WEBVTT - Episode 471 w/ Lil' Flip & Z-Ro

0:00:11.800 --> 0:00:13.760
<v Speaker 1>He is drinks chess, motherfucking podcast man.

0:00:14.960 --> 0:00:16.919
<v Speaker 2>He's a legendary queens rapper.

0:00:17.079 --> 0:00:18.800
<v Speaker 3>He ain't agreed as your boy in O R E.

0:00:18.920 --> 0:00:21.759
<v Speaker 3>He's a Miami hip hop pioneer. Put up its d

0:00:21.920 --> 0:00:24.239
<v Speaker 3>J E f N together they drink it up with

0:00:24.360 --> 0:00:26.239
<v Speaker 3>some of the biggest players, you know what I mean.

0:00:26.320 --> 0:00:30.640
<v Speaker 1>And the most professional unprofessional podcast and your number one

0:00:30.680 --> 0:00:32.240
<v Speaker 1>source for drunk drink.

0:00:32.159 --> 0:00:36.880
<v Speaker 3>Chan Squavery Days New Year's that's it's time for drink champions.

0:00:37.200 --> 0:00:44.360
<v Speaker 3>Drink up, motherfuck mother? Would it gonna be? How many

0:00:44.360 --> 0:00:46.400
<v Speaker 3>sinister me? Is your boy in O R What up

0:00:46.479 --> 0:00:47.400
<v Speaker 3>his dj E f N?

0:00:47.520 --> 0:00:50.920
<v Speaker 1>That's Minna taiper Chrasty World Podcast drink tests the.

0:00:56.000 --> 0:00:56.240
<v Speaker 2>Listen.

0:00:56.320 --> 0:00:58.200
<v Speaker 1>Man, I don't know if I'm gonna drink lean tonight.

0:00:58.280 --> 0:01:01.400
<v Speaker 1>You know what I'm saying, because it looks like it little.

0:01:01.440 --> 0:01:03.080
<v Speaker 1>I'm gonna ask for something, man at some point, you

0:01:03.160 --> 0:01:03.560
<v Speaker 1>know what I mean?

0:01:07.480 --> 0:01:12.520
<v Speaker 3>Yo, my homie, I can't call him a little.

0:01:12.319 --> 0:01:13.880
<v Speaker 1>Flip because he's been a man for a long time,

0:01:13.959 --> 0:01:15.120
<v Speaker 1>so he's a big flip.

0:01:16.400 --> 0:01:18.400
<v Speaker 3>Uh. This zero my first time meeting you.

0:01:19.280 --> 0:01:19.400
<v Speaker 4>Uh.

0:01:20.760 --> 0:01:25.000
<v Speaker 1>I listened to your album. The album is classic, classic floor.

0:01:25.280 --> 0:01:25.960
<v Speaker 1>It's a classic.

0:01:26.840 --> 0:01:28.000
<v Speaker 3>It's I can't.

0:01:27.800 --> 0:01:30.640
<v Speaker 1>Believe how good y'all sound together because y'all sound so

0:01:30.720 --> 0:01:34.160
<v Speaker 1>good separately, and the fact that y'all got together and

0:01:34.280 --> 0:01:35.319
<v Speaker 1>y'all sound so good.

0:01:35.640 --> 0:01:37.800
<v Speaker 3>So today we're gonna give y'all y'all flowers.

0:01:38.000 --> 0:01:40.360
<v Speaker 1>We're gonna make sure that y'all understand how much hip

0:01:40.400 --> 0:01:43.600
<v Speaker 1>hop enjoys loves y'all, and we're gonna give.

0:01:43.560 --> 0:01:51.640
<v Speaker 3>Y'all your motherfucking flowers off top you just now, little flip.

0:01:53.000 --> 0:02:00.680
<v Speaker 1>Let's Yeah, you've been on a couple of times, but

0:02:00.800 --> 0:02:06.760
<v Speaker 1>we wasn't giving up the problem. Yeah, yeah, yeah, So

0:02:09.200 --> 0:02:13.080
<v Speaker 1>both of y'all, both of y'all. Man, Uh, y'all from

0:02:13.120 --> 0:02:16.519
<v Speaker 1>a very rich history, right. A lot of people don't

0:02:16.639 --> 0:02:22.560
<v Speaker 1>understand how rich Houston is is in history right.

0:02:23.320 --> 0:02:26.080
<v Speaker 3>From the ghetto boys. So I just want to.

0:02:27.600 --> 0:02:29.919
<v Speaker 1>Take it from the beginning and ask y'all how was

0:02:30.000 --> 0:02:33.600
<v Speaker 1>it growing up in that that that environment in.

0:02:33.639 --> 0:02:42.560
<v Speaker 3>The beginning, There you go, Ruther, pressure, the pressure was on. Okay,

0:02:42.919 --> 0:02:43.600
<v Speaker 3>the pressure was on.

0:02:45.160 --> 0:02:47.200
<v Speaker 1>Now describe that When you say the pressure is on,

0:02:47.480 --> 0:02:53.840
<v Speaker 1>are you saying because of your your peers or from

0:02:53.880 --> 0:02:57.119
<v Speaker 1>the outsiders like the New Yorkers and the Miami people.

0:02:57.040 --> 0:03:00.839
<v Speaker 5>Were like really really from everybody because we were trying

0:03:00.840 --> 0:03:04.120
<v Speaker 5>to feel like shoes, trying to feel their shoes. We're

0:03:04.160 --> 0:03:06.040
<v Speaker 5>trying to we're trying to walk in their shoes. Okay,

0:03:06.240 --> 0:03:09.840
<v Speaker 5>So when that started, we was rapping already. So it's

0:03:09.919 --> 0:03:12.200
<v Speaker 5>kind of like we was better than everybody else. I

0:03:12.240 --> 0:03:14.760
<v Speaker 5>think we got the big homies and it's like we're

0:03:14.800 --> 0:03:16.960
<v Speaker 5>trying to get I ain't gonna say better than them,

0:03:17.040 --> 0:03:18.760
<v Speaker 5>but you know, we got to at least be what

0:03:18.919 --> 0:03:21.440
<v Speaker 5>they can know, be in the room. Yeah, So that's

0:03:21.560 --> 0:03:23.240
<v Speaker 5>that's why, I mean, the prencire was on for at

0:03:23.320 --> 0:03:23.760
<v Speaker 5>least for me.

0:03:24.160 --> 0:03:30.079
<v Speaker 1>Right, So let me ask, right, whatever a person say, Houston,

0:03:30.200 --> 0:03:33.760
<v Speaker 1>they say, they say Texas, they say, even Dallas sometimes

0:03:34.560 --> 0:03:36.200
<v Speaker 1>they always mentioned J Prince.

0:03:37.960 --> 0:03:39.680
<v Speaker 3>Is that something that y'all have to.

0:03:39.800 --> 0:03:42.440
<v Speaker 6>Go through or is that something that there's a bunch

0:03:42.440 --> 0:03:43.560
<v Speaker 6>of labels out of Texas though?

0:03:43.600 --> 0:03:47.600
<v Speaker 1>I mean, but one of the most powerful labels though.

0:03:48.280 --> 0:03:51.480
<v Speaker 1>What we talk about rap a low House, switch House, Okay,

0:03:51.920 --> 0:03:53.800
<v Speaker 1>screwed up records, screwed up records, but.

0:03:53.920 --> 0:03:57.680
<v Speaker 6>The most the most and going back as far as

0:03:58.480 --> 0:04:00.640
<v Speaker 6>one of the original indies in hip ho It's like.

0:04:00.800 --> 0:04:03.840
<v Speaker 1>It's like us from being in New York Death Cham

0:04:04.320 --> 0:04:04.920
<v Speaker 1>like death Cham.

0:04:05.520 --> 0:04:07.760
<v Speaker 3>We got loop records? Okay, yeah, did you go a

0:04:07.800 --> 0:04:08.480
<v Speaker 3>perfect sample?

0:04:08.840 --> 0:04:11.560
<v Speaker 1>Was that something that you have to deal with or

0:04:12.560 --> 0:04:15.000
<v Speaker 1>it's something that never really popped up for y'all.

0:04:15.360 --> 0:04:18.760
<v Speaker 7>It's just something that when you got respect and you

0:04:18.920 --> 0:04:21.440
<v Speaker 7>got talent and you stand on your word, you know,

0:04:22.000 --> 0:04:25.680
<v Speaker 7>you get treated as such. So the things that Jay

0:04:25.760 --> 0:04:29.640
<v Speaker 7>Prince did and building for Houston and the Ghetto Boys

0:04:29.720 --> 0:04:32.760
<v Speaker 7>and the different things that the foundations they laid down,

0:04:33.279 --> 0:04:36.320
<v Speaker 7>they gave us the blueprint, the black print on how

0:04:36.360 --> 0:04:38.920
<v Speaker 7>to be independent. It said, a black print because we're blessed.

0:04:42.400 --> 0:04:47.120
<v Speaker 7>And so they showed us you could be independent. They

0:04:47.160 --> 0:04:49.240
<v Speaker 7>showed us you could put your logo on your pendent.

0:04:49.680 --> 0:04:52.760
<v Speaker 7>So we learned a lot about marketing and you know,

0:04:53.000 --> 0:04:55.800
<v Speaker 7>showing up to the shows deep. So you know that's

0:04:55.880 --> 0:04:58.920
<v Speaker 7>faan and we go always show love to them and

0:04:59.560 --> 0:05:00.880
<v Speaker 7>it's never go change.

0:05:00.960 --> 0:05:01.159
<v Speaker 6>Man.

0:05:01.680 --> 0:05:05.320
<v Speaker 1>You know that that was a beautiful. It's sticking for

0:05:05.440 --> 0:05:09.920
<v Speaker 1>me being a New Yorker watching the rise of Houston, right,

0:05:10.920 --> 0:05:14.960
<v Speaker 1>was y'all was actually independent for sure, Like how people

0:05:15.040 --> 0:05:18.640
<v Speaker 1>were saying they were independent, Texas had distribution.

0:05:20.200 --> 0:05:24.280
<v Speaker 3>Houston was really out the trunk for sure. Like I

0:05:24.400 --> 0:05:28.479
<v Speaker 3>always loved that's the area in Texas for sure.

0:05:28.520 --> 0:05:31.480
<v Speaker 2>And I'm still out the trunk right, yeah, dumb.

0:05:31.360 --> 0:05:35.480
<v Speaker 7>Drive, CDs, T shirts, merch. I still hustle like I

0:05:35.520 --> 0:05:37.840
<v Speaker 7>ain't got nothing Like that's the way you keep it.

0:05:38.279 --> 0:05:39.960
<v Speaker 3>Shot to that, Let's take it.

0:05:40.279 --> 0:05:54.200
<v Speaker 1>Let's you can take sockey athleet.

0:05:50.520 --> 0:05:51.480
<v Speaker 3>So let's let's let's.

0:05:51.360 --> 0:05:53.680
<v Speaker 1>Break down that because that's something I'm always a fan of.

0:05:53.800 --> 0:05:58.760
<v Speaker 1>I'm sorry, I'm a fan of Houston culture.

0:05:59.000 --> 0:05:59.479
<v Speaker 3>I feel like.

0:06:02.000 --> 0:06:05.200
<v Speaker 1>I feel like Houston doesn't have to promote outside of Houston.

0:06:08.200 --> 0:06:11.000
<v Speaker 7>I mean a little bit, you know, a little bit.

0:06:11.240 --> 0:06:14.600
<v Speaker 7>But it's just like when you got your core fan base.

0:06:15.600 --> 0:06:18.719
<v Speaker 7>Like see a lot of people, like when they try

0:06:18.800 --> 0:06:23.080
<v Speaker 7>to talk about my career span, a lot of people

0:06:23.120 --> 0:06:26.520
<v Speaker 7>they just started two thousand and one when I got

0:06:26.920 --> 0:06:30.120
<v Speaker 7>the did Yeah, this is the way we bob. For

0:06:30.200 --> 0:06:34.920
<v Speaker 7>some it was records now that allowed Steve Rifkins shout

0:06:34.960 --> 0:06:39.280
<v Speaker 7>out to Steve Rifkins, so right, okay, But prior to

0:06:39.440 --> 0:06:41.800
<v Speaker 7>this is the way we bob, I got diamonds in

0:06:41.839 --> 0:06:43.279
<v Speaker 7>your face, I got records.

0:06:43.520 --> 0:06:43.599
<v Speaker 4>Uh.

0:06:44.040 --> 0:06:46.000
<v Speaker 7>Latroit was the first person to put me on BT.

0:06:46.160 --> 0:06:48.400
<v Speaker 7>We had a record cole Leen to the Left Wow.

0:06:49.680 --> 0:06:52.280
<v Speaker 3>On mixtape. Yeah, No, we really did that. We really

0:06:52.320 --> 0:06:52.600
<v Speaker 3>did that.

0:06:52.839 --> 0:06:55.320
<v Speaker 7>And so I got classic records with Big T in

0:06:55.400 --> 0:06:57.600
<v Speaker 7>the house tonight, he got Most City done, he got

0:06:58.080 --> 0:07:01.920
<v Speaker 7>we got different records that we go tour off of

0:07:02.400 --> 0:07:04.680
<v Speaker 7>that are big before the mainstream.

0:07:05.160 --> 0:07:08.680
<v Speaker 2>So my catalog, I have a classic catalog.

0:07:08.360 --> 0:07:12.280
<v Speaker 7>Before the major Yeah that people sing word for word

0:07:12.600 --> 0:07:15.200
<v Speaker 7>and zero the same way like so our career.

0:07:15.400 --> 0:07:19.360
<v Speaker 3>Man, it's some real historic ship. Oh yeah, let's make

0:07:19.400 --> 0:07:25.440
<v Speaker 3>some noise. From the beginning we started this ship.

0:07:25.400 --> 0:07:29.120
<v Speaker 1>They were like, you better get zero, like they Yeah,

0:07:29.120 --> 0:07:33.080
<v Speaker 1>you have been fan requests. Yo, Listen, your fans are very, very,

0:07:33.280 --> 0:07:42.239
<v Speaker 1>very relentless. From the beginning, they thought we were dropping

0:07:42.280 --> 0:07:46.560
<v Speaker 1>the ball by not having you on. So let's let's

0:07:46.600 --> 0:07:50.720
<v Speaker 1>let's talk about your fan base for a second. How

0:07:50.760 --> 0:07:51.600
<v Speaker 1>did you develop that.

0:07:53.800 --> 0:07:54.000
<v Speaker 3>Man?

0:07:54.560 --> 0:07:58.120
<v Speaker 5>Targeting to people who didn't have ship? Okay, talking to

0:07:58.160 --> 0:08:01.280
<v Speaker 5>people didn't have a shop that I take the shot

0:08:01.360 --> 0:08:03.640
<v Speaker 5>for that too, people that for real, for real, because

0:08:03.680 --> 0:08:06.280
<v Speaker 5>that could motivate you because I was the people that

0:08:06.360 --> 0:08:12.040
<v Speaker 5>didn't have shit. So right when I met Phlip, they

0:08:12.120 --> 0:08:14.760
<v Speaker 5>was kind of like trying to press us against each other,

0:08:15.000 --> 0:08:16.360
<v Speaker 5>you know what I'm saying. Yeah, it was kind of

0:08:16.440 --> 0:08:19.800
<v Speaker 5>like I guess the two. I don't want to just

0:08:19.920 --> 0:08:23.320
<v Speaker 5>pull everybody else up under us and say like get

0:08:23.440 --> 0:08:26.160
<v Speaker 5>up here. But it kind of was like that a

0:08:26.160 --> 0:08:28.920
<v Speaker 5>little bit. So when I met him, they was like,

0:08:29.000 --> 0:08:31.239
<v Speaker 5>I got fifty thousand on row, I got fifty thousand

0:08:31.280 --> 0:08:33.280
<v Speaker 5>on floor. Trying to make this. They was trying to

0:08:33.320 --> 0:08:35.199
<v Speaker 5>make us back. They were trying to make us freestyle

0:08:35.240 --> 0:08:37.679
<v Speaker 5>against each other and all that shit. So it was

0:08:37.800 --> 0:08:41.160
<v Speaker 5>just I don't know, man, my uh. I didn't have nothing,

0:08:41.520 --> 0:08:43.320
<v Speaker 5>so I didn't want to get on no song talking

0:08:43.360 --> 0:08:46.360
<v Speaker 5>about I'm in this foreign or I'm in this dope

0:08:46.400 --> 0:08:49.679
<v Speaker 5>ass high ride. I was sleeping outside, so I was

0:08:49.760 --> 0:08:52.280
<v Speaker 5>doing music for the niggas who was sleeping outside, for

0:08:52.320 --> 0:08:54.439
<v Speaker 5>the niggas who wanted to come inside, you know, for

0:08:54.480 --> 0:08:58.360
<v Speaker 5>the niggas who was hungry, like your back growling, now

0:08:58.400 --> 0:09:01.839
<v Speaker 5>you pass your stomach. So those people heard that and

0:09:01.920 --> 0:09:05.000
<v Speaker 5>they and it resonated, and before I knew it, she

0:09:05.880 --> 0:09:08.320
<v Speaker 5>I wouldn't pull no more, you know what I'm saying,

0:09:08.400 --> 0:09:09.920
<v Speaker 5>and shout out to the road.

0:09:10.120 --> 0:09:15.480
<v Speaker 3>Yes, they brought me inside all the way to the

0:09:15.520 --> 0:09:16.000
<v Speaker 3>town floor.

0:09:16.240 --> 0:09:20.920
<v Speaker 1>So I watched the documentary the other day about Katrina

0:09:23.000 --> 0:09:27.160
<v Speaker 1>and one thing that I realized that Katrina affected you

0:09:27.320 --> 0:09:28.760
<v Speaker 1>guys was most of the.

0:09:28.800 --> 0:09:29.280
<v Speaker 3>People that.

0:09:31.240 --> 0:09:35.600
<v Speaker 6>Was was what people they had, the refugees of New Orleans,

0:09:35.679 --> 0:09:38.000
<v Speaker 6>they came to they they came today.

0:09:38.880 --> 0:09:41.800
<v Speaker 3>So can y'all describe that time for me?

0:09:42.640 --> 0:09:49.840
<v Speaker 1>Because all right, we had nine to eleven right New York.

0:09:49.920 --> 0:09:55.319
<v Speaker 1>When New Yorkers left, New Orleans had Katrina. But Katrina

0:09:55.559 --> 0:10:00.240
<v Speaker 1>went and they visited Houston. I didn't realize how much

0:10:00.360 --> 0:10:02.959
<v Speaker 1>it might have affected the Houston economy. Did that help

0:10:03.040 --> 0:10:04.920
<v Speaker 1>the Houston economy or did it bring it down?

0:10:05.559 --> 0:10:06.640
<v Speaker 3>I felt like it helped.

0:10:06.720 --> 0:10:10.400
<v Speaker 7>I mean, there's more people at the shows, and we

0:10:10.520 --> 0:10:12.120
<v Speaker 7>got a lot of Louisa fans.

0:10:12.400 --> 0:10:14.920
<v Speaker 3>Like even September eleven.

0:10:14.960 --> 0:10:17.000
<v Speaker 7>I was supposed to be in New York on September eleven,

0:10:17.040 --> 0:10:19.319
<v Speaker 7>but at the last minute I changed my mind. I

0:10:19.320 --> 0:10:21.240
<v Speaker 7>was supposed to go talk to some labels, and then

0:10:21.520 --> 0:10:27.000
<v Speaker 7>that happened, like when Katrina happened. The day before Katrina hit,

0:10:28.080 --> 0:10:30.000
<v Speaker 7>I flew to New Orleans to do a meet and

0:10:30.040 --> 0:10:32.000
<v Speaker 7>greet and I think I was in the yeah, the space.

0:10:32.120 --> 0:10:33.800
<v Speaker 7>So you were in New Orleans the day the day

0:10:33.840 --> 0:10:36.440
<v Speaker 7>before I flew. It was a company, a phone company

0:10:36.480 --> 0:10:39.280
<v Speaker 7>called all Tail. What had gave me like fifty thousand

0:10:39.280 --> 0:10:42.080
<v Speaker 7>dollars to do like two songs, and when it did

0:10:42.120 --> 0:10:43.640
<v Speaker 7>a meet and greet they were saying it wasn't gonna

0:10:43.640 --> 0:10:44.440
<v Speaker 7>be that bad the story, right.

0:10:45.080 --> 0:10:46.959
<v Speaker 2>So as I'm flying in, I didn't really know what

0:10:47.160 --> 0:10:47.520
<v Speaker 2>was going on.

0:10:47.640 --> 0:10:49.760
<v Speaker 7>I'm like, why everybody at the gas stations right, and

0:10:49.800 --> 0:10:52.160
<v Speaker 7>they're like why, it's the storm coming. I'm like, I'm

0:10:52.200 --> 0:10:54.800
<v Speaker 7>like shit. So we're flying over. We do the meet

0:10:54.840 --> 0:10:57.079
<v Speaker 7>and greed at the super Dome. At that time, I

0:10:57.200 --> 0:10:59.360
<v Speaker 7>was doing business with Squad Up Shout Out the you know,

0:10:59.480 --> 0:11:02.160
<v Speaker 7>squad Up Utther gut to everybody and Gut To Gut

0:11:02.160 --> 0:11:06.040
<v Speaker 7>are still my family. So they came. They was like, yeah, man,

0:11:06.280 --> 0:11:08.400
<v Speaker 7>we go ride this hit out, you know, And then

0:11:08.960 --> 0:11:10.920
<v Speaker 7>we did the meet and greeting. I got on the jet,

0:11:11.120 --> 0:11:13.040
<v Speaker 7>we flew in on the jet, flew back to Houston.

0:11:13.080 --> 0:11:15.120
<v Speaker 7>The next day it hit and we couldn't get in

0:11:15.160 --> 0:11:17.360
<v Speaker 7>touch with nobody. We couldn't get in touch with Gut

0:11:17.440 --> 0:11:20.640
<v Speaker 7>or nobody, and they just ended up in Houston. They're like, man,

0:11:20.679 --> 0:11:24.160
<v Speaker 7>we in age town and you know. So a lot

0:11:24.240 --> 0:11:28.160
<v Speaker 7>of the little flipping squad of music right was made

0:11:28.240 --> 0:11:29.320
<v Speaker 7>during the contrin of time.

0:11:29.480 --> 0:11:34.360
<v Speaker 1>Oh yeah, because I didn't realize. I always knew, like

0:11:34.880 --> 0:11:38.959
<v Speaker 1>New Orleans and Houston is a lot of my neighbors.

0:11:39.559 --> 0:11:41.640
<v Speaker 1>When I moved to Miami, a lot of my neighbors

0:11:41.920 --> 0:11:48.240
<v Speaker 1>would drive to New Orleans and would drive to Houston.

0:11:48.320 --> 0:11:50.600
<v Speaker 1>I'm like, who the fuck drives to Houston from Miami

0:11:52.800 --> 0:11:55.520
<v Speaker 1>And I didn't realize it's only like thirteen hours away, right,

0:11:56.679 --> 0:12:00.480
<v Speaker 1>But a lot of them resided during this time I'm there,

0:12:00.760 --> 0:12:03.440
<v Speaker 1>and I didn't realize how close it was and how

0:12:03.520 --> 0:12:08.120
<v Speaker 1>much that you guys got affected. So what's like when

0:12:08.160 --> 0:12:12.120
<v Speaker 1>you when you hear different wards, what's the difference from

0:12:12.160 --> 0:12:14.760
<v Speaker 1>the from the awards when you when you describe it's

0:12:14.800 --> 0:12:21.040
<v Speaker 1>like fifth Ward because that's where uh uh get ghetto

0:12:21.080 --> 0:12:21.960
<v Speaker 1>boys is from, right there?

0:12:21.960 --> 0:12:25.160
<v Speaker 3>From fifth Ward? Well, some of them in New Orleans

0:12:25.200 --> 0:12:27.600
<v Speaker 3>got awards too, Yeah, So what's.

0:12:27.480 --> 0:12:30.480
<v Speaker 1>The difference from the awards in Houston and awards in

0:12:31.160 --> 0:12:32.559
<v Speaker 1>New Orleans? If you can.

0:12:34.040 --> 0:12:36.800
<v Speaker 7>I mean, people got their own slang in the different

0:12:36.840 --> 0:12:40.319
<v Speaker 7>ways they hustle, but it's similar, you know, it's similar

0:12:41.080 --> 0:12:43.560
<v Speaker 7>just people trying to get their money, you know, hustling.

0:12:43.679 --> 0:12:46.959
<v Speaker 7>You know, we got third Ward, second World, fifth Ward,

0:12:47.200 --> 0:12:53.719
<v Speaker 7>you know fourth Yeah, but it's different hood, same ship man.

0:12:53.880 --> 0:12:57.160
<v Speaker 7>People trying to get their money and people hustling different

0:12:57.240 --> 0:12:59.800
<v Speaker 7>things right, and only the strong survived.

0:13:00.040 --> 0:13:04.800
<v Speaker 1>I'm taking a shot for that. God, let's go solo.

0:13:08.440 --> 0:13:15.280
<v Speaker 1>A little flood flip, big flip it is. I feel

0:13:15.320 --> 0:13:18.959
<v Speaker 1>like I knew you for quite some time, and I

0:13:19.040 --> 0:13:24.440
<v Speaker 1>feel like the most success you got you never let

0:13:24.520 --> 0:13:27.360
<v Speaker 1>the shit get to your head. That's something I admire

0:13:27.400 --> 0:13:31.479
<v Speaker 1>about you, right like you always spent a solid.

0:13:31.240 --> 0:13:33.559
<v Speaker 3>Dude, you know why. I don't know why.

0:13:33.760 --> 0:13:38.199
<v Speaker 7>The reason is okay, when you used to attention, you

0:13:38.280 --> 0:13:40.559
<v Speaker 7>don't have to go at your way to get it right.

0:13:40.920 --> 0:13:44.080
<v Speaker 7>So I grew up doing talent shows. I grew up

0:13:44.280 --> 0:13:46.240
<v Speaker 7>my grandmother had a beauty shop, So I grew up

0:13:47.160 --> 0:13:50.440
<v Speaker 7>being around nothing but women, right like I had men,

0:13:50.880 --> 0:13:53.160
<v Speaker 7>you know, father figures in my life. But I'm saying

0:13:53.760 --> 0:13:56.719
<v Speaker 7>so they like me for me. So I always was

0:13:56.880 --> 0:13:59.600
<v Speaker 7>just being me. I ain't never have to be.

0:13:59.720 --> 0:14:03.440
<v Speaker 3>Nothing different to get attention. So when you being yourself, ship,

0:14:03.520 --> 0:14:04.120
<v Speaker 3>it ain't odd.

0:14:04.200 --> 0:14:06.120
<v Speaker 7>I ain't and I ain't. I don't love money, you

0:14:06.160 --> 0:14:08.640
<v Speaker 7>know what I mean? I feel God money like you,

0:14:09.200 --> 0:14:13.320
<v Speaker 7>I don't know, I don't know, but it's attracted to me.

0:14:15.120 --> 0:14:15.400
<v Speaker 8>Love me.

0:14:18.880 --> 0:14:23.320
<v Speaker 2>Yeah, I don't know, it stays coming, you know, like literally,

0:14:23.920 --> 0:14:25.480
<v Speaker 2>so you know, I just I just stayed me.

0:14:25.560 --> 0:14:25.640
<v Speaker 3>Bro.

0:14:25.680 --> 0:14:28.000
<v Speaker 7>I ain't gonna never let the money to fame what

0:14:28.160 --> 0:14:31.320
<v Speaker 7>I got dictate, you know, make me feel like I'm

0:14:31.360 --> 0:14:34.840
<v Speaker 7>better than you because I got this, you know ship,

0:14:35.120 --> 0:14:37.280
<v Speaker 7>one bad deal, it could all be gone, it can

0:14:37.320 --> 0:14:39.640
<v Speaker 7>all be yeah, so I just stay humble.

0:14:39.440 --> 0:14:41.840
<v Speaker 3>With this ship. But I know who I am. Yeah.

0:14:42.080 --> 0:14:46.560
<v Speaker 1>Yeah, so so zero, let me ask you this is

0:14:46.680 --> 0:14:52.080
<v Speaker 1>this is a tough motherfucking game. A lot a lot

0:14:52.120 --> 0:14:55.000
<v Speaker 1>of us full, a lot of us full during this game.

0:14:55.160 --> 0:14:57.320
<v Speaker 1>And what makes you stay so solid?

0:14:58.320 --> 0:15:08.000
<v Speaker 3>The rent? The rent I wasn't be ready. That don't

0:15:08.040 --> 0:15:11.040
<v Speaker 3>inspire you to say so. I mean.

0:15:12.760 --> 0:15:15.720
<v Speaker 5>I think i'm uh, I think I'm pretty well versed

0:15:15.760 --> 0:15:19.000
<v Speaker 5>in this ship. But even more than that, I got

0:15:20.280 --> 0:15:22.640
<v Speaker 5>I got a lifestyle that I like to live and

0:15:22.680 --> 0:15:24.760
<v Speaker 5>ship and I'm not going back to the one before

0:15:24.840 --> 0:15:27.760
<v Speaker 5>this one. So you know, that's that's that's my main

0:15:28.000 --> 0:15:30.520
<v Speaker 5>you know what I'm saying. Uh, And then I like

0:15:31.400 --> 0:15:34.560
<v Speaker 5>I like shipping niggas. Okay, I like sh niggas. I mean,

0:15:34.560 --> 0:15:36.800
<v Speaker 5>I'm just be honest, I ain't gonna I ain't gonna

0:15:37.080 --> 0:15:40.360
<v Speaker 5>no deep answer. I just I know I'm dope and

0:15:40.440 --> 0:15:42.080
<v Speaker 5>I want more fuckers to hear that ship.

0:15:42.200 --> 0:15:48.480
<v Speaker 1>Right, goddamn makes the night. I want to do quick

0:15:48.560 --> 0:15:51.240
<v Speaker 1>time of Slim and let's do it. You got it,

0:15:51.320 --> 0:15:54.640
<v Speaker 1>you got it ready, Okay, it's okay.

0:15:54.760 --> 0:15:56.720
<v Speaker 3>Let's go. I want to explain to the game because

0:15:56.720 --> 0:15:57.680
<v Speaker 3>you play this.

0:15:57.720 --> 0:16:02.640
<v Speaker 6>When you there this party, it was I don't know

0:16:02.720 --> 0:16:03.360
<v Speaker 6>what time it was.

0:16:03.400 --> 0:16:05.480
<v Speaker 3>I just know we were drinking and we were smoking.

0:16:05.560 --> 0:16:08.240
<v Speaker 3>We had time. Let me take you.

0:16:10.200 --> 0:16:14.480
<v Speaker 1>You have your own right to start your own drink Chaps.

0:16:14.240 --> 0:16:18.480
<v Speaker 3>Section, you can start your own game. Drink. We give

0:16:18.520 --> 0:16:19.480
<v Speaker 3>you the permission.

0:16:20.280 --> 0:16:24.880
<v Speaker 1>I've been down with us from the beginning through the middle,

0:16:25.160 --> 0:16:28.040
<v Speaker 1>and you are still here. So we want of one man,

0:16:28.560 --> 0:16:32.200
<v Speaker 1>appreciate you, and I thank you for wearing that that

0:16:32.640 --> 0:16:35.920
<v Speaker 1>Houston's Astros jersey and at homeboy.

0:16:37.120 --> 0:16:37.680
<v Speaker 3>I'm board for you.

0:16:38.440 --> 0:16:42.640
<v Speaker 2>I was like, yeah.

0:16:45.040 --> 0:16:48.440
<v Speaker 6>That was an Astros fan, thank you. This is our

0:16:48.520 --> 0:16:51.000
<v Speaker 6>drinking game. We're gonna give you two choices. You pick one,

0:16:51.480 --> 0:16:54.000
<v Speaker 6>we don't drink, but if you say both are neither,

0:16:54.480 --> 0:16:58.320
<v Speaker 6>we're drinking. Okay, So kind of simple. And then we

0:16:58.440 --> 0:17:02.240
<v Speaker 6>just want stories. Yeah, yeah, this poor give us any stories.

0:17:02.240 --> 0:17:04.040
<v Speaker 6>With these people or places or whatever we bring up.

0:17:04.080 --> 0:17:07.919
<v Speaker 6>It's about stories, all right, scarface a bum.

0:17:07.840 --> 0:17:15.440
<v Speaker 3>Bee, take a shot. Take a shot. You can't leave

0:17:15.480 --> 0:17:22.040
<v Speaker 3>the witness man. Let take a shot. Yeah, I can't.

0:17:22.080 --> 0:17:23.320
<v Speaker 3>I can't pick between the two.

0:17:23.480 --> 0:17:28.680
<v Speaker 7>Then they both influential in my life and learned a

0:17:28.760 --> 0:17:31.960
<v Speaker 7>lot from both of them. Brothers. Proud of them. Brothers

0:17:32.160 --> 0:17:35.399
<v Speaker 7>and Ship. We go keep making them proud. When they

0:17:35.480 --> 0:17:37.719
<v Speaker 7>see us, they tell us how you're proud of us.

0:17:39.040 --> 0:17:41.840
<v Speaker 3>We just go keep uplifting each other. You ever had

0:17:41.880 --> 0:17:46.000
<v Speaker 3>a trailer burger? Yes? As good as fun, right, Yeah,

0:17:46.280 --> 0:17:47.479
<v Speaker 3>I know they steroids in there.

0:17:47.680 --> 0:17:48.119
<v Speaker 6>I know it.

0:17:49.280 --> 0:18:00.159
<v Speaker 3>That some good cocainey. I'm just playing, but.

0:18:02.040 --> 0:18:05.159
<v Speaker 2>Yeah, uh, you got to come to this time. And

0:18:06.520 --> 0:18:07.800
<v Speaker 2>you know we got other food spots.

0:18:08.520 --> 0:18:12.200
<v Speaker 7>You got to come to support lamp Shops Club Breakfast

0:18:12.240 --> 0:18:12.840
<v Speaker 7>club is dope.

0:18:13.080 --> 0:18:13.920
<v Speaker 2>You eat lamb chops.

0:18:14.119 --> 0:18:15.520
<v Speaker 3>No, I don't eat. I don't eat red meat.

0:18:15.560 --> 0:18:18.320
<v Speaker 7>But it's a done deal with whoever around you eat

0:18:18.400 --> 0:18:20.399
<v Speaker 7>lamb shops. They got to come to the Boy, the

0:18:20.520 --> 0:18:22.720
<v Speaker 7>boy best lamb shops in the world.

0:18:23.440 --> 0:18:26.639
<v Speaker 3>I stemmed that I was in I was in Houston,

0:18:26.720 --> 0:18:31.720
<v Speaker 3>hanging with Mexicans and Ship. Yeah like people. Yeah, I

0:18:31.840 --> 0:18:36.200
<v Speaker 3>was like, I ain't I ain't even know. No, I

0:18:36.280 --> 0:18:38.439
<v Speaker 3>don't even know. I went for Berard Rican and Mexican

0:18:38.560 --> 0:18:45.240
<v Speaker 3>like that, like love, Like wait a minute, to fucking

0:18:45.320 --> 0:18:52.720
<v Speaker 3>easy taking the shot? You know this is you know

0:18:52.840 --> 0:18:54.960
<v Speaker 3>he got stand with the brown, He got the brown

0:18:56.800 --> 0:19:02.280
<v Speaker 3>one side. He was given hold on what.

0:19:02.359 --> 0:19:11.920
<v Speaker 9>The fucking sackey? Yeah, I try one? Okay, wait, I'm

0:19:11.960 --> 0:19:17.560
<v Speaker 9>not regular. Yeah it's rice wine. So yeah, it a

0:19:17.640 --> 0:19:20.480
<v Speaker 9>sneak up, don't lit It's like, hey, man, stop that you.

0:19:20.880 --> 0:19:30.040
<v Speaker 7>Witness there we go? Yeah, man, you gotta take the shot. Uh,

0:19:30.560 --> 0:19:32.879
<v Speaker 7>both of them legends, man, I mean they both contributed

0:19:32.960 --> 0:19:36.320
<v Speaker 7>to the game. Like hell yeah, I can't go against it.

0:19:36.800 --> 0:19:45.880
<v Speaker 3>Can't So Paul Wall or Mike Jones who Paul every time?

0:19:47.640 --> 0:19:49.879
<v Speaker 7>I ain't gonna pick man, I'm not gonna pick got

0:19:49.920 --> 0:19:52.159
<v Speaker 7>the shot, then, yeah, I'm gona I'm gonna be taking shots.

0:19:52.520 --> 0:19:54.600
<v Speaker 1>I gotta, I gotta, I gotta. I gotta give Mike

0:19:54.720 --> 0:19:55.520
<v Speaker 1>Jones something.

0:19:56.320 --> 0:19:57.680
<v Speaker 6>We didn't have him on the show. By the way,

0:19:58.760 --> 0:20:02.720
<v Speaker 6>we got you. I call him and tell him I

0:20:02.840 --> 0:20:05.640
<v Speaker 6>forget what's happening. Every you take right, we took a shot.

0:20:05.920 --> 0:20:06.360
<v Speaker 3>I took a shot.

0:20:07.320 --> 0:20:11.080
<v Speaker 1>But every couple of times we're seeing that people that

0:20:11.119 --> 0:20:15.480
<v Speaker 1>are promoting their phone numbers. Mike Jones hands down had

0:20:15.520 --> 0:20:18.160
<v Speaker 1>to be the first person to ever promote the first.

0:20:18.400 --> 0:20:19.960
<v Speaker 3>He is right ship.

0:20:20.560 --> 0:20:24.000
<v Speaker 4>Yeah, I feel his campaign that was that was the

0:20:24.040 --> 0:20:24.800
<v Speaker 4>best campaign ever.

0:20:25.160 --> 0:20:28.200
<v Speaker 1>People are still biting his campaign to this day and

0:20:28.320 --> 0:20:29.440
<v Speaker 1>not giving him his spots.

0:20:29.520 --> 0:20:32.000
<v Speaker 3>He got the number back, now, he got the number back.

0:20:32.880 --> 0:20:39.840
<v Speaker 3>He got it bad. That was genius though he was

0:20:39.880 --> 0:20:42.480
<v Speaker 3>just at his time. You gotta no, but it worked

0:20:42.480 --> 0:20:43.160
<v Speaker 3>for him at that time.

0:20:43.440 --> 0:20:47.240
<v Speaker 7>But the no part about when you're an artist when

0:20:47.280 --> 0:20:50.639
<v Speaker 7>everybody else going left and right and you decide to

0:20:50.760 --> 0:20:54.840
<v Speaker 7>go straight. Yep, I funck with that over anything like so,

0:20:55.359 --> 0:20:56.439
<v Speaker 7>I salute Mike Jones.

0:20:56.520 --> 0:21:03.080
<v Speaker 3>Man doing this thing, man, slim thug, a little kiky.

0:21:04.080 --> 0:21:06.879
<v Speaker 3>We take the boss.

0:21:07.800 --> 0:21:11.600
<v Speaker 1>They take a shots at night. Man going against the stadium.

0:21:11.600 --> 0:21:15.960
<v Speaker 3>Man, I love the Houston Lloyds. I love yeah, Man,

0:21:16.520 --> 0:21:18.040
<v Speaker 3>what do you think of? This is like like that

0:21:18.680 --> 0:21:23.480
<v Speaker 3>close to that. It is like Brooklyn Brooklyn queens do

0:21:23.560 --> 0:21:25.280
<v Speaker 3>that the other day. No, queens, we always do that.

0:21:25.520 --> 0:21:28.680
<v Speaker 3>But I feel like Brooklyn got us a little bit more.

0:21:29.000 --> 0:21:32.000
<v Speaker 3>Leave the flip. Yeah, we need you to go home.

0:21:32.480 --> 0:21:35.359
<v Speaker 6>We got to dud a ghetto boards a U g

0:21:35.520 --> 0:21:41.560
<v Speaker 6>K gotta be a music ship. It could be someone

0:21:41.640 --> 0:21:42.840
<v Speaker 6>that's closer you're closer with.

0:21:43.880 --> 0:21:46.080
<v Speaker 3>I mean, like if we if we answer any of

0:21:46.160 --> 0:21:51.800
<v Speaker 3>this ship, we can't go home. But look, I want

0:21:51.840 --> 0:21:54.680
<v Speaker 3>to ask both for y'all right, we gotta drink. I'm drinking.

0:21:55.680 --> 0:22:00.760
<v Speaker 3>Here we go. Hey, I'm going back to because PEPSI shit.

0:22:02.280 --> 0:22:05.520
<v Speaker 1>I always tell his I don't know PMC. I don't

0:22:05.520 --> 0:22:10.399
<v Speaker 1>know what people know. How real Pepsy was? Well, PEPC

0:22:10.880 --> 0:22:13.639
<v Speaker 1>was probably like I don't want to say, the realist

0:22:13.760 --> 0:22:14.400
<v Speaker 1>rapper I met.

0:22:14.760 --> 0:22:19.080
<v Speaker 3>He was like one of the realist people I met.

0:22:21.000 --> 0:22:22.560
<v Speaker 3>How was your relationship with Pemp?

0:22:23.800 --> 0:22:28.639
<v Speaker 7>Pim just was always giving me game his mama resting

0:22:28.680 --> 0:22:31.400
<v Speaker 7>peace to Mama West when she was on her deathbed.

0:22:31.960 --> 0:22:34.080
<v Speaker 3>She wanted to talk to me before she passed away.

0:22:34.680 --> 0:22:38.920
<v Speaker 7>I learned a lot about booking shows and negotiating but

0:22:39.040 --> 0:22:42.200
<v Speaker 7>then standing on top of your business, you know, from

0:22:42.280 --> 0:22:44.720
<v Speaker 7>the way Mama West used to book they show. So

0:22:45.280 --> 0:22:47.119
<v Speaker 7>I went on tour with them. I learned a lot,

0:22:47.240 --> 0:22:49.240
<v Speaker 7>Like it's an old video of us on BT with

0:22:49.440 --> 0:22:51.879
<v Speaker 7>bum Be talking and me and c Note in the

0:22:51.960 --> 0:22:54.920
<v Speaker 7>background and bum Be shouting me out and stuff like that.

0:22:55.119 --> 0:23:00.520
<v Speaker 7>So like UGK and just the whole movement with author

0:23:01.040 --> 0:23:03.680
<v Speaker 7>what we learned from this that's not technically Houston, No,

0:23:03.840 --> 0:23:06.840
<v Speaker 7>it's just like a hour away. Yeah yeah, so yeah,

0:23:06.840 --> 0:23:09.600
<v Speaker 7>I learned a lot from them, man, And they wasn't

0:23:09.600 --> 0:23:12.720
<v Speaker 7>afraid to let you know they from Texas and pim

0:23:12.800 --> 0:23:15.480
<v Speaker 7>C go, let you know we're from Texas and we

0:23:15.600 --> 0:23:16.080
<v Speaker 7>coming now.

0:23:16.520 --> 0:23:18.879
<v Speaker 3>Yeah, like so yeah, we love it. It was.

0:23:19.000 --> 0:23:23.520
<v Speaker 1>It was a famous interview where Pimp like, I'm not

0:23:23.640 --> 0:23:32.880
<v Speaker 1>from the South, obviously, but well he said, man, Atlanta

0:23:33.040 --> 0:23:34.040
<v Speaker 1>not even from the south.

0:23:34.560 --> 0:23:35.520
<v Speaker 3>He made me checked.

0:23:35.720 --> 0:23:42.000
<v Speaker 1>He made me look at the map at geographics, you

0:23:42.040 --> 0:23:43.600
<v Speaker 1>know what I'm trying to say. I was like, really,

0:23:44.240 --> 0:23:48.280
<v Speaker 1>Atlanta's not the South, like they time is the same

0:23:49.040 --> 0:23:49.800
<v Speaker 1>the East Coast.

0:23:51.000 --> 0:23:56.920
<v Speaker 3>Me up, you don't remember I remember the time zones.

0:23:56.960 --> 0:23:59.320
<v Speaker 6>That wouldn't really make sense though, because Florida's in the

0:23:59.359 --> 0:23:59.960
<v Speaker 6>same time though.

0:24:00.119 --> 0:24:04.680
<v Speaker 1>Oh he shout it on y'all too. He was like, technically,

0:24:05.160 --> 0:24:06.320
<v Speaker 1>none of y'all from the south.

0:24:07.480 --> 0:24:09.280
<v Speaker 3>He did say that that.

0:24:11.359 --> 0:24:17.560
<v Speaker 1>Ship was like because like just dealing with intelligence, was

0:24:17.640 --> 0:24:18.000
<v Speaker 1>he right?

0:24:21.920 --> 0:24:25.040
<v Speaker 3>Technically right? Said this is the East Coast. He called

0:24:25.160 --> 0:24:27.920
<v Speaker 3>y'all the East Coast. I mean we were on the

0:24:27.960 --> 0:24:31.680
<v Speaker 3>east coast. He was Listen, if you look at the NBA.

0:24:31.840 --> 0:24:35.200
<v Speaker 1>If you look at the NBA, Atlanta is east coast

0:24:35.960 --> 0:24:36.840
<v Speaker 1>in the NBA.

0:24:38.440 --> 0:24:39.080
<v Speaker 3>East and West.

0:24:39.560 --> 0:24:42.600
<v Speaker 4>We're on the east coast. Man, Miami is on the east.

0:24:43.560 --> 0:24:47.520
<v Speaker 4>So when said that, I said, this Nigga is mass marts.

0:24:52.560 --> 0:24:56.679
<v Speaker 2>Man, Yo, know that.

0:24:56.760 --> 0:25:00.680
<v Speaker 3>Ship is still fucking me up. Just think about what

0:25:00.800 --> 0:25:03.920
<v Speaker 3>he said. How smart was that? He said that ship.

0:25:06.640 --> 0:25:09.600
<v Speaker 4>Fifteen years ago? He said that, y'all wasn't the South.

0:25:10.359 --> 0:25:14.080
<v Speaker 4>We are the South, but on the east coast, southeast.

0:25:14.520 --> 0:25:18.720
<v Speaker 1>Oh okay, let me ask you this question.

0:25:18.920 --> 0:25:21.680
<v Speaker 6>I've talkt about this a lot. Texas hell in the middle.

0:25:22.359 --> 0:25:24.600
<v Speaker 6>I always felt like Texas leaned more to the west coast.

0:25:24.960 --> 0:25:29.119
<v Speaker 1>No, since it's Midwest, what do you it's Midwest oldier.

0:25:29.240 --> 0:25:33.119
<v Speaker 3>So when I'm here in Texas, people I mean about Texas. No, no, no, no,

0:25:34.080 --> 0:25:39.880
<v Speaker 3>just to be serious, like, I'm like, yeah, it's kind

0:25:39.920 --> 0:25:42.200
<v Speaker 3>of like I feel like y'all could could claim the

0:25:42.240 --> 0:25:44.560
<v Speaker 3>west too if you wanted to be right. We right

0:25:44.840 --> 0:25:47.680
<v Speaker 3>in the middle, right in the middle of the man

0:25:49.840 --> 0:25:57.919
<v Speaker 3>yellow like we knew that Swiss swestt. I'm gonna get your.

0:26:01.680 --> 0:26:05.760
<v Speaker 1>Publishing, but I'm taking that sweast or I'm gonna give

0:26:05.760 --> 0:26:08.119
<v Speaker 1>you a publishing though. I'm gonna give you I'm a stumma.

0:26:08.560 --> 0:26:11.639
<v Speaker 1>Your checks will come out of your money. Silver finished.

0:26:12.320 --> 0:26:14.640
<v Speaker 1>But he said, no, that shit was the craziest ship

0:26:14.720 --> 0:26:19.119
<v Speaker 1>because I I didn't realize the geographics.

0:26:19.800 --> 0:26:21.600
<v Speaker 3>Oh you need to stop there.

0:26:21.720 --> 0:26:33.119
<v Speaker 1>If you think about what he said, that ship almost

0:26:33.119 --> 0:26:33.919
<v Speaker 1>twenty years ago.

0:26:33.880 --> 0:26:36.479
<v Speaker 10>Right number, forty years ago? It was howeverny years ago?

0:26:36.480 --> 0:26:40.520
<v Speaker 10>It's always But I didn't realize that. And he was like, Atlanta,

0:26:40.840 --> 0:26:44.399
<v Speaker 10>you motherfuckers. Technically ain't even the South, He said, you,

0:26:44.520 --> 0:26:46.040
<v Speaker 10>you niggas, is more than New York.

0:26:46.200 --> 0:26:48.560
<v Speaker 3>And I said, did.

0:26:48.640 --> 0:26:53.160
<v Speaker 1>I went to our next game in Atlanta and everybody

0:26:53.359 --> 0:26:54.360
<v Speaker 1>was there it was from New York.

0:26:55.119 --> 0:26:56.919
<v Speaker 3>And I said, that's what he was really probably referring

0:26:56.960 --> 0:26:58.200
<v Speaker 3>to that. He is right.

0:27:00.359 --> 0:27:03.960
<v Speaker 4>I'm sorry Atlanta, Atlanta. I can't go back to Atlanta.

0:27:04.560 --> 0:27:08.200
<v Speaker 4>I can't go back to ship shout, go back to

0:27:09.119 --> 0:27:11.680
<v Speaker 4>what's the Linux more? It's I'm gonna be food and

0:27:11.760 --> 0:27:19.399
<v Speaker 4>Linux more. I guess, yeah, that's my nigga. Real that

0:27:19.600 --> 0:27:20.240
<v Speaker 4>was a real one.

0:27:20.840 --> 0:27:23.560
<v Speaker 1>Nigga had the third code on in Miami. You say

0:27:23.640 --> 0:27:30.720
<v Speaker 1>TV ain't got no. I went the fird code nigga. Yeah, crazy,

0:27:30.920 --> 0:27:32.280
<v Speaker 1>you want my story?

0:27:33.359 --> 0:27:37.800
<v Speaker 3>He got a story. Oh yeah, you know. We called

0:27:37.840 --> 0:27:41.760
<v Speaker 3>him and he said, this is this is.

0:27:43.920 --> 0:27:45.840
<v Speaker 1>We wanted a relationship with UK and they want a

0:27:45.840 --> 0:27:46.560
<v Speaker 1>relationship with UP.

0:27:46.600 --> 0:27:50.120
<v Speaker 3>This is before we went to the hood. You came

0:27:50.160 --> 0:27:53.440
<v Speaker 3>to my hood. What you came to my hood? This

0:27:53.560 --> 0:27:56.160
<v Speaker 3>is before that. That was legendary. By the way, it's legendary.

0:27:56.160 --> 0:27:57.280
<v Speaker 3>I'll get to that story too.

0:27:57.880 --> 0:28:02.600
<v Speaker 1>But Pimp said, I want this amount of money for

0:28:02.800 --> 0:28:05.240
<v Speaker 1>this is for Moose and May's album. He's like, I

0:28:05.320 --> 0:28:07.320
<v Speaker 1>want this amount of money and I want this amount

0:28:07.359 --> 0:28:12.359
<v Speaker 1>of money. And I said, all right, usual case on fire.

0:28:13.160 --> 0:28:15.800
<v Speaker 1>So I came to the studio and I gave him

0:28:15.840 --> 0:28:16.200
<v Speaker 1>the check.

0:28:18.119 --> 0:28:23.560
<v Speaker 2>He gave him a check. Hello, he gave them the

0:28:23.680 --> 0:28:24.400
<v Speaker 2>check I mean.

0:28:25.280 --> 0:28:27.960
<v Speaker 3>And then he said to me. He said to me,

0:28:28.280 --> 0:28:30.960
<v Speaker 3>you really you really did that? And I was like, yeah.

0:28:31.640 --> 0:28:34.440
<v Speaker 1>He gave me back the check and he was like,

0:28:34.520 --> 0:28:36.560
<v Speaker 1>I just wanted to see if it was a real nigga.

0:28:37.880 --> 0:28:39.440
<v Speaker 2>Wow. And I took.

0:28:43.040 --> 0:28:44.680
<v Speaker 3>And I took the check back and I was like,

0:28:45.040 --> 0:28:46.440
<v Speaker 3>but this is not my money. So he had to

0:28:46.440 --> 0:28:47.200
<v Speaker 3>take the check back.

0:28:50.640 --> 0:28:50.840
<v Speaker 6>To me.

0:28:51.480 --> 0:28:54.080
<v Speaker 3>Really really we traded. He did a song on my

0:28:54.440 --> 0:28:58.080
<v Speaker 3>who did this comedian? Yeah, he did a hook on

0:28:58.200 --> 0:28:58.720
<v Speaker 3>my record.

0:28:58.800 --> 0:29:00.760
<v Speaker 7>You see it on the Underground Legend, and he did

0:29:00.800 --> 0:29:03.360
<v Speaker 7>a verse when we split the last verse, and he

0:29:03.440 --> 0:29:04.880
<v Speaker 7>showed up to my house like, hey, I got a

0:29:04.920 --> 0:29:06.880
<v Speaker 7>record with Scott Storage.

0:29:07.040 --> 0:29:07.760
<v Speaker 3>Oh wow. Yeah.

0:29:07.800 --> 0:29:09.680
<v Speaker 7>He was like, I gotta beat from him. I want

0:29:09.680 --> 0:29:11.080
<v Speaker 7>to put you on it. I'm like, all right, I

0:29:11.200 --> 0:29:14.040
<v Speaker 7>got you. But he showed up with a fifteen thousand

0:29:14.080 --> 0:29:14.680
<v Speaker 7>dollars chick that.

0:29:14.720 --> 0:29:15.240
<v Speaker 3>Was a check for.

0:29:16.920 --> 0:29:19.920
<v Speaker 7>Bro we Trade, and I'm cool, like they're gonna spend

0:29:19.960 --> 0:29:21.160
<v Speaker 7>the money on some ship anyway.

0:29:21.560 --> 0:29:23.160
<v Speaker 3>So he like made me take the chick. I was like,

0:29:23.200 --> 0:29:24.880
<v Speaker 3>all right, cool, that's exactly what I did.

0:29:25.240 --> 0:29:27.160
<v Speaker 1>So Pimp gave me back the check and was like

0:29:27.200 --> 0:29:28.920
<v Speaker 1>I just wanted to see if he was a real nigga, right,

0:29:28.960 --> 0:29:31.280
<v Speaker 1>And I was like, already cleared this, So I am

0:29:31.360 --> 0:29:32.000
<v Speaker 1>a real nigga.

0:29:32.160 --> 0:29:39.080
<v Speaker 3>Take this, Take this motherfucking check, and me bun Pamp.

0:29:40.080 --> 0:29:42.560
<v Speaker 3>We were great ever since then.

0:29:42.680 --> 0:29:44.680
<v Speaker 1>That's that's the reason why that's crazy that me and

0:29:44.760 --> 0:29:49.680
<v Speaker 1>you have this fucking great shoulder together because you came.

0:29:49.520 --> 0:29:52.200
<v Speaker 3>With me to my hood and it was over.

0:29:52.320 --> 0:29:55.800
<v Speaker 6>I came from Miami, bunch from Texas and we and

0:29:56.240 --> 0:29:59.840
<v Speaker 6>we were both looking at It was a wild dance.

0:30:00.320 --> 0:30:03.400
<v Speaker 3>It was a crazy and had I had to be

0:30:03.600 --> 0:30:05.800
<v Speaker 3>I wasn't a rapper that day. I had to let

0:30:05.840 --> 0:30:07.880
<v Speaker 3>them niggas know. And I was running around and it

0:30:08.080 --> 0:30:11.960
<v Speaker 3>was I that left us with Me and boy were

0:30:11.960 --> 0:30:18.160
<v Speaker 3>hanging out. You loved us. You know, when you get

0:30:18.240 --> 0:30:26.920
<v Speaker 3>you get you like your guys are there represent Yeah, yeah, no, no, no.

0:30:27.080 --> 0:30:30.320
<v Speaker 1>No, that was a wild day Bump and Bump appreciated that,

0:30:30.400 --> 0:30:31.760
<v Speaker 1>and I think you appreciate.

0:30:31.440 --> 0:30:36.600
<v Speaker 7>It absolutely, yes, next question, I think that's dope though,

0:30:36.720 --> 0:30:40.560
<v Speaker 7>that she did it. You got experiences with the people

0:30:40.600 --> 0:30:42.880
<v Speaker 7>that we got to see like all the time, you

0:30:42.960 --> 0:30:45.360
<v Speaker 7>know what I mean? Like that, that's dope that you

0:30:45.480 --> 0:30:48.440
<v Speaker 7>got your own memory with I knew Pemp was special,

0:30:49.400 --> 0:30:50.920
<v Speaker 7>but I knew that encounter.

0:30:52.280 --> 0:30:52.880
<v Speaker 3>That we had.

0:30:53.520 --> 0:30:55.760
<v Speaker 1>I knew that was special, but I didn't know how

0:30:55.800 --> 0:30:57.800
<v Speaker 1>special it was until after he passed.

0:30:58.240 --> 0:31:02.240
<v Speaker 3>After he passed, I was like, holy ship. But you

0:31:02.320 --> 0:31:06.840
<v Speaker 3>got any story that maybe or you yeah? Is zero?

0:31:06.960 --> 0:31:07.239
<v Speaker 3>You two?

0:31:07.400 --> 0:31:10.360
<v Speaker 5>You go first, brother, I got a lot of stories

0:31:10.400 --> 0:31:14.920
<v Speaker 5>with him. Uh trying to see I don't want to

0:31:14.960 --> 0:31:20.400
<v Speaker 5>say when I see it already. Okay, Yeah, So it's

0:31:20.440 --> 0:31:23.880
<v Speaker 5>two thousand and five. I don't know what PEMC looked like.

0:31:24.840 --> 0:31:28.040
<v Speaker 5>I don't know what Bun looked like. Wow, because I've

0:31:28.040 --> 0:31:33.240
<v Speaker 5>been buying burn CDs, so I ain't know nobody looked

0:31:33.280 --> 0:31:35.000
<v Speaker 5>like in rap. I just I knew, y'all.

0:31:36.920 --> 0:31:39.880
<v Speaker 3>Yeah, so I got it.

0:31:39.960 --> 0:31:42.800
<v Speaker 5>I don't know. I guess before J Prince signed me,

0:31:43.560 --> 0:31:46.480
<v Speaker 5>I kind of was. I don't want to say I

0:31:46.680 --> 0:31:49.400
<v Speaker 5>was out in the street tripping or nothing like that,

0:31:49.600 --> 0:31:53.040
<v Speaker 5>but I probably was out in the street tripping, Okay.

0:31:53.440 --> 0:31:57.680
<v Speaker 3>So I was. I was kind of like, uh, I was.

0:31:57.840 --> 0:31:58.880
<v Speaker 3>I was sucking it up.

0:32:01.040 --> 0:32:02.880
<v Speaker 5>Red boys, like, hey, I got a I got a

0:32:03.000 --> 0:32:06.160
<v Speaker 5>letter from you from PIMPC, you know, Pimples, And he

0:32:06.240 --> 0:32:11.240
<v Speaker 5>hadn't came home yet, So I'm like, I don't even

0:32:11.280 --> 0:32:13.600
<v Speaker 5>know that. Nigga, Like, well, I got a letter from him,

0:32:14.600 --> 0:32:17.280
<v Speaker 5>and he gave me the letter and he was like,

0:32:18.400 --> 0:32:24.080
<v Speaker 5>read it in his voice. I ain't even know you

0:32:24.160 --> 0:32:29.120
<v Speaker 5>read it, man. You got like you've ever been cussed

0:32:29.160 --> 0:32:32.720
<v Speaker 5>out on a piece of paper and you got to

0:32:32.760 --> 0:32:38.040
<v Speaker 5>read that ship in the man voice. It wasn't no deer, uh.

0:32:38.800 --> 0:32:43.240
<v Speaker 3>It was just look at nigga, you need to sit

0:32:43.360 --> 0:32:48.480
<v Speaker 3>the fuck down. Wn. It was d I n e.

0:32:48.760 --> 0:32:51.840
<v Speaker 3>You need to sit the fuck down south Side. You

0:32:51.880 --> 0:32:52.400
<v Speaker 3>know what I'm saying.

0:32:53.280 --> 0:32:56.920
<v Speaker 5>Man and man the man read and I'm like, it

0:32:57.000 --> 0:32:59.200
<v Speaker 5>ain't a real argument. So I can't tell that nigga

0:32:59.240 --> 0:33:01.560
<v Speaker 5>like Nigga got me fucked up cause he wrote this

0:33:01.640 --> 0:33:02.600
<v Speaker 5>ship like a week ago.

0:33:03.680 --> 0:33:04.560
<v Speaker 3>I'm reading it right now.

0:33:04.680 --> 0:33:07.280
<v Speaker 5>He ain't there, So I'm like, so I Nigga cuts

0:33:07.320 --> 0:33:09.760
<v Speaker 5>me out before he missed me, before he met me,

0:33:09.880 --> 0:33:12.400
<v Speaker 5>and uh, and then I had to act like I

0:33:12.480 --> 0:33:14.320
<v Speaker 5>didn't have an attitude when I met that when you

0:33:14.560 --> 0:33:15.840
<v Speaker 5>to get thrown video shoot.

0:33:16.600 --> 0:33:19.080
<v Speaker 3>She walked up to the corner, and I really wanted

0:33:19.080 --> 0:33:21.440
<v Speaker 3>to be like, say, man, you.

0:33:21.480 --> 0:33:24.440
<v Speaker 5>Got me fucked up. That sh it was like eighteen

0:33:24.520 --> 0:33:32.720
<v Speaker 5>weeks ago, so that I got talk about no, because

0:33:32.760 --> 0:33:37.200
<v Speaker 5>I mean, I mean, Nigga still was pimps. And he

0:33:37.320 --> 0:33:40.240
<v Speaker 5>walked up and that nigga was like, say, man, I

0:33:40.520 --> 0:33:42.800
<v Speaker 5>like this blue, but I'm riding red Jack.

0:33:43.040 --> 0:33:45.920
<v Speaker 3>That's how I met it. Yeah, I mean I was

0:33:46.080 --> 0:33:48.560
<v Speaker 3>just wait because you had on blue Nah.

0:33:48.680 --> 0:33:51.400
<v Speaker 5>He was talking about like the gang ship. Oh I

0:33:52.080 --> 0:33:53.840
<v Speaker 5>was in I was in a candy blue car at

0:33:53.880 --> 0:33:55.960
<v Speaker 5>the time. So he was like, yeah, man, I like

0:33:56.080 --> 0:33:57.920
<v Speaker 5>the blue Man, but I'm but you know, you know,

0:33:59.400 --> 0:34:01.240
<v Speaker 5>you know pimp let you know he rid and read

0:34:01.280 --> 0:34:04.600
<v Speaker 5>at all times. Yeah, and he coming down, coming down

0:34:09.320 --> 0:34:12.479
<v Speaker 5>man like like he always gave me game.

0:34:12.560 --> 0:34:16.960
<v Speaker 7>I always gave me free versus always like I remember

0:34:17.040 --> 0:34:18.480
<v Speaker 7>one time we had a show. I don't know what

0:34:18.600 --> 0:34:21.759
<v Speaker 7>part of Louisiana we was in, but man, we did

0:34:21.840 --> 0:34:25.680
<v Speaker 7>the show. I don't know how everybody found out where

0:34:25.680 --> 0:34:28.480
<v Speaker 7>we were staying, but bro, when I tell you, it's

0:34:28.560 --> 0:34:34.680
<v Speaker 7>so many like baddies and knee caps just running around. Yeah,

0:34:34.680 --> 0:34:38.560
<v Speaker 7>we call the kneecaps. So when women titties are super big,

0:34:39.040 --> 0:34:43.200
<v Speaker 7>we call them knee caps. So titties, you know what

0:34:43.239 --> 0:34:45.000
<v Speaker 7>I'm saying. Yeah caps.

0:34:46.800 --> 0:34:47.240
<v Speaker 3>Message.

0:34:47.640 --> 0:34:54.359
<v Speaker 7>But yeah, it was a whole the whole town knew

0:34:54.400 --> 0:34:57.319
<v Speaker 7>where we were staying. And I just remember Bun sitting

0:34:57.360 --> 0:34:59.160
<v Speaker 7>in the hall like, man, Philip, man, I'm tired of

0:34:59.239 --> 0:35:01.920
<v Speaker 7>this ship. I was looking at him like Nigga, I

0:35:01.960 --> 0:35:02.960
<v Speaker 7>ain't gonna never get time.

0:35:03.480 --> 0:35:05.440
<v Speaker 3>I stay tired of the business.

0:35:05.600 --> 0:35:08.640
<v Speaker 7>It was the lifestyle, just the lifestyle people, you know,

0:35:08.800 --> 0:35:12.680
<v Speaker 7>just too many people every well finding out where we're staying. Yeah,

0:35:12.800 --> 0:35:14.759
<v Speaker 7>but I was like eighteen at the time. I was like,

0:35:15.800 --> 0:35:17.680
<v Speaker 7>it's going dying nigga, you know.

0:35:18.400 --> 0:35:22.279
<v Speaker 3>But yeah, so great times with them. Man, let's take

0:35:22.280 --> 0:35:23.480
<v Speaker 3>a shot. Let's do that one.

0:35:24.040 --> 0:35:24.440
<v Speaker 8>What what this?

0:35:24.760 --> 0:35:26.840
<v Speaker 3>This is socking? This one's never what's the chef for?

0:35:29.760 --> 0:35:32.920
<v Speaker 3>Some bitch? Come on? So I like, I like, I

0:35:33.000 --> 0:35:36.080
<v Speaker 3>like how you did it this sockey style. You went down. Well,

0:35:36.120 --> 0:35:38.480
<v Speaker 3>you gotta do sockey bombs. Man, what.

0:35:41.080 --> 0:35:44.319
<v Speaker 6>I threw sack not sockey bomb. The next episode's coming,

0:35:45.040 --> 0:35:45.400
<v Speaker 6>next one.

0:35:45.680 --> 0:35:52.399
<v Speaker 3>It's socking crazy Ot the Mexican or Sauce Walker. Where

0:35:52.440 --> 0:35:54.480
<v Speaker 3>the drink it? Okay, there we go.

0:35:54.880 --> 0:36:01.439
<v Speaker 1>You got one right here. Yeah solo, I ain't gonna

0:36:01.440 --> 0:36:04.719
<v Speaker 1>lie you. You are breaking drink champs history. You got

0:36:04.800 --> 0:36:08.120
<v Speaker 1>like five different drinks and five different cups, all.

0:36:08.120 --> 0:36:12.800
<v Speaker 2>Kinds of cups different, just like it's a gun for

0:36:12.880 --> 0:36:13.680
<v Speaker 2>every time.

0:36:17.160 --> 0:36:17.640
<v Speaker 3>You feel me.

0:36:18.200 --> 0:36:20.879
<v Speaker 2>You gotta just be prepared. But yeah, we we can't

0:36:20.920 --> 0:36:22.240
<v Speaker 2>pick between them too, man.

0:36:22.239 --> 0:36:26.760
<v Speaker 7>Like I'm probably Houston Lord t. Yeah, we proud of Mexican.

0:36:26.800 --> 0:36:29.600
<v Speaker 7>Ot wrote that got a record with Mexican Ot. I

0:36:29.760 --> 0:36:32.080
<v Speaker 7>just did a video with him and his artist Drodi

0:36:32.800 --> 0:36:35.839
<v Speaker 7>and we fuck with South Walker. You know, I'm gonna

0:36:36.440 --> 0:36:38.440
<v Speaker 7>records on this album. He got a dope record with

0:36:38.880 --> 0:36:42.319
<v Speaker 7>Roe I'm so Houston, like the dope part about Houston. Man,

0:36:42.520 --> 0:36:46.279
<v Speaker 7>like the mature people that grew up. We on some

0:36:46.400 --> 0:36:49.799
<v Speaker 7>real good money ship. We on some you know, throw

0:36:50.040 --> 0:36:52.279
<v Speaker 7>each other alley. It was behind the scenes, like you

0:36:52.400 --> 0:36:55.080
<v Speaker 7>might not see us with each other every day. When

0:36:55.160 --> 0:36:57.959
<v Speaker 7>we see each other, we go show love, I love Houston, loyal,

0:36:58.440 --> 0:37:01.360
<v Speaker 7>we go turn up. But behind the scene, Hey, this

0:37:01.440 --> 0:37:03.560
<v Speaker 7>guy want to book you Roe. Hey, here goes some money.

0:37:03.600 --> 0:37:06.440
<v Speaker 7>Hey come to this time, bingo, we got you. Come on, youngster.

0:37:06.520 --> 0:37:08.919
<v Speaker 7>You're like like we were helping each other make money.

0:37:09.160 --> 0:37:11.680
<v Speaker 7>DJ screw put us around each other for a reason,

0:37:12.120 --> 0:37:13.600
<v Speaker 7>and the smart ones recipe.

0:37:14.320 --> 0:37:18.719
<v Speaker 2>Yes, yeah, man, yet to that.

0:37:20.719 --> 0:37:23.799
<v Speaker 1>Let me ask you something that might like throw off

0:37:23.840 --> 0:37:24.840
<v Speaker 1>the situation a little bit.

0:37:24.880 --> 0:37:26.279
<v Speaker 3>It's all good. We built for it.

0:37:29.600 --> 0:37:30.080
<v Speaker 2>In New York.

0:37:30.160 --> 0:37:36.920
<v Speaker 3>We have Puerto Ricans, right, Okay, Puerto Ricans for the

0:37:37.000 --> 0:37:37.479
<v Speaker 3>most part.

0:37:39.719 --> 0:37:41.960
<v Speaker 1>I want to say that they think they black or

0:37:42.480 --> 0:37:45.120
<v Speaker 1>they I did the fire for being black.

0:37:45.400 --> 0:37:45.680
<v Speaker 3>Okay.

0:37:46.960 --> 0:37:55.600
<v Speaker 1>Messicans is y'all version of Puerto Ricans, right, he's the

0:37:55.680 --> 0:38:03.640
<v Speaker 1>young Messican rappers say nigga a lot, young Puerto Rican rappers.

0:38:03.680 --> 0:38:06.360
<v Speaker 1>When they said nigga back then, I didn't take offense

0:38:06.440 --> 0:38:09.319
<v Speaker 1>to it. But now that I'm older, I'm like, oh,

0:38:12.760 --> 0:38:15.480
<v Speaker 1>I kind of like notice it. Maybe I don't take

0:38:15.480 --> 0:38:18.440
<v Speaker 1>offense to it, but I notice it. Is that a

0:38:18.560 --> 0:38:21.799
<v Speaker 1>problem with you, guys? Like when you when you see

0:38:21.880 --> 0:38:25.239
<v Speaker 1>a young eighteen year old saying nigga, nigga, nigga, nigga, nigga,

0:38:25.280 --> 0:38:31.359
<v Speaker 1>nigga and he's Mexican and technically he's not a nigga, right,

0:38:32.880 --> 0:38:38.480
<v Speaker 1>maybe he has the nigga influenced. Sorry, but if that

0:38:39.120 --> 0:38:44.239
<v Speaker 1>man is according the elevator with your great grandmother, your

0:38:44.320 --> 0:38:48.120
<v Speaker 1>great grandmother is not going to identify with him using

0:38:48.239 --> 0:38:51.640
<v Speaker 1>that that word. Is that a problem for you for you, guys?

0:38:51.760 --> 0:38:55.800
<v Speaker 1>Or no, that's a deep question. I killed that answer.

0:38:55.960 --> 0:38:56.200
<v Speaker 3>Sure.

0:38:57.200 --> 0:39:00.280
<v Speaker 7>For me, it don't offend me. I don't live words

0:39:00.320 --> 0:39:03.320
<v Speaker 7>offend me, Okay. I mean, if it was to offend me,

0:39:03.400 --> 0:39:05.480
<v Speaker 7>it would have to have to be said, you know,

0:39:05.719 --> 0:39:09.799
<v Speaker 7>niggir with the E R with At the same time,

0:39:10.000 --> 0:39:13.560
<v Speaker 7>I still don't let words offend me me personally. You

0:39:13.640 --> 0:39:17.080
<v Speaker 7>feel what I'm saying, so it don't bother me, you

0:39:17.160 --> 0:39:19.560
<v Speaker 7>know what I'm saying, But the E R might bother me?

0:39:20.200 --> 0:39:20.439
<v Speaker 3>Okay.

0:39:23.000 --> 0:39:28.239
<v Speaker 5>Uh, I'm gonna have to agree. I'm not gonna let

0:39:28.320 --> 0:39:33.480
<v Speaker 5>it bother me, per se. Uh I kind of know,

0:39:33.719 --> 0:39:40.279
<v Speaker 5>like if it's a young person, they gonna get they

0:39:40.360 --> 0:39:45.640
<v Speaker 5>turn to uh see that that's not appropriate. It's not appropriate.

0:39:45.719 --> 0:39:48.600
<v Speaker 5>It's not appropriate. But but the thing is like like

0:39:48.719 --> 0:39:51.839
<v Speaker 5>how you say they might be in a nigga environment. Yeah,

0:39:52.360 --> 0:39:55.279
<v Speaker 5>and I can't get mad at them because somebody else

0:39:55.280 --> 0:39:58.520
<v Speaker 5>has been calling them nigga a whole lot. What you

0:39:59.200 --> 0:40:01.319
<v Speaker 5>you ain't gonna call it, motherfucker a nigga list you've

0:40:01.360 --> 0:40:04.080
<v Speaker 5>been getting called ship And it was probably like damn,

0:40:04.080 --> 0:40:08.000
<v Speaker 5>I'm a nigga, And it's probably the norm for that

0:40:08.160 --> 0:40:11.880
<v Speaker 5>person until they get to somewhere where the norm is

0:40:12.680 --> 0:40:14.920
<v Speaker 5>getting fucked up for saying that ship.

0:40:15.239 --> 0:40:20.600
<v Speaker 1>Because because what I'm noticing is people who are not black,

0:40:21.880 --> 0:40:24.400
<v Speaker 1>they've adopted it. Yeah, they adopted it way more than

0:40:24.440 --> 0:40:24.919
<v Speaker 1>black people.

0:40:25.000 --> 0:40:25.200
<v Speaker 3>Yeah.

0:40:25.840 --> 0:40:30.040
<v Speaker 1>And I at first was like I was cool with it,

0:40:31.400 --> 0:40:35.080
<v Speaker 1>but I'm not no more like I'm not like I

0:40:35.520 --> 0:40:40.120
<v Speaker 1>actually point that out, like I've seen the dude, I

0:40:40.200 --> 0:40:40.680
<v Speaker 1>don't try.

0:40:41.040 --> 0:40:41.839
<v Speaker 3>Oh, I ain't gonna cry.

0:40:42.840 --> 0:40:43.359
<v Speaker 1>Take a shot.

0:40:44.760 --> 0:40:46.880
<v Speaker 3>Let's take a shot. Yeah, but are you having an

0:40:46.880 --> 0:40:48.920
<v Speaker 3>intervention with Boris Man? Absolutely?

0:40:50.880 --> 0:40:57.400
<v Speaker 1>Boris every everyone I'm having an intervention, Like what everybody

0:40:57.520 --> 0:41:05.520
<v Speaker 1>who is affiliated to black people, but you're not black people,

0:41:08.600 --> 0:41:18.000
<v Speaker 1>including Puerto Ricans, including Mexicans, including like that's my grandmother

0:41:18.080 --> 0:41:23.200
<v Speaker 1>is not gonna understand that you're a cool Mexican. My

0:41:23.320 --> 0:41:26.880
<v Speaker 1>grandmother's not gonna understand that you're a cool fucking Puerto Rican.

0:41:27.239 --> 0:41:29.319
<v Speaker 3>My grandmother's not gonna understand that. If we're in the.

0:41:29.360 --> 0:41:33.440
<v Speaker 1>Elevator and you call EFN, what's up my nigga?

0:41:36.160 --> 0:41:38.279
<v Speaker 3>Yeah, it's not it's not to me.

0:41:38.480 --> 0:41:42.120
<v Speaker 1>That's not cool. Now I'm forty eight years old. I

0:41:42.320 --> 0:41:51.080
<v Speaker 1>just had a birthday. Yeah, Camp, you know how many

0:41:51.160 --> 0:41:52.080
<v Speaker 1>times you was everybody?

0:41:52.920 --> 0:41:54.480
<v Speaker 3>I don't want to be everybody.

0:41:54.840 --> 0:41:57.400
<v Speaker 5>I know you don't And what's fucked up? I'll tell

0:41:57.400 --> 0:42:02.239
<v Speaker 5>you when you was my niggado. Okay, the Wednesday I

0:42:02.320 --> 0:42:03.800
<v Speaker 5>was talking about visit.

0:42:05.400 --> 0:42:18.560
<v Speaker 3>Man. That's my brothers. But no, no, no, but but

0:42:18.719 --> 0:42:19.359
<v Speaker 3>it's it's real.

0:42:21.160 --> 0:42:23.520
<v Speaker 1>America's divided right now.

0:42:24.080 --> 0:42:26.279
<v Speaker 2>It's about it. But but the no parter, this is

0:42:26.360 --> 0:42:26.680
<v Speaker 2>the thing.

0:42:27.480 --> 0:42:29.960
<v Speaker 7>Even though like our great grand you know, grandmothers, and

0:42:30.280 --> 0:42:33.799
<v Speaker 7>they live a certain way, times have changed. So it's

0:42:33.880 --> 0:42:38.560
<v Speaker 7>on us to reprogram ourselves and not be brainwashed by

0:42:38.640 --> 0:42:40.920
<v Speaker 7>what they try to tell us, oh, you can't you know,

0:42:41.080 --> 0:42:43.160
<v Speaker 7>be successful if you don't go to college or you

0:42:43.239 --> 0:42:45.360
<v Speaker 7>can't do this. You can't start off being a CEO.

0:42:45.600 --> 0:42:48.920
<v Speaker 7>I did it, Like damn, that's the beginning of my career.

0:42:49.000 --> 0:42:51.640
<v Speaker 7>I've been to CEO. That's where most artists, like they

0:42:52.040 --> 0:42:54.480
<v Speaker 7>start off rapping. I'm under this guy. I'm under this guy.

0:42:54.600 --> 0:42:57.520
<v Speaker 7>I started off as a CEO. That's so I always

0:42:57.600 --> 0:43:02.239
<v Speaker 7>had about mentality. So it's on us to reprogram ourselves

0:43:02.320 --> 0:43:05.280
<v Speaker 7>and not have to go by the old traditions because

0:43:05.320 --> 0:43:07.920
<v Speaker 7>a lot of the old traditions was based on what

0:43:08.200 --> 0:43:11.440
<v Speaker 7>was going on back then that time. Now, like music

0:43:11.560 --> 0:43:15.000
<v Speaker 7>is uniting people, different races, is coming together different people

0:43:15.120 --> 0:43:19.800
<v Speaker 7>collaborating different genres, like like this shit is a blessing,

0:43:20.000 --> 0:43:20.560
<v Speaker 7>you know what I'm.

0:43:20.400 --> 0:43:25.760
<v Speaker 2>Saying, And that info's got to get passed down too, exactly.

0:43:25.800 --> 0:43:26.279
<v Speaker 3>It has to be.

0:43:27.160 --> 0:43:29.239
<v Speaker 6>So we just got O's got to be OG's and

0:43:29.360 --> 0:43:30.760
<v Speaker 6>keep passing his own exactly.

0:43:31.040 --> 0:43:33.040
<v Speaker 7>And that's that's what we're here for. We ain't here

0:43:33.120 --> 0:43:35.800
<v Speaker 7>telling the people to go do some dumb shit or

0:43:35.840 --> 0:43:38.520
<v Speaker 7>go jeopardize your life for some dumb shit, like if

0:43:38.560 --> 0:43:40.239
<v Speaker 7>you listen to Kings of the South too, like we

0:43:40.400 --> 0:43:44.960
<v Speaker 7>really on some grown me and shit like pay your bills,

0:43:45.040 --> 0:43:47.680
<v Speaker 7>watch out for fake homies, like look out for the

0:43:47.719 --> 0:43:50.000
<v Speaker 7>people that's locked up and looked out for you. We

0:43:50.160 --> 0:43:53.440
<v Speaker 7>really on the motherfucker talking. It's about the message, you

0:43:53.480 --> 0:43:54.640
<v Speaker 7>know what I mean. A lot of people they just

0:43:54.800 --> 0:43:58.080
<v Speaker 7>ramping and they ain't really telling you nothing. We got

0:43:58.160 --> 0:44:00.600
<v Speaker 7>some messages in there, like we want you to make money.

0:44:00.640 --> 0:44:02.239
<v Speaker 7>We want you to watch out for the snakes. We

0:44:02.320 --> 0:44:04.239
<v Speaker 7>want you to take care of your kids. We want

0:44:04.280 --> 0:44:06.480
<v Speaker 7>you to spend time with your kids. We want you

0:44:06.600 --> 0:44:09.520
<v Speaker 7>to value life. So we we come on some righteous ship.

0:44:09.920 --> 0:44:11.640
<v Speaker 7>But you know, but if you play, then you know

0:44:11.760 --> 0:44:13.880
<v Speaker 7>we we got to show you the other side. But

0:44:14.160 --> 0:44:18.239
<v Speaker 7>we staying Christian mingle dot I'm trying to stand that mode.

0:44:18.480 --> 0:44:18.600
<v Speaker 3>Now.

0:44:18.719 --> 0:44:20.920
<v Speaker 6>You gave me the all of you because well you

0:44:21.080 --> 0:44:25.240
<v Speaker 6>on Christian mingo dot com. Come on, you're married, man, I'm.

0:44:25.120 --> 0:44:26.160
<v Speaker 3>On Christians.

0:44:27.760 --> 0:44:31.120
<v Speaker 1>Right, but Christian all right, this is this is the

0:44:31.280 --> 0:44:32.239
<v Speaker 1>King of the South ship.

0:44:35.360 --> 0:44:40.000
<v Speaker 11>We ain't finished quick time, you know, let's go finish,

0:44:40.360 --> 0:44:48.040
<v Speaker 11>hold hold that down after quickly straight up. Yeah all right,

0:44:48.440 --> 0:44:54.160
<v Speaker 11>we read biggie a big punch. Now y'all can pick

0:44:54.160 --> 0:44:54.960
<v Speaker 11>people if you want.

0:44:54.840 --> 0:44:57.480
<v Speaker 3>I'm taking the shot. He just said. Bro, I fuck

0:44:57.560 --> 0:45:00.839
<v Speaker 3>with both of them, recipe both of them. But yeah,

0:45:00.880 --> 0:45:01.920
<v Speaker 3>I fuck with both of them.

0:45:02.040 --> 0:45:05.040
<v Speaker 2>Like, come on, man, you can't zero, you can pick something,

0:45:06.640 --> 0:45:07.960
<v Speaker 2>you can't lead the witness.

0:45:08.080 --> 0:45:13.920
<v Speaker 3>Don't leave you. I just hate yeah, I clete the

0:45:13.960 --> 0:45:18.000
<v Speaker 3>field man.

0:45:18.080 --> 0:45:20.759
<v Speaker 1>Both of them legits Like if it's if you say

0:45:20.800 --> 0:45:22.880
<v Speaker 1>some ship that, well it's somebody that got to get

0:45:22.920 --> 0:45:23.319
<v Speaker 1>picked over.

0:45:23.440 --> 0:45:26.360
<v Speaker 3>We go really picked like no, no, no, I know,

0:45:26.480 --> 0:45:27.040
<v Speaker 3>I know, y'all real.

0:45:27.719 --> 0:45:31.440
<v Speaker 1>Yeah, yeah, these people, they both I ain't gonna they

0:45:31.520 --> 0:45:33.000
<v Speaker 1>both had some ship to the game, you.

0:45:33.040 --> 0:45:35.520
<v Speaker 7>Know what, get brought in And Paul was saying some

0:45:35.680 --> 0:45:37.920
<v Speaker 7>ship was wrapping past a lot of time.

0:45:38.000 --> 0:45:40.720
<v Speaker 1>But if you listen to what the fun was allowed,

0:45:41.280 --> 0:45:45.520
<v Speaker 1>I was, yeah, that's what I'm saying. Okay, okay, okay,

0:45:45.520 --> 0:45:49.600
<v Speaker 1>I'm allowed in Columbia. So with pun and then Beyonce

0:45:49.800 --> 0:45:50.240
<v Speaker 1>and bow.

0:45:50.200 --> 0:45:52.719
<v Speaker 6>Wow, like it was crazy, best of my worlds and

0:45:53.719 --> 0:45:57.960
<v Speaker 6>one one I love it menaced the society or boys

0:45:58.000 --> 0:45:58.399
<v Speaker 6>in the hood.

0:46:00.719 --> 0:46:05.279
<v Speaker 3>Mm hmm. You feel about that one.

0:46:05.520 --> 0:46:08.279
<v Speaker 1>See, that's some ship, that's what we might be able

0:46:08.320 --> 0:46:13.000
<v Speaker 1>to pick from which we can go back home. Man,

0:46:13.040 --> 0:46:15.560
<v Speaker 1>it's the society of Boys of the hood.

0:46:17.320 --> 0:46:18.560
<v Speaker 3>Damn, I'm gonna.

0:46:18.320 --> 0:46:22.000
<v Speaker 5>Say, might what you got, what you got for nigga

0:46:22.080 --> 0:46:25.520
<v Speaker 5>no q two though I know both of the movies.

0:46:25.760 --> 0:46:30.000
<v Speaker 3>Was the Flipped and Fluid. He made me perform at

0:46:30.040 --> 0:46:33.040
<v Speaker 3>the Big Three Me too, and that is so and

0:46:33.200 --> 0:46:37.600
<v Speaker 3>boys and it was the first one. Boy, I love

0:46:37.640 --> 0:46:38.040
<v Speaker 3>the witness.

0:46:38.320 --> 0:46:40.800
<v Speaker 6>Boys in the Hood was Yeah, yeah, absolutely was the

0:46:41.239 --> 0:46:45.560
<v Speaker 6>I always say the first, the first off I would

0:46:45.560 --> 0:46:46.080
<v Speaker 6>be the pick.

0:46:46.160 --> 0:46:47.279
<v Speaker 2>Yeah, I'm a I'm a pick.

0:46:47.320 --> 0:46:50.719
<v Speaker 3>I'm ana pick boys. And if you're conflicted, yeah, like

0:46:50.920 --> 0:46:53.040
<v Speaker 3>the last night, I just did a record live, so

0:46:53.080 --> 0:46:57.160
<v Speaker 3>don't give funk about your bitch ass daddy niggas. Yeah, boys,

0:46:57.200 --> 0:46:57.759
<v Speaker 3>and the.

0:46:57.800 --> 0:47:00.640
<v Speaker 7>Record I did for crick Kriok, I mean cook. I'm

0:47:00.800 --> 0:47:04.360
<v Speaker 7>about Cook only I say, we boys in the hood.

0:47:04.600 --> 0:47:07.560
<v Speaker 7>Some ship you don't get shot in the back like

0:47:07.719 --> 0:47:10.520
<v Speaker 7>Ricky So boys boys in the Hood.

0:47:10.560 --> 0:47:11.720
<v Speaker 3>I I don't have to pick.

0:47:11.600 --> 0:47:13.600
<v Speaker 7>Boys in the Hood like I did watch Boys in

0:47:13.640 --> 0:47:15.880
<v Speaker 7>the Hood more than I watched Don't Be a Minutes

0:47:15.960 --> 0:47:17.239
<v Speaker 7>But don't be a minute man, that.

0:47:17.280 --> 0:47:21.319
<v Speaker 3>Ship don't be don't be good.

0:47:21.520 --> 0:47:23.480
<v Speaker 2>But that was a comedy for.

0:47:23.560 --> 0:47:25.480
<v Speaker 3>Minister to start. It was some ship in there, but

0:47:25.560 --> 0:47:26.600
<v Speaker 3>Boys in the Hood, man.

0:47:27.040 --> 0:47:31.279
<v Speaker 7>Was it was it was but like you need some

0:47:31.480 --> 0:47:34.320
<v Speaker 7>help you but gooding with his daddy and all that,

0:47:34.520 --> 0:47:36.799
<v Speaker 7>like sneaking in the girl house and all that kind

0:47:36.840 --> 0:47:37.160
<v Speaker 7>of ship.

0:47:37.280 --> 0:47:40.440
<v Speaker 3>Like oh yeah when he hit the wall, yeah that

0:47:40.560 --> 0:47:45.600
<v Speaker 3>had no wall. Yeah, and then that that that.

0:47:49.080 --> 0:47:52.400
<v Speaker 6>Yeah, I gotta go with that boys ship, all right,

0:47:52.600 --> 0:47:53.840
<v Speaker 6>switch the house is screwed up.

0:47:56.640 --> 0:48:01.479
<v Speaker 3>You got no hate, no y'all. Yeah, that very fast.

0:48:01.600 --> 0:48:12.400
<v Speaker 3>I don't know. That's shot. I'm taking a shot. You

0:48:12.719 --> 0:48:16.319
<v Speaker 3>got to take. I was shouting taking a shot. Take

0:48:16.360 --> 0:48:18.719
<v Speaker 3>it shut. I'm so proud of y'all making that fast.

0:48:18.719 --> 0:48:23.480
<v Speaker 3>And I tried to change. See that's this man, God damn,

0:48:24.239 --> 0:48:25.040
<v Speaker 3>I want to I want.

0:48:24.920 --> 0:48:28.560
<v Speaker 7>One of those changes. Screwed up clip. Man, it's a

0:48:28.640 --> 0:48:30.120
<v Speaker 7>lot of stuff that man, bro.

0:48:30.160 --> 0:48:30.799
<v Speaker 3>I can't get one.

0:48:30.880 --> 0:48:35.239
<v Speaker 1>It's you, you general, I be fifty fifth. I gotta

0:48:35.280 --> 0:48:37.759
<v Speaker 1>get you freestyling and then we gotta screw.

0:48:37.640 --> 0:48:42.040
<v Speaker 3>Yeah, he got the chopping and then we scuriously. You

0:48:42.080 --> 0:48:47.040
<v Speaker 3>gotta slow down. I gotta down. I'm sure they've I'm

0:48:47.080 --> 0:48:53.520
<v Speaker 3>sure they've done it to your records many times. I'm

0:48:53.800 --> 0:48:56.480
<v Speaker 3>not going to screw up click chain, screwed up clip.

0:48:58.480 --> 0:48:59.920
<v Speaker 3>Let me look at that. I'm not Yeah, I'm a

0:49:00.080 --> 0:49:04.440
<v Speaker 3>what now, I trust you. Come on, I brought it

0:49:04.560 --> 0:49:08.240
<v Speaker 3>up from a represent flip we go, Yeah, that is clean.

0:49:08.760 --> 0:49:09.000
<v Speaker 4>We go.

0:49:10.640 --> 0:49:14.360
<v Speaker 3>We killed that and look I started. You gotta we

0:49:14.440 --> 0:49:18.080
<v Speaker 3>got to drop the little It's that's what they know

0:49:18.200 --> 0:49:21.080
<v Speaker 3>me as. But I'm big flip now big clip the

0:49:21.160 --> 0:49:23.360
<v Speaker 3>cattle with Google my name and all that kind of

0:49:23.840 --> 0:49:25.239
<v Speaker 3>represent Let me keep it.

0:49:25.239 --> 0:49:30.000
<v Speaker 1>Little but yeah, big clipping. Yes, yes, that's look look

0:49:30.000 --> 0:49:31.560
<v Speaker 1>at look at me representing.

0:49:31.040 --> 0:49:34.800
<v Speaker 3>That s that screwed up clip fifty generations fooled up. Click.

0:49:35.360 --> 0:49:39.600
<v Speaker 3>Oh my god, and you did it right, You did

0:49:39.680 --> 0:49:40.000
<v Speaker 3>it right.

0:49:40.080 --> 0:49:42.839
<v Speaker 1>Hold on, hold on, look look I'm holding it because

0:49:42.840 --> 0:49:46.279
<v Speaker 1>I don't n Yeah TV.

0:49:46.400 --> 0:49:50.799
<v Speaker 3>Johnny King, Johnny Kings. Just a difference, Okay, okay, yes,

0:49:50.800 --> 0:49:52.320
<v Speaker 3>it's the difference. I tell us the difference.

0:49:52.440 --> 0:49:54.320
<v Speaker 2>King Johnny is the guy who made all the screwed

0:49:54.400 --> 0:49:54.759
<v Speaker 2>up Click.

0:49:55.000 --> 0:49:56.480
<v Speaker 3>Jerry, Now is that in the gallery?

0:49:57.440 --> 0:50:00.480
<v Speaker 7>He actually is in the He got Kings, he and

0:50:00.600 --> 0:50:03.239
<v Speaker 7>King's Fleet market and he's in a Sharp Time.

0:50:03.480 --> 0:50:05.719
<v Speaker 2>But what they changed it to what's the new name?

0:50:06.000 --> 0:50:08.040
<v Speaker 7>They changed the name to Sharps Time oub But for me,

0:50:08.120 --> 0:50:10.840
<v Speaker 7>it's gonna fail be Sharp Times.

0:50:13.640 --> 0:50:15.560
<v Speaker 3>It's the first time he debuted to screwed up.

0:50:15.640 --> 0:50:18.600
<v Speaker 7>Not no, no, I just it depends on the move. Okay,

0:50:18.920 --> 0:50:21.400
<v Speaker 7>you know pre my brother cast, I'll be wearing this.

0:50:21.600 --> 0:50:24.520
<v Speaker 7>This represent three faces, oh brother cast.

0:50:24.360 --> 0:50:25.600
<v Speaker 3>Or he locked up, you know what I mean? So

0:50:25.680 --> 0:50:26.960
<v Speaker 3>I be represented for him.

0:50:26.840 --> 0:50:30.200
<v Speaker 7>Because he did some real ship for me and people

0:50:30.239 --> 0:50:32.920
<v Speaker 7>that do real ship for me, even if they locked up,

0:50:33.040 --> 0:50:35.239
<v Speaker 7>or even if they did, I do what I gotta

0:50:35.280 --> 0:50:36.440
<v Speaker 7>do to keep their name alive.

0:50:37.280 --> 0:50:39.920
<v Speaker 3>That's why you, Jimmy had some facts. What was it, Jamie?

0:50:40.320 --> 0:50:40.440
<v Speaker 4>Was it?

0:50:40.560 --> 0:50:41.200
<v Speaker 3>What were you saying?

0:50:46.160 --> 0:50:48.560
<v Speaker 2>Michican O TV did a record called Jenny.

0:50:50.680 --> 0:50:52.480
<v Speaker 3>But that's what That's a different journey from them what

0:50:52.560 --> 0:50:53.200
<v Speaker 3>I'm talking about.

0:50:53.320 --> 0:50:56.200
<v Speaker 2>Okay, but we with we fu with TV, Johnny like, okay,

0:50:57.280 --> 0:50:57.520
<v Speaker 2>thank you?

0:51:02.480 --> 0:51:04.280
<v Speaker 3>She was you wrong.

0:51:09.239 --> 0:51:11.080
<v Speaker 2>We ain't no hate us, bro. We on some grown

0:51:11.160 --> 0:51:12.920
<v Speaker 2>men for everybody.

0:51:13.080 --> 0:51:18.239
<v Speaker 3>Yes, all right, fat patter, big pokey ship like a shot.

0:51:18.400 --> 0:51:23.040
<v Speaker 3>Damn of course there we go. Houston is so loyal.

0:51:23.440 --> 0:51:25.040
<v Speaker 3>I love how they so loyal.

0:51:25.160 --> 0:51:25.279
<v Speaker 8>Bro.

0:51:27.040 --> 0:51:29.880
<v Speaker 3>We ain't choosing over them, and we screwed up clicks.

0:51:29.640 --> 0:51:33.680
<v Speaker 5>Ship go ahead people, both of them, all right, yeah, man,

0:51:33.920 --> 0:51:35.760
<v Speaker 5>for real legends.

0:51:35.840 --> 0:51:38.160
<v Speaker 3>Man, I hate both of them.

0:51:38.239 --> 0:51:41.480
<v Speaker 7>Not here, man, I hate Pat didn't get to see

0:51:41.520 --> 0:51:45.640
<v Speaker 7>the release of his album that's terrible, like man our coaching, Man,

0:51:45.680 --> 0:51:49.120
<v Speaker 7>we got some real trends to us, like the dope

0:51:49.160 --> 0:51:52.719
<v Speaker 7>part about it, bro Like just like people on the

0:51:52.760 --> 0:51:56.160
<v Speaker 7>East Coast they hold you know, jay Z and ours

0:51:56.200 --> 0:51:58.160
<v Speaker 7>to this this high, you know.

0:51:58.360 --> 0:52:00.120
<v Speaker 3>The Northeast coast. Let's just be correct and.

0:52:00.400 --> 0:52:06.520
<v Speaker 1>Straight up, like straight up, like that's how you feel

0:52:06.520 --> 0:52:09.319
<v Speaker 1>about DJ Trew and Fat Pad and Pokey and Hawk

0:52:09.400 --> 0:52:12.839
<v Speaker 1>and all the like we rapp with them, We don't.

0:52:13.080 --> 0:52:15.480
<v Speaker 1>We don't look at ourselves like, oh yeah, we're less

0:52:15.600 --> 0:52:18.680
<v Speaker 1>than like we we really did some legendary ship man

0:52:18.760 --> 0:52:21.480
<v Speaker 1>and hell yeah. And to be a part of the

0:52:21.520 --> 0:52:24.840
<v Speaker 1>screwed up clicking for DJ Screw to really allow us

0:52:24.920 --> 0:52:27.520
<v Speaker 1>to come to his house and freestyle and showcase our

0:52:27.600 --> 0:52:30.879
<v Speaker 1>talent and not be a greedy person and sign us off.

0:52:31.680 --> 0:52:33.440
<v Speaker 3>HEJ Screw. He could have He could have been like,

0:52:33.480 --> 0:52:35.040
<v Speaker 3>I'm signing all of y'all and he could have been

0:52:35.080 --> 0:52:35.799
<v Speaker 3>a billionaire.

0:52:36.000 --> 0:52:37.600
<v Speaker 6>Do you think he knew what he had like at

0:52:37.640 --> 0:52:40.200
<v Speaker 6>the time, you think he knew what he had early?

0:52:40.480 --> 0:52:42.400
<v Speaker 6>He might not have known how it would have been.

0:52:42.960 --> 0:52:46.160
<v Speaker 3>He didn't want it. He didn't want to say I know,

0:52:46.239 --> 0:52:48.040
<v Speaker 3>I wish you flipped. I think that he knew that,

0:52:48.160 --> 0:52:50.319
<v Speaker 3>and I think he was that genuine he didn't want

0:52:50.360 --> 0:52:52.759
<v Speaker 3>the responsibility. I can respect that.

0:52:52.880 --> 0:52:55.400
<v Speaker 7>I'm us how to be famous and still live a

0:52:55.520 --> 0:52:58.680
<v Speaker 7>normal life. Most people are slaves to their fame.

0:52:58.800 --> 0:52:59.560
<v Speaker 3>They can't go to the.

0:53:00.280 --> 0:53:03.600
<v Speaker 7>Grocery store with our people everywhere, like like, we really

0:53:03.680 --> 0:53:05.759
<v Speaker 7>get to be famous, bro, and still go to the

0:53:05.840 --> 0:53:07.480
<v Speaker 7>pastry store, you know what I mean?

0:53:07.640 --> 0:53:10.360
<v Speaker 2>Like, so we're not slaves to our fame. So for

0:53:10.440 --> 0:53:12.920
<v Speaker 2>a person like DJ screw to let us.

0:53:12.920 --> 0:53:14.480
<v Speaker 3>Come in here, I think I believe that.

0:53:14.680 --> 0:53:17.919
<v Speaker 7>And he won Ajusto Mixtape Award, like he had a ring. Yeah,

0:53:18.000 --> 0:53:20.120
<v Speaker 7>you know, so DJ screw Man and that was it.

0:53:20.640 --> 0:53:24.840
<v Speaker 3>You get a just I gottads mixed you. Yeah, I got.

0:53:29.160 --> 0:53:32.840
<v Speaker 6>Screw Yeah recipes adjusto Man just did a lot for

0:53:32.920 --> 0:53:33.400
<v Speaker 6>the mixtape.

0:53:33.480 --> 0:53:38.000
<v Speaker 3>DJs. Yeah, hold on, come on shout this one. This

0:53:38.080 --> 0:53:49.920
<v Speaker 3>one right, I'm I'm a pronow. He's swinging on you

0:53:52.239 --> 0:53:56.040
<v Speaker 3>pro not taking shots. Yeah the next one, oh man.

0:53:56.600 --> 0:53:57.000
<v Speaker 2>But I have.

0:54:00.760 --> 0:54:09.160
<v Speaker 3>Analog or digital recording wise, obviously analog. I didn't make

0:54:09.200 --> 0:54:10.000
<v Speaker 3>you to say analog.

0:54:11.920 --> 0:54:16.680
<v Speaker 1>Analog fuck that. I'm sorry, it doesn't matter. Some probably

0:54:16.680 --> 0:54:18.400
<v Speaker 1>I gotta take a shot right then.

0:54:18.960 --> 0:54:20.759
<v Speaker 3>Yeah, you're saying neither I want.

0:54:21.200 --> 0:54:24.480
<v Speaker 7>It don't matter because when you pro, when you are

0:54:24.560 --> 0:54:26.560
<v Speaker 7>pro it, you just go get on that mic and go,

0:54:26.960 --> 0:54:29.040
<v Speaker 7>you know, pause that boy.

0:54:30.080 --> 0:54:32.000
<v Speaker 3>But the analog do sound better though.

0:54:33.360 --> 0:54:39.400
<v Speaker 2>An I was dope. Yeah, like analog was dope like me.

0:54:39.840 --> 0:54:40.799
<v Speaker 2>I don't give a fuck like.

0:54:40.920 --> 0:54:42.919
<v Speaker 6>We probably wouldn't couln't survive an analog.

0:54:42.920 --> 0:54:45.840
<v Speaker 7>Because I just got some dope ass plugs and some

0:54:45.920 --> 0:54:47.600
<v Speaker 7>shiit to make me still sound dope.

0:54:48.200 --> 0:54:50.640
<v Speaker 3>Thanks to my brothers for putting me on the type

0:54:50.640 --> 0:54:52.080
<v Speaker 3>of mic and the system to get.

0:54:52.040 --> 0:54:54.759
<v Speaker 2>You know what I mean. So I don't give a fuck.

0:54:55.040 --> 0:54:57.560
<v Speaker 2>When you're pro, you just do what you do, right.

0:55:00.160 --> 0:55:07.239
<v Speaker 3>Riders of Rockefeller, All right, repeat the d MX. You

0:55:07.320 --> 0:55:09.879
<v Speaker 3>got the DMX story of course, tell us.

0:55:11.360 --> 0:55:14.319
<v Speaker 7>So I was label maxed with DMX. He eventually came

0:55:14.400 --> 0:55:17.080
<v Speaker 7>to you know, Columbia. But I'm cool with the rough

0:55:17.160 --> 0:55:20.160
<v Speaker 7>Riders too, like d n Y and all. Here City

0:55:20.280 --> 0:55:22.040
<v Speaker 7>is my bro. Like if you're looking to turn it

0:55:22.120 --> 0:55:24.759
<v Speaker 7>up video, I have on a three Cassidy shirt, you

0:55:24.800 --> 0:55:26.680
<v Speaker 7>know what I mean. So I'm down with the rough Riders.

0:55:29.160 --> 0:55:32.759
<v Speaker 7>What video was said? We were in atl We did

0:55:32.840 --> 0:55:35.920
<v Speaker 7>the video for Tear It Up with Young One. He

0:55:36.120 --> 0:55:39.720
<v Speaker 7>signed the artists same young Yeah, yeah, just like the bands.

0:55:39.760 --> 0:55:42.319
<v Speaker 7>They be playing it to me, David Banner, Young One

0:55:42.400 --> 0:55:44.560
<v Speaker 7>and d MX is on the hook. We did the

0:55:44.719 --> 0:55:51.880
<v Speaker 7>video in Atlanta, Bro, and X was like, and you

0:55:51.960 --> 0:55:53.520
<v Speaker 7>got something the smoke, Bro, I'm like, yeah, here you go.

0:55:54.440 --> 0:55:57.000
<v Speaker 7>He was like he saw the blunt that I rode

0:55:57.040 --> 0:55:59.319
<v Speaker 7>because like back then, like all of us we rolled,

0:55:59.440 --> 0:56:01.759
<v Speaker 7>was like three on fires. Will take like you know,

0:56:02.239 --> 0:56:06.040
<v Speaker 7>to Philly blunts and put them sidewise, sidewise, like tell

0:56:06.120 --> 0:56:11.440
<v Speaker 7>him roly fat ass blunts like this, like look like

0:56:11.520 --> 0:56:15.680
<v Speaker 7>real Cuban cigars on the sidewest and then we'll smoke.

0:56:16.360 --> 0:56:19.640
<v Speaker 3>And it was like, you're gonna put all that weed.

0:56:21.120 --> 0:56:24.360
<v Speaker 1>That one fucking blunt, Like yeah, because we're trying to

0:56:24.440 --> 0:56:26.719
<v Speaker 1>really get high, like you know what I mean, we

0:56:26.880 --> 0:56:28.480
<v Speaker 1>really want to go there, you know what I'm saying.

0:56:28.520 --> 0:56:31.719
<v Speaker 1>And like you said, y'all down South niggas, y'all crazy man,

0:56:31.800 --> 0:56:35.080
<v Speaker 1>y'all thugging be you know. But but X was just

0:56:35.200 --> 0:56:39.080
<v Speaker 1>always a dope ass, a dope ass person, a real person.

0:56:39.560 --> 0:56:43.040
<v Speaker 7>He reminded me a lot about DJ Screw because like

0:56:43.480 --> 0:56:45.359
<v Speaker 7>Screw didn't let the fan go to his head. One

0:56:45.440 --> 0:56:48.600
<v Speaker 7>thing about DM mixed, if he fuck with you, if

0:56:48.640 --> 0:56:52.480
<v Speaker 7>he wants to tackle Bell, he ain't gonna be a

0:56:52.520 --> 0:56:55.320
<v Speaker 7>slave to his fans, you know, like he was just

0:56:55.400 --> 0:56:58.120
<v Speaker 7>like y'all texts niggas smoked them big ass blunts, but y'all,

0:56:58.200 --> 0:56:59.080
<v Speaker 7>motherfucker's crazy.

0:57:00.120 --> 0:57:08.719
<v Speaker 3>So recipes the DMX got more. We got a couple

0:57:08.760 --> 0:57:14.960
<v Speaker 3>of relaxed ice Cube or the d o C. That's

0:57:15.040 --> 0:57:17.040
<v Speaker 3>nextan too. I'm gonna take it. I'm gonna take a shot.

0:57:17.200 --> 0:57:22.080
<v Speaker 3>Man E was not from the DC IS text. Yeah,

0:57:23.000 --> 0:57:24.800
<v Speaker 3>that's why they kind this ship drink champ.

0:57:31.560 --> 0:57:34.720
<v Speaker 7>Yeah, we ain't gonna pick damn any stories with either

0:57:34.720 --> 0:57:37.920
<v Speaker 7>of them. I mean, I interviewed d o C on

0:57:38.120 --> 0:57:40.600
<v Speaker 7>my podcast when I was doing the podcast. I'm gonna

0:57:40.600 --> 0:57:42.480
<v Speaker 7>bring it back. I gotta bring it back. Yeah, I

0:57:42.560 --> 0:57:44.680
<v Speaker 7>got it, I got we got distribution now. We ain't

0:57:44.680 --> 0:57:47.640
<v Speaker 7>have this back then, but let's chop it up. You

0:57:47.680 --> 0:57:49.200
<v Speaker 7>know what I'm saying. It's gonna be a new co

0:57:49.360 --> 0:57:52.200
<v Speaker 7>host with me y. I'm trying to get rop, you

0:57:52.280 --> 0:57:52.440
<v Speaker 7>know what.

0:57:52.440 --> 0:57:54.120
<v Speaker 3>I'm saying that so we can get some of that

0:57:54.840 --> 0:57:58.200
<v Speaker 3>money like Cam and Mask. Yeah yeah, yeah, yeah, that

0:57:58.360 --> 0:57:59.920
<v Speaker 3>podcast jump jump in.

0:58:00.040 --> 0:58:03.880
<v Speaker 1>Yeah, see, y'all seem more happier from the last time

0:58:03.920 --> 0:58:06.120
<v Speaker 1>you saw from the last time I saw y'all.

0:58:06.480 --> 0:58:14.160
<v Speaker 3>Y'all seem more happier. So yeah, man, man, I'm sorry,

0:58:15.200 --> 0:58:18.400
<v Speaker 3>keep talking like, hey, we're still here. Tho, keep it real.

0:58:18.640 --> 0:58:22.720
<v Speaker 3>I love it. Get a little more gay. So what happened?

0:58:23.640 --> 0:58:25.880
<v Speaker 3>He said, he's a interviewed DC and his bo.

0:58:27.560 --> 0:58:30.080
<v Speaker 7>I interviewed him, and he just talked about like his

0:58:30.280 --> 0:58:33.000
<v Speaker 7>experience being on the West Coast and a lot of

0:58:33.040 --> 0:58:33.680
<v Speaker 7>people don't know.

0:58:33.880 --> 0:58:36.880
<v Speaker 2>R Repeater three too, but he's from Dallas. He's from Dallas.

0:58:37.040 --> 0:58:39.520
<v Speaker 7>Yes, three two used to be on the West Coast,

0:58:39.600 --> 0:58:41.880
<v Speaker 7>and like when you saw me do that, like no fingerpriss,

0:58:42.240 --> 0:58:43.400
<v Speaker 7>you get that from mister.

0:58:43.240 --> 0:58:45.600
<v Speaker 1>Three too, Like yeah, all Repeater three two, So we

0:58:45.720 --> 0:58:48.320
<v Speaker 1>do it. Take his name alive, no finger press and

0:58:48.360 --> 0:58:50.800
<v Speaker 1>that's in Texas thing though three two used to do

0:58:50.840 --> 0:58:51.400
<v Speaker 1>it all the time.

0:58:51.600 --> 0:58:56.360
<v Speaker 3>You take my dad back. Three two brought some of that.

0:58:56.720 --> 0:58:59.320
<v Speaker 3>He was hanging around snooping just from people. He just

0:58:59.400 --> 0:59:00.680
<v Speaker 3>a fly guy, you know what I mean?

0:59:00.840 --> 0:59:05.360
<v Speaker 7>So yeah, these DFC man him representing. You know, we

0:59:05.480 --> 0:59:08.400
<v Speaker 7>hated about the car crash and him losing it a

0:59:08.600 --> 0:59:09.200
<v Speaker 7>I got him.

0:59:09.280 --> 0:59:10.920
<v Speaker 3>We go Allway, he said, he I got.

0:59:10.960 --> 0:59:15.000
<v Speaker 6>I mean Beanie singles killing right now killing, so exactly

0:59:15.080 --> 0:59:15.680
<v Speaker 6>do that right now.

0:59:15.920 --> 0:59:20.360
<v Speaker 3>He's working with the as it sounds, it's right, it's work.

0:59:20.600 --> 0:59:23.760
<v Speaker 7>Bennie was one of my favorite rappers. He said, he's doing.

0:59:24.040 --> 0:59:25.000
<v Speaker 3>Yeah, he got a joint he got.

0:59:25.400 --> 0:59:28.720
<v Speaker 6>We're doing the album with Yeah, Jada Kiss Yeah, and

0:59:29.400 --> 0:59:31.840
<v Speaker 6>three Way's executive producing or something right, and he's using

0:59:31.920 --> 0:59:34.640
<v Speaker 6>A he's using AI to fix the voice. So he's

0:59:34.680 --> 0:59:37.800
<v Speaker 6>doing the lyrics. He's spitting it and fixing.

0:59:39.000 --> 0:59:41.080
<v Speaker 3>It. Sounds like him, you know. It's one of the

0:59:41.240 --> 0:59:45.040
<v Speaker 3>illest lyrics and ever like Yeah, so d C could

0:59:45.080 --> 0:59:45.280
<v Speaker 3>do it.

0:59:46.560 --> 0:59:49.200
<v Speaker 6>Does dl c's crew go back like y'all go back

0:59:49.240 --> 0:59:51.560
<v Speaker 6>with that Field Fresh crew and like that whole vibe.

0:59:52.080 --> 0:59:57.760
<v Speaker 3>We weren't in the eighties.

0:59:57.800 --> 1:00:00.959
<v Speaker 6>Yeah, I mean I received I remember Fresh Cooky because

1:00:01.000 --> 1:00:03.360
<v Speaker 6>that's what with the n W and the Posse table.

1:00:04.600 --> 1:00:09.160
<v Speaker 1>Just stupid brod way before.

1:00:08.920 --> 1:00:10.960
<v Speaker 5>That, howd on man, I got to ask something, man,

1:00:12.440 --> 1:00:19.320
<v Speaker 5>So hold on Beanie like Beanie alive?

1:00:20.000 --> 1:00:25.480
<v Speaker 3>Yeah, I know he had he lost his voice.

1:00:28.800 --> 1:00:30.880
<v Speaker 2>From when he got shot, Like I think one one long.

1:00:32.600 --> 1:00:34.480
<v Speaker 6>So he came on Dreams and he was already talking

1:00:34.480 --> 1:00:38.760
<v Speaker 6>about as d C was. They was trying to figure

1:00:38.800 --> 1:00:40.760
<v Speaker 6>out if that technology was going to help them recreate

1:00:40.800 --> 1:00:44.120
<v Speaker 6>their voice. Okay, and right now, Beanie got a joint

1:00:44.120 --> 1:00:47.160
<v Speaker 6>out with Jadakiss where they used it and it worked

1:00:47.200 --> 1:00:47.400
<v Speaker 6>and it.

1:00:49.160 --> 1:00:52.320
<v Speaker 3>It don't sound weird at all. Well you thought we was.

1:00:54.080 --> 1:00:57.520
<v Speaker 5>I mean, we ain't answer no questions, So I'm kind

1:00:57.520 --> 1:01:02.280
<v Speaker 5>of there. There's been a lot of and they're talking

1:01:02.360 --> 1:01:04.360
<v Speaker 5>about it, like I can see if he was like

1:01:04.720 --> 1:01:07.120
<v Speaker 5>packing like but like Beanie, that nigga.

1:01:06.880 --> 1:01:11.840
<v Speaker 3>Up street outside, you know he he outside? Yeah, yeah,

1:01:13.480 --> 1:01:17.080
<v Speaker 3>I believe. I believe if you show some flip if.

1:01:17.000 --> 1:01:19.160
<v Speaker 6>I'm not mistaken, I thought he was gonna show him

1:01:19.160 --> 1:01:19.640
<v Speaker 6>the joints.

1:01:21.160 --> 1:01:23.640
<v Speaker 3>If I'm not mistaken, I believe Ai.

1:01:24.280 --> 1:01:27.920
<v Speaker 1>This is this is my friend right here, And he

1:01:28.040 --> 1:01:30.280
<v Speaker 1>told me that AI tells people you're talking about me.

1:01:30.520 --> 1:01:34.080
<v Speaker 3>Yeah, you're right here. I see where you were pointing

1:01:34.120 --> 1:01:34.640
<v Speaker 3>at No.

1:01:34.880 --> 1:01:39.040
<v Speaker 1>And you you tell me that AI tells you sometimes where.

1:01:38.880 --> 1:01:42.960
<v Speaker 3>Are you at? They are sucking everything up? Where's your kids?

1:01:43.560 --> 1:01:43.760
<v Speaker 8>And you?

1:01:43.960 --> 1:01:49.520
<v Speaker 6>And you you say certain things. I had no idea

1:01:49.720 --> 1:01:53.080
<v Speaker 6>that that can do that for vocals. Yeah, I could

1:01:53.120 --> 1:01:56.720
<v Speaker 6>do anything. Look hold on, I'm gonna see a I

1:01:56.960 --> 1:02:02.480
<v Speaker 6>was fixing people credit. I want to fix fixing people's credit.

1:02:05.440 --> 1:02:07.120
<v Speaker 3>You know, shouting, I got lead, like you know what

1:02:07.160 --> 1:02:16.560
<v Speaker 3>I'm saying. He just made miss out Like, yeah, we

1:02:16.680 --> 1:02:19.040
<v Speaker 3>made that ship happen. But that's my name. It's been

1:02:19.080 --> 1:02:21.439
<v Speaker 3>a lost week because we love y'all. We love y'all.

1:02:22.000 --> 1:02:27.040
<v Speaker 3>You We had to do some scheduleing. Man.

1:02:27.120 --> 1:02:28.880
<v Speaker 7>We were supposed to come out here while bag man,

1:02:29.000 --> 1:02:31.640
<v Speaker 7>but we figured it out. So I always like to

1:02:31.640 --> 1:02:32.760
<v Speaker 7>shout out to people behind it.

1:02:32.880 --> 1:02:39.880
<v Speaker 3>No, yeah, man makes a look this should happen.

1:02:40.000 --> 1:02:44.680
<v Speaker 1>Man, this is gonna be an epic episode. Yeah, you

1:02:44.760 --> 1:02:46.280
<v Speaker 1>know you got you got your shot right there. If

1:02:46.280 --> 1:02:48.160
<v Speaker 1>you want to know, I'm a g okay, I'm gonna

1:02:48.200 --> 1:02:48.880
<v Speaker 1>drinking him now.

1:02:49.120 --> 1:02:53.280
<v Speaker 3>I ain't gonna drink drink seven different glass he definitely drinking.

1:02:54.080 --> 1:02:55.320
<v Speaker 3>And he's like, I know this one.

1:02:55.400 --> 1:02:56.760
<v Speaker 2>Maybe this one is Hall of Famer.

1:02:56.880 --> 1:02:59.480
<v Speaker 3>Now that's crazy. He got some ship in it.

1:02:59.640 --> 1:03:02.160
<v Speaker 6>I don't know that's sprite gotten that leans, but the

1:03:02.240 --> 1:03:03.000
<v Speaker 6>sprite got some ship.

1:03:03.320 --> 1:03:05.440
<v Speaker 2>Man shouldn't mixed with excited prescription.

1:03:05.920 --> 1:03:07.560
<v Speaker 3>That's put its prescription.

1:03:07.800 --> 1:03:08.080
<v Speaker 8>It is.

1:03:09.560 --> 1:03:10.080
<v Speaker 3>Prescribed.

1:03:10.240 --> 1:03:16.320
<v Speaker 8>At some point, I was just throwing it out there. Look,

1:03:16.400 --> 1:03:19.800
<v Speaker 8>come on a little come you taket o. You out

1:03:19.840 --> 1:03:21.520
<v Speaker 8>of control. You're about to go back to bad buddy

1:03:21.600 --> 1:03:21.800
<v Speaker 8>right now.

1:03:21.840 --> 1:03:22.880
<v Speaker 3>If you drink that ship.

1:03:25.520 --> 1:03:27.800
<v Speaker 12>And you win, I can't even like argue back with

1:03:27.920 --> 1:03:38.960
<v Speaker 12>your guy. Rick Rosse and two chains. With both of them,

1:03:39.040 --> 1:03:40.600
<v Speaker 12>I got history both with both.

1:03:40.760 --> 1:03:41.280
<v Speaker 3>Talk about it.

1:03:42.800 --> 1:03:45.520
<v Speaker 2>When Rons drive who to Miami?

1:03:46.000 --> 1:03:46.800
<v Speaker 3>What was the club?

1:03:47.640 --> 1:03:49.840
<v Speaker 2>I don't know if it was south it was in South.

1:03:49.680 --> 1:03:54.560
<v Speaker 7>Beach, but cameo was it a mansion Opium Opium yep

1:03:54.800 --> 1:03:57.480
<v Speaker 7>o PM He had his release party.

1:03:57.600 --> 1:03:59.160
<v Speaker 3>Buster Rhymes was in that bitch.

1:04:00.440 --> 1:04:00.560
<v Speaker 8>You know.

1:04:00.760 --> 1:04:05.040
<v Speaker 7>Jay Z was in that bitch. He was playing that

1:04:05.160 --> 1:04:07.800
<v Speaker 7>music and Definite I was able to be down here.

1:04:09.360 --> 1:04:11.880
<v Speaker 7>We went to the studio. That's when he was doing

1:04:11.920 --> 1:04:14.800
<v Speaker 7>business with Poe Boy. We actually did a push It

1:04:14.880 --> 1:04:18.440
<v Speaker 7>to the Limit remix. I actually rapped on it. It

1:04:18.640 --> 1:04:23.080
<v Speaker 7>never came out, but it didn't. Yeah, I did a

1:04:23.360 --> 1:04:25.680
<v Speaker 7>damn It Man remix with Pitt Bull before he go.

1:04:28.040 --> 1:04:31.200
<v Speaker 7>Wayne was on there, like but like being out here

1:04:31.240 --> 1:04:33.040
<v Speaker 7>with Rick Ross and who was the other name he

1:04:33.120 --> 1:04:38.880
<v Speaker 7>said to change and Chains like even though I was

1:04:38.960 --> 1:04:41.760
<v Speaker 7>super cool with Ludacris, every time I linked with somebody

1:04:41.800 --> 1:04:44.800
<v Speaker 7>who's in the crew, it's other people that I fuck with,

1:04:44.960 --> 1:04:45.600
<v Speaker 7>you know, that's.

1:04:45.440 --> 1:04:45.840
<v Speaker 3>In the crew.

1:04:45.960 --> 1:04:49.000
<v Speaker 7>So I fucked with Ludacris. We'll do our music together.

1:04:49.120 --> 1:04:51.640
<v Speaker 7>But me and two Chains, well he went by TI

1:04:51.840 --> 1:04:55.160
<v Speaker 7>you know back when he was part of DTP correct

1:04:55.280 --> 1:04:59.120
<v Speaker 7>people that if you listen to you Gotta Feel Me album.

1:04:59.200 --> 1:05:02.000
<v Speaker 7>The first song on there, it's called uh Bring the

1:05:02.120 --> 1:05:06.440
<v Speaker 7>Pain featuring or Repeater Static Major Kentucky with a do Luville.

1:05:08.520 --> 1:05:10.560
<v Speaker 7>I put titty Boy on there, but it's me, titty

1:05:10.600 --> 1:05:15.200
<v Speaker 7>Boy and Ludicrous. So like we would always fuck around

1:05:15.240 --> 1:05:18.959
<v Speaker 7>with each other, so like our relationship was super dope.

1:05:19.040 --> 1:05:20.920
<v Speaker 7>So when he started like really blowing up and he

1:05:21.000 --> 1:05:24.120
<v Speaker 7>switched his name and reinvented hisself, like I was proud

1:05:24.200 --> 1:05:25.000
<v Speaker 7>of him, you know what I mean?

1:05:25.160 --> 1:05:27.160
<v Speaker 3>So yeah, I with both of them.

1:05:29.840 --> 1:05:31.640
<v Speaker 1>Are you taking a chat or we already took a shot.

1:05:31.680 --> 1:05:34.040
<v Speaker 3>We took a shot. Yeah, we took it. You can

1:05:34.080 --> 1:05:35.040
<v Speaker 3>take another one if you won't.

1:05:37.680 --> 1:05:43.439
<v Speaker 6>Luck right now, next one, next one, Willie D Live

1:05:43.600 --> 1:05:44.720
<v Speaker 6>or Joe Bunden podcast.

1:05:47.520 --> 1:05:52.160
<v Speaker 3>Damn uh motherfuckers. Can't go against Willy D. I can't

1:05:52.200 --> 1:05:54.320
<v Speaker 3>go against Willy D. And what are you doing this

1:05:54.400 --> 1:05:56.160
<v Speaker 3>thing on the podcast? Shit too?

1:05:56.320 --> 1:05:58.800
<v Speaker 2>Like like I watched vocal. You know what I'm saying.

1:05:58.800 --> 1:06:01.240
<v Speaker 2>I watched both like they both bring you like skin.

1:06:04.840 --> 1:06:12.680
<v Speaker 3>Like nigga, you gotta watch take but brother, though we

1:06:13.040 --> 1:06:18.040
<v Speaker 3>were still if you gotta take a break, take the break.

1:06:18.520 --> 1:06:22.560
<v Speaker 3>I ain't gonna lie you're going with really, I got

1:06:22.680 --> 1:06:26.000
<v Speaker 3>to I'm gonna have shout out to Joe but but

1:06:26.200 --> 1:06:30.560
<v Speaker 3>but I got to go home. He's doing it right now,

1:06:31.600 --> 1:06:34.640
<v Speaker 3>the super legend. That's a big bro to. And what

1:06:34.880 --> 1:06:37.800
<v Speaker 3>do you beat you up? I mean you don't beat

1:06:37.800 --> 1:06:38.560
<v Speaker 3>a couple of people up?

1:06:38.600 --> 1:06:38.720
<v Speaker 1>Man?

1:06:38.960 --> 1:06:40.800
<v Speaker 3>Really do you got hands? I don't know that.

1:06:40.920 --> 1:06:42.760
<v Speaker 7>I think he's a certified boxer. I think I don't

1:06:42.760 --> 1:06:47.080
<v Speaker 7>know he's heard about boxing too. But we respect really

1:06:47.360 --> 1:06:48.120
<v Speaker 7>like that's how brother.

1:06:49.960 --> 1:06:52.400
<v Speaker 3>Train. The niggas train every day, you know, like every

1:06:52.440 --> 1:06:55.720
<v Speaker 3>fold Nigga read these Nikes. That's that's that's a shout

1:06:55.720 --> 1:07:02.560
<v Speaker 3>out to a niggas and fosby Nike. He got a

1:07:02.640 --> 1:07:05.680
<v Speaker 3>song called make a Nigga read like like.

1:07:07.720 --> 1:07:15.080
<v Speaker 7>Believe you know when my brother? Yeah, you know for them, man,

1:07:15.440 --> 1:07:17.439
<v Speaker 7>you know it's just looking. I'm gonna take my shot.

1:07:17.560 --> 1:07:20.040
<v Speaker 3>Shout out to both them, Shout out to both of them.

1:07:20.160 --> 1:07:25.680
<v Speaker 3>All Odd Squad or Fifth War boys. Man, you know

1:07:25.800 --> 1:07:31.439
<v Speaker 3>the shot. Well, yeah, Nigga's crazy squad. That's a cocaine section.

1:07:31.840 --> 1:07:37.000
<v Speaker 3>That's that's that's who makes that ship a Manican and

1:07:37.200 --> 1:07:42.400
<v Speaker 3>uh cocaine. There we go. Yeah, od squad of who

1:07:43.040 --> 1:07:47.960
<v Speaker 3>for the Fifth War? Right? Yeah, he wants me. I

1:07:48.040 --> 1:07:49.880
<v Speaker 3>tell you I'm a pro now, nigga. Yeah, yeah, you've

1:07:49.880 --> 1:07:51.760
<v Speaker 3>been the bro. Shout out to Devin the Dude. Man,

1:07:53.360 --> 1:07:56.560
<v Speaker 3>I think Devin the Dude man, we need do drink chances.

1:07:56.680 --> 1:07:59.840
<v Speaker 3>Y'all ain't got that yet. No, man, I'm gonna get yours.

1:08:00.040 --> 1:08:02.720
<v Speaker 2>He's a headless man to get your I got your zero.

1:08:03.480 --> 1:08:10.360
<v Speaker 3>Yeah, keep we need more text representation on drinks. They've

1:08:10.360 --> 1:08:14.120
<v Speaker 3>been coming to us, but I asked for this, dudo. No, no,

1:08:14.280 --> 1:08:17.519
<v Speaker 3>they've been coming. We appreciate you coming. Bro. Wait you

1:08:17.720 --> 1:08:21.280
<v Speaker 3>getting me on drink champ. They'll be like they're like zero.

1:08:21.800 --> 1:08:22.240
<v Speaker 3>How you like?

1:08:22.320 --> 1:08:22.720
<v Speaker 8>I know?

1:08:23.520 --> 1:08:23.760
<v Speaker 1>Lord?

1:08:23.880 --> 1:08:29.240
<v Speaker 3>Man? No, No, we're good. Yeah, that's what we made.

1:08:29.240 --> 1:08:32.920
<v Speaker 3>It ain't even a month later. We're gonna keep it going.

1:08:33.040 --> 1:08:35.280
<v Speaker 3>That's manifested ship. We're gonna do one with you by

1:08:35.320 --> 1:08:57.439
<v Speaker 3>yourself again. Future shots, shoot shots. We got the artists

1:08:58.600 --> 1:09:02.240
<v Speaker 3>actually shout shadow because you don't like that. That was dope.

1:09:02.280 --> 1:09:08.719
<v Speaker 3>Man it up boozy, Kevin Gates, God damn niggas.

1:09:09.880 --> 1:09:14.400
<v Speaker 7>Yeah, we definitely gonna hold it down for the South Nigga.

1:09:14.400 --> 1:09:18.960
<v Speaker 7>I ain't picking man, he's a picking both niggas. I'm

1:09:19.040 --> 1:09:27.280
<v Speaker 7>glad you're driving man. God nah, I mean that guy.

1:09:30.080 --> 1:09:31.679
<v Speaker 3>I thought you pour it board. I was like cords

1:09:31.720 --> 1:09:37.559
<v Speaker 3>Kid talking nowhere. You can't try real life. You gotta grow.

1:09:37.840 --> 1:09:40.920
<v Speaker 3>I'm talking about the real life as we said both

1:09:42.240 --> 1:09:47.040
<v Speaker 3>where you should go, Oh yeah, okay, cool. Ain't y'all

1:09:47.040 --> 1:09:49.360
<v Speaker 3>want to try some mamauana real quick. You've been drinking everything,

1:09:49.439 --> 1:09:51.000
<v Speaker 3>so you might as well try it. I'll take you.

1:09:52.320 --> 1:09:54.960
<v Speaker 3>I'll take one. Give him Jamie, give him a shout off.

1:09:55.040 --> 1:10:00.639
<v Speaker 3>My wanna who mamajuana is? Dominican? Is the Dominican Ali, Sir.

1:10:00.720 --> 1:10:03.760
<v Speaker 3>I'm gonna be honest. Little Flip is the illest.

1:10:03.560 --> 1:10:07.479
<v Speaker 6>Good drink everything, champ. I feel like if we said, listen, person, boys,

1:10:07.520 --> 1:10:08.480
<v Speaker 6>got a juice.

1:10:08.920 --> 1:10:15.640
<v Speaker 3>You know nothing that I'm no, I'm bigging you up.

1:10:16.040 --> 1:10:19.920
<v Speaker 13>Not enough, don't get more time much it's good, it's

1:10:19.960 --> 1:10:30.720
<v Speaker 13>good much. If it ain't, it's cool, sell.

1:10:27.160 --> 1:10:28.280
<v Speaker 3>Drinking no more? After that?

1:10:30.160 --> 1:10:35.920
<v Speaker 6>Taking in ship he has a chameleonaire.

1:10:37.400 --> 1:10:40.240
<v Speaker 3>Man, I ain't gonna go against my brothers. I ain't

1:10:41.840 --> 1:10:46.120
<v Speaker 3>get I got this shot. You're done. Zero zero is

1:10:46.160 --> 1:10:46.600
<v Speaker 3>catching on?

1:10:46.960 --> 1:10:47.120
<v Speaker 6>Man?

1:10:47.160 --> 1:10:50.760
<v Speaker 3>What zero zero drinks right now? Hold on? Hold on?

1:10:50.960 --> 1:10:55.519
<v Speaker 3>Say uh what you got? You gotta answer because I'm

1:10:55.560 --> 1:11:00.599
<v Speaker 3>I'm taking both. We drank already, go home. I gotta go. Yeah,

1:11:00.640 --> 1:11:03.760
<v Speaker 3>I'm taking move, So you gotta take your shot. Yeah,

1:11:04.000 --> 1:11:07.880
<v Speaker 3>I trying to move to Houston. So yeah, neither one, man,

1:11:08.200 --> 1:11:10.360
<v Speaker 3>I think this is gonna be Yeah, just no.

1:11:12.000 --> 1:11:15.920
<v Speaker 7>Yeah, our brothers when hey, I love the I love

1:11:16.240 --> 1:11:18.960
<v Speaker 7>We ain't going against We ain't going against him.

1:11:19.000 --> 1:11:19.160
<v Speaker 4>Man.

1:11:19.240 --> 1:11:22.840
<v Speaker 6>We were in for unity, bro, we ain't in for division. Absolutely,

1:11:23.360 --> 1:11:28.400
<v Speaker 6>Like really all right, rap at swave house.

1:11:30.800 --> 1:11:34.280
<v Speaker 3>Damn, we got to go back home. I mean we're

1:11:34.280 --> 1:11:37.240
<v Speaker 3>gonna pick rap a lot, but give us stories or something. Man,

1:11:37.680 --> 1:11:39.800
<v Speaker 3>we both, but we're gonna go with. I mean, we

1:11:39.880 --> 1:11:41.559
<v Speaker 3>gotta pick with. It's rap a lot.

1:11:41.680 --> 1:11:44.720
<v Speaker 7>I mean like they showed us to black print to

1:11:45.760 --> 1:11:48.639
<v Speaker 7>how you got to look. Look, let me tell your story.

1:11:50.479 --> 1:11:53.800
<v Speaker 7>I went to fund your middle school. I went to

1:11:53.920 --> 1:11:56.040
<v Speaker 7>middle school with a guy by the name of Cedric

1:11:56.560 --> 1:12:03.439
<v Speaker 7>White too low scarface. Yeah, he was black. He had

1:12:03.479 --> 1:12:05.760
<v Speaker 7>a record with Scarface called a Funky Little Nigga the

1:12:06.080 --> 1:12:08.240
<v Speaker 7>Little Brother on scarface.

1:12:07.760 --> 1:12:10.000
<v Speaker 2>Album, I think it was called The World Is Yours.

1:12:11.479 --> 1:12:14.080
<v Speaker 7>So I was in middle school going to school with

1:12:14.160 --> 1:12:17.200
<v Speaker 7>a guy named Tulo who actually wrapped and had music

1:12:17.320 --> 1:12:22.760
<v Speaker 7>videos with Scarface. So he showed me, like, you can

1:12:22.840 --> 1:12:26.240
<v Speaker 7>be attainable, you can be a kid and make some money.

1:12:26.640 --> 1:12:29.400
<v Speaker 7>You dig what I'm saying. So, yeah, now it's always

1:12:29.479 --> 1:12:31.320
<v Speaker 7>gonna be. We're gonna go with rapper out and we

1:12:31.439 --> 1:12:33.639
<v Speaker 7>got love for swave House. We fucked with a Ball

1:12:33.720 --> 1:12:38.040
<v Speaker 7>and J G. Tler, mister Mike, everybody all that. But yeah,

1:12:38.120 --> 1:12:40.360
<v Speaker 7>now we gotta pick a rapper out on that. Man,

1:12:41.040 --> 1:12:44.040
<v Speaker 7>what you got both of them? I can't do it,

1:12:44.280 --> 1:12:44.800
<v Speaker 7>straight up.

1:12:46.400 --> 1:12:48.360
<v Speaker 5>I can't do it because I'm gonna see I'm gonna

1:12:48.360 --> 1:12:51.920
<v Speaker 5>see Houston's straight up and I'm gonna see Jay Prince

1:12:52.000 --> 1:12:52.800
<v Speaker 5>at the boxing gym.

1:12:53.040 --> 1:12:55.560
<v Speaker 3>Now for sure, got me fucked up. Shout out to

1:12:55.600 --> 1:12:59.000
<v Speaker 3>both of them. Yeah, shout out to both of them. Man, Scarlo,

1:13:00.120 --> 1:13:04.840
<v Speaker 3>cash money or no limit might keep the cover up.

1:13:06.160 --> 1:13:07.519
<v Speaker 3>He said, don't put the cup down.

1:13:08.760 --> 1:13:11.120
<v Speaker 2>I'm gonna go with both. They both brought it to

1:13:11.240 --> 1:13:11.639
<v Speaker 2>the game.

1:13:11.760 --> 1:13:14.599
<v Speaker 3>Man, Like I ain't gonna work with both of them both, y'all.

1:13:15.520 --> 1:13:17.920
<v Speaker 3>I worked with Pee, I did business with P. I didness.

1:13:18.280 --> 1:13:20.760
<v Speaker 7>If you look at the movie Baller Blocking, I'm in

1:13:20.840 --> 1:13:25.200
<v Speaker 7>the movie. It's a scene where it's like a shootout

1:13:25.320 --> 1:13:28.679
<v Speaker 7>or whatever, and like ce Noe and the Body Boys,

1:13:28.720 --> 1:13:29.639
<v Speaker 7>they brought me up there.

1:13:30.320 --> 1:13:34.000
<v Speaker 2>I'm in the movie Baller Blocking, like in the party scene.

1:13:34.479 --> 1:13:37.320
<v Speaker 7>And that was around the same time they had the

1:13:37.400 --> 1:13:40.840
<v Speaker 7>Cash Money and the Rough Riders tour. So we was

1:13:40.920 --> 1:13:44.240
<v Speaker 7>at a cash Money party where they brought our plaques

1:13:44.280 --> 1:13:46.679
<v Speaker 7>and Bentley's and I think it was like slim Birthday

1:13:46.720 --> 1:13:49.960
<v Speaker 7>and they all got like tattoos. And DMX was there,

1:13:50.200 --> 1:13:54.880
<v Speaker 7>Dragon Eve like yeah, so we gotta.

1:13:54.640 --> 1:13:55.120
<v Speaker 3>Go with both.

1:13:55.280 --> 1:13:55.960
<v Speaker 8>And P.

1:13:57.160 --> 1:14:00.680
<v Speaker 3>He spent money with me in book shows and and

1:14:01.479 --> 1:14:02.200
<v Speaker 3>we learned a lot.

1:14:02.360 --> 1:14:05.240
<v Speaker 7>Like Master P was the motherfucker who would drop twenty

1:14:05.320 --> 1:14:06.400
<v Speaker 7>albums in one month.

1:14:07.120 --> 1:14:09.760
<v Speaker 3>Yeah no, he was going crazy. Yeah No, limit was

1:14:09.800 --> 1:14:10.960
<v Speaker 3>wild with the album drops.

1:14:12.160 --> 1:14:20.400
<v Speaker 1>Independent, major label, independent, I love the bigger I'm gonna

1:14:20.400 --> 1:14:26.400
<v Speaker 1>say independent being when a major label gets you in

1:14:26.560 --> 1:14:30.160
<v Speaker 1>like more markets and gets you more exposure, marketing dollars

1:14:30.400 --> 1:14:34.960
<v Speaker 1>put behind you. So it was cool for me to,

1:14:35.479 --> 1:14:37.599
<v Speaker 1>you know, get the fan base and get the radio

1:14:37.760 --> 1:14:41.479
<v Speaker 1>spins and get the contacts and be on TRL and

1:14:41.560 --> 1:14:42.880
<v Speaker 1>the one of US six and parks, you know what

1:14:42.880 --> 1:14:44.960
<v Speaker 1>I mean. But at the end of the day, the

1:14:45.080 --> 1:14:49.280
<v Speaker 1>person who keeps their contexts is the person who eats forever,

1:14:49.920 --> 1:14:51.840
<v Speaker 1>you know what I mean. So being able to drop

1:14:51.920 --> 1:14:53.720
<v Speaker 1>when you won't and don't have to go through this

1:14:53.880 --> 1:14:57.120
<v Speaker 1>system and all that. So I prefer independent over being

1:14:57.200 --> 1:14:59.479
<v Speaker 1>on a major. But I got what I need to

1:14:59.560 --> 1:15:00.400
<v Speaker 1>get from major.

1:15:00.640 --> 1:15:03.599
<v Speaker 6>So when you was on the major, you was already

1:15:03.640 --> 1:15:05.880
<v Speaker 6>thinking independent and grabbing these contacts.

1:15:06.360 --> 1:15:08.720
<v Speaker 2>Yeah, you knew I needed this and I was on

1:15:08.800 --> 1:15:09.599
<v Speaker 2>a major label.

1:15:09.680 --> 1:15:12.320
<v Speaker 7>I never operated like I was on a major label, right,

1:15:12.720 --> 1:15:15.960
<v Speaker 7>Like we still pressed up our own posters.

1:15:15.600 --> 1:15:18.120
<v Speaker 3>Because you had already had that history for yourself, correct, right.

1:15:18.240 --> 1:15:20.679
<v Speaker 7>So we were still just moving like we wanted to move.

1:15:20.960 --> 1:15:24.439
<v Speaker 7>Like it's a contact game. Like if you keep the

1:15:24.560 --> 1:15:27.400
<v Speaker 7>context and you travel and you get the promoter's numbers

1:15:28.000 --> 1:15:29.720
<v Speaker 7>and the artist's phone numbers.

1:15:29.600 --> 1:15:30.720
<v Speaker 3>You go eat forever. Yeah.

1:15:30.760 --> 1:15:33.040
<v Speaker 6>The saying is your network is your net worth. That's

1:15:33.120 --> 1:15:36.760
<v Speaker 6>what they say, right, all right, I think we got

1:15:36.800 --> 1:15:45.639
<v Speaker 6>the last one. Go ahead, Chigo, loyalty or respect lord, respect,

1:15:46.640 --> 1:15:48.599
<v Speaker 6>damn you you drinking. You did that for drinks.

1:15:49.479 --> 1:15:57.880
<v Speaker 1>I mean I did that ship for my life. Yeah,

1:15:57.920 --> 1:16:02.519
<v Speaker 1>I did that for my life. Prefer I prefer both.

1:16:03.920 --> 1:16:05.640
<v Speaker 1>Some people like, oh yeah, I want the law to you.

1:16:06.200 --> 1:16:07.080
<v Speaker 1>That's the best answer to me.

1:16:08.320 --> 1:16:11.640
<v Speaker 7>I won't go because I'm the talk mother. If I

1:16:11.760 --> 1:16:13.560
<v Speaker 7>fuck with you, I'll fuck with you. I ain't go

1:16:14.320 --> 1:16:16.519
<v Speaker 7>half fast fuck with you. Like if I fuck with

1:16:16.640 --> 1:16:17.080
<v Speaker 7>you were.

1:16:16.960 --> 1:16:19.040
<v Speaker 3>Going out a lot. You know what I mean? I don't.

1:16:19.600 --> 1:16:20.240
<v Speaker 2>I don't do the.

1:16:20.320 --> 1:16:24.680
<v Speaker 3>Half fast ship. So yeah, I need both. What about you?

1:16:26.640 --> 1:16:30.639
<v Speaker 2>Both of them? Damn, that means we gotta take a shot.

1:16:33.920 --> 1:16:38.360
<v Speaker 3>It's shot a clock. Hold on, that's bro.

1:16:40.240 --> 1:16:43.280
<v Speaker 6>Let me ask y'all coming from the mixtape game, right,

1:16:43.920 --> 1:16:45.200
<v Speaker 6>I mean I come from the mixtape game.

1:16:45.200 --> 1:16:46.000
<v Speaker 3>I know, I know.

1:16:46.080 --> 1:16:48.479
<v Speaker 6>I'm both of y'all come from the mixtape game when

1:16:48.560 --> 1:16:53.320
<v Speaker 6>it was analogue, Right, This is how I feel like

1:16:53.439 --> 1:16:59.080
<v Speaker 6>independent works out the trunk worked Texas to Bay Miami

1:16:59.280 --> 1:17:03.040
<v Speaker 6>like the South. Really is how we we were able

1:17:03.080 --> 1:17:06.640
<v Speaker 6>to like sustain ourselves make selling music. You know, how

1:17:06.720 --> 1:17:09.800
<v Speaker 6>does that translate now in the digital world? Like what's

1:17:09.840 --> 1:17:13.240
<v Speaker 6>the difference for y'all right now from that era with

1:17:13.400 --> 1:17:16.120
<v Speaker 6>screwed mixtape? DJ screw mixtapes, So now, like how does

1:17:16.200 --> 1:17:17.040
<v Speaker 6>that translate?

1:17:20.600 --> 1:17:24.960
<v Speaker 7>Yeah, it was more money back then, like selling hard

1:17:25.040 --> 1:17:31.840
<v Speaker 7>copies or whatever, but working and staying a part of

1:17:31.880 --> 1:17:37.640
<v Speaker 7>your craft and like not budgeting on your price, you know,

1:17:37.840 --> 1:17:42.600
<v Speaker 7>keeping your mistique, like whatever your formula is. Like ro

1:17:42.840 --> 1:17:45.760
<v Speaker 7>got his own formula what he does, what works for him.

1:17:46.360 --> 1:17:48.640
<v Speaker 7>I got my own formula what works for me. So

1:17:49.400 --> 1:17:52.280
<v Speaker 7>I just look at it like we have some Yin

1:17:52.400 --> 1:17:56.240
<v Speaker 7>and yang shit. We don't think the same all the time,

1:17:56.360 --> 1:17:58.720
<v Speaker 7>but we think the same like ninety eight percent of

1:17:58.840 --> 1:18:04.240
<v Speaker 7>the time. So we just do what our fans love

1:18:04.360 --> 1:18:07.920
<v Speaker 7>from other, like like the ship that his fans love

1:18:08.000 --> 1:18:08.360
<v Speaker 7>from him.

1:18:09.280 --> 1:18:12.439
<v Speaker 3>He does what he do and I do the same things.

1:18:12.600 --> 1:18:15.479
<v Speaker 7>So it's just about not compromising who you are as

1:18:15.560 --> 1:18:17.479
<v Speaker 7>a person and it's just really working.

1:18:17.920 --> 1:18:20.440
<v Speaker 6>But we'll see adjust of the change or like monetary,

1:18:20.880 --> 1:18:23.519
<v Speaker 6>like before you could literally sell it out the trunk.

1:18:24.520 --> 1:18:28.240
<v Speaker 6>So these mixtapes, you can go platinum as a mixtape artist.

1:18:29.120 --> 1:18:31.320
<v Speaker 6>That's different now because it's streaming. So how does that

1:18:31.680 --> 1:18:33.720
<v Speaker 6>how what's how did you adjust to that? Like how

1:18:33.840 --> 1:18:37.760
<v Speaker 6>y'all just in a market like Texas where that was big,

1:18:39.280 --> 1:18:40.160
<v Speaker 6>we got a core for.

1:18:40.200 --> 1:18:42.640
<v Speaker 3>All of him. Does it go to shows me now

1:18:42.800 --> 1:18:46.080
<v Speaker 3>more than anything. If you go to Facebook, he got

1:18:46.200 --> 1:18:49.360
<v Speaker 3>a thing called row Heads. Shout out to the row Heads.

1:18:49.560 --> 1:18:52.360
<v Speaker 3>Oh that's the fans, right, that's what they. I can't

1:18:52.439 --> 1:18:54.920
<v Speaker 3>call him. No, I don't like going to fans. Fans.

1:18:55.800 --> 1:18:56.160
<v Speaker 3>I get that.

1:18:57.000 --> 1:19:00.320
<v Speaker 7>And then I got fhlip Nation And we just feed

1:19:00.400 --> 1:19:03.720
<v Speaker 7>our people. They just believe in what we do. Bro Like,

1:19:04.960 --> 1:19:06.640
<v Speaker 7>we just do what we do at the pace we

1:19:06.760 --> 1:19:07.000
<v Speaker 7>want to.

1:19:08.880 --> 1:19:09.800
<v Speaker 3>Yeah. We we just.

1:19:10.800 --> 1:19:15.519
<v Speaker 7>Unapologetically we be us. We don't have to change who

1:19:15.560 --> 1:19:18.560
<v Speaker 7>we are. They love us for who we are. We

1:19:18.800 --> 1:19:20.720
<v Speaker 7>drive when we want to drive, we move when we

1:19:20.880 --> 1:19:22.960
<v Speaker 7>want to move, and they appreciate it.

1:19:26.720 --> 1:19:32.160
<v Speaker 3>Well worthy, well worthy, Thank you for coming through. Follows

1:19:34.800 --> 1:19:37.240
<v Speaker 3>Hang to the South two is how right now? Get that?

1:19:37.840 --> 1:19:40.360
<v Speaker 7>Get his album Comedy Road Through, Comedy Road to you,

1:19:40.520 --> 1:19:42.639
<v Speaker 7>you know, shout out to you, Tom Bingo, shout out

1:19:42.640 --> 1:19:45.800
<v Speaker 7>to up Above Entertainment. And we work and thank y'all

1:19:45.840 --> 1:19:49.160
<v Speaker 7>for having us. Thank you coming through. Hey, we the

1:19:49.240 --> 1:19:49.880
<v Speaker 7>drink Champs.

1:19:55.920 --> 1:19:56.439
<v Speaker 3>We are here.

1:19:57.280 --> 1:20:00.960
<v Speaker 7>Timothy lens Man looking out. We shoot the video to Miami.

1:20:01.360 --> 1:20:03.479
<v Speaker 7>We need you in that video. We just need to answer,

1:20:05.360 --> 1:20:06.639
<v Speaker 7>We just need to answer from.

1:20:06.520 --> 1:20:14.040
<v Speaker 3>You already already you know what I'm saying, and my

1:20:20.680 --> 1:20:24.559
<v Speaker 3>mom got you man now much love man, drink Champs.

1:20:32.400 --> 1:20:35.719
<v Speaker 6>Drink Champs is a Drink Champs ll C production hosts

1:20:35.800 --> 1:20:38.600
<v Speaker 6>and executive producers n O r E and d j

1:20:38.840 --> 1:20:39.360
<v Speaker 6>e f f N.

1:20:40.520 --> 1:20:41.360
<v Speaker 3>Listen to Drink.

1:20:41.240 --> 1:20:45.519
<v Speaker 6>Champs on Apple Podcast, Amazon Music, Spotify, or wherever you

1:20:45.640 --> 1:20:49.439
<v Speaker 6>get your podcasts. Thanks for joining us for another episode

1:20:49.439 --> 1:20:51.840
<v Speaker 6>of drink Champs, hosted by yours truly, d j e

1:20:52.040 --> 1:20:54.280
<v Speaker 6>f N and n O r E. Please make sure

1:20:54.320 --> 1:20:56.599
<v Speaker 6>to follow us on all our socials That's at drink

1:20:56.680 --> 1:20:59.320
<v Speaker 6>Champs across all platforms, at the Real No.

1:20:59.600 --> 1:21:02.120
<v Speaker 3>Gun i at Noriega on Twitter

1:21:02.520 --> 1:21:05.920
<v Speaker 6>Mineus at Who's Crazy on I g at dj e

1:21:06.120 --> 1:21:08.439
<v Speaker 6>f N on Twitter, and most importantly, stay up to

1:21:08.520 --> 1:21:11.840
<v Speaker 6>date with the latest releases, news and merch by going

1:21:11.880 --> 1:21:13.360
<v Speaker 6>to drink champs dot com