1 00:00:09,640 --> 00:00:14,319 Speaker 1: Come on my contracted most from the upper side to 2 00:00:14,560 --> 00:00:16,800 Speaker 1: go into really behome. 3 00:00:16,960 --> 00:00:20,239 Speaker 2: A boot on Rester taberin. 4 00:00:19,800 --> 00:00:24,120 Speaker 1: Way Sunday may get us in Santa Do you get 5 00:00:24,200 --> 00:00:24,759 Speaker 1: down the way? 6 00:00:24,840 --> 00:00:29,600 Speaker 3: Easter Man cast a sleep from the stard. 7 00:00:30,960 --> 00:00:34,360 Speaker 4: Been on a motly long stard. 8 00:00:35,680 --> 00:00:39,160 Speaker 5: Make on Sunday Long the stars. 9 00:00:40,320 --> 00:00:42,200 Speaker 6: Looking on a bottle. 10 00:00:43,280 --> 00:00:46,600 Speaker 3: That's all to make Domas. 11 00:00:54,160 --> 00:01:01,280 Speaker 7: Previously on Princess of South Beach, La cos I said, 12 00:01:02,520 --> 00:01:07,000 Speaker 7: the things are really heating up. Raoul and Andres went 13 00:01:07,040 --> 00:01:09,759 Speaker 7: to a trailer park hoping to find Gabby's family, only 14 00:01:09,840 --> 00:01:12,800 Speaker 7: to find the place burned to the ground. And just 15 00:01:12,880 --> 00:01:15,120 Speaker 7: when Raoul was going to find out who burned him, 16 00:01:16,400 --> 00:01:23,600 Speaker 7: he was attacked. Ami you me meough. Now he's checking 17 00:01:23,640 --> 00:01:26,960 Speaker 7: into the hospital with a bad concussion. Let's hope it's 18 00:01:27,000 --> 00:01:30,600 Speaker 7: not too bad, because that boy needs all his brain 19 00:01:30,680 --> 00:01:37,400 Speaker 7: cells umboo. Meanwhile, Luisa is getting serious with her new 20 00:01:37,480 --> 00:01:41,480 Speaker 7: boo Joel, but it looks like he might just be 21 00:01:41,640 --> 00:01:47,760 Speaker 7: after her money. In some good news, Sarah has miraculously 22 00:01:47,880 --> 00:01:51,080 Speaker 7: woken up from her coma. The only trouble is is 23 00:01:51,160 --> 00:01:53,880 Speaker 7: Stave on his headed to the hospital to tell everyone 24 00:01:54,440 --> 00:01:56,040 Speaker 7: exactly where Gabby is. 25 00:02:06,160 --> 00:02:09,160 Speaker 2: I know we are going what and we're going to 26 00:02:09,240 --> 00:02:09,600 Speaker 2: get her. 27 00:02:11,040 --> 00:02:11,200 Speaker 6: Sir. 28 00:02:11,360 --> 00:02:12,840 Speaker 8: I need you to hang up the phone now. The 29 00:02:12,919 --> 00:02:13,959 Speaker 8: doctor needs to examine you. 30 00:02:14,120 --> 00:02:15,880 Speaker 2: I'm sorry, puppy, I gotta go. 31 00:02:16,040 --> 00:02:16,959 Speaker 5: You know what time it is. 32 00:02:17,680 --> 00:02:19,600 Speaker 2: He's bath time, Puppy, stay for the beth. 33 00:02:21,040 --> 00:02:23,560 Speaker 3: All right, son, I'm gonna point this light into your eyes. 34 00:02:24,120 --> 00:02:24,920 Speaker 3: Just need you to look up. 35 00:02:25,040 --> 00:02:28,160 Speaker 2: What are those bird he's in here? Oh my god, this. 36 00:02:28,240 --> 00:02:29,119 Speaker 3: Concussion looks bad. 37 00:02:29,280 --> 00:02:33,000 Speaker 5: Okay, that birdie's got titties, sir, sir, Oh my god, 38 00:02:33,040 --> 00:02:35,160 Speaker 5: the bird's got Do you hear that singing? 39 00:02:35,440 --> 00:02:35,600 Speaker 8: Sir? 40 00:02:35,840 --> 00:02:38,799 Speaker 3: Oh wow, everyone's got that's your nice nurse. He's losing 41 00:02:38,840 --> 00:02:41,200 Speaker 3: consciousness music, sir? Can you hear me? 42 00:02:42,680 --> 00:02:43,040 Speaker 9: Wake up? 43 00:02:43,080 --> 00:02:43,200 Speaker 5: Sir? 44 00:02:43,280 --> 00:02:59,840 Speaker 7: Please wait a minute? 45 00:03:00,440 --> 00:03:01,160 Speaker 1: Cut cut? 46 00:03:02,160 --> 00:03:05,799 Speaker 7: What is that music? Why does it sound like we're 47 00:03:05,840 --> 00:03:11,880 Speaker 7: in one of those cheesy ass musical dream sequences? No no, no, no, no, no, 48 00:03:11,919 --> 00:03:15,400 Speaker 7: no no no, no, oh god, I think we're in 49 00:03:15,880 --> 00:03:20,800 Speaker 7: a musical dream sequence. Ah damn you, Raoul and your 50 00:03:20,919 --> 00:03:24,760 Speaker 7: musical thear obsession Jesus Christ, superstar. 51 00:03:25,080 --> 00:03:27,040 Speaker 8: Now I have to listen to Louisa. 52 00:03:26,760 --> 00:03:33,960 Speaker 5: Sing You're not useless. It's what I tell myself, You're 53 00:03:34,320 --> 00:03:40,520 Speaker 5: not useless. The mirror on my chef reflects of me, 54 00:03:40,800 --> 00:03:44,840 Speaker 5: who's new and free. But under these new clothes and 55 00:03:45,000 --> 00:03:48,680 Speaker 5: some of my moments, simple talks to that's something they 56 00:03:48,880 --> 00:03:49,440 Speaker 5: don't know. 57 00:03:50,240 --> 00:03:52,640 Speaker 2: So not useless. 58 00:03:53,120 --> 00:03:58,360 Speaker 5: A voice rings in my head. You're not useless, So 59 00:03:58,720 --> 00:04:04,200 Speaker 5: why do I feel this? I am more than how 60 00:04:04,600 --> 00:04:11,240 Speaker 5: they see me. I am more than divorced and lonely. 61 00:04:12,000 --> 00:04:15,960 Speaker 5: There's that story back again. My husband left me, he 62 00:04:16,200 --> 00:04:18,400 Speaker 5: likes men. My daughter's gone back. 63 00:04:18,600 --> 00:04:19,360 Speaker 3: Who knows when. 64 00:04:19,760 --> 00:04:23,599 Speaker 5: But this is now and that was then. So guess what, baby, 65 00:04:23,839 --> 00:04:27,840 Speaker 5: I'm still me. I'm driving in in there me and 66 00:04:28,000 --> 00:04:36,040 Speaker 5: how this girl there's anything? Please less? Okay, Louisa. 67 00:04:36,720 --> 00:04:40,600 Speaker 7: Someone's got a lot of big feelings this season, but 68 00:04:40,760 --> 00:04:44,720 Speaker 7: she's not the only one going through some emotions. 69 00:04:46,320 --> 00:04:53,440 Speaker 2: It's funny, but to make things right, I pretend that 70 00:04:53,600 --> 00:05:03,960 Speaker 2: I'm not. Instead, look in the mirror. It's your eyes 71 00:05:04,480 --> 00:05:05,760 Speaker 2: that I see. 72 00:05:07,560 --> 00:05:14,520 Speaker 10: It's funny, but to make things better, I can take 73 00:05:14,880 --> 00:05:16,240 Speaker 10: action now. 74 00:05:18,400 --> 00:05:23,920 Speaker 2: For you, my love, it was too late, and for 75 00:05:24,080 --> 00:05:30,560 Speaker 2: you I'll make it write somehow. I'm driving my car 76 00:05:31,200 --> 00:05:33,480 Speaker 2: and I feeling beside me. 77 00:05:34,279 --> 00:05:37,200 Speaker 4: The more you are, the next. 78 00:05:37,720 --> 00:05:38,720 Speaker 8: You're inside me. 79 00:05:39,560 --> 00:05:42,320 Speaker 7: Oh would you though I'm by you? 80 00:05:43,160 --> 00:05:46,680 Speaker 2: Would you say every day wish I could have we 81 00:05:47,160 --> 00:05:50,280 Speaker 2: just have one more day with you? 82 00:05:53,200 --> 00:05:55,279 Speaker 6: I wish I could have just. 83 00:05:56,800 --> 00:05:57,360 Speaker 1: More day. 84 00:06:02,360 --> 00:06:05,479 Speaker 3: It was cutting onions in here. I need to set 85 00:06:06,000 --> 00:06:08,400 Speaker 3: have something in my eye, these damn allergies. 86 00:06:08,600 --> 00:06:09,200 Speaker 5: Where's roll? 87 00:06:11,920 --> 00:06:14,120 Speaker 10: I guess that I knew I liked the theat or, 88 00:06:14,279 --> 00:06:16,560 Speaker 10: but did my brain in phantom musical? 89 00:06:16,760 --> 00:06:18,800 Speaker 2: Maybe I'm the next big great composer. 90 00:06:19,160 --> 00:06:22,000 Speaker 10: Now to think of something that rhymes a musical. 91 00:06:22,279 --> 00:06:26,919 Speaker 7: To Yeah, okay, I guess he didn't get all my talents. 92 00:06:27,560 --> 00:06:30,680 Speaker 7: Well I think that's everyone. Uh huh, I got something 93 00:06:30,760 --> 00:06:33,200 Speaker 7: to say, asta take it a word. 94 00:06:33,279 --> 00:06:35,080 Speaker 1: I've been bury in my hate of the man who's 95 00:06:35,080 --> 00:06:37,040 Speaker 1: feel my fain telling Sarah? Then I'm think while the 96 00:06:37,120 --> 00:06:39,320 Speaker 1: Troopers on its way between Gabby and my Sarah, it 97 00:06:39,480 --> 00:06:41,120 Speaker 1: was just too much a bear or simple moment in 98 00:06:41,200 --> 00:06:43,120 Speaker 1: the mirror tells me things couldn't be clear because I 99 00:06:43,240 --> 00:06:45,400 Speaker 1: know that the truth can set you free, but I 100 00:06:45,600 --> 00:06:47,840 Speaker 1: know that the blame could fall on me. Do I 101 00:06:48,000 --> 00:06:50,240 Speaker 1: lose what I love by following the path that I 102 00:06:50,360 --> 00:06:53,040 Speaker 1: paid for myself so many years back? Is the riskworth 103 00:06:53,080 --> 00:06:55,280 Speaker 1: a reward? Will it tear me apart? Will I ever 104 00:06:55,360 --> 00:06:56,480 Speaker 1: lose this feeling of guilt? 105 00:06:56,520 --> 00:06:57,120 Speaker 3: That's in my heart? 106 00:06:57,200 --> 00:07:00,279 Speaker 1: Will I finally be free of the passes hunting mealy 107 00:07:00,360 --> 00:07:01,360 Speaker 1: till Sarah and I left. 108 00:07:01,360 --> 00:07:02,799 Speaker 3: My name's. 109 00:07:07,160 --> 00:07:08,040 Speaker 9: Let's show your. 110 00:07:10,440 --> 00:07:14,640 Speaker 2: Side and were looking into the woman. 111 00:07:14,840 --> 00:07:17,200 Speaker 8: Now it's your ancess. 112 00:07:18,280 --> 00:07:19,559 Speaker 5: Staring. 113 00:07:23,840 --> 00:07:25,440 Speaker 2: This is the part where we all sit together. Now, 114 00:07:25,880 --> 00:07:35,320 Speaker 2: how cool? I'm on the path and the woods. 115 00:07:37,720 --> 00:07:39,160 Speaker 8: But which lady to go? 116 00:07:40,200 --> 00:07:44,880 Speaker 5: It feels sere? I do? 117 00:07:45,160 --> 00:07:46,280 Speaker 8: Let do I do? 118 00:07:46,520 --> 00:07:46,720 Speaker 5: Want? 119 00:07:47,200 --> 00:07:47,760 Speaker 6: I see? 120 00:07:47,920 --> 00:07:49,200 Speaker 8: What do I say? 121 00:07:49,600 --> 00:07:55,720 Speaker 5: Shy shaff have just one morning, miss shy. 122 00:08:22,080 --> 00:08:28,480 Speaker 7: Okay, Well that was random and kind of fun. But 123 00:08:28,560 --> 00:08:31,560 Speaker 7: why don't we get back to our regularly scheduled non 124 00:08:31,720 --> 00:08:34,720 Speaker 7: singing programming and check in on a stay one? 125 00:08:54,880 --> 00:08:57,239 Speaker 2: Hi, miss nurse, I am here looking for oldt. 126 00:08:58,720 --> 00:08:59,040 Speaker 8: Aren't you? 127 00:08:59,720 --> 00:08:59,920 Speaker 2: Are you? 128 00:09:00,280 --> 00:09:00,480 Speaker 5: Yes? 129 00:09:00,679 --> 00:09:01,720 Speaker 2: I am the mao. 130 00:09:02,080 --> 00:09:06,040 Speaker 11: No, aren't you that rich guy who's crazy sex tape 131 00:09:06,080 --> 00:09:06,480 Speaker 11: that lead? 132 00:09:06,800 --> 00:09:09,880 Speaker 2: Yes, that too. I am also the rich guy with 133 00:09:09,960 --> 00:09:10,559 Speaker 2: the sex tape. 134 00:09:10,720 --> 00:09:14,160 Speaker 5: But now I am the mayor, sure, buddy, the mayor 135 00:09:14,160 --> 00:09:14,800 Speaker 5: of poundtown. 136 00:09:16,040 --> 00:09:18,200 Speaker 6: It's so funny. That's very weird anyway. 137 00:09:18,679 --> 00:09:22,800 Speaker 3: Raoul Santana is in room five oh four. He looks terrible. 138 00:09:23,440 --> 00:09:24,120 Speaker 6: Thank you very much. 139 00:09:25,240 --> 00:09:29,800 Speaker 8: Step On, I mean, oh, mister Calderon, or I'm mister 140 00:09:30,320 --> 00:09:33,240 Speaker 8: Mayor Calderon. Sorry, I didn't see you there. I'm what 141 00:09:33,480 --> 00:09:35,600 Speaker 8: what what is it that you are doing here? 142 00:09:36,240 --> 00:09:36,719 Speaker 7: Do I know you? 143 00:09:37,240 --> 00:09:37,280 Speaker 5: Me? 144 00:09:38,000 --> 00:09:38,040 Speaker 12: No? 145 00:09:38,440 --> 00:09:40,520 Speaker 3: No, no, no, I am just a reporter. 146 00:09:42,040 --> 00:09:45,839 Speaker 8: Sorry, I'm just looking for my m h no. 147 00:09:45,920 --> 00:09:48,800 Speaker 2: No, I'm not talking to press right now. Please excuse me. 148 00:09:51,760 --> 00:09:56,400 Speaker 7: That was weird. AF can't say I blame him. I 149 00:09:56,480 --> 00:09:59,360 Speaker 7: get a little breathless around his Steve on two, especially 150 00:09:59,480 --> 00:10:03,080 Speaker 7: now that I can't take a breath because I'm dead. Now, 151 00:10:03,160 --> 00:10:06,560 Speaker 7: let's check in on how newly recovered Sarah is doing. 152 00:10:13,360 --> 00:10:16,600 Speaker 11: Mom, can you stop fluffing my pillows? 153 00:10:16,720 --> 00:10:20,360 Speaker 3: I'm good, Give her a break, Okay, she's just trying 154 00:10:20,400 --> 00:10:22,840 Speaker 3: to take care of you. You scared the shit out 155 00:10:22,880 --> 00:10:24,720 Speaker 3: of all of us. Thank you, Doris. 156 00:10:24,960 --> 00:10:27,120 Speaker 4: At least someone around here appreciates me. 157 00:10:27,600 --> 00:10:28,320 Speaker 3: Thanks Mom. 158 00:10:29,080 --> 00:10:31,120 Speaker 11: So when come and get out of here. 159 00:10:31,480 --> 00:10:34,040 Speaker 4: Just give it time, baby. The doctor said it's gonna 160 00:10:34,080 --> 00:10:35,640 Speaker 4: take a while till they can clear you. 161 00:10:37,320 --> 00:10:39,160 Speaker 11: I feel so useless being in here. 162 00:10:39,360 --> 00:10:42,240 Speaker 1: Hey, Hey, there's nowhere to rush off to. The Only 163 00:10:42,320 --> 00:10:44,319 Speaker 1: thing that matters now is getting you better. 164 00:10:45,840 --> 00:10:50,120 Speaker 11: Hey, how's your friend doing, Raoul? Did you get a 165 00:10:50,240 --> 00:10:51,559 Speaker 11: chance to spread that oatmeal? 166 00:10:51,960 --> 00:10:55,760 Speaker 1: Actually, missus Navarro, do you think we could get a 167 00:10:55,840 --> 00:10:57,000 Speaker 1: moment alone to talk. 168 00:10:57,480 --> 00:10:59,880 Speaker 4: You know, I was just about to go check out 169 00:11:00,000 --> 00:11:03,000 Speaker 4: the gift shop. Might even get some more fluffy pillows 170 00:11:03,040 --> 00:11:04,560 Speaker 4: for Sunshine over here. 171 00:11:05,559 --> 00:11:07,120 Speaker 3: You need anything while I'm out, honey. 172 00:11:07,080 --> 00:11:10,559 Speaker 11: Hah hah, No, Mom, I'm okay, thank you. 173 00:11:18,640 --> 00:11:21,240 Speaker 3: Oh I thought she would never leave. 174 00:11:22,040 --> 00:11:23,360 Speaker 11: Come here, kiss me. 175 00:11:27,040 --> 00:11:28,840 Speaker 3: You have no idea how worried I've been. 176 00:11:30,360 --> 00:11:31,160 Speaker 5: I have some idea. 177 00:11:31,640 --> 00:11:34,680 Speaker 3: My mom said, you didn't leave the whole time. Yeah, 178 00:11:35,120 --> 00:11:36,920 Speaker 3: and that's why I'm not gonna get my best right now. 179 00:11:37,080 --> 00:11:39,839 Speaker 3: But you know, neither are you. So I guess we're even. 180 00:11:42,520 --> 00:11:45,400 Speaker 11: So what an miss tell me everything? 181 00:11:46,080 --> 00:11:47,720 Speaker 2: Yeah, So. 182 00:11:50,840 --> 00:11:53,719 Speaker 1: There's something I need to tell you. But before I do, 183 00:11:53,920 --> 00:11:56,920 Speaker 1: I need you to know how much I love you 184 00:11:58,240 --> 00:12:01,679 Speaker 1: and that I would never do anything to her you, okay, 185 00:12:02,679 --> 00:12:04,559 Speaker 1: and that everything I did I was just trying to 186 00:12:04,720 --> 00:12:07,480 Speaker 1: keep you safe because I'm kind of in the middle 187 00:12:07,520 --> 00:12:08,920 Speaker 1: of a big mess and I didn't want to get 188 00:12:08,960 --> 00:12:09,520 Speaker 1: you involved. 189 00:12:10,040 --> 00:12:13,120 Speaker 6: Day. You're scaring me, Okay. 190 00:12:13,200 --> 00:12:16,920 Speaker 1: I don't even know how to say this. When I 191 00:12:17,040 --> 00:12:20,120 Speaker 1: was in high school, I had this girlfriend named Gabby, right, 192 00:12:21,080 --> 00:12:27,160 Speaker 1: and while we were dating, she went missing, like missing, missing, 193 00:12:27,240 --> 00:12:29,760 Speaker 1: like vanish off the face of the earth missing, and 194 00:12:29,880 --> 00:12:31,480 Speaker 1: the last thing I heard from her was that she 195 00:12:31,640 --> 00:12:34,760 Speaker 1: was scared, that she thought someone was trying to kill. 196 00:12:34,640 --> 00:12:36,520 Speaker 3: Her, and she asked me for help. 197 00:12:37,160 --> 00:12:40,600 Speaker 1: Okay, and I mean this all happened six years ago, 198 00:12:40,640 --> 00:12:43,360 Speaker 1: way before I even knew who you were or fell 199 00:12:43,400 --> 00:12:43,880 Speaker 1: in love with you. 200 00:12:44,520 --> 00:12:46,839 Speaker 3: But I've been looking for her ever since. 201 00:12:47,360 --> 00:12:49,040 Speaker 1: It's the whole reason why I started working for the 202 00:12:49,080 --> 00:12:51,760 Speaker 1: god Rons, because I was trying to figure out what 203 00:12:52,040 --> 00:12:55,679 Speaker 1: happened to her. And that's why I was on that 204 00:12:55,840 --> 00:12:58,839 Speaker 1: road trip. I wasn't helping Raoul. He was helping me 205 00:13:00,320 --> 00:13:01,040 Speaker 1: look for Gabby. 206 00:13:04,880 --> 00:13:07,880 Speaker 3: But the oat meal, there was no oat meal. I 207 00:13:08,000 --> 00:13:11,520 Speaker 3: made the whole thing up. You lied to me, yes, 208 00:13:11,640 --> 00:13:12,920 Speaker 3: but it wasn't like a lie to. 209 00:13:13,080 --> 00:13:17,679 Speaker 11: Actually, you lied to me twice when I went to 210 00:13:17,800 --> 00:13:23,400 Speaker 11: the hotel. You could have come clean, and you just 211 00:13:23,880 --> 00:13:24,439 Speaker 11: lied again. 212 00:13:25,320 --> 00:13:27,439 Speaker 3: I wanted to tell you, I just didn't know how. 213 00:13:28,480 --> 00:13:28,720 Speaker 5: Wait. 214 00:13:29,520 --> 00:13:33,240 Speaker 11: So that whole story about Raoul and his dead dad 215 00:13:33,400 --> 00:13:33,800 Speaker 11: was a lie. 216 00:13:34,600 --> 00:13:36,520 Speaker 3: No, Raoul's dad really did die. 217 00:13:37,520 --> 00:13:40,560 Speaker 11: So you used your friend's dead father as a cover 218 00:13:40,760 --> 00:13:42,280 Speaker 11: story to look for your ex girlfriend. 219 00:13:43,800 --> 00:13:46,079 Speaker 1: Well you say it like that, it sounds awful, but 220 00:13:46,200 --> 00:13:49,400 Speaker 1: you don't understand. It's that about my ex, the people 221 00:13:49,440 --> 00:13:53,439 Speaker 1: who took her. They are evil, They're dangerous, and I 222 00:13:53,480 --> 00:13:54,720 Speaker 1: couldn't risk you getting hurt. 223 00:13:55,840 --> 00:13:57,120 Speaker 3: Do I love you? 224 00:13:57,280 --> 00:14:01,040 Speaker 11: But this is just too much what I can't be 225 00:14:01,200 --> 00:14:02,560 Speaker 11: with someone I can't trust. 226 00:14:04,720 --> 00:14:09,959 Speaker 3: But Sarah, please, I never I never been to hurt you, 227 00:14:10,400 --> 00:14:17,280 Speaker 3: but you did. You did hurt me, and I just 228 00:14:17,440 --> 00:14:18,600 Speaker 3: I need some time alone. 229 00:14:19,000 --> 00:14:19,880 Speaker 6: What can you? 230 00:14:20,080 --> 00:14:20,120 Speaker 9: Just? 231 00:14:20,240 --> 00:14:21,440 Speaker 3: Please? Can you please? 232 00:14:21,640 --> 00:14:21,840 Speaker 5: Leave? 233 00:14:22,400 --> 00:14:22,440 Speaker 12: No? 234 00:14:23,720 --> 00:14:26,200 Speaker 3: Leave, get out? You really want me to go? 235 00:14:26,400 --> 00:14:29,360 Speaker 11: I want you to go, please go go. 236 00:14:42,160 --> 00:14:44,480 Speaker 6: Well that sucks. 237 00:14:45,360 --> 00:14:47,960 Speaker 7: It looks like your bad decisions are finally catching up 238 00:14:48,000 --> 00:14:52,120 Speaker 7: to you. Yesterday, except for being partly responsible for me 239 00:14:52,520 --> 00:14:58,880 Speaker 7: dying that one, you're still on the hook floor. Speaking 240 00:14:58,920 --> 00:15:01,960 Speaker 7: of bad decisions, I wonder how Luisa is doing with 241 00:15:02,080 --> 00:15:02,880 Speaker 7: a hot doctor. 242 00:15:17,960 --> 00:15:18,360 Speaker 9: Hm hmm. 243 00:15:23,560 --> 00:15:23,800 Speaker 5: More. 244 00:15:26,560 --> 00:15:28,600 Speaker 6: I love the way the fire catches your eyes. 245 00:15:29,920 --> 00:15:32,080 Speaker 8: Oh I feel so good right now. 246 00:15:32,280 --> 00:15:34,320 Speaker 3: I don't ever want to leave this room. 247 00:15:34,800 --> 00:15:37,560 Speaker 6: Well, you're gonna have to throwing a rope come out 248 00:15:37,640 --> 00:15:38,440 Speaker 6: to the garden with me. 249 00:15:38,600 --> 00:15:43,000 Speaker 5: Okay, adah, Like, just no, no, right now, you want 250 00:15:43,040 --> 00:15:43,880 Speaker 5: to go outside? 251 00:15:44,800 --> 00:15:45,640 Speaker 2: I'm a mess. 252 00:15:46,120 --> 00:15:48,680 Speaker 6: All You're perfect now, come on. 253 00:15:50,720 --> 00:15:52,760 Speaker 3: Okay, Okay, I trust you. 254 00:15:56,600 --> 00:15:56,960 Speaker 6: M hm. 255 00:16:02,280 --> 00:16:02,440 Speaker 5: Hm. 256 00:16:05,960 --> 00:16:09,000 Speaker 12: Luisa, I know you want to take things slow, But 257 00:16:09,120 --> 00:16:11,240 Speaker 12: I'm crazy about you, and I don't want to waste 258 00:16:11,280 --> 00:16:13,560 Speaker 12: another minute of my life being without you. 259 00:16:14,480 --> 00:16:22,640 Speaker 6: You're the most enchanting woman I've ever met. Hm, what 260 00:16:22,760 --> 00:16:23,240 Speaker 6: are you doing? 261 00:16:25,520 --> 00:16:26,560 Speaker 3: Why are you on one knee? 262 00:16:27,680 --> 00:16:30,800 Speaker 6: You've already made me happier than I ever thought I 263 00:16:30,840 --> 00:16:31,520 Speaker 6: would be again? 264 00:16:34,480 --> 00:16:37,160 Speaker 5: Oh why are you pulling out a little blue box? 265 00:16:38,120 --> 00:16:41,360 Speaker 6: And the only thing that could bring me more joy 266 00:16:42,400 --> 00:16:45,200 Speaker 6: is if you would do me the honor of being 267 00:16:45,280 --> 00:16:50,360 Speaker 6: my wife? Oh my god, Oh my god, Louisa, will 268 00:16:50,400 --> 00:16:51,680 Speaker 6: you marry me? I? 269 00:16:53,440 --> 00:16:55,840 Speaker 8: Oh, I don't know what to say. 270 00:16:56,280 --> 00:16:59,800 Speaker 6: Say you love me, Say you'll marry me. You're the 271 00:17:00,440 --> 00:17:02,160 Speaker 6: I want to spend the rest of my life with. 272 00:17:03,040 --> 00:17:04,880 Speaker 5: Oh yeah, but why now? 273 00:17:05,800 --> 00:17:06,000 Speaker 1: Now? 274 00:17:06,480 --> 00:17:09,120 Speaker 2: My divorce just finalized a week ago. 275 00:17:12,200 --> 00:17:12,840 Speaker 6: Are you saying? 276 00:17:13,560 --> 00:17:19,000 Speaker 5: Are you saying no, no, no, No, I'm saying I've 277 00:17:19,119 --> 00:17:23,440 Speaker 5: had colds that lasted longer than this relationship. 278 00:17:23,800 --> 00:17:26,240 Speaker 2: I think it's a little. 279 00:17:26,040 --> 00:17:27,440 Speaker 3: Fast, Wisa. 280 00:17:27,880 --> 00:17:31,000 Speaker 12: We aren't spring chickens. I'm old enough to know what 281 00:17:31,119 --> 00:17:34,399 Speaker 12: I want. I don't I don't want to keep playing games. 282 00:17:35,080 --> 00:17:37,280 Speaker 12: But maybe you're just not mature enough to see something 283 00:17:37,440 --> 00:17:39,960 Speaker 12: real when it's right in front of you. You spent 284 00:17:40,080 --> 00:17:42,879 Speaker 12: so long with someone who didn't care about you at all. 285 00:17:43,160 --> 00:17:45,200 Speaker 12: That now you don't know how to accept real love? 286 00:17:46,400 --> 00:17:46,440 Speaker 5: What? 287 00:17:47,440 --> 00:17:50,480 Speaker 2: No, No, that that's that's not it at all. 288 00:17:50,960 --> 00:17:53,960 Speaker 6: I can't stay here after this. I need to clear 289 00:17:54,040 --> 00:17:54,400 Speaker 6: my head. 290 00:17:56,200 --> 00:17:57,480 Speaker 5: Wait, wait, don't go. 291 00:17:58,440 --> 00:18:00,760 Speaker 6: I won't stay and be made a fool of. 292 00:18:01,440 --> 00:18:01,880 Speaker 4: But then. 293 00:18:03,280 --> 00:18:06,800 Speaker 2: Then, yes, yes, I'll marry you. 294 00:18:07,200 --> 00:18:08,879 Speaker 6: Yeah, don't just say that. 295 00:18:09,400 --> 00:18:10,639 Speaker 5: No, I'm not, I'm not. 296 00:18:12,040 --> 00:18:12,440 Speaker 9: You're right. 297 00:18:12,600 --> 00:18:15,800 Speaker 5: I don't want to waste any more time, So let's 298 00:18:15,840 --> 00:18:16,040 Speaker 5: do it. 299 00:18:16,720 --> 00:18:17,520 Speaker 1: Let's get married. 300 00:18:18,760 --> 00:18:21,480 Speaker 7: Yeah, yes, yes, all right, come out? 301 00:18:22,920 --> 00:18:25,359 Speaker 4: Oh oh my god? 302 00:18:27,880 --> 00:18:28,640 Speaker 6: Is it too much? 303 00:18:29,960 --> 00:18:30,000 Speaker 12: No? 304 00:18:31,880 --> 00:18:32,920 Speaker 2: No, it's perfect. 305 00:18:46,680 --> 00:18:46,840 Speaker 10: Hi. 306 00:18:48,440 --> 00:18:52,840 Speaker 7: I always thought Louisa was dumb, but not this dumb. 307 00:18:53,200 --> 00:18:55,639 Speaker 7: Then again, I was sleeping with her husband for a 308 00:18:55,800 --> 00:19:00,680 Speaker 7: while before she caught on, So maybe no, this is 309 00:19:00,960 --> 00:19:06,480 Speaker 7: like too dumb even for Louisa anyway, Speaking of dummies. 310 00:19:11,320 --> 00:19:12,479 Speaker 2: Raul, wake up? 311 00:19:12,840 --> 00:19:14,680 Speaker 6: Huh? What's happening you? 312 00:19:14,880 --> 00:19:17,400 Speaker 2: Or you were singing in your sleep and it's disturbing 313 00:19:17,440 --> 00:19:18,160 Speaker 2: the other patients. 314 00:19:19,520 --> 00:19:25,280 Speaker 6: Can you keep it down? You're singing? Terror lyrics were good. 315 00:19:25,160 --> 00:19:28,760 Speaker 2: Though, Sorry, sir, Instepa, what are you doing here? 316 00:19:28,960 --> 00:19:29,080 Speaker 5: Well? 317 00:19:29,160 --> 00:19:32,000 Speaker 10: First off, you called me. Second, I had to see 318 00:19:32,000 --> 00:19:33,840 Speaker 10: if you were okay, because despite you being the most 319 00:19:33,880 --> 00:19:37,840 Speaker 10: annoying person I've ever met. I do actually care about you, 320 00:19:38,160 --> 00:19:40,480 Speaker 10: you do. Let's no, we're not going to make any thing. Okay, 321 00:19:40,680 --> 00:19:42,840 Speaker 10: the doctor came by while you were sleeping. It seems 322 00:19:42,880 --> 00:19:44,720 Speaker 10: you're going to live, though you're a que might take 323 00:19:44,760 --> 00:19:45,000 Speaker 10: a hit. 324 00:19:45,320 --> 00:19:48,359 Speaker 2: Yeah, my mouth still tastes kind of like blue, but 325 00:19:48,480 --> 00:19:48,960 Speaker 2: maybe it was. 326 00:19:49,040 --> 00:19:49,639 Speaker 6: Like that before. 327 00:19:50,119 --> 00:19:52,240 Speaker 7: Can you too shut your holes? 328 00:19:52,400 --> 00:19:52,680 Speaker 4: Sorry? 329 00:19:52,840 --> 00:19:53,119 Speaker 6: Sorry? 330 00:19:53,240 --> 00:19:57,240 Speaker 2: Okay, sorry, now that I know you are okay, I 331 00:19:57,400 --> 00:20:00,800 Speaker 2: need to find this three. What for I to sitting straight? 332 00:20:01,520 --> 00:20:02,840 Speaker 2: When I sent you to that trailer? 333 00:20:02,880 --> 00:20:04,600 Speaker 10: I was hoping that you would get to the truth 334 00:20:04,720 --> 00:20:10,359 Speaker 10: without me, But now I see there is no escaping this. 335 00:20:11,840 --> 00:20:13,479 Speaker 6: Why are you looking into the middle distance? 336 00:20:14,000 --> 00:20:16,359 Speaker 2: Ever since you told me you were looking for Gobby, 337 00:20:16,880 --> 00:20:19,159 Speaker 2: I knew this day would come. I knew it. 338 00:20:19,760 --> 00:20:22,760 Speaker 10: If I am being honest, I have been waiting for 339 00:20:22,960 --> 00:20:25,560 Speaker 10: this day for six years? 340 00:20:26,400 --> 00:20:29,479 Speaker 2: Why's your voice? Although I should have helped you from 341 00:20:29,520 --> 00:20:32,480 Speaker 2: the start, but I was too afraid of the truth 342 00:20:33,320 --> 00:20:36,440 Speaker 2: of what she saw. I have been running from the 343 00:20:36,560 --> 00:20:39,600 Speaker 2: truth my whole life. But I am tired of running. 344 00:20:40,160 --> 00:20:43,480 Speaker 2: I don't know what any of that means. Gobby is here? 345 00:20:44,000 --> 00:20:48,520 Speaker 2: What in this hospital in the psychiatric win. 346 00:20:48,640 --> 00:20:49,640 Speaker 3: She's been here the whole time. 347 00:20:50,359 --> 00:20:52,359 Speaker 2: How do you know because I put her here? 348 00:20:52,480 --> 00:20:52,520 Speaker 5: What? 349 00:20:53,840 --> 00:20:56,000 Speaker 2: So you let us run around for weeks, driving all 350 00:20:56,000 --> 00:20:57,359 Speaker 2: over the damn state? Known, and she was here the 351 00:20:57,400 --> 00:20:57,800 Speaker 2: whole time. 352 00:20:57,960 --> 00:20:59,679 Speaker 10: I didn't know you were driving all over the state. Yes, 353 00:20:59,760 --> 00:21:01,920 Speaker 10: but because I was hoping you would figure it out 354 00:21:01,960 --> 00:21:02,480 Speaker 10: on your own. 355 00:21:02,920 --> 00:21:03,120 Speaker 3: Why. 356 00:21:03,640 --> 00:21:05,399 Speaker 10: Because what I am about to do is going to 357 00:21:05,520 --> 00:21:07,840 Speaker 10: flush my entire life down the peep hole. 358 00:21:08,240 --> 00:21:11,000 Speaker 2: You don't get it. This isn't about risking my career 359 00:21:11,080 --> 00:21:14,800 Speaker 2: or reputation. Our lives could be at stake. Oh because 360 00:21:14,800 --> 00:21:15,359 Speaker 2: of this girl? 361 00:21:15,800 --> 00:21:18,840 Speaker 10: Yes, so our first priority needs to be getting her 362 00:21:19,040 --> 00:21:22,119 Speaker 10: out of here, and to do that we need astraya. 363 00:21:23,320 --> 00:21:26,959 Speaker 7: Seriously, can you too, stop with the telenoveilor drama. 364 00:21:28,000 --> 00:21:32,040 Speaker 2: Some of us trying to sleep? Okay, okay, you are rude, Okay, 365 00:21:32,680 --> 00:21:42,640 Speaker 2: I will close the curten Wait a minute, sir, Wait, 366 00:21:43,560 --> 00:21:49,040 Speaker 2: could you turn and face me? What the old wong Russia? 367 00:21:50,720 --> 00:21:50,920 Speaker 5: Wait? 368 00:21:51,560 --> 00:21:53,520 Speaker 8: Get the fuck out of here. I'm alive. 369 00:22:09,960 --> 00:22:12,879 Speaker 9: The Princess of South Beach Season two was produced by 370 00:22:12,960 --> 00:22:18,240 Speaker 9: Sonoro in partnership with Arhartsmichael Tura Network, Created and directed 371 00:22:18,320 --> 00:22:22,680 Speaker 9: by Jasmine Romero, Written by Jasmine Romero with help from 372 00:22:22,720 --> 00:22:27,840 Speaker 9: Anissa Hendrix. Produced by Luis Eduardo Castillo, Executive produced by 373 00:22:27,920 --> 00:22:32,520 Speaker 9: Jasmine Romero. Executive produced by conal Byrne and Jessel Bances 374 00:22:32,560 --> 00:22:37,160 Speaker 9: for iHeart and Camilla Victoriano and Josha Weinstein for Sonoro. 375 00:22:37,960 --> 00:22:45,880 Speaker 9: Performances in this episode by Danny Pino, Rau, Lesparsa, Andy Bustillos, 376 00:22:46,400 --> 00:22:53,080 Speaker 9: Wendell Johnson, Corine Gillier, Gina Torres, Kelly Conko, ex Maio, 377 00:22:54,040 --> 00:23:01,040 Speaker 9: Nico Posi, Alan Eisenberg, Kuwaitan, Torrin Hamilton and Brent Harvey. 378 00:23:02,359 --> 00:23:07,560 Speaker 9: Our production manager is Cannsa. Chairis recording engineering and sound 379 00:23:07,600 --> 00:23:10,920 Speaker 9: design by Edwin Ndegoyan and Juan Diaz, with help from 380 00:23:11,000 --> 00:23:15,640 Speaker 9: Cassandra Tinajo and Andres Biena. Casting a coordination by Cannza. 381 00:23:15,720 --> 00:23:21,000 Speaker 9: Chairis Ansley Martinez, Alex Gonzalez and Andres Childis. Theme song 382 00:23:21,160 --> 00:23:25,760 Speaker 9: and original music by Rodrigo Garcia Rodlis theme song performed 383 00:23:25,800 --> 00:23:30,800 Speaker 9: by Jaffetz, Samajoa and Carol Velasco. Raoul's Dreamsical had music 384 00:23:30,920 --> 00:23:34,600 Speaker 9: and lyrics by Megan Bagala with help from Jasmine Romero. 385 00:23:35,440 --> 00:23:40,520 Speaker 9: Performed by Rouli Sparsa, Danny Pino, Gina Torres, Andy Bustigios 386 00:23:40,760 --> 00:23:46,000 Speaker 9: Ex Mayo, Kelly Conko and Jazmine Romero. Voices recorded at 387 00:23:46,040 --> 00:23:49,520 Speaker 9: the Invisible Studios in Los Angeles, the Relic Room in New. 388 00:23:49,560 --> 00:23:52,199 Speaker 2: York, and the Hollywood Hols Important with. 389 00:23:52,359 --> 00:23:57,520 Speaker 9: Engineering by Charles Carroll, David Wilson, Neil Wagenson, Sam Bear, 390 00:23:58,160 --> 00:24:02,920 Speaker 9: Brett Tubin and Justin Helps. With special thanks to Ernimore 391 00:24:03,000 --> 00:24:03,240 Speaker 9: Ville