1 00:00:05,160 --> 00:00:08,039 Speaker 1: Hey, this Sanny and Samantha and welcome to Stephane Never 2 00:00:08,039 --> 00:00:20,079 Speaker 1: Told You Protection of iHeartRadio. And here we are with 3 00:00:20,480 --> 00:00:25,720 Speaker 1: our part six of our special The Last of Us, 4 00:00:25,720 --> 00:00:29,360 Speaker 1: a mini series where we recap and react to the 5 00:00:29,640 --> 00:00:33,680 Speaker 1: HBO Max series The Last of Us, based on the 6 00:00:33,800 --> 00:00:37,040 Speaker 1: twenty thirteen game of which I am a huge fan. 7 00:00:37,800 --> 00:00:40,760 Speaker 1: We are not the official podcast, and in fact, somebody 8 00:00:40,920 --> 00:00:42,840 Speaker 1: texted me the other day and was like, I heard 9 00:00:42,880 --> 00:00:44,520 Speaker 1: this on the podcast and I was like, oh really, 10 00:00:44,560 --> 00:00:47,360 Speaker 1: I didn't know that. They're like, oh, it's not your podcast. 11 00:00:47,440 --> 00:00:52,360 Speaker 1: I was like, all right, well thanks, but yes, we 12 00:00:52,440 --> 00:00:56,160 Speaker 1: are not the official podcast, but we are one that 13 00:00:56,320 --> 00:00:59,040 Speaker 1: I think has some good points and some good thoughts 14 00:00:59,120 --> 00:01:03,080 Speaker 1: and some fun time. We have fun times, we do. Indeed, 15 00:01:04,000 --> 00:01:07,680 Speaker 1: this is a mini series. We are doing it but 16 00:01:07,880 --> 00:01:12,640 Speaker 1: one week after the most recent episode airs, so this 17 00:01:12,720 --> 00:01:16,800 Speaker 1: is one week after episode six, which is called Ken, 18 00:01:17,319 --> 00:01:20,240 Speaker 1: and there are nine episodes of this series. So the 19 00:01:20,280 --> 00:01:24,760 Speaker 1: final episode, probably unless we do a two parter, which 20 00:01:24,800 --> 00:01:28,960 Speaker 1: is possible, will be March nineteenth, because the finale of 21 00:01:29,000 --> 00:01:33,680 Speaker 1: the show is March twelfth, So after that we will 22 00:01:33,720 --> 00:01:37,320 Speaker 1: go back to our regularly scheduled programming Slash My Happy hours, 23 00:01:37,319 --> 00:01:43,919 Speaker 1: which have been moved all about for the Saturday episodes. Also, 24 00:01:44,080 --> 00:01:47,720 Speaker 1: there will be spoilers for the first six episodes of 25 00:01:47,840 --> 00:01:51,920 Speaker 1: the series. Samantha is my guardian and making sure I 26 00:01:52,000 --> 00:01:57,000 Speaker 1: don't spoil the whole thing. And it's this one's gonna 27 00:01:57,040 --> 00:02:00,160 Speaker 1: be tough, this one, I'm gonna say, but I think 28 00:02:00,160 --> 00:02:01,720 Speaker 1: we can do it. I think we can do it. 29 00:02:01,920 --> 00:02:04,760 Speaker 1: We got this, we got this. Yeah, all right, are 30 00:02:04,760 --> 00:02:08,360 Speaker 1: you ready for my wonderful recap? Samantha gifts the best recaps. 31 00:02:08,400 --> 00:02:11,840 Speaker 1: I am so ready. Right, so again, because this is 32 00:02:11,960 --> 00:02:15,640 Speaker 1: an HBO Max show. Just as a reminder content warning, 33 00:02:15,680 --> 00:02:20,760 Speaker 1: there's violence and sadness and trauma all throughout, which is 34 00:02:21,240 --> 00:02:24,840 Speaker 1: right up. Annie's Allie, that is what she loves. Um 35 00:02:25,440 --> 00:02:30,040 Speaker 1: And yes, so if you haven't watched the six episode 36 00:02:30,040 --> 00:02:34,880 Speaker 1: six pause, go watch come back. Yes, because my explanation 37 00:02:35,000 --> 00:02:38,520 Speaker 1: is so good, it's like you're watching it as I'm 38 00:02:38,520 --> 00:02:42,040 Speaker 1: speaking of this. I'm sure, I'm sure. Okay, So we 39 00:02:42,080 --> 00:02:45,639 Speaker 1: are went back with Ellie and Joel, who all of 40 00:02:45,720 --> 00:02:48,359 Speaker 1: a sudden we come into a picture of a cabin. 41 00:02:48,720 --> 00:02:52,840 Speaker 1: Dude someone someone is walking with rabbits. There was a 42 00:02:52,840 --> 00:02:54,600 Speaker 1: lot of conversations that happened by the way, at our 43 00:02:54,600 --> 00:02:56,200 Speaker 1: place about the rabbits. We're not gonna tell you why, 44 00:02:56,200 --> 00:02:58,560 Speaker 1: but they were conversations, just so you know. And then 45 00:02:58,919 --> 00:03:03,520 Speaker 1: we walk in and you see the character's name is Florence, 46 00:03:04,240 --> 00:03:07,880 Speaker 1: a Native woman who is just chilling in her chair 47 00:03:08,240 --> 00:03:10,919 Speaker 1: while Joel is sitting next to her, or does he 48 00:03:11,000 --> 00:03:14,480 Speaker 1: say no, he comes out. He comes out with a gun. 49 00:03:14,520 --> 00:03:17,680 Speaker 1: It is like a rut row, and we find now 50 00:03:17,720 --> 00:03:20,079 Speaker 1: that Joel's trying to get information, trying to figure out 51 00:03:20,080 --> 00:03:22,840 Speaker 1: where they are exactly because they need to find Tommy, 52 00:03:23,280 --> 00:03:25,160 Speaker 1: and then trying to figure out, you know, where's the 53 00:03:25,200 --> 00:03:28,880 Speaker 1: closest area to any headquarters. What's going on? Essentially, that's 54 00:03:28,880 --> 00:03:32,720 Speaker 1: what he says. And we have this great banter that 55 00:03:33,000 --> 00:03:35,800 Speaker 1: this low key banter that's happening between Florence and the 56 00:03:35,800 --> 00:03:38,720 Speaker 1: other character is Marlin, who, by the way, we just 57 00:03:38,840 --> 00:03:43,160 Speaker 1: discovered that they were together in an old nineties sitcom 58 00:03:43,240 --> 00:03:46,360 Speaker 1: called The Northern Exposure, which I remember. I did not watch, 59 00:03:46,440 --> 00:03:49,240 Speaker 1: but I remember because it was really big for five years. 60 00:03:49,520 --> 00:03:52,640 Speaker 1: Apparently this was like a mini reunion for the two 61 00:03:52,720 --> 00:03:54,840 Speaker 1: of them, And I really feel like this is for 62 00:03:54,880 --> 00:03:59,440 Speaker 1: those nineties adults who know, if you know, you know, yes, 63 00:04:00,560 --> 00:04:02,600 Speaker 1: And I also feel like there's a low key like, 64 00:04:02,640 --> 00:04:06,240 Speaker 1: if anybody's gonna survive an apocalypse, it's the indigenous people 65 00:04:06,240 --> 00:04:10,080 Speaker 1: of this area. I think they're right, but whatever. So 66 00:04:10,240 --> 00:04:12,720 Speaker 1: we have this fun banter that happens between the two 67 00:04:12,720 --> 00:04:15,600 Speaker 1: of them. All of a sudden, She's like, she's got 68 00:04:15,600 --> 00:04:17,200 Speaker 1: a gun. He's got a gun, and there's a girl, 69 00:04:17,520 --> 00:04:20,200 Speaker 1: and then Elie kinds like hey, and he and then 70 00:04:20,320 --> 00:04:22,280 Speaker 1: Joel's like stay up there, and she comes down and 71 00:04:22,320 --> 00:04:24,919 Speaker 1: everybody's like, what's it happening? But there they all have 72 00:04:25,000 --> 00:04:28,000 Speaker 1: to sit down. Turns out that Florence made them soup. 73 00:04:28,200 --> 00:04:30,960 Speaker 1: They were very hungry, they were very thankful, and the 74 00:04:31,080 --> 00:04:33,400 Speaker 1: dude Marlin's like, what why did you make them soup? 75 00:04:35,960 --> 00:04:40,160 Speaker 1: It's cold, they're here, Why wouldn't I He's like, why 76 00:04:40,200 --> 00:04:41,760 Speaker 1: didn't you get the gun? She goes because it's way 77 00:04:41,800 --> 00:04:45,920 Speaker 1: over there. It's fine. So wonderful moment um. And we 78 00:04:45,960 --> 00:04:49,440 Speaker 1: do discover through this conversation that this area is kind 79 00:04:49,480 --> 00:04:51,880 Speaker 1: of barren, not a lot of infected, because it's pretty 80 00:04:51,960 --> 00:04:56,440 Speaker 1: much just too far out, not enough civilization, not a 81 00:04:56,440 --> 00:04:59,920 Speaker 1: lot of supplies, all of these things. Um. They do 82 00:05:00,120 --> 00:05:02,960 Speaker 1: say that it is the River of death they call it, 83 00:05:03,000 --> 00:05:05,400 Speaker 1: and that the only think they know is when people 84 00:05:05,440 --> 00:05:07,880 Speaker 1: go out, they don't come back, and they're but dead 85 00:05:07,880 --> 00:05:12,200 Speaker 1: bodies everywhere, don't go. He does give them the area 86 00:05:12,240 --> 00:05:15,000 Speaker 1: they're at. He doesn't know a tommy. They don't even 87 00:05:15,000 --> 00:05:19,080 Speaker 1: know about fireflies. They think it's hilarious. So like there 88 00:05:19,080 --> 00:05:22,960 Speaker 1: are people that are fireflies hilarious. There's five, five people, 89 00:05:24,000 --> 00:05:29,280 Speaker 1: and so they go on together. Ellie steals a rabbit, 90 00:05:29,920 --> 00:05:33,440 Speaker 1: and as they're in a cave together trying to stay warm, 91 00:05:33,960 --> 00:05:36,680 Speaker 1: she's like, man, I should have taken two rabbits. All 92 00:05:36,720 --> 00:05:40,560 Speaker 1: these things. They have a whole conversation about. He's going 93 00:05:40,600 --> 00:05:43,679 Speaker 1: to be a sheep farmer, that's what he said, being joking. 94 00:05:44,560 --> 00:05:46,359 Speaker 1: He tries to get her to go to sleep. He 95 00:05:46,400 --> 00:05:48,559 Speaker 1: said he's gonna keep watch, but he of course falls 96 00:05:48,600 --> 00:05:51,920 Speaker 1: asleep and to only see that Ellie's awake and has 97 00:05:52,000 --> 00:05:54,599 Speaker 1: the gun. She had taken the second shift. He's like, 98 00:05:54,640 --> 00:05:57,080 Speaker 1: wake me up. She's like, you weren't awake. Of course 99 00:05:57,080 --> 00:05:58,760 Speaker 1: I'm gonna take the second shifts. And he's like, well, 100 00:05:58,760 --> 00:06:01,320 Speaker 1: next time, wake me up, because you can't be doing 101 00:06:01,360 --> 00:06:02,719 Speaker 1: this tide to take care of you. She's like, you 102 00:06:02,920 --> 00:06:05,719 Speaker 1: didn't stay awake in a story. So they move on. 103 00:06:06,160 --> 00:06:08,320 Speaker 1: They shoot it off into the water to see if, 104 00:06:08,360 --> 00:06:10,680 Speaker 1: like towards the water, if anybody's going to come towards them. 105 00:06:10,680 --> 00:06:12,640 Speaker 1: They think they're safe. They go to the second part. 106 00:06:12,720 --> 00:06:14,599 Speaker 1: She's like, wait, what if this is a river of death? 107 00:06:14,680 --> 00:06:16,320 Speaker 1: And then all of a sudden they are surrounded by 108 00:06:16,400 --> 00:06:19,080 Speaker 1: pretty much cowboys. I'm just going with that, and they 109 00:06:19,080 --> 00:06:21,279 Speaker 1: are like, oh no, what's happening. They've got a dog. 110 00:06:21,480 --> 00:06:24,320 Speaker 1: This dog stiffs up the infected so oh oh, scary moment. 111 00:06:24,360 --> 00:06:27,279 Speaker 1: Scary moment. And during these times, by the way, Joel 112 00:06:27,400 --> 00:06:30,360 Speaker 1: is having panic attacks. This is fairly new. I did 113 00:06:30,360 --> 00:06:31,800 Speaker 1: not see this in the video game. I guess you 114 00:06:31,839 --> 00:06:35,520 Speaker 1: can't really play that in the video game, but we 115 00:06:35,600 --> 00:06:39,040 Speaker 1: see this here. So he's having panic attacks. At this point, 116 00:06:39,080 --> 00:06:41,719 Speaker 1: he's thinking, oh no, Ellie's gonna get eaten. Oh no. 117 00:06:42,080 --> 00:06:44,440 Speaker 1: But then everything turns out okay. She's having a good 118 00:06:44,480 --> 00:06:48,200 Speaker 1: time with a dog. She loves dogs. Here anyway, moving on, 119 00:06:49,040 --> 00:06:51,880 Speaker 1: and so then we see him talking to them and 120 00:06:51,920 --> 00:06:53,760 Speaker 1: they're like, what do you want. We'll let you pass 121 00:06:53,839 --> 00:06:56,160 Speaker 1: if you do these things, or you need to move along. 122 00:06:56,440 --> 00:06:58,400 Speaker 1: And then he's like, I'm trying to find Tommy, and 123 00:06:58,440 --> 00:07:00,560 Speaker 1: then we see this woman come up more like oh, 124 00:07:00,839 --> 00:07:03,480 Speaker 1: and she's like, oh, how do you know Tommy? And 125 00:07:03,520 --> 00:07:08,240 Speaker 1: then they go into this wonderful town, very western looking 126 00:07:08,880 --> 00:07:13,800 Speaker 1: and has all electricity and supplies and children and happiness 127 00:07:13,960 --> 00:07:16,840 Speaker 1: is kind of odd, and we defined out that Tommy 128 00:07:16,960 --> 00:07:20,000 Speaker 1: is there, holy crap. And the person who lit led 129 00:07:20,080 --> 00:07:23,560 Speaker 1: them as a woman named Maria. We don't know the significance, 130 00:07:23,600 --> 00:07:27,640 Speaker 1: but she seems to know Joel. Here they take Ellie 131 00:07:27,640 --> 00:07:31,680 Speaker 1: to get cleaned up while Joel sits and talks to Tommy. 132 00:07:31,720 --> 00:07:35,760 Speaker 1: And Maria were here. We also discover them Maria's his wife. 133 00:07:36,160 --> 00:07:39,480 Speaker 1: And because Joel is Joel, he can't be happy for anybody. 134 00:07:39,720 --> 00:07:44,160 Speaker 1: And Joel Ellie is like, well, congratulations, and here she's 135 00:07:44,160 --> 00:07:47,080 Speaker 1: like telling them congratulations, and of course he does the 136 00:07:47,080 --> 00:07:51,000 Speaker 1: whole voice of congratulations. And that's how we move on. 137 00:07:51,120 --> 00:07:53,960 Speaker 1: And then we see that the children of this town 138 00:07:54,840 --> 00:07:57,760 Speaker 1: is finding Ellie odd because she's very loud, outspoken and 139 00:07:57,840 --> 00:08:00,560 Speaker 1: cursing and all these things, and they're like, what who 140 00:08:00,600 --> 00:08:05,280 Speaker 1: are you? They are very intrigued and they have to explain. 141 00:08:05,360 --> 00:08:09,480 Speaker 1: Maria explains that the Kaids aren't used to kids like you. 142 00:08:10,000 --> 00:08:12,200 Speaker 1: That's how we believe it. There might have been a 143 00:08:12,240 --> 00:08:14,600 Speaker 1: cameo by someone that I didn't realize was there, but 144 00:08:14,760 --> 00:08:18,240 Speaker 1: maybe we're moving on. Um there. We go on to 145 00:08:18,320 --> 00:08:21,760 Speaker 1: see that Tommy and Joel go to a bar to 146 00:08:21,880 --> 00:08:25,440 Speaker 1: have a conversation while Ellie is being cleaned up, takes 147 00:08:25,480 --> 00:08:29,560 Speaker 1: a shower, get some new clothes. There's a hoodie that 148 00:08:29,640 --> 00:08:32,880 Speaker 1: Annie's very fond of that she wore for the viewing 149 00:08:32,920 --> 00:08:36,600 Speaker 1: that looks exactly like it. It doesn't zip up. Sorry, yes, 150 00:08:37,240 --> 00:08:45,080 Speaker 1: in the game, it doesn't. Okay, I did. I got 151 00:08:45,280 --> 00:08:50,280 Speaker 1: very excited. We're sure it's worth hundreds of thousands of dollars. 152 00:08:51,400 --> 00:08:53,720 Speaker 1: But then we find out during the bar at the 153 00:08:53,760 --> 00:08:56,480 Speaker 1: bar scene, like he's like, we gotta go, why are 154 00:08:56,520 --> 00:08:59,560 Speaker 1: you here, Let's leave. I came to rescue you, you know, 155 00:08:59,679 --> 00:09:03,880 Speaker 1: being funny. And then it turns out Tommy is expecting 156 00:09:03,880 --> 00:09:07,120 Speaker 1: a kid. Maria's pregnant ro Ro, which is a deviation 157 00:09:07,160 --> 00:09:10,760 Speaker 1: from the game, just an fyi, and so that's like, 158 00:09:11,000 --> 00:09:14,920 Speaker 1: he doesn't say congratulations, nothing, and Tommy's like, I hope 159 00:09:14,960 --> 00:09:16,200 Speaker 1: I make a good father, and he was like, god, 160 00:09:16,160 --> 00:09:19,600 Speaker 1: I guess we'll find out. Not cool, bro, not cool. 161 00:09:20,440 --> 00:09:23,360 Speaker 1: We go back to Ellie who was all clean and refreshed, 162 00:09:23,400 --> 00:09:26,280 Speaker 1: and we see this layout of clothes for her again, 163 00:09:26,400 --> 00:09:28,840 Speaker 1: that hoodie we just talked about, and a diva cup 164 00:09:29,200 --> 00:09:32,520 Speaker 1: very important. I really like that detail BT dubs. But 165 00:09:32,640 --> 00:09:35,520 Speaker 1: she comes downstairs and this is Tommy and Maria's place, 166 00:09:35,880 --> 00:09:38,240 Speaker 1: and we see a little shrine with the name Sarah 167 00:09:38,280 --> 00:09:41,960 Speaker 1: and Kevin, and if you know, you know that Sarah 168 00:09:42,160 --> 00:09:45,520 Speaker 1: is Joel's kid, and so they Tommy obviously put that there, 169 00:09:45,559 --> 00:09:48,640 Speaker 1: and which I find out that Kevin is Maria's kid 170 00:09:48,840 --> 00:09:52,319 Speaker 1: who had died. At this point, she kind of has 171 00:09:52,360 --> 00:09:55,400 Speaker 1: a banter moment with Ellie, which Ellie's like, thanks for 172 00:09:55,440 --> 00:09:57,600 Speaker 1: the weird gift, the diva cup, and She's like, he'll 173 00:09:57,640 --> 00:10:00,240 Speaker 1: lout you'll want it someday. Is a good gift because 174 00:10:00,280 --> 00:10:05,679 Speaker 1: our nice purple thick jacket. Apparently Ellie doesn't like purple. 175 00:10:06,000 --> 00:10:08,840 Speaker 1: I don't know, she just this very purple. And then 176 00:10:09,600 --> 00:10:14,280 Speaker 1: she talks about Kevin being Maria's son, and then morning 177 00:10:14,440 --> 00:10:17,200 Speaker 1: and then Maria kind of link does does talk about 178 00:10:17,240 --> 00:10:20,360 Speaker 1: Sarah to her to Ellie because Ellie had no idea, 179 00:10:20,440 --> 00:10:22,280 Speaker 1: she didn't even know who she was, that he even 180 00:10:22,320 --> 00:10:24,800 Speaker 1: had a kid. So she gets that information. She gets 181 00:10:24,800 --> 00:10:27,400 Speaker 1: a haircut as well. Find out that Maria was an 182 00:10:27,400 --> 00:10:30,240 Speaker 1: attorney once upon at a time, but she really liked 183 00:10:30,240 --> 00:10:32,800 Speaker 1: cutting hair. All of these things, and then it was 184 00:10:32,840 --> 00:10:37,079 Speaker 1: you know, made a conversation about alluding to Joel's past 185 00:10:37,200 --> 00:10:41,440 Speaker 1: not being great, but Ellie's like, I know, don't worry 186 00:10:41,440 --> 00:10:43,160 Speaker 1: about it. I can take care of myself, and then 187 00:10:43,200 --> 00:10:46,079 Speaker 1: she takes her to the movie. So we're guessing at 188 00:10:46,080 --> 00:10:48,480 Speaker 1: this point in time, the Quzi probably didn't have all 189 00:10:48,520 --> 00:10:51,000 Speaker 1: of those types of things, so this was neat to see. 190 00:10:51,200 --> 00:10:54,480 Speaker 1: Whatever movie was playing, those sounded really awful. I don't know. 191 00:10:55,840 --> 00:10:58,960 Speaker 1: By the way, if you watch on in this theater 192 00:10:59,040 --> 00:11:01,400 Speaker 1: scene there as a girl that she says next to 193 00:11:01,600 --> 00:11:03,360 Speaker 1: was the one that was giving her weird looks or 194 00:11:03,559 --> 00:11:06,720 Speaker 1: was watching her closely and was weirded out by at 195 00:11:06,760 --> 00:11:09,720 Speaker 1: the beginning, And when she first comes in you need 196 00:11:09,800 --> 00:11:13,480 Speaker 1: to note her. I'm gonna say that, okay. And so 197 00:11:13,600 --> 00:11:17,400 Speaker 1: at this point in time, Tommy's trying to find Joel 198 00:11:17,400 --> 00:11:20,000 Speaker 1: because Joel of course disappears because Joel is Joel being 199 00:11:20,040 --> 00:11:24,360 Speaker 1: sad murder Dad and Joel is and I guess what's 200 00:11:24,480 --> 00:11:27,520 Speaker 1: a shoe player plays trying to repair his boots, but 201 00:11:27,600 --> 00:11:29,680 Speaker 1: Tommy comes and gives them a new pair and he's like, 202 00:11:29,720 --> 00:11:33,360 Speaker 1: I got you this, and they have a real upfront conversation. 203 00:11:33,400 --> 00:11:36,880 Speaker 1: And here we find Joel freaking out, thinking that he's 204 00:11:36,880 --> 00:11:39,240 Speaker 1: pretty much getting too old, afraid that he's going to 205 00:11:39,320 --> 00:11:41,280 Speaker 1: get her killed, and afraid that he's going to see 206 00:11:41,320 --> 00:11:45,320 Speaker 1: another person, another child die who he regards and loves dearly. 207 00:11:45,720 --> 00:11:49,920 Speaker 1: So he's trying to get Tommy to go and take Ellie. 208 00:11:50,040 --> 00:11:53,480 Speaker 1: After Joel reveals that she is immune, tells him everything 209 00:11:53,559 --> 00:11:55,800 Speaker 1: that happened through in the past and all these things 210 00:11:55,800 --> 00:11:58,280 Speaker 1: and how important it is, and it finally admits that 211 00:11:58,360 --> 00:12:00,400 Speaker 1: Test died. But by the way at the baby getting 212 00:12:00,520 --> 00:12:03,360 Speaker 1: Tommy's like house tests and of course Job is like, 213 00:12:03,360 --> 00:12:07,920 Speaker 1: oh she's fine, what the hell and moving on, And 214 00:12:07,960 --> 00:12:11,560 Speaker 1: so it is decided that Tommy will take her to 215 00:12:11,920 --> 00:12:17,079 Speaker 1: the hospital to the fireflies and benownst to them. Ellie 216 00:12:17,080 --> 00:12:19,560 Speaker 1: had been listening. So when he goes to the house 217 00:12:19,679 --> 00:12:23,200 Speaker 1: where they are staying currently, Ellie says, you know, why 218 00:12:23,200 --> 00:12:25,880 Speaker 1: didn't you just ditch me? In this scene plays out 219 00:12:25,920 --> 00:12:28,360 Speaker 1: which we do see this line line by line I 220 00:12:28,400 --> 00:12:31,480 Speaker 1: believe in the game, in which he's just like, you know, 221 00:12:31,600 --> 00:12:34,320 Speaker 1: I didn't trust anyone. You're the only one. I've lost 222 00:12:34,360 --> 00:12:36,960 Speaker 1: some money people, And he's like, you don't know. Laws 223 00:12:37,000 --> 00:12:40,480 Speaker 1: stopped talking about Sarah. And he's wrong, by the way, 224 00:12:41,280 --> 00:12:43,960 Speaker 1: he's wrong that just because you have lost a daughter 225 00:12:44,080 --> 00:12:47,120 Speaker 1: doesn't negate anybody else's loss. Just go ahead and put 226 00:12:47,160 --> 00:12:48,960 Speaker 1: that out there. So he's like, I don't want to do, 227 00:12:49,040 --> 00:12:51,280 Speaker 1: you know, put you in danger. This is for you. 228 00:12:51,400 --> 00:12:53,920 Speaker 1: And then when he gets mad, he pushes her away 229 00:12:53,960 --> 00:12:56,960 Speaker 1: and walks out, and she's sad. And by the way, 230 00:12:57,000 --> 00:12:59,559 Speaker 1: that diary scene doesn't happen also in the game, because 231 00:12:59,559 --> 00:13:01,560 Speaker 1: she's like, oh, that's all they worried about is boys 232 00:13:01,600 --> 00:13:06,440 Speaker 1: and matching clothes. That's so odd. And so we come 233 00:13:06,440 --> 00:13:09,360 Speaker 1: into the morning, she's sitting waiting. Tommy comes to get her. 234 00:13:09,640 --> 00:13:12,280 Speaker 1: They go to the horses. Joel was sitting there with 235 00:13:12,360 --> 00:13:14,040 Speaker 1: a horse. He's like, well, I was trying to steal 236 00:13:14,040 --> 00:13:15,920 Speaker 1: a horse, and which Tommy's like, we would have given 237 00:13:15,920 --> 00:13:18,800 Speaker 1: you a horse, but you know, Joel's Joel, and so 238 00:13:19,200 --> 00:13:20,920 Speaker 1: he's like, you know, I've been sitting here for thirty minutes, 239 00:13:21,200 --> 00:13:23,120 Speaker 1: and she's like, what does that mean. He's like, you know, 240 00:13:23,120 --> 00:13:24,600 Speaker 1: I'm gonna give you a choice, and She's like, yeah, 241 00:13:24,679 --> 00:13:26,640 Speaker 1: let's go, Me and you, Me and you. So they 242 00:13:26,679 --> 00:13:29,880 Speaker 1: hop on. They ride off the horse together, and I 243 00:13:29,920 --> 00:13:33,320 Speaker 1: believe they talked about a baby horse that's shimmer shimmer. 244 00:13:33,920 --> 00:13:36,560 Speaker 1: Shimmer sticks around y'all, just because you need to know, 245 00:13:37,640 --> 00:13:39,559 Speaker 1: all these animals are not really important, but they are 246 00:13:39,640 --> 00:13:42,680 Speaker 1: like they used well, I mean like it could have 247 00:13:42,679 --> 00:13:45,000 Speaker 1: been anything like if they had diverted from those, it 248 00:13:45,000 --> 00:13:47,280 Speaker 1: wouldn't have been a big deal. But they holding close 249 00:13:47,320 --> 00:13:50,960 Speaker 1: to the game but putting these even like animal as 250 00:13:51,000 --> 00:13:53,880 Speaker 1: the actual ones though. Anyway, and we move on and 251 00:13:53,920 --> 00:13:56,920 Speaker 1: they're riding and they get to the hospital. But in 252 00:13:56,960 --> 00:13:59,520 Speaker 1: between this they're having a lot of like interactions that 253 00:13:59,600 --> 00:14:02,600 Speaker 1: he tried teacher how to use the gun, talks about 254 00:14:02,600 --> 00:14:04,520 Speaker 1: how he what he really wants in the feature and 255 00:14:04,640 --> 00:14:08,520 Speaker 1: not being sheep herding farmer. So it was really sweet. 256 00:14:08,559 --> 00:14:11,640 Speaker 1: You see them really getting close at this point. Um. 257 00:14:11,920 --> 00:14:15,400 Speaker 1: And then we come to the hospital. Oh there's no guards. 258 00:14:15,520 --> 00:14:18,040 Speaker 1: They go in and we him see him pick up 259 00:14:18,040 --> 00:14:21,080 Speaker 1: a note, which finally that's in the game. He picks 260 00:14:21,120 --> 00:14:23,680 Speaker 1: up the note to show that they had all last 261 00:14:23,760 --> 00:14:28,160 Speaker 1: beat abandoned very quickly because something had happened. And so 262 00:14:28,320 --> 00:14:31,320 Speaker 1: also she sees animals like monkeys, which is like that's 263 00:14:31,360 --> 00:14:33,760 Speaker 1: the thing which we've all had the debate about, like, well, 264 00:14:33,840 --> 00:14:37,120 Speaker 1: can the monkeys being then the animals be infected I 265 00:14:37,160 --> 00:14:41,440 Speaker 1: guess not Moving on, and they hear noises more monkeys, 266 00:14:41,480 --> 00:14:44,960 Speaker 1: and then they look outside and realize, oh, raiders. So 267 00:14:45,000 --> 00:14:47,520 Speaker 1: they try to sneak away, even though I think their 268 00:14:47,520 --> 00:14:50,000 Speaker 1: horse has already been spotted. But as they do, someone 269 00:14:50,040 --> 00:14:53,000 Speaker 1: comes running to attack Joel. They get into a fight. 270 00:14:53,160 --> 00:14:57,280 Speaker 1: Joel brakes his neck real gruesome, turns around and oh 271 00:14:57,320 --> 00:15:00,240 Speaker 1: my god, he's been stabbed. We see the knife aparently 272 00:15:00,280 --> 00:15:02,400 Speaker 1: he didn't feel it, and then the rest of the 273 00:15:02,440 --> 00:15:05,240 Speaker 1: crew come out running. All they get in the horse 274 00:15:05,280 --> 00:15:08,040 Speaker 1: to run away. She fired some shots, they think they 275 00:15:08,080 --> 00:15:11,280 Speaker 1: got away, and the last thing we see is Joel 276 00:15:11,400 --> 00:15:15,680 Speaker 1: falling off the horse, in which she's begging him that 277 00:15:15,760 --> 00:15:17,840 Speaker 1: she doesn't know what she's gonna do alone, she can't 278 00:15:17,880 --> 00:15:21,560 Speaker 1: survive alone, and for him to open his eyes in 279 00:15:21,640 --> 00:15:25,640 Speaker 1: the story, yeah, and Annie's crying a lot of spite. 280 00:15:28,760 --> 00:15:31,920 Speaker 1: It was funny because again we watched these together and 281 00:15:32,040 --> 00:15:34,760 Speaker 1: I got the question beforehand, like what is the cry scale? 282 00:15:34,760 --> 00:15:38,160 Speaker 1: And I was like, well, I feel like it was 283 00:15:38,200 --> 00:15:40,280 Speaker 1: gonna count. It was going to depend on how much 284 00:15:40,320 --> 00:15:43,760 Speaker 1: they leaned into their what I called the comb to 285 00:15:43,840 --> 00:15:46,040 Speaker 1: Jesus moment, which, by the way, Samantha nose I was 286 00:15:46,160 --> 00:15:48,360 Speaker 1: very annoying about it, but I called what was gonna happen? 287 00:15:49,000 --> 00:15:53,480 Speaker 1: So I've gotten a few techs since then telling me 288 00:15:53,680 --> 00:16:15,640 Speaker 1: she called it, I define, yeah, So excellent recampus always, Samantha, 289 00:16:16,040 --> 00:16:18,760 Speaker 1: there is a lot to cover in this one. And 290 00:16:19,680 --> 00:16:24,400 Speaker 1: just to reiterate this is there's only seven eight three 291 00:16:24,440 --> 00:16:29,360 Speaker 1: episodes left, so we're moving very quickly. We're moving very 292 00:16:29,480 --> 00:16:31,960 Speaker 1: very quickly. A lot of the things that I want 293 00:16:31,960 --> 00:16:33,720 Speaker 1: to talk about overarching I'm going to do in the 294 00:16:33,760 --> 00:16:37,360 Speaker 1: final part whatever episodes we do of the last episode, 295 00:16:37,440 --> 00:16:39,760 Speaker 1: but just because I don't want to spoil it, but 296 00:16:40,000 --> 00:16:43,000 Speaker 1: so keep that in mind, I did want to say 297 00:16:43,040 --> 00:16:47,000 Speaker 1: the game, the first game is split into seasons. Summer, 298 00:16:47,560 --> 00:16:50,000 Speaker 1: it starts in summer. It's the longest season, Winters. The 299 00:16:50,040 --> 00:16:52,280 Speaker 1: third season, which is where we are now. It's the 300 00:16:52,320 --> 00:16:56,920 Speaker 1: scariest season in my opinion, but we'll see if people 301 00:16:57,000 --> 00:17:00,280 Speaker 1: feel like that. But the seasons do get progressively shorters, 302 00:17:00,320 --> 00:17:04,200 Speaker 1: a longus and then fall, and so it's moving quickly. 303 00:17:04,480 --> 00:17:07,400 Speaker 1: I did want to call out the grumpy couple Florence 304 00:17:07,400 --> 00:17:11,560 Speaker 1: and Marlin. They were excellent, amazing, Yes, And I saw 305 00:17:11,640 --> 00:17:14,320 Speaker 1: so many headlines. So the next day I woke up 306 00:17:14,320 --> 00:17:18,520 Speaker 1: really early and I was just like reading headlines about 307 00:17:18,520 --> 00:17:21,040 Speaker 1: about that episode, and so many were like I would 308 00:17:21,080 --> 00:17:27,160 Speaker 1: just watch a whole show that was just agreed, agreed. 309 00:17:28,320 --> 00:17:32,560 Speaker 1: They were so good. This is this is definitely a 310 00:17:32,600 --> 00:17:35,919 Speaker 1: turning point with Joel and Ellie's relationship in terms of 311 00:17:36,080 --> 00:17:40,560 Speaker 1: like coming to coming two terms with what they're going 312 00:17:40,640 --> 00:17:45,200 Speaker 1: to be moving forward and throughout is kind of this 313 00:17:46,119 --> 00:17:50,720 Speaker 1: theme of like Ellie asking Joel to teach her things 314 00:17:50,800 --> 00:17:54,320 Speaker 1: and then eventually Joel finally teaching her those things, like 315 00:17:55,040 --> 00:17:57,159 Speaker 1: teaching her at a hunt, teaching her how to shoot, 316 00:17:57,960 --> 00:18:05,640 Speaker 1: all of that stuff. Certainly, Jackson was cool to see 317 00:18:06,680 --> 00:18:09,840 Speaker 1: a place that works, as Ellie says, a place that works. 318 00:18:10,080 --> 00:18:12,440 Speaker 1: And Maria. Maria is one of my very favorites. She's 319 00:18:12,440 --> 00:18:16,960 Speaker 1: played by Routina Wilson in this from True Blood. Yes, 320 00:18:17,160 --> 00:18:20,480 Speaker 1: we were very excited to see her because it's been 321 00:18:20,600 --> 00:18:22,680 Speaker 1: I mean, she's been in several successful shows since then, 322 00:18:22,760 --> 00:18:26,879 Speaker 1: but we always love an icon coming back, so having 323 00:18:26,880 --> 00:18:28,399 Speaker 1: her being a part of the show which I did 324 00:18:28,440 --> 00:18:32,920 Speaker 1: not expect. I knew about Nick Offerman and Melanie from Yellowjacket, 325 00:18:33,240 --> 00:18:37,520 Speaker 1: but I did not know that Routina was gonna be 326 00:18:37,560 --> 00:18:39,760 Speaker 1: on this. I am very excited to see her and 327 00:18:39,840 --> 00:18:42,840 Speaker 1: I will fight anyone who does not like her as Maria, 328 00:18:43,920 --> 00:18:48,440 Speaker 1: She's amazing and yeah, and this show she's like kind 329 00:18:48,480 --> 00:18:51,920 Speaker 1: of like Sarah, a very white, blonde, blue eye. So 330 00:18:52,000 --> 00:18:55,320 Speaker 1: this was a nice change of pace and like, she 331 00:18:55,440 --> 00:18:58,439 Speaker 1: did an excellent, excellent job. And Maria is one of 332 00:18:58,440 --> 00:19:00,879 Speaker 1: my very favorites. And she is another example of women 333 00:19:01,440 --> 00:19:04,800 Speaker 1: in this game series in the show being a leader, 334 00:19:04,880 --> 00:19:08,719 Speaker 1: like continuing to be these leaders even though she says, like, 335 00:19:08,840 --> 00:19:12,640 Speaker 1: you know, we're democratically elected, which they are. And Jackson, 336 00:19:12,720 --> 00:19:16,480 Speaker 1: she is like a very driving force and she's very 337 00:19:16,680 --> 00:19:21,200 Speaker 1: very respected in Jackson, and you do get a lot 338 00:19:21,200 --> 00:19:22,880 Speaker 1: more of her backstory than you do in the game, 339 00:19:22,920 --> 00:19:27,000 Speaker 1: like being the the lawyer, the attorney, having a kid, 340 00:19:28,200 --> 00:19:31,560 Speaker 1: all of those things. It's kind of interesting because in 341 00:19:31,600 --> 00:19:36,200 Speaker 1: the game she the game kind of plays out differently 342 00:19:36,200 --> 00:19:40,200 Speaker 1: with how the whole like I'm giving you Ellie, Tommy, 343 00:19:40,280 --> 00:19:45,840 Speaker 1: please take her wherein like he convinces Tommy like, oh, 344 00:19:45,880 --> 00:19:48,320 Speaker 1: you have to take care you care about this stuff. 345 00:19:48,320 --> 00:19:49,800 Speaker 1: I don't. We're going to talk more about what the 346 00:19:49,880 --> 00:19:52,200 Speaker 1: changes that made. But Joel scared her in a second way, 347 00:19:52,760 --> 00:19:56,119 Speaker 1: like and then Maria yelling at Joel like if he 348 00:19:56,280 --> 00:20:01,240 Speaker 1: dies and it's on you again, there's no Chiles. That 349 00:20:01,359 --> 00:20:05,280 Speaker 1: was a introduction, like Maria being pregnant was new for 350 00:20:05,320 --> 00:20:07,760 Speaker 1: the show. I also thought it was really interesting that 351 00:20:07,800 --> 00:20:10,760 Speaker 1: they included like, be careful who you put your faith in. 352 00:20:10,800 --> 00:20:14,760 Speaker 1: That was Maria's advice right to Ellie after they sort 353 00:20:14,760 --> 00:20:20,359 Speaker 1: of had this contentious earlier a conversation about Joel, and 354 00:20:20,400 --> 00:20:22,920 Speaker 1: she doesn't trust Joel with Tommy that like in the game, 355 00:20:23,000 --> 00:20:25,480 Speaker 1: she doesn't in the show she doesn't. She knows about 356 00:20:25,480 --> 00:20:30,600 Speaker 1: the past that they had, and it's not that she's 357 00:20:30,640 --> 00:20:34,520 Speaker 1: in any way like cruel, she just doesn't trust him. 358 00:20:34,560 --> 00:20:36,919 Speaker 1: If she doesn't trust, well, if you've made up this 359 00:20:37,280 --> 00:20:41,840 Speaker 1: town which is flowing lovely and like nobody's out for themselves, 360 00:20:42,359 --> 00:20:45,840 Speaker 1: which and then you have someone who comes in who 361 00:20:45,960 --> 00:20:48,480 Speaker 1: still kind of has that mentality of being out, you 362 00:20:48,520 --> 00:20:52,560 Speaker 1: don't know because it only takes one bad faith move, 363 00:20:53,200 --> 00:20:56,040 Speaker 1: and if he's takes something from somebody, if he destroys something, 364 00:20:56,119 --> 00:20:59,960 Speaker 1: or if he less you know, those things can really disrupt. 365 00:21:00,080 --> 00:21:03,320 Speaker 1: So you bring in someone who has a reputation for 366 00:21:03,600 --> 00:21:06,720 Speaker 1: doing whatever he needs to do to survive versus helping 367 00:21:06,720 --> 00:21:10,960 Speaker 1: a community survive. I would be wary too. Yeah, And 368 00:21:11,040 --> 00:21:14,760 Speaker 1: it's not easy to make a place like this and 369 00:21:14,800 --> 00:21:18,879 Speaker 1: this apocalypse. And we'll also talk about this more in 370 00:21:18,880 --> 00:21:20,760 Speaker 1: the second, but like we get kind of a glimpse 371 00:21:20,800 --> 00:21:24,560 Speaker 1: of Joel and Tommy's past and it's not pretty. And 372 00:21:24,680 --> 00:21:27,800 Speaker 1: I think that she's, you know, heard these conversations with 373 00:21:27,840 --> 00:21:34,520 Speaker 1: her husband about what went down, and it's just kind 374 00:21:34,560 --> 00:21:37,639 Speaker 1: of being cautious with Ellie, like, hey, maybe you know, 375 00:21:38,680 --> 00:21:42,199 Speaker 1: just just have questions, just be a little be a 376 00:21:42,200 --> 00:21:46,760 Speaker 1: little wary about this. Also, yeah, the diva cup. I 377 00:21:46,800 --> 00:21:51,840 Speaker 1: cannot tell you how many articles I was reading giggling 378 00:21:51,880 --> 00:21:58,159 Speaker 1: in my room, your room and about what is a 379 00:21:58,240 --> 00:22:02,239 Speaker 1: diva cup? Because like CNN wrote a whole article like 380 00:22:02,320 --> 00:22:05,240 Speaker 1: are you confused about what that item was? Here's what 381 00:22:05,280 --> 00:22:10,040 Speaker 1: it is. Yeah, And I love that because you know 382 00:22:10,200 --> 00:22:13,040 Speaker 1: our listeners that y'all know exactly what it is. We've 383 00:22:13,040 --> 00:22:15,119 Speaker 1: talked about it for years. It's been around for years, 384 00:22:15,119 --> 00:22:16,879 Speaker 1: and yeah, and I was like, oh, that's that. It 385 00:22:16,880 --> 00:22:20,119 Speaker 1: would be the smart way to go for that type 386 00:22:20,160 --> 00:22:22,640 Speaker 1: of emergency, and I'm really glad for the first time 387 00:22:22,680 --> 00:22:25,359 Speaker 1: we see it being addressed instead of just being like 388 00:22:25,400 --> 00:22:27,679 Speaker 1: everything's fine, women's bodies don't work like that, stop it. 389 00:22:28,080 --> 00:22:31,520 Speaker 1: M m well. I love that they did it. They 390 00:22:31,560 --> 00:22:34,360 Speaker 1: didn't know, like even with the tampons in episode three, 391 00:22:34,400 --> 00:22:36,080 Speaker 1: they did it in a way where Elliet has like 392 00:22:36,240 --> 00:22:39,119 Speaker 1: no shame about it, right, um, you know, she's in 393 00:22:39,160 --> 00:22:41,879 Speaker 1: front of this kind of like manly man dude Joel 394 00:22:41,960 --> 00:22:44,679 Speaker 1: and she's like, I found this treasure of tampons, like 395 00:22:44,720 --> 00:22:49,840 Speaker 1: she doesn't care. And Craig Mazin, who's like the showrunner 396 00:22:50,240 --> 00:22:54,680 Speaker 1: creator for television, he said when the pandemic first started, 397 00:22:55,800 --> 00:22:58,280 Speaker 1: he called his wife and was like, what do I 398 00:22:58,320 --> 00:23:02,119 Speaker 1: get Tampa bombs passed diva cup? Like what I do? 399 00:23:02,480 --> 00:23:05,959 Speaker 1: Because he's got daughters as well, and he thought like 400 00:23:06,080 --> 00:23:09,760 Speaker 1: that should be more represented and more normalized in something 401 00:23:09,800 --> 00:23:12,080 Speaker 1: like this where it is something she would need, Like 402 00:23:12,160 --> 00:23:19,480 Speaker 1: it's right, we heart normalizing periods. Come on. I love 403 00:23:19,520 --> 00:23:21,600 Speaker 1: how she like picks it up and it's like gross, 404 00:23:21,880 --> 00:23:24,240 Speaker 1: but she's not like really grossed out by She's kind 405 00:23:24,240 --> 00:23:26,480 Speaker 1: of like, oh, I mean, I think we all did 406 00:23:26,520 --> 00:23:28,919 Speaker 1: that in the first reaction to a Diva cup was like, 407 00:23:28,960 --> 00:23:31,840 Speaker 1: what is this? Oh, I don't like Oh wait, you 408 00:23:31,880 --> 00:23:37,600 Speaker 1: know its god like right about you? Oh okay, that's 409 00:23:37,600 --> 00:23:39,360 Speaker 1: the reaction you have with the diva cup at part 410 00:23:39,359 --> 00:23:45,040 Speaker 1: because you don't realize how really well functioning it is. Right. Well, 411 00:23:45,080 --> 00:23:48,320 Speaker 1: it's true. It's just such a like fun kind of 412 00:23:48,359 --> 00:23:51,919 Speaker 1: interaction of you know, because it's not like it's the 413 00:23:51,960 --> 00:23:56,520 Speaker 1: most fun process at all. But but it's nice to 414 00:23:56,560 --> 00:24:02,600 Speaker 1: see a character be like, oh, gross, but nice, that's good. Yeah. 415 00:24:02,600 --> 00:24:06,080 Speaker 1: And I also read that they put they made the 416 00:24:06,160 --> 00:24:08,879 Speaker 1: fonts that said menstrual solution on the front of it 417 00:24:08,960 --> 00:24:11,439 Speaker 1: larger so that people could read it. I love it. 418 00:24:11,560 --> 00:24:14,679 Speaker 1: And yeah, Kuig Meisen said, we do this all the 419 00:24:14,720 --> 00:24:18,200 Speaker 1: time and shows with things like guns where we never 420 00:24:18,240 --> 00:24:20,359 Speaker 1: explain how to load them or we never explain and 421 00:24:20,440 --> 00:24:22,159 Speaker 1: do that. Why do we have to explain what a 422 00:24:22,240 --> 00:24:27,400 Speaker 1: deep cup is to people? Right? Which I love? Yeah, okay, 423 00:24:28,119 --> 00:24:29,879 Speaker 1: Then I'm just going to run through some quick things 424 00:24:29,880 --> 00:24:32,400 Speaker 1: and if you've played the games, are looked up spoilers 425 00:24:32,400 --> 00:24:33,720 Speaker 1: and you'll know what I'm talking about. But if you 426 00:24:33,760 --> 00:24:36,359 Speaker 1: have it, then just keep it in the back of 427 00:24:36,359 --> 00:24:38,440 Speaker 1: your head or forget it. Yeah, you can forget it 428 00:24:38,480 --> 00:24:43,120 Speaker 1: because it doesn't come around. It's not important, it's just ms. 429 00:24:43,560 --> 00:24:47,040 Speaker 1: Because there were a lot of Easter eggs in this one. 430 00:24:47,080 --> 00:24:52,280 Speaker 1: This was a like easter egg packed episode, DNA. Oh 431 00:24:52,359 --> 00:24:54,760 Speaker 1: my goodness. I was so excited. The next day I 432 00:24:54,880 --> 00:24:56,439 Speaker 1: was like, this first thing I've said to you, I 433 00:24:56,440 --> 00:25:02,639 Speaker 1: think the next true shimmer the Horror, the Jackets of 434 00:25:02,680 --> 00:25:06,159 Speaker 1: the Hoodie, and then the branch was sheep. And also 435 00:25:06,640 --> 00:25:09,480 Speaker 1: Joel saying like, I actually I'd like to be a musician. Yes, 436 00:25:09,920 --> 00:25:12,159 Speaker 1: because in the first episode we did, I was like, 437 00:25:12,200 --> 00:25:16,240 Speaker 1: the got the guitar. Yes, we don't. I guess we 438 00:25:16,280 --> 00:25:19,280 Speaker 1: don't have too many flashbacks of happy times. We just 439 00:25:19,320 --> 00:25:24,400 Speaker 1: have the one of like how it began, right huh yeah? Yeah. 440 00:25:24,520 --> 00:25:27,480 Speaker 1: Well this brings us to kind of the changes they've 441 00:25:27,480 --> 00:25:30,000 Speaker 1: made with Joel's character in the show, which I get 442 00:25:30,040 --> 00:25:32,679 Speaker 1: why they made them, and I'll have my thoughts in 443 00:25:32,720 --> 00:25:37,320 Speaker 1: the final episode maybe or maybe the next one, who knows. 444 00:25:37,880 --> 00:25:41,640 Speaker 1: But they've made him softer. He's a he is not 445 00:25:42,320 --> 00:25:48,240 Speaker 1: narrowly as soft are as open with his emotions, which 446 00:25:48,560 --> 00:25:50,080 Speaker 1: some of you listening you've never played the game, might 447 00:25:50,160 --> 00:25:54,639 Speaker 1: be like, what ye him cry no, and that scene 448 00:25:55,640 --> 00:26:00,479 Speaker 1: where he's like in front of Tommy and crying no. 449 00:26:00,920 --> 00:26:02,879 Speaker 1: Never in a million years that have happened. And we 450 00:26:02,960 --> 00:26:06,000 Speaker 1: see him have regrets yeah, but never crying yes. And 451 00:26:06,119 --> 00:26:08,120 Speaker 1: even that when which we'll talk about in a second 452 00:26:08,160 --> 00:26:11,080 Speaker 1: because it's like famous, but they're big blowout with Ellie 453 00:26:11,080 --> 00:26:14,720 Speaker 1: and Joel that he's even he's much harsher than that 454 00:26:14,760 --> 00:26:19,199 Speaker 1: in the game, but he doesn't that we see. He 455 00:26:19,280 --> 00:26:23,560 Speaker 1: doesn't have panic attacks in the game. I will say 456 00:26:24,840 --> 00:26:28,920 Speaker 1: they do have a really good which if you don't 457 00:26:28,960 --> 00:26:31,240 Speaker 1: care about spoilers we've talked about in past episodes about 458 00:26:31,240 --> 00:26:33,200 Speaker 1: The Last of Us. They do have a really good 459 00:26:33,200 --> 00:26:37,960 Speaker 1: depiction of trauma in these games. But like this whole 460 00:26:39,160 --> 00:26:42,399 Speaker 1: fear of failure, he's kind of freezing up his like 461 00:26:42,560 --> 00:26:46,520 Speaker 1: fear that his heart will stop. They don't really explore 462 00:26:46,680 --> 00:26:52,359 Speaker 1: that and his character he is, I mean, like the 463 00:26:52,720 --> 00:26:56,359 Speaker 1: trauma is always apparent. It's just he deals with it 464 00:26:56,520 --> 00:27:02,480 Speaker 1: in the very cut off way of ill not befriend you, 465 00:27:02,680 --> 00:27:07,760 Speaker 1: child's all right, Like I think a very sad murdered dad, right, 466 00:27:07,880 --> 00:27:10,960 Speaker 1: sad murder dad. I feel like too. As the relationship 467 00:27:11,000 --> 00:27:14,359 Speaker 1: developed in the game, you don't really see that flip 468 00:27:14,400 --> 00:27:17,119 Speaker 1: as easily. It just like you see the flip in 469 00:27:17,160 --> 00:27:20,240 Speaker 1: the show. We saw the flip. Of course, it always 470 00:27:20,240 --> 00:27:22,520 Speaker 1: happens at the most end up or two times you 471 00:27:22,560 --> 00:27:25,560 Speaker 1: were getting too comfortable, audience, This is not going to 472 00:27:25,720 --> 00:27:28,760 Speaker 1: end well, and we just saw that with our ending 473 00:27:29,240 --> 00:27:33,119 Speaker 1: on this episode, which is what made you cry. But 474 00:27:33,280 --> 00:27:36,439 Speaker 1: like all of those things like that, we don't see that. 475 00:27:36,480 --> 00:27:38,040 Speaker 1: I don't feel like I built that up in the game. 476 00:27:38,080 --> 00:27:39,600 Speaker 1: Maybe I was just because it was I was watching 477 00:27:39,640 --> 00:27:41,920 Speaker 1: it as a game, but it didn't feel like that 478 00:27:42,080 --> 00:27:44,440 Speaker 1: that was a huge, like big moment. It just kind 479 00:27:44,440 --> 00:27:49,479 Speaker 1: of gradually happens and we don't notice it until like 480 00:27:49,480 --> 00:27:54,840 Speaker 1: when he gets protective right right, so in the game, 481 00:27:55,600 --> 00:27:57,280 Speaker 1: which if you care about spoilers in the game, this 482 00:27:57,320 --> 00:27:59,680 Speaker 1: isn't much different. But if you care about them, now's 483 00:27:59,680 --> 00:28:03,760 Speaker 1: the time go. In the game, he kind of like 484 00:28:04,119 --> 00:28:07,320 Speaker 1: Ellie and Joel have their big fight. She runs away, 485 00:28:07,440 --> 00:28:09,600 Speaker 1: which she didn't do in the show. She runs away, 486 00:28:10,640 --> 00:28:14,359 Speaker 1: Tommy and Joel have to go find her. They have 487 00:28:14,440 --> 00:28:21,000 Speaker 1: their whole fight and it's not resolved, and then Joel's 488 00:28:21,040 --> 00:28:23,760 Speaker 1: just kind of decides like he's just is kind of like, okay, 489 00:28:24,200 --> 00:28:26,639 Speaker 1: I'll take her. You know what, your wife scares me, 490 00:28:27,800 --> 00:28:33,920 Speaker 1: I'll take her, That's what he says. But there's not Yeah, 491 00:28:33,960 --> 00:28:37,480 Speaker 1: there's not that big like moment or confession from him 492 00:28:37,600 --> 00:28:41,560 Speaker 1: at all. It just sort of happens something else that 493 00:28:42,920 --> 00:28:46,520 Speaker 1: I noticed. And we've talked about this in previous episodes too. 494 00:28:47,520 --> 00:28:49,760 Speaker 1: They've definitely made it more realistic in terms of like 495 00:28:49,880 --> 00:28:54,040 Speaker 1: the affects your body would feel living in this world 496 00:28:54,080 --> 00:28:58,080 Speaker 1: and especially as you get older. And Joel certainly has 497 00:28:58,120 --> 00:29:00,880 Speaker 1: some internalized ableism because he was talking about like, you know, 498 00:29:01,040 --> 00:29:03,000 Speaker 1: if I had just been able to hurt this person here, 499 00:29:03,080 --> 00:29:05,920 Speaker 1: this person but I'm deaf, if I could have just 500 00:29:06,000 --> 00:29:10,520 Speaker 1: moved faster, but I'm old, I'm weak. He says, all 501 00:29:10,560 --> 00:29:14,040 Speaker 1: I've ever done is fail kind of this, like really 502 00:29:15,720 --> 00:29:18,400 Speaker 1: this thing hanging over him that he's not good enough 503 00:29:19,040 --> 00:29:22,840 Speaker 1: to protect this, to protect this person, and he does. 504 00:29:23,280 --> 00:29:24,920 Speaker 1: He doesn't do this in the game either, but he 505 00:29:25,000 --> 00:29:26,560 Speaker 1: kind of has a moment where he's like, if I've 506 00:29:26,600 --> 00:29:30,640 Speaker 1: fail Ellie, like this is it. She's like the possible 507 00:29:30,720 --> 00:29:35,280 Speaker 1: cure for humankind. So this is a huge deal, and 508 00:29:35,360 --> 00:29:38,160 Speaker 1: I need someone else who is better than me to 509 00:29:38,320 --> 00:29:41,120 Speaker 1: take it on. Like he's like feeling that weight. You 510 00:29:41,240 --> 00:29:45,400 Speaker 1: also see a lot of kind of the ghost of Sarah, 511 00:29:45,440 --> 00:29:50,840 Speaker 1: the specter of Sarah, his daughter hanging over this whole thing, 512 00:29:50,880 --> 00:29:54,200 Speaker 1: Like there's a flashback where he thinks Sarmah the flashback 513 00:29:54,240 --> 00:29:58,240 Speaker 1: but he thinks he sees Sarah as an adult with 514 00:29:58,320 --> 00:30:01,440 Speaker 1: a child of her own, and it's like, Oh, that's 515 00:30:01,480 --> 00:30:06,840 Speaker 1: what I could have had. Yeah. You see him kind 516 00:30:06,880 --> 00:30:11,080 Speaker 1: of lying about tests when him and Tommy have their 517 00:30:11,080 --> 00:30:19,480 Speaker 1: confrontation about like what what Joel did to protect Tommy. 518 00:30:20,920 --> 00:30:23,160 Speaker 1: Tommy says, life stopped for you, it doesn't have to 519 00:30:23,160 --> 00:30:26,200 Speaker 1: stop for me, and kind of referencing the watch which 520 00:30:26,280 --> 00:30:29,960 Speaker 1: stopped and he still wears when Sarah got shot and died. 521 00:30:31,520 --> 00:30:36,520 Speaker 1: You do have Ellie learning about Sarah for the first 522 00:30:36,600 --> 00:30:40,080 Speaker 1: time in the game. It's a photograph she finds, and 523 00:30:40,240 --> 00:30:42,920 Speaker 1: him just being totally unwilling to talk to her about it, 524 00:30:43,880 --> 00:30:46,600 Speaker 1: not wanting to deal with it. I did think it 525 00:30:46,640 --> 00:30:50,160 Speaker 1: was interesting in the kind of you know, behind the 526 00:30:50,200 --> 00:30:54,720 Speaker 1: scenes interview at the end where they were talking about 527 00:30:54,720 --> 00:30:58,120 Speaker 1: the differences between how Maria handled the loss of her 528 00:30:58,240 --> 00:31:01,880 Speaker 1: child Kevin and how Joel handled the loss of Sarah, 529 00:31:01,920 --> 00:31:06,200 Speaker 1: and also the similarities of Alien Joel and how they 530 00:31:06,280 --> 00:31:08,120 Speaker 1: handle a loss because Ellie is kind of like, hey, 531 00:31:08,120 --> 00:31:10,040 Speaker 1: I'm sorry for your loss, but I've lost people too, 532 00:31:10,640 --> 00:31:15,400 Speaker 1: so that's interesting. But yeah, you also did. We did 533 00:31:15,400 --> 00:31:19,440 Speaker 1: get to this big Tommy reunion, and one of the 534 00:31:19,520 --> 00:31:23,560 Speaker 1: things about that is Joel's been so concerned about, you know, Tommy, 535 00:31:23,600 --> 00:31:25,960 Speaker 1: and he's like, I gotta go save him, and it 536 00:31:25,960 --> 00:31:29,640 Speaker 1: turns out Tommy's doing well, He's doing like quite well. 537 00:31:31,520 --> 00:31:34,479 Speaker 1: You do get some hints that they're very very dark past, 538 00:31:36,560 --> 00:31:40,360 Speaker 1: and there are a couple of like in like more 539 00:31:40,400 --> 00:31:42,520 Speaker 1: Easter eggs, like the stealth kill as you were talking 540 00:31:42,560 --> 00:31:45,440 Speaker 1: about when he breaks that guy's neck. Why not Joel 541 00:31:45,480 --> 00:31:47,920 Speaker 1: breaks that guy's neck. That's how you stealth kill on 542 00:31:47,960 --> 00:31:50,800 Speaker 1: the game. And then also the map trick that they 543 00:31:50,800 --> 00:31:55,280 Speaker 1: do at the beginning. Oh oh, that's right, I forgot 544 00:31:55,320 --> 00:31:57,880 Speaker 1: that that scene. I do remember them being like at 545 00:31:57,920 --> 00:32:00,640 Speaker 1: the very beginning of like she told me is different 546 00:32:00,880 --> 00:32:19,600 Speaker 1: you're dead. Yeah, it does happened in the game. It does, indeed. Uh. 547 00:32:19,720 --> 00:32:23,280 Speaker 1: And then yes, the come to Jesus moment. Like throughout 548 00:32:23,320 --> 00:32:26,760 Speaker 1: this episode, as I said, like you see kind of 549 00:32:26,760 --> 00:32:30,160 Speaker 1: Ellie being like, hey, if she says, if you're dead, 550 00:32:30,200 --> 00:32:35,080 Speaker 1: I'm to joel Um and then they have this huge fight, 551 00:32:35,920 --> 00:32:37,880 Speaker 1: which it kind of cracked me up. But in the 552 00:32:38,800 --> 00:32:41,280 Speaker 1: post interview thing, they were saying, it's the most famous 553 00:32:41,280 --> 00:32:43,880 Speaker 1: scene in the game. I guess, so, I mean it 554 00:32:44,000 --> 00:32:49,120 Speaker 1: stuck with me. Yeah, but it is exactly almost exactly 555 00:32:49,280 --> 00:32:52,840 Speaker 1: like you can watch a side by side like the game, 556 00:32:53,760 --> 00:32:56,160 Speaker 1: but where Ellie's like essentially like, admit you wanted to 557 00:32:56,240 --> 00:32:57,960 Speaker 1: leave me this whole time. You wanted to ditch me 558 00:32:58,000 --> 00:33:02,080 Speaker 1: this whole time. I'm not say era like if you 559 00:33:02,120 --> 00:33:05,479 Speaker 1: can say anything you want, but you're the only one 560 00:33:05,480 --> 00:33:07,880 Speaker 1: who hasn't left me, and if you do, I'm just 561 00:33:07,880 --> 00:33:09,680 Speaker 1: going to be more afraid. Like, don't say it's better 562 00:33:09,720 --> 00:33:12,400 Speaker 1: for me. I will say, if you get a chance, 563 00:33:13,040 --> 00:33:15,480 Speaker 1: you should look at the posters and stuff in the 564 00:33:15,560 --> 00:33:17,080 Speaker 1: room she's in, because it's the room of like a 565 00:33:17,120 --> 00:33:20,280 Speaker 1: teenage girl before the pandemic, and there's like a like 566 00:33:20,920 --> 00:33:24,440 Speaker 1: list of hottest boys, like at least posters from things. 567 00:33:24,840 --> 00:33:28,120 Speaker 1: But in the game you see Ellie constantly confused about 568 00:33:29,560 --> 00:33:33,440 Speaker 1: things like that where she finds this like modeling poster 569 00:33:33,600 --> 00:33:36,239 Speaker 1: and she's like, why did women feel like they had 570 00:33:36,280 --> 00:33:37,960 Speaker 1: to be so thin? That doesn't make sense. I would 571 00:33:37,960 --> 00:33:39,840 Speaker 1: give anything to have like food and not be worried 572 00:33:39,880 --> 00:33:46,120 Speaker 1: about this the vampire romance movie she doesn't get. So 573 00:33:46,160 --> 00:33:49,800 Speaker 1: that was kind of a fun little nod to that. Well, no, 574 00:33:49,960 --> 00:33:55,320 Speaker 1: and that after the show thing they craigmis and said, like, 575 00:33:55,400 --> 00:34:00,280 Speaker 1: you know, Joel makes Ellie feel less afraid, but she 576 00:34:00,480 --> 00:34:03,960 Speaker 1: makes him feel more afraid because it's something you can 577 00:34:04,040 --> 00:34:07,680 Speaker 1: lose that he's experienced before. And we also get to 578 00:34:07,680 --> 00:34:09,880 Speaker 1: see Ellie's fear of ending up alone, which is her 579 00:34:09,920 --> 00:34:13,040 Speaker 1: greatest fear, kind of planning out. I did think it 580 00:34:13,080 --> 00:34:15,640 Speaker 1: was interesting because when Joel's like, you deserve a choice, 581 00:34:15,719 --> 00:34:18,200 Speaker 1: like I think you'd be better off with Tommy, but 582 00:34:18,239 --> 00:34:19,840 Speaker 1: if you want to go with me, and she's to 583 00:34:19,920 --> 00:34:23,120 Speaker 1: me like, yes, let's go, And that wasn't in the 584 00:34:23,160 --> 00:34:25,600 Speaker 1: game either. He just kind of was like, get all 585 00:34:25,600 --> 00:34:30,480 Speaker 1: the worse right, We're going together. And then yeah, you 586 00:34:30,560 --> 00:34:33,520 Speaker 1: do get to see kind of this montage of them bonding, 587 00:34:33,680 --> 00:34:37,920 Speaker 1: of him teaching her things, of him opening up finally 588 00:34:37,960 --> 00:34:40,040 Speaker 1: about like, actually, I'd rather than be a singer if 589 00:34:40,040 --> 00:34:45,160 Speaker 1: I can be anything. He even smiled at one point. WHOA. 590 00:34:45,280 --> 00:34:46,680 Speaker 1: And we're going to talk about this more in the 591 00:34:46,719 --> 00:34:49,520 Speaker 1: next episode. But the inspiration of the entire game is 592 00:34:49,600 --> 00:34:52,920 Speaker 1: kind of we're almost at that, and it kind of 593 00:34:52,920 --> 00:34:56,200 Speaker 1: happens in this mysterious I won't say more, but we'll 594 00:34:56,239 --> 00:34:58,680 Speaker 1: talk about that in the next one. And then we 595 00:34:58,760 --> 00:35:01,080 Speaker 1: do get to see them starting, yeah, starting to think 596 00:35:01,080 --> 00:35:04,440 Speaker 1: of like the future, what could it be like post infection, 597 00:35:04,560 --> 00:35:08,560 Speaker 1: where Joel says, you know, yeah, I want this ranch 598 00:35:08,600 --> 00:35:10,040 Speaker 1: with Sheep and then actually, no, I want to be 599 00:35:10,080 --> 00:35:13,360 Speaker 1: a musician, and Ellie says, I want to be an astronaut, 600 00:35:13,440 --> 00:35:17,640 Speaker 1: and she she brings up Sally Ride, which was great, 601 00:35:18,600 --> 00:35:22,200 Speaker 1: and she is super into into space in the in 602 00:35:22,239 --> 00:35:26,720 Speaker 1: the game, and Sarah was also really into that stuff, 603 00:35:27,200 --> 00:35:33,040 Speaker 1: so there's that. Also, the sad song that's playing at 604 00:35:33,040 --> 00:35:37,560 Speaker 1: the end was the Depeche Mode song I'm taking a 605 00:35:37,640 --> 00:35:39,239 Speaker 1: Ride with my best Friend. I don't think it's called that, 606 00:35:39,320 --> 00:35:42,120 Speaker 1: but you know what I'm talking about from the first episode, 607 00:35:42,800 --> 00:35:45,320 Speaker 1: but they did it again and it was Kraig Meisen's 608 00:35:45,400 --> 00:35:47,960 Speaker 1: daughter and he was like, I felt like it would 609 00:35:47,960 --> 00:35:50,160 Speaker 1: be appropriate word because the lyrics are kind of like 610 00:35:50,760 --> 00:35:53,799 Speaker 1: I hope he never lets me down again, and it's 611 00:35:53,840 --> 00:35:59,120 Speaker 1: the daughter singing it this time. And also there was 612 00:35:59,200 --> 00:36:02,919 Speaker 1: definitely a not to Linda run stats a long long 613 00:36:03,000 --> 00:36:06,640 Speaker 1: time when Tommy Angel, were you n tough? I watched 614 00:36:06,640 --> 00:36:10,839 Speaker 1: this episode like eight times. Yes, I h I don't 615 00:36:10,840 --> 00:36:12,200 Speaker 1: want to say. I don't think I'm going to go 616 00:36:12,280 --> 00:36:13,880 Speaker 1: into this too much in this one, but I do 617 00:36:13,960 --> 00:36:15,879 Speaker 1: want to come back to this because I feel like 618 00:36:15,920 --> 00:36:20,320 Speaker 1: I was very interested in what would happen in terms 619 00:36:20,360 --> 00:36:25,640 Speaker 1: of the fandoms between the gamers and people who hadn't 620 00:36:25,719 --> 00:36:28,120 Speaker 1: played the game, who were just watching the show, and 621 00:36:28,160 --> 00:36:32,000 Speaker 1: I'm starting to see it play out. So I do 622 00:36:32,520 --> 00:36:36,640 Speaker 1: want to revisit that it was going to be a 623 00:36:36,680 --> 00:36:38,480 Speaker 1: movie by Sam Raby. I don't know if I ever 624 00:36:38,520 --> 00:36:43,560 Speaker 1: said that. That's disturbing. Yeah, well in Neil Juckman, the 625 00:36:43,600 --> 00:36:47,200 Speaker 1: creative the game, was like no, no, no, no. But 626 00:36:47,280 --> 00:36:49,719 Speaker 1: I just think that's interesting given some of the conversations 627 00:36:49,760 --> 00:36:53,200 Speaker 1: that are playing out right now. Also, I've seen a 628 00:36:53,239 --> 00:36:57,239 Speaker 1: lot of articles written about Paris social relationships about this. 629 00:36:58,520 --> 00:36:59,920 Speaker 1: We are going to come back and talk about that. 630 00:37:00,400 --> 00:37:05,640 Speaker 1: It is interesting, but that's for a later time in 631 00:37:05,680 --> 00:37:08,440 Speaker 1: the meantime up next. If you don't want any spoilers, 632 00:37:08,560 --> 00:37:09,839 Speaker 1: I'm not gonna spoil it, but if you don't want 633 00:37:09,840 --> 00:37:12,120 Speaker 1: to even watch the trailer, if you're that kind of person. 634 00:37:12,160 --> 00:37:16,040 Speaker 1: Then hop on out, we're gonna see Riley. If you 635 00:37:16,080 --> 00:37:20,000 Speaker 1: remember from the first episode, Riley was mentioned mentioned again 636 00:37:20,040 --> 00:37:24,880 Speaker 1: in the second episode, gonna see kind of Ellie's past. 637 00:37:26,800 --> 00:37:29,400 Speaker 1: We're gonna get more puns. I believe that to be true. 638 00:37:29,960 --> 00:37:31,960 Speaker 1: And we are arriving at what I think is the 639 00:37:32,000 --> 00:37:34,520 Speaker 1: scariest point in the game. I don't think it'll be 640 00:37:34,560 --> 00:37:38,560 Speaker 1: the next episode, but we're getting there, so that's exciting. 641 00:37:39,760 --> 00:37:41,600 Speaker 1: And of course we're just gonna hold our breaths and 642 00:37:41,760 --> 00:37:49,360 Speaker 1: hope that everything turns out. Okay, Yeah, well it is 643 00:37:49,360 --> 00:37:52,879 Speaker 1: an apocalypse game, so yes, I'm sure more death. There's 644 00:37:52,880 --> 00:37:57,920 Speaker 1: definitely more death. What do you think on the crying 645 00:37:57,960 --> 00:38:03,040 Speaker 1: scale would be for the next episode from one ten? 646 00:38:03,800 --> 00:38:09,600 Speaker 1: Oh boy? Uh? I think it depends. I think if 647 00:38:09,640 --> 00:38:11,560 Speaker 1: you're I feel like I need to have two scales 648 00:38:11,560 --> 00:38:13,080 Speaker 1: because I feel like, if you're a crier like me 649 00:38:13,160 --> 00:38:15,520 Speaker 1: who loves the game, I put it at a five 650 00:38:15,600 --> 00:38:20,959 Speaker 1: to six. If you're not, I'd given a four. Um same, 651 00:38:22,239 --> 00:38:25,200 Speaker 1: But it also depends on what they do, because honestly, 652 00:38:25,239 --> 00:38:27,520 Speaker 1: like what they did with Bill and Frank wasn't in 653 00:38:27,560 --> 00:38:29,879 Speaker 1: the game like that. Yeah, and it made me stop 654 00:38:30,000 --> 00:38:33,160 Speaker 1: so there's some flis happening. There's some flips. There are 655 00:38:33,640 --> 00:38:36,319 Speaker 1: there are some flips. I know we're coming to an end, 656 00:38:36,360 --> 00:38:38,160 Speaker 1: but before we do any I would you like to 657 00:38:38,200 --> 00:38:44,200 Speaker 1: share your favorite pun Will Livingston's pun book. This isn't 658 00:38:44,239 --> 00:38:46,279 Speaker 1: my favorite one. I'll get I'll bring the pun book 659 00:38:46,320 --> 00:38:50,920 Speaker 1: in next time. But one of my favorite ones is, um, 660 00:38:50,960 --> 00:38:53,320 Speaker 1: what did the green grapes say to the purple grape? 661 00:38:54,400 --> 00:39:01,600 Speaker 1: Breathe you idiot? Perfect, that's all top of my head. 662 00:39:02,480 --> 00:39:07,760 Speaker 1: Oh my um. Well, thank you as always to everyone 663 00:39:07,840 --> 00:39:09,799 Speaker 1: going on on this journey, whether you've played the game, 664 00:39:09,920 --> 00:39:13,200 Speaker 1: seeing the show, none of the above. We are having 665 00:39:13,280 --> 00:39:16,440 Speaker 1: I'm having a great time, so we have very time. 666 00:39:17,080 --> 00:39:21,240 Speaker 1: I'm very very excited for the next episode. I'm getting 667 00:39:21,280 --> 00:39:24,839 Speaker 1: more and more, like just so excited every time. So 668 00:39:25,680 --> 00:39:29,600 Speaker 1: this has been so fun. Um. If you have any thoughts, 669 00:39:29,640 --> 00:39:34,120 Speaker 1: any favorite puns, you can send them to us. Our 670 00:39:34,239 --> 00:39:36,680 Speaker 1: email is a stuff at your mom stuff at iHeartMedia 671 00:39:36,719 --> 00:39:39,239 Speaker 1: dot com. You can find us on Twitter at Mom's 672 00:39:39,239 --> 00:39:41,880 Speaker 1: to podcast, or on Instagram and TikTok, where you can 673 00:39:41,920 --> 00:39:45,120 Speaker 1: see me cry about the last of us that steff 674 00:39:45,120 --> 00:39:47,319 Speaker 1: Man never told you. We're also on YouTube now if 675 00:39:47,320 --> 00:39:50,000 Speaker 1: that's your thing. Thanks as always to our super producer 676 00:39:50,080 --> 00:39:53,920 Speaker 1: Gristy Now, thank you and thanks to you for listening 677 00:39:54,200 --> 00:39:56,720 Speaker 1: Stuff I Never told you sproduction of iHeartRadio. Former podcast 678 00:39:56,760 --> 00:39:58,439 Speaker 1: from my Heart Radio. You can check out the heart Radio, 679 00:39:58,440 --> 00:40:11,840 Speaker 1: Apple podcast, or wherever you listen to favorite sh