1 00:00:03,160 --> 00:00:06,519 Speaker 1: You're listening to part Time Genius, the production of Kaleidoscope 2 00:00:06,720 --> 00:00:12,399 Speaker 1: and iHeartRadio. Guess what Will? 3 00:00:12,480 --> 00:00:13,200 Speaker 2: What's that Mango? 4 00:00:13,400 --> 00:00:16,000 Speaker 1: So one of the great things about working from home 5 00:00:16,320 --> 00:00:18,520 Speaker 1: is that you can slip away from a stressful day 6 00:00:18,600 --> 00:00:21,480 Speaker 1: or big meetings and get a little exercise. I know 7 00:00:21,600 --> 00:00:24,360 Speaker 1: you like to run. I like to play tennis when 8 00:00:24,400 --> 00:00:26,239 Speaker 1: I can get away. But I was wondering about people 9 00:00:26,280 --> 00:00:29,240 Speaker 1: who relax by doing more extreme sports. Like if you 10 00:00:29,280 --> 00:00:30,880 Speaker 1: want to go surfing in the middle of the day 11 00:00:31,040 --> 00:00:33,000 Speaker 1: and hit the waves, but then get on a zoom 12 00:00:33,080 --> 00:00:35,080 Speaker 1: right after, how do you do that without looking like 13 00:00:35,120 --> 00:00:38,519 Speaker 1: a mess? So I was doing some research and I 14 00:00:38,560 --> 00:00:42,120 Speaker 1: think I found an answer with this Japanese wetsuit. It's 15 00:00:42,120 --> 00:00:46,040 Speaker 1: a one hundred percent waterproof bodysuit that also doubles as 16 00:00:46,120 --> 00:00:46,920 Speaker 1: a business suit. 17 00:00:47,120 --> 00:00:49,720 Speaker 2: So does it actually look like a business suit or 18 00:00:49,760 --> 00:00:52,040 Speaker 2: is it just like a regular wetsuit with some sort 19 00:00:52,080 --> 00:00:53,840 Speaker 2: of jacket on top or something like that. 20 00:00:53,960 --> 00:00:56,560 Speaker 1: It's like a regular two piece suit and it's got 21 00:00:56,560 --> 00:00:59,800 Speaker 1: a button up shirt, except everything is super stretchy. It's 22 00:01:00,120 --> 00:01:02,240 Speaker 1: to repell in. I've actually got a picture for you. 23 00:01:02,360 --> 00:01:04,000 Speaker 1: I'm gonna click it over and send it to you. 24 00:01:04,040 --> 00:01:04,400 Speaker 1: Right now. 25 00:01:04,680 --> 00:01:07,800 Speaker 2: That is actually pretty awesome. It actually looks pretty sick. 26 00:01:07,800 --> 00:01:09,480 Speaker 2: I mean the pants look a little tighter than you 27 00:01:09,600 --> 00:01:11,720 Speaker 2: typically want them. I know you like your tight. I 28 00:01:11,880 --> 00:01:14,160 Speaker 2: like them, yeah, but otherwise honestly not bad. 29 00:01:14,560 --> 00:01:17,360 Speaker 1: Yeah. And even the accessories or waterproof, so you can 30 00:01:17,480 --> 00:01:20,679 Speaker 1: go for a waterproof necktie or a waterproof bow tie, 31 00:01:20,720 --> 00:01:23,600 Speaker 1: because we deserve nice things and it is nice to 32 00:01:23,640 --> 00:01:24,160 Speaker 1: have options. 33 00:01:24,200 --> 00:01:26,160 Speaker 2: It's true. I actually think this would be one case 34 00:01:26,200 --> 00:01:28,600 Speaker 2: where I would go with the bow tie, because yeah, 35 00:01:28,640 --> 00:01:30,399 Speaker 2: you don't want the like necktie slaping you in the 36 00:01:30,400 --> 00:01:33,240 Speaker 2: face as you're going through this. But I'm curious to know, like, 37 00:01:33,319 --> 00:01:35,840 Speaker 2: how did this business, you know, like these formal wetsuits 38 00:01:35,840 --> 00:01:36,240 Speaker 2: come about. 39 00:01:36,319 --> 00:01:39,600 Speaker 1: Apparently it's a collaboration between Quicksilver in Japan and this 40 00:01:39,680 --> 00:01:42,720 Speaker 1: Tokyo based ad firm, and the goal was to figure 41 00:01:42,720 --> 00:01:45,400 Speaker 1: out a way to get former surfers back into the sport. 42 00:01:45,880 --> 00:01:49,200 Speaker 1: Surfing is hugely popular in Japan, but ninety percent of 43 00:01:49,240 --> 00:01:51,639 Speaker 1: young surfers give it up once they get day jobs. 44 00:01:51,960 --> 00:01:54,880 Speaker 1: So the hope was that if salarymen can have some 45 00:01:55,000 --> 00:01:56,880 Speaker 1: way that they can get in the ocean but then 46 00:01:56,920 --> 00:01:59,400 Speaker 1: get to the office right after, sort of like from 47 00:01:59,440 --> 00:02:02,960 Speaker 1: the board to the boardroom, they can slip surfing back 48 00:02:02,960 --> 00:02:04,080 Speaker 1: into their lives. 49 00:02:03,920 --> 00:02:05,120 Speaker 2: And has this worked? 50 00:02:05,360 --> 00:02:05,520 Speaker 1: No? 51 00:02:05,960 --> 00:02:07,480 Speaker 2: Okay, all right, well it. 52 00:02:07,520 --> 00:02:09,880 Speaker 1: Is a much better gimmick than it is officeware. But 53 00:02:10,080 --> 00:02:12,440 Speaker 1: stumbling into this outfit made me think about how much 54 00:02:12,520 --> 00:02:15,040 Speaker 1: I've always wanted to do a surfing episode, even though 55 00:02:15,160 --> 00:02:17,560 Speaker 1: I am not a surfer. I thought we should get 56 00:02:17,560 --> 00:02:19,959 Speaker 1: one out before the summer is done. So why don't 57 00:02:20,000 --> 00:02:21,640 Speaker 1: we grab our boards and dive in? 58 00:02:21,800 --> 00:02:45,120 Speaker 2: All right, Hey, their podcast listeners, welcome to Part Time Genius. 59 00:02:45,160 --> 00:02:47,280 Speaker 2: I'm Will Pearson and as always I'm joined by my 60 00:02:47,280 --> 00:02:49,679 Speaker 2: good friend mangesh Hot Ticketer and on the other side 61 00:02:49,720 --> 00:02:52,880 Speaker 2: of my computer screen hanging ten on his ironing board. 62 00:02:52,919 --> 00:02:55,640 Speaker 2: He's got creative here, Mango. That's our friend and super 63 00:02:55,639 --> 00:02:59,120 Speaker 2: producer Dylan Fagan. And for any concern listeners out there, 64 00:02:59,120 --> 00:03:01,160 Speaker 2: and I know you're off concern with the stunts that 65 00:03:01,240 --> 00:03:03,960 Speaker 2: Dylan is pulling, you should know that the ironing board 66 00:03:04,040 --> 00:03:06,720 Speaker 2: is not extended. It's flat on the floor and he's 67 00:03:06,800 --> 00:03:08,840 Speaker 2: balancing on top of it. I think he wants to 68 00:03:08,840 --> 00:03:11,480 Speaker 2: be protective of, you know, his his dainty ankles. This 69 00:03:11,560 --> 00:03:14,680 Speaker 2: is a fun fact about super producer Dylan. Very concerned 70 00:03:14,720 --> 00:03:17,800 Speaker 2: about it, So, Mango, this topic has kind of been 71 00:03:17,840 --> 00:03:20,000 Speaker 2: sitting in the queue for a long time for us, 72 00:03:20,040 --> 00:03:22,480 Speaker 2: and I'm curious, why have you been wanting to do 73 00:03:22,520 --> 00:03:23,680 Speaker 2: a show on surfing? 74 00:03:24,400 --> 00:03:27,120 Speaker 1: You know, I'm not exactly sure. I think it's because 75 00:03:27,160 --> 00:03:29,360 Speaker 1: surfing is one of those things I want to do 76 00:03:29,639 --> 00:03:32,800 Speaker 1: so badly. You know, it is so beautiful and calming, 77 00:03:32,880 --> 00:03:36,640 Speaker 1: and I love watching people surf. But also I'm absolutely 78 00:03:36,720 --> 00:03:39,320 Speaker 1: never going to do it. You know. Actually this last year, 79 00:03:39,400 --> 00:03:41,400 Speaker 1: my friend got married in Hawaii and I'd never been, 80 00:03:41,600 --> 00:03:44,080 Speaker 1: and there was an afternoon where we caught up on 81 00:03:44,120 --> 00:03:47,840 Speaker 1: a beach and we just watched people surf for like hours, 82 00:03:48,000 --> 00:03:51,600 Speaker 1: and it was mesmerizing. And it's just unbelievable how long 83 00:03:51,600 --> 00:03:53,000 Speaker 1: people can go for it, and they really know how 84 00:03:53,000 --> 00:03:55,560 Speaker 1: to surf. It's stunning. I agree, But what's stopping you 85 00:03:55,600 --> 00:03:59,400 Speaker 1: from trying? Well, I am not a great swimmer. I 86 00:03:59,400 --> 00:04:01,160 Speaker 1: don't see a lot of surfing and Floa. I actually 87 00:04:01,200 --> 00:04:03,080 Speaker 1: knew that. I just wanted you to have to say that. 88 00:04:03,600 --> 00:04:06,920 Speaker 1: But also it just feels so dangerous. I mean, it 89 00:04:06,960 --> 00:04:10,400 Speaker 1: is maybe irrational, but I read this surf memoir. It's 90 00:04:10,400 --> 00:04:12,760 Speaker 1: called Barbarian Days and it's by William Finn again, this 91 00:04:12,800 --> 00:04:16,200 Speaker 1: New Yorker writer, and it's beautiful, but there's this scene 92 00:04:16,200 --> 00:04:19,040 Speaker 1: where the author goes to some remote place near Fiji 93 00:04:19,480 --> 00:04:22,279 Speaker 1: and the ocean is in this area and it's filled 94 00:04:22,320 --> 00:04:26,160 Speaker 1: with super venomous water snakes. But because the waves are 95 00:04:26,240 --> 00:04:29,760 Speaker 1: so good, he just keeps surfing. And you know, between 96 00:04:29,839 --> 00:04:33,440 Speaker 1: water snakes and sharks and the way his skin tears 97 00:04:33,520 --> 00:04:36,239 Speaker 1: up on coral, I just think I'll stick to tennis. 98 00:04:36,360 --> 00:04:37,640 Speaker 2: Yeah, but I. 99 00:04:37,560 --> 00:04:40,600 Speaker 1: Still do like facts about surfing, and I'm curious where 100 00:04:40,600 --> 00:04:41,440 Speaker 1: you want to start today. 101 00:04:41,520 --> 00:04:43,760 Speaker 2: Actually, before we jump into that, I'm not trying to 102 00:04:43,760 --> 00:04:46,560 Speaker 2: delay us anymore from surfing, but it made me think 103 00:04:46,600 --> 00:04:48,840 Speaker 2: about this. Have you actually seen these photos of Swiss 104 00:04:48,839 --> 00:04:51,800 Speaker 2: people commuting home from work by floating on the Rhine? 105 00:04:51,800 --> 00:04:54,520 Speaker 1: If you see these, it is unbelievable. Like those images 106 00:04:54,520 --> 00:04:56,880 Speaker 1: were all over TikTok this summer and it kind of 107 00:04:56,880 --> 00:04:57,480 Speaker 1: looks magical. 108 00:04:57,640 --> 00:05:00,279 Speaker 2: It really does. So I guess in Basil, Switzerland, they've 109 00:05:00,320 --> 00:05:03,360 Speaker 2: got these little cabins for changing and their showers along 110 00:05:03,400 --> 00:05:06,240 Speaker 2: the route, and basically commuters will strip down, throw their 111 00:05:06,240 --> 00:05:09,520 Speaker 2: belongings in these waterproof floating bags. They're shaped like fish, 112 00:05:09,560 --> 00:05:12,400 Speaker 2: and then they just float home much as this. Yeah, 113 00:05:12,440 --> 00:05:15,240 Speaker 2: it's so cool and it feels like such a nice 114 00:05:15,240 --> 00:05:17,960 Speaker 2: way to end every summer workday. Think about this if 115 00:05:18,000 --> 00:05:20,160 Speaker 2: every day instead of going and getting on the train 116 00:05:20,320 --> 00:05:22,799 Speaker 2: or whatever we're doing to get home, to be able 117 00:05:22,839 --> 00:05:25,080 Speaker 2: to do that. And that's just an aside, but I 118 00:05:25,120 --> 00:05:27,440 Speaker 2: thought it was worth sharing here. But why don't we 119 00:05:27,440 --> 00:05:30,480 Speaker 2: start by talking about some of the early accounts of surfing. 120 00:05:30,520 --> 00:05:31,960 Speaker 2: I know, we like to go back to the very 121 00:05:32,000 --> 00:05:34,760 Speaker 2: beginning on so many of these things. But the first 122 00:05:34,800 --> 00:05:38,280 Speaker 2: European riding about surfing comes from a man named Charles Clerk. 123 00:05:38,560 --> 00:05:40,840 Speaker 2: He served as a ship's officer on one of Captain 124 00:05:40,839 --> 00:05:44,080 Speaker 2: Cook's voyages through the Pacific. This was back in seventeen 125 00:05:44,120 --> 00:05:46,520 Speaker 2: seventy eight, and Cook and his crew became the first 126 00:05:46,560 --> 00:05:50,120 Speaker 2: known Europeans to visit the Hawaiian Islands, so they were 127 00:05:50,240 --> 00:05:54,119 Speaker 2: basically the first outsiders to witness surfing. So he writes 128 00:05:54,160 --> 00:05:57,159 Speaker 2: about this in his journal, and Clerk recounted watching these 129 00:05:57,200 --> 00:06:00,320 Speaker 2: islanders mount boards that were six to eight feet so 130 00:06:00,400 --> 00:06:02,839 Speaker 2: actually along the lines of what you would see today 131 00:06:03,200 --> 00:06:05,800 Speaker 2: two feet wide, and he says, quote, in the shape 132 00:06:05,839 --> 00:06:08,719 Speaker 2: of one of our bone paper cutters, you know, bone 133 00:06:08,720 --> 00:06:09,680 Speaker 2: paper cutters, right. 134 00:06:10,600 --> 00:06:13,080 Speaker 1: I also can't imagine how wild it must have been 135 00:06:13,120 --> 00:06:17,280 Speaker 1: to see people just on these like planks, just cruising 136 00:06:17,360 --> 00:06:18,760 Speaker 1: past you. It feels insane. 137 00:06:19,040 --> 00:06:21,279 Speaker 2: Yeah, that's pretty cool. And so he wrote, they basically 138 00:06:21,279 --> 00:06:23,480 Speaker 2: get on these boards and then quote go round the 139 00:06:23,480 --> 00:06:25,919 Speaker 2: best going boats we had in the space of a 140 00:06:26,160 --> 00:06:29,440 Speaker 2: very few minutes. So he was definitely impressed. But my 141 00:06:29,600 --> 00:06:32,600 Speaker 2: favorite account of surfing comes about one hundred years later, 142 00:06:32,720 --> 00:06:35,040 Speaker 2: Mark Twain writes about the phenomenon. 143 00:06:35,400 --> 00:06:36,920 Speaker 1: Mark Twain went to Hawaii. 144 00:06:37,160 --> 00:06:39,920 Speaker 2: He did, He did go to Hawaiian So he writes 145 00:06:39,960 --> 00:06:43,359 Speaker 2: about this and his travel memoir called Roughing It. And 146 00:06:43,400 --> 00:06:45,920 Speaker 2: he also did a bunch of correspondents for the Sacramento 147 00:06:46,040 --> 00:06:49,719 Speaker 2: Union when he traveled through Hawaii and wrote about everything 148 00:06:49,800 --> 00:06:53,960 Speaker 2: from missionaries to sugar operations to local lore. But what's 149 00:06:54,000 --> 00:06:58,160 Speaker 2: funny is that he documents surfing and calls it surf bathing. 150 00:06:58,279 --> 00:07:00,960 Speaker 2: And here's how he describes it. He says, quote, at 151 00:07:00,960 --> 00:07:03,800 Speaker 2: the right moment, the native would fling his board upon 152 00:07:03,839 --> 00:07:07,360 Speaker 2: its foamy crest and himself upon the board, and here 153 00:07:07,440 --> 00:07:10,400 Speaker 2: he would come whizzing by like a bombshell. It did 154 00:07:10,480 --> 00:07:13,200 Speaker 2: not seem that a lightning express train could shoot along 155 00:07:13,240 --> 00:07:16,120 Speaker 2: at a more hair lifting speed, so it's pretty cool 156 00:07:16,120 --> 00:07:17,920 Speaker 2: to watch. I think he might have been exaggerating just 157 00:07:17,960 --> 00:07:20,840 Speaker 2: a tiny bit. But what's even better is that Twain 158 00:07:20,960 --> 00:07:23,240 Speaker 2: actually gives surfing a tries, so he was a little 159 00:07:23,280 --> 00:07:25,640 Speaker 2: more brave than the two of us. And he goes 160 00:07:25,680 --> 00:07:29,480 Speaker 2: on to write, I tried surf bathing once subsequently, but 161 00:07:29,840 --> 00:07:32,280 Speaker 2: made a failure of it. I got the board placed 162 00:07:32,360 --> 00:07:34,560 Speaker 2: right and at the right moment, too, but I missed 163 00:07:34,560 --> 00:07:37,640 Speaker 2: the connection myself. The board struck the shore in three 164 00:07:37,720 --> 00:07:40,800 Speaker 2: quarters of a second without any cargo, and I struck 165 00:07:40,840 --> 00:07:43,440 Speaker 2: the bottom at about the same time with a couple 166 00:07:43,520 --> 00:07:46,520 Speaker 2: of barrels of water in me. None but natives ever 167 00:07:46,640 --> 00:07:50,400 Speaker 2: master the art of surf bathing thoroughly. Pretty great story there. 168 00:07:50,560 --> 00:07:53,040 Speaker 1: Well, I feel like surf bathing makes it sound like 169 00:07:53,080 --> 00:07:55,720 Speaker 1: a gentler sport does, so it feels like you should 170 00:07:55,760 --> 00:07:59,520 Speaker 1: do that every day. I know you're a much better 171 00:07:59,560 --> 00:08:02,080 Speaker 1: swimmer than I am because your your grandma was like 172 00:08:02,080 --> 00:08:03,120 Speaker 1: an Olympic swimmer, right. 173 00:08:03,640 --> 00:08:06,320 Speaker 2: She might have claimed that she was an Olympic swimmer, 174 00:08:06,360 --> 00:08:08,640 Speaker 2: but she did teach us alt to swim, Thanks mamma. 175 00:08:09,600 --> 00:08:12,160 Speaker 1: So I had no idea that Mark Twain wrote any 176 00:08:12,160 --> 00:08:14,360 Speaker 1: of this stuff. And I actually just read James. Have 177 00:08:14,480 --> 00:08:17,160 Speaker 1: you heard the book? I'm actually about halfway through it. 178 00:08:17,200 --> 00:08:20,720 Speaker 1: It is fantastic book. Good and honestly like reading about 179 00:08:20,880 --> 00:08:23,160 Speaker 1: Huck Finn from Jim's perspective made me want to go 180 00:08:23,160 --> 00:08:26,080 Speaker 1: back and read more Mark Dwain, and I actually feel 181 00:08:26,080 --> 00:08:28,200 Speaker 1: like now I've got to start with this travel bit more. 182 00:08:28,320 --> 00:08:30,080 Speaker 2: Yeah. By the way, as a side note, you know 183 00:08:30,080 --> 00:08:34,240 Speaker 2: who recommended James. One of our fantastic podcasters, Danny Shapiro, 184 00:08:34,520 --> 00:08:37,320 Speaker 2: does Family Secrets. I always asked her what books are 185 00:08:37,400 --> 00:08:39,480 Speaker 2: you obsessing over? And it was that book. 186 00:08:39,520 --> 00:08:42,120 Speaker 1: Sorry for the yeah, I love it for over. My 187 00:08:42,160 --> 00:08:44,199 Speaker 1: next fact, I want to talk about how surfing started 188 00:08:44,320 --> 00:08:48,000 Speaker 1: as an equal opportunity family activity. And this goes back 189 00:08:48,040 --> 00:08:51,319 Speaker 1: to its inception. So surfing and Hawaii and other Polynesian 190 00:08:51,360 --> 00:08:54,640 Speaker 1: islands was a communal activity and it's really wonderful. So 191 00:08:54,720 --> 00:08:58,240 Speaker 1: like men, women, children, like people of every social class 192 00:08:58,240 --> 00:09:01,720 Speaker 1: did this. And in fact, the oldest known surfboard belonged 193 00:09:01,720 --> 00:09:04,520 Speaker 1: to a woman. It dates back to the sixteen hundreds 194 00:09:04,559 --> 00:09:06,560 Speaker 1: and it was found in the burial cave of a 195 00:09:06,679 --> 00:09:08,800 Speaker 1: princess on the Big Island of Hawaii. 196 00:09:09,600 --> 00:09:12,520 Speaker 2: I feel like whenever you hear about surf history in America, 197 00:09:12,679 --> 00:09:15,719 Speaker 2: it usually starts with that surf legend, Duke something or 198 00:09:15,760 --> 00:09:18,360 Speaker 2: other bringing it to the mainland in the early nineteen hundreds. 199 00:09:18,400 --> 00:09:20,640 Speaker 2: It was definitely not a story with a woman. 200 00:09:21,160 --> 00:09:23,800 Speaker 1: Yeah. So the truth is that Hawaii's surf culture was 201 00:09:23,880 --> 00:09:26,480 Speaker 1: derailed for a period in the nineteenth century thanks to 202 00:09:26,520 --> 00:09:30,600 Speaker 1: American missionaries. They disapproved of just about every aspect of surfing, 203 00:09:30,720 --> 00:09:32,600 Speaker 1: from the mixed gender nature of it to the fact 204 00:09:32,600 --> 00:09:35,160 Speaker 1: that you had to be nearly naked to do it well. 205 00:09:35,480 --> 00:09:38,720 Speaker 1: So the sport kind of fell by the wayside in Hawaii, 206 00:09:38,800 --> 00:09:41,920 Speaker 1: especially among women. But that started to change at the 207 00:09:41,920 --> 00:09:44,679 Speaker 1: turn of the century when Californians were introduced to the 208 00:09:44,720 --> 00:09:49,520 Speaker 1: sport by male Hawaiian surfers, and that includes Duke Anamuku, 209 00:09:49,640 --> 00:09:53,680 Speaker 1: who I know I'm butchering that we're talking about. But 210 00:09:54,360 --> 00:09:57,960 Speaker 1: that said, female surfers never went away completely. And around 211 00:09:58,000 --> 00:10:00,320 Speaker 1: the same time that surfing made its American day, And 212 00:10:00,360 --> 00:10:03,920 Speaker 1: so this is in the eighteen nineties, Hawaii's princess was 213 00:10:04,000 --> 00:10:06,760 Speaker 1: busy demonstrating the sport in England, and she did it 214 00:10:06,800 --> 00:10:10,440 Speaker 1: in this grand fashion. She surfed the English Channel. There's 215 00:10:10,440 --> 00:10:12,600 Speaker 1: a document at the British Surfing Museum that has a 216 00:10:12,600 --> 00:10:16,160 Speaker 1: great description of it, and it says, quote, the tall 217 00:10:16,240 --> 00:10:19,360 Speaker 1: foreign dignitaries stood erect on a thin board with her 218 00:10:19,400 --> 00:10:22,520 Speaker 1: hair blowing in the wind as she rode the Chili waters. 219 00:10:22,960 --> 00:10:25,040 Speaker 1: It was such an impressive sight that some of the 220 00:10:25,040 --> 00:10:28,280 Speaker 1: British nobility to decide to take up surfing, and before 221 00:10:28,320 --> 00:10:30,560 Speaker 1: you knew it, the sport had this foothold on a 222 00:10:30,600 --> 00:10:31,400 Speaker 1: whole new continent. 223 00:10:31,840 --> 00:10:34,440 Speaker 2: That's amazing. Actually, you know, in my research I found 224 00:10:34,480 --> 00:10:37,240 Speaker 2: some of the early pictures of the brit surfing or 225 00:10:37,360 --> 00:10:39,920 Speaker 2: surf riding as they used to call it, and they 226 00:10:40,040 --> 00:10:44,520 Speaker 2: used coffin lids instead of surfboards because they just weren't 227 00:10:44,559 --> 00:10:47,280 Speaker 2: proper boards available. It's so crazy to see what people 228 00:10:47,360 --> 00:10:49,120 Speaker 2: used to surf on. Look at this photo here, like 229 00:10:49,320 --> 00:10:51,880 Speaker 2: you can see these are just pulled straight from They're 230 00:10:51,880 --> 00:10:54,240 Speaker 2: either pulled straight from a coffin or they are lids 231 00:10:54,280 --> 00:10:57,160 Speaker 2: that have not yet been put on a coffin lids. 232 00:10:57,520 --> 00:11:00,880 Speaker 2: Maybe that's what it is. But anyways, speaking of female surfers, 233 00:11:00,880 --> 00:11:04,040 Speaker 2: did you know that in the sixties TV surfer Gidget 234 00:11:04,160 --> 00:11:05,800 Speaker 2: was based on a real person. 235 00:11:06,679 --> 00:11:10,160 Speaker 1: I love that you're bringing up gidget like anyone remembers. 236 00:11:09,760 --> 00:11:13,480 Speaker 2: Yeah, buddy remembers Gidget in the time before we were alive. 237 00:11:13,640 --> 00:11:16,080 Speaker 1: Yeah, I think you're gonna have to explain it. 238 00:11:16,800 --> 00:11:19,200 Speaker 2: Well, obviously she's not a household name anymore. But in 239 00:11:19,240 --> 00:11:22,720 Speaker 2: the late nineteen fifties and early sixties, Gidget was the 240 00:11:22,720 --> 00:11:26,000 Speaker 2: most famous surfer of them all. Sandra d played her 241 00:11:26,080 --> 00:11:28,960 Speaker 2: in the nineteen fifty nine movie, and then other actresses 242 00:11:29,040 --> 00:11:31,440 Speaker 2: took over for the role and the sequels, you know, 243 00:11:31,440 --> 00:11:34,640 Speaker 2: sequels like Gidget Goes Hawaiian and Gidget Goes to Rome, 244 00:11:34,920 --> 00:11:37,560 Speaker 2: so you know, the usual classics. But then in the 245 00:11:37,600 --> 00:11:41,040 Speaker 2: mid sixties, Gidget got a TV spinoff starring Sally Field. 246 00:11:41,040 --> 00:11:43,560 Speaker 2: So we are talking about like pretty big actresses here, 247 00:11:43,920 --> 00:11:46,679 Speaker 2: which very occasionally used to air on TV when when 248 00:11:46,720 --> 00:11:47,280 Speaker 2: I was a kid. 249 00:11:47,400 --> 00:11:51,960 Speaker 1: Yeah, I actually vaguely, vaguely remember that. And you know, 250 00:11:52,160 --> 00:11:54,400 Speaker 1: I'm guessing this was during the height of the surf craze, 251 00:11:54,480 --> 00:11:56,640 Speaker 1: when the beach Boys had all those songs on the air. 252 00:11:56,800 --> 00:11:59,280 Speaker 2: Yeah, I mean, Gidget was the first of those Hollywood 253 00:11:59,320 --> 00:12:01,560 Speaker 2: beach party films that you think of that were so 254 00:12:01,720 --> 00:12:04,680 Speaker 2: huge in the nineteen sixties. But one thing that set 255 00:12:04,720 --> 00:12:07,600 Speaker 2: Gidget apart is that the character was actually based on 256 00:12:07,679 --> 00:12:10,400 Speaker 2: a real surfer. Her name was Kathy Kohner and in 257 00:12:10,480 --> 00:12:13,160 Speaker 2: nineteen fifty six, she was a fifteen year old girl 258 00:12:13,240 --> 00:12:16,440 Speaker 2: growing up in the suburbs of Malibu. So that summer 259 00:12:16,520 --> 00:12:19,360 Speaker 2: she learned to surf by trading peanut butter sandwiches to 260 00:12:19,480 --> 00:12:22,880 Speaker 2: local surfers in exchange of using their surfboards. 261 00:12:23,000 --> 00:12:23,520 Speaker 1: Is not cool. 262 00:12:23,559 --> 00:12:24,760 Speaker 2: I love how creative that is. 263 00:12:25,040 --> 00:12:27,240 Speaker 1: That's amazing. And I love that like a peanut butter 264 00:12:27,280 --> 00:12:29,800 Speaker 1: sandwich can get your ride on a surfboard. Though, that's 265 00:12:29,840 --> 00:12:30,360 Speaker 1: so great. 266 00:12:30,520 --> 00:12:32,720 Speaker 2: I love a peanut butter sandwich like I would totally 267 00:12:32,760 --> 00:12:35,079 Speaker 2: trade my board for one. So by the end of 268 00:12:35,120 --> 00:12:37,320 Speaker 2: the summer she was hooked and kept telling her dad 269 00:12:37,360 --> 00:12:39,720 Speaker 2: about it, and at one point Kathy told them she 270 00:12:39,800 --> 00:12:43,079 Speaker 2: wanted to write a book about her surfing experiences, but 271 00:12:43,200 --> 00:12:46,040 Speaker 2: her dad, being a writer himself, offered to write it 272 00:12:46,200 --> 00:12:48,880 Speaker 2: for her. So a year later, the first of five 273 00:12:49,160 --> 00:12:52,719 Speaker 2: Ya novels about a surfed crazed girl named Gidget hit 274 00:12:52,800 --> 00:12:56,200 Speaker 2: the shelves and it quickly became this national bestseller and 275 00:12:56,240 --> 00:12:58,600 Speaker 2: within no time they sold the film rights. 276 00:12:58,640 --> 00:13:02,280 Speaker 1: It's so cool, that's fun. But if a real name's Kathy, 277 00:13:02,480 --> 00:13:04,160 Speaker 1: why does she get named Gidget. 278 00:13:04,480 --> 00:13:07,800 Speaker 2: Well, apparently that's the nickname that those older Malibu surfers 279 00:13:07,880 --> 00:13:10,880 Speaker 2: gave her. It's a combination of girl and midget, which 280 00:13:10,920 --> 00:13:13,720 Speaker 2: of course is problematic today. But some of the other 281 00:13:13,880 --> 00:13:17,480 Speaker 2: characters in the book had better nicknames, like Gidget's longtime 282 00:13:17,559 --> 00:13:20,600 Speaker 2: love interest was named moon Doggie, which I think is 283 00:13:20,640 --> 00:13:23,560 Speaker 2: actually pretty cool and maybe problematic for other reasons. Haven't 284 00:13:23,600 --> 00:13:26,240 Speaker 2: thought about it yet, but on account of his fondness 285 00:13:26,280 --> 00:13:29,120 Speaker 2: for surfing by moonlight, which I think is kind of cool. 286 00:13:29,880 --> 00:13:32,240 Speaker 1: Well, you know, I just assumed gidget was a surf 287 00:13:32,320 --> 00:13:34,360 Speaker 1: term because there's so many of those that, you know, 288 00:13:34,440 --> 00:13:37,400 Speaker 1: you have no idea what they mean, and I thought 289 00:13:37,640 --> 00:13:39,440 Speaker 1: it would be fun, actually if I gave you a 290 00:13:39,640 --> 00:13:42,480 Speaker 1: bit of a surf vocabulary quiz, just in case the 291 00:13:42,520 --> 00:13:45,120 Speaker 1: next time you meet a surfer and your Google Translate 292 00:13:45,160 --> 00:13:48,600 Speaker 1: doesn't work, you know, you actually have some surfing vocabulary 293 00:13:48,640 --> 00:13:49,040 Speaker 1: to lean on. 294 00:13:49,160 --> 00:13:50,040 Speaker 2: Right, let's do it. 295 00:13:50,559 --> 00:13:52,599 Speaker 1: So the first one is doggy door. Do you know 296 00:13:52,679 --> 00:13:54,160 Speaker 1: what a doggy door is? To a surfer? 297 00:13:54,880 --> 00:13:56,800 Speaker 2: Use it in a sentence? 298 00:13:57,880 --> 00:13:59,800 Speaker 1: I thought he was a goner, but then he found 299 00:13:59,800 --> 00:14:00,600 Speaker 1: that doggy door. 300 00:14:01,120 --> 00:14:04,880 Speaker 2: Okay, I'm guessing it's a little like a little gap 301 00:14:04,880 --> 00:14:05,839 Speaker 2: in the wave or something like. 302 00:14:06,000 --> 00:14:09,200 Speaker 1: Yeah, exactly, So a doggy door is a small exit 303 00:14:09,240 --> 00:14:11,200 Speaker 1: hole of surfer finds to get out of the barrel 304 00:14:11,240 --> 00:14:13,760 Speaker 1: of a wave. All right, so one for one? All right? 305 00:14:13,840 --> 00:14:15,120 Speaker 1: How about a gremmy? 306 00:14:16,840 --> 00:14:19,240 Speaker 2: I have no idea, give it to me in another sentence? 307 00:14:19,280 --> 00:14:21,880 Speaker 1: Sure, I won my game of scrabble by using the 308 00:14:21,880 --> 00:14:24,880 Speaker 1: word remy. That is, that is not helpful at all. 309 00:14:25,160 --> 00:14:26,800 Speaker 2: So what is a gremmy? 310 00:14:27,280 --> 00:14:29,520 Speaker 1: I guess? I also have said a grammy is almost 311 00:14:29,520 --> 00:14:30,440 Speaker 1: the same as a grommet. 312 00:14:30,680 --> 00:14:34,160 Speaker 2: Okay, that have been helpful. Not still not figure it out. 313 00:14:34,240 --> 00:14:37,320 Speaker 1: A grommet is a young surfer, and amy is an 314 00:14:37,400 --> 00:14:41,400 Speaker 1: inexperienced surfer of any age. So you'd rather be called 315 00:14:41,440 --> 00:14:44,080 Speaker 1: a grommet than a grammy, I guess. But neither is 316 00:14:44,120 --> 00:14:47,560 Speaker 1: a term of endearment, right. How about a kahuna? 317 00:14:48,600 --> 00:14:51,400 Speaker 2: Uh? I feel like you hear the phrase big kahooner. 318 00:14:51,480 --> 00:14:53,440 Speaker 2: You obviously hear the phrase bic kohoon a lot, and 319 00:14:53,520 --> 00:14:57,640 Speaker 2: it's it's always around like Polynesian culture. So maybe this 320 00:14:57,800 --> 00:15:00,400 Speaker 2: is a village chief or something like that. 321 00:15:00,480 --> 00:15:03,080 Speaker 1: Yeah, it's pretty close, okay. A kahuna is apparently a 322 00:15:03,120 --> 00:15:05,680 Speaker 1: wizard or a magician, and it can also be a 323 00:15:05,680 --> 00:15:07,720 Speaker 1: wise man or a shaman. So you can see how 324 00:15:07,720 --> 00:15:10,520 Speaker 1: a kahuna becomes kind of a wizard of surfing on 325 00:15:10,600 --> 00:15:13,360 Speaker 1: the waves. Yeah. So, and the last one I'm going 326 00:15:13,440 --> 00:15:15,520 Speaker 1: to give you what is a mushburger? 327 00:15:16,280 --> 00:15:18,920 Speaker 2: Well, I know, when you finish surfing or playing in 328 00:15:18,960 --> 00:15:22,000 Speaker 2: the water or anything like that, you're definitely very hungry. 329 00:15:22,040 --> 00:15:26,320 Speaker 2: So would this be like the sandwiches and chow that 330 00:15:26,360 --> 00:15:29,280 Speaker 2: you scarf down after riding the waves and they're may 331 00:15:29,320 --> 00:15:31,560 Speaker 2: be all wet from the ocean or sandy. I don't know. 332 00:15:31,600 --> 00:15:32,240 Speaker 2: I'm trying here. 333 00:15:32,560 --> 00:15:35,600 Speaker 1: I love that idea. I do feel like Mushburgers would 334 00:15:35,600 --> 00:15:38,480 Speaker 1: be a great name for a franchise. But a mushburger 335 00:15:38,520 --> 00:15:40,600 Speaker 1: is actually a slow and fat wave. 336 00:15:40,960 --> 00:15:43,080 Speaker 2: Okay, yeah, I get that, that makes sense. 337 00:15:43,200 --> 00:15:45,320 Speaker 1: I like the name. So anyway, now that you know 338 00:15:45,520 --> 00:15:56,600 Speaker 1: all the surf slang, why don't we take a quick break. 339 00:16:01,080 --> 00:16:03,040 Speaker 1: Welcome back to Part Time Genius, where we're sharing some 340 00:16:03,080 --> 00:16:06,280 Speaker 1: of our favorite facts about the fine art of surfing 341 00:16:06,440 --> 00:16:08,880 Speaker 1: and will I think it's your turn to go next? 342 00:16:09,080 --> 00:16:11,840 Speaker 2: All right, Well, you felt like my my facts about 343 00:16:11,880 --> 00:16:14,720 Speaker 2: gidget were a little dated, and so I'm going to 344 00:16:14,800 --> 00:16:17,360 Speaker 2: dip into some pop culture that a few more people 345 00:16:17,400 --> 00:16:21,040 Speaker 2: have heard of, and it's a little show called SpongeBob SquarePants. 346 00:16:21,600 --> 00:16:22,760 Speaker 1: Not familiar. Not familiar? 347 00:16:22,800 --> 00:16:27,760 Speaker 2: Okay, fact, Yeah, that's pretty great. This does remind me, 348 00:16:27,840 --> 00:16:30,080 Speaker 2: as a side note, about the time where you told 349 00:16:30,120 --> 00:16:33,080 Speaker 2: me that you were introduced to Hall and Oates, when 350 00:16:33,120 --> 00:16:36,200 Speaker 2: you were literally introduced to Hall and Oates at that event, 351 00:16:36,560 --> 00:16:39,240 Speaker 2: and I was like, how did this happen? How are 352 00:16:39,240 --> 00:16:42,440 Speaker 2: we here? And you were not familiar with their body 353 00:16:42,480 --> 00:16:44,240 Speaker 2: of works. Sorry to call you out. 354 00:16:44,040 --> 00:16:46,360 Speaker 1: Here, but it just wasn't. 355 00:16:47,800 --> 00:16:51,400 Speaker 2: That's pretty well. I didn't realize that the SpongeBob creator, 356 00:16:51,400 --> 00:16:56,920 Speaker 2: Stephen Hillenberg, was actually a lifelong surfer and a marine biologist. 357 00:16:57,000 --> 00:16:59,960 Speaker 2: And this comes from a friend of his named Biddle Doo, 358 00:17:00,280 --> 00:17:01,960 Speaker 2: who wrote a piece about him in The New Yorker. 359 00:17:02,160 --> 00:17:05,679 Speaker 2: But apparently when Hillenburg wasn't surfing, he was beachcombing and 360 00:17:06,040 --> 00:17:09,840 Speaker 2: sketching shells and sea life. Anyway, Duke tells this story 361 00:17:09,880 --> 00:17:12,040 Speaker 2: that he and Hillenburg and a group of friends all 362 00:17:12,119 --> 00:17:15,000 Speaker 2: used to go to these camping beach trips and they 363 00:17:15,000 --> 00:17:17,040 Speaker 2: would go once a year on these trips, and one 364 00:17:17,119 --> 00:17:20,680 Speaker 2: year they were at this bonfire in Baja and Hillenburg 365 00:17:20,800 --> 00:17:23,560 Speaker 2: passes around his journal with an idea that he has. 366 00:17:23,920 --> 00:17:26,800 Speaker 2: Now apparently by this time, he's already made an educational 367 00:17:26,880 --> 00:17:29,680 Speaker 2: comic book about sea life. He's won awards for this, 368 00:17:30,280 --> 00:17:33,560 Speaker 2: he's done grad school and animation, won awards for that too, 369 00:17:33,760 --> 00:17:36,480 Speaker 2: and so he's on this path to doing something with 370 00:17:36,560 --> 00:17:39,879 Speaker 2: marine life and animation. But he opens his book and 371 00:17:39,880 --> 00:17:42,719 Speaker 2: tells everyone he's going to write a cartoon about a 372 00:17:42,760 --> 00:17:45,200 Speaker 2: sea sponge, and nobody gets it, right, I mean, you 373 00:17:45,240 --> 00:17:48,240 Speaker 2: can imagine how people are, like, okay, and you know, 374 00:17:48,320 --> 00:17:52,000 Speaker 2: obviously a sea sponge is like this lifeless, inanimate blob 375 00:17:52,040 --> 00:17:54,199 Speaker 2: of a thing, and they're like, really a sponge, Like 376 00:17:54,280 --> 00:17:56,040 Speaker 2: is this really what you're going to do? And he 377 00:17:56,160 --> 00:17:59,520 Speaker 2: tries to tell them that that's actually the gag, that 378 00:17:59,560 --> 00:18:01,920 Speaker 2: it's going to be about a kitchen sponge who lives 379 00:18:01,920 --> 00:18:04,399 Speaker 2: in a tide pool and has all these other funny 380 00:18:04,440 --> 00:18:08,000 Speaker 2: sea creature friends, but no one can see it. And 381 00:18:08,040 --> 00:18:10,359 Speaker 2: while they all assume he's going to be successful, they 382 00:18:10,400 --> 00:18:12,280 Speaker 2: just don't think this is the idea. 383 00:18:12,520 --> 00:18:14,240 Speaker 1: I mean, it is funny to think of, right, like 384 00:18:14,560 --> 00:18:16,440 Speaker 1: the idea that someone told me they were going to 385 00:18:16,480 --> 00:18:18,360 Speaker 1: make a cartoon about a sponge like, there's no way 386 00:18:18,560 --> 00:18:19,320 Speaker 1: I think that's gonna be. 387 00:18:20,280 --> 00:18:23,840 Speaker 2: I mean, it's it's genius now, but I totally agree. Anyway, 388 00:18:23,840 --> 00:18:26,199 Speaker 2: you cut to a few decades later and SpongeBob is 389 00:18:26,240 --> 00:18:29,320 Speaker 2: the biggest cartoon on earth, but even the people at 390 00:18:29,400 --> 00:18:33,440 Speaker 2: Nickelodeon don't quite understand success. And when the author goes 391 00:18:33,480 --> 00:18:36,600 Speaker 2: to reunite with Hilenburg, he wants to ask him how 392 00:18:36,720 --> 00:18:40,360 Speaker 2: is it that a sponge managed to capture all these kids' hearts? 393 00:18:40,640 --> 00:18:44,320 Speaker 2: But Hillenburg at this time actually has als and he 394 00:18:44,359 --> 00:18:47,000 Speaker 2: doesn't surf anymore, and he can barely get words out, 395 00:18:47,040 --> 00:18:50,160 Speaker 2: but he's, you know, still surprisingly sunny, and he still 396 00:18:50,240 --> 00:18:53,320 Speaker 2: goes to the office every day. So Duke goes with him. 397 00:18:53,359 --> 00:18:56,120 Speaker 2: And when Duke talks to one of Hillenburg's co writers 398 00:18:56,440 --> 00:18:59,639 Speaker 2: about what makes the show so captivating, this is what 399 00:18:59,680 --> 00:19:03,840 Speaker 2: he says. He says, SpongeBob is not cool, he's not aspirational. 400 00:19:04,160 --> 00:19:06,240 Speaker 2: He just wants to go to work and be happy. 401 00:19:06,520 --> 00:19:09,159 Speaker 2: There's this innocence to him and he sees the good 402 00:19:09,280 --> 00:19:11,960 Speaker 2: and a horrible person. So it's like a pretty great 403 00:19:12,240 --> 00:19:16,160 Speaker 2: quote there. And apparently Hillenberg's entire goal was to concentrate 404 00:19:16,240 --> 00:19:20,840 Speaker 2: on simple stories taken from real life experiences. A yearbook 405 00:19:20,880 --> 00:19:24,200 Speaker 2: picture gone wrong, how a good joke overtold can go wrong. 406 00:19:24,280 --> 00:19:27,119 Speaker 2: And he's really trying to make a show. That was 407 00:19:27,240 --> 00:19:30,600 Speaker 2: funny and earnest, but he had a moral compass about it. 408 00:19:30,880 --> 00:19:33,000 Speaker 2: But the sweet guy who just wanted to see the 409 00:19:33,040 --> 00:19:35,159 Speaker 2: best in people and go to work every day, it 410 00:19:35,240 --> 00:19:38,560 Speaker 2: seems he was just making a show about himself. And so, 411 00:19:38,600 --> 00:19:42,159 Speaker 2: as Duke Biddle writes, quote, we all love goofy optimists 412 00:19:42,200 --> 00:19:44,800 Speaker 2: who don't care what the cool kids think. And that 413 00:19:44,960 --> 00:19:45,880 Speaker 2: was Stephen Hillenberg. 414 00:19:46,119 --> 00:19:49,080 Speaker 1: Oh I love that. Awesome. That's really sweet. So my 415 00:19:49,160 --> 00:19:52,360 Speaker 1: next fact has none of that charm, but it's interesting. 416 00:19:52,400 --> 00:19:55,080 Speaker 2: Awesome. That was a little little emotional, So it's time 417 00:19:55,119 --> 00:19:56,439 Speaker 2: to move on to something less charming. 418 00:19:57,119 --> 00:20:01,560 Speaker 1: It's about how researchers are putting surfers to monitoring the 419 00:20:01,600 --> 00:20:05,080 Speaker 1: world's oceans. And so you might have heard global warming 420 00:20:05,240 --> 00:20:08,320 Speaker 1: is doing a real number on the oceans, creatures who 421 00:20:08,320 --> 00:20:10,440 Speaker 1: call it home, or having a hard time with migration 422 00:20:10,840 --> 00:20:14,040 Speaker 1: and reproduction, all these other things. And so to really 423 00:20:14,040 --> 00:20:16,600 Speaker 1: tackle a problem, we still need to amass a lot 424 00:20:16,640 --> 00:20:19,760 Speaker 1: more data in information, and that's where the surfers come in. 425 00:20:19,960 --> 00:20:24,080 Speaker 1: So apparently scientists are outfitting volunteer surfers with a special 426 00:20:24,200 --> 00:20:27,959 Speaker 1: board mounted sensor called a smart fan Phi N and 427 00:20:28,040 --> 00:20:31,320 Speaker 1: then dispatching them to surf spots around the world to 428 00:20:31,400 --> 00:20:32,639 Speaker 1: do what they do best. 429 00:20:32,760 --> 00:20:36,199 Speaker 2: You mean to shred the NAR. Actually, while you were 430 00:20:36,200 --> 00:20:39,879 Speaker 2: saying that, I was googling some other surfing term. I 431 00:20:39,880 --> 00:20:41,320 Speaker 2: feel like I said it convincingly that. 432 00:20:41,800 --> 00:20:45,920 Speaker 1: Yeah, So while they're shredding the NAR, they're also collecting 433 00:20:46,040 --> 00:20:49,560 Speaker 1: data on the temperature, slidity, and acidity of the surrounding waters, 434 00:20:49,600 --> 00:20:52,760 Speaker 1: and once compiled, scientists will be able to compare those 435 00:20:52,800 --> 00:20:55,360 Speaker 1: readings and get a better understanding of how the ocean's 436 00:20:55,440 --> 00:20:58,440 Speaker 1: chemistry is changing over time and what it might look 437 00:20:58,520 --> 00:21:00,560 Speaker 1: like in the future, which I think is awesome. 438 00:21:00,720 --> 00:21:02,800 Speaker 2: I mean, I can see how this helps the scientists, 439 00:21:02,840 --> 00:21:05,760 Speaker 2: but honestly, like what's in it for the surfers, because 440 00:21:05,760 --> 00:21:08,959 Speaker 2: I for serious surfers or enthusiasts, I could see how 441 00:21:09,000 --> 00:21:11,600 Speaker 2: mounting additional gear would you know, get in the way 442 00:21:11,680 --> 00:21:12,840 Speaker 2: or down. 443 00:21:12,960 --> 00:21:15,639 Speaker 1: Yeah, the researchers behind the project thought of that, and 444 00:21:15,760 --> 00:21:18,600 Speaker 1: according to one of them, this is what they said, quote, 445 00:21:18,960 --> 00:21:21,879 Speaker 1: we built some extra technology into the smart fin that 446 00:21:21,920 --> 00:21:24,560 Speaker 1: will compel surfers to use it for their own selfish 447 00:21:24,560 --> 00:21:27,480 Speaker 1: reasons to know where and when waves are good and 448 00:21:27,560 --> 00:21:30,359 Speaker 1: to tract their own surfing performance. So you know, the 449 00:21:30,400 --> 00:21:33,680 Speaker 1: idea is that all this technology can actually be performance enhancing, 450 00:21:33,880 --> 00:21:36,040 Speaker 1: and the hope is that everyone wins. 451 00:21:37,200 --> 00:21:39,240 Speaker 2: All right, Well, here is a quick one. So we've 452 00:21:39,320 --> 00:21:42,040 Speaker 2: talked a lot about human surfers today, which I guess 453 00:21:42,080 --> 00:21:45,760 Speaker 2: makes sense. But other animals have also taken up surfing, 454 00:21:46,080 --> 00:21:49,320 Speaker 2: though none more successfully than the yellow bellied sea snakes. 455 00:21:49,320 --> 00:21:52,720 Speaker 2: Are you familiar with the yellow bellads seas? Its original 456 00:21:52,720 --> 00:21:55,359 Speaker 2: home was in the ocean waters of Southeast Asia, but 457 00:21:55,400 --> 00:21:58,240 Speaker 2: the snakes have since been found near Hawaii or Mexico, 458 00:21:58,440 --> 00:22:01,560 Speaker 2: even an island in the Indian Ocean, and for decades 459 00:22:01,600 --> 00:22:04,680 Speaker 2: a big mystery among biologists was how these tiny snakes 460 00:22:04,720 --> 00:22:07,919 Speaker 2: managed to turn up in tropical waters all over the world. 461 00:22:08,280 --> 00:22:10,800 Speaker 2: I mean, these guys weigh like three to seven ounces 462 00:22:10,880 --> 00:22:13,000 Speaker 2: or about two feet long, So that's like the weight 463 00:22:13,040 --> 00:22:16,040 Speaker 2: of your namesake mango, the mango, and about the length 464 00:22:16,080 --> 00:22:18,280 Speaker 2: of a baguette. You can tell I'm hungry here I'm 465 00:22:18,280 --> 00:22:20,920 Speaker 2: going with these. So the question is how are they 466 00:22:21,000 --> 00:22:22,040 Speaker 2: crossing the globe? 467 00:22:22,480 --> 00:22:25,240 Speaker 1: Yeah, I mean, I guess that's a long way for 468 00:22:26,119 --> 00:22:29,240 Speaker 1: a baget to swim, right, But I'm guessing the answer. 469 00:22:29,160 --> 00:22:33,080 Speaker 2: Is surfing exactly. So the theory that's been kicking around 470 00:22:33,119 --> 00:22:36,840 Speaker 2: since the nineteen seventies, after the time of Gidget, of course, 471 00:22:36,960 --> 00:22:40,399 Speaker 2: But in twenty sixteen, researchers were able to model this 472 00:22:40,520 --> 00:22:44,160 Speaker 2: path for c snakes using a computer program that simulates 473 00:22:44,200 --> 00:22:49,120 Speaker 2: ocean currents. So basically, they took ten thousand virtual snakes, 474 00:22:49,480 --> 00:22:52,280 Speaker 2: they released them from twenty eight different points on the map, 475 00:22:52,600 --> 00:22:54,920 Speaker 2: and then they track the path of each group to 476 00:22:54,920 --> 00:22:57,560 Speaker 2: see where the currents would take them. And you know, 477 00:22:57,600 --> 00:22:59,800 Speaker 2: wouldn't you know it, the pass led straight to where 478 00:22:59,800 --> 00:23:02,280 Speaker 2: this snakes have been found in the real world. And 479 00:23:02,320 --> 00:23:05,359 Speaker 2: here's the wildest part. If the models are accurate, that 480 00:23:05,440 --> 00:23:08,600 Speaker 2: means that the snakes are clocking distances of nearly six 481 00:23:08,840 --> 00:23:12,000 Speaker 2: thousand miles or more over the course of their three 482 00:23:12,080 --> 00:23:14,880 Speaker 2: and a half year lifespans. And for perspective, that would 483 00:23:14,920 --> 00:23:17,919 Speaker 2: be farther than any other snake species has traveled. It's 484 00:23:17,960 --> 00:23:21,760 Speaker 2: actually closer to the travel range of something like a whale. 485 00:23:22,480 --> 00:23:24,720 Speaker 2: And because the yellow bellied snakes can hold their breath 486 00:23:24,800 --> 00:23:28,120 Speaker 2: underwater for this astounding period of three and a half hours, 487 00:23:28,400 --> 00:23:31,320 Speaker 2: it actually seems plausible that they surf the waves over 488 00:23:31,440 --> 00:23:33,159 Speaker 2: from Asia. That's just crazy to me. 489 00:23:33,280 --> 00:23:35,800 Speaker 1: Three and a half hours underwater is nuts. You know, 490 00:23:35,840 --> 00:23:37,439 Speaker 1: when you said you were doing something on animals, I 491 00:23:37,480 --> 00:23:40,399 Speaker 1: was expecting something about surfing dogs, you know, because they 492 00:23:40,400 --> 00:23:43,080 Speaker 1: have the first image competition in hunting and beach But 493 00:23:43,600 --> 00:23:45,240 Speaker 1: I'm kind of glad you owned with snakes instead. 494 00:23:45,359 --> 00:23:47,480 Speaker 2: Thank you. Thank you got to keep people on your toes. 495 00:23:47,520 --> 00:23:49,680 Speaker 2: So what is your very last fact of the day. 496 00:23:50,359 --> 00:23:52,600 Speaker 1: So, I think one of the things we often associate 497 00:23:52,640 --> 00:23:56,040 Speaker 1: with surfing is surf music, right, whether that's when the 498 00:23:56,040 --> 00:23:58,760 Speaker 1: beach boys who didn't really surf, or things that are 499 00:23:58,800 --> 00:24:01,520 Speaker 1: a little harder, like the surf rock that plays in 500 00:24:01,560 --> 00:24:04,800 Speaker 1: the beginning of Pulp Fiction, which, for anyone who hasn't 501 00:24:04,840 --> 00:24:08,440 Speaker 1: heard it, sort of like pulsing instrumental guitar and heavy reverb, 502 00:24:08,520 --> 00:24:11,000 Speaker 1: and it's in the opening credits of the movie. Anyway, 503 00:24:11,240 --> 00:24:12,840 Speaker 1: when I was looking at surf music, I found this 504 00:24:12,960 --> 00:24:15,399 Speaker 1: article on the New Yorker that I thought was fascinating, 505 00:24:15,480 --> 00:24:18,840 Speaker 1: and it's titled Dick Dale, the inventor of surf rock, 506 00:24:19,080 --> 00:24:21,440 Speaker 1: was a Lebanese American kid from Boston. 507 00:24:23,400 --> 00:24:25,800 Speaker 2: I love it. I mean, that's like how Hawaiian pizza 508 00:24:25,880 --> 00:24:28,199 Speaker 2: was invented in Canada by a Greek person, a big, 509 00:24:28,280 --> 00:24:30,440 Speaker 2: big fan by the way, the Hawaiian pizza. 510 00:24:30,960 --> 00:24:34,359 Speaker 1: So Dick Dale's the musician who actually plays that pulp 511 00:24:34,359 --> 00:24:38,600 Speaker 1: fiction song, which is called messr lou I guess. Apparently 512 00:24:38,760 --> 00:24:41,520 Speaker 1: the musician was born to a family of Lebanese immigrants 513 00:24:41,640 --> 00:24:45,640 Speaker 1: and his birth name was Richard Monsieur, and he gets 514 00:24:45,680 --> 00:24:48,240 Speaker 1: a guitar as a kid, but is obsessed with percussion. 515 00:24:48,359 --> 00:24:51,440 Speaker 1: He loves big band music, so he likes like Buddy 516 00:24:51,520 --> 00:24:54,320 Speaker 1: rich Gan, Krupa and all. That's a big part of 517 00:24:54,320 --> 00:24:57,480 Speaker 1: why his music is so rhythmic and so percussive. But 518 00:24:57,720 --> 00:25:00,200 Speaker 1: in high school, his family does move out to California 519 00:25:00,280 --> 00:25:03,320 Speaker 1: and he begins to surf and kind of the same 520 00:25:03,359 --> 00:25:05,720 Speaker 1: way that early skateboarders. I don't know if you've seen 521 00:25:05,880 --> 00:25:08,720 Speaker 1: these videos, but if you've seen like Dogtown and z Boys, 522 00:25:09,200 --> 00:25:11,960 Speaker 1: the skateboarders are trying to mimic surfing by reaching down 523 00:25:11,960 --> 00:25:14,080 Speaker 1: to touch the pavement and they're skimming it with their 524 00:25:14,080 --> 00:25:17,560 Speaker 1: hands like its water. And early surf musicians are also 525 00:25:17,600 --> 00:25:19,879 Speaker 1: trying to figure out how do you recreate that feeling 526 00:25:19,920 --> 00:25:23,760 Speaker 1: of surfing with music? So Amanda Petrecich, who wrote that 527 00:25:23,880 --> 00:25:26,400 Speaker 1: article that The New Yorker puts it this way. Quote, 528 00:25:26,680 --> 00:25:28,800 Speaker 1: though it is tempting to fold in bands like the 529 00:25:28,800 --> 00:25:32,000 Speaker 1: Beach Boys, who often sang about surfing, surf rock was 530 00:25:32,119 --> 00:25:36,080 Speaker 1: wet and gnarly and unconcerned with romance or sweetness. The 531 00:25:36,119 --> 00:25:39,600 Speaker 1: important part was successfully evincing the sensation of riding atop 532 00:25:39,640 --> 00:25:42,520 Speaker 1: a rushing crust of water, and to capture something about 533 00:25:42,560 --> 00:25:46,919 Speaker 1: that experience, which was both tense and glorious. Its biggest 534 00:25:47,000 --> 00:25:49,480 Speaker 1: question was how do we make this thing sound the 535 00:25:49,520 --> 00:25:55,000 Speaker 1: way that thing feels, combining recklessness with grace. Anyway, because 536 00:25:55,040 --> 00:25:57,359 Speaker 1: he is obsessed with percussion, and because he grew up 537 00:25:57,400 --> 00:26:00,359 Speaker 1: listening to Arabic music and Greek rebetico music, which is 538 00:26:00,400 --> 00:26:03,720 Speaker 1: sort of like the rebel folk music, He's using scales 539 00:26:03,760 --> 00:26:06,439 Speaker 1: and tones that are unfamiliar, and he pumps up the 540 00:26:06,440 --> 00:26:10,160 Speaker 1: reverb on these quick percussive notes and amplifies it at 541 00:26:10,200 --> 00:26:13,879 Speaker 1: what Amanda Petrosuch says is an indecent volume, and he 542 00:26:14,000 --> 00:26:16,719 Speaker 1: ends up creating the sound of surf music, which quickly 543 00:26:16,760 --> 00:26:17,480 Speaker 1: sweeps the nation. 544 00:26:17,840 --> 00:26:20,760 Speaker 2: I like that. That is, that's a good story, all right. Well, 545 00:26:20,760 --> 00:26:23,240 Speaker 2: since I picked last week's winner. I feel like this 546 00:26:23,280 --> 00:26:24,840 Speaker 2: week you'd get to do the honors. 547 00:26:24,960 --> 00:26:28,560 Speaker 1: Well, I was fifty to fifty. Dylan also won last 548 00:26:28,560 --> 00:26:29,920 Speaker 1: week's TROPHI so I don't think we can give it 549 00:26:29,960 --> 00:26:32,800 Speaker 1: to him, but because you did that Mark Twain anecdote, 550 00:26:32,800 --> 00:26:35,960 Speaker 1: and also SpongeBob, SpongeBob is pretty great, I think I've 551 00:26:35,960 --> 00:26:36,560 Speaker 1: got to give it to you. 552 00:26:36,680 --> 00:26:38,720 Speaker 2: I feel like I deserved it this week. Yeah, thank you. 553 00:26:38,760 --> 00:26:41,640 Speaker 2: I appreciate that. Well, that's it for today's Part Time Genius. 554 00:26:41,720 --> 00:26:43,919 Speaker 2: I do want to thank Gabe Lucy. It's been a 555 00:26:43,920 --> 00:26:46,600 Speaker 2: little while he's done so many episodes in the past 556 00:26:46,640 --> 00:26:48,639 Speaker 2: with us, but Gabe did most of the research for 557 00:26:49,240 --> 00:26:52,240 Speaker 2: this week's episode, and as Mango mentioned, we've been sitting 558 00:26:52,240 --> 00:26:54,480 Speaker 2: on some of these links and stories for a while 559 00:26:54,520 --> 00:26:57,240 Speaker 2: and it's fun to finally be doing the show regularly 560 00:26:57,400 --> 00:26:59,440 Speaker 2: enough that we remembered we needed to put. 561 00:26:59,280 --> 00:26:59,880 Speaker 1: It out there. 562 00:27:00,040 --> 00:27:02,120 Speaker 2: So this was a lot of fun. 563 00:27:02,960 --> 00:27:03,440 Speaker 1: That's right. 564 00:27:03,680 --> 00:27:05,920 Speaker 2: Anyway, we'll be back with a brand new episode next week, 565 00:27:05,920 --> 00:27:08,760 Speaker 2: but in the meantime, from Mango, Dylan, Mary, and myself, 566 00:27:08,800 --> 00:27:09,879 Speaker 2: thanks so much for listening. 567 00:27:21,680 --> 00:27:24,920 Speaker 1: Part Time Genius is a production of Kaleidoscope and iHeartRadio. 568 00:27:25,480 --> 00:27:29,440 Speaker 1: This show is hosted by Will Pearson and me Mongashtikler 569 00:27:29,840 --> 00:27:33,800 Speaker 1: and research by our good pal Mary Philip Sandy. Today's 570 00:27:33,840 --> 00:27:37,199 Speaker 1: episode was engineered and produced by the wonderful Dylan Fagan 571 00:27:37,280 --> 00:27:40,879 Speaker 1: with support from Tyler Klang. The show is executive produced 572 00:27:40,880 --> 00:27:44,400 Speaker 1: for iHeart by Katrina Norvel and Ali Perry, with social 573 00:27:44,480 --> 00:27:48,880 Speaker 1: media support from Sasha Gay, trustee Nara Potts and Viny Shorey. 574 00:27:49,520 --> 00:27:54,000 Speaker 1: For more podcasts from Kaleidoscope and iHeartRadio, visit the iHeartRadio app, 575 00:27:54,200 --> 00:27:57,520 Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows, 576 00:28:00,359 --> 00:28:01,200 Speaker 1: you a