1
00:00:11,800 --> 00:00:13,760
Speaker 1: He is drinks chess, motherfucking podcast man.

2
00:00:14,960 --> 00:00:16,919
Speaker 2: He's a legendary queens rapper.

3
00:00:17,079 --> 00:00:18,800
Speaker 3: He ain't agreed as your boy in O R E.

4
00:00:18,920 --> 00:00:21,759
Speaker 3: He's a Miami hip hop pioneer. Put up its d

5
00:00:21,920 --> 00:00:24,239
Speaker 3: J E f N together they drink it up with

6
00:00:24,360 --> 00:00:26,239
Speaker 3: some of the biggest players, you know what I mean.

7
00:00:26,320 --> 00:00:30,640
Speaker 1: And the most professional unprofessional podcast and your number one

8
00:00:30,680 --> 00:00:32,240
Speaker 1: source for drunk drink.

9
00:00:32,159 --> 00:00:36,880
Speaker 3: Chan Squavery Days New Year's that's it's time for drink champions.

10
00:00:37,200 --> 00:00:44,360
Speaker 3: Drink up, motherfuck mother? Would it gonna be? How many

11
00:00:44,360 --> 00:00:46,400
Speaker 3: sinister me? Is your boy in O R What up

12
00:00:46,479 --> 00:00:47,400
Speaker 3: his dj E f N?

13
00:00:47,520 --> 00:00:50,920
Speaker 1: That's Minna taiper Chrasty World Podcast drink tests the.

14
00:00:56,000 --> 00:00:56,240
Speaker 2: Listen.

15
00:00:56,320 --> 00:00:58,200
Speaker 1: Man, I don't know if I'm gonna drink lean tonight.

16
00:00:58,280 --> 00:01:01,400
Speaker 1: You know what I'm saying, because it looks like it little.

17
00:01:01,440 --> 00:01:03,080
Speaker 1: I'm gonna ask for something, man at some point, you

18
00:01:03,160 --> 00:01:03,560
Speaker 1: know what I mean?

19
00:01:07,480 --> 00:01:12,520
Speaker 3: Yo, my homie, I can't call him a little.

20
00:01:12,319 --> 00:01:13,880
Speaker 1: Flip because he's been a man for a long time,

21
00:01:13,959 --> 00:01:15,120
Speaker 1: so he's a big flip.

22
00:01:16,400 --> 00:01:18,400
Speaker 3: Uh. This zero my first time meeting you.

23
00:01:19,280 --> 00:01:19,400
Speaker 4: Uh.

24
00:01:20,760 --> 00:01:25,000
Speaker 1: I listened to your album. The album is classic, classic floor.

25
00:01:25,280 --> 00:01:25,960
Speaker 1: It's a classic.

26
00:01:26,840 --> 00:01:28,000
Speaker 3: It's I can't.

27
00:01:27,800 --> 00:01:30,640
Speaker 1: Believe how good y'all sound together because y'all sound so

28
00:01:30,720 --> 00:01:34,160
Speaker 1: good separately, and the fact that y'all got together and

29
00:01:34,280 --> 00:01:35,319
Speaker 1: y'all sound so good.

30
00:01:35,640 --> 00:01:37,800
Speaker 3: So today we're gonna give y'all y'all flowers.

31
00:01:38,000 --> 00:01:40,360
Speaker 1: We're gonna make sure that y'all understand how much hip

32
00:01:40,400 --> 00:01:43,600
Speaker 1: hop enjoys loves y'all, and we're gonna give.

33
00:01:43,560 --> 00:01:51,640
Speaker 3: Y'all your motherfucking flowers off top you just now, little flip.

34
00:01:53,000 --> 00:02:00,680
Speaker 1: Let's Yeah, you've been on a couple of times, but

35
00:02:00,800 --> 00:02:06,760
Speaker 1: we wasn't giving up the problem. Yeah, yeah, yeah, So

36
00:02:09,200 --> 00:02:13,080
Speaker 1: both of y'all, both of y'all. Man, Uh, y'all from

37
00:02:13,120 --> 00:02:16,519
Speaker 1: a very rich history, right. A lot of people don't

38
00:02:16,639 --> 00:02:22,560
Speaker 1: understand how rich Houston is is in history right.

39
00:02:23,320 --> 00:02:26,080
Speaker 3: From the ghetto boys. So I just want to.

40
00:02:27,600 --> 00:02:29,919
Speaker 1: Take it from the beginning and ask y'all how was

41
00:02:30,000 --> 00:02:33,600
Speaker 1: it growing up in that that that environment in.

42
00:02:33,639 --> 00:02:42,560
Speaker 3: The beginning, There you go, Ruther, pressure, the pressure was on. Okay,

43
00:02:42,919 --> 00:02:43,600
Speaker 3: the pressure was on.

44
00:02:45,160 --> 00:02:47,200
Speaker 1: Now describe that When you say the pressure is on,

45
00:02:47,480 --> 00:02:53,840
Speaker 1: are you saying because of your your peers or from

46
00:02:53,880 --> 00:02:57,119
Speaker 1: the outsiders like the New Yorkers and the Miami people.

47
00:02:57,040 --> 00:03:00,839
Speaker 5: Were like really really from everybody because we were trying

48
00:03:00,840 --> 00:03:04,120
Speaker 5: to feel like shoes, trying to feel their shoes. We're

49
00:03:04,160 --> 00:03:06,040
Speaker 5: trying to we're trying to walk in their shoes. Okay,

50
00:03:06,240 --> 00:03:09,840
Speaker 5: So when that started, we was rapping already. So it's

51
00:03:09,919 --> 00:03:12,200
Speaker 5: kind of like we was better than everybody else. I

52
00:03:12,240 --> 00:03:14,760
Speaker 5: think we got the big homies and it's like we're

53
00:03:14,800 --> 00:03:16,960
Speaker 5: trying to get I ain't gonna say better than them,

54
00:03:17,040 --> 00:03:18,760
Speaker 5: but you know, we got to at least be what

55
00:03:18,919 --> 00:03:21,440
Speaker 5: they can know, be in the room. Yeah, So that's

56
00:03:21,560 --> 00:03:23,240
Speaker 5: that's why, I mean, the prencire was on for at

57
00:03:23,320 --> 00:03:23,760
Speaker 5: least for me.

58
00:03:24,160 --> 00:03:30,079
Speaker 1: Right, So let me ask, right, whatever a person say, Houston,

59
00:03:30,200 --> 00:03:33,760
Speaker 1: they say, they say Texas, they say, even Dallas sometimes

60
00:03:34,560 --> 00:03:36,200
Speaker 1: they always mentioned J Prince.

61
00:03:37,960 --> 00:03:39,680
Speaker 3: Is that something that y'all have to.

62
00:03:39,800 --> 00:03:42,440
Speaker 6: Go through or is that something that there's a bunch

63
00:03:42,440 --> 00:03:43,560
Speaker 6: of labels out of Texas though?

64
00:03:43,600 --> 00:03:47,600
Speaker 1: I mean, but one of the most powerful labels though.

65
00:03:48,280 --> 00:03:51,480
Speaker 1: What we talk about rap a low House, switch House, Okay,

66
00:03:51,920 --> 00:03:53,800
Speaker 1: screwed up records, screwed up records, but.

67
00:03:53,920 --> 00:03:57,680
Speaker 6: The most the most and going back as far as

68
00:03:58,480 --> 00:04:00,640
Speaker 6: one of the original indies in hip ho It's like.

69
00:04:00,800 --> 00:04:03,840
Speaker 1: It's like us from being in New York Death Cham

70
00:04:04,320 --> 00:04:04,920
Speaker 1: like death Cham.

71
00:04:05,520 --> 00:04:07,760
Speaker 3: We got loop records? Okay, yeah, did you go a

72
00:04:07,800 --> 00:04:08,480
Speaker 3: perfect sample?

73
00:04:08,840 --> 00:04:11,560
Speaker 1: Was that something that you have to deal with or

74
00:04:12,560 --> 00:04:15,000
Speaker 1: it's something that never really popped up for y'all.

75
00:04:15,360 --> 00:04:18,760
Speaker 7: It's just something that when you got respect and you

76
00:04:18,920 --> 00:04:21,440
Speaker 7: got talent and you stand on your word, you know,

77
00:04:22,000 --> 00:04:25,680
Speaker 7: you get treated as such. So the things that Jay

78
00:04:25,760 --> 00:04:29,640
Speaker 7: Prince did and building for Houston and the Ghetto Boys

79
00:04:29,720 --> 00:04:32,760
Speaker 7: and the different things that the foundations they laid down,

80
00:04:33,279 --> 00:04:36,320
Speaker 7: they gave us the blueprint, the black print on how

81
00:04:36,360 --> 00:04:38,920
Speaker 7: to be independent. It said, a black print because we're blessed.

82
00:04:42,400 --> 00:04:47,120
Speaker 7: And so they showed us you could be independent. They

83
00:04:47,160 --> 00:04:49,240
Speaker 7: showed us you could put your logo on your pendent.

84
00:04:49,680 --> 00:04:52,760
Speaker 7: So we learned a lot about marketing and you know,

85
00:04:53,000 --> 00:04:55,800
Speaker 7: showing up to the shows deep. So you know that's

86
00:04:55,880 --> 00:04:58,920
Speaker 7: faan and we go always show love to them and

87
00:04:59,560 --> 00:05:00,880
Speaker 7: it's never go change.

88
00:05:00,960 --> 00:05:01,159
Speaker 6: Man.

89
00:05:01,680 --> 00:05:05,320
Speaker 1: You know that that was a beautiful. It's sticking for

90
00:05:05,440 --> 00:05:09,920
Speaker 1: me being a New Yorker watching the rise of Houston, right,

91
00:05:10,920 --> 00:05:14,960
Speaker 1: was y'all was actually independent for sure, Like how people

92
00:05:15,040 --> 00:05:18,640
Speaker 1: were saying they were independent, Texas had distribution.

93
00:05:20,200 --> 00:05:24,280
Speaker 3: Houston was really out the trunk for sure. Like I

94
00:05:24,400 --> 00:05:28,479
Speaker 3: always loved that's the area in Texas for sure.

95
00:05:28,520 --> 00:05:31,480
Speaker 2: And I'm still out the trunk right, yeah, dumb.

96
00:05:31,360 --> 00:05:35,480
Speaker 7: Drive, CDs, T shirts, merch. I still hustle like I

97
00:05:35,520 --> 00:05:37,840
Speaker 7: ain't got nothing Like that's the way you keep it.

98
00:05:38,279 --> 00:05:39,960
Speaker 3: Shot to that, Let's take it.

99
00:05:40,279 --> 00:05:54,200
Speaker 1: Let's you can take sockey athleet.

100
00:05:50,520 --> 00:05:51,480
Speaker 3: So let's let's let's.

101
00:05:51,360 --> 00:05:53,680
Speaker 1: Break down that because that's something I'm always a fan of.

102
00:05:53,800 --> 00:05:58,760
Speaker 1: I'm sorry, I'm a fan of Houston culture.

103
00:05:59,000 --> 00:05:59,479
Speaker 3: I feel like.

104
00:06:02,000 --> 00:06:05,200
Speaker 1: I feel like Houston doesn't have to promote outside of Houston.

105
00:06:08,200 --> 00:06:11,000
Speaker 7: I mean a little bit, you know, a little bit.

106
00:06:11,240 --> 00:06:14,600
Speaker 7: But it's just like when you got your core fan base.

107
00:06:15,600 --> 00:06:18,719
Speaker 7: Like see a lot of people, like when they try

108
00:06:18,800 --> 00:06:23,080
Speaker 7: to talk about my career span, a lot of people

109
00:06:23,120 --> 00:06:26,520
Speaker 7: they just started two thousand and one when I got

110
00:06:26,920 --> 00:06:30,120
Speaker 7: the did Yeah, this is the way we bob. For

111
00:06:30,200 --> 00:06:34,920
Speaker 7: some it was records now that allowed Steve Rifkins shout

112
00:06:34,960 --> 00:06:39,280
Speaker 7: out to Steve Rifkins, so right, okay, But prior to

113
00:06:39,440 --> 00:06:41,800
Speaker 7: this is the way we bob, I got diamonds in

114
00:06:41,839 --> 00:06:43,279
Speaker 7: your face, I got records.

115
00:06:43,520 --> 00:06:43,599
Speaker 4: Uh.

116
00:06:44,040 --> 00:06:46,000
Speaker 7: Latroit was the first person to put me on BT.

117
00:06:46,160 --> 00:06:48,400
Speaker 7: We had a record cole Leen to the Left Wow.

118
00:06:49,680 --> 00:06:52,280
Speaker 3: On mixtape. Yeah, No, we really did that. We really

119
00:06:52,320 --> 00:06:52,600
Speaker 3: did that.

120
00:06:52,839 --> 00:06:55,320
Speaker 7: And so I got classic records with Big T in

121
00:06:55,400 --> 00:06:57,600
Speaker 7: the house tonight, he got Most City done, he got

122
00:06:58,080 --> 00:07:01,920
Speaker 7: we got different records that we go tour off of

123
00:07:02,400 --> 00:07:04,680
Speaker 7: that are big before the mainstream.

124
00:07:05,160 --> 00:07:08,680
Speaker 2: So my catalog, I have a classic catalog.

125
00:07:08,360 --> 00:07:12,280
Speaker 7: Before the major Yeah that people sing word for word

126
00:07:12,600 --> 00:07:15,200
Speaker 7: and zero the same way like so our career.

127
00:07:15,400 --> 00:07:19,360
Speaker 3: Man, it's some real historic ship. Oh yeah, let's make

128
00:07:19,400 --> 00:07:25,440
Speaker 3: some noise. From the beginning we started this ship.

129
00:07:25,400 --> 00:07:29,120
Speaker 1: They were like, you better get zero, like they Yeah,

130
00:07:29,120 --> 00:07:33,080
Speaker 1: you have been fan requests. Yo, Listen, your fans are very, very,

131
00:07:33,280 --> 00:07:42,239
Speaker 1: very relentless. From the beginning, they thought we were dropping

132
00:07:42,280 --> 00:07:46,560
Speaker 1: the ball by not having you on. So let's let's

133
00:07:46,600 --> 00:07:50,720
Speaker 1: let's talk about your fan base for a second. How

134
00:07:50,760 --> 00:07:51,600
Speaker 1: did you develop that.

135
00:07:53,800 --> 00:07:54,000
Speaker 3: Man?

136
00:07:54,560 --> 00:07:58,120
Speaker 5: Targeting to people who didn't have ship? Okay, talking to

137
00:07:58,160 --> 00:08:01,280
Speaker 5: people didn't have a shop that I take the shot

138
00:08:01,360 --> 00:08:03,640
Speaker 5: for that too, people that for real, for real, because

139
00:08:03,680 --> 00:08:06,280
Speaker 5: that could motivate you because I was the people that

140
00:08:06,360 --> 00:08:12,040
Speaker 5: didn't have shit. So right when I met Phlip, they

141
00:08:12,120 --> 00:08:14,760
Speaker 5: was kind of like trying to press us against each other,

142
00:08:15,000 --> 00:08:16,360
Speaker 5: you know what I'm saying. Yeah, it was kind of

143
00:08:16,440 --> 00:08:19,800
Speaker 5: like I guess the two. I don't want to just

144
00:08:19,920 --> 00:08:23,320
Speaker 5: pull everybody else up under us and say like get

145
00:08:23,440 --> 00:08:26,160
Speaker 5: up here. But it kind of was like that a

146
00:08:26,160 --> 00:08:28,920
Speaker 5: little bit. So when I met him, they was like,

147
00:08:29,000 --> 00:08:31,239
Speaker 5: I got fifty thousand on row, I got fifty thousand

148
00:08:31,280 --> 00:08:33,280
Speaker 5: on floor. Trying to make this. They was trying to

149
00:08:33,320 --> 00:08:35,199
Speaker 5: make us back. They were trying to make us freestyle

150
00:08:35,240 --> 00:08:37,679
Speaker 5: against each other and all that shit. So it was

151
00:08:37,800 --> 00:08:41,160
Speaker 5: just I don't know, man, my uh. I didn't have nothing,

152
00:08:41,520 --> 00:08:43,320
Speaker 5: so I didn't want to get on no song talking

153
00:08:43,360 --> 00:08:46,360
Speaker 5: about I'm in this foreign or I'm in this dope

154
00:08:46,400 --> 00:08:49,679
Speaker 5: ass high ride. I was sleeping outside, so I was

155
00:08:49,760 --> 00:08:52,280
Speaker 5: doing music for the niggas who was sleeping outside, for

156
00:08:52,320 --> 00:08:54,439
Speaker 5: the niggas who wanted to come inside, you know, for

157
00:08:54,480 --> 00:08:58,360
Speaker 5: the niggas who was hungry, like your back growling, now

158
00:08:58,400 --> 00:09:01,839
Speaker 5: you pass your stomach. So those people heard that and

159
00:09:01,920 --> 00:09:05,000
Speaker 5: they and it resonated, and before I knew it, she

160
00:09:05,880 --> 00:09:08,320
Speaker 5: I wouldn't pull no more, you know what I'm saying,

161
00:09:08,400 --> 00:09:09,920
Speaker 5: and shout out to the road.

162
00:09:10,120 --> 00:09:15,480
Speaker 3: Yes, they brought me inside all the way to the

163
00:09:15,520 --> 00:09:16,000
Speaker 3: town floor.

164
00:09:16,240 --> 00:09:20,920
Speaker 1: So I watched the documentary the other day about Katrina

165
00:09:23,000 --> 00:09:27,160
Speaker 1: and one thing that I realized that Katrina affected you

166
00:09:27,320 --> 00:09:28,760
Speaker 1: guys was most of the.

167
00:09:28,800 --> 00:09:29,280
Speaker 3: People that.

168
00:09:31,240 --> 00:09:35,600
Speaker 6: Was was what people they had, the refugees of New Orleans,

169
00:09:35,679 --> 00:09:38,000
Speaker 6: they came to they they came today.

170
00:09:38,880 --> 00:09:41,800
Speaker 3: So can y'all describe that time for me?

171
00:09:42,640 --> 00:09:49,840
Speaker 1: Because all right, we had nine to eleven right New York.

172
00:09:49,920 --> 00:09:55,319
Speaker 1: When New Yorkers left, New Orleans had Katrina. But Katrina

173
00:09:55,559 --> 00:10:00,240
Speaker 1: went and they visited Houston. I didn't realize how much

174
00:10:00,360 --> 00:10:02,959
Speaker 1: it might have affected the Houston economy. Did that help

175
00:10:03,040 --> 00:10:04,920
Speaker 1: the Houston economy or did it bring it down?

176
00:10:05,559 --> 00:10:06,640
Speaker 3: I felt like it helped.

177
00:10:06,720 --> 00:10:10,400
Speaker 7: I mean, there's more people at the shows, and we

178
00:10:10,520 --> 00:10:12,120
Speaker 7: got a lot of Louisa fans.

179
00:10:12,400 --> 00:10:14,920
Speaker 3: Like even September eleven.

180
00:10:14,960 --> 00:10:17,000
Speaker 7: I was supposed to be in New York on September eleven,

181
00:10:17,040 --> 00:10:19,319
Speaker 7: but at the last minute I changed my mind. I

182
00:10:19,320 --> 00:10:21,240
Speaker 7: was supposed to go talk to some labels, and then

183
00:10:21,520 --> 00:10:27,000
Speaker 7: that happened, like when Katrina happened. The day before Katrina hit,

184
00:10:28,080 --> 00:10:30,000
Speaker 7: I flew to New Orleans to do a meet and

185
00:10:30,040 --> 00:10:32,000
Speaker 7: greet and I think I was in the yeah, the space.

186
00:10:32,120 --> 00:10:33,800
Speaker 7: So you were in New Orleans the day the day

187
00:10:33,840 --> 00:10:36,440
Speaker 7: before I flew. It was a company, a phone company

188
00:10:36,480 --> 00:10:39,280
Speaker 7: called all Tail. What had gave me like fifty thousand

189
00:10:39,280 --> 00:10:42,080
Speaker 7: dollars to do like two songs, and when it did

190
00:10:42,120 --> 00:10:43,640
Speaker 7: a meet and greet they were saying it wasn't gonna

191
00:10:43,640 --> 00:10:44,440
Speaker 7: be that bad the story, right.

192
00:10:45,080 --> 00:10:46,959
Speaker 2: So as I'm flying in, I didn't really know what

193
00:10:47,160 --> 00:10:47,520
Speaker 2: was going on.

194
00:10:47,640 --> 00:10:49,760
Speaker 7: I'm like, why everybody at the gas stations right, and

195
00:10:49,800 --> 00:10:52,160
Speaker 7: they're like why, it's the storm coming. I'm like, I'm

196
00:10:52,200 --> 00:10:54,800
Speaker 7: like shit. So we're flying over. We do the meet

197
00:10:54,840 --> 00:10:57,079
Speaker 7: and greed at the super Dome. At that time, I

198
00:10:57,200 --> 00:10:59,360
Speaker 7: was doing business with Squad Up Shout Out the you know,

199
00:10:59,480 --> 00:11:02,160
Speaker 7: squad Up Utther gut to everybody and Gut To Gut

200
00:11:02,160 --> 00:11:06,040
Speaker 7: are still my family. So they came. They was like, yeah, man,

201
00:11:06,280 --> 00:11:08,400
Speaker 7: we go ride this hit out, you know, And then

202
00:11:08,960 --> 00:11:10,920
Speaker 7: we did the meet and greeting. I got on the jet,

203
00:11:11,120 --> 00:11:13,040
Speaker 7: we flew in on the jet, flew back to Houston.

204
00:11:13,080 --> 00:11:15,120
Speaker 7: The next day it hit and we couldn't get in

205
00:11:15,160 --> 00:11:17,360
Speaker 7: touch with nobody. We couldn't get in touch with Gut

206
00:11:17,440 --> 00:11:20,640
Speaker 7: or nobody, and they just ended up in Houston. They're like, man,

207
00:11:20,679 --> 00:11:24,160
Speaker 7: we in age town and you know. So a lot

208
00:11:24,240 --> 00:11:28,160
Speaker 7: of the little flipping squad of music right was made

209
00:11:28,240 --> 00:11:29,320
Speaker 7: during the contrin of time.

210
00:11:29,480 --> 00:11:34,360
Speaker 1: Oh yeah, because I didn't realize. I always knew, like

211
00:11:34,880 --> 00:11:38,959
Speaker 1: New Orleans and Houston is a lot of my neighbors.

212
00:11:39,559 --> 00:11:41,640
Speaker 1: When I moved to Miami, a lot of my neighbors

213
00:11:41,920 --> 00:11:48,240
Speaker 1: would drive to New Orleans and would drive to Houston.

214
00:11:48,320 --> 00:11:50,600
Speaker 1: I'm like, who the fuck drives to Houston from Miami

215
00:11:52,800 --> 00:11:55,520
Speaker 1: And I didn't realize it's only like thirteen hours away, right,

216
00:11:56,679 --> 00:12:00,480
Speaker 1: But a lot of them resided during this time I'm there,

217
00:12:00,760 --> 00:12:03,440
Speaker 1: and I didn't realize how close it was and how

218
00:12:03,520 --> 00:12:08,120
Speaker 1: much that you guys got affected. So what's like when

219
00:12:08,160 --> 00:12:12,120
Speaker 1: you when you hear different wards, what's the difference from

220
00:12:12,160 --> 00:12:14,760
Speaker 1: the from the awards when you when you describe it's

221
00:12:14,800 --> 00:12:21,040
Speaker 1: like fifth Ward because that's where uh uh get ghetto

222
00:12:21,080 --> 00:12:21,960
Speaker 1: boys is from, right there?

223
00:12:21,960 --> 00:12:25,160
Speaker 3: From fifth Ward? Well, some of them in New Orleans

224
00:12:25,200 --> 00:12:27,600
Speaker 3: got awards too, Yeah, So what's.

225
00:12:27,480 --> 00:12:30,480
Speaker 1: The difference from the awards in Houston and awards in

226
00:12:31,160 --> 00:12:32,559
Speaker 1: New Orleans? If you can.

227
00:12:34,040 --> 00:12:36,800
Speaker 7: I mean, people got their own slang in the different

228
00:12:36,840 --> 00:12:40,319
Speaker 7: ways they hustle, but it's similar, you know, it's similar

229
00:12:41,080 --> 00:12:43,560
Speaker 7: just people trying to get their money, you know, hustling.

230
00:12:43,679 --> 00:12:46,959
Speaker 7: You know, we got third Ward, second World, fifth Ward,

231
00:12:47,200 --> 00:12:53,719
Speaker 7: you know fourth Yeah, but it's different hood, same ship man.

232
00:12:53,880 --> 00:12:57,160
Speaker 7: People trying to get their money and people hustling different

233
00:12:57,240 --> 00:12:59,800
Speaker 7: things right, and only the strong survived.

234
00:13:00,040 --> 00:13:04,800
Speaker 1: I'm taking a shot for that. God, let's go solo.

235
00:13:08,440 --> 00:13:15,280
Speaker 1: A little flood flip, big flip it is. I feel

236
00:13:15,320 --> 00:13:18,959
Speaker 1: like I knew you for quite some time, and I

237
00:13:19,040 --> 00:13:24,440
Speaker 1: feel like the most success you got you never let

238
00:13:24,520 --> 00:13:27,360
Speaker 1: the shit get to your head. That's something I admire

239
00:13:27,400 --> 00:13:31,479
Speaker 1: about you, right like you always spent a solid.

240
00:13:31,240 --> 00:13:33,559
Speaker 3: Dude, you know why. I don't know why.

241
00:13:33,760 --> 00:13:38,199
Speaker 7: The reason is okay, when you used to attention, you

242
00:13:38,280 --> 00:13:40,559
Speaker 7: don't have to go at your way to get it right.

243
00:13:40,920 --> 00:13:44,080
Speaker 7: So I grew up doing talent shows. I grew up

244
00:13:44,280 --> 00:13:46,240
Speaker 7: my grandmother had a beauty shop, So I grew up

245
00:13:47,160 --> 00:13:50,440
Speaker 7: being around nothing but women, right like I had men,

246
00:13:50,880 --> 00:13:53,160
Speaker 7: you know, father figures in my life. But I'm saying

247
00:13:53,760 --> 00:13:56,719
Speaker 7: so they like me for me. So I always was

248
00:13:56,880 --> 00:13:59,600
Speaker 7: just being me. I ain't never have to be.

249
00:13:59,720 --> 00:14:03,440
Speaker 3: Nothing different to get attention. So when you being yourself, ship,

250
00:14:03,520 --> 00:14:04,120
Speaker 3: it ain't odd.

251
00:14:04,200 --> 00:14:06,120
Speaker 7: I ain't and I ain't. I don't love money, you

252
00:14:06,160 --> 00:14:08,640
Speaker 7: know what I mean? I feel God money like you,

253
00:14:09,200 --> 00:14:13,320
Speaker 7: I don't know, I don't know, but it's attracted to me.

254
00:14:15,120 --> 00:14:15,400
Speaker 8: Love me.

255
00:14:18,880 --> 00:14:23,320
Speaker 2: Yeah, I don't know, it stays coming, you know, like literally,

256
00:14:23,920 --> 00:14:25,480
Speaker 2: so you know, I just I just stayed me.

257
00:14:25,560 --> 00:14:25,640
Speaker 3: Bro.

258
00:14:25,680 --> 00:14:28,000
Speaker 7: I ain't gonna never let the money to fame what

259
00:14:28,160 --> 00:14:31,320
Speaker 7: I got dictate, you know, make me feel like I'm

260
00:14:31,360 --> 00:14:34,840
Speaker 7: better than you because I got this, you know ship,

261
00:14:35,120 --> 00:14:37,280
Speaker 7: one bad deal, it could all be gone, it can

262
00:14:37,320 --> 00:14:39,640
Speaker 7: all be yeah, so I just stay humble.

263
00:14:39,440 --> 00:14:41,840
Speaker 3: With this ship. But I know who I am. Yeah.

264
00:14:42,080 --> 00:14:46,560
Speaker 1: Yeah, so so zero, let me ask you this is

265
00:14:46,680 --> 00:14:52,080
Speaker 1: this is a tough motherfucking game. A lot a lot

266
00:14:52,120 --> 00:14:55,000
Speaker 1: of us full, a lot of us full during this game.

267
00:14:55,160 --> 00:14:57,320
Speaker 1: And what makes you stay so solid?

268
00:14:58,320 --> 00:15:08,000
Speaker 3: The rent? The rent I wasn't be ready. That don't

269
00:15:08,040 --> 00:15:11,040
Speaker 3: inspire you to say so. I mean.

270
00:15:12,760 --> 00:15:15,720
Speaker 5: I think i'm uh, I think I'm pretty well versed

271
00:15:15,760 --> 00:15:19,000
Speaker 5: in this ship. But even more than that, I got

272
00:15:20,280 --> 00:15:22,640
Speaker 5: I got a lifestyle that I like to live and

273
00:15:22,680 --> 00:15:24,760
Speaker 5: ship and I'm not going back to the one before

274
00:15:24,840 --> 00:15:27,760
Speaker 5: this one. So you know, that's that's that's my main

275
00:15:28,000 --> 00:15:30,520
Speaker 5: you know what I'm saying. Uh, And then I like

276
00:15:31,400 --> 00:15:34,560
Speaker 5: I like shipping niggas. Okay, I like sh niggas. I mean,

277
00:15:34,560 --> 00:15:36,800
Speaker 5: I'm just be honest, I ain't gonna I ain't gonna

278
00:15:37,080 --> 00:15:40,360
Speaker 5: no deep answer. I just I know I'm dope and

279
00:15:40,440 --> 00:15:42,080
Speaker 5: I want more fuckers to hear that ship.

280
00:15:42,200 --> 00:15:48,480
Speaker 1: Right, goddamn makes the night. I want to do quick

281
00:15:48,560 --> 00:15:51,240
Speaker 1: time of Slim and let's do it. You got it,

282
00:15:51,320 --> 00:15:54,640
Speaker 1: you got it ready, Okay, it's okay.

283
00:15:54,760 --> 00:15:56,720
Speaker 3: Let's go. I want to explain to the game because

284
00:15:56,720 --> 00:15:57,680
Speaker 3: you play this.

285
00:15:57,720 --> 00:16:02,640
Speaker 6: When you there this party, it was I don't know

286
00:16:02,720 --> 00:16:03,360
Speaker 6: what time it was.

287
00:16:03,400 --> 00:16:05,480
Speaker 3: I just know we were drinking and we were smoking.

288
00:16:05,560 --> 00:16:08,240
Speaker 3: We had time. Let me take you.

289
00:16:10,200 --> 00:16:14,480
Speaker 1: You have your own right to start your own drink Chaps.

290
00:16:14,240 --> 00:16:18,480
Speaker 3: Section, you can start your own game. Drink. We give

291
00:16:18,520 --> 00:16:19,480
Speaker 3: you the permission.

292
00:16:20,280 --> 00:16:24,880
Speaker 1: I've been down with us from the beginning through the middle,

293
00:16:25,160 --> 00:16:28,040
Speaker 1: and you are still here. So we want of one man,

294
00:16:28,560 --> 00:16:32,200
Speaker 1: appreciate you, and I thank you for wearing that that

295
00:16:32,640 --> 00:16:35,920
Speaker 1: Houston's Astros jersey and at homeboy.

296
00:16:37,120 --> 00:16:37,680
Speaker 3: I'm board for you.

297
00:16:38,440 --> 00:16:42,640
Speaker 2: I was like, yeah.

298
00:16:45,040 --> 00:16:48,440
Speaker 6: That was an Astros fan, thank you. This is our

299
00:16:48,520 --> 00:16:51,000
Speaker 6: drinking game. We're gonna give you two choices. You pick one,

300
00:16:51,480 --> 00:16:54,000
Speaker 6: we don't drink, but if you say both are neither,

301
00:16:54,480 --> 00:16:58,320
Speaker 6: we're drinking. Okay, So kind of simple. And then we

302
00:16:58,440 --> 00:17:02,240
Speaker 6: just want stories. Yeah, yeah, this poor give us any stories.

303
00:17:02,240 --> 00:17:04,040
Speaker 6: With these people or places or whatever we bring up.

304
00:17:04,080 --> 00:17:07,919
Speaker 6: It's about stories, all right, scarface a bum.

305
00:17:07,840 --> 00:17:15,440
Speaker 3: Bee, take a shot. Take a shot. You can't leave

306
00:17:15,480 --> 00:17:22,040
Speaker 3: the witness man. Let take a shot. Yeah, I can't.

307
00:17:22,080 --> 00:17:23,320
Speaker 3: I can't pick between the two.

308
00:17:23,480 --> 00:17:28,680
Speaker 7: Then they both influential in my life and learned a

309
00:17:28,760 --> 00:17:31,960
Speaker 7: lot from both of them. Brothers. Proud of them. Brothers

310
00:17:32,160 --> 00:17:35,399
Speaker 7: and Ship. We go keep making them proud. When they

311
00:17:35,480 --> 00:17:37,719
Speaker 7: see us, they tell us how you're proud of us.

312
00:17:39,040 --> 00:17:41,840
Speaker 3: We just go keep uplifting each other. You ever had

313
00:17:41,880 --> 00:17:46,000
Speaker 3: a trailer burger? Yes? As good as fun, right, Yeah,

314
00:17:46,280 --> 00:17:47,479
Speaker 3: I know they steroids in there.

315
00:17:47,680 --> 00:17:48,119
Speaker 6: I know it.

316
00:17:49,280 --> 00:18:00,159
Speaker 3: That some good cocainey. I'm just playing, but.

317
00:18:02,040 --> 00:18:05,159
Speaker 2: Yeah, uh, you got to come to this time. And

318
00:18:06,520 --> 00:18:07,800
Speaker 2: you know we got other food spots.

319
00:18:08,520 --> 00:18:12,200
Speaker 7: You got to come to support lamp Shops Club Breakfast

320
00:18:12,240 --> 00:18:12,840
Speaker 7: club is dope.

321
00:18:13,080 --> 00:18:13,920
Speaker 2: You eat lamb chops.

322
00:18:14,119 --> 00:18:15,520
Speaker 3: No, I don't eat. I don't eat red meat.

323
00:18:15,560 --> 00:18:18,320
Speaker 7: But it's a done deal with whoever around you eat

324
00:18:18,400 --> 00:18:20,399
Speaker 7: lamb shops. They got to come to the Boy, the

325
00:18:20,520 --> 00:18:22,720
Speaker 7: boy best lamb shops in the world.

326
00:18:23,440 --> 00:18:26,639
Speaker 3: I stemmed that I was in I was in Houston,

327
00:18:26,720 --> 00:18:31,720
Speaker 3: hanging with Mexicans and Ship. Yeah like people. Yeah, I

328
00:18:31,840 --> 00:18:36,200
Speaker 3: was like, I ain't I ain't even know. No, I

329
00:18:36,280 --> 00:18:38,439
Speaker 3: don't even know. I went for Berard Rican and Mexican

330
00:18:38,560 --> 00:18:45,240
Speaker 3: like that, like love, Like wait a minute, to fucking

331
00:18:45,320 --> 00:18:52,720
Speaker 3: easy taking the shot? You know this is you know

332
00:18:52,840 --> 00:18:54,960
Speaker 3: he got stand with the brown, He got the brown

333
00:18:56,800 --> 00:19:02,280
Speaker 3: one side. He was given hold on what.

334
00:19:02,359 --> 00:19:11,920
Speaker 9: The fucking sackey? Yeah, I try one? Okay, wait, I'm

335
00:19:11,960 --> 00:19:17,560
Speaker 9: not regular. Yeah it's rice wine. So yeah, it a

336
00:19:17,640 --> 00:19:20,480
Speaker 9: sneak up, don't lit It's like, hey, man, stop that you.

337
00:19:20,880 --> 00:19:30,040
Speaker 7: Witness there we go? Yeah, man, you gotta take the shot. Uh,

338
00:19:30,560 --> 00:19:32,879
Speaker 7: both of them legends, man, I mean they both contributed

339
00:19:32,960 --> 00:19:36,320
Speaker 7: to the game. Like hell yeah, I can't go against it.

340
00:19:36,800 --> 00:19:45,880
Speaker 3: Can't So Paul Wall or Mike Jones who Paul every time?

341
00:19:47,640 --> 00:19:49,879
Speaker 7: I ain't gonna pick man, I'm not gonna pick got

342
00:19:49,920 --> 00:19:52,159
Speaker 7: the shot, then, yeah, I'm gona I'm gonna be taking shots.

343
00:19:52,520 --> 00:19:54,600
Speaker 1: I gotta, I gotta, I gotta. I gotta give Mike

344
00:19:54,720 --> 00:19:55,520
Speaker 1: Jones something.

345
00:19:56,320 --> 00:19:57,680
Speaker 6: We didn't have him on the show. By the way,

346
00:19:58,760 --> 00:20:02,720
Speaker 6: we got you. I call him and tell him I

347
00:20:02,840 --> 00:20:05,640
Speaker 6: forget what's happening. Every you take right, we took a shot.

348
00:20:05,920 --> 00:20:06,360
Speaker 3: I took a shot.

349
00:20:07,320 --> 00:20:11,080
Speaker 1: But every couple of times we're seeing that people that

350
00:20:11,119 --> 00:20:15,480
Speaker 1: are promoting their phone numbers. Mike Jones hands down had

351
00:20:15,520 --> 00:20:18,160
Speaker 1: to be the first person to ever promote the first.

352
00:20:18,400 --> 00:20:19,960
Speaker 3: He is right ship.

353
00:20:20,560 --> 00:20:24,000
Speaker 4: Yeah, I feel his campaign that was that was the

354
00:20:24,040 --> 00:20:24,800
Speaker 4: best campaign ever.

355
00:20:25,160 --> 00:20:28,200
Speaker 1: People are still biting his campaign to this day and

356
00:20:28,320 --> 00:20:29,440
Speaker 1: not giving him his spots.

357
00:20:29,520 --> 00:20:32,000
Speaker 3: He got the number back, now, he got the number back.

358
00:20:32,880 --> 00:20:39,840
Speaker 3: He got it bad. That was genius though he was

359
00:20:39,880 --> 00:20:42,480
Speaker 3: just at his time. You gotta no, but it worked

360
00:20:42,480 --> 00:20:43,160
Speaker 3: for him at that time.

361
00:20:43,440 --> 00:20:47,240
Speaker 7: But the no part about when you're an artist when

362
00:20:47,280 --> 00:20:50,639
Speaker 7: everybody else going left and right and you decide to

363
00:20:50,760 --> 00:20:54,840
Speaker 7: go straight. Yep, I funck with that over anything like so,

364
00:20:55,359 --> 00:20:56,439
Speaker 7: I salute Mike Jones.

365
00:20:56,520 --> 00:21:03,080
Speaker 3: Man doing this thing, man, slim thug, a little kiky.

366
00:21:04,080 --> 00:21:06,879
Speaker 3: We take the boss.

367
00:21:07,800 --> 00:21:11,600
Speaker 1: They take a shots at night. Man going against the stadium.

368
00:21:11,600 --> 00:21:15,960
Speaker 3: Man, I love the Houston Lloyds. I love yeah, Man,

369
00:21:16,520 --> 00:21:18,040
Speaker 3: what do you think of? This is like like that

370
00:21:18,680 --> 00:21:23,480
Speaker 3: close to that. It is like Brooklyn Brooklyn queens do

371
00:21:23,560 --> 00:21:25,280
Speaker 3: that the other day. No, queens, we always do that.

372
00:21:25,520 --> 00:21:28,680
Speaker 3: But I feel like Brooklyn got us a little bit more.

373
00:21:29,000 --> 00:21:32,000
Speaker 3: Leave the flip. Yeah, we need you to go home.

374
00:21:32,480 --> 00:21:35,359
Speaker 6: We got to dud a ghetto boards a U g

375
00:21:35,520 --> 00:21:41,560
Speaker 6: K gotta be a music ship. It could be someone

376
00:21:41,640 --> 00:21:42,840
Speaker 6: that's closer you're closer with.

377
00:21:43,880 --> 00:21:46,080
Speaker 3: I mean, like if we if we answer any of

378
00:21:46,160 --> 00:21:51,800
Speaker 3: this ship, we can't go home. But look, I want

379
00:21:51,840 --> 00:21:54,680
Speaker 3: to ask both for y'all right, we gotta drink. I'm drinking.

380
00:21:55,680 --> 00:22:00,760
Speaker 3: Here we go. Hey, I'm going back to because PEPSI shit.

381
00:22:02,280 --> 00:22:05,520
Speaker 1: I always tell his I don't know PMC. I don't

382
00:22:05,520 --> 00:22:10,399
Speaker 1: know what people know. How real Pepsy was? Well, PEPC

383
00:22:10,880 --> 00:22:13,639
Speaker 1: was probably like I don't want to say, the realist

384
00:22:13,760 --> 00:22:14,400
Speaker 1: rapper I met.

385
00:22:14,760 --> 00:22:19,080
Speaker 3: He was like one of the realist people I met.

386
00:22:21,000 --> 00:22:22,560
Speaker 3: How was your relationship with Pemp?

387
00:22:23,800 --> 00:22:28,639
Speaker 7: Pim just was always giving me game his mama resting

388
00:22:28,680 --> 00:22:31,400
Speaker 7: peace to Mama West when she was on her deathbed.

389
00:22:31,960 --> 00:22:34,080
Speaker 3: She wanted to talk to me before she passed away.

390
00:22:34,680 --> 00:22:38,920
Speaker 7: I learned a lot about booking shows and negotiating but

391
00:22:39,040 --> 00:22:42,200
Speaker 7: then standing on top of your business, you know, from

392
00:22:42,280 --> 00:22:44,720
Speaker 7: the way Mama West used to book they show. So

393
00:22:45,280 --> 00:22:47,119
Speaker 7: I went on tour with them. I learned a lot,

394
00:22:47,240 --> 00:22:49,240
Speaker 7: Like it's an old video of us on BT with

395
00:22:49,440 --> 00:22:51,879
Speaker 7: bum Be talking and me and c Note in the

396
00:22:51,960 --> 00:22:54,920
Speaker 7: background and bum Be shouting me out and stuff like that.

397
00:22:55,119 --> 00:23:00,520
Speaker 7: So like UGK and just the whole movement with author

398
00:23:01,040 --> 00:23:03,680
Speaker 7: what we learned from this that's not technically Houston, No,

399
00:23:03,840 --> 00:23:06,840
Speaker 7: it's just like a hour away. Yeah yeah, so yeah,

400
00:23:06,840 --> 00:23:09,600
Speaker 7: I learned a lot from them, man, And they wasn't

401
00:23:09,600 --> 00:23:12,720
Speaker 7: afraid to let you know they from Texas and pim

402
00:23:12,800 --> 00:23:15,480
Speaker 7: C go, let you know we're from Texas and we

403
00:23:15,600 --> 00:23:16,080
Speaker 7: coming now.

404
00:23:16,520 --> 00:23:18,879
Speaker 3: Yeah, like so yeah, we love it. It was.

405
00:23:19,000 --> 00:23:23,520
Speaker 1: It was a famous interview where Pimp like, I'm not

406
00:23:23,640 --> 00:23:32,880
Speaker 1: from the South, obviously, but well he said, man, Atlanta

407
00:23:33,040 --> 00:23:34,040
Speaker 1: not even from the south.

408
00:23:34,560 --> 00:23:35,520
Speaker 3: He made me checked.

409
00:23:35,720 --> 00:23:42,000
Speaker 1: He made me look at the map at geographics, you

410
00:23:42,040 --> 00:23:43,600
Speaker 1: know what I'm trying to say. I was like, really,

411
00:23:44,240 --> 00:23:48,280
Speaker 1: Atlanta's not the South, like they time is the same

412
00:23:49,040 --> 00:23:49,800
Speaker 1: the East Coast.

413
00:23:51,000 --> 00:23:56,920
Speaker 3: Me up, you don't remember I remember the time zones.

414
00:23:56,960 --> 00:23:59,320
Speaker 6: That wouldn't really make sense though, because Florida's in the

415
00:23:59,359 --> 00:23:59,960
Speaker 6: same time though.

416
00:24:00,119 --> 00:24:04,680
Speaker 1: Oh he shout it on y'all too. He was like, technically,

417
00:24:05,160 --> 00:24:06,320
Speaker 1: none of y'all from the south.

418
00:24:07,480 --> 00:24:09,280
Speaker 3: He did say that that.

419
00:24:11,359 --> 00:24:17,560
Speaker 1: Ship was like because like just dealing with intelligence, was

420
00:24:17,640 --> 00:24:18,000
Speaker 1: he right?

421
00:24:21,920 --> 00:24:25,040
Speaker 3: Technically right? Said this is the East Coast. He called

422
00:24:25,160 --> 00:24:27,920
Speaker 3: y'all the East Coast. I mean we were on the

423
00:24:27,960 --> 00:24:31,680
Speaker 3: east coast. He was Listen, if you look at the NBA.

424
00:24:31,840 --> 00:24:35,200
Speaker 1: If you look at the NBA, Atlanta is east coast

425
00:24:35,960 --> 00:24:36,840
Speaker 1: in the NBA.

426
00:24:38,440 --> 00:24:39,080
Speaker 3: East and West.

427
00:24:39,560 --> 00:24:42,600
Speaker 4: We're on the east coast. Man, Miami is on the east.

428
00:24:43,560 --> 00:24:47,520
Speaker 4: So when said that, I said, this Nigga is mass marts.

429
00:24:52,560 --> 00:24:56,679
Speaker 2: Man, Yo, know that.

430
00:24:56,760 --> 00:25:00,680
Speaker 3: Ship is still fucking me up. Just think about what

431
00:25:00,800 --> 00:25:03,920
Speaker 3: he said. How smart was that? He said that ship.

432
00:25:06,640 --> 00:25:09,600
Speaker 4: Fifteen years ago? He said that, y'all wasn't the South.

433
00:25:10,359 --> 00:25:14,080
Speaker 4: We are the South, but on the east coast, southeast.

434
00:25:14,520 --> 00:25:18,720
Speaker 1: Oh okay, let me ask you this question.

435
00:25:18,920 --> 00:25:21,680
Speaker 6: I've talkt about this a lot. Texas hell in the middle.

436
00:25:22,359 --> 00:25:24,600
Speaker 6: I always felt like Texas leaned more to the west coast.

437
00:25:24,960 --> 00:25:29,119
Speaker 1: No, since it's Midwest, what do you it's Midwest oldier.

438
00:25:29,240 --> 00:25:33,119
Speaker 3: So when I'm here in Texas, people I mean about Texas. No, no, no, no,

439
00:25:34,080 --> 00:25:39,880
Speaker 3: just to be serious, like, I'm like, yeah, it's kind

440
00:25:39,920 --> 00:25:42,200
Speaker 3: of like I feel like y'all could could claim the

441
00:25:42,240 --> 00:25:44,560
Speaker 3: west too if you wanted to be right. We right

442
00:25:44,840 --> 00:25:47,680
Speaker 3: in the middle, right in the middle of the man

443
00:25:49,840 --> 00:25:57,919
Speaker 3: yellow like we knew that Swiss swestt. I'm gonna get your.

444
00:26:01,680 --> 00:26:05,760
Speaker 1: Publishing, but I'm taking that sweast or I'm gonna give

445
00:26:05,760 --> 00:26:08,119
Speaker 1: you a publishing though. I'm gonna give you I'm a stumma.

446
00:26:08,560 --> 00:26:11,639
Speaker 1: Your checks will come out of your money. Silver finished.

447
00:26:12,320 --> 00:26:14,640
Speaker 1: But he said, no, that shit was the craziest ship

448
00:26:14,720 --> 00:26:19,119
Speaker 1: because I I didn't realize the geographics.

449
00:26:19,800 --> 00:26:21,600
Speaker 3: Oh you need to stop there.

450
00:26:21,720 --> 00:26:33,119
Speaker 1: If you think about what he said, that ship almost

451
00:26:33,119 --> 00:26:33,919
Speaker 1: twenty years ago.

452
00:26:33,880 --> 00:26:36,479
Speaker 10: Right number, forty years ago? It was howeverny years ago?

453
00:26:36,480 --> 00:26:40,520
Speaker 10: It's always But I didn't realize that. And he was like, Atlanta,

454
00:26:40,840 --> 00:26:44,399
Speaker 10: you motherfuckers. Technically ain't even the South, He said, you,

455
00:26:44,520 --> 00:26:46,040
Speaker 10: you niggas, is more than New York.

456
00:26:46,200 --> 00:26:48,560
Speaker 3: And I said, did.

457
00:26:48,640 --> 00:26:53,160
Speaker 1: I went to our next game in Atlanta and everybody

458
00:26:53,359 --> 00:26:54,360
Speaker 1: was there it was from New York.

459
00:26:55,119 --> 00:26:56,919
Speaker 3: And I said, that's what he was really probably referring

460
00:26:56,960 --> 00:26:58,200
Speaker 3: to that. He is right.

461
00:27:00,359 --> 00:27:03,960
Speaker 4: I'm sorry Atlanta, Atlanta. I can't go back to Atlanta.

462
00:27:04,560 --> 00:27:08,200
Speaker 4: I can't go back to ship shout, go back to

463
00:27:09,119 --> 00:27:11,680
Speaker 4: what's the Linux more? It's I'm gonna be food and

464
00:27:11,760 --> 00:27:19,399
Speaker 4: Linux more. I guess, yeah, that's my nigga. Real that

465
00:27:19,600 --> 00:27:20,240
Speaker 4: was a real one.

466
00:27:20,840 --> 00:27:23,560
Speaker 1: Nigga had the third code on in Miami. You say

467
00:27:23,640 --> 00:27:30,720
Speaker 1: TV ain't got no. I went the fird code nigga. Yeah, crazy,

468
00:27:30,920 --> 00:27:32,280
Speaker 1: you want my story?

469
00:27:33,359 --> 00:27:37,800
Speaker 3: He got a story. Oh yeah, you know. We called

470
00:27:37,840 --> 00:27:41,760
Speaker 3: him and he said, this is this is.

471
00:27:43,920 --> 00:27:45,840
Speaker 1: We wanted a relationship with UK and they want a

472
00:27:45,840 --> 00:27:46,560
Speaker 1: relationship with UP.

473
00:27:46,600 --> 00:27:50,120
Speaker 3: This is before we went to the hood. You came

474
00:27:50,160 --> 00:27:53,440
Speaker 3: to my hood. What you came to my hood? This

475
00:27:53,560 --> 00:27:56,160
Speaker 3: is before that. That was legendary. By the way, it's legendary.

476
00:27:56,160 --> 00:27:57,280
Speaker 3: I'll get to that story too.

477
00:27:57,880 --> 00:28:02,600
Speaker 1: But Pimp said, I want this amount of money for

478
00:28:02,800 --> 00:28:05,240
Speaker 1: this is for Moose and May's album. He's like, I

479
00:28:05,320 --> 00:28:07,320
Speaker 1: want this amount of money and I want this amount

480
00:28:07,359 --> 00:28:12,359
Speaker 1: of money. And I said, all right, usual case on fire.

481
00:28:13,160 --> 00:28:15,800
Speaker 1: So I came to the studio and I gave him

482
00:28:15,840 --> 00:28:16,200
Speaker 1: the check.

483
00:28:18,119 --> 00:28:23,560
Speaker 2: He gave him a check. Hello, he gave them the

484
00:28:23,680 --> 00:28:24,400
Speaker 2: check I mean.

485
00:28:25,280 --> 00:28:27,960
Speaker 3: And then he said to me. He said to me,

486
00:28:28,280 --> 00:28:30,960
Speaker 3: you really you really did that? And I was like, yeah.

487
00:28:31,640 --> 00:28:34,440
Speaker 1: He gave me back the check and he was like,

488
00:28:34,520 --> 00:28:36,560
Speaker 1: I just wanted to see if it was a real nigga.

489
00:28:37,880 --> 00:28:39,440
Speaker 2: Wow. And I took.

490
00:28:43,040 --> 00:28:44,680
Speaker 3: And I took the check back and I was like,

491
00:28:45,040 --> 00:28:46,440
Speaker 3: but this is not my money. So he had to

492
00:28:46,440 --> 00:28:47,200
Speaker 3: take the check back.

493
00:28:50,640 --> 00:28:50,840
Speaker 6: To me.

494
00:28:51,480 --> 00:28:54,080
Speaker 3: Really really we traded. He did a song on my

495
00:28:54,440 --> 00:28:58,080
Speaker 3: who did this comedian? Yeah, he did a hook on

496
00:28:58,200 --> 00:28:58,720
Speaker 3: my record.

497
00:28:58,800 --> 00:29:00,760
Speaker 7: You see it on the Underground Legend, and he did

498
00:29:00,800 --> 00:29:03,360
Speaker 7: a verse when we split the last verse, and he

499
00:29:03,440 --> 00:29:04,880
Speaker 7: showed up to my house like, hey, I got a

500
00:29:04,920 --> 00:29:06,880
Speaker 7: record with Scott Storage.

501
00:29:07,040 --> 00:29:07,760
Speaker 3: Oh wow. Yeah.

502
00:29:07,800 --> 00:29:09,680
Speaker 7: He was like, I gotta beat from him. I want

503
00:29:09,680 --> 00:29:11,080
Speaker 7: to put you on it. I'm like, all right, I

504
00:29:11,200 --> 00:29:14,040
Speaker 7: got you. But he showed up with a fifteen thousand

505
00:29:14,080 --> 00:29:14,680
Speaker 7: dollars chick that.

506
00:29:14,720 --> 00:29:15,240
Speaker 3: Was a check for.

507
00:29:16,920 --> 00:29:19,920
Speaker 7: Bro we Trade, and I'm cool, like they're gonna spend

508
00:29:19,960 --> 00:29:21,160
Speaker 7: the money on some ship anyway.

509
00:29:21,560 --> 00:29:23,160
Speaker 3: So he like made me take the chick. I was like,

510
00:29:23,200 --> 00:29:24,880
Speaker 3: all right, cool, that's exactly what I did.

511
00:29:25,240 --> 00:29:27,160
Speaker 1: So Pimp gave me back the check and was like

512
00:29:27,200 --> 00:29:28,920
Speaker 1: I just wanted to see if he was a real nigga, right,

513
00:29:28,960 --> 00:29:31,280
Speaker 1: And I was like, already cleared this, So I am

514
00:29:31,360 --> 00:29:32,000
Speaker 1: a real nigga.

515
00:29:32,160 --> 00:29:39,080
Speaker 3: Take this, Take this motherfucking check, and me bun Pamp.

516
00:29:40,080 --> 00:29:42,560
Speaker 3: We were great ever since then.

517
00:29:42,680 --> 00:29:44,680
Speaker 1: That's that's the reason why that's crazy that me and

518
00:29:44,760 --> 00:29:49,680
Speaker 1: you have this fucking great shoulder together because you came.

519
00:29:49,520 --> 00:29:52,200
Speaker 3: With me to my hood and it was over.

520
00:29:52,320 --> 00:29:55,800
Speaker 6: I came from Miami, bunch from Texas and we and

521
00:29:56,240 --> 00:29:59,840
Speaker 6: we were both looking at It was a wild dance.

522
00:30:00,320 --> 00:30:03,400
Speaker 3: It was a crazy and had I had to be

523
00:30:03,600 --> 00:30:05,800
Speaker 3: I wasn't a rapper that day. I had to let

524
00:30:05,840 --> 00:30:07,880
Speaker 3: them niggas know. And I was running around and it

525
00:30:08,080 --> 00:30:11,960
Speaker 3: was I that left us with Me and boy were

526
00:30:11,960 --> 00:30:18,160
Speaker 3: hanging out. You loved us. You know, when you get

527
00:30:18,240 --> 00:30:26,920
Speaker 3: you get you like your guys are there represent Yeah, yeah, no, no, no.

528
00:30:27,080 --> 00:30:30,320
Speaker 1: No, that was a wild day Bump and Bump appreciated that,

529
00:30:30,400 --> 00:30:31,760
Speaker 1: and I think you appreciate.

530
00:30:31,440 --> 00:30:36,600
Speaker 7: It absolutely, yes, next question, I think that's dope though,

531
00:30:36,720 --> 00:30:40,560
Speaker 7: that she did it. You got experiences with the people

532
00:30:40,600 --> 00:30:42,880
Speaker 7: that we got to see like all the time, you

533
00:30:42,960 --> 00:30:45,360
Speaker 7: know what I mean? Like that, that's dope that you

534
00:30:45,480 --> 00:30:48,440
Speaker 7: got your own memory with I knew Pemp was special,

535
00:30:49,400 --> 00:30:50,920
Speaker 7: but I knew that encounter.

536
00:30:52,280 --> 00:30:52,880
Speaker 3: That we had.

537
00:30:53,520 --> 00:30:55,760
Speaker 1: I knew that was special, but I didn't know how

538
00:30:55,800 --> 00:30:57,800
Speaker 1: special it was until after he passed.

539
00:30:58,240 --> 00:31:02,240
Speaker 3: After he passed, I was like, holy ship. But you

540
00:31:02,320 --> 00:31:06,840
Speaker 3: got any story that maybe or you yeah? Is zero?

541
00:31:06,960 --> 00:31:07,239
Speaker 3: You two?

542
00:31:07,400 --> 00:31:10,360
Speaker 5: You go first, brother, I got a lot of stories

543
00:31:10,400 --> 00:31:14,920
Speaker 5: with him. Uh trying to see I don't want to

544
00:31:14,960 --> 00:31:20,400
Speaker 5: say when I see it already. Okay, Yeah, So it's

545
00:31:20,440 --> 00:31:23,880
Speaker 5: two thousand and five. I don't know what PEMC looked like.

546
00:31:24,840 --> 00:31:28,040
Speaker 5: I don't know what Bun looked like. Wow, because I've

547
00:31:28,040 --> 00:31:33,240
Speaker 5: been buying burn CDs, so I ain't know nobody looked

548
00:31:33,280 --> 00:31:35,000
Speaker 5: like in rap. I just I knew, y'all.

549
00:31:36,920 --> 00:31:39,880
Speaker 3: Yeah, so I got it.

550
00:31:39,960 --> 00:31:42,800
Speaker 5: I don't know. I guess before J Prince signed me,

551
00:31:43,560 --> 00:31:46,480
Speaker 5: I kind of was. I don't want to say I

552
00:31:46,680 --> 00:31:49,400
Speaker 5: was out in the street tripping or nothing like that,

553
00:31:49,600 --> 00:31:53,040
Speaker 5: but I probably was out in the street tripping, Okay.

554
00:31:53,440 --> 00:31:57,680
Speaker 3: So I was. I was kind of like, uh, I was.

555
00:31:57,840 --> 00:31:58,880
Speaker 3: I was sucking it up.

556
00:32:01,040 --> 00:32:02,880
Speaker 5: Red boys, like, hey, I got a I got a

557
00:32:03,000 --> 00:32:06,160
Speaker 5: letter from you from PIMPC, you know, Pimples, And he

558
00:32:06,240 --> 00:32:11,240
Speaker 5: hadn't came home yet, So I'm like, I don't even

559
00:32:11,280 --> 00:32:13,600
Speaker 5: know that. Nigga, Like, well, I got a letter from him,

560
00:32:14,600 --> 00:32:17,280
Speaker 5: and he gave me the letter and he was like,

561
00:32:18,400 --> 00:32:24,080
Speaker 5: read it in his voice. I ain't even know you

562
00:32:24,160 --> 00:32:29,120
Speaker 5: read it, man. You got like you've ever been cussed

563
00:32:29,160 --> 00:32:32,720
Speaker 5: out on a piece of paper and you got to

564
00:32:32,760 --> 00:32:38,040
Speaker 5: read that ship in the man voice. It wasn't no deer, uh.

565
00:32:38,800 --> 00:32:43,240
Speaker 3: It was just look at nigga, you need to sit

566
00:32:43,360 --> 00:32:48,480
Speaker 3: the fuck down. Wn. It was d I n e.

567
00:32:48,760 --> 00:32:51,840
Speaker 3: You need to sit the fuck down south Side. You

568
00:32:51,880 --> 00:32:52,400
Speaker 3: know what I'm saying.

569
00:32:53,280 --> 00:32:56,920
Speaker 5: Man and man the man read and I'm like, it

570
00:32:57,000 --> 00:32:59,200
Speaker 5: ain't a real argument. So I can't tell that nigga

571
00:32:59,240 --> 00:33:01,560
Speaker 5: like Nigga got me fucked up cause he wrote this

572
00:33:01,640 --> 00:33:02,600
Speaker 5: ship like a week ago.

573
00:33:03,680 --> 00:33:04,560
Speaker 3: I'm reading it right now.

574
00:33:04,680 --> 00:33:07,280
Speaker 5: He ain't there, So I'm like, so I Nigga cuts

575
00:33:07,320 --> 00:33:09,760
Speaker 5: me out before he missed me, before he met me,

576
00:33:09,880 --> 00:33:12,400
Speaker 5: and uh, and then I had to act like I

577
00:33:12,480 --> 00:33:14,320
Speaker 5: didn't have an attitude when I met that when you

578
00:33:14,560 --> 00:33:15,840
Speaker 5: to get thrown video shoot.

579
00:33:16,600 --> 00:33:19,080
Speaker 3: She walked up to the corner, and I really wanted

580
00:33:19,080 --> 00:33:21,440
Speaker 3: to be like, say, man, you.

581
00:33:21,480 --> 00:33:24,440
Speaker 5: Got me fucked up. That sh it was like eighteen

582
00:33:24,520 --> 00:33:32,720
Speaker 5: weeks ago, so that I got talk about no, because

583
00:33:32,760 --> 00:33:37,200
Speaker 5: I mean, I mean, Nigga still was pimps. And he

584
00:33:37,320 --> 00:33:40,240
Speaker 5: walked up and that nigga was like, say, man, I

585
00:33:40,520 --> 00:33:42,800
Speaker 5: like this blue, but I'm riding red Jack.

586
00:33:43,040 --> 00:33:45,920
Speaker 3: That's how I met it. Yeah, I mean I was

587
00:33:46,080 --> 00:33:48,560
Speaker 3: just wait because you had on blue Nah.

588
00:33:48,680 --> 00:33:51,400
Speaker 5: He was talking about like the gang ship. Oh I

589
00:33:52,080 --> 00:33:53,840
Speaker 5: was in I was in a candy blue car at

590
00:33:53,880 --> 00:33:55,960
Speaker 5: the time. So he was like, yeah, man, I like

591
00:33:56,080 --> 00:33:57,920
Speaker 5: the blue Man, but I'm but you know, you know,

592
00:33:59,400 --> 00:34:01,240
Speaker 5: you know pimp let you know he rid and read

593
00:34:01,280 --> 00:34:04,600
Speaker 5: at all times. Yeah, and he coming down, coming down

594
00:34:09,320 --> 00:34:12,479
Speaker 5: man like like he always gave me game.

595
00:34:12,560 --> 00:34:16,960
Speaker 7: I always gave me free versus always like I remember

596
00:34:17,040 --> 00:34:18,480
Speaker 7: one time we had a show. I don't know what

597
00:34:18,600 --> 00:34:21,759
Speaker 7: part of Louisiana we was in, but man, we did

598
00:34:21,840 --> 00:34:25,680
Speaker 7: the show. I don't know how everybody found out where

599
00:34:25,680 --> 00:34:28,480
Speaker 7: we were staying, but bro, when I tell you, it's

600
00:34:28,560 --> 00:34:34,680
Speaker 7: so many like baddies and knee caps just running around. Yeah,

601
00:34:34,680 --> 00:34:38,560
Speaker 7: we call the kneecaps. So when women titties are super big,

602
00:34:39,040 --> 00:34:43,200
Speaker 7: we call them knee caps. So titties, you know what

603
00:34:43,239 --> 00:34:45,000
Speaker 7: I'm saying. Yeah caps.

604
00:34:46,800 --> 00:34:47,240
Speaker 3: Message.

605
00:34:47,640 --> 00:34:54,359
Speaker 7: But yeah, it was a whole the whole town knew

606
00:34:54,400 --> 00:34:57,319
Speaker 7: where we were staying. And I just remember Bun sitting

607
00:34:57,360 --> 00:34:59,160
Speaker 7: in the hall like, man, Philip, man, I'm tired of

608
00:34:59,239 --> 00:35:01,920
Speaker 7: this ship. I was looking at him like Nigga, I

609
00:35:01,960 --> 00:35:02,960
Speaker 7: ain't gonna never get time.

610
00:35:03,480 --> 00:35:05,440
Speaker 3: I stay tired of the business.

611
00:35:05,600 --> 00:35:08,640
Speaker 7: It was the lifestyle, just the lifestyle people, you know,

612
00:35:08,800 --> 00:35:12,680
Speaker 7: just too many people every well finding out where we're staying. Yeah,

613
00:35:12,800 --> 00:35:14,759
Speaker 7: but I was like eighteen at the time. I was like,

614
00:35:15,800 --> 00:35:17,680
Speaker 7: it's going dying nigga, you know.

615
00:35:18,400 --> 00:35:22,279
Speaker 3: But yeah, so great times with them. Man, let's take

616
00:35:22,280 --> 00:35:23,480
Speaker 3: a shot. Let's do that one.

617
00:35:24,040 --> 00:35:24,440
Speaker 8: What what this?

618
00:35:24,760 --> 00:35:26,840
Speaker 3: This is socking? This one's never what's the chef for?

619
00:35:29,760 --> 00:35:32,920
Speaker 3: Some bitch? Come on? So I like, I like, I

620
00:35:33,000 --> 00:35:36,080
Speaker 3: like how you did it this sockey style. You went down. Well,

621
00:35:36,120 --> 00:35:38,480
Speaker 3: you gotta do sockey bombs. Man, what.

622
00:35:41,080 --> 00:35:44,319
Speaker 6: I threw sack not sockey bomb. The next episode's coming,

623
00:35:45,040 --> 00:35:45,400
Speaker 6: next one.

624
00:35:45,680 --> 00:35:52,399
Speaker 3: It's socking crazy Ot the Mexican or Sauce Walker. Where

625
00:35:52,440 --> 00:35:54,480
Speaker 3: the drink it? Okay, there we go.

626
00:35:54,880 --> 00:36:01,439
Speaker 1: You got one right here. Yeah solo, I ain't gonna

627
00:36:01,440 --> 00:36:04,719
Speaker 1: lie you. You are breaking drink champs history. You got

628
00:36:04,800 --> 00:36:08,120
Speaker 1: like five different drinks and five different cups, all.

629
00:36:08,120 --> 00:36:12,800
Speaker 2: Kinds of cups different, just like it's a gun for

630
00:36:12,880 --> 00:36:13,680
Speaker 2: every time.

631
00:36:17,160 --> 00:36:17,640
Speaker 3: You feel me.

632
00:36:18,200 --> 00:36:20,879
Speaker 2: You gotta just be prepared. But yeah, we we can't

633
00:36:20,920 --> 00:36:22,240
Speaker 2: pick between them too, man.

634
00:36:22,239 --> 00:36:26,760
Speaker 7: Like I'm probably Houston Lord t. Yeah, we proud of Mexican.

635
00:36:26,800 --> 00:36:29,600
Speaker 7: Ot wrote that got a record with Mexican Ot. I

636
00:36:29,760 --> 00:36:32,080
Speaker 7: just did a video with him and his artist Drodi

637
00:36:32,800 --> 00:36:35,839
Speaker 7: and we fuck with South Walker. You know, I'm gonna

638
00:36:36,440 --> 00:36:38,440
Speaker 7: records on this album. He got a dope record with

639
00:36:38,880 --> 00:36:42,319
Speaker 7: Roe I'm so Houston, like the dope part about Houston. Man,

640
00:36:42,520 --> 00:36:46,279
Speaker 7: like the mature people that grew up. We on some

641
00:36:46,400 --> 00:36:49,799
Speaker 7: real good money ship. We on some you know, throw

642
00:36:50,040 --> 00:36:52,279
Speaker 7: each other alley. It was behind the scenes, like you

643
00:36:52,400 --> 00:36:55,080
Speaker 7: might not see us with each other every day. When

644
00:36:55,160 --> 00:36:57,959
Speaker 7: we see each other, we go show love, I love Houston, loyal,

645
00:36:58,440 --> 00:37:01,360
Speaker 7: we go turn up. But behind the scene, Hey, this

646
00:37:01,440 --> 00:37:03,560
Speaker 7: guy want to book you Roe. Hey, here goes some money.

647
00:37:03,600 --> 00:37:06,440
Speaker 7: Hey come to this time, bingo, we got you. Come on, youngster.

648
00:37:06,520 --> 00:37:08,919
Speaker 7: You're like like we were helping each other make money.

649
00:37:09,160 --> 00:37:11,680
Speaker 7: DJ screw put us around each other for a reason,

650
00:37:12,120 --> 00:37:13,600
Speaker 7: and the smart ones recipe.

651
00:37:14,320 --> 00:37:18,719
Speaker 2: Yes, yeah, man, yet to that.

652
00:37:20,719 --> 00:37:23,799
Speaker 1: Let me ask you something that might like throw off

653
00:37:23,840 --> 00:37:24,840
Speaker 1: the situation a little bit.

654
00:37:24,880 --> 00:37:26,279
Speaker 3: It's all good. We built for it.

655
00:37:29,600 --> 00:37:30,080
Speaker 2: In New York.

656
00:37:30,160 --> 00:37:36,920
Speaker 3: We have Puerto Ricans, right, Okay, Puerto Ricans for the

657
00:37:37,000 --> 00:37:37,479
Speaker 3: most part.

658
00:37:39,719 --> 00:37:41,960
Speaker 1: I want to say that they think they black or

659
00:37:42,480 --> 00:37:45,120
Speaker 1: they I did the fire for being black.

660
00:37:45,400 --> 00:37:45,680
Speaker 3: Okay.

661
00:37:46,960 --> 00:37:55,600
Speaker 1: Messicans is y'all version of Puerto Ricans, right, he's the

662
00:37:55,680 --> 00:38:03,640
Speaker 1: young Messican rappers say nigga a lot, young Puerto Rican rappers.

663
00:38:03,680 --> 00:38:06,360
Speaker 1: When they said nigga back then, I didn't take offense

664
00:38:06,440 --> 00:38:09,319
Speaker 1: to it. But now that I'm older, I'm like, oh,

665
00:38:12,760 --> 00:38:15,480
Speaker 1: I kind of like notice it. Maybe I don't take

666
00:38:15,480 --> 00:38:18,440
Speaker 1: offense to it, but I notice it. Is that a

667
00:38:18,560 --> 00:38:21,799
Speaker 1: problem with you, guys? Like when you when you see

668
00:38:21,880 --> 00:38:25,239
Speaker 1: a young eighteen year old saying nigga, nigga, nigga, nigga, nigga,

669
00:38:25,280 --> 00:38:31,359
Speaker 1: nigga and he's Mexican and technically he's not a nigga, right,

670
00:38:32,880 --> 00:38:38,480
Speaker 1: maybe he has the nigga influenced. Sorry, but if that

671
00:38:39,120 --> 00:38:44,239
Speaker 1: man is according the elevator with your great grandmother, your

672
00:38:44,320 --> 00:38:48,120
Speaker 1: great grandmother is not going to identify with him using

673
00:38:48,239 --> 00:38:51,640
Speaker 1: that that word. Is that a problem for you for you, guys?

674
00:38:51,760 --> 00:38:55,800
Speaker 1: Or no, that's a deep question. I killed that answer.

675
00:38:55,960 --> 00:38:56,200
Speaker 3: Sure.

676
00:38:57,200 --> 00:39:00,280
Speaker 7: For me, it don't offend me. I don't live words

677
00:39:00,320 --> 00:39:03,320
Speaker 7: offend me, Okay. I mean, if it was to offend me,

678
00:39:03,400 --> 00:39:05,480
Speaker 7: it would have to have to be said, you know,

679
00:39:05,719 --> 00:39:09,799
Speaker 7: niggir with the E R with At the same time,

680
00:39:10,000 --> 00:39:13,560
Speaker 7: I still don't let words offend me me personally. You

681
00:39:13,640 --> 00:39:17,080
Speaker 7: feel what I'm saying, so it don't bother me, you

682
00:39:17,160 --> 00:39:19,560
Speaker 7: know what I'm saying, But the E R might bother me?

683
00:39:20,200 --> 00:39:20,439
Speaker 3: Okay.

684
00:39:23,000 --> 00:39:28,239
Speaker 5: Uh, I'm gonna have to agree. I'm not gonna let

685
00:39:28,320 --> 00:39:33,480
Speaker 5: it bother me, per se. Uh I kind of know,

686
00:39:33,719 --> 00:39:40,279
Speaker 5: like if it's a young person, they gonna get they

687
00:39:40,360 --> 00:39:45,640
Speaker 5: turn to uh see that that's not appropriate. It's not appropriate.

688
00:39:45,719 --> 00:39:48,600
Speaker 5: It's not appropriate. But but the thing is like like

689
00:39:48,719 --> 00:39:51,839
Speaker 5: how you say they might be in a nigga environment. Yeah,

690
00:39:52,360 --> 00:39:55,279
Speaker 5: and I can't get mad at them because somebody else

691
00:39:55,280 --> 00:39:58,520
Speaker 5: has been calling them nigga a whole lot. What you

692
00:39:59,200 --> 00:40:01,319
Speaker 5: you ain't gonna call it, motherfucker a nigga list you've

693
00:40:01,360 --> 00:40:04,080
Speaker 5: been getting called ship And it was probably like damn,

694
00:40:04,080 --> 00:40:08,000
Speaker 5: I'm a nigga, And it's probably the norm for that

695
00:40:08,160 --> 00:40:11,880
Speaker 5: person until they get to somewhere where the norm is

696
00:40:12,680 --> 00:40:14,920
Speaker 5: getting fucked up for saying that ship.

697
00:40:15,239 --> 00:40:20,600
Speaker 1: Because because what I'm noticing is people who are not black,

698
00:40:21,880 --> 00:40:24,400
Speaker 1: they've adopted it. Yeah, they adopted it way more than

699
00:40:24,440 --> 00:40:24,919
Speaker 1: black people.

700
00:40:25,000 --> 00:40:25,200
Speaker 3: Yeah.

701
00:40:25,840 --> 00:40:30,040
Speaker 1: And I at first was like I was cool with it,

702
00:40:31,400 --> 00:40:35,080
Speaker 1: but I'm not no more like I'm not like I

703
00:40:35,520 --> 00:40:40,120
Speaker 1: actually point that out, like I've seen the dude, I

704
00:40:40,200 --> 00:40:40,680
Speaker 1: don't try.

705
00:40:41,040 --> 00:40:41,839
Speaker 3: Oh, I ain't gonna cry.

706
00:40:42,840 --> 00:40:43,359
Speaker 1: Take a shot.

707
00:40:44,760 --> 00:40:46,880
Speaker 3: Let's take a shot. Yeah, but are you having an

708
00:40:46,880 --> 00:40:48,920
Speaker 3: intervention with Boris Man? Absolutely?

709
00:40:50,880 --> 00:40:57,400
Speaker 1: Boris every everyone I'm having an intervention, Like what everybody

710
00:40:57,520 --> 00:41:05,520
Speaker 1: who is affiliated to black people, but you're not black people,

711
00:41:08,600 --> 00:41:18,000
Speaker 1: including Puerto Ricans, including Mexicans, including like that's my grandmother

712
00:41:18,080 --> 00:41:23,200
Speaker 1: is not gonna understand that you're a cool Mexican. My

713
00:41:23,320 --> 00:41:26,880
Speaker 1: grandmother's not gonna understand that you're a cool fucking Puerto Rican.

714
00:41:27,239 --> 00:41:29,319
Speaker 3: My grandmother's not gonna understand that. If we're in the.

715
00:41:29,360 --> 00:41:33,440
Speaker 1: Elevator and you call EFN, what's up my nigga?

716
00:41:36,160 --> 00:41:38,279
Speaker 3: Yeah, it's not it's not to me.

717
00:41:38,480 --> 00:41:42,120
Speaker 1: That's not cool. Now I'm forty eight years old. I

718
00:41:42,320 --> 00:41:51,080
Speaker 1: just had a birthday. Yeah, Camp, you know how many

719
00:41:51,160 --> 00:41:52,080
Speaker 1: times you was everybody?

720
00:41:52,920 --> 00:41:54,480
Speaker 3: I don't want to be everybody.

721
00:41:54,840 --> 00:41:57,400
Speaker 5: I know you don't And what's fucked up? I'll tell

722
00:41:57,400 --> 00:42:02,239
Speaker 5: you when you was my niggado. Okay, the Wednesday I

723
00:42:02,320 --> 00:42:03,800
Speaker 5: was talking about visit.

724
00:42:05,400 --> 00:42:18,560
Speaker 3: Man. That's my brothers. But no, no, no, but but

725
00:42:18,719 --> 00:42:19,359
Speaker 3: it's it's real.

726
00:42:21,160 --> 00:42:23,520
Speaker 1: America's divided right now.

727
00:42:24,080 --> 00:42:26,279
Speaker 2: It's about it. But but the no parter, this is

728
00:42:26,360 --> 00:42:26,680
Speaker 2: the thing.

729
00:42:27,480 --> 00:42:29,960
Speaker 7: Even though like our great grand you know, grandmothers, and

730
00:42:30,280 --> 00:42:33,799
Speaker 7: they live a certain way, times have changed. So it's

731
00:42:33,880 --> 00:42:38,560
Speaker 7: on us to reprogram ourselves and not be brainwashed by

732
00:42:38,640 --> 00:42:40,920
Speaker 7: what they try to tell us, oh, you can't you know,

733
00:42:41,080 --> 00:42:43,160
Speaker 7: be successful if you don't go to college or you

734
00:42:43,239 --> 00:42:45,360
Speaker 7: can't do this. You can't start off being a CEO.

735
00:42:45,600 --> 00:42:48,920
Speaker 7: I did it, Like damn, that's the beginning of my career.

736
00:42:49,000 --> 00:42:51,640
Speaker 7: I've been to CEO. That's where most artists, like they

737
00:42:52,040 --> 00:42:54,480
Speaker 7: start off rapping. I'm under this guy. I'm under this guy.

738
00:42:54,600 --> 00:42:57,520
Speaker 7: I started off as a CEO. That's so I always

739
00:42:57,600 --> 00:43:02,239
Speaker 7: had about mentality. So it's on us to reprogram ourselves

740
00:43:02,320 --> 00:43:05,280
Speaker 7: and not have to go by the old traditions because

741
00:43:05,320 --> 00:43:07,920
Speaker 7: a lot of the old traditions was based on what

742
00:43:08,200 --> 00:43:11,440
Speaker 7: was going on back then that time. Now, like music

743
00:43:11,560 --> 00:43:15,000
Speaker 7: is uniting people, different races, is coming together different people

744
00:43:15,120 --> 00:43:19,800
Speaker 7: collaborating different genres, like like this shit is a blessing,

745
00:43:20,000 --> 00:43:20,560
Speaker 7: you know what I'm.

746
00:43:20,400 --> 00:43:25,760
Speaker 2: Saying, And that info's got to get passed down too, exactly.

747
00:43:25,800 --> 00:43:26,279
Speaker 3: It has to be.

748
00:43:27,160 --> 00:43:29,239
Speaker 6: So we just got O's got to be OG's and

749
00:43:29,360 --> 00:43:30,760
Speaker 6: keep passing his own exactly.

750
00:43:31,040 --> 00:43:33,040
Speaker 7: And that's that's what we're here for. We ain't here

751
00:43:33,120 --> 00:43:35,800
Speaker 7: telling the people to go do some dumb shit or

752
00:43:35,840 --> 00:43:38,520
Speaker 7: go jeopardize your life for some dumb shit, like if

753
00:43:38,560 --> 00:43:40,239
Speaker 7: you listen to Kings of the South too, like we

754
00:43:40,400 --> 00:43:44,960
Speaker 7: really on some grown me and shit like pay your bills,

755
00:43:45,040 --> 00:43:47,680
Speaker 7: watch out for fake homies, like look out for the

756
00:43:47,719 --> 00:43:50,000
Speaker 7: people that's locked up and looked out for you. We

757
00:43:50,160 --> 00:43:53,440
Speaker 7: really on the motherfucker talking. It's about the message, you

758
00:43:53,480 --> 00:43:54,640
Speaker 7: know what I mean. A lot of people they just

759
00:43:54,800 --> 00:43:58,080
Speaker 7: ramping and they ain't really telling you nothing. We got

760
00:43:58,160 --> 00:44:00,600
Speaker 7: some messages in there, like we want you to make money.

761
00:44:00,640 --> 00:44:02,239
Speaker 7: We want you to watch out for the snakes. We

762
00:44:02,320 --> 00:44:04,239
Speaker 7: want you to take care of your kids. We want

763
00:44:04,280 --> 00:44:06,480
Speaker 7: you to spend time with your kids. We want you

764
00:44:06,600 --> 00:44:09,520
Speaker 7: to value life. So we we come on some righteous ship.

765
00:44:09,920 --> 00:44:11,640
Speaker 7: But you know, but if you play, then you know

766
00:44:11,760 --> 00:44:13,880
Speaker 7: we we got to show you the other side. But

767
00:44:14,160 --> 00:44:18,239
Speaker 7: we staying Christian mingle dot I'm trying to stand that mode.

768
00:44:18,480 --> 00:44:18,600
Speaker 3: Now.

769
00:44:18,719 --> 00:44:20,920
Speaker 6: You gave me the all of you because well you

770
00:44:21,080 --> 00:44:25,240
Speaker 6: on Christian mingo dot com. Come on, you're married, man, I'm.

771
00:44:25,120 --> 00:44:26,160
Speaker 3: On Christians.

772
00:44:27,760 --> 00:44:31,120
Speaker 1: Right, but Christian all right, this is this is the

773
00:44:31,280 --> 00:44:32,239
Speaker 1: King of the South ship.

774
00:44:35,360 --> 00:44:40,000
Speaker 11: We ain't finished quick time, you know, let's go finish,

775
00:44:40,360 --> 00:44:48,040
Speaker 11: hold hold that down after quickly straight up. Yeah all right,

776
00:44:48,440 --> 00:44:54,160
Speaker 11: we read biggie a big punch. Now y'all can pick

777
00:44:54,160 --> 00:44:54,960
Speaker 11: people if you want.

778
00:44:54,840 --> 00:44:57,480
Speaker 3: I'm taking the shot. He just said. Bro, I fuck

779
00:44:57,560 --> 00:45:00,839
Speaker 3: with both of them, recipe both of them. But yeah,

780
00:45:00,880 --> 00:45:01,920
Speaker 3: I fuck with both of them.

781
00:45:02,040 --> 00:45:05,040
Speaker 2: Like, come on, man, you can't zero, you can pick something,

782
00:45:06,640 --> 00:45:07,960
Speaker 2: you can't lead the witness.

783
00:45:08,080 --> 00:45:13,920
Speaker 3: Don't leave you. I just hate yeah, I clete the

784
00:45:13,960 --> 00:45:18,000
Speaker 3: field man.

785
00:45:18,080 --> 00:45:20,759
Speaker 1: Both of them legits Like if it's if you say

786
00:45:20,800 --> 00:45:22,880
Speaker 1: some ship that, well it's somebody that got to get

787
00:45:22,920 --> 00:45:23,319
Speaker 1: picked over.

788
00:45:23,440 --> 00:45:26,360
Speaker 3: We go really picked like no, no, no, I know,

789
00:45:26,480 --> 00:45:27,040
Speaker 3: I know, y'all real.

790
00:45:27,719 --> 00:45:31,440
Speaker 1: Yeah, yeah, these people, they both I ain't gonna they

791
00:45:31,520 --> 00:45:33,000
Speaker 1: both had some ship to the game, you.

792
00:45:33,040 --> 00:45:35,520
Speaker 7: Know what, get brought in And Paul was saying some

793
00:45:35,680 --> 00:45:37,920
Speaker 7: ship was wrapping past a lot of time.

794
00:45:38,000 --> 00:45:40,720
Speaker 1: But if you listen to what the fun was allowed,

795
00:45:41,280 --> 00:45:45,520
Speaker 1: I was, yeah, that's what I'm saying. Okay, okay, okay,

796
00:45:45,520 --> 00:45:49,600
Speaker 1: I'm allowed in Columbia. So with pun and then Beyonce

797
00:45:49,800 --> 00:45:50,240
Speaker 1: and bow.

798
00:45:50,200 --> 00:45:52,719
Speaker 6: Wow, like it was crazy, best of my worlds and

799
00:45:53,719 --> 00:45:57,960
Speaker 6: one one I love it menaced the society or boys

800
00:45:58,000 --> 00:45:58,399
Speaker 6: in the hood.

801
00:46:00,719 --> 00:46:05,279
Speaker 3: Mm hmm. You feel about that one.

802
00:46:05,520 --> 00:46:08,279
Speaker 1: See, that's some ship, that's what we might be able

803
00:46:08,320 --> 00:46:13,000
Speaker 1: to pick from which we can go back home. Man,

804
00:46:13,040 --> 00:46:15,560
Speaker 1: it's the society of Boys of the hood.

805
00:46:17,320 --> 00:46:18,560
Speaker 3: Damn, I'm gonna.

806
00:46:18,320 --> 00:46:22,000
Speaker 5: Say, might what you got, what you got for nigga

807
00:46:22,080 --> 00:46:25,520
Speaker 5: no q two though I know both of the movies.

808
00:46:25,760 --> 00:46:30,000
Speaker 3: Was the Flipped and Fluid. He made me perform at

809
00:46:30,040 --> 00:46:33,040
Speaker 3: the Big Three Me too, and that is so and

810
00:46:33,200 --> 00:46:37,600
Speaker 3: boys and it was the first one. Boy, I love

811
00:46:37,640 --> 00:46:38,040
Speaker 3: the witness.

812
00:46:38,320 --> 00:46:40,800
Speaker 6: Boys in the Hood was Yeah, yeah, absolutely was the

813
00:46:41,239 --> 00:46:45,560
Speaker 6: I always say the first, the first off I would

814
00:46:45,560 --> 00:46:46,080
Speaker 6: be the pick.

815
00:46:46,160 --> 00:46:47,279
Speaker 2: Yeah, I'm a I'm a pick.

816
00:46:47,320 --> 00:46:50,719
Speaker 3: I'm ana pick boys. And if you're conflicted, yeah, like

817
00:46:50,920 --> 00:46:53,040
Speaker 3: the last night, I just did a record live, so

818
00:46:53,080 --> 00:46:57,160
Speaker 3: don't give funk about your bitch ass daddy niggas. Yeah, boys,

819
00:46:57,200 --> 00:46:57,759
Speaker 3: and the.

820
00:46:57,800 --> 00:47:00,640
Speaker 7: Record I did for crick Kriok, I mean cook. I'm

821
00:47:00,800 --> 00:47:04,360
Speaker 7: about Cook only I say, we boys in the hood.

822
00:47:04,600 --> 00:47:07,560
Speaker 7: Some ship you don't get shot in the back like

823
00:47:07,719 --> 00:47:10,520
Speaker 7: Ricky So boys boys in the Hood.

824
00:47:10,560 --> 00:47:11,720
Speaker 3: I I don't have to pick.

825
00:47:11,600 --> 00:47:13,600
Speaker 7: Boys in the Hood like I did watch Boys in

826
00:47:13,640 --> 00:47:15,880
Speaker 7: the Hood more than I watched Don't Be a Minutes

827
00:47:15,960 --> 00:47:17,239
Speaker 7: But don't be a minute man, that.

828
00:47:17,280 --> 00:47:21,319
Speaker 3: Ship don't be don't be good.

829
00:47:21,520 --> 00:47:23,480
Speaker 2: But that was a comedy for.

830
00:47:23,560 --> 00:47:25,480
Speaker 3: Minister to start. It was some ship in there, but

831
00:47:25,560 --> 00:47:26,600
Speaker 3: Boys in the Hood, man.

832
00:47:27,040 --> 00:47:31,279
Speaker 7: Was it was it was but like you need some

833
00:47:31,480 --> 00:47:34,320
Speaker 7: help you but gooding with his daddy and all that,

834
00:47:34,520 --> 00:47:36,799
Speaker 7: like sneaking in the girl house and all that kind

835
00:47:36,840 --> 00:47:37,160
Speaker 7: of ship.

836
00:47:37,280 --> 00:47:40,440
Speaker 3: Like oh yeah when he hit the wall, yeah that

837
00:47:40,560 --> 00:47:45,600
Speaker 3: had no wall. Yeah, and then that that that.

838
00:47:49,080 --> 00:47:52,400
Speaker 6: Yeah, I gotta go with that boys ship, all right,

839
00:47:52,600 --> 00:47:53,840
Speaker 6: switch the house is screwed up.

840
00:47:56,640 --> 00:48:01,479
Speaker 3: You got no hate, no y'all. Yeah, that very fast.

841
00:48:01,600 --> 00:48:12,400
Speaker 3: I don't know. That's shot. I'm taking a shot. You

842
00:48:12,719 --> 00:48:16,319
Speaker 3: got to take. I was shouting taking a shot. Take

843
00:48:16,360 --> 00:48:18,719
Speaker 3: it shut. I'm so proud of y'all making that fast.

844
00:48:18,719 --> 00:48:23,480
Speaker 3: And I tried to change. See that's this man, God damn,

845
00:48:24,239 --> 00:48:25,040
Speaker 3: I want to I want.

846
00:48:24,920 --> 00:48:28,560
Speaker 7: One of those changes. Screwed up clip. Man, it's a

847
00:48:28,640 --> 00:48:30,120
Speaker 7: lot of stuff that man, bro.

848
00:48:30,160 --> 00:48:30,799
Speaker 3: I can't get one.

849
00:48:30,880 --> 00:48:35,239
Speaker 1: It's you, you general, I be fifty fifth. I gotta

850
00:48:35,280 --> 00:48:37,759
Speaker 1: get you freestyling and then we gotta screw.

851
00:48:37,640 --> 00:48:42,040
Speaker 3: Yeah, he got the chopping and then we scuriously. You

852
00:48:42,080 --> 00:48:47,040
Speaker 3: gotta slow down. I gotta down. I'm sure they've I'm

853
00:48:47,080 --> 00:48:53,520
Speaker 3: sure they've done it to your records many times. I'm

854
00:48:53,800 --> 00:48:56,480
Speaker 3: not going to screw up click chain, screwed up clip.

855
00:48:58,480 --> 00:48:59,920
Speaker 3: Let me look at that. I'm not Yeah, I'm a

856
00:49:00,080 --> 00:49:04,440
Speaker 3: what now, I trust you. Come on, I brought it

857
00:49:04,560 --> 00:49:08,240
Speaker 3: up from a represent flip we go, Yeah, that is clean.

858
00:49:08,760 --> 00:49:09,000
Speaker 4: We go.

859
00:49:10,640 --> 00:49:14,360
Speaker 3: We killed that and look I started. You gotta we

860
00:49:14,440 --> 00:49:18,080
Speaker 3: got to drop the little It's that's what they know

861
00:49:18,200 --> 00:49:21,080
Speaker 3: me as. But I'm big flip now big clip the

862
00:49:21,160 --> 00:49:23,360
Speaker 3: cattle with Google my name and all that kind of

863
00:49:23,840 --> 00:49:25,239
Speaker 3: represent Let me keep it.

864
00:49:25,239 --> 00:49:30,000
Speaker 1: Little but yeah, big clipping. Yes, yes, that's look look

865
00:49:30,000 --> 00:49:31,560
Speaker 1: at look at me representing.

866
00:49:31,040 --> 00:49:34,800
Speaker 3: That s that screwed up clip fifty generations fooled up. Click.

867
00:49:35,360 --> 00:49:39,600
Speaker 3: Oh my god, and you did it right, You did

868
00:49:39,680 --> 00:49:40,000
Speaker 3: it right.

869
00:49:40,080 --> 00:49:42,839
Speaker 1: Hold on, hold on, look look I'm holding it because

870
00:49:42,840 --> 00:49:46,279
Speaker 1: I don't n Yeah TV.

871
00:49:46,400 --> 00:49:50,799
Speaker 3: Johnny King, Johnny Kings. Just a difference, Okay, okay, yes,

872
00:49:50,800 --> 00:49:52,320
Speaker 3: it's the difference. I tell us the difference.

873
00:49:52,440 --> 00:49:54,320
Speaker 2: King Johnny is the guy who made all the screwed

874
00:49:54,400 --> 00:49:54,759
Speaker 2: up Click.

875
00:49:55,000 --> 00:49:56,480
Speaker 3: Jerry, Now is that in the gallery?

876
00:49:57,440 --> 00:50:00,480
Speaker 7: He actually is in the He got Kings, he and

877
00:50:00,600 --> 00:50:03,239
Speaker 7: King's Fleet market and he's in a Sharp Time.

878
00:50:03,480 --> 00:50:05,719
Speaker 2: But what they changed it to what's the new name?

879
00:50:06,000 --> 00:50:08,040
Speaker 7: They changed the name to Sharps Time oub But for me,

880
00:50:08,120 --> 00:50:10,840
Speaker 7: it's gonna fail be Sharp Times.

881
00:50:13,640 --> 00:50:15,560
Speaker 3: It's the first time he debuted to screwed up.

882
00:50:15,640 --> 00:50:18,600
Speaker 7: Not no, no, I just it depends on the move. Okay,

883
00:50:18,920 --> 00:50:21,400
Speaker 7: you know pre my brother cast, I'll be wearing this.

884
00:50:21,600 --> 00:50:24,520
Speaker 7: This represent three faces, oh brother cast.

885
00:50:24,360 --> 00:50:25,600
Speaker 3: Or he locked up, you know what I mean? So

886
00:50:25,680 --> 00:50:26,960
Speaker 3: I be represented for him.

887
00:50:26,840 --> 00:50:30,200
Speaker 7: Because he did some real ship for me and people

888
00:50:30,239 --> 00:50:32,920
Speaker 7: that do real ship for me, even if they locked up,

889
00:50:33,040 --> 00:50:35,239
Speaker 7: or even if they did, I do what I gotta

890
00:50:35,280 --> 00:50:36,440
Speaker 7: do to keep their name alive.

891
00:50:37,280 --> 00:50:39,920
Speaker 3: That's why you, Jimmy had some facts. What was it, Jamie?

892
00:50:40,320 --> 00:50:40,440
Speaker 4: Was it?

893
00:50:40,560 --> 00:50:41,200
Speaker 3: What were you saying?

894
00:50:46,160 --> 00:50:48,560
Speaker 2: Michican O TV did a record called Jenny.

895
00:50:50,680 --> 00:50:52,480
Speaker 3: But that's what That's a different journey from them what

896
00:50:52,560 --> 00:50:53,200
Speaker 3: I'm talking about.

897
00:50:53,320 --> 00:50:56,200
Speaker 2: Okay, but we with we fu with TV, Johnny like, okay,

898
00:50:57,280 --> 00:50:57,520
Speaker 2: thank you?

899
00:51:02,480 --> 00:51:04,280
Speaker 3: She was you wrong.

900
00:51:09,239 --> 00:51:11,080
Speaker 2: We ain't no hate us, bro. We on some grown

901
00:51:11,160 --> 00:51:12,920
Speaker 2: men for everybody.

902
00:51:13,080 --> 00:51:18,239
Speaker 3: Yes, all right, fat patter, big pokey ship like a shot.

903
00:51:18,400 --> 00:51:23,040
Speaker 3: Damn of course there we go. Houston is so loyal.

904
00:51:23,440 --> 00:51:25,040
Speaker 3: I love how they so loyal.

905
00:51:25,160 --> 00:51:25,279
Speaker 8: Bro.

906
00:51:27,040 --> 00:51:29,880
Speaker 3: We ain't choosing over them, and we screwed up clicks.

907
00:51:29,640 --> 00:51:33,680
Speaker 5: Ship go ahead people, both of them, all right, yeah, man,

908
00:51:33,920 --> 00:51:35,760
Speaker 5: for real legends.

909
00:51:35,840 --> 00:51:38,160
Speaker 3: Man, I hate both of them.

910
00:51:38,239 --> 00:51:41,480
Speaker 7: Not here, man, I hate Pat didn't get to see

911
00:51:41,520 --> 00:51:45,640
Speaker 7: the release of his album that's terrible, like man our coaching, Man,

912
00:51:45,680 --> 00:51:49,120
Speaker 7: we got some real trends to us, like the dope

913
00:51:49,160 --> 00:51:52,719
Speaker 7: part about it, bro Like just like people on the

914
00:51:52,760 --> 00:51:56,160
Speaker 7: East Coast they hold you know, jay Z and ours

915
00:51:56,200 --> 00:51:58,160
Speaker 7: to this this high, you know.

916
00:51:58,360 --> 00:52:00,120
Speaker 3: The Northeast coast. Let's just be correct and.

917
00:52:00,400 --> 00:52:06,520
Speaker 1: Straight up, like straight up, like that's how you feel

918
00:52:06,520 --> 00:52:09,319
Speaker 1: about DJ Trew and Fat Pad and Pokey and Hawk

919
00:52:09,400 --> 00:52:12,839
Speaker 1: and all the like we rapp with them, We don't.

920
00:52:13,080 --> 00:52:15,480
Speaker 1: We don't look at ourselves like, oh yeah, we're less

921
00:52:15,600 --> 00:52:18,680
Speaker 1: than like we we really did some legendary ship man

922
00:52:18,760 --> 00:52:21,480
Speaker 1: and hell yeah. And to be a part of the

923
00:52:21,520 --> 00:52:24,840
Speaker 1: screwed up clicking for DJ Screw to really allow us

924
00:52:24,920 --> 00:52:27,520
Speaker 1: to come to his house and freestyle and showcase our

925
00:52:27,600 --> 00:52:30,879
Speaker 1: talent and not be a greedy person and sign us off.

926
00:52:31,680 --> 00:52:33,440
Speaker 3: HEJ Screw. He could have He could have been like,

927
00:52:33,480 --> 00:52:35,040
Speaker 3: I'm signing all of y'all and he could have been

928
00:52:35,080 --> 00:52:35,799
Speaker 3: a billionaire.

929
00:52:36,000 --> 00:52:37,600
Speaker 6: Do you think he knew what he had like at

930
00:52:37,640 --> 00:52:40,200
Speaker 6: the time, you think he knew what he had early?

931
00:52:40,480 --> 00:52:42,400
Speaker 6: He might not have known how it would have been.

932
00:52:42,960 --> 00:52:46,160
Speaker 3: He didn't want it. He didn't want to say I know,

933
00:52:46,239 --> 00:52:48,040
Speaker 3: I wish you flipped. I think that he knew that,

934
00:52:48,160 --> 00:52:50,319
Speaker 3: and I think he was that genuine he didn't want

935
00:52:50,360 --> 00:52:52,759
Speaker 3: the responsibility. I can respect that.

936
00:52:52,880 --> 00:52:55,400
Speaker 7: I'm us how to be famous and still live a

937
00:52:55,520 --> 00:52:58,680
Speaker 7: normal life. Most people are slaves to their fame.

938
00:52:58,800 --> 00:52:59,560
Speaker 3: They can't go to the.

939
00:53:00,280 --> 00:53:03,600
Speaker 7: Grocery store with our people everywhere, like like, we really

940
00:53:03,680 --> 00:53:05,759
Speaker 7: get to be famous, bro, and still go to the

941
00:53:05,840 --> 00:53:07,480
Speaker 7: pastry store, you know what I mean?

942
00:53:07,640 --> 00:53:10,360
Speaker 2: Like, so we're not slaves to our fame. So for

943
00:53:10,440 --> 00:53:12,920
Speaker 2: a person like DJ screw to let us.

944
00:53:12,920 --> 00:53:14,480
Speaker 3: Come in here, I think I believe that.

945
00:53:14,680 --> 00:53:17,919
Speaker 7: And he won Ajusto Mixtape Award, like he had a ring. Yeah,

946
00:53:18,000 --> 00:53:20,120
Speaker 7: you know, so DJ screw Man and that was it.

947
00:53:20,640 --> 00:53:24,840
Speaker 3: You get a just I gottads mixed you. Yeah, I got.

948
00:53:29,160 --> 00:53:32,840
Speaker 6: Screw Yeah recipes adjusto Man just did a lot for

949
00:53:32,920 --> 00:53:33,400
Speaker 6: the mixtape.

950
00:53:33,480 --> 00:53:38,000
Speaker 3: DJs. Yeah, hold on, come on shout this one. This

951
00:53:38,080 --> 00:53:49,920
Speaker 3: one right, I'm I'm a pronow. He's swinging on you

952
00:53:52,239 --> 00:53:56,040
Speaker 3: pro not taking shots. Yeah the next one, oh man.

953
00:53:56,600 --> 00:53:57,000
Speaker 2: But I have.

954
00:54:00,760 --> 00:54:09,160
Speaker 3: Analog or digital recording wise, obviously analog. I didn't make

955
00:54:09,200 --> 00:54:10,000
Speaker 3: you to say analog.

956
00:54:11,920 --> 00:54:16,680
Speaker 1: Analog fuck that. I'm sorry, it doesn't matter. Some probably

957
00:54:16,680 --> 00:54:18,400
Speaker 1: I gotta take a shot right then.

958
00:54:18,960 --> 00:54:20,759
Speaker 3: Yeah, you're saying neither I want.

959
00:54:21,200 --> 00:54:24,480
Speaker 7: It don't matter because when you pro, when you are

960
00:54:24,560 --> 00:54:26,560
Speaker 7: pro it, you just go get on that mic and go,

961
00:54:26,960 --> 00:54:29,040
Speaker 7: you know, pause that boy.

962
00:54:30,080 --> 00:54:32,000
Speaker 3: But the analog do sound better though.

963
00:54:33,360 --> 00:54:39,400
Speaker 2: An I was dope. Yeah, like analog was dope like me.

964
00:54:39,840 --> 00:54:40,799
Speaker 2: I don't give a fuck like.

965
00:54:40,920 --> 00:54:42,919
Speaker 6: We probably wouldn't couln't survive an analog.

966
00:54:42,920 --> 00:54:45,840
Speaker 7: Because I just got some dope ass plugs and some

967
00:54:45,920 --> 00:54:47,600
Speaker 7: shiit to make me still sound dope.

968
00:54:48,200 --> 00:54:50,640
Speaker 3: Thanks to my brothers for putting me on the type

969
00:54:50,640 --> 00:54:52,080
Speaker 3: of mic and the system to get.

970
00:54:52,040 --> 00:54:54,759
Speaker 2: You know what I mean. So I don't give a fuck.

971
00:54:55,040 --> 00:54:57,560
Speaker 2: When you're pro, you just do what you do, right.

972
00:55:00,160 --> 00:55:07,239
Speaker 3: Riders of Rockefeller, All right, repeat the d MX. You

973
00:55:07,320 --> 00:55:09,879
Speaker 3: got the DMX story of course, tell us.

974
00:55:11,360 --> 00:55:14,319
Speaker 7: So I was label maxed with DMX. He eventually came

975
00:55:14,400 --> 00:55:17,080
Speaker 7: to you know, Columbia. But I'm cool with the rough

976
00:55:17,160 --> 00:55:20,160
Speaker 7: Riders too, like d n Y and all. Here City

977
00:55:20,280 --> 00:55:22,040
Speaker 7: is my bro. Like if you're looking to turn it

978
00:55:22,120 --> 00:55:24,759
Speaker 7: up video, I have on a three Cassidy shirt, you

979
00:55:24,800 --> 00:55:26,680
Speaker 7: know what I mean. So I'm down with the rough Riders.

980
00:55:29,160 --> 00:55:32,759
Speaker 7: What video was said? We were in atl We did

981
00:55:32,840 --> 00:55:35,920
Speaker 7: the video for Tear It Up with Young One. He

982
00:55:36,120 --> 00:55:39,720
Speaker 7: signed the artists same young Yeah, yeah, just like the bands.

983
00:55:39,760 --> 00:55:42,319
Speaker 7: They be playing it to me, David Banner, Young One

984
00:55:42,400 --> 00:55:44,560
Speaker 7: and d MX is on the hook. We did the

985
00:55:44,719 --> 00:55:51,880
Speaker 7: video in Atlanta, Bro, and X was like, and you

986
00:55:51,960 --> 00:55:53,520
Speaker 7: got something the smoke, Bro, I'm like, yeah, here you go.

987
00:55:54,440 --> 00:55:57,000
Speaker 7: He was like he saw the blunt that I rode

988
00:55:57,040 --> 00:55:59,319
Speaker 7: because like back then, like all of us we rolled,

989
00:55:59,440 --> 00:56:01,759
Speaker 7: was like three on fires. Will take like you know,

990
00:56:02,239 --> 00:56:06,040
Speaker 7: to Philly blunts and put them sidewise, sidewise, like tell

991
00:56:06,120 --> 00:56:11,440
Speaker 7: him roly fat ass blunts like this, like look like

992
00:56:11,520 --> 00:56:15,680
Speaker 7: real Cuban cigars on the sidewest and then we'll smoke.

993
00:56:16,360 --> 00:56:19,640
Speaker 3: And it was like, you're gonna put all that weed.

994
00:56:21,120 --> 00:56:24,360
Speaker 1: That one fucking blunt, Like yeah, because we're trying to

995
00:56:24,440 --> 00:56:26,719
Speaker 1: really get high, like you know what I mean, we

996
00:56:26,880 --> 00:56:28,480
Speaker 1: really want to go there, you know what I'm saying.

997
00:56:28,520 --> 00:56:31,719
Speaker 1: And like you said, y'all down South niggas, y'all crazy man,

998
00:56:31,800 --> 00:56:35,080
Speaker 1: y'all thugging be you know. But but X was just

999
00:56:35,200 --> 00:56:39,080
Speaker 1: always a dope ass, a dope ass person, a real person.

1000
00:56:39,560 --> 00:56:43,040
Speaker 7: He reminded me a lot about DJ Screw because like

1001
00:56:43,480 --> 00:56:45,359
Speaker 7: Screw didn't let the fan go to his head. One

1002
00:56:45,440 --> 00:56:48,600
Speaker 7: thing about DM mixed, if he fuck with you, if

1003
00:56:48,640 --> 00:56:52,480
Speaker 7: he wants to tackle Bell, he ain't gonna be a

1004
00:56:52,520 --> 00:56:55,320
Speaker 7: slave to his fans, you know, like he was just

1005
00:56:55,400 --> 00:56:58,120
Speaker 7: like y'all texts niggas smoked them big ass blunts, but y'all,

1006
00:56:58,200 --> 00:56:59,080
Speaker 7: motherfucker's crazy.

1007
00:57:00,120 --> 00:57:08,719
Speaker 3: So recipes the DMX got more. We got a couple

1008
00:57:08,760 --> 00:57:14,960
Speaker 3: of relaxed ice Cube or the d o C. That's

1009
00:57:15,040 --> 00:57:17,040
Speaker 3: nextan too. I'm gonna take it. I'm gonna take a shot.

1010
00:57:17,200 --> 00:57:22,080
Speaker 3: Man E was not from the DC IS text. Yeah,

1011
00:57:23,000 --> 00:57:24,800
Speaker 3: that's why they kind this ship drink champ.

1012
00:57:31,560 --> 00:57:34,720
Speaker 7: Yeah, we ain't gonna pick damn any stories with either

1013
00:57:34,720 --> 00:57:37,920
Speaker 7: of them. I mean, I interviewed d o C on

1014
00:57:38,120 --> 00:57:40,600
Speaker 7: my podcast when I was doing the podcast. I'm gonna

1015
00:57:40,600 --> 00:57:42,480
Speaker 7: bring it back. I gotta bring it back. Yeah, I

1016
00:57:42,560 --> 00:57:44,680
Speaker 7: got it, I got we got distribution now. We ain't

1017
00:57:44,680 --> 00:57:47,640
Speaker 7: have this back then, but let's chop it up. You

1018
00:57:47,680 --> 00:57:49,200
Speaker 7: know what I'm saying. It's gonna be a new co

1019
00:57:49,360 --> 00:57:52,200
Speaker 7: host with me y. I'm trying to get rop, you

1020
00:57:52,280 --> 00:57:52,440
Speaker 7: know what.

1021
00:57:52,440 --> 00:57:54,120
Speaker 3: I'm saying that so we can get some of that

1022
00:57:54,840 --> 00:57:58,200
Speaker 3: money like Cam and Mask. Yeah yeah, yeah, yeah, that

1023
00:57:58,360 --> 00:57:59,920
Speaker 3: podcast jump jump in.

1024
00:58:00,040 --> 00:58:03,880
Speaker 1: Yeah, see, y'all seem more happier from the last time

1025
00:58:03,920 --> 00:58:06,120
Speaker 1: you saw from the last time I saw y'all.

1026
00:58:06,480 --> 00:58:14,160
Speaker 3: Y'all seem more happier. So yeah, man, man, I'm sorry,

1027
00:58:15,200 --> 00:58:18,400
Speaker 3: keep talking like, hey, we're still here. Tho, keep it real.

1028
00:58:18,640 --> 00:58:22,720
Speaker 3: I love it. Get a little more gay. So what happened?

1029
00:58:23,640 --> 00:58:25,880
Speaker 3: He said, he's a interviewed DC and his bo.

1030
00:58:27,560 --> 00:58:30,080
Speaker 7: I interviewed him, and he just talked about like his

1031
00:58:30,280 --> 00:58:33,000
Speaker 7: experience being on the West Coast and a lot of

1032
00:58:33,040 --> 00:58:33,680
Speaker 7: people don't know.

1033
00:58:33,880 --> 00:58:36,880
Speaker 2: R Repeater three too, but he's from Dallas. He's from Dallas.

1034
00:58:37,040 --> 00:58:39,520
Speaker 7: Yes, three two used to be on the West Coast,

1035
00:58:39,600 --> 00:58:41,880
Speaker 7: and like when you saw me do that, like no fingerpriss,

1036
00:58:42,240 --> 00:58:43,400
Speaker 7: you get that from mister.

1037
00:58:43,240 --> 00:58:45,600
Speaker 1: Three too, Like yeah, all Repeater three two, So we

1038
00:58:45,720 --> 00:58:48,320
Speaker 1: do it. Take his name alive, no finger press and

1039
00:58:48,360 --> 00:58:50,800
Speaker 1: that's in Texas thing though three two used to do

1040
00:58:50,840 --> 00:58:51,400
Speaker 1: it all the time.

1041
00:58:51,600 --> 00:58:56,360
Speaker 3: You take my dad back. Three two brought some of that.

1042
00:58:56,720 --> 00:58:59,320
Speaker 3: He was hanging around snooping just from people. He just

1043
00:58:59,400 --> 00:59:00,680
Speaker 3: a fly guy, you know what I mean?

1044
00:59:00,840 --> 00:59:05,360
Speaker 7: So yeah, these DFC man him representing. You know, we

1045
00:59:05,480 --> 00:59:08,400
Speaker 7: hated about the car crash and him losing it a

1046
00:59:08,600 --> 00:59:09,200
Speaker 7: I got him.

1047
00:59:09,280 --> 00:59:10,920
Speaker 3: We go Allway, he said, he I got.

1048
00:59:10,960 --> 00:59:15,000
Speaker 6: I mean Beanie singles killing right now killing, so exactly

1049
00:59:15,080 --> 00:59:15,680
Speaker 6: do that right now.

1050
00:59:15,920 --> 00:59:20,360
Speaker 3: He's working with the as it sounds, it's right, it's work.

1051
00:59:20,600 --> 00:59:23,760
Speaker 7: Bennie was one of my favorite rappers. He said, he's doing.

1052
00:59:24,040 --> 00:59:25,000
Speaker 3: Yeah, he got a joint he got.

1053
00:59:25,400 --> 00:59:28,720
Speaker 6: We're doing the album with Yeah, Jada Kiss Yeah, and

1054
00:59:29,400 --> 00:59:31,840
Speaker 6: three Way's executive producing or something right, and he's using

1055
00:59:31,920 --> 00:59:34,640
Speaker 6: A he's using AI to fix the voice. So he's

1056
00:59:34,680 --> 00:59:37,800
Speaker 6: doing the lyrics. He's spitting it and fixing.

1057
00:59:39,000 --> 00:59:41,080
Speaker 3: It. Sounds like him, you know. It's one of the

1058
00:59:41,240 --> 00:59:45,040
Speaker 3: illest lyrics and ever like Yeah, so d C could

1059
00:59:45,080 --> 00:59:45,280
Speaker 3: do it.

1060
00:59:46,560 --> 00:59:49,200
Speaker 6: Does dl c's crew go back like y'all go back

1061
00:59:49,240 --> 00:59:51,560
Speaker 6: with that Field Fresh crew and like that whole vibe.

1062
00:59:52,080 --> 00:59:57,760
Speaker 3: We weren't in the eighties.

1063
00:59:57,800 --> 01:00:00,959
Speaker 6: Yeah, I mean I received I remember Fresh Cooky because

1064
01:00:01,000 --> 01:00:03,360
Speaker 6: that's what with the n W and the Posse table.

1065
01:00:04,600 --> 01:00:09,160
Speaker 1: Just stupid brod way before.

1066
01:00:08,920 --> 01:00:10,960
Speaker 5: That, howd on man, I got to ask something, man,

1067
01:00:12,440 --> 01:00:19,320
Speaker 5: So hold on Beanie like Beanie alive?

1068
01:00:20,000 --> 01:00:25,480
Speaker 3: Yeah, I know he had he lost his voice.

1069
01:00:28,800 --> 01:00:30,880
Speaker 2: From when he got shot, Like I think one one long.

1070
01:00:32,600 --> 01:00:34,480
Speaker 6: So he came on Dreams and he was already talking

1071
01:00:34,480 --> 01:00:38,760
Speaker 6: about as d C was. They was trying to figure

1072
01:00:38,800 --> 01:00:40,760
Speaker 6: out if that technology was going to help them recreate

1073
01:00:40,800 --> 01:00:44,120
Speaker 6: their voice. Okay, and right now, Beanie got a joint

1074
01:00:44,120 --> 01:00:47,160
Speaker 6: out with Jadakiss where they used it and it worked

1075
01:00:47,200 --> 01:00:47,400
Speaker 6: and it.

1076
01:00:49,160 --> 01:00:52,320
Speaker 3: It don't sound weird at all. Well you thought we was.

1077
01:00:54,080 --> 01:00:57,520
Speaker 5: I mean, we ain't answer no questions, So I'm kind

1078
01:00:57,520 --> 01:01:02,280
Speaker 5: of there. There's been a lot of and they're talking

1079
01:01:02,360 --> 01:01:04,360
Speaker 5: about it, like I can see if he was like

1080
01:01:04,720 --> 01:01:07,120
Speaker 5: packing like but like Beanie, that nigga.

1081
01:01:06,880 --> 01:01:11,840
Speaker 3: Up street outside, you know he he outside? Yeah, yeah,

1082
01:01:13,480 --> 01:01:17,080
Speaker 3: I believe. I believe if you show some flip if.

1083
01:01:17,000 --> 01:01:19,160
Speaker 6: I'm not mistaken, I thought he was gonna show him

1084
01:01:19,160 --> 01:01:19,640
Speaker 6: the joints.

1085
01:01:21,160 --> 01:01:23,640
Speaker 3: If I'm not mistaken, I believe Ai.

1086
01:01:24,280 --> 01:01:27,920
Speaker 1: This is this is my friend right here, And he

1087
01:01:28,040 --> 01:01:30,280
Speaker 1: told me that AI tells people you're talking about me.

1088
01:01:30,520 --> 01:01:34,080
Speaker 3: Yeah, you're right here. I see where you were pointing

1089
01:01:34,120 --> 01:01:34,640
Speaker 3: at No.

1090
01:01:34,880 --> 01:01:39,040
Speaker 1: And you you tell me that AI tells you sometimes where.

1091
01:01:38,880 --> 01:01:42,960
Speaker 3: Are you at? They are sucking everything up? Where's your kids?

1092
01:01:43,560 --> 01:01:43,760
Speaker 8: And you?

1093
01:01:43,960 --> 01:01:49,520
Speaker 6: And you you say certain things. I had no idea

1094
01:01:49,720 --> 01:01:53,080
Speaker 6: that that can do that for vocals. Yeah, I could

1095
01:01:53,120 --> 01:01:56,720
Speaker 6: do anything. Look hold on, I'm gonna see a I

1096
01:01:56,960 --> 01:02:02,480
Speaker 6: was fixing people credit. I want to fix fixing people's credit.

1097
01:02:05,440 --> 01:02:07,120
Speaker 3: You know, shouting, I got lead, like you know what

1098
01:02:07,160 --> 01:02:16,560
Speaker 3: I'm saying. He just made miss out Like, yeah, we

1099
01:02:16,680 --> 01:02:19,040
Speaker 3: made that ship happen. But that's my name. It's been

1100
01:02:19,080 --> 01:02:21,439
Speaker 3: a lost week because we love y'all. We love y'all.

1101
01:02:22,000 --> 01:02:27,040
Speaker 3: You We had to do some scheduleing. Man.

1102
01:02:27,120 --> 01:02:28,880
Speaker 7: We were supposed to come out here while bag man,

1103
01:02:29,000 --> 01:02:31,640
Speaker 7: but we figured it out. So I always like to

1104
01:02:31,640 --> 01:02:32,760
Speaker 7: shout out to people behind it.

1105
01:02:32,880 --> 01:02:39,880
Speaker 3: No, yeah, man makes a look this should happen.

1106
01:02:40,000 --> 01:02:44,680
Speaker 1: Man, this is gonna be an epic episode. Yeah, you

1107
01:02:44,760 --> 01:02:46,280
Speaker 1: know you got you got your shot right there. If

1108
01:02:46,280 --> 01:02:48,160
Speaker 1: you want to know, I'm a g okay, I'm gonna

1109
01:02:48,200 --> 01:02:48,880
Speaker 1: drinking him now.

1110
01:02:49,120 --> 01:02:53,280
Speaker 3: I ain't gonna drink drink seven different glass he definitely drinking.

1111
01:02:54,080 --> 01:02:55,320
Speaker 3: And he's like, I know this one.

1112
01:02:55,400 --> 01:02:56,760
Speaker 2: Maybe this one is Hall of Famer.

1113
01:02:56,880 --> 01:02:59,480
Speaker 3: Now that's crazy. He got some ship in it.

1114
01:02:59,640 --> 01:03:02,160
Speaker 6: I don't know that's sprite gotten that leans, but the

1115
01:03:02,240 --> 01:03:03,000
Speaker 6: sprite got some ship.

1116
01:03:03,320 --> 01:03:05,440
Speaker 2: Man shouldn't mixed with excited prescription.

1117
01:03:05,920 --> 01:03:07,560
Speaker 3: That's put its prescription.

1118
01:03:07,800 --> 01:03:08,080
Speaker 8: It is.

1119
01:03:09,560 --> 01:03:10,080
Speaker 3: Prescribed.

1120
01:03:10,240 --> 01:03:16,320
Speaker 8: At some point, I was just throwing it out there. Look,

1121
01:03:16,400 --> 01:03:19,800
Speaker 8: come on a little come you taket o. You out

1122
01:03:19,840 --> 01:03:21,520
Speaker 8: of control. You're about to go back to bad buddy

1123
01:03:21,600 --> 01:03:21,800
Speaker 8: right now.

1124
01:03:21,840 --> 01:03:22,880
Speaker 3: If you drink that ship.

1125
01:03:25,520 --> 01:03:27,800
Speaker 12: And you win, I can't even like argue back with

1126
01:03:27,920 --> 01:03:38,960
Speaker 12: your guy. Rick Rosse and two chains. With both of them,

1127
01:03:39,040 --> 01:03:40,600
Speaker 12: I got history both with both.

1128
01:03:40,760 --> 01:03:41,280
Speaker 3: Talk about it.

1129
01:03:42,800 --> 01:03:45,520
Speaker 2: When Rons drive who to Miami?

1130
01:03:46,000 --> 01:03:46,800
Speaker 3: What was the club?

1131
01:03:47,640 --> 01:03:49,840
Speaker 2: I don't know if it was south it was in South.

1132
01:03:49,680 --> 01:03:54,560
Speaker 7: Beach, but cameo was it a mansion Opium Opium yep

1133
01:03:54,800 --> 01:03:57,480
Speaker 7: o PM He had his release party.

1134
01:03:57,600 --> 01:03:59,160
Speaker 3: Buster Rhymes was in that bitch.

1135
01:04:00,440 --> 01:04:00,560
Speaker 8: You know.

1136
01:04:00,760 --> 01:04:05,040
Speaker 7: Jay Z was in that bitch. He was playing that

1137
01:04:05,160 --> 01:04:07,800
Speaker 7: music and Definite I was able to be down here.

1138
01:04:09,360 --> 01:04:11,880
Speaker 7: We went to the studio. That's when he was doing

1139
01:04:11,920 --> 01:04:14,800
Speaker 7: business with Poe Boy. We actually did a push It

1140
01:04:14,880 --> 01:04:18,440
Speaker 7: to the Limit remix. I actually rapped on it. It

1141
01:04:18,640 --> 01:04:23,080
Speaker 7: never came out, but it didn't. Yeah, I did a

1142
01:04:23,360 --> 01:04:25,680
Speaker 7: damn It Man remix with Pitt Bull before he go.

1143
01:04:28,040 --> 01:04:31,200
Speaker 7: Wayne was on there, like but like being out here

1144
01:04:31,240 --> 01:04:33,040
Speaker 7: with Rick Ross and who was the other name he

1145
01:04:33,120 --> 01:04:38,880
Speaker 7: said to change and Chains like even though I was

1146
01:04:38,960 --> 01:04:41,760
Speaker 7: super cool with Ludacris, every time I linked with somebody

1147
01:04:41,800 --> 01:04:44,800
Speaker 7: who's in the crew, it's other people that I fuck with,

1148
01:04:44,960 --> 01:04:45,600
Speaker 7: you know, that's.

1149
01:04:45,440 --> 01:04:45,840
Speaker 3: In the crew.

1150
01:04:45,960 --> 01:04:49,000
Speaker 7: So I fucked with Ludacris. We'll do our music together.

1151
01:04:49,120 --> 01:04:51,640
Speaker 7: But me and two Chains, well he went by TI

1152
01:04:51,840 --> 01:04:55,160
Speaker 7: you know back when he was part of DTP correct

1153
01:04:55,280 --> 01:04:59,120
Speaker 7: people that if you listen to you Gotta Feel Me album.

1154
01:04:59,200 --> 01:05:02,000
Speaker 7: The first song on there, it's called uh Bring the

1155
01:05:02,120 --> 01:05:06,440
Speaker 7: Pain featuring or Repeater Static Major Kentucky with a do Luville.

1156
01:05:08,520 --> 01:05:10,560
Speaker 7: I put titty Boy on there, but it's me, titty

1157
01:05:10,600 --> 01:05:15,200
Speaker 7: Boy and Ludicrous. So like we would always fuck around

1158
01:05:15,240 --> 01:05:18,959
Speaker 7: with each other, so like our relationship was super dope.

1159
01:05:19,040 --> 01:05:20,920
Speaker 7: So when he started like really blowing up and he

1160
01:05:21,000 --> 01:05:24,120
Speaker 7: switched his name and reinvented hisself, like I was proud

1161
01:05:24,200 --> 01:05:25,000
Speaker 7: of him, you know what I mean?

1162
01:05:25,160 --> 01:05:27,160
Speaker 3: So yeah, I with both of them.

1163
01:05:29,840 --> 01:05:31,640
Speaker 1: Are you taking a chat or we already took a shot.

1164
01:05:31,680 --> 01:05:34,040
Speaker 3: We took a shot. Yeah, we took it. You can

1165
01:05:34,080 --> 01:05:35,040
Speaker 3: take another one if you won't.

1166
01:05:37,680 --> 01:05:43,439
Speaker 6: Luck right now, next one, next one, Willie D Live

1167
01:05:43,600 --> 01:05:44,720
Speaker 6: or Joe Bunden podcast.

1168
01:05:47,520 --> 01:05:52,160
Speaker 3: Damn uh motherfuckers. Can't go against Willy D. I can't

1169
01:05:52,200 --> 01:05:54,320
Speaker 3: go against Willy D. And what are you doing this

1170
01:05:54,400 --> 01:05:56,160
Speaker 3: thing on the podcast? Shit too?

1171
01:05:56,320 --> 01:05:58,800
Speaker 2: Like like I watched vocal. You know what I'm saying.

1172
01:05:58,800 --> 01:06:01,240
Speaker 2: I watched both like they both bring you like skin.

1173
01:06:04,840 --> 01:06:12,680
Speaker 3: Like nigga, you gotta watch take but brother, though we

1174
01:06:13,040 --> 01:06:18,040
Speaker 3: were still if you gotta take a break, take the break.

1175
01:06:18,520 --> 01:06:22,560
Speaker 3: I ain't gonna lie you're going with really, I got

1176
01:06:22,680 --> 01:06:26,000
Speaker 3: to I'm gonna have shout out to Joe but but

1177
01:06:26,200 --> 01:06:30,560
Speaker 3: but I got to go home. He's doing it right now,

1178
01:06:31,600 --> 01:06:34,640
Speaker 3: the super legend. That's a big bro to. And what

1179
01:06:34,880 --> 01:06:37,800
Speaker 3: do you beat you up? I mean you don't beat

1180
01:06:37,800 --> 01:06:38,560
Speaker 3: a couple of people up?

1181
01:06:38,600 --> 01:06:38,720
Speaker 1: Man?

1182
01:06:38,960 --> 01:06:40,800
Speaker 3: Really do you got hands? I don't know that.

1183
01:06:40,920 --> 01:06:42,760
Speaker 7: I think he's a certified boxer. I think I don't

1184
01:06:42,760 --> 01:06:47,080
Speaker 7: know he's heard about boxing too. But we respect really

1185
01:06:47,360 --> 01:06:48,120
Speaker 7: like that's how brother.

1186
01:06:49,960 --> 01:06:52,400
Speaker 3: Train. The niggas train every day, you know, like every

1187
01:06:52,440 --> 01:06:55,720
Speaker 3: fold Nigga read these Nikes. That's that's that's a shout

1188
01:06:55,720 --> 01:07:02,560
Speaker 3: out to a niggas and fosby Nike. He got a

1189
01:07:02,640 --> 01:07:05,680
Speaker 3: song called make a Nigga read like like.

1190
01:07:07,720 --> 01:07:15,080
Speaker 7: Believe you know when my brother? Yeah, you know for them, man,

1191
01:07:15,440 --> 01:07:17,439
Speaker 7: you know it's just looking. I'm gonna take my shot.

1192
01:07:17,560 --> 01:07:20,040
Speaker 3: Shout out to both them, Shout out to both of them.

1193
01:07:20,160 --> 01:07:25,680
Speaker 3: All Odd Squad or Fifth War boys. Man, you know

1194
01:07:25,800 --> 01:07:31,439
Speaker 3: the shot. Well, yeah, Nigga's crazy squad. That's a cocaine section.

1195
01:07:31,840 --> 01:07:37,000
Speaker 3: That's that's that's who makes that ship a Manican and

1196
01:07:37,200 --> 01:07:42,400
Speaker 3: uh cocaine. There we go. Yeah, od squad of who

1197
01:07:43,040 --> 01:07:47,960
Speaker 3: for the Fifth War? Right? Yeah, he wants me. I

1198
01:07:48,040 --> 01:07:49,880
Speaker 3: tell you I'm a pro now, nigga. Yeah, yeah, you've

1199
01:07:49,880 --> 01:07:51,760
Speaker 3: been the bro. Shout out to Devin the Dude. Man,

1200
01:07:53,360 --> 01:07:56,560
Speaker 3: I think Devin the Dude man, we need do drink chances.

1201
01:07:56,680 --> 01:07:59,840
Speaker 3: Y'all ain't got that yet. No, man, I'm gonna get yours.

1202
01:08:00,040 --> 01:08:02,720
Speaker 2: He's a headless man to get your I got your zero.

1203
01:08:03,480 --> 01:08:10,360
Speaker 3: Yeah, keep we need more text representation on drinks. They've

1204
01:08:10,360 --> 01:08:14,120
Speaker 3: been coming to us, but I asked for this, dudo. No, no,

1205
01:08:14,280 --> 01:08:17,519
Speaker 3: they've been coming. We appreciate you coming. Bro. Wait you

1206
01:08:17,720 --> 01:08:21,280
Speaker 3: getting me on drink champ. They'll be like they're like zero.

1207
01:08:21,800 --> 01:08:22,240
Speaker 3: How you like?

1208
01:08:22,320 --> 01:08:22,720
Speaker 8: I know?

1209
01:08:23,520 --> 01:08:23,760
Speaker 1: Lord?

1210
01:08:23,880 --> 01:08:29,240
Speaker 3: Man? No, No, we're good. Yeah, that's what we made.

1211
01:08:29,240 --> 01:08:32,920
Speaker 3: It ain't even a month later. We're gonna keep it going.

1212
01:08:33,040 --> 01:08:35,280
Speaker 3: That's manifested ship. We're gonna do one with you by

1213
01:08:35,320 --> 01:08:57,439
Speaker 3: yourself again. Future shots, shoot shots. We got the artists

1214
01:08:58,600 --> 01:09:02,240
Speaker 3: actually shout shadow because you don't like that. That was dope.

1215
01:09:02,280 --> 01:09:08,719
Speaker 3: Man it up boozy, Kevin Gates, God damn niggas.

1216
01:09:09,880 --> 01:09:14,400
Speaker 7: Yeah, we definitely gonna hold it down for the South Nigga.

1217
01:09:14,400 --> 01:09:18,960
Speaker 7: I ain't picking man, he's a picking both niggas. I'm

1218
01:09:19,040 --> 01:09:27,280
Speaker 7: glad you're driving man. God nah, I mean that guy.

1219
01:09:30,080 --> 01:09:31,679
Speaker 3: I thought you pour it board. I was like cords

1220
01:09:31,720 --> 01:09:37,559
Speaker 3: Kid talking nowhere. You can't try real life. You gotta grow.

1221
01:09:37,840 --> 01:09:40,920
Speaker 3: I'm talking about the real life as we said both

1222
01:09:42,240 --> 01:09:47,040
Speaker 3: where you should go, Oh yeah, okay, cool. Ain't y'all

1223
01:09:47,040 --> 01:09:49,360
Speaker 3: want to try some mamauana real quick. You've been drinking everything,

1224
01:09:49,439 --> 01:09:51,000
Speaker 3: so you might as well try it. I'll take you.

1225
01:09:52,320 --> 01:09:54,960
Speaker 3: I'll take one. Give him Jamie, give him a shout off.

1226
01:09:55,040 --> 01:10:00,639
Speaker 3: My wanna who mamajuana is? Dominican? Is the Dominican Ali, Sir.

1227
01:10:00,720 --> 01:10:03,760
Speaker 3: I'm gonna be honest. Little Flip is the illest.

1228
01:10:03,560 --> 01:10:07,479
Speaker 6: Good drink everything, champ. I feel like if we said, listen, person, boys,

1229
01:10:07,520 --> 01:10:08,480
Speaker 6: got a juice.

1230
01:10:08,920 --> 01:10:15,640
Speaker 3: You know nothing that I'm no, I'm bigging you up.

1231
01:10:16,040 --> 01:10:19,920
Speaker 13: Not enough, don't get more time much it's good, it's

1232
01:10:19,960 --> 01:10:30,720
Speaker 13: good much. If it ain't, it's cool, sell.

1233
01:10:27,160 --> 01:10:28,280
Speaker 3: Drinking no more? After that?

1234
01:10:30,160 --> 01:10:35,920
Speaker 6: Taking in ship he has a chameleonaire.

1235
01:10:37,400 --> 01:10:40,240
Speaker 3: Man, I ain't gonna go against my brothers. I ain't

1236
01:10:41,840 --> 01:10:46,120
Speaker 3: get I got this shot. You're done. Zero zero is

1237
01:10:46,160 --> 01:10:46,600
Speaker 3: catching on?

1238
01:10:46,960 --> 01:10:47,120
Speaker 6: Man?

1239
01:10:47,160 --> 01:10:50,760
Speaker 3: What zero zero drinks right now? Hold on? Hold on?

1240
01:10:50,960 --> 01:10:55,519
Speaker 3: Say uh what you got? You gotta answer because I'm

1241
01:10:55,560 --> 01:11:00,599
Speaker 3: I'm taking both. We drank already, go home. I gotta go. Yeah,

1242
01:11:00,640 --> 01:11:03,760
Speaker 3: I'm taking move, So you gotta take your shot. Yeah,

1243
01:11:04,000 --> 01:11:07,880
Speaker 3: I trying to move to Houston. So yeah, neither one, man,

1244
01:11:08,200 --> 01:11:10,360
Speaker 3: I think this is gonna be Yeah, just no.

1245
01:11:12,000 --> 01:11:15,920
Speaker 7: Yeah, our brothers when hey, I love the I love

1246
01:11:16,240 --> 01:11:18,960
Speaker 7: We ain't going against We ain't going against him.

1247
01:11:19,000 --> 01:11:19,160
Speaker 4: Man.

1248
01:11:19,240 --> 01:11:22,840
Speaker 6: We were in for unity, bro, we ain't in for division. Absolutely,

1249
01:11:23,360 --> 01:11:28,400
Speaker 6: Like really all right, rap at swave house.

1250
01:11:30,800 --> 01:11:34,280
Speaker 3: Damn, we got to go back home. I mean we're

1251
01:11:34,280 --> 01:11:37,240
Speaker 3: gonna pick rap a lot, but give us stories or something. Man,

1252
01:11:37,680 --> 01:11:39,800
Speaker 3: we both, but we're gonna go with. I mean, we

1253
01:11:39,880 --> 01:11:41,559
Speaker 3: gotta pick with. It's rap a lot.

1254
01:11:41,680 --> 01:11:44,720
Speaker 7: I mean like they showed us to black print to

1255
01:11:45,760 --> 01:11:48,639
Speaker 7: how you got to look. Look, let me tell your story.

1256
01:11:50,479 --> 01:11:53,800
Speaker 7: I went to fund your middle school. I went to

1257
01:11:53,920 --> 01:11:56,040
Speaker 7: middle school with a guy by the name of Cedric

1258
01:11:56,560 --> 01:12:03,439
Speaker 7: White too low scarface. Yeah, he was black. He had

1259
01:12:03,479 --> 01:12:05,760
Speaker 7: a record with Scarface called a Funky Little Nigga the

1260
01:12:06,080 --> 01:12:08,240
Speaker 7: Little Brother on scarface.

1261
01:12:07,760 --> 01:12:10,000
Speaker 2: Album, I think it was called The World Is Yours.

1262
01:12:11,479 --> 01:12:14,080
Speaker 7: So I was in middle school going to school with

1263
01:12:14,160 --> 01:12:17,200
Speaker 7: a guy named Tulo who actually wrapped and had music

1264
01:12:17,320 --> 01:12:22,760
Speaker 7: videos with Scarface. So he showed me, like, you can

1265
01:12:22,840 --> 01:12:26,240
Speaker 7: be attainable, you can be a kid and make some money.

1266
01:12:26,640 --> 01:12:29,400
Speaker 7: You dig what I'm saying. So, yeah, now it's always

1267
01:12:29,479 --> 01:12:31,320
Speaker 7: gonna be. We're gonna go with rapper out and we

1268
01:12:31,439 --> 01:12:33,639
Speaker 7: got love for swave House. We fucked with a Ball

1269
01:12:33,720 --> 01:12:38,040
Speaker 7: and J G. Tler, mister Mike, everybody all that. But yeah,

1270
01:12:38,120 --> 01:12:40,360
Speaker 7: now we gotta pick a rapper out on that. Man,

1271
01:12:41,040 --> 01:12:44,040
Speaker 7: what you got both of them? I can't do it,

1272
01:12:44,280 --> 01:12:44,800
Speaker 7: straight up.

1273
01:12:46,400 --> 01:12:48,360
Speaker 5: I can't do it because I'm gonna see I'm gonna

1274
01:12:48,360 --> 01:12:51,920
Speaker 5: see Houston's straight up and I'm gonna see Jay Prince

1275
01:12:52,000 --> 01:12:52,800
Speaker 5: at the boxing gym.

1276
01:12:53,040 --> 01:12:55,560
Speaker 3: Now for sure, got me fucked up. Shout out to

1277
01:12:55,600 --> 01:12:59,000
Speaker 3: both of them. Yeah, shout out to both of them. Man, Scarlo,

1278
01:13:00,120 --> 01:13:04,840
Speaker 3: cash money or no limit might keep the cover up.

1279
01:13:06,160 --> 01:13:07,519
Speaker 3: He said, don't put the cup down.

1280
01:13:08,760 --> 01:13:11,120
Speaker 2: I'm gonna go with both. They both brought it to

1281
01:13:11,240 --> 01:13:11,639
Speaker 2: the game.

1282
01:13:11,760 --> 01:13:14,599
Speaker 3: Man, Like I ain't gonna work with both of them both, y'all.

1283
01:13:15,520 --> 01:13:17,920
Speaker 3: I worked with Pee, I did business with P. I didness.

1284
01:13:18,280 --> 01:13:20,760
Speaker 7: If you look at the movie Baller Blocking, I'm in

1285
01:13:20,840 --> 01:13:25,200
Speaker 7: the movie. It's a scene where it's like a shootout

1286
01:13:25,320 --> 01:13:28,679
Speaker 7: or whatever, and like ce Noe and the Body Boys,

1287
01:13:28,720 --> 01:13:29,639
Speaker 7: they brought me up there.

1288
01:13:30,320 --> 01:13:34,000
Speaker 2: I'm in the movie Baller Blocking, like in the party scene.

1289
01:13:34,479 --> 01:13:37,320
Speaker 7: And that was around the same time they had the

1290
01:13:37,400 --> 01:13:40,840
Speaker 7: Cash Money and the Rough Riders tour. So we was

1291
01:13:40,920 --> 01:13:44,240
Speaker 7: at a cash Money party where they brought our plaques

1292
01:13:44,280 --> 01:13:46,679
Speaker 7: and Bentley's and I think it was like slim Birthday

1293
01:13:46,720 --> 01:13:49,960
Speaker 7: and they all got like tattoos. And DMX was there,

1294
01:13:50,200 --> 01:13:54,880
Speaker 7: Dragon Eve like yeah, so we gotta.

1295
01:13:54,640 --> 01:13:55,120
Speaker 3: Go with both.

1296
01:13:55,280 --> 01:13:55,960
Speaker 8: And P.

1297
01:13:57,160 --> 01:14:00,680
Speaker 3: He spent money with me in book shows and and

1298
01:14:01,479 --> 01:14:02,200
Speaker 3: we learned a lot.

1299
01:14:02,360 --> 01:14:05,240
Speaker 7: Like Master P was the motherfucker who would drop twenty

1300
01:14:05,320 --> 01:14:06,400
Speaker 7: albums in one month.

1301
01:14:07,120 --> 01:14:09,760
Speaker 3: Yeah no, he was going crazy. Yeah No, limit was

1302
01:14:09,800 --> 01:14:10,960
Speaker 3: wild with the album drops.

1303
01:14:12,160 --> 01:14:20,400
Speaker 1: Independent, major label, independent, I love the bigger I'm gonna

1304
01:14:20,400 --> 01:14:26,400
Speaker 1: say independent being when a major label gets you in

1305
01:14:26,560 --> 01:14:30,160
Speaker 1: like more markets and gets you more exposure, marketing dollars

1306
01:14:30,400 --> 01:14:34,960
Speaker 1: put behind you. So it was cool for me to,

1307
01:14:35,479 --> 01:14:37,599
Speaker 1: you know, get the fan base and get the radio

1308
01:14:37,760 --> 01:14:41,479
Speaker 1: spins and get the contacts and be on TRL and

1309
01:14:41,560 --> 01:14:42,880
Speaker 1: the one of US six and parks, you know what

1310
01:14:42,880 --> 01:14:44,960
Speaker 1: I mean. But at the end of the day, the

1311
01:14:45,080 --> 01:14:49,280
Speaker 1: person who keeps their contexts is the person who eats forever,

1312
01:14:49,920 --> 01:14:51,840
Speaker 1: you know what I mean. So being able to drop

1313
01:14:51,920 --> 01:14:53,720
Speaker 1: when you won't and don't have to go through this

1314
01:14:53,880 --> 01:14:57,120
Speaker 1: system and all that. So I prefer independent over being

1315
01:14:57,200 --> 01:14:59,479
Speaker 1: on a major. But I got what I need to

1316
01:14:59,560 --> 01:15:00,400
Speaker 1: get from major.

1317
01:15:00,640 --> 01:15:03,599
Speaker 6: So when you was on the major, you was already

1318
01:15:03,640 --> 01:15:05,880
Speaker 6: thinking independent and grabbing these contacts.

1319
01:15:06,360 --> 01:15:08,720
Speaker 2: Yeah, you knew I needed this and I was on

1320
01:15:08,800 --> 01:15:09,599
Speaker 2: a major label.

1321
01:15:09,680 --> 01:15:12,320
Speaker 7: I never operated like I was on a major label, right,

1322
01:15:12,720 --> 01:15:15,960
Speaker 7: Like we still pressed up our own posters.

1323
01:15:15,600 --> 01:15:18,120
Speaker 3: Because you had already had that history for yourself, correct, right.

1324
01:15:18,240 --> 01:15:20,679
Speaker 7: So we were still just moving like we wanted to move.

1325
01:15:20,960 --> 01:15:24,439
Speaker 7: Like it's a contact game. Like if you keep the

1326
01:15:24,560 --> 01:15:27,400
Speaker 7: context and you travel and you get the promoter's numbers

1327
01:15:28,000 --> 01:15:29,720
Speaker 7: and the artist's phone numbers.

1328
01:15:29,600 --> 01:15:30,720
Speaker 3: You go eat forever. Yeah.

1329
01:15:30,760 --> 01:15:33,040
Speaker 6: The saying is your network is your net worth. That's

1330
01:15:33,120 --> 01:15:36,760
Speaker 6: what they say, right, all right, I think we got

1331
01:15:36,800 --> 01:15:45,639
Speaker 6: the last one. Go ahead, Chigo, loyalty or respect lord, respect,

1332
01:15:46,640 --> 01:15:48,599
Speaker 6: damn you you drinking. You did that for drinks.

1333
01:15:49,479 --> 01:15:57,880
Speaker 1: I mean I did that ship for my life. Yeah,

1334
01:15:57,920 --> 01:16:02,519
Speaker 1: I did that for my life. Prefer I prefer both.

1335
01:16:03,920 --> 01:16:05,640
Speaker 1: Some people like, oh yeah, I want the law to you.

1336
01:16:06,200 --> 01:16:07,080
Speaker 1: That's the best answer to me.

1337
01:16:08,320 --> 01:16:11,640
Speaker 7: I won't go because I'm the talk mother. If I

1338
01:16:11,760 --> 01:16:13,560
Speaker 7: fuck with you, I'll fuck with you. I ain't go

1339
01:16:14,320 --> 01:16:16,519
Speaker 7: half fast fuck with you. Like if I fuck with

1340
01:16:16,640 --> 01:16:17,080
Speaker 7: you were.

1341
01:16:16,960 --> 01:16:19,040
Speaker 3: Going out a lot. You know what I mean? I don't.

1342
01:16:19,600 --> 01:16:20,240
Speaker 2: I don't do the.

1343
01:16:20,320 --> 01:16:24,680
Speaker 3: Half fast ship. So yeah, I need both. What about you?

1344
01:16:26,640 --> 01:16:30,639
Speaker 2: Both of them? Damn, that means we gotta take a shot.

1345
01:16:33,920 --> 01:16:38,360
Speaker 3: It's shot a clock. Hold on, that's bro.

1346
01:16:40,240 --> 01:16:43,280
Speaker 6: Let me ask y'all coming from the mixtape game, right,

1347
01:16:43,920 --> 01:16:45,200
Speaker 6: I mean I come from the mixtape game.

1348
01:16:45,200 --> 01:16:46,000
Speaker 3: I know, I know.

1349
01:16:46,080 --> 01:16:48,479
Speaker 6: I'm both of y'all come from the mixtape game when

1350
01:16:48,560 --> 01:16:53,320
Speaker 6: it was analogue, Right, This is how I feel like

1351
01:16:53,439 --> 01:16:59,080
Speaker 6: independent works out the trunk worked Texas to Bay Miami

1352
01:16:59,280 --> 01:17:03,040
Speaker 6: like the South. Really is how we we were able

1353
01:17:03,080 --> 01:17:06,640
Speaker 6: to like sustain ourselves make selling music. You know, how

1354
01:17:06,720 --> 01:17:09,800
Speaker 6: does that translate now in the digital world? Like what's

1355
01:17:09,840 --> 01:17:13,240
Speaker 6: the difference for y'all right now from that era with

1356
01:17:13,400 --> 01:17:16,120
Speaker 6: screwed mixtape? DJ screw mixtapes, So now, like how does

1357
01:17:16,200 --> 01:17:17,040
Speaker 6: that translate?

1358
01:17:20,600 --> 01:17:24,960
Speaker 7: Yeah, it was more money back then, like selling hard

1359
01:17:25,040 --> 01:17:31,840
Speaker 7: copies or whatever, but working and staying a part of

1360
01:17:31,880 --> 01:17:37,640
Speaker 7: your craft and like not budgeting on your price, you know,

1361
01:17:37,840 --> 01:17:42,600
Speaker 7: keeping your mistique, like whatever your formula is. Like ro

1362
01:17:42,840 --> 01:17:45,760
Speaker 7: got his own formula what he does, what works for him.

1363
01:17:46,360 --> 01:17:48,640
Speaker 7: I got my own formula what works for me. So

1364
01:17:49,400 --> 01:17:52,280
Speaker 7: I just look at it like we have some Yin

1365
01:17:52,400 --> 01:17:56,240
Speaker 7: and yang shit. We don't think the same all the time,

1366
01:17:56,360 --> 01:17:58,720
Speaker 7: but we think the same like ninety eight percent of

1367
01:17:58,840 --> 01:18:04,240
Speaker 7: the time. So we just do what our fans love

1368
01:18:04,360 --> 01:18:07,920
Speaker 7: from other, like like the ship that his fans love

1369
01:18:08,000 --> 01:18:08,360
Speaker 7: from him.

1370
01:18:09,280 --> 01:18:12,439
Speaker 3: He does what he do and I do the same things.

1371
01:18:12,600 --> 01:18:15,479
Speaker 7: So it's just about not compromising who you are as

1372
01:18:15,560 --> 01:18:17,479
Speaker 7: a person and it's just really working.

1373
01:18:17,920 --> 01:18:20,440
Speaker 6: But we'll see adjust of the change or like monetary,

1374
01:18:20,880 --> 01:18:23,519
Speaker 6: like before you could literally sell it out the trunk.

1375
01:18:24,520 --> 01:18:28,240
Speaker 6: So these mixtapes, you can go platinum as a mixtape artist.

1376
01:18:29,120 --> 01:18:31,320
Speaker 6: That's different now because it's streaming. So how does that

1377
01:18:31,680 --> 01:18:33,720
Speaker 6: how what's how did you adjust to that? Like how

1378
01:18:33,840 --> 01:18:37,760
Speaker 6: y'all just in a market like Texas where that was big,

1379
01:18:39,280 --> 01:18:40,160
Speaker 6: we got a core for.

1380
01:18:40,200 --> 01:18:42,640
Speaker 3: All of him. Does it go to shows me now

1381
01:18:42,800 --> 01:18:46,080
Speaker 3: more than anything. If you go to Facebook, he got

1382
01:18:46,200 --> 01:18:49,360
Speaker 3: a thing called row Heads. Shout out to the row Heads.

1383
01:18:49,560 --> 01:18:52,360
Speaker 3: Oh that's the fans, right, that's what they. I can't

1384
01:18:52,439 --> 01:18:54,920
Speaker 3: call him. No, I don't like going to fans. Fans.

1385
01:18:55,800 --> 01:18:56,160
Speaker 3: I get that.

1386
01:18:57,000 --> 01:19:00,320
Speaker 7: And then I got fhlip Nation And we just feed

1387
01:19:00,400 --> 01:19:03,720
Speaker 7: our people. They just believe in what we do. Bro Like,

1388
01:19:04,960 --> 01:19:06,640
Speaker 7: we just do what we do at the pace we

1389
01:19:06,760 --> 01:19:07,000
Speaker 7: want to.

1390
01:19:08,880 --> 01:19:09,800
Speaker 3: Yeah. We we just.

1391
01:19:10,800 --> 01:19:15,519
Speaker 7: Unapologetically we be us. We don't have to change who

1392
01:19:15,560 --> 01:19:18,560
Speaker 7: we are. They love us for who we are. We

1393
01:19:18,800 --> 01:19:20,720
Speaker 7: drive when we want to drive, we move when we

1394
01:19:20,880 --> 01:19:22,960
Speaker 7: want to move, and they appreciate it.

1395
01:19:26,720 --> 01:19:32,160
Speaker 3: Well worthy, well worthy, Thank you for coming through. Follows

1396
01:19:34,800 --> 01:19:37,240
Speaker 3: Hang to the South two is how right now? Get that?

1397
01:19:37,840 --> 01:19:40,360
Speaker 7: Get his album Comedy Road Through, Comedy Road to you,

1398
01:19:40,520 --> 01:19:42,639
Speaker 7: you know, shout out to you, Tom Bingo, shout out

1399
01:19:42,640 --> 01:19:45,800
Speaker 7: to up Above Entertainment. And we work and thank y'all

1400
01:19:45,840 --> 01:19:49,160
Speaker 7: for having us. Thank you coming through. Hey, we the

1401
01:19:49,240 --> 01:19:49,880
Speaker 7: drink Champs.

1402
01:19:55,920 --> 01:19:56,439
Speaker 3: We are here.

1403
01:19:57,280 --> 01:20:00,960
Speaker 7: Timothy lens Man looking out. We shoot the video to Miami.

1404
01:20:01,360 --> 01:20:03,479
Speaker 7: We need you in that video. We just need to answer,

1405
01:20:05,360 --> 01:20:06,639
Speaker 7: We just need to answer from.

1406
01:20:06,520 --> 01:20:14,040
Speaker 3: You already already you know what I'm saying, and my

1407
01:20:20,680 --> 01:20:24,559
Speaker 3: mom got you man now much love man, drink Champs.

1408
01:20:32,400 --> 01:20:35,719
Speaker 6: Drink Champs is a Drink Champs ll C production hosts

1409
01:20:35,800 --> 01:20:38,600
Speaker 6: and executive producers n O r E and d j

1410
01:20:38,840 --> 01:20:39,360
Speaker 6: e f f N.

1411
01:20:40,520 --> 01:20:41,360
Speaker 3: Listen to Drink.

1412
01:20:41,240 --> 01:20:45,519
Speaker 6: Champs on Apple Podcast, Amazon Music, Spotify, or wherever you

1413
01:20:45,640 --> 01:20:49,439
Speaker 6: get your podcasts. Thanks for joining us for another episode

1414
01:20:49,439 --> 01:20:51,840
Speaker 6: of drink Champs, hosted by yours truly, d j e

1415
01:20:52,040 --> 01:20:54,280
Speaker 6: f N and n O r E. Please make sure

1416
01:20:54,320 --> 01:20:56,599
Speaker 6: to follow us on all our socials That's at drink

1417
01:20:56,680 --> 01:20:59,320
Speaker 6: Champs across all platforms, at the Real No.

1418
01:20:59,600 --> 01:21:02,120
Speaker 3: Gun i at Noriega on Twitter

1419
01:21:02,520 --> 01:21:05,920
Speaker 6: Mineus at Who's Crazy on I g at dj e

1420
01:21:06,120 --> 01:21:08,439
Speaker 6: f N on Twitter, and most importantly, stay up to

1421
01:21:08,520 --> 01:21:11,840
Speaker 6: date with the latest releases, news and merch by going

1422
01:21:11,880 --> 01:21:13,360
Speaker 6: to drink champs dot com