Speaker 1: He is drinks chess, motherfucking podcast man.
Speaker 2: He's a legendary queens rapper.
Speaker 3: He ain't agreed as your boy in O R E.
Speaker 3: He's a Miami hip hop pioneer. Put up its d
Speaker 3: J E f N together they drink it up with
Speaker 3: some of the biggest players, you know what I mean.
Speaker 1: And the most professional unprofessional podcast and your number one
Speaker 1: source for drunk drink.
Speaker 3: Chan Squavery Days New Year's that's it's time for drink champions.
Speaker 3: Drink up, motherfuck mother? Would it gonna be? How many
Speaker 3: sinister me? Is your boy in O R What up
Speaker 3: his dj E f N?
Speaker 1: That's Minna taiper Chrasty World Podcast drink tests the.
Speaker 2: Listen.
Speaker 1: Man, I don't know if I'm gonna drink lean tonight.
Speaker 1: You know what I'm saying, because it looks like it little.
Speaker 1: I'm gonna ask for something, man at some point, you
Speaker 1: know what I mean?
Speaker 3: Yo, my homie, I can't call him a little.
Speaker 1: Flip because he's been a man for a long time,
Speaker 1: so he's a big flip.
Speaker 3: Uh. This zero my first time meeting you.
Speaker 4: Uh.
Speaker 1: I listened to your album. The album is classic, classic floor.
Speaker 1: It's a classic.
Speaker 3: It's I can't.
Speaker 1: Believe how good y'all sound together because y'all sound so
Speaker 1: good separately, and the fact that y'all got together and
Speaker 1: y'all sound so good.
Speaker 3: So today we're gonna give y'all y'all flowers.
Speaker 1: We're gonna make sure that y'all understand how much hip
Speaker 1: hop enjoys loves y'all, and we're gonna give.
Speaker 3: Y'all your motherfucking flowers off top you just now, little flip.
Speaker 1: Let's Yeah, you've been on a couple of times, but
Speaker 1: we wasn't giving up the problem. Yeah, yeah, yeah, So
Speaker 1: both of y'all, both of y'all. Man, Uh, y'all from
Speaker 1: a very rich history, right. A lot of people don't
Speaker 1: understand how rich Houston is is in history right.
Speaker 3: From the ghetto boys. So I just want to.
Speaker 1: Take it from the beginning and ask y'all how was
Speaker 1: it growing up in that that that environment in.
Speaker 3: The beginning, There you go, Ruther, pressure, the pressure was on. Okay,
Speaker 3: the pressure was on.
Speaker 1: Now describe that When you say the pressure is on,
Speaker 1: are you saying because of your your peers or from
Speaker 1: the outsiders like the New Yorkers and the Miami people.
Speaker 5: Were like really really from everybody because we were trying
Speaker 5: to feel like shoes, trying to feel their shoes. We're
Speaker 5: trying to we're trying to walk in their shoes. Okay,
Speaker 5: So when that started, we was rapping already. So it's
Speaker 5: kind of like we was better than everybody else. I
Speaker 5: think we got the big homies and it's like we're
Speaker 5: trying to get I ain't gonna say better than them,
Speaker 5: but you know, we got to at least be what
Speaker 5: they can know, be in the room. Yeah, So that's
Speaker 5: that's why, I mean, the prencire was on for at
Speaker 5: least for me.
Speaker 1: Right, So let me ask, right, whatever a person say, Houston,
Speaker 1: they say, they say Texas, they say, even Dallas sometimes
Speaker 1: they always mentioned J Prince.
Speaker 3: Is that something that y'all have to.
Speaker 6: Go through or is that something that there's a bunch
Speaker 6: of labels out of Texas though?
Speaker 1: I mean, but one of the most powerful labels though.
Speaker 1: What we talk about rap a low House, switch House, Okay,
Speaker 1: screwed up records, screwed up records, but.
Speaker 6: The most the most and going back as far as
Speaker 6: one of the original indies in hip ho It's like.
Speaker 1: It's like us from being in New York Death Cham
Speaker 1: like death Cham.
Speaker 3: We got loop records? Okay, yeah, did you go a
Speaker 3: perfect sample?
Speaker 1: Was that something that you have to deal with or
Speaker 1: it's something that never really popped up for y'all.
Speaker 7: It's just something that when you got respect and you
Speaker 7: got talent and you stand on your word, you know,
Speaker 7: you get treated as such. So the things that Jay
Speaker 7: Prince did and building for Houston and the Ghetto Boys
Speaker 7: and the different things that the foundations they laid down,
Speaker 7: they gave us the blueprint, the black print on how
Speaker 7: to be independent. It said, a black print because we're blessed.
Speaker 7: And so they showed us you could be independent. They
Speaker 7: showed us you could put your logo on your pendent.
Speaker 7: So we learned a lot about marketing and you know,
Speaker 7: showing up to the shows deep. So you know that's
Speaker 7: faan and we go always show love to them and
Speaker 7: it's never go change.
Speaker 6: Man.
Speaker 1: You know that that was a beautiful. It's sticking for
Speaker 1: me being a New Yorker watching the rise of Houston, right,
Speaker 1: was y'all was actually independent for sure, Like how people
Speaker 1: were saying they were independent, Texas had distribution.
Speaker 3: Houston was really out the trunk for sure. Like I
Speaker 3: always loved that's the area in Texas for sure.
Speaker 2: And I'm still out the trunk right, yeah, dumb.
Speaker 7: Drive, CDs, T shirts, merch. I still hustle like I
Speaker 7: ain't got nothing Like that's the way you keep it.
Speaker 3: Shot to that, Let's take it.
Speaker 1: Let's you can take sockey athleet.
Speaker 3: So let's let's let's.
Speaker 1: Break down that because that's something I'm always a fan of.
Speaker 1: I'm sorry, I'm a fan of Houston culture.
Speaker 3: I feel like.
Speaker 1: I feel like Houston doesn't have to promote outside of Houston.
Speaker 7: I mean a little bit, you know, a little bit.
Speaker 7: But it's just like when you got your core fan base.
Speaker 7: Like see a lot of people, like when they try
Speaker 7: to talk about my career span, a lot of people
Speaker 7: they just started two thousand and one when I got
Speaker 7: the did Yeah, this is the way we bob. For
Speaker 7: some it was records now that allowed Steve Rifkins shout
Speaker 7: out to Steve Rifkins, so right, okay, But prior to
Speaker 7: this is the way we bob, I got diamonds in
Speaker 7: your face, I got records.
Speaker 4: Uh.
Speaker 7: Latroit was the first person to put me on BT.
Speaker 7: We had a record cole Leen to the Left Wow.
Speaker 3: On mixtape. Yeah, No, we really did that. We really
Speaker 3: did that.
Speaker 7: And so I got classic records with Big T in
Speaker 7: the house tonight, he got Most City done, he got
Speaker 7: we got different records that we go tour off of
Speaker 7: that are big before the mainstream.
Speaker 2: So my catalog, I have a classic catalog.
Speaker 7: Before the major Yeah that people sing word for word
Speaker 7: and zero the same way like so our career.
Speaker 3: Man, it's some real historic ship. Oh yeah, let's make
Speaker 3: some noise. From the beginning we started this ship.
Speaker 1: They were like, you better get zero, like they Yeah,
Speaker 1: you have been fan requests. Yo, Listen, your fans are very, very,
Speaker 1: very relentless. From the beginning, they thought we were dropping
Speaker 1: the ball by not having you on. So let's let's
Speaker 1: let's talk about your fan base for a second. How
Speaker 1: did you develop that.
Speaker 3: Man?
Speaker 5: Targeting to people who didn't have ship? Okay, talking to
Speaker 5: people didn't have a shop that I take the shot
Speaker 5: for that too, people that for real, for real, because
Speaker 5: that could motivate you because I was the people that
Speaker 5: didn't have shit. So right when I met Phlip, they
Speaker 5: was kind of like trying to press us against each other,
Speaker 5: you know what I'm saying. Yeah, it was kind of
Speaker 5: like I guess the two. I don't want to just
Speaker 5: pull everybody else up under us and say like get
Speaker 5: up here. But it kind of was like that a
Speaker 5: little bit. So when I met him, they was like,
Speaker 5: I got fifty thousand on row, I got fifty thousand
Speaker 5: on floor. Trying to make this. They was trying to
Speaker 5: make us back. They were trying to make us freestyle
Speaker 5: against each other and all that shit. So it was
Speaker 5: just I don't know, man, my uh. I didn't have nothing,
Speaker 5: so I didn't want to get on no song talking
Speaker 5: about I'm in this foreign or I'm in this dope
Speaker 5: ass high ride. I was sleeping outside, so I was
Speaker 5: doing music for the niggas who was sleeping outside, for
Speaker 5: the niggas who wanted to come inside, you know, for
Speaker 5: the niggas who was hungry, like your back growling, now
Speaker 5: you pass your stomach. So those people heard that and
Speaker 5: they and it resonated, and before I knew it, she
Speaker 5: I wouldn't pull no more, you know what I'm saying,
Speaker 5: and shout out to the road.
Speaker 3: Yes, they brought me inside all the way to the
Speaker 3: town floor.
Speaker 1: So I watched the documentary the other day about Katrina
Speaker 1: and one thing that I realized that Katrina affected you
Speaker 1: guys was most of the.
Speaker 3: People that.
Speaker 6: Was was what people they had, the refugees of New Orleans,
Speaker 6: they came to they they came today.
Speaker 3: So can y'all describe that time for me?
Speaker 1: Because all right, we had nine to eleven right New York.
Speaker 1: When New Yorkers left, New Orleans had Katrina. But Katrina
Speaker 1: went and they visited Houston. I didn't realize how much
Speaker 1: it might have affected the Houston economy. Did that help
Speaker 1: the Houston economy or did it bring it down?
Speaker 3: I felt like it helped.
Speaker 7: I mean, there's more people at the shows, and we
Speaker 7: got a lot of Louisa fans.
Speaker 3: Like even September eleven.
Speaker 7: I was supposed to be in New York on September eleven,
Speaker 7: but at the last minute I changed my mind. I
Speaker 7: was supposed to go talk to some labels, and then
Speaker 7: that happened, like when Katrina happened. The day before Katrina hit,
Speaker 7: I flew to New Orleans to do a meet and
Speaker 7: greet and I think I was in the yeah, the space.
Speaker 7: So you were in New Orleans the day the day
Speaker 7: before I flew. It was a company, a phone company
Speaker 7: called all Tail. What had gave me like fifty thousand
Speaker 7: dollars to do like two songs, and when it did
Speaker 7: a meet and greet they were saying it wasn't gonna
Speaker 7: be that bad the story, right.
Speaker 2: So as I'm flying in, I didn't really know what
Speaker 2: was going on.
Speaker 7: I'm like, why everybody at the gas stations right, and
Speaker 7: they're like why, it's the storm coming. I'm like, I'm
Speaker 7: like shit. So we're flying over. We do the meet
Speaker 7: and greed at the super Dome. At that time, I
Speaker 7: was doing business with Squad Up Shout Out the you know,
Speaker 7: squad Up Utther gut to everybody and Gut To Gut
Speaker 7: are still my family. So they came. They was like, yeah, man,
Speaker 7: we go ride this hit out, you know, And then
Speaker 7: we did the meet and greeting. I got on the jet,
Speaker 7: we flew in on the jet, flew back to Houston.
Speaker 7: The next day it hit and we couldn't get in
Speaker 7: touch with nobody. We couldn't get in touch with Gut
Speaker 7: or nobody, and they just ended up in Houston. They're like, man,
Speaker 7: we in age town and you know. So a lot
Speaker 7: of the little flipping squad of music right was made
Speaker 7: during the contrin of time.
Speaker 1: Oh yeah, because I didn't realize. I always knew, like
Speaker 1: New Orleans and Houston is a lot of my neighbors.
Speaker 1: When I moved to Miami, a lot of my neighbors
Speaker 1: would drive to New Orleans and would drive to Houston.
Speaker 1: I'm like, who the fuck drives to Houston from Miami
Speaker 1: And I didn't realize it's only like thirteen hours away, right,
Speaker 1: But a lot of them resided during this time I'm there,
Speaker 1: and I didn't realize how close it was and how
Speaker 1: much that you guys got affected. So what's like when
Speaker 1: you when you hear different wards, what's the difference from
Speaker 1: the from the awards when you when you describe it's
Speaker 1: like fifth Ward because that's where uh uh get ghetto
Speaker 1: boys is from, right there?
Speaker 3: From fifth Ward? Well, some of them in New Orleans
Speaker 3: got awards too, Yeah, So what's.
Speaker 1: The difference from the awards in Houston and awards in
Speaker 1: New Orleans? If you can.
Speaker 7: I mean, people got their own slang in the different
Speaker 7: ways they hustle, but it's similar, you know, it's similar
Speaker 7: just people trying to get their money, you know, hustling.
Speaker 7: You know, we got third Ward, second World, fifth Ward,
Speaker 7: you know fourth Yeah, but it's different hood, same ship man.
Speaker 7: People trying to get their money and people hustling different
Speaker 7: things right, and only the strong survived.
Speaker 1: I'm taking a shot for that. God, let's go solo.
Speaker 1: A little flood flip, big flip it is. I feel
Speaker 1: like I knew you for quite some time, and I
Speaker 1: feel like the most success you got you never let
Speaker 1: the shit get to your head. That's something I admire
Speaker 1: about you, right like you always spent a solid.
Speaker 3: Dude, you know why. I don't know why.
Speaker 7: The reason is okay, when you used to attention, you
Speaker 7: don't have to go at your way to get it right.
Speaker 7: So I grew up doing talent shows. I grew up
Speaker 7: my grandmother had a beauty shop, So I grew up
Speaker 7: being around nothing but women, right like I had men,
Speaker 7: you know, father figures in my life. But I'm saying
Speaker 7: so they like me for me. So I always was
Speaker 7: just being me. I ain't never have to be.
Speaker 3: Nothing different to get attention. So when you being yourself, ship,
Speaker 3: it ain't odd.
Speaker 7: I ain't and I ain't. I don't love money, you
Speaker 7: know what I mean? I feel God money like you,
Speaker 7: I don't know, I don't know, but it's attracted to me.
Speaker 8: Love me.
Speaker 2: Yeah, I don't know, it stays coming, you know, like literally,
Speaker 2: so you know, I just I just stayed me.
Speaker 3: Bro.
Speaker 7: I ain't gonna never let the money to fame what
Speaker 7: I got dictate, you know, make me feel like I'm
Speaker 7: better than you because I got this, you know ship,
Speaker 7: one bad deal, it could all be gone, it can
Speaker 7: all be yeah, so I just stay humble.
Speaker 3: With this ship. But I know who I am. Yeah.
Speaker 1: Yeah, so so zero, let me ask you this is
Speaker 1: this is a tough motherfucking game. A lot a lot
Speaker 1: of us full, a lot of us full during this game.
Speaker 1: And what makes you stay so solid?
Speaker 3: The rent? The rent I wasn't be ready. That don't
Speaker 3: inspire you to say so. I mean.
Speaker 5: I think i'm uh, I think I'm pretty well versed
Speaker 5: in this ship. But even more than that, I got
Speaker 5: I got a lifestyle that I like to live and
Speaker 5: ship and I'm not going back to the one before
Speaker 5: this one. So you know, that's that's that's my main
Speaker 5: you know what I'm saying. Uh, And then I like
Speaker 5: I like shipping niggas. Okay, I like sh niggas. I mean,
Speaker 5: I'm just be honest, I ain't gonna I ain't gonna
Speaker 5: no deep answer. I just I know I'm dope and
Speaker 5: I want more fuckers to hear that ship.
Speaker 1: Right, goddamn makes the night. I want to do quick
Speaker 1: time of Slim and let's do it. You got it,
Speaker 1: you got it ready, Okay, it's okay.
Speaker 3: Let's go. I want to explain to the game because
Speaker 3: you play this.
Speaker 6: When you there this party, it was I don't know
Speaker 6: what time it was.
Speaker 3: I just know we were drinking and we were smoking.
Speaker 3: We had time. Let me take you.
Speaker 1: You have your own right to start your own drink Chaps.
Speaker 3: Section, you can start your own game. Drink. We give
Speaker 3: you the permission.
Speaker 1: I've been down with us from the beginning through the middle,
Speaker 1: and you are still here. So we want of one man,
Speaker 1: appreciate you, and I thank you for wearing that that
Speaker 1: Houston's Astros jersey and at homeboy.
Speaker 3: I'm board for you.
Speaker 2: I was like, yeah.
Speaker 6: That was an Astros fan, thank you. This is our
Speaker 6: drinking game. We're gonna give you two choices. You pick one,
Speaker 6: we don't drink, but if you say both are neither,
Speaker 6: we're drinking. Okay, So kind of simple. And then we
Speaker 6: just want stories. Yeah, yeah, this poor give us any stories.
Speaker 6: With these people or places or whatever we bring up.
Speaker 6: It's about stories, all right, scarface a bum.
Speaker 3: Bee, take a shot. Take a shot. You can't leave
Speaker 3: the witness man. Let take a shot. Yeah, I can't.
Speaker 3: I can't pick between the two.
Speaker 7: Then they both influential in my life and learned a
Speaker 7: lot from both of them. Brothers. Proud of them. Brothers
Speaker 7: and Ship. We go keep making them proud. When they
Speaker 7: see us, they tell us how you're proud of us.
Speaker 3: We just go keep uplifting each other. You ever had
Speaker 3: a trailer burger? Yes? As good as fun, right, Yeah,
Speaker 3: I know they steroids in there.
Speaker 6: I know it.
Speaker 3: That some good cocainey. I'm just playing, but.
Speaker 2: Yeah, uh, you got to come to this time. And
Speaker 2: you know we got other food spots.
Speaker 7: You got to come to support lamp Shops Club Breakfast
Speaker 7: club is dope.
Speaker 2: You eat lamb chops.
Speaker 3: No, I don't eat. I don't eat red meat.
Speaker 7: But it's a done deal with whoever around you eat
Speaker 7: lamb shops. They got to come to the Boy, the
Speaker 7: boy best lamb shops in the world.
Speaker 3: I stemmed that I was in I was in Houston,
Speaker 3: hanging with Mexicans and Ship. Yeah like people. Yeah, I
Speaker 3: was like, I ain't I ain't even know. No, I
Speaker 3: don't even know. I went for Berard Rican and Mexican
Speaker 3: like that, like love, Like wait a minute, to fucking
Speaker 3: easy taking the shot? You know this is you know
Speaker 3: he got stand with the brown, He got the brown
Speaker 3: one side. He was given hold on what.
Speaker 9: The fucking sackey? Yeah, I try one? Okay, wait, I'm
Speaker 9: not regular. Yeah it's rice wine. So yeah, it a
Speaker 9: sneak up, don't lit It's like, hey, man, stop that you.
Speaker 7: Witness there we go? Yeah, man, you gotta take the shot. Uh,
Speaker 7: both of them legends, man, I mean they both contributed
Speaker 7: to the game. Like hell yeah, I can't go against it.
Speaker 3: Can't So Paul Wall or Mike Jones who Paul every time?
Speaker 7: I ain't gonna pick man, I'm not gonna pick got
Speaker 7: the shot, then, yeah, I'm gona I'm gonna be taking shots.
Speaker 1: I gotta, I gotta, I gotta. I gotta give Mike
Speaker 1: Jones something.
Speaker 6: We didn't have him on the show. By the way,
Speaker 6: we got you. I call him and tell him I
Speaker 6: forget what's happening. Every you take right, we took a shot.
Speaker 3: I took a shot.
Speaker 1: But every couple of times we're seeing that people that
Speaker 1: are promoting their phone numbers. Mike Jones hands down had
Speaker 1: to be the first person to ever promote the first.
Speaker 3: He is right ship.
Speaker 4: Yeah, I feel his campaign that was that was the
Speaker 4: best campaign ever.
Speaker 1: People are still biting his campaign to this day and
Speaker 1: not giving him his spots.
Speaker 3: He got the number back, now, he got the number back.
Speaker 3: He got it bad. That was genius though he was
Speaker 3: just at his time. You gotta no, but it worked
Speaker 3: for him at that time.
Speaker 7: But the no part about when you're an artist when
Speaker 7: everybody else going left and right and you decide to
Speaker 7: go straight. Yep, I funck with that over anything like so,
Speaker 7: I salute Mike Jones.
Speaker 3: Man doing this thing, man, slim thug, a little kiky.
Speaker 3: We take the boss.
Speaker 1: They take a shots at night. Man going against the stadium.
Speaker 3: Man, I love the Houston Lloyds. I love yeah, Man,
Speaker 3: what do you think of? This is like like that
Speaker 3: close to that. It is like Brooklyn Brooklyn queens do
Speaker 3: that the other day. No, queens, we always do that.
Speaker 3: But I feel like Brooklyn got us a little bit more.
Speaker 3: Leave the flip. Yeah, we need you to go home.
Speaker 6: We got to dud a ghetto boards a U g
Speaker 6: K gotta be a music ship. It could be someone
Speaker 6: that's closer you're closer with.
Speaker 3: I mean, like if we if we answer any of
Speaker 3: this ship, we can't go home. But look, I want
Speaker 3: to ask both for y'all right, we gotta drink. I'm drinking.
Speaker 3: Here we go. Hey, I'm going back to because PEPSI shit.
Speaker 1: I always tell his I don't know PMC. I don't
Speaker 1: know what people know. How real Pepsy was? Well, PEPC
Speaker 1: was probably like I don't want to say, the realist
Speaker 1: rapper I met.
Speaker 3: He was like one of the realist people I met.
Speaker 3: How was your relationship with Pemp?
Speaker 7: Pim just was always giving me game his mama resting
Speaker 7: peace to Mama West when she was on her deathbed.
Speaker 3: She wanted to talk to me before she passed away.
Speaker 7: I learned a lot about booking shows and negotiating but
Speaker 7: then standing on top of your business, you know, from
Speaker 7: the way Mama West used to book they show. So
Speaker 7: I went on tour with them. I learned a lot,
Speaker 7: Like it's an old video of us on BT with
Speaker 7: bum Be talking and me and c Note in the
Speaker 7: background and bum Be shouting me out and stuff like that.
Speaker 7: So like UGK and just the whole movement with author
Speaker 7: what we learned from this that's not technically Houston, No,
Speaker 7: it's just like a hour away. Yeah yeah, so yeah,
Speaker 7: I learned a lot from them, man, And they wasn't
Speaker 7: afraid to let you know they from Texas and pim
Speaker 7: C go, let you know we're from Texas and we
Speaker 7: coming now.
Speaker 3: Yeah, like so yeah, we love it. It was.
Speaker 1: It was a famous interview where Pimp like, I'm not
Speaker 1: from the South, obviously, but well he said, man, Atlanta
Speaker 1: not even from the south.
Speaker 3: He made me checked.
Speaker 1: He made me look at the map at geographics, you
Speaker 1: know what I'm trying to say. I was like, really,
Speaker 1: Atlanta's not the South, like they time is the same
Speaker 1: the East Coast.
Speaker 3: Me up, you don't remember I remember the time zones.
Speaker 6: That wouldn't really make sense though, because Florida's in the
Speaker 6: same time though.
Speaker 1: Oh he shout it on y'all too. He was like, technically,
Speaker 1: none of y'all from the south.
Speaker 3: He did say that that.
Speaker 1: Ship was like because like just dealing with intelligence, was
Speaker 1: he right?
Speaker 3: Technically right? Said this is the East Coast. He called
Speaker 3: y'all the East Coast. I mean we were on the
Speaker 3: east coast. He was Listen, if you look at the NBA.
Speaker 1: If you look at the NBA, Atlanta is east coast
Speaker 1: in the NBA.
Speaker 3: East and West.
Speaker 4: We're on the east coast. Man, Miami is on the east.
Speaker 4: So when said that, I said, this Nigga is mass marts.
Speaker 2: Man, Yo, know that.
Speaker 3: Ship is still fucking me up. Just think about what
Speaker 3: he said. How smart was that? He said that ship.
Speaker 4: Fifteen years ago? He said that, y'all wasn't the South.
Speaker 4: We are the South, but on the east coast, southeast.
Speaker 1: Oh okay, let me ask you this question.
Speaker 6: I've talkt about this a lot. Texas hell in the middle.
Speaker 6: I always felt like Texas leaned more to the west coast.
Speaker 1: No, since it's Midwest, what do you it's Midwest oldier.
Speaker 3: So when I'm here in Texas, people I mean about Texas. No, no, no, no,
Speaker 3: just to be serious, like, I'm like, yeah, it's kind
Speaker 3: of like I feel like y'all could could claim the
Speaker 3: west too if you wanted to be right. We right
Speaker 3: in the middle, right in the middle of the man
Speaker 3: yellow like we knew that Swiss swestt. I'm gonna get your.
Speaker 1: Publishing, but I'm taking that sweast or I'm gonna give
Speaker 1: you a publishing though. I'm gonna give you I'm a stumma.
Speaker 1: Your checks will come out of your money. Silver finished.
Speaker 1: But he said, no, that shit was the craziest ship
Speaker 1: because I I didn't realize the geographics.
Speaker 3: Oh you need to stop there.
Speaker 1: If you think about what he said, that ship almost
Speaker 1: twenty years ago.
Speaker 10: Right number, forty years ago? It was howeverny years ago?
Speaker 10: It's always But I didn't realize that. And he was like, Atlanta,
Speaker 10: you motherfuckers. Technically ain't even the South, He said, you,
Speaker 10: you niggas, is more than New York.
Speaker 3: And I said, did.
Speaker 1: I went to our next game in Atlanta and everybody
Speaker 1: was there it was from New York.
Speaker 3: And I said, that's what he was really probably referring
Speaker 3: to that. He is right.
Speaker 4: I'm sorry Atlanta, Atlanta. I can't go back to Atlanta.
Speaker 4: I can't go back to ship shout, go back to
Speaker 4: what's the Linux more? It's I'm gonna be food and
Speaker 4: Linux more. I guess, yeah, that's my nigga. Real that
Speaker 4: was a real one.
Speaker 1: Nigga had the third code on in Miami. You say
Speaker 1: TV ain't got no. I went the fird code nigga. Yeah, crazy,
Speaker 1: you want my story?
Speaker 3: He got a story. Oh yeah, you know. We called
Speaker 3: him and he said, this is this is.
Speaker 1: We wanted a relationship with UK and they want a
Speaker 1: relationship with UP.
Speaker 3: This is before we went to the hood. You came
Speaker 3: to my hood. What you came to my hood? This
Speaker 3: is before that. That was legendary. By the way, it's legendary.
Speaker 3: I'll get to that story too.
Speaker 1: But Pimp said, I want this amount of money for
Speaker 1: this is for Moose and May's album. He's like, I
Speaker 1: want this amount of money and I want this amount
Speaker 1: of money. And I said, all right, usual case on fire.
Speaker 1: So I came to the studio and I gave him
Speaker 1: the check.
Speaker 2: He gave him a check. Hello, he gave them the
Speaker 2: check I mean.
Speaker 3: And then he said to me. He said to me,
Speaker 3: you really you really did that? And I was like, yeah.
Speaker 1: He gave me back the check and he was like,
Speaker 1: I just wanted to see if it was a real nigga.
Speaker 2: Wow. And I took.
Speaker 3: And I took the check back and I was like,
Speaker 3: but this is not my money. So he had to
Speaker 3: take the check back.
Speaker 6: To me.
Speaker 3: Really really we traded. He did a song on my
Speaker 3: who did this comedian? Yeah, he did a hook on
Speaker 3: my record.
Speaker 7: You see it on the Underground Legend, and he did
Speaker 7: a verse when we split the last verse, and he
Speaker 7: showed up to my house like, hey, I got a
Speaker 7: record with Scott Storage.
Speaker 3: Oh wow. Yeah.
Speaker 7: He was like, I gotta beat from him. I want
Speaker 7: to put you on it. I'm like, all right, I
Speaker 7: got you. But he showed up with a fifteen thousand
Speaker 7: dollars chick that.
Speaker 3: Was a check for.
Speaker 7: Bro we Trade, and I'm cool, like they're gonna spend
Speaker 7: the money on some ship anyway.
Speaker 3: So he like made me take the chick. I was like,
Speaker 3: all right, cool, that's exactly what I did.
Speaker 1: So Pimp gave me back the check and was like
Speaker 1: I just wanted to see if he was a real nigga, right,
Speaker 1: And I was like, already cleared this, So I am
Speaker 1: a real nigga.
Speaker 3: Take this, Take this motherfucking check, and me bun Pamp.
Speaker 3: We were great ever since then.
Speaker 1: That's that's the reason why that's crazy that me and
Speaker 1: you have this fucking great shoulder together because you came.
Speaker 3: With me to my hood and it was over.
Speaker 6: I came from Miami, bunch from Texas and we and
Speaker 6: we were both looking at It was a wild dance.
Speaker 3: It was a crazy and had I had to be
Speaker 3: I wasn't a rapper that day. I had to let
Speaker 3: them niggas know. And I was running around and it
Speaker 3: was I that left us with Me and boy were
Speaker 3: hanging out. You loved us. You know, when you get
Speaker 3: you get you like your guys are there represent Yeah, yeah, no, no, no.
Speaker 1: No, that was a wild day Bump and Bump appreciated that,
Speaker 1: and I think you appreciate.
Speaker 7: It absolutely, yes, next question, I think that's dope though,
Speaker 7: that she did it. You got experiences with the people
Speaker 7: that we got to see like all the time, you
Speaker 7: know what I mean? Like that, that's dope that you
Speaker 7: got your own memory with I knew Pemp was special,
Speaker 7: but I knew that encounter.
Speaker 3: That we had.
Speaker 1: I knew that was special, but I didn't know how
Speaker 1: special it was until after he passed.
Speaker 3: After he passed, I was like, holy ship. But you
Speaker 3: got any story that maybe or you yeah? Is zero?
Speaker 3: You two?
Speaker 5: You go first, brother, I got a lot of stories
Speaker 5: with him. Uh trying to see I don't want to
Speaker 5: say when I see it already. Okay, Yeah, So it's
Speaker 5: two thousand and five. I don't know what PEMC looked like.
Speaker 5: I don't know what Bun looked like. Wow, because I've
Speaker 5: been buying burn CDs, so I ain't know nobody looked
Speaker 5: like in rap. I just I knew, y'all.
Speaker 3: Yeah, so I got it.
Speaker 5: I don't know. I guess before J Prince signed me,
Speaker 5: I kind of was. I don't want to say I
Speaker 5: was out in the street tripping or nothing like that,
Speaker 5: but I probably was out in the street tripping, Okay.
Speaker 3: So I was. I was kind of like, uh, I was.
Speaker 3: I was sucking it up.
Speaker 5: Red boys, like, hey, I got a I got a
Speaker 5: letter from you from PIMPC, you know, Pimples, And he
Speaker 5: hadn't came home yet, So I'm like, I don't even
Speaker 5: know that. Nigga, Like, well, I got a letter from him,
Speaker 5: and he gave me the letter and he was like,
Speaker 5: read it in his voice. I ain't even know you
Speaker 5: read it, man. You got like you've ever been cussed
Speaker 5: out on a piece of paper and you got to
Speaker 5: read that ship in the man voice. It wasn't no deer, uh.
Speaker 3: It was just look at nigga, you need to sit
Speaker 3: the fuck down. Wn. It was d I n e.
Speaker 3: You need to sit the fuck down south Side. You
Speaker 3: know what I'm saying.
Speaker 5: Man and man the man read and I'm like, it
Speaker 5: ain't a real argument. So I can't tell that nigga
Speaker 5: like Nigga got me fucked up cause he wrote this
Speaker 5: ship like a week ago.
Speaker 3: I'm reading it right now.
Speaker 5: He ain't there, So I'm like, so I Nigga cuts
Speaker 5: me out before he missed me, before he met me,
Speaker 5: and uh, and then I had to act like I
Speaker 5: didn't have an attitude when I met that when you
Speaker 5: to get thrown video shoot.
Speaker 3: She walked up to the corner, and I really wanted
Speaker 3: to be like, say, man, you.
Speaker 5: Got me fucked up. That sh it was like eighteen
Speaker 5: weeks ago, so that I got talk about no, because
Speaker 5: I mean, I mean, Nigga still was pimps. And he
Speaker 5: walked up and that nigga was like, say, man, I
Speaker 5: like this blue, but I'm riding red Jack.
Speaker 3: That's how I met it. Yeah, I mean I was
Speaker 3: just wait because you had on blue Nah.
Speaker 5: He was talking about like the gang ship. Oh I
Speaker 5: was in I was in a candy blue car at
Speaker 5: the time. So he was like, yeah, man, I like
Speaker 5: the blue Man, but I'm but you know, you know,
Speaker 5: you know pimp let you know he rid and read
Speaker 5: at all times. Yeah, and he coming down, coming down
Speaker 5: man like like he always gave me game.
Speaker 7: I always gave me free versus always like I remember
Speaker 7: one time we had a show. I don't know what
Speaker 7: part of Louisiana we was in, but man, we did
Speaker 7: the show. I don't know how everybody found out where
Speaker 7: we were staying, but bro, when I tell you, it's
Speaker 7: so many like baddies and knee caps just running around. Yeah,
Speaker 7: we call the kneecaps. So when women titties are super big,
Speaker 7: we call them knee caps. So titties, you know what
Speaker 7: I'm saying. Yeah caps.
Speaker 3: Message.
Speaker 7: But yeah, it was a whole the whole town knew
Speaker 7: where we were staying. And I just remember Bun sitting
Speaker 7: in the hall like, man, Philip, man, I'm tired of
Speaker 7: this ship. I was looking at him like Nigga, I
Speaker 7: ain't gonna never get time.
Speaker 3: I stay tired of the business.
Speaker 7: It was the lifestyle, just the lifestyle people, you know,
Speaker 7: just too many people every well finding out where we're staying. Yeah,
Speaker 7: but I was like eighteen at the time. I was like,
Speaker 7: it's going dying nigga, you know.
Speaker 3: But yeah, so great times with them. Man, let's take
Speaker 3: a shot. Let's do that one.
Speaker 8: What what this?
Speaker 3: This is socking? This one's never what's the chef for?
Speaker 3: Some bitch? Come on? So I like, I like, I
Speaker 3: like how you did it this sockey style. You went down. Well,
Speaker 3: you gotta do sockey bombs. Man, what.
Speaker 6: I threw sack not sockey bomb. The next episode's coming,
Speaker 6: next one.
Speaker 3: It's socking crazy Ot the Mexican or Sauce Walker. Where
Speaker 3: the drink it? Okay, there we go.
Speaker 1: You got one right here. Yeah solo, I ain't gonna
Speaker 1: lie you. You are breaking drink champs history. You got
Speaker 1: like five different drinks and five different cups, all.
Speaker 2: Kinds of cups different, just like it's a gun for
Speaker 2: every time.
Speaker 3: You feel me.
Speaker 2: You gotta just be prepared. But yeah, we we can't
Speaker 2: pick between them too, man.
Speaker 7: Like I'm probably Houston Lord t. Yeah, we proud of Mexican.
Speaker 7: Ot wrote that got a record with Mexican Ot. I
Speaker 7: just did a video with him and his artist Drodi
Speaker 7: and we fuck with South Walker. You know, I'm gonna
Speaker 7: records on this album. He got a dope record with
Speaker 7: Roe I'm so Houston, like the dope part about Houston. Man,
Speaker 7: like the mature people that grew up. We on some
Speaker 7: real good money ship. We on some you know, throw
Speaker 7: each other alley. It was behind the scenes, like you
Speaker 7: might not see us with each other every day. When
Speaker 7: we see each other, we go show love, I love Houston, loyal,
Speaker 7: we go turn up. But behind the scene, Hey, this
Speaker 7: guy want to book you Roe. Hey, here goes some money.
Speaker 7: Hey come to this time, bingo, we got you. Come on, youngster.
Speaker 7: You're like like we were helping each other make money.
Speaker 7: DJ screw put us around each other for a reason,
Speaker 7: and the smart ones recipe.
Speaker 2: Yes, yeah, man, yet to that.
Speaker 1: Let me ask you something that might like throw off
Speaker 1: the situation a little bit.
Speaker 3: It's all good. We built for it.
Speaker 2: In New York.
Speaker 3: We have Puerto Ricans, right, Okay, Puerto Ricans for the
Speaker 3: most part.
Speaker 1: I want to say that they think they black or
Speaker 1: they I did the fire for being black.
Speaker 3: Okay.
Speaker 1: Messicans is y'all version of Puerto Ricans, right, he's the
Speaker 1: young Messican rappers say nigga a lot, young Puerto Rican rappers.
Speaker 1: When they said nigga back then, I didn't take offense
Speaker 1: to it. But now that I'm older, I'm like, oh,
Speaker 1: I kind of like notice it. Maybe I don't take
Speaker 1: offense to it, but I notice it. Is that a
Speaker 1: problem with you, guys? Like when you when you see
Speaker 1: a young eighteen year old saying nigga, nigga, nigga, nigga, nigga,
Speaker 1: nigga and he's Mexican and technically he's not a nigga, right,
Speaker 1: maybe he has the nigga influenced. Sorry, but if that
Speaker 1: man is according the elevator with your great grandmother, your
Speaker 1: great grandmother is not going to identify with him using
Speaker 1: that that word. Is that a problem for you for you, guys?
Speaker 1: Or no, that's a deep question. I killed that answer.
Speaker 3: Sure.
Speaker 7: For me, it don't offend me. I don't live words
Speaker 7: offend me, Okay. I mean, if it was to offend me,
Speaker 7: it would have to have to be said, you know,
Speaker 7: niggir with the E R with At the same time,
Speaker 7: I still don't let words offend me me personally. You
Speaker 7: feel what I'm saying, so it don't bother me, you
Speaker 7: know what I'm saying, But the E R might bother me?
Speaker 3: Okay.
Speaker 5: Uh, I'm gonna have to agree. I'm not gonna let
Speaker 5: it bother me, per se. Uh I kind of know,
Speaker 5: like if it's a young person, they gonna get they
Speaker 5: turn to uh see that that's not appropriate. It's not appropriate.
Speaker 5: It's not appropriate. But but the thing is like like
Speaker 5: how you say they might be in a nigga environment. Yeah,
Speaker 5: and I can't get mad at them because somebody else
Speaker 5: has been calling them nigga a whole lot. What you
Speaker 5: you ain't gonna call it, motherfucker a nigga list you've
Speaker 5: been getting called ship And it was probably like damn,
Speaker 5: I'm a nigga, And it's probably the norm for that
Speaker 5: person until they get to somewhere where the norm is
Speaker 5: getting fucked up for saying that ship.
Speaker 1: Because because what I'm noticing is people who are not black,
Speaker 1: they've adopted it. Yeah, they adopted it way more than
Speaker 1: black people.
Speaker 3: Yeah.
Speaker 1: And I at first was like I was cool with it,
Speaker 1: but I'm not no more like I'm not like I
Speaker 1: actually point that out, like I've seen the dude, I
Speaker 1: don't try.
Speaker 3: Oh, I ain't gonna cry.
Speaker 1: Take a shot.
Speaker 3: Let's take a shot. Yeah, but are you having an
Speaker 3: intervention with Boris Man? Absolutely?
Speaker 1: Boris every everyone I'm having an intervention, Like what everybody
Speaker 1: who is affiliated to black people, but you're not black people,
Speaker 1: including Puerto Ricans, including Mexicans, including like that's my grandmother
Speaker 1: is not gonna understand that you're a cool Mexican. My
Speaker 1: grandmother's not gonna understand that you're a cool fucking Puerto Rican.
Speaker 3: My grandmother's not gonna understand that. If we're in the.
Speaker 1: Elevator and you call EFN, what's up my nigga?
Speaker 3: Yeah, it's not it's not to me.
Speaker 1: That's not cool. Now I'm forty eight years old. I
Speaker 1: just had a birthday. Yeah, Camp, you know how many
Speaker 1: times you was everybody?
Speaker 3: I don't want to be everybody.
Speaker 5: I know you don't And what's fucked up? I'll tell
Speaker 5: you when you was my niggado. Okay, the Wednesday I
Speaker 5: was talking about visit.
Speaker 3: Man. That's my brothers. But no, no, no, but but
Speaker 3: it's it's real.
Speaker 1: America's divided right now.
Speaker 2: It's about it. But but the no parter, this is
Speaker 2: the thing.
Speaker 7: Even though like our great grand you know, grandmothers, and
Speaker 7: they live a certain way, times have changed. So it's
Speaker 7: on us to reprogram ourselves and not be brainwashed by
Speaker 7: what they try to tell us, oh, you can't you know,
Speaker 7: be successful if you don't go to college or you
Speaker 7: can't do this. You can't start off being a CEO.
Speaker 7: I did it, Like damn, that's the beginning of my career.
Speaker 7: I've been to CEO. That's where most artists, like they
Speaker 7: start off rapping. I'm under this guy. I'm under this guy.
Speaker 7: I started off as a CEO. That's so I always
Speaker 7: had about mentality. So it's on us to reprogram ourselves
Speaker 7: and not have to go by the old traditions because
Speaker 7: a lot of the old traditions was based on what
Speaker 7: was going on back then that time. Now, like music
Speaker 7: is uniting people, different races, is coming together different people
Speaker 7: collaborating different genres, like like this shit is a blessing,
Speaker 7: you know what I'm.
Speaker 2: Saying, And that info's got to get passed down too, exactly.
Speaker 3: It has to be.
Speaker 6: So we just got O's got to be OG's and
Speaker 6: keep passing his own exactly.
Speaker 7: And that's that's what we're here for. We ain't here
Speaker 7: telling the people to go do some dumb shit or
Speaker 7: go jeopardize your life for some dumb shit, like if
Speaker 7: you listen to Kings of the South too, like we
Speaker 7: really on some grown me and shit like pay your bills,
Speaker 7: watch out for fake homies, like look out for the
Speaker 7: people that's locked up and looked out for you. We
Speaker 7: really on the motherfucker talking. It's about the message, you
Speaker 7: know what I mean. A lot of people they just
Speaker 7: ramping and they ain't really telling you nothing. We got
Speaker 7: some messages in there, like we want you to make money.
Speaker 7: We want you to watch out for the snakes. We
Speaker 7: want you to take care of your kids. We want
Speaker 7: you to spend time with your kids. We want you
Speaker 7: to value life. So we we come on some righteous ship.
Speaker 7: But you know, but if you play, then you know
Speaker 7: we we got to show you the other side. But
Speaker 7: we staying Christian mingle dot I'm trying to stand that mode.
Speaker 3: Now.
Speaker 6: You gave me the all of you because well you
Speaker 6: on Christian mingo dot com. Come on, you're married, man, I'm.
Speaker 3: On Christians.
Speaker 1: Right, but Christian all right, this is this is the
Speaker 1: King of the South ship.
Speaker 11: We ain't finished quick time, you know, let's go finish,
Speaker 11: hold hold that down after quickly straight up. Yeah all right,
Speaker 11: we read biggie a big punch. Now y'all can pick
Speaker 11: people if you want.
Speaker 3: I'm taking the shot. He just said. Bro, I fuck
Speaker 3: with both of them, recipe both of them. But yeah,
Speaker 3: I fuck with both of them.
Speaker 2: Like, come on, man, you can't zero, you can pick something,
Speaker 2: you can't lead the witness.
Speaker 3: Don't leave you. I just hate yeah, I clete the
Speaker 3: field man.
Speaker 1: Both of them legits Like if it's if you say
Speaker 1: some ship that, well it's somebody that got to get
Speaker 1: picked over.
Speaker 3: We go really picked like no, no, no, I know,
Speaker 3: I know, y'all real.
Speaker 1: Yeah, yeah, these people, they both I ain't gonna they
Speaker 1: both had some ship to the game, you.
Speaker 7: Know what, get brought in And Paul was saying some
Speaker 7: ship was wrapping past a lot of time.
Speaker 1: But if you listen to what the fun was allowed,
Speaker 1: I was, yeah, that's what I'm saying. Okay, okay, okay,
Speaker 1: I'm allowed in Columbia. So with pun and then Beyonce
Speaker 1: and bow.
Speaker 6: Wow, like it was crazy, best of my worlds and
Speaker 6: one one I love it menaced the society or boys
Speaker 6: in the hood.
Speaker 3: Mm hmm. You feel about that one.
Speaker 1: See, that's some ship, that's what we might be able
Speaker 1: to pick from which we can go back home. Man,
Speaker 1: it's the society of Boys of the hood.
Speaker 3: Damn, I'm gonna.
Speaker 5: Say, might what you got, what you got for nigga
Speaker 5: no q two though I know both of the movies.
Speaker 3: Was the Flipped and Fluid. He made me perform at
Speaker 3: the Big Three Me too, and that is so and
Speaker 3: boys and it was the first one. Boy, I love
Speaker 3: the witness.
Speaker 6: Boys in the Hood was Yeah, yeah, absolutely was the
Speaker 6: I always say the first, the first off I would
Speaker 6: be the pick.
Speaker 2: Yeah, I'm a I'm a pick.
Speaker 3: I'm ana pick boys. And if you're conflicted, yeah, like
Speaker 3: the last night, I just did a record live, so
Speaker 3: don't give funk about your bitch ass daddy niggas. Yeah, boys,
Speaker 3: and the.
Speaker 7: Record I did for crick Kriok, I mean cook. I'm
Speaker 7: about Cook only I say, we boys in the hood.
Speaker 7: Some ship you don't get shot in the back like
Speaker 7: Ricky So boys boys in the Hood.
Speaker 3: I I don't have to pick.
Speaker 7: Boys in the Hood like I did watch Boys in
Speaker 7: the Hood more than I watched Don't Be a Minutes
Speaker 7: But don't be a minute man, that.
Speaker 3: Ship don't be don't be good.
Speaker 2: But that was a comedy for.
Speaker 3: Minister to start. It was some ship in there, but
Speaker 3: Boys in the Hood, man.
Speaker 7: Was it was it was but like you need some
Speaker 7: help you but gooding with his daddy and all that,
Speaker 7: like sneaking in the girl house and all that kind
Speaker 7: of ship.
Speaker 3: Like oh yeah when he hit the wall, yeah that
Speaker 3: had no wall. Yeah, and then that that that.
Speaker 6: Yeah, I gotta go with that boys ship, all right,
Speaker 6: switch the house is screwed up.
Speaker 3: You got no hate, no y'all. Yeah, that very fast.
Speaker 3: I don't know. That's shot. I'm taking a shot. You
Speaker 3: got to take. I was shouting taking a shot. Take
Speaker 3: it shut. I'm so proud of y'all making that fast.
Speaker 3: And I tried to change. See that's this man, God damn,
Speaker 3: I want to I want.
Speaker 7: One of those changes. Screwed up clip. Man, it's a
Speaker 7: lot of stuff that man, bro.
Speaker 3: I can't get one.
Speaker 1: It's you, you general, I be fifty fifth. I gotta
Speaker 1: get you freestyling and then we gotta screw.
Speaker 3: Yeah, he got the chopping and then we scuriously. You
Speaker 3: gotta slow down. I gotta down. I'm sure they've I'm
Speaker 3: sure they've done it to your records many times. I'm
Speaker 3: not going to screw up click chain, screwed up clip.
Speaker 3: Let me look at that. I'm not Yeah, I'm a
Speaker 3: what now, I trust you. Come on, I brought it
Speaker 3: up from a represent flip we go, Yeah, that is clean.
Speaker 4: We go.
Speaker 3: We killed that and look I started. You gotta we
Speaker 3: got to drop the little It's that's what they know
Speaker 3: me as. But I'm big flip now big clip the
Speaker 3: cattle with Google my name and all that kind of
Speaker 3: represent Let me keep it.
Speaker 1: Little but yeah, big clipping. Yes, yes, that's look look
Speaker 1: at look at me representing.
Speaker 3: That s that screwed up clip fifty generations fooled up. Click.
Speaker 3: Oh my god, and you did it right, You did
Speaker 3: it right.
Speaker 1: Hold on, hold on, look look I'm holding it because
Speaker 1: I don't n Yeah TV.
Speaker 3: Johnny King, Johnny Kings. Just a difference, Okay, okay, yes,
Speaker 3: it's the difference. I tell us the difference.
Speaker 2: King Johnny is the guy who made all the screwed
Speaker 2: up Click.
Speaker 3: Jerry, Now is that in the gallery?
Speaker 7: He actually is in the He got Kings, he and
Speaker 7: King's Fleet market and he's in a Sharp Time.
Speaker 2: But what they changed it to what's the new name?
Speaker 7: They changed the name to Sharps Time oub But for me,
Speaker 7: it's gonna fail be Sharp Times.
Speaker 3: It's the first time he debuted to screwed up.
Speaker 7: Not no, no, I just it depends on the move. Okay,
Speaker 7: you know pre my brother cast, I'll be wearing this.
Speaker 7: This represent three faces, oh brother cast.
Speaker 3: Or he locked up, you know what I mean? So
Speaker 3: I be represented for him.
Speaker 7: Because he did some real ship for me and people
Speaker 7: that do real ship for me, even if they locked up,
Speaker 7: or even if they did, I do what I gotta
Speaker 7: do to keep their name alive.
Speaker 3: That's why you, Jimmy had some facts. What was it, Jamie?
Speaker 4: Was it?
Speaker 3: What were you saying?
Speaker 2: Michican O TV did a record called Jenny.
Speaker 3: But that's what That's a different journey from them what
Speaker 3: I'm talking about.
Speaker 2: Okay, but we with we fu with TV, Johnny like, okay,
Speaker 2: thank you?
Speaker 3: She was you wrong.
Speaker 2: We ain't no hate us, bro. We on some grown
Speaker 2: men for everybody.
Speaker 3: Yes, all right, fat patter, big pokey ship like a shot.
Speaker 3: Damn of course there we go. Houston is so loyal.
Speaker 3: I love how they so loyal.
Speaker 8: Bro.
Speaker 3: We ain't choosing over them, and we screwed up clicks.
Speaker 5: Ship go ahead people, both of them, all right, yeah, man,
Speaker 5: for real legends.
Speaker 3: Man, I hate both of them.
Speaker 7: Not here, man, I hate Pat didn't get to see
Speaker 7: the release of his album that's terrible, like man our coaching, Man,
Speaker 7: we got some real trends to us, like the dope
Speaker 7: part about it, bro Like just like people on the
Speaker 7: East Coast they hold you know, jay Z and ours
Speaker 7: to this this high, you know.
Speaker 3: The Northeast coast. Let's just be correct and.
Speaker 1: Straight up, like straight up, like that's how you feel
Speaker 1: about DJ Trew and Fat Pad and Pokey and Hawk
Speaker 1: and all the like we rapp with them, We don't.
Speaker 1: We don't look at ourselves like, oh yeah, we're less
Speaker 1: than like we we really did some legendary ship man
Speaker 1: and hell yeah. And to be a part of the
Speaker 1: screwed up clicking for DJ Screw to really allow us
Speaker 1: to come to his house and freestyle and showcase our
Speaker 1: talent and not be a greedy person and sign us off.
Speaker 3: HEJ Screw. He could have He could have been like,
Speaker 3: I'm signing all of y'all and he could have been
Speaker 3: a billionaire.
Speaker 6: Do you think he knew what he had like at
Speaker 6: the time, you think he knew what he had early?
Speaker 6: He might not have known how it would have been.
Speaker 3: He didn't want it. He didn't want to say I know,
Speaker 3: I wish you flipped. I think that he knew that,
Speaker 3: and I think he was that genuine he didn't want
Speaker 3: the responsibility. I can respect that.
Speaker 7: I'm us how to be famous and still live a
Speaker 7: normal life. Most people are slaves to their fame.
Speaker 3: They can't go to the.
Speaker 7: Grocery store with our people everywhere, like like, we really
Speaker 7: get to be famous, bro, and still go to the
Speaker 7: pastry store, you know what I mean?
Speaker 2: Like, so we're not slaves to our fame. So for
Speaker 2: a person like DJ screw to let us.
Speaker 3: Come in here, I think I believe that.
Speaker 7: And he won Ajusto Mixtape Award, like he had a ring. Yeah,
Speaker 7: you know, so DJ screw Man and that was it.
Speaker 3: You get a just I gottads mixed you. Yeah, I got.
Speaker 6: Screw Yeah recipes adjusto Man just did a lot for
Speaker 6: the mixtape.
Speaker 3: DJs. Yeah, hold on, come on shout this one. This
Speaker 3: one right, I'm I'm a pronow. He's swinging on you
Speaker 3: pro not taking shots. Yeah the next one, oh man.
Speaker 2: But I have.
Speaker 3: Analog or digital recording wise, obviously analog. I didn't make
Speaker 3: you to say analog.
Speaker 1: Analog fuck that. I'm sorry, it doesn't matter. Some probably
Speaker 1: I gotta take a shot right then.
Speaker 3: Yeah, you're saying neither I want.
Speaker 7: It don't matter because when you pro, when you are
Speaker 7: pro it, you just go get on that mic and go,
Speaker 7: you know, pause that boy.
Speaker 3: But the analog do sound better though.
Speaker 2: An I was dope. Yeah, like analog was dope like me.
Speaker 2: I don't give a fuck like.
Speaker 6: We probably wouldn't couln't survive an analog.
Speaker 7: Because I just got some dope ass plugs and some
Speaker 7: shiit to make me still sound dope.
Speaker 3: Thanks to my brothers for putting me on the type
Speaker 3: of mic and the system to get.
Speaker 2: You know what I mean. So I don't give a fuck.
Speaker 2: When you're pro, you just do what you do, right.
Speaker 3: Riders of Rockefeller, All right, repeat the d MX. You
Speaker 3: got the DMX story of course, tell us.
Speaker 7: So I was label maxed with DMX. He eventually came
Speaker 7: to you know, Columbia. But I'm cool with the rough
Speaker 7: Riders too, like d n Y and all. Here City
Speaker 7: is my bro. Like if you're looking to turn it
Speaker 7: up video, I have on a three Cassidy shirt, you
Speaker 7: know what I mean. So I'm down with the rough Riders.
Speaker 7: What video was said? We were in atl We did
Speaker 7: the video for Tear It Up with Young One. He
Speaker 7: signed the artists same young Yeah, yeah, just like the bands.
Speaker 7: They be playing it to me, David Banner, Young One
Speaker 7: and d MX is on the hook. We did the
Speaker 7: video in Atlanta, Bro, and X was like, and you
Speaker 7: got something the smoke, Bro, I'm like, yeah, here you go.
Speaker 7: He was like he saw the blunt that I rode
Speaker 7: because like back then, like all of us we rolled,
Speaker 7: was like three on fires. Will take like you know,
Speaker 7: to Philly blunts and put them sidewise, sidewise, like tell
Speaker 7: him roly fat ass blunts like this, like look like
Speaker 7: real Cuban cigars on the sidewest and then we'll smoke.
Speaker 3: And it was like, you're gonna put all that weed.
Speaker 1: That one fucking blunt, Like yeah, because we're trying to
Speaker 1: really get high, like you know what I mean, we
Speaker 1: really want to go there, you know what I'm saying.
Speaker 1: And like you said, y'all down South niggas, y'all crazy man,
Speaker 1: y'all thugging be you know. But but X was just
Speaker 1: always a dope ass, a dope ass person, a real person.
Speaker 7: He reminded me a lot about DJ Screw because like
Speaker 7: Screw didn't let the fan go to his head. One
Speaker 7: thing about DM mixed, if he fuck with you, if
Speaker 7: he wants to tackle Bell, he ain't gonna be a
Speaker 7: slave to his fans, you know, like he was just
Speaker 7: like y'all texts niggas smoked them big ass blunts, but y'all,
Speaker 7: motherfucker's crazy.
Speaker 3: So recipes the DMX got more. We got a couple
Speaker 3: of relaxed ice Cube or the d o C. That's
Speaker 3: nextan too. I'm gonna take it. I'm gonna take a shot.
Speaker 3: Man E was not from the DC IS text. Yeah,
Speaker 3: that's why they kind this ship drink champ.
Speaker 7: Yeah, we ain't gonna pick damn any stories with either
Speaker 7: of them. I mean, I interviewed d o C on
Speaker 7: my podcast when I was doing the podcast. I'm gonna
Speaker 7: bring it back. I gotta bring it back. Yeah, I
Speaker 7: got it, I got we got distribution now. We ain't
Speaker 7: have this back then, but let's chop it up. You
Speaker 7: know what I'm saying. It's gonna be a new co
Speaker 7: host with me y. I'm trying to get rop, you
Speaker 7: know what.
Speaker 3: I'm saying that so we can get some of that
Speaker 3: money like Cam and Mask. Yeah yeah, yeah, yeah, that
Speaker 3: podcast jump jump in.
Speaker 1: Yeah, see, y'all seem more happier from the last time
Speaker 1: you saw from the last time I saw y'all.
Speaker 3: Y'all seem more happier. So yeah, man, man, I'm sorry,
Speaker 3: keep talking like, hey, we're still here. Tho, keep it real.
Speaker 3: I love it. Get a little more gay. So what happened?
Speaker 3: He said, he's a interviewed DC and his bo.
Speaker 7: I interviewed him, and he just talked about like his
Speaker 7: experience being on the West Coast and a lot of
Speaker 7: people don't know.
Speaker 2: R Repeater three too, but he's from Dallas. He's from Dallas.
Speaker 7: Yes, three two used to be on the West Coast,
Speaker 7: and like when you saw me do that, like no fingerpriss,
Speaker 7: you get that from mister.
Speaker 1: Three too, Like yeah, all Repeater three two, So we
Speaker 1: do it. Take his name alive, no finger press and
Speaker 1: that's in Texas thing though three two used to do
Speaker 1: it all the time.
Speaker 3: You take my dad back. Three two brought some of that.
Speaker 3: He was hanging around snooping just from people. He just
Speaker 3: a fly guy, you know what I mean?
Speaker 7: So yeah, these DFC man him representing. You know, we
Speaker 7: hated about the car crash and him losing it a
Speaker 7: I got him.
Speaker 3: We go Allway, he said, he I got.
Speaker 6: I mean Beanie singles killing right now killing, so exactly
Speaker 6: do that right now.
Speaker 3: He's working with the as it sounds, it's right, it's work.
Speaker 7: Bennie was one of my favorite rappers. He said, he's doing.
Speaker 3: Yeah, he got a joint he got.
Speaker 6: We're doing the album with Yeah, Jada Kiss Yeah, and
Speaker 6: three Way's executive producing or something right, and he's using
Speaker 6: A he's using AI to fix the voice. So he's
Speaker 6: doing the lyrics. He's spitting it and fixing.
Speaker 3: It. Sounds like him, you know. It's one of the
Speaker 3: illest lyrics and ever like Yeah, so d C could
Speaker 3: do it.
Speaker 6: Does dl c's crew go back like y'all go back
Speaker 6: with that Field Fresh crew and like that whole vibe.
Speaker 3: We weren't in the eighties.
Speaker 6: Yeah, I mean I received I remember Fresh Cooky because
Speaker 6: that's what with the n W and the Posse table.
Speaker 1: Just stupid brod way before.
Speaker 5: That, howd on man, I got to ask something, man,
Speaker 5: So hold on Beanie like Beanie alive?
Speaker 3: Yeah, I know he had he lost his voice.
Speaker 2: From when he got shot, Like I think one one long.
Speaker 6: So he came on Dreams and he was already talking
Speaker 6: about as d C was. They was trying to figure
Speaker 6: out if that technology was going to help them recreate
Speaker 6: their voice. Okay, and right now, Beanie got a joint
Speaker 6: out with Jadakiss where they used it and it worked
Speaker 6: and it.
Speaker 3: It don't sound weird at all. Well you thought we was.
Speaker 5: I mean, we ain't answer no questions, So I'm kind
Speaker 5: of there. There's been a lot of and they're talking
Speaker 5: about it, like I can see if he was like
Speaker 5: packing like but like Beanie, that nigga.
Speaker 3: Up street outside, you know he he outside? Yeah, yeah,
Speaker 3: I believe. I believe if you show some flip if.
Speaker 6: I'm not mistaken, I thought he was gonna show him
Speaker 6: the joints.
Speaker 3: If I'm not mistaken, I believe Ai.
Speaker 1: This is this is my friend right here, And he
Speaker 1: told me that AI tells people you're talking about me.
Speaker 3: Yeah, you're right here. I see where you were pointing
Speaker 3: at No.
Speaker 1: And you you tell me that AI tells you sometimes where.
Speaker 3: Are you at? They are sucking everything up? Where's your kids?
Speaker 8: And you?
Speaker 6: And you you say certain things. I had no idea
Speaker 6: that that can do that for vocals. Yeah, I could
Speaker 6: do anything. Look hold on, I'm gonna see a I
Speaker 6: was fixing people credit. I want to fix fixing people's credit.
Speaker 3: You know, shouting, I got lead, like you know what
Speaker 3: I'm saying. He just made miss out Like, yeah, we
Speaker 3: made that ship happen. But that's my name. It's been
Speaker 3: a lost week because we love y'all. We love y'all.
Speaker 3: You We had to do some scheduleing. Man.
Speaker 7: We were supposed to come out here while bag man,
Speaker 7: but we figured it out. So I always like to
Speaker 7: shout out to people behind it.
Speaker 3: No, yeah, man makes a look this should happen.
Speaker 1: Man, this is gonna be an epic episode. Yeah, you
Speaker 1: know you got you got your shot right there. If
Speaker 1: you want to know, I'm a g okay, I'm gonna
Speaker 1: drinking him now.
Speaker 3: I ain't gonna drink drink seven different glass he definitely drinking.
Speaker 3: And he's like, I know this one.
Speaker 2: Maybe this one is Hall of Famer.
Speaker 3: Now that's crazy. He got some ship in it.
Speaker 6: I don't know that's sprite gotten that leans, but the
Speaker 6: sprite got some ship.
Speaker 2: Man shouldn't mixed with excited prescription.
Speaker 3: That's put its prescription.
Speaker 8: It is.
Speaker 3: Prescribed.
Speaker 8: At some point, I was just throwing it out there. Look,
Speaker 8: come on a little come you taket o. You out
Speaker 8: of control. You're about to go back to bad buddy
Speaker 8: right now.
Speaker 3: If you drink that ship.
Speaker 12: And you win, I can't even like argue back with
Speaker 12: your guy. Rick Rosse and two chains. With both of them,
Speaker 12: I got history both with both.
Speaker 3: Talk about it.
Speaker 2: When Rons drive who to Miami?
Speaker 3: What was the club?
Speaker 2: I don't know if it was south it was in South.
Speaker 7: Beach, but cameo was it a mansion Opium Opium yep
Speaker 7: o PM He had his release party.
Speaker 3: Buster Rhymes was in that bitch.
Speaker 8: You know.
Speaker 7: Jay Z was in that bitch. He was playing that
Speaker 7: music and Definite I was able to be down here.
Speaker 7: We went to the studio. That's when he was doing
Speaker 7: business with Poe Boy. We actually did a push It
Speaker 7: to the Limit remix. I actually rapped on it. It
Speaker 7: never came out, but it didn't. Yeah, I did a
Speaker 7: damn It Man remix with Pitt Bull before he go.
Speaker 7: Wayne was on there, like but like being out here
Speaker 7: with Rick Ross and who was the other name he
Speaker 7: said to change and Chains like even though I was
Speaker 7: super cool with Ludacris, every time I linked with somebody
Speaker 7: who's in the crew, it's other people that I fuck with,
Speaker 7: you know, that's.
Speaker 3: In the crew.
Speaker 7: So I fucked with Ludacris. We'll do our music together.
Speaker 7: But me and two Chains, well he went by TI
Speaker 7: you know back when he was part of DTP correct
Speaker 7: people that if you listen to you Gotta Feel Me album.
Speaker 7: The first song on there, it's called uh Bring the
Speaker 7: Pain featuring or Repeater Static Major Kentucky with a do Luville.
Speaker 7: I put titty Boy on there, but it's me, titty
Speaker 7: Boy and Ludicrous. So like we would always fuck around
Speaker 7: with each other, so like our relationship was super dope.
Speaker 7: So when he started like really blowing up and he
Speaker 7: switched his name and reinvented hisself, like I was proud
Speaker 7: of him, you know what I mean?
Speaker 3: So yeah, I with both of them.
Speaker 1: Are you taking a chat or we already took a shot.
Speaker 3: We took a shot. Yeah, we took it. You can
Speaker 3: take another one if you won't.
Speaker 6: Luck right now, next one, next one, Willie D Live
Speaker 6: or Joe Bunden podcast.
Speaker 3: Damn uh motherfuckers. Can't go against Willy D. I can't
Speaker 3: go against Willy D. And what are you doing this
Speaker 3: thing on the podcast? Shit too?
Speaker 2: Like like I watched vocal. You know what I'm saying.
Speaker 2: I watched both like they both bring you like skin.
Speaker 3: Like nigga, you gotta watch take but brother, though we
Speaker 3: were still if you gotta take a break, take the break.
Speaker 3: I ain't gonna lie you're going with really, I got
Speaker 3: to I'm gonna have shout out to Joe but but
Speaker 3: but I got to go home. He's doing it right now,
Speaker 3: the super legend. That's a big bro to. And what
Speaker 3: do you beat you up? I mean you don't beat
Speaker 3: a couple of people up?
Speaker 1: Man?
Speaker 3: Really do you got hands? I don't know that.
Speaker 7: I think he's a certified boxer. I think I don't
Speaker 7: know he's heard about boxing too. But we respect really
Speaker 7: like that's how brother.
Speaker 3: Train. The niggas train every day, you know, like every
Speaker 3: fold Nigga read these Nikes. That's that's that's a shout
Speaker 3: out to a niggas and fosby Nike. He got a
Speaker 3: song called make a Nigga read like like.
Speaker 7: Believe you know when my brother? Yeah, you know for them, man,
Speaker 7: you know it's just looking. I'm gonna take my shot.
Speaker 3: Shout out to both them, Shout out to both of them.
Speaker 3: All Odd Squad or Fifth War boys. Man, you know
Speaker 3: the shot. Well, yeah, Nigga's crazy squad. That's a cocaine section.
Speaker 3: That's that's that's who makes that ship a Manican and
Speaker 3: uh cocaine. There we go. Yeah, od squad of who
Speaker 3: for the Fifth War? Right? Yeah, he wants me. I
Speaker 3: tell you I'm a pro now, nigga. Yeah, yeah, you've
Speaker 3: been the bro. Shout out to Devin the Dude. Man,
Speaker 3: I think Devin the Dude man, we need do drink chances.
Speaker 3: Y'all ain't got that yet. No, man, I'm gonna get yours.
Speaker 2: He's a headless man to get your I got your zero.
Speaker 3: Yeah, keep we need more text representation on drinks. They've
Speaker 3: been coming to us, but I asked for this, dudo. No, no,
Speaker 3: they've been coming. We appreciate you coming. Bro. Wait you
Speaker 3: getting me on drink champ. They'll be like they're like zero.
Speaker 3: How you like?
Speaker 8: I know?
Speaker 1: Lord?
Speaker 3: Man? No, No, we're good. Yeah, that's what we made.
Speaker 3: It ain't even a month later. We're gonna keep it going.
Speaker 3: That's manifested ship. We're gonna do one with you by
Speaker 3: yourself again. Future shots, shoot shots. We got the artists
Speaker 3: actually shout shadow because you don't like that. That was dope.
Speaker 3: Man it up boozy, Kevin Gates, God damn niggas.
Speaker 7: Yeah, we definitely gonna hold it down for the South Nigga.
Speaker 7: I ain't picking man, he's a picking both niggas. I'm
Speaker 7: glad you're driving man. God nah, I mean that guy.
Speaker 3: I thought you pour it board. I was like cords
Speaker 3: Kid talking nowhere. You can't try real life. You gotta grow.
Speaker 3: I'm talking about the real life as we said both
Speaker 3: where you should go, Oh yeah, okay, cool. Ain't y'all
Speaker 3: want to try some mamauana real quick. You've been drinking everything,
Speaker 3: so you might as well try it. I'll take you.
Speaker 3: I'll take one. Give him Jamie, give him a shout off.
Speaker 3: My wanna who mamajuana is? Dominican? Is the Dominican Ali, Sir.
Speaker 3: I'm gonna be honest. Little Flip is the illest.
Speaker 6: Good drink everything, champ. I feel like if we said, listen, person, boys,
Speaker 6: got a juice.
Speaker 3: You know nothing that I'm no, I'm bigging you up.
Speaker 13: Not enough, don't get more time much it's good, it's
Speaker 13: good much. If it ain't, it's cool, sell.
Speaker 3: Drinking no more? After that?
Speaker 6: Taking in ship he has a chameleonaire.
Speaker 3: Man, I ain't gonna go against my brothers. I ain't
Speaker 3: get I got this shot. You're done. Zero zero is
Speaker 3: catching on?
Speaker 6: Man?
Speaker 3: What zero zero drinks right now? Hold on? Hold on?
Speaker 3: Say uh what you got? You gotta answer because I'm
Speaker 3: I'm taking both. We drank already, go home. I gotta go. Yeah,
Speaker 3: I'm taking move, So you gotta take your shot. Yeah,
Speaker 3: I trying to move to Houston. So yeah, neither one, man,
Speaker 3: I think this is gonna be Yeah, just no.
Speaker 7: Yeah, our brothers when hey, I love the I love
Speaker 7: We ain't going against We ain't going against him.
Speaker 4: Man.
Speaker 6: We were in for unity, bro, we ain't in for division. Absolutely,
Speaker 6: Like really all right, rap at swave house.
Speaker 3: Damn, we got to go back home. I mean we're
Speaker 3: gonna pick rap a lot, but give us stories or something. Man,
Speaker 3: we both, but we're gonna go with. I mean, we
Speaker 3: gotta pick with. It's rap a lot.
Speaker 7: I mean like they showed us to black print to
Speaker 7: how you got to look. Look, let me tell your story.
Speaker 7: I went to fund your middle school. I went to
Speaker 7: middle school with a guy by the name of Cedric
Speaker 7: White too low scarface. Yeah, he was black. He had
Speaker 7: a record with Scarface called a Funky Little Nigga the
Speaker 7: Little Brother on scarface.
Speaker 2: Album, I think it was called The World Is Yours.
Speaker 7: So I was in middle school going to school with
Speaker 7: a guy named Tulo who actually wrapped and had music
Speaker 7: videos with Scarface. So he showed me, like, you can
Speaker 7: be attainable, you can be a kid and make some money.
Speaker 7: You dig what I'm saying. So, yeah, now it's always
Speaker 7: gonna be. We're gonna go with rapper out and we
Speaker 7: got love for swave House. We fucked with a Ball
Speaker 7: and J G. Tler, mister Mike, everybody all that. But yeah,
Speaker 7: now we gotta pick a rapper out on that. Man,
Speaker 7: what you got both of them? I can't do it,
Speaker 7: straight up.
Speaker 5: I can't do it because I'm gonna see I'm gonna
Speaker 5: see Houston's straight up and I'm gonna see Jay Prince
Speaker 5: at the boxing gym.
Speaker 3: Now for sure, got me fucked up. Shout out to
Speaker 3: both of them. Yeah, shout out to both of them. Man, Scarlo,
Speaker 3: cash money or no limit might keep the cover up.
Speaker 3: He said, don't put the cup down.
Speaker 2: I'm gonna go with both. They both brought it to
Speaker 2: the game.
Speaker 3: Man, Like I ain't gonna work with both of them both, y'all.
Speaker 3: I worked with Pee, I did business with P. I didness.
Speaker 7: If you look at the movie Baller Blocking, I'm in
Speaker 7: the movie. It's a scene where it's like a shootout
Speaker 7: or whatever, and like ce Noe and the Body Boys,
Speaker 7: they brought me up there.
Speaker 2: I'm in the movie Baller Blocking, like in the party scene.
Speaker 7: And that was around the same time they had the
Speaker 7: Cash Money and the Rough Riders tour. So we was
Speaker 7: at a cash Money party where they brought our plaques
Speaker 7: and Bentley's and I think it was like slim Birthday
Speaker 7: and they all got like tattoos. And DMX was there,
Speaker 7: Dragon Eve like yeah, so we gotta.
Speaker 3: Go with both.
Speaker 8: And P.
Speaker 3: He spent money with me in book shows and and
Speaker 3: we learned a lot.
Speaker 7: Like Master P was the motherfucker who would drop twenty
Speaker 7: albums in one month.
Speaker 3: Yeah no, he was going crazy. Yeah No, limit was
Speaker 3: wild with the album drops.
Speaker 1: Independent, major label, independent, I love the bigger I'm gonna
Speaker 1: say independent being when a major label gets you in
Speaker 1: like more markets and gets you more exposure, marketing dollars
Speaker 1: put behind you. So it was cool for me to,
Speaker 1: you know, get the fan base and get the radio
Speaker 1: spins and get the contacts and be on TRL and
Speaker 1: the one of US six and parks, you know what
Speaker 1: I mean. But at the end of the day, the
Speaker 1: person who keeps their contexts is the person who eats forever,
Speaker 1: you know what I mean. So being able to drop
Speaker 1: when you won't and don't have to go through this
Speaker 1: system and all that. So I prefer independent over being
Speaker 1: on a major. But I got what I need to
Speaker 1: get from major.
Speaker 6: So when you was on the major, you was already
Speaker 6: thinking independent and grabbing these contacts.
Speaker 2: Yeah, you knew I needed this and I was on
Speaker 2: a major label.
Speaker 7: I never operated like I was on a major label, right,
Speaker 7: Like we still pressed up our own posters.
Speaker 3: Because you had already had that history for yourself, correct, right.
Speaker 7: So we were still just moving like we wanted to move.
Speaker 7: Like it's a contact game. Like if you keep the
Speaker 7: context and you travel and you get the promoter's numbers
Speaker 7: and the artist's phone numbers.
Speaker 3: You go eat forever. Yeah.
Speaker 6: The saying is your network is your net worth. That's
Speaker 6: what they say, right, all right, I think we got
Speaker 6: the last one. Go ahead, Chigo, loyalty or respect lord, respect,
Speaker 6: damn you you drinking. You did that for drinks.
Speaker 1: I mean I did that ship for my life. Yeah,
Speaker 1: I did that for my life. Prefer I prefer both.
Speaker 1: Some people like, oh yeah, I want the law to you.
Speaker 1: That's the best answer to me.
Speaker 7: I won't go because I'm the talk mother. If I
Speaker 7: fuck with you, I'll fuck with you. I ain't go
Speaker 7: half fast fuck with you. Like if I fuck with
Speaker 7: you were.
Speaker 3: Going out a lot. You know what I mean? I don't.
Speaker 2: I don't do the.
Speaker 3: Half fast ship. So yeah, I need both. What about you?
Speaker 2: Both of them? Damn, that means we gotta take a shot.
Speaker 3: It's shot a clock. Hold on, that's bro.
Speaker 6: Let me ask y'all coming from the mixtape game, right,
Speaker 6: I mean I come from the mixtape game.
Speaker 3: I know, I know.
Speaker 6: I'm both of y'all come from the mixtape game when
Speaker 6: it was analogue, Right, This is how I feel like
Speaker 6: independent works out the trunk worked Texas to Bay Miami
Speaker 6: like the South. Really is how we we were able
Speaker 6: to like sustain ourselves make selling music. You know, how
Speaker 6: does that translate now in the digital world? Like what's
Speaker 6: the difference for y'all right now from that era with
Speaker 6: screwed mixtape? DJ screw mixtapes, So now, like how does
Speaker 6: that translate?
Speaker 7: Yeah, it was more money back then, like selling hard
Speaker 7: copies or whatever, but working and staying a part of
Speaker 7: your craft and like not budgeting on your price, you know,
Speaker 7: keeping your mistique, like whatever your formula is. Like ro
Speaker 7: got his own formula what he does, what works for him.
Speaker 7: I got my own formula what works for me. So
Speaker 7: I just look at it like we have some Yin
Speaker 7: and yang shit. We don't think the same all the time,
Speaker 7: but we think the same like ninety eight percent of
Speaker 7: the time. So we just do what our fans love
Speaker 7: from other, like like the ship that his fans love
Speaker 7: from him.
Speaker 3: He does what he do and I do the same things.
Speaker 7: So it's just about not compromising who you are as
Speaker 7: a person and it's just really working.
Speaker 6: But we'll see adjust of the change or like monetary,
Speaker 6: like before you could literally sell it out the trunk.
Speaker 6: So these mixtapes, you can go platinum as a mixtape artist.
Speaker 6: That's different now because it's streaming. So how does that
Speaker 6: how what's how did you adjust to that? Like how
Speaker 6: y'all just in a market like Texas where that was big,
Speaker 6: we got a core for.
Speaker 3: All of him. Does it go to shows me now
Speaker 3: more than anything. If you go to Facebook, he got
Speaker 3: a thing called row Heads. Shout out to the row Heads.
Speaker 3: Oh that's the fans, right, that's what they. I can't
Speaker 3: call him. No, I don't like going to fans. Fans.
Speaker 3: I get that.
Speaker 7: And then I got fhlip Nation And we just feed
Speaker 7: our people. They just believe in what we do. Bro Like,
Speaker 7: we just do what we do at the pace we
Speaker 7: want to.
Speaker 3: Yeah. We we just.
Speaker 7: Unapologetically we be us. We don't have to change who
Speaker 7: we are. They love us for who we are. We
Speaker 7: drive when we want to drive, we move when we
Speaker 7: want to move, and they appreciate it.
Speaker 3: Well worthy, well worthy, Thank you for coming through. Follows
Speaker 3: Hang to the South two is how right now? Get that?
Speaker 7: Get his album Comedy Road Through, Comedy Road to you,
Speaker 7: you know, shout out to you, Tom Bingo, shout out
Speaker 7: to up Above Entertainment. And we work and thank y'all
Speaker 7: for having us. Thank you coming through. Hey, we the
Speaker 7: drink Champs.
Speaker 3: We are here.
Speaker 7: Timothy lens Man looking out. We shoot the video to Miami.
Speaker 7: We need you in that video. We just need to answer,
Speaker 7: We just need to answer from.
Speaker 3: You already already you know what I'm saying, and my
Speaker 3: mom got you man now much love man, drink Champs.
Speaker 6: Drink Champs is a Drink Champs ll C production hosts
Speaker 6: and executive producers n O r E and d j
Speaker 6: e f f N.
Speaker 3: Listen to Drink.
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