blowing smoke.

0:10:41.000 --> 0:10:42.040
<v Speaker 1>I thought it was perfect.

0:10:42.280 --> 0:10:43.319
<v Speaker 4>No, it was good because it.

0:10:43.360 --> 0:10:47.640
<v Speaker 1>Also we forgive you because it's almost like you don't know,

0:10:47.920 --> 0:10:51.200
<v Speaker 1>like you don't have any You're you're manipulative because you're

0:10:51.200 --> 0:10:53.680
<v Speaker 1>trying to get your needs met. You're not trying to

0:10:53.720 --> 0:10:55.800
<v Speaker 1>be mean. You just don't have another way of moving

0:10:55.800 --> 0:10:58.079
<v Speaker 1>through the world because you're so emotionally immature.

0:10:58.480 --> 0:10:58.600
<v Speaker 6>Right.

0:10:58.760 --> 0:11:00.120
<v Speaker 1>I think it really worked.

0:11:00.160 --> 0:11:00.520
<v Speaker 4>Thank you.

0:11:00.600 --> 0:11:05.040
<v Speaker 3>And I think, you know, definitely Sydney's insecurities showed like, yes,

0:11:05.320 --> 0:11:09.360
<v Speaker 3>you know through So that's the ability part that I.

0:11:09.360 --> 0:11:11.600
<v Speaker 5>Don't know, and it gets it got, you know, when

0:11:11.600 --> 0:11:12.400
<v Speaker 5>my character.

0:11:12.120 --> 0:11:15.720
<v Speaker 3>Comes back later in subsequent seasons, I feel like the

0:11:15.760 --> 0:11:18.760
<v Speaker 3>age thing became like a lot less important, you know,

0:11:18.800 --> 0:11:20.880
<v Speaker 3>and it was more just like maintaining that through line

0:11:20.880 --> 0:11:24.040
<v Speaker 3>of gosh, how do you sustain this sort of like

0:11:26.000 --> 0:11:28.800
<v Speaker 3>constant insecurity and like how, you know, how does that evolve?

0:11:29.400 --> 0:11:32.040
<v Speaker 3>Like it started at a certain heightened point, you know,

0:11:32.640 --> 0:11:34.560
<v Speaker 3>and you're just I don't know. It just felt like

0:11:34.640 --> 0:11:36.760
<v Speaker 3>trying to figure out how to take that and carry

0:11:36.760 --> 0:11:38.200
<v Speaker 3>that through truthfully.

0:11:37.720 --> 0:11:41.640
<v Speaker 1>Right, And I was just thinking that, you know, you

0:11:41.679 --> 0:11:44.000
<v Speaker 1>guys are are so close and yours your sweet friends.

0:11:44.400 --> 0:11:48.040
<v Speaker 1>When you hated when your characters hated each other, and

0:11:48.120 --> 0:11:50.200
<v Speaker 1>you were like you had to be so mean to

0:11:50.280 --> 0:11:53.360
<v Speaker 1>each other, like after the scenes broke, what did it

0:11:53.400 --> 0:11:56.640
<v Speaker 1>feel like when you would finish just yelling vitriol at

0:11:56.679 --> 0:11:57.120
<v Speaker 1>each other?

0:11:57.600 --> 0:11:58.080
<v Speaker 4>That's hard?

0:11:58.320 --> 0:12:00.679
<v Speaker 1>What was that, pens Laura?

0:12:00.720 --> 0:12:05.240
<v Speaker 6>I mean like, if that's exhausting too write having to personally,

0:12:05.280 --> 0:12:07.560
<v Speaker 6>I don't love getting mad, and that's part of my

0:12:08.600 --> 0:12:12.600
<v Speaker 6>My own founder issues are conflict avoidance, which I think

0:12:12.679 --> 0:12:17.360
<v Speaker 6>Jane had massive amounts of that well cast, because yeah,

0:12:17.559 --> 0:12:21.640
<v Speaker 6>but it's tiring, it's hiring as an actor to I think,

0:12:21.720 --> 0:12:24.200
<v Speaker 6>to be angry but also to be so emotional, which

0:12:24.280 --> 0:12:26.280
<v Speaker 6>Jane had a lot of crying.

0:12:26.000 --> 0:12:29.120
<v Speaker 4>And stuff like that. So yeah, yeah, yeah, but.

0:12:29.080 --> 0:12:31.319
<v Speaker 6>Then we would have our relief with our little silly

0:12:31.400 --> 0:12:33.560
<v Speaker 6>laughing fits when we just had too much and then

0:12:33.559 --> 0:12:38.080
<v Speaker 6>we couldn't stop laughing, So that was always fun. Those

0:12:38.200 --> 0:12:39.920
<v Speaker 6>some of my favorite moments.

0:12:40.080 --> 0:12:42.520
<v Speaker 1>Yeah. I remember director saying to me because I was

0:12:42.520 --> 0:12:44.120
<v Speaker 1>supposed to be angry and he see, He goes, well,

0:12:44.240 --> 0:12:46.240
<v Speaker 1>how do you yell when you're angry? And I said,

0:12:46.280 --> 0:12:48.880
<v Speaker 1>I don't yell, and he goes, that's an issue. I

0:12:48.880 --> 0:12:51.079
<v Speaker 1>was like, don't like in front of my Tiger crew,

0:12:51.520 --> 0:12:54.080
<v Speaker 1>like I said, I do this right now?

0:12:54.600 --> 0:12:55.200
<v Speaker 4>Interesting?

0:12:55.920 --> 0:12:58.080
<v Speaker 1>Yeah, yeah, I had to look at that because it

0:12:58.160 --> 0:12:59.760
<v Speaker 1>was like, I don't And I was like, how am

0:12:59.800 --> 0:13:03.920
<v Speaker 1>I going to play this? If I don't, I will

0:13:04.000 --> 0:13:06.840
<v Speaker 1>right over. That's not a great I get more range

0:13:08.920 --> 0:13:10.280
<v Speaker 1>rolling over and trug my belly.

0:13:10.720 --> 0:13:13.480
<v Speaker 4>That's that's such a cute image.

0:13:14.400 --> 0:13:18.120
<v Speaker 2>And I'm the dog, I'm the attacker. I totally all

0:13:18.520 --> 0:13:20.000
<v Speaker 2>to apologize and.

0:13:21.679 --> 0:13:24.480
<v Speaker 4>I throw things. Not anymore, but I used to throwing.

0:13:25.120 --> 0:13:27.439
<v Speaker 2>I was, by the way, that story about the pumpkin

0:13:27.480 --> 0:13:31.400
<v Speaker 2>pie that I think Laura brought up again after throwing a.

0:13:31.400 --> 0:13:32.400
<v Speaker 4>Raw pumpkin pie.

0:13:32.480 --> 0:13:36.920
<v Speaker 2>I learned that from Playboy, Bunny Centerfold, Miss July Tawny,

0:13:37.520 --> 0:13:40.839
<v Speaker 2>and she was so much better at it. She taught

0:13:40.840 --> 0:13:42.760
<v Speaker 2>me in this We went in the bathroom. She goes,

0:13:42.800 --> 0:13:44.360
<v Speaker 2>come here, Daphne, I got to show you how to

0:13:44.360 --> 0:13:46.920
<v Speaker 2>be angry. And I'm like, she picks up this ashtray

0:13:46.960 --> 0:13:49.400
<v Speaker 2>and she throws it against She goes, do it in

0:13:49.440 --> 0:13:52.480
<v Speaker 2>a bathtub so that when you clean it up, it's

0:13:52.480 --> 0:13:53.360
<v Speaker 2>not glass everywhere.

0:13:53.360 --> 0:13:54.320
<v Speaker 4>It's in the shower.

0:13:55.160 --> 0:13:59.520
<v Speaker 3>So so she actually like worked on her arm and

0:13:59.559 --> 0:14:02.439
<v Speaker 3>like she say, you just need a better arm, like.

0:14:02.400 --> 0:14:04.640
<v Speaker 4>Practice, you got to get your anger out. And I

0:14:04.760 --> 0:14:07.040
<v Speaker 4>was like, what if this sounds great. You know, probably

0:14:07.040 --> 0:14:08.920
<v Speaker 4>went to Flaming Colossus the night before.

0:14:08.960 --> 0:14:13.239
<v Speaker 2>I don't know anyway, So this so Tawny did it beautifully.

0:14:13.320 --> 0:14:15.680
<v Speaker 2>Bam throws it against the thing and it didn't crack,

0:14:15.720 --> 0:14:16.600
<v Speaker 2>and she was so bumped.

0:14:16.640 --> 0:14:19.440
<v Speaker 4>She goes, oh, stupid ashtray. You know it didn't break

0:14:19.480 --> 0:14:22.000
<v Speaker 4>because it was nice and thick. Anyway, So then I

0:14:22.000 --> 0:14:25.240
<v Speaker 4>get mad later and I'm like, god, what did Tawny say? Again?

0:14:25.800 --> 0:14:29.360
<v Speaker 2>It was like it just never had this same It

0:14:29.400 --> 0:14:33.960
<v Speaker 2>went fun mush, that is so funny.

0:14:34.280 --> 0:14:38.560
<v Speaker 6>I like throwing places you can go and plate.

0:14:38.440 --> 0:14:40.240
<v Speaker 3>The axe throwing like that.

0:14:40.280 --> 0:14:42.640
<v Speaker 6>Well there's the axe throwing, but there are places from

0:14:42.640 --> 0:14:44.640
<v Speaker 6>when I hear you can actually go break just to

0:14:44.680 --> 0:14:46.280
<v Speaker 6>get out anger rage rooms.

0:14:47.120 --> 0:14:50.080
<v Speaker 5>Yeah, plate plate, smashing to get it out.

0:14:50.880 --> 0:14:54.440
<v Speaker 1>I would just go there and go I don't like it.

0:14:56.640 --> 0:15:00.760
<v Speaker 1>I don't like it. Quick thing Playboy Bunny. Have you

0:15:00.800 --> 0:15:03.400
<v Speaker 1>guys ever been to the Playboy Mansion or shot at

0:15:03.400 --> 0:15:04.240
<v Speaker 1>the Playboy Mansion.

0:15:05.000 --> 0:15:06.240
<v Speaker 4>I have not been up there.

0:15:06.400 --> 0:15:09.640
<v Speaker 1>I strangely shot an episode of according to Jim, of

0:15:09.680 --> 0:15:11.840
<v Speaker 1>all the weird things to shoot at the Playboy Mansion,

0:15:12.200 --> 0:15:14.520
<v Speaker 1>and I one of my my dressing room was just

0:15:14.560 --> 0:15:18.000
<v Speaker 1>one of the rooms, and the entire floor was like

0:15:18.040 --> 0:15:21.040
<v Speaker 1>a bed, like it was all a bed.

0:15:21.160 --> 0:15:25.000
<v Speaker 4>Like you did your dressing room. Wasn't origin of the

0:15:25.000 --> 0:15:26.280
<v Speaker 4>bed like one of the rooms.

0:15:26.280 --> 0:15:27.680
<v Speaker 1>It was one of the rooms in the mansion that

0:15:27.680 --> 0:15:30.400
<v Speaker 1>they used as my dressing room. Oh and it's like

0:15:30.520 --> 0:15:35.000
<v Speaker 1>you just didn't want to touch anything stains, but like

0:15:35.120 --> 0:15:38.280
<v Speaker 1>the entire imagine like a floor that's a mattress.

0:15:38.800 --> 0:15:41.840
<v Speaker 4>Yeah awesome, that's craty.

0:15:41.920 --> 0:15:46.360
<v Speaker 1>Yeah, so just an idea for future decorating. Just you know,

0:15:46.520 --> 0:15:54.760
<v Speaker 1>when you're doing when you're planning your sex room.

0:15:53.280 --> 0:15:55.120
<v Speaker 4>Maybe a full down bed not.

0:15:56.920 --> 0:15:59.120
<v Speaker 1>We were walking on it and my girlfriend Mary was

0:15:59.240 --> 0:16:02.600
<v Speaker 1>extra that day, just were like what, we're so drunk.

0:16:02.960 --> 0:16:03.880
<v Speaker 4>That's hilarious.

0:16:03.920 --> 0:16:06.760
<v Speaker 6>Wow wow, like goodness.

0:16:07.840 --> 0:16:11.000
<v Speaker 3>So clearly need to have more of these little Melrose minutes.

0:16:11.000 --> 0:16:13.680
<v Speaker 5>We have too much, like much fun, so much to

0:16:13.720 --> 0:16:15.520
<v Speaker 5>talk about, too many tangents.

0:16:15.920 --> 0:16:20.120
<v Speaker 2>Yeah, time, it's we love doing the recap, but we

0:16:20.160 --> 0:16:22.840
<v Speaker 2>also love talking and catching up and telling the stories.

0:16:22.880 --> 0:16:24.320
<v Speaker 4>It's Melrose twenty minutes.

0:16:24.560 --> 0:16:26.960
<v Speaker 5>And I learned so much about both of you.

0:16:27.160 --> 0:16:30.760
<v Speaker 3>I didn't know that day actually practiced her angry throw

0:16:31.120 --> 0:16:34.280
<v Speaker 3>and this thing about the Playboy mansion that Courtney has

0:16:34.320 --> 0:16:38.320
<v Speaker 3>been to like all these, all these things I learn.

0:16:38.240 --> 0:16:40.520
<v Speaker 1>When we have this opportunity, and the nice thing is

0:16:40.520 --> 0:16:42.560
<v Speaker 1>then I don't have to yell at you guys. Save

0:16:42.600 --> 0:16:46.280
<v Speaker 1>it for the tape, Save it for the tape. I

0:16:46.320 --> 0:16:50.200
<v Speaker 1>get to relax and get to it as always.

0:16:50.280 --> 0:16:53.160
<v Speaker 3>Thanks for tuning in to steal the place, don't forget.

0:16:52.920 --> 0:16:55.440
<v Speaker 4>To sanscribe, Josie. Thanks for joining us.

0:16:55.800 --> 0:16:56.920
<v Speaker 1>So good to see.

0:16:58.640 --> 0:16:59.960
<v Speaker 6>You guys, Love you guys.

0:17:00.560 --> 0:17:01.760
<v Speaker 3>Bye everyone, Bye

0:17:01.800 --> 0:17:03.800
<v Speaker 1>Bady w W want receive for episode twenty