WEBVTT - 9 Essential Facts You (Probably) Need to Know about... Surfing!

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<v Speaker 1>You're listening to part Time Genius, the production of Kaleidoscope

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<v Speaker 1>and iHeartRadio. Guess what Will?

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<v Speaker 2>What's that Mango?

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<v Speaker 1>So one of the great things about working from home

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<v Speaker 1>is that you can slip away from a stressful day

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<v Speaker 1>or big meetings and get a little exercise. I know

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<v Speaker 1>you like to run. I like to play tennis when

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<v Speaker 1>I can get away. But I was wondering about people

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<v Speaker 1>who relax by doing more extreme sports. Like if you

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<v Speaker 1>want to go surfing in the middle of the day

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<v Speaker 1>and hit the waves, but then get on a zoom

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<v Speaker 1>right after, how do you do that without looking like

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<v Speaker 1>a mess? So I was doing some research and I

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<v Speaker 1>think I found an answer with this Japanese wetsuit. It's

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<v Speaker 1>a one hundred percent waterproof bodysuit that also doubles as

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<v Speaker 1>a business suit.

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<v Speaker 2>So does it actually look like a business suit or

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<v Speaker 2>is it just like a regular wetsuit with some sort

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<v Speaker 2>of jacket on top or something like that.

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<v Speaker 1>It's like a regular two piece suit and it's got

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<v Speaker 1>a button up shirt, except everything is super stretchy. It's

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<v Speaker 1>to repell in. I've actually got a picture for you.

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<v Speaker 1>I'm gonna click it over and send it to you.

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<v Speaker 1>Right now.

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<v Speaker 2>That is actually pretty awesome. It actually looks pretty sick.

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<v Speaker 2>I mean the pants look a little tighter than you

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<v Speaker 2>typically want them. I know you like your tight. I

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<v Speaker 2>like them, yeah, but otherwise honestly not bad.

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<v Speaker 1>Yeah. And even the accessories or waterproof, so you can

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<v Speaker 1>go for a waterproof necktie or a waterproof bow tie,

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<v Speaker 1>because we deserve nice things and it is nice to

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<v Speaker 1>have options.

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<v Speaker 2>It's true. I actually think this would be one case

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<v Speaker 2>where I would go with the bow tie, because yeah,

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<v Speaker 2>you don't want the like necktie slaping you in the

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<v Speaker 2>face as you're going through this. But I'm curious to know, like,

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<v Speaker 2>how did this business, you know, like these formal wetsuits

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<v Speaker 2>come about.

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<v Speaker 1>Apparently it's a collaboration between Quicksilver in Japan and this

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<v Speaker 1>Tokyo based ad firm, and the goal was to figure

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<v Speaker 1>out a way to get former surfers back into the sport.

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<v Speaker 1>Surfing is hugely popular in Japan, but ninety percent of

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<v Speaker 1>young surfers give it up once they get day jobs.

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<v Speaker 1>So the hope was that if salarymen can have some

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<v Speaker 1>way that they can get in the ocean but then

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<v Speaker 1>get to the office right after, sort of like from

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<v Speaker 1>the board to the boardroom, they can slip surfing back

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<v Speaker 1>into their lives.

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<v Speaker 2>And has this worked?

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<v Speaker 1>No?

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<v Speaker 2>Okay, all right, well it.

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<v Speaker 1>Is a much better gimmick than it is officeware. But

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<v Speaker 1>stumbling into this outfit made me think about how much

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<v Speaker 1>I've always wanted to do a surfing episode, even though

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<v Speaker 1>I am not a surfer. I thought we should get

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<v Speaker 1>one out before the summer is done. So why don't

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<v Speaker 1>we grab our boards and dive in?

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<v Speaker 2>All right, Hey, their podcast listeners, welcome to Part Time Genius.

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<v Speaker 2>I'm Will Pearson and as always I'm joined by my

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<v Speaker 2>good friend mangesh Hot Ticketer and on the other side

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<v Speaker 2>of my computer screen hanging ten on his ironing board.

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<v Speaker 2>He's got creative here, Mango. That's our friend and super

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<v Speaker 2>producer Dylan Fagan. And for any concern listeners out there,

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<v Speaker 2>and I know you're off concern with the stunts that

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<v Speaker 2>Dylan is pulling, you should know that the ironing board

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<v Speaker 2>is not extended. It's flat on the floor and he's

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<v Speaker 2>balancing on top of it. I think he wants to

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<v Speaker 2>be protective of, you know, his his dainty ankles. This

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<v Speaker 2>is a fun fact about super producer Dylan. Very concerned

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<v Speaker 2>about it, So, Mango, this topic has kind of been

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<v Speaker 2>sitting in the queue for a long time for us,

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<v Speaker 2>and I'm curious, why have you been wanting to do

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<v Speaker 2>a show on surfing?

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<v Speaker 1>You know, I'm not exactly sure. I think it's because

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<v Speaker 1>surfing is one of those things I want to do

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<v Speaker 1>so badly. You know, it is so beautiful and calming,

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<v Speaker 1>and I love watching people surf. But also I'm absolutely

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<v Speaker 1>never going to do it. You know. Actually this last year,

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<v Speaker 1>my friend got married in Hawaii and I'd never been,

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<v Speaker 1>and there was an afternoon where we caught up on

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<v Speaker 1>a beach and we just watched people surf for like hours,

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<v Speaker 1>and it was mesmerizing. And it's just unbelievable how long

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<v Speaker 1>people can go for it, and they really know how

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<v Speaker 1>to surf. It's stunning. I agree, But what's stopping you

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<v Speaker 1>from trying? Well, I am not a great swimmer. I

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<v Speaker 1>don't see a lot of surfing and Floa. I actually

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<v Speaker 1>knew that. I just wanted you to have to say that.

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<v Speaker 1>But also it just feels so dangerous. I mean, it

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<v Speaker 1>is maybe irrational, but I read this surf memoir. It's

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<v Speaker 1>called Barbarian Days and it's by William Finn again, this

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<v Speaker 1>New Yorker writer, and it's beautiful, but there's this scene

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<v Speaker 1>where the author goes to some remote place near Fiji

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<v Speaker 1>and the ocean is in this area and it's filled

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<v Speaker 1>with super venomous water snakes. But because the waves are

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<v Speaker 1>so good, he just keeps surfing. And you know, between

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<v Speaker 1>water snakes and sharks and the way his skin tears

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<v Speaker 1>up on coral, I just think I'll stick to tennis.

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<v Speaker 2>Yeah, but I.

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<v Speaker 1>Still do like facts about surfing, and I'm curious where

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<v Speaker 1>you want to start today.

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<v Speaker 2>Actually, before we jump into that, I'm not trying to

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<v Speaker 2>delay us anymore from surfing, but it made me think

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<v Speaker 2>about this. Have you actually seen these photos of Swiss

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<v Speaker 2>people commuting home from work by floating on the Rhine?

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<v Speaker 1>If you see these, it is unbelievable. Like those images

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<v Speaker 1>were all over TikTok this summer and it kind of

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<v Speaker 1>looks magical.

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<v Speaker 2>It really does. So I guess in Basil, Switzerland, they've

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<v Speaker 2>got these little cabins for changing and their showers along

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<v Speaker 2>the route, and basically commuters will strip down, throw their

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<v Speaker 2>belongings in these waterproof floating bags. They're shaped like fish,

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<v Speaker 2>and then they just float home much as this. Yeah,

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<v Speaker 2>it's so cool and it feels like such a nice

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<v Speaker 2>way to end every summer workday. Think about this if

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<v Speaker 2>every day instead of going and getting on the train

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<v Speaker 2>or whatever we're doing to get home, to be able

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<v Speaker 2>to do that. And that's just an aside, but I

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<v Speaker 2>thought it was worth sharing here. But why don't we

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<v Speaker 2>start by talking about some of the early accounts of surfing.

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<v Speaker 2>I know, we like to go back to the very

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<v Speaker 2>beginning on so many of these things. But the first

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<v Speaker 2>European riding about surfing comes from a man named Charles Clerk.

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<v Speaker 2>He served as a ship's officer on one of Captain

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<v Speaker 2>Cook's voyages through the Pacific. This was back in seventeen

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<v Speaker 2>seventy eight, and Cook and his crew became the first

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<v Speaker 2>known Europeans to visit the Hawaiian Islands, so they were

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<v Speaker 2>basically the first outsiders to witness surfing. So he writes

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<v Speaker 2>about this in his journal, and Clerk recounted watching these

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<v Speaker 2>islanders mount boards that were six to eight feet so

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<v Speaker 2>actually along the lines of what you would see today

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<v Speaker 2>two feet wide, and he says, quote, in the shape

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<v Speaker 2>of one of our bone paper cutters, you know, bone

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<v Speaker 2>paper cutters, right.

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<v Speaker 1>I also can't imagine how wild it must have been

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<v Speaker 1>to see people just on these like planks, just cruising

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<v Speaker 1>past you. It feels insane.

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<v Speaker 2>Yeah, that's pretty cool. And so he wrote, they basically

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<v Speaker 2>get on these boards and then quote go round the

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<v Speaker 2>best going boats we had in the space of a

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<v Speaker 2>very few minutes. So he was definitely impressed. But my

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<v Speaker 2>favorite account of surfing comes about one hundred years later,

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<v Speaker 2>Mark Twain writes about the phenomenon.

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<v Speaker 1>Mark Twain went to Hawaii.

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<v Speaker 2>He did, He did go to Hawaiian So he writes

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<v Speaker 2>about this and his travel memoir called Roughing It. And

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<v Speaker 2>he also did a bunch of correspondents for the Sacramento

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<v Speaker 2>Union when he traveled through Hawaii and wrote about everything

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<v Speaker 2>from missionaries to sugar operations to local lore. But what's

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<v Speaker 2>funny is that he documents surfing and calls it surf bathing.

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<v Speaker 2>And here's how he describes it. He says, quote, at

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<v Speaker 2>the right moment, the native would fling his board upon

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<v Speaker 2>its foamy crest and himself upon the board, and here

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<v Speaker 2>he would come whizzing by like a bombshell. It did

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<v Speaker 2>not seem that a lightning express train could shoot along

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<v Speaker 2>at a more hair lifting speed, so it's pretty cool

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<v Speaker 2>to watch. I think he might have been exaggerating just

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<v Speaker 2>a tiny bit. But what's even better is that Twain

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<v Speaker 2>actually gives surfing a tries, so he was a little

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<v Speaker 2>more brave than the two of us. And he goes

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<v Speaker 2>on to write, I tried surf bathing once subsequently, but

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<v Speaker 2>made a failure of it. I got the board placed

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<v Speaker 2>right and at the right moment, too, but I missed

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<v Speaker 2>the connection myself. The board struck the shore in three

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<v Speaker 2>quarters of a second without any cargo, and I struck

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<v Speaker 2>the bottom at about the same time with a couple

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<v Speaker 2>of barrels of water in me. None but natives ever

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<v Speaker 2>master the art of surf bathing thoroughly. Pretty great story there.

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<v Speaker 1>Well, I feel like surf bathing makes it sound like

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<v Speaker 1>a gentler sport does, so it feels like you should

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<v Speaker 1>do that every day. I know you're a much better

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<v Speaker 1>swimmer than I am because your your grandma was like

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<v Speaker 1>an Olympic swimmer, right.

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<v Speaker 2>She might have claimed that she was an Olympic swimmer,

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<v Speaker 2>but she did teach us alt to swim, Thanks mamma.

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<v Speaker 1>So I had no idea that Mark Twain wrote any

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<v Speaker 1>of this stuff. And I actually just read James. Have

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<v Speaker 1>you heard the book? I'm actually about halfway through it.

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<v Speaker 1>It is fantastic book. Good and honestly like reading about

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<v Speaker 1>Huck Finn from Jim's perspective made me want to go

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<v Speaker 1>back and read more Mark Dwain, and I actually feel

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<v Speaker 1>like now I've got to start with this travel bit more.

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<v Speaker 2>Yeah. By the way, as a side note, you know

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<v Speaker 2>who recommended James. One of our fantastic podcasters, Danny Shapiro,

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<v Speaker 2>does Family Secrets. I always asked her what books are

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<v Speaker 2>you obsessing over? And it was that book.

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<v Speaker 1>Sorry for the yeah, I love it for over. My

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<v Speaker 1>next fact, I want to talk about how surfing started

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<v Speaker 1>as an equal opportunity family activity. And this goes back

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<v Speaker 1>to its inception. So surfing and Hawaii and other Polynesian

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<v Speaker 1>islands was a communal activity and it's really wonderful. So

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<v Speaker 1>like men, women, children, like people of every social class

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<v Speaker 1>did this. And in fact, the oldest known surfboard belonged

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<v Speaker 1>to a woman. It dates back to the sixteen hundreds

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<v Speaker 1>and it was found in the burial cave of a

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<v Speaker 1>princess on the Big Island of Hawaii.

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<v Speaker 2>I feel like whenever you hear about surf history in America,

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<v Speaker 2>it usually starts with that surf legend, Duke something or

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<v Speaker 2>other bringing it to the mainland in the early nineteen hundreds.

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<v Speaker 2>It was definitely not a story with a woman.

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<v Speaker 1>Yeah. So the truth is that Hawaii's surf culture was

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<v Speaker 1>derailed for a period in the nineteenth century thanks to

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<v Speaker 1>American missionaries. They disapproved of just about every aspect of surfing,

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<v Speaker 1>from the mixed gender nature of it to the fact

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<v Speaker 1>that you had to be nearly naked to do it well.

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<v Speaker 1>So the sport kind of fell by the wayside in Hawaii,

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<v Speaker 1>especially among women. But that started to change at the

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<v Speaker 1>turn of the century when Californians were introduced to the

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<v Speaker 1>sport by male Hawaiian surfers, and that includes Duke Anamuku,

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<v Speaker 1>who I know I'm butchering that we're talking about. But

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<v Speaker 1>that said, female surfers never went away completely. And around

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<v Speaker 1>the same time that surfing made its American day, And

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<v Speaker 1>so this is in the eighteen nineties, Hawaii's princess was

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<v Speaker 1>busy demonstrating the sport in England, and she did it

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<v Speaker 1>in this grand fashion. She surfed the English Channel. There's

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<v Speaker 1>a document at the British Surfing Museum that has a

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<v Speaker 1>great description of it, and it says, quote, the tall

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<v Speaker 1>foreign dignitaries stood erect on a thin board with her

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<v Speaker 1>hair blowing in the wind as she rode the Chili waters.

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<v Speaker 1>It was such an impressive sight that some of the

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<v Speaker 1>British nobility to decide to take up surfing, and before

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<v Speaker 1>you knew it, the sport had this foothold on a

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<v Speaker 1>whole new continent.

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<v Speaker 2>That's amazing. Actually, you know, in my research I found

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<v Speaker 2>some of the early pictures of the brit surfing or

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<v Speaker 2>surf riding as they used to call it, and they

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<v Speaker 2>used coffin lids instead of surfboards because they just weren't

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<v Speaker 2>proper boards available. It's so crazy to see what people

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<v Speaker 2>used to surf on. Look at this photo here, like

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<v Speaker 2>you can see these are just pulled straight from They're

0:10:51.880 --> 0:10:54.240
<v Speaker 2>either pulled straight from a coffin or they are lids

0:10:54.280 --> 0:10:57.160
<v Speaker 2>that have not yet been put on a coffin lids.

0:10:57.520 --> 0:11:00.880
<v Speaker 2>Maybe that's what it is. But anyways, speaking of female surfers,

0:11:00.880 --> 0:11:04.040
<v Speaker 2>did you know that in the sixties TV surfer Gidget

0:11:04.160 --> 0:11:05.800
<v Speaker 2>was based on a real person.

0:11:06.679 --> 0:11:10.160
<v Speaker 1>I love that you're bringing up gidget like anyone remembers.

0:11:09.760 --> 0:11:13.480
<v Speaker 2>Yeah, buddy remembers Gidget in the time before we were alive.

0:11:13.640 --> 0:11:16.080
<v Speaker 1>Yeah, I think you're gonna have to explain it.

0:11:16.800 --> 0:11:19.200
<v Speaker 2>Well, obviously she's not a household name anymore. But in

0:11:19.240 --> 0:11:22.720
<v Speaker 2>the late nineteen fifties and early sixties, Gidget was the

0:11:22.720 --> 0:11:26.000
<v Speaker 2>most famous surfer of them all. Sandra d played her

0:11:26.080 --> 0:11:28.960
<v Speaker 2>in the nineteen fifty nine movie, and then other actresses

0:11:29.040 --> 0:11:31.440
<v Speaker 2>took over for the role and the sequels, you know,

0:11:31.440 --> 0:11:34.640
<v Speaker 2>sequels like Gidget Goes Hawaiian and Gidget Goes to Rome,

0:11:34.920 --> 0:11:37.560
<v Speaker 2>so you know, the usual classics. But then in the

0:11:37.600 --> 0:11:41.040
<v Speaker 2>mid sixties, Gidget got a TV spinoff starring Sally Field.

0:11:41.040 --> 0:11:43.560
<v Speaker 2>So we are talking about like pretty big actresses here,

0:11:43.920 --> 0:11:46.679
<v Speaker 2>which very occasionally used to air on TV when when

0:11:46.720 --> 0:11:47.280
<v Speaker 2>I was a kid.

0:11:47.400 --> 0:11:51.960
<v Speaker 1>Yeah, I actually vaguely, vaguely remember that. And you know,

0:11:52.160 --> 0:11:54.400
<v Speaker 1>I'm guessing this was during the height of the surf craze,

0:11:54.480 --> 0:11:56.640
<v Speaker 1>when the beach Boys had all those songs on the air.

0:11:56.800 --> 0:11:59.280
<v Speaker 2>Yeah, I mean, Gidget was the first of those Hollywood

0:11:59.320 --> 0:12:01.560
<v Speaker 2>beach party films that you think of that were so

0:12:01.720 --> 0:12:04.680
<v Speaker 2>huge in the nineteen sixties. But one thing that set

0:12:04.720 --> 0:12:07.600
<v Speaker 2>Gidget apart is that the character was actually based on

0:12:07.679 --> 0:12:10.400
<v Speaker 2>a real surfer. Her name was Kathy Kohner and in

0:12:10.480 --> 0:12:13.160
<v Speaker 2>nineteen fifty six, she was a fifteen year old girl

0:12:13.240 --> 0:12:16.440
<v Speaker 2>growing up in the suburbs of Malibu. So that summer

0:12:16.520 --> 0:12:19.360
<v Speaker 2>she learned to surf by trading peanut butter sandwiches to

0:12:19.480 --> 0:12:22.880
<v Speaker 2>local surfers in exchange of using their surfboards.

0:12:23.000 --> 0:12:23.520
<v Speaker 1>Is not cool.

0:12:23.559 --> 0:12:24.760
<v Speaker 2>I love how creative that is.

0:12:25.040 --> 0:12:27.240
<v Speaker 1>That's amazing. And I love that like a peanut butter

0:12:27.280 --> 0:12:29.800
<v Speaker 1>sandwich can get your ride on a surfboard. Though, that's

0:12:29.840 --> 0:12:30.360
<v Speaker 1>so great.

0:12:30.520 --> 0:12:32.720
<v Speaker 2>I love a peanut butter sandwich like I would totally

0:12:32.760 --> 0:12:35.079
<v Speaker 2>trade my board for one. So by the end of

0:12:35.120 --> 0:12:37.320
<v Speaker 2>the summer she was hooked and kept telling her dad

0:12:37.360 --> 0:12:39.720
<v Speaker 2>about it, and at one point Kathy told them she

0:12:39.800 --> 0:12:43.079
<v Speaker 2>wanted to write a book about her surfing experiences, but

0:12:43.200 --> 0:12:46.040
<v Speaker 2>her dad, being a writer himself, offered to write it

0:12:46.200 --> 0:12:48.880
<v Speaker 2>for her. So a year later, the first of five

0:12:49.160 --> 0:12:52.719
<v Speaker 2>Ya novels about a surfed crazed girl named Gidget hit

0:12:52.800 --> 0:12:56.200
<v Speaker 2>the shelves and it quickly became this national bestseller and

0:12:56.240 --> 0:12:58.600
<v Speaker 2>within no time they sold the film rights.

0:12:58.640 --> 0:13:02.280
<v Speaker 1>It's so cool, that's fun. But if a real name's Kathy,

0:13:02.480 --> 0:13:04.160
<v Speaker 1>why does she get named Gidget.

0:13:04.480 --> 0:13:07.800
<v Speaker 2>Well, apparently that's the nickname that those older Malibu surfers

0:13:07.880 --> 0:13:10.880
<v Speaker 2>gave her. It's a combination of girl and midget, which

0:13:10.920 --> 0:13:13.720
<v Speaker 2>of course is problematic today. But some of the other

0:13:13.880 --> 0:13:17.480
<v Speaker 2>characters in the book had better nicknames, like Gidget's longtime

0:13:17.559 --> 0:13:20.600
<v Speaker 2>love interest was named moon Doggie, which I think is

0:13:20.640 --> 0:13:23.560
<v Speaker 2>actually pretty cool and maybe problematic for other reasons. Haven't

0:13:23.600 --> 0:13:26.240
<v Speaker 2>thought about it yet, but on account of his fondness

0:13:26.280 --> 0:13:29.120
<v Speaker 2>for surfing by moonlight, which I think is kind of cool.

0:13:29.880 --> 0:13:32.240
<v Speaker 1>Well, you know, I just assumed gidget was a surf

0:13:32.320 --> 0:13:34.360
<v Speaker 1>term because there's so many of those that, you know,

0:13:34.440 --> 0:13:37.400
<v Speaker 1>you have no idea what they mean, and I thought

0:13:37.640 --> 0:13:39.440
<v Speaker 1>it would be fun, actually if I gave you a

0:13:39.640 --> 0:13:42.480
<v Speaker 1>bit of a surf vocabulary quiz, just in case the

0:13:42.520 --> 0:13:45.120
<v Speaker 1>next time you meet a surfer and your Google Translate

0:13:45.160 --> 0:13:48.600
<v Speaker 1>doesn't work, you know, you actually have some surfing vocabulary

0:13:48.640 --> 0:13:49.040
<v Speaker 1>to lean on.

0:13:49.160 --> 0:13:50.040
<v Speaker 2>Right, let's do it.

0:13:50.559 --> 0:13:52.599
<v Speaker 1>So the first one is doggy door. Do you know

0:13:52.679 --> 0:13:54.160
<v Speaker 1>what a doggy door is? To a surfer?

0:13:54.880 --> 0:13:56.800
<v Speaker 2>Use it in a sentence?

0:13:57.880 --> 0:13:59.800
<v Speaker 1>I thought he was a goner, but then he found

0:13:59.800 --> 0:14:00.600
<v Speaker 1>that doggy door.

0:14:01.120 --> 0:14:04.880
<v Speaker 2>Okay, I'm guessing it's a little like a little gap

0:14:04.880 --> 0:14:05.839
<v Speaker 2>in the wave or something like.

0:14:06.000 --> 0:14:09.200
<v Speaker 1>Yeah, exactly, So a doggy door is a small exit

0:14:09.240 --> 0:14:11.200
<v Speaker 1>hole of surfer finds to get out of the barrel

0:14:11.240 --> 0:14:13.760
<v Speaker 1>of a wave. All right, so one for one? All right?

0:14:13.840 --> 0:14:15.120
<v Speaker 1>How about a gremmy?

0:14:16.840 --> 0:14:19.240
<v Speaker 2>I have no idea, give it to me in another sentence?

0:14:19.280 --> 0:14:21.880
<v Speaker 1>Sure, I won my game of scrabble by using the

0:14:21.880 --> 0:14:24.880
<v Speaker 1>word remy. That is, that is not helpful at all.

0:14:25.160 --> 0:14:26.800
<v Speaker 2>So what is a gremmy?

0:14:27.280 --> 0:14:29.520
<v Speaker 1>I guess? I also have said a grammy is almost

0:14:29.520 --> 0:14:30.440
<v Speaker 1>the same as a grommet.

0:14:30.680 --> 0:14:34.160
<v Speaker 2>Okay, that have been helpful. Not still not figure it out.

0:14:34.240 --> 0:14:37.320
<v Speaker 1>A grommet is a young surfer, and amy is an

0:14:37.400 --> 0:14:41.400
<v Speaker 1>inexperienced surfer of any age. So you'd rather be called

0:14:41.440 --> 0:14:44.080
<v Speaker 1>a grommet than a grammy, I guess. But neither is

0:14:44.120 --> 0:14:47.560
<v Speaker 1>a term of endearment, right. How about a kahuna?

0:14:48.600 --> 0:14:51.400
<v Speaker 2>Uh? I feel like you hear the phrase big kahooner.

0:14:51.480 --> 0:14:53.440
<v Speaker 2>You obviously hear the phrase bic kohoon a lot, and

0:14:53.520 --> 0:14:57.640
<v Speaker 2>it's it's always around like Polynesian culture. So maybe this

0:14:57.800 --> 0:15:00.400
<v Speaker 2>is a village chief or something like that.

0:15:00.480 --> 0:15:03.080
<v Speaker 1>Yeah, it's pretty close, okay. A kahuna is apparently a

0:15:03.120 --> 0:15:05.680
<v Speaker 1>wizard or a magician, and it can also be a

0:15:05.680 --> 0:15:07.720
<v Speaker 1>wise man or a shaman. So you can see how

0:15:07.720 --> 0:15:10.520
<v Speaker 1>a kahuna becomes kind of a wizard of surfing on

0:15:10.600 --> 0:15:13.360
<v Speaker 1>the waves. Yeah. So, and the last one I'm going

0:15:13.440 --> 0:15:15.520
<v Speaker 1>to give you what is a mushburger?

0:15:16.280 --> 0:15:18.920
<v Speaker 2>Well, I know, when you finish surfing or playing in

0:15:18.960 --> 0:15:22.000
<v Speaker 2>the water or anything like that, you're definitely very hungry.

0:15:22.040 --> 0:15:26.320
<v Speaker 2>So would this be like the sandwiches and chow that

0:15:26.360 --> 0:15:29.280
<v Speaker 2>you scarf down after riding the waves and they're may

0:15:29.320 --> 0:15:31.560
<v Speaker 2>be all wet from the ocean or sandy. I don't know.

0:15:31.600 --> 0:15:32.240
<v Speaker 2>I'm trying here.

0:15:32.560 --> 0:15:35.600
<v Speaker 1>I love that idea. I do feel like Mushburgers would

0:15:35.600 --> 0:15:38.480
<v Speaker 1>be a great name for a franchise. But a mushburger

0:15:38.520 --> 0:15:40.600
<v Speaker 1>is actually a slow and fat wave.

0:15:40.960 --> 0:15:43.080
<v Speaker 2>Okay, yeah, I get that, that makes sense.

0:15:43.200 --> 0:15:45.320
<v Speaker 1>I like the name. So anyway, now that you know

0:15:45.520 --> 0:15:56.600
<v Speaker 1>all the surf slang, why don't we take a quick break.

0:16:01.080 --> 0:16:03.040
<v Speaker 1>Welcome back to Part Time Genius, where we're sharing some

0:16:03.080 --> 0:16:06.280
<v Speaker 1>of our favorite facts about the fine art of surfing

0:16:06.440 --> 0:16:08.880
<v Speaker 1>and will I think it's your turn to go next?

0:16:09.080 --> 0:16:11.840
<v Speaker 2>All right, Well, you felt like my my facts about

0:16:11.880 --> 0:16:14.720
<v Speaker 2>gidget were a little dated, and so I'm going to

0:16:14.800 --> 0:16:17.360
<v Speaker 2>dip into some pop culture that a few more people

0:16:17.400 --> 0:16:21.040
<v Speaker 2>have heard of, and it's a little show called SpongeBob SquarePants.

0:16:21.600 --> 0:16:22.760
<v Speaker 1>Not familiar. Not familiar?

0:16:22.800 --> 0:16:27.760
<v Speaker 2>Okay, fact, Yeah, that's pretty great. This does remind me,

0:16:27.840 --> 0:16:30.080
<v Speaker 2>as a side note, about the time where you told

0:16:30.120 --> 0:16:33.080
<v Speaker 2>me that you were introduced to Hall and Oates, when

0:16:33.120 --> 0:16:36.200
<v Speaker 2>you were literally introduced to Hall and Oates at that event,

0:16:36.560 --> 0:16:39.240
<v Speaker 2>and I was like, how did this happen? How are

0:16:39.240 --> 0:16:42.440
<v Speaker 2>we here? And you were not familiar with their body

0:16:42.480 --> 0:16:44.240
<v Speaker 2>of works. Sorry to call you out.

0:16:44.040 --> 0:16:46.360
<v Speaker 1>Here, but it just wasn't.

0:16:47.800 --> 0:16:51.400
<v Speaker 2>That's pretty well. I didn't realize that the SpongeBob creator,

0:16:51.400 --> 0:16:56.920
<v Speaker 2>Stephen Hillenberg, was actually a lifelong surfer and a marine biologist.

0:16:57.000 --> 0:16:59.960
<v Speaker 2>And this comes from a friend of his named Biddle Doo,

0:17:00.280 --> 0:17:01.960
<v Speaker 2>who wrote a piece about him in The New Yorker.

0:17:02.160 --> 0:17:05.679
<v Speaker 2>But apparently when Hillenburg wasn't surfing, he was beachcombing and

0:17:06.040 --> 0:17:09.840
<v Speaker 2>sketching shells and sea life. Anyway, Duke tells this story

0:17:09.880 --> 0:17:12.040
<v Speaker 2>that he and Hillenburg and a group of friends all

0:17:12.119 --> 0:17:15.000
<v Speaker 2>used to go to these camping beach trips and they

0:17:15.000 --> 0:17:17.040
<v Speaker 2>would go once a year on these trips, and one

0:17:17.119 --> 0:17:20.680
<v Speaker 2>year they were at this bonfire in Baja and Hillenburg

0:17:20.800 --> 0:17:23.560
<v Speaker 2>passes around his journal with an idea that he has.

0:17:23.920 --> 0:17:26.800
<v Speaker 2>Now apparently by this time, he's already made an educational

0:17:26.880 --> 0:17:29.680
<v Speaker 2>comic book about sea life. He's won awards for this,

0:17:30.280 --> 0:17:33.560
<v Speaker 2>he's done grad school and animation, won awards for that too,

0:17:33.760 --> 0:17:36.480
<v Speaker 2>and so he's on this path to doing something with

0:17:36.560 --> 0:17:39.879
<v Speaker 2>marine life and animation. But he opens his book and

0:17:39.880 --> 0:17:42.719
<v Speaker 2>tells everyone he's going to write a cartoon about a

0:17:42.760 --> 0:17:45.200
<v Speaker 2>sea sponge, and nobody gets it, right, I mean, you

0:17:45.240 --> 0:17:48.240
<v Speaker 2>can imagine how people are, like, okay, and you know,

0:17:48.320 --> 0:17:52.000
<v Speaker 2>obviously a sea sponge is like this lifeless, inanimate blob

0:17:52.040 --> 0:17:54.199
<v Speaker 2>of a thing, and they're like, really a sponge, Like

0:17:54.280 --> 0:17:56.040
<v Speaker 2>is this really what you're going to do? And he

0:17:56.160 --> 0:17:59.520
<v Speaker 2>tries to tell them that that's actually the gag, that

0:17:59.560 --> 0:18:01.920
<v Speaker 2>it's going to be about a kitchen sponge who lives

0:18:01.920 --> 0:18:04.399
<v Speaker 2>in a tide pool and has all these other funny

0:18:04.440 --> 0:18:08.000
<v Speaker 2>sea creature friends, but no one can see it. And

0:18:08.040 --> 0:18:10.359
<v Speaker 2>while they all assume he's going to be successful, they

0:18:10.400 --> 0:18:12.280
<v Speaker 2>just don't think this is the idea.

0:18:12.520 --> 0:18:14.240
<v Speaker 1>I mean, it is funny to think of, right, like

0:18:14.560 --> 0:18:16.440
<v Speaker 1>the idea that someone told me they were going to

0:18:16.480 --> 0:18:18.360
<v Speaker 1>make a cartoon about a sponge like, there's no way

0:18:18.560 --> 0:18:19.320
<v Speaker 1>I think that's gonna be.

0:18:20.280 --> 0:18:23.840
<v Speaker 2>I mean, it's it's genius now, but I totally agree. Anyway,

0:18:23.840 --> 0:18:26.199
<v Speaker 2>you cut to a few decades later and SpongeBob is

0:18:26.240 --> 0:18:29.320
<v Speaker 2>the biggest cartoon on earth, but even the people at

0:18:29.400 --> 0:18:33.440
<v Speaker 2>Nickelodeon don't quite understand success. And when the author goes

0:18:33.480 --> 0:18:36.600
<v Speaker 2>to reunite with Hilenburg, he wants to ask him how

0:18:36.720 --> 0:18:40.360
<v Speaker 2>is it that a sponge managed to capture all these kids' hearts?

0:18:40.640 --> 0:18:44.320
<v Speaker 2>But Hillenburg at this time actually has als and he

0:18:44.359 --> 0:18:47.000
<v Speaker 2>doesn't surf anymore, and he can barely get words out,

0:18:47.040 --> 0:18:50.160
<v Speaker 2>but he's, you know, still surprisingly sunny, and he still

0:18:50.240 --> 0:18:53.320
<v Speaker 2>goes to the office every day. So Duke goes with him.

0:18:53.359 --> 0:18:56.120
<v Speaker 2>And when Duke talks to one of Hillenburg's co writers

0:18:56.440 --> 0:18:59.639
<v Speaker 2>about what makes the show so captivating, this is what

0:18:59.680 --> 0:19:03.840
<v Speaker 2>he says. He says, SpongeBob is not cool, he's not aspirational.

0:19:04.160 --> 0:19:06.240
<v Speaker 2>He just wants to go to work and be happy.

0:19:06.520 --> 0:19:09.159
<v Speaker 2>There's this innocence to him and he sees the good

0:19:09.280 --> 0:19:11.960
<v Speaker 2>and a horrible person. So it's like a pretty great

0:19:12.240 --> 0:19:16.160
<v Speaker 2>quote there. And apparently Hillenberg's entire goal was to concentrate

0:19:16.240 --> 0:19:20.840
<v Speaker 2>on simple stories taken from real life experiences. A yearbook

0:19:20.880 --> 0:19:24.200
<v Speaker 2>picture gone wrong, how a good joke overtold can go wrong.

0:19:24.280 --> 0:19:27.119
<v Speaker 2>And he's really trying to make a show. That was

0:19:27.240 --> 0:19:30.600
<v Speaker 2>funny and earnest, but he had a moral compass about it.

0:19:30.880 --> 0:19:33.000
<v Speaker 2>But the sweet guy who just wanted to see the

0:19:33.040 --> 0:19:35.159
<v Speaker 2>best in people and go to work every day, it

0:19:35.240 --> 0:19:38.560
<v Speaker 2>seems he was just making a show about himself. And so,

0:19:38.600 --> 0:19:42.159
<v Speaker 2>as Duke Biddle writes, quote, we all love goofy optimists

0:19:42.200 --> 0:19:44.800
<v Speaker 2>who don't care what the cool kids think. And that

0:19:44.960 --> 0:19:45.880
<v Speaker 2>was Stephen Hillenberg.

0:19:46.119 --> 0:19:49.080
<v Speaker 1>Oh I love that. Awesome. That's really sweet. So my

0:19:49.160 --> 0:19:52.360
<v Speaker 1>next fact has none of that charm, but it's interesting.

0:19:52.400 --> 0:19:55.080
<v Speaker 2>Awesome. That was a little little emotional, So it's time

0:19:55.119 --> 0:19:56.439
<v Speaker 2>to move on to something less charming.

0:19:57.119 --> 0:20:01.560
<v Speaker 1>It's about how researchers are putting surfers to monitoring the

0:20:01.600 --> 0:20:05.080
<v Speaker 1>world's oceans. And so you might have heard global warming

0:20:05.240 --> 0:20:08.320
<v Speaker 1>is doing a real number on the oceans, creatures who

0:20:08.320 --> 0:20:10.440
<v Speaker 1>call it home, or having a hard time with migration

0:20:10.840 --> 0:20:14.040
<v Speaker 1>and reproduction, all these other things. And so to really

0:20:14.040 --> 0:20:16.600
<v Speaker 1>tackle a problem, we still need to amass a lot

0:20:16.640 --> 0:20:19.760
<v Speaker 1>more data in information, and that's where the surfers come in.

0:20:19.960 --> 0:20:24.080
<v Speaker 1>So apparently scientists are outfitting volunteer surfers with a special

0:20:24.200 --> 0:20:27.959
<v Speaker 1>board mounted sensor called a smart fan Phi N and

0:20:28.040 --> 0:20:31.320
<v Speaker 1>then dispatching them to surf spots around the world to

0:20:31.400 --> 0:20:32.639
<v Speaker 1>do what they do best.

0:20:32.760 --> 0:20:36.199
<v Speaker 2>You mean to shred the NAR. Actually, while you were

0:20:36.200 --> 0:20:39.879
<v Speaker 2>saying that, I was googling some other surfing term. I

0:20:39.880 --> 0:20:41.320
<v Speaker 2>feel like I said it convincingly that.

0:20:41.800 --> 0:20:45.920
<v Speaker 1>Yeah, So while they're shredding the NAR, they're also collecting

0:20:46.040 --> 0:20:49.560
<v Speaker 1>data on the temperature, slidity, and acidity of the surrounding waters,

0:20:49.600 --> 0:20:52.760
<v Speaker 1>and once compiled, scientists will be able to compare those

0:20:52.800 --> 0:20:55.360
<v Speaker 1>readings and get a better understanding of how the ocean's

0:20:55.440 --> 0:20:58.440
<v Speaker 1>chemistry is changing over time and what it might look

0:20:58.520 --> 0:21:00.560
<v Speaker 1>like in the future, which I think is awesome.

0:21:00.720 --> 0:21:02.800
<v Speaker 2>I mean, I can see how this helps the scientists,

0:21:02.840 --> 0:21:05.760
<v Speaker 2>but honestly, like what's in it for the surfers, because

0:21:05.760 --> 0:21:08.959
<v Speaker 2>I for serious surfers or enthusiasts, I could see how

0:21:09.000 --> 0:21:11.600
<v Speaker 2>mounting additional gear would you know, get in the way

0:21:11.680 --> 0:21:12.840
<v Speaker 2>or down.

0:21:12.960 --> 0:21:15.639
<v Speaker 1>Yeah, the researchers behind the project thought of that, and

0:21:15.760 --> 0:21:18.600
<v Speaker 1>according to one of them, this is what they said, quote,

0:21:18.960 --> 0:21:21.879
<v Speaker 1>we built some extra technology into the smart fin that

0:21:21.920 --> 0:21:24.560
<v Speaker 1>will compel surfers to use it for their own selfish

0:21:24.560 --> 0:21:27.480
<v Speaker 1>reasons to know where and when waves are good and

0:21:27.560 --> 0:21:30.359
<v Speaker 1>to tract their own surfing performance. So you know, the

0:21:30.400 --> 0:21:33.680
<v Speaker 1>idea is that all this technology can actually be performance enhancing,

0:21:33.880 --> 0:21:36.040
<v Speaker 1>and the hope is that everyone wins.

0:21:37.200 --> 0:21:39.240
<v Speaker 2>All right, Well, here is a quick one. So we've

0:21:39.320 --> 0:21:42.040
<v Speaker 2>talked a lot about human surfers today, which I guess

0:21:42.080 --> 0:21:45.760
<v Speaker 2>makes sense. But other animals have also taken up surfing,

0:21:46.080 --> 0:21:49.320
<v Speaker 2>though none more successfully than the yellow bellied sea snakes.

0:21:49.320 --> 0:21:52.720
<v Speaker 2>Are you familiar with the yellow bellads seas? Its original

0:21:52.720 --> 0:21:55.359
<v Speaker 2>home was in the ocean waters of Southeast Asia, but

0:21:55.400 --> 0:21:58.240
<v Speaker 2>the snakes have since been found near Hawaii or Mexico,

0:21:58.440 --> 0:22:01.560
<v Speaker 2>even an island in the Indian Ocean, and for decades

0:22:01.600 --> 0:22:04.680
<v Speaker 2>a big mystery among biologists was how these tiny snakes

0:22:04.720 --> 0:22:07.919
<v Speaker 2>managed to turn up in tropical waters all over the world.

0:22:08.280 --> 0:22:10.800
<v Speaker 2>I mean, these guys weigh like three to seven ounces

0:22:10.880 --> 0:22:13.000
<v Speaker 2>or about two feet long, So that's like the weight

0:22:13.040 --> 0:22:16.040
<v Speaker 2>of your namesake mango, the mango, and about the length

0:22:16.080 --> 0:22:18.280
<v Speaker 2>of a baguette. You can tell I'm hungry here I'm

0:22:18.280 --> 0:22:20.920
<v Speaker 2>going with these. So the question is how are they

0:22:21.000 --> 0:22:22.040
<v Speaker 2>crossing the globe?

0:22:22.480 --> 0:22:25.240
<v Speaker 1>Yeah, I mean, I guess that's a long way for

0:22:26.119 --> 0:22:29.240
<v Speaker 1>a baget to swim, right, But I'm guessing the answer.

0:22:29.160 --> 0:22:33.080
<v Speaker 2>Is surfing exactly. So the theory that's been kicking around

0:22:33.119 --> 0:22:36.840
<v Speaker 2>since the nineteen seventies, after the time of Gidget, of course,

0:22:36.960 --> 0:22:40.399
<v Speaker 2>But in twenty sixteen, researchers were able to model this

0:22:40.520 --> 0:22:44.160
<v Speaker 2>path for c snakes using a computer program that simulates

0:22:44.200 --> 0:22:49.120
<v Speaker 2>ocean currents. So basically, they took ten thousand virtual snakes,

0:22:49.480 --> 0:22:52.280
<v Speaker 2>they released them from twenty eight different points on the map,

0:22:52.600 --> 0:22:54.920
<v Speaker 2>and then they track the path of each group to

0:22:54.920 --> 0:22:57.560
<v Speaker 2>see where the currents would take them. And you know,

0:22:57.600 --> 0:22:59.800
<v Speaker 2>wouldn't you know it, the pass led straight to where

0:22:59.800 --> 0:23:02.280
<v Speaker 2>this snakes have been found in the real world. And

0:23:02.320 --> 0:23:05.359
<v Speaker 2>here's the wildest part. If the models are accurate, that

0:23:05.440 --> 0:23:08.600
<v Speaker 2>means that the snakes are clocking distances of nearly six

0:23:08.840 --> 0:23:12.000
<v Speaker 2>thousand miles or more over the course of their three

0:23:12.080 --> 0:23:14.880
<v Speaker 2>and a half year lifespans. And for perspective, that would

0:23:14.920 --> 0:23:17.919
<v Speaker 2>be farther than any other snake species has traveled. It's

0:23:17.960 --> 0:23:21.760
<v Speaker 2>actually closer to the travel range of something like a whale.

0:23:22.480 --> 0:23:24.720
<v Speaker 2>And because the yellow bellied snakes can hold their breath

0:23:24.800 --> 0:23:28.120
<v Speaker 2>underwater for this astounding period of three and a half hours,

0:23:28.400 --> 0:23:31.320
<v Speaker 2>it actually seems plausible that they surf the waves over

0:23:31.440 --> 0:23:33.159
<v Speaker 2>from Asia. That's just crazy to me.

0:23:33.280 --> 0:23:35.800
<v Speaker 1>Three and a half hours underwater is nuts. You know,

0:23:35.840 --> 0:23:37.439
<v Speaker 1>when you said you were doing something on animals, I

0:23:37.480 --> 0:23:40.399
<v Speaker 1>was expecting something about surfing dogs, you know, because they

0:23:40.400 --> 0:23:43.080
<v Speaker 1>have the first image competition in hunting and beach But

0:23:43.600 --> 0:23:45.240
<v Speaker 1>I'm kind of glad you owned with snakes instead.

0:23:45.359 --> 0:23:47.480
<v Speaker 2>Thank you. Thank you got to keep people on your toes.

0:23:47.520 --> 0:23:49.680
<v Speaker 2>So what is your very last fact of the day.

0:23:50.359 --> 0:23:52.600
<v Speaker 1>So, I think one of the things we often associate

0:23:52.640 --> 0:23:56.040
<v Speaker 1>with surfing is surf music, right, whether that's when the

0:23:56.040 --> 0:23:58.760
<v Speaker 1>beach boys who didn't really surf, or things that are

0:23:58.800 --> 0:24:01.520
<v Speaker 1>a little harder, like the surf rock that plays in

0:24:01.560 --> 0:24:04.800
<v Speaker 1>the beginning of Pulp Fiction, which, for anyone who hasn't

0:24:04.840 --> 0:24:08.440
<v Speaker 1>heard it, sort of like pulsing instrumental guitar and heavy reverb,

0:24:08.520 --> 0:24:11.000
<v Speaker 1>and it's in the opening credits of the movie. Anyway,

0:24:11.240 --> 0:24:12.840
<v Speaker 1>when I was looking at surf music, I found this

0:24:12.960 --> 0:24:15.399
<v Speaker 1>article on the New Yorker that I thought was fascinating,

0:24:15.480 --> 0:24:18.840
<v Speaker 1>and it's titled Dick Dale, the inventor of surf rock,

0:24:19.080 --> 0:24:21.440
<v Speaker 1>was a Lebanese American kid from Boston.

0:24:23.400 --> 0:24:25.800
<v Speaker 2>I love it. I mean, that's like how Hawaiian pizza

0:24:25.880 --> 0:24:28.199
<v Speaker 2>was invented in Canada by a Greek person, a big,

0:24:28.280 --> 0:24:30.440
<v Speaker 2>big fan by the way, the Hawaiian pizza.

0:24:30.960 --> 0:24:34.359
<v Speaker 1>So Dick Dale's the musician who actually plays that pulp

0:24:34.359 --> 0:24:38.600
<v Speaker 1>fiction song, which is called messr lou I guess. Apparently

0:24:38.760 --> 0:24:41.520
<v Speaker 1>the musician was born to a family of Lebanese immigrants

0:24:41.640 --> 0:24:45.640
<v Speaker 1>and his birth name was Richard Monsieur, and he gets

0:24:45.680 --> 0:24:48.240
<v Speaker 1>a guitar as a kid, but is obsessed with percussion.

0:24:48.359 --> 0:24:51.440
<v Speaker 1>He loves big band music, so he likes like Buddy

0:24:51.520 --> 0:24:54.320
<v Speaker 1>rich Gan, Krupa and all. That's a big part of

0:24:54.320 --> 0:24:57.480
<v Speaker 1>why his music is so rhythmic and so percussive. But

0:24:57.720 --> 0:25:00.200
<v Speaker 1>in high school, his family does move out to California

0:25:00.280 --> 0:25:03.320
<v Speaker 1>and he begins to surf and kind of the same

0:25:03.359 --> 0:25:05.720
<v Speaker 1>way that early skateboarders. I don't know if you've seen

0:25:05.880 --> 0:25:08.720
<v Speaker 1>these videos, but if you've seen like Dogtown and z Boys,

0:25:09.200 --> 0:25:11.960
<v Speaker 1>the skateboarders are trying to mimic surfing by reaching down

0:25:11.960 --> 0:25:14.080
<v Speaker 1>to touch the pavement and they're skimming it with their

0:25:14.080 --> 0:25:17.560
<v Speaker 1>hands like its water. And early surf musicians are also

0:25:17.600 --> 0:25:19.879
<v Speaker 1>trying to figure out how do you recreate that feeling

0:25:19.920 --> 0:25:23.760
<v Speaker 1>of surfing with music? So Amanda Petrecich, who wrote that

0:25:23.880 --> 0:25:26.400
<v Speaker 1>article that The New Yorker puts it this way. Quote,

0:25:26.680 --> 0:25:28.800
<v Speaker 1>though it is tempting to fold in bands like the

0:25:28.800 --> 0:25:32.000
<v Speaker 1>Beach Boys, who often sang about surfing, surf rock was

0:25:32.119 --> 0:25:36.080
<v Speaker 1>wet and gnarly and unconcerned with romance or sweetness. The

0:25:36.119 --> 0:25:39.600
<v Speaker 1>important part was successfully evincing the sensation of riding atop

0:25:39.640 --> 0:25:42.520
<v Speaker 1>a rushing crust of water, and to capture something about

0:25:42.560 --> 0:25:46.919
<v Speaker 1>that experience, which was both tense and glorious. Its biggest

0:25:47.000 --> 0:25:49.480
<v Speaker 1>question was how do we make this thing sound the

0:25:49.520 --> 0:25:55.000
<v Speaker 1>way that thing feels, combining recklessness with grace. Anyway, because

0:25:55.040 --> 0:25:57.359
<v Speaker 1>he is obsessed with percussion, and because he grew up

0:25:57.400 --> 0:26:00.359
<v Speaker 1>listening to Arabic music and Greek rebetico music, which is

0:26:00.400 --> 0:26:03.720
<v Speaker 1>sort of like the rebel folk music, He's using scales

0:26:03.760 --> 0:26:06.439
<v Speaker 1>and tones that are unfamiliar, and he pumps up the

0:26:06.440 --> 0:26:10.160
<v Speaker 1>reverb on these quick percussive notes and amplifies it at

0:26:10.200 --> 0:26:13.879
<v Speaker 1>what Amanda Petrosuch says is an indecent volume, and he

0:26:14.000 --> 0:26:16.719
<v Speaker 1>ends up creating the sound of surf music, which quickly

0:26:16.760 --> 0:26:17.480
<v Speaker 1>sweeps the nation.

0:26:17.840 --> 0:26:20.760
<v Speaker 2>I like that. That is, that's a good story, all right. Well,

0:26:20.760 --> 0:26:23.240
<v Speaker 2>since I picked last week's winner. I feel like this

0:26:23.280 --> 0:26:24.840
<v Speaker 2>week you'd get to do the honors.

0:26:24.960 --> 0:26:28.560
<v Speaker 1>Well, I was fifty to fifty. Dylan also won last

0:26:28.560 --> 0:26:29.920
<v Speaker 1>week's TROPHI so I don't think we can give it

0:26:29.960 --> 0:26:32.800
<v Speaker 1>to him, but because you did that Mark Twain anecdote,

0:26:32.800 --> 0:26:35.960
<v Speaker 1>and also SpongeBob, SpongeBob is pretty great, I think I've

0:26:35.960 --> 0:26:36.560
<v Speaker 1>got to give it to you.

0:26:36.680 --> 0:26:38.720
<v Speaker 2>I feel like I deserved it this week. Yeah, thank you.

0:26:38.760 --> 0:26:41.640
<v Speaker 2>I appreciate that. Well, that's it for today's Part Time Genius.

0:26:41.720 --> 0:26:43.919
<v Speaker 2>I do want to thank Gabe Lucy. It's been a

0:26:43.920 --> 0:26:46.600
<v Speaker 2>little while he's done so many episodes in the past

0:26:46.640 --> 0:26:48.639
<v Speaker 2>with us, but Gabe did most of the research for

0:26:49.240 --> 0:26:52.240
<v Speaker 2>this week's episode, and as Mango mentioned, we've been sitting

0:26:52.240 --> 0:26:54.480
<v Speaker 2>on some of these links and stories for a while

0:26:54.520 --> 0:26:57.240
<v Speaker 2>and it's fun to finally be doing the show regularly

0:26:57.400 --> 0:26:59.440
<v Speaker 2>enough that we remembered we needed to put.

0:26:59.280 --> 0:26:59.880
<v Speaker 1>It out there.

0:27:00.040 --> 0:27:02.120
<v Speaker 2>So this was a lot of fun.

0:27:02.960 --> 0:27:03.440
<v Speaker 1>That's right.

0:27:03.680 --> 0:27:05.920
<v Speaker 2>Anyway, we'll be back with a brand new episode next week,

0:27:05.920 --> 0:27:08.760
<v Speaker 2>but in the meantime, from Mango, Dylan, Mary, and myself,

0:27:08.800 --> 0:27:09.879
<v Speaker 2>thanks so much for listening.

0:27:21.680 --> 0:27:24.920
<v Speaker 1>Part Time Genius is a production of Kaleidoscope and iHeartRadio.

0:27:25.480 --> 0:27:29.440
<v Speaker 1>This show is hosted by Will Pearson and me Mongashtikler

0:27:29.840 --> 0:27:33.800
<v Speaker 1>and research by our good pal Mary Philip Sandy. Today's

0:27:33.840 --> 0:27:37.199
<v Speaker 1>episode was engineered and produced by the wonderful Dylan Fagan

0:27:37.280 --> 0:27:40.879
<v Speaker 1>with support from Tyler Klang. The show is executive produced

0:27:40.880 --> 0:27:44.400
<v Speaker 1>for iHeart by Katrina Norvel and Ali Perry, with social

0:27:44.480 --> 0:27:48.880
<v Speaker 1>media support from Sasha Gay, trustee Nara Potts and Viny Shorey.

0:27:49.520 --> 0:27:54.000
<v Speaker 1>For more podcasts from Kaleidoscope and iHeartRadio, visit the iHeartRadio app,

0:27:54.200 --> 0:27:57.520
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows,

0:28:00.359 --> 0:28:01.200
<v Speaker 1>you a