WEBVTT - S4/E13 | Penance

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<v Speaker 1>Thirteen Days of Halloween tennance, a co production of iHeart

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<v Speaker 1>three D Audio Blumhouse Television and Grim and Mild from

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<v Speaker 1>Aaron Mankey Headphones recommended. Listener discretion advised.

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<v Speaker 2>And so finally I was free, but I was hopelessly lost.

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<v Speaker 3>At first.

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<v Speaker 2>The motivation was simple, hat as far as fast as

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<v Speaker 2>fucking possible from that island. I remember the moment I

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<v Speaker 2>finally lost sight of it, and there was nothing but

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<v Speaker 2>water on every horizon. I didn't know how to navigate

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<v Speaker 2>at sea, and even if I had, I had no

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<v Speaker 2>idea where in the world I was. So I picked

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<v Speaker 2>a direction and followed it, and I kept a record.

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<v Speaker 2>Day one escaped hill. The days were long, the moon

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<v Speaker 2>was bright. I slept as little as possible, and I

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<v Speaker 2>ran as long as I could, and day two I

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<v Speaker 2>ran out of gas. There were some provisions on the

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<v Speaker 2>lifeboat and I rationed everything out, but it wasn't enough

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<v Speaker 2>to start with. Day three out of food, day four

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<v Speaker 2>out of water. Things start to get hazy after that,

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<v Speaker 2>and there was no escape from the sun. The fifth

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<v Speaker 2>day was the storm. All I could do was keep

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<v Speaker 2>the rudder in my grip. I managed not to capsize,

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<v Speaker 2>but lost both my paddles and the remainder of my strength.

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<v Speaker 2>Six sunburnt, sleepless, starving, and dehydrated. This is where my

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<v Speaker 2>recollection and my logs fail me.

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<v Speaker 4>I am dying.

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<v Speaker 2>Somewhere in there, I lost consciousness.

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<v Speaker 5>That I lost somebody, Crystal.

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<v Speaker 2>I mean, it was a surprise to wake up at all.

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<v Speaker 2>At first I could only tell that it was a hospital.

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<v Speaker 2>It turned out I was in Colombia, service on.

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<v Speaker 5>This stance loc paso.

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<v Speaker 4>Bass Amilia.

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<v Speaker 2>Uh, yes, yes, familia. Yes see. Even before I was abducted,

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<v Speaker 2>it had been a long time since I talked to

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<v Speaker 2>mom and Dad. Luckily they haven't changed their number since

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<v Speaker 2>nineteen ninety seven.

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<v Speaker 4>Hello Mom, Mom, it's fiery.

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<v Speaker 1>Is did you say?

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<v Speaker 6>Is that really? Yeah? Mom, it's me, give me the phone.

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<v Speaker 1>Who is this Dad?

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<v Speaker 6>It's sign? No Dad?

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<v Speaker 1>Is it really.

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<v Speaker 6>Sor yeah, Dad, it's me.

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<v Speaker 2>It's a It's a long story, but it's over now.

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<v Speaker 2>Turns out i'd been missing for a year. Everyone thought

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<v Speaker 2>I was dead. Mom and Dad offered to wire me

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<v Speaker 2>some money. Wanted to get me home right away, but

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<v Speaker 2>it turned out to be more complicated. Guista this ah

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<v Speaker 2>grasias monsrat grasias port toda todos SuDS Ancio tom Buenos

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<v Speaker 2>go Migo, with no identification and no record of my

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<v Speaker 2>entry in South America. Proving my identity to the FEDS

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<v Speaker 2>turned out to be tricky, and it kept me in

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<v Speaker 2>Colombia a full another year.

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<v Speaker 3>Grace gaze, this.

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<v Speaker 2>Ya been alm espero cassi casi. I never got to

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<v Speaker 2>thank the fishermen that rescued me some two hundred kilometers

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<v Speaker 2>from shore, unconscious and adrift, probably within an inch of

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<v Speaker 2>my life, but I had an approximate location of where

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<v Speaker 2>they picked me up. Very little else survived of my trip.

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<v Speaker 2>I had lost the key, I had lost the map.

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<v Speaker 2>The only evidence I had of my experience was the

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<v Speaker 2>library book, swollen and weather worn, my notes scribbled within

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<v Speaker 2>the margins. Greo, gracias, gracias milgrasi.

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<v Speaker 4>Aquista, Hi.

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<v Speaker 2>Sayuri Rodriguez. It's funny how sure of yourself you can

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<v Speaker 2>be going into something, and how much that can change

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<v Speaker 2>by the time you make it out the other side. Well,

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<v Speaker 2>maybe my name really was was Rodriguez, and it had

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<v Speaker 2>been the whole time, And somewhere along the way I

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<v Speaker 2>had just gotten confused. Something in the trauma, in the

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<v Speaker 2>abduction hell in the drugs had noted a screwless. I

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<v Speaker 2>know it didn't make any sense, and I knew that

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<v Speaker 2>at the time, but I buried the logic beneath my feelings.

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<v Speaker 2>For the first time and longer than I could remember,

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<v Speaker 2>everything felt right with the world, and I just wanted

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<v Speaker 2>to go home.

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<v Speaker 7>Wellscenta Aurembarcanoasa, Washington, DC.

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<v Speaker 2>The trip terrified me, not only having to prove who

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<v Speaker 2>I was time and time again.

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<v Speaker 1>Your name is Rodriguez, it is yeah, is the name

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<v Speaker 1>you were born with?

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<v Speaker 5>Yep?

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<v Speaker 4>Well, mister Rodriguez. What was the reason for your travel?

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<v Speaker 2>But also even before all of this, I hadn't seen

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<v Speaker 2>my parents and well, you can just pull over here,

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<v Speaker 2>I'll walk the rest of the way.

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<v Speaker 8>Here we go.

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<v Speaker 2>I was surprised to see my key still worked. Maybe

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<v Speaker 2>I should have knocked hello, Mom, Dad?

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<v Speaker 3>Sayuri is that her?

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<v Speaker 4>Who are you?

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<v Speaker 3>Can I help you?

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<v Speaker 6>Mom?

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<v Speaker 2>Dad? I know it's been a long time, but.

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<v Speaker 3>I don't know you.

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<v Speaker 4>Are you telling me you're the one we've been and

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<v Speaker 4>sending money?

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<v Speaker 2>Dad?

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<v Speaker 8>I don't know how you've found out about us, how

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<v Speaker 8>you've thought you would pull this off.

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<v Speaker 4>But whoever you are, you've taken everything You're gonna get

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<v Speaker 4>I can.

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<v Speaker 2>Only imagine what you've gone through. But it's me, Sayuri.

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<v Speaker 9>You don't even look like hergency.

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<v Speaker 4>There is an intruder in our own.

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<v Speaker 2>You really don't know me, do you.

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<v Speaker 4>How did you think you get foolish guys like you

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<v Speaker 4>didn't even try.

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<v Speaker 2>I'm sorry, I'm sorry, I'll go.

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<v Speaker 3>I hope you pay for this. I hope they looked

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<v Speaker 3>you away forever. I hope you.

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<v Speaker 2>With nowhere else to go. I did something probably only

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<v Speaker 2>psychopaths and victims do. I returned to the scene of

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<v Speaker 2>the crime. Well, my car is still here.

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<v Speaker 3>Huh.

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<v Speaker 2>That's the most parking tickets I've ever seen.

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<v Speaker 10>Good morning, good afternoon, Hi coffee, it's for.

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<v Speaker 2>The customers, right, thank you?

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<v Speaker 4>Sugar's in that?

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<v Speaker 3>Never mind you found it?

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<v Speaker 2>Tell me is the manager in? I'm sorry, no, and

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<v Speaker 2>I never really know when they'll be here? How long

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<v Speaker 2>have you worked here?

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<v Speaker 10>Almost two years?

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<v Speaker 2>What's your name?

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<v Speaker 6>Maddie?

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<v Speaker 2>Hi, Maddie. I'm sorry, Oh man, that is good coffee.

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<v Speaker 2>I had nothing to offer, no reason, no cover, not

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<v Speaker 2>even a bribe. Maddie had no reason to help me,

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<v Speaker 2>but she did.

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<v Speaker 4>No sorry, uh no customers under the name Talbot, am

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<v Speaker 4>I spelling.

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<v Speaker 11>It correct me.

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<v Speaker 2>That would be my guess. It was probably expecting too much. Wait,

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<v Speaker 2>I totally forgot there was a camera in here. Any

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<v Speaker 2>idea how long the footage stays backed up? Two year

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<v Speaker 2>old security footage seemed like a slim chance, especially given

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<v Speaker 2>my luck that day.

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<v Speaker 12>And yet.

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<v Speaker 6>I was just curious if your boss was in you see,

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<v Speaker 6>I have a return A return, Yes, we don't really

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<v Speaker 6>take well, that's why I wanted to come in person,

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<v Speaker 6>sort of a special circumstance. Okay, okay, you have it

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<v Speaker 6>with you in my car. Your car should be pretty

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<v Speaker 6>easy for you. I balked, right in front, right, sure,

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<v Speaker 6>why not?

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<v Speaker 2>That's it? What about the parking lot?

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<v Speaker 4>I think it's motion detected just for this room.

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<v Speaker 3>Who is she.

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<v Speaker 2>Someone that's in trouble?

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<v Speaker 3>Go on the back.

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<v Speaker 4>I'll cover you.

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<v Speaker 3>Thank you?

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<v Speaker 8>But why I don't know what happened to your friend.

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<v Speaker 7>I hope she's okay, but you seem like you need

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<v Speaker 7>help to and I'll.

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<v Speaker 8>Go Hello, miss, I was wondering if you could hello Hello.

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<v Speaker 8>I was wondering if you could answer a few questions

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<v Speaker 8>for me.

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<v Speaker 3>You're not this isn't about those library books and a version.

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<v Speaker 7>Oh I'm so sorry that.

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<v Speaker 3>The truth is I.

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<v Speaker 4>Lost one and I no, no, nothing like that.

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<v Speaker 8>Listen, have you seen a woman come in here?

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<v Speaker 7>A woman in here?

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<v Speaker 3>Why? Yes?

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<v Speaker 4>Lots today, just now today? No, not today.

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<v Speaker 8>There wasn't a dark haired woman in here just before me?

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<v Speaker 8>Maybe said she used to work here?

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<v Speaker 2>Mmm, no, don't think so? Uh what she do?

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<v Speaker 8>Miss? Do you have access to the footage from this camera?

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<v Speaker 2>That? Oh? No, I don't want you to be mad?

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<v Speaker 2>Why because it it doesn't work?

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<v Speaker 3>I'm sorry.

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<v Speaker 8>Oh okay, pull it together, no crime.

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<v Speaker 2>Nice job, Maddie. Oh you one?

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<v Speaker 3>Okay?

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<v Speaker 2>Come on, old car, Yes, fucking corse of God never fails. Now,

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<v Speaker 2>I'll better see about these parking tickets. Whoops, added to

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<v Speaker 2>my sentence. So things weren't perfect, really, they were pretty

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<v Speaker 2>fucked up. I had lost my family, lost my identity.

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<v Speaker 2>I was on the run from the cops and no

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<v Speaker 2>doubt others. But I was free and I intended to

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<v Speaker 2>keep it that way. If anything that I remembered had

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<v Speaker 2>actually happened to me, trying to convince anyone of it

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<v Speaker 2>would sound fucking crazy. I felt crazy, but also elated.

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<v Speaker 2>I knew I could never go back to my old life.

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<v Speaker 2>But you know, what my old life sucked. The universe

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<v Speaker 2>is said not to give many second chances, and I

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<v Speaker 2>intended to use mine to the fullest. The little money

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<v Speaker 2>I had left stolen, I guess from the family. Rodriguez

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<v Speaker 2>brought me all the way west, and I didn't stop

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<v Speaker 2>until I hit the ocean, back against the wall. It

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<v Speaker 2>had gotten me out before I found myself in a

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<v Speaker 2>nice town, big enough to blend in, but small enough

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<v Speaker 2>not to get lost.

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<v Speaker 4>Go to an Americano for say uri.

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<v Speaker 2>Sure, I never had much of a career, no real specialties,

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<v Speaker 2>but I found at least one thing I was good at.

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<v Speaker 4>First of all, put these on.

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<v Speaker 2>So take one of these, line.

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<v Speaker 7>It up and.

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<v Speaker 4>Like that, Wow, have you done this before?

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<v Speaker 2>I started working on the ground floor of a metal shop,

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<v Speaker 2>and a few years later I was running it.

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<v Speaker 11>How's that boss?

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<v Speaker 2>Smooth edges, clean cut, goodn't work? Just keep following that template.

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<v Speaker 2>Today you make these and tomorrow new day, new part.

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<v Speaker 2>This life was good. Frankly, I didn't like thinking about

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<v Speaker 2>the other. I could almost convince myself that it didn't happen,

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<v Speaker 2>that I had lost my mind, nothing more than a

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<v Speaker 2>fever dream, a nightmare. But sometimes I couldn't help myself.

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<v Speaker 2>Pendleton Rehabilitation Center. I don't know what I expected, Drug

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<v Speaker 2>rehab Senior Center, Animal sanctuary.

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<v Speaker 3>Oh, look at the owl?

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<v Speaker 2>Not even what I was looking for. Handleton, Secret Island Prison. Um, oh,

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<v Speaker 2>where's this Indiana? And what did I have to go on?

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<v Speaker 2>A handful of jargon? A collection of first names?

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<v Speaker 9>Oh?

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<v Speaker 7>What was it?

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<v Speaker 2>Doctor Ralph Stanley? Even if I could find something, what

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<v Speaker 2>would I do with it?

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<v Speaker 3>MD?

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<v Speaker 2>LPC E and T? Who is that? Okay? Okay? Is

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<v Speaker 2>there a pick?

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<v Speaker 3>Yeah?

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<v Speaker 2>Definitely not him? All right, we're done. Maybe it was

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<v Speaker 2>just morbid curiosity, or because I was still looking over

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<v Speaker 2>my shoulder waiting for them to take me again. But

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<v Speaker 2>more likely it was guilt about what I left behind

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<v Speaker 2>and who. Even if the logic in my head said no,

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<v Speaker 2>I knew my spirit would never be whole unless I

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<v Speaker 2>exhausted every possible option. There was one thing I had

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<v Speaker 2>to build up, the courage to try. Turns out, Alexander

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<v Speaker 2>Talbot's not that common a name. Frankfurt, Cyprus. Most of

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<v Speaker 2>the ones born in this century seemed like dead ends.

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<v Speaker 2>Facebook LinkedIn my Space, geo cities, how about the Yellow Pages?

0:15:56.840 --> 0:16:01.440
<v Speaker 2>In a way I wish I had never kept whereuse

0:16:01.520 --> 0:16:07.880
<v Speaker 2>by country, use my state because I found him. Oh shit,

0:16:08.680 --> 0:16:12.479
<v Speaker 2>there was an Alexander Talbot listed in Santa Monica, California.

0:16:25.600 --> 0:16:29.080
<v Speaker 2>What a watch it, fucking lunatic. I don't know what

0:16:29.160 --> 0:16:31.840
<v Speaker 2>I was thinking. Maybe that if I proved to myself

0:16:31.880 --> 0:16:34.280
<v Speaker 2>that the only lead was cold, I would be able

0:16:34.320 --> 0:16:38.760
<v Speaker 2>to leave this all behind for good. His last known

0:16:38.800 --> 0:16:41.400
<v Speaker 2>address brought me far away from the seaside villas and

0:16:41.560 --> 0:16:45.440
<v Speaker 2>hilltop mansions, a place no one would ever choose unless

0:16:45.480 --> 0:16:49.800
<v Speaker 2>they had nowhere else to go. Burned out shacks, filled

0:16:49.880 --> 0:16:53.840
<v Speaker 2>with trash and flooded by seawater, people squatting in the wreckage.

0:16:54.840 --> 0:16:59.160
<v Speaker 2>And that's where I found him, spress and cheese, clad

0:16:59.240 --> 0:17:04.760
<v Speaker 2>in rags, cut lesions, unwashed, unshaven, and drunk out of

0:17:04.800 --> 0:17:08.919
<v Speaker 2>his fucking mind, but still technically alive.

0:17:10.680 --> 0:17:11.520
<v Speaker 1>Who do you work for?

0:17:12.720 --> 0:17:14.200
<v Speaker 8>You work? Yes?

0:17:14.600 --> 0:17:16.800
<v Speaker 5>I do work any kind?

0:17:17.320 --> 0:17:17.879
<v Speaker 3>What do you need?

0:17:18.760 --> 0:17:19.760
<v Speaker 2>You abduct people?

0:17:20.520 --> 0:17:21.119
<v Speaker 7>Abduct?

0:17:22.160 --> 0:17:22.720
<v Speaker 2>Abduct?

0:17:25.840 --> 0:17:26.639
<v Speaker 4>You don't remember me?

0:17:27.680 --> 0:17:27.720
<v Speaker 6>You?

0:17:28.760 --> 0:17:30.560
<v Speaker 4>Oh sure sure I do?

0:17:30.840 --> 0:17:34.440
<v Speaker 5>And and and how of the years.

0:17:36.080 --> 0:17:37.200
<v Speaker 3>You kidnapped me?

0:17:37.880 --> 0:17:40.800
<v Speaker 2>I did you threw me in the back of a van?

0:17:41.880 --> 0:17:45.520
<v Speaker 3>Fan? I can maybe work on a van.

0:17:46.160 --> 0:17:47.240
<v Speaker 9>You want to show it to me?

0:17:47.960 --> 0:17:53.360
<v Speaker 2>Where is the pen, pen, I haven't got a pens.

0:17:53.480 --> 0:17:54.040
<v Speaker 4>You have a pen?

0:17:54.160 --> 0:17:56.879
<v Speaker 5>Maybe we could write something down the.

0:17:56.960 --> 0:17:58.639
<v Speaker 2>Pendleton Rehabilitation Center?

0:17:59.040 --> 0:17:59.600
<v Speaker 3>Where is it?

0:18:00.600 --> 0:18:04.199
<v Speaker 5>Rehabilitation and sounds like a prison?

0:18:06.560 --> 0:18:08.080
<v Speaker 2>You are, Alexander Talbot?

0:18:08.880 --> 0:18:13.840
<v Speaker 5>I am, I mean, I am, I can be.

0:18:15.480 --> 0:18:16.639
<v Speaker 2>What the hell happened to you?

0:18:17.520 --> 0:18:17.760
<v Speaker 6>To me?

0:18:18.560 --> 0:18:19.920
<v Speaker 2>Me? I?

0:18:20.240 --> 0:18:20.480
<v Speaker 6>You know?

0:18:20.720 --> 0:18:22.920
<v Speaker 5>I meant to write it down and phone we had

0:18:22.960 --> 0:18:23.280
<v Speaker 5>a pen.

0:18:24.600 --> 0:18:29.720
<v Speaker 2>I thought you died died me? No, not me?

0:18:29.880 --> 0:18:31.400
<v Speaker 8>I healthy as well.

0:18:32.320 --> 0:18:37.560
<v Speaker 2>Maybe maybe that was the other the other, the other?

0:18:37.720 --> 0:18:39.840
<v Speaker 6>What the other? What?

0:18:41.080 --> 0:18:41.280
<v Speaker 7>Yes?

0:18:42.119 --> 0:18:43.480
<v Speaker 8>Yes, I believe that's right.

0:18:43.640 --> 0:18:44.760
<v Speaker 7>We are never alone.

0:18:45.119 --> 0:18:45.320
<v Speaker 6>You know?

0:18:46.680 --> 0:18:47.360
<v Speaker 3>What did you say?

0:18:48.160 --> 0:18:49.160
<v Speaker 2>Just like you aren't?

0:18:49.440 --> 0:18:50.480
<v Speaker 8>Just like I'm not.

0:18:50.760 --> 0:18:51.879
<v Speaker 10>None of us are.

0:18:53.040 --> 0:18:53.879
<v Speaker 3>Who remind me?

0:18:54.040 --> 0:18:54.840
<v Speaker 8>Who did you say?

0:18:54.880 --> 0:18:57.000
<v Speaker 3>It was abducted?

0:18:57.960 --> 0:18:59.919
<v Speaker 2>I remember thinking I would have preferred a dead end.

0:19:00.920 --> 0:19:03.840
<v Speaker 2>Talbot couldn't help me. He only raised more questions.

0:19:04.600 --> 0:19:07.399
<v Speaker 8>Please miss anything you can spare, just trying to.

0:19:07.440 --> 0:19:08.440
<v Speaker 10>Get back on my feet.

0:19:09.400 --> 0:19:13.000
<v Speaker 2>In reality, we each owed each other a debt. His

0:19:13.200 --> 0:19:16.040
<v Speaker 2>to me was too great, but mine to him I

0:19:16.080 --> 0:19:24.840
<v Speaker 2>could afford. Here is fifteen dollars and sixty cents. I

0:19:24.920 --> 0:19:27.920
<v Speaker 2>wish I had never gone looking. I appreciated what I

0:19:28.040 --> 0:19:31.639
<v Speaker 2>had instead of focusing on what I didn't. In this

0:19:32.160 --> 0:19:35.520
<v Speaker 2>my second life, I had learned more about myself, about

0:19:35.560 --> 0:19:38.800
<v Speaker 2>who I was, than ever before. But I knew that

0:19:38.960 --> 0:19:41.840
<v Speaker 2>in the first I had left a part of me behind,

0:19:42.720 --> 0:19:44.560
<v Speaker 2>and I would never be whole until I found it.

0:19:54.400 --> 0:19:57.359
<v Speaker 2>Are we really never alone?

0:19:58.200 --> 0:20:03.719
<v Speaker 5>We are not. There is always someone beside us, near us,

0:20:04.720 --> 0:20:08.800
<v Speaker 5>lifting us up when we fall, watching over us from above.

0:20:10.680 --> 0:20:13.080
<v Speaker 2>I haven't been in a place like this.

0:20:14.760 --> 0:20:18.840
<v Speaker 5>For a long time, and yet he is watching you

0:20:19.119 --> 0:20:19.920
<v Speaker 5>all the same.

0:20:21.600 --> 0:20:22.800
<v Speaker 2>Yeah, I wonder about that.

0:20:24.000 --> 0:20:27.400
<v Speaker 5>Something weighs on you, my child, heavy on your spirit.

0:20:28.560 --> 0:20:32.040
<v Speaker 2>You believe, don't you? That our lives are faded, that

0:20:32.160 --> 0:20:33.879
<v Speaker 2>all of this has already been written.

0:20:34.600 --> 0:20:38.959
<v Speaker 5>I believe God has a plan for each of us.

0:20:39.760 --> 0:20:43.480
<v Speaker 2>Then how do you access that information? How do you

0:20:43.800 --> 0:20:44.960
<v Speaker 2>navigate that course?

0:20:45.640 --> 0:20:48.320
<v Speaker 5>The map is faith, The key is prayer.

0:20:49.119 --> 0:20:50.920
<v Speaker 2>Yeah, well, what if you pray and God doesn't answer?

0:20:51.760 --> 0:20:52.160
<v Speaker 8>He will.

0:20:53.560 --> 0:20:56.919
<v Speaker 5>The trick is will you be brave enough to listen

0:20:57.160 --> 0:20:59.240
<v Speaker 5>even if you don't like what he has to say.

0:21:01.840 --> 0:21:04.720
<v Speaker 2>I had to make a decision between what I knew

0:21:04.760 --> 0:21:07.200
<v Speaker 2>in my head to be safe and what I felt

0:21:07.280 --> 0:21:10.399
<v Speaker 2>in my heart to be right, even if it scared

0:21:10.400 --> 0:21:10.800
<v Speaker 2>the shit.

0:21:10.680 --> 0:21:11.000
<v Speaker 6>Out of me.

0:21:12.520 --> 0:21:17.199
<v Speaker 2>Where do we start here? East coast of Colombia, near

0:21:17.240 --> 0:21:18.040
<v Speaker 2>the Panama border.

0:21:18.760 --> 0:21:21.000
<v Speaker 11>You said you were at sea for six days, seven

0:21:21.760 --> 0:21:24.120
<v Speaker 11>motored for two, paddled for four, a drift.

0:21:24.000 --> 0:21:26.240
<v Speaker 2>For one more or less.

0:21:26.840 --> 0:21:29.760
<v Speaker 4>You said the rudder was intact when you could steer.

0:21:29.760 --> 0:21:33.240
<v Speaker 2>Were you able to plot a course east into the sunrise?

0:21:33.720 --> 0:21:36.640
<v Speaker 2>Best I could manage? See?

0:21:37.400 --> 0:21:41.159
<v Speaker 11>With nominal wind and sea currents, I guess you averaged

0:21:41.200 --> 0:21:42.960
<v Speaker 11>between seven and ten knots.

0:21:43.640 --> 0:21:47.160
<v Speaker 2>You said you experienced a storm, Yes, a bad one.

0:21:47.800 --> 0:21:52.120
<v Speaker 11>Okay, so that's white in our margin. Well, given all

0:21:52.160 --> 0:21:54.600
<v Speaker 11>we know, it's seen. Your point of origin was somewhere

0:21:55.520 --> 0:21:59.280
<v Speaker 11>in here eastern Pacific, north of the equator, within a

0:21:59.359 --> 0:22:03.040
<v Speaker 11>range of two hundre kilometers the eighty six meridian, give

0:22:03.160 --> 0:22:03.440
<v Speaker 11>or take.

0:22:04.119 --> 0:22:05.400
<v Speaker 2>Are there islands out there?

0:22:06.080 --> 0:22:09.000
<v Speaker 11>There are the Galapkos, But that would have been just

0:22:09.040 --> 0:22:11.440
<v Speaker 11>as far as Columbia, and in the opposite direction.

0:22:12.680 --> 0:22:20.440
<v Speaker 2>How much for the map, let's do it? My plan

0:22:20.640 --> 0:22:24.440
<v Speaker 2>only had one step find the island in the unimaginable

0:22:24.440 --> 0:22:26.760
<v Speaker 2>event that that might be possible. Then we'd figure out

0:22:26.760 --> 0:22:29.720
<v Speaker 2>what was next. You could say I was operating on faith.

0:22:34.080 --> 0:22:37.680
<v Speaker 3>Yeah, I know it. Well slide.

0:22:39.640 --> 0:22:44.119
<v Speaker 2>If that unless we get lucky. I made six trips

0:22:44.160 --> 0:22:47.520
<v Speaker 2>like this, each time targeting a different coordinate and winding

0:22:47.640 --> 0:22:52.520
<v Speaker 2>outward in a search pattern. Every time nothing. And then

0:22:53.480 --> 0:22:56.080
<v Speaker 2>on the seventh wait, what's that?

0:22:57.960 --> 0:22:59.120
<v Speaker 4>Did the degree starboard?

0:22:59.520 --> 0:23:02.000
<v Speaker 2>That little speck It's not on the.

0:23:02.080 --> 0:23:03.720
<v Speaker 3>Map, but that ran.

0:23:05.160 --> 0:23:08.120
<v Speaker 2>The pilot lowered the bird in a spiral. Every step

0:23:08.200 --> 0:23:13.200
<v Speaker 2>down it came more into view, rocky coasts, green vegetation,

0:23:13.920 --> 0:23:17.080
<v Speaker 2>and in the center a stone structure like a colonial fortress.

0:23:17.520 --> 0:23:20.600
<v Speaker 2>It's maze run between three concentric circles, with one tall

0:23:20.720 --> 0:23:23.440
<v Speaker 2>tower in the center. I had never seen it like this.

0:23:24.800 --> 0:23:25.800
<v Speaker 2>There could be no mistake.

0:23:26.600 --> 0:23:26.879
<v Speaker 4>That's it.

0:23:28.720 --> 0:23:31.200
<v Speaker 3>Hey, do you read me? I said, that's it?

0:23:32.160 --> 0:23:32.760
<v Speaker 7>Oh you sure?

0:23:33.640 --> 0:23:39.120
<v Speaker 6>Yes, I'm sure, no doubt. Well I have to ask

0:23:39.160 --> 0:23:39.840
<v Speaker 6>you should be there?

0:23:40.760 --> 0:23:41.920
<v Speaker 3>Why did you come back?

0:23:42.920 --> 0:23:42.960
<v Speaker 11>What?

0:23:47.680 --> 0:23:50.760
<v Speaker 3>Why do you always come back?

0:23:51.560 --> 0:24:11.040
<v Speaker 2>Right? Gris in the entire history of this place, however

0:24:11.160 --> 0:24:13.920
<v Speaker 2>long and fucked up that might be, I gotta believe

0:24:13.920 --> 0:24:16.000
<v Speaker 2>I'm the only person that managed to both break out

0:24:16.119 --> 0:24:20.960
<v Speaker 2>and smuggle myself back in. I'm sorry I left you here.

0:24:22.320 --> 0:24:25.520
<v Speaker 2>I always knew you would come back. How long have

0:24:25.600 --> 0:24:30.080
<v Speaker 2>they had you in the dungeon for ever since? Well,

0:24:30.680 --> 0:24:33.720
<v Speaker 2>they can't keep us here forever. As far as I'm concerned.

0:24:33.760 --> 0:24:36.480
<v Speaker 2>Nothing has changed. It might take a while, but we

0:24:36.560 --> 0:24:39.200
<v Speaker 2>already know everything. We need to escape and the next time,

0:24:39.280 --> 0:24:43.600
<v Speaker 2>no matter what, we go together. I like that, But

0:24:43.720 --> 0:24:47.440
<v Speaker 2>don't you feel like you are missing something? What I

0:24:47.600 --> 0:24:48.000
<v Speaker 2>feel like?

0:24:48.119 --> 0:24:48.399
<v Speaker 6>You know?

0:24:49.800 --> 0:24:52.760
<v Speaker 8>Here there can be two of us, But out there,

0:24:56.040 --> 0:24:57.600
<v Speaker 8>doctor wants to see you.

0:24:58.640 --> 0:24:59.480
<v Speaker 2>Wait one.

0:25:00.840 --> 0:25:07.400
<v Speaker 4>Now, Well, I imagine you had quite an adventure out there.

0:25:09.160 --> 0:25:11.560
<v Speaker 12>This ought to keep you from skipping out again, at

0:25:11.640 --> 0:25:12.760
<v Speaker 12>least from my infirmary.

0:25:13.520 --> 0:25:14.840
<v Speaker 2>I don't know what you plan to do to me,

0:25:14.920 --> 0:25:16.879
<v Speaker 2>but leave her out of it. She didn't do anything.

0:25:17.160 --> 0:25:20.679
<v Speaker 4>It was all me interesting. So you do see her?

0:25:20.760 --> 0:25:21.520
<v Speaker 2>Then what?

0:25:21.960 --> 0:25:22.160
<v Speaker 3>Yes?

0:25:22.440 --> 0:25:26.320
<v Speaker 1>Of course, and you hear her, hear her?

0:25:26.440 --> 0:25:27.639
<v Speaker 3>Do what side?

0:25:29.400 --> 0:25:33.640
<v Speaker 4>In that case? The experiment has been a success?

0:25:34.480 --> 0:25:35.400
<v Speaker 2>What experiment?

0:25:36.000 --> 0:25:40.960
<v Speaker 12>It's a treatment, the seven methyl Ionimo. I gather it's

0:25:41.040 --> 0:25:46.640
<v Speaker 12>exceeded even my own expectation. We have so much data

0:25:46.920 --> 0:25:52.000
<v Speaker 12>to analyze, but for now I think it's time to

0:25:52.400 --> 0:25:53.160
<v Speaker 12>give it a red.

0:25:54.800 --> 0:25:58.439
<v Speaker 2>Nurse, what are you trying to say that this has

0:25:58.480 --> 0:26:00.560
<v Speaker 2>all been a hallucination? A dream?

0:26:00.760 --> 0:26:01.000
<v Speaker 3>Sign?

0:26:01.920 --> 0:26:05.240
<v Speaker 2>Hardly than is someone gonna tell me what the fuck

0:26:05.359 --> 0:26:06.080
<v Speaker 2>is going on here?

0:26:06.240 --> 0:26:07.600
<v Speaker 4>We always knew you were special.

0:26:07.880 --> 0:26:09.640
<v Speaker 12>Say you read in fact that's why you were brought

0:26:09.680 --> 0:26:11.639
<v Speaker 12>here in the first place, and why you're back.

0:26:11.560 --> 0:26:17.280
<v Speaker 2>Now because of her Her. The pen collects anomalies, right,

0:26:18.000 --> 0:26:20.159
<v Speaker 2>and the anomaly here is that there's two of us.

0:26:21.320 --> 0:26:25.159
<v Speaker 12>There's nothing to be prideful about one universe. In a

0:26:25.280 --> 0:26:28.480
<v Speaker 12>hall of mirrors, people meet their devils all the time.

0:26:29.320 --> 0:26:30.160
<v Speaker 4>None of us are ever.

0:26:30.119 --> 0:26:34.000
<v Speaker 2>Truly low, you know, never alone.

0:26:34.680 --> 0:26:37.240
<v Speaker 4>The difference is usually they don't recover.

0:26:38.040 --> 0:26:42.120
<v Speaker 2>Some lose their minds, covell grimes.

0:26:42.480 --> 0:26:46.000
<v Speaker 9>Sometimes one must be sacrificed so the other can live

0:26:47.400 --> 0:26:51.280
<v Speaker 9>to help it, and once in a very long while,

0:26:51.640 --> 0:26:57.040
<v Speaker 9>someone like you comes along, able to approach the mirror and.

0:26:58.359 --> 0:27:03.560
<v Speaker 4>Step through to the other side. Imagine a world where

0:27:03.680 --> 0:27:07.399
<v Speaker 4>anyone could do that. Few things could be more useful,

0:27:07.560 --> 0:27:10.359
<v Speaker 4>especially in a place like the Pen. I just have

0:27:10.520 --> 0:27:12.399
<v Speaker 4>to learn how to harness it.

0:27:13.880 --> 0:27:14.080
<v Speaker 3>Huh.

0:27:15.080 --> 0:27:17.920
<v Speaker 12>This has all been but a step in that process,

0:27:18.560 --> 0:27:21.440
<v Speaker 12>A small step, but an important one.

0:27:22.560 --> 0:27:27.320
<v Speaker 2>In the syringe, it's more of the same drug, isn't it? No?

0:27:28.960 --> 0:27:31.760
<v Speaker 4>This time it's the end to do?

0:27:33.800 --> 0:27:36.600
<v Speaker 2>What will that do? So I listen, what is it,

0:27:36.720 --> 0:27:37.600
<v Speaker 2>Lily deed?

0:27:37.680 --> 0:27:38.159
<v Speaker 3>To remember?

0:27:38.600 --> 0:27:40.399
<v Speaker 2>Remember what all of this?

0:27:41.400 --> 0:27:41.880
<v Speaker 3>This time?

0:27:42.119 --> 0:27:44.200
<v Speaker 2>Try not to forget this time?

0:27:44.359 --> 0:27:44.560
<v Speaker 4>Wait?

0:27:44.640 --> 0:27:46.560
<v Speaker 12>What is that supposed to have nothing to worry about,

0:27:46.720 --> 0:27:52.560
<v Speaker 12>nothing to see, nothing, nothing to think, nothing can dream,

0:27:52.760 --> 0:27:53.480
<v Speaker 12>just keep.

0:27:55.600 --> 0:27:55.879
<v Speaker 3>Sleep.

0:28:07.480 --> 0:28:10.679
<v Speaker 2>I saw her, I spoke to her. We were together.

0:28:11.359 --> 0:28:12.000
<v Speaker 2>I'm sure of it.

0:28:13.400 --> 0:28:14.639
<v Speaker 6>The face and the flame.

0:28:15.680 --> 0:28:19.080
<v Speaker 2>What you looked into the heart of something powerful and

0:28:19.280 --> 0:28:24.600
<v Speaker 2>saw yourself staring back. Okay, maybe let's say you're right,

0:28:25.480 --> 0:28:26.480
<v Speaker 2>and what do I do with that?

0:28:27.480 --> 0:28:30.080
<v Speaker 5>What can you do? What can any of us do?

0:28:31.160 --> 0:28:31.720
<v Speaker 3>Lights out?

0:28:33.920 --> 0:28:43.240
<v Speaker 2>We'll talk about it in the morning. Okay, Okay, good night, trip.

0:28:45.320 --> 0:28:48.600
<v Speaker 6>Trip, Good night Sajurie.

0:29:02.760 --> 0:29:04.880
<v Speaker 4>M h m hmmm.

0:29:06.880 --> 0:29:15.040
<v Speaker 2>Mm hmmm. Do you I knew you'd come? You don't remember?

0:29:15.120 --> 0:29:15.320
<v Speaker 6>Do you?

0:29:16.920 --> 0:29:18.040
<v Speaker 2>Do you know how you got here?

0:29:20.200 --> 0:29:20.240
<v Speaker 8>No?

0:29:21.480 --> 0:29:22.200
<v Speaker 2>I don't think so.

0:29:23.800 --> 0:29:24.040
<v Speaker 5>Do you.

0:29:25.960 --> 0:29:26.920
<v Speaker 2>I have an idea?

0:29:33.680 --> 0:29:50.080
<v Speaker 3>Oh? Yeah, sid sid ah.

0:29:58.920 --> 0:30:07.840
<v Speaker 2>When you see when you see them, high said.

0:30:11.040 --> 0:30:19.680
<v Speaker 3>A side, You said high, I got.

0:30:20.280 --> 0:30:24.680
<v Speaker 2>A chump.

0:30:27.120 --> 0:30:32.280
<v Speaker 7>The dumb, Hid said Jim.

0:30:33.760 --> 0:30:35.320
<v Speaker 5>I sign.

0:30:40.040 --> 0:30:55.240
<v Speaker 3>Champ high said the five slang champ Hi. Then by she.

0:30:59.280 --> 0:31:06.320
<v Speaker 11>Shout chiticularly said masanich Latokia may.

0:31:06.200 --> 0:31:13.120
<v Speaker 2>See Chia see che guy you see fam.

0:31:15.520 --> 0:31:15.960
<v Speaker 6>M hm.

0:31:17.600 --> 0:31:32.640
<v Speaker 3>Sec cha kin see fam guyayya.

0:31:30.120 --> 0:31:40.680
<v Speaker 7>Lisa shasangicha Kia may see chip.

0:31:40.080 --> 0:31:52.440
<v Speaker 10>Yeaka like yeah, snatch, I see that's.

0:31:54.440 --> 0:31:56.760
<v Speaker 2>If I see I.

0:31:59.240 --> 0:32:27.040
<v Speaker 7>Said, Il Chaki STARCHI month sly.

0:32:28.680 --> 0:32:32.640
<v Speaker 10>That's true, Chip.

0:32:38.640 --> 0:32:57.640
<v Speaker 1>Slid Change, Thirteen Days of Halloween, Penance Starry Natalie Morales.

0:32:58.040 --> 0:33:03.200
<v Speaker 1>Episode thirteen Penance written by Alexander Williams. Editing and sound

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<v Speaker 1>design by Jesse Funk, featuring the voices of Miguel Perez,

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<v Speaker 1>Sandra Viadares, Blair, Chandler, Morgan Brown, Jeff Bowser, Sunday Bowling,

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<v Speaker 1>Aaron ast Rafael Korkil, Joseph Whipp, Rachel Rosenbloom, Chris Jy,

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<v Speaker 1>Alex Jay Jones, Anna Hamler, and Wilbur Fitzgerald. Directed by

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<v Speaker 1>Alexander Williams. Executive producers Aaron Mankey, Noah Feinberg, Chris Dicky,

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<v Speaker 1>Matt Frederick and Alexander Williams. Supervising producers Trevor Young and

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<v Speaker 1>Josh Thain. Producers Jesse Funk, rima Ilkayali, Noami Griffin, Chandler Mays,

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<v Speaker 1>and Casby Bias. Script editing by Lauren Vogelbaum. Story consultants

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<v Speaker 1>Ben Bolan and Matthew Riddle, Casting by Sunday Bowling CSA

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<v Speaker 1>and Meg Mormon CSA Production coordinator Wayna Calderon. Production assistants

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<v Speaker 1>Jenna Johnson and Winona Lowe. Theme music by Rose Azerti

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<v Speaker 1>with vocals by Anna Hum recorded at This Is Sound

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<v Speaker 1>Design Studios in Burbank, California. Engineered by Ross Aeronaut Special

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<v Speaker 1>thanks to Romelia Osorio, Nathan Rule, Glen Nishida, and Rob Mosca.

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<v Speaker 1>Thirteen Days of Halloween was created by Matt Frederick and

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<v Speaker 1>Alexander Williams and is a production of iHeart Podcasts, Blumhouse

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<v Speaker 1>Television and Grimm and Mild from Aaron make Learn more

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<v Speaker 1>about the show at Grimandmild dot com slash thirteen Days

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<v Speaker 1>and find more podcasts from iHeartRadio by visiting the iHeartRadio app,

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<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.

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<v Speaker 1>Happy Halloween.