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Speaker 1: You can watch the original episode we'll be discussing in

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Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the

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Speaker 1: new and final season, on Max. You can also watch

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Speaker 1: the video version of the History of Curby Enthusiasm podcast

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Speaker 1: on Max and YouTube as well. Links available in the

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Speaker 1: episode description. All Right, Hi, everybody, 'menthusiasman.

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Speaker 2: And I'm Jeff Garlics and.

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Speaker 1: We are doing season five, episode seven, the sayer yes yes.

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Speaker 1: And we start out with Larry's down at his front steps.

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Speaker 1: It's the morning and he's looking for something. He doesn't

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Speaker 1: see it, and then he sees the neighbors across the street,

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Speaker 1: older couple taking packages out of their car. And the

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Speaker 1: neighbors are Pat Harrington who plays Mac and Jenny Ventris,

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Speaker 1: who plays Ethel Mac. Pat Harrington is, of course an

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Speaker 1: old character actor and commedee. He was a stand up,

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Speaker 1: right end up yes yes on one day at a

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Speaker 1: time for many one day he.

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Speaker 2: Played a handyman around the building. Yeah. He was very

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Speaker 2: sweet to me, and uh, you know, anytime I get

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Speaker 2: a chance to work with I was a big, you know,

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Speaker 2: TV movie person. So when I work with anyone that

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Speaker 2: from my child of that stuff, I get very excited,

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Speaker 2: and he was great. And you know, I always say

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Speaker 2: he answered every question I asked. I asked him what

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Speaker 2: Bonnie Franklin was really like and then she was a

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Speaker 2: gentle love maker. I wanted to know if all.

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Speaker 1: Of those guys. What I remember about all those comedians

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Speaker 1: when I was growing up is they were always on

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Speaker 1: the quiz shows, on Password and on you know, the

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Speaker 1: match Game and all that stuff. And that's what I

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Speaker 1: remember them from the most. You know, where where did

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Speaker 1: we see stand up? Except the Ed Sullivan Show, We

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Speaker 1: didn't really well, the Tonight Show and the Night Show. Yeah,

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Speaker 1: that's true Tonight and yeah.

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Speaker 2: And uh, Mike Douglas, that's it. List is over, Yeah, done, Yeah,

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Speaker 2: Mike Douglas. Do you know where he records? Where the

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Speaker 2: show from?

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Speaker 1: Nowhere?

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Speaker 2: Philadelphia?

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Speaker 1: Oh that's right, I did know that, Yeah, Philadelpha. How

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Speaker 1: interesting that is it?

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Speaker 2: It is really interesting because I don't think there's been

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Speaker 2: a show that's been actually based there of that type.

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Speaker 2: Oh no, I take about American bands.

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Speaker 1: American band said, I was just about Clark from Malvern

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Speaker 1: in New York, where I was brought up, and who

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Speaker 1: else grew up in Mount Vern in New.

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Speaker 2: York Sheena Easton Veren and Statman Crothers, somebody you know

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Speaker 2: very well Mount Vernon.

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Speaker 1: We both went to Malvern in high school together. No,

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Speaker 1: he's ten years younger than me.

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Speaker 2: So you're dated.

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Speaker 1: No, we did not date. But he's somebody you love.

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Speaker 2: The age you love, hold on though the age range

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Speaker 2: of the guys you dated many years ago. Yess much

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Speaker 2: younger than you.

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Speaker 1: But I did not date this gentleman happily, not because

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Speaker 1: I'm happy I didn't date it. No, he's ten years

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Speaker 1: younger than me. You think Allen's white bell is ten

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Speaker 1: years younger than me?

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Speaker 2: No? Uh? Who JB?

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Speaker 1: Smooth?

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Speaker 2: Oh JB? By the way, would have never gotten that? Yeah,

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Speaker 2: ab JB?

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Speaker 1: Who will be on?

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Speaker 2: I haven't had him on yet. It's just occurring to me.

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Speaker 1: He didn't come on until I think season six alright.

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Speaker 2: Yet, which, by the way, I look forward to that.

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Speaker 2: I love that.

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Speaker 1: We love him anyway. So Larry reluctantly helps them, and

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Speaker 1: they they talk about the grape juice being a great

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Speaker 1: antioxidant and underrated juice, and then Ethel the wife says, Larry,

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Speaker 1: did you know that a sex offender moved into the neighborhood.

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Speaker 2: Yeah, I saw his picture on a flyer.

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Speaker 1: I know it's terrible.

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Speaker 2: Yeah, he's a ball guy too. Bald guy, Yeah, a

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Speaker 2: bald guy. It's very bad for the bald community.

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Speaker 1: Larry. What's very bad for the community is that he's a.

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Speaker 2: Six of I know, as long as it's going to

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Speaker 2: be a sex offender, I wish he had a full

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Speaker 2: out of hair.

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Speaker 1: That's all Larry.

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Speaker 2: A phrase that's never caught on with the show, which

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Speaker 2: is used repeatedly, and I find it so amusing. Is

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Speaker 2: the bald community, the ball community, bald community. It's like,

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Speaker 2: what was the Big Johnson community?

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Speaker 1: Yes, yes, that was JB.

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Speaker 2: That was the only other time we used a quote community.

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Speaker 2: But the Big Johnson and the Ball to me, I

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Speaker 2: wonder if those communities ever do outreach programs.

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Speaker 1: I don't think that they're that cohesive, especially the Big

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Speaker 1: Johnson community.

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Speaker 2: Well, by the way, you know who the who runs

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Speaker 2: the Big Johnson community.

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Speaker 1: Let yeah, yeah, exactly. So Larry established he hasn't gotten

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Speaker 1: his paper in six days. And Ethel saw the guy

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Speaker 1: who took Larry's paper. He was a man in a

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Speaker 1: suit who came.

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Speaker 2: I mean, it's horse Cock Johnson. By the way, I

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Speaker 2: don't I think it.

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Speaker 1: Is Horsecott Johnson. It was a man in a suit,

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Speaker 1: and it was not Horsecock Johnson. It was a man

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Speaker 1: in a suit. Horsecot Johnson doesn't necessarily wear a suit.

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Speaker 2: No, no, no, you're bringing it back to this episode when

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Speaker 2: I'm with you. I just am going back.

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Speaker 1: And Larry said, if you saw the guy again who

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Speaker 1: took the paper, would you recognize him? And Ethel believes

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Speaker 1: that she would. And then we cut to Larry and

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Speaker 1: Jeff leaving a cafe and he's telling you about a

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Speaker 1: guy in a suit stealing his paper and You're like,

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Speaker 1: that makes no sense. You know, why does a guy

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Speaker 1: in a suit? What's the motivation? You say, what's the motivation?

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Speaker 1: And then Larry asked you you're coming to the Sator.

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Speaker 1: He's making the Sator for his father, and you say

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Speaker 1: to Cheryl, if you know what she's doing. It turns

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Speaker 1: out Susie is helping Cheryl, and Susie's sister and brother

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Speaker 1: in law and their kid are in town and the

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Speaker 1: brother in law is a big time conservative and Larry says,

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Speaker 1: bring them all to the Sator.

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Speaker 2: This episode has a lot of great scenes with you

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Speaker 2: and your sister is there even a moment.

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Speaker 1: No, not really, so he says, Larry says, bring them

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Speaker 1: all to the sator and then you leave and we've established.

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Speaker 2: Well you changed the sign behind you every podcast.

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Speaker 1: Every couple okay, when I remember, when I remember, I

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Speaker 1: only have three. And then Larry's at a newspaper box,

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Speaker 1: you know the boxes that are on the street. You

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Speaker 1: put the money in and you lift the thing up,

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Speaker 1: and they never work, and they're not working for him.

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Speaker 1: He puts his money in and he's banging on a

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Speaker 1: banging on it. And then a bold man comes over,

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Speaker 1: very very affable and smiley, which is.

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Speaker 2: The actor, by the way, playing it all he has

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Speaker 2: to do. By the way, Rob Rob Cardro We just

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Speaker 2: you just said. I was talking over it. But Rob

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Speaker 2: is the most affable, upbeat gentleman you could ever meet.

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Speaker 1: And it's terrifically funny, as we shall continue to see.

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Speaker 2: Yeah, we give you.

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Speaker 3: A hand with that.

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Speaker 1: No no, no, no, no, no, let me I'll go.

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Speaker 2: I don't even care. I'm not you know what. I

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Speaker 2: don't even care how to do it.

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Speaker 1: I got the touch.

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Speaker 3: I don't even need to watch, watch, watch, I just

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Speaker 3: know how to do it.

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Speaker 2: I know this machine.

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Speaker 3: Go ahead, you wont uh, yeah, but I'll close it

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Speaker 3: again and pay for it because you know, just good.

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Speaker 1: Yeah, those machines are really finicky. And Larry looks at

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Speaker 1: him and you could tell there's a moment of recognition

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Speaker 1: with Larry looks at him and he's like, you want

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Speaker 1: me to help. He's like no, no, no, no no no

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Speaker 1: no no no no. And then the guy helps him

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Speaker 1: and he's like, I've got the touch and it opens easily,

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Speaker 1: and Larry says, do you want one? And and he says, now,

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Speaker 1: I'll close it again and pay for it. So we're

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Speaker 1: establishing that this man who is a sex offender has

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Speaker 1: some kind of integrity.

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Speaker 2: Okay, so this is the second time I saw Larry

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Speaker 2: cast this way, and that is with the Nanny from Hell. Yeah,

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Speaker 2: if I mentioned this we were recording.

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Speaker 1: No, because you were actually not in that episode that

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Speaker 1: we didn't Cherry. Oh, Terry recorded.

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Speaker 2: Oh, Cherry took over right. Anyhow, there were three two

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Speaker 2: other actors is up for the role. One's going on

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Speaker 2: to be very famous. One is a an icon in

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Speaker 2: her own right. But Larry said the reason he wanted Sherry,

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Speaker 2: who I'm a huge fan of was because the character

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Speaker 2: does some despicable things, not despicable, but is insane. And

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Speaker 2: also he recommends her to you and I. Therefore she

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Speaker 2: has to be light and bouncy and funny, right, And

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Speaker 2: it was a good lesson. This is the same thing.

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Speaker 2: You don't want to have the guy come off as

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Speaker 2: creepy and sinister, right, and Rob Cordrey is Actually it's

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Speaker 2: hard to I mean, look whatever, it's hard to imagine that. Well,

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Speaker 2: by the way, they don't say pedophile, sexyphene.

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Speaker 1: And I actually was looking for that because I didn't

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Speaker 1: remember they say sex offender, and you know, sex offender

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Speaker 1: could mean so many different things.

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Speaker 2: But there's with him and children. But that's other people's interprets.

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Speaker 1: That's other people's interpretation. And nobody said pedophile, and nobody

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Speaker 1: said rapist. He could have been a guy who was

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Speaker 1: caught with porn in some unseemly we don't know exactly.

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Speaker 2: Take a step back. Thank god, we're not at a

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Speaker 2: point in this current age where you get quote caught

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Speaker 2: with porn, now porn in terms of magazines, does it

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Speaker 2: he even remotely exists? I mean, even Playboy went out

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Speaker 2: of business.

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Speaker 1: I was very carefully watching to see if anything happened

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Speaker 1: that we found out, and nobody ever said pedophile or child.

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Speaker 2: Mollic, No, just sex offender.

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Speaker 1: So we don't have a sex offense.

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Speaker 2: But he wouldn't be a sex offender if he got

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Speaker 2: caught with porn. Susie, you were being very polite.

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Speaker 1: All right, Well, I don't know what exactly at that time, whatever.

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Speaker 2: Something called his cock was involved in some way or another.

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Speaker 2: And there's no funnier word, asked John Manferlatti than the

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Speaker 2: word cock. The way he says that is very funny.

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Speaker 1: So the sex offender does not take a newspaper. And

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Speaker 1: then he introduces himself to Larry because he's a huge

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Speaker 1: Seinfeld fan and he loved Puffy's shirt and he's a

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Speaker 1: how'd you come up with the load talker? He starts

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Speaker 1: engaging Larry, and Larry, you know, is very prone to

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Speaker 1: responding to flattery.

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Speaker 2: Well, Larry loves flattery period real and off. But no, no,

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Speaker 2: but even Larry David, the guy lo some very if

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Speaker 2: you're specific with something with him. You know that hasn't

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Speaker 2: been asked a million times. He gets very excited, such

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Speaker 2: as I when people recognize me and tell me how

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Speaker 2: much I or the show is meant to them. Wow,

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Speaker 2: I am touched every time.

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Speaker 1: But in this episode Larry is very responsive to this

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Speaker 1: because Larry says, how'd you come up with the low talker?

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Speaker 1: And Larry's like, you want to know the truth? I

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Speaker 1: was out to dinner with one and this guy says,

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Speaker 1: and then you write it down and you put it

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Speaker 1: on the TV. And he's so impressed with that. I'm

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Speaker 1: not an artist. It's incredible, and he introduced himself as

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Speaker 1: Rick left Goowitz.

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Speaker 2: Also in the show, the fact that he refers to

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Speaker 2: Larry as an artist. Yeah, oh boy, that's amazing.

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Speaker 1: Yeah, he introduces himself as Rick Leftgowitz and it's really

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Speaker 1: an honor. And Larry welcomes him to the neighborhood. And

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Speaker 1: then Larry goes home and Cheryl is making heros it.

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Speaker 1: She's chopping up apples, and he says to her, blame

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Speaker 1: what he It's an apple and nuts and honey thing

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Speaker 1: that you use and.

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Speaker 2: By the way, made correctly delicious.

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Speaker 1: It is delsous and also it represents what I have

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Speaker 1: no idea. I don't know what you're in this sour okay,

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Speaker 1: So Larry says to her, look at the little Jew girl,

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Speaker 1: and she says, Susie's been coaching her and she's making

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Speaker 1: heros it. And Cheryl says, my mother would flip if

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Speaker 1: she knew I was doing this, and she says, you people,

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Speaker 1: and Larry takes offense to that, so she's like you Jews.

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Speaker 1: And it's a nice back and forth, and then she

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Speaker 1: tells him that Marla and Mark got back together and

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Speaker 1: that they're coming to the Satyr tomorrow. And then he

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Speaker 1: tells Cheryl Susie's in laws are coming, and then he realizes.

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Speaker 1: Larry realizes that he never followed through with his Christmas

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Speaker 1: present to Mark. He got him a subscription to the

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Speaker 1: New York Times, and after they broke up, he forgot

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Speaker 1: about it and he never followed through with it. Then

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Speaker 1: he thinks, huh, I'll bet you Mark is the guy

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Speaker 1: who's taking the paper.

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Speaker 2: No, think about it, seriously, let's think about it. I

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Speaker 2: can't believe it. Mark is stealing the paper. Holy ship,

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Speaker 2: don't you say? Look he just how long have we

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Speaker 2: not been getting it? Six days? He just moved He

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Speaker 2: moved back in with a week ago.

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Speaker 3: You just said that, right, who else, who else would

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Speaker 3: be doing it?

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Speaker 1: It's him? Mark is not stealing our newspaper. No, that

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Speaker 1: is the most ridiculous.

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Speaker 2: I don't think so.

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Speaker 1: Oh, I think so there. He's a doctor. I think

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Speaker 1: he can afford the paper if he wants to get

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Speaker 1: a paper here.

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Speaker 4: Yeah, but not if he's upset. But somebody who promised

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Speaker 4: him a gift for Christmas and never follow.

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Speaker 1: Through on it, that is so ridiculous. Cheryl pooh poohs him,

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Speaker 1: and Larry says, you know what we should do. We

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Speaker 1: should invite Mac and Ethel to Satyr. And now we

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Speaker 1: know that Larry wants to invite Mac and Ethel to

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Speaker 1: Satyr because he wants Ethel to point out that Mark's

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Speaker 1: been the one.

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Speaker 2: Still, that one we know from the get go.

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Speaker 1: Yes, but Cheryl doesn't know this.

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Speaker 2: Yes, she does question it, and.

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Speaker 1: She's like, I have no idea. You like Mac and

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Speaker 1: Ethel so much?

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Speaker 2: Yeah, and then she describes them as not the happiest

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Speaker 2: And then and.

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Speaker 1: Then Larry says, if Jews don't have anywhere to go

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Speaker 1: for Sator, you're supposed to invite them, which I have

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Speaker 1: heard that that's true. Correct, Yes, yes, we'll.

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Speaker 4: Be right back, stay tuned, Okay, we're back.

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Speaker 1: And then Larry is at the store doing obviously doing

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Speaker 1: a bunch of shopping for Sator's stuff, and he's got

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Speaker 1: a lot of packages and it's awkward and he runs

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Speaker 1: into Rick Lefkowitz again, the sex offender, and Rick says, oh,

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Speaker 1: let me give you a hand. He's just so affable.

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Speaker 1: And he sees the golf club in Larry's trunk. It

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Speaker 1: says four iron and you know Rick Lefkowitz plays golf,

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Speaker 1: and Larry says he replaces four iron with a nine

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Speaker 1: wood and Rick wants to help him with his golf gar.

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Speaker 2: No, no, but what is the exchange they have? He said,

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Speaker 2: are you a golfer? And then.

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Speaker 1: Breathe and eat? You know something like that.

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Speaker 2: No, he says, do I live and breathe and eat?

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Speaker 2: And then he goes, that's all after golf or something

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Speaker 2: like that.

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Speaker 1: And it was an avid golfer.

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Speaker 2: And by the way, that was a great improv right,

295
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Speaker 2: that was a great moment.

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Speaker 1: And he tells Larry that in his backyard he's got

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Speaker 1: a big setup with the camera to improve a swing.

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Speaker 1: And he says, what are you doing right now? Nothing,

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Speaker 1: let's go, but Rick Leftwoodz doesn't have a car, so

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Speaker 1: he has to get into well.

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Speaker 2: Really, no, no, no, but you're missing an important beat,

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Speaker 2: which just do you want some Cheetos? And then he

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Speaker 2: takes a back of Cheetos. From first off, the idea

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Speaker 2: of Larry buying Cheetos is funny. And for those of

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Speaker 2: you wondering, they were the crunchy Cheetos, not the puffy.

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Speaker 1: And I don't they get all of your face?

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Speaker 2: Oh no, I love the crunching ones. But guess what

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00:14:52,080 --> 00:14:54,200
Speaker 2: can't have them? They're filled with MSGA.

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Speaker 1: That's why they're delicious because it's all the soults.

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Speaker 2: No MSG.

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Speaker 1: Wait, that's the puffy ones. That not Cheetos, those the

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Speaker 1: cheese doodles.

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Speaker 2: No, the puffy one's different company entirely.

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Speaker 1: So they are in the backyard and they're watching in

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Speaker 1: slow motion and he sees his hips what it was,

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Speaker 1: hips it and it's amazing. His whole golf Swingers has changed.

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Speaker 1: It's an A plus. Larry's thrilled, and then Rick says

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Speaker 1: to him, what do you do for passover?

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Speaker 2: Oh?

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Speaker 1: Uh, I'm just having some people over.

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Speaker 2: Oh really, yeah, what are you doing? Nothing? Nothing? Totally free?

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Speaker 2: You want to come to my house? No?

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Speaker 4: Really?

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Speaker 3: Oh well all right, okay, okay, great, great, you don't

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Speaker 3: have to know.

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Speaker 2: It sounds great.

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Speaker 1: I mean I'm got nothing else to do. Sure, yeah,

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Speaker 1: of course, thank you. Yeah, I'll bring Lacus.

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Speaker 2: Okay, great.

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Speaker 1: Great.

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Speaker 2: By the way, a couple of things. A couple of things,

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Speaker 2: Larry thinks he's gotten away with it because Rick goes,

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Speaker 2: I don't know, and Larry goes, okay, you know what

334
00:15:59,360 --> 00:16:02,160
Speaker 2: I mean. He moves on. But also, did you recognize

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00:16:02,160 --> 00:16:05,480
Speaker 2: where that little golf setup was. No, it's around the

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Speaker 2: block and Brenton what it's the house we used to

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Speaker 2: always have lunch at. Ah, that's where well, actually we

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Speaker 2: still did this past. Yes, yes, I'm not mistaken, but

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00:16:13,680 --> 00:16:14,720
Speaker 2: yeah I was behind there.

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Speaker 1: Well, let me just clarify for people. You know, on set,

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Speaker 1: you have to feed lunch to one hundred crew members,

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Speaker 1: so it's always locations. It's always a major thing to

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Speaker 1: find where you're going to have lunch. There was one

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00:16:26,080 --> 00:16:29,360
Speaker 1: house near our TV house, at Larry's TV house that

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00:16:29,400 --> 00:16:31,880
Speaker 1: would allow us to use their backyard. I mean would

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Speaker 1: set up tables there and have lunch there. Just so

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Speaker 1: people know.

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00:16:34,560 --> 00:16:37,680
Speaker 2: One of the weird not weird things, but unusual things

349
00:16:37,760 --> 00:16:42,240
Speaker 2: is that house that we filmed in was empty, so

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Speaker 2: we owned it, and that was kind of like having

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Speaker 2: a sound stage that house.

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Speaker 1: I mean Larry's house, Larry's house.

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Speaker 2: We own that house, you know, owning.

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Speaker 1: They didn't own it, they rented it.

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Speaker 2: No, no, no, that's not what I'm saying. You know,

356
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Speaker 2: the term own means do we own this wherever you film?

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Speaker 1: Oh yeah, yeah the day.

358
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Speaker 2: We own that for a whole season, which is very unusual.

359
00:17:05,119 --> 00:17:08,400
Speaker 2: If I had, let's say, a puppet collection, I could

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Speaker 2: keep it in the basement there. Nothing would happen.

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Speaker 1: You know, our house this particular season, I have no

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Speaker 1: memory of.

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Speaker 2: It is a very fine house.

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00:17:16,080 --> 00:17:18,159
Speaker 1: I have no memory of that house. We've had so

365
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Speaker 1: many houses this season, this season that we're doing now,

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Speaker 1: season five, we've had so many houses.

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Speaker 2: It was it was in the palace. No, this was

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00:17:26,840 --> 00:17:28,600
Speaker 2: like one of the ones that was a season or

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00:17:28,600 --> 00:17:30,719
Speaker 2: two or whatever. Yeah, yeah, I remember it.

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Speaker 1: But so Larry goes home and Cheryl says, what took

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Speaker 1: you so long? He tells her about this guy. He

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Speaker 1: met this guy and he changes golf the thing and

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Speaker 1: it changed his life. And he says he invited him

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Speaker 1: to Satya and Cherff's like, oh, that's so sweet of you.

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Speaker 1: He's alone that was so kind of you. And then

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Speaker 1: Larry says, I forgot to mention.

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00:17:50,480 --> 00:17:53,840
Speaker 2: No, no, no, no, no, hold on, we think the scene

378
00:17:53,920 --> 00:17:57,679
Speaker 2: is over. He walks up the stairs. Halfway up the

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Speaker 2: stairs is when he says, oh, by the.

380
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Speaker 1: Way, way I know what, he's a sex defender.

381
00:18:05,040 --> 00:18:08,800
Speaker 2: I thought as I was watching it, I thought, if

382
00:18:08,840 --> 00:18:10,920
Speaker 2: any one of us was in that situation, will we

383
00:18:11,040 --> 00:18:15,320
Speaker 2: even bring up sex offender? You know, which, by the way,

384
00:18:15,400 --> 00:18:17,240
Speaker 2: is funny the way you defend her.

385
00:18:17,240 --> 00:18:20,680
Speaker 1: Whoever she would have known because the flyer's been out there.

386
00:18:20,760 --> 00:18:23,800
Speaker 2: Yeah when he arrived, but not a minute before. But

387
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Speaker 2: also I think that's the angriest I ever saw her at. Larry.

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Speaker 1: Oh God, she's well, I don't blame her. You do

389
00:18:29,480 --> 00:18:32,199
Speaker 1: not invite a sex offender over for dinner without talking

390
00:18:32,200 --> 00:18:34,879
Speaker 1: to me first. And Larry says to her, Cheryl, what

391
00:18:34,920 --> 00:18:35,760
Speaker 1: would Jesus do?

392
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Speaker 2: And that, by the way, that completely shut her up,

393
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Speaker 2: which was really funny.

394
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Speaker 1: And then he says he's a Jew, He's a Jew,

395
00:18:42,720 --> 00:18:45,600
Speaker 1: He's a Jew. And then we hear the Klasman music

396
00:18:48,359 --> 00:18:52,800
Speaker 1: and it is the It's the Satyr and Larry is

397
00:18:52,840 --> 00:18:56,919
Speaker 1: talking to my brother in law, who is Steven Tobolowski. Now,

398
00:18:56,920 --> 00:18:59,159
Speaker 1: why don't you talk about Stephen Tobolowski, because I know

399
00:18:59,200 --> 00:19:00,680
Speaker 1: you know him much better than Jimen.

400
00:19:00,720 --> 00:19:07,919
Speaker 2: Tobolowski is a character actor. You know ned ned Ryerson

401
00:19:08,480 --> 00:19:12,080
Speaker 2: if you remember him from groundhog Day. That was probably

402
00:19:12,119 --> 00:19:15,199
Speaker 2: my favorite role he ever did. Ironically, I auditioned for

403
00:19:15,240 --> 00:19:18,639
Speaker 2: that role amongst a few others in Groundhog Day, and

404
00:19:18,680 --> 00:19:21,119
Speaker 2: obviously I did not get it, but he was on

405
00:19:21,160 --> 00:19:23,280
Speaker 2: the Goldbergs with me. He played the principal of the school.

406
00:19:23,440 --> 00:19:26,520
Speaker 2: But I'm talking about the guy that I've known since

407
00:19:26,600 --> 00:19:30,600
Speaker 2: the eighties, who is a He's one of the great

408
00:19:30,640 --> 00:19:32,520
Speaker 2: comedic character actors in Hollywood.

409
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Speaker 1: Terrific he is. And he starts going into Larry about

410
00:19:36,359 --> 00:19:37,879
Speaker 1: the theory of seventy seven.

411
00:19:38,240 --> 00:19:42,119
Speaker 5: Every seventy seven years there's a great president Washington. And

412
00:19:42,200 --> 00:19:45,840
Speaker 5: then you go seventy seven years, seventy seven years, Yeah,

413
00:19:45,920 --> 00:19:50,960
Speaker 5: there's what's that guy's name, FDFDR, And then another seventy

414
00:19:51,000 --> 00:19:53,880
Speaker 5: seven years you got w really, and then I think

415
00:19:53,880 --> 00:19:54,280
Speaker 5: we're in.

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00:19:54,359 --> 00:19:59,400
Speaker 2: Historic Washington, Lincoln FDR and George W. Bush.

417
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Speaker 5: That's right, and we're turning the whole damn world around.

418
00:20:03,640 --> 00:20:07,600
Speaker 1: How every seventy seven years is a great President Washington.

419
00:20:07,880 --> 00:20:11,040
Speaker 1: This was not in the outline really though, I don't

420
00:20:11,040 --> 00:20:11,359
Speaker 1: think so.

421
00:20:11,760 --> 00:20:15,000
Speaker 2: No, it's too absurd to be in the outline. And

422
00:20:15,040 --> 00:20:15,639
Speaker 2: I love it.

423
00:20:15,720 --> 00:20:20,320
Speaker 1: So it's like Washington, Lincoln, FDR, and then George W.

424
00:20:20,400 --> 00:20:23,360
Speaker 1: Bush every seventy seven years turn and he's like, we're

425
00:20:23,359 --> 00:20:25,199
Speaker 1: turning the whole damn world around.

426
00:20:25,359 --> 00:20:30,199
Speaker 2: Yeah. And by the way, really quite extraordinary, you know,

427
00:20:30,359 --> 00:20:34,000
Speaker 2: because and that was before all the conspiracy theorist stuff.

428
00:20:34,040 --> 00:20:37,800
Speaker 2: That's what I'm saying. This was when it really was absurdism,

429
00:20:37,840 --> 00:20:38,840
Speaker 2: if you will, you know.

430
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Speaker 1: Okay, Then his wife, my sister, says, did you remember

431
00:20:42,880 --> 00:20:44,800
Speaker 1: to call your mother? And Larry walks away, and he

432
00:20:44,880 --> 00:20:47,679
Speaker 1: and Jeff, Larry and Jeff you just exchanged looks of

433
00:20:47,760 --> 00:20:50,119
Speaker 1: like whoa this guy? Whoa?

434
00:20:50,800 --> 00:20:51,080
Speaker 2: Yeah?

435
00:20:51,119 --> 00:20:53,679
Speaker 1: And then Larry walks over to Mark, who was played

436
00:20:53,680 --> 00:20:57,199
Speaker 1: by Rob. Do you pronounce it hubble or Hubele? I

437
00:20:57,280 --> 00:20:59,360
Speaker 1: never know, Belle h Bell Bell.

438
00:21:00,320 --> 00:21:04,120
Speaker 2: Rob is one of my favorite people and makes he's

439
00:21:04,119 --> 00:21:07,320
Speaker 2: one of all right in my book, I'm not talking

440
00:21:07,359 --> 00:21:09,639
Speaker 2: about out there, but in terms of making me and

441
00:21:09,680 --> 00:21:11,920
Speaker 2: by the way, he does make people laugh and he's

442
00:21:12,000 --> 00:21:13,440
Speaker 2: very popular, but.

443
00:21:13,520 --> 00:21:17,119
Speaker 1: For me, he's transparent. He was on the lead things.

444
00:21:17,320 --> 00:21:20,639
Speaker 2: Yes, But that being said, he's one of those guys

445
00:21:20,680 --> 00:21:24,000
Speaker 2: that has my number. And there are certain people like

446
00:21:24,080 --> 00:21:28,159
Speaker 2: Zach Galfanakis who I never ask, like, can you do

447
00:21:28,280 --> 00:21:31,280
Speaker 2: that joke again? But when I watch him do stand up,

448
00:21:31,840 --> 00:21:34,320
Speaker 2: he destroys me. And in film, huh yeah. As a

449
00:21:34,320 --> 00:21:37,520
Speaker 2: matter of fact, a very underrated movie is I think

450
00:21:37,600 --> 00:21:41,600
Speaker 2: called Is That the Candidate the Election with Will Ferrell

451
00:21:41,640 --> 00:21:45,879
Speaker 2: and Zach galfan Akis. Jay Roach directed it, and Zach

452
00:21:46,040 --> 00:21:49,719
Speaker 2: is so funny in that movie. Anyhow, Rob Hubell is

453
00:21:49,760 --> 00:21:51,720
Speaker 2: one of those people that just has my number. So

454
00:21:51,760 --> 00:21:55,359
Speaker 2: what I did to him on set, which he has

455
00:21:55,480 --> 00:21:58,320
Speaker 2: never forgotten, would be we'd all be sitting at the

456
00:21:58,400 --> 00:22:01,480
Speaker 2: passover table and I would go, Rob, tell them that

457
00:22:01,600 --> 00:22:05,359
Speaker 2: story of when you worked at the Oceanarium, and he

458
00:22:05,400 --> 00:22:08,800
Speaker 2: would make up a story, well, you know, and the

459
00:22:08,880 --> 00:22:11,439
Speaker 2: way he would do it, like the way he played

460
00:22:11,520 --> 00:22:14,520
Speaker 2: characters when he said, Larry, I'm a doctor, with that

461
00:22:14,640 --> 00:22:18,320
Speaker 2: kind of seriousness, he would tell the story. I must

462
00:22:18,359 --> 00:22:19,919
Speaker 2: have did it to him while we were working a

463
00:22:20,000 --> 00:22:22,920
Speaker 2: dozen times and there wasn't one time where it didn't

464
00:22:23,000 --> 00:22:25,600
Speaker 2: drive me to tears. And then after he was done,

465
00:22:25,600 --> 00:22:29,000
Speaker 2: he'd go Jeff Garland with like a nod, like to

466
00:22:29,040 --> 00:22:31,000
Speaker 2: everyone like, why do you think I just did that?

467
00:22:31,400 --> 00:22:33,800
Speaker 2: You know that feeling? Except you always say no.

468
00:22:34,359 --> 00:22:36,920
Speaker 1: I don't say no, I just ignore you. Okay, all right.

469
00:22:37,000 --> 00:22:40,440
Speaker 1: So Larry says to Mark it's nice to see him

470
00:22:40,680 --> 00:22:43,080
Speaker 1: and Marla back together, and then he asks him, you

471
00:22:43,119 --> 00:22:44,639
Speaker 1: know you're a doctor. Do you see a lot of

472
00:22:44,720 --> 00:22:48,400
Speaker 1: naked women? And Mark says I'm a cosmetic surgeon. Yes,

473
00:22:48,920 --> 00:22:51,560
Speaker 1: And Larry says, you ever get aroused? And he finds

474
00:22:51,560 --> 00:22:55,320
Speaker 1: out a very inappropriate question. He's a professional. And then

475
00:22:55,359 --> 00:22:56,120
Speaker 1: Larry says.

476
00:22:55,920 --> 00:22:58,040
Speaker 2: Tell me if you think this is an appropriate question. Huh,

477
00:23:00,640 --> 00:23:05,639
Speaker 2: I mean no disrespect. Have you been stealing my newspaper? Yes,

478
00:23:05,760 --> 00:23:08,479
Speaker 2: that is an inappropriate qu so that's true inappropriate questions.

479
00:23:08,480 --> 00:23:12,240
Speaker 1: But I have not stealing your newspaper, Larry, that's appalling.

480
00:23:12,320 --> 00:23:16,320
Speaker 5: Really yeah, really, Larry, I'm quite sure I haven't been

481
00:23:16,320 --> 00:23:16,639
Speaker 5: taking it.

482
00:23:16,680 --> 00:23:17,680
Speaker 2: Are you positive? Mark?

483
00:23:18,000 --> 00:23:22,600
Speaker 1: Have you been stealing my newspaper? And again an inappropriate question,

484
00:23:22,680 --> 00:23:25,159
Speaker 1: and they have a stare down, and then Jeff will.

485
00:23:25,160 --> 00:23:27,440
Speaker 2: By the way, this is one of my favorite staredowns

486
00:23:27,480 --> 00:23:29,360
Speaker 2: for whatever reason, in the history of the show. Yes,

487
00:23:29,400 --> 00:23:31,600
Speaker 2: but you know, I've never been a fan of the

488
00:23:31,640 --> 00:23:35,160
Speaker 2: stairdown until the rewatching of it. And now they all

489
00:23:35,280 --> 00:23:35,639
Speaker 2: kill me.

490
00:23:35,880 --> 00:23:38,280
Speaker 1: Well, some of them work and some of them don't.

491
00:23:38,359 --> 00:23:41,200
Speaker 2: I think, Actually I think by the way, I disagree.

492
00:23:41,520 --> 00:23:44,320
Speaker 2: As I've been watching the show, every one of them

493
00:23:44,359 --> 00:23:46,720
Speaker 2: has made me laugh pretty heartily, if you will.

494
00:23:46,880 --> 00:23:50,480
Speaker 1: Good. Yeah, So you and Larry start talking about, you know,

495
00:23:50,520 --> 00:23:53,040
Speaker 1: the brother in law, and I walk over with Sammy

496
00:23:53,320 --> 00:23:56,200
Speaker 1: and we all discuss a he's quite a piece of work,

497
00:23:56,240 --> 00:23:59,119
Speaker 1: the brother in law and blah blah, and Rick enters,

498
00:23:59,720 --> 00:24:01,040
Speaker 1: Rick Lefkowitz enters.

499
00:24:01,160 --> 00:24:07,840
Speaker 2: Well, lock at the door, and Larry opens it. Yeah,

500
00:24:08,160 --> 00:24:11,679
Speaker 2: look at this boy, Oh boy, how are you great?

501
00:24:11,720 --> 00:24:14,359
Speaker 2: How you doing very good? Good to see it. Yeah,

502
00:24:14,440 --> 00:24:17,440
Speaker 2: this is nice. Yeah, this is one of my least

503
00:24:17,480 --> 00:24:23,119
Speaker 2: favorite moments on these shows. That is just unnatural. Infuriates me.

504
00:24:23,520 --> 00:24:27,080
Speaker 2: It literally does. And I say, we shouldn't. Why are

505
00:24:27,080 --> 00:24:30,760
Speaker 2: we shooting this like this? And that is everyone. Once

506
00:24:30,760 --> 00:24:36,119
Speaker 2: he enters, everyone is in shock. Now everyone includes people

507
00:24:36,160 --> 00:24:39,439
Speaker 2: who don't live in the neighborhood, like your your brother

508
00:24:39,520 --> 00:24:42,760
Speaker 2: in law and your sister and the children. They've got

509
00:24:42,760 --> 00:24:46,159
Speaker 2: the children involved. Everyone is looking with their mouths aghast,

510
00:24:47,080 --> 00:24:51,040
Speaker 2: and they're all staged in a semi circle, and it's like,

511
00:24:51,240 --> 00:24:55,840
Speaker 2: give me a fucking break, it's so false. Those things

512
00:24:55,920 --> 00:24:57,119
Speaker 2: really infuriate me.

513
00:24:57,359 --> 00:25:00,119
Speaker 1: See if they don't infuriate me, because I feel like

514
00:25:00,480 --> 00:25:05,560
Speaker 1: it's a comedic license moments, a bad license for a comedic.

515
00:25:05,880 --> 00:25:09,120
Speaker 1: So everybody stares at him, and Larry's like, this guy

516
00:25:09,160 --> 00:25:12,080
Speaker 1: completely changed my life. So I pulled Larry aside and

517
00:25:12,160 --> 00:25:13,560
Speaker 1: I just say, what the hell are you trying to

518
00:25:13,600 --> 00:25:16,600
Speaker 1: pull Larry? And he's like, he has nowhere to go.

519
00:25:17,080 --> 00:25:20,159
Speaker 1: He's a good addition, he's got a great personality, and

520
00:25:20,200 --> 00:25:21,879
Speaker 1: I'm like, he should not be in our presence on

521
00:25:21,920 --> 00:25:25,200
Speaker 1: a holy day. And then the doorbell rings and macinnethe

522
00:25:25,240 --> 00:25:28,600
Speaker 1: will come in and Max starts complaining everybody parked in

523
00:25:28,600 --> 00:25:31,600
Speaker 1: front of my house, and Ethel takes a look around

524
00:25:31,640 --> 00:25:32,040
Speaker 1: the room.

525
00:25:32,240 --> 00:25:34,720
Speaker 2: He's very angry that everyone is parked in front of

526
00:25:34,760 --> 00:25:39,359
Speaker 2: his and Larry says, you're here, and what is it better.

527
00:25:41,280 --> 00:25:44,040
Speaker 1: Place now? Because he's just a question. He's just a nobody.

528
00:25:44,119 --> 00:25:47,520
Speaker 2: By the way, that's really funny and I believed it now. Yeah,

529
00:25:47,680 --> 00:25:48,760
Speaker 2: Larry says to her.

530
00:25:48,760 --> 00:25:50,840
Speaker 1: Take a look around the room. Is there anybody that

531
00:25:50,880 --> 00:25:51,919
Speaker 1: you recognize?

532
00:25:52,080 --> 00:25:55,720
Speaker 2: Now? When we cut to the room, it's different people

533
00:25:55,800 --> 00:25:59,840
Speaker 2: in conversation, which is what it should have been before

534
00:26:00,320 --> 00:26:02,520
Speaker 2: when the what you know, what you'll call it enters

535
00:26:02,560 --> 00:26:04,720
Speaker 2: Now we don't.

536
00:26:04,480 --> 00:26:05,639
Speaker 1: Know, you know.

537
00:26:05,760 --> 00:26:10,040
Speaker 2: She gets to the robs, okay, who are talking the

538
00:26:10,119 --> 00:26:12,320
Speaker 2: two robs and she but I don't know what they're

539
00:26:12,359 --> 00:26:15,919
Speaker 2: talking about, the plastic surgeon and the sex offender, but

540
00:26:15,960 --> 00:26:18,480
Speaker 2: they're having a conversation, and then she.

541
00:26:18,520 --> 00:26:20,600
Speaker 1: Sees the sex offense what we know.

542
00:26:20,680 --> 00:26:23,000
Speaker 2: As a sex offender, but it could be the other one.

543
00:26:23,000 --> 00:26:25,679
Speaker 1: That's why I don't think so. I think she's upset

544
00:26:25,720 --> 00:26:26,719
Speaker 1: about the sex offense.

545
00:26:26,800 --> 00:26:30,920
Speaker 2: I'm saying, yeah, that's what we know. She's looking yet,

546
00:26:31,080 --> 00:26:34,640
Speaker 2: But Larry is like, is she shocked at seeing which one?

547
00:26:34,720 --> 00:26:37,040
Speaker 2: And I think he pretty much knows, but that's why

548
00:26:37,040 --> 00:26:39,280
Speaker 2: he keeps on wanting to wake her up so she

549
00:26:39,400 --> 00:26:41,480
Speaker 2: can say she wants.

550
00:26:41,240 --> 00:26:43,800
Speaker 1: To wake her up so she could identify Rob. He

551
00:26:43,840 --> 00:26:48,439
Speaker 1: doesn't give a sex offen. Yes, yes, So Ethel sees

552
00:26:48,520 --> 00:26:51,600
Speaker 1: the sex offender and faints, and then they all carry

553
00:26:51,640 --> 00:26:53,640
Speaker 1: her up to the room and Rob checks on her,

554
00:26:53,680 --> 00:26:55,680
Speaker 1: and she'll be out for a couple of hours, and

555
00:26:55,800 --> 00:26:58,040
Speaker 1: Larry's snapping in front of her face and clapping and

556
00:26:58,520 --> 00:26:59,760
Speaker 1: you know, trying to wake her up.

557
00:27:01,080 --> 00:27:02,600
Speaker 4: We'll be right back, stay tuned.

558
00:27:13,160 --> 00:27:16,200
Speaker 1: Okay, we're back, And then we cut to the Sator

559
00:27:16,240 --> 00:27:20,840
Speaker 1: and Shelley is reading the Hagada and I remember this

560
00:27:20,920 --> 00:27:23,400
Speaker 1: day that Shelley had. By the way down.

561
00:27:26,080 --> 00:27:30,639
Speaker 2: The way, you said, the Hagada is so Jewish that

562
00:27:30,720 --> 00:27:34,960
Speaker 2: how could people not assume that you're very Jewish?

563
00:27:35,040 --> 00:27:36,920
Speaker 1: Well, I'm not religious in any way.

564
00:27:37,119 --> 00:27:38,760
Speaker 2: Well, by the way, you know what, you don't come

565
00:27:38,920 --> 00:27:42,639
Speaker 2: off religious, and it's obvious is in the next episode,

566
00:27:42,800 --> 00:27:45,840
Speaker 2: Oh yes, you don't.

567
00:27:45,920 --> 00:27:48,760
Speaker 1: I remember this this episode. I was so pissed off

568
00:27:48,800 --> 00:27:51,960
Speaker 1: at Shelley because the prop people are putting the Sator

569
00:27:52,040 --> 00:27:54,800
Speaker 1: together and they were a Christian, both of them, Ane

570
00:27:54,840 --> 00:27:57,240
Speaker 1: Marie and Dort At Dort who once said to you,

571
00:27:57,520 --> 00:28:01,000
Speaker 1: what's a yard moulky when he had to get yam

572
00:28:01,040 --> 00:28:03,320
Speaker 1: because it was like a prior probably you know, when

573
00:28:03,320 --> 00:28:05,320
Speaker 1: we were doing the High Holy Days. He didn't even

574
00:28:05,320 --> 00:28:06,439
Speaker 1: know what a yamica was.

575
00:28:06,920 --> 00:28:10,600
Speaker 2: And to say that the guy's never even seen he's

576
00:28:10,640 --> 00:28:12,439
Speaker 2: probably seen him and not not questions.

577
00:28:12,520 --> 00:28:14,280
Speaker 1: I know what it is, but I remember he said,

578
00:28:14,320 --> 00:28:18,239
Speaker 1: what's the yard multi? Anyway, they mistakenly put meat and

579
00:28:18,320 --> 00:28:19,520
Speaker 1: dairy on the same way.

580
00:28:19,640 --> 00:28:23,560
Speaker 2: Ironically, he knew what a kep was, isn't that crazy

581
00:28:24,080 --> 00:28:25,439
Speaker 2: was but knew what to keep it was.

582
00:28:25,800 --> 00:28:28,480
Speaker 1: And they put meat and dairy on the same plate

583
00:28:28,520 --> 00:28:31,240
Speaker 1: because they didn't know. They didn't know, And Shelley got

584
00:28:31,280 --> 00:28:34,399
Speaker 1: so nasty with them, yelling and screaming at them. He

585
00:28:34,520 --> 00:28:38,000
Speaker 1: really kissed me off that day. For god, he really pissed.

586
00:28:38,040 --> 00:28:41,240
Speaker 1: Oh my God, made a mistake.

587
00:28:41,320 --> 00:28:44,920
Speaker 2: I remember so clearly, but I completely forgot that he

588
00:28:45,040 --> 00:28:47,480
Speaker 2: lost his ship, which, by the way, he is in

589
00:28:47,560 --> 00:28:50,320
Speaker 2: the next episode, you know, another version of.

590
00:28:50,320 --> 00:28:53,040
Speaker 1: Him, Yes, another version of that. But that was funny.

591
00:28:53,200 --> 00:28:55,840
Speaker 1: But this, this was completely inappropriate of him to get

592
00:28:55,920 --> 00:28:57,400
Speaker 1: so angry at these prop people.

593
00:28:57,840 --> 00:29:01,000
Speaker 2: They were just doing their Jokelly was an old man.

594
00:29:01,440 --> 00:29:03,880
Speaker 1: It pissed me off, by the way, an old man.

595
00:29:04,000 --> 00:29:08,040
Speaker 2: And you know, Shelley has a history of being what

596
00:29:08,160 --> 00:29:10,800
Speaker 2: us Jews call him mashuk. Yeah. And he was a

597
00:29:10,800 --> 00:29:14,640
Speaker 2: comedic genius who sometimes got a little bit cristy.

598
00:29:14,640 --> 00:29:15,720
Speaker 1: If I'm giving a tidbit.

599
00:29:16,160 --> 00:29:20,880
Speaker 2: So see you say something funny, I laughed, So I

600
00:29:20,880 --> 00:29:22,959
Speaker 2: guess nothing I'm saying is funny.

601
00:29:23,240 --> 00:29:28,120
Speaker 1: So Larry says, I laugh. Sometimes Larry says, get ready, kids,

602
00:29:28,240 --> 00:29:31,040
Speaker 1: I'm gonna hide the matza, and whoever finds the matsa

603
00:29:31,160 --> 00:29:33,640
Speaker 1: is gonna get a dollar. And Larry goes to hide it.

604
00:29:33,960 --> 00:29:38,000
Speaker 2: And by the way, if I may, the mistake Larry makes,

605
00:29:38,080 --> 00:29:40,400
Speaker 2: which a lot of adults do it pass Over. And

606
00:29:40,680 --> 00:29:44,200
Speaker 2: one of the things is that we do at Passover,

607
00:29:44,560 --> 00:29:47,440
Speaker 2: which as a kid I loved and I do remember

608
00:29:47,480 --> 00:29:49,959
Speaker 2: somebody cheating in one of the You find the matza,

609
00:29:50,080 --> 00:29:53,440
Speaker 2: you get a dollar. That's always been probably today even

610
00:29:53,520 --> 00:29:55,880
Speaker 2: you find the maza, you get a dollar, or maybe

611
00:29:55,960 --> 00:29:58,200
Speaker 2: now it's you find the maza, you get an iPhone.

612
00:29:58,520 --> 00:30:02,160
Speaker 2: An iPhone now in the in the houses on the

613
00:30:02,160 --> 00:30:06,320
Speaker 2: west side. But Larry puts it in a drawer. You

614
00:30:06,360 --> 00:30:07,280
Speaker 2: want to leave it wasn't.

615
00:30:08,560 --> 00:30:08,760
Speaker 1: Wasn't.

616
00:30:09,240 --> 00:30:12,440
Speaker 2: The proper hide is where it's out in the open.

617
00:30:12,600 --> 00:30:16,040
Speaker 2: But you probably won't notice it because kids shouldn't be

618
00:30:16,040 --> 00:30:16,440
Speaker 2: going through.

619
00:30:16,640 --> 00:30:18,560
Speaker 1: Okay, can I tell you? Can I tell you my

620
00:30:18,680 --> 00:30:20,880
Speaker 1: matza story because it was the true way.

621
00:30:21,120 --> 00:30:23,640
Speaker 2: Let's take a step back. You're saying that as if

622
00:30:23,680 --> 00:30:25,280
Speaker 2: we all have maatza stories.

623
00:30:25,320 --> 00:30:27,640
Speaker 1: Well, I'm gonna tell you my matza story, whether you have.

624
00:30:27,960 --> 00:30:31,040
Speaker 2: I don't have a manza story. Most people don't have.

625
00:30:31,440 --> 00:30:35,760
Speaker 2: I've enjoyed mazza. I like putting butter on a lightly

626
00:30:35,880 --> 00:30:41,560
Speaker 2: salted matza. But that masa, my mom's called fried matza.

627
00:30:41,960 --> 00:30:44,000
Speaker 2: I didn't know it was manza bride till years later.

628
00:30:44,040 --> 00:30:47,160
Speaker 2: That's what I'm saying about my house. Although we were

629
00:30:47,160 --> 00:30:47,479
Speaker 2: all right.

630
00:30:47,560 --> 00:30:49,200
Speaker 1: So so I'm five years old.

631
00:30:49,720 --> 00:30:51,960
Speaker 2: Is this your manza story? Excuse me for interrupting, this

632
00:30:52,000 --> 00:30:52,520
Speaker 2: is your maza.

633
00:30:52,760 --> 00:30:55,600
Speaker 1: Yes, it's my matza story. I'm five years old and

634
00:30:55,640 --> 00:30:58,800
Speaker 1: my mother, my mother didn't just hide one piece of masa.

635
00:30:58,880 --> 00:31:01,800
Speaker 1: She hired h so all over the house, so everybody

636
00:31:01,840 --> 00:31:04,720
Speaker 1: got to find the matza, so nobody was left out.

637
00:31:05,120 --> 00:31:08,200
Speaker 1: And I was the youngest. All my cousins and siblings

638
00:31:08,240 --> 00:31:10,680
Speaker 1: were older than me. So everybody goes to my grandfather

639
00:31:10,720 --> 00:31:13,080
Speaker 1: with the matsa, and he gave them each five dollars.

640
00:31:13,120 --> 00:31:15,200
Speaker 1: And I was five years old, and he gives me

641
00:31:15,280 --> 00:31:17,760
Speaker 1: a dollar. And then I see my cousin Debbie has

642
00:31:17,760 --> 00:31:20,000
Speaker 1: a five. And I went over to my grandfather and

643
00:31:20,080 --> 00:31:21,760
Speaker 1: I was like, how come she has a five and

644
00:31:21,800 --> 00:31:23,680
Speaker 1: you only gave me a dollar? And he went, aha,

645
00:31:23,960 --> 00:31:26,480
Speaker 1: oh that was a mistake. And I knew he was lying.

646
00:31:26,520 --> 00:31:28,400
Speaker 1: The motherfucker. I knew he was lying and he was

647
00:31:28,480 --> 00:31:31,000
Speaker 1: just being cheap with me. I tried to save four

648
00:31:31,080 --> 00:31:33,800
Speaker 1: dollars because I was only five years old, and I

649
00:31:33,880 --> 00:31:35,400
Speaker 1: never liked him from that moment on.

650
00:31:35,560 --> 00:31:37,640
Speaker 2: All right, let's take a step back. That's not a

651
00:31:37,720 --> 00:31:42,040
Speaker 2: Mata story. That's a broken relationship with a grandparent.

652
00:31:42,160 --> 00:31:44,560
Speaker 1: Correct over Matsa, which, by the.

653
00:31:44,520 --> 00:31:48,240
Speaker 2: Way, Mata's story could be a sort of pseudonym for

654
00:31:48,440 --> 00:31:51,280
Speaker 2: a grandfather. And by the way, in all sincerity, did

655
00:31:51,320 --> 00:31:52,920
Speaker 2: you ever get along with him after that?

656
00:31:53,040 --> 00:31:55,280
Speaker 1: No, I didn't like him. After I got along with him, fine,

657
00:31:55,360 --> 00:31:57,320
Speaker 1: but I didn't like him and I didn't trust him.

658
00:31:57,480 --> 00:32:01,760
Speaker 2: So through a huh, four dollars.

659
00:32:01,680 --> 00:32:06,520
Speaker 1: Heships relationship with his gram And don't think children are stupid.

660
00:32:06,680 --> 00:32:09,600
Speaker 1: They're really smart one and they know exactly what's going on.

661
00:32:09,680 --> 00:32:12,320
Speaker 2: There's only one thing you shouldn't do with children, and

662
00:32:12,360 --> 00:32:17,240
Speaker 2: that's sarcasm, because they kids don't get sarcasm. You know,

663
00:32:17,360 --> 00:32:20,840
Speaker 2: they're they're very literal. I mean, yeah, they are.

664
00:32:21,280 --> 00:32:23,760
Speaker 1: But I knew he was. It was a mistake.

665
00:32:23,760 --> 00:32:26,360
Speaker 2: I knew he was a douchebag. Do you know that?

666
00:32:26,480 --> 00:32:28,920
Speaker 2: Later that afternoon, I got in the fistfight with him.

667
00:32:29,440 --> 00:32:32,440
Speaker 2: I did so, and then they had to be four

668
00:32:32,480 --> 00:32:35,640
Speaker 2: dollars for a fight. Well fought four dollars.

669
00:32:35,960 --> 00:32:38,880
Speaker 1: So Larry hides the matza in the drawer and the

670
00:32:38,960 --> 00:32:41,600
Speaker 1: brother in law is walking out of the bathroom and

671
00:32:41,640 --> 00:32:44,680
Speaker 1: sees where Larry hid the matza at that moment, and

672
00:32:44,720 --> 00:32:48,320
Speaker 1: then he's okay. Kids start looking and Larry sits back down,

673
00:32:48,360 --> 00:32:50,280
Speaker 1: and Max says to him, any luck with finding the

674
00:32:50,280 --> 00:32:52,840
Speaker 1: guy stealing your paper? And Larry says, no luck at all,

675
00:32:53,040 --> 00:32:55,040
Speaker 1: and the Max says, you know, my wife got a

676
00:32:55,040 --> 00:32:58,000
Speaker 1: really good look. She never forgets a face, and all

677
00:32:58,040 --> 00:33:00,880
Speaker 1: of a sudden, Mark starts to get choked. He starts

678
00:33:00,920 --> 00:33:03,600
Speaker 1: to choke. Hopefully she'll wake up soon. And the kids

679
00:33:03,640 --> 00:33:05,680
Speaker 1: are looking for the masa in the bedroom where Ethel

680
00:33:05,760 --> 00:33:08,160
Speaker 1: is asleep, passed out, and Larry walks in. He says,

681
00:33:08,160 --> 00:33:10,320
Speaker 1: all right, kids, beat it, no matza here, and he's

682
00:33:10,360 --> 00:33:12,360
Speaker 1: trying to wake her up. He's jumping on the pet

683
00:33:12,960 --> 00:33:15,440
Speaker 1: and he's playing congos. I don't know where the congas came.

684
00:33:16,200 --> 00:33:19,920
Speaker 2: Okay, let's just take take a step back again. The

685
00:33:19,960 --> 00:33:22,960
Speaker 2: idea that Larry David has congas in the guest room.

686
00:33:23,360 --> 00:33:28,160
Speaker 2: This stuff always irritated the fuck out of me because look,

687
00:33:28,720 --> 00:33:31,040
Speaker 2: there are like you know where you start to go. Okay,

688
00:33:31,120 --> 00:33:34,760
Speaker 2: come on, let's just let that go. Larry David playing congas,

689
00:33:34,880 --> 00:33:37,720
Speaker 2: by the way, always a funny visual, but again, what

690
00:33:37,920 --> 00:33:40,920
Speaker 2: show is this? It's just the tone is off, and I.

691
00:33:40,880 --> 00:33:43,400
Speaker 1: Get I have a conga in my office. Jeff bet

692
00:33:43,480 --> 00:33:44,120
Speaker 1: she didn't know that.

693
00:33:44,520 --> 00:33:47,120
Speaker 2: I did not know that. But if we knew that,

694
00:33:48,480 --> 00:33:49,160
Speaker 2: never mind.

695
00:33:49,640 --> 00:33:52,640
Speaker 1: Anyway, he's trying to wake her up. She's out, and

696
00:33:52,680 --> 00:33:54,560
Speaker 1: then he goes back down to the table and he lies.

697
00:33:54,600 --> 00:33:56,920
Speaker 1: He says that Ethel should be down soon, and Mac

698
00:33:57,080 --> 00:33:58,800
Speaker 1: was like, what was all the noise? And Larr's all,

699
00:33:58,800 --> 00:34:00,840
Speaker 1: my foot fell asleep, and all of a sudden, Mark

700
00:34:00,880 --> 00:34:02,880
Speaker 1: looks at his pager and he has to go, and

701
00:34:02,960 --> 00:34:05,440
Speaker 1: Larry's like, very suspicious, he didn't hear anything.

702
00:34:05,600 --> 00:34:07,720
Speaker 2: Well, no, by the way, I love his excuse. I

703
00:34:07,840 --> 00:34:10,520
Speaker 2: keep the volume very low, Larry.

704
00:34:10,360 --> 00:34:13,040
Speaker 1: Yes, and it's on vibrate And Larry's like, aren't you

705
00:34:13,080 --> 00:34:15,160
Speaker 1: a cosmetic surgeon. He's like, I have an emergency. I

706
00:34:15,200 --> 00:34:15,600
Speaker 1: have to go.

707
00:34:16,080 --> 00:34:20,000
Speaker 2: As I explained, I've been paged by this emergency, boob job,

708
00:34:20,080 --> 00:34:20,799
Speaker 2: no doubt.

709
00:34:20,760 --> 00:34:23,480
Speaker 1: I've been paged for a medical emergency because I am

710
00:34:23,520 --> 00:34:24,040
Speaker 1: a doctor.

711
00:34:24,200 --> 00:34:26,799
Speaker 2: Yes, yes, yes, yes, you're a doctor. Yes, yes, of

712
00:34:26,800 --> 00:34:29,759
Speaker 2: course you're a doctor. It's a medical situation. Yet you're

713
00:34:29,800 --> 00:34:30,920
Speaker 2: ucky that old lady fainted.

714
00:34:32,280 --> 00:34:34,400
Speaker 1: I don't know what you're talking about.

715
00:34:35,440 --> 00:34:36,080
Speaker 2: I know you did.

716
00:34:36,360 --> 00:34:41,319
Speaker 1: I'm a doctor, you idiot, and he leaves. Then Rick

717
00:34:41,400 --> 00:34:44,640
Speaker 1: wants to speak privately. Rick the sex offender wants to

718
00:34:44,680 --> 00:34:48,560
Speaker 1: speak privately to Larry and he's got a difficult moral quandary.

719
00:34:48,600 --> 00:34:51,719
Speaker 2: By the way, for me, the moments with Rick are

720
00:34:51,760 --> 00:34:54,640
Speaker 2: the funniest in the show. Oh hilarious, No, no, but

721
00:34:55,239 --> 00:34:58,400
Speaker 2: Rob does a great job. But in terms of tone,

722
00:34:58,520 --> 00:35:01,640
Speaker 2: the curb tone, and the irony of him being a

723
00:35:01,680 --> 00:35:06,160
Speaker 2: sex offender partnering up with Larry, these are the best moments.

724
00:35:06,200 --> 00:35:09,360
Speaker 2: And my two favorite moments are this and what follows.

725
00:35:09,600 --> 00:35:10,359
Speaker 2: So go with this.

726
00:35:10,760 --> 00:35:13,279
Speaker 1: So Rick is like he's in a moral quandary and

727
00:35:13,320 --> 00:35:15,560
Speaker 1: he's very serious, and Larry's like, I'm not the right

728
00:35:15,600 --> 00:35:19,279
Speaker 1: person to talk to and Rick was, I saw something shocking, And.

729
00:35:19,560 --> 00:35:23,800
Speaker 2: Then that's what piqued Larry's interest. Yes, sir, he's saying

730
00:35:23,840 --> 00:35:26,719
Speaker 2: something about being a sex offender, right, And then he's like,

731
00:35:26,920 --> 00:35:28,720
Speaker 2: what what happened at my house?

732
00:35:29,080 --> 00:35:32,120
Speaker 1: And he said he saw the father whisper something in

733
00:35:32,160 --> 00:35:35,120
Speaker 1: Stevie's ear, and then right after that, Stevie found the

734
00:35:35,160 --> 00:35:38,640
Speaker 1: matza and Larry's like, okay, I'll take it from here.

735
00:35:38,880 --> 00:35:41,400
Speaker 1: He's very you know, he's going to take care of this,

736
00:35:42,239 --> 00:35:45,920
Speaker 1: and Larry sits back down and Stevie as for his dollar,

737
00:35:46,280 --> 00:35:48,319
Speaker 1: and Larry's you know what made you go back to

738
00:35:48,360 --> 00:35:51,520
Speaker 1: the bookcase the second time? Stevie and his father's like,

739
00:35:51,719 --> 00:35:55,600
Speaker 1: pay up with that accent. He found the maza, so

740
00:35:55,800 --> 00:35:58,640
Speaker 1: pay up, and like, Larry's you told her where it was?

741
00:35:59,080 --> 00:36:02,640
Speaker 1: And how do you know? My friend told me and said.

742
00:36:02,520 --> 00:36:05,440
Speaker 2: Nobody, No, you told him where it was. How do

743
00:36:05,480 --> 00:36:08,360
Speaker 2: you know? He turns to Rob. This is my favorite

744
00:36:08,360 --> 00:36:11,840
Speaker 2: moment in the host show, and Rob reluctantly like it

745
00:36:11,960 --> 00:36:14,239
Speaker 2: needs to be done. He gives him a nod, and

746
00:36:14,360 --> 00:36:16,960
Speaker 2: it needs to be done. I love the little things

747
00:36:17,000 --> 00:36:22,399
Speaker 2: like the Sun episode, like where Phil Rosenthal when Kevin

748
00:36:22,440 --> 00:36:27,160
Speaker 2: Neeling comes rushing in and then Phil just looks up

749
00:36:27,160 --> 00:36:31,360
Speaker 2: at it. I took an orange and it's just perfect perfection.

750
00:36:31,280 --> 00:36:33,719
Speaker 1: And then I think it's the brother in law, says

751
00:36:33,719 --> 00:36:35,920
Speaker 1: your friend, the convicted sex offender.

752
00:36:36,239 --> 00:36:37,279
Speaker 2: My friend told me.

753
00:36:37,400 --> 00:36:39,799
Speaker 1: That's how I know he saw your whisper in your

754
00:36:39,800 --> 00:36:42,040
Speaker 1: son's ear and then washed as he ran to the

755
00:36:42,080 --> 00:36:44,360
Speaker 1: bookcase and dams.

756
00:36:43,719 --> 00:36:54,880
Speaker 2: Oh, your friend, the convicted sex offender. You your.

757
00:36:57,560 --> 00:37:00,360
Speaker 1: Oh my god, is something wrong with Sammy? Sammy?

758
00:37:00,400 --> 00:37:00,719
Speaker 2: Get up?

759
00:37:00,760 --> 00:37:03,640
Speaker 1: Get up? What's the matter, honey? What is it? She

760
00:37:03,680 --> 00:37:06,200
Speaker 1: can't read, she can't reread? Does anyone know? Mouth to mouth?

761
00:37:09,360 --> 00:37:09,600
Speaker 2: I do?

762
00:37:10,480 --> 00:37:12,960
Speaker 1: And then all hell breaks loose and everybody says and

763
00:37:12,960 --> 00:37:15,680
Speaker 1: then suddenly Sammy, who's at the kids table, is choking.

764
00:37:15,719 --> 00:37:18,319
Speaker 1: She can't breathe, and I'm like, Sammy, Sammy, Sammy, does

765
00:37:18,360 --> 00:37:19,560
Speaker 1: anyone no mouth to mouth?

766
00:37:19,800 --> 00:37:23,560
Speaker 2: And Rick says, I do, And then what happens at

767
00:37:23,600 --> 00:37:26,600
Speaker 2: that moment everyone stops and stares at him as the

768
00:37:26,680 --> 00:37:27,360
Speaker 2: little girl.

769
00:37:27,560 --> 00:37:28,680
Speaker 1: Sammy's still choking.

770
00:37:29,080 --> 00:37:32,440
Speaker 2: I see, this is the ship that makes me fucking nuts.

771
00:37:32,880 --> 00:37:35,279
Speaker 2: All right, well it's a comedy. We guess we can't

772
00:37:35,360 --> 00:37:36,800
Speaker 2: have a real choking child.

773
00:37:37,320 --> 00:37:40,120
Speaker 1: But well she lived because we know she's in future.

774
00:37:40,880 --> 00:37:44,560
Speaker 2: She also faked having a bone and yeah.

775
00:37:44,600 --> 00:37:47,560
Speaker 1: Then it's it's the next morning and his paper is

776
00:37:47,600 --> 00:37:50,440
Speaker 1: there down on the front steps. He opens the paper

777
00:37:50,760 --> 00:37:53,120
Speaker 1: and he sees an article in the bottom of the fold.

778
00:37:53,280 --> 00:37:58,680
Speaker 1: It says emergency surgery to reattach hand doctor leaves Sader. Okay,

779
00:37:58,920 --> 00:37:59,879
Speaker 1: not the greatest end.

780
00:38:00,400 --> 00:38:03,720
Speaker 2: No, no, it's for an ending. No, but I believe,

781
00:38:03,920 --> 00:38:06,400
Speaker 2: like I give up, like that's not gonna make the

782
00:38:06,400 --> 00:38:10,080
Speaker 2: front page, but for comedic purposes, I'm okay with that

783
00:38:10,120 --> 00:38:13,360
Speaker 2: being on the front page. I just hate when Bond

784
00:38:13,480 --> 00:38:18,200
Speaker 2: goes and children choking like people in a neat semi

785
00:38:18,280 --> 00:38:21,040
Speaker 2: circle staring. And by the way, what made me really

786
00:38:21,120 --> 00:38:23,880
Speaker 2: upset about the steering is I mentioned is the fact

787
00:38:23,960 --> 00:38:26,960
Speaker 2: that a lot of those people didn't know he was

788
00:38:27,000 --> 00:38:31,479
Speaker 2: the sex offender, and that I just get all right.

789
00:38:31,440 --> 00:38:33,640
Speaker 1: You know what, Jeff, I know that this was not

790
00:38:33,800 --> 00:38:37,480
Speaker 1: your favorite. I enjoyed this episode, but I guarantee you

791
00:38:37,960 --> 00:38:40,160
Speaker 1: that you're gonna love the next episode that we well.

792
00:38:40,160 --> 00:38:42,520
Speaker 2: By the way, because I know it's one of our favorites,

793
00:38:42,760 --> 00:38:45,399
Speaker 2: and also it's I would say it's in our top

794
00:38:45,560 --> 00:38:47,719
Speaker 2: five in terms of fan favorites.

795
00:38:48,040 --> 00:38:50,080
Speaker 1: And I also believe me, never hold on.

796
00:38:50,520 --> 00:38:53,600
Speaker 2: I've heard that term for years. I never thought I

797
00:38:53,600 --> 00:38:58,640
Speaker 2: would say fan favorite also describing my show fan our

798
00:38:58,680 --> 00:39:01,640
Speaker 2: show fan favorite. But it is a fan favorite.

799
00:39:01,719 --> 00:39:04,240
Speaker 1: It is a fat and it's a Larry David favorite.

800
00:39:04,280 --> 00:39:06,919
Speaker 1: And you'll have to come listen to us next week

801
00:39:06,960 --> 00:39:07,920
Speaker 1: to find out what it is.

802
00:39:08,200 --> 00:39:10,880
Speaker 2: Please do and I appreciate you listening.

803
00:39:11,239 --> 00:39:21,600
Speaker 1: Bye bye. The history of Curb Your Enthusiasm is a

804
00:39:21,640 --> 00:39:26,040
Speaker 1: production of iHeartRadio. For more podcasts from iHeartRadio, visit the

805
00:39:26,120 --> 00:39:29,560
Speaker 1: iHeartRadio app, Apple Podcasts, or wherever you listen to your

806
00:39:29,560 --> 00:39:30,280
Speaker 1: favorite shows.