WEBVTT - Twas The Night Call Before Christmas

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<v Speaker 1>It's eleven PM at Jacob Marley's grave and you're listening

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<v Speaker 1>Tonight Call. Hi everybody, and welcome to Night Call, the

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<v Speaker 1>podcast for your holidays and jolly nights. I'm Molly Lambert

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<v Speaker 1>and with me in Los Angeles, says Lynch. And over

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<v Speaker 1>in New York, we have Emily Oshida your Ghosts of

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<v Speaker 1>Christmas Past, Present in future. Well, this is a very

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<v Speaker 1>special episode where we reflect on the night Calls we've

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<v Speaker 1>had this year and all the things that happened on Nightcall.

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<v Speaker 1>But I wanted to pose a question much like we

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<v Speaker 1>original We started our show deciding which of the members

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<v Speaker 1>of the movie Zodiac we are, um, which we can

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<v Speaker 1>maybe cut to a clip of here, even what are

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<v Speaker 1>you guys feeling right? What's your sign? What's her Zodiac? Well,

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<v Speaker 1>I said, because tests just showed up here today with

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<v Speaker 1>a stack of papers printed out from the Internet, and

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<v Speaker 1>I decided that means that she's the Robert Gray Smith.

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<v Speaker 1>And I just took that well, because he's the one

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<v Speaker 1>who like does all the research and has all the papers,

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<v Speaker 1>all the files. He's a doodler. Yeah, he's a doodler.

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<v Speaker 1>I'm a doodler. And Molly, Emily you expressed an affinity

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<v Speaker 1>for Ruffalo. Well, I feel like I'm I'm Mark Ruffalo

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<v Speaker 1>in most movies if he shows up. I do think

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<v Speaker 1>in this case too, especially when I was an editor,

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<v Speaker 1>I feel like you have to be the no fund

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<v Speaker 1>person a lot. And so I had sympathy for for

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<v Speaker 1>Tasky because he's like a detective and he's not like

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<v Speaker 1>he doesn't get to have crazy conspiracies or like go

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<v Speaker 1>on crazy benders like like Grabbertanny Junior does. He kind

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<v Speaker 1>of has to just like be a regular detective and

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<v Speaker 1>like carry out the you know, he gets to wear

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<v Speaker 1>a cool side arm though right like he does like

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<v Speaker 1>a cool gun holster. Yeah, and he has good ties.

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<v Speaker 1>He has bow ties. I like his style a lot,

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<v Speaker 1>probably of all of them. Um. I do like how

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<v Speaker 1>he kind of as as things go on and as

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<v Speaker 1>Gray Smith kind of takes the case into his own hands.

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<v Speaker 1>I love the way that he sort of secretively aids

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<v Speaker 1>him by like saying, well, I didn't tell you this,

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<v Speaker 1>but blah blah blah. Um So yeah, So I don't know,

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<v Speaker 1>I have a soft spot for Tasking and I feel

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<v Speaker 1>like nobody else would pick them. Also, so my friends

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<v Speaker 1>have a Colombo party Apparently every year it's a Columbo

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<v Speaker 1>Halloween party where everyone just comes dressed as Colombo, and

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<v Speaker 1>this year it was apparently Colombo or Mark Ruffalone Zodiac. Um.

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<v Speaker 1>I feel like this is all pointing towards Molly being Avery,

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<v Speaker 1>which I think is uh. I mean, I know you

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<v Speaker 1>at that house boat. You know I want to be

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<v Speaker 1>the Robert Downey junior character in anything. Yeah, I mean

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<v Speaker 1>me too, but when I'm honest until up until Iron Man,

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<v Speaker 1>at which point I don't care anymore. You don't want

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<v Speaker 1>to be an arms dealer. No, I don't want to

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<v Speaker 1>be an arms dealer superhero. I mean, there's just a

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<v Speaker 1>string of performances where he's so amazing starting with less

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<v Speaker 1>than zero zero. R d J is not too shabby himself. Um,

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<v Speaker 1>and uh, you know Chaplain is a good movie. I

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<v Speaker 1>enjoyed him in Wonder Boys. Yeah, there's just you know,

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<v Speaker 1>I love Kiss Kiss Bang Bang. There's just a long,

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<v Speaker 1>a long period where he's really great and everything, and

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<v Speaker 1>then you had that last little come back and now

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<v Speaker 1>he makes Marvel movies. That's our our final answer. Molly

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<v Speaker 1>is Avery, Test is Gray Smith and I'm Tasky and

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<v Speaker 1>that's it. There's no more argument that it's settled. Um.

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<v Speaker 1>I was thinking maybe we could decide which of the

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<v Speaker 1>ghosts of Christmas past, present or future do you identify with.

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<v Speaker 1>But so, the ghost of Christmas Present is like the big,

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<v Speaker 1>like fat guy with the fruits and all the like

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<v Speaker 1>plentiful like a turkey around him. I think, so, yeah,

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<v Speaker 1>he's a jolly man. Um. And then the ghost of

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<v Speaker 1>Christmas future is like the devil. Basically, I believe it's

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<v Speaker 1>like the ghost of Christmas past is Jacob Marley. Um no, No,

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<v Speaker 1>the ghost of Christmas past is like a little boy

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<v Speaker 1>or girl. I feel like it's a child spirit and

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<v Speaker 1>it brings you to your own Christmas in the past. Yeah,

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<v Speaker 1>you get to look at Christmas in the past. And

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<v Speaker 1>then the Christmas present is you go to your nephew

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<v Speaker 1>at already that you didn't actually go to and they're like,

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<v Speaker 1>where is Uncle Scrooge. We all love Scrooge. Everyone misses him.

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<v Speaker 1>And then his wife is like, isn't he kind of

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<v Speaker 1>a horrible person? And they're like, oh, he's a Emily

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<v Speaker 1>Holidays sing, don't they sing? Thank you very very much?

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<v Speaker 1>Or no, no, no, that's when he died. That's in

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<v Speaker 1>the future. One the Future, and then everybody's celebrating his death.

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<v Speaker 1>Everyone celebrating his death because he wouldn't let anyone have

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<v Speaker 1>time off for Christmas from work. Um, I feel like

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<v Speaker 1>the Ghost of Christmas Future is pretty cool, pretty metal. Wait,

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<v Speaker 1>that's the one who's like the scary your grave and

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<v Speaker 1>it's like, this is what happens if you don't repent. Yeah.

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<v Speaker 1>I really liked Christmas Carol. Did you guys get into

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<v Speaker 1>like Dickens and stuff? I really liked it. I haven't

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<v Speaker 1>read it or seen it in such a long time.

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<v Speaker 1>I just love anything where there's like a million iterations

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<v Speaker 1>of it. It's like in the public domain, so anyone

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<v Speaker 1>can do it. You were trying to get us to

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<v Speaker 1>do a scrooged episode, and I feel like we both

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<v Speaker 1>vetoed that. Well. If there are some other good Christmas

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<v Speaker 1>Carol remakes, there's like a Muppet one that's good. Them

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<v Speaker 1>up at one is good. There's a Mickey Mouse one

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<v Speaker 1>that I watched a zillion times as a child. Right,

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<v Speaker 1>They're all just like wedged in that weird part of

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<v Speaker 1>your brain, and there's something really nice about the format. Yeah. Um,

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<v Speaker 1>I love when I realized anything is going to be

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<v Speaker 1>either a Christmas Carol themed or it's a Wonderful life themed. Um,

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<v Speaker 1>are you guys it's a wonderful life heads? Absolutely, I

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<v Speaker 1>love it's a wonderful life. I'm too fragile, man, You're

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<v Speaker 1>too fragile. I'm really fragile about it. It's very dark.

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<v Speaker 1>It's like the darkest movie. I remember there was one

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<v Speaker 1>winter when I when I watched it and just thought

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<v Speaker 1>like I kind of just made myself like I midway through,

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<v Speaker 1>I was like, I don't think you can handle this,

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<v Speaker 1>And by the end, I was just crying so hard.

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<v Speaker 1>I don't do this to yourself. Test that's why people

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<v Speaker 1>like it, though I know, I know gives you the

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<v Speaker 1>you can just ventilate all your tears, your holiday tears.

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<v Speaker 1>As Jimmy Stewart just like, yeah, I'm Jimmy Stewart. That's

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<v Speaker 1>my answer to this question. Uh No, I guess. I

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<v Speaker 1>guess I'm the ghost of Christmas past. Um, if we

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<v Speaker 1>have to choose, I'm an angel e spirit, You're you're

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<v Speaker 1>the A. I think I'm present, like I like that.

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<v Speaker 1>I think I'm I think I'm very paranoid. It's all about, like,

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<v Speaker 1>you know, here's what everyone thinks of you should feel terrible.

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<v Speaker 1>Oh no, but you also just talked about how you

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<v Speaker 1>like a bounty of sauces, which is what I feel like.

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<v Speaker 1>But it's also paranoia. It's like, well, you also have

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<v Speaker 1>strong negative feelings that you wish to express recently about

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<v Speaker 1>holiday food that you realize you actually hate holiday holiday food.

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<v Speaker 1>I pumpkin pie has been spared my wrath, but the

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<v Speaker 1>rest of it fu itself to be honest, Happy holidays. Yeah,

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<v Speaker 1>you know what it's It's one of these weird contracts

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<v Speaker 1>that you sign into as a human being where you

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<v Speaker 1>agree to make the same thing everyone else. I mean,

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<v Speaker 1>you don't have to, but I did this for a

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<v Speaker 1>long time. You have to make it and then you

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<v Speaker 1>have to eat that. You have to sit down and

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<v Speaker 1>eat it for as long as it takes to finish it.

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<v Speaker 1>And it's it's just a terrible soul crushing exercise and

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<v Speaker 1>like being a lemming, you know, don't do it. Question reality.

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<v Speaker 1>Make your own Christmas meal next year. I'm having duck

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<v Speaker 1>coffee there. That sounds great with dipping sauce. Duck alla

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<v Speaker 1>sauce exactly. Uh. This is all to say that we

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<v Speaker 1>are doing a little bit of a clip show this week,

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<v Speaker 1>um and going through some of our favorite nightcall moments

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<v Speaker 1>PLO plot lines, themes, recurring recurring issues that we visited

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<v Speaker 1>over this first year of doing our podcast, and a

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<v Speaker 1>lot of that comes courtesy of our wonderful night callers

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<v Speaker 1>and night calls that we get. So I think we

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<v Speaker 1>are We all want to say thank you to our listeners.

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<v Speaker 1>Thank you your weird stories and questions and stuff, because

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<v Speaker 1>a lot of them went to unexpected and fun places.

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<v Speaker 1>I think we genuinely have some of the best listen

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<v Speaker 1>as of any podcast. They're just the most interesting. There's

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<v Speaker 1>very little like everyone seems to have something that's so

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<v Speaker 1>vague in common, where it's just kind of like a

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<v Speaker 1>weird vibe that we all have in common, and it's

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<v Speaker 1>led to super interesting discussions across I would also like

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<v Speaker 1>to do we did a live event close to Thanksgiving

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<v Speaker 1>this year. Maybe we can make it a Night's Giving

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<v Speaker 1>tradition and that would be great. Have Emily next time

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<v Speaker 1>and we'll all eat something that's not holiday food, sauces.

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<v Speaker 1>We're gonna do sauces at every night Call event. There

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<v Speaker 1>will be sauce. Uh, So we're gonna kind of take

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<v Speaker 1>a little I don't. I don't think it's definitely going

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<v Speaker 1>to be uh linear time wise, but just sort of

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<v Speaker 1>meander through night calls, passed uh some of our favorite

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<v Speaker 1>murder boards, ice cream trucks, and other uh familiar faces

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<v Speaker 1>that we that we uh that we have fun with

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<v Speaker 1>over the year. So so yeah, meditate on the past,

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<v Speaker 1>enjoy the present, and think about the future. Hey, and

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<v Speaker 1>I call ladies. It's eight forty four pm in Hot Austin, Texas,

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<v Speaker 1>and I've got a question for you. My name is Maggie,

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<v Speaker 1>and I just found out what muck bang is in

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<v Speaker 1>the UK d A n G. It might be muke thing,

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<v Speaker 1>and I want to know what you girls think of

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<v Speaker 1>it because I think it's horrifying and I also feel

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<v Speaker 1>that it's a tool that anorexics could use to you know,

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<v Speaker 1>essentially get their fixed without eating food. UM. Yeah, So

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<v Speaker 1>if you guys can weigh in on muck bang or

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<v Speaker 1>muke thing, I appreciate that. Thanks by UM. I have

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<v Speaker 1>to say that mayonnaise being killed by millennials is awful.

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<v Speaker 1>It's a travesty. Somebody on Twitter recently UM called out

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<v Speaker 1>the fact that like when people don't like mayonnaise and

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<v Speaker 1>they try and put other stuff on their sandwiches. It's

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<v Speaker 1>beyond disgusting. I think some of the substitutions that he

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<v Speaker 1>listed were hummus, pasto also wrong. I mean, there were

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<v Speaker 1>so many things that just can't replace mayonnaise. I would

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<v Speaker 1>put all these things on a sandwich over mayonnaise, hummus.

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<v Speaker 1>I mean, if it's a peda Okay, the thought of

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<v Speaker 1>me and a peter bread just made me like throw up.

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<v Speaker 1>I love it and seek, which is like Mayonnai's adjacent.

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<v Speaker 1>So I know. Taziki is fine because sziki is yogurt.

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<v Speaker 1>It's just a mayonnaise. So it's the fact that it's

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<v Speaker 1>not dairy. It's like Uncanny Valley for a texture. It's

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<v Speaker 1>like that. It's like gross, It's like I hate the

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<v Speaker 1>taste of it. What about tartar sauce. It's that's the exception.

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<v Speaker 1>That's my thing, a tartar sauce. If it's in something

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<v Speaker 1>and I can't taste it, it's like, you know, good direction, Okay, okay,

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<v Speaker 1>if I notice it, it's bad. It's this bias that

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<v Speaker 1>you have against what mayonnaise stands for. It's like, no,

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<v Speaker 1>it's not It's like literally sometimes I'll try something and

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<v Speaker 1>be like, oh no, there's mayonnaise in this. I'm out

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<v Speaker 1>like a dip. Ruins a lot of dips for me. Yeah,

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<v Speaker 1>I mean, it's definitely better to air on the side.

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<v Speaker 1>I think of yogurt or sour cream in a dip.

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<v Speaker 1>I bet I could make you a dip with those ingredients.

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<v Speaker 1>Sneak in some mayonnaise and you have no idea. I'm

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<v Speaker 1>saying if you sneak in and I have no idea,

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<v Speaker 1>that it's fine. If it's in like a deviled egg, yeah,

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<v Speaker 1>maybe it's fine. Mix up in a yoke if there's

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<v Speaker 1>something else to like. So if you make it more

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<v Speaker 1>mayonnaisy by adding yolk, but again, it's like something it's

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<v Speaker 1>like swimming in mayonnaise. I'm just like swimming in anything's

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<v Speaker 1>a bad idea. Other than the sauce. They have a

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<v Speaker 1>dent Tai fung, which is the black vinegar and the

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<v Speaker 1>soy sauce. And I'm just saying, there's so many other

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<v Speaker 1>sauces that are better than your sauces. Mayonnaise like a spread,

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<v Speaker 1>there's no time the I don't want mustard more. What

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<v Speaker 1>kind of mustard do you like? Just like any kind really. Yeah.

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<v Speaker 1>My parents think I'm crazy because I'm into yellow mustard.

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<v Speaker 1>I think that's like like a like a hot dog

0:13:11.520 --> 0:13:15.960
<v Speaker 1>or something. It's trashy people's mustard. They mustard. So the

0:13:16.040 --> 0:13:18.600
<v Speaker 1>five mother sauces, I don't know if you have any

0:13:18.600 --> 0:13:23.960
<v Speaker 1>feelings on these in French cooking on basamal, velute espanol,

0:13:24.600 --> 0:13:26.800
<v Speaker 1>French tomato, sauce that has a name that I forget,

0:13:26.800 --> 0:13:31.120
<v Speaker 1>and hollandaise. I mean, are you going to nix hollandaise

0:13:31.120 --> 0:13:34.080
<v Speaker 1>because it's too much like mayonnaise? No? I like hollandaise.

0:13:34.280 --> 0:13:37.280
<v Speaker 1>You're such an enigma. I don't know where you're coming from.

0:13:37.280 --> 0:13:41.480
<v Speaker 1>Half I have it on eggpned act. I've made it.

0:13:41.600 --> 0:13:42.960
<v Speaker 1>I feel like I went through a so you can

0:13:43.000 --> 0:13:46.160
<v Speaker 1>make it in the microwave. Um. I like mustard the most.

0:13:46.559 --> 0:13:49.840
<v Speaker 1>I think mustard does the most. Word limited capacity for mustard.

0:13:49.880 --> 0:13:52.640
<v Speaker 1>I did you turn on soy sauce? Thought that was

0:13:52.679 --> 0:13:56.920
<v Speaker 1>your favorite favorite sauces? My favorite sauce, but also ponds.

0:13:57.080 --> 0:13:58.760
<v Speaker 1>When you have pondzo, all of a sudden, you're like,

0:13:58.800 --> 0:14:00.599
<v Speaker 1>soy sauce is pretty basic. Where do you fall and

0:14:00.720 --> 0:14:03.280
<v Speaker 1>catch up? I like catch up, okay, but I do

0:14:03.400 --> 0:14:07.560
<v Speaker 1>not accept any ketchup, but Hines every other ketchup tastes whack.

0:14:07.640 --> 0:14:12.559
<v Speaker 1>I don't know why. It's something they're sweetness. Sugar ratios

0:14:12.600 --> 0:14:16.320
<v Speaker 1>are off on other people's Can I mention for anyone

0:14:16.360 --> 0:14:18.640
<v Speaker 1>in l A that one of the sauces that I'm

0:14:18.640 --> 0:14:21.560
<v Speaker 1>really addicted to right now is from Dave's Hot Chicken,

0:14:22.160 --> 0:14:26.160
<v Speaker 1>and they have like this really it makes your heart race, though,

0:14:26.160 --> 0:14:28.280
<v Speaker 1>which is like, I'm sure because there's a lot of

0:14:28.320 --> 0:14:32.600
<v Speaker 1>salt in it, it must be that. But well I

0:14:32.640 --> 0:14:34.400
<v Speaker 1>was I wasn't going to bring it up, but yeah,

0:14:34.440 --> 0:14:36.320
<v Speaker 1>you did. You you drank a bunch of Sayce shauce

0:14:36.360 --> 0:14:38.320
<v Speaker 1>and then you get really concerned that you were going

0:14:38.400 --> 0:14:41.400
<v Speaker 1>to die, and you you get too sliders and they're huge,

0:14:41.800 --> 0:14:43.840
<v Speaker 1>and then you get like a bunch of tubs of

0:14:43.880 --> 0:14:46.480
<v Speaker 1>sauces because you take and take, and then you go

0:14:46.600 --> 0:14:49.600
<v Speaker 1>home and like fifteen minutes later, you're sweating your heart.

0:14:49.640 --> 0:14:52.800
<v Speaker 1>Is a lot of salt in everything good, It's true.

0:14:53.280 --> 0:14:57.160
<v Speaker 1>I love the Zancou garlic sauce, the Zancu chicken they

0:14:57.200 --> 0:14:59.080
<v Speaker 1>have that. It's like basically the same thing that you

0:14:59.120 --> 0:15:01.320
<v Speaker 1>can get a trader ship Si garly spread. Well, that's

0:15:01.360 --> 0:15:02.840
<v Speaker 1>like when you get fried clams, and you have the

0:15:02.840 --> 0:15:05.840
<v Speaker 1>cocktail sauce and the tartar sauce, and you can like alternate.

0:15:06.040 --> 0:15:08.320
<v Speaker 1>I always go for the cocktail sauce though, and that

0:15:08.760 --> 0:15:12.320
<v Speaker 1>now you got alternate, yeah, or because the cocktail sauce

0:15:12.360 --> 0:15:15.400
<v Speaker 1>eventually it's too if you just alternate with the cocktail

0:15:15.400 --> 0:15:19.440
<v Speaker 1>sauce and like vinegar vinegar, you need to like I

0:15:19.560 --> 0:15:24.320
<v Speaker 1>like to like pickly, the pickly smooth, you know what

0:15:24.360 --> 0:15:30.040
<v Speaker 1>I mean. The pick smooth get sponsored by Hines Tartar sauce. Seriously, No,

0:15:30.160 --> 0:15:38.960
<v Speaker 1>well honestly, so he just Hi, I'm very behind and

0:15:39.000 --> 0:15:41.200
<v Speaker 1>I'm just now listening to you guys talk about whales

0:15:41.320 --> 0:15:44.240
<v Speaker 1>and how whales came from the land, which is creepy.

0:15:44.280 --> 0:15:46.040
<v Speaker 1>But then he talked about hippos and had to call

0:15:46.120 --> 0:15:50.240
<v Speaker 1>in because, um, I'm obsessed with the story of hippos

0:15:50.640 --> 0:15:53.280
<v Speaker 1>moving to Columbia, so you should definitely look it up.

0:15:53.280 --> 0:15:56.920
<v Speaker 1>But Pablo Escobar had a weird zoo on his property

0:15:57.160 --> 0:16:00.960
<v Speaker 1>and he had all these hippos brought from Africa, and

0:16:01.160 --> 0:16:04.320
<v Speaker 1>when he was arrested, they started escaping. And now Colombia

0:16:04.440 --> 0:16:07.680
<v Speaker 1>has all of these hiccos and it's like exactly the

0:16:07.720 --> 0:16:10.120
<v Speaker 1>same climate of Africa, but without the drought. So they're

0:16:10.160 --> 0:16:13.240
<v Speaker 1>becoming the dominant predator. And everyone thinks HIPOs are cute

0:16:13.240 --> 0:16:15.480
<v Speaker 1>and cuddly, just like Carvel died, but actually they are

0:16:15.560 --> 0:16:19.240
<v Speaker 1>dangerous and terrifying. And I think like the second or

0:16:19.360 --> 0:16:23.360
<v Speaker 1>third most like deadly credittor. So it's a huge problem

0:16:23.480 --> 0:16:26.120
<v Speaker 1>and Columbia doesn't want to kill them because Columbia has

0:16:26.160 --> 0:16:30.400
<v Speaker 1>reputation problems, and so it's just becoming this like epic

0:16:30.480 --> 0:16:34.320
<v Speaker 1>problem and they're just everywhere and it's an amazing story.

0:16:35.000 --> 0:16:37.400
<v Speaker 1>And I just thought you guys should know, so happy

0:16:37.480 --> 0:16:49.760
<v Speaker 1>nightcall the side note. UM. Like very shortly after I

0:16:49.800 --> 0:16:53.760
<v Speaker 1>got married, UM, I bought my first pair of Teva's

0:16:54.560 --> 0:16:57.840
<v Speaker 1>UM and I feel like this, like this transformation took

0:16:57.840 --> 0:16:59.800
<v Speaker 1>place over the course of one week where I'm like,

0:17:00.280 --> 0:17:03.080
<v Speaker 1>I love my Tevas. I'm gonna go be a tourist

0:17:03.160 --> 0:17:07.600
<v Speaker 1>and wearing my squashy sandals. You entered the mode seriously

0:17:07.600 --> 0:17:10.920
<v Speaker 1>because like when it's raining that much, you can't even

0:17:10.960 --> 0:17:14.040
<v Speaker 1>really wear boots because they'll just get inside the boot.

0:17:14.200 --> 0:17:16.879
<v Speaker 1>So I just thought, why fight it, Just be barefoot

0:17:17.119 --> 0:17:20.960
<v Speaker 1>and let the water wash over. You became a forest crab. Yourself.

0:17:21.040 --> 0:17:25.320
<v Speaker 1>I did. Yeah, I I became slightly amphibious. So we

0:17:25.320 --> 0:17:29.280
<v Speaker 1>were leaving non Zenji, which is this huge Buddhist temple,

0:17:29.880 --> 0:17:32.359
<v Speaker 1>and of course as we're leaving, like the five pm

0:17:32.400 --> 0:17:35.400
<v Speaker 1>was the closing time, so we couldn't be inside anymore,

0:17:35.440 --> 0:17:37.760
<v Speaker 1>and then it just starts pouring down rain. So we

0:17:37.760 --> 0:17:41.240
<v Speaker 1>were just like running, like bolting down this path um

0:17:41.280 --> 0:17:43.400
<v Speaker 1>trying to get back to the subway, which basically took

0:17:43.400 --> 0:17:46.000
<v Speaker 1>an hour because it would start to lighten up and

0:17:46.040 --> 0:17:48.320
<v Speaker 1>then we'd start walking and then I would start pouring

0:17:48.359 --> 0:17:50.359
<v Speaker 1>again and we'd like find shelter under the nearest thing.

0:17:50.480 --> 0:17:53.280
<v Speaker 1>But we're staying outside of Kyoto in this um like

0:17:53.560 --> 0:17:55.520
<v Speaker 1>a yokam which is like the kind of a bed

0:17:55.560 --> 0:17:57.800
<v Speaker 1>and breakfast, like the Japanese version of a bed and breakfast,

0:17:57.960 --> 0:17:59.679
<v Speaker 1>and the one we stayed as like they had this

0:18:00.160 --> 0:18:02.640
<v Speaker 1>river side thing where they turned off all the lights

0:18:02.640 --> 0:18:04.800
<v Speaker 1>at a certain points so you could see the fireflies,

0:18:04.880 --> 0:18:06.520
<v Speaker 1>which was so funny because it reminded of you me,

0:18:06.600 --> 0:18:09.600
<v Speaker 1>of you, Molly, because there were like three fireflies on

0:18:09.640 --> 0:18:13.000
<v Speaker 1>the river when I saw the firefly in New York.

0:18:13.040 --> 0:18:18.320
<v Speaker 1>And yeah, well I think I've said this before, but

0:18:18.440 --> 0:18:20.439
<v Speaker 1>this is like a lot of l A kids I

0:18:20.440 --> 0:18:22.400
<v Speaker 1>know have this thing. We're the only place we've ever

0:18:22.400 --> 0:18:26.080
<v Speaker 1>seen fireflies is on Pirates of the Caribbean. Yes, you

0:18:26.119 --> 0:18:28.800
<v Speaker 1>know at this bed and breakfast, did you have to

0:18:28.840 --> 0:18:33.040
<v Speaker 1>have communal breakfast and dinner? Um? Yes, it's very old school.

0:18:33.040 --> 0:18:36.520
<v Speaker 1>Communal tables are tests worst nightmare. You don't have to

0:18:36.600 --> 0:18:41.480
<v Speaker 1>talk to anybody else there except this this place. Like

0:18:41.680 --> 0:18:44.720
<v Speaker 1>many of these types of super traditional like I would say,

0:18:44.760 --> 0:18:50.480
<v Speaker 1>like fancy Rio cons had Geisha's, Like they come through

0:18:50.520 --> 0:18:52.639
<v Speaker 1>and they like perform some kind of dance or whatever.

0:18:52.880 --> 0:18:54.879
<v Speaker 1>But then they come through and they talk like to

0:18:54.960 --> 0:18:57.200
<v Speaker 1>each table and you have to talk to them and

0:18:57.320 --> 0:18:59.760
<v Speaker 1>you have to talk to them. It's like one of

0:18:59.840 --> 0:19:02.359
<v Speaker 1>them that came through and talked, she spoke a little

0:19:02.400 --> 0:19:05.119
<v Speaker 1>more English and it was okay, But then those of

0:19:05.160 --> 0:19:07.199
<v Speaker 1>them mostly don't, and so I was speaking to them

0:19:07.200 --> 0:19:10.520
<v Speaker 1>in Japanese and my Japanese is really bad. I would

0:19:10.640 --> 0:19:12.600
<v Speaker 1>rather be at a communal table with other people who

0:19:12.640 --> 0:19:19.840
<v Speaker 1>are staying than than with what did you guys talk about? Like, oh,

0:19:20.000 --> 0:19:22.639
<v Speaker 1>where are you from? And I found it to be

0:19:22.720 --> 0:19:26.359
<v Speaker 1>supremely awkward. But like the drunk businessmen who were there

0:19:26.440 --> 0:19:30.119
<v Speaker 1>for dinner, gotta gotta kick out of it. So this

0:19:30.359 --> 0:19:32.960
<v Speaker 1>campaign was started a few years ago in Kyoto to

0:19:33.320 --> 0:19:36.919
<v Speaker 1>get more people to use public transportation and to use

0:19:37.000 --> 0:19:40.399
<v Speaker 1>the subway. They decided like the best tactic to attract

0:19:40.440 --> 0:19:43.879
<v Speaker 1>people to the subway would be to make like cute

0:19:44.040 --> 0:19:48.520
<v Speaker 1>anome girl mascots for the train. And so it's called

0:19:48.600 --> 0:19:54.280
<v Speaker 1>like the Moe Moe Kyoto like campaign. UM, and they

0:19:54.400 --> 0:19:57.200
<v Speaker 1>have like they have this full cast of characters. UM.

0:19:57.600 --> 0:20:00.520
<v Speaker 1>And there's uh, like the main or all she has

0:20:00.560 --> 0:20:03.400
<v Speaker 1>like a brother, and then another one of her friends

0:20:03.480 --> 0:20:06.320
<v Speaker 1>as a brother, and they're all these bios for them.

0:20:06.359 --> 0:20:08.560
<v Speaker 1>And I think they made some kind of short animation,

0:20:08.680 --> 0:20:12.199
<v Speaker 1>but it's just hilarious because like all of the subways

0:20:12.520 --> 0:20:15.800
<v Speaker 1>are plastered with these ads of like these cute autome

0:20:15.920 --> 0:20:18.879
<v Speaker 1>girls like holding their their subway passes and like showing

0:20:18.920 --> 0:20:20.800
<v Speaker 1>how cool and cute it is to have a subway.

0:20:20.920 --> 0:20:24.639
<v Speaker 1>Doesn't work? Did people ride the subway more? I guess.

0:20:24.800 --> 0:20:27.159
<v Speaker 1>I guess it's been successful because they've kept it up.

0:20:27.440 --> 0:20:31.480
<v Speaker 1>Somebody at this who works for the city get characters.

0:20:31.880 --> 0:20:33.720
<v Speaker 1>But there's one of the guys who's like kind of

0:20:33.800 --> 0:20:36.960
<v Speaker 1>like a jockish guy wearing a pink Cootie is named

0:20:36.960 --> 0:20:40.359
<v Speaker 1>Takeru and says Takara attended the same high school as

0:20:40.440 --> 0:20:42.760
<v Speaker 1>Rio and his best friend, who's like the other boy there.

0:20:43.200 --> 0:20:46.400
<v Speaker 1>He has an easy going and optimistic side. After graduating

0:20:46.440 --> 0:20:49.119
<v Speaker 1>from high school, his desire to become a breadmaker let

0:20:49.200 --> 0:20:51.680
<v Speaker 1>him to study at a bakery in Kyoto. He likes

0:20:51.720 --> 0:20:54.800
<v Speaker 1>how people can buy bread around Kyoto's subway stations. Now

0:20:54.920 --> 0:20:57.840
<v Speaker 1>I'm just picturing somebody riding the train and falling in

0:20:57.920 --> 0:21:07.000
<v Speaker 1>love with one of these characters. Hey, I think I

0:21:07.119 --> 0:21:10.720
<v Speaker 1>called the right number. Dylan leaving you and night call

0:21:11.840 --> 0:21:16.879
<v Speaker 1>Um so something about targeted ads. I said something about

0:21:16.920 --> 0:21:19.119
<v Speaker 1>how I was very exset that there's a new Coke.

0:21:19.840 --> 0:21:24.119
<v Speaker 1>It's Coke zero, replacing the old perfect Pope zero. And

0:21:24.160 --> 0:21:27.560
<v Speaker 1>then I got an ad on Twitter that was like, Dylan,

0:21:28.200 --> 0:21:32.000
<v Speaker 1>there's someone else in Austin had an Austin, Uh, someone

0:21:32.080 --> 0:21:35.879
<v Speaker 1>else not and named Chris or something who also didn't.

0:21:36.880 --> 0:21:39.200
<v Speaker 1>I wasn't writing for the new Coke zero to come out,

0:21:39.600 --> 0:21:41.920
<v Speaker 1>but look at this video we made that convinced them.

0:21:42.640 --> 0:21:46.399
<v Speaker 1>And that was when I threw my phone into the ocean,

0:21:47.440 --> 0:21:57.040
<v Speaker 1>and uh, I'm calling you from a tin camp. No,

0:21:57.320 --> 0:21:59.800
<v Speaker 1>but you know it's like the things I find charming

0:21:59.880 --> 0:22:02.399
<v Speaker 1>up at it are like the fandoms and stuff like that.

0:22:03.240 --> 0:22:06.119
<v Speaker 1>Fandom for Disneyland has always been like, by far the

0:22:06.160 --> 0:22:12.280
<v Speaker 1>best Disneyland fandom. Yeah. I've never been a bad stay,

0:22:12.560 --> 0:22:15.960
<v Speaker 1>but I did. I did grow up golf. I started

0:22:16.040 --> 0:22:18.320
<v Speaker 1>dyeing my hair black at like twelve, and my have

0:22:18.520 --> 0:22:21.080
<v Speaker 1>very curly hair, and my sisters would sing share songs

0:22:21.119 --> 0:22:24.800
<v Speaker 1>to me to Tommy and I was like, no, Ali,

0:22:25.400 --> 0:22:28.960
<v Speaker 1>why were you so golf? You know, I grew up

0:22:29.000 --> 0:22:31.440
<v Speaker 1>in this town that was wealthier than we were but

0:22:31.560 --> 0:22:34.000
<v Speaker 1>had good schools, and so there were people like like

0:22:34.160 --> 0:22:37.560
<v Speaker 1>Hill the guard in my high school and I transferred

0:22:37.560 --> 0:22:40.120
<v Speaker 1>there in sixth grades and I's like, you've never been

0:22:40.200 --> 0:22:43.720
<v Speaker 1>to a Benetton store. You don't have anything Benetiti Like no,

0:22:44.240 --> 0:22:46.359
<v Speaker 1>And so I think I just was like, well fucked,

0:22:46.400 --> 0:22:48.720
<v Speaker 1>I'm not gonna I'm not gonna assimilate that way. So

0:22:48.800 --> 0:22:51.119
<v Speaker 1>I'm just gonna go head the other direction. So I

0:22:51.200 --> 0:22:54.160
<v Speaker 1>was like, all right, I only wear old military things

0:22:54.240 --> 0:22:57.280
<v Speaker 1>I get from just from thrift stores. Before you know,

0:22:57.400 --> 0:23:00.040
<v Speaker 1>it's a slippery slope. You're wearing black eyeliners, lips it

0:23:00.240 --> 0:23:03.040
<v Speaker 1>you guys, how long? How long? Was this period of

0:23:03.119 --> 0:23:10.159
<v Speaker 1>your life, probably like thirteen to like two commitment. I know,

0:23:10.359 --> 0:23:12.280
<v Speaker 1>I went to l A and was like, oh, I

0:23:12.359 --> 0:23:15.160
<v Speaker 1>guess it doesn't work here. It's just it's the best

0:23:15.240 --> 0:23:17.480
<v Speaker 1>place to be a goth. I didn't know that I

0:23:17.560 --> 0:23:20.880
<v Speaker 1>didn't find my people yet. I I remember I drove

0:23:20.960 --> 0:23:22.800
<v Speaker 1>down to like go to Helter Skelter a couple of

0:23:22.880 --> 0:23:25.520
<v Speaker 1>times when I was like in college, but I never

0:23:25.600 --> 0:23:27.760
<v Speaker 1>went to a bad day, but it always I found

0:23:27.800 --> 0:23:31.720
<v Speaker 1>it very endearing that so many goths would congregate in

0:23:31.760 --> 0:23:34.240
<v Speaker 1>the daylight, because that is not what of course, that's

0:23:34.240 --> 0:23:38.200
<v Speaker 1>not so many parasols. Yeah, I love that picture of

0:23:38.280 --> 0:23:41.560
<v Speaker 1>the Cure at the beach. I've never stayed it. It's

0:23:41.640 --> 0:23:43.800
<v Speaker 1>so funny. They're the Cure, but they're at the beach

0:23:43.840 --> 0:23:48.480
<v Speaker 1>and they look so uncomfortable. I think it's so amazing. Yeah. Yeah,

0:23:48.640 --> 0:23:50.399
<v Speaker 1>And that to me is like the so called so

0:23:51.040 --> 0:23:52.560
<v Speaker 1>because I'll go I think there is a thing where

0:23:52.560 --> 0:23:54.879
<v Speaker 1>people go in this beach goth direction where you're like,

0:23:54.960 --> 0:23:58.520
<v Speaker 1>I'm going to wear all the clothes, because who expects

0:23:58.600 --> 0:24:01.159
<v Speaker 1>that in a hundred degree at least of all you

0:24:01.520 --> 0:24:04.600
<v Speaker 1>wearing all the clothes. That's what I mean. It's hard

0:24:04.600 --> 0:24:07.440
<v Speaker 1>to be golf here because it's like, what do you do?

0:24:07.600 --> 0:24:10.600
<v Speaker 1>Like the black tank talk just like pastel goth. I mean,

0:24:10.720 --> 0:24:12.560
<v Speaker 1>my real the real reason I could never be a

0:24:12.600 --> 0:24:14.879
<v Speaker 1>golf because I tried. I tried in seventh grade. I

0:24:15.000 --> 0:24:16.800
<v Speaker 1>was like, I'm gonna be golf, but I like, I

0:24:16.960 --> 0:24:19.480
<v Speaker 1>don't like wearing black, And every time I wear black,

0:24:19.560 --> 0:24:21.280
<v Speaker 1>I'm like this is I always feel like I'm gonna

0:24:21.280 --> 0:24:23.560
<v Speaker 1>have to go to a coral performance. Yeah, there's some

0:24:23.640 --> 0:24:25.960
<v Speaker 1>of that. I mean I was like a closet goth

0:24:26.200 --> 0:24:28.560
<v Speaker 1>kind of in a very literal sense, Like I had

0:24:28.600 --> 0:24:30.920
<v Speaker 1>a closet that had a bunch of goth stuff in

0:24:31.000 --> 0:24:34.320
<v Speaker 1>it that was no, by no means my daily wardrobe.

0:24:34.440 --> 0:24:37.359
<v Speaker 1>But everyone but I had a closet. I did have

0:24:37.480 --> 0:24:40.479
<v Speaker 1>a goth closet. I had like knee high lace up

0:24:40.560 --> 0:24:43.400
<v Speaker 1>boots that were like pointy and had like a heel

0:24:43.480 --> 0:24:46.000
<v Speaker 1>that I couldn't walk in. I had all these like

0:24:46.160 --> 0:24:50.960
<v Speaker 1>black petticoats and like, uh, like anything that my grandma

0:24:51.119 --> 0:24:54.680
<v Speaker 1>had that I could take, like inherited from her that

0:24:54.800 --> 0:24:56.440
<v Speaker 1>was black. I would take so all this sort of

0:24:56.520 --> 0:25:00.119
<v Speaker 1>like decrepit lacy ship and every once in a I

0:25:00.160 --> 0:25:03.040
<v Speaker 1>would have a Goth Day, which was always a great

0:25:03.240 --> 0:25:06.320
<v Speaker 1>uh source of self expression. I think I wanted to

0:25:06.560 --> 0:25:08.359
<v Speaker 1>be able to commit more to being a goth, but

0:25:08.440 --> 0:25:11.280
<v Speaker 1>I also wanted to like do other things too. But

0:25:11.440 --> 0:25:14.000
<v Speaker 1>gods hate Halloween just because there are a lot of

0:25:14.000 --> 0:25:15.960
<v Speaker 1>people who are like looking gods today and you're like

0:25:16.720 --> 0:25:19.440
<v Speaker 1>every day. It was always like I remember I was

0:25:19.480 --> 0:25:22.240
<v Speaker 1>in college, my first year of college, and I walked

0:25:22.240 --> 0:25:25.600
<v Speaker 1>into my dorm room and my not gothroommate was wearing

0:25:25.680 --> 0:25:28.480
<v Speaker 1>all of my clothes and she's like from Lueena, I'm

0:25:28.560 --> 0:25:32.960
<v Speaker 1>you but sexy, and like, well, I wasn't burgit and

0:25:33.000 --> 0:25:35.399
<v Speaker 1>I did gathering a lot, so she had a point.

0:25:35.560 --> 0:25:39.399
<v Speaker 1>I was no way, I wore a lot of Nobody

0:25:39.480 --> 0:25:41.879
<v Speaker 1>got laid more in college than the people who played

0:25:41.920 --> 0:25:44.560
<v Speaker 1>magic the gathering, at least in our calls true. The

0:25:44.720 --> 0:25:47.919
<v Speaker 1>Larbers had like the biggest sex scene. They were all

0:25:48.119 --> 0:25:50.320
<v Speaker 1>every weekend too. It was like, you have no plans,

0:25:50.359 --> 0:25:54.040
<v Speaker 1>but the Larbers do are not invited. That's exactly what

0:25:54.200 --> 0:25:57.240
<v Speaker 1>you lar people is like the most uninhibited thing you

0:25:57.320 --> 0:25:59.080
<v Speaker 1>can do in public in a group. I feel like

0:25:59.119 --> 0:26:07.600
<v Speaker 1>it's a really good pre cursor to sex. Hey, guys,

0:26:07.800 --> 0:26:10.920
<v Speaker 1>so it's Nicole from It's Happening with Snooky and Joey

0:26:11.400 --> 0:26:13.639
<v Speaker 1>and I have a night call for you guys. So

0:26:13.960 --> 0:26:16.200
<v Speaker 1>I totally believe in aliens and I always have this

0:26:16.359 --> 0:26:18.680
<v Speaker 1>presence of aliens in my house. I know it sounds crazy,

0:26:19.240 --> 0:26:23.639
<v Speaker 1>but um, the Grays I've always been not like attracted to,

0:26:23.800 --> 0:26:27.880
<v Speaker 1>but always like interested in UM, and I always feel

0:26:27.920 --> 0:26:30.600
<v Speaker 1>like there's alien presence around me ever since I was little.

0:26:31.359 --> 0:26:33.520
<v Speaker 1>So can you tell me about the Grays and what

0:26:33.680 --> 0:26:39.600
<v Speaker 1>I've been feeling. Some people preprogrammed their mixes, especially people

0:26:39.600 --> 0:26:41.880
<v Speaker 1>who play like big shows like that all the time,

0:26:42.840 --> 0:26:46.000
<v Speaker 1>but also you know more to just have the ghost

0:26:46.040 --> 0:26:48.360
<v Speaker 1>DJ just like personally, I'm going to keep the dream

0:26:48.400 --> 0:26:50.800
<v Speaker 1>of DJ polly D alive because, like I could, Poldy

0:26:50.920 --> 0:26:53.160
<v Speaker 1>might really know how to spend I think, you know, listen,

0:26:53.280 --> 0:26:55.600
<v Speaker 1>he has that Italian flag laptop, like I think he

0:26:55.680 --> 0:26:58.159
<v Speaker 1>knows what's going on. You all love DJ Poldy, and

0:26:59.320 --> 0:27:02.680
<v Speaker 1>then he knows how to beat match. I would have

0:27:02.840 --> 0:27:07.600
<v Speaker 1>sex with him, like it wouldn't take anything, It would

0:27:07.640 --> 0:27:09.800
<v Speaker 1>take no effort on his I'm just saying, you know,

0:27:10.080 --> 0:27:12.760
<v Speaker 1>Nicole called into the pod, so we do have a

0:27:14.280 --> 0:27:16.280
<v Speaker 1>I saw that I need to listen to that. I'm

0:27:16.320 --> 0:27:19.760
<v Speaker 1>a poky Tell your aliens to send DJ pod to

0:27:19.800 --> 0:27:22.879
<v Speaker 1>night call. Yes, tell um snooky. You can tell pold

0:27:23.000 --> 0:27:24.760
<v Speaker 1>that I have been to Italy. And even though I'm

0:27:24.800 --> 0:27:27.920
<v Speaker 1>not Italian, I was raised Catholic and I am d

0:27:28.200 --> 0:27:39.080
<v Speaker 1>t F. I live in Los Angeles. I'm easy to find. Hey,

0:27:39.119 --> 0:27:41.639
<v Speaker 1>and I call. This is Kate. I'm calling with a

0:27:41.880 --> 0:27:45.040
<v Speaker 1>spooky story for you. That's something that has happened to

0:27:45.080 --> 0:27:49.760
<v Speaker 1>me recently, in the past couple of weeks, probably two weeks. Uh,

0:27:50.560 --> 0:27:54.080
<v Speaker 1>I've been getting calls from a private number, so I

0:27:54.160 --> 0:27:57.040
<v Speaker 1>assume someone who has I think Stars sixty seven the number,

0:27:57.160 --> 0:28:00.720
<v Speaker 1>so I can't see the numbers. It's private blocked. And

0:28:00.840 --> 0:28:02.760
<v Speaker 1>the first couple of times I missed it or ignored

0:28:02.840 --> 0:28:06.200
<v Speaker 1>it because who answers private numbers? Um, it never left

0:28:06.240 --> 0:28:08.920
<v Speaker 1>a message. Uh. Then finally I picked it up. I

0:28:09.040 --> 0:28:10.479
<v Speaker 1>was in a car with some times and I put

0:28:10.560 --> 0:28:13.119
<v Speaker 1>on speaker just to be like, what's going on. And

0:28:14.680 --> 0:28:18.640
<v Speaker 1>the first thing I hear is Hello, like the ice

0:28:18.720 --> 0:28:22.080
<v Speaker 1>cream truck thing. That voice that like Hello, and then

0:28:22.160 --> 0:28:24.160
<v Speaker 1>it starts with an ice cream truck song. I can't

0:28:24.160 --> 0:28:28.040
<v Speaker 1>remember if it's the Scott Joplin song or um, do

0:28:28.119 --> 0:28:30.440
<v Speaker 1>your ears hanging low or whatever? But anyways, the recording

0:28:30.600 --> 0:28:35.159
<v Speaker 1>of ice cream Truck and it just loops. Um. So

0:28:35.560 --> 0:28:39.680
<v Speaker 1>obviously I was pretty freaked out. UM. And I kept

0:28:40.040 --> 0:28:42.000
<v Speaker 1>getting the calls for the next couple of days and

0:28:42.440 --> 0:28:44.600
<v Speaker 1>I only answered it like one or two more a

0:28:44.680 --> 0:28:47.880
<v Speaker 1>few more times um, but each time it was the

0:28:48.000 --> 0:28:51.479
<v Speaker 1>exact same thing, and luckily it just um. So then

0:28:51.480 --> 0:28:54.040
<v Speaker 1>I just started ignoring them obviously UM. And it never

0:28:54.160 --> 0:28:56.800
<v Speaker 1>left a message. Uh. So that was the biggest blessing

0:28:56.840 --> 0:29:02.120
<v Speaker 1>because I hate voicemails, especially creepy I scream truck loops um.

0:29:02.560 --> 0:29:05.840
<v Speaker 1>But so this got me thinking, Uh, if you all

0:29:05.880 --> 0:29:07.880
<v Speaker 1>have ever had an experience that made you feel like

0:29:08.040 --> 0:29:11.880
<v Speaker 1>you are actually trapped in a horror film? Um. But

0:29:12.200 --> 0:29:15.520
<v Speaker 1>luckily the calls had actually stopped. UM. I almost hesitated

0:29:15.560 --> 0:29:18.000
<v Speaker 1>to make this call because I didn't want to drink

0:29:18.000 --> 0:29:23.120
<v Speaker 1>for anything. So anyway, that's my spooky story. UM, and

0:29:23.600 --> 0:29:27.040
<v Speaker 1>let me know what you think. Okay, bye. He called

0:29:27.160 --> 0:29:29.680
<v Speaker 1>us with a night call about how she was getting

0:29:29.720 --> 0:29:35.440
<v Speaker 1>mysterious calls from ice Cream Truck that would say hello, Hello,

0:29:35.960 --> 0:29:40.040
<v Speaker 1>Hello scary ice cream truck and she didn't know why.

0:29:40.480 --> 0:29:43.880
<v Speaker 1>And we heard about it a lot. A lot of

0:29:43.920 --> 0:29:49.000
<v Speaker 1>people suggested to reply all article episode that implied it

0:29:49.120 --> 0:29:52.280
<v Speaker 1>was a scam. We were waiting to see if we

0:29:52.320 --> 0:29:55.800
<v Speaker 1>would ever find out, and now we found out, Tess,

0:29:55.840 --> 0:29:57.520
<v Speaker 1>would you like to do the honors? I would love to.

0:29:57.720 --> 0:30:01.240
<v Speaker 1>This comes from Kate. Hey nightcall per your request. I

0:30:01.320 --> 0:30:04.160
<v Speaker 1>called back and left another message explaining what happened. Here's

0:30:04.160 --> 0:30:06.320
<v Speaker 1>a backup email in case my call cuts out again.

0:30:06.400 --> 0:30:09.480
<v Speaker 1>I'm in a rural area sometimes services bad. We're relying

0:30:09.520 --> 0:30:11.720
<v Speaker 1>on the email because right because she called back and

0:30:11.760 --> 0:30:13.440
<v Speaker 1>it got cut off. That's why we were like, oh,

0:30:13.560 --> 0:30:17.040
<v Speaker 1>we're never going to find out. But no, Okay, go on, Okay, okay,

0:30:17.240 --> 0:30:20.200
<v Speaker 1>back to Kay. The big reveal came as I was

0:30:20.280 --> 0:30:23.000
<v Speaker 1>leaving New Orleans a few weeks ago. Some friends came

0:30:23.040 --> 0:30:25.200
<v Speaker 1>over to say goodbye, and when they said we have

0:30:25.400 --> 0:30:29.600
<v Speaker 1>something to confess, I realized immediately the day where the

0:30:29.720 --> 0:30:33.080
<v Speaker 1>ice cream truck ghost. They would call me number blocked

0:30:33.160 --> 0:30:35.600
<v Speaker 1>and hold the phone up to this YouTube video which

0:30:35.640 --> 0:30:38.560
<v Speaker 1>she links. I had apparently mentioned to them in passing

0:30:38.680 --> 0:30:40.440
<v Speaker 1>several months ago that I used to live near an

0:30:40.480 --> 0:30:43.840
<v Speaker 1>ice cream truck deep depot in Brooklyn in Bushwick, off

0:30:43.920 --> 0:30:46.560
<v Speaker 1>the Morgan l stop, so I would often hear the

0:30:46.800 --> 0:30:50.680
<v Speaker 1>hello and the songs from my window. I probably should

0:30:50.720 --> 0:30:53.240
<v Speaker 1>have placed this together, but instead I spun out an

0:30:53.280 --> 0:30:57.520
<v Speaker 1>elaborate and terrifying theory in my head story of my life. Anyway,

0:30:57.600 --> 0:31:00.320
<v Speaker 1>I'm relieved it was just my friends being goofy. However,

0:31:00.480 --> 0:31:02.959
<v Speaker 1>I still believe that ice that ice cream trucks are

0:31:03.040 --> 0:31:08.240
<v Speaker 1>deeply haunted. Wow, so it's interesting. Yeah, everybody, we got

0:31:08.320 --> 0:31:11.840
<v Speaker 1>like fifteen emails or something UM suggesting we listened to

0:31:11.920 --> 0:31:15.920
<v Speaker 1>this reply All episode, but there were differences between what

0:31:16.080 --> 0:31:19.400
<v Speaker 1>Keith had originally described and this scam that they looked

0:31:19.440 --> 0:31:22.520
<v Speaker 1>into on reply All, which I obviously is such a

0:31:22.560 --> 0:31:25.320
<v Speaker 1>good podcast and you should listen to um. But yeah,

0:31:25.400 --> 0:31:27.640
<v Speaker 1>it was it was just a friends punking her right,

0:31:27.760 --> 0:31:30.360
<v Speaker 1>which is also scary. It is kind of scary. But

0:31:30.440 --> 0:31:32.640
<v Speaker 1>it's funny that you would mention something haunting and then

0:31:32.720 --> 0:31:35.080
<v Speaker 1>forget it, because that's totally something that I could picture.

0:31:35.200 --> 0:31:37.960
<v Speaker 1>It's really funny you would forget mentioning that you lived

0:31:38.000 --> 0:31:41.040
<v Speaker 1>next to an ice cream truck depot. Yeah, that's awesome

0:31:41.120 --> 0:31:46.080
<v Speaker 1>because hilarious and awesome, but also it makes more sense

0:31:46.160 --> 0:31:49.880
<v Speaker 1>that way because it's such a specific Brooklyn everybody in

0:31:49.960 --> 0:31:51.800
<v Speaker 1>Brooklyn is like, oh, yes, the ice cream truck that

0:31:51.840 --> 0:31:58.120
<v Speaker 1>goes hello. This next night call is from a true

0:31:58.240 --> 0:32:03.080
<v Speaker 1>stand Hi. I'm Emily's mom, and I remember two thousand

0:32:03.160 --> 0:32:05.400
<v Speaker 1>eight because Emily and I went on a road trip

0:32:06.560 --> 0:32:10.480
<v Speaker 1>across the country from Arkansas to Washington State. So that's

0:32:10.520 --> 0:32:13.280
<v Speaker 1>all I was going to share some details about that.

0:32:17.880 --> 0:32:22.120
<v Speaker 1>Followers that know us from the hoodies days have definitely

0:32:22.200 --> 0:32:25.000
<v Speaker 1>heard us at least make threats to a big chill

0:32:25.720 --> 0:32:30.880
<v Speaker 1>uh special. I liked this movie. It was sad. Why sad? Well,

0:32:31.040 --> 0:32:33.560
<v Speaker 1>I mean, maybe it wasn't sad. I don't know. It

0:32:33.680 --> 0:32:36.160
<v Speaker 1>was definitely less like peak eighties than I was expecting.

0:32:36.320 --> 0:32:38.360
<v Speaker 1>I realized, like as I was watching it, I was like, oh,

0:32:38.440 --> 0:32:41.360
<v Speaker 1>this is like three this is kind of like almost

0:32:41.400 --> 0:32:44.560
<v Speaker 1>still a seventies movie. It's just kind of like a

0:32:44.680 --> 0:32:48.200
<v Speaker 1>story about some people with some problems. It's very much

0:32:48.240 --> 0:32:51.360
<v Speaker 1>like Play. Yeah, it is a it's a total play.

0:32:51.440 --> 0:32:52.720
<v Speaker 1>And I thought it was also it's kind of like

0:32:52.800 --> 0:32:55.360
<v Speaker 1>a loose remake of Rules of the Game. He said, Oh,

0:32:56.240 --> 0:32:59.000
<v Speaker 1>it's like a French country estate, but it's just like

0:32:59.160 --> 0:33:02.280
<v Speaker 1>a you know, a country house and some white yuppies

0:33:02.320 --> 0:33:06.520
<v Speaker 1>who are having a lot of issues, but having fun

0:33:06.600 --> 0:33:08.400
<v Speaker 1>having their issue. Well, Okay, this is what I'm gonna

0:33:08.440 --> 0:33:10.240
<v Speaker 1>say is I thought the reason I thought it wasn't

0:33:10.280 --> 0:33:13.320
<v Speaker 1>maybe depressing because I was like, is this like an

0:33:13.440 --> 0:33:17.080
<v Speaker 1>upbeat ending spoiler alert, like everybody has sex at the

0:33:17.280 --> 0:33:21.520
<v Speaker 1>end during like a lightning storm. This movie is very horny. Um.

0:33:22.160 --> 0:33:24.640
<v Speaker 1>But yeah, I was like, this movie is sort of

0:33:24.760 --> 0:33:26.840
<v Speaker 1>like it's like, at first, it's all sad about like

0:33:27.080 --> 0:33:29.320
<v Speaker 1>you've made all your choices and you're stuck now in

0:33:29.440 --> 0:33:33.720
<v Speaker 1>your life forever with your like boring life that you chose. Um,

0:33:34.160 --> 0:33:36.200
<v Speaker 1>nothing like the fun life you thought you were going

0:33:36.240 --> 0:33:37.800
<v Speaker 1>to have when you were a hippie living in a

0:33:37.880 --> 0:33:40.680
<v Speaker 1>co op with your cool friends, and now you're confronting

0:33:40.760 --> 0:33:44.040
<v Speaker 1>it in a funeral scenario. But then at the end,

0:33:44.080 --> 0:33:46.520
<v Speaker 1>it's like everybody kind of is like, oh, actually, we

0:33:46.640 --> 0:33:50.760
<v Speaker 1>still can change our minds about stuff still and like

0:33:51.000 --> 0:33:53.680
<v Speaker 1>let your friend's husband knock you up, which is yeah,

0:33:53.800 --> 0:33:57.080
<v Speaker 1>that is one of the few really wild plot points.

0:33:57.200 --> 0:34:00.200
<v Speaker 1>I think that's is that the transformative moment though, that

0:34:00.400 --> 0:34:04.200
<v Speaker 1>like when when everybody realizes they still have that good

0:34:04.240 --> 0:34:08.080
<v Speaker 1>old hippie community, like we're going to make a baby

0:34:08.160 --> 0:34:12.520
<v Speaker 1>together as like a friend. But then there's also the

0:34:12.640 --> 0:34:16.800
<v Speaker 1>fact that Nick, who's William hurt Um, decides to stay

0:34:17.480 --> 0:34:23.880
<v Speaker 1>in the house with Chloe's. It is the Haunting of

0:34:24.280 --> 0:34:28.080
<v Speaker 1>Chill House. Yep. Is make Tilly like always always doing

0:34:28.200 --> 0:34:33.000
<v Speaker 1>stretches and like like doing contortions and a leotard because

0:34:33.040 --> 0:34:36.000
<v Speaker 1>she's young and flexible. Yeah, of course, because it's to

0:34:36.040 --> 0:34:39.480
<v Speaker 1>show that it's the eighties. Well, I mean like flexible

0:34:39.600 --> 0:34:44.479
<v Speaker 1>metaphorically she's doing more like you know, Well, they don't really,

0:34:44.640 --> 0:34:46.640
<v Speaker 1>It's funny. They feel like they include her. They're not

0:34:46.760 --> 0:34:48.759
<v Speaker 1>like mean to her just because she's like the young

0:34:48.960 --> 0:34:51.000
<v Speaker 1>I mean, Glenn Close is giving her some side eye.

0:34:51.040 --> 0:34:53.479
<v Speaker 1>But I think at one point Meg Tilly's character Chloe,

0:34:53.920 --> 0:34:56.600
<v Speaker 1>they're all like waxing nostalgic, and then they asked her

0:34:56.680 --> 0:34:58.640
<v Speaker 1>about her past and she's like, oh, I don't really

0:34:58.800 --> 0:35:00.960
<v Speaker 1>talk about the past because I right about it as

0:35:01.040 --> 0:35:03.040
<v Speaker 1>much as you guys. So she kind of represents the

0:35:03.160 --> 0:35:06.360
<v Speaker 1>like she's not nostalgic yet because she's still at a

0:35:06.400 --> 0:35:10.480
<v Speaker 1>point where she's still like idealistic and anything can happen

0:35:10.560 --> 0:35:13.399
<v Speaker 1>in her life and like she's just enjoying her twic.

0:35:13.880 --> 0:35:17.000
<v Speaker 1>It feels like she's more she doesn't have a tight

0:35:17.320 --> 0:35:21.520
<v Speaker 1>group of friends though like they do. She's yeah, she's

0:35:21.520 --> 0:35:23.840
<v Speaker 1>a drifter. She's like seems like she's just dated a

0:35:23.920 --> 0:35:28.160
<v Speaker 1>series of older men, and like she says something to

0:35:28.239 --> 0:35:31.440
<v Speaker 1>the effect of, I don't know that many happy people

0:35:31.760 --> 0:35:37.480
<v Speaker 1>or something like that. I think she's secretly the greatest character.

0:35:37.960 --> 0:35:42.200
<v Speaker 1>But she is a great character. And like the leotard

0:35:42.280 --> 0:35:44.000
<v Speaker 1>that she's doing, the stretches and at the beginning is

0:35:44.040 --> 0:35:47.200
<v Speaker 1>like very specifically such an eighties leotar, like put me

0:35:47.280 --> 0:35:50.239
<v Speaker 1>in a weird state of mind. Can you imagine how

0:35:50.280 --> 0:35:51.919
<v Speaker 1>hard it would be to pee if you were wearing

0:35:51.960 --> 0:35:55.960
<v Speaker 1>a leotard overtights? I mean, I remember how hard it was,

0:35:58.320 --> 0:36:01.600
<v Speaker 1>and yet everyone did. Um. I was saying to tests,

0:36:01.719 --> 0:36:04.480
<v Speaker 1>I found all of the men in this movie very attractive.

0:36:04.640 --> 0:36:07.960
<v Speaker 1>Who most? Who most? Uh, Well, you know I know

0:36:08.160 --> 0:36:10.600
<v Speaker 1>that it's just like a basic take to be attracted

0:36:10.600 --> 0:36:13.120
<v Speaker 1>to Jeff Goldbloom, But I was never a person who

0:36:13.239 --> 0:36:16.120
<v Speaker 1>was attracted to Jeff Goldbloom for many years, and like

0:36:16.320 --> 0:36:20.440
<v Speaker 1>suddenly I was like, Jeff Goldbloom, Wow, what a charming guy,

0:36:21.840 --> 0:36:24.879
<v Speaker 1>very good at taking imaginary phone calls and movies. Yeah,

0:36:25.560 --> 0:36:27.759
<v Speaker 1>I'll tell you who I was most attracted to, and

0:36:27.880 --> 0:36:30.480
<v Speaker 1>that would be Mary kay Place. Oh well, Mary Kay Place,

0:36:31.080 --> 0:36:34.680
<v Speaker 1>Mary Kay play is the Mary Yeah. And then there's

0:36:34.719 --> 0:36:40.040
<v Speaker 1>William Hurt obviously Nick Carleton, who's a veteran. He is

0:36:40.080 --> 0:36:46.160
<v Speaker 1>a Vietnam vet. He he cannot get a boner or

0:36:46.560 --> 0:36:49.360
<v Speaker 1>something or or doesn't I don't know my humpand is

0:36:49.440 --> 0:36:53.160
<v Speaker 1>like his dick was blown off? Is that it is

0:36:53.320 --> 0:36:56.120
<v Speaker 1>not really, but I was envisioning the like born on

0:36:56.200 --> 0:36:58.520
<v Speaker 1>the fourth of July, like pulling your tube out. Yeah,

0:36:58.560 --> 0:37:01.160
<v Speaker 1>there's something, that's what I imagine. And chee um. He

0:37:01.280 --> 0:37:03.960
<v Speaker 1>also does a lot of drugs and oh yeah. I

0:37:04.080 --> 0:37:06.120
<v Speaker 1>find him to be the least attractive in this film.

0:37:06.200 --> 0:37:10.800
<v Speaker 1>He's a babe though still u mannerisms wise and the

0:37:10.920 --> 0:37:13.959
<v Speaker 1>dryness of his his sense of humor. He is number

0:37:14.000 --> 0:37:21.640
<v Speaker 1>one babe. Not not exactly, but I like st interesting,

0:37:21.760 --> 0:37:32.000
<v Speaker 1>stoic babe. So hey, friends, it's one fifteen in the

0:37:32.080 --> 0:37:34.960
<v Speaker 1>morning on a Tuesday, which in my life means them

0:37:35.400 --> 0:37:39.200
<v Speaker 1>just finished up with tabletop RPG night during the week

0:37:39.400 --> 0:37:44.440
<v Speaker 1>and return home, occasionally scouring the Internet for new ideas

0:37:44.560 --> 0:37:47.239
<v Speaker 1>or games we might play in the future. H and

0:37:47.360 --> 0:37:51.120
<v Speaker 1>stumbled upon a post from a ready user of funnel

0:37:52.560 --> 0:37:58.719
<v Speaker 1>that is a Frazier RPG tabletop RPG entitled Boss, Dragons

0:37:58.840 --> 0:38:02.840
<v Speaker 1>and Scrambled Eggs. Obviously, I thought the three of you

0:38:03.360 --> 0:38:07.360
<v Speaker 1>and whether or not you've had any experience with tabletop arges,

0:38:08.440 --> 0:38:12.760
<v Speaker 1>and if so, if you'd be interested in playing an

0:38:12.880 --> 0:38:21.440
<v Speaker 1>RPG with Niles Frasier, Lilith and Daphne have a have

0:38:21.560 --> 0:38:24.000
<v Speaker 1>a good e thing. What guys would you like to

0:38:24.080 --> 0:38:29.480
<v Speaker 1>read some passages from Kelsey Grammer's So Far And thank

0:38:29.520 --> 0:38:32.239
<v Speaker 1>you very much to Ben for compiling these. This is

0:38:32.360 --> 0:38:35.719
<v Speaker 1>this is he is our ros. He just spent like

0:38:35.880 --> 0:38:39.279
<v Speaker 1>two hours skimming through this book, the Book of so

0:38:39.480 --> 0:38:43.200
<v Speaker 1>Far dot dot dot. Years after my sister had died,

0:38:43.640 --> 0:38:47.080
<v Speaker 1>a friend of hers told me this story. One night.

0:38:47.200 --> 0:38:50.000
<v Speaker 1>She and Karen had been talking of life and family

0:38:50.520 --> 0:38:54.040
<v Speaker 1>and where we all were going. Karen stopped and thought

0:38:54.080 --> 0:38:57.000
<v Speaker 1>for a minute and then said, I'm not so sure

0:38:57.040 --> 0:39:00.239
<v Speaker 1>about myself, but I do know this Kelsey's to do

0:39:00.360 --> 0:39:04.200
<v Speaker 1>it all. So I dedicate this book to Karen A

0:39:04.280 --> 0:39:08.360
<v Speaker 1>Lisa Grammar. Karen, if I haven't done at all, I

0:39:08.520 --> 0:39:15.680
<v Speaker 1>promise I will still keep trying. That's pretty that's pretty exemplary.

0:39:16.600 --> 0:39:18.920
<v Speaker 1>He was like it's like everyone in his life is

0:39:19.000 --> 0:39:21.880
<v Speaker 1>like Kelsey, you are the greatest man, who were the

0:39:22.000 --> 0:39:26.840
<v Speaker 1>Golden Child? Like I know, I know, I'm wondering. Here's

0:39:26.920 --> 0:39:29.240
<v Speaker 1>here's the story of how Kelsey got cast on Cheers,

0:39:30.239 --> 0:39:32.919
<v Speaker 1>and it's called Weirdness in Kelsey's Life by our producer band.

0:39:35.120 --> 0:39:37.680
<v Speaker 1>They looked at stand up comics, and they looked at actors,

0:39:37.920 --> 0:39:41.239
<v Speaker 1>and then they found me. They found me because every

0:39:41.360 --> 0:39:45.919
<v Speaker 1>moment of my life led them to finding me where

0:39:45.960 --> 0:39:49.320
<v Speaker 1>the strands of causality are most visible. They found me

0:39:49.400 --> 0:39:51.839
<v Speaker 1>because I had been in the Stephen Sondheim musical called

0:39:51.920 --> 0:39:55.120
<v Speaker 1>Sunday in the Park with George, and that was weird.

0:39:55.880 --> 0:39:58.520
<v Speaker 1>I use this word advisedly to the to that point

0:39:59.080 --> 0:40:01.759
<v Speaker 1>my life had included had such weirdness as the murder

0:40:01.880 --> 0:40:05.080
<v Speaker 1>of my father, the rape and murder of my beloved

0:40:05.080 --> 0:40:08.680
<v Speaker 1>and only sister, the drowning deaths of my two half brothers,

0:40:08.880 --> 0:40:11.680
<v Speaker 1>and a marriage that went south even before the ceremony.

0:40:12.280 --> 0:40:14.360
<v Speaker 1>But it was definitely weird that I ever got to

0:40:14.440 --> 0:40:16.880
<v Speaker 1>sing on stage in New York because the thing of

0:40:17.000 --> 0:40:19.200
<v Speaker 1>it was when I was chosen for Sunday in the

0:40:19.280 --> 0:40:21.800
<v Speaker 1>Park with George, I was in my late twenties and

0:40:21.880 --> 0:40:25.240
<v Speaker 1>I hadn't sung since I was in high school. What weird?

0:40:26.280 --> 0:40:33.160
<v Speaker 1>Anywhere near what? I was looking that my friend listened

0:40:33.160 --> 0:40:34.560
<v Speaker 1>to the rest of the book on her drive back.

0:40:35.880 --> 0:40:38.040
<v Speaker 1>You want to, I want to hear everything, just that

0:40:38.200 --> 0:40:42.400
<v Speaker 1>it was bananas. Yeah, I recommend uh listening to the

0:40:42.440 --> 0:40:51.040
<v Speaker 1>audio book. I wanted to draw your attention to this

0:40:51.200 --> 0:40:54.000
<v Speaker 1>Fox interview with a pair of Harvard Divinity School researchers

0:40:54.080 --> 0:40:57.600
<v Speaker 1>who published a paper in that suggested that millennials are

0:40:57.640 --> 0:41:02.600
<v Speaker 1>substituting CrossFit and soul cycle for traditional organized religions. I

0:41:02.719 --> 0:41:05.120
<v Speaker 1>know you have a particular affinity for the occult, and

0:41:05.200 --> 0:41:07.840
<v Speaker 1>while this maybe it's exact opposite, it may hold some

0:41:08.000 --> 0:41:11.000
<v Speaker 1>interest for you for that very reason. It feels like

0:41:11.040 --> 0:41:13.920
<v Speaker 1>another instance of new businesses filling the vacuum created by

0:41:13.960 --> 0:41:20.440
<v Speaker 1>the loss of old institutions. Guys, well as a person

0:41:20.640 --> 0:41:23.600
<v Speaker 1>who's as I was saying, my favorite, um, my favorite

0:41:23.640 --> 0:41:29.560
<v Speaker 1>hot take on everything is it's church. A Star is Born.

0:41:29.680 --> 0:41:32.480
<v Speaker 1>We all saw Stars Born. Emily saw it first at

0:41:32.480 --> 0:41:34.719
<v Speaker 1>a film festival, and then we all saw it when

0:41:34.760 --> 0:41:37.920
<v Speaker 1>it came out in theaters. And the only moment that

0:41:38.040 --> 0:41:42.000
<v Speaker 1>made me feel something very deeply in that film spoiler

0:41:42.719 --> 0:41:45.480
<v Speaker 1>spoiler was when he wet his pants at the Grammys

0:41:47.000 --> 0:41:50.799
<v Speaker 1>and I got down in my seat, I like hunkered down,

0:41:50.880 --> 0:41:52.880
<v Speaker 1>and I didn't know I was going to cross. I

0:41:53.000 --> 0:41:55.520
<v Speaker 1>was just very I was like really disturbed, and it

0:41:55.640 --> 0:41:57.520
<v Speaker 1>was a good, good scene. It's funny because, like, having

0:41:57.560 --> 0:41:59.919
<v Speaker 1>watched all the other versions, like I knew that was coming,

0:42:00.239 --> 0:42:03.319
<v Speaker 1>and yet when it happened, when they got up to like, oh,

0:42:03.400 --> 0:42:05.280
<v Speaker 1>I was like, Oh, she's going to win the Grammy

0:42:05.320 --> 0:42:07.200
<v Speaker 1>and then he's going to get on speed on stage

0:42:07.200 --> 0:42:10.359
<v Speaker 1>and make the speech, because that's what happens in every version. Um.

0:42:10.480 --> 0:42:12.640
<v Speaker 1>And then when he wasn't talking, he just kind of

0:42:12.680 --> 0:42:14.759
<v Speaker 1>stood there. I was like, it started falling asleep. He's

0:42:14.800 --> 0:42:20.160
<v Speaker 1>going to piss himself. You knew you, Yes, I did.

0:42:20.280 --> 0:42:24.680
<v Speaker 1>There's there's a lot of foreshadowing in that movie. There's

0:42:24.880 --> 0:42:28.000
<v Speaker 1>there's a there's an actual shot drink like a whole

0:42:28.040 --> 0:42:30.919
<v Speaker 1>bottle of water before he went on, you know, she said.

0:42:30.960 --> 0:42:32.800
<v Speaker 1>As he sits down, He's like, I was trying to

0:42:32.840 --> 0:42:35.239
<v Speaker 1>go to the bathroom, but somebody like rushed me down

0:42:35.320 --> 0:42:38.719
<v Speaker 1>to the seat. I didn't know that. Yeah, he was

0:42:38.800 --> 0:42:43.640
<v Speaker 1>like they pulled me out of the bathroom or something, Molly,

0:42:44.640 --> 0:42:46.800
<v Speaker 1>how does that play out in the other versions? Like,

0:42:46.920 --> 0:42:50.080
<v Speaker 1>what's that scene? Like? In every version, it's that she

0:42:50.480 --> 0:42:53.960
<v Speaker 1>finally gets like, you know, she's becoming a star, and

0:42:54.120 --> 0:42:57.080
<v Speaker 1>she went toward her career the award of her career

0:42:57.360 --> 0:43:00.560
<v Speaker 1>and he's won it before and then he gets up

0:43:00.600 --> 0:43:10.839
<v Speaker 1>there and just like like ruins it by being so embarrassing. Hey,

0:43:10.880 --> 0:43:14.080
<v Speaker 1>and i'd call. It's five fifty one in upstate New

0:43:14.120 --> 0:43:17.399
<v Speaker 1>York and I'm doing one of my favorite things, which

0:43:17.520 --> 0:43:20.560
<v Speaker 1>is walking my dog and listening to your podcast. And

0:43:21.080 --> 0:43:24.040
<v Speaker 1>the one I'm listening to today is the discussion about

0:43:24.080 --> 0:43:28.640
<v Speaker 1>that cremins cookies. And it made me think of something

0:43:28.719 --> 0:43:31.600
<v Speaker 1>my wife has joked about for the last five years,

0:43:31.680 --> 0:43:37.000
<v Speaker 1>ever since are previous dog died, which is eating his

0:43:38.200 --> 0:43:41.200
<v Speaker 1>cremains and not you know, like a whole bowl of

0:43:41.680 --> 0:43:47.560
<v Speaker 1>ask like a GPS thinking into it and be done

0:43:47.600 --> 0:43:51.560
<v Speaker 1>with it. She's joking she hasn't done it yet, but

0:43:52.920 --> 0:43:56.279
<v Speaker 1>you can all discussed whether it's better or worse if

0:43:56.320 --> 0:43:58.640
<v Speaker 1>it's the family member or not. And I'm asking if

0:43:58.760 --> 0:44:03.080
<v Speaker 1>it's better or worse if it's a pet. So anyway,

0:44:03.400 --> 0:44:07.239
<v Speaker 1>happy nightcall there there might be ghost tapping me on

0:44:07.280 --> 0:44:09.839
<v Speaker 1>the shoulder all the time right now, and and I'm

0:44:09.880 --> 0:44:12.520
<v Speaker 1>just missing them. But it's been a long time. I

0:44:12.600 --> 0:44:14.680
<v Speaker 1>feel like we don't have enough time to go over

0:44:14.800 --> 0:44:18.840
<v Speaker 1>all of which is really saying something like that's impressive

0:44:18.880 --> 0:44:21.360
<v Speaker 1>in and of itself, But we had a few that

0:44:21.480 --> 0:44:25.600
<v Speaker 1>we definitely wanted to hear from you. Maybe in ascending

0:44:25.800 --> 0:44:29.200
<v Speaker 1>order of spookiness, maybe we can get some spooky sound

0:44:29.280 --> 0:44:33.800
<v Speaker 1>effects under this. Yeah, I didn't bring my own. So

0:44:36.560 --> 0:44:42.680
<v Speaker 1>if you go to the Brand Library in Glendale, UM,

0:44:43.040 --> 0:44:45.080
<v Speaker 1>and there's a path if you go there at night,

0:44:45.120 --> 0:44:47.360
<v Speaker 1>there's a path that leads up into the hills behind

0:44:47.480 --> 0:44:50.759
<v Speaker 1>it UM and if you get you you go up

0:44:50.920 --> 0:44:53.719
<v Speaker 1>you You walk up that path about fifteen minutes and

0:44:53.840 --> 0:44:57.160
<v Speaker 1>you'll see a small, a little trail that goes off

0:44:57.239 --> 0:44:59.200
<v Speaker 1>it and you'll notice when you go down the trail

0:44:59.280 --> 0:45:01.920
<v Speaker 1>that the temperature or suddenly drops and you come to

0:45:02.040 --> 0:45:08.719
<v Speaker 1>a wrought iron gate enclosing the purity way. Up in

0:45:08.760 --> 0:45:11.680
<v Speaker 1>the mountains, there's a pyramid. There's a stone pyramid about

0:45:13.320 --> 0:45:18.960
<v Speaker 1>fifty high uh in the hills above above Glendale. It

0:45:19.080 --> 0:45:21.560
<v Speaker 1>is the Brand family, and I believe the Brand family

0:45:21.719 --> 0:45:25.279
<v Speaker 1>built Glendene there. I have you guys been there it

0:45:25.520 --> 0:45:29.160
<v Speaker 1>is so spooky. Have you been there? Know? How? When

0:45:29.239 --> 0:45:32.560
<v Speaker 1>you come soon we will go and there's a chair

0:45:32.600 --> 0:45:34.680
<v Speaker 1>amid is what we're going to get to. And everybody

0:45:34.719 --> 0:45:36.919
<v Speaker 1>I know who goes there says it's like the weirdest place,

0:45:37.719 --> 0:45:40.280
<v Speaker 1>and what this is? How weird it was for my friends,

0:45:40.560 --> 0:45:42.600
<v Speaker 1>for whom I went there and told me the story

0:45:42.680 --> 0:45:47.160
<v Speaker 1>together and swear by it. Uh So you go there

0:45:47.200 --> 0:45:49.960
<v Speaker 1>at night and the gate is closed, you have to

0:45:50.040 --> 0:45:52.560
<v Speaker 1>climb over it. And they came in and they brought

0:45:52.640 --> 0:45:55.439
<v Speaker 1>a wigie board, so they climb over it. They feel

0:45:55.560 --> 0:45:58.480
<v Speaker 1>very weird. They sit down, they put the disc on

0:45:58.800 --> 0:46:02.000
<v Speaker 1>the wigie board and it just starts spitting by itself.

0:46:02.200 --> 0:46:07.640
<v Speaker 1>It starts spitting wildly, and then they are in the

0:46:07.800 --> 0:46:10.960
<v Speaker 1>car in their car on the freeway driving home. Just

0:46:11.080 --> 0:46:16.120
<v Speaker 1>like a time leap. They all lost the time in between. Yes,

0:46:18.440 --> 0:46:21.200
<v Speaker 1>didn't they get rid of the Wegi board. I don't

0:46:21.239 --> 0:46:22.840
<v Speaker 1>know if the wei if the Wegi board was with

0:46:22.960 --> 0:46:26.319
<v Speaker 1>them still interesting, it might still be there. Yeah, I'll

0:46:26.360 --> 0:46:29.239
<v Speaker 1>go getting you guys. Let's go, or let's just bring

0:46:29.320 --> 0:46:33.200
<v Speaker 1>another one that offering another demon story. Yeah, number three,

0:46:33.400 --> 0:46:35.440
<v Speaker 1>So I was not the one that I thought you

0:46:35.520 --> 0:46:39.920
<v Speaker 1>were going to tell, so I'm very curious. The one

0:46:40.120 --> 0:46:47.920
<v Speaker 1>you I remember you telling me at Italy was about um,

0:46:48.600 --> 0:46:52.680
<v Speaker 1>it was like somebody said that you had somebody said

0:46:52.719 --> 0:46:55.840
<v Speaker 1>that you had opened up your near soul to a

0:46:55.880 --> 0:46:59.000
<v Speaker 1>ghost flotter. The Wegi board that was at the haunted

0:46:59.600 --> 0:47:04.920
<v Speaker 1>coffee shop, and wait, wait, the All Star cafe that

0:47:05.040 --> 0:47:07.719
<v Speaker 1>used to be in the Knickerbocker Hotel in front of

0:47:07.800 --> 0:47:11.520
<v Speaker 1>which d W. Griffith died. Um uh the Knicker I

0:47:11.560 --> 0:47:13.880
<v Speaker 1>think the hotel has been bought by scientology now when

0:47:13.920 --> 0:47:18.600
<v Speaker 1>the cafe doesn't just anymore. But uh uh. They claimed

0:47:18.640 --> 0:47:21.120
<v Speaker 1>it was very haunted, and they had a Wigi board,

0:47:21.160 --> 0:47:24.120
<v Speaker 1>and my friend and I were, uh, we're playing with this,

0:47:24.640 --> 0:47:29.160
<v Speaker 1>the Ouiji board, and the boards we started telling us things,

0:47:30.080 --> 0:47:32.560
<v Speaker 1>horrible things we're gonna happen to our friends. It's sort

0:47:32.600 --> 0:47:35.120
<v Speaker 1>of it was. It was spelling very It was the

0:47:35.400 --> 0:47:37.520
<v Speaker 1>quickest Ofuigi board has ever worked for me. I was

0:47:37.560 --> 0:47:39.560
<v Speaker 1>saying like one front of her is gonna die at

0:47:39.600 --> 0:47:41.840
<v Speaker 1>a car accident and other it was like but it

0:47:41.920 --> 0:47:45.480
<v Speaker 1>was it was kind of like jokey horrible things. But uh.

0:47:45.800 --> 0:47:47.239
<v Speaker 1>We asked him who he was and he said he

0:47:47.320 --> 0:47:50.120
<v Speaker 1>was a nine year old boy named named Max and

0:47:50.400 --> 0:47:53.160
<v Speaker 1>I spelled that and as we were leaving, um, we

0:47:53.280 --> 0:47:54.960
<v Speaker 1>said to the owner and a he says, do you

0:47:54.960 --> 0:47:57.040
<v Speaker 1>get anything on the weigi boards? So yeah, someone was

0:47:57.080 --> 0:47:59.200
<v Speaker 1>really great and they're like, oh, was it Max the

0:47:59.239 --> 0:48:06.640
<v Speaker 1>nine year old? What wait, we're a ton of people

0:48:06.760 --> 0:48:09.759
<v Speaker 1>bringing gigi boards to the coffee shop. There was never

0:48:09.880 --> 0:48:11.680
<v Speaker 1>a ton of people in that they had a Weiji

0:48:11.719 --> 0:48:17.719
<v Speaker 1>board there, so it might have been weird. Yeah. At

0:48:17.840 --> 0:48:21.439
<v Speaker 1>around the time that that that happened. And uh, talking

0:48:21.440 --> 0:48:24.520
<v Speaker 1>about friends with their brand cemetery experience, I was at

0:48:24.560 --> 0:48:27.200
<v Speaker 1>a dinner, a group dinner, and there was this, uh,

0:48:27.760 --> 0:48:31.480
<v Speaker 1>there was this old Native American gentleman. This is the

0:48:31.560 --> 0:48:33.560
<v Speaker 1>story I think that you know, it was sort of

0:48:33.880 --> 0:48:40.040
<v Speaker 1>sort of a shaman type, uh self styled shaman, but

0:48:40.239 --> 0:48:42.160
<v Speaker 1>a lot of people held him in very high regard.

0:48:42.320 --> 0:48:46.279
<v Speaker 1>But I started chatting about these ghosts experiences and he

0:48:46.400 --> 0:48:49.760
<v Speaker 1>looked at me and he said, he said, you shouldn't

0:48:49.800 --> 0:48:53.080
<v Speaker 1>be fooling with this, and and I was like, uh,

0:48:53.440 --> 0:48:55.520
<v Speaker 1>it's not you know, just having fun with the work.

0:48:56.080 --> 0:48:57.360
<v Speaker 1>Kids will be kids. What are you what are you

0:48:57.400 --> 0:49:00.400
<v Speaker 1>gonna do? And he kind of looked it was like

0:49:00.480 --> 0:49:03.080
<v Speaker 1>looking in the space around me, and he's like, you're

0:49:03.200 --> 0:49:08.439
<v Speaker 1>opening yourself up to the spirits and I was. I said, well,

0:49:08.800 --> 0:49:10.720
<v Speaker 1>they're welcome to come visit. I don't don't know anything

0:49:10.760 --> 0:49:13.120
<v Speaker 1>against them. He looked at me more and he slammed

0:49:13.160 --> 0:49:17.719
<v Speaker 1>his fifth pounds. No, you are a coffee cup. Your

0:49:17.760 --> 0:49:21.480
<v Speaker 1>coffee cup is empty. The spirits are coffee that coffee

0:49:21.560 --> 0:49:26.640
<v Speaker 1>wants to be in a cup. That is what you're doing.

0:49:32.960 --> 0:49:36.680
<v Speaker 1>So you guys finally got around to seeing Phantom Thread. Um,

0:49:36.920 --> 0:49:39.880
<v Speaker 1>tell me about your experience. Well, now I have an

0:49:39.920 --> 0:49:42.319
<v Speaker 1>excuse to post the caption give me thread till I'm

0:49:42.360 --> 0:49:46.600
<v Speaker 1>dead that I've been planning. I'm gonna let test take it.

0:49:47.200 --> 0:49:52.120
<v Speaker 1>Don't do this test encouragement. Um. I have a lot

0:49:52.200 --> 0:49:55.680
<v Speaker 1>of good things to say about Phantom Thread, things I liked,

0:49:55.960 --> 0:49:58.279
<v Speaker 1>But in the end, I'm going to say that I

0:49:58.440 --> 0:50:01.640
<v Speaker 1>probably liked it the least of all of us. Um.

0:50:02.320 --> 0:50:05.320
<v Speaker 1>Two of my favorite scenes that I thought made it

0:50:05.400 --> 0:50:10.400
<v Speaker 1>a great movie for me alone was the dunking of

0:50:10.480 --> 0:50:16.280
<v Speaker 1>a spear of asparagus into congealed butter, the sound effects

0:50:16.480 --> 0:50:19.880
<v Speaker 1>of eating. I love all of these things. And then, um,

0:50:20.239 --> 0:50:24.440
<v Speaker 1>there was an exchange between between the House of Woodcock

0:50:26.840 --> 0:50:32.200
<v Speaker 1>get it together together the look. I thought it was

0:50:32.280 --> 0:50:35.560
<v Speaker 1>a very very funny movie. I thought it was beautiful

0:50:35.680 --> 0:50:38.360
<v Speaker 1>and very luscious. And I also was kind of like,

0:50:38.719 --> 0:50:42.760
<v Speaker 1>I don't care that I don't care very much about

0:50:43.400 --> 0:50:49.320
<v Speaker 1>the relationship between a narcissistic artist and his muse. Molly's

0:50:49.320 --> 0:50:54.960
<v Speaker 1>sitting here like gleefully. She loved I loved. I loved it.

0:50:55.360 --> 0:50:57.480
<v Speaker 1>And then I went home and I made a list

0:50:57.560 --> 0:50:59.960
<v Speaker 1>of the first time I've taken notes for the podcast.

0:51:00.760 --> 0:51:06.200
<v Speaker 1>Like to read, like to read my notes Phantom thread notes. Uh,

0:51:06.960 --> 0:51:10.520
<v Speaker 1>eyes wide shut is my first note. My second note

0:51:10.680 --> 0:51:16.040
<v Speaker 1>is Sam and Diane Um The Phantom of the Opera,

0:51:17.719 --> 0:51:22.680
<v Speaker 1>Preda Porte, Wuthering Heights. Those are my notes, Preda Porte,

0:51:22.800 --> 0:51:25.960
<v Speaker 1>the Altman film. Yeah, oh my god, let's bring it

0:51:26.160 --> 0:51:31.960
<v Speaker 1>back the most. It's so good. Yeah, no, it is

0:51:32.000 --> 0:51:34.839
<v Speaker 1>what it is. How would you describe your your your

0:51:34.920 --> 0:51:38.399
<v Speaker 1>feeling after leaving the movie, because I had a very

0:51:38.640 --> 0:51:42.279
<v Speaker 1>particular one. I mean, you said you really needed a

0:51:42.360 --> 0:51:45.320
<v Speaker 1>stiff drink. We really needed a stiff drink in like

0:51:45.440 --> 0:51:49.920
<v Speaker 1>the middle, a stiff drink break. It does make you.

0:51:50.040 --> 0:51:52.120
<v Speaker 1>I mean we're talking about it in terms of mother

0:51:52.200 --> 0:51:54.080
<v Speaker 1>a lot too. Because I was like are you more

0:51:54.360 --> 0:51:57.120
<v Speaker 1>less stressed out than you were? Ordering Mother and Das

0:51:57.320 --> 0:51:59.920
<v Speaker 1>was like, I'm less stressed out, but I'm also like

0:52:00.080 --> 0:52:04.960
<v Speaker 1>less engaged. Huh interesting, So I see. I think these

0:52:05.040 --> 0:52:08.160
<v Speaker 1>two movies are so like they hit a lot of

0:52:08.239 --> 0:52:10.080
<v Speaker 1>the same themes in a way that I think it's

0:52:10.120 --> 0:52:12.279
<v Speaker 1>like it's very fortuitous that we are doing them back

0:52:12.320 --> 0:52:15.920
<v Speaker 1>to back, um, because yeah, it's like this this very

0:52:16.000 --> 0:52:23.640
<v Speaker 1>particular the this domineering creative male persona and his wife

0:52:23.760 --> 0:52:29.399
<v Speaker 1>slash partner slash muse living with him. But who else

0:52:29.520 --> 0:52:33.440
<v Speaker 1>relates to the dominating male persona? Why? That's one of

0:52:33.520 --> 0:52:35.560
<v Speaker 1>the reasons why I had to like go take a

0:52:35.640 --> 0:52:38.160
<v Speaker 1>drink afterwards, because I was like, I'm both of them

0:52:38.239 --> 0:52:42.920
<v Speaker 1>at the same time. I don't know which one I like.

0:52:43.040 --> 0:52:44.800
<v Speaker 1>I don't know how to feel about this movie. I

0:52:44.840 --> 0:52:48.560
<v Speaker 1>don't know how to feel about what it portends. Tess

0:52:48.640 --> 0:52:49.640
<v Speaker 1>is like, what do you think it was about? I

0:52:49.719 --> 0:52:51.920
<v Speaker 1>was like, it's about how like marriage is like mutually

0:52:52.000 --> 0:52:54.480
<v Speaker 1>agreeing to like kill each other slowly over a long

0:52:54.680 --> 0:52:58.000
<v Speaker 1>period of time, and like a little bit of poison.

0:52:58.360 --> 0:53:00.920
<v Speaker 1>Well do you know the story that um Paul Thomas

0:53:00.960 --> 0:53:03.760
<v Speaker 1>Anderson has told about it? As far as its origins

0:53:04.040 --> 0:53:07.319
<v Speaker 1>as an idea, Yes, because I read everything. Yeah, I don't,

0:53:07.400 --> 0:53:09.759
<v Speaker 1>I don't. I mean it's kind of love. So it's

0:53:09.880 --> 0:53:12.360
<v Speaker 1>it's that, you know, he is married to Maya Rudolph,

0:53:12.400 --> 0:53:14.560
<v Speaker 1>and it's one of the most enviable, I would say,

0:53:14.680 --> 0:53:18.359
<v Speaker 1>one of the more enviable show business marriages. And um,

0:53:18.840 --> 0:53:21.719
<v Speaker 1>it's an artistic man, and I'm sure that he's maybe

0:53:21.760 --> 0:53:25.440
<v Speaker 1>not always the easiest person to live with. Um. And

0:53:26.440 --> 0:53:28.319
<v Speaker 1>there was some point at which he got really really

0:53:28.440 --> 0:53:31.960
<v Speaker 1>sick and was laid up in bed, and Maya Rudolph

0:53:32.080 --> 0:53:34.400
<v Speaker 1>was like feeding him and taking care of him and

0:53:34.560 --> 0:53:39.400
<v Speaker 1>like realizing that, you know, when he's kind of taken

0:53:39.440 --> 0:53:43.280
<v Speaker 1>off of his game or like forced into into physical

0:53:43.480 --> 0:53:47.080
<v Speaker 1>submission via illness, that like suddenly their relationship was so

0:53:47.200 --> 0:53:50.360
<v Speaker 1>much more tender and loving. And uh, that was the

0:53:50.560 --> 0:53:54.000
<v Speaker 1>that was the beginning of the movie. Well, Molly found

0:53:54.040 --> 0:53:59.479
<v Speaker 1>an interesting quote from Jennifer Lawrence on Phantom Threat. She said,

0:53:59.680 --> 0:54:01.960
<v Speaker 1>I got through about three minutes of it. I put

0:54:02.040 --> 0:54:04.360
<v Speaker 1>in a in a good, solid three I'm sorry to

0:54:04.440 --> 0:54:07.040
<v Speaker 1>anybody who loved that movie. I couldn't give that kind

0:54:07.080 --> 0:54:09.840
<v Speaker 1>of time. It was three minutes and I was just oof.

0:54:10.840 --> 0:54:14.000
<v Speaker 1>Is it just about clothes. Is Reynolds Woodcock kind of

0:54:14.080 --> 0:54:17.040
<v Speaker 1>like a narcissistic sociopath, and he's an artist, So every

0:54:17.080 --> 0:54:19.000
<v Speaker 1>girl falls in love with him because he makes her

0:54:19.000 --> 0:54:21.520
<v Speaker 1>feel bad about herself, and that's the love story. I

0:54:21.640 --> 0:54:23.919
<v Speaker 1>haven't seen it, so I don't know. I've been down

0:54:23.960 --> 0:54:26.200
<v Speaker 1>that road. I know what that's like. I don't need

0:54:26.280 --> 0:54:32.200
<v Speaker 1>to watch that movie. First of all. Queen Jennifer Lawrence

0:54:32.680 --> 0:54:34.719
<v Speaker 1>doing the thing I always do, which is to tell

0:54:34.840 --> 0:54:44.640
<v Speaker 1>you a whole opinion about the movie you haven't seen. Uh.

0:54:45.040 --> 0:54:50.479
<v Speaker 1>I have a private wood shop, um, mostly a hobby.

0:54:50.600 --> 0:54:53.279
<v Speaker 1>I do some side work. I've been doing it for years. Uh.

0:54:54.400 --> 0:54:57.600
<v Speaker 1>This friend of mine this weekend introduced me to a

0:54:57.719 --> 0:55:01.560
<v Speaker 1>friend of hers who had a job they wanted done.

0:55:03.360 --> 0:55:08.920
<v Speaker 1>And I should preface that by saying that over in

0:55:09.000 --> 0:55:11.480
<v Speaker 1>a suburb of the city near where we live, back

0:55:11.520 --> 0:55:15.279
<v Speaker 1>in I think it's two thousand fourteen, there was this

0:55:15.800 --> 0:55:20.399
<v Speaker 1>horrible crime. It was like a murder scene literally where

0:55:20.520 --> 0:55:22.759
<v Speaker 1>a person was killed and other people were injured, and

0:55:22.760 --> 0:55:25.920
<v Speaker 1>it was really bloody, and they've had no ability to

0:55:26.160 --> 0:55:29.840
<v Speaker 1>like sell or rent the property since then, and people

0:55:30.800 --> 0:55:33.040
<v Speaker 1>go in there and sneak in there sometimes, mostly kids

0:55:33.080 --> 0:55:37.279
<v Speaker 1>and stuff. Anyway, this young woman, she has a piece

0:55:37.360 --> 0:55:41.239
<v Speaker 1>of wood which she claims and I have no way

0:55:41.280 --> 0:55:43.839
<v Speaker 1>to prove this, that she and a couple of her

0:55:43.920 --> 0:55:48.560
<v Speaker 1>friends pried this piece of wood out from where all

0:55:48.640 --> 0:55:51.400
<v Speaker 1>the bad things happened. And again I don't know if

0:55:51.440 --> 0:55:55.480
<v Speaker 1>it's true. It's a nice, big, heavy, uh piece of

0:55:55.520 --> 0:56:01.520
<v Speaker 1>wood that has some weird discoloration on it. Anyway, they

0:56:01.600 --> 0:56:05.760
<v Speaker 1>wanted to know if I would make them a ligia

0:56:05.800 --> 0:56:09.839
<v Speaker 1>board and a plan chet out of it. Um. I'm

0:56:09.880 --> 0:56:11.799
<v Speaker 1>not saying I believe in all that stuff, but I'm

0:56:11.800 --> 0:56:14.680
<v Speaker 1>also in no way saying I don't believe in it

0:56:16.239 --> 0:56:19.719
<v Speaker 1>to the point where I think about it. And I

0:56:19.840 --> 0:56:24.839
<v Speaker 1>know that some people who play with spirit boards and things, um,

0:56:25.040 --> 0:56:26.839
<v Speaker 1>and they have like pictures of the kind they wanted,

0:56:26.960 --> 0:56:31.120
<v Speaker 1>just like this Eastern European really Gothic style one. I

0:56:31.200 --> 0:56:33.920
<v Speaker 1>know people who use it. You always hear stories like

0:56:34.000 --> 0:56:38.480
<v Speaker 1>they get like maybe entities attached to them or something

0:56:38.680 --> 0:56:43.839
<v Speaker 1>like that, and it never ends well. But what about

0:56:43.920 --> 0:56:46.200
<v Speaker 1>the person who's like the carpenter who just makes it.

0:56:47.120 --> 0:56:50.160
<v Speaker 1>I mean, if they're not using it, they're not playing

0:56:50.200 --> 0:56:52.120
<v Speaker 1>with it, they're not trying to talk to anybody or

0:56:52.200 --> 0:56:56.120
<v Speaker 1>communicate with anything. I guess My question is, if you

0:56:56.200 --> 0:56:59.080
<v Speaker 1>were my position, would you just say stop overthinking this

0:56:59.239 --> 0:57:00.680
<v Speaker 1>and go ahead and take the job, because I could

0:57:00.680 --> 0:57:03.319
<v Speaker 1>definitely use the cash and it does sound like kind

0:57:03.320 --> 0:57:09.000
<v Speaker 1>of a cool project. Hey guys, this is the woodworker

0:57:09.280 --> 0:57:11.560
<v Speaker 1>who apparently has now become known as the guy with

0:57:11.680 --> 0:57:16.080
<v Speaker 1>the murder board. Um cralling to give you an update,

0:57:16.160 --> 0:57:20.720
<v Speaker 1>I guess. Uh. I listen to the show and all

0:57:20.760 --> 0:57:23.160
<v Speaker 1>the advice you had in the commentary, there's a lot

0:57:23.200 --> 0:57:27.560
<v Speaker 1>to think about. I really appreciated that I had no

0:57:27.760 --> 0:57:31.440
<v Speaker 1>idea that you're fans were going to get so interested

0:57:31.480 --> 0:57:34.760
<v Speaker 1>in start having polls and things. But anyway, just to

0:57:34.960 --> 0:57:37.560
<v Speaker 1>clear up a couple of things, UM, A lot of

0:57:37.600 --> 0:57:41.320
<v Speaker 1>people asked about it. Was it unsolved? Uh No, the

0:57:41.400 --> 0:57:44.720
<v Speaker 1>murder was not unsolved. The person who did it was

0:57:45.000 --> 0:57:47.160
<v Speaker 1>in the house when the police are. They were found

0:57:47.240 --> 0:57:49.720
<v Speaker 1>like immediately. So it's not a thing where you can,

0:57:50.160 --> 0:57:52.640
<v Speaker 1>you know, solve the mystery and be like Nancy true

0:57:52.680 --> 0:57:57.840
<v Speaker 1>or whatever. UM. I guess the other update is that

0:57:58.040 --> 0:58:02.040
<v Speaker 1>I did decide to take the job. Uh after listening

0:58:02.160 --> 0:58:08.840
<v Speaker 1>to a lot of feedback, including yours. UM, So that's

0:58:08.880 --> 0:58:12.280
<v Speaker 1>pretty much it. I got a couple of things in

0:58:12.360 --> 0:58:13.920
<v Speaker 1>front of it, and I already told them it's going

0:58:13.960 --> 0:58:17.320
<v Speaker 1>to take a probably at least two months, but I

0:58:17.440 --> 0:58:20.360
<v Speaker 1>will try to email you some pictures when it's done. No,

0:58:20.600 --> 0:58:23.480
<v Speaker 1>I do not think I am opening a portal of

0:58:23.640 --> 0:58:27.480
<v Speaker 1>death to anything I you know. And as far as

0:58:27.520 --> 0:58:30.800
<v Speaker 1>the questions about the wood that was used, no, I

0:58:31.040 --> 0:58:34.520
<v Speaker 1>I cannot prove that that would had blood on it.

0:58:34.680 --> 0:58:38.440
<v Speaker 1>It has weird discolorations. I'll send you a picture. Uh,

0:58:39.000 --> 0:58:43.080
<v Speaker 1>But again, you know, it's a paying customer, and how

0:58:43.200 --> 0:58:46.360
<v Speaker 1>much I believe in it, I don't know. Hopefully my

0:58:46.440 --> 0:58:49.200
<v Speaker 1>next call will not involve my basement turning into like

0:58:49.400 --> 0:58:54.000
<v Speaker 1>an Indian gerald ground with you know, tombstones coming up

0:58:54.040 --> 0:58:57.800
<v Speaker 1>to the floor. But that's pretty much it. And you know,

0:58:58.320 --> 0:59:05.440
<v Speaker 1>thanks for answering question and take care. Since you mentioned

0:59:05.480 --> 0:59:08.120
<v Speaker 1>this week about wanting to hear updates on any weirdness

0:59:08.160 --> 0:59:10.560
<v Speaker 1>going on and my dreams, i'd figure i'd get it

0:59:10.600 --> 0:59:13.200
<v Speaker 1>out of the way in two parts. I've been trying

0:59:13.240 --> 0:59:16.080
<v Speaker 1>to stay aware of anything odd going on besides these

0:59:16.120 --> 0:59:18.800
<v Speaker 1>recurring dreams, which I'll get to in a moment. For

0:59:18.920 --> 0:59:21.160
<v Speaker 1>some reason, my phone's camera has been blurring out or

0:59:21.160 --> 0:59:24.000
<v Speaker 1>going dark taking these shots. It doesn't do that normally,

0:59:24.480 --> 0:59:26.320
<v Speaker 1>but the lighting in my shop isn't great so that

0:59:26.400 --> 0:59:29.120
<v Speaker 1>it could account for it. The only really weird thing

0:59:29.200 --> 0:59:32.160
<v Speaker 1>that happened took place Friday night. My neighbor Mark was

0:59:32.240 --> 0:59:34.400
<v Speaker 1>over and we were in the kitchen talking about the board.

0:59:34.840 --> 0:59:37.160
<v Speaker 1>While we're talking, all of a sudden, we both heard

0:59:37.240 --> 0:59:40.080
<v Speaker 1>this loud sound. The only way I can describe it

0:59:40.440 --> 0:59:42.680
<v Speaker 1>is like the sudden burst of wings and a lot

0:59:42.720 --> 0:59:45.560
<v Speaker 1>of birds. I swear it sounded like it came from

0:59:45.600 --> 0:59:48.040
<v Speaker 1>downstairs in the shop. Mark said he thought the sound

0:59:48.080 --> 0:59:51.000
<v Speaker 1>came from outside, but the window was closed. Like an idiot,

0:59:51.040 --> 0:59:53.080
<v Speaker 1>I grabbed a baseball bat and went down the stairs,

0:59:53.160 --> 0:59:55.120
<v Speaker 1>creeping and peeking around corners, like the guy in a

0:59:55.200 --> 0:59:56.800
<v Speaker 1>horror movie that you just know is going to be

0:59:56.840 --> 0:59:58.840
<v Speaker 1>the next one to die. I got down there and

0:59:58.960 --> 1:00:02.320
<v Speaker 1>saw no thing. As to the dreams you mentioned, it's

1:00:02.360 --> 1:00:04.280
<v Speaker 1>really only just the one dream, but I've had it

1:00:04.280 --> 1:00:06.880
<v Speaker 1>at least five or six times. In the dream, I'm

1:00:06.880 --> 1:00:08.680
<v Speaker 1>in a house, but it's not my house. The murder

1:00:08.760 --> 1:00:11.160
<v Speaker 1>board is there, and it's completely finished and beautiful, but

1:00:11.240 --> 1:00:13.560
<v Speaker 1>it's grown gigantic, so it's the size of the entire

1:00:13.600 --> 1:00:15.720
<v Speaker 1>wall of the room. I'm in I somehow know they're

1:00:15.720 --> 1:00:17.320
<v Speaker 1>supposed to be a door there and they need to

1:00:17.360 --> 1:00:19.520
<v Speaker 1>go through it, but the murder board has no door

1:00:19.600 --> 1:00:21.760
<v Speaker 1>in it, and I'm frantically trying to find a way

1:00:21.800 --> 1:00:23.400
<v Speaker 1>to get wherever it is I'm supposed to go, but

1:00:23.520 --> 1:00:25.560
<v Speaker 1>I can't. And one of the dreams, the ink on

1:00:25.600 --> 1:00:28.160
<v Speaker 1>the board was running down across it. Then I wake up.

1:00:31.600 --> 1:00:34.480
<v Speaker 1>Thank you so much for that update. This has been

1:00:35.120 --> 1:00:38.120
<v Speaker 1>a wild ride. So we had an email proceeding this

1:00:38.240 --> 1:00:42.560
<v Speaker 1>that said that, um, the person who had ordered the

1:00:42.680 --> 1:00:46.080
<v Speaker 1>murder board, she was kind of shamed on social media,

1:00:46.320 --> 1:00:49.040
<v Speaker 1>called which all of this stuff, and then her parents

1:00:49.120 --> 1:00:53.080
<v Speaker 1>found out and they're religious. How did how did they

1:00:53.160 --> 1:00:57.720
<v Speaker 1>find her? I think ours? No, no, no, I think

1:00:57.840 --> 1:01:00.200
<v Speaker 1>she was talking about this. I think she told her

1:01:00.280 --> 1:01:02.320
<v Speaker 1>parents or something. No, she I think she told some

1:01:02.440 --> 1:01:04.919
<v Speaker 1>of her friends, and then her friends started like giving

1:01:04.960 --> 1:01:07.800
<v Speaker 1>her ship on social media. And then her parents found out,

1:01:07.880 --> 1:01:10.680
<v Speaker 1>and her parents were are very religious, and they were furious.

1:01:11.040 --> 1:01:14.040
<v Speaker 1>They forbade her from finishing the purchase of the murder board.

1:01:14.560 --> 1:01:18.280
<v Speaker 1>So our woodworker was allowed to keep the deposit, but

1:01:18.400 --> 1:01:20.920
<v Speaker 1>that wasn't very much money. And then she said, you know,

1:01:21.040 --> 1:01:24.200
<v Speaker 1>she wouldn't take the murder board, So now he's left

1:01:24.360 --> 1:01:26.000
<v Speaker 1>trying to figure out what to do with this thing

1:01:26.080 --> 1:01:28.840
<v Speaker 1>if he wants to. I think the options were kind

1:01:28.840 --> 1:01:31.440
<v Speaker 1>of like burn it, get rid of it. The other

1:01:31.520 --> 1:01:33.640
<v Speaker 1>one was to keep it as kind of like a showcase,

1:01:33.680 --> 1:01:36.120
<v Speaker 1>because he said as pictures and it actually is like gorgeous,

1:01:36.280 --> 1:01:41.880
<v Speaker 1>it's really so he could keep it as an example

1:01:41.960 --> 1:01:43.680
<v Speaker 1>of what he can do, which I think is probably

1:01:43.720 --> 1:01:46.280
<v Speaker 1>a pretty good choice other than it means keeping a

1:01:46.360 --> 1:01:48.920
<v Speaker 1>cursed object. And then the third one is finding a

1:01:48.960 --> 1:01:54.280
<v Speaker 1>different buyer but won't or no. Well, I think he

1:01:54.400 --> 1:01:57.200
<v Speaker 1>was asking if that's ethical. I actually don't think that is.

1:01:57.480 --> 1:01:59.920
<v Speaker 1>I think you have to tell people. Yeah, he was

1:02:00.040 --> 1:02:02.440
<v Speaker 1>saying he would he wouldn't feel comfortable selling it to

1:02:02.520 --> 1:02:04.919
<v Speaker 1>somebody without telling them it's curse. But he also doesn't

1:02:04.920 --> 1:02:06.600
<v Speaker 1>want to sell it to someone who knows it's curse

1:02:06.640 --> 1:02:13.960
<v Speaker 1>and wants Hey, my name's Andrew. There is a traveling

1:02:14.120 --> 1:02:19.880
<v Speaker 1>museum of the paranormal. And my understanding is that, Um,

1:02:20.080 --> 1:02:22.040
<v Speaker 1>it's a it's a husband and wife who run it.

1:02:22.960 --> 1:02:26.280
<v Speaker 1>Um she is I believe a medium or some kind

1:02:26.320 --> 1:02:30.320
<v Speaker 1>of psychic. Um. No, she's a witch. She is like

1:02:30.440 --> 1:02:34.480
<v Speaker 1>a wicked witch and he is just like, I don't know,

1:02:34.560 --> 1:02:36.800
<v Speaker 1>either fucking husband whatever. I think he's also like a

1:02:37.320 --> 1:02:40.640
<v Speaker 1>journalist but not whatever. The point is they have a

1:02:40.720 --> 1:02:45.040
<v Speaker 1>Traveling Museum of the Paranormal UM, and they have all

1:02:45.160 --> 1:02:48.360
<v Speaker 1>kinds of haunted and cursed projects, so when there is

1:02:48.440 --> 1:02:52.440
<v Speaker 1>some kind of concern, um, people can call them uh

1:02:52.520 --> 1:02:55.120
<v Speaker 1>and come by to take a look figure out what

1:02:55.200 --> 1:02:58.480
<v Speaker 1>the deal is. So I think that if they were

1:02:58.560 --> 1:03:04.280
<v Speaker 1>willing to, you know, like swing by and potentially phony

1:03:04.400 --> 1:03:08.560
<v Speaker 1>up a little, that um, the Traveling of the Paranormal

1:03:08.840 --> 1:03:12.520
<v Speaker 1>would be a great home for the Murder Board. So

1:03:12.760 --> 1:03:16.120
<v Speaker 1>I just wanted to throw that out there. Seems seems

1:03:16.160 --> 1:03:19.280
<v Speaker 1>like a great idea, seems like a I think this

1:03:19.520 --> 1:03:21.600
<v Speaker 1>is I think it solves it. I think that's like

1:03:21.840 --> 1:03:23.960
<v Speaker 1>this was all meant to be, because that would be

1:03:24.040 --> 1:03:27.200
<v Speaker 1>the perfect ending to this story. Yeah, but we got

1:03:27.280 --> 1:03:30.280
<v Speaker 1>a final update. I know I said last final update

1:03:30.360 --> 1:03:32.400
<v Speaker 1>was the final update, but this is really the final

1:03:32.520 --> 1:03:37.000
<v Speaker 1>update from the woodworker who made the murder board. So um,

1:03:37.640 --> 1:03:42.480
<v Speaker 1>the Woodworker contacted the Traveling Museum of the Paranormal and occult,

1:03:42.760 --> 1:03:45.360
<v Speaker 1>which was a suggestion that one of our listeners called

1:03:45.400 --> 1:03:47.880
<v Speaker 1>in and said, maybe that's the best place for the

1:03:47.960 --> 1:03:51.320
<v Speaker 1>murder board. Uh, he says. I didn't have much hope

1:03:51.320 --> 1:03:53.320
<v Speaker 1>that they would be interested, but I sent an email

1:03:53.360 --> 1:03:56.360
<v Speaker 1>to the curator, Greg Newkirk. To my great surprise, he

1:03:56.440 --> 1:03:58.840
<v Speaker 1>got back to me within a day and was very interested.

1:03:59.200 --> 1:04:01.640
<v Speaker 1>He listened to the podcast and knows the history of

1:04:01.680 --> 1:04:05.400
<v Speaker 1>the murder board. He immediately requested more background information and pictures,

1:04:05.600 --> 1:04:07.120
<v Speaker 1>but made it clear they would like to have it.

1:04:07.440 --> 1:04:10.800
<v Speaker 1>He was very informative and helpful. Long story short, the

1:04:10.840 --> 1:04:12.959
<v Speaker 1>board was mailed out today and they will begin whatever

1:04:13.040 --> 1:04:15.560
<v Speaker 1>study they do on such things when it arrives. A

1:04:15.640 --> 1:04:18.640
<v Speaker 1>couple of days later, there was a tweet from the

1:04:18.720 --> 1:04:21.880
<v Speaker 1>Paranormal Museum. This this just like made our day. So

1:04:22.000 --> 1:04:25.480
<v Speaker 1>we got a tweet from at the Para Museum the

1:04:25.600 --> 1:04:28.760
<v Speaker 1>Paranormal Museum's Twitter account, and they said, hey, night call pod.

1:04:29.080 --> 1:04:31.200
<v Speaker 1>We received a package at the museum p O box

1:04:31.280 --> 1:04:34.040
<v Speaker 1>this afternoon. Take one guess what was inside And then

1:04:34.120 --> 1:04:37.080
<v Speaker 1>a little picture of the note that the woodworker attached

1:04:37.120 --> 1:04:40.480
<v Speaker 1>to it that says, as discussed, please find and closed

1:04:40.480 --> 1:04:42.720
<v Speaker 1>the murder board. As much as I almost don't want

1:04:42.720 --> 1:04:45.320
<v Speaker 1>to know, Please keep me updated with what, if anything

1:04:45.520 --> 1:04:48.280
<v Speaker 1>you find and what the future holds for the piece. Yeah,

1:04:48.640 --> 1:04:51.920
<v Speaker 1>all's well that ends. Well, it's a really beautiful story.

1:04:58.720 --> 1:05:01.320
<v Speaker 1>That's so great about our l is that, Yeah, it

1:05:01.400 --> 1:05:04.120
<v Speaker 1>didn't matter if you really believe in the conspiracies or not,

1:05:04.360 --> 1:05:07.520
<v Speaker 1>because it's about just sort of going to those weird

1:05:08.240 --> 1:05:10.200
<v Speaker 1>places of the mind of like what if all you know,

1:05:10.240 --> 1:05:12.880
<v Speaker 1>I think to most people, it's like satisfying to make

1:05:12.920 --> 1:05:16.040
<v Speaker 1>connections where there are none, you know, because like, wouldn't

1:05:16.040 --> 1:05:19.480
<v Speaker 1>it make more sense if everything did have all these

1:05:19.560 --> 1:05:23.760
<v Speaker 1>weird interconnections and the world all was a universal theory

1:05:24.040 --> 1:05:28.320
<v Speaker 1>of lizard people. Um, it can just get politicized so easily,

1:05:28.440 --> 1:05:31.240
<v Speaker 1>but when it's just like I wonder why that is

1:05:31.360 --> 1:05:33.680
<v Speaker 1>the way it was? Is just like a weird like

1:05:34.080 --> 1:05:38.120
<v Speaker 1>imaginary playground of Caleb Horton wrote a really great thing

1:05:38.200 --> 1:05:41.560
<v Speaker 1>about art Bell that he reposted on his Twitter uh

1:05:42.400 --> 1:05:44.280
<v Speaker 1>that he wrote a while ago, but it was just

1:05:44.520 --> 1:05:47.520
<v Speaker 1>about art Bell and about how like art Bell is

1:05:47.520 --> 1:05:50.000
<v Speaker 1>the perfect thing to drive long distances to. Yes, no,

1:05:50.160 --> 1:05:53.200
<v Speaker 1>that's my that's my relationship with you saying it's also

1:05:53.320 --> 1:05:55.840
<v Speaker 1>because it's like that's when you really have time to

1:05:56.120 --> 1:05:58.640
<v Speaker 1>meditate on like what are those lights in the distance? Like,

1:05:58.800 --> 1:06:01.760
<v Speaker 1>what's that weird grain silo I just passed? And that

1:06:01.880 --> 1:06:06.280
<v Speaker 1>aren't Bell really just you know, creates this environment where

1:06:06.280 --> 1:06:08.760
<v Speaker 1>you're allowed to just like indulge in wondering about those

1:06:08.760 --> 1:06:11.840
<v Speaker 1>things like what if it was planted there by the aliens?

1:06:12.240 --> 1:06:15.800
<v Speaker 1>And just the call in aspect too is I mean,

1:06:15.880 --> 1:06:18.040
<v Speaker 1>it just creates this sort of it kind of feels

1:06:18.040 --> 1:06:21.600
<v Speaker 1>like the radio equivalent of the kind of Internet that

1:06:21.680 --> 1:06:23.960
<v Speaker 1>we talk a lot about that I've lost, the kind

1:06:24.000 --> 1:06:29.320
<v Speaker 1>of ungentrified weirdos only message board. Yeah, yeah, totally, Like

1:06:29.400 --> 1:06:31.920
<v Speaker 1>it is a message board radio show people who care

1:06:31.920 --> 1:06:34.160
<v Speaker 1>about aliens and who aren't like trying to get the

1:06:34.200 --> 1:06:36.720
<v Speaker 1>biggest audience possible, but are just like I have to

1:06:36.840 --> 1:06:39.840
<v Speaker 1>find all the other people. Needs to wave my freak

1:06:39.880 --> 1:06:43.920
<v Speaker 1>flag so that I can find my people. So that

1:06:44.120 --> 1:06:45.960
<v Speaker 1>was a big reason we wanted this to be a

1:06:46.040 --> 1:06:49.080
<v Speaker 1>call in show. Yeah yeah. And the other thing is

1:06:49.200 --> 1:06:52.280
<v Speaker 1>like I think that the the long drive thing is

1:06:52.360 --> 1:06:55.600
<v Speaker 1>totally I mean that is like that is my It's

1:06:55.640 --> 1:06:57.919
<v Speaker 1>not like I listened to Coast to Coast all the time,

1:06:58.080 --> 1:07:00.200
<v Speaker 1>but definitely if I was on a road trip, I did.

1:07:00.800 --> 1:07:02.880
<v Speaker 1>What also is interesting about Urt Bell is obviously the

1:07:02.920 --> 1:07:05.040
<v Speaker 1>ways it overlaps with like Philip K. Dick and people

1:07:05.080 --> 1:07:07.160
<v Speaker 1>like that, where you're like, how much of this might

1:07:07.240 --> 1:07:10.280
<v Speaker 1>even just be in your head? But also like it's

1:07:10.400 --> 1:07:12.320
<v Speaker 1>very interesting in your head and I want to know,

1:07:12.480 --> 1:07:14.280
<v Speaker 1>but it might be scary in there. Seems a little

1:07:14.280 --> 1:07:16.640
<v Speaker 1>scary in there. Sometimes it's like, what are you experienceding?

1:07:16.760 --> 1:07:18.440
<v Speaker 1>You know, there's enough to make you feel paranoid, but

1:07:18.520 --> 1:07:22.720
<v Speaker 1>to actually like uproot your life and take action in that. Well,

1:07:22.760 --> 1:07:25.240
<v Speaker 1>that also shows that maybe it's not like just a character,

1:07:25.320 --> 1:07:29.120
<v Speaker 1>because obviously some radio personas are No, I don't think character.

1:07:29.960 --> 1:07:33.600
<v Speaker 1>But the voice, it's like, it's such a good voice

1:07:34.240 --> 1:07:35.880
<v Speaker 1>he has. I mean, he's so great at what he

1:07:35.960 --> 1:07:40.680
<v Speaker 1>does that, you know, George Nori sort of demonstrates what

1:07:40.960 --> 1:07:43.560
<v Speaker 1>is so great about Urt Bell that is not just

1:07:43.960 --> 1:07:49.200
<v Speaker 1>immediately replicable by anyone else. So it's interesting to talk

1:07:49.240 --> 1:07:51.120
<v Speaker 1>and we talked about this. This is what the podcast is.

1:07:51.200 --> 1:07:56.560
<v Speaker 1>It's like we're like leftist conspiracy there and unite radical

1:07:56.640 --> 1:08:03.320
<v Speaker 1>feminist conspiracy theories, but like radical conspiracy theories you know

1:08:04.320 --> 1:08:11.880
<v Speaker 1>are real, They're all true. Valerie Salanis was just writing

1:08:11.920 --> 1:08:20.400
<v Speaker 1>what she knew. Yeah, please make that the title today. Um, well,

1:08:20.600 --> 1:08:24.840
<v Speaker 1>rest rest and rest and recipe if you are so.

1:08:25.040 --> 1:08:29.080
<v Speaker 1>That does it for ouren clip show here on Nightcall. Again,

1:08:29.240 --> 1:08:31.519
<v Speaker 1>thank you so much to all of our listeners and

1:08:31.600 --> 1:08:33.439
<v Speaker 1>all of our all the people who called in an

1:08:33.479 --> 1:08:35.920
<v Speaker 1>emailed and texted us and posted on our Facebook and

1:08:35.960 --> 1:08:40.680
<v Speaker 1>tweeted at us. You are the engine that keeps the

1:08:40.920 --> 1:08:45.479
<v Speaker 1>Nightcall car go Queen through the night. We also wanted

1:08:45.520 --> 1:08:47.479
<v Speaker 1>to thank all of our guests. We had such amazing

1:08:47.560 --> 1:08:51.040
<v Speaker 1>guests this year, so thank you to Claire Evans, Carvel Wallace,

1:08:51.600 --> 1:08:55.519
<v Speaker 1>Richard Lawson, Richard rush Field, Andrew t Jen Ramlini, Brooke Baker,

1:08:55.640 --> 1:08:59.679
<v Speaker 1>Ali Ward, Leslie Moon, Darcy Wilder, Jack O'Brien and Ryan

1:08:59.800 --> 1:09:04.000
<v Speaker 1>Johnson at our secret live show and also the Magic

1:09:04.080 --> 1:09:06.920
<v Speaker 1>of Emma and in a Noope. We'd also like to

1:09:07.000 --> 1:09:11.080
<v Speaker 1>thank our amazing producers Rachel Jacobs and Ben Hosley the

1:09:11.160 --> 1:09:16.639
<v Speaker 1>pro duer. We'll see you all next year in twenty nineteen. UM,

1:09:16.960 --> 1:09:18.720
<v Speaker 1>it's going to be a good one. We already have

1:09:18.880 --> 1:09:21.400
<v Speaker 1>like ten things we need to talk about, so I'm excited.

1:09:21.640 --> 1:09:25.400
<v Speaker 1>It's what it's wet. Oh. Also, if you have recommendations

1:09:25.479 --> 1:09:28.040
<v Speaker 1>for things that we should talk about, please give us

1:09:28.080 --> 1:09:30.360
<v Speaker 1>a call at two four oh four six night or

1:09:30.479 --> 1:09:33.160
<v Speaker 1>an email at night called podcast at gmail dot com.

1:09:36.200 --> 1:09:39.960
<v Speaker 1>We're back like we never live. We never lived, never lived,

1:09:40.360 --> 1:09:50.040
<v Speaker 1>never left to the best. We have a job, thank god.

1:09:51.080 --> 1:10:01.440
<v Speaker 1>We go n research and she on plan for disasters.

1:10:02.120 --> 1:10:04.720
<v Speaker 1>Molly love the Valley, send you articles to freaking out

1:10:05.080 --> 1:10:08.400
<v Speaker 1>emlik at the remedy from the music critics. She could

1:10:08.439 --> 1:10:15.200
<v Speaker 1>be Africans acraeah. We just tell it like it's gonna

1:10:15.280 --> 1:10:15.320
<v Speaker 1>be