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Speaker 1: Good morning, Usa yo yo yo yo yo yo yo.

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Speaker 2: Yo yo yo yo yo yo yo yo yo yo

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Speaker 2: yo yo yo yo yo yo yo yo yo yo

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Speaker 2: yo yo yo yo yo yo yo yo yo yo Yo.

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Speaker 1: Jess to be here in the second, Charlemagne to be

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Speaker 1: here in the second.

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Speaker 3: Guess what day it is? Guess what day it is?

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Speaker 3: Day ha ha ha ha ha ha ha. Yes, it's Wednesday.

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Speaker 1: His hump day is middle of the week, and it's

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Speaker 1: one of those mornings. I'm not even gona front. The

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Speaker 1: whole gang is late and I just walked in. I

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Speaker 1: don't know what their excuses. I think Charlomagne might have

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Speaker 1: overslapt I know, I think Jess couldn't find her car keys.

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Speaker 1: But for myself, it's them damn puppies I just purchased.

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Speaker 3: The dogs are get you lay yo. Them dogs are

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Speaker 3: kicking my ass. Now.

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Speaker 1: You know, I haven't had a puppy in a long time,

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Speaker 1: probably since I was a kid.

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Speaker 4: Right.

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Speaker 1: My last dog, Chuck Norris, who I still have. I

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Speaker 1: bought the dog as an adult. He was house trained,

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Speaker 1: He went outside in the woods. There was not really

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Speaker 1: much to do. He didn't chew up furniture. Not these puppies.

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Speaker 1: These puppies talk and wine all night.

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Speaker 3: I know what you're thinking. They me their puppies.

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Speaker 1: Yes, Then when I wake up, you know, they had

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Speaker 1: a little accident in their crate, which is not a problem.

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Speaker 1: I cleaned it up, so I put them on the

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Speaker 1: porch right fast while I cleaned it up. Then when

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Speaker 1: I go back to get them, there's poop on the porch.

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Speaker 3: That's like two days in a row, now, yes, So.

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Speaker 1: Then I gotta clean up the poop, put them back in,

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Speaker 1: make sure that they're bathed in their hand. They you

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Speaker 1: know they paws are clean because I'm walking them back

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Speaker 1: in the house and that just now I'm running for time.

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Speaker 3: And that's such a tough thing to do at like

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Speaker 3: three in the morning.

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Speaker 1: Yes, three in the morning, you're trying to be quiet.

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Speaker 1: The whole house is sleeping. But nah, be today, I'm

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Speaker 1: getting a dog run. I'm gonna build a dog run.

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Speaker 1: So I'm going to track the supply. I'm a building

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Speaker 1: and I'm gonna put them out there for a little

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Speaker 1: bit because this is getting a lot, but loot to

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Speaker 1: anybody that has a puppy and know this pain. But

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Speaker 1: it's fun, man, seeing the kids just enjoy the puppy

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Speaker 1: and play with the puppies.

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Speaker 3: It's like everything. But I shouldn't have just got one.

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Speaker 1: My wife wanted to and yeah, whatever wife wants, wife

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Speaker 1: gets its. Two girls, two sisters, two girls, yes, two girls.

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Speaker 1: All right, Well, let's get the show cracking now. Like

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Speaker 1: I said, the gang will be here in the second

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Speaker 1: But we have Mara brock a Kill joining us this morning. She's,

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Speaker 1: of course a television producer. She has written on the

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Speaker 1: Jamie Fox Show. She has done being Mary Jane, the

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Speaker 1: Game Friends, so many different things that we're gonna talk

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Speaker 1: to us. She has a new show on Netflix call Forever,

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Speaker 1: so we'll talk about her. And that's from Judy Bloom's book.

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Speaker 1: I'm not sure what the name of it. I'm not

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Speaker 1: a Judy Bloom fan. Charlemagne is Charlamage will be cursing

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Speaker 1: me out right now, but yes, based off of Judy

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Speaker 1: Bloom book, and we'll be talking to her. And also

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Speaker 1: Lyncia KABETI I'm saying that wrong, but I'm trying. She

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Speaker 1: is the first black actress to play in Wicked Alphaba,

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Speaker 1: so she plays Alphable and Wicked. What I said, girlfriends,

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Speaker 1: I said friends, I'm sorry, girlfriends. As sim walks in.

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Speaker 3: Head and corrects me.

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Speaker 1: Yes, she did girlfriends, all right, yeah so and also she,

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Speaker 1: like I said, Lincia, she was the first black assress

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Speaker 1: to play Alphaba on Broadway, so we'll talk to her.

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Speaker 1: I got the chance to take the kids to see

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Speaker 1: that and it was amazing. All right, let's get the

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Speaker 1: show cracking. We got front page News. Morgan to be

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Speaker 1: joining us, and don't go anywhere. It's the Breakfast Club.

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Speaker 1: Come morning, let's go morning everybody.

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Speaker 3: It's j n V.

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Speaker 1: Jess hilarious, Charlamagne the guy. We are to Breakfast Club.

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Speaker 3: Let's get in some front page news. Good morning Morgan.

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Speaker 5: Hey, hey MV. So look, you know you'd like to

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Speaker 5: start with sports. So you heard about what happened with

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Speaker 5: New York.

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Speaker 3: Knicks coach, Yes, time, Tabvideaux.

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Speaker 6: Yeah, so he got fired after five seasons.

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Speaker 5: So the team announced on Tuesday that Thibadeaux led the

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Speaker 5: New York to its first Eastern Conference Finals appearance this

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Speaker 5: year for the first time, of course, since nineteen ninety

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Speaker 5: nine in the two thousand season. From nine nine to

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Speaker 5: two thousands, in his five seasons with the Knixt, he

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Speaker 5: won two hundred and twenty six regular season games, and

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Speaker 5: the team went twenty four and twenty three and four

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Speaker 5: postseason appearances. Now, the twenty twenty one NBA Coach of

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Speaker 5: the Year led the next to consecutive fifty plus win

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Speaker 5: seasons for its first time since.

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Speaker 6: The nineteen nineties.

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Speaker 5: Now Tobadeaux has been an NBA coach since twenty ten,

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Speaker 5: between New York the Bulls, Chicago Bulls, and the Minnesota Timberwolf.

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Speaker 6: So what do you think about this move?

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Speaker 3: I think it was needed. Although Thibodeaux was probably.

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Speaker 1: The most winning as coach since nineteen ninety nine, I

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Speaker 1: just felt like there was a lot of things that

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Speaker 1: he did that he was exposed during these playoffs that

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Speaker 1: I think should have been handled a lot better. For instance,

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Speaker 1: the first game versus the Paces, I mean, we were

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Speaker 1: up fourteen with like what a minute and change left,

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Speaker 1: There's no way we lose that game.

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Speaker 3: People have been real critical of the fact that he

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Speaker 3: plays his players a lot.

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Speaker 1: His players get a lot of up minutes and a

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Speaker 1: lot of times that runs the players down. They don't

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Speaker 1: have enough energy to close out. So he's been they

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Speaker 1: criticized him a lot. So I don't know who they

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Speaker 1: bring in Thibodeau, like I said he was winning his

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Speaker 1: coaches nineteen ninety nine. He got us further than any

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Speaker 1: coach has got us. So we'll see what the knicks

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Speaker 1: happens to as far as who's next.

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Speaker 6: All right, the building blocks, we love to hear it.

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Speaker 5: Moving on, So Elon musks criticism of President Trump so

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Speaker 5: called one big Beautiful Bill is being downplayed by the

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Speaker 5: White House. Yesterday, in multiple posts on X, Musk said quote,

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Speaker 5: I am sorry, but I just can't stand it anymore.

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Speaker 5: This massive, outrageous pork Field Congressional spending bill is a

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Speaker 5: disgusting abomination.

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Speaker 6: Shame on those who voted for it. You know you

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Speaker 6: did wrong. You know it now.

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Speaker 5: He went on to post that it will massively increase

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Speaker 5: the already gigantic budget deficit to two point five trillion,

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Speaker 5: and he also said it will American It will burden

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Speaker 5: American citizens with crushingly unsustainable debt, and he went on

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Speaker 5: to add that Congress is making America bankrupt.

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Speaker 2: Now.

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Speaker 5: White House Press Secretary Caroline Leavitt addressed the criticism during

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Speaker 5: a briefing, and here's what she had to say. Look,

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Speaker 5: the President already knows where Elon Musk stood on this bill.

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Speaker 7: It doesn't change the President's opinion.

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Speaker 3: This is one big beautiful bill and he's sticking to it.

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Speaker 8: So.

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Speaker 5: House Speaker Mike Johnson says, Elon musk criticism of the

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Speaker 5: Republican Party's massive tax cuts and spending bill is very

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Speaker 5: disappointing and terribly wrong.

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Speaker 9: Now.

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Speaker 5: Johnson's shared that he spoke with the tech billionaire on Monday.

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Speaker 5: Until reporters Elon is missing it, but he noted that

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Speaker 5: it's not personal now. Mus's criticism also comes just days

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Speaker 5: after his White House departure as a special government employee

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Speaker 5: for DOZE Department of Government Efficiency.

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Speaker 6: Meanwhile, not all.

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Speaker 5: Senate Republicans are on board with Trump's so called one

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Speaker 5: big beautiful bill as well. Marjorie Taylor Green posted on

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Speaker 5: x that she didn't know about the part of the

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Speaker 5: bill that strips the state's rights to make laws or

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Speaker 5: regulate AI for ten years, adding that she is adamantly

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Speaker 5: opposed of that because we have no idea what AI

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Speaker 5: will be capable of in the next ten years. Now,

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Speaker 5: Kentucky Senator Ran Paul says he's a no unless the

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Speaker 5: bill is changed to cut down the deficit.

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Speaker 4: More.

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Speaker 6: Let's take a listen to his comments.

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Speaker 3: You know, I think there are three or four of us.

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Speaker 10: If there are four of us who wanted it to

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Speaker 10: be more fiscally conservative, I think we can reduce the

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Speaker 10: spending levels and perhaps separate out the debt ceiling as well.

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Speaker 10: But it takes four people with courage, and four people

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Speaker 10: with courage can make the bill into anything we wanted to.

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Speaker 5: He also posted on x that we can and must

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Speaker 5: do better, and Utah Senator, also Republican, Mike Lee wrote,

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Speaker 5: the Senate must make this bill better again. The multi

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Speaker 5: trillion dollar tax and spending package narrowly pass the House

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Speaker 5: and Senate and is taking and the Senate is taking

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Speaker 5: up the measure this week, where Republicans can only afford

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Speaker 5: to lose three votes.

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Speaker 4: Now.

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Speaker 5: Trump went after Paul on social media, posting that he

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Speaker 5: has very little understanding of the bill.

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Speaker 6: Democrats say the bill cuts.

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Speaker 5: Medicaid and other social safety nets by billions of dollars,

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Speaker 5: and Republicans are saying there are much needed reforms to

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Speaker 5: the bill and that it will cut the deficit. Of course,

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Speaker 5: we the American people are waiting to see what Congress

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Speaker 5: is going to do. There's a projected July fourth deadline

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Speaker 5: to get this measure passed and on the president's desk.

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Speaker 1: So I do like the fact that he did check

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Speaker 1: the president, or he's not I shouldn't say checked the president.

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Speaker 1: But he's going against the president, right because everybody's saying

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Speaker 1: everybody on the president's team rides with him and dies

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Speaker 1: with him, and whatever he says goes.

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Speaker 3: And he's saying, I don't like this bill.

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Speaker 1: And it's weird that he's not riding for the bill

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Speaker 1: because it seems like the bill is beneficial to a

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Speaker 1: lot of millionaires and billionaires.

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Speaker 3: So the fact that he's saying he doesn't like the bill, it.

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Speaker 1: Makes me smile a little bit because he's going he's

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Speaker 1: going against what people are assuming or think that he

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Speaker 1: would go forward.

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Speaker 5: He just spent one hundred and thirty days, you know,

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Speaker 5: thinking that he's just rooted out waste, brought and abuse.

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Speaker 5: So I'm sure he felt like he wasted his time,

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Speaker 5: that's right, you know. So, but uh, that's your six

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Speaker 5: am front page news. At seven am, we'll talk about

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Speaker 5: what's happening with Ice.

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Speaker 1: So stick around all right, everybody else, get it off

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Speaker 1: your chest. Eight hundred five eight five one oh five one.

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Speaker 1: If you need to vent phone lines or wide open

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Speaker 1: again eight hundred five eight five one oh five one

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Speaker 1: in the gang will be here in the second. It's

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Speaker 1: the Breakfast Club. Good morning the Breakfast Club. This is

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Speaker 1: your time to get it off your chest. Eight hundred

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Speaker 1: and five eight five one five one. We want to

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Speaker 1: hear from you on the Breakfast Club.

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Speaker 3: Hello.

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Speaker 11: Who's this?

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Speaker 3: Hey?

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Speaker 12: Good morning dj MV. This is up to meet the

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Speaker 12: y'all residents.

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Speaker 3: What's y'all? What's up? Happy pride to mek.

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Speaker 7: A, happy Pride, Happy all my people?

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Speaker 3: What's going on?

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Speaker 12: I just wanted to call you guys and get off

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Speaker 12: my chest that I'm changing my schedule and.

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Speaker 3: I ain't gonna be able to highlight y'all no more.

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Speaker 3: How you gonna do that to us? Why are you

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Speaker 3: changing your schedule?

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Speaker 12: Well, you know they're getting rid of the term shifts,

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Speaker 12: So you know, I'm gonna go work on a second

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Speaker 12: because I can't mess with that first shipt. They be

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Speaker 12: snitching too much.

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Speaker 3: They be snitching on you too much.

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Speaker 12: Yeah, they be snitching on adbody, not just me.

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Speaker 7: You gonna get a little bit more sleep though, yes,

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Speaker 7: oh yeah.

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Speaker 12: And i'mna be able to rub on my baby that night.

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Speaker 12: Hey all, tonight in a bit. So that's the greatest

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Speaker 12: thing about it. Shout out to my girl for being beautiful.

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Speaker 7: I know that that's happening for you doing to go ahead,

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Speaker 7: go on, what you do for pride?

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Speaker 3: Do you do something special for pride?

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Speaker 4: Mon?

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Speaker 12: I'm pretty you know I'm an old uh suh, you

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Speaker 12: know I'm This is my birthday month, so I'll be

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Speaker 12: turning forty three this month.

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Speaker 3: Okay, so I'm just.

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Speaker 12: Gonna celebrate my birthday and my girl taking me to

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Speaker 12: go see Bernard Duran tonight.

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Speaker 4: So we're gonna have some fun.

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Speaker 1: Okay, Well, enjoy and uh we speak to you soon.

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Speaker 1: You better call us before your last day.

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Speaker 12: I'm gonna try to one try to, but shout out

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Speaker 12: to y'all. I love y'all, and y'all have a beautiful

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Speaker 12: day y'all.

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Speaker 3: YouTube. Now, Hello, who's this man?

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Speaker 11: What's up? Y'all?

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Speaker 4: This is your dingo? What's going on?

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Speaker 11: Breakfast going up?

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Speaker 3: Dingo?

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Speaker 13: Was up?

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Speaker 4: You know? Morning?

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Speaker 3: Morning? Morning?

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Speaker 4: Who that lawyer? Yes, hey lord, how you doing?

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Speaker 7: Mama?

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Speaker 11: Excellent?

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Speaker 4: Actual? And actually where where the Charlo man and jests?

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Speaker 3: They're here now?

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Speaker 1: They be there in the second ad they little late

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Speaker 1: this morning we was all a little late this.

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Speaker 4: Morning, August they bogus. It's all good.

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Speaker 11: This one's for you too.

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Speaker 4: Any anyway, Envy, shame on you for agreeing with this

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Speaker 4: firing of Tom Tips, one of the best coaches the

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Speaker 4: NBA has right now. It was not coaching. It was

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Speaker 4: the players and Carl Anthony Towns making stupid files, really

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Speaker 4: with a whole your whole squad, making silly foles, stupid mistakes,

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Speaker 4: and just it was not It was not coaching. Tom

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Speaker 4: Tibledeau was solid. He was a great coach for the Bulls,

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Speaker 4: great coach for the next probably one of the best

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Speaker 4: coach to mix up and had, and firing him is

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Speaker 4: putting y'all in the wrong direction.

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Speaker 3: I disagree. You know you would agree.

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Speaker 1: The first game in the place is you believed we

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Speaker 1: up fourteen with a minute and change left, we're supposed

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Speaker 1: to lose that, love.

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Speaker 4: Y'ah shouldn't have lost that. But it wasn't coaching.

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Speaker 1: That was definitely. That was definitely coach. You can't blame

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Speaker 1: cat for fourteen points. And then also the fact that

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Speaker 1: he plays the player is the most in the league,

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Speaker 1: and the players seemed like they burned down at the

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Speaker 1: fourth quarter.

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Speaker 3: You don't think that's strange.

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Speaker 4: Either, Okay, but you don't think your bench could have

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Speaker 4: picked up the slack.

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Speaker 1: I think if the bench was was was played the

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Speaker 1: right way, I think they would definitely help. I mean,

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Speaker 1: you look at the last couple of games. A lot

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Speaker 1: of the players on the bench I don't even know

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Speaker 1: their names. Until last couple of games, I'd been.

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Speaker 3: Like, who the hell is that?

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Speaker 7: Who is that?

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Speaker 3: I mean, because they just never played. But you know,

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Speaker 3: we'll see what happens.

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Speaker 4: Like this is crazy. It's not gonna get y'all back

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Speaker 4: into the finals. So I guess, man, But yeah, I

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Speaker 4: just don't think. I don't agree with this fire. Our

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Speaker 4: respect him. He was a great coach for balls. He

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Speaker 4: got your coach for the Knicks. I just thought they

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Speaker 4: this is a good movie for the next play. Now

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Speaker 4: that that's all I wanted to say.

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Speaker 1: Man, all right, brother, we'll have a good one. You

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Speaker 1: get it off your chest. Eight hundred five eight five

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Speaker 1: one oh five to one. The gang is a little

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Speaker 1: late Lawrence here, we're holding it down.

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Speaker 3: It's the Breakfast Club. Good morning, the Breakfast Club.

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Speaker 7: Right right?

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Speaker 12: Ray Yo, Charlotte, man Yamsey.

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Speaker 9: What up are we losing.

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Speaker 11: This is your time to get it off your chest.

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Speaker 3: I got an indoor pool, door pool.

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Speaker 11: We want to hear from you on the breakfast club.

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Speaker 3: Get on the phone right now.

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Speaker 12: He'll tell you what it is.

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Speaker 7: We lie.

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Speaker 3: Hello, who's this d they envy?

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Speaker 4: That's the Stacy, the one who brung up the cupcakes

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Speaker 4: for you.

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Speaker 3: Hey, happy Pride?

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Speaker 4: What wait? Why you said that to me?

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Speaker 1: I'm just saying you just say the happy pride and

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Speaker 1: your cupcakes. The craziest sayings like swallow right now, cupcake

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Speaker 1: and oh god it and eat it from the back

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Speaker 1: right now cupcake?

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Speaker 9: Right So wait, DJ MVY, I have one question.

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Speaker 4: Yes, how did y'all like it? I didn't get any seed.

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Speaker 1: Back from y'all, so if you're just joining on, Stacey

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Speaker 1: actually brought us a bunch of cupcakes with the wildest

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Speaker 1: names ever, and the cupcakes were amazing.

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Speaker 3: I'm not gonna lie them bringing home.

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Speaker 12: That's what I was waiting for m V.

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Speaker 4: Like, what the Oh sorry, I can't curse?

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Speaker 9: Oh no, thank you, MV. I was waiting for y'all

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Speaker 9: to wait. Let me just tell you real quick.

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Speaker 4: I've been so blessed thanks. I've been on a gruffic club.

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Speaker 9: You know, people come up to like me and be like, yo,

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Speaker 9: you're like Bruffis Club Stacey, So yo, thank you so

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Speaker 9: much for giving me that opportunity to meet y'all.

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Speaker 4: I didn't realize how cool you was, and I didn't

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Speaker 4: realize how short Charlemagne was.

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Speaker 1: That's that's what people usually say. But your cupcakes have

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Speaker 1: like one of them had a little liquor in it.

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Speaker 1: So I was scared to bring it home because I

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Speaker 1: didn't want the kids to take the one with the

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Speaker 1: liquor in it, and then I'd be on the news

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Speaker 1: and then I gotta blame Stacy.

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Speaker 4: Right see.

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Speaker 9: But that's why I explained all the flavors to y'all.

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Speaker 3: That's hilarious.

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Speaker 9: I'm so mad that she wasn't this cupcakes.

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Speaker 6: I'm so mad.

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Speaker 5: So you're gonna come back up. You're gonna spend the

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Speaker 5: ben come back up here. I need to meet you too.

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Speaker 3: I will just let me know.

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Speaker 7: When did you add an edible stuff.

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Speaker 12: To the roster?

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Speaker 4: How did you like the jell shot?

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Speaker 7: I took my jealous shot away in the court.

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Speaker 14: It was great, but he had I was like, if

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Speaker 14: Jess was here, she would.

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Speaker 7: Have wanted Yeah, you know me, I definitely would want

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Speaker 7: will be here to say, okay, look.

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Speaker 9: Jeff, whenever you ready, because you know I'm up in

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Speaker 9: the kitchen right now, bacon, so whenever you ready, I

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Speaker 9: would love to bring you something because I was so mad,

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Speaker 9: like I'm.

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Speaker 3: Like, what the you can say? What the hell?

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Speaker 1: You didn't leave her fridge and we ate her cupcakes?

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Speaker 1: And it just wasn't it was mean.

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Speaker 3: It wasn't mean.

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Speaker 9: I'm sorry, but oh oh wait, I'm sorry one more thing.

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Speaker 9: I know I can't stay long, but no, I wanted

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Speaker 9: to give a out out to your side. Everybody there

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Speaker 9: treated me like I was like, did okay, wait, not Diddy, but.

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Speaker 3: Like like he was Diddy.

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Speaker 7: That's hilarious that he even thought about saying that at first.

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Speaker 11: Wow, you know what?

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Speaker 1: He did give edibles, but I wasn't sure because he

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Speaker 1: makes him at the crib, so I don't know how

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Speaker 1: much how strong it is.

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Speaker 3: I wasn't messing with that. I figured I let you

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Speaker 3: try it first, and then.

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Speaker 7: Damn, hello, who's this.

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Speaker 4: Man?

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Speaker 3: What get it off your chest?

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Speaker 4: Brother? I was calling London with probably divide and sing

389
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Speaker 4: what stuff the yard show? Y'all looked up at my

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Speaker 4: TV and Clean.

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Speaker 3: Liked, what what.

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Speaker 4: Yeah, Leber looked at that TV teach dark.

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Speaker 3: What station.

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Speaker 4: I'm gonna watching? Stood at all?

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Speaker 1: Oh bro, so I'm gonna smack you, brobody from here

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Speaker 1: to Africa.

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Speaker 4: That man, My god, I hate the man always.

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Speaker 3: I'm like, what are you talking?

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Speaker 7: But you're good dresses here? I need a break that,

400
00:16:15,880 --> 00:16:18,080
Speaker 7: you know what I mean? So I cannot, but this

401
00:16:18,120 --> 00:16:19,040
Speaker 7: one is a fact check.

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Speaker 3: And she said, what what? What? What are you watching?

403
00:16:21,320 --> 00:16:22,200
Speaker 3: What right did you get?

404
00:16:22,880 --> 00:16:27,400
Speaker 14: What's putting that on TV? A TV package that been happened?

405
00:16:27,400 --> 00:16:28,880
Speaker 14: And why didn't I see that on my feet.

406
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Speaker 7: In my LARTs?

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Speaker 3: Oh my god.

408
00:16:31,080 --> 00:16:33,000
Speaker 6: She wanted to immediately make sure that it was fake.

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Speaker 3: I love that. She's like. We all looked at each

410
00:16:35,200 --> 00:16:38,520
Speaker 3: other like what I know, Like, what the hell? Damn

411
00:16:39,480 --> 00:16:41,360
Speaker 3: big to show? Whatever that is is whatever?

412
00:16:42,640 --> 00:16:44,280
Speaker 7: And it feels like it's vibrating.

413
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Speaker 3: All right, Well we got the latest with Lauren.

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Speaker 7: We do.

415
00:16:46,840 --> 00:16:48,560
Speaker 14: We're gonna get into a little bit more of this

416
00:16:48,840 --> 00:16:51,680
Speaker 14: push your tea drake him having to leave the label

417
00:16:51,720 --> 00:16:54,320
Speaker 14: because now we're finding out it was it was a

418
00:16:54,320 --> 00:16:57,920
Speaker 14: couple of dollars that needed to be paid. The wait,

419
00:16:58,720 --> 00:17:01,040
Speaker 14: so you assumed that it made sense because I'm like,

420
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Speaker 14: they just gonna let them go and Be said something

421
00:17:02,920 --> 00:17:04,439
Speaker 14: to me, but I couldn't find it anywhere.

422
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Speaker 7: You didn't remember who told you?

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00:17:05,600 --> 00:17:07,560
Speaker 14: When we called a couple of people, no one said

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Speaker 14: anything about anything.

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00:17:08,440 --> 00:17:09,920
Speaker 3: I know I heard it, and I knew somebody said it,

426
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Speaker 3: but I just knew where it can.

427
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Speaker 14: If we're gonna get it, we're gonna get into the

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Speaker 14: money that was paid, the big name who paid it,

429
00:17:14,960 --> 00:17:16,959
Speaker 14: and some more the allegations that are being thrown out

430
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Speaker 14: there against Drake.

431
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Speaker 3: So all right, are you going to court today?

432
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Speaker 7: I am not going to court today.

433
00:17:22,240 --> 00:17:24,360
Speaker 14: I'll be back Thursday and we'll have a conversation about

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Speaker 14: what's happening in court today.

435
00:17:25,280 --> 00:17:26,879
Speaker 1: Still though, all right, we'll get to that next. It's

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00:17:26,920 --> 00:17:32,760
Speaker 1: the Breakfast Club. Good morning, the Breakfast Club and wanting

437
00:17:32,800 --> 00:17:37,160
Speaker 1: everybody it's j Envy, just hilarious, Charlamagne gud we are

438
00:17:37,160 --> 00:17:39,560
Speaker 1: the Breakfast Club. The whole gangs here now yep, and

439
00:17:39,640 --> 00:17:40,800
Speaker 1: let's get to the latest with Lauren.

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00:17:41,400 --> 00:17:45,480
Speaker 3: Lauren be coming straight fast. She gets them from somebody

441
00:17:45,480 --> 00:17:47,399
Speaker 3: that knows somebody to detail.

442
00:17:47,760 --> 00:17:49,800
Speaker 7: I'm a home girl that knows a little bit about everything.

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00:17:50,760 --> 00:17:52,760
Speaker 3: She'd be having the latest on you the.

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00:17:54,320 --> 00:17:55,720
Speaker 11: Latest with Lauren La Rosa.

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00:17:55,800 --> 00:17:58,399
Speaker 15: Sometimes you have sometimes you have details, sometimes you have

446
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Speaker 15: a little bit of everything.

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00:17:59,280 --> 00:18:01,240
Speaker 11: So it's the leadst on the Breakfast Club.

448
00:18:03,160 --> 00:18:05,800
Speaker 14: Okay, so yesterday we talked a bit about Push a

449
00:18:05,840 --> 00:18:09,280
Speaker 14: te him leaving or being released from Death Jim in

450
00:18:09,320 --> 00:18:11,760
Speaker 14: the clips and going over the rock Nation and the

451
00:18:11,840 --> 00:18:14,359
Speaker 14: Kendrick lamar Verus that we've not heard. But you know

452
00:18:14,480 --> 00:18:18,239
Speaker 14: that the uh death Jam was scared to allow him

453
00:18:18,280 --> 00:18:21,000
Speaker 14: to put out allegedly, and that's the whole reason behind this.

454
00:18:21,200 --> 00:18:24,120
Speaker 14: But Stephen Victor, who is manager to Push a Tea,

455
00:18:24,880 --> 00:18:26,800
Speaker 14: he also he worked with a ton of artists, but

456
00:18:26,800 --> 00:18:29,199
Speaker 14: manager to Push you T spoke to Billboard after that

457
00:18:29,359 --> 00:18:31,719
Speaker 14: article released and got into some more details and he

458
00:18:31,800 --> 00:18:35,080
Speaker 14: revealed that it wasn't just like they released him, and

459
00:18:35,200 --> 00:18:37,960
Speaker 14: you know they had this part in conversation Death Jim.

460
00:18:38,040 --> 00:18:41,320
Speaker 14: Actually he alleged Death Jim said that they needed two

461
00:18:41,359 --> 00:18:44,679
Speaker 14: hundred thousand dollars or something like that in order for

462
00:18:44,680 --> 00:18:46,960
Speaker 14: Push a T To be able to in the clips,

463
00:18:46,960 --> 00:18:49,480
Speaker 14: to be able to walk away from million.

464
00:18:49,640 --> 00:18:51,879
Speaker 3: I think it was million. They said it was million.

465
00:18:51,880 --> 00:18:53,480
Speaker 15: They said they thought in that article, they said they

466
00:18:53,520 --> 00:18:55,600
Speaker 15: thought it was going to be like something like that.

467
00:18:55,640 --> 00:18:57,199
Speaker 3: But they was like, no, it's gonna be million. I

468
00:18:57,200 --> 00:19:00,600
Speaker 3: think see that what they would have.

469
00:19:01,040 --> 00:19:03,879
Speaker 15: That was definitely the article. They said it was millions

470
00:19:03,920 --> 00:19:05,639
Speaker 15: of dollars, said a ton of money. It wasn't no

471
00:19:05,640 --> 00:19:07,159
Speaker 15: two hundred thousand.

472
00:19:07,480 --> 00:19:09,560
Speaker 7: I don't even see millions in here, y'all.

473
00:19:09,560 --> 00:19:12,080
Speaker 14: Sure y'all read the artile It wasn't two hundred thousand.

474
00:19:13,920 --> 00:19:17,520
Speaker 14: That changes the whole Look right here.

475
00:19:17,440 --> 00:19:19,240
Speaker 1: Pushing Madlas would have went in their backpacking for two

476
00:19:19,280 --> 00:19:21,560
Speaker 1: hundred thousand. That's that there was millions. I thought I

477
00:19:21,600 --> 00:19:22,479
Speaker 1: said seven figures.

478
00:19:22,520 --> 00:19:22,720
Speaker 3: Yeah.

479
00:19:22,880 --> 00:19:25,879
Speaker 15: The headline literally is sean victor on the insane amount

480
00:19:25,960 --> 00:19:26,760
Speaker 15: of money.

481
00:19:27,080 --> 00:19:29,119
Speaker 14: But I'm talking about the actual numbers. Scroll down to

482
00:19:29,160 --> 00:19:31,520
Speaker 14: the question where they asked where he says, should have.

483
00:19:31,520 --> 00:19:33,520
Speaker 3: Did all this research before you started doing the latest.

484
00:19:33,680 --> 00:19:35,520
Speaker 7: I did do it. I just I literally just read

485
00:19:35,520 --> 00:19:38,479
Speaker 7: it again before it came in the article, and I

486
00:19:38,520 --> 00:19:39,560
Speaker 7: just searched the word million.

487
00:19:40,000 --> 00:19:42,119
Speaker 15: Yeah, they didn't say the number, but they said millions.

488
00:19:42,160 --> 00:19:43,240
Speaker 15: It wasn't no two hundred thousand.

489
00:19:43,359 --> 00:19:45,439
Speaker 14: Yeah, I literally just read this twice. Now I'm going

490
00:19:45,480 --> 00:19:47,280
Speaker 14: to find the exact line, because.

491
00:19:47,000 --> 00:19:48,960
Speaker 3: So you had to pay seven figures to get out

492
00:19:49,000 --> 00:19:50,960
Speaker 3: of the deal. Yeah, that's millions.

493
00:19:51,000 --> 00:19:53,760
Speaker 14: Oh, I didn't see that. But he said that he

494
00:19:53,760 --> 00:19:55,440
Speaker 14: thought it was going to be like two. They thought

495
00:19:55,480 --> 00:19:56,960
Speaker 14: it was gonna be like two hundred thousand or something

496
00:19:56,960 --> 00:19:58,680
Speaker 14: because there was like three. He said he either didn't

497
00:19:58,680 --> 00:20:00,680
Speaker 14: really want to get into it, but but he said

498
00:20:00,680 --> 00:20:01,840
Speaker 14: that he thought that it was going to be like

499
00:20:01,840 --> 00:20:04,159
Speaker 14: three albums that they owed. And they were trying to

500
00:20:04,200 --> 00:20:05,959
Speaker 14: get out of it by just being like, Okay, we

501
00:20:06,000 --> 00:20:09,080
Speaker 14: released this new project. Can y'all take profit from the

502
00:20:09,119 --> 00:20:11,159
Speaker 14: new project and we'll give y'all you know this right

503
00:20:11,200 --> 00:20:13,199
Speaker 14: here what we have right now. And they were like, no,

504
00:20:13,240 --> 00:20:14,919
Speaker 14: we want our money, we want it now. So they

505
00:20:14,960 --> 00:20:17,119
Speaker 14: went to jay Z and told jay Z what was happening,

506
00:20:17,200 --> 00:20:19,919
Speaker 14: and they're like, look, here's a situation where in we

507
00:20:19,960 --> 00:20:20,679
Speaker 14: need to figure this out.

508
00:20:20,720 --> 00:20:23,080
Speaker 7: They'd already had a relationship, so jay Z was like, well.

509
00:20:23,000 --> 00:20:24,440
Speaker 14: You just made my day. Like what do we need

510
00:20:24,480 --> 00:20:25,600
Speaker 14: to do to get it done? And they got it

511
00:20:25,640 --> 00:20:28,399
Speaker 14: done and they were able to come over. But another

512
00:20:28,440 --> 00:20:30,520
Speaker 14: part of this article that I thought was important was

513
00:20:30,520 --> 00:20:32,800
Speaker 14: that basically, you know how when Drake dropped the lawsuit

514
00:20:32,800 --> 00:20:34,639
Speaker 14: and was claiming all these things against Universal Right and

515
00:20:34,640 --> 00:20:36,679
Speaker 14: everybody including Charlamage and us here in the room.

516
00:20:36,720 --> 00:20:38,399
Speaker 7: We're like, we're sure that these are.

517
00:20:38,320 --> 00:20:41,120
Speaker 14: Things that the label has done to protect you at

518
00:20:41,119 --> 00:20:44,120
Speaker 14: one point. Right, he is a legend a lot of things,

519
00:20:44,160 --> 00:20:45,800
Speaker 14: but a lot of would Push Your Tea and Stephen

520
00:20:45,840 --> 00:20:48,680
Speaker 14: Victor are saying and their articles is what Drake is

521
00:20:48,720 --> 00:20:52,000
Speaker 14: saying Universal Music allegedly has done to him when it

522
00:20:52,040 --> 00:20:54,120
Speaker 14: comes to Kendrick Lamar, like Push Your T says that

523
00:20:54,200 --> 00:20:56,399
Speaker 14: there was in Stephen Victor win in more detail about

524
00:20:56,760 --> 00:20:58,560
Speaker 14: songs that were beat that was supposed to be released,

525
00:20:58,600 --> 00:21:01,119
Speaker 14: a song that's supposed to be released with Smoke Paranoia,

526
00:21:01,520 --> 00:21:04,200
Speaker 14: and then there was another song Rick Ross, a song

527
00:21:04,200 --> 00:21:06,119
Speaker 14: with Rick Ross on Mayback Music on one of the

528
00:21:06,160 --> 00:21:09,919
Speaker 14: main mag music installations, and pusha T's verse was removed

529
00:21:09,920 --> 00:21:12,760
Speaker 14: from both of these because they thought that it was

530
00:21:12,800 --> 00:21:16,480
Speaker 14: a shot at Drake, and Stephen Victor is like, it

531
00:21:16,520 --> 00:21:19,360
Speaker 14: wasn't They just interpreted it that way. And they came

532
00:21:19,400 --> 00:21:22,320
Speaker 14: to me because Stephen Victor was also Pop Smoke released

533
00:21:22,359 --> 00:21:23,360
Speaker 14: through him and was like.

534
00:21:23,320 --> 00:21:26,160
Speaker 3: Look if he does pop Smoke with his artist, Yes,

535
00:21:26,240 --> 00:21:26,880
Speaker 3: pop Smoke was.

536
00:21:26,800 --> 00:21:29,600
Speaker 14: His artist and he's like if and they told him, like,

537
00:21:29,640 --> 00:21:32,800
Speaker 14: if he doesn't remove these lyrics or if you guys

538
00:21:32,840 --> 00:21:36,520
Speaker 14: don't remove the verse, this album's not coming out, and yeah,

539
00:21:36,520 --> 00:21:38,080
Speaker 14: they went clear and Stephen Victor is like, well what

540
00:21:38,119 --> 00:21:40,560
Speaker 14: about free speech? Like how you And then even with

541
00:21:40,600 --> 00:21:43,479
Speaker 14: this new project, he was telling death Jim like, you

542
00:21:43,520 --> 00:21:45,600
Speaker 14: guys can't keep doing this to push you T like

543
00:21:45,800 --> 00:21:47,879
Speaker 14: you want him to think about what you guys are

544
00:21:47,920 --> 00:21:49,159
Speaker 14: going to think or what you guys are going to

545
00:21:49,240 --> 00:21:51,160
Speaker 14: interpret before he releases music.

546
00:21:51,200 --> 00:21:53,520
Speaker 7: That's not fair to him because according to.

547
00:21:53,560 --> 00:21:56,679
Speaker 14: Pusha T Into Stephen Victor, there's no direct shot at

548
00:21:56,760 --> 00:22:00,600
Speaker 14: Drake on this song, on this in this kindric, there

549
00:22:00,600 --> 00:22:01,240
Speaker 14: was a shot.

550
00:22:01,000 --> 00:22:03,600
Speaker 1: Of Drake who cares speech Like what happened to the

551
00:22:03,720 --> 00:22:05,440
Speaker 1: days where you can take a shot out of artists

552
00:22:05,440 --> 00:22:07,760
Speaker 1: and it isn't just a shot on wax on record?

553
00:22:08,040 --> 00:22:10,720
Speaker 3: Well, we never seen an artist sue like this either.

554
00:22:10,840 --> 00:22:11,640
Speaker 3: I would love to know.

555
00:22:11,640 --> 00:22:15,000
Speaker 15: The exact dollar amount that the Clips and Push Your spent,

556
00:22:15,119 --> 00:22:17,800
Speaker 15: because they said it was, you know, seven figures. Does

557
00:22:17,840 --> 00:22:20,480
Speaker 15: Death Jam even invest that kind of money into artists

558
00:22:20,520 --> 00:22:22,280
Speaker 15: like Push Your Tea in the Clips anymore? Like it

559
00:22:22,359 --> 00:22:24,560
Speaker 15: often seems like those legacy artists don't get that kind

560
00:22:24,600 --> 00:22:25,720
Speaker 15: of investment.

561
00:22:25,720 --> 00:22:26,800
Speaker 3: So I'm just asking they did.

562
00:22:26,840 --> 00:22:29,000
Speaker 15: They did they spend more to get out of the

563
00:22:29,040 --> 00:22:31,200
Speaker 15: deal than Death Jam would actually have spent on them.

564
00:22:31,400 --> 00:22:33,200
Speaker 14: I was going to say, that's a good question, that's

565
00:22:33,240 --> 00:22:35,760
Speaker 14: a really good question, because but I feel like the

566
00:22:35,840 --> 00:22:39,280
Speaker 14: last Yeah, that's a really good question, because the last

567
00:22:39,320 --> 00:22:41,120
Speaker 14: time that push how.

568
00:22:41,000 --> 00:22:42,920
Speaker 6: Long they've been with them, how long.

569
00:22:42,920 --> 00:22:46,119
Speaker 3: I feel like the Death with Jam with them for

570
00:22:46,119 --> 00:22:46,360
Speaker 3: a while.

571
00:22:46,400 --> 00:22:48,159
Speaker 7: I'm about to look it up. I feel like it.

572
00:22:48,240 --> 00:22:50,440
Speaker 7: I feel like the Death Jam deal that they did,

573
00:22:50,720 --> 00:22:52,239
Speaker 7: it was like a year too.

574
00:22:52,320 --> 00:22:54,919
Speaker 1: But you gotta remember a signing bonus is it's also

575
00:22:55,680 --> 00:22:58,119
Speaker 1: the money used for budgets as far as producing and

576
00:22:58,720 --> 00:23:00,879
Speaker 1: studio budgets.

577
00:23:00,119 --> 00:23:01,000
Speaker 3: Seven figures anymore.

578
00:23:01,040 --> 00:23:02,800
Speaker 15: That's what I'm asking because when I hear Stephen Victim

579
00:23:02,840 --> 00:23:04,320
Speaker 15: them saying it was a ton of money, I'm sure

580
00:23:04,320 --> 00:23:05,040
Speaker 15: they gave clips of.

581
00:23:05,119 --> 00:23:07,120
Speaker 1: Rack of money to sign and I'm sure they gave

582
00:23:07,240 --> 00:23:08,960
Speaker 1: push your tea rack of money to sign with death

583
00:23:09,720 --> 00:23:10,320
Speaker 1: a lot back.

584
00:23:10,359 --> 00:23:12,679
Speaker 15: The article, the Billboard article says we paid them the

585
00:23:12,760 --> 00:23:15,600
Speaker 15: money an insane amount of money. It wasn't like two

586
00:23:15,640 --> 00:23:17,879
Speaker 15: hundred thousand dollars. It was a lot of money for

587
00:23:17,960 --> 00:23:20,320
Speaker 15: an artist. It was a lot of money for an

588
00:23:20,440 --> 00:23:22,960
Speaker 15: artist to come up with they bought themselves out of

589
00:23:23,000 --> 00:23:23,440
Speaker 15: the deal.

590
00:23:23,800 --> 00:23:25,640
Speaker 3: Yeah, and they that sounded like a lot of money.

591
00:23:25,720 --> 00:23:26,760
Speaker 7: Yeah, the clips.

592
00:23:27,040 --> 00:23:29,520
Speaker 14: They were signed to JAM from two thousand and one

593
00:23:29,520 --> 00:23:32,600
Speaker 14: to two thousand and nine and then really Yes, that's

594
00:23:32,600 --> 00:23:34,200
Speaker 14: from two thousand and one to two thousand and nine,

595
00:23:34,240 --> 00:23:38,000
Speaker 14: with their last album To the Casket drops that when

596
00:23:38,000 --> 00:23:40,240
Speaker 14: that released in two thousand and nine. However, they recently

597
00:23:40,240 --> 00:23:42,400
Speaker 14: signed a new deal with dev Jam for their upcoming

598
00:23:42,440 --> 00:23:44,960
Speaker 14: album Let Guys Sort Of Them Out, which marks, which

599
00:23:44,960 --> 00:23:47,280
Speaker 14: would have marked their first studio effort in fifteen years

600
00:23:47,359 --> 00:23:48,399
Speaker 14: under Jam.

601
00:23:48,480 --> 00:23:50,400
Speaker 1: According to the Ye gave him a rack of money.

602
00:23:50,440 --> 00:23:52,280
Speaker 1: I'm sure g gave Push your tea rack of money.

603
00:23:52,320 --> 00:23:53,760
Speaker 1: So they had to pay that back. And I'm sure

604
00:23:53,960 --> 00:23:55,600
Speaker 1: I didn't know the clip was on def JM that long.

605
00:23:55,680 --> 00:23:55,760
Speaker 4: Now.

606
00:23:55,800 --> 00:23:57,360
Speaker 7: I didn't either. I thought that it was all new.

607
00:23:57,400 --> 00:23:59,040
Speaker 7: But we do switch.

608
00:23:59,240 --> 00:24:02,760
Speaker 14: Speaking of big numbers, congratulations to the Breakfast Club.

609
00:24:03,440 --> 00:24:04,000
Speaker 3: We do what we do.

610
00:24:04,119 --> 00:24:06,720
Speaker 14: The Breakfast Club surpasses a major milestone with.

611
00:24:06,680 --> 00:24:08,760
Speaker 7: The one billion downloads.

612
00:24:08,840 --> 00:24:11,400
Speaker 3: Wow, yes, drop for the Breakfast Stone.

613
00:24:11,600 --> 00:24:11,800
Speaker 13: Yes.

614
00:24:12,119 --> 00:24:12,359
Speaker 7: Yeah.

615
00:24:12,400 --> 00:24:14,479
Speaker 14: So today we are celebrating the fact that the Breakfast

616
00:24:14,520 --> 00:24:18,320
Speaker 14: Club podcast is surpassing one billion downloads, joining a very

617
00:24:18,320 --> 00:24:21,840
Speaker 14: short list of other podcasts to reach its impressive milestone.

618
00:24:21,920 --> 00:24:25,399
Speaker 14: So DJ mby said, We're incredibly grateful to everyone who's

619
00:24:25,400 --> 00:24:28,439
Speaker 14: tuned and supported and helped to make this milestone. A

620
00:24:28,480 --> 00:24:31,080
Speaker 14: billion views is more than just a number. It's a

621
00:24:31,119 --> 00:24:33,800
Speaker 14: testament to the culture, the conversation in the community we've

622
00:24:33,800 --> 00:24:34,359
Speaker 14: built together.

623
00:24:34,440 --> 00:24:36,640
Speaker 7: Thank you for riding with The Breakfast Club.

624
00:24:37,720 --> 00:24:39,760
Speaker 14: The Breakfast Club the world was most Dangerous morning show

625
00:24:39,800 --> 00:24:43,800
Speaker 14: launched in twenty ten in New York one five one.

626
00:24:43,920 --> 00:24:46,760
Speaker 14: Y'all been around here for a long time, lovel with seasoned,

627
00:24:47,440 --> 00:24:48,160
Speaker 14: very seasoned.

628
00:24:48,200 --> 00:24:50,679
Speaker 7: But to do a billion and I know you guys talked.

629
00:24:51,040 --> 00:24:53,280
Speaker 14: We've been talking a little bit behind the scenes about this,

630
00:24:53,359 --> 00:24:55,560
Speaker 14: But explain to the people a billion downloads what that

631
00:24:55,640 --> 00:24:56,399
Speaker 14: milestone means.

632
00:24:56,880 --> 00:25:00,160
Speaker 7: Well, it's like my biggest dream.

633
00:25:00,200 --> 00:25:00,880
Speaker 6: I just want to think.

634
00:25:00,960 --> 00:25:05,280
Speaker 15: Good, shut up, it's a good Thank you to the listeners, man,

635
00:25:05,280 --> 00:25:07,320
Speaker 15: We appreciate you all. You know, whenever you can't listen

636
00:25:07,359 --> 00:25:09,879
Speaker 15: to The Breakfast Club early in the morning here on

637
00:25:09,920 --> 00:25:11,840
Speaker 15: the radio, you can always go listen to the podcast.

638
00:25:11,920 --> 00:25:13,840
Speaker 15: But the clips signed with cham in twenty twenty four,

639
00:25:13,920 --> 00:25:14,919
Speaker 15: Push Your Tea been signed with that.

640
00:25:14,960 --> 00:25:18,840
Speaker 14: Push certainly say it's according to hype Beasts, the clip

641
00:25:19,160 --> 00:25:21,720
Speaker 14: when I'm reading, yeah about a billion.

642
00:25:21,640 --> 00:25:25,000
Speaker 3: Read that billion downloads is definitely do we appreciate it?

643
00:25:25,000 --> 00:25:26,280
Speaker 7: According to hype bet.

644
00:25:26,200 --> 00:25:28,359
Speaker 3: I mean does say AI over you? I don't know

645
00:25:28,440 --> 00:25:29,240
Speaker 3: if that's it says.

646
00:25:29,280 --> 00:25:32,120
Speaker 14: According to hype Beasts, it literally links who would attribute

647
00:25:32,119 --> 00:25:33,320
Speaker 14: it to attributes it to?

648
00:25:33,400 --> 00:25:35,040
Speaker 7: It's not just a random AI over here.

649
00:25:35,200 --> 00:25:35,560
Speaker 11: The clips.

650
00:25:35,760 --> 00:25:37,360
Speaker 3: I don't know how we did a million downlod because

651
00:25:37,359 --> 00:25:38,080
Speaker 3: we had no place.

652
00:25:38,200 --> 00:25:43,000
Speaker 5: Yeah, yeah, it's pay it live. I wanted to tune

653
00:25:43,040 --> 00:25:44,240
Speaker 5: into fair east Side High.

654
00:25:44,240 --> 00:25:47,240
Speaker 7: It was a sty if one of the students went live.

655
00:25:47,560 --> 00:25:53,400
Speaker 15: No o, all right, well not we've been cutting okay,

656
00:25:53,840 --> 00:25:55,720
Speaker 15: oh before you put the scarl phone.

657
00:25:55,840 --> 00:25:59,320
Speaker 1: Yeah before, But again, SIMI, to all our listeners and supporters,

658
00:25:59,320 --> 00:26:01,080
Speaker 1: we appreciate you guys so much. We do it for

659
00:26:01,119 --> 00:26:03,240
Speaker 1: you guys, and we're thankful and grateful. Thank you so

660
00:26:03,480 --> 00:26:04,880
Speaker 1: god damn much. We appreciate you.

661
00:26:04,840 --> 00:26:05,360
Speaker 11: Guys out there.

662
00:26:05,480 --> 00:26:09,440
Speaker 3: You're gonna listen to misinformation, might as well listen to us. Shut. Yeah,

663
00:26:09,480 --> 00:26:12,840
Speaker 3: we've been cooking, all right.

664
00:26:12,880 --> 00:26:15,760
Speaker 1: When we come back, we got Front Page News and

665
00:26:15,800 --> 00:26:18,840
Speaker 1: then Mara brock a Kill will be joining us, all right.

666
00:26:18,880 --> 00:26:21,640
Speaker 1: She has a new show on Netflix forever, and we'll

667
00:26:21,640 --> 00:26:22,960
Speaker 1: talk about all that when we come back.

668
00:26:22,960 --> 00:26:24,320
Speaker 3: So don't go anywhere. It's the Breakfast Club.

669
00:26:24,320 --> 00:26:26,800
Speaker 11: Good morning, you're checking out the Breakfast Club.

670
00:26:27,400 --> 00:26:30,800
Speaker 3: Good morning. Everybody is dj NV just hilarious.

671
00:26:30,880 --> 00:26:33,919
Speaker 1: Charlamagne gud We are the Breakfast Club. Let's get in

672
00:26:33,920 --> 00:26:37,600
Speaker 1: some front page news. Now you missed it earlier, Morgan

673
00:26:37,640 --> 00:26:40,760
Speaker 1: broke down that the Knicks fire head coach Tom Thibodeaux

674
00:26:40,800 --> 00:26:44,160
Speaker 1: after five seasons. It was five winning seasons, but they

675
00:26:44,160 --> 00:26:45,320
Speaker 1: feel like he wasn't.

676
00:26:45,119 --> 00:26:45,919
Speaker 3: A great fitch.

677
00:26:45,960 --> 00:26:47,199
Speaker 6: How do you feel about that?

678
00:26:48,160 --> 00:26:50,159
Speaker 1: I do feel like that Thibodeau. I feel like he

679
00:26:50,240 --> 00:26:52,480
Speaker 1: worked his players a lot. I felt like he didn't

680
00:26:52,480 --> 00:26:55,520
Speaker 1: trust the bench. The game one where they lost the paces,

681
00:26:55,680 --> 00:26:57,960
Speaker 1: I felt like that was a coaching problem. You can't

682
00:26:57,960 --> 00:27:00,320
Speaker 1: be up fourteen and lose with you know, a minute

683
00:27:00,320 --> 00:27:01,000
Speaker 1: and change left.

684
00:27:01,080 --> 00:27:03,160
Speaker 15: You can't trust what you don't have. Though, Hey, everybody

685
00:27:03,160 --> 00:27:04,639
Speaker 15: say you can't trust the bench. If they had the

686
00:27:04,680 --> 00:27:07,000
Speaker 15: bench players, they would have been playing them. Like the

687
00:27:07,040 --> 00:27:09,879
Speaker 15: Celtics can go nine deep there, okay, see Thunder can

688
00:27:09,920 --> 00:27:12,199
Speaker 15: go ninety, the Pacers can go ninet deep. If you

689
00:27:12,200 --> 00:27:14,600
Speaker 15: ain't got it, you ain't got it. It's like Penis. Wow,

690
00:27:16,160 --> 00:27:17,960
Speaker 15: when somebody tell you go deeper and you ain't got it.

691
00:27:17,960 --> 00:27:18,560
Speaker 7: To go deeper.

692
00:27:18,760 --> 00:27:20,920
Speaker 1: But when you do see players on other teams and

693
00:27:20,960 --> 00:27:23,280
Speaker 1: they're doing well, and they were our bench players like

694
00:27:23,280 --> 00:27:26,119
Speaker 1: Obie Topping and and even McBride.

695
00:27:26,119 --> 00:27:27,520
Speaker 3: It took him a long time to get him out.

696
00:27:27,600 --> 00:27:30,040
Speaker 3: Topping was young though, and then that system.

697
00:27:29,760 --> 00:27:34,280
Speaker 1: And he's busting as a system, but they never even

698
00:27:34,280 --> 00:27:36,000
Speaker 1: played him. And then you got that new white boy

699
00:27:36,000 --> 00:27:37,880
Speaker 1: that'shooting threes like crazy. I don't know if he's white

700
00:27:37,960 --> 00:27:39,600
Speaker 1: or what his background is. I can't even think of

701
00:27:39,720 --> 00:27:41,479
Speaker 1: the man's name. But he gets to be found out

702
00:27:41,480 --> 00:27:43,280
Speaker 1: in the last couple of games that he could actually shoot,

703
00:27:43,720 --> 00:27:45,000
Speaker 1: you know, So we'll see what happens.

704
00:27:45,040 --> 00:27:47,119
Speaker 3: But what's up, Morgan, Well, what's up this?

705
00:27:47,240 --> 00:27:50,879
Speaker 5: Congratulations to y'all because apparently you know y'all acted, I mean,

706
00:27:50,920 --> 00:27:54,320
Speaker 5: you said on one thing. But getting one billion podcast

707
00:27:54,400 --> 00:27:58,320
Speaker 5: downloads and counting, that's something to celebrate, right, Hey, Pappa

708
00:27:58,359 --> 00:27:59,840
Speaker 5: Cluck was botob on yourself and big up your.

709
00:27:59,760 --> 00:28:02,320
Speaker 3: Self, all right, that's pretty dope.

710
00:28:02,320 --> 00:28:04,800
Speaker 1: And shout out to all the listeners for supporting riding

711
00:28:04,880 --> 00:28:06,960
Speaker 1: and listening to us. If it wasn't for y'all, we

712
00:28:07,000 --> 00:28:09,080
Speaker 1: wouldn't be here. We appreciate y'all every day.

713
00:28:09,280 --> 00:28:13,400
Speaker 3: You know what happened? Reached a billion congraduation breakfast club?

714
00:28:15,240 --> 00:28:18,120
Speaker 7: All right, coming up and other news.

715
00:28:18,119 --> 00:28:20,800
Speaker 5: Family members of the man charged in the fire attack

716
00:28:21,080 --> 00:28:25,639
Speaker 5: on Israeli hostages supporters excuse me in other news. Family

717
00:28:25,680 --> 00:28:27,840
Speaker 5: members of the man charged in the fire attack on

718
00:28:27,920 --> 00:28:31,200
Speaker 5: Israeli hostage supporters in Colorado have been arrested by ICE.

719
00:28:31,280 --> 00:28:33,640
Speaker 6: Now, Homeland Security Secretary Christy.

720
00:28:33,359 --> 00:28:36,080
Speaker 5: Nome and the said the wife and five children of

721
00:28:36,200 --> 00:28:39,680
Speaker 5: Mohammed Sabury Solomon have been taken into custody to find

722
00:28:39,680 --> 00:28:42,160
Speaker 5: out if they were involved or knew about the attack

723
00:28:42,200 --> 00:28:45,400
Speaker 5: in any way. They are also being processed for expedited

724
00:28:45,440 --> 00:28:49,400
Speaker 5: removal from the United States. Homeland Security Secretary Christie Noam

725
00:28:49,480 --> 00:28:51,440
Speaker 5: made the announcement, Let's take a listen.

726
00:28:51,560 --> 00:28:54,720
Speaker 8: Today the Department of Homeland Security and ICE are taking

727
00:28:54,760 --> 00:28:58,880
Speaker 8: the family of suspected Boulder, Colorado terrorists and the illegal

728
00:28:58,920 --> 00:29:02,520
Speaker 8: alien Mohammad It's Solomon, into ace custody.

729
00:29:03,000 --> 00:29:05,120
Speaker 3: How do you hate people more than you love your family?

730
00:29:05,360 --> 00:29:07,200
Speaker 15: Like if you got if you got a wife and

731
00:29:07,320 --> 00:29:10,520
Speaker 15: five kids, why would you throw that all away just

732
00:29:10,560 --> 00:29:13,880
Speaker 15: because of your your bigotry and your prejudice towards another group.

733
00:29:13,920 --> 00:29:15,360
Speaker 3: I don't I don't understand that logic.

734
00:29:16,440 --> 00:29:18,720
Speaker 5: So this comes as Solomon is in the United States

735
00:29:18,720 --> 00:29:21,840
Speaker 5: illegally from Egypt. He faces federal and state charges after

736
00:29:21,920 --> 00:29:24,840
Speaker 5: at least twelve people were hurt in Sunday's attack. Now,

737
00:29:24,880 --> 00:29:27,320
Speaker 5: police said Solomon dressed as a gardener to get close

738
00:29:27,360 --> 00:29:31,480
Speaker 5: to protesters when he used a makeshift flamethrower and molotov

739
00:29:31,520 --> 00:29:34,320
Speaker 5: cocktails on the crowd. Now, this story does inspire me

740
00:29:34,360 --> 00:29:36,560
Speaker 5: on a personal note to encourage everyone to check on

741
00:29:36,600 --> 00:29:39,600
Speaker 5: their family and the mental well being of those around you,

742
00:29:39,640 --> 00:29:42,320
Speaker 5: because if something like this can happen, you could be

743
00:29:42,360 --> 00:29:45,040
Speaker 5: considered guilty by association. This is crazy that the family

744
00:29:45,160 --> 00:29:47,840
Speaker 5: is now being taken into custody as well. And so

745
00:29:48,000 --> 00:29:51,520
Speaker 5: I would think that you know that that ignorance is bliss.

746
00:29:51,560 --> 00:29:53,640
Speaker 5: Era has left and you better know what you need

747
00:29:53,680 --> 00:29:53,880
Speaker 5: to know.

748
00:29:54,120 --> 00:29:57,600
Speaker 15: Yeah, and yeah, and you and your actions always impact

749
00:29:57,600 --> 00:29:59,480
Speaker 15: your family. I didn't know that they could do something

750
00:29:59,520 --> 00:30:01,560
Speaker 15: like this, go arrest your whole family because of you know,

751
00:30:01,840 --> 00:30:04,080
Speaker 15: something that you did, Okay, because I don't see how

752
00:30:04,120 --> 00:30:06,320
Speaker 15: they would be accomplishes. But yes, what you do does

753
00:30:06,400 --> 00:30:09,160
Speaker 15: impact your whole family in more ways than one.

754
00:30:09,560 --> 00:30:11,880
Speaker 6: Yeah, so you know, check in with the loved ones, y'all.

755
00:30:12,360 --> 00:30:15,560
Speaker 5: Speaking of ice, the mayor of Newark, New Jersey issuing

756
00:30:15,760 --> 00:30:18,200
Speaker 5: one of President Trump's top lawyers over his arrest at

757
00:30:18,200 --> 00:30:21,520
Speaker 5: an ICE facility last month. Now, Rasbaraka filed the federal

758
00:30:21,600 --> 00:30:25,160
Speaker 5: lawsuit against interim US attorney for New Jersey, Alena Hava

759
00:30:25,240 --> 00:30:29,200
Speaker 5: on Tuesday, accusing her of defamation and false arrest. Let's

760
00:30:29,240 --> 00:30:31,880
Speaker 5: take a listen to those comments from ros Baraka.

761
00:30:32,120 --> 00:30:37,200
Speaker 2: All Right, I was cuffed, fingerprinted, took pictures of twice,

762
00:30:38,040 --> 00:30:41,200
Speaker 2: once there and once in court for a classy misdemeanor

763
00:30:41,240 --> 00:30:44,000
Speaker 2: which you send some ins to people for. You don't

764
00:30:44,080 --> 00:30:47,240
Speaker 2: lock them up and take their fingerprints. Trespass is a

765
00:30:47,280 --> 00:30:49,080
Speaker 2: state offense, it's not a federal offense.

766
00:30:49,440 --> 00:30:50,640
Speaker 3: These guys need to find out.

767
00:30:50,520 --> 00:30:53,400
Speaker 2: The law before they begin running their mouth about what

768
00:30:53,760 --> 00:30:54,760
Speaker 2: is right and what is wrong.

769
00:30:55,000 --> 00:30:57,440
Speaker 5: So just to note that trespassing can be a federal

770
00:30:57,440 --> 00:31:00,880
Speaker 5: offense when it comes to when it involves federal property

771
00:31:00,880 --> 00:31:03,440
Speaker 5: and restricted areas. So I anticipate much of this court

772
00:31:03,480 --> 00:31:06,440
Speaker 5: case will come down to whether or not Mayor Baraka

773
00:31:06,520 --> 00:31:10,160
Speaker 5: had access to that ICE facility. Now he responded to

774
00:31:10,200 --> 00:31:13,520
Speaker 5: criticism of his actions by Trump administrator borders Are Tom Holman,

775
00:31:13,560 --> 00:31:15,760
Speaker 5: saying he may have to sue him too. And of course,

776
00:31:15,800 --> 00:31:18,680
Speaker 5: all of this comes as Baraka was taken into custody

777
00:31:18,680 --> 00:31:21,240
Speaker 5: outside an ice detention center when he and members of

778
00:31:21,280 --> 00:31:25,280
Speaker 5: Congress demanded answer about answers about the facility's conditions. He

779
00:31:25,360 --> 00:31:28,080
Speaker 5: was charged with trespassing, but the case was later dropped

780
00:31:28,080 --> 00:31:31,080
Speaker 5: by Hobba. A federal judge criticized Hobba's office for the

781
00:31:31,200 --> 00:31:34,720
Speaker 5: arrest during the hearing last month, saying it suggests a

782
00:31:34,840 --> 00:31:41,800
Speaker 5: worrying misstep and switching gears. The first black mayor of Tulsa, Oklahoma,

783
00:31:41,960 --> 00:31:45,600
Speaker 5: is proposing a multimillion dollar reparations plan for descendants of

784
00:31:45,640 --> 00:31:50,200
Speaker 5: the nineteen twenty one Tulsa Race massacre. Mayorn Munroe Nichols

785
00:31:50,200 --> 00:31:54,280
Speaker 5: says one can only imagine what the Greenwood District, once

786
00:31:54,360 --> 00:31:56,680
Speaker 5: known as Black Wall Street, could have contributed to the

787
00:31:56,720 --> 00:31:59,600
Speaker 5: region had there never been a massacre. And of course

788
00:31:59,640 --> 00:32:02,800
Speaker 5: he's to establish a private trust that would be used

789
00:32:02,800 --> 00:32:06,000
Speaker 5: to provide scholarship and housing to the descendants of those

790
00:32:06,120 --> 00:32:07,480
Speaker 5: impacted by the bloodshed.

791
00:32:07,520 --> 00:32:09,240
Speaker 6: Let's take a listen to his comments.

792
00:32:09,640 --> 00:32:12,360
Speaker 16: Imagine what it would have meant for outcomes for our children,

793
00:32:12,920 --> 00:32:15,800
Speaker 16: Imagine what it would have meant for public safety, and

794
00:32:15,880 --> 00:32:21,720
Speaker 16: most importantly, imagine the trust in faith we would have

795
00:32:21,760 --> 00:32:24,480
Speaker 16: built in each other over these last one hundred and

796
00:32:24,520 --> 00:32:27,440
Speaker 16: four years. And my office has been working alongside our

797
00:32:27,520 --> 00:32:31,640
Speaker 16: legal department on the establishment of the Greenwood Trust, a

798
00:32:31,720 --> 00:32:35,480
Speaker 16: private charitable trust that will raise and facilitate the investment

799
00:32:35,960 --> 00:32:38,280
Speaker 16: of one hundred and five million dollars in private funds

800
00:32:38,320 --> 00:32:39,720
Speaker 16: along our roads to repair.

801
00:32:39,560 --> 00:32:43,200
Speaker 5: Restlers and rights so Nichol says, the trust will not

802
00:32:43,240 --> 00:32:46,040
Speaker 5: involve direct cash payments, and the city council would have

803
00:32:46,080 --> 00:32:49,360
Speaker 5: to approve the transfer of any city assets to it.

804
00:32:49,520 --> 00:32:52,320
Speaker 5: The push comes just weeks after Democratic Congresswoman Summer Lea

805
00:32:52,440 --> 00:32:56,320
Speaker 5: of Pennsylvania announced plans to introduce the Reparations Now Resolution,

806
00:32:56,680 --> 00:32:59,240
Speaker 5: which calls for the US to spend trillions of dollars

807
00:32:59,240 --> 00:33:01,959
Speaker 5: on reparations for black Americans. I know we've had this

808
00:33:02,040 --> 00:33:06,360
Speaker 5: conversation many of times of about what reparations could look

809
00:33:06,520 --> 00:33:08,160
Speaker 5: like for black Americans.

810
00:33:08,200 --> 00:33:10,440
Speaker 6: So that's your faced news.

811
00:33:10,880 --> 00:33:13,560
Speaker 5: Y'all can follow me on socials at Morgan Media for

812
00:33:13,600 --> 00:33:16,680
Speaker 5: more news. For coverage, follow a Black Information Network. Download

813
00:33:16,680 --> 00:33:19,440
Speaker 5: the free iHeartRadio app and visit us at b I

814
00:33:19,560 --> 00:33:20,480
Speaker 5: Nnews dot com.

815
00:33:20,480 --> 00:33:22,520
Speaker 7: Can we get some of them downloads at b and y'all,

816
00:33:22,600 --> 00:33:23,000
Speaker 7: I'm just.

817
00:33:22,960 --> 00:33:24,920
Speaker 3: Saying thank you, Morgan.

818
00:33:25,040 --> 00:33:27,360
Speaker 15: Did we tell the people that the icon living mar

819
00:33:27,520 --> 00:33:29,080
Speaker 15: brocky Kill is joining us this morning?

820
00:33:29,160 --> 00:33:30,479
Speaker 3: Yes, we did talk to her.

821
00:33:30,520 --> 00:33:30,800
Speaker 11: Next.

822
00:33:30,800 --> 00:33:33,719
Speaker 15: I heard you say that she wrote on Friends, No, sir,

823
00:33:34,680 --> 00:33:36,960
Speaker 15: fix for the legendary show, one of my favorite shows

824
00:33:36,960 --> 00:33:37,440
Speaker 15: of all time.

825
00:33:37,440 --> 00:33:37,920
Speaker 3: Girlfriends.

826
00:33:37,960 --> 00:33:41,040
Speaker 1: I fixed it immediately, Friends, I fixed the media. I

827
00:33:41,080 --> 00:33:45,640
Speaker 1: was talking about myself. Somebody was here, and she's here

828
00:33:45,640 --> 00:33:46,520
Speaker 1: to talk about Forever.

829
00:33:46,640 --> 00:33:49,920
Speaker 15: Forever is a reimagining of Judy Bloom's nineteen seventy five

830
00:33:50,040 --> 00:33:50,719
Speaker 15: novel Forever.

831
00:33:50,760 --> 00:33:52,280
Speaker 3: You know, I'm a huge Judy Bloom fan.

832
00:33:52,360 --> 00:33:55,040
Speaker 15: So when two of my favorite storytellers coming together, Judy

833
00:33:55,040 --> 00:33:57,880
Speaker 15: Bloom and mar Brockykill, magic happens. And that's what happened

834
00:33:57,880 --> 00:33:59,960
Speaker 15: with Forever. And we'll talk to her about it. Come

835
00:34:00,160 --> 00:34:00,760
Speaker 15: up next next.

836
00:34:00,760 --> 00:34:02,760
Speaker 3: That's right, so don't move. It's to Breakfast Club. Good Morning,

837
00:34:03,360 --> 00:34:04,840
Speaker 3: the Breakfast Club.

838
00:34:07,000 --> 00:34:07,280
Speaker 12: Morning.

839
00:34:07,320 --> 00:34:11,040
Speaker 1: Everybody is dj NV, just Hilarius, Charlamagne, the God.

840
00:34:11,120 --> 00:34:12,160
Speaker 3: We are the Breakfast Club.

841
00:34:12,239 --> 00:34:14,120
Speaker 1: Lalla Rosa is here as well, and we got a

842
00:34:14,120 --> 00:34:16,160
Speaker 1: special guest in the building, legendary.

843
00:34:16,280 --> 00:34:20,320
Speaker 3: That's right, Miss Marl brock a welcome, thank you, good.

844
00:34:20,280 --> 00:34:22,800
Speaker 7: Good morning, good morning. Nice to be here. How are you.

845
00:34:22,719 --> 00:34:24,600
Speaker 3: Les's Black and Holly favorite. How's your energy?

846
00:34:25,040 --> 00:34:27,280
Speaker 7: It's great? Okay, I'm really I'm floating.

847
00:34:27,560 --> 00:34:30,520
Speaker 3: How does it feel to have yet another hit TV show?

848
00:34:30,880 --> 00:34:36,520
Speaker 17: Another another hit TV show? But this is global. This

849
00:34:36,680 --> 00:34:37,880
Speaker 17: is like the first.

850
00:34:37,520 --> 00:34:39,960
Speaker 7: Time I have been on a stage this big.

851
00:34:40,200 --> 00:34:46,319
Speaker 17: Normally my shows are on up and coming networks, so

852
00:34:46,400 --> 00:34:49,840
Speaker 17: I feel like an a new Actually I feel both veteran

853
00:34:49,920 --> 00:34:50,400
Speaker 17: and both.

854
00:34:51,360 --> 00:34:52,880
Speaker 7: I'm also an off you know.

855
00:34:52,960 --> 00:34:58,480
Speaker 17: It's just this an idea, is a global conversation. That

856
00:34:58,640 --> 00:35:01,600
Speaker 17: is kind of I'm sitting in that. Mostly my career,

857
00:35:01,680 --> 00:35:05,000
Speaker 17: I've been thinking about a national conversation, but this is

858
00:35:05,000 --> 00:35:07,279
Speaker 17: a global one. And I mean, I've always known that

859
00:35:07,320 --> 00:35:10,560
Speaker 17: our stories are global, but for it to be a

860
00:35:10,600 --> 00:35:14,200
Speaker 17: reality is pretty special and another hit. Right to be

861
00:35:14,280 --> 00:35:17,399
Speaker 17: at it? Thirty years in the game, thirty years in the.

862
00:35:17,360 --> 00:35:19,440
Speaker 3: Game, let's talk about it.

863
00:35:19,480 --> 00:35:21,640
Speaker 1: Of course, for people that are just tuning in, you

864
00:35:21,880 --> 00:35:24,959
Speaker 1: creating shows like Girlfriends the Game, Being Mary Jane, You've

865
00:35:25,000 --> 00:35:27,320
Speaker 1: written on The Jamie Fox Show and so many others,

866
00:35:27,680 --> 00:35:28,480
Speaker 1: but this one.

867
00:35:28,280 --> 00:35:33,600
Speaker 5: Is so many, see so many see you.

868
00:35:34,400 --> 00:35:37,880
Speaker 3: This one's on Netflix. Yeah, this one's on Netflix.

869
00:35:38,040 --> 00:35:38,320
Speaker 7: Yeah.

870
00:35:38,360 --> 00:35:40,280
Speaker 3: So how did the Netflix play come together?

871
00:35:40,320 --> 00:35:41,880
Speaker 17: We're doing for I had a deal, you know, my

872
00:35:41,920 --> 00:35:44,799
Speaker 17: career did garner me a really wonderful deal out of

873
00:35:44,800 --> 00:35:45,160
Speaker 17: that deal.

874
00:35:45,200 --> 00:35:45,680
Speaker 7: I did stamp.

875
00:35:45,719 --> 00:35:47,319
Speaker 17: From the beginning, I hope you guys all saw that

876
00:35:47,400 --> 00:35:52,480
Speaker 17: amazing documentary that Roger Ross Williams directed, but about doctor

877
00:35:52,680 --> 00:35:57,360
Speaker 17: Abraham Kindy's work about the myths of racism. That was

878
00:35:57,360 --> 00:36:00,680
Speaker 17: my first offering in my deal, and this was the second.

879
00:36:01,400 --> 00:36:02,000
Speaker 7: It was special.

880
00:36:02,000 --> 00:36:06,560
Speaker 17: From the beginning, I met Judy Bloom somebody Else's come on.

881
00:36:06,600 --> 00:36:09,239
Speaker 3: Come on, two of my favorite storytellers.

882
00:36:08,760 --> 00:36:12,920
Speaker 17: Coming come on, I mean, and that's God. First of all,

883
00:36:12,920 --> 00:36:16,040
Speaker 17: I didn't even realize that the book was going to

884
00:36:16,080 --> 00:36:18,200
Speaker 17: be fifty years old by the time we released. It

885
00:36:18,280 --> 00:36:22,000
Speaker 17: was not even in my thinking of that time, seventy five.

886
00:36:23,360 --> 00:36:24,400
Speaker 7: It was a beautiful synergy.

887
00:36:24,440 --> 00:36:26,600
Speaker 17: One thing I will say about Netflix, when they're behind something,

888
00:36:26,640 --> 00:36:30,879
Speaker 17: they are behind it completely supported, resourced. I think that's

889
00:36:30,920 --> 00:36:34,399
Speaker 17: what's important to me in this moment of this hit

890
00:36:34,440 --> 00:36:39,799
Speaker 17: show is that it was my vision was supported financially,

891
00:36:40,000 --> 00:36:43,440
Speaker 17: and it was amazing to feel like, Wow, I'm supported

892
00:36:43,480 --> 00:36:46,240
Speaker 17: to got money to have the vision that I want

893
00:36:46,440 --> 00:36:50,600
Speaker 17: and to get the people that I need, the collaborators.

894
00:36:50,800 --> 00:36:51,560
Speaker 7: It's been amazing.

895
00:36:51,719 --> 00:36:55,480
Speaker 15: You said Judy Bloom was your first permission slip as

896
00:36:55,480 --> 00:36:56,200
Speaker 15: a storyteller.

897
00:36:56,239 --> 00:36:57,000
Speaker 7: Oh my goodness.

898
00:36:57,120 --> 00:36:59,640
Speaker 3: So how did your inner child feel knowing that you

899
00:36:59,800 --> 00:37:02,759
Speaker 3: have done such justice to one of her iconic works?

900
00:37:02,840 --> 00:37:05,799
Speaker 7: Why does my innery she feels on cloud nine. She

901
00:37:05,960 --> 00:37:07,400
Speaker 7: is twirling, she is cartwill.

902
00:37:07,440 --> 00:37:09,040
Speaker 17: I used to cartwell back in the day, I could

903
00:37:09,080 --> 00:37:11,759
Speaker 17: cartweel backband all the things she's doing. All of that,

904
00:37:12,000 --> 00:37:17,480
Speaker 17: I'm very proud of myself. When the opportunity to reimagine

905
00:37:17,480 --> 00:37:19,959
Speaker 17: one of her books, there was no thinking. My hand

906
00:37:20,040 --> 00:37:21,680
Speaker 17: just went up and I feel like it was a

907
00:37:21,719 --> 00:37:23,640
Speaker 17: little protective as well. It was like, I want to

908
00:37:23,640 --> 00:37:25,480
Speaker 17: protect that story. I want to be able to tell

909
00:37:25,480 --> 00:37:30,040
Speaker 17: that story. But my little girl is like, she's she

910
00:37:30,160 --> 00:37:31,120
Speaker 17: cabbage patches.

911
00:37:33,440 --> 00:37:34,440
Speaker 3: Do you feel like she made it?

912
00:37:34,480 --> 00:37:34,640
Speaker 6: Do you?

913
00:37:34,640 --> 00:37:36,480
Speaker 17: I feel like you She felt like she's felt like

914
00:37:36,520 --> 00:37:39,200
Speaker 17: she's made it a long while ago. I think this

915
00:37:39,280 --> 00:37:41,840
Speaker 17: is different in that it's a full circle moment.

916
00:37:42,040 --> 00:37:44,200
Speaker 7: I feel. I often say that you become.

917
00:37:43,920 --> 00:37:46,560
Speaker 17: A writer as a reader first, and so I used

918
00:37:46,600 --> 00:37:49,440
Speaker 17: to get lost in the pages of Judy Blue and

919
00:37:49,480 --> 00:37:52,480
Speaker 17: so for me to be just the divinity of it,

920
00:37:52,520 --> 00:37:55,040
Speaker 17: like the divineness of it that I would come full

921
00:37:55,080 --> 00:37:58,120
Speaker 17: circle fifty years later, like those kinds of things. Right,

922
00:37:58,239 --> 00:38:00,400
Speaker 17: It's almost like it was written for me. It was

923
00:38:00,440 --> 00:38:01,520
Speaker 17: written for me and Judy.

924
00:38:01,760 --> 00:38:03,520
Speaker 7: Matter of fact, I'm going to get a chance to

925
00:38:03,560 --> 00:38:08,319
Speaker 7: meet her personally. I'm so excited to key with yeah, yeah, yeah, yeah, okay,

926
00:38:08,400 --> 00:38:08,960
Speaker 7: yeah yeah.

927
00:38:09,160 --> 00:38:11,239
Speaker 17: You live this life once and I'm gonna live in

928
00:38:11,280 --> 00:38:13,479
Speaker 17: that dream. So I'm excited to meet her. We met

929
00:38:13,680 --> 00:38:17,720
Speaker 17: at the time on zoom and talked on the phone

930
00:38:17,760 --> 00:38:20,200
Speaker 17: and emailed, but just to meet her and say thank

931
00:38:20,239 --> 00:38:22,799
Speaker 17: you and have her signed my book. I'm just that

932
00:38:22,840 --> 00:38:24,920
Speaker 17: twelve year old girl is running to key with.

933
00:38:26,160 --> 00:38:27,600
Speaker 3: I did it. I've done it a couple of times,

934
00:38:28,640 --> 00:38:29,000
Speaker 3: just too.

935
00:38:30,719 --> 00:38:30,919
Speaker 4: Yeah.

936
00:38:31,080 --> 00:38:34,000
Speaker 17: Just what I really would love is for people to

937
00:38:34,120 --> 00:38:37,520
Speaker 17: honor more of their story, the craftsmanship sitting in the

938
00:38:37,600 --> 00:38:38,200
Speaker 17: chair and writing.

939
00:38:38,239 --> 00:38:42,280
Speaker 7: That woman sat in the chair and wrote. I mean

940
00:38:42,320 --> 00:38:42,719
Speaker 7: it's like.

941
00:38:42,680 --> 00:38:45,640
Speaker 17: She never got out of the chair, just writing and

942
00:38:45,680 --> 00:38:48,840
Speaker 17: that and what it would do just someone sharing the story,

943
00:38:49,000 --> 00:38:52,160
Speaker 17: just my own testimony, is it ignited something in me

944
00:38:52,560 --> 00:38:55,200
Speaker 17: and I think that even the feedback I'm getting from

945
00:38:55,239 --> 00:38:57,160
Speaker 17: the show, not just the show, but the shows I've

946
00:38:57,160 --> 00:39:01,080
Speaker 17: had in my career is ignited other story I want

947
00:39:01,160 --> 00:39:03,200
Speaker 17: us to do more by that. We have so many

948
00:39:03,239 --> 00:39:06,239
Speaker 17: stories in us that will die in us if we

949
00:39:06,280 --> 00:39:06,960
Speaker 17: don't even.

950
00:39:06,800 --> 00:39:08,560
Speaker 7: Start crafting them and writing them down.

951
00:39:08,920 --> 00:39:13,520
Speaker 17: Her book is still through this show now is still

952
00:39:14,000 --> 00:39:17,080
Speaker 17: it still lives, It's universals, it's forever.

953
00:39:17,719 --> 00:39:19,080
Speaker 7: But on bomb, the.

954
00:39:19,600 --> 00:39:22,560
Speaker 5: Original book was written in the seventies, yees seventy five.

955
00:39:22,640 --> 00:39:24,239
Speaker 7: Why did you choose.

956
00:39:23,920 --> 00:39:26,680
Speaker 6: To specifically set this story in twenty eighteen.

957
00:39:27,000 --> 00:39:29,760
Speaker 17: Well, I had to look at what would make it

958
00:39:29,920 --> 00:39:32,640
Speaker 17: fresh today and what to maybe have to look at

959
00:39:32,640 --> 00:39:36,759
Speaker 17: what where the kids are today? And Judy and I

960
00:39:36,800 --> 00:39:42,760
Speaker 17: talked about well, they know a lot about sex, intimacy, connection,

961
00:39:43,960 --> 00:39:44,560
Speaker 17: those things.

962
00:39:44,600 --> 00:39:47,080
Speaker 7: I think we're further away. Even though we are more.

963
00:39:47,000 --> 00:39:52,719
Speaker 17: Technical, technologically advanced, we don't have Though these tools are

964
00:39:52,719 --> 00:39:55,520
Speaker 17: meant to connect us, we are using them in very

965
00:39:55,560 --> 00:39:59,120
Speaker 17: disconnecting ways. And I think that to bring the phone

966
00:39:59,120 --> 00:40:02,200
Speaker 17: into the conversation one it is an opportunity to talk

967
00:40:02,239 --> 00:40:06,080
Speaker 17: about something unique to this culture. I mean, excuse me culture,

968
00:40:06,080 --> 00:40:09,080
Speaker 17: but this generation. Excuse me, what it is doing to

969
00:40:09,160 --> 00:40:13,319
Speaker 17: them personally emotional, their emotional self there and then how

970
00:40:13,360 --> 00:40:16,840
Speaker 17: it's even affecting their physical self and then affecting their future.

971
00:40:16,880 --> 00:40:18,120
Speaker 7: And that's what the book was about.

972
00:40:18,160 --> 00:40:20,960
Speaker 17: How do we explore our emotional self, our physical self

973
00:40:21,840 --> 00:40:24,920
Speaker 17: while maintaining a healthy future. I also want to talk

974
00:40:24,920 --> 00:40:28,000
Speaker 17: about in the black family. By changing the white family

975
00:40:28,040 --> 00:40:30,759
Speaker 17: to black, it allowed me to also talk about a

976
00:40:30,800 --> 00:40:34,120
Speaker 17: time that I think is very important for us to document.

977
00:40:34,560 --> 00:40:38,799
Speaker 17: Between Trayvon Martin's murder and George Floyd's murder, we as

978
00:40:38,920 --> 00:40:42,320
Speaker 17: black people, we as Black families, as mothers and fathers,

979
00:40:42,520 --> 00:40:45,719
Speaker 17: we were screaming into a vacuum about the fear over

980
00:40:45,760 --> 00:40:48,879
Speaker 17: our children. And there was no amount of fancy zip

981
00:40:48,920 --> 00:40:53,880
Speaker 17: codes or education that can save your child, you know,

982
00:40:53,960 --> 00:40:56,319
Speaker 17: And that was scary and I wanted, I needed a

983
00:40:56,360 --> 00:41:00,880
Speaker 17: place for me as a mother to least all of

984
00:41:00,880 --> 00:41:01,400
Speaker 17: that fear.

985
00:41:01,560 --> 00:41:03,160
Speaker 7: And then also then look at how.

986
00:41:03,080 --> 00:41:06,280
Speaker 17: Much we are out of love, but we are raising

987
00:41:06,320 --> 00:41:10,600
Speaker 17: our children from that fear, and how that is hurting

988
00:41:10,600 --> 00:41:14,600
Speaker 17: our children and their inability to have a natural right

989
00:41:14,640 --> 00:41:19,200
Speaker 17: of passage to explore again their emotional their emotional self,

990
00:41:19,640 --> 00:41:24,280
Speaker 17: their emotional maturity, their physical self, their physical maturity, to

991
00:41:24,320 --> 00:41:26,600
Speaker 17: have sex or not have sex, who to have it with,

992
00:41:26,880 --> 00:41:30,839
Speaker 17: what's the right conditions, all of those choices that they're

993
00:41:30,880 --> 00:41:35,240
Speaker 17: supposed to be making right now to protect the beautiful future.

994
00:41:35,400 --> 00:41:36,279
Speaker 7: And that's another thing.

995
00:41:36,520 --> 00:41:39,360
Speaker 17: We need to open up some space because our children

996
00:41:39,360 --> 00:41:42,040
Speaker 17: also need a future and it's tough out there, and

997
00:41:42,120 --> 00:41:46,400
Speaker 17: I couldn't imagine being them today, thinking about what do

998
00:41:46,400 --> 00:41:46,719
Speaker 17: you want to be?

999
00:41:46,719 --> 00:41:47,239
Speaker 7: We should grow up?

1000
00:41:47,239 --> 00:41:51,399
Speaker 17: Well, what's out there? And so and we adults need

1001
00:41:51,400 --> 00:41:53,520
Speaker 17: to get it together. And so this is a part

1002
00:41:53,520 --> 00:41:54,880
Speaker 17: of my offering.

1003
00:41:55,120 --> 00:41:57,760
Speaker 1: We're still kicking it with Marra Brock a kill show

1004
00:41:57,920 --> 00:42:02,120
Speaker 1: or her new show Forever is on Netflix right now, Lauren.

1005
00:42:02,320 --> 00:42:04,239
Speaker 14: And back in the seventies it was controversial because of

1006
00:42:04,239 --> 00:42:06,520
Speaker 14: the things that it explored. Today it's not controversial because

1007
00:42:06,560 --> 00:42:08,799
Speaker 14: we are so open. Like what you talk about when

1008
00:42:08,840 --> 00:42:11,000
Speaker 14: you were crafting, like what the storyline would be and

1009
00:42:11,000 --> 00:42:13,000
Speaker 14: how you would redo it. Were there things that you

1010
00:42:13,040 --> 00:42:15,239
Speaker 14: were like, I want to make sure I get to

1011
00:42:15,320 --> 00:42:16,880
Speaker 14: or make sure I get in this storyline. Because you

1012
00:42:16,920 --> 00:42:19,400
Speaker 14: also made it feel closer to home for like black teens.

1013
00:42:19,800 --> 00:42:21,960
Speaker 14: You know, now Forever feels like it's our story. But

1014
00:42:22,320 --> 00:42:23,520
Speaker 14: you had to do it a different way, you know,

1015
00:42:23,600 --> 00:42:25,360
Speaker 14: I think it's controversial.

1016
00:42:25,080 --> 00:42:29,640
Speaker 17: Black male vulnerability. It's just there's no room for it.

1017
00:42:29,760 --> 00:42:31,960
Speaker 17: I think there's no images for it. And yet when

1018
00:42:32,000 --> 00:42:34,520
Speaker 17: I'm looking in the world and within my own children,

1019
00:42:34,600 --> 00:42:38,400
Speaker 17: their friends, and the community beyond that, a lot of

1020
00:42:38,480 --> 00:42:41,560
Speaker 17: boys and more specifically black boys, they're not all that hard,

1021
00:42:42,760 --> 00:42:45,680
Speaker 17: you know. They don't have any room for their complexity.

1022
00:42:45,719 --> 00:42:48,399
Speaker 17: They don't have any room for their feelings. Like it's

1023
00:42:48,400 --> 00:42:50,680
Speaker 17: always funny to me, especially about the group of boys

1024
00:42:50,680 --> 00:42:53,160
Speaker 17: I'm around. They're all privileged, they live a great life.

1025
00:42:53,440 --> 00:42:55,600
Speaker 17: Time to take a picture. They were laughing two seconds ago.

1026
00:42:55,640 --> 00:42:56,960
Speaker 17: You try and take the picture and then they get

1027
00:42:56,960 --> 00:42:58,360
Speaker 17: that stoic face and they're.

1028
00:42:58,160 --> 00:43:02,960
Speaker 7: Like, yes, what you mean mugging for like you.

1029
00:43:02,920 --> 00:43:05,600
Speaker 17: Know, and you realize how much that's imparted on young

1030
00:43:05,640 --> 00:43:08,600
Speaker 17: black boys all the time, about what is manly? What

1031
00:43:08,640 --> 00:43:11,360
Speaker 17: are those images of what a man is? I wanted

1032
00:43:11,360 --> 00:43:14,760
Speaker 17: to make room for the real reflection. I'm actually looking

1033
00:43:14,840 --> 00:43:17,160
Speaker 17: at the real thing. It's just what gets on that

1034
00:43:17,239 --> 00:43:19,680
Speaker 17: bigger screen and how important it is. I know, we

1035
00:43:19,719 --> 00:43:23,439
Speaker 17: talk about representation matters. That's why it matters. You got

1036
00:43:23,440 --> 00:43:27,520
Speaker 17: to see yourself, Yeah, in order to decide is that beautiful?

1037
00:43:27,840 --> 00:43:29,640
Speaker 7: Is that? How I want to look you know, is

1038
00:43:29,680 --> 00:43:30,640
Speaker 7: that rights act type?

1039
00:43:30,800 --> 00:43:33,840
Speaker 17: You know, I can't see it, And I think boys

1040
00:43:33,840 --> 00:43:35,880
Speaker 17: are getting their heartbroken a lot sooner.

1041
00:43:36,040 --> 00:43:38,120
Speaker 7: I felt so bad for justin the whole time.

1042
00:43:38,440 --> 00:43:41,440
Speaker 14: Why because I just felt like a lot of times

1043
00:43:41,520 --> 00:43:44,680
Speaker 14: the characters they were yearning for this like space of

1044
00:43:44,800 --> 00:43:47,080
Speaker 14: like I don't know, to just be okay, and then

1045
00:43:47,120 --> 00:43:48,839
Speaker 14: things would be going good and then something what else

1046
00:43:48,880 --> 00:43:51,160
Speaker 14: would happen to be? Something small would be like for Keisha,

1047
00:43:51,320 --> 00:43:54,120
Speaker 14: like the video get sent to her phone and she's

1048
00:43:54,120 --> 00:43:55,759
Speaker 14: finally in this relationship, you know what I mean, Like

1049
00:43:56,000 --> 00:43:58,399
Speaker 14: things were just like happening. I'm like, Dan, kids, Like

1050
00:43:58,719 --> 00:44:02,480
Speaker 14: why can't they just be and do with these things? Yeah,

1051
00:44:02,520 --> 00:44:05,040
Speaker 14: it's life, and it's also technology that we didn't have.

1052
00:44:05,120 --> 00:44:08,239
Speaker 14: We got some freedoms without you know that they don't.

1053
00:44:08,239 --> 00:44:10,479
Speaker 14: They're not afforded. That's what I want to talk about.

1054
00:44:10,480 --> 00:44:12,960
Speaker 17: It's like, are we making any room for them? Like

1055
00:44:13,160 --> 00:44:15,279
Speaker 17: one of the things that I love when we every

1056
00:44:15,280 --> 00:44:18,560
Speaker 17: production meeting, I said, we're making an epic and intimate

1057
00:44:18,600 --> 00:44:21,160
Speaker 17: love story within a love letter to Los Angeles, right,

1058
00:44:21,920 --> 00:44:24,279
Speaker 17: And what that meant to me is that we need

1059
00:44:24,320 --> 00:44:28,200
Speaker 17: to see them in scope, in scale and epic. I

1060
00:44:28,239 --> 00:44:30,920
Speaker 17: need to see them their bodies in the space in

1061
00:44:31,000 --> 00:44:34,520
Speaker 17: Los Angeles. What that means is that they it's a

1062
00:44:34,600 --> 00:44:38,879
Speaker 17: feeling cinematically that I'm making you feel that they belong here,

1063
00:44:38,920 --> 00:44:41,640
Speaker 17: and when they belong here, they belong to us. And

1064
00:44:41,680 --> 00:44:46,040
Speaker 17: so you would engage with our children differently, psychologically, emotionally,

1065
00:44:46,360 --> 00:44:48,280
Speaker 17: those things are important in our image.

1066
00:44:48,600 --> 00:44:51,279
Speaker 7: On the details, the details.

1067
00:44:51,000 --> 00:44:53,360
Speaker 17: On anyone makes them feel more human to you. So

1068
00:44:53,440 --> 00:44:55,600
Speaker 17: I want to make just room for their humanity so

1069
00:44:55,680 --> 00:45:00,480
Speaker 17: that we think about the measures around technology, we think

1070
00:45:00,480 --> 00:45:01,400
Speaker 17: about what.

1071
00:45:01,280 --> 00:45:02,719
Speaker 7: The rules are for these kids.

1072
00:45:02,760 --> 00:45:04,799
Speaker 17: I mean, like, these kids are being told today that

1073
00:45:04,920 --> 00:45:06,840
Speaker 17: you make one false move, you won't get a scholarship.

1074
00:45:06,840 --> 00:45:08,759
Speaker 3: I mean, come on, it's the truth who follows them

1075
00:45:08,760 --> 00:45:09,560
Speaker 3: for the rest of their lives and.

1076
00:45:09,560 --> 00:45:11,919
Speaker 7: The rest of them said, there's no humanity in that.

1077
00:45:11,920 --> 00:45:14,040
Speaker 14: That's how I felt, Maybe that that was the yes

1078
00:45:14,160 --> 00:45:16,600
Speaker 14: at the humanity part. I'm like, yo, she's young, she

1079
00:45:16,640 --> 00:45:17,280
Speaker 14: made a mistake.

1080
00:45:17,400 --> 00:45:17,600
Speaker 7: YEP.

1081
00:45:17,680 --> 00:45:19,480
Speaker 14: Now I was following her, and it's like he's in

1082
00:45:19,520 --> 00:45:21,120
Speaker 14: love and he just doesn't know how to navigated it.

1083
00:45:21,280 --> 00:45:23,400
Speaker 14: Now he feels like he's not a good person or

1084
00:45:23,440 --> 00:45:25,360
Speaker 14: not not a good person. He doesn't feel like he

1085
00:45:25,400 --> 00:45:27,080
Speaker 14: can win the girl in the beginning of things, and

1086
00:45:27,080 --> 00:45:28,759
Speaker 14: I felt bad for that, Like, but.

1087
00:45:28,719 --> 00:45:30,839
Speaker 17: You know what back in the day, Back in the day,

1088
00:45:31,239 --> 00:45:33,120
Speaker 17: always had to walk across the room to ask you

1089
00:45:33,160 --> 00:45:33,960
Speaker 17: to dance.

1090
00:45:35,280 --> 00:45:39,480
Speaker 7: That you ever have you ever done that? Of course?

1091
00:45:39,600 --> 00:45:39,799
Speaker 15: Yeah?

1092
00:45:40,040 --> 00:45:41,240
Speaker 7: Did Did you ever get rejected?

1093
00:45:41,560 --> 00:45:44,440
Speaker 3: No?

1094
00:45:46,239 --> 00:45:49,839
Speaker 1: Before you Because I'll be honest, I only went when

1095
00:45:49,920 --> 00:45:51,920
Speaker 1: I knew I was going to be received. If I

1096
00:45:52,000 --> 00:45:53,400
Speaker 1: knew I was gonna get rejected or there was a

1097
00:45:53,400 --> 00:45:56,239
Speaker 1: fifty to fifty chance, I wasn't gonna try. Oh of course,

1098
00:45:56,280 --> 00:45:57,960
Speaker 1: remember it wasn't you know back then it was a

1099
00:45:57,960 --> 00:46:00,800
Speaker 1: party and everybody standing on the wall and you have to,

1100
00:46:00,840 --> 00:46:02,440
Speaker 1: like you said, you have to walk across. And if

1101
00:46:02,440 --> 00:46:04,480
Speaker 1: I knew this person wasn't feeling me, didn't weake, and

1102
00:46:04,520 --> 00:46:07,520
Speaker 1: me didn't have a crush on me, didn't write me,

1103
00:46:07,760 --> 00:46:08,359
Speaker 1: I wasn't going.

1104
00:46:08,360 --> 00:46:09,880
Speaker 3: But if I knew that got that little stair, that

1105
00:46:09,920 --> 00:46:11,319
Speaker 3: little smile, I was gonna go.

1106
00:46:11,600 --> 00:46:14,880
Speaker 17: So it was just all of those socials that you

1107
00:46:14,960 --> 00:46:16,680
Speaker 17: have to learn in real time.

1108
00:46:16,800 --> 00:46:19,080
Speaker 7: We're not learning that. There's no space for that.

1109
00:46:19,160 --> 00:46:21,880
Speaker 17: So I'm advocating for I want the kids to be

1110
00:46:21,960 --> 00:46:25,320
Speaker 17: back outside. Like it's even sad we shot on Fairfax Avenue.

1111
00:46:25,360 --> 00:46:27,680
Speaker 17: Right it's a ghost town right now, But back in

1112
00:46:27,760 --> 00:46:30,640
Speaker 17: twenty eighteen where it was depicted, that was a place

1113
00:46:30,680 --> 00:46:32,960
Speaker 17: for them to be. But there's we are where are

1114
00:46:33,120 --> 00:46:34,440
Speaker 17: kids allowed to be?

1115
00:46:34,840 --> 00:46:37,080
Speaker 15: But that's why I love the scene. I love the

1116
00:46:37,120 --> 00:46:40,120
Speaker 15: scenes at Mafics Vineyard. I love the scenes at the prom.

1117
00:46:40,160 --> 00:46:42,640
Speaker 15: Oh God, especially at the prom because I feel like

1118
00:46:42,800 --> 00:46:46,919
Speaker 15: in that moment Justin was you know, everybody talks about

1119
00:46:47,000 --> 00:46:48,560
Speaker 15: he's chasing the young lady.

1120
00:46:48,719 --> 00:46:50,400
Speaker 3: To me, it felt like he was chasing his blackness.

1121
00:46:50,480 --> 00:46:53,360
Speaker 7: Yes, yes, yeah, thank you for seeing that. Yeah.

1122
00:46:53,719 --> 00:46:55,200
Speaker 17: One of the things I was trying to say, trying

1123
00:46:55,239 --> 00:46:57,399
Speaker 17: to keep your son, trying to keep our children safe.

1124
00:46:57,440 --> 00:47:00,719
Speaker 17: Sometimes we're isolating them. He had a pretty prison, but

1125
00:47:00,920 --> 00:47:04,400
Speaker 17: it was up on a hill, isolated, and he's looking

1126
00:47:04,440 --> 00:47:07,719
Speaker 17: for more. But I can also understand don she's so

1127
00:47:07,880 --> 00:47:11,120
Speaker 17: scared to put him outside, you know, also scared is

1128
00:47:11,120 --> 00:47:13,120
Speaker 17: he going to measure up to where they are? You know,

1129
00:47:13,160 --> 00:47:15,480
Speaker 17: I'm saying she's probably not saying that, but that's psychologically,

1130
00:47:15,560 --> 00:47:17,160
Speaker 17: it's kind of it's under there.

1131
00:47:17,239 --> 00:47:20,120
Speaker 7: But it's fun. Fact. I was so proud as.

1132
00:47:20,000 --> 00:47:24,240
Speaker 17: A producer to put all those black and brown kids

1133
00:47:25,000 --> 00:47:26,680
Speaker 17: taking over the Pantamatica peer.

1134
00:47:26,880 --> 00:47:29,160
Speaker 7: I don't you know, I found one of location.

1135
00:47:30,200 --> 00:47:32,799
Speaker 17: I think that's I think the last time someone took

1136
00:47:32,840 --> 00:47:36,360
Speaker 17: over the pier at that scale was Tom Cruise.

1137
00:47:36,360 --> 00:47:38,920
Speaker 7: I was like, okay, but that means something to me.

1138
00:47:39,320 --> 00:47:41,680
Speaker 17: That means something that we how we take up the space,

1139
00:47:41,719 --> 00:47:45,520
Speaker 17: the epicness and the beauty of us. These kids are

1140
00:47:45,560 --> 00:47:48,279
Speaker 17: looking like this all over our country and we see

1141
00:47:48,280 --> 00:47:50,359
Speaker 17: it on Instagram or TikTok or things like that. But

1142
00:47:50,400 --> 00:47:52,560
Speaker 17: to put it on that scale, that level of beauty,

1143
00:47:52,600 --> 00:47:54,560
Speaker 17: Anthony Hemingway directed.

1144
00:47:54,120 --> 00:47:56,680
Speaker 7: His butt off in that. You know, the kids were

1145
00:47:56,760 --> 00:47:58,040
Speaker 7: just beautiful.

1146
00:47:59,760 --> 00:48:02,600
Speaker 17: Are costume designers a major. Our production design was amazing.

1147
00:48:02,640 --> 00:48:04,800
Speaker 17: Our cinematography was amazing, you know what I'm saying. We

1148
00:48:04,840 --> 00:48:07,080
Speaker 17: had we had the thing lit up. I was on

1149
00:48:07,200 --> 00:48:09,719
Speaker 17: cloud nine that day that we shot, and we got

1150
00:48:09,880 --> 00:48:11,000
Speaker 17: out of their safe and sound.

1151
00:48:11,000 --> 00:48:11,920
Speaker 7: That's also important.

1152
00:48:12,200 --> 00:48:17,120
Speaker 17: But it's our kids having space in the world, chasing

1153
00:48:17,160 --> 00:48:21,480
Speaker 17: their chasing themselves, figuring out who they are, including of

1154
00:48:21,520 --> 00:48:24,279
Speaker 17: their blackness, including of their you know, what they like,

1155
00:48:24,520 --> 00:48:26,400
Speaker 17: just who they are. Even the making room for I know,

1156
00:48:26,440 --> 00:48:28,440
Speaker 17: I get a lot of the comments around, wow he

1157
00:48:28,560 --> 00:48:31,040
Speaker 17: likes Narto. Yeah, a lot of black kids love Narto.

1158
00:48:31,719 --> 00:48:33,320
Speaker 17: You know, we're a part of the world.

1159
00:48:33,680 --> 00:48:34,359
Speaker 7: So that was fun.

1160
00:48:34,480 --> 00:48:36,760
Speaker 3: And as much as it's a story about the kids,

1161
00:48:37,280 --> 00:48:37,719
Speaker 3: it's a.

1162
00:48:37,640 --> 00:48:40,000
Speaker 15: Story about the adults, right, Like, like the way Judy

1163
00:48:40,040 --> 00:48:42,360
Speaker 15: Bloom made people feel seen at thirteen, it feels to

1164
00:48:42,400 --> 00:48:45,080
Speaker 15: me like you're making us feel seen at forty something

1165
00:48:45,200 --> 00:48:48,080
Speaker 15: fifty something. So what do those ages need that nobody's

1166
00:48:48,120 --> 00:48:48,760
Speaker 15: writing about.

1167
00:48:49,200 --> 00:48:54,160
Speaker 17: I'm gonna keep saying this over just more complexity, more

1168
00:48:55,160 --> 00:48:56,960
Speaker 17: more of our human side. Like I don't you know,

1169
00:48:57,440 --> 00:49:00,439
Speaker 17: I've said before, I don't you know. I don't believe

1170
00:49:00,480 --> 00:49:02,960
Speaker 17: in positive images. I think they can be just as

1171
00:49:03,000 --> 00:49:04,600
Speaker 17: damaging as negative images.

1172
00:49:04,760 --> 00:49:05,840
Speaker 3: What do it's found on?

1173
00:49:06,719 --> 00:49:13,200
Speaker 17: Because so the negative image is a product of a lie,

1174
00:49:13,600 --> 00:49:18,120
Speaker 17: going back to the documentary, like it's the perpetuating the

1175
00:49:18,160 --> 00:49:21,799
Speaker 17: lies and the midst of us that's been out there.

1176
00:49:21,840 --> 00:49:24,440
Speaker 17: So a lot of black people want a positive image

1177
00:49:25,120 --> 00:49:29,200
Speaker 17: because they want to rewrite the wrong of somebody else's

1178
00:49:29,320 --> 00:49:31,680
Speaker 17: view of me. But what that does and as an artist,

1179
00:49:31,719 --> 00:49:33,759
Speaker 17: it keeps me behind the eight ball. I'm chasing up

1180
00:49:33,800 --> 00:49:36,640
Speaker 17: and trying to clean up somebody else's mess. I'm from

1181
00:49:36,680 --> 00:49:39,280
Speaker 17: the Zori nil Hurston school of thought. I know my people.

1182
00:49:39,640 --> 00:49:41,560
Speaker 17: I see my people. I want to be able to

1183
00:49:41,640 --> 00:49:44,319
Speaker 17: talk about them fully and in the spectrum of our

1184
00:49:44,400 --> 00:49:48,200
Speaker 17: humanity there is light and dark. We are not We

1185
00:49:48,280 --> 00:49:51,520
Speaker 17: are not perfect to be perfect. That's just as hard

1186
00:49:51,560 --> 00:49:53,440
Speaker 17: to be perfect as it is to be bad. Like

1187
00:49:53,480 --> 00:49:55,719
Speaker 17: I want to out the spectrum of my humanity. I

1188
00:49:55,760 --> 00:49:57,640
Speaker 17: want to be able to make a mistake and have

1189
00:49:57,760 --> 00:50:00,520
Speaker 17: my village patch me up and put me back out there.

1190
00:50:00,600 --> 00:50:03,400
Speaker 17: I deserve that. You deserve that, we deserve that. And

1191
00:50:03,440 --> 00:50:06,319
Speaker 17: so I want the spectrum of who I am. And

1192
00:50:06,400 --> 00:50:10,200
Speaker 17: sometimes i'm you know, sometimes I'm not great, and sometimes

1193
00:50:10,200 --> 00:50:12,920
Speaker 17: I am in the same day, in the same hour,

1194
00:50:13,280 --> 00:50:16,359
Speaker 17: and I deserve that that sort of exploration of who

1195
00:50:16,400 --> 00:50:18,440
Speaker 17: I am as a human being, and I give that

1196
00:50:18,480 --> 00:50:21,760
Speaker 17: to my characters. I think down for instance, you know people,

1197
00:50:21,960 --> 00:50:24,080
Speaker 17: there's a lot of conversation about her as a mother,

1198
00:50:24,680 --> 00:50:28,200
Speaker 17: but that black mother has raised a lot of kids

1199
00:50:28,239 --> 00:50:29,800
Speaker 17: to get them, to keep them alive.

1200
00:50:30,280 --> 00:50:32,800
Speaker 7: Does she deserve looking at herself?

1201
00:50:32,880 --> 00:50:35,759
Speaker 17: Yes, Hi, my name is mar Brock a kill and

1202
00:50:35,760 --> 00:50:38,720
Speaker 17: I'm a former don I put my pain on the screen,

1203
00:50:39,360 --> 00:50:42,040
Speaker 17: I think, you know, I wanted to out of love.

1204
00:50:42,120 --> 00:50:44,640
Speaker 7: I'm trying to overprotect my children.

1205
00:50:44,719 --> 00:50:47,960
Speaker 1: Well, still kicking it with television producer screenwriter. You know

1206
00:50:48,000 --> 00:50:52,080
Speaker 1: her from Girlfriends and now she has her show on Netflix, Forever,

1207
00:50:52,280 --> 00:50:54,480
Speaker 1: Miss brock A killed Charlemagne.

1208
00:50:54,640 --> 00:50:57,680
Speaker 3: What emotional space does Forever occupy that none of your

1209
00:50:57,680 --> 00:50:58,400
Speaker 3: previous shows have.

1210
00:50:58,800 --> 00:51:02,400
Speaker 17: I think the cross generational idea. I just think the

1211
00:51:02,480 --> 00:51:09,880
Speaker 17: complexity of family and the generational connection and that I

1212
00:51:10,280 --> 00:51:14,680
Speaker 17: just really enjoyed that. I think also the scale emotionally.

1213
00:51:15,040 --> 00:51:18,839
Speaker 17: It allowed me to really scale us.

1214
00:51:19,840 --> 00:51:20,520
Speaker 7: I enjoyed that.

1215
00:51:21,719 --> 00:51:25,359
Speaker 17: And you know the kids say, take up space. It

1216
00:51:25,400 --> 00:51:28,880
Speaker 17: allowed me to take up space for us and for myself.

1217
00:51:29,360 --> 00:51:32,759
Speaker 15: It's forever about love you've had, love you've lost, or

1218
00:51:32,760 --> 00:51:33,839
Speaker 15: love you still believe in.

1219
00:51:34,160 --> 00:51:36,920
Speaker 17: All the above. I believe in love. One of the

1220
00:51:36,960 --> 00:51:39,160
Speaker 17: things I'm really proud of with the ending. I know

1221
00:51:39,200 --> 00:51:41,600
Speaker 17: there's a controversy about the ending, but what I love

1222
00:51:41,680 --> 00:51:46,200
Speaker 17: that Justin and Keisha showed us is how love endures.

1223
00:51:46,000 --> 00:51:48,880
Speaker 7: And it takes a shape, shifts, it's.

1224
00:51:48,440 --> 00:51:52,680
Speaker 17: Dynamic, can change, but love can stay present. And they

1225
00:51:52,920 --> 00:51:57,360
Speaker 17: showed us how to let go and keep love.

1226
00:51:58,080 --> 00:51:58,760
Speaker 6: In that ending.

1227
00:52:00,440 --> 00:52:03,080
Speaker 7: I think we could learn a lot.

1228
00:52:02,960 --> 00:52:07,480
Speaker 17: From Justin and Keisha. You know, the question is just

1229
00:52:07,560 --> 00:52:10,680
Speaker 17: a forever love or the one you remember forever. And

1230
00:52:10,719 --> 00:52:13,479
Speaker 17: I would like to think that we as we move

1231
00:52:13,600 --> 00:52:18,120
Speaker 17: through our lives as human beings, that when we choose

1232
00:52:18,160 --> 00:52:21,160
Speaker 17: to use that word right I loved you, that you

1233
00:52:21,320 --> 00:52:24,440
Speaker 17: there's a present that you were so present and so

1234
00:52:24,600 --> 00:52:27,239
Speaker 17: loving that even if you don't last, the.

1235
00:52:27,239 --> 00:52:29,240
Speaker 7: Couple doesn't last, the love can last.

1236
00:52:29,520 --> 00:52:32,920
Speaker 17: It just it might shift to wow, it might just

1237
00:52:32,960 --> 00:52:35,799
Speaker 17: shift to we always just sort of text each other

1238
00:52:35,920 --> 00:52:38,520
Speaker 17: on each other's birthday that you matter to me.

1239
00:52:38,760 --> 00:52:38,960
Speaker 7: You know.

1240
00:52:39,000 --> 00:52:41,360
Speaker 17: One of the fun things you realize when you're re

1241
00:52:41,440 --> 00:52:47,280
Speaker 17: visiting the work, especially as young people. Oftentimes that's where

1242
00:52:47,640 --> 00:52:52,120
Speaker 17: our big dreaming happens, and those young loves that a

1243
00:52:52,120 --> 00:52:54,480
Speaker 17: lot of times the best part of you is packed

1244
00:52:54,480 --> 00:52:56,080
Speaker 17: in somebody else's memory of you.

1245
00:52:56,920 --> 00:52:59,959
Speaker 7: And so to have access back to those people.

1246
00:53:00,440 --> 00:53:03,440
Speaker 17: Is good for you to remember who you are when

1247
00:53:03,480 --> 00:53:06,040
Speaker 17: you lose your way, because you're gonna lose your way,

1248
00:53:07,120 --> 00:53:09,520
Speaker 17: and so love holds you there. So it is about

1249
00:53:09,560 --> 00:53:12,239
Speaker 17: the past, the present, and the future. And I think

1250
00:53:12,280 --> 00:53:15,320
Speaker 17: that love can take many different forms, you know. And

1251
00:53:15,640 --> 00:53:18,920
Speaker 17: you know, I have my young one plays baseball, and

1252
00:53:19,000 --> 00:53:21,120
Speaker 17: I've learned a lot about watching him sit in the

1253
00:53:21,160 --> 00:53:22,960
Speaker 17: stands play baseball.

1254
00:53:24,040 --> 00:53:25,360
Speaker 7: Long games, long games.

1255
00:53:25,360 --> 00:53:28,800
Speaker 17: But what's beautiful about it is everybody who walks into

1256
00:53:28,840 --> 00:53:32,440
Speaker 17: that batter's box has a different fight. So I often

1257
00:53:32,480 --> 00:53:36,520
Speaker 17: think about relationship. Right, did you swing the bat?

1258
00:53:37,200 --> 00:53:38,719
Speaker 7: Did you have a they call it? Did you have

1259
00:53:38,800 --> 00:53:39,960
Speaker 7: a good at bat?

1260
00:53:40,480 --> 00:53:43,000
Speaker 17: And sometimes you're at bat you strike out, but you

1261
00:53:43,080 --> 00:53:46,080
Speaker 17: still had a good at bat. And I think that's

1262
00:53:46,120 --> 00:53:48,160
Speaker 17: what I think love is about. Are we having a

1263
00:53:48,200 --> 00:53:49,960
Speaker 17: good at bat? Are we swinging?

1264
00:53:50,640 --> 00:53:52,080
Speaker 7: Are we using our technique?

1265
00:53:52,200 --> 00:53:55,839
Speaker 17: Are we using all the knowledge we've spent all week

1266
00:53:55,960 --> 00:53:58,680
Speaker 17: learning for this one to two times we get to

1267
00:53:58,880 --> 00:54:01,799
Speaker 17: walk in that batter's box and are we using it?

1268
00:54:01,880 --> 00:54:02,640
Speaker 7: Are we do we?

1269
00:54:02,800 --> 00:54:03,040
Speaker 3: You know?

1270
00:54:03,440 --> 00:54:05,600
Speaker 17: Do we whatever the shoulders and the hips and all

1271
00:54:05,600 --> 00:54:09,680
Speaker 17: that kinds of all those things, all those things you

1272
00:54:09,680 --> 00:54:12,680
Speaker 17: got to do with this ball coming at you eighty

1273
00:54:13,040 --> 00:54:17,080
Speaker 17: ninety miles an hour, that's love. And I think that

1274
00:54:17,320 --> 00:54:20,840
Speaker 17: I would like to think that we can all approach

1275
00:54:20,920 --> 00:54:22,120
Speaker 17: it at.

1276
00:54:21,920 --> 00:54:22,560
Speaker 7: A good at that.

1277
00:54:24,760 --> 00:54:26,240
Speaker 3: And you know what Season two is going.

1278
00:54:26,600 --> 00:54:29,080
Speaker 17: I have ideas. I still have to go through the process,

1279
00:54:29,239 --> 00:54:31,719
Speaker 17: you know. Part of well, I think another thing that

1280
00:54:32,200 --> 00:54:37,440
Speaker 17: makes me successful is how I honor my partnerships and

1281
00:54:37,640 --> 00:54:42,720
Speaker 17: I come into it respectfully and really to always garner

1282
00:54:42,800 --> 00:54:45,200
Speaker 17: that energy back to me, but I have a concept

1283
00:54:45,239 --> 00:54:46,759
Speaker 17: of what I need to do. I won't share it

1284
00:54:46,840 --> 00:54:50,680
Speaker 17: until my partners are signed off on it. But my

1285
00:54:50,760 --> 00:54:55,400
Speaker 17: next steps are me coming into a meeting ready to

1286
00:54:55,520 --> 00:54:59,759
Speaker 17: talk to Netflix around Hey, this is where I see it,

1287
00:55:00,320 --> 00:55:02,080
Speaker 17: and this is where I think it should go, hearing

1288
00:55:02,120 --> 00:55:07,560
Speaker 17: their feedback, their concerns, taking that in consideration, sometimes debating

1289
00:55:07,600 --> 00:55:11,520
Speaker 17: it for a while, but finding a way to communicate

1290
00:55:11,600 --> 00:55:14,520
Speaker 17: why I think it's the way it's to go and

1291
00:55:14,560 --> 00:55:18,359
Speaker 17: if not, where's the compromise in that, and feeling good

1292
00:55:18,360 --> 00:55:22,240
Speaker 17: about the artistic flexibility that I have to craft story

1293
00:55:22,360 --> 00:55:24,759
Speaker 17: to figure that out. So I'm looking forward to that

1294
00:55:25,000 --> 00:55:28,160
Speaker 17: and success especially, No, sometimes success can make people tighten

1295
00:55:28,239 --> 00:55:28,560
Speaker 17: up too.

1296
00:55:29,280 --> 00:55:32,560
Speaker 3: It's not playing tomorrow. Yeah, I hit after hitt in

1297
00:55:32,680 --> 00:55:33,840
Speaker 3: multiple decades.

1298
00:55:34,239 --> 00:55:37,840
Speaker 15: Okay, streaming services, the linear television, give her what she wants,

1299
00:55:38,120 --> 00:55:41,239
Speaker 15: including the fifty million dollars for girlfriends.

1300
00:55:41,719 --> 00:55:42,160
Speaker 7: We need color.

1301
00:55:43,080 --> 00:55:43,680
Speaker 3: Is that simple.

1302
00:55:43,719 --> 00:55:46,600
Speaker 7: It's that simple. We've been talking about this. It's real.

1303
00:55:46,760 --> 00:55:50,080
Speaker 17: It's really that simple, and I'm excited. I think it's

1304
00:55:50,080 --> 00:55:51,840
Speaker 17: gonna come. I don't know, I feel I feel it

1305
00:55:51,920 --> 00:55:53,480
Speaker 17: like I don't know. Last time I was here, we

1306
00:55:53,520 --> 00:55:56,480
Speaker 17: talked about it and I think what was beautiful in

1307
00:55:56,520 --> 00:55:59,080
Speaker 17: my journey at that time was for me to claim

1308
00:55:59,120 --> 00:56:03,000
Speaker 17: the value and understand the boundaries and understand what it is.

1309
00:56:03,880 --> 00:56:05,200
Speaker 7: I don't know, just I think.

1310
00:56:05,239 --> 00:56:08,399
Speaker 17: And also this success breeds more success, so I kind

1311
00:56:08,400 --> 00:56:10,040
Speaker 17: of feel I don't know, I kind of feel like

1312
00:56:10,280 --> 00:56:11,840
Speaker 17: I think it's time.

1313
00:56:11,760 --> 00:56:13,719
Speaker 3: And a success girlfriends just had on Netflix.

1314
00:56:13,840 --> 00:56:16,800
Speaker 7: Oh my god, oh my god. They should see generational

1315
00:56:16,840 --> 00:56:18,560
Speaker 7: success and people watch it. I watch that.

1316
00:56:18,640 --> 00:56:20,480
Speaker 14: I rewatched the whole thing with my mom and I

1317
00:56:20,560 --> 00:56:22,279
Speaker 14: was like, this is so different. But you know, it's

1318
00:56:22,320 --> 00:56:25,080
Speaker 14: fine finding out people are putting girlfriends on for their

1319
00:56:25,080 --> 00:56:28,120
Speaker 14: go to sleep. It's their they call it their comfort

1320
00:56:28,239 --> 00:56:30,560
Speaker 14: TV show that they put on and they just let

1321
00:56:30,600 --> 00:56:32,279
Speaker 14: it run. And some people let it run while they

1322
00:56:32,320 --> 00:56:32,800
Speaker 14: go to sleep.

1323
00:56:33,000 --> 00:56:35,040
Speaker 15: I don't know if people know, but nine to eleven

1324
00:56:35,160 --> 00:56:39,200
Speaker 15: of this year marks twenty five years of girlfriends five

1325
00:56:39,280 --> 00:56:39,760
Speaker 15: years ago.

1326
00:56:39,640 --> 00:56:42,239
Speaker 7: Friend of this year. So we need to make that announcement, right,

1327
00:56:42,360 --> 00:56:44,719
Speaker 7: it's time. That would be the announcement today.

1328
00:56:44,920 --> 00:56:46,640
Speaker 3: It only makes sense. It has to happen. It's going

1329
00:56:46,680 --> 00:56:48,160
Speaker 3: to happen. I know what's going to happen.

1330
00:56:48,239 --> 00:56:50,880
Speaker 15: Yes, because it's like the one black sitcom that we

1331
00:56:51,120 --> 00:56:53,960
Speaker 15: really did not get any closure on whatsoever.

1332
00:56:54,040 --> 00:56:56,640
Speaker 3: And it's so many loose ends to tie up.

1333
00:56:56,800 --> 00:56:58,359
Speaker 17: You know, it's really it's not just loose ense, it's

1334
00:56:58,360 --> 00:57:01,000
Speaker 17: actually very relevant. I think it's a very harmic idea

1335
00:57:01,200 --> 00:57:04,479
Speaker 17: to have the show have a ending in a film.

1336
00:57:04,480 --> 00:57:07,960
Speaker 17: I just want to do a movie, so you really,

1337
00:57:08,120 --> 00:57:10,200
Speaker 17: I know you do, Charlayne. You are very clear about

1338
00:57:10,239 --> 00:57:11,640
Speaker 17: wanting to see a movie, are.

1339
00:57:15,200 --> 00:57:15,279
Speaker 5: You.

1340
00:57:15,360 --> 00:57:17,120
Speaker 17: I want to also say I'm always going to take

1341
00:57:17,160 --> 00:57:19,680
Speaker 17: a moment to say thank you because you also that

1342
00:57:19,760 --> 00:57:21,760
Speaker 17: means a lot to me as a storyteller, Like wow,

1343
00:57:21,840 --> 00:57:24,480
Speaker 17: that that level of impact on you, and even the

1344
00:57:24,480 --> 00:57:26,600
Speaker 17: fact that me and Judy Bloom are.

1345
00:57:26,520 --> 00:57:28,640
Speaker 7: The same thing. So I'm a thank you.

1346
00:57:29,080 --> 00:57:31,959
Speaker 17: But now you three you want to are you going

1347
00:57:32,000 --> 00:57:34,040
Speaker 17: to go spend some money at the theater to go

1348
00:57:34,080 --> 00:57:35,800
Speaker 17: see a girl walk to the theater?

1349
00:57:36,680 --> 00:57:38,120
Speaker 6: I'm trying to be in the day.

1350
00:57:39,440 --> 00:57:43,880
Speaker 7: Yes, yes, I agree.

1351
00:57:44,000 --> 00:57:46,480
Speaker 17: It gave us a lot to have a conversation about,

1352
00:57:46,600 --> 00:57:49,520
Speaker 17: and I think that's really where everything is at is communication,

1353
00:57:50,120 --> 00:57:52,080
Speaker 17: have conversation, share ideas.

1354
00:57:52,400 --> 00:57:54,400
Speaker 7: Were not all were going to agree, but I think

1355
00:57:54,480 --> 00:57:55,120
Speaker 7: we all get to.

1356
00:57:55,040 --> 00:57:55,520
Speaker 13: Know each other.

1357
00:57:55,760 --> 00:57:57,320
Speaker 3: What do you want for ever? To get people permissioned

1358
00:57:57,320 --> 00:57:58,240
Speaker 3: to do and that's my last question.

1359
00:57:58,240 --> 00:57:59,240
Speaker 7: I promised love.

1360
00:57:59,760 --> 00:58:03,320
Speaker 17: I want people to think more about love in every

1361
00:58:03,360 --> 00:58:06,320
Speaker 17: aspect of their life. And actually, even if we're older,

1362
00:58:07,080 --> 00:58:09,880
Speaker 17: that it's okay to want that that first.

1363
00:58:09,520 --> 00:58:10,480
Speaker 7: Love kind of feeling.

1364
00:58:10,560 --> 00:58:12,320
Speaker 17: Like what do we need to do to get back

1365
00:58:12,360 --> 00:58:13,920
Speaker 17: to that first love kind of feeling?

1366
00:58:15,120 --> 00:58:15,440
Speaker 6: I don't know.

1367
00:58:15,480 --> 00:58:17,880
Speaker 17: I just think it's I think as a human spirit,

1368
00:58:17,960 --> 00:58:21,600
Speaker 17: having a human experience, dancing with love all the time.

1369
00:58:21,640 --> 00:58:25,240
Speaker 7: It's got to be our top endeavor. So that's what

1370
00:58:25,280 --> 00:58:25,600
Speaker 7: I want.

1371
00:58:26,040 --> 00:58:27,200
Speaker 3: Marl Rocker kill.

1372
00:58:28,760 --> 00:58:29,120
Speaker 4: Legend.

1373
00:58:29,680 --> 00:58:32,200
Speaker 3: Appreciate you so much. We love you, we value you,

1374
00:58:32,440 --> 00:58:34,040
Speaker 3: appreciate you and all your work.

1375
00:58:34,160 --> 00:58:35,120
Speaker 6: That's right, thank you.

1376
00:58:35,200 --> 00:58:37,479
Speaker 7: I really appreciate being here. Thank you. Breakfast Club.

1377
00:58:37,560 --> 00:58:40,200
Speaker 3: That's the breakfast Club. Good morning, good morning.

1378
00:58:40,240 --> 00:58:44,120
Speaker 1: Everybody is dj NV just Hilarry Charlamage the guy. We

1379
00:58:44,160 --> 00:58:45,920
Speaker 1: are the breakfast Club. Let's get to the latest with

1380
00:58:45,960 --> 00:58:48,000
Speaker 1: Lauren Long becoming a straight that.

1381
00:58:49,920 --> 00:58:52,760
Speaker 3: She gets somebody that knows somebody detail.

1382
00:58:53,160 --> 00:58:55,200
Speaker 7: I'm a long girl that knows a little bit about everything.

1383
00:58:56,160 --> 00:58:57,320
Speaker 3: She'd be having the latest on you.

1384
00:58:58,840 --> 00:59:01,080
Speaker 11: The latest with Lauren La Rosa.

1385
00:59:01,160 --> 00:59:03,640
Speaker 15: Sometimes you have sack, sometimes you have details, sometimes you

1386
00:59:03,680 --> 00:59:04,240
Speaker 15: have a little bit.

1387
00:59:04,280 --> 00:59:07,280
Speaker 11: Every time it's the lead on the Breakfast Club talk

1388
00:59:07,400 --> 00:59:07,720
Speaker 11: to me.

1389
00:59:09,000 --> 00:59:12,200
Speaker 14: So there has been some more things with Offset and Cardi.

1390
00:59:12,760 --> 00:59:17,400
Speaker 14: Offset has now deleted his Instagram and his ex account.

1391
00:59:17,960 --> 00:59:21,120
Speaker 14: His ex account currently pulls up as this account does

1392
00:59:21,160 --> 00:59:23,720
Speaker 14: not exist and you can't even go to his Instagram.

1393
00:59:24,000 --> 00:59:26,280
Speaker 14: So what happened was there's this photo, a side by

1394
00:59:26,280 --> 00:59:29,120
Speaker 14: side photo of offset son Offset and Cardi's son Wave

1395
00:59:29,280 --> 00:59:32,040
Speaker 14: and Stefan Diggs. And people begin to point out, and

1396
00:59:32,080 --> 00:59:34,800
Speaker 14: this is an older side by side, but people begin

1397
00:59:34,920 --> 00:59:38,360
Speaker 14: to point out that Wave's hair is braided.

1398
00:59:38,800 --> 00:59:40,640
Speaker 7: Very similar to Stefan Diggs.

1399
00:59:41,080 --> 00:59:43,040
Speaker 14: The only difference is the part in the middle and

1400
00:59:43,080 --> 00:59:45,120
Speaker 14: where that starts, to be honest, but it is very similar,

1401
00:59:45,200 --> 00:59:48,040
Speaker 14: almost the same hairstyles. So people are, you know, we're

1402
00:59:48,040 --> 00:59:50,400
Speaker 14: making jokes about it, and they were, you know, saying,

1403
00:59:50,840 --> 00:59:52,760
Speaker 14: trying to make it seem like Cardi did this on purpose,

1404
00:59:52,840 --> 00:59:55,320
Speaker 14: and just it must have been a lot for Offset,

1405
00:59:55,320 --> 00:59:57,240
Speaker 14: not even must it was a lot for Offset, because

1406
00:59:57,240 --> 01:00:00,120
Speaker 14: he actually responded to it. He said, now once he

1407
01:00:00,520 --> 01:00:03,600
Speaker 14: tweeted before he deleted his account. Now, when somebody died

1408
01:00:03,600 --> 01:00:05,720
Speaker 14: for playing with my son, then they're gonna call me

1409
01:00:05,760 --> 01:00:08,160
Speaker 14: a crash out. I don't care how I look trolling

1410
01:00:08,200 --> 01:00:11,840
Speaker 14: with my kid ends bad. Then after this he deactivated

1411
01:00:11,880 --> 01:00:18,160
Speaker 14: his accounts now following that or previous to that. Earlier

1412
01:00:18,160 --> 01:00:20,720
Speaker 14: in that day, Cardi B had actually went on Twitter

1413
01:00:20,760 --> 01:00:24,280
Speaker 14: spaces and she talked about just the fact that because

1414
01:00:24,320 --> 01:00:26,280
Speaker 14: she's now out and doing all the things with Stephan

1415
01:00:26,400 --> 01:00:30,760
Speaker 14: and she responded to the spousal support conversation, men in

1416
01:00:30,800 --> 01:00:33,000
Speaker 14: particular are calling her a hoe and She's like, I

1417
01:00:33,000 --> 01:00:35,000
Speaker 14: don't understand why I'm getting all of this, like all

1418
01:00:35,040 --> 01:00:36,560
Speaker 14: of this smoke. So let's take a listen to Cardi

1419
01:00:36,640 --> 01:00:39,240
Speaker 14: B on the trauma she says she experienced. I think

1420
01:00:39,280 --> 01:00:40,600
Speaker 14: has all statilistic Listen.

1421
01:00:41,080 --> 01:00:45,360
Speaker 18: Do not understand why I'm getting so much disgusting hate

1422
01:00:45,400 --> 01:00:48,600
Speaker 18: from men. I'm even being called off.

1423
01:00:49,400 --> 01:00:50,160
Speaker 7: It is so crazy.

1424
01:00:50,160 --> 01:00:53,080
Speaker 18: I don't understand how I was married for seven years

1425
01:00:53,080 --> 01:00:56,520
Speaker 18: and I was faithful for seven years. The constant lies,

1426
01:00:56,880 --> 01:01:00,640
Speaker 18: constant lies, the gas lighting, it was really messing up

1427
01:01:00,680 --> 01:01:03,479
Speaker 18: with my head. It got to the point, like last year,

1428
01:01:03,720 --> 01:01:06,120
Speaker 18: last year, I really felt like I was going crazy.

1429
01:01:06,600 --> 01:01:10,240
Speaker 18: I couldn't eat, I couldn't sleep, Like my baby came

1430
01:01:10,280 --> 01:01:13,960
Speaker 18: out five pounds. I was so depressed because the lies,

1431
01:01:14,320 --> 01:01:18,680
Speaker 18: the constant drama. I would wake up every single morning paranoid.

1432
01:01:18,960 --> 01:01:21,160
Speaker 18: If I was still there, I was gonna end up

1433
01:01:21,160 --> 01:01:23,200
Speaker 18: going to jail because I was gonna end up killing

1434
01:01:23,240 --> 01:01:25,400
Speaker 18: them seriously with my own beer hands.

1435
01:01:26,720 --> 01:01:29,560
Speaker 15: Cardy's not a hope, nor should anyone be calling her that,

1436
01:01:29,600 --> 01:01:31,880
Speaker 15: nor should anybody be hating on Cardi. I just think

1437
01:01:31,880 --> 01:01:34,920
Speaker 15: that us as men were watching the situation and saying,

1438
01:01:35,080 --> 01:01:35,960
Speaker 15: damn that hurts.

1439
01:01:36,680 --> 01:01:38,120
Speaker 3: We're sick, you know what I.

1440
01:01:38,080 --> 01:01:40,840
Speaker 15: Mean, We're just as sick as probably off that feels

1441
01:01:40,920 --> 01:01:43,680
Speaker 15: when he sees it, because she has moved on. She

1442
01:01:43,800 --> 01:01:46,520
Speaker 15: looked damn good moving on, and that's what you're supposed

1443
01:01:46,520 --> 01:01:47,920
Speaker 15: to do, right, like you know, when you get out

1444
01:01:47,960 --> 01:01:50,920
Speaker 15: of the situation, and it wasn't the best situation. You're

1445
01:01:50,920 --> 01:01:53,120
Speaker 15: supposed to be on social media looking good with your

1446
01:01:53,160 --> 01:01:54,560
Speaker 15: new boot. But boy it hurts.

1447
01:01:54,640 --> 01:01:55,240
Speaker 3: Yeah, both of.

1448
01:01:55,240 --> 01:01:57,080
Speaker 5: Them got fans, you know what I mean. So who's

1449
01:01:57,120 --> 01:01:59,840
Speaker 5: the ones calling her a whole? I mean obviously all right,

1450
01:02:00,240 --> 01:02:02,800
Speaker 5: his fans, you know, and imagine what her fans call him.

1451
01:02:02,840 --> 01:02:03,479
Speaker 6: You know what I'm saying.

1452
01:02:03,480 --> 01:02:05,400
Speaker 7: It's both sides.

1453
01:02:05,120 --> 01:02:06,960
Speaker 3: What they're saying. All said lost, that's the thing, like

1454
01:02:07,000 --> 01:02:10,040
Speaker 3: you know, they ay w set in the chat, like

1455
01:02:10,240 --> 01:02:12,280
Speaker 3: L said, the chat. That's what they're saying. That's the

1456
01:02:12,320 --> 01:02:13,160
Speaker 3: reality of the situa.

1457
01:02:13,240 --> 01:02:17,160
Speaker 1: Yeah, there's sadry for seven years, she moved on, she's

1458
01:02:17,240 --> 01:02:19,680
Speaker 1: dating somebody knew when she's happy. She says she was depressed,

1459
01:02:19,680 --> 01:02:21,840
Speaker 1: she was upset. Now the fact that she's happy, I'm

1460
01:02:21,880 --> 01:02:22,720
Speaker 1: just glad that she's happy.

1461
01:02:22,720 --> 01:02:24,400
Speaker 15: It should just be a learning lesson for men more

1462
01:02:24,440 --> 01:02:26,560
Speaker 15: so than anything. Yeah, because boy, and then women will

1463
01:02:26,560 --> 01:02:28,480
Speaker 15: move on. And when they move on, they're gonna look

1464
01:02:28,560 --> 01:02:30,240
Speaker 15: damn good doing it, and you're gonna be sitting around

1465
01:02:30,360 --> 01:02:31,920
Speaker 15: absolutely doing what said doing right now.

1466
01:02:31,920 --> 01:02:32,959
Speaker 3: Tweeting is social media.

1467
01:02:33,000 --> 01:02:36,280
Speaker 14: And she put up with a lot before she moved

1468
01:02:36,400 --> 01:02:38,280
Speaker 14: to Like, she put up a whole lot, put it

1469
01:02:38,160 --> 01:02:39,880
Speaker 14: with a whole lot before she moved on. And then

1470
01:02:39,880 --> 01:02:41,560
Speaker 14: look what she even said, Our baby came out five

1471
01:02:41,640 --> 01:02:43,640
Speaker 14: found she was stressed out and everything.

1472
01:02:43,280 --> 01:02:43,800
Speaker 6: You know what I mean?

1473
01:02:43,840 --> 01:02:47,280
Speaker 5: So like that that that's crazy, that's crazy. But I

1474
01:02:47,320 --> 01:02:51,240
Speaker 5: am glad that he deactivated or deleted. Hopefully he can

1475
01:02:51,320 --> 01:02:53,760
Speaker 5: get some time for herself. He can think about it.

1476
01:02:53,840 --> 01:02:55,840
Speaker 5: He can, you know, before he does, you know.

1477
01:02:55,840 --> 01:02:59,520
Speaker 6: Do something stupid. He can. Hopefully he's just unplugging and

1478
01:03:00,120 --> 01:03:00,520
Speaker 6: in his mind.

1479
01:03:00,560 --> 01:03:01,960
Speaker 15: Yea, yeah, That's what I would tell loss it too.

1480
01:03:02,000 --> 01:03:05,160
Speaker 15: Don't make permanent decisions based off temporary feelings. Don't crash

1481
01:03:05,200 --> 01:03:08,200
Speaker 15: out and lose your freedom because the internet playing. Because

1482
01:03:08,200 --> 01:03:11,120
Speaker 15: as crazy as it may seem, now this two shall pass.

1483
01:03:11,560 --> 01:03:13,720
Speaker 1: Then check you aft your position and fellas if you're

1484
01:03:13,720 --> 01:03:15,680
Speaker 1: out there this text your lady this morning, good morning.

1485
01:03:15,720 --> 01:03:17,000
Speaker 3: I love you.

1486
01:03:16,120 --> 01:03:18,720
Speaker 14: You know, just hey, just say I'm sorry, even if

1487
01:03:18,760 --> 01:03:20,040
Speaker 14: you ain't did that yea, I'm sorry.

1488
01:03:20,120 --> 01:03:23,160
Speaker 15: I appreciate you something I want to Because then men

1489
01:03:23,200 --> 01:03:25,840
Speaker 15: out there with them three years, sixty nine million dollar contract.

1490
01:03:26,400 --> 01:03:30,920
Speaker 3: You know what I'm saying, they get way say.

1491
01:03:29,920 --> 01:03:33,160
Speaker 14: Speaking of the sixty nine million dollar man, card.

1492
01:03:35,600 --> 01:03:39,960
Speaker 7: I know your face? Are you smacked? Your something hard? Exactly?

1493
01:03:40,120 --> 01:03:42,600
Speaker 14: Cardib talked about, you know, her new dating life and

1494
01:03:42,600 --> 01:03:44,480
Speaker 14: where she is. Now, let's let's take a listen to that.

1495
01:03:45,000 --> 01:03:45,840
Speaker 3: Well, I'm in the prisoner.

1496
01:03:45,920 --> 01:03:48,480
Speaker 18: Now, I'm in the prisoner. Now that I'm I'm very happy,

1497
01:03:48,760 --> 01:03:51,880
Speaker 18: and I feel like I'm crawling, like I'm learning how

1498
01:03:51,920 --> 01:03:55,400
Speaker 18: to do things. You know what I'm saying, Dating is

1499
01:03:55,640 --> 01:03:58,280
Speaker 18: new to me. You know what I'm saying, Dating is

1500
01:03:58,320 --> 01:04:00,480
Speaker 18: new to me. It took a long time for me

1501
01:04:00,560 --> 01:04:03,760
Speaker 18: to open up to somebody, because I just feel like

1502
01:04:02,920 --> 01:04:06,080
Speaker 18: a like a baby and I'm crawling again and I'm

1503
01:04:06,160 --> 01:04:09,680
Speaker 18: learning again. Right now, I'm in a good space. Everything

1504
01:04:09,720 --> 01:04:13,160
Speaker 18: is lined up perfectly in my career. I love my kids,

1505
01:04:13,640 --> 01:04:17,960
Speaker 18: I love my life. I'm very happy right now, and

1506
01:04:18,000 --> 01:04:18,720
Speaker 18: that's all that matters.

1507
01:04:18,840 --> 01:04:19,120
Speaker 4: Period.

1508
01:04:19,320 --> 01:04:21,680
Speaker 15: I'd rather hear that, though. Boy, a few weeks ago,

1509
01:04:21,720 --> 01:04:23,080
Speaker 15: she was like, this man is f fing the hell

1510
01:04:23,120 --> 01:04:26,520
Speaker 15: out of her. And when you know this man runs

1511
01:04:26,520 --> 01:04:29,160
Speaker 15: a four point four six and forty yard dashing, you

1512
01:04:29,240 --> 01:04:29,720
Speaker 15: know what I mean?

1513
01:04:32,440 --> 01:04:39,240
Speaker 5: You act like you were in that position, Like you.

1514
01:04:37,880 --> 01:04:39,480
Speaker 14: Did you see the video of him on the party

1515
01:04:39,840 --> 01:04:41,520
Speaker 14: he fell off? But did you see that video of

1516
01:04:41,640 --> 01:04:42,240
Speaker 14: him the back?

1517
01:04:42,280 --> 01:04:43,600
Speaker 7: And I was like, whoa.

1518
01:04:43,840 --> 01:04:46,120
Speaker 15: That's what I'm saying as a man, men should just

1519
01:04:46,160 --> 01:04:49,280
Speaker 15: be learning from this situation because these women will move on.

1520
01:04:49,360 --> 01:04:51,040
Speaker 15: I don't care how many kids you got with him.

1521
01:04:51,120 --> 01:04:52,680
Speaker 15: I don't care if you know you thought that you

1522
01:04:52,760 --> 01:04:53,520
Speaker 15: was the love of their life.

1523
01:04:53,560 --> 01:04:54,720
Speaker 3: I don't care if y'all were married.

1524
01:04:54,760 --> 01:04:56,560
Speaker 15: When they are fed up, they fed up, and they

1525
01:04:56,640 --> 01:04:58,960
Speaker 15: will move on to somebody who runs a four point

1526
01:04:59,000 --> 01:05:00,920
Speaker 15: four six and the forty would have three here sixty nine.

1527
01:05:01,680 --> 01:05:04,160
Speaker 1: Text your wife, your lady, your girl this morning just

1528
01:05:04,160 --> 01:05:04,840
Speaker 1: said I love you.

1529
01:05:04,920 --> 01:05:05,440
Speaker 3: I'm sorry.

1530
01:05:05,480 --> 01:05:08,360
Speaker 5: I appreciate nigga that nigga got that girl on here

1531
01:05:08,440 --> 01:05:10,160
Speaker 5: talking about I'm learning how to crawl.

1532
01:05:14,200 --> 01:05:16,960
Speaker 6: Yes, I'm learning how to crawl.

1533
01:05:16,720 --> 01:05:17,800
Speaker 3: Again, That's what I'm saying.

1534
01:05:17,840 --> 01:05:20,040
Speaker 15: So don't so please, you know, Cardy, don't think that

1535
01:05:20,120 --> 01:05:22,440
Speaker 15: men are hating. Really some of.

1536
01:05:24,880 --> 01:05:30,720
Speaker 3: It is just sick. It's just sick. I can't even

1537
01:05:31,720 --> 01:05:34,200
Speaker 3: make my back hurt just thinking about it and projecting.

1538
01:05:34,200 --> 01:05:36,640
Speaker 7: Because them guys, them same guys lost they women.

1539
01:05:36,960 --> 01:05:37,680
Speaker 11: You know what I'm saying.

1540
01:05:38,480 --> 01:05:42,280
Speaker 7: They weren't crawling personal, but now she's crawling.

1541
01:05:42,440 --> 01:05:45,360
Speaker 3: But that's all y'all should have learned this from Tyler

1542
01:05:45,360 --> 01:05:49,000
Speaker 3: Perry movies a long time ago. It's stupid woman because they.

1543
01:05:52,240 --> 01:05:55,320
Speaker 5: Up at the end of the rock, yes, the rock,

1544
01:05:55,400 --> 01:05:57,000
Speaker 5: and we ain't even get a number two at that.

1545
01:05:57,120 --> 01:05:59,160
Speaker 5: We need to get a second one, a third movie.

1546
01:05:59,160 --> 01:06:01,840
Speaker 3: We ain't get a third movie. He died, He drove

1547
01:06:01,960 --> 01:06:05,640
Speaker 3: who was that she was doing? Drove off from? Janet died?

1548
01:06:06,160 --> 01:06:07,200
Speaker 3: Come to rock with flowers?

1549
01:06:07,440 --> 01:06:09,560
Speaker 14: Ain't that mountain too many times? We gotta get out

1550
01:06:09,560 --> 01:06:11,360
Speaker 14: of here, chill Ain't gonna go up that mountain too

1551
01:06:11,360 --> 01:06:11,920
Speaker 14: many times?

1552
01:06:12,040 --> 01:06:14,720
Speaker 3: All I'm saying in the room, have no idea what

1553
01:06:14,760 --> 01:06:15,280
Speaker 3: you're talking about?

1554
01:06:15,320 --> 01:06:18,760
Speaker 7: Do you You don't watch Tyler Perry. Let's because the don't

1555
01:06:18,760 --> 01:06:19,280
Speaker 7: watch Barry.

1556
01:06:19,760 --> 01:06:22,919
Speaker 1: I'm not Dominican. But all right, well that's the latest

1557
01:06:22,920 --> 01:06:24,840
Speaker 1: with Lauren Charlamagne. Who he even that donkey two.

1558
01:06:24,640 --> 01:06:26,360
Speaker 15: Man for after the hour. We need a pech heck

1559
01:06:26,360 --> 01:06:27,560
Speaker 15: stuff to come to the front of the kind of gation.

1560
01:06:27,680 --> 01:06:28,720
Speaker 15: We'd like to have a word with him police.

1561
01:06:28,760 --> 01:06:30,520
Speaker 3: All right, we'll get to that next. It's the breakfast club.

1562
01:06:30,520 --> 01:06:35,360
Speaker 3: Good morning, you're checking out the breakfast Club. Don't be

1563
01:06:35,400 --> 01:06:39,760
Speaker 3: out here after like a donkey, he bitch, it's time.

1564
01:06:39,640 --> 01:06:41,920
Speaker 11: For Donkey of the Day. I'm a big boy. I

1565
01:06:41,920 --> 01:06:43,360
Speaker 11: could take it if he feel out deserve.

1566
01:06:43,400 --> 01:06:46,400
Speaker 3: It ain't no big dep I know. Charlottegeia, God say

1567
01:06:46,520 --> 01:06:48,240
Speaker 3: the mouth. You gotta say something you may not agree with.

1568
01:06:48,200 --> 01:06:49,280
Speaker 3: It doesn't mean I'm meaning.

1569
01:06:49,240 --> 01:06:52,040
Speaker 1: We's getting that donky, that donkey that don't don't don't

1570
01:06:52,120 --> 01:06:52,960
Speaker 1: don't don't.

1571
01:06:52,880 --> 01:06:54,280
Speaker 11: Don't the other day right there.

1572
01:06:55,840 --> 01:06:58,360
Speaker 3: The breakfast club. Bitches, you can call me the donkey

1573
01:06:58,400 --> 01:06:58,960
Speaker 3: of the day.

1574
01:06:58,840 --> 01:07:02,960
Speaker 15: But like i'd be yes donky today for Wednesday, June fourth,

1575
01:07:03,000 --> 01:07:05,400
Speaker 15: goes the defense Secretary of Pete Hegseth. You know, Pete

1576
01:07:05,400 --> 01:07:08,240
Speaker 15: Hegseth are the same guy who was sharing details of

1577
01:07:08,240 --> 01:07:09,920
Speaker 15: a missile attack on signal.

1578
01:07:10,320 --> 01:07:10,600
Speaker 3: Okay.

1579
01:07:10,680 --> 01:07:12,800
Speaker 15: I don't know why he just didn't download WhatsApp like

1580
01:07:12,800 --> 01:07:15,120
Speaker 15: the rest of us. But Pete Hegseth the man who

1581
01:07:15,120 --> 01:07:18,480
Speaker 15: provides the president with expert okay, and I put expert

1582
01:07:18,520 --> 01:07:21,880
Speaker 15: in air quotes advice on national security and defense matters.

1583
01:07:22,480 --> 01:07:23,400
Speaker 3: It's clearly bored.

1584
01:07:23,600 --> 01:07:23,920
Speaker 11: Okay.

1585
01:07:23,920 --> 01:07:25,560
Speaker 15: There's a lot going on in the world that I'm

1586
01:07:25,560 --> 01:07:27,680
Speaker 15: sure he could be focused on. But yesterday we found

1587
01:07:27,720 --> 01:07:32,880
Speaker 15: out that he is focused on renaming ships. Yes, ships, Okay.

1588
01:07:32,920 --> 01:07:35,320
Speaker 15: Pete Hegseth has ordered the Navy to review the names

1589
01:07:35,520 --> 01:07:39,840
Speaker 15: of vessels honoring gay rights activists Harvey Milk, Harriet Tubman,

1590
01:07:40,120 --> 01:07:43,000
Speaker 15: and Rufe Beta Ginsburg. Let's go to ABC seven for

1591
01:07:43,040 --> 01:07:43,400
Speaker 15: the report.

1592
01:07:43,440 --> 01:07:46,280
Speaker 19: Please, the Secretary of Defense, Pete heg Seth has ordered

1593
01:07:46,320 --> 01:07:49,200
Speaker 19: the Navy to take the rare step of renaming a ship.

1594
01:07:49,680 --> 01:07:52,000
Speaker 19: The ship is named for murdered gay rights activists and

1595
01:07:52,080 --> 01:07:55,520
Speaker 19: Navy veteran Harvey Milk. Military dot Com first report at

1596
01:07:55,560 --> 01:07:58,240
Speaker 19: the timing of the announcement during Pride Month is intentional

1597
01:07:58,760 --> 01:08:00,960
Speaker 19: parby Milk was forced to resigned from the Navy in

1598
01:08:01,040 --> 01:08:05,240
Speaker 19: nineteen fifty five because of his sexual orientation. The USNS

1599
01:08:05,280 --> 01:08:07,520
Speaker 19: Harvey Milk is part of the John Lewis class of

1600
01:08:07,600 --> 01:08:10,680
Speaker 19: oilerships that are named after civil rights leaders.

1601
01:08:11,520 --> 01:08:14,960
Speaker 15: Okay, we all know that the Trump administration wants to

1602
01:08:14,960 --> 01:08:19,120
Speaker 15: purge all programs and policies and books and social media

1603
01:08:19,240 --> 01:08:22,640
Speaker 15: mentions of any references to diversity, equity, and inclusion. They

1604
01:08:22,640 --> 01:08:26,960
Speaker 15: are literally trying to erase anything they consider other out

1605
01:08:26,960 --> 01:08:27,920
Speaker 15: of the history books.

1606
01:08:27,920 --> 01:08:29,240
Speaker 3: Okay, it makes no sense.

1607
01:08:29,600 --> 01:08:31,479
Speaker 15: What other reason would you have to not want a

1608
01:08:31,600 --> 01:08:35,240
Speaker 15: ship named after Harvey Milk or Harriet Tubman or RBG.

1609
01:08:35,680 --> 01:08:38,799
Speaker 15: It's just the racier, nothing more, nothing less than everyone

1610
01:08:39,160 --> 01:08:41,280
Speaker 15: just needs to call it what it is. By the way,

1611
01:08:41,479 --> 01:08:44,160
Speaker 15: none of those three people would be considered dei hires.

1612
01:08:44,160 --> 01:08:44,400
Speaker 3: Okay.

1613
01:08:44,400 --> 01:08:48,280
Speaker 15: They all earned their legacies, they all earned their reputations.

1614
01:08:48,280 --> 01:08:48,519
Speaker 3: Okay.

1615
01:08:48,560 --> 01:08:50,680
Speaker 15: The reason they have their names on those ships, the

1616
01:08:50,720 --> 01:08:53,599
Speaker 15: reason people wanted to name those vessels after them, is

1617
01:08:53,640 --> 01:08:57,880
Speaker 15: simply because they're trailblazers who actually did things that people

1618
01:08:57,920 --> 01:09:00,000
Speaker 15: should recognize in honor, and you want.

1619
01:08:59,880 --> 01:09:00,640
Speaker 3: To erase that.

1620
01:09:01,320 --> 01:09:04,880
Speaker 15: Why I need to see the signal chat about this Pete, Okay,

1621
01:09:04,920 --> 01:09:06,880
Speaker 15: I need to see what your real reasoning is, not

1622
01:09:06,920 --> 01:09:09,760
Speaker 15: the politically correct reasoning you given to the media. Just

1623
01:09:09,800 --> 01:09:12,240
Speaker 15: tell us the truth, because the truth is you want

1624
01:09:12,280 --> 01:09:15,400
Speaker 15: to erase the legacy of civil rights leaders and gay

1625
01:09:15,640 --> 01:09:19,680
Speaker 15: icons like Harvey Milk in America. We cannot heal from

1626
01:09:19,680 --> 01:09:22,360
Speaker 15: what we don't reveal, Okay. Hiding our history is just

1627
01:09:22,400 --> 01:09:25,080
Speaker 15: simply gonna hurt our future. Now, Pete, you are the

1628
01:09:25,120 --> 01:09:28,759
Speaker 15: Secretary of Defense, Okay. Focusing on your job is crucial

1629
01:09:28,800 --> 01:09:31,120
Speaker 15: for the safety of not only this country but the world.

1630
01:09:31,320 --> 01:09:34,679
Speaker 15: Every American should be saying to themselves, Hey, Pete, don't

1631
01:09:34,720 --> 01:09:37,879
Speaker 15: you got better things to be doing? Okay, Pete, excef,

1632
01:09:37,960 --> 01:09:42,480
Speaker 15: you yourself just highlighted the threat posed by China's military

1633
01:09:42,520 --> 01:09:45,880
Speaker 15: build up. Okay, in particular concerning Taiwan. You could be

1634
01:09:45,920 --> 01:09:49,360
Speaker 15: focused on that. What about the ongoing conflict in Ukraine? Pete,

1635
01:09:49,400 --> 01:09:52,479
Speaker 15: you were absent at a recent NATO meeting on Ukraine

1636
01:09:52,479 --> 01:09:55,719
Speaker 15: and had people questioning the US's engagement in the conflict.

1637
01:09:55,920 --> 01:09:57,440
Speaker 3: Don't tell me you was absent.

1638
01:09:57,160 --> 01:09:59,360
Speaker 15: From the meeting because you're too busy worried about ships

1639
01:09:59,400 --> 01:10:02,600
Speaker 15: being named after Harriet Tubman. Okay, Yo, Pete, Department of

1640
01:10:02,640 --> 01:10:06,439
Speaker 15: Defense has proposed significant budget cuts, which I'm happy about

1641
01:10:06,439 --> 01:10:08,439
Speaker 15: because anytime you want to talk about wasteful spending, you

1642
01:10:08,479 --> 01:10:11,240
Speaker 15: should start at the DD. But if these budget cuts

1643
01:10:11,280 --> 01:10:14,599
Speaker 15: reduce senior military ranks by twenty percent, like they are proposing,

1644
01:10:14,720 --> 01:10:17,519
Speaker 15: then that could impact the military strategic.

1645
01:10:17,000 --> 01:10:18,280
Speaker 3: And operational readiness.

1646
01:10:18,479 --> 01:10:20,639
Speaker 15: And y'all definitely not gonna be ready if the Department

1647
01:10:20,720 --> 01:10:25,400
Speaker 15: of Defense is too busy worried about renaming ships. Okay, Pete,

1648
01:10:25,400 --> 01:10:28,000
Speaker 15: except I don't care what a ship is named. When

1649
01:10:28,000 --> 01:10:31,799
Speaker 15: there are headlines in the Economic Times that read world

1650
01:10:32,080 --> 01:10:36,720
Speaker 15: War three looms, Global leaders given two weeks as the

1651
01:10:36,840 --> 01:10:40,760
Speaker 15: clock takes toward catastrophe. See while we worried about the

1652
01:10:40,800 --> 01:10:43,439
Speaker 15: Diddy trial, others are preparing for World War three.

1653
01:10:43,520 --> 01:10:45,120
Speaker 3: Okay, I was reading an article this morning.

1654
01:10:45,200 --> 01:10:49,280
Speaker 15: The headline was Britain's biggest biggest companies are preparing for

1655
01:10:49,320 --> 01:10:52,880
Speaker 15: a third World War. As various conflicts threatened to erupt,

1656
01:10:53,080 --> 01:10:56,880
Speaker 15: bosses are taking steps to ensure their businesses survive. The

1657
01:10:57,080 --> 01:11:01,040
Speaker 15: Deputy Chief of Russia Security Councils said last week, hold

1658
01:11:01,120 --> 01:11:06,400
Speaker 15: On said, last week, I don't remember everything.

1659
01:11:06,520 --> 01:11:06,960
Speaker 3: It was a blur.

1660
01:11:07,000 --> 01:11:08,840
Speaker 15: I don't think it was last week yes, but he said,

1661
01:11:08,840 --> 01:11:12,400
Speaker 15: and I quote regarding Trump's words about Putin playing with

1662
01:11:12,520 --> 01:11:17,920
Speaker 15: fire and really bad things happening to Russia. I only

1663
01:11:17,960 --> 01:11:21,960
Speaker 15: know of one really bad thing, World War III. I

1664
01:11:22,000 --> 01:11:25,920
Speaker 15: hope Trump understands this. That was a direct quote from

1665
01:11:25,960 --> 01:11:30,040
Speaker 15: the Deputy chief of Russia's Security Council. And Pete Hexsef.

1666
01:11:30,200 --> 01:11:32,400
Speaker 15: You worried about the name of ships.

1667
01:11:33,360 --> 01:11:33,840
Speaker 3: No you're not.

1668
01:11:34,080 --> 01:11:36,240
Speaker 15: You're trying to distract from some of the things I

1669
01:11:36,360 --> 01:11:39,920
Speaker 15: just said. But what you will learn, Pete is truth

1670
01:11:40,040 --> 01:11:42,760
Speaker 15: is like the sun. You can shut it out, but

1671
01:11:42,880 --> 01:11:46,200
Speaker 15: it is not going away. Please get Pete Hegsef. The

1672
01:11:46,240 --> 01:11:47,520
Speaker 15: sweet sounds of the Hamiltons.

1673
01:11:47,800 --> 01:11:51,040
Speaker 7: Oh no, you are the dog gee.

1674
01:11:52,240 --> 01:11:53,360
Speaker 3: Of the day.

1675
01:11:56,520 --> 01:11:57,880
Speaker 7: Dog gee.

1676
01:12:01,200 --> 01:12:09,040
Speaker 3: Ye so dumb beyond it's a distraction.

1677
01:12:09,280 --> 01:12:13,280
Speaker 15: Stay focused, all right. World War three is apparently around

1678
01:12:13,280 --> 01:12:15,960
Speaker 15: the corner. I don't see that either. Holy not, we

1679
01:12:16,000 --> 01:12:18,120
Speaker 15: won't see that either. The others are preparing for it.

1680
01:12:18,160 --> 01:12:21,519
Speaker 15: So then you just pay attention. Yes, all right, well

1681
01:12:21,520 --> 01:12:22,679
Speaker 15: thank you for that donkey Today.

1682
01:12:23,160 --> 01:12:25,160
Speaker 1: Now, when we come back, we have the first black

1683
01:12:25,200 --> 01:12:29,480
Speaker 1: actress to play Alphabra full time and Wicked on Broadway,

1684
01:12:29,640 --> 01:12:32,679
Speaker 1: Lyncia Kabeta. She'll be joining us when we come back.

1685
01:12:32,800 --> 01:12:35,479
Speaker 1: I checked out the play. Play was amazing. Mis loved it.

1686
01:12:35,840 --> 01:12:36,400
Speaker 6: What's her name?

1687
01:12:36,760 --> 01:12:39,840
Speaker 3: I'm not gonna say it again. You see it?

1688
01:12:40,280 --> 01:12:44,960
Speaker 1: Cadeba Cadeba, Corbetta, come Betabetta Combetta will be joining us

1689
01:12:45,000 --> 01:12:46,800
Speaker 1: all right, and we're gonna talk to her next.

1690
01:12:46,840 --> 01:12:47,640
Speaker 3: She killed it on Bro.

1691
01:12:48,080 --> 01:12:51,200
Speaker 1: Wicked was amazing on Bro. Absolutely, my kids loved it.

1692
01:12:51,280 --> 01:12:53,000
Speaker 1: They enjoyed it, and we'll kick it with her in

1693
01:12:53,040 --> 01:12:56,560
Speaker 1: a minute. It's the Breakfast Love Corning, the Breakfast Club.

1694
01:12:58,840 --> 01:12:59,000
Speaker 13: One.

1695
01:12:59,160 --> 01:13:02,759
Speaker 3: Everybody is d E j N V jess Hilarius Charlamagne

1696
01:13:02,800 --> 01:13:03,120
Speaker 3: to god.

1697
01:13:03,200 --> 01:13:05,400
Speaker 1: We are the Breakfast Club. We got a special guest

1698
01:13:05,479 --> 01:13:07,799
Speaker 1: in the building. Yes, indeed, Letsia Cabetti.

1699
01:13:07,880 --> 01:13:08,439
Speaker 3: Did I say it right?

1700
01:13:09,000 --> 01:13:09,519
Speaker 13: Pretty close?

1701
01:13:09,880 --> 01:13:14,960
Speaker 3: What is it? Cobetta Betta? Welcome, thank you, welcome, welcome, welcome.

1702
01:13:15,200 --> 01:13:16,599
Speaker 3: Now if you don't know who she is, she's an

1703
01:13:16,600 --> 01:13:18,240
Speaker 3: actress and the first black actress.

1704
01:13:18,439 --> 01:13:20,160
Speaker 5: Wait wait, wait, look let me say something because she

1705
01:13:20,360 --> 01:13:22,719
Speaker 5: because she off here before we just started. She said,

1706
01:13:22,840 --> 01:13:25,320
Speaker 5: how did y'all find me? I said, you're the first

1707
01:13:25,360 --> 01:13:27,760
Speaker 5: black actress to play alpha be full time? How can

1708
01:13:27,880 --> 01:13:28,559
Speaker 5: we find she said?

1709
01:13:28,720 --> 01:13:29,240
Speaker 3: How dare I?

1710
01:13:29,400 --> 01:13:29,799
Speaker 6: Exactly?

1711
01:13:30,000 --> 01:13:30,120
Speaker 18: Sir?

1712
01:13:30,439 --> 01:13:33,000
Speaker 14: She is your girls black actress to play Alpha Be

1713
01:13:33,120 --> 01:13:35,639
Speaker 14: full Time on the Broadway Wicked.

1714
01:13:36,040 --> 01:13:38,400
Speaker 3: How congratulations first and foremost, thank.

1715
01:13:38,280 --> 01:13:40,800
Speaker 13: You so much. I mean, it's a dream come true.

1716
01:13:40,960 --> 01:13:44,000
Speaker 13: It's like surreal sometimes and sometimes I'm like, oh yeah,

1717
01:13:44,000 --> 01:13:45,840
Speaker 13: this is exactly where I always thought I would be

1718
01:13:46,160 --> 01:13:50,080
Speaker 13: doing something like impactful for our community and our industry.

1719
01:13:50,760 --> 01:13:54,280
Speaker 13: But most days are just like I'm just dumbfounded. I

1720
01:13:54,320 --> 01:13:55,599
Speaker 13: can't believe I'm singing these songs.

1721
01:13:56,080 --> 01:13:57,600
Speaker 3: Well, what did it mean for you personally? And what

1722
01:13:57,720 --> 01:14:00,400
Speaker 3: did it mean for Brown personally?

1723
01:14:00,479 --> 01:14:03,600
Speaker 13: It was an opportunity to tell the story of my community,

1724
01:14:04,520 --> 01:14:09,800
Speaker 13: our struggles, our strengths, our power, for our for our industry,

1725
01:14:10,000 --> 01:14:12,439
Speaker 13: for the entertainment industry. I think it just opened the

1726
01:14:12,560 --> 01:14:15,879
Speaker 13: eyes of who can do what and who was capable

1727
01:14:15,960 --> 01:14:21,360
Speaker 13: of what, and just like brought a more creative outlook

1728
01:14:21,640 --> 01:14:22,240
Speaker 13: to art.

1729
01:14:23,200 --> 01:14:25,360
Speaker 3: Now you weren't Hamilton before, But I want to start

1730
01:14:25,400 --> 01:14:28,920
Speaker 3: from the beginning my birth. Okay, did you how did

1731
01:14:29,000 --> 01:14:29,960
Speaker 3: you get into the arts?

1732
01:14:30,200 --> 01:14:30,240
Speaker 13: Like?

1733
01:14:30,439 --> 01:14:32,000
Speaker 3: What was it so special to you? Said? This is

1734
01:14:32,040 --> 01:14:32,600
Speaker 3: what I wanted to do.

1735
01:14:32,840 --> 01:14:35,800
Speaker 13: You know, It's funny. I started at church and I

1736
01:14:36,080 --> 01:14:40,720
Speaker 13: hated singing. My parents saw something special in me and

1737
01:14:40,880 --> 01:14:42,800
Speaker 13: kind of like thrust me into music.

1738
01:14:42,920 --> 01:14:44,320
Speaker 3: And correct.

1739
01:14:44,400 --> 01:14:47,160
Speaker 13: Both my parents are from Ethiopia immigrants, so I'm first generation.

1740
01:14:47,920 --> 01:14:50,960
Speaker 13: And I loved playing outside. I loved playing sports. I

1741
01:14:51,040 --> 01:14:52,600
Speaker 13: was super into my academics too. I was just like

1742
01:14:52,680 --> 01:14:54,720
Speaker 13: a really hype kid. I feel like I was just

1743
01:14:55,240 --> 01:14:59,320
Speaker 13: I couldn't be stopped. I've lots of energy, especially for

1744
01:14:59,439 --> 01:15:04,360
Speaker 13: this role, but like being inside rehearsing and like, I

1745
01:15:04,479 --> 01:15:05,479
Speaker 13: just was like, I want to be outside and I

1746
01:15:05,520 --> 01:15:08,640
Speaker 13: want to be playing. But I started to see like

1747
01:15:08,880 --> 01:15:12,680
Speaker 13: how music affected people, specifically in church, and how that

1748
01:15:12,880 --> 01:15:18,599
Speaker 13: moved people spiritually, and I was like, wait, I think

1749
01:15:18,680 --> 01:15:22,160
Speaker 13: I'm good at it. Something. I don't know what it is.

1750
01:15:22,240 --> 01:15:23,600
Speaker 13: I don't know how to hone in on it, but

1751
01:15:23,760 --> 01:15:26,479
Speaker 13: I know that it just feels special. So I wanted

1752
01:15:26,479 --> 01:15:28,799
Speaker 13: to keep trying. And then I started doing like community

1753
01:15:28,880 --> 01:15:31,800
Speaker 13: theater and middle school and high school, and in college,

1754
01:15:31,840 --> 01:15:33,360
Speaker 13: I decided I wasn't going to study it. I had

1755
01:15:33,400 --> 01:15:36,400
Speaker 13: other interests. I studied diplomacy and world affairs and undergrad

1756
01:15:36,479 --> 01:15:41,559
Speaker 13: and politics, all different angles to make like positive change

1757
01:15:41,720 --> 01:15:42,680
Speaker 13: to the world around me.

1758
01:15:43,479 --> 01:15:45,760
Speaker 3: And then you got to Broadway. So explain how you

1759
01:15:45,840 --> 01:15:48,280
Speaker 3: got to Broadway and those feelings.

1760
01:15:49,160 --> 01:15:53,799
Speaker 13: Midway through my five year run in Hamilton. The audition

1761
01:15:53,880 --> 01:15:56,960
Speaker 13: for Alphabet came up, and I already actually had another

1762
01:15:57,479 --> 01:15:59,640
Speaker 13: job offer that I was very excited to embark on.

1763
01:16:00,240 --> 01:16:02,640
Speaker 13: And my team was like, I mean, it depends on

1764
01:16:02,720 --> 01:16:03,880
Speaker 13: what you want to do, and I was like, WHOA,

1765
01:16:04,800 --> 01:16:06,280
Speaker 13: No black woman has ever played this role. I'm not

1766
01:16:06,280 --> 01:16:09,200
Speaker 13: going to pass up this opportunity. So auditions it was

1767
01:16:09,280 --> 01:16:12,519
Speaker 13: like six rounds across maybe like four months of me

1768
01:16:12,680 --> 01:16:18,280
Speaker 13: flying to New York from La on zoom, just lots

1769
01:16:18,320 --> 01:16:21,280
Speaker 13: of different It's a long process. If that's such a

1770
01:16:21,439 --> 01:16:24,639
Speaker 13: technical skill, would that that is required for this character.

1771
01:16:24,800 --> 01:16:27,360
Speaker 13: So after all those rounds and up and downs of

1772
01:16:27,400 --> 01:16:28,920
Speaker 13: the emotions, I got it, I don't I got it,

1773
01:16:28,960 --> 01:16:29,599
Speaker 13: I don't am I good?

1774
01:16:29,720 --> 01:16:30,000
Speaker 3: I don't know.

1775
01:16:30,040 --> 01:16:33,280
Speaker 13: It's just like so much inner turmoil. I finally got

1776
01:16:33,320 --> 01:16:35,960
Speaker 13: the call from my agent and I started cracking up.

1777
01:16:36,160 --> 01:16:39,479
Speaker 13: I'd like I couldn't even like emote. I was just like,

1778
01:16:40,320 --> 01:16:42,360
Speaker 13: this cannot be happening right now.

1779
01:16:42,600 --> 01:16:44,400
Speaker 6: They thought it was a joke or you didn't know

1780
01:16:44,479 --> 01:16:45,040
Speaker 6: what you felt.

1781
01:16:45,520 --> 01:16:48,479
Speaker 13: I think I didn't know what I felt. I was

1782
01:16:49,360 --> 01:16:49,920
Speaker 13: like in shock.

1783
01:16:50,160 --> 01:16:50,400
Speaker 7: Yeah.

1784
01:16:51,080 --> 01:16:53,240
Speaker 13: At that point, I think I had convinced myself that

1785
01:16:53,960 --> 01:16:56,000
Speaker 13: it was highly possible. I was I was in the

1786
01:16:56,040 --> 01:16:59,240
Speaker 13: final like four people maybe, but I was like, Universe,

1787
01:16:59,360 --> 01:17:04,280
Speaker 13: God Mother, I receive whatever is mine. However, I want this,

1788
01:17:04,880 --> 01:17:08,000
Speaker 13: and I feel like I would be great for this moment,

1789
01:17:08,080 --> 01:17:09,840
Speaker 13: but like I accept the outcome. So I think I was.

1790
01:17:10,320 --> 01:17:15,040
Speaker 13: I was playing both outcomes internally so well that no

1791
01:17:15,120 --> 01:17:18,439
Speaker 13: matter what that call, whatever the outcome of that call

1792
01:17:18,439 --> 01:17:20,160
Speaker 13: would have been, I would have been ready. So I

1793
01:17:20,200 --> 01:17:23,519
Speaker 13: think my body was like, Okay, this is happening. I

1794
01:17:23,560 --> 01:17:25,240
Speaker 13: had to like go on a walk and like ground

1795
01:17:25,280 --> 01:17:27,080
Speaker 13: myself to remember what was real.

1796
01:17:27,160 --> 01:17:29,840
Speaker 15: I couldn't believe how many times do people try to

1797
01:17:29,880 --> 01:17:32,080
Speaker 15: gaslight you, like is America ready for a black alphable?

1798
01:17:32,520 --> 01:17:34,160
Speaker 3: Like the damn green face isn't fantasy enough.

1799
01:17:34,840 --> 01:17:38,439
Speaker 13: It's so silly, and it's people say things like she's green,

1800
01:17:38,600 --> 01:17:40,240
Speaker 13: like it doesn't matter what her race is. And I'm like,

1801
01:17:40,600 --> 01:17:43,240
Speaker 13: she's green exactly. She looks different than everybody else, Like

1802
01:17:43,280 --> 01:17:45,360
Speaker 13: that is the point. So I do think the world

1803
01:17:45,479 --> 01:17:47,600
Speaker 13: was ready. I do think the world was ready, and

1804
01:17:47,720 --> 01:17:49,240
Speaker 13: I feel so grateful that it was me.

1805
01:17:49,640 --> 01:17:50,519
Speaker 3: You know, it's only dressing.

1806
01:17:50,600 --> 01:17:52,280
Speaker 15: Like I took my nine year old and my six

1807
01:17:52,400 --> 01:17:54,200
Speaker 15: year old to see Wicked on Broadway, and they saw

1808
01:17:54,280 --> 01:17:56,679
Speaker 15: the movie, So it's the dim alpha.

1809
01:17:56,760 --> 01:18:01,439
Speaker 3: But is black black? Isn't that like if I say,

1810
01:18:01,520 --> 01:18:03,320
Speaker 3: if I say that, like you know, she's black.

1811
01:18:03,200 --> 01:18:03,439
Speaker 9: Right like.

1812
01:18:05,200 --> 01:18:05,240
Speaker 3: That?

1813
01:18:06,640 --> 01:18:10,880
Speaker 13: It is crazy that this generation gets to live in

1814
01:18:11,040 --> 01:18:14,360
Speaker 13: this in this climate and see it as normal, Like

1815
01:18:14,520 --> 01:18:16,479
Speaker 13: that's what they get to grow up experiencing. And that's

1816
01:18:16,520 --> 01:18:18,840
Speaker 13: my favorite part of this is this whole generation that

1817
01:18:18,960 --> 01:18:20,240
Speaker 13: is just this is their norm.

1818
01:18:21,040 --> 01:18:22,400
Speaker 15: Why do you think it took decades for a black

1819
01:18:22,439 --> 01:18:24,200
Speaker 15: woman to get this role full time? Like what does

1820
01:18:24,240 --> 01:18:25,080
Speaker 15: that say about Broadway?

1821
01:18:25,560 --> 01:18:26,040
Speaker 3: If anything?

1822
01:18:26,680 --> 01:18:30,960
Speaker 13: I think art is a reflection of the society it represents.

1823
01:18:31,560 --> 01:18:34,920
Speaker 13: So I don't think Broadway was particularly doing anything outside

1824
01:18:34,960 --> 01:18:39,240
Speaker 13: of what our country represented. And as times have changed,

1825
01:18:40,080 --> 01:18:44,439
Speaker 13: so has art. Art has shifted. So I feel like

1826
01:18:44,520 --> 01:18:47,120
Speaker 13: it's exactly the timing is exactly right. And again, like

1827
01:18:47,880 --> 01:18:49,840
Speaker 13: I can't speak to why it took this long, but

1828
01:18:49,920 --> 01:18:51,000
Speaker 13: all I know is I'm happy I'm here.

1829
01:18:51,280 --> 01:18:52,320
Speaker 3: Do you get a lot of love or do you

1830
01:18:52,360 --> 01:18:53,000
Speaker 3: get a lot of hate?

1831
01:18:53,120 --> 01:18:55,240
Speaker 13: I get a lot of love. I mean, haters are haters.

1832
01:18:55,280 --> 01:18:57,040
Speaker 13: There's always haters, there's always critics.

1833
01:18:57,439 --> 01:18:59,640
Speaker 1: The reason I asked is like I took my caids too,

1834
01:19:00,160 --> 01:19:03,680
Speaker 1: And of course the majority of people in there are others, well,

1835
01:19:03,680 --> 01:19:04,479
Speaker 1: I should say, are white.

1836
01:19:07,360 --> 01:19:12,200
Speaker 3: I was gonna say, but I was wondering mothers.

1837
01:19:15,200 --> 01:19:17,439
Speaker 7: The other Actually I'm green, okay?

1838
01:19:20,080 --> 01:19:21,679
Speaker 3: And what type of hate do you get? Is it letters?

1839
01:19:21,800 --> 01:19:21,920
Speaker 11: Is it?

1840
01:19:22,040 --> 01:19:22,200
Speaker 13: You know?

1841
01:19:22,439 --> 01:19:24,000
Speaker 3: Because I thought that the play was phenomenal.

1842
01:19:24,120 --> 01:19:25,560
Speaker 1: Like I said, when I seen you in Hall, I

1843
01:19:25,600 --> 01:19:27,080
Speaker 1: took my three year old and then I took my

1844
01:19:27,200 --> 01:19:27,960
Speaker 1: twenty three year old.

1845
01:19:28,000 --> 01:19:29,120
Speaker 13: Wow, and they both enjoyed it.

1846
01:19:29,160 --> 01:19:29,880
Speaker 3: They both joined.

1847
01:19:29,920 --> 01:19:32,679
Speaker 13: It's crazy across the generations people relate.

1848
01:19:33,439 --> 01:19:34,679
Speaker 7: I mean, it's the hate.

1849
01:19:34,800 --> 01:19:36,599
Speaker 13: I don't know. I wouldn't even call it hate more

1850
01:19:36,640 --> 01:19:41,400
Speaker 13: than just like strong opinions, because less so about race,

1851
01:19:41,920 --> 01:19:43,920
Speaker 13: more just because this is a long running show twenty

1852
01:19:43,960 --> 01:19:47,639
Speaker 13: two years. Everyone who has seen who comes to see

1853
01:19:47,640 --> 01:19:50,640
Speaker 13: Wicked has seen Wicked more or less. The amount of

1854
01:19:50,680 --> 01:19:52,360
Speaker 13: people who is who are new to this piece of

1855
01:19:52,439 --> 01:19:56,839
Speaker 13: work is very little. So everybody knows every word, every intonation,

1856
01:19:57,080 --> 01:20:00,000
Speaker 13: like every way, every single line goes, or every vote

1857
01:20:00,240 --> 01:20:03,439
Speaker 13: part goes. So it's less like why they're a black alphabet.

1858
01:20:03,439 --> 01:20:06,240
Speaker 13: I don't really get that there's more celebratory energy about

1859
01:20:06,240 --> 01:20:09,640
Speaker 13: the racial thing. But people just like what they like,

1860
01:20:09,960 --> 01:20:13,160
Speaker 13: and you know what, that's fine. I cannot be for everyone,

1861
01:20:13,200 --> 01:20:14,680
Speaker 13: and I think that's what this show is teaching me,

1862
01:20:14,800 --> 01:20:18,120
Speaker 13: especially this character who has to fight with the world

1863
01:20:18,200 --> 01:20:20,800
Speaker 13: around her not trusting her and misunderstanding her. But she

1864
01:20:20,840 --> 01:20:22,720
Speaker 13: always says true to who she is, and that I

1865
01:20:22,760 --> 01:20:24,439
Speaker 13: think is my biggest takeaway from playing this role.

1866
01:20:24,520 --> 01:20:26,720
Speaker 1: We'll still kicking it with Lindsay at Cobbetta. She's the

1867
01:20:26,760 --> 01:20:29,599
Speaker 1: first black actress to play Alphabra full time in Wicked

1868
01:20:29,720 --> 01:20:32,559
Speaker 1: on Broadway. I took my kids there. Amazing show.

1869
01:20:32,800 --> 01:20:35,599
Speaker 7: Jess, what was the most challenging part about playing Alphaba?

1870
01:20:36,760 --> 01:20:38,040
Speaker 6: If there are any, I.

1871
01:20:38,040 --> 01:20:43,439
Speaker 13: Would say a mental and emotional fatigue. The show is

1872
01:20:43,840 --> 01:20:50,000
Speaker 13: very emotionally taxing. I am constantly faced with like the biggest,

1873
01:20:50,080 --> 01:20:54,440
Speaker 13: most complicated inner feelings that specifically a black woman can experience,

1874
01:20:54,840 --> 01:21:01,280
Speaker 13: feeling othered, feeling misunderstood, not being trusted, disillusion believing in someone,

1875
01:21:01,360 --> 01:21:04,479
Speaker 13: trusting in someone, and then realizing that it's not what

1876
01:21:04,560 --> 01:21:06,800
Speaker 13: it seems. So I think there's a lot of times

1877
01:21:06,840 --> 01:21:08,040
Speaker 13: when I leave the show and I have to just

1878
01:21:08,080 --> 01:21:09,200
Speaker 13: like I don't even turn on the lights in my

1879
01:21:09,240 --> 01:21:12,479
Speaker 13: apartment for hours. I have to be like dead in

1880
01:21:12,760 --> 01:21:15,640
Speaker 13: my head because it's just like the emotional rollercoaster of

1881
01:21:15,760 --> 01:21:19,840
Speaker 13: what the character requires also requires me to plug in

1882
01:21:19,920 --> 01:21:21,120
Speaker 13: and charge when I'm not there.

1883
01:21:21,600 --> 01:21:23,720
Speaker 15: Let's stay there for a minute. Yeah, because alphabet is

1884
01:21:23,800 --> 01:21:25,480
Speaker 15: one of the most demanding roles.

1885
01:21:25,240 --> 01:21:26,479
Speaker 13: And if not the most.

1886
01:21:26,560 --> 01:21:29,320
Speaker 15: If you have so, what's your apprecial ritual to get

1887
01:21:29,320 --> 01:21:31,599
Speaker 15: into that hedge space and voice space every night?

1888
01:21:32,000 --> 01:21:34,880
Speaker 13: I think I definitely take stock in how I'm feeling.

1889
01:21:35,160 --> 01:21:37,320
Speaker 13: If I'm feeling like more tired, maybe I listen to

1890
01:21:37,439 --> 01:21:40,240
Speaker 13: like hype music or like take a walk or like

1891
01:21:40,360 --> 01:21:42,200
Speaker 13: take a hot yoga class something to get me my

1892
01:21:42,360 --> 01:21:45,240
Speaker 13: energy going. But if I'm feeling particularly stimulated that day,

1893
01:21:45,920 --> 01:21:48,040
Speaker 13: so when I was listening to like jazz and something calmer,

1894
01:21:48,720 --> 01:21:50,800
Speaker 13: I usually do like a thirty minute warm up, half

1895
01:21:50,840 --> 01:21:54,280
Speaker 13: of it physical, half of it vocal. And then while

1896
01:21:54,280 --> 01:21:56,200
Speaker 13: I'm getting the greening, which takes thirty minutes to do

1897
01:21:56,240 --> 01:21:59,120
Speaker 13: my makeup every day. When they're doing that for me,

1898
01:22:00,520 --> 01:22:02,439
Speaker 13: that's when I play music, and music I feel like

1899
01:22:02,600 --> 01:22:05,439
Speaker 13: is what drops me into whatever emotional space I need

1900
01:22:06,000 --> 01:22:07,080
Speaker 13: to get into the character.

1901
01:22:07,120 --> 01:22:10,360
Speaker 5: Make up only sixteen thirty minute thirty minutes. Yeah, yeah,

1902
01:22:10,479 --> 01:22:11,720
Speaker 5: I expect it more right.

1903
01:22:12,200 --> 01:22:14,120
Speaker 13: People usually think it takes like hours.

1904
01:22:14,520 --> 01:22:16,760
Speaker 3: Okay, probably just do your face, neck and hands right.

1905
01:22:16,880 --> 01:22:18,320
Speaker 13: Right and like a little bit down my back, but

1906
01:22:18,439 --> 01:22:20,680
Speaker 13: like it's only a little bit down my arm.

1907
01:22:20,720 --> 01:22:23,320
Speaker 3: So do you have a life on Broadway? Can you

1908
01:22:23,400 --> 01:22:25,479
Speaker 3: have a life on Broadway with the amount of shows

1909
01:22:25,520 --> 01:22:25,720
Speaker 3: that you?

1910
01:22:26,360 --> 01:22:28,760
Speaker 13: Let me tell you eight a week? We have one

1911
01:22:28,840 --> 01:22:31,760
Speaker 13: day off yesterday, I could say there, you can have

1912
01:22:31,880 --> 01:22:35,000
Speaker 13: a life on Broadway. When you're alphabra, though, which is

1913
01:22:35,040 --> 01:22:35,800
Speaker 13: a different.

1914
01:22:35,560 --> 01:22:36,479
Speaker 3: Beast, there is no life.

1915
01:22:36,960 --> 01:22:38,040
Speaker 13: It's very difficult.

1916
01:22:38,320 --> 01:22:38,599
Speaker 3: I think.

1917
01:22:38,640 --> 01:22:39,120
Speaker 17: I try.

1918
01:22:39,200 --> 01:22:42,240
Speaker 13: I'm a communal being. I need the energy of others,

1919
01:22:43,240 --> 01:22:46,400
Speaker 13: so I try to balance it. But most states I

1920
01:22:46,600 --> 01:22:49,519
Speaker 13: do spend chilling on my own because, like I said,

1921
01:22:49,560 --> 01:22:52,640
Speaker 13: the mental toll is really I really have to like

1922
01:22:52,840 --> 01:22:55,080
Speaker 13: relax in order to bring my whole heart and soul

1923
01:22:55,560 --> 01:22:58,800
Speaker 13: emotionally to the character. So everybody has a life, but

1924
01:22:59,160 --> 01:23:00,800
Speaker 13: I have less of a life. But you know what

1925
01:23:01,040 --> 01:23:02,880
Speaker 13: the sacrifice is worth it? Let me tell you it

1926
01:23:03,000 --> 01:23:03,360
Speaker 13: is worth it.

1927
01:23:03,800 --> 01:23:06,880
Speaker 15: What's harder hitting that defying gravity? Note eight times a

1928
01:23:06,920 --> 01:23:10,479
Speaker 15: week are carrying the weight of representation every time the

1929
01:23:10,600 --> 01:23:11,080
Speaker 15: curry cool?

1930
01:23:11,320 --> 01:23:16,080
Speaker 13: I ain't that the question? Definitely the representation. It's just

1931
01:23:16,960 --> 01:23:19,400
Speaker 13: it means so much to so many people, and like

1932
01:23:19,640 --> 01:23:21,280
Speaker 13: I think another back to what you were saying about

1933
01:23:21,280 --> 01:23:23,320
Speaker 13: the hardest parts of the role, Like I put a

1934
01:23:23,360 --> 01:23:26,320
Speaker 13: lot of pressure on myself to make every interaction I

1935
01:23:26,400 --> 01:23:28,759
Speaker 13: have through this period of my life has something meaningful

1936
01:23:28,920 --> 01:23:31,560
Speaker 13: to audiences black, brown, white, it don't matter, Like I

1937
01:23:31,760 --> 01:23:37,320
Speaker 13: just I think that that opportunity can sometimes feel like

1938
01:23:37,400 --> 01:23:39,240
Speaker 13: pressure to me, just because I care so much and

1939
01:23:39,280 --> 01:23:41,880
Speaker 13: I really want, especially the kids. I want kids to

1940
01:23:41,920 --> 01:23:46,240
Speaker 13: go away feeling empowered. So defying gravity is like it's

1941
01:23:46,280 --> 01:23:48,400
Speaker 13: like a science is like this is how you're sing it.

1942
01:23:48,439 --> 01:23:55,559
Speaker 13: It's vocal technique, but with the cultural, racial, emotional aspects

1943
01:23:55,600 --> 01:23:58,080
Speaker 13: of it, like those those things take real care, and

1944
01:23:58,520 --> 01:24:00,920
Speaker 13: I really put a lot of effort into how I

1945
01:24:01,000 --> 01:24:03,160
Speaker 13: present myself and what I share with my community.

1946
01:24:03,400 --> 01:24:05,599
Speaker 3: So you feel actual pressure to represent.

1947
01:24:06,880 --> 01:24:10,040
Speaker 13: I do feel pressure in that. I feel like it's

1948
01:24:10,120 --> 01:24:14,120
Speaker 13: more self induced, just because, like I said, I care

1949
01:24:14,240 --> 01:24:17,360
Speaker 13: so much about positively impacting the worlds around me, and

1950
01:24:17,400 --> 01:24:18,719
Speaker 13: that's I feel like that's been one of my dreams

1951
01:24:18,720 --> 01:24:20,000
Speaker 13: since I was a kid, Like I never knew what

1952
01:24:20,000 --> 01:24:21,920
Speaker 13: I would do growing up. But that's kind of why

1953
01:24:21,920 --> 01:24:23,720
Speaker 13: I went into politics for a little while too, and

1954
01:24:23,800 --> 01:24:25,479
Speaker 13: still have a passion for it. Is that I care

1955
01:24:25,560 --> 01:24:29,920
Speaker 13: so much about just like positively inspiring people. So yeah,

1956
01:24:29,960 --> 01:24:32,200
Speaker 13: I do feel pressure, only because that's what I choose

1957
01:24:32,240 --> 01:24:34,640
Speaker 13: to care about. I don't think anybody puts it on

1958
01:24:34,760 --> 01:24:38,200
Speaker 13: me besides myself, which is why this role teaches me

1959
01:24:38,400 --> 01:24:40,880
Speaker 13: to stay, you know, connected and true to who I am,

1960
01:24:40,960 --> 01:24:42,439
Speaker 13: regardless of what's happening around me.

1961
01:24:42,560 --> 01:24:44,280
Speaker 15: Because I feel like if you just bring your full

1962
01:24:44,320 --> 01:24:46,640
Speaker 15: self to the roles.

1963
01:24:46,080 --> 01:24:49,960
Speaker 13: That's enough. I completely agree, and that's exactly what the

1964
01:24:50,080 --> 01:24:52,920
Speaker 13: character does. She brings herself to all these crazy life

1965
01:24:52,960 --> 01:24:56,479
Speaker 13: situations and that's how she survives and thrives.

1966
01:24:57,520 --> 01:24:58,880
Speaker 6: Have you met Cynthia Arriva.

1967
01:24:59,120 --> 01:25:00,600
Speaker 13: I haven't met her yet. If she did send me

1968
01:25:00,680 --> 01:25:04,080
Speaker 13: flowers on my debut, my first show, which is sweet,

1969
01:25:04,120 --> 01:25:07,880
Speaker 13: but I think we should probably be doing some stuff soon. Excited.

1970
01:25:08,080 --> 01:25:10,800
Speaker 15: How do you navigate being celebrated but still feeling like

1971
01:25:10,920 --> 01:25:14,280
Speaker 15: you're breaking through systems that weren't designed for you.

1972
01:25:15,560 --> 01:25:20,120
Speaker 13: I celebrate myself because what I'm doing is a literal revolution,

1973
01:25:21,760 --> 01:25:26,880
Speaker 13: and I believe art is a part of social change

1974
01:25:27,520 --> 01:25:32,160
Speaker 13: and political growth. I believe art shapes culture and culture

1975
01:25:32,200 --> 01:25:34,280
Speaker 13: shapes art. It's sort of symbiotic in that way. So

1976
01:25:35,000 --> 01:25:37,400
Speaker 13: I feel like the fact that I have the opportunity

1977
01:25:37,479 --> 01:25:40,879
Speaker 13: to break through these barriers also like strengthens my relationship

1978
01:25:40,920 --> 01:25:42,439
Speaker 13: with myself. I'm like, yeah, you did that.

1979
01:25:44,360 --> 01:25:45,640
Speaker 3: Who is your elphable growing up?

1980
01:25:45,720 --> 01:25:45,760
Speaker 13: Like?

1981
01:25:45,800 --> 01:25:47,400
Speaker 3: Who made you believe you can defy grab it?

1982
01:25:48,240 --> 01:25:54,200
Speaker 13: That's a great question, I would say seeing Cynthia for sure.

1983
01:25:54,280 --> 01:25:58,120
Speaker 13: I mean Cynthia has done so many amazing projects which

1984
01:25:58,479 --> 01:26:04,040
Speaker 13: like haven't just inspire me endlessly. Audre McDonald also how

1985
01:26:04,120 --> 01:26:07,680
Speaker 13: she has crossed over to different industries, to within the

1986
01:26:07,800 --> 01:26:10,560
Speaker 13: entertainment industry. So seeing black women be sort of like

1987
01:26:10,680 --> 01:26:15,280
Speaker 13: multi hyphenated artists, it's inspired me so much and made

1988
01:26:15,280 --> 01:26:16,560
Speaker 13: me feel like like if they can do it, you

1989
01:26:16,640 --> 01:26:17,400
Speaker 13: know I can't do.

1990
01:26:18,600 --> 01:26:20,320
Speaker 3: Are you a same thing or doing anything together? At

1991
01:26:20,320 --> 01:26:21,360
Speaker 3: the Tony Awards, you said.

1992
01:26:21,920 --> 01:26:24,439
Speaker 13: I pray, honey. That's what I'm I am asking the

1993
01:26:24,520 --> 01:26:28,200
Speaker 13: universe and doing all the networking I can. She is hosting,

1994
01:26:29,040 --> 01:26:29,400
Speaker 13: I pray.

1995
01:26:29,560 --> 01:26:29,920
Speaker 7: I pray.

1996
01:26:30,040 --> 01:26:32,439
Speaker 13: So if anyone can hear me bring me to the Tonys.

1997
01:26:33,760 --> 01:26:35,400
Speaker 13: I would like to be in attendance. I think it

1998
01:26:35,439 --> 01:26:37,040
Speaker 13: would be really great for our community.

1999
01:26:37,360 --> 01:26:38,400
Speaker 3: You haven't been nominated yet.

2000
01:26:39,000 --> 01:26:41,320
Speaker 13: I can't be nominated for Wicked because it's not a

2001
01:26:41,439 --> 01:26:44,120
Speaker 13: new show in this season. I know that, Yeah, that's

2002
01:26:44,520 --> 01:26:45,160
Speaker 13: that's a thing.

2003
01:26:46,000 --> 01:26:48,000
Speaker 3: That's crazy. But if you're an actress, are actor that

2004
01:26:48,120 --> 01:26:49,640
Speaker 3: takes the role to another.

2005
01:26:49,439 --> 01:26:51,800
Speaker 13: Level, yeah you've done I will thank you one to

2006
01:26:52,080 --> 01:26:54,160
Speaker 13: I agree. I do think that long running show should

2007
01:26:54,160 --> 01:26:57,400
Speaker 13: have the opportunity to award you know, particular performances in

2008
01:26:57,439 --> 01:26:59,960
Speaker 13: that way. But for my knowledge of how it works,

2009
01:27:01,000 --> 01:27:03,200
Speaker 13: it's about the new works of that season. There's like,

2010
01:27:04,080 --> 01:27:06,800
Speaker 13: maybe you know, September of the last year until March

2011
01:27:06,840 --> 01:27:09,720
Speaker 13: of the current year, some timeline that the show has

2012
01:27:09,760 --> 01:27:11,840
Speaker 13: to open from what I underson.

2013
01:27:12,000 --> 01:27:15,439
Speaker 5: So the first week, your first week on broadbab after

2014
01:27:15,520 --> 01:27:18,640
Speaker 5: you realize, okay, this is really eight shows, what was

2015
01:27:18,760 --> 01:27:20,719
Speaker 5: that feeling on that Sunday?

2016
01:27:21,240 --> 01:27:24,120
Speaker 13: You know, this is probably gonna be surprising to you maybe,

2017
01:27:24,400 --> 01:27:26,760
Speaker 13: but I was like, no, I got this.

2018
01:27:27,680 --> 01:27:28,960
Speaker 6: I was like, I was so.

2019
01:27:30,920 --> 01:27:35,160
Speaker 13: Concerned with my ability to sustain this, and I was

2020
01:27:35,240 --> 01:27:38,360
Speaker 13: wrong for doubting that I really was. I finished the

2021
01:27:38,400 --> 01:27:40,320
Speaker 13: week and I was like, look, it's a lot of work.

2022
01:27:40,560 --> 01:27:42,600
Speaker 13: I'm tired. My body's tired, my voice is tired, my

2023
01:27:42,640 --> 01:27:45,280
Speaker 13: mind is tired. But like I'm equipped. I feel like

2024
01:27:46,320 --> 01:27:48,240
Speaker 13: I feel like I've had a lot of work experiences

2025
01:27:48,280 --> 01:27:50,960
Speaker 13: that I've built me to be able to sustain this,

2026
01:27:51,240 --> 01:27:52,760
Speaker 13: and like my body is strong, so long as I

2027
01:27:52,840 --> 01:27:55,840
Speaker 13: take care of her, she serves me. So I finished

2028
01:27:55,880 --> 01:27:58,760
Speaker 13: that weekend. I was like so impressed with my own

2029
01:27:58,800 --> 01:27:59,679
Speaker 13: ability to be honest.

2030
01:28:00,080 --> 01:28:02,639
Speaker 7: Shot, I'm a sure right person, got the job.

2031
01:28:02,760 --> 01:28:04,240
Speaker 13: Thank you are amazing.

2032
01:28:04,400 --> 01:28:06,600
Speaker 1: You keep killing it. Like I said, my family loved it.

2033
01:28:06,680 --> 01:28:09,320
Speaker 1: We had a great time. So candy was expensive. I

2034
01:28:09,320 --> 01:28:10,880
Speaker 1: ain't go from my kids wanted every piece.

2035
01:28:10,720 --> 01:28:14,559
Speaker 13: Of can they know that the kids will eat the snacks,

2036
01:28:16,280 --> 01:28:16,800
Speaker 13: but they had.

2037
01:28:16,720 --> 01:28:20,040
Speaker 3: A great time. Loved this so much. Thank you so much, man, pleasure.

2038
01:28:21,000 --> 01:28:21,840
Speaker 3: You gotta go check it out.

2039
01:28:22,080 --> 01:28:23,760
Speaker 7: I am I'm the only one who has not come

2040
01:28:23,800 --> 01:28:24,880
Speaker 7: on out. I'm coming girl.

2041
01:28:25,240 --> 01:28:26,880
Speaker 6: I know about you, so I'm like, I gotta come

2042
01:28:27,360 --> 01:28:28,080
Speaker 6: and support you.

2043
01:28:28,240 --> 01:28:32,799
Speaker 13: Appreciate it and you all amazing. Thank you all right, Lyncia, Lyncia, Lyncia,

2044
01:28:32,920 --> 01:28:33,280
Speaker 13: you got it.

2045
01:28:33,600 --> 01:28:37,360
Speaker 3: Last name Cabetta, Cobetta. He's still gonna mess it up.

2046
01:28:38,520 --> 01:28:40,519
Speaker 3: Ladies and gentlemen. It's the Breakfast Club. Come morning. Thank

2047
01:28:40,520 --> 01:28:43,840
Speaker 3: you so much, Thank you so much, The Breakfast Club.

2048
01:28:46,280 --> 01:28:46,719
Speaker 3: Good morning.

2049
01:28:46,800 --> 01:28:50,400
Speaker 1: Everybody is DJ Envy just Hilario Charlamagne, the guy.

2050
01:28:50,479 --> 01:28:52,439
Speaker 3: We are the Breakfast Club. Let's get to the Latest

2051
01:28:52,439 --> 01:28:54,840
Speaker 3: with Lauren lom you coming straight fast.

2052
01:28:56,600 --> 01:29:00,160
Speaker 14: She gets them from somebody that knows, somebody detail, the

2053
01:29:00,200 --> 01:29:01,840
Speaker 14: homegirl that knows a little bit about everything.

2054
01:29:02,800 --> 01:29:07,200
Speaker 11: She'd be having the latest on the Latest with Lauren

2055
01:29:07,320 --> 01:29:07,759
Speaker 11: la Rosa.

2056
01:29:07,840 --> 01:29:10,320
Speaker 15: Sometimes you have facts, sometimes you have details, sometimes you

2057
01:29:10,360 --> 01:29:11,240
Speaker 15: have a little bit of everything.

2058
01:29:11,280 --> 01:29:14,360
Speaker 11: Well, it's the leader on the Breakfast Club to me.

2059
01:29:15,280 --> 01:29:19,200
Speaker 14: Well, yesterday in the courtroom, a man named Eddie Garcia

2060
01:29:19,280 --> 01:29:21,000
Speaker 14: took the sand. So, Eddie Garcia is the guy that

2061
01:29:21,080 --> 01:29:23,840
Speaker 14: I mentioned to you guys a couple of days ago

2062
01:29:23,880 --> 01:29:25,320
Speaker 14: when I was said that somebody got on the sceand

2063
01:29:25,760 --> 01:29:27,720
Speaker 14: got their community and then was supposed to come back

2064
01:29:27,720 --> 01:29:29,439
Speaker 14: and testify, but they didn't end up getting to him.

2065
01:29:29,920 --> 01:29:33,519
Speaker 14: So Eddie Garcia worked at the Intercontinental Hotel, which is

2066
01:29:33,600 --> 01:29:38,080
Speaker 14: the hotel where the Cassie beating video went down. At

2067
01:29:38,120 --> 01:29:40,440
Speaker 14: the time of the video, he was the security supervisor.

2068
01:29:41,120 --> 01:29:44,240
Speaker 14: So he got on seeing and testified that they received

2069
01:29:44,320 --> 01:29:48,160
Speaker 14: one hundred thousand dollars from Diddy to get rid of

2070
01:29:48,360 --> 01:29:51,599
Speaker 14: the Cassie beating video. That is what he alleged went down.

2071
01:29:51,640 --> 01:29:54,840
Speaker 14: He says that it was split three ways. It was

2072
01:29:54,880 --> 01:29:58,840
Speaker 14: split between one of his bosses at the Intercontinental who

2073
01:29:58,880 --> 01:30:02,120
Speaker 14: reseived fifty thousand dollars Garcia. Eddie Garcia alleges that he

2074
01:30:02,280 --> 01:30:04,640
Speaker 14: then took thirty K and he gave another one of

2075
01:30:04,760 --> 01:30:07,559
Speaker 14: the employees twenty k. These are all people who were

2076
01:30:07,640 --> 01:30:11,439
Speaker 14: like involved in like actually saw the video erase the

2077
01:30:11,520 --> 01:30:13,400
Speaker 14: videos off the server. One of them is a manager

2078
01:30:13,439 --> 01:30:17,120
Speaker 14: who actually allegedly had the conversation in addition to Eddie

2079
01:30:17,120 --> 01:30:19,760
Speaker 14: Garcia with Christina Karan and Diddy. So the way he

2080
01:30:19,840 --> 01:30:22,320
Speaker 14: says this went down is he says, one day he

2081
01:30:22,479 --> 01:30:25,240
Speaker 14: received a phone call, and this was following the Diddy

2082
01:30:25,280 --> 01:30:28,040
Speaker 14: incident that happened on March tenth, twenty sixteen. He says

2083
01:30:28,080 --> 01:30:29,760
Speaker 14: he got a phone call from a New York number

2084
01:30:30,160 --> 01:30:32,880
Speaker 14: and on the phone, he alleges, was Christina Karam, who

2085
01:30:33,120 --> 01:30:36,320
Speaker 14: was an employee of Ditties, and on the phone she

2086
01:30:36,680 --> 01:30:39,040
Speaker 14: at the time she was she for staff for Combs Enterprises.

2087
01:30:39,400 --> 01:30:41,920
Speaker 14: So he says, on the phone, she then asked him

2088
01:30:41,920 --> 01:30:44,840
Speaker 14: about the video, the security video, and he says that,

2089
01:30:45,400 --> 01:30:48,720
Speaker 14: you know, she claimed that Diddy was intoxicated at the

2090
01:30:48,800 --> 01:30:50,400
Speaker 14: time in the video and that he didn't remember the

2091
01:30:50,479 --> 01:30:54,640
Speaker 14: event was soever. So then she goes on and she's like,

2092
01:30:55,280 --> 01:30:59,360
Speaker 14: she's asking for the video to be deleted, and Garcia

2093
01:30:59,680 --> 01:31:02,439
Speaker 14: is like, well, I don't have any control over that.

2094
01:31:02,600 --> 01:31:04,200
Speaker 14: I want to like, I can't, like you see the video.

2095
01:31:04,280 --> 01:31:06,400
Speaker 14: I can't talk about things being deleted. I can't talk

2096
01:31:06,439 --> 01:31:08,639
Speaker 14: anything about this video. You have to speak to hotel management.

2097
01:31:09,240 --> 01:31:12,479
Speaker 14: So then he says he was later informed that Christina

2098
01:31:12,560 --> 01:31:14,880
Speaker 14: Karam allegedly was in the hotel lobby looking for him

2099
01:31:15,400 --> 01:31:17,679
Speaker 14: and she was asking for the video. So he says

2100
01:31:17,800 --> 01:31:19,960
Speaker 14: that again he told her to talk to hotel management

2101
01:31:20,040 --> 01:31:22,439
Speaker 14: or that they would have to file for a subpoena

2102
01:31:22,520 --> 01:31:24,120
Speaker 14: like something in court where they could get the video.

2103
01:31:24,640 --> 01:31:27,040
Speaker 14: So he does admit though that he told her like,

2104
01:31:27,080 --> 01:31:29,400
Speaker 14: look off the record. The video is really bad, but

2105
01:31:29,520 --> 01:31:30,439
Speaker 14: there's nothing that I can.

2106
01:31:30,360 --> 01:31:30,720
Speaker 4: Do for you.

2107
01:31:31,200 --> 01:31:33,559
Speaker 14: So then Eddie Garcia says that he later got another

2108
01:31:33,560 --> 01:31:35,839
Speaker 14: phone call from Christina Karam, but at that time, Diddy's

2109
01:31:35,840 --> 01:31:38,000
Speaker 14: on the on the phone. So when he gets on

2110
01:31:38,080 --> 01:31:41,120
Speaker 14: the phone, Diddy's on the phone asking to again get

2111
01:31:41,160 --> 01:31:43,759
Speaker 14: the video, and he's like, you know, Diddy was nervous,

2112
01:31:43,840 --> 01:31:47,240
Speaker 14: he was fast talking allegedly, but again he denied the

2113
01:31:47,320 --> 01:31:49,880
Speaker 14: request to give them the video. After that phone call,

2114
01:31:49,960 --> 01:31:52,000
Speaker 14: They then called him again, but this time it was

2115
01:31:52,080 --> 01:31:55,960
Speaker 14: from Diddy's own personal phone, allegedly, and Diddy was basically

2116
01:31:56,040 --> 01:31:58,000
Speaker 14: telling him like, look, this video could ruin my career.

2117
01:31:58,960 --> 01:32:02,760
Speaker 14: So Garcia is like, listen, I don't have access to Eddie.

2118
01:32:02,760 --> 01:32:04,759
Speaker 14: Garcia is like, I don't have access to the server anyway,

2119
01:32:05,360 --> 01:32:07,599
Speaker 14: but if you, you know, want to make something happen,

2120
01:32:07,680 --> 01:32:09,040
Speaker 14: my manager is a person that you would have to

2121
01:32:09,080 --> 01:32:11,479
Speaker 14: talk to. And did he told him like, look, if

2122
01:32:11,520 --> 01:32:14,200
Speaker 14: you can figure this out, we'll take care of you.

2123
01:32:14,320 --> 01:32:17,120
Speaker 14: And Garcia at the time says that he interpreted that as,

2124
01:32:17,640 --> 01:32:21,559
Speaker 14: you know, a money offer. So they then connect him

2125
01:32:21,680 --> 01:32:23,600
Speaker 14: or he then goes and talks to his supervisor, his

2126
01:32:23,720 --> 01:32:26,599
Speaker 14: manager supervisor, and this is the guy that he says,

2127
01:32:26,720 --> 01:32:28,759
Speaker 14: name is Bill Madrano.

2128
01:32:28,920 --> 01:32:30,880
Speaker 7: That's the guy that got the fifty k. Now.

2129
01:32:30,960 --> 01:32:33,680
Speaker 14: He says that when he talked to him, his supervisor

2130
01:32:33,720 --> 01:32:36,240
Speaker 14: originally said, look, I'll do it for fifty thousand dollars.

2131
01:32:36,479 --> 01:32:38,799
Speaker 14: Just tell Diddy allegedly like, you know, fifty thousand dollars,

2132
01:32:39,400 --> 01:32:40,800
Speaker 14: put me on the phone with them, I'll take care

2133
01:32:40,840 --> 01:32:43,360
Speaker 14: of it. So he gets back on the phone with them,

2134
01:32:43,400 --> 01:32:45,400
Speaker 14: he says, did he refers to the Madrano guy as

2135
01:32:45,439 --> 01:32:47,320
Speaker 14: like his angel because he's willing to do it. So

2136
01:32:47,520 --> 01:32:51,960
Speaker 14: then Eddie Garcia they go and meet up with Diddy

2137
01:32:52,000 --> 01:32:54,000
Speaker 14: at this like a high rise building in West la.

2138
01:32:54,360 --> 01:32:56,679
Speaker 14: He says that Diddy's counting like money through a money

2139
01:32:56,720 --> 01:32:59,240
Speaker 14: counter and the money counter rang up one hundred thousand

2140
01:32:59,240 --> 01:33:03,040
Speaker 14: dollars and he gave him the money. He says, he

2141
01:33:03,800 --> 01:33:05,560
Speaker 14: said that did he said to him, like, you know,

2142
01:33:05,720 --> 01:33:07,360
Speaker 14: be careful how you spend all the money or whatever.

2143
01:33:07,800 --> 01:33:10,280
Speaker 14: But there were NDAs that were brought to him. Did

2144
01:33:10,320 --> 01:33:13,200
Speaker 14: he allegedly also act for their like IDs of everybody

2145
01:33:13,240 --> 01:33:16,600
Speaker 14: that was involved. Did he act allegedly if there was

2146
01:33:16,720 --> 01:33:18,960
Speaker 14: other videos on the server, like if that was the

2147
01:33:19,000 --> 01:33:21,240
Speaker 14: only copy, if there was anything on the cloud and

2148
01:33:21,520 --> 01:33:23,479
Speaker 14: he told him, like you know that that was all

2149
01:33:23,520 --> 01:33:26,120
Speaker 14: that was there, and he says that did he he

2150
01:33:26,160 --> 01:33:29,639
Speaker 14: alleged that did he actually FaceTime Cassie and put Cassie

2151
01:33:29,680 --> 01:33:32,120
Speaker 14: on the phone, And she also allegedly confirmed that she

2152
01:33:32,160 --> 01:33:33,559
Speaker 14: did not want the video to become public.

2153
01:33:33,840 --> 01:33:35,599
Speaker 7: She had a movie coming out and she just didn't

2154
01:33:35,640 --> 01:33:36,479
Speaker 7: want it to become public.

2155
01:33:36,600 --> 01:33:38,120
Speaker 3: So so question what does this have to do with

2156
01:33:38,200 --> 01:33:38,559
Speaker 3: his case?

2157
01:33:38,640 --> 01:33:39,080
Speaker 4: Like what is that?

2158
01:33:39,240 --> 01:33:41,400
Speaker 3: What does this fall under? Like his racketeering or what

2159
01:33:41,600 --> 01:33:42,720
Speaker 3: charge does this apply to.

2160
01:33:43,080 --> 01:33:45,120
Speaker 14: I believe that this is going to go to him

2161
01:33:45,320 --> 01:33:48,840
Speaker 14: using money and his influence to be able to cover

2162
01:33:48,960 --> 01:33:51,559
Speaker 14: things up and move around. Like so you have all

2163
01:33:51,680 --> 01:33:55,160
Speaker 14: the domestic violence videos which show the whole force coercion

2164
01:33:55,240 --> 01:33:57,439
Speaker 14: and did they're legend. This is why Cassie was scared

2165
01:33:57,479 --> 01:33:59,639
Speaker 14: to stay in a relationship. But then you have him

2166
01:34:00,080 --> 01:34:02,960
Speaker 14: number one, If it's yes, bribery, but also if you're

2167
01:34:03,080 --> 01:34:05,600
Speaker 14: if you are knowingly right, if this is proven that

2168
01:34:05,760 --> 01:34:07,960
Speaker 14: he did this, that means you knew you did something

2169
01:34:08,040 --> 01:34:10,720
Speaker 14: wrong and then and after you know you do something wrong,

2170
01:34:10,800 --> 01:34:12,840
Speaker 14: you then go and use your power, you're influencing, your

2171
01:34:12,880 --> 01:34:14,280
Speaker 14: money to then cover it up.

2172
01:34:14,400 --> 01:34:14,920
Speaker 3: Is bribery?

2173
01:34:15,000 --> 01:34:18,240
Speaker 1: Yes, Getting a guy asked for the money though didn't

2174
01:34:18,240 --> 01:34:20,639
Speaker 1: did he just say hey, I want the video deleted

2175
01:34:20,680 --> 01:34:22,519
Speaker 1: and the guy said it'll take fifty thousand dollars?

2176
01:34:22,600 --> 01:34:24,120
Speaker 3: Or is that bribery if the guy asks?

2177
01:34:24,200 --> 01:34:27,000
Speaker 14: But prior to that, Eddie Garcia says, did he told

2178
01:34:27,040 --> 01:34:29,640
Speaker 14: him I'll take care of y'all. So he interpreted that

2179
01:34:29,680 --> 01:34:31,439
Speaker 14: as a money offer. And then there was the other

2180
01:34:31,560 --> 01:34:33,200
Speaker 14: hotel security guy. It was weeks ago.

2181
01:34:33,360 --> 01:34:35,479
Speaker 15: Yeah, I'm looking at the New York Post article. In

2182
01:34:35,479 --> 01:34:37,240
Speaker 15: the New York Post article said, Sean did he combs

2183
01:34:37,320 --> 01:34:38,720
Speaker 15: bribe to hotel security? So if you look at the

2184
01:34:38,760 --> 01:34:41,000
Speaker 15: racketeer and charge, bribery is one of the things when

2185
01:34:41,000 --> 01:34:43,240
Speaker 15: I hear Lauren explaining all this, I'm just trying to

2186
01:34:43,280 --> 01:34:45,560
Speaker 15: figure out what exactly does that have to do with

2187
01:34:45,640 --> 01:34:46,759
Speaker 15: his case and his bribery.

2188
01:34:46,920 --> 01:34:50,160
Speaker 14: Yes, but but so the bribery, the physical because people

2189
01:34:50,240 --> 01:34:51,240
Speaker 14: keep people are upset.

2190
01:34:51,320 --> 01:34:53,920
Speaker 7: No, no, no, I'm not saying that we know it.

2191
01:34:53,960 --> 01:34:56,360
Speaker 14: I'm saying people are trying to figure out why do

2192
01:34:56,439 --> 01:34:58,439
Speaker 14: they keep even going back to this incident, like why

2193
01:34:58,479 --> 01:34:59,960
Speaker 14: do you care to prove that there was money pay?

2194
01:35:00,120 --> 01:35:01,559
Speaker 7: Why do you care to talk about bribery?

2195
01:35:01,760 --> 01:35:04,679
Speaker 14: Because he's not being charged with domestic violence, But the bribery,

2196
01:35:04,920 --> 01:35:08,000
Speaker 14: the physical, alleged violence, all these things are things that

2197
01:35:08,160 --> 01:35:11,720
Speaker 14: the government is saying. This is an entire conspiracy that

2198
01:35:11,880 --> 01:35:15,080
Speaker 14: he uses his employees and his businesses to successfully do,

2199
01:35:15,280 --> 01:35:18,439
Speaker 14: and people are scared to get away from it so allegedly,

2200
01:35:18,560 --> 01:35:20,320
Speaker 14: so if they're scared, you can make them do anything.

2201
01:35:20,800 --> 01:35:21,240
Speaker 3: Quick question.

2202
01:35:21,920 --> 01:35:23,640
Speaker 1: It's the same thing that Trump was convicted for when

2203
01:35:23,680 --> 01:35:27,920
Speaker 1: he bribed old girl ribery. Regardless the porn star. Yes, yes,

2204
01:35:28,120 --> 01:35:29,840
Speaker 1: And now the next question, then how did the video

2205
01:35:29,880 --> 01:35:31,599
Speaker 1: get out? Did they know how the video got out then,

2206
01:35:31,760 --> 01:35:34,559
Speaker 1: because if they wiped all the clouds and nobody else

2207
01:35:34,560 --> 01:35:36,200
Speaker 1: had a video, how did that video come out there?

2208
01:35:36,280 --> 01:35:40,560
Speaker 14: So Eddie Eddie Garcia says that one day they just

2209
01:35:40,600 --> 01:35:43,920
Speaker 14: saw the video in the media. He says that he

2210
01:35:44,120 --> 01:35:49,240
Speaker 14: got screenshots sent to him. They just literally, he said,

2211
01:35:49,280 --> 01:35:51,679
Speaker 14: the video years later, they just saw on the news outlet.

2212
01:35:52,080 --> 01:35:55,280
Speaker 14: One of the guys who was involved, who responded during

2213
01:35:55,320 --> 01:35:58,280
Speaker 14: the time of the actual incident, text them a screenshot

2214
01:35:58,400 --> 01:36:01,639
Speaker 14: of the video on CNN, and Eddie Garcia said when

2215
01:36:01,640 --> 01:36:04,080
Speaker 14: he got all these sex messages, he deleted all of

2216
01:36:04,080 --> 01:36:05,800
Speaker 14: the related messages because he didn't want nothing to do

2217
01:36:05,880 --> 01:36:09,040
Speaker 14: with it. But he didn't go into exactly how it

2218
01:36:09,120 --> 01:36:11,960
Speaker 14: made it. He just said it popped up on seeing it, and.

2219
01:36:12,160 --> 01:36:15,320
Speaker 15: They said another hotel guard testified that he recorded the

2220
01:36:15,360 --> 01:36:17,040
Speaker 15: footage on his phone so he could show his wife.

2221
01:36:17,120 --> 01:36:19,000
Speaker 14: That's the first guy we talked about him a minute ago.

2222
01:36:19,120 --> 01:36:21,479
Speaker 14: That was the very first guy from the Intercontinental Hotel

2223
01:36:21,479 --> 01:36:22,719
Speaker 14: who's now an LAPD officer.

2224
01:36:22,880 --> 01:36:24,840
Speaker 3: You know that dude only ended up with thirty dollars,

2225
01:36:25,200 --> 01:36:25,720
Speaker 3: but he broke it.

2226
01:36:25,800 --> 01:36:28,080
Speaker 7: He because he burst it down thirty thousand, and he

2227
01:36:28,160 --> 01:36:28,599
Speaker 7: bought a car.

2228
01:36:28,720 --> 01:36:30,800
Speaker 3: Yeah, he gave He gave his boss fifty grand. He

2229
01:36:30,840 --> 01:36:32,080
Speaker 3: gave another security guard twenty.

2230
01:36:32,560 --> 01:36:34,920
Speaker 14: Because it was there were multiple people involved, the boss

2231
01:36:35,000 --> 01:36:36,080
Speaker 14: had to say, yeah, we'll do it.

2232
01:36:36,360 --> 01:36:37,560
Speaker 7: That's who said the fifty k.

2233
01:36:38,000 --> 01:36:41,400
Speaker 14: And then then you have this other guy who was

2234
01:36:41,520 --> 01:36:44,360
Speaker 14: involved because he's seeing the video, he knowing the conversation,

2235
01:36:44,479 --> 01:36:45,920
Speaker 14: he's knowing that they came to the hotel.

2236
01:36:46,000 --> 01:36:47,240
Speaker 7: So they're all involved at.

2237
01:36:47,240 --> 01:36:50,760
Speaker 15: Every point week ass negotiators bro yes, video like that

2238
01:36:51,000 --> 01:36:52,160
Speaker 15: is worked for a few million?

2239
01:36:52,320 --> 01:36:55,240
Speaker 3: Are y all crazy? Did he said in my career?

2240
01:36:55,439 --> 01:36:56,200
Speaker 3: But he won't.

2241
01:36:57,280 --> 01:36:59,080
Speaker 14: But they also they recognized who did he was, So

2242
01:36:59,160 --> 01:37:01,080
Speaker 14: I'm sure that there's like a fan element to that, right.

2243
01:37:01,120 --> 01:37:03,400
Speaker 14: But also at the time, Eddie Garcia is making ten

2244
01:37:03,439 --> 01:37:04,679
Speaker 14: dollars and fifty cents per hour.

2245
01:37:04,840 --> 01:37:07,200
Speaker 3: And that's why that's why she would have been negotiated.

2246
01:37:07,240 --> 01:37:08,760
Speaker 3: And you got to have a bird around you, because

2247
01:37:08,760 --> 01:37:09,880
Speaker 3: a bird would have went to Google and.

2248
01:37:09,920 --> 01:37:11,680
Speaker 15: Been like, Yo, this dude is worth such and such

2249
01:37:11,680 --> 01:37:14,000
Speaker 15: one hundreds and millions of dollars, one hundred thousand.

2250
01:37:14,000 --> 01:37:15,960
Speaker 1: We've shooting two low guys and did. He told him,

2251
01:37:15,960 --> 01:37:18,160
Speaker 1: this is gonna ruin my career if this ever comes out.

2252
01:37:18,280 --> 01:37:19,320
Speaker 3: What you got eyes?

2253
01:37:19,400 --> 01:37:21,639
Speaker 15: I would watch that video yourself and know that could

2254
01:37:21,680 --> 01:37:23,160
Speaker 15: ruin Diddy's career in twenty sixteen.

2255
01:37:23,479 --> 01:37:26,519
Speaker 1: Yeah, that's because there's a difference between the trouble between

2256
01:37:26,520 --> 01:37:28,040
Speaker 1: if you get a hundred thousand and a million like that,

2257
01:37:28,200 --> 01:37:28,759
Speaker 1: the same trumble.

2258
01:37:28,760 --> 01:37:32,000
Speaker 14: But I think the first security guard, like I really

2259
01:37:32,040 --> 01:37:33,759
Speaker 14: think that there was a fan element to this because

2260
01:37:33,800 --> 01:37:35,560
Speaker 14: the first security guard that you're talking about that we

2261
01:37:35,600 --> 01:37:38,479
Speaker 14: talked about a couple of weeks ago, he literally recorded

2262
01:37:38,520 --> 01:37:40,240
Speaker 14: the video because he's like, no one's going to believe

2263
01:37:40,280 --> 01:37:41,000
Speaker 14: that this is happening.

2264
01:37:41,240 --> 01:37:43,200
Speaker 7: Like you see Diddy in this video.

2265
01:37:43,080 --> 01:37:45,040
Speaker 3: It's like, oh my god, have you seen Austin Powers?

2266
01:37:45,120 --> 01:37:49,479
Speaker 15: I need one million dollars okay a piece between all

2267
01:37:49,560 --> 01:37:51,120
Speaker 15: three of us. And then when Diddy would have been like,

2268
01:37:51,200 --> 01:37:53,080
Speaker 15: that's a lot of money, more money, more problems.

2269
01:37:53,680 --> 01:37:54,040
Speaker 7: But then.

2270
01:37:55,680 --> 01:37:59,160
Speaker 14: What movie was Casey and she had the perfect match

2271
01:37:59,240 --> 01:38:02,240
Speaker 14: coming out? She had testified that, Remember she did the

2272
01:38:02,240 --> 01:38:05,640
Speaker 14: perfect match with Mike You remember, oh yeah, so she

2273
01:38:06,120 --> 01:38:07,680
Speaker 14: she had the perfect match coming out or whatever, and

2274
01:38:07,760 --> 01:38:09,679
Speaker 14: she testified that that weekend. Remember she did the freak

2275
01:38:09,720 --> 01:38:12,400
Speaker 14: off because she didn't want to get into any physical

2276
01:38:12,439 --> 01:38:14,479
Speaker 14: altercations or whatever allegedly with Diddy because she wanted to

2277
01:38:14,479 --> 01:38:16,280
Speaker 14: be able to go to her movie premiere. So she's

2278
01:38:17,080 --> 01:38:18,519
Speaker 14: she's saying, I don't want this to come out because

2279
01:38:18,600 --> 01:38:20,880
Speaker 14: my movie's coming blah blah blah. But the man is

2280
01:38:20,920 --> 01:38:22,680
Speaker 14: making ten dollars and fifty cents per hour. And then

2281
01:38:22,760 --> 01:38:25,439
Speaker 14: after that, he said that even after the money exchange happened,

2282
01:38:25,720 --> 01:38:28,080
Speaker 14: did he act that year texted them like happy Eastern,

2283
01:38:28,680 --> 01:38:30,920
Speaker 14: So you know, he feels like he has like a

2284
01:38:31,000 --> 01:38:33,760
Speaker 14: relationship now with Diddy or whatever. But did he take

2285
01:38:33,840 --> 01:38:39,320
Speaker 14: him that according to uh, but he told the guy

2286
01:38:39,360 --> 01:38:41,800
Speaker 14: you my angel before he gave him the money. That

2287
01:38:41,840 --> 01:38:43,920
Speaker 14: was the fifty k guy that was the supervisor. But yeah,

2288
01:38:44,040 --> 01:38:47,080
Speaker 14: because now they're getting rid of the video. So I mean,

2289
01:38:47,120 --> 01:38:49,960
Speaker 14: outside of that, the courtroom is self exploded because there

2290
01:38:50,040 --> 01:38:52,880
Speaker 14: was a lady inside of the court who started yelling

2291
01:38:53,000 --> 01:38:55,240
Speaker 14: at Diddy that they out to get them, and she

2292
01:38:55,360 --> 01:38:57,720
Speaker 14: dared the security guards to pull out their guns and

2293
01:38:57,840 --> 01:39:00,360
Speaker 14: use them, and y'all cords getting crazy.

2294
01:39:00,880 --> 01:39:03,200
Speaker 5: It's just a lot going on over there. It was

2295
01:39:03,280 --> 01:39:06,400
Speaker 5: Correg K Barney that something, No, it was just another

2296
01:39:06,640 --> 01:39:07,519
Speaker 5: just a random woman.

2297
01:39:07,720 --> 01:39:08,080
Speaker 7: Yeah, it was.

2298
01:39:08,200 --> 01:39:10,519
Speaker 14: It was a random woman inside of the courtroom. Because

2299
01:39:10,680 --> 01:39:13,519
Speaker 14: people they just let random people in there. Yeah, because

2300
01:39:13,520 --> 01:39:15,720
Speaker 14: you people of the public can come to view it,

2301
01:39:15,840 --> 01:39:17,200
Speaker 14: like they have a right to come and view it,

2302
01:39:17,240 --> 01:39:19,280
Speaker 14: and they do. Like there was people in there with

2303
01:39:19,320 --> 01:39:22,640
Speaker 14: their families the other day when I was there, my

2304
01:39:22,840 --> 01:39:24,360
Speaker 14: Happy birthday to Quincy Brown.

2305
01:39:27,040 --> 01:39:27,679
Speaker 3: Did he's son?

2306
01:39:28,240 --> 01:39:33,040
Speaker 14: Oh we've never heard his last name. Yes, yeah, we

2307
01:39:33,200 --> 01:39:34,200
Speaker 14: never heard his last name.

2308
01:39:35,800 --> 01:39:36,120
Speaker 13: Right, I was like.

2309
01:39:37,720 --> 01:39:38,960
Speaker 3: His real name, Quincy Brown.

2310
01:39:40,800 --> 01:39:42,200
Speaker 7: Yeah, I've never heard his last name.

2311
01:39:43,479 --> 01:39:43,719
Speaker 13: Damn.

2312
01:39:44,000 --> 01:39:44,280
Speaker 7: That's it.

2313
01:39:44,560 --> 01:39:46,599
Speaker 5: Well, thank you for the latest, Lord, welcome, all right,

2314
01:39:46,680 --> 01:39:51,120
Speaker 5: when we come back and look, it's also King George,

2315
01:39:51,160 --> 01:39:53,560
Speaker 5: the third, King George the third birthday. He would have

2316
01:39:53,560 --> 01:39:58,120
Speaker 5: been two hundred and eighty seven. He's born in seventeen.

2317
01:39:58,760 --> 01:40:04,160
Speaker 1: Okay, crashed, all right, yes it is. When we come back.

2318
01:40:04,200 --> 01:40:06,360
Speaker 1: We got the People's choice mixes, the Breakfast Club awarded.

2319
01:40:06,880 --> 01:40:09,879
Speaker 3: You're checking out the Breakfast Club morning, everybody.

2320
01:40:09,960 --> 01:40:13,519
Speaker 1: It's j Envy, just Hilarius Charlamagne the guy. We are

2321
01:40:13,600 --> 01:40:16,000
Speaker 1: the Breakfast Club. It is Pride Month and it's time

2322
01:40:16,040 --> 01:40:17,519
Speaker 1: we wrap a gay a day.

2323
01:40:19,280 --> 01:40:22,640
Speaker 3: Just to take this right, got break Bows's Gay outside.

2324
01:40:27,800 --> 01:40:31,000
Speaker 5: Ya yaya yea.

2325
01:40:35,000 --> 01:40:35,519
Speaker 6: Yes, y'all.

2326
01:40:35,600 --> 01:40:37,639
Speaker 5: So we're gonna go on this gay ride for Pride

2327
01:40:37,680 --> 01:40:40,000
Speaker 5: today and we're gonna wrap my best friend, Sheena.

2328
01:40:40,360 --> 01:40:42,480
Speaker 6: She is the most humble.

2329
01:40:42,200 --> 01:40:47,360
Speaker 3: Stud that I've ever met in my life. What's so funny?

2330
01:40:47,479 --> 01:40:48,240
Speaker 6: I don't understand?

2331
01:40:48,960 --> 01:40:53,200
Speaker 3: Hello, humble stud is She is a humble stood.

2332
01:40:54,000 --> 01:40:58,439
Speaker 5: And I'm happy because she uh is now dating someone.

2333
01:40:58,720 --> 01:41:02,960
Speaker 5: Nobody has ever dated her for a long, long long time.

2334
01:41:03,160 --> 01:41:05,400
Speaker 5: I was even questioning if she was gay. But she

2335
01:41:05,640 --> 01:41:09,200
Speaker 5: is back from the gay graves and she is dating

2336
01:41:09,760 --> 01:41:10,320
Speaker 5: and I love you.

2337
01:41:10,439 --> 01:41:11,519
Speaker 6: Shehena, she's dating.

2338
01:41:11,920 --> 01:41:12,719
Speaker 3: She's dating a woman.

2339
01:41:13,520 --> 01:41:14,439
Speaker 6: I said, she's back from.

2340
01:41:14,360 --> 01:41:15,439
Speaker 3: The gay graves to make sure.

2341
01:41:15,800 --> 01:41:15,960
Speaker 4: Yeah.

2342
01:41:16,040 --> 01:41:16,200
Speaker 18: Yeah.

2343
01:41:16,560 --> 01:41:18,800
Speaker 6: I felt like, you know, her gay was expiring your

2344
01:41:18,880 --> 01:41:20,439
Speaker 6: like she was like single for.

2345
01:41:20,560 --> 01:41:21,679
Speaker 3: Like a good ten years.

2346
01:41:22,280 --> 01:41:25,120
Speaker 6: So I was like, oh my god, lord, but my

2347
01:41:25,320 --> 01:41:28,120
Speaker 6: girl is down there. She's probably driving the bus listening

2348
01:41:28,160 --> 01:41:28,400
Speaker 6: to us.

2349
01:41:29,720 --> 01:41:32,960
Speaker 3: Yes, and all the bus drivers out there, we appreciate

2350
01:41:33,080 --> 01:41:35,280
Speaker 3: your service. Why you don't You don't.

2351
01:41:35,120 --> 01:41:36,799
Speaker 7: Got a Greek up with the rest of the bus drivers.

2352
01:41:37,200 --> 01:41:38,479
Speaker 6: No, this is just her moment.

2353
01:41:38,640 --> 01:41:41,120
Speaker 3: I want. Can I have a picture she driving the bus?

2354
01:41:41,240 --> 01:41:41,280
Speaker 13: No?

2355
01:41:42,479 --> 01:41:42,800
Speaker 4: What are you?

2356
01:41:45,280 --> 01:41:50,560
Speaker 3: She won't send me one. Yeah, because what uniform? No, No,

2357
01:41:50,960 --> 01:41:53,879
Speaker 3: that is she driving public or little.

2358
01:41:53,720 --> 01:41:56,400
Speaker 6: Kids or no public buses transportation?

2359
01:41:56,520 --> 01:41:58,080
Speaker 5: Yes, oh so you could just wait on the bus

2360
01:41:58,120 --> 01:42:00,400
Speaker 5: and Stimore's finest Craig kids going about mess on.

2361
01:42:00,439 --> 01:42:00,960
Speaker 7: Her every day.

2362
01:42:01,040 --> 01:42:03,360
Speaker 3: But she and the kudo like so she driving the

2363
01:42:03,400 --> 01:42:05,360
Speaker 3: book look like a character in an ice Cube movie.

2364
01:42:05,479 --> 01:42:13,800
Speaker 3: Like you know, I love you, I love you so much. Boom,

2365
01:42:13,880 --> 01:42:17,240
Speaker 3: salute tomorrow. Brock killed for joining us this morning, end man.

2366
01:42:17,360 --> 01:42:18,559
Speaker 6: That lady is so beautiful.

2367
01:42:19,720 --> 01:42:22,639
Speaker 15: You know what I was thinking when I see women

2368
01:42:22,720 --> 01:42:25,400
Speaker 15: like Marl Brock and kill, Why would any Why are

2369
01:42:25,439 --> 01:42:28,519
Speaker 15: you older men want these young girls when black women

2370
01:42:28,640 --> 01:42:29,320
Speaker 15: age like that?

2371
01:42:29,920 --> 01:42:31,920
Speaker 3: She looks so good? What are we talking about?

2372
01:42:32,760 --> 01:42:32,960
Speaker 4: Yes?

2373
01:42:33,720 --> 01:42:35,920
Speaker 3: What are we talking about? That's probably why she's married.

2374
01:42:36,000 --> 01:42:39,240
Speaker 3: That's oh she's married? Yes, absolutely amazing.

2375
01:42:39,600 --> 01:42:39,840
Speaker 4: Yes.

2376
01:42:40,040 --> 01:42:43,760
Speaker 3: And also Lycia Kabita, Yes, the first black actress to

2377
01:42:43,800 --> 01:42:44,760
Speaker 3: play what is it?

2378
01:42:46,080 --> 01:42:46,400
Speaker 4: What was that?

2379
01:42:46,479 --> 01:42:49,160
Speaker 3: Combetta? Cobetta, Coubet, keep putting the d Commetta.

2380
01:42:49,240 --> 01:42:51,720
Speaker 1: She's the first black actress to play Alpha bro full

2381
01:42:51,800 --> 01:42:53,200
Speaker 1: time and Wicked on broad.

2382
01:42:54,560 --> 01:42:55,920
Speaker 3: Yes, yes, all right.

2383
01:42:56,000 --> 01:42:58,120
Speaker 1: And also I got to remind you guys, Father's Day weekend,

2384
01:42:58,120 --> 01:43:00,680
Speaker 1: I'll be in Atlantic City with Vibes car Tail. We're

2385
01:43:00,680 --> 01:43:05,160
Speaker 1: doing a huge Vibes called Day Taeil Father's Day weekend performance.

2386
01:43:05,160 --> 01:43:07,040
Speaker 1: So if you haven't got your tickets, get your tickets.

2387
01:43:07,080 --> 01:43:08,920
Speaker 1: It will sell out. The venue is not as big

2388
01:43:08,960 --> 01:43:10,760
Speaker 1: as the ball play, so it will sell out fast.

2389
01:43:10,800 --> 01:43:12,560
Speaker 1: I think they're almost gone. So if you want to

2390
01:43:12,560 --> 01:43:16,519
Speaker 1: see Vibes Cartel in Atlantic City, get your tickets asap.

2391
01:43:16,600 --> 01:43:20,800
Speaker 5: That's gonna be crazy, stupid yo. Oh wow, people gonna

2392
01:43:20,800 --> 01:43:24,360
Speaker 5: be outside everything. People love Vibes. That's right, y'all need

2393
01:43:24,400 --> 01:43:27,240
Speaker 5: to get your tickets. Also, Pittsburgh, I will be there

2394
01:43:27,600 --> 01:43:30,920
Speaker 5: Friday and Saturday. That's June thirteenth and fourteenth. Get your

2395
01:43:30,960 --> 01:43:33,160
Speaker 5: tickets if we have not yet, just a Laryspicial dot com.

2396
01:43:33,240 --> 01:43:36,360
Speaker 5: I'll be at the improv, the improv, The improv, the mprov.

2397
01:43:36,400 --> 01:43:37,920
Speaker 5: I know I was saying the funny Bone, but they

2398
01:43:38,000 --> 01:43:38,920
Speaker 5: owned by the same person.

2399
01:43:39,160 --> 01:43:40,240
Speaker 3: My bad. Pittsburgh.

2400
01:43:40,280 --> 01:43:42,519
Speaker 6: I'll be there at the improv me and my brother.

2401
01:43:42,920 --> 01:43:46,599
Speaker 5: That's the Alexander Friday and Saturday, June thirteenth and fourteenth.

2402
01:43:46,840 --> 01:43:48,240
Speaker 6: Get your tickets now.

2403
01:43:49,680 --> 01:43:51,920
Speaker 3: All right, Well, we got a positive note. Yes, the

2404
01:43:52,000 --> 01:43:53,040
Speaker 3: positive note is simple.

2405
01:43:53,160 --> 01:43:53,320
Speaker 18: Man.

2406
01:43:53,600 --> 01:43:55,679
Speaker 3: You can run with a lie, but you can't hide

2407
01:43:55,680 --> 01:43:58,559
Speaker 3: from the truth. It will catch you. Have a blessed day,

2408
01:43:58,720 --> 01:44:01,360
Speaker 3: Breakfast club bitches, se y'all, finish for y'all, dumb