WEBVTT - What Elevators Teach Us About Technology, Design, and Human Behavior

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<v Speaker 1>Pushkin. When I told the editor of this show that

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<v Speaker 1>I was thinking of doing an episode about elevators, she said, why,

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<v Speaker 1>which fair question. It's a little bit different than what

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<v Speaker 1>we usually do on the show. But the elevator is

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<v Speaker 1>this little box that's full of interesting ideas about technology

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<v Speaker 1>and design and innovation and human behavior. The elevator made

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<v Speaker 1>the modern city possible. No elevators, no skyscrapers, and today

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<v Speaker 1>people are working on entirely new kinds of elevators that

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<v Speaker 1>can go higher and faster than ever, and that can

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<v Speaker 1>also not only go up and down, but can also

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<v Speaker 1>go sideways. I'm Jacob Goldstein, and this is what's your problem.

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<v Speaker 1>My guest today is Lee Gray. He's a professor of

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<v Speaker 1>architectural history at the University of North Carolina at Charlotte,

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<v Speaker 1>and as far as we can tell, he's the world's

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<v Speaker 1>leading historian of the elevator. I started the conversation with

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<v Speaker 1>Lee in the same place that people always start the

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<v Speaker 1>story of the modern elevator. New York City, eighteen fifty three,

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<v Speaker 1>when an engineer and inventor named Elijah Otis stood on

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<v Speaker 1>an open elevator platform in front of a crowd. A

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<v Speaker 1>rope hoisted the elevator high up into the air, so

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<v Speaker 1>Otis was sort of dangling there in front of the crowd.

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<v Speaker 1>And then a guy Otis had hired took an axe

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<v Speaker 1>and cut the rope that held the elevator up. The

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<v Speaker 1>elevator fell a couple feet and then it stopped. The

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<v Speaker 1>safety break that Otis had invented worked perfectly. He called

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<v Speaker 1>out all safe, and the crowd, one imagines went wild.

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<v Speaker 1>Lee kind of sighed frankly when I brought this story up,

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<v Speaker 1>and he told me, yes, that story is true as

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<v Speaker 1>far as it goes, but it's incomplete, and it's incomplete

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<v Speaker 1>in the way that stories about lone inventors and Eureka

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<v Speaker 1>moments are almost always incomplete.

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<v Speaker 2>A critical part of the story that's often omitted is

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<v Speaker 2>this was designed for a freight elevator. When he demonstrates

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<v Speaker 2>his safety, there is no such thing as a passenger

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<v Speaker 2>elevator as we know it today. That hasn't been imagined yet.

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<v Speaker 2>It was literally an open platform. There was no car,

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<v Speaker 2>there were no walls, no, there was no enclosure on it.

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<v Speaker 2>So it was it was yes, very clever and much

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<v Speaker 2>needed safety device, but for a much different problem than

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<v Speaker 2>that of a passenger elevator. The safety was designed that

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<v Speaker 2>it was held in place by a spring, and the

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<v Speaker 2>weight of the platform held the spring in place when

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<v Speaker 2>it was attached to the hoisting rope. When the hoisting

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<v Speaker 2>rope broke, the spring then pushed down and then from

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<v Speaker 2>the car pushed out two iron bars that engaged the

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<v Speaker 2>teeth of the guide rails. And the minute they hit

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<v Speaker 2>the teeth, the platform stopped moving.

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<v Speaker 1>So it's essentially an emergency brake that designed to activate

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<v Speaker 1>if the rope should break.

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<v Speaker 2>Yes, that's that's a that's a very good analogy.

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<v Speaker 1>So okay, Elijah Otis invented this safety break for the

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<v Speaker 1>industrial elevator and that is in fact the same Otis

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<v Speaker 1>who is tied to the Otis Elevator company today. You

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<v Speaker 1>know we should mention, but now in our story we

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<v Speaker 1>need someone to come along and invent the passenger elevator,

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<v Speaker 1>this thing we know as the elevator. Tell me about

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<v Speaker 1>that part.

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<v Speaker 2>The first person that I am aware of to conceptualize

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<v Speaker 2>and articulate the modern passenger elevator. This is where it

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<v Speaker 2>gets complicated because for his first name was Otis, last

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<v Speaker 2>name Tuffts.

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<v Speaker 1>That's so complicated we can call him Tufts, and the

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<v Speaker 1>other guy otis yeah right.

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<v Speaker 2>So the Boston Boston engineer Tuffts patents in eighteen fifty

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<v Speaker 2>nine an elevator, an elevator specifically designed for passengers, with

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<v Speaker 2>an enclosed car to protect the passengers, automatically operating doors

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<v Speaker 2>not quite sure how well they worked, and the idea

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<v Speaker 2>of an operator there to run the elevator for the passengers.

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<v Speaker 2>But it was also a very specific conception of an

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<v Speaker 2>elevator car because it was designed for use in the

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<v Speaker 2>Fifth Avenue Hotel in New York, which was one of

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<v Speaker 2>these grand urban hotels. So the elevator car included benches

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<v Speaker 2>for the passengers they could sit down and relax before

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<v Speaker 2>the car moved, and so Tufts very clearly articulated for

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<v Speaker 2>the first time, here are all the components of a

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<v Speaker 2>passenger elevator. What he also did was proposed a technological

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<v Speaker 2>solution that really didn't make much sense because it was

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<v Speaker 2>so expensive. Because he said, well, you know, the problem

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<v Speaker 2>with elevators is the cable's going to break and the

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<v Speaker 2>elevator car will fall down. So we got rid of

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<v Speaker 2>the cable. And what he proposed and in fact did

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<v Speaker 2>in the Fifth Avenue hotel Is. He constructed this massive

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<v Speaker 2>vertical screw for lack of a better definition, that ran

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<v Speaker 2>from the basement to the top of the building. The

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<v Speaker 2>elevator cars attached to the screw like a nut on

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<v Speaker 2>a bolt. The screw turns, the elevator car rises, and

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<v Speaker 2>it goes up and goes down very very slowly. It

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<v Speaker 2>was insanely complicated from a technological solution that made no sense.

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<v Speaker 2>Only two of these were ever built. So this is

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<v Speaker 2>an example of he got all of what we won

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<v Speaker 2>in a passenger elevator in terms of its concept. He

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<v Speaker 2>just got the technology really really wrong. But he established

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<v Speaker 2>the paradigm that others Otis among them picked up and said, ah, okay,

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<v Speaker 2>now we know what you know. The difference between a

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<v Speaker 2>freight elevator and a passenger elevator, a lot of it

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<v Speaker 2>is the car to keep passengers safe.

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<v Speaker 1>So we want Toff's box toughs room that goes up

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<v Speaker 1>and down, and we want Otis's safety mechanism basically like

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<v Speaker 1>it seems like the combination of those two is what

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<v Speaker 1>gives us in the middle of the eighteen hundreds, the

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<v Speaker 1>passenger elevator that is not so different as we know it.

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<v Speaker 2>Today, right, Yes, in terms of many many of its

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<v Speaker 2>fundamental features and the concern for safety that otis expressed

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<v Speaker 2>with this freight elevator. That is one constant that the

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<v Speaker 2>elevator industry has never lost sight of and is always

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<v Speaker 2>at the forefront of everything they do.

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<v Speaker 1>So we have this elevator that is Tough's box plus

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<v Speaker 1>Otis's safety device basically, right. And so you have this

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<v Speaker 1>moment in the eighteen hundreds when elevators and skyscrapers are

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<v Speaker 1>kind of emerging into the world together, right, And this

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<v Speaker 1>is a really elegant interesting story. So can you just

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<v Speaker 1>talk about the relationship between the elevator as this innovation

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<v Speaker 1>and the skyscraper as this related innovation. How do they

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<v Speaker 1>sort of co evolve?

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<v Speaker 2>So the very quickly leading into that when throughout throughout

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<v Speaker 2>the eighteen sixties we only find passenger elevators in large

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<v Speaker 2>German hotels or very posh department stores. It's a luxury item,

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<v Speaker 2>not predicated on speed, predicated on I enter, I have

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<v Speaker 2>a seat on a cushioned seat. There's mirrors in the car,

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<v Speaker 2>the gash chandeliers. This is elegant little room that takes

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<v Speaker 2>me very slowly to my destination because it's about luxury,

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<v Speaker 2>it's not about speed.

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<v Speaker 1>Is it also sort of about technology? Is it about

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<v Speaker 1>like I am rich and I'm experiencing the modern marvels

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<v Speaker 1>of my age.

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<v Speaker 2>In to us, that's that's a very good point. In

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<v Speaker 2>the urban large urban hotel, they were known for having

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<v Speaker 2>all of the latest technological amenities. So in that sense, yes,

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<v Speaker 2>you know, this is this is this this powerful new technology.

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<v Speaker 2>But the critical thing I think is is it's not

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<v Speaker 2>about speed, It's about luxury. When it makes the jump

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<v Speaker 2>into the first tall office buildings in the eighteen seventies,

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<v Speaker 2>beginning in eighteen seventy, In fact, that's when the idea

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<v Speaker 2>of speed suddenly gets introduced because every business person recognizes, well,

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<v Speaker 2>you know, I don't want to, you know, go into

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<v Speaker 2>a seven story office building and go in and have

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<v Speaker 2>a seat and sit down, and it takes me forever

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<v Speaker 2>to get upstairs when I could walk up the stairs

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<v Speaker 2>more quickly. The whole point of this technology is to

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<v Speaker 2>move me more quickly. And so as the skyscraper moves

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<v Speaker 2>through the nineteenth century, one way to describe it is,

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<v Speaker 2>I mean we always hear the passenger elevator makes the

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<v Speaker 2>skyscraper possible. True. Also, the desire to have a skyscraper

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<v Speaker 2>made the modern elevator possible. I need both because I

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<v Speaker 2>look at the first elevators steam powered, they could go

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<v Speaker 2>seven eight floors without too much trouble, and there's a

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<v Speaker 2>desire to build taller buildings. Then hydraulic elevators come into

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<v Speaker 2>play of specific designs that can easily do ten, fifteen,

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<v Speaker 2>twenty twenty five stories. Then we get to the close

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<v Speaker 2>of the nineteenth century, I want to go higher. Still,

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<v Speaker 2>I need a different technology than the electric traction elevator

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<v Speaker 2>is developed. So in each of those phases, it's a

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<v Speaker 2>question of, well, did the elevator technology drive the height

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<v Speaker 2>or did the desire to go taller drive the technology.

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<v Speaker 1>I mean, it seems like the first enabling idea you

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<v Speaker 1>need is just the idea of an elevator, right Like,

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<v Speaker 1>until you have the idea of an elevator, nobody's going

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<v Speaker 1>to say, can you get me a better elevator? Right

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<v Speaker 1>that people are just going to assume that the height

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<v Speaker 1>of a building is constrained by the number of flights

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<v Speaker 1>of steps people will walk.

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<v Speaker 2>Up right right, true, And that's that's and that's a

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<v Speaker 2>very good point. Yes. Once the idea is there, then

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<v Speaker 2>it's it's really interesting how how it is considered.

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<v Speaker 1>Then it's like, well, surely if you could take me

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<v Speaker 1>up seven floors, you could take me up another seven

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<v Speaker 1>floors and another seven and so what like by say

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<v Speaker 1>nineteen hundred, by the early nineteen hundreds, How tall are buildings?

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<v Speaker 2>Oh? In New York? That's a good question.

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<v Speaker 1>I mean, the Woolworth Building is the one I always

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<v Speaker 1>think of. I was looking at that one up. I

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<v Speaker 1>think it's on the order of sixty stories, like very

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<v Speaker 1>tall even today, not the tallest, but like you look

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<v Speaker 1>at that building today and you're not like, oh, that's

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<v Speaker 1>a tiny little building. Like that's a big building. Nobody's

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<v Speaker 1>going to walk up all those steps, and it does

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<v Speaker 1>seem it does seem like I understand that with your knowledge,

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<v Speaker 1>you don't it as this one kind of step function change.

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<v Speaker 1>There was like a really slow elevator that was like

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<v Speaker 1>a luxury box to be fancy and take you up

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<v Speaker 1>six stories, and then there was a better one that

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<v Speaker 1>could do twenty. But in a relatively short period of

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<v Speaker 1>time we go from I don't know how tall were

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<v Speaker 1>tall buildings before elevator six stories seven.

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<v Speaker 2>Stories five is five to maybe six, and of course

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<v Speaker 2>the top floor was the cheapest to rent.

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<v Speaker 1>Right, right, there's also that, right because you have to

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<v Speaker 1>slap up all the steps, and so if you can

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<v Speaker 1>afford it, you live on the ground, and that's going

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<v Speaker 1>to get inverted, which is fun. Right, if you're rich,

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<v Speaker 1>you get to live up top. But there is this,

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<v Speaker 1>at least at our distance, this change. Right, you go

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<v Speaker 1>from eighteen fifty no elevator, a tall building is six stories.

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<v Speaker 1>By the early nineteen hundreds, elevators are quite good and safe,

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<v Speaker 1>and you've gone up in the height of buildings by

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<v Speaker 1>ten x. Right, you've gone up to buildings of something

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<v Speaker 1>like sixty stories, and you have what looks like a

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<v Speaker 1>modern city. Like, yes, it's not glass and steel yet,

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<v Speaker 1>and it's not as tall, but it's the basic idea

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<v Speaker 1>of say Manhattan, to pick one is in place. And

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<v Speaker 1>we did not have another step function of that magnitude. Right,

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<v Speaker 1>We went from six to sixty in that fifty ish years.

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<v Speaker 1>We didn't go from sixty to six hundred. We're not

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<v Speaker 1>even close. Right, The tallest buildings in the world now

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<v Speaker 1>are one hundred in some stories. And that's interesting to me.

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<v Speaker 1>I mean I feel like the biggest move was that

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<v Speaker 1>first one. Do you buy it?

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<v Speaker 2>Yeah, yes, I think that's a very good observation, observation,

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<v Speaker 2>And but what that also speaks to is the electric

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<v Speaker 2>traction elevator, perfected in the first couple of decades of

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<v Speaker 2>the twentieth century, remains the dominant elevator type. What everyone

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<v Speaker 2>is waiting on is a cableless elevator, possibly by maglev

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<v Speaker 2>technology or something very similar. And because right now we're

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<v Speaker 2>limited by the length and actually weight of the steel cables.

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<v Speaker 2>Once we get rid of the cables and we can

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<v Speaker 2>do it with the same speed and efficiency of the

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<v Speaker 2>current traction elevator, that's the next jump, where suddenly one

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<v Speaker 2>hundred and fifty two hundred stories, if we wanted to,

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<v Speaker 2>would be possible.

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<v Speaker 1>I want to talk more about that, but there's a

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<v Speaker 1>few things I want to discuss first. So there are

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<v Speaker 1>a few things that have happened obviously in elevators in

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<v Speaker 1>the last one hundred years. One of them that is

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<v Speaker 1>interesting to me is the advent of what today we

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<v Speaker 1>might call the driverless car elevator, the driverless elevator car.

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<v Speaker 1>Let's say, right in this era, when we've keep feeling like,

0:14:10.796 --> 0:14:13.196
<v Speaker 1>maybe we're about to get to driverless cars, but everybody's

0:14:13.236 --> 0:14:15.716
<v Speaker 1>really nervous about it. There is this interesting moment when

0:14:15.796 --> 0:14:18.796
<v Speaker 1>that happens with elevators. Tell me about the advent of

0:14:18.836 --> 0:14:20.356
<v Speaker 1>the driverless elevator car.

0:14:20.996 --> 0:14:25.316
<v Speaker 2>Okay, and that is a critical pivot point that occurs

0:14:25.356 --> 0:14:30.116
<v Speaker 2>in the nineteen fifties. So prior to the what the

0:14:30.116 --> 0:14:33.756
<v Speaker 2>industry called the operator less elevator or driverless elevator, if

0:14:33.796 --> 0:14:38.716
<v Speaker 2>you will, all elevators had operators, even ones with push

0:14:38.716 --> 0:14:41.476
<v Speaker 2>buttons that you know, you or I could have walked

0:14:41.476 --> 0:14:45.196
<v Speaker 2>in and pushed a button. The reason the operator remains

0:14:45.236 --> 0:14:48.316
<v Speaker 2>in the car until the nineteen fifties is it has

0:14:48.356 --> 0:14:51.396
<v Speaker 2>to do with traffic control. So in a large building,

0:14:51.476 --> 0:14:55.516
<v Speaker 2>let's say the building has twenty elevators, it's a forty

0:14:55.516 --> 0:14:59.116
<v Speaker 2>story building, and ten elevators, you know, serve half the

0:14:59.156 --> 0:15:03.396
<v Speaker 2>floor's tens or the other half. Elevator traffic control was

0:15:03.476 --> 0:15:08.356
<v Speaker 2>conducted and organized by an individual called a starter. He

0:15:08.516 --> 0:15:12.276
<v Speaker 2>was charged with organizing the elevator operators and at least

0:15:12.316 --> 0:15:14.316
<v Speaker 2>and at the beginning of the day and throughout the

0:15:14.396 --> 0:15:18.596
<v Speaker 2>day as needed, giving them a sign, either a literal

0:15:18.676 --> 0:15:21.396
<v Speaker 2>sign by pointing at them or by pushing a button

0:15:21.396 --> 0:15:24.476
<v Speaker 2>that would activate a light in their car, of controlling

0:15:24.556 --> 0:15:27.516
<v Speaker 2>elevator traffic in the building so that it met the

0:15:27.556 --> 0:15:28.356
<v Speaker 2>needs of the building.

0:15:28.516 --> 0:15:31.796
<v Speaker 1>We get everybody up like a like a taxi dispatcher.

0:15:32.636 --> 0:15:35.116
<v Speaker 2>That's that's a that's a very good analogy. And we're

0:15:35.156 --> 0:15:38.436
<v Speaker 2>dependent on the human brain to do that until we

0:15:38.476 --> 0:15:41.076
<v Speaker 2>get to the early nineteen fifties when we get the

0:15:41.116 --> 0:15:45.996
<v Speaker 2>first automated systems that will manage that you can, for

0:15:46.116 --> 0:15:49.756
<v Speaker 2>lack of a better word, program into preset programs so

0:15:49.796 --> 0:15:53.076
<v Speaker 2>that the elevators automatically do what we want them to do.

0:15:53.396 --> 0:15:56.476
<v Speaker 2>And as soon as I can do that reliably, reliably,

0:15:57.036 --> 0:15:59.916
<v Speaker 2>I don't need the operator anymore, and therefore I can

0:15:59.956 --> 0:16:04.156
<v Speaker 2>get rid of them because I've literally automated the movement

0:16:04.196 --> 0:16:05.516
<v Speaker 2>of elevators.

0:16:05.956 --> 0:16:08.476
<v Speaker 1>Well, so this is the like real estate point of view,

0:16:08.476 --> 0:16:11.876
<v Speaker 1>in the elevator point of view, what is the elevator

0:16:11.996 --> 0:16:15.756
<v Speaker 1>rider the civilian point of view on this shift toward

0:16:15.876 --> 0:16:20.116
<v Speaker 1>automated elevators, like, were people scared? Were they not scared?

0:16:21.716 --> 0:16:21.796
<v Speaker 3>So?

0:16:22.476 --> 0:16:24.916
<v Speaker 2>Lever House in New York City, one of the first

0:16:24.956 --> 0:16:27.796
<v Speaker 2>all glass skyscrapers, was one of the first buildings to

0:16:27.876 --> 0:16:33.636
<v Speaker 2>have fully automated elevators, no operators. There are documented stories

0:16:33.636 --> 0:16:36.956
<v Speaker 2>of when the building opened, everybody was really excited this

0:16:37.236 --> 0:16:41.276
<v Speaker 2>new modern building, of users going in the building, stepping

0:16:41.316 --> 0:16:43.796
<v Speaker 2>into the elevator car and stepping right back out, saying,

0:16:43.836 --> 0:16:46.516
<v Speaker 2>where's the guy who's supposed to run this? Because they

0:16:46.516 --> 0:16:50.396
<v Speaker 2>were they were clearly disconcerted that so there's no one here.

0:16:50.916 --> 0:16:54.516
<v Speaker 2>I am on my own, and I mean people got

0:16:54.556 --> 0:16:57.236
<v Speaker 2>over that pretty quickly, but there was a moment where

0:16:57.236 --> 0:16:58.436
<v Speaker 2>it's like, well, wait a minute.

0:16:58.156 --> 0:17:02.436
<v Speaker 3>I I pushed the button really all by myself, huh,

0:17:02.476 --> 0:17:05.596
<v Speaker 3>And I mean it didn't take long, but there was

0:17:05.636 --> 0:17:08.236
<v Speaker 3>a there was a learning curve because it was such

0:17:08.236 --> 0:17:10.436
<v Speaker 3>an expected part of the experience.

0:17:10.796 --> 0:17:13.836
<v Speaker 2>There's this uniformed person there who all I have to

0:17:13.876 --> 0:17:16.396
<v Speaker 2>do is say five please, and they take care of

0:17:16.396 --> 0:17:16.836
<v Speaker 2>it for me.

0:17:18.556 --> 0:17:22.636
<v Speaker 1>Are there any lessons from that transition to driverless elevator

0:17:22.676 --> 0:17:26.596
<v Speaker 1>cars that might be useful for the transition to driverless cars,

0:17:27.116 --> 0:17:30.236
<v Speaker 1>Like did they change the user interface at all? Did

0:17:30.236 --> 0:17:33.116
<v Speaker 1>they add any buttons to try and make people feel better?

0:17:35.156 --> 0:17:37.876
<v Speaker 2>I am not aware of any of any change in buttons,

0:17:37.916 --> 0:17:40.236
<v Speaker 2>but you did make me think of something that I

0:17:40.276 --> 0:17:42.796
<v Speaker 2>haven't thought of before. When I've got an operator in

0:17:42.836 --> 0:17:46.596
<v Speaker 2>there running the car. Also, the presence of the operator

0:17:47.916 --> 0:17:53.276
<v Speaker 2>I think produced a very specific social dynamic because there's

0:17:53.396 --> 0:17:55.956
<v Speaker 2>someone in charge in the car. So I go in.

0:17:56.676 --> 0:18:00.276
<v Speaker 2>When there's no one in charge, it is literally a

0:18:00.316 --> 0:18:05.996
<v Speaker 2>group of strangers entering a car, sort of fending for themselves.

0:18:06.036 --> 0:18:10.436
<v Speaker 2>And that social dynamic remains one of the reasons many

0:18:10.476 --> 0:18:15.316
<v Speaker 2>people don't like elevators because they're awkward, they're weird little rooms.

0:18:15.356 --> 0:18:21.356
<v Speaker 2>Then I'm standing way too close to somebody.

0:18:20.796 --> 0:18:23.836
<v Speaker 1>Still to come on the show. Elevators that go sideways,

0:18:24.356 --> 0:18:39.556
<v Speaker 1>elevators that go to space, and escalators. So here's a question.

0:18:39.916 --> 0:18:42.436
<v Speaker 1>Do people want to build taller buildings now? And they're

0:18:42.476 --> 0:18:43.916
<v Speaker 1>just constrained by elevators.

0:18:44.916 --> 0:18:49.236
<v Speaker 2>So if I wanted to, I could build two hundred

0:18:49.276 --> 0:18:53.916
<v Speaker 2>story building with current technology, and I would take existing

0:18:53.956 --> 0:18:56.436
<v Speaker 2>technology and I could go, you know, maybe one hundred

0:18:56.436 --> 0:18:59.156
<v Speaker 2>floors up, get off at a sky lobby, and then

0:18:59.196 --> 0:19:01.476
<v Speaker 2>go another one hundred floors up. So if I wanted

0:19:01.476 --> 0:19:04.436
<v Speaker 2>to stack two hundred story buildings on top of each other,

0:19:05.036 --> 0:19:05.516
<v Speaker 2>I could.

0:19:05.676 --> 0:19:07.836
<v Speaker 1>I mean, in fact, the World Trade Center, the original

0:19:07.876 --> 0:19:10.836
<v Speaker 1>World Trade Center, which was not that all, used that technology, right,

0:19:10.956 --> 0:19:13.596
<v Speaker 1>it was essentially from an elevator point of view, two

0:19:13.636 --> 0:19:16.076
<v Speaker 1>elevators stacked on top of each other to get to

0:19:16.076 --> 0:19:17.516
<v Speaker 1>the top of those buildings, right.

0:19:17.436 --> 0:19:20.076
<v Speaker 2>Right, So in theory, yes, yes, I could do that,

0:19:21.236 --> 0:19:25.276
<v Speaker 2>and there are some people speculating on you know, that

0:19:25.836 --> 0:19:30.956
<v Speaker 2>eventually that's the future of urban environments, massive buildings and

0:19:31.036 --> 0:19:35.556
<v Speaker 2>everybody living in large cities. I'm not aware of any

0:19:36.116 --> 0:19:39.996
<v Speaker 2>anyone who's put forward a serious explanation of why we

0:19:40.076 --> 0:19:41.596
<v Speaker 2>would need to do that.

0:19:42.436 --> 0:19:45.156
<v Speaker 1>Well, the interesting like if we go back to the

0:19:45.676 --> 0:19:50.236
<v Speaker 1>sort of first chapter that you know, whatever eighteen fifty

0:19:50.356 --> 0:19:53.956
<v Speaker 1>to nineteen twenty period call it, which is really an

0:19:53.956 --> 0:19:56.796
<v Speaker 1>interesting period. You know, there's a pretty strong argument that

0:19:57.596 --> 0:20:00.476
<v Speaker 1>the technological changes of that period were much greater than

0:20:00.476 --> 0:20:03.876
<v Speaker 1>the technological changes of the seventy years we've just lived through.

0:20:03.956 --> 0:20:04.156
<v Speaker 2>Right.

0:20:04.236 --> 0:20:09.676
<v Speaker 1>You go from no running water for almost everybody, electricity,

0:20:09.676 --> 0:20:13.796
<v Speaker 1>no cars, no planes, no skyscrapers like two. You know,

0:20:13.916 --> 0:20:18.436
<v Speaker 1>Manhattan in nineteen twenty looks eminently recognizable in a way

0:20:18.476 --> 0:20:22.796
<v Speaker 1>that Manhattan of eighteen fifty would not. So I don't

0:20:22.796 --> 0:20:24.876
<v Speaker 1>think it would have been obvious to anyone in eighteen

0:20:24.916 --> 0:20:29.236
<v Speaker 1>fifty that Manhattan needed sixty story buildings. And yet seventy

0:20:29.316 --> 0:20:34.236
<v Speaker 1>years later, we had them like, what's the why did

0:20:34.236 --> 0:20:36.356
<v Speaker 1>we hit the top? If we hit the top, what happened?

0:20:37.676 --> 0:20:41.436
<v Speaker 2>Well, I mean in the Woolworth building is a good example.

0:20:42.756 --> 0:20:47.556
<v Speaker 2>I think it was it was its size because the client, Woolworth,

0:20:48.036 --> 0:20:52.676
<v Speaker 2>wanted that building to be that big. This is about me,

0:20:53.196 --> 0:20:56.076
<v Speaker 2>This is about a symbol of my commercial success, this

0:20:56.116 --> 0:21:00.716
<v Speaker 2>is about my ego. And it's really important to remember

0:21:00.796 --> 0:21:05.876
<v Speaker 2>from from an urban development point of view, at this

0:21:06.196 --> 0:21:09.796
<v Speaker 2>when the passenger elevators introduced in the Nine States, it's

0:21:09.836 --> 0:21:14.836
<v Speaker 2>introduced into Europe at exactly the same moment, but all

0:21:14.876 --> 0:21:18.796
<v Speaker 2>major European cities. London's a good example. Paris certainly had

0:21:18.916 --> 0:21:22.556
<v Speaker 2>very specific height restrictions. You couldn't build a skyscraper in

0:21:22.596 --> 0:21:25.676
<v Speaker 2>those cities if you wanted to, because it was constrained

0:21:25.676 --> 0:21:29.556
<v Speaker 2>by code, and also there was no apparent desire to

0:21:29.596 --> 0:21:33.276
<v Speaker 2>do so. It was only the United States that we

0:21:33.396 --> 0:21:35.596
<v Speaker 2>you know, someone said, well, I really want to build

0:21:35.596 --> 0:21:37.916
<v Speaker 2>this tall building because I want to, you know, it's

0:21:37.916 --> 0:21:39.916
<v Speaker 2>the power of my company. I want to make lots

0:21:39.916 --> 0:21:44.236
<v Speaker 2>of money in rent space. Whatever that we said, okay,

0:21:44.916 --> 0:21:47.596
<v Speaker 2>And not that there weren't some I mean, obviously there

0:21:47.596 --> 0:21:50.076
<v Speaker 2>were gradually development of building codes. But it was a

0:21:50.076 --> 0:21:53.516
<v Speaker 2>lot about the ego of the individual client and the

0:21:53.596 --> 0:21:58.476
<v Speaker 2>fact of the unrestrained nature of American urban environments. That

0:21:58.876 --> 0:22:02.156
<v Speaker 2>and that also then, and it is still true.

0:22:02.356 --> 0:22:06.516
<v Speaker 1>It's still true. But buildings aren't getting bigger so much, right, Like, yes,

0:22:06.516 --> 0:22:08.436
<v Speaker 1>you get a building that's a little taller, but we

0:22:08.516 --> 0:22:11.796
<v Speaker 1>have not done another ten x. And yet people still

0:22:11.836 --> 0:22:15.436
<v Speaker 1>have very large egos and a wish to, you know,

0:22:16.396 --> 0:22:18.556
<v Speaker 1>show the world their endowment in the form of the

0:22:18.596 --> 0:22:21.916
<v Speaker 1>biggest building in the world. But yet it's not happening

0:22:21.956 --> 0:22:25.236
<v Speaker 1>so much anymore. Is it a technological thing?

0:22:26.196 --> 0:22:27.916
<v Speaker 2>It is an interesting point. I mean, you know, we

0:22:28.276 --> 0:22:33.276
<v Speaker 2>are sort of maxed out right now in terms of height. Yeah.

0:22:33.356 --> 0:22:35.636
<v Speaker 1>Why is that is the fact that we're maxed out

0:22:35.636 --> 0:22:40.036
<v Speaker 1>on height a product of elevator technology? Are we waiting

0:22:40.076 --> 0:22:42.836
<v Speaker 1>for some new elevator technology that will allow us to

0:22:43.036 --> 0:22:45.476
<v Speaker 1>get buildings that are profoundly bigger?

0:22:46.276 --> 0:22:50.956
<v Speaker 2>Right or wrong? That's the accepted position of the industry

0:22:51.036 --> 0:22:54.156
<v Speaker 2>right now. That yes, with our current technology. Whereas where's

0:22:54.236 --> 0:22:56.956
<v Speaker 2>high as we're going to go? What I don't know,

0:22:57.036 --> 0:23:00.996
<v Speaker 2>but suspect from a real estate perspective is if I

0:23:01.076 --> 0:23:03.716
<v Speaker 2>had two one hundred story buildings stacked on top of

0:23:03.756 --> 0:23:07.316
<v Speaker 2>one another. Would people be willing to r you know,

0:23:07.436 --> 0:23:12.876
<v Speaker 2>spend the time to get up to the two guys? Right?

0:23:13.036 --> 0:23:17.116
<v Speaker 2>Am I willing to take that kind of time and.

0:23:17.596 --> 0:23:20.036
<v Speaker 1>Time because they have to take two elevators? It's like, right,

0:23:20.116 --> 0:23:23.196
<v Speaker 1>you gotta transfer trains or something.

0:23:22.916 --> 0:23:25.916
<v Speaker 2>To And if I had a building that size, would

0:23:25.956 --> 0:23:30.596
<v Speaker 2>it be one where? And we've had mixed use skyscrapers

0:23:30.636 --> 0:23:32.876
<v Speaker 2>in the past. If I had a building that size,

0:23:32.916 --> 0:23:35.396
<v Speaker 2>you know, is it one that you know? I live

0:23:35.716 --> 0:23:38.316
<v Speaker 2>on you know, one hundred and fifty and I work

0:23:38.356 --> 0:23:39.756
<v Speaker 2>on seventy five.

0:23:39.996 --> 0:23:42.036
<v Speaker 1>And you shop on three, and you go to the

0:23:42.116 --> 0:23:45.596
<v Speaker 1>gym on six, and I and I never leave, you

0:23:45.716 --> 0:23:50.916
<v Speaker 1>never leave. Dystopian, but fun to think about. So what,

0:23:51.116 --> 0:23:56.836
<v Speaker 1>so what is the next leap in elevator technology? What

0:23:56.876 --> 0:23:58.956
<v Speaker 1>are people trying to solve? What's the frontier?

0:23:59.636 --> 0:24:02.676
<v Speaker 2>So the next leap is going to be elevators with

0:24:02.756 --> 0:24:07.556
<v Speaker 2>no cables and TK Elevator has developed a system that

0:24:07.596 --> 0:24:14.636
<v Speaker 2>they call multi which uses maglev type technology.

0:24:14.916 --> 0:24:18.396
<v Speaker 1>Maglev like magnets like high speed trains. Yes, so it's

0:24:18.476 --> 0:24:20.276
<v Speaker 1>floating basically in a shaft.

0:24:20.556 --> 0:24:25.236
<v Speaker 2>Yeah, a similar, similar kind of technology. And they have

0:24:25.356 --> 0:24:29.036
<v Speaker 2>developed a prototype where you would have multiple shafts in

0:24:29.076 --> 0:24:32.556
<v Speaker 2>a building, multiple cars running up and down in the

0:24:32.596 --> 0:24:38.556
<v Speaker 2>same shaft, but also horizontal shafts connecting vertical shafts, so

0:24:38.636 --> 0:24:42.956
<v Speaker 2>I could go up thirty floors, maybe over two hundred feet,

0:24:43.036 --> 0:24:46.356
<v Speaker 2>and then up another thirty floors and it's.

0:24:46.196 --> 0:24:47.836
<v Speaker 1>Like the Willy Wonka elevator.

0:24:48.796 --> 0:24:52.916
<v Speaker 2>Yes, yes, yes, that's yes, the Willy Wonka elevator. And

0:24:52.996 --> 0:24:58.076
<v Speaker 2>so that system has been sort of proof of concept

0:24:58.116 --> 0:25:01.396
<v Speaker 2>in a test tower in Germany. It has yet to

0:25:01.436 --> 0:25:07.076
<v Speaker 2>be placed in a building to really demonstrate its viability.

0:25:07.676 --> 0:25:10.236
<v Speaker 2>You can see you two videos of it in the

0:25:10.276 --> 0:25:17.036
<v Speaker 2>test tower. It's really complicated technologically. My question is it's

0:25:17.076 --> 0:25:20.716
<v Speaker 2>it's almost something like you know, an answer in in

0:25:20.716 --> 0:25:24.116
<v Speaker 2>in search of a question. It's like, so, you know,

0:25:25.636 --> 0:25:28.516
<v Speaker 2>I can understand maybe why we need multiple cars in

0:25:28.556 --> 0:25:30.876
<v Speaker 2>a single shaft. I'm not quite sure why we need

0:25:30.916 --> 0:25:36.036
<v Speaker 2>to move horizontally through a building. And it is interesting

0:25:36.116 --> 0:25:38.836
<v Speaker 2>to me that, at least as far as I know,

0:25:38.996 --> 0:25:43.276
<v Speaker 2>thus far, there haven't been any takers. No one has

0:25:43.316 --> 0:25:47.996
<v Speaker 2>said because it would be an enormous investment in a

0:25:47.996 --> 0:25:52.596
<v Speaker 2>building to install a system like that, just just to

0:25:52.716 --> 0:25:55.596
<v Speaker 2>demonstrate that, yes, this is this is is the is

0:25:56.756 --> 0:25:58.756
<v Speaker 2>the new way, but that there's been a lot of

0:25:58.796 --> 0:26:02.356
<v Speaker 2>research and a lot of work. And when it's perfected

0:26:03.316 --> 0:26:07.236
<v Speaker 2>and and there are no cables, then you know in

0:26:07.356 --> 0:26:10.716
<v Speaker 2>theory that two hundreds story building gets much easier. That

0:26:10.836 --> 0:26:14.116
<v Speaker 2>there's still the question of why and you know why

0:26:14.156 --> 0:26:14.836
<v Speaker 2>we would need it?

0:26:17.396 --> 0:26:18.836
<v Speaker 1>What about a space elevator?

0:26:20.916 --> 0:26:26.396
<v Speaker 2>So the space elevator is is an amazing idea and

0:26:26.556 --> 0:26:30.316
<v Speaker 2>very clever, and it's it's predicated on placing as as

0:26:30.516 --> 0:26:35.076
<v Speaker 2>as you may know, placing some kind of platform in

0:26:35.116 --> 0:26:38.356
<v Speaker 2>geosynchronous orbit so it stays stays above the same point

0:26:38.396 --> 0:26:42.756
<v Speaker 2>on the Earth, and then using guess nanocarbon fibers, if

0:26:42.756 --> 0:26:46.276
<v Speaker 2>we can ever perfect how to produce that many connecting

0:26:46.316 --> 0:26:49.356
<v Speaker 2>those two points, and then I can run an elevator

0:26:49.436 --> 0:26:55.316
<v Speaker 2>from the Earth to this satellite platform geosynchronous orbit, probably

0:26:55.356 --> 0:26:59.116
<v Speaker 2>a solar powered elevator, and suddenly I can start carrying

0:26:59.156 --> 0:27:02.716
<v Speaker 2>materials up to space very easily and quickly. And that's

0:27:02.716 --> 0:27:05.956
<v Speaker 2>how I'm going to build the next generation of of

0:27:05.956 --> 0:27:09.276
<v Speaker 2>of rockets and and vehicles that will you know, and

0:27:09.356 --> 0:27:09.876
<v Speaker 2>our travel.

0:27:10.276 --> 0:27:13.516
<v Speaker 1>And presumably if you could get it built, it would

0:27:13.516 --> 0:27:16.676
<v Speaker 1>be cheaper, although obviously rockets have gotten much cheaper, cheaper

0:27:16.716 --> 0:27:19.876
<v Speaker 1>than a rocket, and it's like a real idea, right,

0:27:19.956 --> 0:27:22.836
<v Speaker 1>I know, nobody is actually building it, but like my

0:27:23.076 --> 0:27:26.676
<v Speaker 1>understanding of the physics, well, I don't really understand the physics,

0:27:26.676 --> 0:27:29.636
<v Speaker 1>but my understanding of what people who understand the physics

0:27:29.636 --> 0:27:33.356
<v Speaker 1>say is like, yeah, it's pick a work.

0:27:33.756 --> 0:27:36.796
<v Speaker 2>It's a real idea. It's it's a very serious idea.

0:27:36.876 --> 0:27:39.436
<v Speaker 2>Lots of people have spent a lot of time thinking

0:27:39.436 --> 0:27:42.836
<v Speaker 2>about it and questions about if there's a delay. It's

0:27:42.956 --> 0:27:46.276
<v Speaker 2>it's the nanocarbon fiber issue is how do we develop

0:27:46.356 --> 0:27:50.876
<v Speaker 2>something that can link something in geosynchronous orbit to a

0:27:50.916 --> 0:27:53.876
<v Speaker 2>place on Earth, and then where do we put it

0:27:54.236 --> 0:27:56.836
<v Speaker 2>because obviously we don't want anything flying into the cable.

0:27:57.036 --> 0:28:00.396
<v Speaker 1>We haven't even talked about your escalator work. What's happening

0:28:00.396 --> 0:28:01.596
<v Speaker 1>with escalators.

0:28:03.396 --> 0:28:06.516
<v Speaker 2>So one of the projects I'm working on is a

0:28:06.556 --> 0:28:10.916
<v Speaker 2>book on the history of the escalator, and it is

0:28:12.836 --> 0:28:15.356
<v Speaker 2>obviously related to the elevators, but it's a very different

0:28:15.436 --> 0:28:18.916
<v Speaker 2>piece of technology because it's you know, it's much more visible.

0:28:18.996 --> 0:28:21.236
<v Speaker 2>We sort of even though people don't really quite know

0:28:21.276 --> 0:28:25.556
<v Speaker 2>how it works, it's magical in a sense that and

0:28:25.636 --> 0:28:28.676
<v Speaker 2>here I think I would encourage everyone to remember about

0:28:28.716 --> 0:28:30.916
<v Speaker 2>as the first time as a child they saw an

0:28:30.996 --> 0:28:33.356
<v Speaker 2>escalator because it's like, oh my god, the stairs are

0:28:33.396 --> 0:28:35.156
<v Speaker 2>moving in a.

0:28:35.116 --> 0:28:38.676
<v Speaker 1>Way sort of visually, it's cooler than an elevator, right,

0:28:38.756 --> 0:28:41.996
<v Speaker 1>Like the elevator does more work. If I could only

0:28:42.036 --> 0:28:44.236
<v Speaker 1>have one in the world, I'd choose the elevator. But

0:28:44.556 --> 0:28:48.956
<v Speaker 1>especially when the stairs appear and disappear, that's actually the

0:28:49.036 --> 0:28:50.956
<v Speaker 1>incredible part. That's the genius.

0:28:51.236 --> 0:28:55.036
<v Speaker 2>Yeah, no, it's they're they're they're very cool. Now, I

0:28:55.076 --> 0:28:59.476
<v Speaker 2>will say they are much more dangerous than elevators. Mean, well,

0:28:59.596 --> 0:29:04.076
<v Speaker 2>falling on an escalator or you know, they're really well designed.

0:29:04.076 --> 0:29:08.116
<v Speaker 2>But they're because they because of of how we have

0:29:08.196 --> 0:29:10.756
<v Speaker 2>to enter an ex I mean it requires a little

0:29:10.756 --> 0:29:11.396
<v Speaker 2>bit of coordination.

0:29:11.756 --> 0:29:14.036
<v Speaker 1>Yeah, you can't fall down an elevator the way you

0:29:14.076 --> 0:29:17.836
<v Speaker 1>can fall down an escalator. Right, Is there is there

0:29:17.836 --> 0:29:20.516
<v Speaker 1>a good origin story of the escalator? Is there a moment?

0:29:20.636 --> 0:29:22.796
<v Speaker 1>Is there some genius? It's like we can squish the

0:29:22.876 --> 0:29:24.476
<v Speaker 1>steps and then make them big again.

0:29:25.716 --> 0:29:32.916
<v Speaker 2>So, in a very odd so coincidence, the very first

0:29:33.196 --> 0:29:39.436
<v Speaker 2>patent for the idea of moving steps was patented on

0:29:39.556 --> 0:29:44.636
<v Speaker 2>exactly the same day that otis Tuff's patented his idea

0:29:44.756 --> 0:29:49.596
<v Speaker 2>or concept of the passenger elevator. Yes, and and and

0:29:49.996 --> 0:29:53.596
<v Speaker 2>this design was never built, but it was somebody saying, well,

0:29:54.116 --> 0:29:55.196
<v Speaker 2>how about this.

0:29:55.556 --> 0:29:57.316
<v Speaker 1>The fact that both of them were patented on the

0:29:57.356 --> 0:30:01.356
<v Speaker 1>same day, that must tell us something about that moment,

0:30:01.956 --> 0:30:05.956
<v Speaker 1>Like I insist that it's not just a coincidence. What

0:30:06.116 --> 0:30:08.236
<v Speaker 1>like what do you think it tells us about what

0:30:08.316 --> 0:30:12.676
<v Speaker 1>was going on? Was it eighteen fifties at that moment?

0:30:12.756 --> 0:30:19.716
<v Speaker 2>Yeah, eighteen fifty nine. That's a that's a really wonderful question.

0:30:20.596 --> 0:30:23.636
<v Speaker 2>And I don't I would really have to think about.

0:30:23.676 --> 0:30:28.676
<v Speaker 2>I mean, it's it's it's this interesting pivot point. You know,

0:30:28.716 --> 0:30:32.196
<v Speaker 2>we're right on the verge of a lot of technologies

0:30:32.316 --> 0:30:37.876
<v Speaker 2>really taking off, you know, whether it's railroad or other

0:30:38.556 --> 0:30:39.116
<v Speaker 2>or others.

0:30:39.836 --> 0:30:41.636
<v Speaker 1>I'm going to take a stab at it. I have

0:30:41.716 --> 0:30:46.116
<v Speaker 1>the advantage of ignorance. It's a moment when so the

0:30:46.196 --> 0:30:49.356
<v Speaker 1>industrial revolution has been going on for call it one

0:30:49.396 --> 0:30:52.396
<v Speaker 1>hundred years at that point, right, But it has been

0:30:54.116 --> 0:30:57.236
<v Speaker 1>industrial right in the way you were talking about the elevator.

0:30:57.276 --> 0:31:00.996
<v Speaker 1>It has been about factories and warehouses and this very

0:31:02.596 --> 0:31:06.996
<v Speaker 1>industrial setting. And these are both inventions that are taking

0:31:07.236 --> 0:31:11.436
<v Speaker 1>the the in sites, the innovations of the industrial evolution

0:31:11.596 --> 0:31:15.796
<v Speaker 1>and bringing them to the lives of ordinary people. And

0:31:16.516 --> 0:31:18.996
<v Speaker 1>maybe this is a moment when that is starting to happen.

0:31:19.036 --> 0:31:22.036
<v Speaker 1>You're getting these grand hotels you are describing that are

0:31:22.036 --> 0:31:25.676
<v Speaker 1>bringing technology, You're getting the kind of you know, ladies Paradise,

0:31:25.796 --> 0:31:30.436
<v Speaker 1>early department stores, and industrialization is becoming sort of domesticated,

0:31:30.596 --> 0:31:35.476
<v Speaker 1>and both the passenger elevator and the escalator maybe are

0:31:35.516 --> 0:31:36.596
<v Speaker 1>manifestations of that.

0:31:37.876 --> 0:31:42.076
<v Speaker 2>I think that's a very plausible, very reasonable.

0:31:41.836 --> 0:31:48.196
<v Speaker 1>Okay, I'll take plausible. I will take plausible. We'll be

0:31:48.276 --> 0:32:02.716
<v Speaker 1>back in a minute with the lightning round. Okay, let's finish.

0:32:02.956 --> 0:32:07.396
<v Speaker 1>Let's finish with the lightning round. Favorite elevator reference in a.

0:32:07.396 --> 0:32:12.076
<v Speaker 2>Song, Uh, probably Aerosmith Love and.

0:32:14.636 --> 0:32:17.756
<v Speaker 1>Uh great. Favorite elevator in a movie.

0:32:20.156 --> 0:32:23.636
<v Speaker 2>Actually everybody forgets about it, but it's in the movie Speed.

0:32:24.396 --> 0:32:27.876
<v Speaker 1>Huh. Speed's about a bus? Am I thinking about the

0:32:27.956 --> 0:32:28.356
<v Speaker 1>right movie?

0:32:28.636 --> 0:32:30.556
<v Speaker 2>Yes, but it's it's in the first third of the

0:32:30.596 --> 0:32:33.116
<v Speaker 2>movie when the elevator gets blown up.

0:32:34.716 --> 0:32:35.396
<v Speaker 1>Why that one?

0:32:36.276 --> 0:32:39.316
<v Speaker 2>Because ironically it is. It's it's the one of the

0:32:39.316 --> 0:32:41.756
<v Speaker 2>few times Hollywood gets it right. The cables are blown

0:32:41.796 --> 0:32:45.316
<v Speaker 2>off the car and you see the safeties, grab and

0:32:45.356 --> 0:32:48.396
<v Speaker 2>stop the car ah and and and it's just sort

0:32:48.396 --> 0:32:51.916
<v Speaker 2>of like, yeah, that's what would happen. Now, I guess

0:32:51.956 --> 0:32:55.316
<v Speaker 2>I should call it. The other one is the Willy

0:32:55.396 --> 0:32:59.516
<v Speaker 2>Wonker elevator, the Johnny Depp one, not the Gene Wilder one.

0:33:00.956 --> 0:33:04.716
<v Speaker 1>I know, I know an elevator is not gonna go

0:33:04.796 --> 0:33:08.476
<v Speaker 1>into free fall. But what is a dangerous thing that

0:33:08.556 --> 0:33:11.836
<v Speaker 1>I should not do on or near an elevator?

0:33:15.796 --> 0:33:18.556
<v Speaker 2>That's a really good question. There are many many safety

0:33:18.596 --> 0:33:23.076
<v Speaker 2>devices in place on elevators. I with all of those

0:33:23.076 --> 0:33:25.956
<v Speaker 2>in place, what I still would probably not suggest is

0:33:25.996 --> 0:33:28.516
<v Speaker 2>if the door is starting to close, don't put your

0:33:28.876 --> 0:33:31.876
<v Speaker 2>don't put your arm in that gap, thinking the door

0:33:31.916 --> 0:33:36.076
<v Speaker 2>will automatically rebound. It should, but I wouldn't do that

0:33:37.356 --> 0:33:38.556
<v Speaker 2>or put your foot in the gap.

0:33:39.396 --> 0:33:42.836
<v Speaker 1>How many articles have you written for Elevator World magazine.

0:33:42.836 --> 0:33:43.996
<v Speaker 2>Over two hundred and fifty?

0:33:45.076 --> 0:33:46.836
<v Speaker 1>Have you ever been stuck in an elevator?

0:33:47.556 --> 0:33:51.276
<v Speaker 2>Almost button? But no, I had an elevator once that

0:33:51.396 --> 0:33:53.996
<v Speaker 2>stopped and I thought, okay, this is my first experience,

0:33:54.036 --> 0:33:56.676
<v Speaker 2>and then it started moving again, So no, I haven't.

0:33:56.756 --> 0:33:57.756
<v Speaker 2>I haven't had that experience.

0:33:57.796 --> 0:34:00.516
<v Speaker 1>Were you kind of disappointed when it started moving again

0:34:00.796 --> 0:34:03.156
<v Speaker 1>a little bit. Yeah, I mean I feel like if

0:34:03.196 --> 0:34:06.076
<v Speaker 1>you're you, you kind of in control the way. Want

0:34:06.076 --> 0:34:08.316
<v Speaker 1>to be stuck on an elevator once for not too long?

0:34:08.716 --> 0:34:12.436
<v Speaker 2>Well? The advantage and only I know I only know

0:34:12.476 --> 0:34:14.876
<v Speaker 2>this because of what I know is is you know,

0:34:14.956 --> 0:34:17.516
<v Speaker 2>if an elevator stops moving, I'm in the safest place

0:34:17.556 --> 0:34:20.156
<v Speaker 2>I can be in the elevator car. And then I

0:34:20.276 --> 0:34:21.036
<v Speaker 2>just wait for help.

0:34:21.596 --> 0:34:25.436
<v Speaker 1>Have you ever ever walked up a down escalator?

0:34:27.396 --> 0:34:27.476
<v Speaker 2>No?

0:34:30.236 --> 0:34:34.636
<v Speaker 1>Have you ever walked down an up escalator?

0:34:35.716 --> 0:34:35.876
<v Speaker 2>No?

0:34:37.276 --> 0:34:41.356
<v Speaker 1>Do you push the door closed button on the elevator sometimes?

0:34:42.196 --> 0:34:44.916
<v Speaker 1>Does it work? I have read that it doesn't work?

0:34:44.956 --> 0:34:45.516
<v Speaker 1>Is that true?

0:34:46.076 --> 0:34:47.196
<v Speaker 2>It works?

0:34:47.756 --> 0:34:53.916
<v Speaker 1>Tell me one thing I don't know about moving sidewalks.

0:34:54.996 --> 0:35:00.516
<v Speaker 2>The first okay, when moving the first, moving sidewalks were

0:35:00.796 --> 0:35:04.116
<v Speaker 2>intended as urban transportation systems.

0:35:05.276 --> 0:35:09.476
<v Speaker 1>Like like to get me from First Aba New to

0:35:09.636 --> 0:35:11.476
<v Speaker 1>Central Park? Like what does that mean?

0:35:11.836 --> 0:35:15.356
<v Speaker 2>So the idea would be if you went so, imagine

0:35:15.356 --> 0:35:18.516
<v Speaker 2>going down into a modern subway system, but instead of

0:35:18.556 --> 0:35:21.516
<v Speaker 2>waiting for a subway car moving in front of you,

0:35:21.996 --> 0:35:25.316
<v Speaker 2>are continuously moving in front of you? Is a moving sidewalk?

0:35:25.596 --> 0:35:28.036
<v Speaker 1>I love? And is it going so fast?

0:35:28.556 --> 0:35:28.796
<v Speaker 3>No?

0:35:28.996 --> 0:35:32.356
<v Speaker 2>And so the original idea was that, let's say you

0:35:32.396 --> 0:35:37.276
<v Speaker 2>would have four moving sidewalks, and so the first one

0:35:37.356 --> 0:35:40.116
<v Speaker 2>is moving at one and a half feet per minute,

0:35:40.356 --> 0:35:42.676
<v Speaker 2>the second one at three, the next one at four.

0:35:42.876 --> 0:35:45.156
<v Speaker 1>So I can get on the first one from a standstill,

0:35:45.276 --> 0:35:47.556
<v Speaker 1>and then I can sort of accelerate by getting onto

0:35:47.556 --> 0:35:50.196
<v Speaker 1>subsequent moving sidewalks, and then I got a moving sidewalk.

0:35:50.276 --> 0:35:54.356
<v Speaker 1>That's just like tramming along right, Yes, And that sounds

0:35:54.396 --> 0:35:56.636
<v Speaker 1>so fun. I mean, it doesn't seem like a good idea,

0:35:56.716 --> 0:35:57.716
<v Speaker 1>but it seems fun.

0:35:58.156 --> 0:36:04.476
<v Speaker 2>The one example that was built that you can actually

0:36:04.516 --> 0:36:08.916
<v Speaker 2>see an operation at the nineteen hundred Paras Exposition. There

0:36:08.956 --> 0:36:12.156
<v Speaker 2>was a moving sidewalk system like that that went around

0:36:12.796 --> 0:36:16.396
<v Speaker 2>a large part of the exhibition exposition grounds and it

0:36:16.436 --> 0:36:21.236
<v Speaker 2>was filmed, and if you google moving sidewalk Paris, you

0:36:21.316 --> 0:36:24.076
<v Speaker 2>can watch movies of people getting on and off and

0:36:24.156 --> 0:36:24.996
<v Speaker 2>it's hysterical.

0:36:28.676 --> 0:36:31.436
<v Speaker 1>Lee Gray is a professor of architectural history at the

0:36:31.516 --> 0:36:35.876
<v Speaker 1>University of North Carolina at Charlotte. Today's show was produced

0:36:35.916 --> 0:36:39.156
<v Speaker 1>by Gabriel Hunter Chang. It was edited by Lyddy jeene

0:36:39.196 --> 0:36:42.916
<v Speaker 1>Kott and engineered by Sarah Bruguier. You can email us

0:36:42.956 --> 0:36:46.836
<v Speaker 1>at problem at Pushkin dot FM. I'm Jacob Boldstein and

0:36:46.876 --> 0:36:49.236
<v Speaker 1>we'll be back next week with another episode of What's

0:36:49.236 --> 0:36:58.836
<v Speaker 1>Your Problem.